Original subtitles

TOO SKINNY-- WAY TOO SKINNY.

LIKE, IF I STAND BESIDE HER, IT'S NOT GONNA BE RIGHT.

THIS IS THE END OF THE AUDITION,

AND I AIN'T GOT NOBODY I'M REALLY HAPPY WITH,

BUT I STILL WANT GIRL DANCERS.

- I MISS YOU. - I MISS YOU TO PIECES.

YOU WANNA COME SEE ME?

UH, YOU THINK YOUR SISTERS WILL BE OKAY?

I DON'T THINK WE SHOULD TELL THEM.

I THINK WE'VE HAD ENOUGH TALKING ABOUT DOING THE ALBUM,

AND WE NEED TO SIT DOWN AND REALLY WORK ON IT.

♪ TURN THE TV OFF ♪

THAT'S TOO CORNY.

THE MELODY IS DATED, DATED, DATED.

OKAY, SO THIS IS NOT THE TONI SHOW, ALL RIGHT?

NOBODY'S AGREEIN'.

NOBODY'S VIBIN' WITH EACH OTHER RIGHT NOW.

- IT'S SO R&B. - IT'S NOT R&B.

- IT'S SO-- - IT'S NOT R&B.

YOU'RE THE ONE WHO STARTED PLAYIN' IT.

♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO ♪

♪ ON BRAXTON FAMILY VALUES ♪

- GOOD MORNING, TREENY. - GOOD--

ARE YOU GOIN' SOMEWHERE? - I'M HOME.

WHAT DO YOU MEAN-- 'CAUSE I'M DRESSED AND STUFF?

YEAH, WE DIDN'T EVEN HAVE BREAKFAST.

I JUST SLIPPED STUFF ON-- THAT'S ALL.

OH, JUST A LITTLE SOMETHING YOU THREW ON?

JUST SOMETHIN' THAT I THREW TOGETHER.

WHERE'S TRACI-- SHE AIN'T READY YET?

- MM-MMM. - TRINA, WHAT IS THAT?

CAN YOU PUT SOME MORE CHICKEN BROTH?

DON'T-- TOWANDA, DON'T MESS WITH MY STUFF.

BUT, WHY DIDN'T YOU SMASH UP THE GARLIC?

WELL, WHY DIDN'T YOU MAKE IT?

WE'RE EATIN' ALL THIS FOR BREAKFAST?

THIS IS KINDA HEAVY FOR BREAKFAST.

WELL, YOUR MAKE-UP IS HEAVY FOR BREAKFAST.

- NO, THIS-- NO, IT'S NOT. - IT'S LIKE A FULL BEE.

NO-- WHAT, YOU WANT ME TO HAVE A HALF BEE?

WHEN I WAS TALKING ABOUT LIVING WITH TOWANDA AND TRACI,

I COMPLETELY FORGOT ABOUT THE ANNOYING THINGS

THAT MAMA OF THE DORM ROOM TOWANDA DOES,

JUST LIKE THIS.

WHEN I'M COOKING, I'M LIKE JULIA CHILDS.

I LIKE TO HAVE A LITTLE DRINKSKY WITH MINE.

I'M MAKING MIMOSAS.

OOH!

IT SOUNDED DELICIOUS ALREADY.

DRINKS FOR BREAKFAST, TRINA?

I THOUGHT WE WERE HERE TO WORK.

FOR SURE.

LIKE, IF WE ACTUALLY HAD SOME VODKA IN THIS HOUSE

OR SOME TEQUILA, I WOULD'VE HAD A SHOT.

I'M THINKING THAT THIS HOUSE IS FABULOUS FOR A PARTY.

- A PARTY? - WE CAN HAVE A SISTER PARTY.

I WANNA HAVE, LIKE, A BAR-CHIX PARTY.

- HOW? - AND INVITE, LIKE,

A COUPLE HUNDRED PEOPLE.

HUNDRED?

- . - TRINA!

OKAY, 'CAUSE WE HAVE THE OUTDOOR SPACE,

AND WE HAVE ALL THIS-- - WE HAVE THE WHAT SPACE?

WE HAVE THE WHAT SPACE? - THE INDOOR-THE INDOOR,

OUTDOOR SPACE-- INDOOR, OUTDOOR, INDOOR, OUTDOOR.

AND THE DOORS, THEY SPREAD OPEN.

- NO! - WHERE?

- WE CAN FIT IN HERE. - NO, WE CAN'T!

NO, TRINA, WE'RE NOT HAVING NO PARTY LIKE THAT.

IT'S NOT LIKE THE FIRE RANGER'S GONNA COME

AND SHUT US DOWN. - NO, MM-MMM.

WHAT?

THAT IS A BRILLIANT PLAN. - NO, IT'S NOT.

BECAUSE IT IS NOT ENOUGH SPACE.

IT IS ENOUGH SPACE!

WE'VE BEEN IN THIS HOUSE FOR TWO LONG WEEKS,

AND WE'VE ACTUALLY MADE NO PROGRESS ON THE ALBUM.

PLUS, TAMAR IS WORKIN' ON HER TOUR.

SO, YOU KNOW, WE CAN'T REALLY BE DISTRACTED

ABOUT THE BAR-CHIX RIGHT NOW, TRINA.

HOW ABOUT WE HAVE A HOUSEWARMING

AND JUST HAVE THE BAR-CHIX BARTEND?

- YEAH, BOOM! - THAT'S NOT THE SAME, THOUGH.

- IT IS-- IT'S BETTER. - IT IS.

BAR-CHIX BENEFIT, WE BENEFIT.

WE GET GIFTS.

WE CAN DO THE HOUSEWARMING THING.

I DON'T MIND A HOUSEWARMING PARTY.

WE'LL GET GOOD GIFTS, AND THAT'S A PLUS.

BUT, I'M GONNA MAKE SURE THAT IT'S A REAL BAR-CHIX EVENT,

WHICH MEANS FESTIVE, PARTY, ANYTHING BUT LOW-KEY.

TRY SOMETHIN' NEW-- MM-HMM, MM-HMM.

TRY IT, TRY IT-- UH-HUH.

MMM! - MM-HMM.

IT'S GOOD, ISN'T IT?

IT'S GOOD. - LET'S AGREE TO DISAGREE.

YOU DON'T LIKE IT?

CRAZY IN YOUR HEAD.

- AND LOOK, LOOK, UP. - YEAH.

I LIKE THAT-- I LIKE THAT.

HEY, MISS T, HOW YOU DOIN'?

- WELL, HI. - HI-- WHAT'S GOIN' ON?

- HOW ARE YOU? - HOW YOU DOIN', BABE?

I'M GOOD-- HOW ARE YOU?

- SWEATY. - HEY, T.

HI.

UM, WHAT-WHAT Y'ALL GOIN' OVER?

WE'RE GOIN' OVER "THE ONE."

OKAY-- WHERE'S TERRELL AT?

I GOTTA HOLLER AT TERRELL, REAL QUICK.

I DON'T EVEN KNOW WHAT'S GONNA HAPPEN

WITH THIS SISTER ALBUM RIGHT NOW,

BECAUSE WE'RE FIGHTIN' ABOUT EVERY GOD DANG THING.

SO, I JUST HAVE TO KEEP DOIN' ME,

'CAUSE THIS TOUR'S COMIN' UP,

AND WE GOTTA FIND US SOME DOPE FEMALE DANCERS A.S.A.P.

I THINK THEY'RE GONNA IMPOSE A PROBLEM.

- WHAT? - THE GIRLS-- THE GIRLS HERE.

DON'T YOU THINK SO?

EVERYTHING'S A DAMN ISSUE.

GIRLS ARE GONNA BE A ISSUE FOR YOU.

I JUST KEEP SAYIN' IT, BUT YOU DON'T WANNA LISTEN.

I REALLY, REALLY, REALLY, REALLY,

REALLY WANNA HAVE FEMALE DANCERS,

AND I KNOW I'LL FIND THE SHORTEST,

BIG-BOOTY GIRLS IN ATLANTA.

BUT, HERE WE ARE, BACK TO TERRELL, HONEY,

NOT WANTIN' NO GIRLS AT MY SHOW AT ALL.

COME TO ATLANTA, AND LET'S GO SEE.

YEAH, BUT YOU'RE STILL MY CREATIVE DIRECTOR.

LIKE-LIKE, AFTER ME, IS YOU.

LIKE, WHAT YOU TALKIN' ABOUT?

SO, DOES HE-- HE KNOWS THE CHOREOGRAPHY TO TEACH THEM?

UH, SOME OF IT.

OKAY, YEAH.

I MEAN, I'M JUST, LIKE, SUPER FRUSTRATED RIGHT NOW

BECAUSE, I MEAN,

I NEED MY VISION TO BE SUPPORTED BY MY TEAM.

BUT, AT THE END OF THE DAY, REALLY, THIS IS HER SHOW,

AND I WANNA GO TO ATLANTA TO AUDITION SOME GIRLS.

I'M NERVOUS ABOUT THE GIRLS THAT ARE HERE IN L.A.

- YOU ARE-- OKAY. - LET-LET ME JUST TELL YOU WHY.

- OKAY. - BECAUSE THIS STARTED OFF,

"WE NEED THIS, AND WE NEED THAT, AND WE NEED"--

AT-AT THIS POINT IN MY CAREER, I NEED TEAM PLAYERS.

SO, I THINK WE SHOULD TAKE A TRIP TO ATLANTA.

CAN WE TAKE ONE DAY AND GO, AND SEE THE GIRLS?

- YEAH. - OR, WE CAN GO VIDEOTAPE...

- OKAY. - PICK THE GIRLS...

WHILE YOU'RE STILL WORKIN' WITH THE GUYS.

YEAH.

BRING THE GIRLS BACK FOR REHEARSAL...

OKAY.

AND WE ALL GO ON TOUR AND HAVE A HAPPY LIFE.

OKAY, SO, I NEED THEM IN REHEARSAL.

YEAH-YEAH. - NO-NO-NO-NO-NO-NO-NO.

I KNOW THAT. - YEAH-YEAH.

WHAT YOU FEEL, T.?

T.T. STILL WANTS THE BOYS. - I KNOW.

HE'S LIKE, "TAMAR,

"YOU'RE NOT GONNA LISTEN TO ME TILL YOU CRACK YOUR FACE."

NO, BUT-BUT AS A ARTIST,

I'M PICTURING IT A COMPLETELY DIFFERENT WAY.

- OKAY. - YOU KNOW WHAT I MEAN?

I WENT WITH THE GUYS ALL THIS TIME.

- RIGHT. - AND I THINK THAT,

YOU KNOW, I'M NOT SAYIN' THE GUYS ARE NOT GONNA BE GREAT.

BUT YOU JUST WANNA TRY SOMETHIN' NEW.

- I JUST WANNA TRY IT. - TRY-TRY-TRY SOMETHIN' NEW.

LET'S TRY IT. - AND BUT, I-I WANT--

I NEED THE SUPPORT OF MY TEAM. - RIGHT-RIGHT.

ESPECIALLY YOU, TERRELL .

BUT YOU TRY THAT WHEN YOU HAVE THE TIME TO TRY IT.

BUT WE DO HAVE THE TIME TO TRY IT.

NO, YOU DO NOT.

I PUT ALL MY TRUST IN-IN EVERYBODY ELSE.

I-I NEED THAT SAME SUPPORT, TOO.

THAT MAKE ME FEEL BAD WHEN NOBODY WANNA AT LEAST TRY MY STUFF.

I'M NOT GONNA SAY "YES" TO IT, SO WHEN IT COME BACK,

AND IT'S SOMETHIN' THAT DON'T WORK,

I DON'T WANNA BE ATTACHED-- - I DIDN'T SAY, "BE OKAY."

I SAID, "SUPPORT ME." - I MEAN, I SUPPORT YOU.

AND DON'T MAKE ME FEEL BAD BECAUSE I WANNA--

YOU KNOW WHAT I'M SAYIN'?

I'M NOT-I'M NOT MAKING YOU FEEL BAD, BUT--

YES, YOU DID.

I JUST WANT YOU TO BE HAPPY.

I WANT YOU TO BE HAPPY.

I WANT YOU-- WHEN YOU GO ON THAT STAGE,

I WANT YOU TO BE LIKE, "THIS IS WHAT I WANT."

AND AT LEAST WE CAN SAY WE TRIED.

WE TRIED, OKAY?

SO, LET'S GO DOWN THERE AND GET THE GIRLS,

AND WE CAN WORK IT OUT.

LET'S JUST MAKE IT HAPPEN.

OKAY?

LOOK LIKE MY SON BIT ME.

- PROBABLY. - HE PROBABLY DID.

HEY, TRAY-RAY. - HEY.

YOUR BABIES USED TO BITE YOU?

- YEAH. - WHY?

- HEY, YOU. - HEY, MA.

- WHAT'S UP, GIRL? - HEY, MIKEY.

MIKEY!

HI, MIKEY! - TOWANDA,

WHY YOU ALWAYS GOTTA HOG PEOPLE?

- LISTEN, LISTEN, HE NAMED-- - HEY, MIKEY.

BUT YOU ALWAYS GOTTA HOG PEOPLE.

WE FINALLY GOT ALL FIVE OF THE GIRLS TOGETHER AGAIN

TO WORK ON THE ALBUM,

AND MY BROTHER SHOWS UP OUT OF THE BLUE.

I'M VERY EXCITED THAT MY BROTHER'S HERE

BECAUSE WE DON'T GET A CHANCE TO SEE HIM THAT OFTEN.

HOWEVER, COMMA,

WE'RE SUPPOSED TO BE CONCENTRATING ON THIS RECORD

AND NOT HAVIN' A FAMILY REUNION.

- WELL, WE'RE GLAD YOU'RE HERE. - YEAH.

- YEAH. - HOW ARE THE KIDS?

YEAH, THEY'RE DOIN' GOOD--THEY'RE DOIN' GOOD.

MIKEY, YOU DON'T NEVER LEAVE BALTIMORE.

I CAME HERE TO HELP WORK ON THE ALBUM.

- WHAT? - YOU GONNA SING ON THE ALBUM?

MOMMY SAID I COULD BE IN THE GROUP.

MOMMY ADDIN' PEOPLE ON-ON THE ALBUM,

AND TALKING ABOUT IT-- - MOMMY AIN'T A-A SHAREHOLDER.

I'M A SHAREHOLDER, NOW.

OH, YEAH, I GOT GOOD STOCK IN THIS.

GO AHEAD, MICHAEL. - .

LET THEM SEE THAT I KNOW WHAT I'M DOIN'.

I INVITED MICHAEL OUT SO HE CAN WORK WITH THE GIRLS

ON THEIR ALBUM.

MICHAEL AND THE GIRLS GREW UP SINGING TOGETHER.

MICHAEL HELPED THEM, MICHAEL ENCOURAGED THEM,

AND THEY WERE FANTASTIC.

SO, I THINK, YOU KNOW, MICHAEL CAN HELP THEM.

YOU CAN'T BE ON THE ALBUM

JUST BECAUSE MOMMY SAID YOU CAN BE ON THE ALBUM.

YOU HAVE TO BE ON THE ALBUM

BECAUSE WE SAY YOU CAN BE A PART OF THE ALBUM.

ALL RIGHT, MIKEY, WHAT SONG YOU WANNA SING?

AM I IN THE GROUP?

NO!

OH.

OKAY, GO AHEAD.

I UNDERSTAND HOW YOU FEEL-- TRUST ME.

- LET'S DO "STEAL AWAY." - OKAY, OKAY.

OKAY, YOU READY?

♪ I AIN'T GOT ♪

- WE GOT THE NOTES RIGHT. - UH, WE BETTER.

YES, WE DID.

♪ I AIN'T GOT LONG ♪

WHY EVERY-- Y'ALL FORGOT LIKE THAT.

I'M JUST TRYING TO MAKE IT 2014-- Y'ALL ARE 1982.

KEEP IT THE WAY IT USED TO BE,

'CAUSE IT USED TO SOUND AMAZING BACK THEN.

'CAUSE WE WAS CHILDREN.

IT STILL-STILL SOUNDED GOOD BACK THEN.

♪ THE TRUMPET SOUNDS ♪

♪ WITH WITH WITH ♪

♪ AND NO ♪

THAT'S IT-- I'M DONE.

NO, I CAN'T REMEMBER MY NOTE.

SHE DON'T WANNA COLOR WITHIN THE LINES.

TONI BRAXTON DIDN'T FORGET NO DAMN NOTE.

SHE JUST DON'T WANNA REALLY SING WITH US.

LIKE, HEY, I MEAN, NO SHADE.

JUST SAY YOU DON'T WANNA SING WITH US.

DON'T WASTE NOBODY'S TIME, AT THE END OF THE DAY.

WHY WE DOIN' THAT FOR?

WHY FOR, THOUGH?

SO, WHY DON'T Y'ALL SING IT, AND I DON'T PARTICIPATE?

WHY-WHY-WHY IS THAT?

COMING UP, ON "BRAXTON FAMILY VALUES"...

I FEEL LIKE WE'RE 12 YEARS OLD ALL OVER AGAIN,

AND TAMAR, THE POUTY 8-YEAR-OLD,

GET TO FUSS AND POUT ABOUT JUST EVERYTHING.

YOU DON'T WANNA SING WITH US.

NO, I SAID, I CAN'T REMEMBER WHICH NOTE I DO.

WE HAVE TO WORK TOGETHER

IF WE'RE GONNA GET THIS ALBUM DONE.

BEAT ME, STAB ME, BREAK ME DOWN.

WHO IS THAT?

- HELLO. - OH, HELL NO!

UH-UH-- UH-UH.

WHO IN THE HELL LEFT THE GATE OPEN?

WHY DON'T Y'ALL SING IT, AND I DON'T PARTICIPATE?

- WHY-WHY-WHY IS THAT? - SO I CAN HEAR IT,

AND I CAN LEARN MY NOTE.

TAMAR CAN'T BE IN HER FEELINGS EVERY TIME SOMETHING GOES WRONG

BECAUSE WE'RE TRYING TO MESH AS A GROUP,

AND IT'S NOT GOING TO BE PERFECT,

IN THE BEGINNING.

THAT'S JUST PART OF THE PROCESS.

OKAY, I'LL PLAY-I'LL SIT OVER HERE, AND Y'ALL SING.

TONI BRAXTON, OH, MY GOD.

YOU CAN'T BE MAD WHEN YOU'RE TALKIN' ABOUT JESUS.

'CAUSE DON'T WANNA SING WITH THE REST OF--

I FEEL LIKE WE'RE 12 YEARS OLD ALL OVER AGAIN,

AND TAMAR, THE POUTY 13-YEAR-OLD--

EIGHT-YEAR-OLD, GET TO FUSS AND POUT ABOUT JUST EVERYTHING.

YOU DON'T WANNA SING WITH US.

NO, I SAID, I CAN'T REMEMBER WHICH NOTE I DO.

JUST SAY YOU DON'T WANNA DO IT.

SIMPLE.

SOMETIME, I GO TO THE LOW NOTE.

SOMETIME, I HAD TO DO TRINA NOTE.

SOMETIME, I HAD TO DO YOUR NOTE.

I NEVER KNOWN YOU TO DO ME AND TRINA AND TRACI'S NOTE.

IT'S ALWAYS BEEN THE LOW NOTE. - NO, SOMETIMES SHE--

NO-NO-NO-- SOMETIMES, SHE DID NOW.

TAMAR, JUST BECAUSE TONI MESSED UP ON A SONG

DOES NOT MEAN THAT SHE DOESN'T WANNA SING WITH THE FAMILY.

ONE HAS NOTHIN' TO DO WITH THE OTHER.

- AND YOU DON'T-- - AND SHE DID DO--

- WHATEVER YOU SAY, GIRL. - I'VE KNOWN YOU ALL YOUR LIFE.

YOU HAVEN'T KNOWN ME ALL MY LIFE.

WAIT-- BUT WHAT YOU READIN' FOR?

I JUST-I GOTTA READ,

'CAUSE YOU'RE GONNA MAKE IT LIKE I DON'T WANNA SING.

WE'RE NOT EVEN GONNA PUT THAT THOUGHT OUT THERE.

BEAT ME, STAB ME, BREAK ME DOWN,

'CAUSE I DON'T REMEMBER MY NOTES.

OKAY, GUYS.

NOW, I'VE BEEN SAYIN' FROM THE BEGINNIN',

YOU KNOW, THAT STUFF FROM THE PAST

IS GONNA CAUSE ISSUES BETWEEN US RIGHT NOW,

WHILE WE'RE TRYIN' TO DO THIS LITTLE ALBUM.

AND, YOU KNOW, HERE WE ARE, NOT GETTIN' ALONG.

I AIN'T COMPROMISIN' 'CAUSE THERE AIN'T NOTHIN' FOR ME TO DO.

I DON'T KNOW WHAT EVERYBODY WANT ME TO DO.

I MEAN, I DONE TOLD EVERYBODY THIS.

I'M A LITTLE BIT OUT THE NATION NOW.

I GOTTA BE HONEST ABOUT IT. - I'VE LOST MY INSPIRATION.

TRINA, EITHER THREE OF A KIND OR A RUN.

WHO TAUGHT YOU HOW TO PLAY THIS GAME?

I PLAYED IT IN COLLEGE.

AFTER THE WHOLE TONI AND TAMAR BLOW UP,

WE'VE ALL DECIDED TO GO OUR OWN SEPARATE WAYS

TO EASE SOME OF THIS TENSION.

MIKEY'S STAYING AT THE HOTEL,

AND I DON'T BLAME HIM FOR WANTING A LITTLE SPACE

FROM HIS BICKERING SISTERS.

WHO IS THAT?

TRINA, DID YOU ORDER SOMETHIN'?

I DON'T KNOW-- WHOEVER IT IS,

THEY'RE KNOCKIN' REALLY HARD 'CAUSE WE DON'T HAVE A DOORBELL.

WE DON'T HAVE INTERNET, EITHER.

HELLO.

OH, HELL NO!

OH, HELL NO-- UH-UH, UH-UH.

WHO IN THE HELL LEFT THE GATE OPEN?

- SURPRISE! - WHOO!

I EVEN BROUGHT MY BAG. - FOR WHAT?

YOU KNOW.

'CAUSE HE'S GONNA SPEND THE NIGHT.

- . - OR A FEW.

- A FEW WHAT? - NIGHTS.

TRINA, YOU DIDN'T EVEN TELL US THAT GABE WAS COMIN'.

- IT WAS A SURPRISE. - A SURPRISE FOR Y'ALL.

NOW, THAT'S SOME MESSED UP .

THIS IS THE VERY REASON WHY

I DON'T WANT TO DO THE WHOLE ROOMMATE THING WITH TRINA,

BECAUSE I KNEW GABE WAS GONNA POP UP.

LIKE A PIECE OF POPCORN-- POP-POP-POP!

HERE YOU GO-- POP-POP!

YOU KNOW?

YOU DIDN'T TELL US THAT GABE WAS COMIN'.

IT'S JUST A MATTER OF RESPECT TO SAY,

"HEY, GUYS, SUCH AND SUCH IS COMIN'."

I LIKE YOUR LITTLE NECKLACE, TOWANDA.

I KNOW I SHOULD'VE TOLD TOWANDA AND TRACI

ABOUT GABE COMING.

WHAT ARE THE RULES, AS FAR AS ENTERTAINING GUESTS?

I THINK THAT IF WE'RE HAVING GUESTS,

THEN WE WOULD LET EACH OTHER KNOW

WHEN WE'RE HAVING GUESTS. - AHEAD OF TIME, YES.

BUT THEY MIGHT'VE SAID "NO."

NOW, HE'S HERE,

AND THEY'LL JUST HAVE TO DEAL WITH IT.

AND PROBABLY BUY SOME EARPLUGS.

HOW LONG YOU STAYIN', THOUGH?

WELL, HE'S HERE TO HELP ME WITH THE BAR-CHIX PARTY.

YEAH.

YOU'RE GONNA BE HERE WHEN WE HAVE THE PARTY, TOO?

YEAH, OF COURSE-- Y'ALL GONNA BE HERE?

I NEED MY BUSINESS PARTNER HERE,

IF WE'RE THROWING A BAR-CHIX PARTY.

BUT THE REAL REASON I ASKED GABE TO COME OVER HERE

IS BECAUSE WE'RE REALLY REBUILDING OUR RELATIONSHIP,

AND WE'VE BEEN AWAY FROM EACH OTHER FOR FAR TOO LONG.

DIDN'T WE MOVE OUT HERE, AWAY FROM OUR FAMILIES,

TO DO AN ALBUM?

NOT ONLY AM I EXTREMELY ANNOYED THAT GABE IS HERE,

AND TRINA DIDN'T EVEN LET US KNOW.

I JUST THINK THAT IT'S FLAT-OUT NOT SMART.

GABE IS A HUGE DISTRACTION TO TRINA,

AND WE'RE TRYING TO WORK ON OUR ALBUM.

I THOUGHT WE WERE PLAYING CARDS!

WE'RE NOT PLAYIN' ANYMORE.

THAT'S NOT FAIR-- THAT IS UNFAIR.

THIS IS PRETTY.

- HEY! - HEY-HEY-HEY-HEY.

SINCE MIKEY'S HERE,

DADDY MADE A SPECIAL VISIT TO SEE ALL OF HIS KIDS,

AND I PRAY THIS DINNER HELPS EVERYONE GET ALONG,

SO WE CAN GET BACK TO WORKING ON THE ALBUM.

HEY, HOW ARE YOU?

HERE, I'M A SURE THING-- THERE WE GO.

OH, I CAME IN AT THE RIGHT TIME,

WHEN THEY GOT THE CHAMPAGNE-YANG.

- WHERE'S BABY? - WHERE'S THE BABY?

- WHERE'S THE BOY? - HE'S COMING.

WHAT ABOUT, "HOW'S TAMAR-- HOW YOU DOIN', TAY?"

HEY, TAMAR.

YES, MY BABY IS COMING,

AND VINCE IS GONNA BRING HIM LATER

BECAUSE I WAS SUPPOSED TO PICK UP TONI,

BUT THERE WAS A MISCOMMUNICATION.

TONI BRAXTON. - HEY.

I'M GONNA KISS YOU LAST-- I MIGHT POP YOU.

I'M NOT SURE YET. - FOR WHAT?

BECAUSE YOU SAID, "TAMAR, COME GET ME, GIRL."

I CAME OVER TO YOUR HOUSE-- - NO.

LISTEN, LET ME TELL Y'ALL HOW THIS WENT.

SO, I GO ALL THE WAY TO TONI'S HOUSE.

- ALL THE WAY. - YOU SAY, "ALL THE WAY,"

LIKE IT'S FAR. - THE NEXT STREET OVER.

YES-- SO, I'M THINKIN', YOU IN THE HOUSE.

EVERYBODY KNOW HOW SCAREDY-CAT I AM.

SO, NOW I'M LIKE, "OH, MY GOD-- WHERE'S TONI?

"I HOPE NOTHING HAPPENED TO HER.

"OKAY."

SO, I'M WALKIN'-RUNNIN' THROUGHOUT THE HOUSE, LOOKIN'.

WHERE'S TONI-- TONI, TONI?

WENT IN THE KIDS' ROOM-- NO TONI.

LOOKIN' ON THE FLOOR, LOOKIN' IN THE CLOSET.

LORD, I HOPE SHE DIDN'T FALL IN THE CLOSET.

WHERE'S TONI-- WHERE'S TONI?

WHY DIDN'T YOU CALL?

YEAH, WHY DIDN'T YOU JUST CALL?

YOU CAN'T-- I AIN'T ON THE TOWER AT HER HOUSE.

THAT'S TRUE.

WAIT-WAIT A MINUTE.

I THOUGHT TONI AND TAMAR JUST HAD A BIG ARGUMENT.

AND THEN, THEY WERE TRYIN' TO RIDE TOGETHER TO DINNER?

WELL, MAYBE THAT'S THEIR WAY OF TRYIN' TO MAKE UP.

BUT, CLEARLY, THAT DIDN'T GO WELL.

ARE YOU BIPOLAR?

YOU FORGOT.

I CALLED YOU-- I SAID, "YOU TAKIN' LOGAN?"

"YEAH, I MIGHT TAKE LOGAN."

HOW ME, YOU, LOGAN, VINCE,

AND THE NANNY GONNA FIT IN THE CAR?

OH.

THERE'S JUST BEEN SO MUCH DRAMA BETWEEN TONI AND I,

AND WE'RE AROUND HERE ACTIN' LIKE AIN'T NOTHIN' WRONG, 'KAY?

AIN'T NOBODY SAID, "I'M SORRY, GIRL."

AIN'T NOBODY SAID, "IT'S MY BAD, TOO."

YOU KNOW, EVERYBODY GOT ON THIS LITTLE POKER FACE.

EVERYTHING IS GREAT.

BUT, IN ACTUALITY, IT'S LIKE...

EVERYBODY GOT A BAND-AID ON.

OH, HERE COMES-HERE COMES THE SUPERSTAR!

HI, BOO-- HI, BOO!

HI.

WATCH-- LOGAN TOOK HIS FIRST WALK TODAY.

I JUST CANNOT BELIEVE THAT HE JUST GOT UP

AND STARTED RUNNIN'.

HEY, VINCE, HOW YOU DOIN'?

LOGIE, HI.

HEY, POO.

- AH! - LOOK AT HIM.

THAT IS CRAZY. - UH-HUH.

HEY, WALKIN' BOY.

HE'S GOIN' STRAIGHT TO THE KITCHEN, RIGHT?

THAT IS CRAZY!

WAIT A MINUTE, HOLD ON-- Y'ALL WANNA SEE LOGAN DO RAY CHARLES?

- LET ME SEE. - HE CAN DO RAY CHARLES?

Y'ALL GOTTA SEE HIS--

Y'ALL GOT SEE HIS NUMBER ONE...

R&B HIT. - SONG.

READY, WATCH THIS-- FIVE, SIX, SEVEN, EIGHT.

♪ A B C D E F G ♪

♪ H I J K ♪

♪ L M N O P ♪

♪ Q R S HALLELUJAH ♪

♪ T U V HOW WE DOIN' ♪

♪ W X Y AND Z ♪

♪ NOW I KNOW MY ABCs ♪

♪ NEXT TIME WON'T YOU SING WITH ME ♪

♪ SING WITH HIS FAMILY ♪

NOW, THIS IS THE BRAXTON FAMILY I KNOW.

YOU KNOW, WE'RE SITTIN' AROUND, HAVIN' A GREAT DINNER.

NOBODY'S ARGUIN'.

EVERYBODY'S PLAYING WITH THE BABY.

I'M THINKIN' THIS ALBUM COULD DEFINITELY HAPPEN,

AT THIS POINT.

I'M REALLY EXCITED.

LIKE, FOR ONCE, WE'RE AT A TABLE,

AND WE AIN'T ARGUIN' ABOUT NOTHIN'.

- HEAR-HEAR! - WILL HE DO IT?

HEAR-HEAR!

CLINK-CLINK-CLINK-CLINK- CLINK-CLINK-CLINK.

HALLELUJAH-- OH, YES, YES, YES.

THAT'S KINDA NICE.

HOW DO Y'ALL THINK MOMMY IS FEELIN'

ABOUT NOT BEIN' A PART OF THIS-- THE ALBUM?

I THINK MOMMY'S GLAD WE'RE DOING IT,

BUT I THINK SHE FEELS LEFT OUT.

I WOULD HAVE TO AGREE.

TRACI, WHAT YOU THINK?

THERE'S NO NEED FOR US THREE JUST TO KEEP TALKIN'.

WE'RE STILL MISSIN' TWO ENTITIES.

THIS BIG FAMILY DINNER DIDN'T DO ALL THAT MUCH

TO MOTIVATE ALL THE GIRLS TO GET BACK TO THE HOUSE

TO WORK ON THE ALBUM.

NOW, EVERYBODY'S SAYING,

"OH, I'M BUSY PREPPING FOR MY TOUR,"

AND THE THREE OF US ARE SITTING IN THIS EXPENSIVE RENTAL HOUSE

JUST TWIDDLING OUR THUMBS.

EVERYBODY'S GETTING BUSY,

AND IT JUST ALWAYS SEEMS LIKE...

EVERYBODY HAS THEIR OWN BUSY AT DIFFERENT TIMES.

WELL, PLUCK MY CHICKEN 1,000 TIMES.

I-YOU-- MMM-MMM-MMM.

- WHAT? - UH, THIS-- REALLY?

WERE YOU JUST ABOUT TO PUT THAT ORANGE JUICE

TO YOUR LIPS? - ON YOUR-IN YOUR MOUTH?

COMING UP, ON "BRAXTON FAMILY VALUES"...

MOMMY, DON'T EAT THAT.

THAT'S-THOSE ARE MEDICAL BROWNIES.

I DIDN'T BELIEVE HER.

THERE IS NOTHING FUNNY ABOUT THOSE BROWNIES.

TRUST ME.

OH, MY GOSH!

I'M SO TIRED OF TALKING ABOUT THIS RECORD.

ME, TOO.

I'M FRUSTRATED, TOO,

BECAUSE WE'VE BEEN HOPING, AND WISHING, AND PRAYING

FOR THIS TO HAPPEN FOR A LONG TIME.

IF IT DOESN'T COME TO FRUITION,

I'M-I'M GONNA BE PISSED.

WELL, PLUCK MY CHICKEN 1,000 TIMES.

I-YOU-- MMM-MMM-MMM.

- WHAT? - UH, THIS-- REALLY?

WERE YOU JUST ABOUT TO PUT THAT ORANGE JUICE

TO YOUR LIPS? - ON YOUR-IN YOUR MOUTH?

SEE?

THIS IS EXACTLY WHAT I'M TALKING ABOUT.

WE ARE IN THE MIDDLE OF A MEETING ABOUT THE ALBUM,

AND HERE COMES HAPPY-ASS GABE,

PUTTIN' HIS LIPS ON MY JUICE CONTAINER.

HOW ARE WE SUPPOSED TO GET ANYTHING DONE?

REALLY, TRINA-- BAD IDEA.

I'M A FEMALE-- PUT ON SOME PANTS.

MY BOXERS ARE JUST AS LONG AS YOUR SKIRT.

NOBODY WANNA SEE DICK-DICK VAN DYKE ALL OVER THE PLACE.

SHE'S RIGHT.

.

YOU'RE STUPID.

ALL RIGHT, I'M GOING TO PUT ON SOME PANTS.

- THANK YOU. - THANK YOU.

- YOU'RE STUPID, TRACI. - OOH, .

- DON'T WAVE AT ME. - BYE.

HE HAS A CASE OF--

HE WAS ALL IN OUR CONVERSATION.

YOU-YOU SHOCKED?

GABE IS AN INDIVIDUAL WHO NEEDS AND REQUIRES BOUNDARIES.

GABE, IF YOU DON'T BEHAVE,

YOU'RE GOING TO FEEL THE WRATH OF TOWANDA BRAXTON, OKAY?

TELL ME MORE ABOUT THE ALBUM.

WHAT'S GOIN' ON? - WHY YOU NEED TO KNOW?

- GOSH. - SO, WILL THERE BE, LIKE,

ANY CAMEO ARTISTS SINGIN' ON IT?

MMM-MMM-MMM.

GABE, THAT'S THREE STRIKES FOR YOUR LITTLE MONKEY ASS.

FIRST, YOU WANNA DRINK OUT OF THE JUICE BOTTLE,

YOU WALKIN' AROUND WIT' YOUR UNDERWEAR,

AND YOU'RE GIVIN' YOUR OPINION.

THAT'S TOO MUCH.

I WANNA KNOW WHAT THIS ALBUM IS ABOUT,

AND Y'ALL WON'T TELL ME ANYTHING.

IT'S ABOUT LOVE.

UH, NO, NOT THAT, HONEY.

EW, NO.

WE'LL TALK ABOUT IT LATER WHEN WE'RE IN THE BED.

HEY, LADIES-- HOW ARE Y'ALL TODAY?

- FINE. - OKAY-- HOW ARE YOU?

GOOD-- THANK YOU.

CAN I BRING YOU ALL ANYTHING TO DRINK, TO START?

CAN I GET A, UH, LEMON DROP?

- MMM-HMM. - I'LL GET THE ICE WATER.

- ICE WATER? - WITH A STRAW.

OKAY, ALL RIGHT-- BE RIGHT BACK WITH THAT.

- THANK YOU. - YOU'RE WELCOME.

TRACI, TRINA, AND I WAS--

WE WERE GETTIN' A LITTLE BIT OF CABIN FEVER,

SO WE HAD TO GET OUT OF THE HOUSE

TO DO SOMETHIN' WITHOUT GABE, OKAY?

BUT, SOMEHOW, WE LOST TRINA ALONG THE WAY.

OKAY, NOW I'M GONNA CALL TRINA

BECAUSE IT'S BEEN A MINUTE SINCE WE'VE BEEN SITTIN' HERE.

- HELLO? - HEY, TREENY.

WHERE ARE YOU? - I'M ALMOST THERE.

I'LL BE THERE IN-IN EIGHT-TENTHS OF A MILE.

OKAY, WHAT'S WRONG?

IT'S JUST EVERYTHING IS WORKIN' ON MY NERVES

RIGHT NOW, TOWANDA.

YOU WANT ME TO ORDER YOU SOMETHIN'?

SOMETHIN' TO DRINK, SO IT'LL BE HERE WHEN YOU--

UM, YEAH, A MARTINI WITH LYCHEE BALLS.

OKAY, TRINA, BE SEEING YOU IN A MINUTE.

TRINA, SHE SEEMS TO BE A LITTLE ANNOYED.

I DON'T KNOW WHY SHE'S ANNOYED OR UNHAPPY RIGHT NOW,

BECAUSE SHE HAS HER HUSBAND HERE, AT LEAST.

AND ME AND TRACI, WE DON'T HAVE ANYBODY HERE.

WE DON'T HAVE THAT LUXURY.

I'M FRUSTRATED BECAUSE I MISS MY KIDS.

WELL, PRAISE GOD FROM WHO ALL BLESSINGS FLOW.

- HALLELUJAH. - HEY, SORRY.

HEY, MY GOODNESS.

YOU GUYS GOT MY FAVORITE DRINK.

- YES, WE DID-- YOU OKAY? - MMM-HMM.

YOU SOUNDED A LITTLE FRUSTRATED ON THE PHONE.

I'M A BIT FRUSTRATED.

YOU KNOW, I HAD SOME PHONE CALLS TO MAKE AT HOME.

YOU KNOW, TEENAGERS. - OH.

MY BOYS ARE NOT LITTLE CHILDREN.

THEY ARE 19 AND 16 YEARS OLD.

SO, DON'T CALL ME AND TELL ME, "OH, ERIC'S IN MY ROOM.

"CALEB'S IN MY ROOM."

FIGURE IT OUT!

BEING AWAY FROM MY FAMILY, BEING AWAY FROM MY CHILDREN,

IT'S A LOT. - YEAH.

WE HAVE TWO TEENAGERS, WHO ARE 3,000 MILES AWAY,

AND THEY STILL NEED PARENTAL GUIDANCE,

AND I FEEL LIKE I'M NEGLECTING THEM JUST A LITTLE BIT,

SINCE WE'RE NOT ACTIVELY WORKING ON THIS ALBUM.

SO, WHY AM I HERE?

I'M SO TIRED OF TALKING ABOUT THIS RECORD.

ME, TOO.

IT'S LIKE WE KEEP TALKING ABOUT IT,

AND IT'S LIKE NOTHING IS COMING TO FRUITION,

AND IT FRUSTRATES ME TO FULL CAPACITY.

WE MADE THAT COMMITMENT.

WE MADE THAT DEDICATION TO COME HERE, AND TO STAY HERE,

AND TO LIVE WITH-- BECAUSE TAMAR AND TONI,

THEY HAVE THEIR FAMILIES HERE,

AND WE PUT OUR STUFF ON HOLD TO COME HERE,

TO DO WHAT WE SAID THAT WE WERE GOING TO DO,

AND IF IT DOESN'T COME TO FRUITION,

I'M-I'M GONNA BE PISSED.

IT'S LIKE...

TRINA IS WORKIN' ON THE ISSUE WITH HER HUSBAND.

I'M WORKIN' THE ISSUES WITH MY HUSBAND AND MY SON AT HOME.

TOWANDA HAS LITTLE KIDS AT HOME.

THIS IS SOME BULL.

- ABSOLUTELY. - BECAUSE, ON ONE HAND...

SHE THINKS SHE KNOW EVERYTHING. - YEAH.

ON ANOTHER HAND, TONI IS A VETERAN,

AND SHE DOESN'T LIKE TO GIVE UP CONTROL.

BUT, THAT'S WHO WE'VE LEARNED FROM.

YEAH, WE DEFINITELY LEARNED FROM TONI.

- WE LEARNED FROM HER, SO-- - I JUST DON'T WANT US

TO CONFLICT WITH, YOU KNOW,

PEOPLE THINKIN' THEY'RE RIGHT ABOUT EVERYTHING.

- MMM-HMM. - EVERYTHING.

BUT THAT HAPPENS EVEN IF WE'RE NOT SINGIN'.

- YEAH. - WHAT ARE YOU TALKIN' ABOUT?

I DON'T DISAGREE WITH TRINA AND TRACI'S FRUSTRATION

BECAUSE I'M FRUSTRATED, TOO.

HOWEVER, COMMA,

SOMEBODY HAS TO BE THE POSITIVE VOICE IN ALL OF THIS.

BECAUSE, REALLY, WE'VE BEEN HOPING,

AND WISHING, AND PRAYING FOR THIS TO HAPPEN FOR A LONG TIME,

AND WE OWE IT TO OURSELVES TO MAKE SURE THAT IT HAPPENS

AND NOT GIVE UP.

HONESTLY SPEAKING, I HAVE FAITH,

AND I DON'T THINK THAT OUR TRIP OUT HERE IS GONNA BE IN VAIN.

SO, LET'S JUST GIVE A TOAST FOR SISTERHOOD.

WE ARE THE TOASTING-EST PEOPLE

IN THE WHOLE ENTIRE WORLD.

CLINK-CLINK-CLINK-CLINK- CLINK-CLINK-CLINK-CLINK.

OKAY, HERE'S YOUR ONE EGG.

WHAT YOU MAKIN'?

WE ARE MAKIN' BROWNIES.

TRACI KNOW IT-- YOU NEED A FORK?

NO, I USE THE WHISK.

CAN YOU, UM, PUT THAT IN THERE, PLEASE?

I WAS THINKIN', INSTEAD OF OIL,

WE CAN USE THIS.

SINCE, CLEARLY,

WE'RE NOT WORKIN' ON THE ALBUM RIGHT NOW,

I JUST THOUGHT, BEIN' SO STRESSED OUT,

WE NEED TO DO SOMETHIN' FUN.

LIKE, YOU KNOW, THE FUN THAT WE HAD IN JAMAICA.

YOU KNOW, AND I HAVE A MEDICAL CARD

FOR SOME INSOMNIA ISSUES THAT I'VE HAD,

AND I BOUGHT SOME GANJA BUTTER,

AND I JUST FIGURED THAT WE CAN MAKE SOMETHIN' FUN,

SO THAT, YOU KNOW, WE WON'T BE STRESSED.

TRINA, CHECK THE BROWNIES WHILE YOU OVER THERE.

NO, I DON'T THINK IT'S DONE YET.

ABOUT SEVEN MORE MINUTES.

GOOD.

- HELLO? - HEY, WHAT'S UP?

HEY, MIKEY.

IT'S ME, AND TOWANDA, AND TRACI.

- YOU'LL BE HERE VERY SOON? - OKAY, VERY SOON?

OKAY.

- ALL RIGHT, BYE. - OKAY-- BYE.

ALL RIGHT, BYE.

MIKEY TOLD US HE WAS STOPPING BY TO SAY "HI"

BEFORE HIS FLIGHT HOME,

BUT WE DID NOT KNOW HE WAS GONNA BRING MOMMY.

GOD!

A LAYER OF FEAR HAS TAKEN OVER MY BODY.

MAYBE SHE WON'T NOTICE THE SMELL OF POT BROWNIES.

NO, NO, WE'RE SCREWED.

IT SMELLS VERY SMELLERIZED.

COMING IN!

OOH, WHAT'S THAT SMELL? - JESUS, MARY, AND JOSEPH.

COMING UP, ON "BRAXTON FAMILY VALUES"...

THAT IS SO DISGUSTING!

THAT IS HORRIBLE.

YOU JUST TRIED IT.

HEY, LADIES.

HI.

- HOW WE DOIN' TODAY? - GREAT.

- GREAT NOW. - BETTER NOW, HUH?

- YES. - YEAH.

WE GOT CHOCOLATE CARAMEL CHEW.

AND THESE ARE ALSO FUN, TOO.

, PEACH RINGS, YOUR WATERMELON RINGS.

CARAMELS THEY COME IN.

YOU CAN PUT CARAMEL IN YOUR COFFEE, IF YOU WANTED TO,

AND SWIRL IT IN. - REALLY?

AND TAFFY CHEWS.

YOU EAT THIS WHOLE THING, YOU MIGHT SLEEP REALLY GOOD,

BUT YOU MIGHT WAKE UP A LITTLE ON THE GROGGIER SIDE.

SO THAT'S WHY YOU WANNA--

ON THE MORE OF A HIGH STILL SIDE.

- YEAH. - DO YOU HAVE STUFF, LIKE,

UM, THAT WE CAN COOK, LIKE, BUTTER OR SOMETHIN'?

WE DO GOT BUTTER-- YOU CAN DO THAT AS WELL.

- REALLY? - MMM-HMM.

THIS IS THE GANJA LOVE BUTTER.

ANYTHING WITH THE WORD "LOVE" IN IT SOUNDS GOOD TO ME.

- AH. - YES.

- MOMMY HAS A KEY. - COMING IN!

- HEY, MOMMY. - HI, MOMMY.

- HEY, MOM! - IT'S ME AND YOUR BROTHER.

LOOK AT YOU GUYS. - HEY.

- HEY. - OH, WHAT'S THAT SMELL?

- BROWNIES. - OOH, YES.

WHERE ARE THEY?

THEY STILL IN THE OVEN? - THEY'RE DONE NOW.

TRINA'S GONNA TAKE 'EM OUT RIGHT NOW.

WHY DO I HAVE TO TAKE 'EM OUT?

I'LL TAKE 'EM OUT-- I'LL TAKE 'EM OUT.

OKAY.

I SHOULD'VE KNOWN MOMMY WAS GONNA BE ABLE TO SMELL BROWNIES

AS SOON AS SHE CAME INTO THE HOUSE.

NOT ONLY DOES SHE HAVE A SWEET TOOTH,

BUT SHE HAS A SWEET NOSE.

LET'S SEE-- YOU GOT ICE CREAM?

YOU'RE NOT HAVIN' NONE, ANYWAY.

- OH, I'M HAVING SOME OF THIS. - OH, NO, YOU'RE NOT.

- OH, YES, I CAN TELL YA THAT. - OH, NO.

MOMMY, THAT'S NOT GOOD FOR YOUR DIABETES.

BUT I'M NOT SURE HER NOSE IS WHAT IT USED TO BE,

BECAUSE SHE DIDN'T NOTICE THE SPECIAL SMELL

OF THESE PARTICULAR BROWNIES.

- LISTEN. - HUH?

YOU CANNOT HAVE THESE BROWNIES.

I SURE CAN.

I'M GONNA EAT A LITTLE PIECE. - FIRST OF ALL-FIRST OF ALL,

MOMMY CAN'T HAVE THESE BROWNIES.

I'M GONNA EAT A LITTLE SECTION.

- THESE ARE MEDICAL BROWNIES. - MICHAEL NOT MY DADDY.

Y'ALL BETTER TELL-- Y'ALL BETTER ASK SOMEBODY.

- THEY MAKE YOU GO TO SLEEP. - I'M IN CHARGE, STILL.

CAN YOU TELL MOMMY?

- WHAT? - THEY'RE GOOD BROWNIES.

GO AND GET YOURSELF A PIECE. - WHAT?

WHAT'S FUNNY? - NOTHIN'.

MOMMY, YOUR SON!

YOU KNOW, MY BROTHER IS SO NONCHALANT.

I DON'T THINK ANYTHING THAT WE DO SURPRISES HIM ANYMORE.

NOTHIN'-- NOT EVEN THIS.

NOPE.

MOMMY, DON'T EAT THAT.

THAT'S-THOSE ARE MEDICAL BROWNIES.

YOU CANNOT EAT THOSE. - WHAT DO YOU MEAN, MEDICAL?

MOMMY, IF YOU EAT THAT, I PROMISE--

DON'T EAT THOSE BROWNIES.

NO! - WHAT?

YOU CANNOT HAVE THESE BROWNIES!

- WHAT-- WHY? - OH, MY GOSH!

I DON'T UNDERSTAND.

YOU KNOW, PEOPLE WHO HAVE SLEEPING DISORDERS,

GLAUCOMA...

CANCER PATIENTS... - OH.

LEUKEMIA PA-- ANY, YOU KNOW, THEY CAN EAT THESE BROWNIES.

YOU CANNOT EAT THESE BROWNIES.

I DIDN'T BELIEVE HER.

THERE IS NOTHING FUNNY ABOUT THOSE BROWNIES.

TRUST ME.

THEY'LL SAY ANYTHING TO STOP ME FROM EATING THE BROWNIES.

'CAUSE, AFTER ALL, I AM DIABETIC.

Y'ALL JUST SAYING THAT SO I WON'T EAT IT.

- NO, DON'T EAT-- - I KNOW Y'ALL-- UH-UH.

DON'T-- MOMMY, DON'T EAT ANYMORE OF THAT BROWNIE.

I'M READY-- LET'S GO, BOY.

WE GOTTA CALL TONI AND TAMAR.

WHO DRIVIN'-- ME OR YOU?

- I'LL DRIVE. - OH, LORD.

THREE MILLION DOLLAR HOUSE AND NO DOORBELL.

HELLO! - WHAT?

YOU KNOW I GOTTA YELL LIKE I'M IN THE 'HOOD,

'CAUSE Y'ALL AIN'T GOT NO DOORBELL!

THE GIRLS DECIDED THAT WE NEED TO HAVE

ONE OF THEIR LITTLE FUN SLUMBER PARTIES LIKE WE USED TO HAVE.

AND, FOR REAL,

WE DEFINITELY NEED A LITTLE INSPIRATION

FOR OUR INSPIRATIONAL ALBUM.

AND, SHE'S HERE AND READY TO HAVE FUN,

SO NOBODY CAN ACCUSE HER OF NOT BEING A TEAM PLAYER.

SHE IS NOT THE PROBLEM AND IS READY TO TURNT UP, OKAY?

IS TRINA GONNA MAKE YOU A DRINK?

WE CAN'T DRINK WITHOUT A DRINKING GAME.

WHOO!

HERE'S THE FUN-- SHE DONE BROUGHT THE FUN.

WE SENT GABE TO A HOTEL FOR THE NIGHT,

SO WE COULD HAVE THE HOUSE TO OURSELVES,

AND ME AND THE GIRLS DID SOME PRE-PARTYING.

SO WE'RE READY TO HAVE A GOOD TIME.

OKAY, SO, LISTEN.

WE GOTTA GET THE PARTY STARTED TO LOOSEN EVERYTHING, OKAY?

YOU HAVE TO PICK.

DON'T OPEN IT TILL EVERYBODY GET THEIRS.

SO, THIS GAME IS, LIKE, HALF DARE, HALF DRINKING GAME.

BUT, YOU KNOW, YOU REALLY DON'T HAVE TO DRINK,

AS LONG AS YOU DO WHAT THE CARD SAYS.

I DON'T KNOW IF I LIKE THIS-- OKAY.

READ IT, TONI-- READ IT!

"EAT A SPOONFUL OF MAYO... OR TWO SHOTS."

- TAKE YOUR PICK. - TWO SHOTS, BOO!

WHICH ONE YOU WANT T-TONI?

YOU WANT A SPOONFUL, OR YOU WANT TWO SHOTS, GIRL?

♪ THE MAYONNAISE OR THE SHOTS ♪

♪ WHAT ♪ - LET ME SEE THEM BOTH.

♪ THE MAYONNAISE OR THE SHOTS ♪

SWALLOW IT!

SWALLOW IT!

- OH, MY GOD! - SWALLOW IT-- EW!

THE TWO SHOTS IS A WIN-WIN.

FIRST OF ALL, YOU'RE DRUNK, AND, YOU KNOW,

YOU AIN'T GOT NOTHIN' BAD IN YOUR STOMACH, YOU KNOW?

YOU PUT THE MAYO IN YOUR MOUTH,

YOU'RE SICK TO YOUR STOMACH ALL NIGHT LONG.

NO, NO, YOU GOTTA SWALLOW IT!

SHE PUT IT IN THE TRASH!

YOU CAN'T PUT IT IN THE TRASH!

SWALLOW IT, SWALLOW IT, SWALLOW IT.

SO, YOU KNOW, OF COURSE, TONI'S GOING TO PICK THE MAYO

BECAUSE SHE'S A LITTLE BIT DIFFICULT,

AND WE'RE PRAYING FOR HER.

YOU GOT WHITE ON-AROUND YOUR LIP.

I AM NOT REALLY A DRINKER.

I DON'T LIKE HOW DOING SHOTS MAKE ME FEEL FOR DAYS LATER.

WHEREAS, MAYONNAISE, THAT'S A GOOD THING.

I LOVE MAYONNAISE.

I'M A MAYONNAISE GIRL.

I FELT GOOD ABOUT MY MAYONNAISE.

A LITTLE NAUSEOUS 'CAUSE IT WAS TOO MUCH,

BUT I FELT GOOD ABOUT IT.

OKAY, T-- UH, OKAY, TO--

OKAY, GO AHEAD. - TOWANDA.

PICK IN BETWEEN YOUR TOES AND SMELL IT,

AND YOU CAN'T WASH YOUR HANDS UNTIL YOU EAT A STRAWBERRY.

WHAT THE YOU THINKIN'?

THAT IS SO DISGUSTING-- THAT IS HORRIBLE.

I CAN'T BELIEVE I PICKED THAT PIECE OF PAPER.

GIRL, YOUR TOES ARE REAL, REAL NASTY, TOO.

TOWANDA STICK YOUR FINGER-- ALL OF 'EM.

NO, ALL LIKE THAT-- YOU GOTTA DO IT LIKE THAT.

SMELL IT-- SMELL YOUR FINGERS.

NOW, EAT THE STRAWBERRY.

HERE, DON'T TOUCH MY FINGER, TOWANDA.

- OKAY, OKAY, READY? - DON'T TOUCH MY FINGER.

OKAY-OKAY-OKAY, READY?

YOU GOTTA-YOU GOTTA GRAB THE STRAWBERRY FROM HERE.

- TAMAR, YOU ADDIN' RULES. - NO, I'M NOT-- NO, I'M NOT.

I THINK YOU ADDIN' RULES BECAUSE IT'S ME.

YOU GOTTA GRAB THE STRAWBERRY FROM HERE.

I JUST BELIEVE SHE'S ADDIN' RULES BECAUSE IT'S ME.

JUST BE QUIET AND DO IT-- JUST DO IT.

YOU GOTTA GRAB THE STRAWBERRY FROM HERE.

YOU TALKIN', MAYO WOMAN?

- EAT IT! - EAT IT!

COMING UP, ON "BRAXTON FAMILY VALUES"...

WAS I TRYING IT, JUST NOW?

SUCK MY BALLS.

I AM GETTIN' OUT OF THE LINE OF FIRE

BEFORE IT GETS TOO DANGEROUS IN HERE.

WHY ARE YOU WALKIN' AROUND THE HOUSE NAKED?

NOW, EAT THE STRAWBERRY.

- EAT IT, EAT IT, EAT IT! - EAT IT!

EAT IT!

THAT'S THE WORST EVER!

- OH, MY GOD! - EW!

THAT IS SO NASTY.

I KNEW MY FEET WERE CLEAN.

SORTA.

NEXT!

WHAT IS IT?

- I GET ALL THE DUMB STUFF. - YOU PICKED IT.

- WHAT WAS IT? - TWERK ON THE TABLE.

OH, DAMN-- I WANTED THAT!

OH, TRINA'S NOT GONNA TWERK RIGHT.

GO ON, MILEY CYRUS-- STICK IT OUT.

AND KISS MY ASS.

TRINA BRAXTON CANNOT TWERK, M'KAY?

SHE STILL TALKS WITH A CANADIAN ACCENT,

AND THEY DON'T TWERK IN CANADA YET.

- HEY-HEY-HEY! - POP IT, POP IT.

HARDER.

DON'T BREAK IT, THOUGH-- DON'T BREAK IT, THOUGH.

DON'T BREAK IT.

- HEY-HEY-HEY-HEY! - POP IT, POP IT, POP IT.

HARD, POP IT. - I ENJOYED THAT.

I ENJOYED THAT. - POP IT.

I LOVE MY BODY, AND I LOVE MY CURVES,

AND I LOVE SHOWING IT OFF.

IT'S NOT PERFECT,

AND THERE ARE SOME THINGS I MIGHT CHANGE,

AND I'D LIKE TO CHANGE.

BUT, SINCE HAVING MY HERNIA SURGERY ON MY STOMACH,

IT'S A LITTLE THICKER THAN I'D LIKE IT TO BE.

BUT IF I WERE A BIT SMARTER,

I PROBABLY GOT-WOULD'VE GOTTEN IT SUCKED OUT.

ALL OF US KNOW, I'VE ALWAYS HAD A FLAT STOMACH.

BUT WHEN YOU HAVE A HERNIA THE SIZE OF A LEMON

ON THE TOP OF YOUR BELLY BUTTON,

AND A HERNIA THE SIZE OF A GOLF BALL--

HOW DID YOU LET IT GET THAT BIG?

I DIDN'T KNOW WHEN I GOT--

YOU JUST THOUGHT YOU WAS GETTIN' FAT.

- I HAD-- YES, I DID. - SHUT UP.

AND THAT IS WHAT EXACERBATED EVERYTHING

WITHIN THE REST OF MY BODY.

LET ME ASK YOU A QUESTION. - OKAY, GO AHEAD.

SO, HOW'D IT FEEL FOR YOU WHEN YOU GOT IT DONE?

YOU JUST TRIED IT.

WAIT-WAIT-- WAS I TRYING IT, JUST NOW?

ALL THE WAY-- YOU TRIED IT TO CAPACITY!

- NO, IT WASN'T-- IT WASN'T. - BUT, WAIT-WAIT A MINUTE.

BUT, SINCE SHE WENT THERE-- HOLD UP.

- THAT WAS NOT TRY-ER-IZATION. - UH-UH.

TRINA, TRINA, LISTEN, LISTEN. - IT WAS NOT TRY-ER-IZATION.

SINCE YOU-- TRINA, YOU MADE A LEFT ON SHADE LANE.

I'M GONNA MAKE IT FOR YOU, OKAY?

I'M GONNA OPEN UP THE .

I DID NOT GET IT.

HAD I HAD IT, MY STOMACH WOULD BE FLAT AFTER LOGAN.

I DON'T WHAT THE

TRINA BRAXTON IS TALKIN' ABOUT, OKAY?

IT'S LIKE MY SISTERS, LIKE, LOOK AT BLOGS AND

TO GET THEIR INFORMATION.

LIKE, I MEAN,

I'VE BEEN BOOKED FOR THE PAST FOUR YEARS.

I-I DON'T KNOW WHAT SHE'S TALKING ABOUT.

OOH, THAT'S REAL HEIFERISH, THOUGH.

I'M GOIN' HOME TO MY MAN, 'CAUSE Y'ALL ARE DRUNK,

AND GOOD-NIGHT. - YOU KNOW WHAT?

I KNEW THINGS WERE JUST GOIN' A LITTLE TOO WELL.

CAN WE, LIKE, PLEASE, JUST GO THREE SECONDS

WITHOUT SOMEBODY FIGHTING ABOUT SOMETHIN',

OR ARGUIN', PLEASE?

- TRINA? - HUH?

SUCK MY BALLS.

ALL I KNOW IS,

I'M SO GLAD THAT IT'S NOT ME IN THE MIDDLE OF THIS ARGUMENT.

I AM GETTIN' OUT OF THE LINE OF FIRE

BEFORE IT GETS TOO DANGEROUS IN HERE.

LET ME TELL YOU SOMETHIN'-- IF I HAD LIPOSUCTION,

I WOULD SEND YOU TO MY DOCTOR BECAUSE YOUR ASS NEEDS IT.

GOOD-NIGHT. - I-I ACTUALLY DON'T.

YOU DO!

YOUR STOMACH LOOK LIKE A LOAF OF BREAD!

GET OUTTA HERE! - ACTUALLY,

WOULD YOU LIKE TO SEE? - GOOD NIGHT!

MY STOMACH DOES NOT LOOK LIKE A LOAF OF BREAD.

GOOD-NIGHT!

THANK YOU.

WHY ARE YOU WALKIN' AROUND THE HOUSE NAKED?

IF WE CAN'T EVEN GET THROUGH A SLUMBER PARTY TOGETHER,

HOW ARE WE GONNA DO A WHOLE ALBUM?

I FEEL LIKE ALL THIS TIME WE SPENT MOVIN' TO L.A.

AND PLANNING TO DO AN ALBUM, IS JUST FOR NOTHING.

THAT'S NOT A LOAF OF BREAD, BUT THAT'S LIPO!

OH, MY GOD-- I CAN'T TAKE IT!