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These are the user uploaded subtitles that are being translated: 1 00:00:03,503 --> 00:00:04,970 TOO SKINNY-- WAY TOO SKINNY. 2 00:00:04,971 --> 00:00:07,873 LIKE, IF I STAND BESIDE HER, IT'S NOT GONNA BE RIGHT. 3 00:00:07,874 --> 00:00:09,742 THIS IS THE END OF THE AUDITION, 4 00:00:09,743 --> 00:00:12,611 AND I AIN'T GOT NOBODY I'M REALLY HAPPY WITH, 5 00:00:12,612 --> 00:00:15,948 BUT I STILL WANT GIRL DANCERS. 6 00:00:15,949 --> 00:00:18,050 - I MISS YOU. - I MISS YOU TO PIECES. 7 00:00:18,051 --> 00:00:19,418 YOU WANNA COME SEE ME? 8 00:00:19,419 --> 00:00:20,719 UH, YOU THINK YOUR SISTERS WILL BE OKAY? 9 00:00:20,720 --> 00:00:23,088 I DON'T THINK WE SHOULD TELL THEM. 10 00:00:23,089 --> 00:00:25,591 I THINK WE'VE HAD ENOUGH TALKING ABOUT DOING THE ALBUM, 11 00:00:25,592 --> 00:00:27,926 AND WE NEED TO SIT DOWN AND REALLY WORK ON IT. 12 00:00:27,927 --> 00:00:30,262 ♪ TURN THE TV OFF ♪ 13 00:00:30,263 --> 00:00:31,463 THAT'S TOO CORNY. 14 00:00:31,464 --> 00:00:34,133 THE MELODY IS DATED, DATED, DATED. 15 00:00:34,134 --> 00:00:36,268 OKAY, SO THIS IS NOT THE TONI SHOW, ALL RIGHT? 16 00:00:36,269 --> 00:00:38,070 NOBODY'S AGREEIN'. 17 00:00:38,071 --> 00:00:40,506 NOBODY'S VIBIN' WITH EACH OTHER RIGHT NOW. 18 00:00:40,507 --> 00:00:42,241 - IT'S SO R&B. - IT'S NOT R&B. 19 00:00:42,242 --> 00:00:43,709 - IT'S SO-- - IT'S NOT R&B. 20 00:00:43,710 --> 00:00:45,611 YOU'RE THE ONE WHO STARTED PLAYIN' IT. 21 00:00:45,612 --> 00:00:48,614 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 22 00:00:48,615 --> 00:00:52,718 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 23 00:00:52,719 --> 00:00:55,988 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 24 00:00:55,989 --> 00:00:58,857 ♪ WILL TEACH YOU A THING OR TWO ♪ 25 00:00:58,858 --> 00:01:03,563 ♪ ON BRAXTON FAMILY VALUES ♪ 26 00:01:18,745 --> 00:01:20,679 - GOOD MORNING, TREENY. - GOOD-- 27 00:01:20,680 --> 00:01:23,582 ARE YOU GOIN' SOMEWHERE? - I'M HOME. 28 00:01:23,583 --> 00:01:26,351 WHAT DO YOU MEAN-- 'CAUSE I'M DRESSED AND STUFF? 29 00:01:26,352 --> 00:01:27,820 YEAH, WE DIDN'T EVEN HAVE BREAKFAST. 30 00:01:27,821 --> 00:01:29,855 I JUST SLIPPED STUFF ON-- THAT'S ALL. 31 00:01:29,856 --> 00:01:30,989 OH, JUST A LITTLE SOMETHING YOU THREW ON? 32 00:01:30,990 --> 00:01:32,191 JUST SOMETHIN' THAT I THREW TOGETHER. 33 00:01:32,192 --> 00:01:34,460 WHERE'S TRACI-- SHE AIN'T READY YET? 34 00:01:34,461 --> 00:01:36,162 - MM-MMM. - TRINA, WHAT IS THAT? 35 00:01:38,431 --> 00:01:39,498 CAN YOU PUT SOME MORE CHICKEN BROTH? 36 00:01:39,499 --> 00:01:40,532 DON'T-- TOWANDA, DON'T MESS WITH MY STUFF. 37 00:01:40,533 --> 00:01:42,034 BUT, WHY DIDN'T YOU SMASH UP THE GARLIC? 38 00:01:42,035 --> 00:01:43,235 WELL, WHY DIDN'T YOU MAKE IT? 39 00:01:43,236 --> 00:01:45,137 WE'RE EATIN' ALL THIS FOR BREAKFAST? 40 00:01:45,138 --> 00:01:47,673 THIS IS KINDA HEAVY FOR BREAKFAST. 41 00:01:47,674 --> 00:01:49,641 WELL, YOUR MAKE-UP IS HEAVY FOR BREAKFAST. 42 00:01:49,642 --> 00:01:51,310 - NO, THIS-- NO, IT'S NOT. - IT'S LIKE A FULL BEE. 43 00:01:51,311 --> 00:01:53,846 NO-- WHAT, YOU WANT ME TO HAVE A HALF BEE? 44 00:01:53,847 --> 00:01:56,515 WHEN I WAS TALKING ABOUT LIVING WITH TOWANDA AND TRACI, 45 00:01:56,516 --> 00:02:00,119 I COMPLETELY FORGOT ABOUT THE ANNOYING THINGS 46 00:02:00,120 --> 00:02:02,921 THAT MAMA OF THE DORM ROOM TOWANDA DOES, 47 00:02:02,922 --> 00:02:04,590 JUST LIKE THIS. 48 00:02:04,591 --> 00:02:06,024 WHEN I'M COOKING, I'M LIKE JULIA CHILDS. 49 00:02:06,025 --> 00:02:08,427 I LIKE TO HAVE A LITTLE DRINKSKY WITH MINE. 50 00:02:08,428 --> 00:02:11,230 I'M MAKING MIMOSAS. 51 00:02:11,231 --> 00:02:13,599 OOH! 52 00:02:13,600 --> 00:02:16,268 IT SOUNDED DELICIOUS ALREADY. 53 00:02:16,269 --> 00:02:18,570 DRINKS FOR BREAKFAST, TRINA? 54 00:02:18,571 --> 00:02:21,073 I THOUGHT WE WERE HERE TO WORK. 55 00:02:21,074 --> 00:02:22,174 FOR SURE. 56 00:02:22,175 --> 00:02:23,775 LIKE, IF WE ACTUALLY HAD SOME VODKA IN THIS HOUSE 57 00:02:23,776 --> 00:02:26,312 OR SOME TEQUILA, I WOULD'VE HAD A SHOT. 58 00:02:27,847 --> 00:02:31,383 I'M THINKING THAT THIS HOUSE IS FABULOUS FOR A PARTY. 59 00:02:31,384 --> 00:02:32,951 - A PARTY? - WE CAN HAVE A SISTER PARTY. 60 00:02:32,952 --> 00:02:34,353 I WANNA HAVE, LIKE, A BAR-CHIX PARTY. 61 00:02:34,354 --> 00:02:35,521 - HOW? - AND INVITE, LIKE, 62 00:02:35,522 --> 00:02:36,722 A COUPLE HUNDRED PEOPLE. 63 00:02:36,723 --> 00:02:37,956 HUNDRED? 64 00:02:37,957 --> 00:02:40,025 - . - TRINA! 65 00:02:40,026 --> 00:02:41,660 OKAY, 'CAUSE WE HAVE THE OUTDOOR SPACE, 66 00:02:41,661 --> 00:02:44,029 AND WE HAVE ALL THIS-- - WE HAVE THE WHAT SPACE? 67 00:02:44,030 --> 00:02:45,497 WE HAVE THE WHAT SPACE? - THE INDOOR-THE INDOOR, 68 00:02:45,498 --> 00:02:46,965 OUTDOOR SPACE-- INDOOR, OUTDOOR, INDOOR, OUTDOOR. 69 00:02:46,966 --> 00:02:48,867 AND THE DOORS, THEY SPREAD OPEN. 70 00:02:48,868 --> 00:02:49,902 - NO! - WHERE? 71 00:02:49,903 --> 00:02:51,436 - WE CAN FIT IN HERE. - NO, WE CAN'T! 72 00:02:51,437 --> 00:02:53,071 NO, TRINA, WE'RE NOT HAVING NO PARTY LIKE THAT. 73 00:02:53,072 --> 00:02:54,840 IT'S NOT LIKE THE FIRE RANGER'S GONNA COME 74 00:02:54,841 --> 00:02:56,275 AND SHUT US DOWN. - NO, MM-MMM. 75 00:02:56,276 --> 00:02:57,509 WHAT? 76 00:02:57,510 --> 00:02:59,378 THAT IS A BRILLIANT PLAN. - NO, IT'S NOT. 77 00:02:59,379 --> 00:03:01,013 BECAUSE IT IS NOT ENOUGH SPACE. 78 00:03:01,014 --> 00:03:03,982 IT IS ENOUGH SPACE! 79 00:03:03,983 --> 00:03:06,985 WE'VE BEEN IN THIS HOUSE FOR TWO LONG WEEKS, 80 00:03:06,986 --> 00:03:11,623 AND WE'VE ACTUALLY MADE NO PROGRESS ON THE ALBUM. 81 00:03:11,624 --> 00:03:13,992 PLUS, TAMAR IS WORKIN' ON HER TOUR. 82 00:03:13,993 --> 00:03:16,094 SO, YOU KNOW, WE CAN'T REALLY BE DISTRACTED 83 00:03:16,095 --> 00:03:19,131 ABOUT THE BAR-CHIX RIGHT NOW, TRINA. 84 00:03:19,132 --> 00:03:23,635 HOW ABOUT WE HAVE A HOUSEWARMING 85 00:03:23,636 --> 00:03:25,804 AND JUST HAVE THE BAR-CHIX BARTEND? 86 00:03:25,805 --> 00:03:28,040 - YEAH, BOOM! - THAT'S NOT THE SAME, THOUGH. 87 00:03:28,041 --> 00:03:30,442 - IT IS-- IT'S BETTER. - IT IS. 88 00:03:30,443 --> 00:03:32,110 BAR-CHIX BENEFIT, WE BENEFIT. 89 00:03:32,111 --> 00:03:34,013 WE GET GIFTS. 90 00:03:36,516 --> 00:03:39,017 WE CAN DO THE HOUSEWARMING THING. 91 00:03:39,018 --> 00:03:40,819 I DON'T MIND A HOUSEWARMING PARTY. 92 00:03:40,820 --> 00:03:43,322 WE'LL GET GOOD GIFTS, AND THAT'S A PLUS. 93 00:03:43,323 --> 00:03:45,991 BUT, I'M GONNA MAKE SURE THAT IT'S A REAL BAR-CHIX EVENT, 94 00:03:45,992 --> 00:03:49,828 WHICH MEANS FESTIVE, PARTY, ANYTHING BUT LOW-KEY. 95 00:03:49,829 --> 00:03:52,064 TRY SOMETHIN' NEW-- MM-HMM, MM-HMM. 96 00:03:52,065 --> 00:03:54,266 TRY IT, TRY IT-- UH-HUH. 97 00:03:54,267 --> 00:03:55,701 MMM! - MM-HMM. 98 00:03:55,702 --> 00:03:58,904 IT'S GOOD, ISN'T IT? 99 00:03:58,905 --> 00:04:02,107 IT'S GOOD. - LET'S AGREE TO DISAGREE. 100 00:04:02,108 --> 00:04:03,742 YOU DON'T LIKE IT? 101 00:04:03,743 --> 00:04:05,711 CRAZY IN YOUR HEAD. 102 00:04:18,324 --> 00:04:20,092 - AND LOOK, LOOK, UP. - YEAH. 103 00:04:20,093 --> 00:04:22,561 I LIKE THAT-- I LIKE THAT. 104 00:04:22,562 --> 00:04:24,930 HEY, MISS T, HOW YOU DOIN'? 105 00:04:24,931 --> 00:04:27,032 - WELL, HI. - HI-- WHAT'S GOIN' ON? 106 00:04:27,033 --> 00:04:28,700 - HOW ARE YOU? - HOW YOU DOIN', BABE? 107 00:04:28,701 --> 00:04:29,968 I'M GOOD-- HOW ARE YOU? 108 00:04:29,969 --> 00:04:31,003 - SWEATY. - HEY, T. 109 00:04:31,004 --> 00:04:32,204 HI. 110 00:04:32,205 --> 00:04:33,605 UM, WHAT-WHAT Y'ALL GOIN' OVER? 111 00:04:33,606 --> 00:04:34,840 WE'RE GOIN' OVER "THE ONE." 112 00:04:34,841 --> 00:04:36,775 OKAY-- WHERE'S TERRELL AT? 113 00:04:36,776 --> 00:04:38,644 I GOTTA HOLLER AT TERRELL, REAL QUICK. 114 00:04:38,645 --> 00:04:40,078 I DON'T EVEN KNOW WHAT'S GONNA HAPPEN 115 00:04:40,079 --> 00:04:42,180 WITH THIS SISTER ALBUM RIGHT NOW, 116 00:04:42,181 --> 00:04:45,751 BECAUSE WE'RE FIGHTIN' ABOUT EVERY GOD DANG THING. 117 00:04:45,752 --> 00:04:47,719 SO, I JUST HAVE TO KEEP DOIN' ME, 118 00:04:47,720 --> 00:04:49,254 'CAUSE THIS TOUR'S COMIN' UP, 119 00:04:49,255 --> 00:04:53,225 AND WE GOTTA FIND US SOME DOPE FEMALE DANCERS A.S.A.P. 120 00:04:53,226 --> 00:04:55,327 I THINK THEY'RE GONNA IMPOSE A PROBLEM. 121 00:04:55,328 --> 00:04:57,562 - WHAT? - THE GIRLS-- THE GIRLS HERE. 122 00:04:57,563 --> 00:04:58,830 DON'T YOU THINK SO? 123 00:04:58,831 --> 00:05:00,265 EVERYTHING'S A DAMN ISSUE. 124 00:05:00,266 --> 00:05:01,767 GIRLS ARE GONNA BE A ISSUE FOR YOU. 125 00:05:01,768 --> 00:05:04,069 I JUST KEEP SAYIN' IT, BUT YOU DON'T WANNA LISTEN. 126 00:05:04,070 --> 00:05:05,671 I REALLY, REALLY, REALLY, REALLY, 127 00:05:05,672 --> 00:05:09,007 REALLY WANNA HAVE FEMALE DANCERS, 128 00:05:09,008 --> 00:05:12,177 AND I KNOW I'LL FIND THE SHORTEST, 129 00:05:12,178 --> 00:05:15,180 BIG-BOOTY GIRLS IN ATLANTA. 130 00:05:15,181 --> 00:05:17,849 BUT, HERE WE ARE, BACK TO TERRELL, HONEY, 131 00:05:17,850 --> 00:05:20,952 NOT WANTIN' NO GIRLS AT MY SHOW AT ALL. 132 00:05:20,953 --> 00:05:23,389 COME TO ATLANTA, AND LET'S GO SEE. 133 00:05:25,725 --> 00:05:27,159 YEAH, BUT YOU'RE STILL MY CREATIVE DIRECTOR. 134 00:05:27,160 --> 00:05:28,760 LIKE-LIKE, AFTER ME, IS YOU. 135 00:05:28,761 --> 00:05:30,530 LIKE, WHAT YOU TALKIN' ABOUT? 136 00:05:35,935 --> 00:05:38,403 SO, DOES HE-- HE KNOWS THE CHOREOGRAPHY TO TEACH THEM? 137 00:05:38,404 --> 00:05:40,540 UH, SOME OF IT. 138 00:05:42,508 --> 00:05:44,109 OKAY, YEAH. 139 00:05:44,110 --> 00:05:45,777 I MEAN, I'M JUST, LIKE, SUPER FRUSTRATED RIGHT NOW 140 00:05:45,778 --> 00:05:47,579 BECAUSE, I MEAN, 141 00:05:47,580 --> 00:05:49,748 I NEED MY VISION TO BE SUPPORTED BY MY TEAM. 142 00:05:49,749 --> 00:05:54,419 BUT, AT THE END OF THE DAY, REALLY, THIS IS HER SHOW, 143 00:05:54,420 --> 00:05:57,956 AND I WANNA GO TO ATLANTA TO AUDITION SOME GIRLS. 144 00:05:57,957 --> 00:06:00,959 I'M NERVOUS ABOUT THE GIRLS THAT ARE HERE IN L.A. 145 00:06:00,960 --> 00:06:03,462 - YOU ARE-- OKAY. - LET-LET ME JUST TELL YOU WHY. 146 00:06:03,463 --> 00:06:06,264 - OKAY. - BECAUSE THIS STARTED OFF, 147 00:06:06,265 --> 00:06:08,500 "WE NEED THIS, AND WE NEED THAT, AND WE NEED"-- 148 00:06:08,501 --> 00:06:10,802 AT-AT THIS POINT IN MY CAREER, I NEED TEAM PLAYERS. 149 00:06:10,803 --> 00:06:13,306 SO, I THINK WE SHOULD TAKE A TRIP TO ATLANTA. 150 00:06:14,941 --> 00:06:18,009 CAN WE TAKE ONE DAY AND GO, AND SEE THE GIRLS? 151 00:06:18,010 --> 00:06:20,912 - YEAH. - OR, WE CAN GO VIDEOTAPE... 152 00:06:20,913 --> 00:06:23,081 - OKAY. - PICK THE GIRLS... 153 00:06:23,082 --> 00:06:24,416 WHILE YOU'RE STILL WORKIN' WITH THE GUYS. 154 00:06:24,417 --> 00:06:25,784 YEAH. 155 00:06:25,785 --> 00:06:27,552 BRING THE GIRLS BACK FOR REHEARSAL... 156 00:06:27,553 --> 00:06:28,720 OKAY. 157 00:06:28,721 --> 00:06:30,522 AND WE ALL GO ON TOUR AND HAVE A HAPPY LIFE. 158 00:06:30,523 --> 00:06:32,624 OKAY, SO, I NEED THEM IN REHEARSAL. 159 00:06:32,625 --> 00:06:33,792 YEAH-YEAH. - NO-NO-NO-NO-NO-NO-NO. 160 00:06:33,793 --> 00:06:36,161 I KNOW THAT. - YEAH-YEAH. 161 00:06:36,162 --> 00:06:37,262 WHAT YOU FEEL, T.? 162 00:06:37,263 --> 00:06:38,330 T.T. STILL WANTS THE BOYS. - I KNOW. 163 00:06:38,331 --> 00:06:39,898 HE'S LIKE, "TAMAR, 164 00:06:39,899 --> 00:06:43,336 "YOU'RE NOT GONNA LISTEN TO ME TILL YOU CRACK YOUR FACE." 165 00:06:45,004 --> 00:06:46,972 NO, BUT-BUT AS A ARTIST, 166 00:06:46,973 --> 00:06:50,776 I'M PICTURING IT A COMPLETELY DIFFERENT WAY. 167 00:06:50,777 --> 00:06:52,277 - OKAY. - YOU KNOW WHAT I MEAN? 168 00:06:52,278 --> 00:06:54,212 I WENT WITH THE GUYS ALL THIS TIME. 169 00:06:54,213 --> 00:06:55,781 - RIGHT. - AND I THINK THAT, 170 00:06:55,782 --> 00:06:58,316 YOU KNOW, I'M NOT SAYIN' THE GUYS ARE NOT GONNA BE GREAT. 171 00:06:58,317 --> 00:06:59,484 BUT YOU JUST WANNA TRY SOMETHIN' NEW. 172 00:06:59,485 --> 00:07:00,685 - I JUST WANNA TRY IT. - TRY-TRY-TRY SOMETHIN' NEW. 173 00:07:00,686 --> 00:07:02,154 LET'S TRY IT. - AND BUT, I-I WANT-- 174 00:07:02,155 --> 00:07:03,755 I NEED THE SUPPORT OF MY TEAM. - RIGHT-RIGHT. 175 00:07:03,756 --> 00:07:05,190 ESPECIALLY YOU, TERRELL . 176 00:07:05,191 --> 00:07:06,958 BUT YOU TRY THAT WHEN YOU HAVE THE TIME TO TRY IT. 177 00:07:06,959 --> 00:07:08,193 BUT WE DO HAVE THE TIME TO TRY IT. 178 00:07:08,194 --> 00:07:10,128 NO, YOU DO NOT. 179 00:07:10,129 --> 00:07:12,130 I PUT ALL MY TRUST IN-IN EVERYBODY ELSE. 180 00:07:12,131 --> 00:07:14,065 I-I NEED THAT SAME SUPPORT, TOO. 181 00:07:14,066 --> 00:07:18,069 THAT MAKE ME FEEL BAD WHEN NOBODY WANNA AT LEAST TRY MY STUFF. 182 00:07:18,070 --> 00:07:20,572 I'M NOT GONNA SAY "YES" TO IT, SO WHEN IT COME BACK, 183 00:07:20,573 --> 00:07:22,073 AND IT'S SOMETHIN' THAT DON'T WORK, 184 00:07:22,074 --> 00:07:23,408 I DON'T WANNA BE ATTACHED-- - I DIDN'T SAY, "BE OKAY." 185 00:07:23,409 --> 00:07:25,277 I SAID, "SUPPORT ME." - I MEAN, I SUPPORT YOU. 186 00:07:25,278 --> 00:07:27,479 AND DON'T MAKE ME FEEL BAD BECAUSE I WANNA-- 187 00:07:27,480 --> 00:07:28,680 YOU KNOW WHAT I'M SAYIN'? 188 00:07:28,681 --> 00:07:30,115 I'M NOT-I'M NOT MAKING YOU FEEL BAD, BUT-- 189 00:07:30,116 --> 00:07:32,185 YES, YOU DID. 190 00:07:33,352 --> 00:07:34,453 I JUST WANT YOU TO BE HAPPY. 191 00:07:34,454 --> 00:07:35,587 I WANT YOU TO BE HAPPY. 192 00:07:35,588 --> 00:07:36,755 I WANT YOU-- WHEN YOU GO ON THAT STAGE, 193 00:07:36,756 --> 00:07:38,857 I WANT YOU TO BE LIKE, "THIS IS WHAT I WANT." 194 00:07:38,858 --> 00:07:40,492 AND AT LEAST WE CAN SAY WE TRIED. 195 00:07:40,493 --> 00:07:42,227 WE TRIED, OKAY? 196 00:07:42,228 --> 00:07:43,962 SO, LET'S GO DOWN THERE AND GET THE GIRLS, 197 00:07:43,963 --> 00:07:45,096 AND WE CAN WORK IT OUT. 198 00:07:45,097 --> 00:07:47,066 LET'S JUST MAKE IT HAPPEN. 199 00:07:48,768 --> 00:07:50,703 OKAY? 200 00:08:06,252 --> 00:08:07,719 LOOK LIKE MY SON BIT ME. 201 00:08:07,720 --> 00:08:09,254 - PROBABLY. - HE PROBABLY DID. 202 00:08:09,255 --> 00:08:11,490 HEY, TRAY-RAY. - HEY. 203 00:08:13,626 --> 00:08:14,960 YOUR BABIES USED TO BITE YOU? 204 00:08:14,961 --> 00:08:16,361 - YEAH. - WHY? 205 00:08:16,362 --> 00:08:17,963 - HEY, YOU. - HEY, MA. 206 00:08:21,200 --> 00:08:24,302 - WHAT'S UP, GIRL? - HEY, MIKEY. 207 00:08:24,303 --> 00:08:26,339 MIKEY! 208 00:08:28,207 --> 00:08:29,341 HI, MIKEY! - TOWANDA, 209 00:08:29,342 --> 00:08:31,209 WHY YOU ALWAYS GOTTA HOG PEOPLE? 210 00:08:31,210 --> 00:08:33,512 - LISTEN, LISTEN, HE NAMED-- - HEY, MIKEY. 211 00:08:33,513 --> 00:08:35,814 BUT YOU ALWAYS GOTTA HOG PEOPLE. 212 00:08:35,815 --> 00:08:39,217 WE FINALLY GOT ALL FIVE OF THE GIRLS TOGETHER AGAIN 213 00:08:39,218 --> 00:08:40,986 TO WORK ON THE ALBUM, 214 00:08:40,987 --> 00:08:43,288 AND MY BROTHER SHOWS UP OUT OF THE BLUE. 215 00:08:43,289 --> 00:08:45,223 I'M VERY EXCITED THAT MY BROTHER'S HERE 216 00:08:45,224 --> 00:08:47,492 BECAUSE WE DON'T GET A CHANCE TO SEE HIM THAT OFTEN. 217 00:08:47,493 --> 00:08:49,227 HOWEVER, COMMA, 218 00:08:49,228 --> 00:08:52,564 WE'RE SUPPOSED TO BE CONCENTRATING ON THIS RECORD 219 00:08:52,565 --> 00:08:54,065 AND NOT HAVIN' A FAMILY REUNION. 220 00:08:54,066 --> 00:08:55,667 - WELL, WE'RE GLAD YOU'RE HERE. - YEAH. 221 00:08:55,668 --> 00:08:57,202 - YEAH. - HOW ARE THE KIDS? 222 00:08:57,203 --> 00:08:58,503 YEAH, THEY'RE DOIN' GOOD--THEY'RE DOIN' GOOD. 223 00:08:58,504 --> 00:09:00,438 MIKEY, YOU DON'T NEVER LEAVE BALTIMORE. 224 00:09:00,439 --> 00:09:02,607 I CAME HERE TO HELP WORK ON THE ALBUM. 225 00:09:02,608 --> 00:09:04,476 - WHAT? - YOU GONNA SING ON THE ALBUM? 226 00:09:04,477 --> 00:09:07,145 MOMMY SAID I COULD BE IN THE GROUP. 227 00:09:07,146 --> 00:09:09,080 MOMMY ADDIN' PEOPLE ON-ON THE ALBUM, 228 00:09:09,081 --> 00:09:11,983 AND TALKING ABOUT IT-- - MOMMY AIN'T A-A SHAREHOLDER. 229 00:09:11,984 --> 00:09:14,052 I'M A SHAREHOLDER, NOW. 230 00:09:14,053 --> 00:09:16,221 OH, YEAH, I GOT GOOD STOCK IN THIS. 231 00:09:16,222 --> 00:09:17,889 GO AHEAD, MICHAEL. - . 232 00:09:17,890 --> 00:09:20,825 LET THEM SEE THAT I KNOW WHAT I'M DOIN'. 233 00:09:20,826 --> 00:09:24,029 I INVITED MICHAEL OUT SO HE CAN WORK WITH THE GIRLS 234 00:09:24,030 --> 00:09:26,264 ON THEIR ALBUM. 235 00:09:26,265 --> 00:09:29,067 MICHAEL AND THE GIRLS GREW UP SINGING TOGETHER. 236 00:09:29,068 --> 00:09:31,870 MICHAEL HELPED THEM, MICHAEL ENCOURAGED THEM, 237 00:09:31,871 --> 00:09:35,006 AND THEY WERE FANTASTIC. 238 00:09:35,007 --> 00:09:38,109 SO, I THINK, YOU KNOW, MICHAEL CAN HELP THEM. 239 00:09:38,110 --> 00:09:40,111 YOU CAN'T BE ON THE ALBUM 240 00:09:40,112 --> 00:09:42,180 JUST BECAUSE MOMMY SAID YOU CAN BE ON THE ALBUM. 241 00:09:42,181 --> 00:09:43,815 YOU HAVE TO BE ON THE ALBUM 242 00:09:43,816 --> 00:09:46,451 BECAUSE WE SAY YOU CAN BE A PART OF THE ALBUM. 243 00:09:48,287 --> 00:09:49,621 ALL RIGHT, MIKEY, WHAT SONG YOU WANNA SING? 244 00:09:49,622 --> 00:09:50,855 AM I IN THE GROUP? 245 00:09:50,856 --> 00:09:51,756 NO! 246 00:09:51,757 --> 00:09:53,692 OH. 247 00:09:53,693 --> 00:09:55,627 OKAY, GO AHEAD. 248 00:09:55,628 --> 00:09:57,429 I UNDERSTAND HOW YOU FEEL-- TRUST ME. 249 00:09:57,430 --> 00:09:59,230 - LET'S DO "STEAL AWAY." - OKAY, OKAY. 250 00:09:59,231 --> 00:10:01,499 OKAY, YOU READY? 251 00:10:01,500 --> 00:10:05,737 ♪ I AIN'T GOT ♪ 252 00:10:08,641 --> 00:10:10,141 - WE GOT THE NOTES RIGHT. - UH, WE BETTER. 253 00:10:10,142 --> 00:10:11,776 YES, WE DID. 254 00:10:11,777 --> 00:10:18,717 ♪ I AIN'T GOT LONG ♪ 255 00:10:18,718 --> 00:10:20,752 WHY EVERY-- Y'ALL FORGOT LIKE THAT. 256 00:10:20,753 --> 00:10:23,188 I'M JUST TRYING TO MAKE IT 2014-- Y'ALL ARE 1982. 257 00:10:23,189 --> 00:10:24,990 KEEP IT THE WAY IT USED TO BE, 258 00:10:24,991 --> 00:10:26,758 'CAUSE IT USED TO SOUND AMAZING BACK THEN. 259 00:10:26,759 --> 00:10:28,326 'CAUSE WE WAS CHILDREN. 260 00:10:28,327 --> 00:10:30,362 IT STILL-STILL SOUNDED GOOD BACK THEN. 261 00:10:30,363 --> 00:10:37,068 ♪ THE TRUMPET SOUNDS ♪ 262 00:10:37,069 --> 00:10:39,705 ♪ WITH WITH WITH ♪ 263 00:10:41,107 --> 00:10:43,041 ♪ AND NO ♪ 264 00:10:43,042 --> 00:10:45,810 THAT'S IT-- I'M DONE. 265 00:10:49,248 --> 00:10:51,416 NO, I CAN'T REMEMBER MY NOTE. 266 00:10:51,417 --> 00:10:54,586 SHE DON'T WANNA COLOR WITHIN THE LINES. 267 00:10:54,587 --> 00:10:56,388 TONI BRAXTON DIDN'T FORGET NO DAMN NOTE. 268 00:10:56,389 --> 00:10:57,856 SHE JUST DON'T WANNA REALLY SING WITH US. 269 00:10:57,857 --> 00:10:59,224 LIKE, HEY, I MEAN, NO SHADE. 270 00:10:59,225 --> 00:11:00,859 JUST SAY YOU DON'T WANNA SING WITH US. 271 00:11:00,860 --> 00:11:03,361 DON'T WASTE NOBODY'S TIME, AT THE END OF THE DAY. 272 00:11:03,362 --> 00:11:05,196 WHY WE DOIN' THAT FOR? 273 00:11:05,197 --> 00:11:07,132 WHY FOR, THOUGH? 274 00:11:07,133 --> 00:11:09,334 SO, WHY DON'T Y'ALL SING IT, AND I DON'T PARTICIPATE? 275 00:11:09,335 --> 00:11:11,437 WHY-WHY-WHY IS THAT? 276 00:11:13,673 --> 00:11:16,207 COMING UP, ON "BRAXTON FAMILY VALUES"... 277 00:11:16,208 --> 00:11:18,209 I FEEL LIKE WE'RE 12 YEARS OLD ALL OVER AGAIN, 278 00:11:18,210 --> 00:11:19,711 AND TAMAR, THE POUTY 8-YEAR-OLD, 279 00:11:19,712 --> 00:11:22,547 GET TO FUSS AND POUT ABOUT JUST EVERYTHING. 280 00:11:22,548 --> 00:11:24,082 YOU DON'T WANNA SING WITH US. 281 00:11:24,083 --> 00:11:26,251 NO, I SAID, I CAN'T REMEMBER WHICH NOTE I DO. 282 00:11:26,252 --> 00:11:27,886 WE HAVE TO WORK TOGETHER 283 00:11:27,887 --> 00:11:29,788 IF WE'RE GONNA GET THIS ALBUM DONE. 284 00:11:29,789 --> 00:11:32,290 BEAT ME, STAB ME, BREAK ME DOWN. 285 00:11:32,291 --> 00:11:34,726 WHO IS THAT? 286 00:11:34,727 --> 00:11:36,961 - HELLO. - OH, HELL NO! 287 00:11:36,962 --> 00:11:38,329 UH-UH-- UH-UH. 288 00:11:38,330 --> 00:11:39,765 WHO IN THE HELL LEFT THE GATE OPEN? 289 00:11:44,470 --> 00:11:46,504 WHY DON'T Y'ALL SING IT, AND I DON'T PARTICIPATE? 290 00:11:46,505 --> 00:11:48,006 - WHY-WHY-WHY IS THAT? - SO I CAN HEAR IT, 291 00:11:48,007 --> 00:11:49,874 AND I CAN LEARN MY NOTE. 292 00:11:49,875 --> 00:11:53,111 TAMAR CAN'T BE IN HER FEELINGS EVERY TIME SOMETHING GOES WRONG 293 00:11:53,112 --> 00:11:56,347 BECAUSE WE'RE TRYING TO MESH AS A GROUP, 294 00:11:56,348 --> 00:11:58,183 AND IT'S NOT GOING TO BE PERFECT, 295 00:11:58,184 --> 00:11:59,350 IN THE BEGINNING. 296 00:11:59,351 --> 00:12:02,120 THAT'S JUST PART OF THE PROCESS. 297 00:12:02,121 --> 00:12:04,956 OKAY, I'LL PLAY-I'LL SIT OVER HERE, AND Y'ALL SING. 298 00:12:04,957 --> 00:12:08,026 TONI BRAXTON, OH, MY GOD. 299 00:12:08,027 --> 00:12:10,228 YOU CAN'T BE MAD WHEN YOU'RE TALKIN' ABOUT JESUS. 300 00:12:10,229 --> 00:12:11,663 'CAUSE DON'T WANNA SING WITH THE REST OF-- 301 00:12:11,664 --> 00:12:13,331 I FEEL LIKE WE'RE 12 YEARS OLD ALL OVER AGAIN, 302 00:12:13,332 --> 00:12:15,233 AND TAMAR, THE POUTY 13-YEAR-OLD-- 303 00:12:15,234 --> 00:12:18,403 EIGHT-YEAR-OLD, GET TO FUSS AND POUT ABOUT JUST EVERYTHING. 304 00:12:18,404 --> 00:12:20,071 YOU DON'T WANNA SING WITH US. 305 00:12:20,072 --> 00:12:22,307 NO, I SAID, I CAN'T REMEMBER WHICH NOTE I DO. 306 00:12:22,308 --> 00:12:26,077 JUST SAY YOU DON'T WANNA DO IT. 307 00:12:26,078 --> 00:12:27,412 SIMPLE. 308 00:12:27,413 --> 00:12:28,847 SOMETIME, I GO TO THE LOW NOTE. 309 00:12:28,848 --> 00:12:30,248 SOMETIME, I HAD TO DO TRINA NOTE. 310 00:12:30,249 --> 00:12:31,483 SOMETIME, I HAD TO DO YOUR NOTE. 311 00:12:31,484 --> 00:12:33,785 I NEVER KNOWN YOU TO DO ME AND TRINA AND TRACI'S NOTE. 312 00:12:33,786 --> 00:12:35,553 IT'S ALWAYS BEEN THE LOW NOTE. - NO, SOMETIMES SHE-- 313 00:12:35,554 --> 00:12:37,722 NO-NO-NO-- SOMETIMES, SHE DID NOW. 314 00:12:37,723 --> 00:12:41,693 TAMAR, JUST BECAUSE TONI MESSED UP ON A SONG 315 00:12:41,694 --> 00:12:45,029 DOES NOT MEAN THAT SHE DOESN'T WANNA SING WITH THE FAMILY. 316 00:12:45,030 --> 00:12:47,732 ONE HAS NOTHIN' TO DO WITH THE OTHER. 317 00:12:47,733 --> 00:12:49,334 - AND YOU DON'T-- - AND SHE DID DO-- 318 00:12:49,335 --> 00:12:51,369 - WHATEVER YOU SAY, GIRL. - I'VE KNOWN YOU ALL YOUR LIFE. 319 00:12:51,370 --> 00:12:53,304 YOU HAVEN'T KNOWN ME ALL MY LIFE. 320 00:12:53,305 --> 00:12:54,773 WAIT-- BUT WHAT YOU READIN' FOR? 321 00:12:54,774 --> 00:12:55,940 I JUST-I GOTTA READ, 322 00:12:55,941 --> 00:12:57,075 'CAUSE YOU'RE GONNA MAKE IT LIKE I DON'T WANNA SING. 323 00:12:57,076 --> 00:12:58,443 WE'RE NOT EVEN GONNA PUT THAT THOUGHT OUT THERE. 324 00:12:58,444 --> 00:13:00,845 BEAT ME, STAB ME, BREAK ME DOWN, 325 00:13:00,846 --> 00:13:02,914 'CAUSE I DON'T REMEMBER MY NOTES. 326 00:13:04,717 --> 00:13:07,085 OKAY, GUYS. 327 00:13:07,086 --> 00:13:08,653 NOW, I'VE BEEN SAYIN' FROM THE BEGINNIN', 328 00:13:08,654 --> 00:13:10,522 YOU KNOW, THAT STUFF FROM THE PAST 329 00:13:10,523 --> 00:13:13,391 IS GONNA CAUSE ISSUES BETWEEN US RIGHT NOW, 330 00:13:13,392 --> 00:13:15,493 WHILE WE'RE TRYIN' TO DO THIS LITTLE ALBUM. 331 00:13:15,494 --> 00:13:18,096 AND, YOU KNOW, HERE WE ARE, NOT GETTIN' ALONG. 332 00:13:18,097 --> 00:13:20,231 I AIN'T COMPROMISIN' 'CAUSE THERE AIN'T NOTHIN' FOR ME TO DO. 333 00:13:20,232 --> 00:13:21,566 I DON'T KNOW WHAT EVERYBODY WANT ME TO DO. 334 00:13:21,567 --> 00:13:23,402 I MEAN, I DONE TOLD EVERYBODY THIS. 335 00:13:25,604 --> 00:13:27,172 I'M A LITTLE BIT OUT THE NATION NOW. 336 00:13:27,173 --> 00:13:29,909 I GOTTA BE HONEST ABOUT IT. - I'VE LOST MY INSPIRATION. 337 00:13:48,961 --> 00:13:51,262 TRINA, EITHER THREE OF A KIND OR A RUN. 338 00:13:51,263 --> 00:13:52,797 WHO TAUGHT YOU HOW TO PLAY THIS GAME? 339 00:13:52,798 --> 00:13:54,566 I PLAYED IT IN COLLEGE. 340 00:13:54,567 --> 00:13:56,768 AFTER THE WHOLE TONI AND TAMAR BLOW UP, 341 00:13:56,769 --> 00:13:58,536 WE'VE ALL DECIDED TO GO OUR OWN SEPARATE WAYS 342 00:13:58,537 --> 00:14:00,004 TO EASE SOME OF THIS TENSION. 343 00:14:00,005 --> 00:14:01,472 MIKEY'S STAYING AT THE HOTEL, 344 00:14:01,473 --> 00:14:03,208 AND I DON'T BLAME HIM FOR WANTING A LITTLE SPACE 345 00:14:03,209 --> 00:14:05,510 FROM HIS BICKERING SISTERS. 346 00:14:07,313 --> 00:14:08,646 WHO IS THAT? 347 00:14:08,647 --> 00:14:10,048 TRINA, DID YOU ORDER SOMETHIN'? 348 00:14:10,049 --> 00:14:11,416 I DON'T KNOW-- WHOEVER IT IS, 349 00:14:11,417 --> 00:14:13,685 THEY'RE KNOCKIN' REALLY HARD 'CAUSE WE DON'T HAVE A DOORBELL. 350 00:14:13,686 --> 00:14:15,955 WE DON'T HAVE INTERNET, EITHER. 351 00:14:20,392 --> 00:14:22,261 HELLO. 352 00:14:23,562 --> 00:14:25,396 OH, HELL NO! 353 00:14:25,397 --> 00:14:27,532 OH, HELL NO-- UH-UH, UH-UH. 354 00:14:27,533 --> 00:14:30,168 WHO IN THE HELL LEFT THE GATE OPEN? 355 00:14:30,169 --> 00:14:32,937 - SURPRISE! - WHOO! 356 00:14:32,938 --> 00:14:35,473 I EVEN BROUGHT MY BAG. - FOR WHAT? 357 00:14:35,474 --> 00:14:36,574 YOU KNOW. 358 00:14:36,575 --> 00:14:37,609 'CAUSE HE'S GONNA SPEND THE NIGHT. 359 00:14:37,610 --> 00:14:39,043 - . - OR A FEW. 360 00:14:39,044 --> 00:14:41,012 - A FEW WHAT? - NIGHTS. 361 00:14:41,013 --> 00:14:43,715 TRINA, YOU DIDN'T EVEN TELL US THAT GABE WAS COMIN'. 362 00:14:43,716 --> 00:14:45,750 - IT WAS A SURPRISE. - A SURPRISE FOR Y'ALL. 363 00:14:45,751 --> 00:14:47,952 NOW, THAT'S SOME MESSED UP . 364 00:14:47,953 --> 00:14:50,722 THIS IS THE VERY REASON WHY 365 00:14:50,723 --> 00:14:54,692 I DON'T WANT TO DO THE WHOLE ROOMMATE THING WITH TRINA, 366 00:14:54,693 --> 00:14:57,028 BECAUSE I KNEW GABE WAS GONNA POP UP. 367 00:14:57,029 --> 00:14:58,663 LIKE A PIECE OF POPCORN-- POP-POP-POP! 368 00:14:58,664 --> 00:14:59,998 HERE YOU GO-- POP-POP! 369 00:14:59,999 --> 00:15:01,332 YOU KNOW? 370 00:15:01,333 --> 00:15:03,201 YOU DIDN'T TELL US THAT GABE WAS COMIN'. 371 00:15:03,202 --> 00:15:04,969 IT'S JUST A MATTER OF RESPECT TO SAY, 372 00:15:04,970 --> 00:15:07,772 "HEY, GUYS, SUCH AND SUCH IS COMIN'." 373 00:15:07,773 --> 00:15:10,242 I LIKE YOUR LITTLE NECKLACE, TOWANDA. 374 00:15:13,379 --> 00:15:15,280 I KNOW I SHOULD'VE TOLD TOWANDA AND TRACI 375 00:15:15,281 --> 00:15:16,748 ABOUT GABE COMING. 376 00:15:16,749 --> 00:15:19,651 WHAT ARE THE RULES, AS FAR AS ENTERTAINING GUESTS? 377 00:15:19,652 --> 00:15:21,352 I THINK THAT IF WE'RE HAVING GUESTS, 378 00:15:21,353 --> 00:15:22,954 THEN WE WOULD LET EACH OTHER KNOW 379 00:15:22,955 --> 00:15:26,090 WHEN WE'RE HAVING GUESTS. - AHEAD OF TIME, YES. 380 00:15:26,091 --> 00:15:28,259 BUT THEY MIGHT'VE SAID "NO." 381 00:15:28,260 --> 00:15:29,661 NOW, HE'S HERE, 382 00:15:29,662 --> 00:15:31,095 AND THEY'LL JUST HAVE TO DEAL WITH IT. 383 00:15:31,096 --> 00:15:34,465 AND PROBABLY BUY SOME EARPLUGS. 384 00:15:34,466 --> 00:15:36,601 HOW LONG YOU STAYIN', THOUGH? 385 00:15:36,602 --> 00:15:39,370 WELL, HE'S HERE TO HELP ME WITH THE BAR-CHIX PARTY. 386 00:15:39,371 --> 00:15:41,105 YEAH. 387 00:15:41,106 --> 00:15:43,007 YOU'RE GONNA BE HERE WHEN WE HAVE THE PARTY, TOO? 388 00:15:43,008 --> 00:15:45,677 YEAH, OF COURSE-- Y'ALL GONNA BE HERE? 389 00:15:45,678 --> 00:15:47,078 I NEED MY BUSINESS PARTNER HERE, 390 00:15:47,079 --> 00:15:48,680 IF WE'RE THROWING A BAR-CHIX PARTY. 391 00:15:48,681 --> 00:15:51,549 BUT THE REAL REASON I ASKED GABE TO COME OVER HERE 392 00:15:51,550 --> 00:15:53,885 IS BECAUSE WE'RE REALLY REBUILDING OUR RELATIONSHIP, 393 00:15:53,886 --> 00:15:57,188 AND WE'VE BEEN AWAY FROM EACH OTHER FOR FAR TOO LONG. 394 00:15:57,189 --> 00:16:00,091 DIDN'T WE MOVE OUT HERE, AWAY FROM OUR FAMILIES, 395 00:16:00,092 --> 00:16:02,293 TO DO AN ALBUM? 396 00:16:02,294 --> 00:16:06,564 NOT ONLY AM I EXTREMELY ANNOYED THAT GABE IS HERE, 397 00:16:06,565 --> 00:16:08,933 AND TRINA DIDN'T EVEN LET US KNOW. 398 00:16:08,934 --> 00:16:12,236 I JUST THINK THAT IT'S FLAT-OUT NOT SMART. 399 00:16:12,237 --> 00:16:15,239 GABE IS A HUGE DISTRACTION TO TRINA, 400 00:16:15,240 --> 00:16:17,576 AND WE'RE TRYING TO WORK ON OUR ALBUM. 401 00:16:26,652 --> 00:16:28,386 I THOUGHT WE WERE PLAYING CARDS! 402 00:16:28,387 --> 00:16:30,088 WE'RE NOT PLAYIN' ANYMORE. 403 00:16:30,089 --> 00:16:32,558 THAT'S NOT FAIR-- THAT IS UNFAIR. 404 00:16:50,609 --> 00:16:52,610 THIS IS PRETTY. 405 00:16:52,611 --> 00:16:55,647 - HEY! - HEY-HEY-HEY-HEY. 406 00:16:56,849 --> 00:16:57,949 SINCE MIKEY'S HERE, 407 00:16:57,950 --> 00:17:00,351 DADDY MADE A SPECIAL VISIT TO SEE ALL OF HIS KIDS, 408 00:17:00,352 --> 00:17:03,654 AND I PRAY THIS DINNER HELPS EVERYONE GET ALONG, 409 00:17:03,655 --> 00:17:06,258 SO WE CAN GET BACK TO WORKING ON THE ALBUM. 410 00:17:10,029 --> 00:17:11,964 HEY, HOW ARE YOU? 411 00:17:13,932 --> 00:17:16,067 HERE, I'M A SURE THING-- THERE WE GO. 412 00:17:16,068 --> 00:17:17,368 OH, I CAME IN AT THE RIGHT TIME, 413 00:17:17,369 --> 00:17:19,270 WHEN THEY GOT THE CHAMPAGNE-YANG. 414 00:17:21,006 --> 00:17:22,507 - WHERE'S BABY? - WHERE'S THE BABY? 415 00:17:22,508 --> 00:17:24,842 - WHERE'S THE BOY? - HE'S COMING. 416 00:17:24,843 --> 00:17:26,544 WHAT ABOUT, "HOW'S TAMAR-- HOW YOU DOIN', TAY?" 417 00:17:26,545 --> 00:17:27,879 HEY, TAMAR. 418 00:17:27,880 --> 00:17:29,213 YES, MY BABY IS COMING, 419 00:17:29,214 --> 00:17:30,581 AND VINCE IS GONNA BRING HIM LATER 420 00:17:30,582 --> 00:17:32,116 BECAUSE I WAS SUPPOSED TO PICK UP TONI, 421 00:17:32,117 --> 00:17:34,252 BUT THERE WAS A MISCOMMUNICATION. 422 00:17:34,253 --> 00:17:35,753 TONI BRAXTON. - HEY. 423 00:17:35,754 --> 00:17:37,021 I'M GONNA KISS YOU LAST-- I MIGHT POP YOU. 424 00:17:37,022 --> 00:17:38,956 I'M NOT SURE YET. - FOR WHAT? 425 00:17:38,957 --> 00:17:40,825 BECAUSE YOU SAID, "TAMAR, COME GET ME, GIRL." 426 00:17:40,826 --> 00:17:42,827 I CAME OVER TO YOUR HOUSE-- - NO. 427 00:17:42,828 --> 00:17:44,262 LISTEN, LET ME TELL Y'ALL HOW THIS WENT. 428 00:17:44,263 --> 00:17:45,730 SO, I GO ALL THE WAY TO TONI'S HOUSE. 429 00:17:45,731 --> 00:17:46,931 - ALL THE WAY. - YOU SAY, "ALL THE WAY," 430 00:17:46,932 --> 00:17:48,733 LIKE IT'S FAR. - THE NEXT STREET OVER. 431 00:17:48,734 --> 00:17:50,835 YES-- SO, I'M THINKIN', YOU IN THE HOUSE. 432 00:17:50,836 --> 00:17:52,403 EVERYBODY KNOW HOW SCAREDY-CAT I AM. 433 00:17:52,404 --> 00:17:53,905 SO, NOW I'M LIKE, "OH, MY GOD-- WHERE'S TONI? 434 00:17:53,906 --> 00:17:55,239 "I HOPE NOTHING HAPPENED TO HER. 435 00:17:55,240 --> 00:17:56,507 "OKAY." 436 00:17:56,508 --> 00:17:58,242 SO, I'M WALKIN'-RUNNIN' THROUGHOUT THE HOUSE, LOOKIN'. 437 00:17:58,243 --> 00:18:00,778 WHERE'S TONI-- TONI, TONI? 438 00:18:00,779 --> 00:18:02,280 WENT IN THE KIDS' ROOM-- NO TONI. 439 00:18:02,281 --> 00:18:03,881 LOOKIN' ON THE FLOOR, LOOKIN' IN THE CLOSET. 440 00:18:03,882 --> 00:18:05,249 LORD, I HOPE SHE DIDN'T FALL IN THE CLOSET. 441 00:18:05,250 --> 00:18:07,285 WHERE'S TONI-- WHERE'S TONI? 442 00:18:07,286 --> 00:18:08,920 WHY DIDN'T YOU CALL? 443 00:18:08,921 --> 00:18:10,221 YEAH, WHY DIDN'T YOU JUST CALL? 444 00:18:10,222 --> 00:18:11,923 YOU CAN'T-- I AIN'T ON THE TOWER AT HER HOUSE. 445 00:18:11,924 --> 00:18:13,758 THAT'S TRUE. 446 00:18:13,759 --> 00:18:15,059 WAIT-WAIT A MINUTE. 447 00:18:15,060 --> 00:18:17,662 I THOUGHT TONI AND TAMAR JUST HAD A BIG ARGUMENT. 448 00:18:17,663 --> 00:18:20,698 AND THEN, THEY WERE TRYIN' TO RIDE TOGETHER TO DINNER? 449 00:18:20,699 --> 00:18:23,267 WELL, MAYBE THAT'S THEIR WAY OF TRYIN' TO MAKE UP. 450 00:18:23,268 --> 00:18:26,104 BUT, CLEARLY, THAT DIDN'T GO WELL. 451 00:18:26,105 --> 00:18:27,405 ARE YOU BIPOLAR? 452 00:18:27,406 --> 00:18:28,739 YOU FORGOT. 453 00:18:28,740 --> 00:18:30,675 I CALLED YOU-- I SAID, "YOU TAKIN' LOGAN?" 454 00:18:30,676 --> 00:18:32,610 "YEAH, I MIGHT TAKE LOGAN." 455 00:18:32,611 --> 00:18:34,145 HOW ME, YOU, LOGAN, VINCE, 456 00:18:34,146 --> 00:18:36,714 AND THE NANNY GONNA FIT IN THE CAR? 457 00:18:36,715 --> 00:18:38,382 OH. 458 00:18:38,383 --> 00:18:41,519 THERE'S JUST BEEN SO MUCH DRAMA BETWEEN TONI AND I, 459 00:18:41,520 --> 00:18:45,456 AND WE'RE AROUND HERE ACTIN' LIKE AIN'T NOTHIN' WRONG, 'KAY? 460 00:18:45,457 --> 00:18:47,892 AIN'T NOBODY SAID, "I'M SORRY, GIRL." 461 00:18:47,893 --> 00:18:50,228 AIN'T NOBODY SAID, "IT'S MY BAD, TOO." 462 00:18:50,229 --> 00:18:54,298 YOU KNOW, EVERYBODY GOT ON THIS LITTLE POKER FACE. 463 00:18:54,299 --> 00:18:56,501 EVERYTHING IS GREAT. 464 00:18:56,502 --> 00:18:59,804 BUT, IN ACTUALITY, IT'S LIKE... 465 00:18:59,805 --> 00:19:02,141 EVERYBODY GOT A BAND-AID ON. 466 00:19:04,610 --> 00:19:06,611 OH, HERE COMES-HERE COMES THE SUPERSTAR! 467 00:19:09,248 --> 00:19:13,384 HI, BOO-- HI, BOO! 468 00:19:13,385 --> 00:19:14,986 HI. 469 00:19:14,987 --> 00:19:17,355 WATCH-- LOGAN TOOK HIS FIRST WALK TODAY. 470 00:19:19,825 --> 00:19:21,826 I JUST CANNOT BELIEVE THAT HE JUST GOT UP 471 00:19:21,827 --> 00:19:23,794 AND STARTED RUNNIN'. 472 00:19:23,795 --> 00:19:25,630 HEY, VINCE, HOW YOU DOIN'? 473 00:19:25,631 --> 00:19:28,099 LOGIE, HI. 474 00:19:28,100 --> 00:19:30,134 HEY, POO. 475 00:19:34,072 --> 00:19:35,907 - AH! - LOOK AT HIM. 476 00:19:35,908 --> 00:19:37,542 THAT IS CRAZY. - UH-HUH. 477 00:19:37,543 --> 00:19:39,377 HEY, WALKIN' BOY. 478 00:19:39,378 --> 00:19:40,945 HE'S GOIN' STRAIGHT TO THE KITCHEN, RIGHT? 479 00:19:40,946 --> 00:19:42,380 THAT IS CRAZY! 480 00:19:42,381 --> 00:19:43,981 WAIT A MINUTE, HOLD ON-- Y'ALL WANNA SEE LOGAN DO RAY CHARLES? 481 00:19:43,982 --> 00:19:45,583 - LET ME SEE. - HE CAN DO RAY CHARLES? 482 00:19:45,584 --> 00:19:47,151 Y'ALL GOTTA SEE HIS-- 483 00:19:47,152 --> 00:19:50,054 Y'ALL GOT SEE HIS NUMBER ONE... 484 00:19:50,055 --> 00:19:52,357 R&B HIT. - SONG. 485 00:19:53,859 --> 00:19:56,160 READY, WATCH THIS-- FIVE, SIX, SEVEN, EIGHT. 486 00:19:56,161 --> 00:20:01,132 ♪ A B C D E F G ♪ 487 00:20:01,133 --> 00:20:03,601 ♪ H I J K ♪ 488 00:20:03,602 --> 00:20:06,103 ♪ L M N O P ♪ 489 00:20:06,104 --> 00:20:08,606 ♪ Q R S HALLELUJAH ♪ 490 00:20:08,607 --> 00:20:11,142 ♪ T U V HOW WE DOIN' ♪ 491 00:20:11,143 --> 00:20:15,947 ♪ W X Y AND Z ♪ 492 00:20:15,948 --> 00:20:21,352 ♪ NOW I KNOW MY ABCs ♪ 493 00:20:21,353 --> 00:20:25,089 ♪ NEXT TIME WON'T YOU SING WITH ME ♪ 494 00:20:25,090 --> 00:20:27,558 ♪ SING WITH HIS FAMILY ♪ 495 00:20:34,733 --> 00:20:37,134 NOW, THIS IS THE BRAXTON FAMILY I KNOW. 496 00:20:37,135 --> 00:20:39,537 YOU KNOW, WE'RE SITTIN' AROUND, HAVIN' A GREAT DINNER. 497 00:20:39,538 --> 00:20:41,138 NOBODY'S ARGUIN'. 498 00:20:41,139 --> 00:20:43,674 EVERYBODY'S PLAYING WITH THE BABY. 499 00:20:43,675 --> 00:20:46,143 I'M THINKIN' THIS ALBUM COULD DEFINITELY HAPPEN, 500 00:20:46,144 --> 00:20:48,013 AT THIS POINT. 501 00:20:48,981 --> 00:20:50,448 I'M REALLY EXCITED. 502 00:20:50,449 --> 00:20:53,050 LIKE, FOR ONCE, WE'RE AT A TABLE, 503 00:20:53,051 --> 00:20:54,885 AND WE AIN'T ARGUIN' ABOUT NOTHIN'. 504 00:20:54,886 --> 00:20:56,487 - HEAR-HEAR! - WILL HE DO IT? 505 00:20:56,488 --> 00:20:58,689 HEAR-HEAR! 506 00:20:58,690 --> 00:21:00,057 CLINK-CLINK-CLINK-CLINK- CLINK-CLINK-CLINK. 507 00:21:00,058 --> 00:21:03,394 HALLELUJAH-- OH, YES, YES, YES. 508 00:21:03,395 --> 00:21:05,664 THAT'S KINDA NICE. 509 00:21:18,510 --> 00:21:21,078 HOW DO Y'ALL THINK MOMMY IS FEELIN' 510 00:21:21,079 --> 00:21:23,981 ABOUT NOT BEIN' A PART OF THIS-- THE ALBUM? 511 00:21:23,982 --> 00:21:25,916 I THINK MOMMY'S GLAD WE'RE DOING IT, 512 00:21:25,917 --> 00:21:27,818 BUT I THINK SHE FEELS LEFT OUT. 513 00:21:27,819 --> 00:21:29,687 I WOULD HAVE TO AGREE. 514 00:21:29,688 --> 00:21:31,055 TRACI, WHAT YOU THINK? 515 00:21:31,056 --> 00:21:33,157 THERE'S NO NEED FOR US THREE JUST TO KEEP TALKIN'. 516 00:21:33,158 --> 00:21:35,726 WE'RE STILL MISSIN' TWO ENTITIES. 517 00:21:35,727 --> 00:21:38,062 THIS BIG FAMILY DINNER DIDN'T DO ALL THAT MUCH 518 00:21:38,063 --> 00:21:40,164 TO MOTIVATE ALL THE GIRLS TO GET BACK TO THE HOUSE 519 00:21:40,165 --> 00:21:41,432 TO WORK ON THE ALBUM. 520 00:21:41,433 --> 00:21:42,933 NOW, EVERYBODY'S SAYING, 521 00:21:42,934 --> 00:21:44,969 "OH, I'M BUSY PREPPING FOR MY TOUR," 522 00:21:44,970 --> 00:21:47,672 AND THE THREE OF US ARE SITTING IN THIS EXPENSIVE RENTAL HOUSE 523 00:21:47,673 --> 00:21:49,707 JUST TWIDDLING OUR THUMBS. 524 00:21:49,708 --> 00:21:51,609 EVERYBODY'S GETTING BUSY, 525 00:21:51,610 --> 00:21:55,146 AND IT JUST ALWAYS SEEMS LIKE... 526 00:21:55,147 --> 00:21:57,549 EVERYBODY HAS THEIR OWN BUSY AT DIFFERENT TIMES. 527 00:22:03,755 --> 00:22:06,490 WELL, PLUCK MY CHICKEN 1,000 TIMES. 528 00:22:06,491 --> 00:22:08,726 I-YOU-- MMM-MMM-MMM. 529 00:22:08,727 --> 00:22:10,995 - WHAT? - UH, THIS-- REALLY? 530 00:22:10,996 --> 00:22:12,797 WERE YOU JUST ABOUT TO PUT THAT ORANGE JUICE 531 00:22:12,798 --> 00:22:14,900 TO YOUR LIPS? - ON YOUR-IN YOUR MOUTH? 532 00:22:17,669 --> 00:22:20,071 COMING UP, ON "BRAXTON FAMILY VALUES"... 533 00:22:20,072 --> 00:22:21,405 MOMMY, DON'T EAT THAT. 534 00:22:21,406 --> 00:22:23,107 THAT'S-THOSE ARE MEDICAL BROWNIES. 535 00:22:23,108 --> 00:22:24,742 I DIDN'T BELIEVE HER. 536 00:22:24,743 --> 00:22:28,079 THERE IS NOTHING FUNNY ABOUT THOSE BROWNIES. 537 00:22:28,080 --> 00:22:29,647 TRUST ME. 538 00:22:29,648 --> 00:22:31,182 OH, MY GOSH! 539 00:22:31,183 --> 00:22:33,117 I'M SO TIRED OF TALKING ABOUT THIS RECORD. 540 00:22:33,118 --> 00:22:34,251 ME, TOO. 541 00:22:34,252 --> 00:22:35,419 I'M FRUSTRATED, TOO, 542 00:22:35,420 --> 00:22:37,688 BECAUSE WE'VE BEEN HOPING, AND WISHING, AND PRAYING 543 00:22:37,689 --> 00:22:40,091 FOR THIS TO HAPPEN FOR A LONG TIME. 544 00:22:40,092 --> 00:22:41,325 IF IT DOESN'T COME TO FRUITION, 545 00:22:41,326 --> 00:22:44,262 I'M-I'M GONNA BE PISSED. 546 00:22:50,369 --> 00:22:53,204 WELL, PLUCK MY CHICKEN 1,000 TIMES. 547 00:22:53,205 --> 00:22:55,439 I-YOU-- MMM-MMM-MMM. 548 00:22:55,440 --> 00:22:57,742 - WHAT? - UH, THIS-- REALLY? 549 00:22:57,743 --> 00:22:59,577 WERE YOU JUST ABOUT TO PUT THAT ORANGE JUICE 550 00:22:59,578 --> 00:23:01,646 TO YOUR LIPS? - ON YOUR-IN YOUR MOUTH? 551 00:23:03,515 --> 00:23:04,715 SEE? 552 00:23:04,716 --> 00:23:06,016 THIS IS EXACTLY WHAT I'M TALKING ABOUT. 553 00:23:06,017 --> 00:23:08,586 WE ARE IN THE MIDDLE OF A MEETING ABOUT THE ALBUM, 554 00:23:08,587 --> 00:23:11,222 AND HERE COMES HAPPY-ASS GABE, 555 00:23:11,223 --> 00:23:13,824 PUTTIN' HIS LIPS ON MY JUICE CONTAINER. 556 00:23:13,825 --> 00:23:15,126 HOW ARE WE SUPPOSED TO GET ANYTHING DONE? 557 00:23:15,127 --> 00:23:17,228 REALLY, TRINA-- BAD IDEA. 558 00:23:17,229 --> 00:23:20,898 I'M A FEMALE-- PUT ON SOME PANTS. 559 00:23:20,899 --> 00:23:23,267 MY BOXERS ARE JUST AS LONG AS YOUR SKIRT. 560 00:23:23,268 --> 00:23:26,237 NOBODY WANNA SEE DICK-DICK VAN DYKE ALL OVER THE PLACE. 561 00:23:26,238 --> 00:23:28,372 SHE'S RIGHT. 562 00:23:28,373 --> 00:23:30,508 . 563 00:23:30,509 --> 00:23:32,676 YOU'RE STUPID. 564 00:23:32,677 --> 00:23:34,512 ALL RIGHT, I'M GOING TO PUT ON SOME PANTS. 565 00:23:34,513 --> 00:23:35,746 - THANK YOU. - THANK YOU. 566 00:23:35,747 --> 00:23:38,817 - YOU'RE STUPID, TRACI. - OOH, . 567 00:23:41,353 --> 00:23:43,821 - DON'T WAVE AT ME. - BYE. 568 00:23:43,822 --> 00:23:46,358 HE HAS A CASE OF-- 569 00:23:48,427 --> 00:23:50,895 HE WAS ALL IN OUR CONVERSATION. 570 00:23:50,896 --> 00:23:52,396 YOU-YOU SHOCKED? 571 00:23:52,397 --> 00:23:57,568 GABE IS AN INDIVIDUAL WHO NEEDS AND REQUIRES BOUNDARIES. 572 00:23:57,569 --> 00:23:59,703 GABE, IF YOU DON'T BEHAVE, 573 00:23:59,704 --> 00:24:03,407 YOU'RE GOING TO FEEL THE WRATH OF TOWANDA BRAXTON, OKAY? 574 00:24:03,408 --> 00:24:04,542 TELL ME MORE ABOUT THE ALBUM. 575 00:24:04,543 --> 00:24:06,544 WHAT'S GOIN' ON? - WHY YOU NEED TO KNOW? 576 00:24:06,545 --> 00:24:07,845 - GOSH. - SO, WILL THERE BE, LIKE, 577 00:24:07,846 --> 00:24:10,781 ANY CAMEO ARTISTS SINGIN' ON IT? 578 00:24:10,782 --> 00:24:13,117 MMM-MMM-MMM. 579 00:24:13,118 --> 00:24:16,020 GABE, THAT'S THREE STRIKES FOR YOUR LITTLE MONKEY ASS. 580 00:24:16,021 --> 00:24:18,756 FIRST, YOU WANNA DRINK OUT OF THE JUICE BOTTLE, 581 00:24:18,757 --> 00:24:20,424 YOU WALKIN' AROUND WIT' YOUR UNDERWEAR, 582 00:24:20,425 --> 00:24:21,659 AND YOU'RE GIVIN' YOUR OPINION. 583 00:24:21,660 --> 00:24:23,562 THAT'S TOO MUCH. 584 00:24:26,898 --> 00:24:28,299 I WANNA KNOW WHAT THIS ALBUM IS ABOUT, 585 00:24:28,300 --> 00:24:29,500 AND Y'ALL WON'T TELL ME ANYTHING. 586 00:24:29,501 --> 00:24:31,035 IT'S ABOUT LOVE. 587 00:24:31,036 --> 00:24:32,670 UH, NO, NOT THAT, HONEY. 588 00:24:32,671 --> 00:24:34,673 EW, NO. 589 00:24:37,943 --> 00:24:40,211 WE'LL TALK ABOUT IT LATER WHEN WE'RE IN THE BED. 590 00:24:50,622 --> 00:24:52,356 HEY, LADIES-- HOW ARE Y'ALL TODAY? 591 00:24:52,357 --> 00:24:53,424 - FINE. - OKAY-- HOW ARE YOU? 592 00:24:53,425 --> 00:24:54,558 GOOD-- THANK YOU. 593 00:24:54,559 --> 00:24:56,327 CAN I BRING YOU ALL ANYTHING TO DRINK, TO START? 594 00:24:56,328 --> 00:24:58,562 CAN I GET A, UH, LEMON DROP? 595 00:24:58,563 --> 00:25:00,364 - MMM-HMM. - I'LL GET THE ICE WATER. 596 00:25:00,365 --> 00:25:01,699 - ICE WATER? - WITH A STRAW. 597 00:25:01,700 --> 00:25:03,067 OKAY, ALL RIGHT-- BE RIGHT BACK WITH THAT. 598 00:25:03,068 --> 00:25:05,769 - THANK YOU. - YOU'RE WELCOME. 599 00:25:05,770 --> 00:25:07,371 TRACI, TRINA, AND I WAS-- 600 00:25:07,372 --> 00:25:08,873 WE WERE GETTIN' A LITTLE BIT OF CABIN FEVER, 601 00:25:08,874 --> 00:25:10,574 SO WE HAD TO GET OUT OF THE HOUSE 602 00:25:10,575 --> 00:25:13,210 TO DO SOMETHIN' WITHOUT GABE, OKAY? 603 00:25:13,211 --> 00:25:16,714 BUT, SOMEHOW, WE LOST TRINA ALONG THE WAY. 604 00:25:16,715 --> 00:25:18,516 OKAY, NOW I'M GONNA CALL TRINA 605 00:25:18,517 --> 00:25:22,153 BECAUSE IT'S BEEN A MINUTE SINCE WE'VE BEEN SITTIN' HERE. 606 00:25:25,323 --> 00:25:26,957 - HELLO? - HEY, TREENY. 607 00:25:26,958 --> 00:25:29,159 WHERE ARE YOU? - I'M ALMOST THERE. 608 00:25:29,160 --> 00:25:31,128 I'LL BE THERE IN-IN EIGHT-TENTHS OF A MILE. 609 00:25:31,129 --> 00:25:32,730 OKAY, WHAT'S WRONG? 610 00:25:32,731 --> 00:25:33,864 IT'S JUST EVERYTHING IS WORKIN' ON MY NERVES 611 00:25:33,865 --> 00:25:35,466 RIGHT NOW, TOWANDA. 612 00:25:35,467 --> 00:25:36,767 YOU WANT ME TO ORDER YOU SOMETHIN'? 613 00:25:36,768 --> 00:25:38,369 SOMETHIN' TO DRINK, SO IT'LL BE HERE WHEN YOU-- 614 00:25:38,370 --> 00:25:41,872 UM, YEAH, A MARTINI WITH LYCHEE BALLS. 615 00:25:41,873 --> 00:25:43,741 OKAY, TRINA, BE SEEING YOU IN A MINUTE. 616 00:25:43,742 --> 00:25:47,945 TRINA, SHE SEEMS TO BE A LITTLE ANNOYED. 617 00:25:47,946 --> 00:25:50,915 I DON'T KNOW WHY SHE'S ANNOYED OR UNHAPPY RIGHT NOW, 618 00:25:50,916 --> 00:25:53,784 BECAUSE SHE HAS HER HUSBAND HERE, AT LEAST. 619 00:25:53,785 --> 00:25:55,986 AND ME AND TRACI, WE DON'T HAVE ANYBODY HERE. 620 00:25:55,987 --> 00:25:58,055 WE DON'T HAVE THAT LUXURY. 621 00:25:58,056 --> 00:26:00,991 I'M FRUSTRATED BECAUSE I MISS MY KIDS. 622 00:26:00,992 --> 00:26:05,162 WELL, PRAISE GOD FROM WHO ALL BLESSINGS FLOW. 623 00:26:05,163 --> 00:26:06,997 - HALLELUJAH. - HEY, SORRY. 624 00:26:06,998 --> 00:26:08,732 HEY, MY GOODNESS. 625 00:26:08,733 --> 00:26:10,034 YOU GUYS GOT MY FAVORITE DRINK. 626 00:26:10,035 --> 00:26:12,603 - YES, WE DID-- YOU OKAY? - MMM-HMM. 627 00:26:12,604 --> 00:26:15,239 YOU SOUNDED A LITTLE FRUSTRATED ON THE PHONE. 628 00:26:15,240 --> 00:26:16,473 I'M A BIT FRUSTRATED. 629 00:26:16,474 --> 00:26:17,975 YOU KNOW, I HAD SOME PHONE CALLS TO MAKE AT HOME. 630 00:26:17,976 --> 00:26:20,344 YOU KNOW, TEENAGERS. - OH. 631 00:26:20,345 --> 00:26:22,246 MY BOYS ARE NOT LITTLE CHILDREN. 632 00:26:22,247 --> 00:26:24,782 THEY ARE 19 AND 16 YEARS OLD. 633 00:26:24,783 --> 00:26:27,217 SO, DON'T CALL ME AND TELL ME, "OH, ERIC'S IN MY ROOM. 634 00:26:27,218 --> 00:26:28,752 "CALEB'S IN MY ROOM." 635 00:26:28,753 --> 00:26:30,921 FIGURE IT OUT! 636 00:26:30,922 --> 00:26:32,623 BEING AWAY FROM MY FAMILY, BEING AWAY FROM MY CHILDREN, 637 00:26:32,624 --> 00:26:35,626 IT'S A LOT. - YEAH. 638 00:26:35,627 --> 00:26:38,429 WE HAVE TWO TEENAGERS, WHO ARE 3,000 MILES AWAY, 639 00:26:38,430 --> 00:26:40,264 AND THEY STILL NEED PARENTAL GUIDANCE, 640 00:26:40,265 --> 00:26:42,633 AND I FEEL LIKE I'M NEGLECTING THEM JUST A LITTLE BIT, 641 00:26:42,634 --> 00:26:44,868 SINCE WE'RE NOT ACTIVELY WORKING ON THIS ALBUM. 642 00:26:44,869 --> 00:26:47,171 SO, WHY AM I HERE? 643 00:26:47,172 --> 00:26:49,073 I'M SO TIRED OF TALKING ABOUT THIS RECORD. 644 00:26:49,074 --> 00:26:50,207 ME, TOO. 645 00:26:50,208 --> 00:26:51,342 IT'S LIKE WE KEEP TALKING ABOUT IT, 646 00:26:51,343 --> 00:26:52,743 AND IT'S LIKE NOTHING IS COMING TO FRUITION, 647 00:26:52,744 --> 00:26:55,479 AND IT FRUSTRATES ME TO FULL CAPACITY. 648 00:26:55,480 --> 00:26:57,414 WE MADE THAT COMMITMENT. 649 00:26:57,415 --> 00:26:59,216 WE MADE THAT DEDICATION TO COME HERE, AND TO STAY HERE, 650 00:26:59,217 --> 00:27:01,652 AND TO LIVE WITH-- BECAUSE TAMAR AND TONI, 651 00:27:01,653 --> 00:27:03,087 THEY HAVE THEIR FAMILIES HERE, 652 00:27:03,088 --> 00:27:05,656 AND WE PUT OUR STUFF ON HOLD TO COME HERE, 653 00:27:05,657 --> 00:27:08,092 TO DO WHAT WE SAID THAT WE WERE GOING TO DO, 654 00:27:08,093 --> 00:27:09,860 AND IF IT DOESN'T COME TO FRUITION, 655 00:27:09,861 --> 00:27:12,863 I'M-I'M GONNA BE PISSED. 656 00:27:12,864 --> 00:27:14,866 IT'S LIKE... 657 00:27:20,138 --> 00:27:21,972 TRINA IS WORKIN' ON THE ISSUE WITH HER HUSBAND. 658 00:27:21,973 --> 00:27:25,309 I'M WORKIN' THE ISSUES WITH MY HUSBAND AND MY SON AT HOME. 659 00:27:25,310 --> 00:27:28,012 TOWANDA HAS LITTLE KIDS AT HOME. 660 00:27:28,013 --> 00:27:30,681 THIS IS SOME BULL. 661 00:27:30,682 --> 00:27:33,050 - ABSOLUTELY. - BECAUSE, ON ONE HAND... 662 00:27:33,051 --> 00:27:34,652 SHE THINKS SHE KNOW EVERYTHING. - YEAH. 663 00:27:34,653 --> 00:27:36,887 ON ANOTHER HAND, TONI IS A VETERAN, 664 00:27:36,888 --> 00:27:39,456 AND SHE DOESN'T LIKE TO GIVE UP CONTROL. 665 00:27:39,457 --> 00:27:41,025 BUT, THAT'S WHO WE'VE LEARNED FROM. 666 00:27:41,026 --> 00:27:42,526 YEAH, WE DEFINITELY LEARNED FROM TONI. 667 00:27:42,527 --> 00:27:44,695 - WE LEARNED FROM HER, SO-- - I JUST DON'T WANT US 668 00:27:44,696 --> 00:27:48,065 TO CONFLICT WITH, YOU KNOW, 669 00:27:48,066 --> 00:27:49,933 PEOPLE THINKIN' THEY'RE RIGHT ABOUT EVERYTHING. 670 00:27:49,934 --> 00:27:51,168 - MMM-HMM. - EVERYTHING. 671 00:27:51,169 --> 00:27:52,536 BUT THAT HAPPENS EVEN IF WE'RE NOT SINGIN'. 672 00:27:52,537 --> 00:27:54,672 - YEAH. - WHAT ARE YOU TALKIN' ABOUT? 673 00:27:54,673 --> 00:27:58,042 I DON'T DISAGREE WITH TRINA AND TRACI'S FRUSTRATION 674 00:27:58,043 --> 00:27:59,510 BECAUSE I'M FRUSTRATED, TOO. 675 00:27:59,511 --> 00:28:00,844 HOWEVER, COMMA, 676 00:28:00,845 --> 00:28:04,081 SOMEBODY HAS TO BE THE POSITIVE VOICE IN ALL OF THIS. 677 00:28:04,082 --> 00:28:06,283 BECAUSE, REALLY, WE'VE BEEN HOPING, 678 00:28:06,284 --> 00:28:09,553 AND WISHING, AND PRAYING FOR THIS TO HAPPEN FOR A LONG TIME, 679 00:28:09,554 --> 00:28:12,723 AND WE OWE IT TO OURSELVES TO MAKE SURE THAT IT HAPPENS 680 00:28:12,724 --> 00:28:14,725 AND NOT GIVE UP. 681 00:28:14,726 --> 00:28:16,593 HONESTLY SPEAKING, I HAVE FAITH, 682 00:28:16,594 --> 00:28:19,130 AND I DON'T THINK THAT OUR TRIP OUT HERE IS GONNA BE IN VAIN. 683 00:28:20,965 --> 00:28:23,400 SO, LET'S JUST GIVE A TOAST FOR SISTERHOOD. 684 00:28:23,401 --> 00:28:24,501 WE ARE THE TOASTING-EST PEOPLE 685 00:28:24,502 --> 00:28:25,936 IN THE WHOLE ENTIRE WORLD. 686 00:28:25,937 --> 00:28:27,906 CLINK-CLINK-CLINK-CLINK- CLINK-CLINK-CLINK-CLINK. 687 00:28:39,117 --> 00:28:41,218 OKAY, HERE'S YOUR ONE EGG. 688 00:28:41,219 --> 00:28:42,820 WHAT YOU MAKIN'? 689 00:28:42,821 --> 00:28:45,856 WE ARE MAKIN' BROWNIES. 690 00:28:45,857 --> 00:28:47,991 TRACI KNOW IT-- YOU NEED A FORK? 691 00:28:47,992 --> 00:28:50,227 NO, I USE THE WHISK. 692 00:28:50,228 --> 00:28:52,630 CAN YOU, UM, PUT THAT IN THERE, PLEASE? 693 00:28:54,766 --> 00:28:56,133 I WAS THINKIN', INSTEAD OF OIL, 694 00:28:56,134 --> 00:28:58,002 WE CAN USE THIS. 695 00:29:02,107 --> 00:29:04,508 SINCE, CLEARLY, 696 00:29:04,509 --> 00:29:07,311 WE'RE NOT WORKIN' ON THE ALBUM RIGHT NOW, 697 00:29:07,312 --> 00:29:09,747 I JUST THOUGHT, BEIN' SO STRESSED OUT, 698 00:29:09,748 --> 00:29:12,583 WE NEED TO DO SOMETHIN' FUN. 699 00:29:12,584 --> 00:29:14,785 LIKE, YOU KNOW, THE FUN THAT WE HAD IN JAMAICA. 700 00:29:14,786 --> 00:29:17,354 YOU KNOW, AND I HAVE A MEDICAL CARD 701 00:29:17,355 --> 00:29:19,656 FOR SOME INSOMNIA ISSUES THAT I'VE HAD, 702 00:29:19,657 --> 00:29:21,625 AND I BOUGHT SOME GANJA BUTTER, 703 00:29:21,626 --> 00:29:24,361 AND I JUST FIGURED THAT WE CAN MAKE SOMETHIN' FUN, 704 00:29:24,362 --> 00:29:27,064 SO THAT, YOU KNOW, WE WON'T BE STRESSED. 705 00:29:27,065 --> 00:29:30,234 TRINA, CHECK THE BROWNIES WHILE YOU OVER THERE. 706 00:29:30,235 --> 00:29:32,503 NO, I DON'T THINK IT'S DONE YET. 707 00:29:32,504 --> 00:29:34,404 ABOUT SEVEN MORE MINUTES. 708 00:29:34,405 --> 00:29:36,508 GOOD. 709 00:29:39,043 --> 00:29:41,678 - HELLO? - HEY, WHAT'S UP? 710 00:29:41,679 --> 00:29:43,380 HEY, MIKEY. 711 00:29:43,381 --> 00:29:45,116 IT'S ME, AND TOWANDA, AND TRACI. 712 00:29:46,551 --> 00:29:48,419 - YOU'LL BE HERE VERY SOON? - OKAY, VERY SOON? 713 00:29:49,487 --> 00:29:51,021 OKAY. 714 00:29:51,022 --> 00:29:52,289 - ALL RIGHT, BYE. - OKAY-- BYE. 715 00:29:52,290 --> 00:29:53,791 ALL RIGHT, BYE. 716 00:29:53,792 --> 00:29:55,526 MIKEY TOLD US HE WAS STOPPING BY TO SAY "HI" 717 00:29:55,527 --> 00:29:57,060 BEFORE HIS FLIGHT HOME, 718 00:29:57,061 --> 00:29:59,830 BUT WE DID NOT KNOW HE WAS GONNA BRING MOMMY. 719 00:29:59,831 --> 00:30:01,265 GOD! 720 00:30:01,266 --> 00:30:04,401 A LAYER OF FEAR HAS TAKEN OVER MY BODY. 721 00:30:04,402 --> 00:30:08,472 MAYBE SHE WON'T NOTICE THE SMELL OF POT BROWNIES. 722 00:30:08,473 --> 00:30:10,841 NO, NO, WE'RE SCREWED. 723 00:30:10,842 --> 00:30:13,411 IT SMELLS VERY SMELLERIZED. 724 00:30:15,313 --> 00:30:16,947 COMING IN! 725 00:30:16,948 --> 00:30:19,984 OOH, WHAT'S THAT SMELL? - JESUS, MARY, AND JOSEPH. 726 00:30:21,786 --> 00:30:24,454 COMING UP, ON "BRAXTON FAMILY VALUES"... 727 00:30:24,455 --> 00:30:26,223 THAT IS SO DISGUSTING! 728 00:30:26,224 --> 00:30:27,825 THAT IS HORRIBLE. 729 00:30:34,966 --> 00:30:37,101 YOU JUST TRIED IT. 730 00:30:44,209 --> 00:30:45,342 HEY, LADIES. 731 00:30:45,343 --> 00:30:46,610 HI. 732 00:30:46,611 --> 00:30:47,911 - HOW WE DOIN' TODAY? - GREAT. 733 00:30:47,912 --> 00:30:49,446 - GREAT NOW. - BETTER NOW, HUH? 734 00:30:49,447 --> 00:30:50,514 - YES. - YEAH. 735 00:30:50,515 --> 00:30:52,015 WE GOT CHOCOLATE CARAMEL CHEW. 736 00:30:52,016 --> 00:30:53,617 AND THESE ARE ALSO FUN, TOO. 737 00:30:53,618 --> 00:30:55,853 , PEACH RINGS, YOUR WATERMELON RINGS. 738 00:30:55,854 --> 00:30:57,387 CARAMELS THEY COME IN. 739 00:30:57,388 --> 00:30:58,989 YOU CAN PUT CARAMEL IN YOUR COFFEE, IF YOU WANTED TO, 740 00:30:58,990 --> 00:31:00,591 AND SWIRL IT IN. - REALLY? 741 00:31:00,592 --> 00:31:02,359 AND TAFFY CHEWS. 742 00:31:02,360 --> 00:31:04,094 YOU EAT THIS WHOLE THING, YOU MIGHT SLEEP REALLY GOOD, 743 00:31:04,095 --> 00:31:06,630 BUT YOU MIGHT WAKE UP A LITTLE ON THE GROGGIER SIDE. 744 00:31:06,631 --> 00:31:07,998 SO THAT'S WHY YOU WANNA-- 745 00:31:07,999 --> 00:31:09,433 ON THE MORE OF A HIGH STILL SIDE. 746 00:31:09,434 --> 00:31:11,068 - YEAH. - DO YOU HAVE STUFF, LIKE, 747 00:31:11,069 --> 00:31:13,737 UM, THAT WE CAN COOK, LIKE, BUTTER OR SOMETHIN'? 748 00:31:13,738 --> 00:31:15,505 WE DO GOT BUTTER-- YOU CAN DO THAT AS WELL. 749 00:31:15,506 --> 00:31:17,241 - REALLY? - MMM-HMM. 750 00:31:17,242 --> 00:31:18,842 THIS IS THE GANJA LOVE BUTTER. 751 00:31:18,843 --> 00:31:21,812 ANYTHING WITH THE WORD "LOVE" IN IT SOUNDS GOOD TO ME. 752 00:31:21,813 --> 00:31:22,180 - AH. - YES. 753 00:31:27,085 --> 00:31:29,019 - MOMMY HAS A KEY. - COMING IN! 754 00:31:29,020 --> 00:31:30,687 - HEY, MOMMY. - HI, MOMMY. 755 00:31:30,688 --> 00:31:33,390 - HEY, MOM! - IT'S ME AND YOUR BROTHER. 756 00:31:33,391 --> 00:31:34,892 LOOK AT YOU GUYS. - HEY. 757 00:31:34,893 --> 00:31:37,361 - HEY. - OH, WHAT'S THAT SMELL? 758 00:31:37,362 --> 00:31:39,863 - BROWNIES. - OOH, YES. 759 00:31:39,864 --> 00:31:41,265 WHERE ARE THEY? 760 00:31:41,266 --> 00:31:42,766 THEY STILL IN THE OVEN? - THEY'RE DONE NOW. 761 00:31:42,767 --> 00:31:44,034 TRINA'S GONNA TAKE 'EM OUT RIGHT NOW. 762 00:31:44,035 --> 00:31:45,135 WHY DO I HAVE TO TAKE 'EM OUT? 763 00:31:45,136 --> 00:31:46,136 I'LL TAKE 'EM OUT-- I'LL TAKE 'EM OUT. 764 00:31:46,137 --> 00:31:47,905 OKAY. 765 00:31:47,906 --> 00:31:50,874 I SHOULD'VE KNOWN MOMMY WAS GONNA BE ABLE TO SMELL BROWNIES 766 00:31:50,875 --> 00:31:53,243 AS SOON AS SHE CAME INTO THE HOUSE. 767 00:31:53,244 --> 00:31:55,646 NOT ONLY DOES SHE HAVE A SWEET TOOTH, 768 00:31:55,647 --> 00:31:57,915 BUT SHE HAS A SWEET NOSE. 769 00:31:57,916 --> 00:32:00,117 LET'S SEE-- YOU GOT ICE CREAM? 770 00:32:00,118 --> 00:32:01,685 YOU'RE NOT HAVIN' NONE, ANYWAY. 771 00:32:01,686 --> 00:32:03,487 - OH, I'M HAVING SOME OF THIS. - OH, NO, YOU'RE NOT. 772 00:32:03,488 --> 00:32:05,555 - OH, YES, I CAN TELL YA THAT. - OH, NO. 773 00:32:05,556 --> 00:32:09,660 MOMMY, THAT'S NOT GOOD FOR YOUR DIABETES. 774 00:32:09,661 --> 00:32:12,663 BUT I'M NOT SURE HER NOSE IS WHAT IT USED TO BE, 775 00:32:12,664 --> 00:32:15,966 BECAUSE SHE DIDN'T NOTICE THE SPECIAL SMELL 776 00:32:15,967 --> 00:32:18,235 OF THESE PARTICULAR BROWNIES. 777 00:32:18,236 --> 00:32:19,736 - LISTEN. - HUH? 778 00:32:19,737 --> 00:32:21,204 YOU CANNOT HAVE THESE BROWNIES. 779 00:32:21,205 --> 00:32:22,472 I SURE CAN. 780 00:32:22,473 --> 00:32:24,041 I'M GONNA EAT A LITTLE PIECE. - FIRST OF ALL-FIRST OF ALL, 781 00:32:24,042 --> 00:32:25,442 MOMMY CAN'T HAVE THESE BROWNIES. 782 00:32:25,443 --> 00:32:27,044 I'M GONNA EAT A LITTLE SECTION. 783 00:32:27,045 --> 00:32:28,947 - THESE ARE MEDICAL BROWNIES. - MICHAEL NOT MY DADDY. 784 00:32:30,048 --> 00:32:31,915 Y'ALL BETTER TELL-- Y'ALL BETTER ASK SOMEBODY. 785 00:32:31,916 --> 00:32:34,918 - THEY MAKE YOU GO TO SLEEP. - I'M IN CHARGE, STILL. 786 00:32:34,919 --> 00:32:36,853 CAN YOU TELL MOMMY? 787 00:32:39,290 --> 00:32:40,924 - WHAT? - THEY'RE GOOD BROWNIES. 788 00:32:40,925 --> 00:32:42,726 GO AND GET YOURSELF A PIECE. - WHAT? 789 00:32:42,727 --> 00:32:44,594 WHAT'S FUNNY? - NOTHIN'. 790 00:32:44,595 --> 00:32:46,730 MOMMY, YOUR SON! 791 00:32:46,731 --> 00:32:48,632 YOU KNOW, MY BROTHER IS SO NONCHALANT. 792 00:32:48,633 --> 00:32:51,935 I DON'T THINK ANYTHING THAT WE DO SURPRISES HIM ANYMORE. 793 00:32:51,936 --> 00:32:53,837 NOTHIN'-- NOT EVEN THIS. 794 00:32:53,838 --> 00:32:55,973 NOPE. 795 00:32:55,974 --> 00:32:57,174 MOMMY, DON'T EAT THAT. 796 00:32:57,175 --> 00:32:58,842 THAT'S-THOSE ARE MEDICAL BROWNIES. 797 00:32:58,843 --> 00:33:00,644 YOU CANNOT EAT THOSE. - WHAT DO YOU MEAN, MEDICAL? 798 00:33:00,645 --> 00:33:02,813 MOMMY, IF YOU EAT THAT, I PROMISE-- 799 00:33:02,814 --> 00:33:04,715 DON'T EAT THOSE BROWNIES. 800 00:33:07,085 --> 00:33:11,955 NO! - WHAT? 801 00:33:11,956 --> 00:33:13,991 YOU CANNOT HAVE THESE BROWNIES! 802 00:33:13,992 --> 00:33:16,193 - WHAT-- WHY? - OH, MY GOSH! 803 00:33:16,194 --> 00:33:18,428 I DON'T UNDERSTAND. 804 00:33:18,429 --> 00:33:20,831 YOU KNOW, PEOPLE WHO HAVE SLEEPING DISORDERS, 805 00:33:20,832 --> 00:33:23,367 GLAUCOMA... 806 00:33:23,368 --> 00:33:26,103 CANCER PATIENTS... - OH. 807 00:33:26,104 --> 00:33:29,706 LEUKEMIA PA-- ANY, YOU KNOW, THEY CAN EAT THESE BROWNIES. 808 00:33:29,707 --> 00:33:32,709 YOU CANNOT EAT THESE BROWNIES. 809 00:33:32,710 --> 00:33:34,411 I DIDN'T BELIEVE HER. 810 00:33:34,412 --> 00:33:37,748 THERE IS NOTHING FUNNY ABOUT THOSE BROWNIES. 811 00:33:37,749 --> 00:33:39,750 TRUST ME. 812 00:33:39,751 --> 00:33:43,553 THEY'LL SAY ANYTHING TO STOP ME FROM EATING THE BROWNIES. 813 00:33:43,554 --> 00:33:45,922 'CAUSE, AFTER ALL, I AM DIABETIC. 814 00:33:45,923 --> 00:33:47,991 Y'ALL JUST SAYING THAT SO I WON'T EAT IT. 815 00:33:47,992 --> 00:33:50,093 - NO, DON'T EAT-- - I KNOW Y'ALL-- UH-UH. 816 00:33:50,094 --> 00:33:51,461 DON'T-- MOMMY, DON'T EAT ANYMORE OF THAT BROWNIE. 817 00:33:51,462 --> 00:33:52,996 I'M READY-- LET'S GO, BOY. 818 00:33:52,997 --> 00:33:54,598 WE GOTTA CALL TONI AND TAMAR. 819 00:33:54,599 --> 00:33:56,133 WHO DRIVIN'-- ME OR YOU? 820 00:33:56,134 --> 00:33:58,001 - I'LL DRIVE. - OH, LORD. 821 00:34:11,682 --> 00:34:14,451 THREE MILLION DOLLAR HOUSE AND NO DOORBELL. 822 00:34:14,452 --> 00:34:16,553 HELLO! - WHAT? 823 00:34:16,554 --> 00:34:18,021 YOU KNOW I GOTTA YELL LIKE I'M IN THE 'HOOD, 824 00:34:18,022 --> 00:34:20,057 'CAUSE Y'ALL AIN'T GOT NO DOORBELL! 825 00:34:20,058 --> 00:34:22,459 THE GIRLS DECIDED THAT WE NEED TO HAVE 826 00:34:22,460 --> 00:34:25,462 ONE OF THEIR LITTLE FUN SLUMBER PARTIES LIKE WE USED TO HAVE. 827 00:34:25,463 --> 00:34:27,497 AND, FOR REAL, 828 00:34:27,498 --> 00:34:29,566 WE DEFINITELY NEED A LITTLE INSPIRATION 829 00:34:29,567 --> 00:34:31,535 FOR OUR INSPIRATIONAL ALBUM. 830 00:34:31,536 --> 00:34:33,904 AND, SHE'S HERE AND READY TO HAVE FUN, 831 00:34:33,905 --> 00:34:37,040 SO NOBODY CAN ACCUSE HER OF NOT BEING A TEAM PLAYER. 832 00:34:37,041 --> 00:34:41,311 SHE IS NOT THE PROBLEM AND IS READY TO TURNT UP, OKAY? 833 00:34:41,312 --> 00:34:42,746 IS TRINA GONNA MAKE YOU A DRINK? 834 00:34:42,747 --> 00:34:45,549 WE CAN'T DRINK WITHOUT A DRINKING GAME. 835 00:34:45,550 --> 00:34:47,317 WHOO! 836 00:34:47,318 --> 00:34:51,288 HERE'S THE FUN-- SHE DONE BROUGHT THE FUN. 837 00:34:51,289 --> 00:34:53,390 WE SENT GABE TO A HOTEL FOR THE NIGHT, 838 00:34:53,391 --> 00:34:55,725 SO WE COULD HAVE THE HOUSE TO OURSELVES, 839 00:34:55,726 --> 00:34:58,228 AND ME AND THE GIRLS DID SOME PRE-PARTYING. 840 00:34:58,229 --> 00:34:59,863 SO WE'RE READY TO HAVE A GOOD TIME. 841 00:34:59,864 --> 00:35:01,364 OKAY, SO, LISTEN. 842 00:35:01,365 --> 00:35:04,734 WE GOTTA GET THE PARTY STARTED TO LOOSEN EVERYTHING, OKAY? 843 00:35:04,735 --> 00:35:07,037 YOU HAVE TO PICK. 844 00:35:07,038 --> 00:35:09,206 DON'T OPEN IT TILL EVERYBODY GET THEIRS. 845 00:35:09,207 --> 00:35:12,242 SO, THIS GAME IS, LIKE, HALF DARE, HALF DRINKING GAME. 846 00:35:12,243 --> 00:35:14,411 BUT, YOU KNOW, YOU REALLY DON'T HAVE TO DRINK, 847 00:35:14,412 --> 00:35:17,581 AS LONG AS YOU DO WHAT THE CARD SAYS. 848 00:35:17,582 --> 00:35:19,082 I DON'T KNOW IF I LIKE THIS-- OKAY. 849 00:35:19,083 --> 00:35:21,184 READ IT, TONI-- READ IT! 850 00:35:21,185 --> 00:35:26,556 "EAT A SPOONFUL OF MAYO... OR TWO SHOTS." 851 00:35:26,557 --> 00:35:28,658 - TAKE YOUR PICK. - TWO SHOTS, BOO! 852 00:35:28,659 --> 00:35:30,160 WHICH ONE YOU WANT T-TONI? 853 00:35:30,161 --> 00:35:33,230 YOU WANT A SPOONFUL, OR YOU WANT TWO SHOTS, GIRL? 854 00:35:33,231 --> 00:35:34,965 ♪ THE MAYONNAISE OR THE SHOTS ♪ 855 00:35:34,966 --> 00:35:36,299 ♪ WHAT ♪ - LET ME SEE THEM BOTH. 856 00:35:36,300 --> 00:35:42,606 ♪ THE MAYONNAISE OR THE SHOTS ♪ 857 00:35:46,110 --> 00:35:47,677 SWALLOW IT! 858 00:35:47,678 --> 00:35:49,079 SWALLOW IT! 859 00:35:49,080 --> 00:35:51,781 - OH, MY GOD! - SWALLOW IT-- EW! 860 00:35:51,782 --> 00:35:53,817 THE TWO SHOTS IS A WIN-WIN. 861 00:35:53,818 --> 00:35:55,452 FIRST OF ALL, YOU'RE DRUNK, AND, YOU KNOW, 862 00:35:55,453 --> 00:35:57,721 YOU AIN'T GOT NOTHIN' BAD IN YOUR STOMACH, YOU KNOW? 863 00:35:57,722 --> 00:35:59,322 YOU PUT THE MAYO IN YOUR MOUTH, 864 00:35:59,323 --> 00:36:01,892 YOU'RE SICK TO YOUR STOMACH ALL NIGHT LONG. 865 00:36:06,731 --> 00:36:09,766 NO, NO, YOU GOTTA SWALLOW IT! 866 00:36:09,767 --> 00:36:11,835 SHE PUT IT IN THE TRASH! 867 00:36:11,836 --> 00:36:14,137 YOU CAN'T PUT IT IN THE TRASH! 868 00:36:16,807 --> 00:36:19,342 SWALLOW IT, SWALLOW IT, SWALLOW IT. 869 00:36:19,343 --> 00:36:22,312 SO, YOU KNOW, OF COURSE, TONI'S GOING TO PICK THE MAYO 870 00:36:22,313 --> 00:36:24,114 BECAUSE SHE'S A LITTLE BIT DIFFICULT, 871 00:36:24,115 --> 00:36:26,149 AND WE'RE PRAYING FOR HER. 872 00:36:26,150 --> 00:36:28,385 YOU GOT WHITE ON-AROUND YOUR LIP. 873 00:36:28,386 --> 00:36:30,153 I AM NOT REALLY A DRINKER. 874 00:36:30,154 --> 00:36:33,190 I DON'T LIKE HOW DOING SHOTS MAKE ME FEEL FOR DAYS LATER. 875 00:36:33,191 --> 00:36:35,258 WHEREAS, MAYONNAISE, THAT'S A GOOD THING. 876 00:36:35,259 --> 00:36:36,927 I LOVE MAYONNAISE. 877 00:36:36,928 --> 00:36:38,328 I'M A MAYONNAISE GIRL. 878 00:36:38,329 --> 00:36:40,664 I FELT GOOD ABOUT MY MAYONNAISE. 879 00:36:40,665 --> 00:36:42,465 A LITTLE NAUSEOUS 'CAUSE IT WAS TOO MUCH, 880 00:36:42,466 --> 00:36:44,000 BUT I FELT GOOD ABOUT IT. 881 00:36:44,001 --> 00:36:45,602 OKAY, T-- UH, OKAY, TO-- 882 00:36:45,603 --> 00:36:47,037 OKAY, GO AHEAD. - TOWANDA. 883 00:36:47,038 --> 00:36:49,206 PICK IN BETWEEN YOUR TOES AND SMELL IT, 884 00:36:49,207 --> 00:36:53,643 AND YOU CAN'T WASH YOUR HANDS UNTIL YOU EAT A STRAWBERRY. 885 00:36:53,644 --> 00:36:55,912 WHAT THE YOU THINKIN'? 886 00:36:59,016 --> 00:37:01,718 THAT IS SO DISGUSTING-- THAT IS HORRIBLE. 887 00:37:01,719 --> 00:37:04,120 I CAN'T BELIEVE I PICKED THAT PIECE OF PAPER. 888 00:37:04,121 --> 00:37:08,091 GIRL, YOUR TOES ARE REAL, REAL NASTY, TOO. 889 00:37:08,092 --> 00:37:09,593 TOWANDA STICK YOUR FINGER-- ALL OF 'EM. 890 00:37:09,594 --> 00:37:11,294 NO, ALL LIKE THAT-- YOU GOTTA DO IT LIKE THAT. 891 00:37:11,295 --> 00:37:13,663 SMELL IT-- SMELL YOUR FINGERS. 892 00:37:16,300 --> 00:37:17,934 NOW, EAT THE STRAWBERRY. 893 00:37:17,935 --> 00:37:20,136 HERE, DON'T TOUCH MY FINGER, TOWANDA. 894 00:37:21,806 --> 00:37:23,807 - OKAY, OKAY, READY? - DON'T TOUCH MY FINGER. 895 00:37:23,808 --> 00:37:25,275 OKAY-OKAY-OKAY, READY? 896 00:37:25,276 --> 00:37:27,811 YOU GOTTA-YOU GOTTA GRAB THE STRAWBERRY FROM HERE. 897 00:37:27,812 --> 00:37:31,114 - TAMAR, YOU ADDIN' RULES. - NO, I'M NOT-- NO, I'M NOT. 898 00:37:31,115 --> 00:37:32,649 I THINK YOU ADDIN' RULES BECAUSE IT'S ME. 899 00:37:32,650 --> 00:37:33,950 YOU GOTTA GRAB THE STRAWBERRY FROM HERE. 900 00:37:33,951 --> 00:37:36,119 I JUST BELIEVE SHE'S ADDIN' RULES BECAUSE IT'S ME. 901 00:37:36,120 --> 00:37:37,554 JUST BE QUIET AND DO IT-- JUST DO IT. 902 00:37:37,555 --> 00:37:38,922 YOU GOTTA GRAB THE STRAWBERRY FROM HERE. 903 00:37:38,923 --> 00:37:40,690 YOU TALKIN', MAYO WOMAN? 904 00:37:40,691 --> 00:37:42,325 - EAT IT! - EAT IT! 905 00:37:46,931 --> 00:37:49,332 COMING UP, ON "BRAXTON FAMILY VALUES"... 906 00:37:49,333 --> 00:37:51,234 WAS I TRYING IT, JUST NOW? 907 00:37:51,235 --> 00:37:52,769 SUCK MY BALLS. 908 00:37:52,770 --> 00:37:54,604 I AM GETTIN' OUT OF THE LINE OF FIRE 909 00:37:54,605 --> 00:37:57,040 BEFORE IT GETS TOO DANGEROUS IN HERE. 910 00:37:57,041 --> 00:37:59,844 WHY ARE YOU WALKIN' AROUND THE HOUSE NAKED? 911 00:38:04,015 --> 00:38:06,183 NOW, EAT THE STRAWBERRY. 912 00:38:13,491 --> 00:38:15,325 - EAT IT, EAT IT, EAT IT! - EAT IT! 913 00:38:15,326 --> 00:38:17,060 EAT IT! 914 00:38:19,030 --> 00:38:20,730 THAT'S THE WORST EVER! 915 00:38:20,731 --> 00:38:24,601 - OH, MY GOD! - EW! 916 00:38:24,602 --> 00:38:28,471 THAT IS SO NASTY. 917 00:38:28,472 --> 00:38:31,408 I KNEW MY FEET WERE CLEAN. 918 00:38:31,409 --> 00:38:33,710 SORTA. 919 00:38:33,711 --> 00:38:36,446 NEXT! 920 00:38:36,447 --> 00:38:37,914 WHAT IS IT? 921 00:38:37,915 --> 00:38:40,250 - I GET ALL THE DUMB STUFF. - YOU PICKED IT. 922 00:38:40,251 --> 00:38:42,852 - WHAT WAS IT? - TWERK ON THE TABLE. 923 00:38:42,853 --> 00:38:45,021 OH, DAMN-- I WANTED THAT! 924 00:38:45,022 --> 00:38:47,057 OH, TRINA'S NOT GONNA TWERK RIGHT. 925 00:38:47,058 --> 00:38:48,825 GO ON, MILEY CYRUS-- STICK IT OUT. 926 00:38:48,826 --> 00:38:50,493 AND KISS MY ASS. 927 00:38:50,494 --> 00:38:52,962 TRINA BRAXTON CANNOT TWERK, M'KAY? 928 00:38:52,963 --> 00:38:55,332 SHE STILL TALKS WITH A CANADIAN ACCENT, 929 00:38:55,333 --> 00:38:57,435 AND THEY DON'T TWERK IN CANADA YET. 930 00:38:59,704 --> 00:39:01,805 - HEY-HEY-HEY! - POP IT, POP IT. 931 00:39:01,806 --> 00:39:03,039 HARDER. 932 00:39:03,040 --> 00:39:04,574 DON'T BREAK IT, THOUGH-- DON'T BREAK IT, THOUGH. 933 00:39:04,575 --> 00:39:05,809 DON'T BREAK IT. 934 00:39:05,810 --> 00:39:08,678 - HEY-HEY-HEY-HEY! - POP IT, POP IT, POP IT. 935 00:39:08,679 --> 00:39:10,613 HARD, POP IT. - I ENJOYED THAT. 936 00:39:10,614 --> 00:39:12,716 I ENJOYED THAT. - POP IT. 937 00:39:12,717 --> 00:39:15,452 I LOVE MY BODY, AND I LOVE MY CURVES, 938 00:39:15,453 --> 00:39:16,953 AND I LOVE SHOWING IT OFF. 939 00:39:16,954 --> 00:39:18,321 IT'S NOT PERFECT, 940 00:39:18,322 --> 00:39:19,789 AND THERE ARE SOME THINGS I MIGHT CHANGE, 941 00:39:19,790 --> 00:39:21,358 AND I'D LIKE TO CHANGE. 942 00:39:21,359 --> 00:39:23,259 BUT, SINCE HAVING MY HERNIA SURGERY ON MY STOMACH, 943 00:39:23,260 --> 00:39:24,828 IT'S A LITTLE THICKER THAN I'D LIKE IT TO BE. 944 00:39:24,829 --> 00:39:26,296 BUT IF I WERE A BIT SMARTER, 945 00:39:26,297 --> 00:39:28,798 I PROBABLY GOT-WOULD'VE GOTTEN IT SUCKED OUT. 946 00:39:28,799 --> 00:39:32,302 ALL OF US KNOW, I'VE ALWAYS HAD A FLAT STOMACH. 947 00:39:32,303 --> 00:39:35,472 BUT WHEN YOU HAVE A HERNIA THE SIZE OF A LEMON 948 00:39:35,473 --> 00:39:38,742 ON THE TOP OF YOUR BELLY BUTTON, 949 00:39:38,743 --> 00:39:40,710 AND A HERNIA THE SIZE OF A GOLF BALL-- 950 00:39:40,711 --> 00:39:42,746 HOW DID YOU LET IT GET THAT BIG? 951 00:39:42,747 --> 00:39:45,115 I DIDN'T KNOW WHEN I GOT-- 952 00:39:45,116 --> 00:39:46,750 YOU JUST THOUGHT YOU WAS GETTIN' FAT. 953 00:39:46,751 --> 00:39:49,819 - I HAD-- YES, I DID. - SHUT UP. 954 00:39:49,820 --> 00:39:52,989 AND THAT IS WHAT EXACERBATED EVERYTHING 955 00:39:52,990 --> 00:39:54,825 WITHIN THE REST OF MY BODY. 956 00:39:56,427 --> 00:39:58,728 LET ME ASK YOU A QUESTION. - OKAY, GO AHEAD. 957 00:39:58,729 --> 00:40:02,465 SO, HOW'D IT FEEL FOR YOU WHEN YOU GOT IT DONE? 958 00:40:02,466 --> 00:40:04,734 YOU JUST TRIED IT. 959 00:40:04,735 --> 00:40:07,270 WAIT-WAIT-- WAS I TRYING IT, JUST NOW? 960 00:40:07,271 --> 00:40:09,572 ALL THE WAY-- YOU TRIED IT TO CAPACITY! 961 00:40:09,573 --> 00:40:12,342 - NO, IT WASN'T-- IT WASN'T. - BUT, WAIT-WAIT A MINUTE. 962 00:40:12,343 --> 00:40:14,110 BUT, SINCE SHE WENT THERE-- HOLD UP. 963 00:40:14,111 --> 00:40:16,479 - THAT WAS NOT TRY-ER-IZATION. - UH-UH. 964 00:40:16,480 --> 00:40:18,681 TRINA, TRINA, LISTEN, LISTEN. - IT WAS NOT TRY-ER-IZATION. 965 00:40:18,682 --> 00:40:21,451 SINCE YOU-- TRINA, YOU MADE A LEFT ON SHADE LANE. 966 00:40:21,452 --> 00:40:23,119 I'M GONNA MAKE IT FOR YOU, OKAY? 967 00:40:23,120 --> 00:40:25,221 I'M GONNA OPEN UP THE . 968 00:40:25,222 --> 00:40:27,424 I DID NOT GET IT. 969 00:40:27,425 --> 00:40:30,560 HAD I HAD IT, MY STOMACH WOULD BE FLAT AFTER LOGAN. 970 00:40:30,561 --> 00:40:32,061 I DON'T WHAT THE 971 00:40:32,062 --> 00:40:34,931 TRINA BRAXTON IS TALKIN' ABOUT, OKAY? 972 00:40:34,932 --> 00:40:37,400 IT'S LIKE MY SISTERS, LIKE, LOOK AT BLOGS AND 973 00:40:37,401 --> 00:40:39,035 TO GET THEIR INFORMATION. 974 00:40:39,036 --> 00:40:40,403 LIKE, I MEAN, 975 00:40:40,404 --> 00:40:42,272 I'VE BEEN BOOKED FOR THE PAST FOUR YEARS. 976 00:40:42,273 --> 00:40:45,242 I-I DON'T KNOW WHAT SHE'S TALKING ABOUT. 977 00:40:48,846 --> 00:40:51,415 OOH, THAT'S REAL HEIFERISH, THOUGH. 978 00:40:55,352 --> 00:40:57,320 I'M GOIN' HOME TO MY MAN, 'CAUSE Y'ALL ARE DRUNK, 979 00:40:57,321 --> 00:40:59,789 AND GOOD-NIGHT. - YOU KNOW WHAT? 980 00:40:59,790 --> 00:41:01,891 I KNEW THINGS WERE JUST GOIN' A LITTLE TOO WELL. 981 00:41:01,892 --> 00:41:04,928 CAN WE, LIKE, PLEASE, JUST GO THREE SECONDS 982 00:41:04,929 --> 00:41:07,197 WITHOUT SOMEBODY FIGHTING ABOUT SOMETHIN', 983 00:41:07,198 --> 00:41:08,932 OR ARGUIN', PLEASE? 984 00:41:08,933 --> 00:41:10,733 - TRINA? - HUH? 985 00:41:10,734 --> 00:41:12,402 SUCK MY BALLS. 986 00:41:12,403 --> 00:41:13,670 ALL I KNOW IS, 987 00:41:13,671 --> 00:41:17,273 I'M SO GLAD THAT IT'S NOT ME IN THE MIDDLE OF THIS ARGUMENT. 988 00:41:17,274 --> 00:41:19,008 I AM GETTIN' OUT OF THE LINE OF FIRE 989 00:41:19,009 --> 00:41:22,979 BEFORE IT GETS TOO DANGEROUS IN HERE. 990 00:41:22,980 --> 00:41:24,647 LET ME TELL YOU SOMETHIN'-- IF I HAD LIPOSUCTION, 991 00:41:24,648 --> 00:41:27,016 I WOULD SEND YOU TO MY DOCTOR BECAUSE YOUR ASS NEEDS IT. 992 00:41:27,017 --> 00:41:28,384 GOOD-NIGHT. - I-I ACTUALLY DON'T. 993 00:41:28,385 --> 00:41:29,752 YOU DO! 994 00:41:29,753 --> 00:41:31,387 YOUR STOMACH LOOK LIKE A LOAF OF BREAD! 995 00:41:31,388 --> 00:41:32,655 GET OUTTA HERE! - ACTUALLY, 996 00:41:32,656 --> 00:41:35,391 WOULD YOU LIKE TO SEE? - GOOD NIGHT! 997 00:41:35,392 --> 00:41:37,961 MY STOMACH DOES NOT LOOK LIKE A LOAF OF BREAD. 998 00:41:37,962 --> 00:41:39,963 GOOD-NIGHT! 999 00:41:39,964 --> 00:41:42,632 THANK YOU. 1000 00:41:42,633 --> 00:41:45,535 WHY ARE YOU WALKIN' AROUND THE HOUSE NAKED? 1001 00:41:45,536 --> 00:41:47,704 IF WE CAN'T EVEN GET THROUGH A SLUMBER PARTY TOGETHER, 1002 00:41:47,705 --> 00:41:49,572 HOW ARE WE GONNA DO A WHOLE ALBUM? 1003 00:41:49,573 --> 00:41:52,342 I FEEL LIKE ALL THIS TIME WE SPENT MOVIN' TO L.A. 1004 00:41:52,343 --> 00:41:56,346 AND PLANNING TO DO AN ALBUM, IS JUST FOR NOTHING. 1005 00:41:56,347 --> 00:41:59,415 THAT'S NOT A LOAF OF BREAD, BUT THAT'S LIPO! 1006 00:41:59,416 --> 00:42:02,453 OH, MY GOD-- I CAN'T TAKE IT! 74585

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