All language subtitles for Braxton.Family.Values.S04E05.Starting.Off.On.a.Bad.Note.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:03,036 --> 00:00:04,737 I'M GLAD WE CHOSE THIS HOUSE, TREENIE. 2 00:00:04,738 --> 00:00:06,839 WE'RE MOVING INTO THE NEW, FABULOUS HOUSE 3 00:00:06,840 --> 00:00:09,408 THAT TOWANDA AND I FOUND IN L.A. 4 00:00:09,409 --> 00:00:10,709 HALLE-LOO. 5 00:00:10,710 --> 00:00:12,811 I HAD A BAD DREAM THE FIRST NIGHT WE STAYED HERE. 6 00:00:12,812 --> 00:00:14,380 THERE WAS A DEMON CHASING ME. 7 00:00:14,381 --> 00:00:15,447 THAT HOUSE IS DEFINITELY HAUNTED. 8 00:00:15,448 --> 00:00:16,448 I DON'T CARE WHAT NOBODY SAY, OKAY? 9 00:00:16,449 --> 00:00:17,683 TONI, I'LL SEE YOU LATER, GIRL! 10 00:00:17,684 --> 00:00:18,617 - BUT, WAIT A MINUTE! - UH-UH. 11 00:00:18,618 --> 00:00:20,119 TAMAR! 12 00:00:20,120 --> 00:00:23,288 WE HAVE GOT TO TALK ABOUT FEMALE DANCERS. 13 00:00:23,289 --> 00:00:26,592 ON TOP OF STRESSIN' ABOUT ALL OF THE POTENTIAL DRAMA 14 00:00:26,593 --> 00:00:28,193 OF ME AND MY SISTERS BECOMIN', YOU KNOW, 15 00:00:28,194 --> 00:00:30,863 THE NEXT GIRL GROUP OF AMERICA, 16 00:00:30,864 --> 00:00:33,599 I STILL HAVE MY OWN SOLO TOUR TO PLAN. 17 00:00:33,600 --> 00:00:35,401 MEANS WE HAVE TO DO AN AUDITION. 18 00:00:35,402 --> 00:00:38,937 I KNOW TIME IS TICKIN'. 19 00:00:38,938 --> 00:00:41,641 WHERE ARE WE IN THE PROCESS OF THE GOSPEL ALBUM? 20 00:00:43,276 --> 00:00:44,443 WE'RE GONNA PUT IT OUT OURSELVES, INDEPENDENT? 21 00:00:44,444 --> 00:00:45,544 I WOULD DO IT INDEPENDENT. 22 00:00:45,545 --> 00:00:46,478 I DISAGREE. 23 00:00:46,479 --> 00:00:48,347 I SEE ONLY CONS. 24 00:00:48,348 --> 00:00:49,415 THERE ARE NO PROS. 25 00:00:49,416 --> 00:00:50,416 THERE'S NO CONS. 26 00:00:50,417 --> 00:00:52,651 IT'S COINS-- IT'S PROS AND COINS. 27 00:00:52,652 --> 00:00:55,120 I THINK I'M DONE. 28 00:00:55,121 --> 00:00:56,722 SHE ALWAYS LEAVES. 29 00:00:56,723 --> 00:00:59,725 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 30 00:00:59,726 --> 00:01:03,662 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 31 00:01:03,663 --> 00:01:07,232 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 32 00:01:07,233 --> 00:01:10,235 ♪ WILL TEACH YOU A THING OR TWO ♪ 33 00:01:10,236 --> 00:01:13,706 ♪ ON BRAXTON FAMILY VALUES ♪ 34 00:01:21,915 --> 00:01:24,083 - HEY. - HEY, HONEY. 35 00:01:24,084 --> 00:01:26,518 - HEY-- MUAH. - MUAH. 36 00:01:26,519 --> 00:01:28,921 - OH, HOW NICE. - RIGHT? 37 00:01:28,922 --> 00:01:31,457 YEAH, I LIKE IT. 38 00:01:31,458 --> 00:01:32,524 OKAY. 39 00:01:32,525 --> 00:01:33,725 - HEY, MAMA. - HI. - HEY. 40 00:01:33,726 --> 00:01:35,694 - HEY, LADY. - HEY. 41 00:01:35,695 --> 00:01:37,129 MOMMY'S HERE TO SEE OUR NEW RENTAL HOUSE 42 00:01:37,130 --> 00:01:39,598 FOR THE FIRST TIME, BUT I HOPE WE CAN TALK 43 00:01:39,599 --> 00:01:41,667 ABOUT THE BUSINESS OF THE RECORD LABEL 44 00:01:41,668 --> 00:01:43,335 VERSUS THE INDEPENDENT ROUTE 45 00:01:43,336 --> 00:01:45,304 BECAUSE WE NEED TO CLEAR THIS UP, 46 00:01:45,305 --> 00:01:48,040 SO WE CAN MOVE ON, AND THE SOONER THE BETTER. 47 00:01:48,041 --> 00:01:50,742 - HEY. - HEY. - HEY. 48 00:01:50,743 --> 00:01:52,611 - THIS IS NICE, HUH? - YEAH, THIS IS NICE. 49 00:01:52,612 --> 00:01:53,879 AH! 50 00:01:53,880 --> 00:01:55,881 THE POWER KEEPS GOING OUT. 51 00:01:55,882 --> 00:01:58,117 YA'LL BETTER GET OUT THIS HOUSE. 52 00:01:58,118 --> 00:01:59,184 TAMAR, THAT'S POWER. 53 00:01:59,185 --> 00:02:00,652 YOU GOTTA PRAY OVER THE HOUSE 'CAUSE TRINA-- 54 00:02:00,653 --> 00:02:01,920 MOMMY, THIS HOUSE SPOOKY. 55 00:02:01,921 --> 00:02:03,489 WHAT? 56 00:02:03,490 --> 00:02:04,723 MOMMY, I-- THANK YOU, MOMMY. 57 00:02:04,724 --> 00:02:07,626 THE LIGHTS WENT OUT BECAUSE THERE WAS A POWER SURGE. 58 00:02:07,627 --> 00:02:08,627 WELL, I'M GETTIN' OUTTA HERE. 59 00:02:08,628 --> 00:02:10,996 THE LIGHTS ALWAYS GO OFF? 60 00:02:10,997 --> 00:02:12,531 - NO, UH, NO. - NO. 61 00:02:12,532 --> 00:02:14,133 - SO, WHAT HAPPENED? - NOT A MAN WAS WITH HER. 62 00:02:14,134 --> 00:02:15,667 - THE HOUSE IS-IS-- - YEAH, IT WAS A WEIRD-- 63 00:02:15,668 --> 00:02:16,668 IT WAS A WEIRD SPIRIT. 64 00:02:16,669 --> 00:02:18,237 IT WAS A DEMON TRYIN' TO-- 65 00:02:18,238 --> 00:02:19,505 TRACI HAD THE SAME DREAM. 66 00:02:19,506 --> 00:02:21,206 NO, I-I JUST KEPT FEELING THAT EVERY-- 67 00:02:21,207 --> 00:02:24,076 SOMEBODY WAS WATCHING ME. 68 00:02:24,077 --> 00:02:27,446 I DO FEEL, WHEN I EVEN WALKED IN THE HOUSE, 69 00:02:27,447 --> 00:02:33,352 THERE WAS A PRESENCE THERE, AND IT WASN'T A GOOD PRESENCE. 70 00:02:33,353 --> 00:02:36,321 I-- YOU KNOW. 71 00:02:36,322 --> 00:02:37,556 I PLED BLOOD, 72 00:02:37,557 --> 00:02:40,592 AND I'M GONNA PLEAD THAT BLOOD DOWN THAT HILL AND UP MINE. 73 00:02:40,593 --> 00:02:41,627 MMM. 74 00:02:41,628 --> 00:02:43,195 I THINK THAT THEY ARE SECRETLY FREAKING OUT 75 00:02:43,196 --> 00:02:44,129 ABOUT THE HOUSE. 76 00:02:44,130 --> 00:02:45,564 NOBODY WANTS TO SAY THAT IT'S HAUNTED 77 00:02:45,565 --> 00:02:48,133 'CAUSE, YOU KNOW, THEY DONE PAID ALL THAT COIN FOR THAT HOUSE. 78 00:02:48,134 --> 00:02:49,768 SO, YOU KNOW, NOBODY WANTS TO FEEL 79 00:02:49,769 --> 00:02:51,737 LIKE THEY'RE IN A HAUNTED HOUSE. 80 00:02:51,738 --> 00:02:53,906 BUT, I'M GONNA TELL YA, BABY-- IT'S HAUNTED. 81 00:02:53,907 --> 00:02:55,374 ALL RIGHT? 82 00:02:55,375 --> 00:02:56,675 MOM, WHAT DO YOU THINK ABOUT THE HOUSE? 83 00:02:56,676 --> 00:02:57,976 - IT'S HAUNTED. - "HOWSE?" 84 00:02:57,977 --> 00:02:59,411 MOMMY, WHERE IS TRINA FROM? 85 00:02:59,412 --> 00:03:01,513 SHE-- - WHY DOES SHE SPEAK LIKE SHE'S FROM CANADA? 86 00:03:01,514 --> 00:03:02,548 'CAUSE I'M FROM MARYLAND. 87 00:03:02,549 --> 00:03:03,849 SHE SPEAKS LIKE SHE'S CANADIAN. 88 00:03:03,850 --> 00:03:05,117 THERE'S A LOT OF MARYLANDERS THAT TALK JUST LIKE ME. 89 00:03:05,118 --> 00:03:08,287 - HAUNTED HOWSE. - DO THINK IT'S HAUNTED? - YES, I DO. 90 00:03:08,288 --> 00:03:09,454 MOMMY, CAN WE SEE IF WE HAVE ANY CANADIANS 91 00:03:09,455 --> 00:03:10,722 IN OUR FAMILY? 92 00:03:10,723 --> 00:03:12,291 I DON'T KNOW, WE MAY. 93 00:03:12,292 --> 00:03:16,328 TRINA IS FROM MARYLAND JUST LIKE EVERYBODY ELSE. 94 00:03:16,329 --> 00:03:19,131 SHE JUST HAPPENED TO INTERMINGLE 95 00:03:19,132 --> 00:03:22,968 WITH HISPANICS, WHITES. 96 00:03:22,969 --> 00:03:24,403 I MEAN, I'M JUST SAYIN'. 97 00:03:24,404 --> 00:03:26,038 THIS HOUSE GOT SOMETHIN' IN IT, 98 00:03:26,039 --> 00:03:27,406 AND I AIN'T FOR IT-- I AIN'T WITH IT. 99 00:03:27,407 --> 00:03:29,274 - THIS HOUSE IS NOT HAUNTED. - IT'S NOT. 100 00:03:29,275 --> 00:03:30,976 THERE'S NOTHIN' WRONG WITH THIS HOUSE-- THIS HOUSE IS ALL RIGHT. 101 00:03:30,977 --> 00:03:32,211 LIES-- THE LIGHTS KEEP GOIN'-- OUT ONE MORE, AGAIN. 102 00:03:32,212 --> 00:03:33,312 THEY GOT DUCKS IN THE POOL. 103 00:03:33,313 --> 00:03:34,446 WE'RE ALL THE WAY AT THE TOP OF A MOUNTAIN. 104 00:03:34,447 --> 00:03:36,014 DUCKS DON'T FLY THAT FAR. 105 00:03:36,015 --> 00:03:37,082 DON'T BE AFRAID. 106 00:03:37,083 --> 00:03:38,116 DON'T EVEN BRING THAT SPIRIT OF FEAR IN HERE 107 00:03:38,117 --> 00:03:39,318 'CAUSE GOD HAS NOT GIVEN US THE SPIRIT OF FEAR, 108 00:03:39,319 --> 00:03:40,852 AND I DON'T ACCEPT IT, AND I DON'T RECEIVE IT. 109 00:03:40,853 --> 00:03:41,853 I DON'T RECEIVE NO DEMONS. 110 00:03:41,854 --> 00:03:43,021 I DON'T RECEIVE NO HAUNTEDNESS 111 00:03:43,022 --> 00:03:44,223 OR NOTHIN' IN MY HOUSE WHERE I GOTTA LAY MY HEAD. 112 00:03:44,224 --> 00:03:45,591 TRINA, BUT YOU HAD THE SPIRIT OF FEAR IN YOUR DREAM. 113 00:03:45,592 --> 00:03:48,594 LIES! 114 00:03:48,595 --> 00:03:51,296 I DON'T PLAY THAT GAME-- OH-OH, GOD, NO. 115 00:03:51,297 --> 00:03:52,664 COME ON, MAMA-- LET'S GO! 116 00:03:52,665 --> 00:03:53,765 WELL, THAT'S MY RIDE. 117 00:03:53,766 --> 00:03:55,234 - ARE YOU LEAVIN'? - COME ON. 118 00:03:55,235 --> 00:03:57,302 ME AND MY MAMA, LONG AS I KNOW ME AND MY MAMA SAFE. 119 00:03:57,303 --> 00:04:00,005 - OH. - HOLLA-HOLLA-HOLLA. 120 00:04:00,006 --> 00:04:02,608 - BYE. - TAMAR IS OVERREACTING. 121 00:04:02,609 --> 00:04:03,609 "OH, MY GOD! 122 00:04:03,610 --> 00:04:04,776 "WHERE MY PURSE? 123 00:04:04,777 --> 00:04:06,345 "WHERE-- COME ON, MOMMY-- COME ON, MOMMY-- COME ON." 124 00:04:06,346 --> 00:04:07,913 - WAIT A MINUTE, TAMAR. - DON'T BE HURTIN' MOMMY! 125 00:04:07,914 --> 00:04:09,147 LET HER GO. 126 00:04:09,148 --> 00:04:11,316 MOMMY, STOP IT-- FORGET YOUR BAG. 127 00:04:11,317 --> 00:04:13,018 THIS HOUSE IS NOT HAUNTED! 128 00:04:13,019 --> 00:04:13,785 COME ON, MAMA. 129 00:04:13,786 --> 00:04:14,853 WE'RE GETTIN' UP OUTTA HERE. 130 00:04:14,854 --> 00:04:15,988 TAMAR, I-I JUST GOT HERE, FOR GOD SAKE. 131 00:04:15,989 --> 00:04:17,556 MOMMY, LET'S GO-- AIN'T BODY GOT TIME FOR THIS. 132 00:04:17,557 --> 00:04:19,758 YOU KNOW HOW, IN HAUNTED MOVIES, 133 00:04:19,759 --> 00:04:24,329 A WHITE HAUNTED MOVIE THAT THE BLACK PERSON IN, 134 00:04:24,330 --> 00:04:27,666 WE GO FIRST, OKAY? 135 00:04:27,667 --> 00:04:29,001 THAT'S IN REAL LIFE, TOO. 136 00:04:29,002 --> 00:04:30,669 THAT'S WHERE THEY GOT THAT FROM. 137 00:04:30,670 --> 00:04:31,737 SHE'S OUT. 138 00:04:31,738 --> 00:04:33,306 - BYE. - UH-UH... GOD, NO. 139 00:04:37,710 --> 00:04:39,144 ARE YOU KIDDING ME? 140 00:04:39,145 --> 00:04:40,212 REALLY? 141 00:04:40,213 --> 00:04:41,480 WE DIDN'T EVEN GET A CHANCE TO TALK ABOUT 142 00:04:41,481 --> 00:04:45,384 THE LABEL ISSUE OR ANYTHING ELSE, YOU KNOW? 143 00:04:45,385 --> 00:04:47,219 HOW WE GONNA GET TOGETHER AND WORK, 144 00:04:47,220 --> 00:04:49,354 IF PEOPLE ARE TOO SCARED TO COME TO THE HOUSE? 145 00:04:49,355 --> 00:04:50,756 I LOVE YA'LL, BUT I CAN'T STAY HERE 146 00:04:50,757 --> 00:04:51,957 WIT' YA'LL TONIGHT. 147 00:04:51,958 --> 00:04:52,991 - OKAY. - YOU SCARED? 148 00:04:52,992 --> 00:04:55,127 I'M NOT SCARED-- NO, GIRL, I AIN'T SCARED. 149 00:04:55,128 --> 00:04:57,963 - YES, YOU ARE. - I'M JUST GONNA GO 'CAUSE IT'S LATE. 150 00:04:57,964 --> 00:04:59,531 - OKAY. - OH! 151 00:04:59,532 --> 00:05:00,866 YOU KNOW, AND I GOTTA CHECK ON THE BOYS 152 00:05:00,867 --> 00:05:02,000 AND STUFF. 153 00:05:02,001 --> 00:05:03,335 ACTUALLY, I'M GONNA-- I'LL GET MY STUFF TOMORROW. 154 00:05:03,336 --> 00:05:04,336 OKAY. 155 00:05:04,337 --> 00:05:05,337 OKAY, I'M GONNA-- I GOT MY SLIPPERS ON. 156 00:05:05,338 --> 00:05:06,805 I'LL GET MY SHOES TOMORROW, TOO. 157 00:05:06,806 --> 00:05:08,974 - OKAY. - OKAY, BYE. 158 00:05:08,975 --> 00:05:10,876 BUT, FOR REAL, TRINA, I DO WANNA, UM, FIND OUT, 159 00:05:10,877 --> 00:05:13,045 UM, WHERE YOU GET YOUR ACCENT FROM, FOR REAL. 160 00:05:13,046 --> 00:05:14,713 THERE ARE LOTS OF MARYLANDERS-- REALLY, TONI? 161 00:05:14,714 --> 00:05:15,947 - GET OUT! - REALLY? 162 00:05:15,948 --> 00:05:19,351 TONI, GET-- TONI, GET-- TONI, GET OUT! 163 00:05:19,352 --> 00:05:22,187 OOH-OOH-OOH. 164 00:05:25,458 --> 00:05:28,594 - THAT LITTLE GIRL! - I GOTTA GO. 165 00:05:40,707 --> 00:05:42,007 HEY, BABY. 166 00:05:42,008 --> 00:05:44,042 - I MISS YOU. - I MISS YOU TO PIECES. 167 00:05:44,043 --> 00:05:45,844 HOW'S L.A.? HOW'S THE HOUSE? 168 00:05:45,845 --> 00:05:47,112 THE HOUSE IS COOL. 169 00:05:47,113 --> 00:05:51,216 UM, IT'S, UM, BEEN A LITTLE FRUSTRATING, 170 00:05:51,217 --> 00:05:52,217 YOU KNOW? 171 00:05:52,218 --> 00:05:53,418 HOW IS IT FRUSTRATING? 172 00:05:53,419 --> 00:05:56,021 WE HAVEN'T DONE ANYTHING TO START ON THE RECORD YET. 173 00:05:56,022 --> 00:05:57,356 NO-- WE'RE NOT RECORDING YET. 174 00:05:57,357 --> 00:05:58,857 WE'RE NOT IN THE STUDIO YET. 175 00:05:58,858 --> 00:06:00,158 TAMAR WON'T COME OVER. 176 00:06:00,159 --> 00:06:01,893 SHE SAID THERE ARE GHOSTS IN THE HOUSE. 177 00:06:01,894 --> 00:06:03,095 WHY? 178 00:06:03,096 --> 00:06:05,197 BUT, THERE IS KINDA, LIKE, WEIRD ENERGY, THOUGH. 179 00:06:05,198 --> 00:06:06,298 I HAVE TO BE HONEST. 180 00:06:06,299 --> 00:06:07,733 HAVE YOU ALL WORKED ON ONE SONG? 181 00:06:07,734 --> 00:06:09,034 NO. 182 00:06:09,035 --> 00:06:11,236 - NOT EVEN ONE? - NOT EVEN ONE. 183 00:06:11,237 --> 00:06:13,438 TONI WAS TALKIN' ABOUT HOW SHE CAN'T LEAVE MOTOWN, 184 00:06:13,439 --> 00:06:15,607 AND-AND SO IT'S LIKE-- TAMAR IS WALKIN' AWAY, 185 00:06:15,608 --> 00:06:17,175 LIKE SHE ALWAYS DOES. 186 00:06:17,176 --> 00:06:18,910 SO, IT'S LIKE, ARE WE DOIN' THIS? 187 00:06:18,911 --> 00:06:19,845 ARE WE NOT DOIN' THIS? 188 00:06:19,846 --> 00:06:21,079 CAN WE GET ALONG ENOUGH TO DO THIS? 189 00:06:21,080 --> 00:06:23,448 ARE WE GONNA KEEP ARGUIN' OUR WAY THROUGH? 190 00:06:23,449 --> 00:06:25,650 ARE WE GONNA BE ABLE TO EVEN BE ABLE TO FINISH 191 00:06:25,651 --> 00:06:26,752 A WHOLE RECORD? 192 00:06:26,753 --> 00:06:29,388 IT'S LIKE WE'RE DEFEATED BEFORE WE STARTED. 193 00:06:29,389 --> 00:06:30,455 THAT'S NOT GOOD. 194 00:06:30,456 --> 00:06:31,957 IT'S LIKE I MOVED OUT HERE IN VAIN 195 00:06:31,958 --> 00:06:33,759 BECAUSE WE'RE NOT DOING ANY OF THE THINGS 196 00:06:33,760 --> 00:06:35,160 THAT WE SAID WE WERE GONNA DO. 197 00:06:35,161 --> 00:06:36,762 GABE, HE DOESN'T UNDERSTAND 198 00:06:36,763 --> 00:06:38,764 ALL THE INS AND OUTS OF THE MUSIC INDUSTRY. 199 00:06:38,765 --> 00:06:40,365 BUT, WHAT HE DOES UNDERSTAND, 200 00:06:40,366 --> 00:06:43,101 IS WHEN MONEY'S BEEN WASTED, AND NEITHER ONE OF US 201 00:06:43,102 --> 00:06:45,637 IS GONNA BE HAPPY IF I CAME ALL THE WAY OUT HERE 202 00:06:45,638 --> 00:06:47,038 FOR NO REASON. 203 00:06:47,039 --> 00:06:49,508 I THINK THAT WE NEED TO SPEND MORE TIME TOGETHER 204 00:06:49,509 --> 00:06:50,575 AND MORE TIME TOGETHER SINGING 205 00:06:50,576 --> 00:06:52,878 AND SINGING SOME OF THE OLD STUFF TO KIND OF-- 206 00:06:52,879 --> 00:06:55,313 SO WE CAN KIND OF REGROUP AND TRY TO GET BACK TO THE BASICS. 207 00:06:55,314 --> 00:06:57,249 HOW N WE EVEN GET BACK TO THE BASICS 208 00:06:57,250 --> 00:06:59,384 IF NO ONE IS EVEN WILLING TO COME OVER 209 00:06:59,385 --> 00:07:02,020 BECAUSE THEY'RE SAYING CRAZY STUFF LIKE THE HOUSE IS HAUNTED? 210 00:07:02,021 --> 00:07:03,021 "I'M NOT CIN' TO YOUR HOUSE 211 00:07:03,022 --> 00:07:03,955 "'CAUSE YOUR HOUSE IS HAUNTED. 212 00:07:03,956 --> 00:07:06,092 "THEY GOT DEVILS AND DEMONS." 213 00:07:07,693 --> 00:07:10,228 THAT IS CRAZY. 214 00:07:10,229 --> 00:07:13,198 NOT ONLY IS TAMAR SAYING THAT THERE ARE GHOSTS IN THIS HOUSE, 215 00:07:13,199 --> 00:07:16,435 BUT SHE'S ALSO PREPPING FOR HER FIRST SOLO TOUR, 216 00:07:16,436 --> 00:07:18,003 AND I'M GETTING REALLY CONCERNED 217 00:07:18,004 --> 00:07:20,138 ABOUT HOW WE'RE GONNA GET THIS ALBUM DONE. 218 00:07:20,139 --> 00:07:22,107 YOU WANNA COME SEE ME? 219 00:07:22,108 --> 00:07:23,241 UH, YOU THINK YOUR SISTERS WOULD BE OKAY 220 00:07:23,242 --> 00:07:25,510 WITH ME COMING AND SEEING YOU? 221 00:07:25,511 --> 00:07:27,446 I DON'T THINK WE SHOULD TELL THEM. 222 00:07:27,447 --> 00:07:29,881 THINK I SHOULD JUST POP UP AND KNOCK ON THE DOOR 223 00:07:29,882 --> 00:07:31,917 WITH MY SUITCASE? 224 00:07:31,918 --> 00:07:33,819 I PROBABLY SHOULD ASK THE GIRLS IF IT'S OKAY 225 00:07:33,820 --> 00:07:36,655 FOR GABE TO COME VISIT, BUT I FEEL LIKE, IF I ASK, 226 00:07:36,656 --> 00:07:38,056 THEY MIGHT SAY NO. 227 00:07:38,057 --> 00:07:39,791 WE ALL RESPECT EACH OTHER AS SISTERS. 228 00:07:39,792 --> 00:07:40,859 MMM-HMM. 229 00:07:40,860 --> 00:07:42,160 AND I THINK THAT IF WE'RE HAVING GUESTS, 230 00:07:42,161 --> 00:07:43,695 THEN WE WOULD LET EACH OTHER KNOW 231 00:07:43,696 --> 00:07:45,197 WHEN WE'RE HAVING GUESTS. - MMM-HMM. - AHEAD OF TIME. 232 00:07:45,198 --> 00:07:46,932 HE'S MY HUSBAND, SO I DON'T NEED THEIR PERMISSION. 233 00:07:46,933 --> 00:07:48,633 THIS IS MY HOUSE, TOO. 234 00:07:48,634 --> 00:07:51,069 DON'T DO ANYTHING BEHIND MY BACK. 235 00:07:51,070 --> 00:07:54,639 I CAN'T WAIT TO SEE YOU-- I MISS YOU. 236 00:07:54,640 --> 00:07:55,707 HERE I COME. 237 00:07:55,708 --> 00:07:57,543 THAT'S WHAT SHE SAID-- AH. 238 00:08:16,429 --> 00:08:18,497 I-I'M VERY COMMITTED TO DOIN' THIS RECORD 239 00:08:18,498 --> 00:08:20,932 WITH MY SISTERS, BUT I ONLY HAVE A FEW WEEKS 240 00:08:20,933 --> 00:08:23,969 BEFORE MY TOUR START AND ADDIN' FEMALE DANCERS 241 00:08:23,970 --> 00:08:27,272 TO MY TOUR, RIGHT NOW, IS SO IMPORTANT TO ME. 242 00:08:27,273 --> 00:08:28,540 HOW YOU DOIN', MAMA? 243 00:08:28,541 --> 00:08:30,076 - I'M GOOD-- HOW ARE YOU? - GOOD. 244 00:08:31,277 --> 00:08:32,377 YEAH, IT'S A LOT. 245 00:08:32,378 --> 00:08:33,478 THE CLOCK IS TICKING, 246 00:08:33,479 --> 00:08:34,846 AND I JUST REALLY GOTTA MAKE IT WORK. 247 00:08:34,847 --> 00:08:37,082 I'VE NEVER DANCED WITH GIRLS BEFORE. 248 00:08:37,083 --> 00:08:38,383 - MMM-HMM. - RIGHT. - YOU KNOW WHAT I MEAN? 249 00:08:38,384 --> 00:08:39,651 AND I DON'T WANT US TO GET UP THERE LOOKIN' LIKE, 250 00:08:39,652 --> 00:08:40,785 YOU KNOW, A LITTLE GIRLS' GROUP. 251 00:08:40,786 --> 00:08:42,020 - I GOT-- I GOT YOU, BUT-- - YEAH-YEAH-- NO-- YEAH. 252 00:08:42,021 --> 00:08:43,255 - YOU FEELIN' ME? - YEAH, YOU CAN TRUST ME. 253 00:08:43,256 --> 00:08:44,556 EVERYONE IS, LIKE, 5'7", 5'8" -ISH? 254 00:08:44,557 --> 00:08:45,590 - YES. - THEY-THEY UP THERE. 255 00:08:45,591 --> 00:08:46,925 AIN'T NOBODY SKINNIER THAN ME, ARE THEY? 256 00:08:46,926 --> 00:08:48,527 - UM, WELL-- - TRY ME NOT. 257 00:08:50,897 --> 00:08:52,631 NOW THAT, YOU KNOW, I'M GETTING BACK 258 00:08:52,632 --> 00:08:56,067 TO MY PRE-BABY WEIGHT, I CAN HAVE GIRLS ON THE STAGE WITH ME 259 00:08:56,068 --> 00:08:57,869 AND NOT, YOU KNOW, FEEL INSECURE, YOU KNOW, 260 00:08:57,870 --> 00:09:00,872 THAT I'M NOT ALL THE WAY IN MY BODY YET. 261 00:09:00,873 --> 00:09:02,908 SO, YOU GUYS WANNA SEE THE GIRLS, REAL QUICK? 262 00:09:02,909 --> 00:09:04,009 - YEAH. - OKAY. 263 00:09:04,010 --> 00:09:05,777 - UH-HUH. - LADIES. 264 00:09:05,778 --> 00:09:07,779 HI, LADIES. 265 00:09:07,780 --> 00:09:10,515 WE GOT FIVE, SIX, SEVEN, EIGHT, 266 00:09:10,516 --> 00:09:15,353 AND ONE, TWO, AND THREE, FOUR, AND FIVE. 267 00:09:15,354 --> 00:09:17,656 I'M LOOKIN' FOR, YOU KNOW, A LITTLE THICKUMS. 268 00:09:17,657 --> 00:09:21,126 YOU KNOW, A LITTLE WAIST, A LITTLE BOOTY, 269 00:09:21,127 --> 00:09:25,063 A LITTLE THIGH, EXPERIENCED DANCERS 270 00:09:25,064 --> 00:09:27,032 WHO KNOW HOW TO KINDA MIX THE TWERKIN' IN 271 00:09:27,033 --> 00:09:29,534 WITH, YOU KNOW, THE RATCHET 272 00:09:29,535 --> 00:09:33,104 AND THE PROFESSIONAL, AT THE SAME TIME. 273 00:09:33,105 --> 00:09:35,807 ♪ HEY HEY HEY HEY HEY HEY HEY HEY HEY HEY HEY HEY ♪ 274 00:09:35,808 --> 00:09:36,875 I THINK SHE'S COMPLETELY OUT. 275 00:09:36,876 --> 00:09:38,076 SHE'S WAY TOO SKINNY. 276 00:09:38,077 --> 00:09:40,378 ♪ HEY HEY HEY HEY HEY HEY ♪ 277 00:09:40,379 --> 00:09:41,613 DEFINITELY. 278 00:09:41,614 --> 00:09:44,716 ♪ HEY HEY HEY HEY HEY ♪ 279 00:09:44,717 --> 00:09:46,117 NO. 280 00:09:46,118 --> 00:09:47,385 ♪ HEY HEY ♪ 281 00:09:47,386 --> 00:09:48,453 WAY TOO SKINNY. 282 00:09:48,454 --> 00:09:49,654 LIKE, IF I STAND BESIDE HER, 283 00:09:49,655 --> 00:09:51,122 IT'S NOT GONNA BE RIGHT. 284 00:09:51,123 --> 00:09:53,125 SHE'S TOO SKINNY. 285 00:09:55,528 --> 00:09:58,463 I MEAN, OUT OF ALL THESE GIRLS, IT'S, LIKE, 286 00:09:58,464 --> 00:10:00,765 ONLY TWO OF 'EM THAT MIGHT WORK. 287 00:10:00,766 --> 00:10:04,636 THE REST OF 'EM IS EITHER TOO SKINNY, TOO YOUNG, 288 00:10:04,637 --> 00:10:07,339 AND A FEW LOOK LIKE THEY'RE GONNA MY MAN. 289 00:10:07,340 --> 00:10:08,440 I'M SORRY-- I SAID IT. 290 00:10:08,441 --> 00:10:09,908 IT'S JUST THE TRUTH, OKAY? 291 00:10:09,909 --> 00:10:11,042 ARE YOU-- THERESA, ARE YOU OPPOSED TO 292 00:10:11,043 --> 00:10:12,612 CHANGING YOUR HAIR COLOR, IF WE NEED YOU DO? 293 00:10:15,381 --> 00:10:17,450 JUST DARKEN IT. 294 00:10:21,721 --> 00:10:24,990 GIRL, YOU HAVE TO DYE YOUR HAIR, BOO, M'KAY? 295 00:10:24,991 --> 00:10:27,392 BECAUSE THIS IS HER SONG, HER MOMENT, 296 00:10:27,393 --> 00:10:30,495 HER EIGHT COUNT, HER DEBUT. 297 00:10:30,496 --> 00:10:32,631 YOU GOT TO DYE YOUR HAIR OR YOU CAN'T COME. 298 00:10:32,632 --> 00:10:34,833 SO, YOU DID SOMETHIN' WITH FRANK-FRANK GASTON? 299 00:10:34,834 --> 00:10:35,734 YEAH. 300 00:10:35,735 --> 00:10:38,470 WHAT DID-- WHAT DID YOU DO? 301 00:10:38,471 --> 00:10:39,437 OKAY. 302 00:10:39,438 --> 00:10:42,207 DO YOU HAVE A VISA? 303 00:10:42,208 --> 00:10:43,408 YOU DON'T HAVE A VISA? 304 00:10:43,409 --> 00:10:45,410 OH, THAT'S A ISSUE. 305 00:10:45,411 --> 00:10:47,412 I MEAN, I'M JUST, LIKE, SUPER FRUSTRATED, RIGHT NOW, 306 00:10:47,413 --> 00:10:50,482 BECAUSE THIS IS THE END OF THE AUDITION, 307 00:10:50,483 --> 00:10:55,086 AIN'T NO MORE CHICKS LEFT, AND I AIN'T GOT NOBODY 308 00:10:55,087 --> 00:10:58,457 I'M REALLY HAPPY WITH LIKE THAT. 309 00:11:01,394 --> 00:11:03,228 I THINK IT SHOULD BE A PRAISE AND WORSHIP SONG 310 00:11:03,229 --> 00:11:04,362 WITH ONE PRAISE AND-- 311 00:11:04,363 --> 00:11:05,363 I'M NOT DOIN' A PRAISE AND WORSHIP SONG. 312 00:11:05,364 --> 00:11:06,297 - ONE PRAISE-- - I'M AN OLD BITCH. 313 00:11:06,298 --> 00:11:07,265 I'VE BEEN DOIN' THIS A LONG TIME. 314 00:11:07,266 --> 00:11:08,633 SO, IF YOU'RE A NEW ARTIST, I'M NOT THERE. 315 00:11:08,634 --> 00:11:10,902 TONI'S BEEN A SOLO ARTIST FOR HER WHOLE CAREER, 316 00:11:10,903 --> 00:11:14,240 SO IT COULD BE A LITTLE DIFFICULT TO LISTEN TO OTHER PEOPLE. 317 00:11:15,074 --> 00:11:16,574 MOMMY BROUGHT A PIANO HERE. 318 00:11:16,575 --> 00:11:17,942 FOR WHAT-- CAN'T NOBODY PLAY. 319 00:11:17,943 --> 00:11:19,144 - I CAN PLAY. - PLAY. 320 00:11:19,145 --> 00:11:20,245 THEN, WHAT SONG-- PLAY IT. 321 00:11:20,246 --> 00:11:21,513 NO, I DON'T HAVE TO PROVE MYSELF. 322 00:11:21,514 --> 00:11:22,915 'CAUSE YOU CAN'T PLAY. 323 00:11:25,618 --> 00:11:28,286 DO YOU HAVE A VISA? 324 00:11:28,287 --> 00:11:29,688 YOU DON'T HAVE A VISA? 325 00:11:29,689 --> 00:11:31,756 OH, THAT'S A ISSUE. 326 00:11:32,958 --> 00:11:34,125 THAT'S A ISSUE. 327 00:11:34,126 --> 00:11:36,161 YEAH, SHE-SHE'S NEEDS TO HAVE A VISA. 328 00:11:36,162 --> 00:11:41,132 NOW, IF YOU SHOWED UP TO GO ON TOUR WITHOUT A VISA, 329 00:11:41,133 --> 00:11:45,403 THAT MEANS YOU LOOKIN' FOR A MAN, 330 00:11:45,404 --> 00:11:47,505 AND THAT MAN AIN'T MINE. 331 00:11:47,506 --> 00:11:50,008 SO, YOU CAN'T COME, GIRL. 332 00:11:50,009 --> 00:11:51,076 THANK YOU. 333 00:11:51,077 --> 00:11:51,976 JUST GIVE US A MINUTE, OKAY? 334 00:11:51,977 --> 00:11:53,512 YES. 335 00:11:58,451 --> 00:12:00,051 SHE DON'T HAVE-- THAT'S WHY. 336 00:12:00,052 --> 00:12:01,653 SHE CRASHED-- THAT'S WHAT HAPPENED. 337 00:12:01,654 --> 00:12:02,954 SHE CRASHED OUR AUDITION. 338 00:12:02,955 --> 00:12:05,323 LOOKIN' FOR GIRLS IS HARDER THAN WHAT I THOUGHT IT IS, 339 00:12:05,324 --> 00:12:07,592 EVEN THOUGH I THOUGHT THERE'D BE MORE BEAT BITCHES IN L.A. 340 00:12:07,593 --> 00:12:09,728 I DON'T KNOW WHERE THEY ARE, YOU KNOW? 341 00:12:09,729 --> 00:12:11,096 BUT, AT THE END OF THE DAY, 342 00:12:11,097 --> 00:12:14,232 YOU KNOW, I STILL WANT GIRL DANCERS. 343 00:12:14,233 --> 00:12:16,668 AND ALSO, I NEED TO START REHEARSAL, 344 00:12:16,669 --> 00:12:18,770 LIKE, LAST WEEK. 345 00:12:18,771 --> 00:12:20,205 I FEEL LIKE-- I DON'T KNOW. 346 00:12:20,206 --> 00:12:21,840 THIS IS NOT THE GROUP. 347 00:12:21,841 --> 00:12:23,108 THIS IS NOT-- THIS IS NOT IT, HUH? 348 00:12:23,109 --> 00:12:24,810 NOT AT ALL. 349 00:12:35,154 --> 00:12:38,757 ALL RIGHT. 350 00:12:38,758 --> 00:12:40,225 OH, I'M SO EXCITED. 351 00:12:40,226 --> 00:12:41,693 I WOULDN'T WANT TRINA TO PUSH THE CART 352 00:12:41,694 --> 00:12:44,062 BECAUSE SHE WOULDN'T BE FOCUSED. 353 00:12:44,063 --> 00:12:45,530 MY FAVORITE STORE. 354 00:12:45,531 --> 00:12:47,232 WELL, WE ALL KNOW THAT I AM A VALUE SHOPPER, 355 00:12:47,233 --> 00:12:49,134 SO I GET TO HAVE HIGH QUALITY STUFF FOR A LOW COST. 356 00:12:49,135 --> 00:12:51,236 YES, LET'S GO LOOK AT THE LAMPS 357 00:12:51,237 --> 00:12:52,637 'CAUSE WE NEED ONE IN OUR ROOM. 358 00:12:52,638 --> 00:12:54,005 OKAY, THERE'S SO MANY BEAUTIFUL THINGS 359 00:12:54,006 --> 00:12:55,206 IN FRONT OF MY EYES. 360 00:12:55,207 --> 00:12:56,174 I LOVE THIS STORE. 361 00:12:56,175 --> 00:12:57,408 ♪ HOME GOODS ♪ 362 00:12:57,409 --> 00:12:59,811 SINCE TAMAR IS BUSY GETTING READY FOR HER TOUR, 363 00:12:59,812 --> 00:13:03,882 WE ARE AT HOME GOODS TO SHOP FOR OUR NEW PLACE. 364 00:13:03,883 --> 00:13:08,219 THIS IS THE BEST PART OF MOVING HERE FOR A FEW WEEKS-- 365 00:13:08,220 --> 00:13:10,822 RETAIL THERAPY. 366 00:13:10,823 --> 00:13:13,691 HEY, DO WE KNOW HOW WE'RE GONNA DECORATE THE HOUSE YET? 367 00:13:13,692 --> 00:13:15,794 WELL, I THINK EVERYONE SHOULD HAVE THE RIGHT 368 00:13:15,795 --> 00:13:17,796 TO DECORATE THEIR OWN ROOMS. 369 00:13:17,797 --> 00:13:19,964 UM, WHAT ABOUT EVERYTHING ELSE? 370 00:13:19,965 --> 00:13:21,232 OH, LOOK AT THESE. 371 00:13:21,233 --> 00:13:22,233 OH, THOSE ARE NICE. 372 00:13:22,234 --> 00:13:23,368 I LIKE THEM. 373 00:13:23,369 --> 00:13:24,435 THESE ARE NICE. 374 00:13:24,436 --> 00:13:25,770 TRINA, YOUR TASTE IS GETTING BETTER. 375 00:13:25,771 --> 00:13:27,138 - THANK YOU. - DO YOU WANNA GET THESE? 376 00:13:27,139 --> 00:13:28,573 YES, THAT WOULD GO GOOD IN MY ROOM. 377 00:13:28,574 --> 00:13:29,808 I HOPE WE CAN UNPLUG 'EM. 378 00:13:29,809 --> 00:13:30,875 - THAT IS BEAUTIFUL. - OH, WOW. 379 00:13:30,876 --> 00:13:32,210 AND THE PRICE IS WONDERFUL! 380 00:13:32,211 --> 00:13:33,678 IT IS. 381 00:13:33,679 --> 00:13:36,815 WE'RE TAKING THE LAMPS. -. 382 00:13:36,816 --> 00:13:38,783 WE MIGHT NEED ANOTHER CART. 383 00:13:38,784 --> 00:13:40,251 OKAY, I WANNA GO IN ANOTHER SECTION AND SEE, SO-- 384 00:13:40,252 --> 00:13:41,953 - OKAY. - OKAY. 385 00:13:41,954 --> 00:13:44,823 - OH, PINK! - THIS! 386 00:13:44,824 --> 00:13:47,492 - THAT'S A NICE COUCH. - NICE! 387 00:13:47,493 --> 00:13:50,628 - OH, AND IT'S COMFY. - IT FEELS GOOD? 388 00:13:50,629 --> 00:13:52,330 OH, AND YOU'RE NOT SINKIN' DOWN IN HERE. 389 00:13:52,331 --> 00:13:53,932 LOOK AT THE DETAILS. 390 00:13:53,933 --> 00:13:55,800 - I LIKE THIS. - IT'S NICE. 391 00:13:55,801 --> 00:13:59,037 MAYBE WE CAN PUT IT IN, LIKE, THE OFFICE OR SOMETHIN'. 392 00:13:59,038 --> 00:14:00,572 THAT'D BE-- THAT'S A NICE PLACE. 393 00:14:00,573 --> 00:14:01,773 WOULDN'T IT BE CUTE? 394 00:14:01,774 --> 00:14:02,974 CAN WE GET A SALES ASSOCIATE OR SOMEONE 395 00:14:02,975 --> 00:14:04,542 THAT CAN SAY SOLD? 396 00:14:04,543 --> 00:14:05,710 I'LL SAY IT-- SOLD. 397 00:14:08,247 --> 00:14:09,180 LET'S JUST GO-- WE'LL TELL THEM 398 00:14:09,181 --> 00:14:10,348 WHEN WE GO UP TO THE FRONT. 399 00:14:10,349 --> 00:14:11,549 I DON'T WANT NOBODY TO TAKE IT 'CAUSE I SEE-- 400 00:14:11,550 --> 00:14:12,550 TOWANDA, NOBODY'S GONNA TAKE IT. 401 00:14:12,551 --> 00:14:13,518 THEY SEE THAT WE'RE SITTING ON IT. 402 00:14:13,519 --> 00:14:14,619 THAT CUSTOMER IS LURKIN' AROUND. 403 00:14:14,620 --> 00:14:16,321 HE MIGHT WANNA GET IT BECAUSE IT'S A GOOD PRICE. 404 00:14:16,322 --> 00:14:17,555 WE CAN HAVE TRACI SIT ON IT. 405 00:14:17,556 --> 00:14:19,724 OKAY, WE'LL BE RIGHT BACK. 406 00:14:19,725 --> 00:14:22,493 OF COURSE, WE PICK TRACI TO STAY WITH THE COUCH. 407 00:14:22,494 --> 00:14:24,395 TRINA AND I HAVE MORE SHOPPIN' TO DO. 408 00:14:24,396 --> 00:14:27,232 PLUS, WE THOUGHT WE'D DO TRACI A FAVOR 409 00:14:27,233 --> 00:14:29,167 BECAUSE SHE HAS FOOT PROBLEMS. 410 00:14:29,168 --> 00:14:30,735 YOU'RE WELCOME, TRACI. 411 00:14:30,736 --> 00:14:33,004 I DON'T WANT NOBODY TO COME AND GET IT. 412 00:14:33,005 --> 00:14:35,073 - OKAY. - THANK YOU. 413 00:14:35,074 --> 00:14:37,108 LET'S GO LOOK AT SOME MIRRORS. 414 00:14:37,109 --> 00:14:40,278 I MIGHT AS WELL MAKE MYSELF AT HOME. 415 00:14:40,279 --> 00:14:44,282 HOW DID I GET STUCK SITTIN' ON THE COUCH? 416 00:14:44,283 --> 00:14:46,784 WHO COMES TO A STORE TO SIT ON A COUCH? 417 00:14:46,785 --> 00:14:47,785 I'M GOIN' SHOPPIN', TOO. 418 00:14:47,786 --> 00:14:49,655 SHOOT. 419 00:14:58,197 --> 00:15:00,798 OH, MY GOODNESS! 420 00:15:00,799 --> 00:15:02,233 THIS IS SO DOPE. 421 00:15:02,234 --> 00:15:04,469 - THAT'S CUTE. - I LOVE MIRRORS. 422 00:15:04,470 --> 00:15:06,638 - I'M COMING, GIRLS. - YOU NEED THIS ONE. 423 00:15:06,639 --> 00:15:07,805 I LOVE THIS. 424 00:15:07,806 --> 00:15:08,806 TRACI, WHY ARE YOU OVER HERE? 425 00:15:08,807 --> 00:15:10,241 WHY AREN'T YOU SITTIN' ON THE COUCH? 426 00:15:10,242 --> 00:15:13,578 I MARKED SOLD ON THE-THE TICKET. 427 00:15:13,579 --> 00:15:14,746 I WANNA SHOP, TOO. 428 00:15:14,747 --> 00:15:20,318 TRACI HAD ONE JOB TO DO, AND SHE BLEW IT-- TYPICAL. 429 00:15:20,319 --> 00:15:21,753 LOOK HOW CUTE THAT IS! 430 00:15:21,754 --> 00:15:23,688 AND IT'S BIG ENOUGH FOR MY WALL. 431 00:15:23,689 --> 00:15:24,789 YEAH, LOOK AT THE PRICE. 432 00:15:24,790 --> 00:15:26,057 BUT, REALLY, IT'D GO PERFECT IN MY ROOM. 433 00:15:26,058 --> 00:15:27,258 ARE YOU KIDDING ME? 434 00:15:27,259 --> 00:15:29,060 - LOOK AT THAT PRICE-- YEAH. - THAT IS AWESOME. 435 00:15:29,061 --> 00:15:32,030 - DO THEY HAVE TWO? - UH-HUH. 436 00:15:32,031 --> 00:15:33,699 I CAN BE HERE ALL DAY. 437 00:15:48,981 --> 00:15:50,715 WHAT'S THAT ORANGE PRAYER CLOTH YOU GOT? 438 00:15:50,716 --> 00:15:51,983 GIRL, THIS IS MY HANDKERCHIEF 439 00:15:51,984 --> 00:15:53,384 'CAUSE MY ALLERGIES. - OH. 440 00:15:53,385 --> 00:15:55,019 MY NOSE IS RUNNIN' LIKE CRAZY. 441 00:15:55,020 --> 00:15:56,354 GIRL, YOU LOOK LIKE YOU'RE ABOUT TO DO A SERMON 442 00:15:56,355 --> 00:15:57,922 OR SOMETHIN'. - HA-HA-HA. 443 00:15:57,923 --> 00:16:00,925 OOH, GIRL, I'M GETTIN' OLD-- THESE KNEES, CHILD. 444 00:16:00,926 --> 00:16:02,160 - HEY. - MMM. 445 00:16:02,161 --> 00:16:03,695 HEY, LITTLE BABY. - WELL, HI. 446 00:16:03,696 --> 00:16:05,196 SO, AFTER THE DANCE AUDITIONS, 447 00:16:05,197 --> 00:16:08,967 TONI AND I HEADED ALL THE WAY THE HELL OUT TO MALIBU 448 00:16:08,968 --> 00:16:10,935 TO MEET THE GIRLS ABOUT, YOU KNOW, 449 00:16:10,936 --> 00:16:12,637 WHAT'S GOIN' ON WITH OUR ALBUM. 450 00:16:12,638 --> 00:16:14,138 AND HONESTLY, WE REALLY DO NEED A PLAN 451 00:16:14,139 --> 00:16:16,507 OF WHAT WE'RE FITTIN' TO DO ABOUT IT. 452 00:16:16,508 --> 00:16:18,343 WHAT'S WRONG WIT' YOUR KNEE? 453 00:16:18,344 --> 00:16:20,345 I WAS TWERKIN' AND THREW MY KNEE OUT. 454 00:16:20,346 --> 00:16:23,548 HA! 455 00:16:23,549 --> 00:16:25,116 WHY YA'LL LOOKIN' AT ME LIKE THAT? 456 00:16:25,117 --> 00:16:26,818 YOU AIN'T NEVER TWERKED AND THREW YOUR KNEE OUT? 457 00:16:26,819 --> 00:16:27,919 - NO. - UH-UH. 458 00:16:27,920 --> 00:16:29,320 YOU MUST'VE BEEN DOIN' IT REALLY HARD. 459 00:16:29,321 --> 00:16:30,788 - YES, GOD. - OR WRONG. 460 00:16:30,789 --> 00:16:32,390 GIRL, YOU GOTTA LET THE PEOPLE IN THE NOSEBLEEDS-- 461 00:16:32,391 --> 00:16:34,058 THEY GOTTA SEE. 462 00:16:34,059 --> 00:16:35,259 WELL, YOU CAN'T-- YOU HAVE TO DANCE HARDER 463 00:16:35,260 --> 00:16:36,494 WHEN WE'RE ON STAGE, GUYS. 464 00:16:36,495 --> 00:16:38,262 YES, NOW I'M TRYIN' TO TWERK FOR JESUS, GIRL. 465 00:16:38,263 --> 00:16:39,330 THANK YOU. 466 00:16:39,331 --> 00:16:40,365 I DON'T THINK WE NEED TO TWERK. 467 00:16:40,366 --> 00:16:41,399 WE CAN TWERK FOR JESUS. 468 00:16:41,400 --> 00:16:42,600 NO, YOU CAN'T TWERK FOR JESUS. 469 00:16:42,601 --> 00:16:44,769 NOBODY'S TWERKIN' FOR JESUS. 470 00:16:44,770 --> 00:16:46,170 LET ME SEE YOU TWERK FOR JESUS. 471 00:16:46,171 --> 00:16:47,438 HALLE-LOO, HALLE-LOO, HALLE-LOO. 472 00:16:47,439 --> 00:16:48,706 BLASPHEMY-- BLASPHEMY! 473 00:16:48,707 --> 00:16:49,907 UH-UH-- UH-UH. 474 00:16:49,908 --> 00:16:52,110 OH, MY GOD-- TWERKIN' FOR JESUS. 475 00:16:52,111 --> 00:16:54,045 SHE'S GONNA HAVE ALL THE RELIGIOUS PEOPLE BANNING US. 476 00:16:54,046 --> 00:16:55,780 I DON'T WANNA GO TO YOUR CHURCH. 477 00:16:55,781 --> 00:16:58,549 ♪ WON'T HE DO IT WON'T HE DO IT WON'T HE DO IT ♪ 478 00:16:58,550 --> 00:16:59,684 - I DON'T WANNA DO THAT. - ME EITHER. 479 00:16:59,685 --> 00:17:00,918 - NO. - WHAT'S WRONG WITH THAT? 480 00:17:00,919 --> 00:17:02,153 - EVERYTHING. - NO-- WHAT'S RIGHT WITH IT? 481 00:17:02,154 --> 00:17:03,254 JUST EVERYTHING WRONG WITH THAT. 482 00:17:03,255 --> 00:17:04,990 IT'S--- IT'S THE NEW WAVE OF SHOUTIN'. 483 00:17:06,859 --> 00:17:09,260 SO, RIGHT NOW, WE'RE STILL TRYING TO FIGURE OUT 484 00:17:09,261 --> 00:17:12,397 WHAT WE'RE GONNA DO WITH THIS ALBUM. 485 00:17:12,398 --> 00:17:14,665 WE DON'T KNOW IF WE'RE GONNA DO IT INDEPENDENTLY, 486 00:17:14,666 --> 00:17:17,201 PER TAMAR'S SUGGESTION, OR IF WE'RE GONNA GO 487 00:17:17,202 --> 00:17:19,937 WITH A MAJOR LABEL. 488 00:17:19,938 --> 00:17:22,974 BUT, IN THE MEANTIME, WE JUST NEED TO MOVE FORWARD 489 00:17:22,975 --> 00:17:26,177 TO MAKE OTHER DECISIONS ON WHAT SONGS WE'RE GONNA SING. 490 00:17:26,178 --> 00:17:28,446 WHAT KINDA PRODUCERS DO WE GO TO? 491 00:17:28,447 --> 00:17:29,914 YOU LIKE HARVEY-- I LIKE BABYFACE. 492 00:17:29,915 --> 00:17:31,149 - NO, NO. - TRACI MIGHT HAVE A PERSON. 493 00:17:31,150 --> 00:17:32,450 I DON'T THINK THAT'S BEST. 494 00:17:32,451 --> 00:17:33,785 I THINK IT'S JUST LISTENING TO MUSIC 495 00:17:33,786 --> 00:17:35,553 AND JUST COME-- SOME THINGS WE CAN WRITE OURSELVES. 496 00:17:35,554 --> 00:17:37,488 JUST-- WE SHOULD JUST LISTEN TO THE RADIO. 497 00:17:37,489 --> 00:17:38,489 I LIKE THIS SONG. 498 00:17:38,490 --> 00:17:39,657 I LIKE WHERE THIS IS GOING. 499 00:17:39,658 --> 00:17:41,359 THEN, HA-- AND SET ASIDE SOME TIME, SO WE CAN TAKE 500 00:17:41,360 --> 00:17:45,129 A NIGHT OR A FEW DAYS TO LISTEN TO THOSE MUSIC SELECTIONS. 501 00:17:45,130 --> 00:17:46,497 AND THEN, WE GET A GENERAL CONSENSUS. 502 00:17:46,498 --> 00:17:48,099 OH, I LIKE THIS-- HEY, I LIKE THIS, TOO. 503 00:17:48,100 --> 00:17:49,100 AND THE NEXT THING YOU KNOW, 504 00:17:49,101 --> 00:17:50,234 WE ALL LIKE THE SAME THING. 505 00:17:50,235 --> 00:17:51,669 I THINK IT SHOULD BE A PRAISE AND WORSHIP SONG 506 00:17:51,670 --> 00:17:53,104 WITH ONE PRAISE-- - I'M NOT DOIN' A PRAISE AND WORSHIP SONG. 507 00:17:53,105 --> 00:17:54,839 I DON'T THINK IT SHOULD BE INSPIRATIONAL. 508 00:17:54,840 --> 00:17:56,074 WITH ONE PRAISE AND WORSHIP SONG. 509 00:17:56,075 --> 00:17:58,576 HALLELUJAH AND THEN YOU SIT DOWN. 510 00:17:58,577 --> 00:18:00,178 I DON'T THINK IT SHOULD BE THAT. 511 00:18:00,179 --> 00:18:01,412 IF WE'RE GONNA DO INSPIRATIONAL SONG, 512 00:18:01,413 --> 00:18:03,481 THEN IT'S MORE GOSPEL-ESQUE, CORRECT? 513 00:18:03,482 --> 00:18:04,715 NOT NECESSARILY. 514 00:18:04,716 --> 00:18:05,783 WELL, THAT'S WHAT I'M SAYING. 515 00:18:05,784 --> 00:18:06,918 I DON'T KNOW. 516 00:18:06,919 --> 00:18:08,119 WE JUST SAID IT'S GONNA BE INSPIRATIONAL-- 517 00:18:08,120 --> 00:18:10,121 THINGS LIKE HAPPY, THINGS LIKE, "I BELIEVE I CAN FLY." 518 00:18:10,122 --> 00:18:12,390 THAT'S WHAT WE SAID-- THINGS LIKE THAT. 519 00:18:12,391 --> 00:18:15,126 WE'VE ALREADY ESTABLISHED THE TYPE OF SONGS WE WANNA DO. 520 00:18:15,127 --> 00:18:16,794 I DON'T KNOW IF THERE SHOULD BE A PRAISE AND WORSHIP SONG. 521 00:18:16,795 --> 00:18:20,164 I THINK IT SHOULD JUST BE A REGULAR, HAPPY, 522 00:18:20,165 --> 00:18:22,233 INSPIRING SONG. 523 00:18:22,234 --> 00:18:23,734 WHERE'S OUR AUDIENCE? 524 00:18:23,735 --> 00:18:25,002 THAT'S WHAT I'M ASKING. 525 00:18:25,003 --> 00:18:27,839 IF WE'RE SMART AND MAKE IT SO THAT IT COULD BE PLAYED 526 00:18:27,840 --> 00:18:29,707 DURING IPIRATIONAL HOUR 527 00:18:29,708 --> 00:18:32,643 AND DURING THE R&B RECORD HOUR, THAT'S-- 528 00:18:32,644 --> 00:18:34,846 I FIGURE THAT'S SOMETHIN' THAT WE'D WANNA DO. 529 00:18:34,847 --> 00:18:38,616 YOU HAVE TO KNOW WHO AND WHAT YOU'RE SINGING TO 530 00:18:38,617 --> 00:18:40,651 AND ABOUT, YOU KNOW? 531 00:18:40,652 --> 00:18:42,019 YOU CAN'T BE ALL OVER THE PLACE. 532 00:18:42,020 --> 00:18:45,189 YOU CAN'T SAY, YOU KNOW, "HALLELUJAH" 533 00:18:45,190 --> 00:18:47,191 AND "DO IT TO ME GOOD," IN THE SAME SONG. 534 00:18:47,192 --> 00:18:48,693 THAT DON'T GO. 535 00:18:48,694 --> 00:18:53,030 I JUST THINK WE SHOULD BE VERY, VERY CLEAR GOING INTO IT WHO-- 536 00:18:53,031 --> 00:18:54,432 LIKE, IT'S THE SAME AUDIENCE WE HAVE. 537 00:18:54,433 --> 00:18:56,167 WE'RE JUST BROADENING IT MORE BY HAVING IT-- 538 00:18:56,168 --> 00:18:57,768 DOING SOME INSPIRATIONAL THINGS. 539 00:18:57,769 --> 00:18:59,604 SO, WHERE-WHERE WILL WE PERFORM? 540 00:18:59,605 --> 00:19:01,606 WHERE WILL WE GO AND PROMOTE AND PERFORM? 541 00:19:01,607 --> 00:19:04,842 LET'S NOT EVEN THINK ABOUT IT. 542 00:19:04,843 --> 00:19:07,078 I THINK ONCE YOU START THINKING ABOUT THE BUSINESS OF MUSIC, 543 00:19:07,079 --> 00:19:09,180 IT INHIBITS YOUR CREATIVE PROCESS. 544 00:19:09,181 --> 00:19:11,349 IF YOU START THINKING ABOUT SALES, AND ALBUMS, 545 00:19:11,350 --> 00:19:14,285 AND ALL THAT, YOU LOSE YOUR CREATIVITY. 546 00:19:14,286 --> 00:19:15,953 THAT COMES LATER. 547 00:19:15,954 --> 00:19:17,722 HOW ABOUT JUST DOING A GREAT SONG AND LOVING IT? 548 00:19:17,723 --> 00:19:19,457 - THAT-- - AND THEN, LETTIN' THE CHIPS FALL FROM THERE. 549 00:19:19,458 --> 00:19:21,359 WHY-WHY WE WANNA THINK SO FAR IN THE FUTURE? 550 00:19:21,360 --> 00:19:22,426 YOU DON'T THINK YOU SHOULD SOLIDIFY 551 00:19:22,427 --> 00:19:23,661 WHO YOU WANT YOUR AUDIENCE TO BE? 552 00:19:23,662 --> 00:19:25,963 NO, I GET ALL THAT, BUT WE'RE DOIN' THIS TO HAVE FUN. 553 00:19:25,964 --> 00:19:27,765 WE'RE DOING THIS BECAUSE WE WANNA DO IT. 554 00:19:27,766 --> 00:19:28,733 I'M AN OLD BITCH. 555 00:19:28,734 --> 00:19:29,867 I BEEN DOIN' THIS A LONG TIME. 556 00:19:29,868 --> 00:19:32,303 SO, WHAT I'M SAYING, IS THAT I JUST WANNA HAVE FUN 557 00:19:32,304 --> 00:19:33,804 WHEN I DO MUSIC NOW. 558 00:19:34,973 --> 00:19:36,841 YOU KNOW, RIGHT NOW, TONI AND TAMAR 559 00:19:36,842 --> 00:19:38,509 ARE GOING BACK AND FORTH. 560 00:19:38,510 --> 00:19:40,478 YOU KNOW, TAMAR WANTS TO DO IT HER WAY. 561 00:19:40,479 --> 00:19:43,047 AND, OF COURSE, TONI WANTS TO DO IT HER WAY. 562 00:19:43,048 --> 00:19:45,216 I JUST WANNA HURRY UP AND DO THIS RECORD. 563 00:19:45,217 --> 00:19:46,284 THAT'S ALL I KNOW. 564 00:19:46,285 --> 00:19:47,585 I JUST WANNA GET 'ER DONE. 565 00:19:47,586 --> 00:19:48,686 YOU'RE A NEWRTIST. 566 00:19:48,687 --> 00:19:50,555 YOU'RE THINKING THERE-- THAT'S WHERE YOUR HEAD IS. 567 00:19:50,556 --> 00:19:51,656 MY-- I'M NOT THERE. 568 00:19:51,657 --> 00:19:53,191 I DON'T WANNA GET SO TRAPPED DOWN 569 00:19:53,192 --> 00:19:56,093 INTO THE OTHER PART THAT WE FORGET THAT IT'S SUPPOSED TO BE FUN. 570 00:19:56,094 --> 00:19:57,295 AND THEN, IT BECOMES A TASK. 571 00:19:57,296 --> 00:19:58,729 THEN, IT BECOMES A TASK, AND THEN WE'LL BE LIKE, 572 00:19:58,730 --> 00:20:00,064 DAMN, WE AIN'T DOIN' ONE SINGLE NOW. 573 00:20:00,065 --> 00:20:01,098 WE CAN'T COME TOGETHER. 574 00:20:01,099 --> 00:20:02,333 - RIGHT. - IF WE MAKE IT TOO HEAVY, 575 00:20:02,334 --> 00:20:04,468 YOU KNOW HOW WE GET-- 576 00:20:04,469 --> 00:20:06,637 TONI'S BEEN A SOLO ARTIST FOR HER WHOLE CAREER. 577 00:20:06,638 --> 00:20:10,841 SO, YOU KNOW, SHE'S USED TO DOING WHAT SHE WANTS TO DO. 578 00:20:10,842 --> 00:20:13,377 SO, IT COULD BE A LITTLE DIFFICULT TO GO BACK 579 00:20:13,378 --> 00:20:16,381 AND LISTEN TO OTHER PEOPLE. 580 00:20:18,917 --> 00:20:20,818 TAMAR, SHE ALWAYS GOTTA ADD A LITTLE BIT OF SALT 581 00:20:20,819 --> 00:20:23,654 JUST TO PLAY THE OTHER SIDE SOMETIMES, 582 00:20:23,655 --> 00:20:25,823 AND IT'S NOT NECESSARY 'CAUSE SHE'S GONNA COME AROUND SAY, 583 00:20:25,824 --> 00:20:28,559 "OOH, YOU'RE RIGHT-- YOU'RE RIGHT." 584 00:20:28,560 --> 00:20:30,127 NO? 585 00:20:30,128 --> 00:20:31,964 I THINK THIS IS A GREAT MEETING. 586 00:20:37,970 --> 00:20:40,571 YOU CANNOT PRONUNCIATE ANYTHING. 587 00:20:40,572 --> 00:20:41,739 - ENUNCIATE. - WHAT DO YOU MEAN? 588 00:20:41,740 --> 00:20:45,276 ENUNCIATE-- AH-OH-AH-AH-AH-AH. 589 00:20:45,277 --> 00:20:48,512 TAMAR IS ACTING LIKE SHE IS THE CHOIR DIRECTOR OF US. 590 00:20:48,513 --> 00:20:50,147 YOU'RE DOING WAY TOO MUCH. 591 00:20:50,148 --> 00:20:52,016 WHY'D YOU GET SO MUCH ICE CREAM? 592 00:20:52,017 --> 00:20:53,451 BECAUSE THAT'S WHAT I LIKE. 593 00:20:53,452 --> 00:20:56,053 I CAN'T EVEN PICK OUT MY OWN DAMN GROCERIES, TOWANDA? 594 00:20:56,054 --> 00:20:57,655 YOU'RE NOT THE PARENT OF ME, TOWANDA. 595 00:20:57,656 --> 00:20:59,056 YOU ARE NOT GONNA TELL ME WHAT TO DO. 596 00:20:59,057 --> 00:21:00,325 YOU'RE JUST NOT! 597 00:21:13,238 --> 00:21:15,840 YOU GOT IT. 598 00:21:15,841 --> 00:21:18,843 I THINK THE GIRLS NEED A PIANO, 599 00:21:18,844 --> 00:21:22,280 SO I HAD A PIANO DELIVERED TO THE HOUSE. 600 00:21:22,281 --> 00:21:24,882 JUST IN CASE THEY FEEL LIKE THEY WANNA SING 601 00:21:24,883 --> 00:21:28,119 A LITTLE BIT, THE PIANO IS THERE, 602 00:21:28,120 --> 00:21:33,357 AND IT IS A REMINDER OF WHERE THEY COME FROM. 603 00:21:33,358 --> 00:21:36,494 I THINK I WANT IT FACING THAT WAY. 604 00:21:36,495 --> 00:21:37,495 DO YOU THINK THAT'S-- 605 00:21:37,496 --> 00:21:38,929 - YOU GOT A PIANO? - YEAH. 606 00:21:38,930 --> 00:21:41,132 WE WERE PLANNING ON ORDERING A PIANO FOR REHEARSING. 607 00:21:41,133 --> 00:21:46,137 BUT APPARENTLY, MOMMY HAS A TAKEOVER SPIRIT, 608 00:21:46,138 --> 00:21:49,974 AND SHE HAS DECIDED TO GET THE PIANO HERSELF 609 00:21:49,975 --> 00:21:52,410 TO BRING IN THE HOUSE, LIKE SHE'S A DRILL SERGEANT, 610 00:21:52,411 --> 00:21:55,112 YOU KNOW, LIKE WHEN WE WERE KIDS AND STUFF. 611 00:21:55,113 --> 00:21:59,617 UH, EW, I DON'T EVEN WANNA THINK ABOUT THAT, OKAY? 612 00:21:59,618 --> 00:22:02,286 CAN WE CATTLE CORNER IT JUST-- YOU OKAY? 613 00:22:02,287 --> 00:22:05,323 - SURE-SURE. - JUST A LITTLE BIT. 614 00:22:05,324 --> 00:22:07,224 - IN THE CORNER? - YES, GREAT. 615 00:22:07,225 --> 00:22:08,959 AND, YOU KNOW, JUST PRACTICE A LITTLE BIT. 616 00:22:08,960 --> 00:22:12,363 GET THE VOICES TOGETHER, YOU KNOW, TO SING GOSPEL-- 617 00:22:12,364 --> 00:22:13,397 DON'T YOU THINK? 618 00:22:13,398 --> 00:22:17,601 I USED TO MAKE MY KIDS PRACTICE EVERY DAY. 619 00:22:17,602 --> 00:22:19,904 WAS I STRICT WITH THAT? 620 00:22:19,905 --> 00:22:22,173 ABSOLUTELY. 621 00:22:22,174 --> 00:22:24,608 AM I SORRY ABOUT IT? 622 00:22:24,609 --> 00:22:26,577 ABSOLUTELY NOT. 623 00:22:26,578 --> 00:22:28,179 TRACI USED TO GO ALL THE WAY INTO HER BOWELS. 624 00:22:28,180 --> 00:22:31,282 HALLELUJAH-- YOU WAS IN IT. 625 00:22:31,283 --> 00:22:32,516 GO AHEAD, TRACI. 626 00:22:32,517 --> 00:22:34,385 GIVE IT-- JUST THAT LITTLE PART. 627 00:22:34,386 --> 00:22:35,653 HALLELUJAH. 628 00:22:37,089 --> 00:22:38,089 NO, BUT REMEMBER WHEN YOU MADE 629 00:22:38,090 --> 00:22:40,324 TAMAR CHANGE THE WORDS FROM THE WOMAN TO-- 630 00:22:40,325 --> 00:22:41,192 "YOU AIN'T NO WOMAN. 631 00:22:41,193 --> 00:22:42,460 "YOU'RE A CHILD." 632 00:22:42,461 --> 00:22:44,862 SOMEBODY SAY MY NAME? 633 00:22:44,863 --> 00:22:48,766 FIRST, MOMMY DROPS IN UNANNOUNCED WITH A PIANO, OKAY? 634 00:22:48,767 --> 00:22:52,203 THEN, TAMAR WALKS IN LIKE SHE LIVES HERE. 635 00:22:52,204 --> 00:22:54,872 DIDN'T RING THE DOOR-- NOTHIN'-- KNOCK OR NOTHIN'. 636 00:22:54,873 --> 00:22:57,341 I MEAN, YOU NEVER KNOW WHO GONNA DROP BY. 637 00:22:57,342 --> 00:22:59,977 UH, MAYBE I JUST NEED TO START LOCKIN' THE DOOR. 638 00:22:59,978 --> 00:23:01,679 MOMMY BROUGHT A PIANO HERE. 639 00:23:01,680 --> 00:23:02,947 FOR WHAT-- CAN'T NOBODY PLAY. 640 00:23:02,948 --> 00:23:04,248 - I CAN PLAY. - TOWANDA CAN PLAY. 641 00:23:04,249 --> 00:23:05,349 TOWANDA-TOWANDA USED TO. 642 00:23:05,350 --> 00:23:06,617 WELL, THEN WHAT SONG YOU PLAY, TOWANDA? 643 00:23:06,618 --> 00:23:07,585 NOT ONLY THAT-- TO PRACTICE. 644 00:23:07,586 --> 00:23:08,652 - I CAN PLAY. - SINCE WHEN? 645 00:23:08,653 --> 00:23:09,720 - TOWANDA, GO AND PLAY. - I COULD ALWAYS PLAY. 646 00:23:09,721 --> 00:23:10,888 - WHAT SONG-- PLAY IT. - I CAN PLAY ANYTHING. 647 00:23:10,889 --> 00:23:11,989 - WELL, WANDA, GO PLAY. - LET ME HEAR IT. - NO. 648 00:23:11,990 --> 00:23:13,090 - GO AHEAD-- GO ON. - TOWANDA CAN'T PLAY NO PIANO! 649 00:23:13,091 --> 00:23:15,059 TOWANDA! 650 00:23:15,060 --> 00:23:16,694 NO, I DON'T HAVE TO PROVE MYSELF. 651 00:23:16,695 --> 00:23:17,862 'CAUSE YOU CAN'T PLAY. 652 00:23:17,863 --> 00:23:18,863 I'M NOT LISTENING TO TAMAR, 653 00:23:18,864 --> 00:23:20,364 AND I DON'T HAVE TO PROVE MYSELF TO NOBODY. 654 00:23:20,365 --> 00:23:21,799 TOW-- WHEN TOWANDA TOOK PIANO LESSONS? 655 00:23:21,800 --> 00:23:22,666 PIANO LESSONS? 656 00:23:22,667 --> 00:23:24,068 I TAUGHT MY-- I'M SELF-TAUGHT. 657 00:23:24,069 --> 00:23:25,102 - TOWANDA CAN PLAY. - WHAT-WHAT CHURCH? 658 00:23:25,103 --> 00:23:26,203 TOWANDA'S SELF-TAUGHT. 659 00:23:26,204 --> 00:23:27,371 IT DOESN'T-- JUST BECAUSE YOU DON'T PLAY 660 00:23:27,372 --> 00:23:28,205 IN A CHURCH DOESN'T MEAN YOU DON'T KNOW HOW TO PLAY. 661 00:23:28,206 --> 00:23:29,373 WELL, LET ME HEAR. 662 00:23:29,374 --> 00:23:30,641 - NO, I DON'T HAVE TO PROVE MYSELF. - CHALLENGE. 663 00:23:30,642 --> 00:23:34,311 - 'CAUSE YOU CAN'T PLAY. - GUYS-GUYS-GUYS- GUYS-GUYS. 664 00:23:34,312 --> 00:23:35,946 LET ME HEAR A SONG. 665 00:23:36,782 --> 00:23:37,982 I'M NOT A BELIEVER. 666 00:23:37,983 --> 00:23:39,450 I JUST WANT HER TO PLAY ONE THING. 667 00:23:39,451 --> 00:23:41,051 AND SHE PLAYED PIANO IN HIGH SCHOOL. 668 00:23:41,052 --> 00:23:42,286 SHE HAD CLASSES IN HIGH SCHOOL. 669 00:23:42,287 --> 00:23:43,621 WHAT SCHOOL? 670 00:23:43,622 --> 00:23:45,489 I'M NOT GOIN' OVER THERE TO PLAY PIANO 671 00:23:45,490 --> 00:23:48,692 BECAUSE I DON'T NEED TO PROVE MYSELF TO ANYBODY. 672 00:23:48,693 --> 00:23:50,528 I KNOW I KNOW HOW TO PLAY THE PIANO-- 673 00:23:50,529 --> 00:23:52,830 I DON'T HAVE TO PROVE IT TO NOBODY. 674 00:23:52,831 --> 00:23:54,231 NO. 675 00:23:54,232 --> 00:23:55,299 - AT JOY-- - YEAH, BUT I DIDN'T KNOW SHE PLAYED PIANO. 676 00:23:55,300 --> 00:23:57,301 - REALLY? - I'VE NEVER SEEN TOWANDA. 677 00:23:57,302 --> 00:23:59,336 I PROMISE-- WHERE? 678 00:23:59,337 --> 00:24:01,305 AT HOME AND AT THE SCHOOL. 679 00:24:01,306 --> 00:24:02,473 - WHAT? - YEAH. 680 00:24:02,474 --> 00:24:04,008 - TOWANDA, SHOW HER SOMETHIN'. - YEAH. 681 00:24:04,009 --> 00:24:05,709 - YOU DON'T WANNA DO IT? - NO-- NUH-UH. 682 00:24:05,710 --> 00:24:08,012 I ALWAYS THOUGHT TONI COULD PLAY THE PIANO. 683 00:24:08,013 --> 00:24:09,246 - TAMAR-- - AND MIKEY CAN PLAY IT, TOO. 684 00:24:09,247 --> 00:24:10,481 MIKEY CAN PLAY, TOO. 685 00:24:10,482 --> 00:24:12,883 - SHUT UP. - YES. 686 00:24:12,884 --> 00:24:14,218 YOU'RE CHALLENGING EVERYBODY. 687 00:24:14,219 --> 00:24:15,319 YOU DO IT. 688 00:24:15,320 --> 00:24:18,556 I-- LISTEN, I HAVE A FOURTH CHORD RULE. 689 00:24:18,557 --> 00:24:20,024 - WHICH FOUR? - WHICH FOUR? 690 00:24:20,025 --> 00:24:21,358 I-I DON'T KNOW-- I-I HEAR 'EM. 691 00:24:21,359 --> 00:24:23,994 IT'S THE SAME FOUR CHORDS, AND I SWITCH 'EM UP. 692 00:24:23,995 --> 00:24:25,396 WELL, GO AHEAD AND PLAY. 693 00:24:25,397 --> 00:24:26,730 YOU DO IT-- YOU DO IT. - IT'S THE SAME THING. 694 00:24:26,731 --> 00:24:28,466 BUT, I SAY-- - DO THE FOUR-CHORD RULE. 695 00:24:28,467 --> 00:24:30,034 LET'S SEE. 696 00:24:30,035 --> 00:24:33,772 IT STARTED OFF IN THIS LITTLE HOUSE ON QUEENSTOWN ROAD. 697 00:24:36,975 --> 00:24:41,078 ♪ DON'T WAIT DON'T DON'T WAIT DON'T DON'T DON'T ♪ 698 00:24:41,079 --> 00:24:42,413 SING IT, BABY! 699 00:24:42,414 --> 00:24:43,581 ♪ DON'T WAIT TILL THE BATTLE'S OVER ♪ 700 00:24:43,582 --> 00:24:45,516 ♪ SHOUT NOW SHOUT NOW ♪ 701 00:24:45,517 --> 00:24:47,685 ♪ YOU KNOW IN THE END YOU'RE GOING ♪ 702 00:24:47,686 --> 00:24:48,686 WAIT! 703 00:24:48,687 --> 00:24:50,521 ♪ YOU'RE GOING ♪ 704 00:24:50,522 --> 00:24:51,722 HOLD ON, HOLD ON. 705 00:24:51,723 --> 00:24:52,756 YA'LL KNOW WE DON'T SING THIS FAR AWAY FROM THE PIANO. 706 00:24:52,757 --> 00:24:54,358 COME OVER HERE. - COME ON, TRINA AND TRACI. 707 00:24:54,359 --> 00:24:55,559 GO OVER THERE-- GO OVER THERE. 708 00:24:55,560 --> 00:24:57,761 EVEN AS A LITTLE GIRL, TAMAR HAS ALWAYS WANTED 709 00:24:57,762 --> 00:24:59,563 TO BE IN CHARGE. 710 00:24:59,564 --> 00:25:01,665 IT IS WHAT IT IS. 711 00:25:01,666 --> 00:25:03,701 SHE'S ALWAYS BEEN THAT WAY. 712 00:25:03,702 --> 00:25:05,002 ♪ WHEN THE BAT-- ♪ 713 00:25:05,003 --> 00:25:06,136 LET ME HEAR YOU SING IT. 714 00:25:06,137 --> 00:25:07,605 LET ME HEAR YOU SING IT. - LET ME HEAR YOU PLAY IT. 715 00:25:08,807 --> 00:25:11,175 ♪ WHEN ♪ 716 00:25:11,176 --> 00:25:12,343 HOLD ON-- YOU TWO SING TOGETHER. 717 00:25:12,344 --> 00:25:13,377 SING IT. 718 00:25:13,378 --> 00:25:15,045 ♪ WHEN THE ♪ 719 00:25:15,046 --> 00:25:16,347 TRACI, YOU READY FOR YOUR NOTE? 720 00:25:16,348 --> 00:25:19,416 THIS IS HOW YOU'RE GONNA SING, IN THIS LOW KEY. 721 00:25:19,417 --> 00:25:22,786 ♪ DON'T WAIT DON'T WAIT TILL THE BATTLE IS OVER SHOUT NOW ♪ 722 00:25:22,787 --> 00:25:24,855 THAT-THAT'S GONNA CHANGE THE CHORD. 723 00:25:24,856 --> 00:25:26,090 - NO-NO. - DON'T WAIT-- DON'T WAIT. 724 00:25:26,091 --> 00:25:27,124 WAIT-WAIT-WAIT. 725 00:25:27,125 --> 00:25:28,158 WE'RE GONNA HAVE TO CHANGE THE CHORDS 726 00:25:28,159 --> 00:25:29,426 TO THE WAY YOU CAN PLAY? 727 00:25:29,427 --> 00:25:30,628 YEAH, I-I KNOW THE FOUR. 728 00:25:30,629 --> 00:25:35,299 SHE PLAYS IN THE KEY OF "C," NO FLATS, NO SHARPS. 729 00:25:35,300 --> 00:25:39,303 THAT'S THE EASIEST KEY TO PLAY. 730 00:25:39,304 --> 00:25:42,339 TAMAR, THE ONLY THING YOU DO IS PLAY ONE CHORD. 731 00:25:42,340 --> 00:25:45,976 TRUE, SO TRUE, THE SAME CHORD SHE'S BEEN PLAYIN' 732 00:25:45,977 --> 00:25:47,745 SINCE WE WAS LITTLE GIRLS. 733 00:25:47,746 --> 00:25:50,981 SO, HA-HA-- JUST LET TAMAR LIVE HER DREAM. 734 00:25:50,982 --> 00:25:52,416 JUST LET HER LIVE HER DREAM. 735 00:25:52,417 --> 00:25:53,551 EVERYBODY, READY FOR IT. 736 00:25:53,552 --> 00:25:54,985 BUT-BUT-BUT, I'M GONNA TELL YOU WHAT TO DO. 737 00:25:54,986 --> 00:25:56,353 REVERSE IT, THAT-- THE TOP 738 00:25:56,354 --> 00:25:57,488 I KINDA LIKE THAT, THOUGH. 739 00:25:57,489 --> 00:25:58,589 BUT, IT'S WRONG. 740 00:25:58,590 --> 00:25:59,423 LET-LET ME DO THE INTRODUCTION LIKE AT CHURCH. 741 00:25:59,424 --> 00:26:00,558 I GOTTA DO-- DO THE MOVES. 742 00:26:00,559 --> 00:26:01,692 WHERE YA'LL MOVES AT? 743 00:26:01,693 --> 00:26:02,826 SEE THAT-- SEE? 744 00:26:02,827 --> 00:26:04,061 IT'S A LOT OF FUN PLAYING-- YOUR MIND'S GOING BACK. 745 00:26:09,534 --> 00:26:11,535 ♪ DON'T WAIT TILL THE BATTLE IS OVER SHOUT NOW ♪ 746 00:26:11,536 --> 00:26:13,270 OH. 747 00:26:13,271 --> 00:26:15,539 ♪ SHOUT NOW YOU KNOW YOU'RE YOU'RE GONNA WIN ♪ 748 00:26:15,540 --> 00:26:17,374 NO-- NO-- NO! 749 00:26:17,375 --> 00:26:19,843 ♪ DON'T WAIT TILL THE BATTLE IS OVER SHOUT NOW ♪ 750 00:26:19,844 --> 00:26:21,378 TAMAR! 751 00:26:21,379 --> 00:26:23,681 ♪ YOU KNOW YOU'RE, YOU'RE GONNA WIN ♪ 752 00:26:23,682 --> 00:26:29,019 WHEN I SAW THOSE GIRLS STANDIN' AROUND THE PIANO, 753 00:26:29,020 --> 00:26:32,156 AND THEY WERE SINGING, 754 00:26:32,157 --> 00:26:35,593 I STILL GET EMOTIONAL WITH THAT 755 00:26:35,594 --> 00:26:38,829 BECAUSE MY MIND GOES BACK, AND I SEE THEM 756 00:26:38,830 --> 00:26:42,366 AS A LITTLE KID, AND MY HEART MELTS 757 00:26:42,367 --> 00:26:45,235 'CAUSE THAT'S THEIR ROOTS, FOR GOD SAKES. 758 00:26:45,236 --> 00:26:46,337 READY? 759 00:26:46,338 --> 00:26:47,438 TWO, THREE-- YA'LL TWO. 760 00:26:47,439 --> 00:26:50,641 ♪ WHEN THE BATTLE IS OVER ♪ 761 00:26:50,642 --> 00:26:52,743 WHEN TAMAR WAS TRYING TO BE THE STAGECOACH, 762 00:26:52,744 --> 00:26:54,511 SHE WAS ACTING LIKE HOW MOMMY DID 763 00:26:54,512 --> 00:26:55,779 WHEN WE WERE YOUNGER, 764 00:26:55,780 --> 00:27:01,619 AND NO ONE CAN OVER STAGECOACH LIKE MOMMY, 765 00:27:01,620 --> 00:27:03,387 ESPECIALLY BECAUSE MOMMY COULD HIT US. 766 00:27:03,388 --> 00:27:05,189 AND, TAMAR, YOU KNOW, THAT IF YOU HIT US, 767 00:27:05,190 --> 00:27:06,757 WE'D HIT YOU BACK. 768 00:27:06,758 --> 00:27:08,592 ♪ IS OVER ♪ - HOLD UP-- HOLD UP! 769 00:27:08,593 --> 00:27:09,660 PUT YOURSELF IN IT. 770 00:27:09,661 --> 00:27:11,462 YOU PUT YOURSELF IN IT FIRST. 771 00:27:11,463 --> 00:27:13,431 I AM NOT THE CHOIR DIRECTOR OF THE GROUP, BUT-- 772 00:27:16,568 --> 00:27:18,102 ♪ YEAH YEAH YEAH YEAH ♪ 773 00:27:18,103 --> 00:27:19,169 - THAT'S NOT MY NOTE. - I'M GIVING IT TO YOU. 774 00:27:19,170 --> 00:27:20,904 ♪ WHEN THE BATTLE ♪-- 775 00:27:20,905 --> 00:27:22,339 TRINA, WE'RE SINGIN' FOR THE LORD, NOW-- IT'S DIFFERENT. 776 00:27:22,340 --> 00:27:23,574 YEAH, BRING IT UP. 777 00:27:23,575 --> 00:27:25,175 ♪ WHEN THE BATTLE IS OVER ♪ 778 00:27:25,176 --> 00:27:26,610 - I'M NOT DOIN' THAT. - TRINA, DO IT! 779 00:27:26,611 --> 00:27:27,845 NO, I CAN'T 'CAUSE OF MY DIAPHRAGM. 780 00:27:27,846 --> 00:27:28,979 I CAN'T-- I CAN'T-- I CAN'T DO THAT. 781 00:27:28,980 --> 00:27:30,280 ♪ WHEN THE BATTLE IS OVER ♪ 782 00:27:30,281 --> 00:27:31,382 IT ISN'T THE DIAPHRAGM SINGING IT, THOUGH. 783 00:27:31,383 --> 00:27:32,349 TRINA, WAIT A MINUTE. 784 00:27:32,350 --> 00:27:33,417 I'M A BRAVADO-- THAT'S MY NOTE. 785 00:27:33,418 --> 00:27:34,585 WAIT A MINUTE-- WAIT A MINUTE. 786 00:27:34,586 --> 00:27:35,386 LET'S-- WE HAVE TO GET SOMETHIN' ESTABLISHED, RIGHT NOW. 787 00:27:35,387 --> 00:27:36,286 WHAT WE GONNA GET ESTABLISHED? 788 00:27:36,287 --> 00:27:37,454 YOU CANNOT PRONUNCIATE ANYTHING. 789 00:27:37,455 --> 00:27:38,489 - ENUNCIATE. - WHAT DO YOU MEAN? 790 00:27:38,490 --> 00:27:39,823 ENUNCIATE. 791 00:27:41,860 --> 00:27:42,960 - YEAH, YOU-- - THAT'S WHAT I SAID. 792 00:27:42,961 --> 00:27:44,161 WHEN THE BATTLE IS OVER-- I SAID THAT! 793 00:27:44,162 --> 00:27:45,396 - NO-NO-NO-NO. - LISTEN-LISTEN-LISTEN. 794 00:27:51,236 --> 00:27:52,803 THANK YOU-- JUST SAY VOWELS-- SAY VOWELS. 795 00:27:52,804 --> 00:27:53,937 WHEN WE PLAY IT-- WHEN WE PLAY IT, I WILL JUST DO VOWELS. 796 00:27:53,938 --> 00:27:54,972 YOU READY? 797 00:27:54,973 --> 00:27:56,874 EXCUSE ME- EXCUSE ME-- EXCUSE ME, MISS AMERICA. 798 00:27:56,875 --> 00:27:59,943 TAMAR IS ACTING LIKE SHE IS THE CHOIR DIRECTOR OF US 799 00:27:59,944 --> 00:28:03,147 AND TELLING US HOW TO SAY "AH-AH-OH-OH-OH-AH-AH." 800 00:28:03,148 --> 00:28:04,548 I'M LIKE, LIKE, REALLY, TAMAR? 801 00:28:04,549 --> 00:28:06,917 REALLY, YOU WANT US TO BARK LIKE DOGS AND JUST A-E-I-O-U? 802 00:28:06,918 --> 00:28:09,053 REALLY, THIS IS LIKE, YOU'RE DOING WAY TOO MUCH. 803 00:28:09,054 --> 00:28:11,855 ♪ WHEN THE BATTLE IS OVER ♪ 804 00:28:11,856 --> 00:28:13,190 ALL RIGHT. 805 00:28:13,191 --> 00:28:15,693 ♪ WHEN THE BATTLE IS OVER I SEE A FOUR LEAF CLOVER ♪ 806 00:28:15,694 --> 00:28:21,332 ♪ I SEE A FOUR LEAF CLOVER I SEE A FOUR LEAF CLOVER ♪ 807 00:28:24,335 --> 00:28:26,103 HEY-- BRING IT ON UP! 808 00:28:26,104 --> 00:28:27,137 ♪ HALLELUJAH ♪ 809 00:28:27,138 --> 00:28:28,906 - WHOO! - THAT WORKED FOR ME. 810 00:28:28,907 --> 00:28:34,078 I WAS WORRIED ABOUT MOMMY BEING THE CHOIR DIRECTOR 811 00:28:34,079 --> 00:28:36,380 THAT SHE WAS WHEN WE WERE YOUNGER. 812 00:28:36,381 --> 00:28:40,851 AND NOW, TAMAR IS TRYING TO ACT LIKE SHE'S JOE JACKSON. 813 00:28:40,852 --> 00:28:42,019 LET ME HEAR YOU SING YOUR NOTE. 814 00:28:42,020 --> 00:28:43,187 SING IT, TRACI-- COME ON. 815 00:28:43,188 --> 00:28:45,056 NO-- UH-UH. 816 00:28:47,325 --> 00:28:48,625 GOOD JOB! 817 00:28:48,626 --> 00:28:51,261 THE OBJECT IS TO SOUND LIKE 30 WHEN THERE'S THREE. 818 00:28:51,262 --> 00:28:53,064 EVERYBODY'S LEAVIN' THE PIANO? 819 00:29:09,314 --> 00:29:10,380 I WANT EVERYTHING WITH FAT IN IT, 820 00:29:10,381 --> 00:29:11,849 AND I WANT LOTS OF ALCOHOL. 821 00:29:11,850 --> 00:29:15,018 OUR ENTIRE CART IS NOT GONNA BE ALCOHOL. 822 00:29:15,019 --> 00:29:17,221 WHY ARE THESE CUCUMBERS THIS BIG? 823 00:29:17,222 --> 00:29:18,255 THAT'S A BIG-ASS CUCUMBER. 824 00:29:18,256 --> 00:29:19,356 YOU SEE HOW BIG THIS IS? 825 00:29:19,357 --> 00:29:20,958 I'M SUDDENLY HOMESICK. 826 00:29:20,959 --> 00:29:22,593 OH, OOH, YOU SEEN THIS ONE? 827 00:29:22,594 --> 00:29:24,261 - TRACI! - TRACI, CAN YOU MAKE SOME CABBAGE? 828 00:29:24,262 --> 00:29:28,132 - YES, CABBAGE. - I THINK I WANT THIS ONE. 829 00:29:28,133 --> 00:29:29,133 TRACI! 830 00:29:29,134 --> 00:29:30,968 I'M NOT GONNA WANNA EAT THAT! 831 00:29:30,969 --> 00:29:34,404 AFTER TAMAR LEFT, WE DECIDED TO DO A GROCERY RUN. 832 00:29:34,405 --> 00:29:36,073 I DON'T CARE ABOUT FOOD. 833 00:29:36,074 --> 00:29:37,374 I THINK WE NEED TO GET A HEAD START 834 00:29:37,375 --> 00:29:39,309 ON STOCKING THE BAR. 835 00:29:39,310 --> 00:29:42,045 AND, THIS IS MY AISLE. 836 00:29:42,046 --> 00:29:43,814 OH, THERE'S THE LIQUOR! 837 00:29:43,815 --> 00:29:47,851 TRINA AND TRACI SPOT THE LIQUOR AISLE. 838 00:29:47,852 --> 00:29:49,219 - THAT ONE. - I DID THAT ONE ALREADY. 839 00:29:49,220 --> 00:29:50,320 YOU WANT MORE. 840 00:29:50,321 --> 00:29:51,321 YOU HAVE TO GET ANOTHER ONE. 841 00:29:51,322 --> 00:29:52,456 - OKAY. - YOU MAY AS WELL. 842 00:29:52,457 --> 00:29:53,857 YOU'RE SPENDIN' MOST OF THE MONEY ON THE ALCOHOL. 843 00:29:53,858 --> 00:29:55,759 TOWANDA, HU-- WHY DON'T YOU BE QUIET? 844 00:29:55,760 --> 00:29:57,561 GO GET SOME LEMON-LIME SODA. 845 00:29:57,562 --> 00:29:58,495 I DON'T WANT THAT. 846 00:29:58,496 --> 00:29:59,630 - YES, YOU DO. - NO, I DON'T. 847 00:29:59,631 --> 00:30:00,798 - YES, YOU DO. - NO, I DO NOT. 848 00:30:00,799 --> 00:30:02,032 - YES, YOU DO. - NO, I DON'T. 849 00:30:02,033 --> 00:30:04,701 I CAN'T EVEN PICK OUT MY OWN DAMN GROCERIES, TOWANDA? 850 00:30:04,702 --> 00:30:06,303 CHILD, BYE. 851 00:30:06,304 --> 00:30:08,872 I CAN'T EVEN SEE ALL THE STUFF THAT YOU HAVE. 852 00:30:08,873 --> 00:30:12,476 SHE HAS PUT SO MANY UNHEALTHY THINGS IN HER CART, 853 00:30:12,477 --> 00:30:17,214 LIKE SUGAR, CEREAL, ICE CREAM, SODA, 854 00:30:17,215 --> 00:30:21,218 A WHOLE BUNCH OF POTATO CHIPS, PRETZELS, MARSHMALLOWS. 855 00:30:21,219 --> 00:30:22,820 YOU'RE NOT GONNA TELL ME WHAT TO DO. 856 00:30:22,821 --> 00:30:23,987 YOU'RE JUST NOT! 857 00:30:23,988 --> 00:30:25,489 YOU'RE NOT THE PARENT OF ME, TOWANDA. 858 00:30:25,490 --> 00:30:28,225 TOWANDA HAS OFFICIALLY TAKEN GABE'S PLACE 859 00:30:28,226 --> 00:30:30,060 AS THE FUN SNATCHER. 860 00:30:30,061 --> 00:30:33,197 STOP TRYING TO BE THE DEN MOTHER BUZZ KILLER. 861 00:30:33,198 --> 00:30:35,265 WHY'D YOU GET SO MUCH ICE CREAM? 862 00:30:35,266 --> 00:30:36,700 BECAUSE THAT'S WHAT I LIKE. 863 00:30:36,701 --> 00:30:39,903 ALCOHOL AND POPSICLES 'CAUSE THAT'S ALL SHE NEEDS. 864 00:30:39,904 --> 00:30:42,239 ALCOHOL AND POPSICLES, TRINA. 865 00:30:42,240 --> 00:30:44,041 WE'RE GONNA HAVE GOOD DRINKS TONIGHT. 866 00:30:44,042 --> 00:30:45,108 THANK YOU. 867 00:30:45,109 --> 00:30:47,378 I'M GONNA DRINK TILL I GO TO SLEEP! 868 00:30:51,282 --> 00:30:52,950 - IT'S SO R&B. - IT'S NOT R&B. 869 00:30:52,951 --> 00:30:54,284 - IT'S SO-- - IT'S NOT R&B. 870 00:30:54,285 --> 00:30:55,519 YOU'RE THE ONE WHO STARTED PLAYIN' IT. 871 00:30:55,520 --> 00:30:58,222 WE AIN'T GETTIN' ALONG, AT HELLO. 872 00:30:58,223 --> 00:31:00,757 - THAT'S TOO PROVOCATIVE. - NO, IT'S NOT. 873 00:31:00,758 --> 00:31:04,795 IF THIS BRAXTON ALBUM SOMEHOW FAILS, 874 00:31:04,796 --> 00:31:06,231 IT AIN'T GONNA BE HER FAULT. 875 00:31:10,902 --> 00:31:12,069 HEY, HONEY. 876 00:31:12,070 --> 00:31:13,837 - HEY-- MUAH. - MUAH. 877 00:31:13,838 --> 00:31:16,573 THE GIRLS ASKED ME TO COME TO THEIR HOUSE 878 00:31:16,574 --> 00:31:18,342 AND TO BLESS THEIR HOUSE, 879 00:31:18,343 --> 00:31:21,278 AND IF THERE'S ANY NEGATIVE SPIRIT, 880 00:31:21,279 --> 00:31:23,080 THAT'D HAVE TO GO. 881 00:31:23,081 --> 00:31:24,147 WHAT YOU WANT US TO DO, THOUGH? 882 00:31:24,148 --> 00:31:25,449 JUST SIT THERE AND PRAY. 883 00:31:25,450 --> 00:31:26,483 - OKAY. - OKAY. 884 00:31:26,484 --> 00:31:28,185 IT'LL BE ALL RIGHT. 885 00:31:28,186 --> 00:31:31,088 IN THE NAME OF JESUS, YOU'RE GONNA PROTECT THEM. 886 00:31:31,089 --> 00:31:32,689 PROTECT THEM ALL. 887 00:31:32,690 --> 00:31:34,792 THANK YOU, LORD, FOR YOUR POWER. 888 00:31:42,267 --> 00:31:44,134 ALL RIGHT, GIRLS. 889 00:31:44,135 --> 00:31:45,569 - OKAY, THANK YOU, MOMMY. - EVERYTHING'S ALL RIGHT. 890 00:31:45,570 --> 00:31:47,371 - THANK YOU, MOM. - THANK YOU. 891 00:31:47,372 --> 00:31:49,373 THERE ARE NO DEMONS, NO POLTER-GOOSE, 892 00:31:49,374 --> 00:31:51,441 NO POLTERGEISTS, NO ZOMBIES. 893 00:31:51,442 --> 00:31:52,776 THIS HOUSE IS RID OF ALL THOSE SPIRITS, 894 00:31:52,777 --> 00:31:54,379 SO GET YOUR ASS BACK IN HERE, TAMAR. 895 00:32:11,796 --> 00:32:13,363 YOU GOTTA HAVE A TALK WIT' YOUR SISTERS. 896 00:32:13,364 --> 00:32:14,364 WHY? 897 00:32:14,365 --> 00:32:15,966 LOOK-- LOOK AT THE FRIGIDAIRE. 898 00:32:15,967 --> 00:32:18,568 THREE-CHEESE AND-- - IS THAT CHEESECAKE? 899 00:32:18,569 --> 00:32:20,938 THEY GOT EVERY CHEESE ON THE PLANET. 900 00:32:20,939 --> 00:32:22,973 IT'S NOT MINE-- I DIDN'T WANT THAT. 901 00:32:22,974 --> 00:32:23,974 THEY GOT THE FAT GIRL POPS. 902 00:32:23,975 --> 00:32:24,975 TRINA. 903 00:32:24,976 --> 00:32:25,976 YOU CAN AT LEAST GET THE OTHER ONES 904 00:32:25,977 --> 00:32:27,277 WITHOUT THE FILLING IN IT. 905 00:32:27,278 --> 00:32:28,845 - TRINA-- AIN'T NO FILLIN' IN THAT ONE. - YEAH, THERE IS. 906 00:32:28,846 --> 00:32:29,913 WAIT A MINUTE-- YA'LL ARE BLAMIN' ALL THE FAT GIRL FOOD ON TRINA? 907 00:32:29,914 --> 00:32:30,847 I PROMISE-- NO, LISTEN. 908 00:32:30,848 --> 00:32:33,116 NO-NO, ALL THESE ARE TRINA'S. 909 00:32:33,117 --> 00:32:35,519 TONI AND TAMAR ARE AT THE HOUSE TODAY, 910 00:32:35,520 --> 00:32:37,721 SO WE CAN START WRITING OUR SONGS FOR THE ALBUM, 911 00:32:37,722 --> 00:32:41,825 AND MOMMY IS HERE COOKING HER FAMOUS FRIED CHICKEN, 912 00:32:41,826 --> 00:32:45,762 AND I THINK THE SMELL IS REALLY MAKING TONI AND TAMAR A LITTLE CRAZY. 913 00:32:45,763 --> 00:32:46,897 WHAT ARE YOU HIDIN'? 914 00:32:46,898 --> 00:32:49,066 THIS IS WHAT HAPPENS WHEN YOU EAT STUFF LIKE THIS. 915 00:32:49,067 --> 00:32:50,467 THAT'S NOT MINE. 916 00:32:50,468 --> 00:32:51,234 THAT'S TRINA'S. 917 00:32:51,235 --> 00:32:52,669 ALL THIS IS TRINA'S. 918 00:32:52,670 --> 00:32:53,704 I DON'T WANT THAT. 919 00:32:53,705 --> 00:32:55,305 LET'S WALK AROUND LIKE OUR SISTERS 920 00:32:55,306 --> 00:32:56,640 'CAUSE THIS IS WHAT THEY FITTIN' TO LOOK LIKE. 921 00:32:56,641 --> 00:32:58,342 NOT ME, 'CAUSE THIS IS MINE, RIGHT HERE. 922 00:32:58,343 --> 00:32:59,476 OOH, TONI, LOOK. 923 00:32:59,477 --> 00:33:01,011 WALK LIKE TRINA, TRACI, AND TOWANDA. 924 00:33:01,012 --> 00:33:03,080 OOH, YEAH, BABY. 925 00:33:03,081 --> 00:33:04,414 YEAH. 926 00:33:04,415 --> 00:33:06,416 UH-UH-UH-UH-UH. 927 00:33:06,417 --> 00:33:08,251 I'M GONNA TELL TRINA YA'LL ARE PUTTIN' HER POPSICLES 928 00:33:08,252 --> 00:33:09,419 IN YA'LL'S BOOTIES. 929 00:33:09,420 --> 00:33:14,725 I KNOW MRS. GOUTFIRE IS NOT TALKIN' ABOUT PEOPLE 930 00:33:14,726 --> 00:33:17,394 EATING ICE CREAM AND ALL THIS CRAZY FOOD 931 00:33:17,395 --> 00:33:19,830 BECAUSE, IF I GO TO TAMAR'S HOUSE, 932 00:33:19,831 --> 00:33:22,499 SHE HAS A CANDY STORE IN HER PANTRY. 933 00:33:22,500 --> 00:33:24,868 SHE HAS ICE CREAM, SHE HAS SORBET. 934 00:33:24,869 --> 00:33:26,603 "UH-UH, I DON'T HAVE THAT." 935 00:33:26,604 --> 00:33:28,105 YES, YOU DO. 936 00:33:28,106 --> 00:33:31,074 TRINA, TAMAR AND THEM PUTTIN' YOUR POPSICLES 937 00:33:31,075 --> 00:33:32,542 IN THEIR BOOTIES! 938 00:33:32,543 --> 00:33:35,545 I DO NOT BELIEVE THAT ALL THAT JUNK FOOD IS TRINA'S. 939 00:33:35,546 --> 00:33:37,381 LIKE, YOU KNOW, TRINA DID PICK UP A LITTLE WEIGHT, 940 00:33:37,382 --> 00:33:41,318 BUT TOWANDA GOT A BIG OL' BOOTY, TOO, GIRL, M'KAY? 941 00:33:41,319 --> 00:33:42,619 ALL I KNOW IS, I LOOK IN THE FRIDGE 942 00:33:42,620 --> 00:33:45,355 AND THE CABINETS, AND IT'S LIKE THICKUMS' TREATS. 943 00:33:45,356 --> 00:33:46,523 LIKE, WHAT WE DOIN' HERE? 944 00:33:46,524 --> 00:33:47,624 IS THE HOUSE FULL OF THICKUMS? 945 00:33:47,625 --> 00:33:48,759 EVERYBODY TRYING TO GET THICKUMS? 946 00:33:48,760 --> 00:33:50,193 WE'RE TRYING TO RECORD A ALBUM AND BE LIKE, 947 00:33:50,194 --> 00:33:53,196 YOU KNOW, SUPERMODELS AND STUFF. 948 00:33:53,197 --> 00:33:54,364 THAT IS TERRIBLE. 949 00:33:54,365 --> 00:33:57,334 THAT'S A LOT OF SNACKS, TRINA, AND HER ICE CREAM. 950 00:33:57,335 --> 00:33:59,436 DAIRY IS NOT YOUR FRIEND WHEN YOU'RE A PERFORMER 951 00:33:59,437 --> 00:34:01,104 BECAUSE IT PROMOTES MUCUS. 952 00:34:01,105 --> 00:34:02,672 YA'LL SHOULDN'T BE EATING THAT WAY. 953 00:34:02,673 --> 00:34:04,074 SHE'LL SOUND A LITTLE THROATY. 954 00:34:04,075 --> 00:34:05,509 YOU KNOW, LIKE 955 00:34:05,510 --> 00:34:07,778 ♪ IF YOU DIDN'T COME TO PARTY THEN YOU'D BETTER-- ♪ 956 00:34:07,779 --> 00:34:08,479 YOU DON'T WANT THAT. 957 00:34:10,415 --> 00:34:11,548 HEY,REENIE. 958 00:34:11,549 --> 00:34:12,516 GEISHA. 959 00:34:14,552 --> 00:34:15,986 TRINA, THEY'RE TALKIN' ABOUT YOUR SNACKS. 960 00:34:15,987 --> 00:34:17,154 WHAT IS IT ABOUT MY SNACKS? 961 00:34:17,155 --> 00:34:18,989 - TRINA-- - WHY ARE MY BOXES CRUNCHED UP? 962 00:34:18,990 --> 00:34:21,191 TOLD YOU-- TOLD YOU. 963 00:34:21,192 --> 00:34:22,692 - WHO CRUSHED UP MY BOX? - TAMAR. 964 00:34:22,693 --> 00:34:23,927 I-I-I DIDN'T CRUNCH 'EM UP ON PURPOSE. 965 00:34:23,928 --> 00:34:24,895 CAN I TELL YOU WHAT HAPPENED? 966 00:34:24,896 --> 00:34:25,829 WHAT HAPPENED? 967 00:34:25,830 --> 00:34:27,197 I'M NOT TRYING TO SAY I KNOW IT ALL, 968 00:34:27,198 --> 00:34:29,633 BUT THIS STUFF, RIGHT HERE, KEEP YOU HOARSE. 969 00:34:29,634 --> 00:34:32,469 THIS DIARY STUFF-- YOU CAN'T SING. 970 00:34:32,470 --> 00:34:35,238 YOU CAN'T DO THE RUNNING MAN WITH THAT ON YOUR STOMACH. 971 00:34:35,239 --> 00:34:36,773 WE DON'T NEED TO BE DOING THE RUNNING MAN. 972 00:34:36,774 --> 00:34:38,742 RUNNING MAN FOR JESUS. 973 00:34:38,743 --> 00:34:40,877 ♪ I'M GONNA RUN I'M GONNA RUN FOR THE LORD ♪ 974 00:34:40,878 --> 00:34:41,912 ♪ I'M GONNA RUN ♪ 975 00:34:41,913 --> 00:34:43,113 WHAT IF YOU CATCH THE SPIRIT? 976 00:34:43,114 --> 00:34:44,414 YOU CAN'T-- YOU KNOW WHAT I'M SAYIN'? 977 00:34:44,415 --> 00:34:45,582 YOU CAN'T ENGAGE WITH NOBODY. 978 00:34:45,583 --> 00:34:47,417 YOU CAN'T-- HO-HO-HO. 979 00:34:47,418 --> 00:34:48,452 YOU CAN'T EVEN SAY HALLELUJAH. 980 00:34:48,453 --> 00:34:51,354 YOU CAN'T EVEN DO THAT WITH THAT ON YOUR BELLY. 981 00:34:51,355 --> 00:34:53,423 TONI AND TAMAR ARE NAMING ALL THE REASONS 982 00:34:53,424 --> 00:34:56,293 WHY OUR FO IS BAD FOR US AND BAD WHILE WE'RE SINGING, 983 00:34:56,294 --> 00:34:59,296 AND WE HAVEN'T EVEN STARTED WORKIN' ON MUSIC YET, 984 00:34:59,297 --> 00:35:00,597 AND THEY'RE BIG KNOW-IT-ALLS. 985 00:35:00,598 --> 00:35:01,731 IT'S NEGATIVE ENERGY, 986 00:35:01,732 --> 00:35:03,300 AND I DON'T NEED THAT RIGHT NOW. 987 00:35:03,301 --> 00:35:04,568 CAN WE BE POSITIVE? 988 00:35:04,569 --> 00:35:06,203 I'VE BEEN SINGING FOR A LONG TIME, TOO, 989 00:35:06,204 --> 00:35:07,804 AND I KNOW WHAT'S BAD FOR MY VOICE. 990 00:35:07,805 --> 00:35:09,739 BUT, GUESS WHAT-- WE DIDN'T START YET, 991 00:35:09,740 --> 00:35:12,342 SO I'M EATING IT. 992 00:35:12,343 --> 00:35:15,011 SO, ARE YOU GUYS GONNA ACTUALLY WORK ON THE ALBUM 993 00:35:15,012 --> 00:35:16,680 OR WHAT? 994 00:35:16,681 --> 00:35:17,647 WE CAN START RIGHT NOW. 995 00:35:17,648 --> 00:35:18,682 I'LL GO TO THE PIANO AND PLAY SOMETHIN'. 996 00:35:18,683 --> 00:35:20,951 YEAH, GET STARTED! 997 00:35:20,952 --> 00:35:22,119 THAT WAY-- YES. 998 00:35:22,120 --> 00:35:23,787 I'M JUST COMING UP WITH IDEAS. 999 00:35:23,788 --> 00:35:25,622 YOU COME UP WITH IDEAS-- YOU GOT IT. 1000 00:35:25,623 --> 00:35:26,890 YOU'RE BURNIN' WITH SOMETHIN', GIRL. 1001 00:35:26,891 --> 00:35:27,891 GO OVER THERE. 1002 00:35:27,892 --> 00:35:28,959 OOH! 1003 00:35:28,960 --> 00:35:30,193 GO AHEAD-- GET STARTED, GUYS. 1004 00:35:30,194 --> 00:35:32,729 I THINK WE'VE HAD ENOUGH TALKING ABOUT DOING THE ALBUM, 1005 00:35:32,730 --> 00:35:34,664 AND WE NEED TO SIT DOWN AND REALLY WORK ON IT 1006 00:35:34,665 --> 00:35:36,466 AND JUST LET IT START FLOWING. 1007 00:35:36,467 --> 00:35:37,934 I MEAN, THAT'S WHAT WE DO. 1008 00:35:37,935 --> 00:35:39,136 UM, COME ON. 1009 00:35:39,137 --> 00:35:40,570 WHAT'S UP? 1010 00:35:40,571 --> 00:35:43,173 WHAT ABOUT A SONG-- NOW, NOBODY REALLY TALKS ABOUT THIS PART. 1011 00:35:43,174 --> 00:35:48,311 IN A RELATIONSHIP, IT'S GOOD TO DO THINGS TOGETHER. 1012 00:35:48,312 --> 00:35:49,412 LIKE, YOU GO TO CHURCH TOGETHER, 1013 00:35:49,413 --> 00:35:50,680 YOU PRAY TOGETHER, YOU COOK TOGETHER. 1014 00:35:50,681 --> 00:35:52,415 LIKE, YOU HAVE PROBLEMS IN YOUR RELATIONSHIP, 1015 00:35:52,416 --> 00:35:55,085 BUT THIS IS WHAT WE NEED TO DO TO COME TOGETHER, 1016 00:35:55,086 --> 00:35:56,253 LIKE TRINA AND GABE. 1017 00:35:56,254 --> 00:35:57,954 WE'RE DOING SOME IMPROMPTU WRITING, 1018 00:35:57,955 --> 00:36:01,091 AND IT MIGHT BE A LITTLE DIFFICULT FOR THE FIVE OF US 1019 00:36:01,092 --> 00:36:04,895 TO WORK TOGETHER WRITING SINCE IT'S BEEN SO LONG. 1020 00:36:04,896 --> 00:36:06,963 BUT, IT COULD ALSO BE UNIVERSAL BECAUSE RELATIONSHIPS 1021 00:36:06,964 --> 00:36:08,765 IS NOT JUST ABOUT A MAN AND A WIFE. 1022 00:36:08,766 --> 00:36:10,867 IT'S LIKE OUR SISTERHOOD OR WHATEVER THE CASE MIGHT BE. 1023 00:36:10,868 --> 00:36:12,135 RIGHT-- EXACTLY. 1024 00:36:12,136 --> 00:36:13,270 SO, LIKE, IT COULD BE AMBIGUOUS. 1025 00:36:13,271 --> 00:36:14,404 YOU WANNA DO "WE ARE FAMILY?" 1026 00:36:14,405 --> 00:36:16,273 NO, WE DIDN'T SAY THAT. 1027 00:36:16,274 --> 00:36:18,208 JUST LIKE ANYBODY ELSE THAT YOU COLLABORATE WITH, 1028 00:36:18,209 --> 00:36:20,110 YOU KINDA GOTTA GET THE CHEMISTRY GOIN'. 1029 00:36:20,111 --> 00:36:21,912 SO, THE MORE WE WORK TOGETHER, 1030 00:36:21,913 --> 00:36:24,514 THE MORE THE CHEMISTRY WILL FLOW. 1031 00:36:24,515 --> 00:36:26,483 OKAY, YOU READY-- YOU READY FOR THIS VERSION? 1032 00:36:26,484 --> 00:36:27,884 YEAH, GO AHEAD. 1033 00:36:27,885 --> 00:36:34,991 ♪ PRAY TOGETHER COOK TOGETHER BE TOGETHER ♪ 1034 00:36:34,992 --> 00:36:37,160 IF THIS IS AN INSPIRATIONAL ALBUM, 1035 00:36:37,161 --> 00:36:39,329 YOU'RE SUPPOSED TO INSPIRE PEOPLE TO DO BETTER 1036 00:36:39,330 --> 00:36:40,597 AND BE BETTER. 1037 00:36:40,598 --> 00:36:44,067 SO, THE SONG IS LIKE A REMAKE, SORTA, KINDA. 1038 00:36:44,068 --> 00:36:46,469 YOU KNOW, THE COMMUNION SONG. 1039 00:36:46,470 --> 00:36:48,338 ♪ LET US PRAY TOGETHER ♪ 1040 00:36:54,212 --> 00:36:56,146 - TOO HIGH. - FOR YOU. 1041 00:36:59,984 --> 00:37:03,286 - SO, I CAN'T CUT? - NO MORES. 1042 00:37:03,287 --> 00:37:07,090 ♪ WHEN I FALL ♪ - THAT'S NOT-- DO THAT. 1043 00:37:07,091 --> 00:37:13,797 ♪ WHEN YOU WALK THROUGH THE DOOR ♪ 1044 00:37:13,798 --> 00:37:20,971 ♪ DON'T YOU GET ON THE PHONE ANYMORE ♪ 1045 00:37:20,972 --> 00:37:25,141 ♪ OH OH OH ♪ 1046 00:37:25,142 --> 00:37:27,911 - HOSE? - OH-OH-OH. 1047 00:37:27,912 --> 00:37:31,881 ♪ OH OH ♪ 1048 00:37:31,882 --> 00:37:33,250 HOSE? 1049 00:37:41,826 --> 00:37:42,659 NO-- NO! 1050 00:37:42,660 --> 00:37:44,461 - LET'S START. - NO! 1051 00:37:44,462 --> 00:37:46,263 NOBODY'S AGREEIN'. 1052 00:37:46,264 --> 00:37:48,665 NOBODY'S VIBIN' WITH EACH OTHER RIGHT NOW. 1053 00:37:48,666 --> 00:37:49,899 I THINK THAT'S CORNY. 1054 00:37:49,900 --> 00:37:51,401 IT'S TOO DATED-- THE MELODY IS DATED. 1055 00:37:51,402 --> 00:37:53,303 IT'S-IT'S-- IT'S DRAWN OUT. 1056 00:37:53,304 --> 00:37:55,438 IT'S DATED-- DATED! 1057 00:37:55,439 --> 00:37:57,774 OKAY, SO THIS IS NOT THE TONI SHOW-- ALL RIGHT? 1058 00:37:57,775 --> 00:37:59,376 IT'S NOT SUPPOSED TO BE HOW ONE PERSON 1059 00:37:59,377 --> 00:38:01,045 WANTS THINGS TO BE. 1060 00:38:02,847 --> 00:38:08,352 ♪ ANYMORE ANYMORE OH ♪ 1061 00:38:10,154 --> 00:38:11,921 - HOSE? - OH-OH-OH. 1062 00:38:11,922 --> 00:38:13,556 ♪ OH OH ♪ 1063 00:38:14,792 --> 00:38:16,526 ♪ OH OH ♪ - HOSE? 1064 00:38:19,797 --> 00:38:22,766 WE AIN'T GETTIN' ALONG, AT HELLO. 1065 00:38:22,767 --> 00:38:26,903 BUT, I AM A TEAM PLAYER AND, YOU KNOW, 1066 00:38:26,904 --> 00:38:30,140 IF THIS BRAXTON ALBUM SOMEHOW FAILS, 1067 00:38:30,141 --> 00:38:34,344 WHICH IT WON'T BECAUSE SHE'S A STAR, M'KAY, 1068 00:38:34,345 --> 00:38:36,946 IT AIN'T GONNA BE HER FAULT. 1069 00:38:36,947 --> 00:38:41,319 ♪ COME SPEND SOME TIME WITH ME ♪ 1070 00:38:48,259 --> 00:38:53,798 ♪ SO LET US TAKE TIME TOGETHER ♪ 1071 00:38:54,999 --> 00:38:56,333 YOU WANNA DO THAT, REALLY? 1072 00:38:56,334 --> 00:38:57,634 LET US-- YES, GIRL. 1073 00:38:57,635 --> 00:38:58,668 WE CAN DO IT. 1074 00:38:58,669 --> 00:39:00,970 SPEND TIME-- YOU GOTTA SPEND TIME TOGETHER. 1075 00:39:00,971 --> 00:39:03,840 - NO-- UH-UH. - OH, ON OUR KNEES! 1076 00:39:03,841 --> 00:39:05,842 - YES, YES, YES! - YES-- YES! 1077 00:39:05,843 --> 00:39:06,843 - NO, NO, NO! - YES, GOD! 1078 00:39:06,844 --> 00:39:08,545 YES, THAT'S IN A RELATIONSHIP. 1079 00:39:08,546 --> 00:39:12,115 TAMAR ALMOST JUMPED UP INTO A PRAISE DANCE 1080 00:39:12,116 --> 00:39:13,583 BECAUSE SHE LOVED THE LINE. 1081 00:39:13,584 --> 00:39:15,919 I WOULD LOVE FOR US TO HAVE THAT CONNECTION, 1082 00:39:15,920 --> 00:39:17,787 LIKE WE DID WHEN WE WERE YOUNGER, 1083 00:39:17,788 --> 00:39:19,622 AND IT SEEMS LIKE IT'S HAPPENING NOW. 1084 00:39:19,623 --> 00:39:21,291 THANK GOD. 1085 00:39:21,292 --> 00:39:23,126 WHILE I DON'T AGREE WITH THE LINE, 1086 00:39:23,127 --> 00:39:25,662 IT'S GREAT TO SEE THESE TWO VIBING TOGETHER 1087 00:39:25,663 --> 00:39:30,633 BECAUSE IT'S BEEN A WHILE SINCE THEY'VE SEEN EYE TO EYE ON ANYTHING. 1088 00:39:30,634 --> 00:39:32,836 YES, TAMAR-- COME ON, COME ON! 1089 00:39:32,837 --> 00:39:33,937 I THINK THAT'S TOO PROVOCATIVE. 1090 00:39:33,938 --> 00:39:35,705 - PRAYER. - NO, IT'S NOT. 1091 00:39:35,706 --> 00:39:37,741 THE KNEES PART HAS TO-- IT'S TOO AMBIGUOUS. 1092 00:39:37,742 --> 00:39:39,743 TRINA, NOBODY'S THINKING SEXUAL LIKE YOU AND GABE. 1093 00:39:39,744 --> 00:39:41,378 EVERYBODY-- EVERYTHING IS NOT A-- 1094 00:39:41,379 --> 00:39:42,612 TONI THOUGHT ABOUT IT, TOO. 1095 00:39:42,613 --> 00:39:44,347 I DON'T THINK WE SHOULD S-- I DON'T KNOW WHAT TOWANDA 1096 00:39:44,348 --> 00:39:45,949 AND TAMAR ARE THINKING. 1097 00:39:45,950 --> 00:39:49,619 AN INSPIRATIONAL SONG SAYING, "ON OUR KNEES-- 1098 00:39:49,620 --> 00:39:51,521 "SPEND TIME TOGETHER ON OUR KNEES," 1099 00:39:51,522 --> 00:39:52,655 THAT'S WAY TOO SEXUAL. 1100 00:39:52,656 --> 00:39:54,257 IT'S INSPIRATIONAL. 1101 00:39:54,258 --> 00:39:56,693 THEY'RE SAYING LET'S PRAY ON OUR KNEES. 1102 00:39:56,694 --> 00:39:57,994 YEAH, RIGHT. 1103 00:39:57,995 --> 00:39:59,562 I DON'T THINK WE SHOULD SPEND TIME TOGETHER ON OUR KNEES. 1104 00:39:59,563 --> 00:40:00,997 ♪ LET US SPEND TIME ♪ 1105 00:40:00,998 --> 00:40:02,232 NO. 1106 00:40:02,233 --> 00:40:05,935 ♪ LET US SPEND TIME TOGETHER ♪ 1107 00:40:05,936 --> 00:40:07,737 SORRY-SORRY-- LET US-- OKAY, OKAY. 1108 00:40:07,738 --> 00:40:11,141 ♪ ON OUR KNEES ♪ - THANK YOU, TAMAR. 1109 00:40:11,142 --> 00:40:12,842 - THAT MAKES SENSE TO ME. - ME, TOO. 1110 00:40:12,843 --> 00:40:14,411 IF YOU GO BACK TO THE BEGINNING, 1111 00:40:14,412 --> 00:40:15,745 LET ME-- LET ME GET DOWN. 1112 00:40:15,746 --> 00:40:17,080 I THINK IT'S WAY TOO SEXUAL. 1113 00:40:17,081 --> 00:40:18,448 WHAT? 1114 00:40:18,449 --> 00:40:20,150 I'M STILL TRYING TO FIGURE OUT WHAT POSITION WE'RE IN, 1115 00:40:20,151 --> 00:40:21,584 IF WE'RE BOTH ON OUR KNEES. 1116 00:40:21,585 --> 00:40:27,424 LIKE, WHAT ARE WE DOIN' BUT PRAYIN'? 1117 00:40:27,425 --> 00:40:31,461 ♪ DON'T YOU TURN THE TV ON ♪ 1118 00:40:31,462 --> 00:40:35,166 ♪ SPEND SOME TIME WITH ME ♪ 1119 00:40:39,603 --> 00:40:40,904 THAT'S TOO CORNY. 1120 00:40:40,905 --> 00:40:42,405 BREAK-- I'M HOOK. 1121 00:40:42,406 --> 00:40:48,111 ♪ LET US SPEND SPEND TIME TOGETHER ON OUR KNEES ♪ 1122 00:40:48,112 --> 00:40:49,913 NO-NO-NO, THAT LAST LINE NEED TO GO. 1123 00:40:49,914 --> 00:40:53,049 - THAT'S CORNY. - THAT'S NOT. 1124 00:40:53,050 --> 00:40:54,117 I THINK THAT'S CORNY. 1125 00:40:54,118 --> 00:40:55,885 IT'S TOO DATED-- THE MELODY IS DATED. 1126 00:40:55,886 --> 00:40:57,754 IT'S-- IT'S DRAWN OUT. 1127 00:40:57,755 --> 00:40:59,689 IT'S DATED-- DATED! 1128 00:40:59,690 --> 00:41:00,857 I'M TRYING TO FIGURE OUT WHAT THE HELL TONI 1129 00:41:00,858 --> 00:41:02,525 IS TALKING ABOUT THAT MY MELODY IS TOO DATED. 1130 00:41:02,526 --> 00:41:04,828 LIKE, SHE'S NOT THROWBACK LIKE THAT. 1131 00:41:04,829 --> 00:41:06,596 YOU KNOW, LIKE, I FEEL LIKE I'M IN A NEW, 1132 00:41:06,597 --> 00:41:08,131 RIGHT NOW, YOU KNOW? 1133 00:41:08,132 --> 00:41:09,766 NOBODY'S AGREEIN'. 1134 00:41:09,767 --> 00:41:12,235 NOBODY'S VIBIN' WITH EACH OTHER RIGHT NOW. 1135 00:41:12,236 --> 00:41:14,270 TONI DOESN'T LIKE TAMAR MELODY. 1136 00:41:14,271 --> 00:41:17,173 TONI THINK TOWANDA LYRIC'S IS TOO SEXUAL. 1137 00:41:17,174 --> 00:41:19,342 AND IF THIS HOW MY SISTERS GOING TO BE NOW, 1138 00:41:19,343 --> 00:41:21,244 HOW IS IT GONNA BE WHEN WE'RE IN THE STUDIO 1139 00:41:21,245 --> 00:41:23,313 RECORDIN' THESE SONGS? 1140 00:41:23,314 --> 00:41:24,647 SO THEN, WHEN IT COMES TO THE BRIDGE, 1141 00:41:24,648 --> 00:41:28,585 TALK ABOUT GETTING IT BACK AND, UM, DOING THINGS TOGETHER, 1142 00:41:28,586 --> 00:41:30,320 AGAIN, TO BRING IT BACK. 1143 00:41:30,321 --> 00:41:32,021 - IT'S SO R&B. - IT'S NOT R&B. 1144 00:41:32,022 --> 00:41:33,256 - IT'S SO-- - IT'S NOT R&B. 1145 00:41:33,257 --> 00:41:34,691 YOU'RE THE ONE WHO STARTED PLAYIN' IT. 1146 00:41:34,692 --> 00:41:36,459 IT'S NOT R&B BECAUSE OF THE CONTENT 1147 00:41:36,460 --> 00:41:37,694 OF WHAT YOU'RE TALKING ABOUT. 1148 00:41:37,695 --> 00:41:39,229 IT MAKES IT INSPIRATIONAL. 1149 00:41:39,230 --> 00:41:41,598 OKAY, THIS IS NOT THE TONI SHOW-- ALL RIGHT? 1150 00:41:41,599 --> 00:41:43,032 IT'S NOT SUPPOSED TO BE HOW ONE PERSON 1151 00:41:43,033 --> 00:41:44,901 WANTS THINGS TO BE. 1152 00:41:44,902 --> 00:41:47,470 WE'RE JUST STARTIN' OFF WRONG. 1153 00:41:50,541 --> 00:41:51,975 SUGGEST? 1154 00:41:51,976 --> 00:41:55,245 NO, THAT-- I DIDN'T CATCH THE HOLY GHOST AT ALL. 1155 00:41:55,246 --> 00:41:56,412 WHAT? 1156 00:41:56,413 --> 00:41:58,114 AND YOU KNOW WHAT I'M ABOUT TO CATCH? 1157 00:41:58,115 --> 00:42:00,350 HONEST TO GOD. 1158 00:42:00,351 --> 00:42:02,218 GIRL-- - WHAT? 1159 00:42:02,219 --> 00:42:05,021 I'M FITTIN' TO CATCH THIS CHICKEN GHOST. 1160 00:42:05,022 --> 00:42:06,489 IT'S ALL ON ME. 1161 00:42:06,490 --> 00:42:07,690 I DON'T FEEL LIKE ARGUIN' OVER NO SONG. 1162 00:42:07,691 --> 00:42:09,025 I AIN'T ARGUIN' OVER NO MELODY. 1163 00:42:09,026 --> 00:42:10,426 I AIN'T ARGUIN' WHO'S TOO R&B 1164 00:42:10,427 --> 00:42:12,662 AND WHO'S R&B THE MOST OR WHATEVER 1165 00:42:12,663 --> 00:42:15,932 'CAUSE THIS CHICKEN OVER HERE IS WAY TOO POWERFUL FOR ME 1166 00:42:15,933 --> 00:42:19,602 TO, YOU KNOW, NOT GO OVER THERE AND EAT THAT THING. 1167 00:42:19,603 --> 00:42:22,739 SOME SALT? 1168 00:42:22,740 --> 00:42:26,509 ALREADY, SO FAR, THE FIRST SESSION DID NOT GO WELL. 1169 00:42:26,510 --> 00:42:29,145 NO PROGRESS WAS MADE, AND I'M WORRIED 1170 00:42:29,146 --> 00:42:32,382 THAT I MADE THE WRONG DECISION TO MOVE TO L.A.-- STUPID! 1171 00:42:32,383 --> 00:42:34,418 I CAN'T GET ONE SONG? 85730

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