All language subtitles for Braxton.Family.Values.S04E04.I.Aint.Scared.of.No.Demons.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,633 --> 00:00:03,035 "BRAXTON FAMILY VALUES"... 2 00:00:03,036 --> 00:00:04,937 YOU ALL'S FEELINGS GET IN THE WAY. 3 00:00:04,938 --> 00:00:06,939 NO WONDER YOU CAN'T MOVE FORWARD. 4 00:00:06,940 --> 00:00:09,575 IT'S BEEN BULL FOR AT LEAST ALMOST TWO YEARS! 5 00:00:09,576 --> 00:00:11,176 OH. 6 00:00:11,177 --> 00:00:12,578 TAMAR'S LEAVING. 7 00:00:12,579 --> 00:00:14,079 NOW, EVERYBODY ELSE HAD THE OPPORTUNITY 8 00:00:14,080 --> 00:00:16,382 TO SIT AROUND AND LAUGH, HA-HA, HEE-HEE, EXCEPT FOR ME, 9 00:00:16,383 --> 00:00:17,516 AND I'M HAVIN' A PROBLEM. - BECAUSE YOU LEFT. 10 00:00:17,517 --> 00:00:18,985 YOU LEFT-- THAT WAS BY CHOICE. 11 00:00:20,553 --> 00:00:23,188 I AM THE WRONGEST ON THE PLANET. 12 00:00:23,189 --> 00:00:24,423 I MEAN, MRS. WRONG. 13 00:00:24,424 --> 00:00:25,991 YOU'RE WRONG, WRONG, WRONG, WRONG, WRONG, 14 00:00:25,992 --> 00:00:27,393 AND IT'S A LOT. 15 00:00:27,394 --> 00:00:28,961 TONI IS GOING TO JAMAICA. 16 00:00:28,962 --> 00:00:33,166 YA'LL NEED TO GET AWAY-- GO, HANG OUT, HAVE FUN. 17 00:00:37,537 --> 00:00:39,838 THIS IS SO MUCH FUN! 18 00:00:39,839 --> 00:00:41,073 WE GONNA STAY IN L.A. FOR A WHILE, 19 00:00:41,074 --> 00:00:42,307 SO WE CAN FINISH THIS PROJECT, RIGHT? 20 00:00:42,308 --> 00:00:43,442 YOU GUYS ARE MOVIN' TO L.A.? 21 00:00:43,443 --> 00:00:44,410 YES, ABSOLUTELY. 22 00:00:44,411 --> 00:00:45,778 SO THAT WE CAN FINISH THE ALBUM. 23 00:00:45,779 --> 00:00:48,313 THE BIGGEST THING ABOUT A GIRL GROUP IS THE ARGUING, 24 00:00:48,314 --> 00:00:50,783 AND THE BICKERING, AND THE FIGHTIN' FOR NO DAMN REASON. 25 00:00:50,784 --> 00:00:52,518 CAN WE JUST GO AHEAD AND ENJOY OUR SISTER TRIP 26 00:00:52,519 --> 00:00:55,521 AND HAVE FUN? 27 00:00:55,522 --> 00:00:58,724 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 28 00:00:58,725 --> 00:01:02,694 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 29 00:01:02,695 --> 00:01:06,365 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 30 00:01:06,366 --> 00:01:09,301 ♪ WILL TEACH YOU A THING OR TWO ♪ 31 00:01:09,302 --> 00:01:12,872 ♪ ON BRAXTON FAMILY VALUES ♪ 32 00:01:25,385 --> 00:01:26,852 WATCH OUT, TRINA-- I WAS GONNA SAY UH-UH. 33 00:01:26,853 --> 00:01:27,953 DON'T SIT IN TOWANDA'S SEAT. 34 00:01:27,954 --> 00:01:29,321 SHE GONNA SIT RIGHT BESIDE TONI. 35 00:01:29,322 --> 00:01:30,889 - WHAT? - HUH? 36 00:01:30,890 --> 00:01:32,191 TOWANDA ALWAYS HAS TO SIT BESIDE TONI. 37 00:01:32,192 --> 00:01:33,792 - NO, YOU DO. - NO, I DON'T. 38 00:01:33,793 --> 00:01:34,793 SURE. 39 00:01:34,794 --> 00:01:36,762 WE'RE BACK FROM JAMAICA AND IN L.A. 40 00:01:36,763 --> 00:01:40,032 HAVING ONE LAST LUNCH BEFORE WE ALL SEPARATE. 41 00:01:40,033 --> 00:01:42,334 - JAMAICA WAS FUN. - IT WAS SUPER FUN. 42 00:01:42,335 --> 00:01:43,736 IT WAS A LOT OF FUN. 43 00:01:46,406 --> 00:01:48,707 WELL, IT SEEMS LIKE WE MADE SOME PROGRESS 44 00:01:48,708 --> 00:01:50,876 AS FAR AS OUR ISSUES, IN JAMAICA, 45 00:01:50,877 --> 00:01:52,678 AND I'M SUPER EXCITED ABOUT RECORDIN' THIS ALBUM 46 00:01:52,679 --> 00:01:54,012 TOGETHER WITH MY SISTERS, 47 00:01:54,013 --> 00:01:57,349 BUT SHE STILL HAVE HER DOUBTS, HONEY, 48 00:01:57,350 --> 00:02:01,820 BECAUSE ONE LITTLE TRIP DOES NOT FIX EVERYTHING, OKAY? 49 00:02:01,821 --> 00:02:03,622 ME, TRINA, AND TRACI ARE GONNA MOVE OUT HERE 50 00:02:03,623 --> 00:02:05,224 FOR THIS ALBUM. 51 00:02:05,225 --> 00:02:06,925 - VERY SOON. - RIGHT. 52 00:02:06,926 --> 00:02:08,660 WHY CAN'T YA'LL JUST GET A NICE BIG HOUSE, 53 00:02:08,661 --> 00:02:10,496 AND WE JUST HANG OUT, AND WE CAN WRITE, 54 00:02:10,497 --> 00:02:11,697 WORK ON MUSIC, AND WRITE? 55 00:02:11,698 --> 00:02:12,764 YES. 56 00:02:12,765 --> 00:02:13,899 AFTER THE GIRLS MOVE HERE AND RENT A HOUSE, 57 00:02:13,900 --> 00:02:17,069 WE CAN FINALLY WORK TOGETHER ON THIS ALBUM, 58 00:02:17,070 --> 00:02:19,271 AND IF WE HAVEN'T KILLED EACH OTHER BY THEN, 59 00:02:19,272 --> 00:02:21,840 THEN WE CAN GO INTO THE STUDIO AND START RECORDING. 60 00:02:21,841 --> 00:02:23,642 BUT, THAT'S WHY I SAID WE COULD SIT AND WRITE SONGS, 61 00:02:23,643 --> 00:02:26,145 COME UP WITH IDEAS, SO WE CAN GO IN THE STUDIO. 62 00:02:26,146 --> 00:02:28,046 IF THE JACKSONS CAN DO IT, THE BRAXTONS CAN DO IT. 63 00:02:28,047 --> 00:02:29,114 - YEAH. - ABSOLUTELY. 64 00:02:29,115 --> 00:02:31,583 - OKAY, STOP. - YES. 65 00:02:31,584 --> 00:02:33,719 - OKAY, GOOD AHEAD. - I AM NOT FRUSTRATED. 66 00:02:33,720 --> 00:02:35,654 - GIRL, YEAH. - YOU ALL RIGHT? 67 00:02:35,655 --> 00:02:38,223 I AM NOT FRUSTRATED AT ALL. 68 00:02:38,224 --> 00:02:42,294 SO, YOU KNOW, WE'RE OFFICIALLY A GIRL GROUP-- 69 00:02:42,295 --> 00:02:44,129 - DRAMA. - GIRL GROUP, BABY. 70 00:02:44,130 --> 00:02:46,331 THE BIGGEST PROBLEM WITH GIRL GROUPS IS DRAMA-- 71 00:02:46,332 --> 00:02:52,538 DESTINY'S CHILD, SUPREMES, DANITY KANE, ALL OF 'EM. 72 00:02:52,539 --> 00:02:55,140 YOU KNOW, IT-- I MEAN, IT'S JUST WHEN DRAMA HAPPENS, 73 00:02:55,141 --> 00:02:57,075 THE GROUP BREAK UP. 74 00:02:57,076 --> 00:02:59,912 IF YOU GO INTO THE RECORD WITH ISSUES, 75 00:02:59,913 --> 00:03:01,146 BY THE TIME IT'S TIME TO PROMOTE, 76 00:03:01,147 --> 00:03:03,148 YOU AIN'T-- AIN'T NOBODY TOGETHER. 77 00:03:03,149 --> 00:03:04,449 AIN'T NOBODY WANNA DO IT. 78 00:03:04,450 --> 00:03:06,318 BUT, WE'RE GONNA DO INSPIRATIONAL SONGS. 79 00:03:06,319 --> 00:03:08,120 LIKE, WHAT YOU MEAN BY INSPIRATIONAL? 80 00:03:08,121 --> 00:03:10,422 WE WANT MUSIC THAT'S GONNA MAKE PEOPLE THINK. 81 00:03:10,423 --> 00:03:12,124 LIKE "LOVE AND WAR," EVERYBODY'S BEEN THROUGH IT. 82 00:03:12,125 --> 00:03:14,259 LIKE... - "WHERE DID WE GO WRONG?" 83 00:03:14,260 --> 00:03:15,394 "WHERE DID WE GO WRONG?" 84 00:03:15,395 --> 00:03:16,562 THAT'S ME AND GABE'S ANTHEM. 85 00:03:16,563 --> 00:03:17,663 BUT, IT'S NOT INSPIRATIONAL. 86 00:03:17,664 --> 00:03:19,298 YES, THAT IS-- THAT SAVED MY MARRIAGE. 87 00:03:19,299 --> 00:03:20,699 I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 88 00:03:20,700 --> 00:03:22,834 "WHERE DID WE GO WRONG" IS A SONG FROM TONI 89 00:03:22,835 --> 00:03:26,905 AND BABY FACE'S NEW ALBUM, AND IT'S DEFINITELY INSPIRATIONAL. 90 00:03:26,906 --> 00:03:29,975 IT SAVED MY MARRIAGE, AND WE NEED A SONG LIKE THAT 91 00:03:29,976 --> 00:03:31,743 ON OUR ALBUM, FOR SURE. 92 00:03:31,744 --> 00:03:33,278 LIKE, YOU ALWAYS SAY THAT ME AND GABE WERE BREAKING UP 93 00:03:33,279 --> 00:03:34,279 TO MAKE UP, WHICH IS NOT TRUE. 94 00:03:34,280 --> 00:03:36,048 YES-YES, IT IS. 95 00:03:36,049 --> 00:03:38,417 ALL THE TIME-- TRINA LOVES LOVE. 96 00:03:38,418 --> 00:03:40,018 NO, I LOVE GABE. 97 00:03:40,019 --> 00:03:41,486 I DIG THAT, TRINA, 'CAUSE YOU KNOW WHAT? 98 00:03:41,487 --> 00:03:43,021 TOWANDA NEVER SAYS THAT OUT LOUD. 99 00:03:43,022 --> 00:03:47,426 I LOVE ANDRE, AND YES, GOD. 100 00:03:48,595 --> 00:03:49,695 TOWANDA DON'T SAY THAT, NEVER. 101 00:03:49,696 --> 00:03:50,796 YOU DON'T SCREAM IT OUT LOUD. 102 00:03:50,797 --> 00:03:51,897 - THANK YOU. - I DON'T. 103 00:03:51,898 --> 00:03:54,366 BUT, I'LL TELL YOU WHAT-- I REALLY FEEL SPECIAL. 104 00:03:54,367 --> 00:03:55,701 WHY? 105 00:03:55,702 --> 00:03:57,436 SITTING HERE WATCHING YOU GUYS HAVIN' A BALL 106 00:03:57,437 --> 00:03:59,538 LIKE YOU USED TO. 107 00:03:59,539 --> 00:04:01,640 I AM SO HAPPY THAT MY DAUGHTERS 108 00:04:01,641 --> 00:04:03,909 ARE ENJOYING EACH OTHER, AGAIN, 109 00:04:03,910 --> 00:04:06,712 BECAUSE AFTER THAT DINNER IN NEW YORK, 110 00:04:06,713 --> 00:04:09,114 IT WAS A MESS. 111 00:04:09,115 --> 00:04:12,684 NOBODY EVER CARED ABOUT HOW TOWANDA FELT! 112 00:04:12,685 --> 00:04:17,189 NOBODY CARED ABOUT ME! 113 00:04:17,190 --> 00:04:19,091 BUT, I REALLY WONDER IF THEY'RE READY 114 00:04:19,092 --> 00:04:21,093 TO DO THIS ALBUM TOGETHER. 115 00:04:21,094 --> 00:04:23,328 OKAY, EVERYBODY, TO A GREAT ALBUM. 116 00:04:23,329 --> 00:04:24,763 OKAY, A TOAST. 117 00:04:24,764 --> 00:04:29,434 TO BIG FUN, NEW THINGS, AND GETTIN' OUT OF TIRED LIFE, 118 00:04:29,435 --> 00:04:32,004 AND BEIN' SKINNY, AND NOT GETTIN' FAT. 119 00:04:32,005 --> 00:04:33,272 TO NEW BEGINNINGS! 120 00:04:33,273 --> 00:04:34,874 all: CLINK-CLINK-CLINK-CLINK- CLINK-CLINK-CLINK-CLINK. 121 00:04:51,758 --> 00:04:52,724 HEY. 122 00:04:52,725 --> 00:04:53,792 HEY, YOU WERE WAITIN' FOR ME. 123 00:04:53,793 --> 00:04:54,726 YEAH-- WELL, YOU JUST CALLED AND SAID 124 00:04:54,727 --> 00:04:55,861 YOU WERE ABOUT TO TURN THE CORNER. 125 00:04:55,862 --> 00:04:57,362 OKAY-- ALL RIGHT-- ALL RIGHT. 126 00:04:57,363 --> 00:04:59,431 CAN YOU HELP ME MOVE SOME BOXES? 127 00:04:59,432 --> 00:05:01,066 I'M BACK IN GEORGIA TO HELP GABE MOVE BACK 128 00:05:01,067 --> 00:05:02,501 INTO THE HOUSE, 129 00:05:02,502 --> 00:05:04,603 AND HE'S BEEN OUT OF THE HOUSE FOR ABOUT A YEAR NOW, 130 00:05:04,604 --> 00:05:06,905 AND WE'VE BEEN DOING A LOT OF COUNSELING, 131 00:05:06,906 --> 00:05:08,840 AND WE'RE IN A REALLY GOOD PLACE. 132 00:05:08,841 --> 00:05:10,809 I GUESS WE CAN, UH, LOOK THROUGH THIS STUFF. 133 00:05:10,810 --> 00:05:12,444 THAT ONE'S GOT A BUNCH OF BOOKS. 134 00:05:12,445 --> 00:05:13,512 WELL, DO WE HAVE TO, LIKE, DO ALL THIS NOW? 135 00:05:13,513 --> 00:05:14,813 YOU DON'T THINK WE SHOULD TALK ABOUT 136 00:05:14,814 --> 00:05:17,883 WHAT'S GONNA HAPPEN NOW THAT YOU'RE BACK HOME? 137 00:05:17,884 --> 00:05:18,950 OKAY-- SO, WHAT'S GONNA HAPPEN 138 00:05:18,951 --> 00:05:20,152 NOW THAT I'M BACK HOME? 139 00:05:20,153 --> 00:05:21,186 I DON'T KNOW, BUT I JUST THINK THAT THERE NEED TO BE 140 00:05:21,187 --> 00:05:22,854 SOME GROUND RULES, GABE. 141 00:05:22,855 --> 00:05:23,789 I DON'T THINK THAT YOU SHOULD BE ABLE 142 00:05:23,790 --> 00:05:26,391 TO TAKE PICTURES BY YOURSELF WITH WOMEN. 143 00:05:26,392 --> 00:05:28,627 I DON'T KNOW IF I FEEL COMFORTABLE WITH THAT. 144 00:05:28,628 --> 00:05:30,429 GABE HAS GOTTEN IN TROUBLE IN THE PAST, YOU KNOW, 145 00:05:30,430 --> 00:05:33,065 WITH WOMEN POSTING PICTURES OF-- HE'LL BE AT A CLUB, 146 00:05:33,066 --> 00:05:34,866 AND THEY'LL POST PICTURES. 147 00:05:34,867 --> 00:05:37,536 I SAY LET'S STAY AWAY FROM THE VERY APPEARANCE 148 00:05:37,537 --> 00:05:41,306 OF SOMEONE WANTING TO PHOTO SHOP OR MAKE A LIE, 149 00:05:41,307 --> 00:05:43,275 OR, YOU KNOW, JUST ABSOLUTELY NOT. 150 00:05:43,276 --> 00:05:46,044 HOW ABOUT THAT-- HOW ABOUT JUST NO? 151 00:05:46,045 --> 00:05:47,779 I'M JUST SAYING THE VERY APPEARANCE OF IT ALL 152 00:05:47,780 --> 00:05:49,748 IS JUST-JUST TO STAY AWAY FROM THE VERY SIGHT OF IT. 153 00:05:49,749 --> 00:05:51,016 SO, WHAT DO YOU THINK ABOUT ME BEIN' ON INS-- 154 00:05:51,017 --> 00:05:52,918 TWITTER AND INSTAGRAM? 155 00:05:52,919 --> 00:05:54,486 WHY WOULD YOU GO BACK TO IT? 156 00:05:54,487 --> 00:05:56,722 I FEEL LIKE I WANNA INTERACT WITH THE WORLD. 157 00:05:56,723 --> 00:05:59,658 THEN, WE CAN HAVE A TRINA AND GABE PAGE. 158 00:05:59,659 --> 00:06:04,229 - NOT REALLY. - WHAT? 159 00:06:04,230 --> 00:06:06,932 IT'S GONNA BE DIFFICULT GOIN' BACK FROM BEIN' SEPARATED 160 00:06:06,933 --> 00:06:09,801 TO BEING MARRIED AGAIN AND STUFF. 161 00:06:09,802 --> 00:06:11,303 I MEAN, WE WERE ON THE CUSP OF DIVORCE. 162 00:06:11,304 --> 00:06:13,338 - 'CAUSE FOR A YEAR-- - YEAH. 163 00:06:13,339 --> 00:06:14,339 YOU WERE DOIN' WHAT YOU WANTED. 164 00:06:14,340 --> 00:06:16,174 I DID WHAT I-- WHATEVER I WANTED AND-- 165 00:06:16,175 --> 00:06:17,275 WELL, WHAT WERE YOU DOIN' THAT YOU-- 166 00:06:17,276 --> 00:06:19,845 NOTHIN'-- I WAS JUST HANGIN' OUT. 167 00:06:19,846 --> 00:06:21,012 NO, NOW YOU'RE CHANGIN'. 168 00:06:21,013 --> 00:06:22,314 NOW, YOU GOT THE WEIRD SMIRK ON YOUR FACE. 169 00:06:22,315 --> 00:06:23,348 YOU KNOW HOW YOU GET THE WEIRD SMIRK? 170 00:06:23,349 --> 00:06:24,483 I DON'T HAVE A WEIRD SMIRK. 171 00:06:24,484 --> 00:06:27,085 WE DON'T HAVE TO GO BACK AND REVISIT ALL THAT. 172 00:06:27,086 --> 00:06:28,353 - G-G-- UM, GABE. - WHAT? 173 00:06:28,354 --> 00:06:30,722 TO HARBOR ON THE PAST,NG 174 00:06:30,723 --> 00:06:33,024 BUT IT'S GOING TO TAKE TIME FOR US TO GET PAST 175 00:06:33,025 --> 00:06:34,593 ALL THOSE ISSUES. 176 00:06:34,594 --> 00:06:36,294 I THINK WE NEED TO CONTINUE GOING TO COUNSELING. 177 00:06:36,295 --> 00:06:38,397 I THINK WE NEED TO CONTINUE TO BUILD 178 00:06:38,398 --> 00:06:39,865 ON OUR RELATIONSHIP. - I AGREE. 179 00:06:39,866 --> 00:06:40,932 AS OPPOSED TO SAYING, OKAY, YOU'RE HOME-- 180 00:06:40,933 --> 00:06:43,101 LET'S GET BACK TO BUSINESS. 181 00:06:43,102 --> 00:06:45,504 THE TIMING OF ALL THIS REALLY CONCERNS ME. 182 00:06:45,505 --> 00:06:47,939 I'M VERY HAPPY THAT GABE IS MOVING BACK IN, 183 00:06:47,940 --> 00:06:50,909 BUT I JUST AGREED TO MOVE TO L.A. WITH MY SISTERS, 184 00:06:50,910 --> 00:06:52,544 AND THAT'S HAPPENING IN A FEW DAYS, 185 00:06:52,545 --> 00:06:54,146 AND I'LL BE GONE FOR TWO MONTHS, 186 00:06:54,147 --> 00:06:55,781 AND THERE'S DEFINITELY A PART OF ME 187 00:06:55,782 --> 00:06:58,383 THAT WORRIES IF I CAN TRUST GABE ON HIS OWN 188 00:06:58,384 --> 00:07:00,185 FOR THAT LONG A PERIOD OF TIME. 189 00:07:00,186 --> 00:07:01,686 THERE'S GOTTA BE RULES ON BOTH WAYS. 190 00:07:01,687 --> 00:07:03,321 IT'S NOT ALL GONNA BE ALL BRAXTON-- 191 00:07:03,322 --> 00:07:04,456 TRINA BRAXTON'S WAY. 192 00:07:04,457 --> 00:07:05,590 YEAH, BUT-- 193 00:07:05,591 --> 00:07:07,125 IT'S TRINA BRAXTON HYPHEN SOLIS. 194 00:07:07,126 --> 00:07:09,561 I KNOW YOU LIKE TO LEAVE OFF THAT HYPHEN AND SOLIS 195 00:07:09,562 --> 00:07:11,798 ON EVERYTHING UNLESS IT INCLUDES A BILL. 196 00:07:40,626 --> 00:07:46,131 IT'S VERY, VERY VEGAS. 197 00:07:46,132 --> 00:07:48,166 I'M GLAD WE CHOSE THIS HOUSE, TRINA AND TRACI. 198 00:07:48,167 --> 00:07:50,702 RIGHT-- I'M GLAD WE AGREED. 199 00:07:50,703 --> 00:07:52,771 WE'RE MOVING INTO THE NEW FABULOUS HOUSE 200 00:07:52,772 --> 00:07:54,072 THAT TOWANDA AND I FOUND. 201 00:07:54,073 --> 00:07:56,374 HALLE-LOO-- YES! 202 00:07:56,375 --> 00:08:01,713 I'M GONNA MISS GABE, BUT LOOK AT THIS GORGEOUS PLACE-- YES. 203 00:08:01,714 --> 00:08:03,748 WE JUST NEED TO CHOSE WHOSE BED GOES TO WHO, 204 00:08:03,749 --> 00:08:04,850 WHAT BEDROOM GOES TO WHO. 205 00:08:04,851 --> 00:08:05,817 WELL, TRACI HAS THE MASTER. 206 00:08:05,818 --> 00:08:06,751 LET'S LOOK AT TRACI'S ROOM. 207 00:08:06,752 --> 00:08:07,752 - YEAH. - THANK YOU. 208 00:08:07,753 --> 00:08:08,720 TRACI, HOW ABOUT YOU GET THE MASTER? 209 00:08:08,721 --> 00:08:09,688 YOU'RE THE OLDEST. 210 00:08:09,689 --> 00:08:10,856 AH-- THANK YOU. 211 00:08:10,857 --> 00:08:12,290 YOU KNOW, THERE ARE A LOT OF SACRIFICES 212 00:08:12,291 --> 00:08:15,794 THAT I HAVE TO MAKE IN ORDER TO MAKE THIS MOVE TO CALIFORNIA. 213 00:08:15,795 --> 00:08:18,563 EVERYBODY KNOWS HOW I FEEL ABOUT MY KIDS, 214 00:08:18,564 --> 00:08:21,233 AND IT'S EXTREMELY HARD FOR ME TO BE AWAY FROM THEM 215 00:08:21,234 --> 00:08:22,968 FOR A LONG PERIOD OF TIME. 216 00:08:22,969 --> 00:08:26,938 AND LIVIN' IN A HOUSE WITH MY SISTERS, THAT'S A LOT. 217 00:08:26,939 --> 00:08:29,107 THAT'S GONNA BE MY ROOM, THE TWIN ROOM. 218 00:08:29,108 --> 00:08:31,142 I THINK THAT'S FOR WHEN THE CHILDREN COME TO VISIT. 219 00:08:31,143 --> 00:08:33,144 I'M JUST HOPIN' THAT IT'LL ALL BE WORTH IT. 220 00:08:33,145 --> 00:08:34,946 THIS IS TRACI'S ROOM, FOR SURE. 221 00:08:34,947 --> 00:08:36,715 - DEFINITELY. - I LOVE TRACI'S ROOM. 222 00:08:36,716 --> 00:08:38,850 GREAT VIEW-- LET'S GO LOOK AT THE THEATER ROOM 223 00:08:38,851 --> 00:08:42,254 AND SEE HOW BIG THAT TELEVISION IS. 224 00:08:42,255 --> 00:08:43,855 OH, WE CAN HAVE A COMMON TV ROOM. 225 00:08:43,856 --> 00:08:45,957 WE NEED BLANKETS FOR EACH CHAIR AND STUFF. 226 00:08:45,958 --> 00:08:47,759 YES, WE DO. 227 00:08:47,760 --> 00:08:48,627 IS THAT NOT CUTE? 228 00:08:48,628 --> 00:08:49,995 LOOK AT THE LITTLE CRYSTALLIZATION 229 00:08:49,996 --> 00:08:55,634 ON THE TOP OF THE CEILING, LIKE A STARLIGHT AT NIGHTTIME. 230 00:08:55,635 --> 00:08:56,668 YOU GUYS, WHEN GABE COMES, 231 00:08:56,669 --> 00:08:57,836 YOU GUYS CAN'T COME IN THIS ROOM. 232 00:08:57,837 --> 00:08:58,937 WE'RE GONNA HAVE SEX. 233 00:08:58,938 --> 00:08:59,938 WELL, AT LEAST WE HAVE CUP HOLDERS. 234 00:08:59,939 --> 00:09:01,006 - NOT IN THIS ROOM. - YES, WE ARE. 235 00:09:01,007 --> 00:09:02,774 THIS ROOM IS A NO SEX ROOM. 236 00:09:02,775 --> 00:09:04,476 - THERE ARE NO-- - YES, THAT IS A RULE! 237 00:09:04,477 --> 00:09:05,810 THAT IS A RULE! - THERE ARE NO NO SEX ZONES! 238 00:09:05,811 --> 00:09:06,811 - YES, IT IS. - NO! 239 00:09:06,812 --> 00:09:07,879 - YES-YES! - NO! 240 00:09:07,880 --> 00:09:08,947 NO, MA'AM, SIR. 241 00:09:08,948 --> 00:09:11,383 NO ONES WANTS PUSS AND BOOTS ANYWHERE. 242 00:09:11,384 --> 00:09:12,851 IN THIS ROOM. 243 00:09:12,852 --> 00:09:14,619 NO... 244 00:09:14,620 --> 00:09:18,223 WE HAVE TO SIT IN THOSE SEATS. 245 00:09:18,224 --> 00:09:19,424 EW. 246 00:09:19,425 --> 00:09:21,059 WE'RE GONNA HAVE SEX, AND I'M NOT GONNA TELL YA. 247 00:09:21,060 --> 00:09:23,662 TRINA, I WILL NOT BE COMFORTABLE OF SITTING HERE, 248 00:09:23,663 --> 00:09:26,565 KNOWING THAT YOU PUT YOUR JUICES AND BERRIES 249 00:09:26,566 --> 00:09:28,199 ALL OVER THE PLACE. - IN THIS ROOM. 250 00:09:28,200 --> 00:09:30,602 LOOK, IF I'M GONNA KEEP MY MAN, 251 00:09:30,603 --> 00:09:32,971 I GOTTA KEEP MY MARRIAGE FRESH AND ON POINT. 252 00:09:32,972 --> 00:09:36,041 SOMETIMES, THAT MAY REQUIRE AN UNEXPECTED VENUE, 253 00:09:36,042 --> 00:09:39,544 LIKE SEX IN THE THEATER ROOM. 254 00:09:39,545 --> 00:09:41,246 - IT-IT'S A DAYBED. - IS-IS THAT A BED? 255 00:09:41,247 --> 00:09:42,314 IT'S REALLY NOT. 256 00:09:42,315 --> 00:09:43,815 IT'S LIKE-- IT'S A LITTLE OUTSIDE COUCH, BUT-- 257 00:09:43,816 --> 00:09:45,450 IT LOOKS LIKE A DAYBED TO ME. 258 00:09:45,451 --> 00:09:46,718 LET ME ASK YOU GUYS A QUESTION. 259 00:09:46,719 --> 00:09:50,021 SO, WHAT ARE THE RULES, AS FAR AS ENTERTAINING GUESTS? 260 00:09:50,022 --> 00:09:51,890 I WOULD LIKE TO SAY THAT WE CANNOT MAKE 261 00:09:51,891 --> 00:09:54,626 THE SAME RULES THAT TAMAR MADE FOR HER HOUSE. 262 00:09:54,627 --> 00:09:55,994 YEAH, THAT WAS IDIOTIC. 263 00:09:55,995 --> 00:09:59,030 NO EATING IN THE BEDROOMS, ONLY IN THE KITCHEN, 264 00:09:59,031 --> 00:10:01,399 AND WE'RE GONNA CLEAN UP AFTER OURSELVES. 265 00:10:01,400 --> 00:10:03,301 THE MAID IS MINE-- OKAY. 266 00:10:03,302 --> 00:10:08,073 NO SINGING IN THE HOUSE UNLESS I ASK YOU TO HARMONIZE. 267 00:10:08,074 --> 00:10:10,809 THIS IS JUST FOR TRINA-- NO TALKING SPANISH. 268 00:10:10,810 --> 00:10:11,977 I DON'T UNDERSTAND IT. 269 00:10:11,978 --> 00:10:12,978 THAT'S INCONSIDERATE, TAMAR, 270 00:10:12,979 --> 00:10:14,279 TO TELL YOUR GUESTS THAT. 271 00:10:14,280 --> 00:10:15,814 WE HAVE TO HAVE ADULT RULES. 272 00:10:15,815 --> 00:10:17,882 WE ALL RESPECT EACH OTHER AS SISTERS. 273 00:10:17,883 --> 00:10:18,917 MMM-HMM. 274 00:10:18,918 --> 00:10:20,151 AND I THINK THAT IF WE'RE HAVING GUESTS, 275 00:10:20,152 --> 00:10:22,287 THEN WE WOULD LET EACH OTHER KNOW WHEN WE'RE HAVING GUESTS. 276 00:10:22,288 --> 00:10:23,521 AHEAD OF TIME. 277 00:10:23,522 --> 00:10:25,223 KINDA SORTA MAKES ME FEEL LIKE WE'RE LITTLE GIRLS 278 00:10:25,224 --> 00:10:27,025 LIVING TOGETHER, AGAIN. 279 00:10:27,026 --> 00:10:28,426 REASON WHY I SAY KINDA SORTA, 280 00:10:28,427 --> 00:10:29,961 'CAUSE WE'RE GROWN-ASS WOMEN, 281 00:10:29,962 --> 00:10:31,730 AND WE DIDN'T HAVE OUR VERY OWN ROOMS 282 00:10:31,731 --> 00:10:33,965 WHEN WE WAS GROWIN' UP. 283 00:10:33,966 --> 00:10:35,767 - IS IT A BIDET? - THERE ARE TWO TOI-LAYS. 284 00:10:35,768 --> 00:10:36,968 WHY DO YOU HAVE TWO TOI-LAYS? 285 00:10:36,969 --> 00:10:39,337 IT'S TWO TO-- IT'S TWO TOI-LAYS. 286 00:10:39,338 --> 00:10:40,739 ARE YOU-- TRACI, DON'T LIKE YOU'RE-- 287 00:10:40,740 --> 00:10:43,642 TRACI'S GOING PEE! - IT'S TWO TOI-LAYS. 288 00:10:43,643 --> 00:10:45,276 TOWANDA-- TOWANDA! 289 00:10:45,277 --> 00:10:47,312 TOWANDA, TRACI'S GONNA GO PEE! 290 00:10:47,313 --> 00:10:50,515 LET'S CLOSE THE DOOR. 291 00:10:50,516 --> 00:10:54,019 CLOSE THE DOOR-- NASTY! 292 00:10:54,020 --> 00:10:55,887 TOWANDA! 293 00:10:55,888 --> 00:10:57,722 I CAN'T. 294 00:10:57,723 --> 00:11:00,259 SOMEBODY GET ME SOME TOILET PAPER! 295 00:11:11,337 --> 00:11:12,804 THAT'S NOT GONNA WORK, MAN. 296 00:11:12,805 --> 00:11:15,173 I WANNA SHOW YOU WHAT, UH, WHAT TAY IS WEARIN'. 297 00:11:15,174 --> 00:11:16,541 OKAY. 298 00:11:16,542 --> 00:11:18,576 SO YOU GET A MORE IDEA OF WHAT YOU CAN DO. 299 00:11:18,577 --> 00:11:21,413 - WHAT WHO CAN DO? - SHE IS. 300 00:11:21,414 --> 00:11:22,414 I WAS GONNA SHOW 'EM WHAT YOU WEARIN'. 301 00:11:22,415 --> 00:11:23,815 - IS THAT WHAT WE'RE DOIN'? - UH-HUH. 302 00:11:23,816 --> 00:11:26,084 - HEAD OF THE TABLE. - TRIED IT. 303 00:11:26,085 --> 00:11:27,252 MY NAME IS TAMAR BRAXTON, 304 00:11:27,253 --> 00:11:30,488 AND I AM THE AROUND HERE 305 00:11:30,489 --> 00:11:31,856 AND-AND YA'LL INTRODUCE YOURSELVES 306 00:11:31,857 --> 00:11:33,658 TO EVERYBODY ELSE. 307 00:11:33,659 --> 00:11:36,361 ON TOP OF STRESSIN' ABOUT ALL OF THE POTENTIAL DRAMA 308 00:11:36,362 --> 00:11:38,063 OF ME AND MY SISTERS BECOMIN', YOU KNOW, 309 00:11:38,064 --> 00:11:40,732 THE NEXT GIRL GROUP OF AMERICA, 310 00:11:40,733 --> 00:11:43,635 I STILL HAVE MY OWN SOLO TOUR TO PLAN. 311 00:11:43,636 --> 00:11:46,838 SHE'S HEADLININ' HER OWN SOLD OUT TOUR, SUGARPLUMS, 312 00:11:46,839 --> 00:11:51,409 AND IT NEEDS TO BE BIG AND BETTER THAN BEFORE. 313 00:11:51,410 --> 00:11:52,811 YES, GOD. 314 00:11:52,812 --> 00:11:59,150 I THINK, FIRST OFF, WE HAVE GOT TO TALK ABOUT FEMALE DANCERS 315 00:11:59,151 --> 00:12:02,520 BECAUSE I JUST DID A WHOLE TOUR WITH GUYS, RIGHT? 316 00:12:02,521 --> 00:12:03,688 YEAH. 317 00:12:03,689 --> 00:12:04,489 I THINK IT'S TIME TO SWITCH IT UP AND CHANGE IT UP. 318 00:12:04,490 --> 00:12:06,324 I AGREE-- I AGREE. 319 00:12:06,325 --> 00:12:07,726 WHAT DO YOU THINK, TERRELL? 320 00:12:07,727 --> 00:12:09,027 TERRELL DOESN'T WANT ME TO HAVE FEMALES 321 00:12:09,028 --> 00:12:11,496 'CAUSE HE DOESN'T THINK I HAVE TIME TO PUT IN THE REHEARSAL 322 00:12:11,497 --> 00:12:14,165 THAT I NEED FOR US ALL TO LOOK ALIKE. 323 00:12:14,166 --> 00:12:17,001 - AS ONE, RIGHT. - I SEE A DUDE. 324 00:12:17,002 --> 00:12:18,069 YOU SEE A DUDE? 325 00:12:18,070 --> 00:12:19,504 I JUST SEE YOU AND A GUY-- THAT'S ALL I SEE. 326 00:12:19,505 --> 00:12:21,206 - DOIN' WHAT? - I DON'T KNOW. 327 00:12:21,207 --> 00:12:25,043 WHEN I LISTEN TO THE SONG, I HEAR-- I SEE YOU AND A DUDE. 328 00:12:25,044 --> 00:12:27,545 EVERYBODY KNOW THAT I BEEN TALKIN' ABOUT DROPPIN' IT 329 00:12:27,546 --> 00:12:30,148 LIKE IT'S HOT FROM DAY ONE-- ALL RIGHT? 330 00:12:30,149 --> 00:12:31,583 SO, THEREFORE, YOU CAN ONLY DO THAT 331 00:12:31,584 --> 00:12:33,618 IF YOU HAVE FEMALE DANCERS BEHIND YOU. 332 00:12:33,619 --> 00:12:35,887 SO, YOU KNOW, LIKE A SONG LIKE "TIP TOE" 333 00:12:35,888 --> 00:12:40,058 AND "HOT SUGARS," 334 00:12:40,059 --> 00:12:42,894 YOU KNOW, IT GOTTA BE SEXY AND A LITTLE BIT OF RATCHET, 335 00:12:42,895 --> 00:12:45,096 SO THE AUDIENCE CAN UNDERSTAND 336 00:12:45,097 --> 00:12:46,598 WHERE YOU COMIN' FROM, YOU KNOW, 337 00:12:46,599 --> 00:12:48,433 AND YOU CAN'T DO THAT WITH GUY DANCERS. 338 00:12:48,434 --> 00:12:52,270 I STILL FEEL LIKE, IF THAT CHOREOGRAPHY IS AMAZING 339 00:12:52,271 --> 00:12:53,805 LIKE I'M ENVISIONING IN MY MIND-- 340 00:12:53,806 --> 00:12:56,374 - IT WILL BE-- YEAH. - THAT IS GIRLS. 341 00:12:56,375 --> 00:12:59,010 I DON'T WANNA SEE NO DUDES TIPTOEIN'. 342 00:12:59,011 --> 00:13:00,945 I JUST SEE ALL GUYS ON THIS ONE. 343 00:13:00,946 --> 00:13:02,046 I JUST REALLY DO-- I'M SORRY. 344 00:13:02,047 --> 00:13:03,815 I-I DON'T SEE ALL GUYS ON THIS WHOLE TOUR. 345 00:13:03,816 --> 00:13:05,416 CAN YOU SHOW ME HOW THE GUYS ARE GONNA TIPTOE? 346 00:13:05,417 --> 00:13:06,584 I NEED YOU TO STAND UP AND JUST DO ME A TIPTOE. 347 00:13:06,585 --> 00:13:07,952 NO, I'M JUST SAYIN'-- NO-NO-NO, I DO-- 348 00:13:07,953 --> 00:13:09,788 - NO-- NO SHADE! - I KNOW WHAT YOU'RE SAYIN'. 349 00:13:09,789 --> 00:13:10,922 THIS IS NOT SHADE. 350 00:13:10,923 --> 00:13:12,257 I'M GONNA NEED YOU TO GET UP AND SHOW ME THE TIPTOE. 351 00:13:12,258 --> 00:13:13,625 I'M SERIOUS. - YEAH, I KNOW WHAT YOU'RE SAYIN'. 352 00:13:13,626 --> 00:13:16,829 JUST-JUST OFF THE TOP OF YOUR HEAD-- NO, GET UP. 353 00:13:17,997 --> 00:13:20,632 COMING UP, ON "BRAXTON FAMILY VALUES"... 354 00:13:20,633 --> 00:13:22,567 IF I HAVE FIVE HOURS REHEARSAL, 355 00:13:22,568 --> 00:13:24,569 THEN I HAVE TO GO FIVE HOURS HARD, 356 00:13:24,570 --> 00:13:26,437 DEAD ASS IN, IN REHEARSAL. 357 00:13:26,438 --> 00:13:27,972 AIN'T NOBODY GONNA SAY, "YEAH, SHE WAS GOOD, 358 00:13:27,973 --> 00:13:31,177 "BUT THEM DANCERS STOLE THE SHOW." 359 00:13:32,111 --> 00:13:33,511 THAT'S A DEAL BREAKER. 360 00:13:33,512 --> 00:13:36,080 I WANTED TO PUNCH HIM IN HIS FACE AND SMOTHER HIM 361 00:13:36,081 --> 00:13:37,348 UNTIL HE COULDN'T BREATHE. 362 00:13:37,349 --> 00:13:39,517 FINDING OUT THAT YOUR HUSBAND IS CHEATING ON YOU-- 363 00:13:39,518 --> 00:13:41,586 I DON'T KNOW HOW I WOULD REACT, 364 00:13:41,587 --> 00:13:43,254 WHEN HE WOKE UP FROM BEIN' DEAD. 365 00:13:43,255 --> 00:13:44,722 I TOLD HIM I THINK WE SHOULD HAVE A DIVORCE. 366 00:13:44,723 --> 00:13:46,258 WHY ARE WE HERE? 367 00:13:50,196 --> 00:13:52,497 I JUST SEE ALL GUYS ON THIS ONE-- I JUST REALLY DO. 368 00:13:52,498 --> 00:13:54,632 I'M SORRY AND-- - I DON'T-- I DON'T SEE ALL GUYS ON THIS WHOLE TOUR. 369 00:13:54,633 --> 00:13:56,601 CAN YOU SHOW ME HOW THE GUYS ARE GONNA TIPTOE? 370 00:13:56,602 --> 00:13:58,069 I NEED YOU TO STAND UP AND JUST DO ME A TIPTOE. 371 00:13:58,070 --> 00:13:59,170 NO, I'M JUST SAYIN'-- NO-NO-NO, I DO-- 372 00:13:59,171 --> 00:14:00,471 - NO, NO SHADE. - I KNOW WHAT YOU'RE SAYIN'. 373 00:14:00,472 --> 00:14:01,573 THIS IS NOT SHADE. 374 00:14:01,574 --> 00:14:02,841 I GONNA NEED YOU TO GET UP AND SHOW ME THE TIPTOE. 375 00:14:02,842 --> 00:14:04,576 NO, I'M SERIOUS. - YEAH, I WAS JUST SAYIN'. 376 00:14:04,577 --> 00:14:05,810 JUST-JUST OFF THE TOP OF YOUR HEAD-- 377 00:14:05,811 --> 00:14:09,113 NO, I'M GONNA NEED YOU TO GET UP... 378 00:14:09,114 --> 00:14:11,416 - OH, NO. - AND SHOW ME. 379 00:14:13,052 --> 00:14:14,085 BUT STILL GUYS CAN STILL-- 380 00:14:14,086 --> 00:14:15,286 I DON'T WANNA TIPTOE LIKE THAT. 381 00:14:15,287 --> 00:14:16,454 BUT, YOU WOULD DO SOMETHIN' DIFFERENT THOUGH. 382 00:14:16,455 --> 00:14:18,590 SO, I'M THE ONLY ONE ON THE STAGE GRINDIN'. 383 00:14:18,591 --> 00:14:20,225 NO-NO-NO-NO, YOU AIN'T GONNA BE GRINDING. 384 00:14:20,226 --> 00:14:21,693 THEY'RE GONNA BE-- - I WOULD LIKE TO BE. 385 00:14:21,694 --> 00:14:22,961 YEAH-- NO, THEY'RE GONNA BE WITH YOU, 386 00:14:22,962 --> 00:14:24,929 BUT THEY'RE GONNA BE GRINDIN' LIKE DUDES, 387 00:14:24,930 --> 00:14:27,332 YOU KNOW. 388 00:14:27,333 --> 00:14:28,833 I DON'T WANNA SEE THAT. 389 00:14:28,834 --> 00:14:33,504 - OH, OKAY-- WELL, I-- - I KNOW, AND YOUR NAME IS 390 00:14:33,505 --> 00:14:36,007 ON THE MARQUIS, BUT DON'T-- - Y-- ARE YOU SURE? 391 00:14:36,008 --> 00:14:37,408 I HATE WHEN PEOPLE ARGUE WITH ME 392 00:14:37,409 --> 00:14:39,110 ABOUT WHAT I WANT ON MY SHOW. 393 00:14:39,111 --> 00:14:43,014 I MEAN, MY SHOW, MY SONGS, MY COIN, MY WAY-- 394 00:14:43,015 --> 00:14:44,182 EAT IT. 395 00:14:44,183 --> 00:14:46,551 I'M TELLING YOU-- WE GOTTA TAKE IT A STEP UP. 396 00:14:46,552 --> 00:14:48,019 WE CANNOT BE AFRAID. 397 00:14:48,020 --> 00:14:49,220 WELL, TAKE IT A STEP UP 398 00:14:49,221 --> 00:14:50,688 WHEN YOU HAVE TIME TO STEP UP. 399 00:14:50,689 --> 00:14:55,159 I SWEAR TO GOD-- I HAVE TO GET READY. 400 00:14:55,160 --> 00:14:57,228 IF I HAVE FIVE HOURS REHEARSAL, 401 00:14:57,229 --> 00:14:59,097 THEN I HAVE TO GO FIVE HOURS HARD, 402 00:14:59,098 --> 00:15:00,999 DEAD ASS IN, IN REHEARSAL. 403 00:15:01,000 --> 00:15:02,400 AIN'T NOBODY GONNA SAY, "YEAH, SHE WAS GOOD, 404 00:15:02,401 --> 00:15:06,237 "BUT THEM DANCERS STOLE THE SHOW." 405 00:15:06,238 --> 00:15:08,840 I CAN'T SEE THAT. 406 00:15:08,841 --> 00:15:11,175 I MEAN, IT'S A LOT OF PRESSURE HEADLINING YOUR OWN TOUR 407 00:15:11,176 --> 00:15:13,578 BECAUSE YOU WANT IT TO BE AMAZING, YOU KNOW. 408 00:15:13,579 --> 00:15:15,413 AND IF IT'S AMAZING, YOU WANT IT TO BE AMAZING 409 00:15:15,414 --> 00:15:16,514 'CAUSE YOU MADE IT AMAZING. 410 00:15:16,515 --> 00:15:20,018 AND IF IT'S NOT, YOU KNOW, YOU'RE JUST JACKED UP 411 00:15:20,019 --> 00:15:21,287 IN THE GAME. 412 00:15:23,622 --> 00:15:24,789 I WANT YOU TO HAVE THE BEST OF THE BEST, 413 00:15:24,790 --> 00:15:26,791 SO THAT MEANS WE HAVE TO DO AN AUDITION. 414 00:15:26,792 --> 00:15:29,427 I KNOW TIME IS TICKING, BUT AT THE SAME TIME, 415 00:15:29,428 --> 00:15:32,230 I WANT YOU HAVE THE-- SOME-SOME DOPE GIRLS. 416 00:15:32,231 --> 00:15:33,131 OKAY. 417 00:15:35,034 --> 00:15:36,134 ANYBODY GOT ANYTHING ELSE TO SAY 418 00:15:36,135 --> 00:15:37,335 'FORE WE ADJOURN? 419 00:15:37,336 --> 00:15:39,103 IS IT POSSIBLE TO HAVE SNACKS, OR IS IT-- 420 00:15:53,886 --> 00:15:55,353 LOOK HOW SHORT I AM. 421 00:15:55,354 --> 00:15:58,022 I GOT ON A LITTLE BIT OF A LITTLE BIT OF A KITTEN HEEL THOUGH. 422 00:15:58,023 --> 00:15:59,390 BUT, LOOK HOW SHORT I AM. 423 00:15:59,391 --> 00:16:00,458 IT'S LIKE-- - BUT, YOU HAVE ON FLATS. 424 00:16:00,459 --> 00:16:01,659 YOGI AND BOO-BOO. 425 00:16:01,660 --> 00:16:03,161 I HAVE AN ACUPUNCTURE SESSION TODAY, 426 00:16:03,162 --> 00:16:05,296 AND I BROUGHT TONI ALONG BECAUSE I WANNA TALK ABOUT 427 00:16:05,297 --> 00:16:07,932 OUR SISTER ISSUES AND OUR ALBUM, 428 00:16:07,933 --> 00:16:11,336 AND ACUPUNCTURE IS SUPPOSED TO HELP US RELAX. 429 00:16:11,337 --> 00:16:12,937 I'M A FIRM BELIEVER IN CHINESE MEDICINE. 430 00:16:12,938 --> 00:16:14,172 OKAY, SO YOU HAVE EXPERIENCE WITH THIS. 431 00:16:14,173 --> 00:16:15,373 YES. 432 00:16:15,374 --> 00:16:17,475 I HATE NEEDLES, BUT ACUPUNCTURE NEEDLES 433 00:16:17,476 --> 00:16:19,377 ARE REALLY, REALLY THIN, SO IT'S NOT AS THICK 434 00:16:19,378 --> 00:16:20,812 AS, LIKE, YOU KNOW, THE NEEDLES THAT YOU WOULD GO 435 00:16:20,813 --> 00:16:22,547 TO GET SOME BLOODWORK DONE. 436 00:16:22,548 --> 00:16:25,450 SO, IT DOESN'T HURT AS BAD. 437 00:16:25,451 --> 00:16:27,552 PLUS, I BELIEVE IT GOT ALCOHOL IN IT 438 00:16:27,553 --> 00:16:28,686 'CAUSE IT MAKE YOU FEEL LIKE YOU HAD, LIKE, 439 00:16:28,687 --> 00:16:31,156 TWO OR THREE MARTINIS, AND I'M HERE FOR THAT. 440 00:16:34,059 --> 00:16:35,794 OOH, WEE! 441 00:16:37,196 --> 00:16:39,530 THE WOMAN STARTS PUTTING NEEDLES INTO TAMAR'S FOOT, 442 00:16:39,531 --> 00:16:42,533 AND I'M IMMEDIATELY NAUSEOUS, 443 00:16:42,534 --> 00:16:45,236 AND I-I THINK I'M GONNA PASS OUT. 444 00:16:45,237 --> 00:16:47,939 INHALE THROUGH THE NOSE. 445 00:16:47,940 --> 00:16:49,374 I FEEL LIKE I TOOK A XANAX. 446 00:16:49,375 --> 00:16:53,211 WON'T HE DO IT? 447 00:16:53,212 --> 00:16:54,979 TAMAR DOESN'T SEE ALL THOSE NEEDLES, 448 00:16:54,980 --> 00:16:56,447 BUT I HAVE TO LOOK AT THEM 449 00:16:56,448 --> 00:16:58,983 AND TRY TO HAVE A CONVERSATION WITH HER. 450 00:16:58,984 --> 00:17:02,754 MEANWHILE, SHE'S ACTING LIKE SHE'S ON HAPPY PILLS. 451 00:17:02,755 --> 00:17:05,623 WELL, TONI, THE POINT WAS TO TALK ABOUT 452 00:17:05,624 --> 00:17:08,126 A STRESSFUL SITUATION WHILE YOU'RE DESTRESSIN', 453 00:17:08,127 --> 00:17:11,696 SO YOU WON'T STRESS OUT-- AH-HA. 454 00:17:11,697 --> 00:17:13,398 LIKE, DO YOU FEEL LIKE THE WHOLE DR. SHERRY THING 455 00:17:13,399 --> 00:17:14,632 WAS SUCCESSFUL? 456 00:17:14,633 --> 00:17:16,000 NO, 'CAUSE YOU LEFT. 457 00:17:16,001 --> 00:17:17,769 NO, THAT'S NOT WHY IT WAS NOT SUCCESSFUL. 458 00:17:17,770 --> 00:17:19,070 BUT, IF YOU HAD STAYED, THE OTHER THING 459 00:17:19,071 --> 00:17:22,373 WAS REALLY, REALLY EFFECTIVE. 460 00:17:22,374 --> 00:17:24,475 FOR ME, THE EXERCISE WOULDN'T OF MADE NO DIFFERENCE TO ME, 461 00:17:24,476 --> 00:17:25,743 YOU KNOW, THERE BECAUSE 462 00:17:25,744 --> 00:17:31,115 ALL THE TALKIN' POINTS TO ME WAS OFF AND WRONG. 463 00:17:31,116 --> 00:17:33,251 IT STARTED WITH TOWANDA, AND THE NEXT THING I KNOW, 464 00:17:33,252 --> 00:17:36,654 IT STARTED TO SPREAD LIKE, YOU KNOW, LIKE WILDFIRE. 465 00:17:36,655 --> 00:17:42,794 THEN, I HAD A ISSUE WITH EVERYBODY OUT OF THE BLUE. 466 00:17:42,795 --> 00:17:44,629 IF YOU HAD STAYED, YOU WOULD'VE UNDERSTOOD. 467 00:17:44,630 --> 00:17:46,531 JUST-- THEY DID-DID SOME EXERCISES. 468 00:17:46,532 --> 00:17:47,532 YOU DIDN'T PARTICIPATE. 469 00:17:47,533 --> 00:17:49,801 WHAT IT DID, WAS MAKE YOU LOOK AT YOURSELF 470 00:17:49,802 --> 00:17:53,371 AND YOUR ROLE IN THINGS AND LOOK AT EACH OTHER. 471 00:17:53,372 --> 00:17:54,939 I MEAN, REALLY, WE'RE ALL ACTIN' LIKE WE'RE ALL FINE 472 00:17:54,940 --> 00:17:56,541 AND READY TO MOVE FORWARD WITH THE ALBUM, 473 00:17:56,542 --> 00:17:59,945 BUT HONESTLY, EVERYTHING IS NOT RESOLVED YET. 474 00:18:01,847 --> 00:18:04,148 I-I'M GONNA JUST GONNA-- I'M JUST GONNA BE 100 475 00:18:04,149 --> 00:18:07,452 'CAUSE I REALLY WANNA DO THE RECORD. 476 00:18:07,453 --> 00:18:10,621 BUT, YOU KNOW WHAT THE LEADIN' CAUSE 477 00:18:10,622 --> 00:18:14,159 OF FEMALE GROUPS TO BREAK UP? 478 00:18:15,194 --> 00:18:16,127 WHAT'S THE CAUSE? 479 00:18:16,128 --> 00:18:18,596 - DRAMA, ISSUES... - THAT'S IN ANYTHING. 480 00:18:18,597 --> 00:18:19,864 UNRESOLVEMENT. 481 00:18:19,865 --> 00:18:24,268 SO, I FEEL LIKE WE SHOULD NOT GO INTO IT WITH THAT. 482 00:18:24,269 --> 00:18:25,937 SOMETIMES, I THINK YOU GOTTA LEAVE THINGS ALONE 483 00:18:25,938 --> 00:18:27,238 AND THEN COME BACK TO IT. 484 00:18:27,239 --> 00:18:28,773 THAT'S JUST MY THEORY. 485 00:18:28,774 --> 00:18:30,641 BUT, IF YOU FEEL LIKE YOU NEED TO GET THOSE ISSUES 486 00:18:30,642 --> 00:18:32,710 RESOLVED BEFORE YOU GO ANY FURTHER WITH THE ALBUM-- 487 00:18:32,711 --> 00:18:34,512 THERE AIN'T NO WAY THE ALBUM CAN BE SUCCESSFUL 488 00:18:34,513 --> 00:18:37,148 AND BE COMPLETED, AND WE GO OUT AND PROMOTE IT. 489 00:18:37,149 --> 00:18:38,216 THERE'S JUST NO WAY. 490 00:18:38,217 --> 00:18:39,984 LIKE, FIGHTIN' AND ARGUIN' IS THE LEADING CAUSE 491 00:18:39,985 --> 00:18:42,787 OF DEATH IN FEMALE GROUPS. 492 00:18:42,788 --> 00:18:44,355 CLEARLY, TAMAR'S STILL HAVING HER DOUBTS, 493 00:18:44,356 --> 00:18:47,825 AND I'M WORRIED, BUT I'M NOT GONNA TELL THE OTHER GIRLS 494 00:18:47,826 --> 00:18:49,827 BECAUSE THEY JUST MOVED ALL THE WAY OUT HERE, 495 00:18:49,828 --> 00:18:52,263 AND IF EVERYONE'S NOT FULLY ONBOARD, 496 00:18:52,264 --> 00:18:54,066 THIS COULD BE A TOTAL DISASTER. 497 00:19:05,577 --> 00:19:07,645 OOH, IT'S SO PRETTY TODAY. 498 00:19:07,646 --> 00:19:08,646 THIS IS A CUTE LITTLE SPOT. 499 00:19:08,647 --> 00:19:09,914 ISN'T IT? 500 00:19:09,915 --> 00:19:11,415 I ASKED THE GIRLS TO MEET ME FOR DRINKS 501 00:19:11,416 --> 00:19:14,118 'CAUSE I WANT TO TALK TO THEM ABOUT SOMETHIN'. 502 00:19:14,119 --> 00:19:15,686 TAMAR COULDN'T MAKE IT BECAUSE, YOU KNOW, 503 00:19:15,687 --> 00:19:17,955 SHE HAD REHEARSAL, HONEY, FOR HER TOUR. 504 00:19:17,956 --> 00:19:19,457 YOU KNOW, I PICKED THIS PLACE AND EVERYTHING 505 00:19:19,458 --> 00:19:21,927 BECAUSE I'VE BEEN HANGIN' OUT IN CALIFORNIA... 506 00:19:23,162 --> 00:19:25,329 - YES, FOR "MARRIAGE BOOT CAMP." - THE "MARRIAGE BOOT CAMP." 507 00:19:25,330 --> 00:19:29,500 SINCE MY HUSBAND KEVIN AND I ARE HAVING MARRIAGE ISSUES, 508 00:19:29,501 --> 00:19:33,838 WE DECIDED TO DO A SHOW CALLED "MARRIAGE BOOT CAMP: REALITY STARS," 509 00:19:33,839 --> 00:19:35,740 AND, BOY, IT WAS INTENSE. 510 00:19:35,741 --> 00:19:36,741 YOU DON'T WANNA LISTEN TO ME. 511 00:19:36,742 --> 00:19:37,775 I'M TRYIN' TO DO-- 512 00:19:37,776 --> 00:19:38,776 YOU TELL ME WHAT TO DO ALL THE TIME-- YOU DO. 513 00:19:38,777 --> 00:19:39,844 I DON'T TRY TO TELL-- 514 00:19:39,845 --> 00:19:40,978 HAVE BOTH OF YA'LL HAD INFIDELITY? 515 00:19:40,979 --> 00:19:43,181 YEAH, BUT I DIDN'T START IT UNTIL HE STARTED IT. 516 00:19:43,182 --> 00:19:44,749 BUT, THAT'S NOT RIGHT, THOUGH. 517 00:19:44,750 --> 00:19:46,417 I KNOW DIVORCE IS NOT A OPTION. 518 00:19:46,418 --> 00:19:47,385 HE SAID THAT. 519 00:19:47,386 --> 00:19:48,853 I'M REALLY THINKIN' HARD. 520 00:19:48,854 --> 00:19:50,789 YOU DON'T WANNA WORK ON OUR MARRIAGE? 521 00:19:52,758 --> 00:19:55,826 - -- . - PACKIN' UP. 522 00:19:55,827 --> 00:19:57,328 OH, MY, GOODNESS! 523 00:19:57,329 --> 00:19:58,796 I WAS SO MAD WITH KEVIN. 524 00:19:58,797 --> 00:20:00,064 - WHY? - WHY? 525 00:20:00,065 --> 00:20:02,099 BECAUSE HE WHISPERED TO ME, "YOU'RE DRINKIN' TOO MUCH." 526 00:20:02,100 --> 00:20:04,435 - MOOD ALTERNATOR. - IT DID. 527 00:20:04,436 --> 00:20:06,037 I TOLD HIM I THINK WE SHOULD HAVE A DIVORCE. 528 00:20:06,038 --> 00:20:07,338 WHY ARE WE HERE? 529 00:20:10,475 --> 00:20:11,509 - YOU'RE NOT A DRUNK. - I CAN DRINK. 530 00:20:11,510 --> 00:20:13,377 I'M NOT A DRUNK, BUT I LOVE TO DRINK. 531 00:20:13,378 --> 00:20:16,247 I LOVE TO DRINK. 532 00:20:16,248 --> 00:20:21,053 I THINK I WAS DRINKIN' ABOUT THE SAME THAT I NORMALLY DO. 533 00:20:23,555 --> 00:20:27,191 THIS IS WHAT YOU CALL A BREAKFAST VODKA. 534 00:20:27,192 --> 00:20:29,594 YOU'RE DRINKIN' TOO MUCH. 535 00:20:29,595 --> 00:20:31,195 I LIKE MY BREAKFAST BEER. 536 00:20:31,196 --> 00:20:34,465 I SAID, WE DRANK TOO MUCH-- IT TRIGGERED THIS? 537 00:20:34,466 --> 00:20:36,367 GET OUT-- GET OUT. 538 00:20:36,368 --> 00:20:37,635 THANK YOU. 539 00:20:37,636 --> 00:20:39,904 I WAS REALLY HURT WHEN HE SAID TO ME, 540 00:20:39,905 --> 00:20:41,339 YOU KNOW, YOU'RE DRINKIN' TOO MUCH, 541 00:20:41,340 --> 00:20:42,273 AND YOU'RE DOIN' THIS. 542 00:20:42,274 --> 00:20:43,941 WELL, AU CONTRAIRE, MON FRERE. 543 00:20:43,942 --> 00:20:45,710 YOU WAS DRINKIN' JUST LIKE I WAS. 544 00:20:45,711 --> 00:20:47,745 ALL OF A SUDDEN, YOU WANNA REPRIMAND ME. 545 00:20:47,746 --> 00:20:50,114 I DON'T THINK SO-- I ONLY HAVE ONE DADDY, 546 00:20:50,115 --> 00:20:52,684 AND HIS NAME IS MICHAEL CONRAD BRAXTON, SENIOR. 547 00:20:54,353 --> 00:20:56,354 - HEY, PRETTY GIRL. - HEY, TONE-- NICE SHOES. 548 00:20:56,355 --> 00:20:58,222 I'M ABOUT TO DIE FOR THOSE SHOES. 549 00:20:58,223 --> 00:21:01,058 RIGHT-- I'M UPSET 'CAUSE I WORE FLIP FLOPS. 550 00:21:01,059 --> 00:21:02,159 - MUAH. - HEY, TONI. 551 00:21:02,160 --> 00:21:03,127 YOU HAVE TO SIT DOWN. 552 00:21:03,128 --> 00:21:04,428 TRACE, TOLD US SOME JUICE. 553 00:21:04,429 --> 00:21:05,329 - WANT ME TO SCOOT OVER? - NO, I'LL SIT HERE. 554 00:21:05,330 --> 00:21:06,530 WAIT-WAIT A MINUTE-- WHAT HAPPENED? 555 00:21:06,531 --> 00:21:08,165 TRACI IS TELLING US STUFF FROM "MARRIAGE BOOT CAMP." 556 00:21:08,166 --> 00:21:09,834 - "MARRIAGE BOOT CAMP." - SO, WHAT HAPPENED? 557 00:21:09,835 --> 00:21:11,602 KEVIN AND I TOOK THE LIE DETECTOR TEST. 558 00:21:11,603 --> 00:21:13,070 YES. 559 00:21:13,071 --> 00:21:15,239 THEY ASKED ME MY QUESTIONS, AND, YOU KNOW, 560 00:21:15,240 --> 00:21:17,475 I PASSED MY THING, AND IT WAS HIS TURN. 561 00:21:17,476 --> 00:21:19,744 NOW, THE LAST QUESTION THAT THEY ASKED, 562 00:21:19,745 --> 00:21:23,414 "HAVE YOU BEEN CHEATING ON TRACI?" 563 00:21:23,415 --> 00:21:25,584 THIS MAN SAYS... 564 00:21:26,852 --> 00:21:29,120 COMING UP, ON "BRAXTON FAMILY VALUES"... 565 00:21:29,121 --> 00:21:31,122 I HAD A BAD DREAM THE FIRST NIGHT WE STAYED HERE. 566 00:21:31,123 --> 00:21:32,456 THERE WAS A DEMON CHASING ME. 567 00:21:32,457 --> 00:21:33,624 - WAIT A MINUTE! - UH-UH. 568 00:21:33,625 --> 00:21:34,825 TAMAR, GET BACK OVER HERE! 569 00:21:34,826 --> 00:21:35,793 WHAT ARE YOU TALKIN' ABOUT? 570 00:21:35,794 --> 00:21:36,894 IT'S NOT NIGHTTIME. 571 00:21:36,895 --> 00:21:37,763 LET ME TELL YOU SOMETHIN'-- I DON'T PLAY THAT. 572 00:21:38,563 --> 00:21:42,734 HAVE YOU CHEATED ON TRACI IN THE LAST SIX MONTHS? 573 00:21:48,473 --> 00:21:50,207 KEVIN AND I TOOK THE LIE DETECTOR TEST. 574 00:21:50,208 --> 00:21:51,976 YES. 575 00:21:51,977 --> 00:21:53,811 THEY ASKED ME MY QUESTIONS, AND, YOU KNOW, 576 00:21:53,812 --> 00:21:56,080 I PASSED MY THING, AND IT WAS HIS TURN. 577 00:21:56,081 --> 00:21:58,382 NOW, THE LAST QUESTION THAT THEY ASKED, 578 00:21:58,383 --> 00:22:02,687 "HAVE YOU BEEN CHEATING ON TRACI?" 579 00:22:02,688 --> 00:22:05,691 THIS MAN SAYS, "YES." 580 00:22:09,394 --> 00:22:11,395 OH, MY GOD! 581 00:22:11,396 --> 00:22:12,830 YOUR HUSBAND ADMITTED TO CHEATING 582 00:22:12,831 --> 00:22:16,600 ON NATIONAL TELEVISION. 583 00:22:16,601 --> 00:22:17,868 WOW! 584 00:22:17,869 --> 00:22:19,737 FINDING OUT THAT YOUR HUSBAND EMPHATICALLY 585 00:22:19,738 --> 00:22:22,740 IS CHEATING ON YOU-- I DON'T KNOW HOW I WOULD REACT. 586 00:22:22,741 --> 00:22:24,742 YOU KNOW - YOU KNOW... 587 00:22:24,743 --> 00:22:26,911 WHEN HE WOKE UP FROM BEIN' DEAD. 588 00:22:26,912 --> 00:22:29,046 HOW DO YOU FEEL ABOUT YOUR HUSBAND'S INFIDELITY, 589 00:22:29,047 --> 00:22:30,147 THAT HE ADMITTED TO IT? 590 00:22:30,148 --> 00:22:32,983 I MEAN-- - I FELT BETRAYED. 591 00:22:32,984 --> 00:22:34,652 I FELT BETRAYED, AND I WANTED TO PUNCH HIM 592 00:22:34,653 --> 00:22:36,587 IN HIS FACE AND SMOTHER HIM 593 00:22:36,588 --> 00:22:37,555 'TIL HE COULDN'T BREATHE. 594 00:22:37,556 --> 00:22:40,958 BUT, IT'S NOT A DEAL BREAKER? 595 00:22:40,959 --> 00:22:42,226 JUST GOTTA ASK. 596 00:22:42,227 --> 00:22:43,394 NO, IT-- NO, IT'S NOT A DEAL BREAKER. 597 00:22:43,395 --> 00:22:44,562 IT-- THAT'S NOT A DEAL BREAKER. 598 00:22:44,563 --> 00:22:46,364 NOW, IF SOMEBODY-- IF HE PUT HIS HANDS ON ME, 599 00:22:46,365 --> 00:22:48,099 THAT'S A DEAL BREAKER. 600 00:22:48,100 --> 00:22:49,934 OKAY, GOTTA ASK-- JUST DON'T KNOW. 601 00:22:49,935 --> 00:22:51,202 I-I GET IT-- I UNDERSTAND. 602 00:22:51,203 --> 00:22:52,703 I JUST HAD TO ASK. 603 00:22:52,704 --> 00:22:54,205 WOW! 604 00:22:54,206 --> 00:22:56,340 OBVIOUSLY, TRINA AND TRACI HAVE OPEN MARRIAGES. 605 00:22:56,341 --> 00:23:00,845 I-I-I-- YES, I THINK THEY HAVE OPEN MARRIAGES. 606 00:23:00,846 --> 00:23:02,847 MY MOM HAD THE STRENGTH TO LEAVE MY DAD 607 00:23:02,848 --> 00:23:04,548 WHEN INFIDELITY HAPPENED-- SHE LEFT. 608 00:23:04,549 --> 00:23:06,817 IT WAS OBVIOUSLY A DEAL BREAKER FOR MY MOM. 609 00:23:06,818 --> 00:23:08,619 I THINK I'M MORE LIKE MY MOM. 610 00:23:08,620 --> 00:23:11,389 MY SISTERS ARE MORE LIKE MY DAD. 611 00:23:11,390 --> 00:23:14,492 DOES IT MAKE IT DIFFICULT FOR YOU TO BE INTIMATE WITH HIM, 612 00:23:14,493 --> 00:23:15,693 IF YOU KNOW THAT? 613 00:23:15,694 --> 00:23:17,828 - IT-IT-- HE-- - OR, DO YOU FEEL A NEED OF LIKE... 614 00:23:17,829 --> 00:23:19,296 - IT DID, AT FIRST. - OKAY. 615 00:23:19,297 --> 00:23:21,465 BUT, YOU KNOW, TO TELL YOU THE TRUTH, I LOVE HIM. 616 00:23:21,466 --> 00:23:22,600 MMM-HMM. 617 00:23:22,601 --> 00:23:23,801 SOME PEOPLE MIGHT THINK THAT TRACI 618 00:23:23,802 --> 00:23:25,202 SHOULD NOT HAVE FORGIVEN HIM. 619 00:23:25,203 --> 00:23:27,304 SOME PEOPLE THINKS THAT SHE SHOULD'VE FORGIVEN HIM. 620 00:23:27,305 --> 00:23:29,306 BUT, TRACI HAS TO DO WHAT WORKS BEST FOR HER, 621 00:23:29,307 --> 00:23:30,574 IN HER MARRIAGE. 622 00:23:30,575 --> 00:23:33,210 UNFORTUNATELY, THIS NEWS COMES TO A LOT OF WOMEN, 623 00:23:33,211 --> 00:23:36,313 AND YOU CAN STAY, OR YOU CAN GO, 624 00:23:36,314 --> 00:23:38,849 BUT IT'S A LOT HARDER TO STAY. 625 00:23:38,850 --> 00:23:40,918 I KNOW FROM PERSONAL EXPERIENCE. 626 00:23:40,919 --> 00:23:43,654 WE SAID WE WAS GOING TO BE COMMITTED TO EACH OTHER, 627 00:23:43,655 --> 00:23:47,492 AND YOU PROMISED, AND YOU DIDN'T. 628 00:23:51,763 --> 00:23:53,330 "MARRIAGE BOOT CAMP" HELPED US A LOT, 629 00:23:53,331 --> 00:23:57,468 BUT THE LIE DETECTOR TEST WAS DEVASTATING FOR ME, HONEY. 630 00:23:57,469 --> 00:23:59,603 SO, WE ARE PLANNING TO DO ANOTHER FOLLOW UP 631 00:23:59,604 --> 00:24:01,405 COUNSELING SESSION. 632 00:24:01,406 --> 00:24:03,040 REMEMBER IN THE BIBLE HOW MEN CAN HAVE WIVES, 633 00:24:03,041 --> 00:24:05,142 AND CONCUBINES, AND ALL THAT KINDA GOOD STUFF? 634 00:24:05,143 --> 00:24:08,546 I WANNA A COUPLE OF HUSBANDS AND SOME MALE CONCUBINES. 635 00:24:12,751 --> 00:24:16,021 ♪ YO YO YO YO YO YO YO YO ♪ 636 00:24:27,065 --> 00:24:28,933 TAMAR AND I ARE COMING OVER TO SEE THE HOUSE 637 00:24:28,934 --> 00:24:30,468 THAT TOWANDA, TRINA, AND TRACI RENTED 638 00:24:30,469 --> 00:24:32,770 WHILE THEY'RE TEMPORARILY LIVING IN L.A. 639 00:24:32,771 --> 00:24:34,305 TO WORK ON THIS ALBUM. 640 00:24:34,306 --> 00:24:35,506 DING-DING. 641 00:24:35,507 --> 00:24:37,541 IT FEELS SO GOOD TO HAVE ALL THE GIRLS HERE. 642 00:24:37,542 --> 00:24:40,044 AND HOPEFULLY, US BEING CLOSE LIKE THIS, 643 00:24:40,045 --> 00:24:41,579 LIVING TOGETHER IN THE SAME CITY, 644 00:24:41,580 --> 00:24:43,781 WE CAN GET PAST ALL THAT OTHER STUFF. 645 00:24:43,782 --> 00:24:45,082 - HEY, TONI. - HI. 646 00:24:45,083 --> 00:24:46,650 - HEY. - HEY, TRAY. 647 00:24:46,651 --> 00:24:47,751 I KNOW WE'RE IN THE RIGHT PLACE. 648 00:24:47,752 --> 00:24:48,752 IT SMELL LIKE CHICKEN. 649 00:24:48,753 --> 00:24:49,954 - YES. - YES, WE DID. 650 00:24:49,955 --> 00:24:51,355 - I WANT A TOUR. - LET'S START ON THIS END. 651 00:24:51,356 --> 00:24:53,390 - THIS SIDE? - YEAH. - YES. 652 00:24:53,391 --> 00:24:54,892 LOOK AT THE CEILING. 653 00:24:54,893 --> 00:24:57,328 I LOVE THESE BARN DOORS. 654 00:24:57,329 --> 00:24:58,562 THIS IS MY FAVORITE. 655 00:24:58,563 --> 00:25:00,197 DID YA'LL SAVE AT LEAST ONE PIECE OF CHICKEN, THOUGH? 656 00:25:00,198 --> 00:25:01,599 IT SMELLS LIKE CHICKEN. 657 00:25:01,600 --> 00:25:03,601 YOU GUYS DID A GOOD JOB. 658 00:25:03,602 --> 00:25:04,802 TRINA SHOW YOU THE WINE ROOM. 659 00:25:04,803 --> 00:25:06,971 THIS IS MY FAVORITE ROOM. 660 00:25:06,972 --> 00:25:10,174 I ALREADY HAD TO PUT A FEW BOTTLES IN, OF COURSE. 661 00:25:10,175 --> 00:25:12,543 NO SHADE-- THE HOUSE IS REALLY, REALLY NICE. 662 00:25:12,544 --> 00:25:18,116 HOWEVER, THAT HOUSE IS F-F-FAR, OKAY? 663 00:25:22,821 --> 00:25:26,190 FAR AWAY. 664 00:25:26,191 --> 00:25:27,958 - I LOVE IT. - THIS IS THE SEATING AREA, 665 00:25:27,959 --> 00:25:29,393 AND THIS IS THE KITCHEN. 666 00:25:29,394 --> 00:25:30,728 IT SMELLS LIKE CHICKEN, THOUGH. 667 00:25:30,729 --> 00:25:32,329 YA'LL HAVE THE BARE NECESSITIES-- 668 00:25:32,330 --> 00:25:34,064 PANCAKE MIX, SYRUP. 669 00:25:34,065 --> 00:25:35,666 - WE JUST MOVED. - WE JUST MOVED IN. 670 00:25:35,667 --> 00:25:36,934 WAIT-WAIT-WAIT-- BUT, LET-LET ME TELL YOU SOMETHIN'. 671 00:25:36,935 --> 00:25:38,836 I HAD A BAD DREAM THE FIRST NIGHT WE STAYED HERE. 672 00:25:38,837 --> 00:25:40,471 THERE WAS A DEMON CHASIN' ME. 673 00:25:43,808 --> 00:25:45,309 I COULDN'T MOVE MY MOUTH. 674 00:25:45,310 --> 00:25:46,610 I COULDN'T CALL THE NAME OF JESUS OR NOTHIN'. 675 00:25:46,611 --> 00:25:49,613 I FINALLY SAID, "NO!" 676 00:25:49,614 --> 00:25:50,648 AND THEN-- 677 00:25:52,083 --> 00:25:53,617 WAIT A MINUTE-- LISTEN, AND IT WOKE HER UP. 678 00:25:53,618 --> 00:25:54,818 YEAH-- 679 00:25:56,688 --> 00:25:58,522 ALL I HAD TO DO, WAS PRAY AND CALL ON THE BLOOD OF JESUS. 680 00:25:58,523 --> 00:26:00,024 I WAS ALL RIGHT. 681 00:26:00,025 --> 00:26:02,059 TRACI HAD A BAD DREAM. 682 00:26:02,060 --> 00:26:03,794 SHE FELT LIKE SOMEBODY WAS WATCHIN' HER ALL NIGHT. 683 00:26:03,795 --> 00:26:04,995 HERE? 684 00:26:04,996 --> 00:26:06,664 I DIDN'T HAVE A DREAM, BUT I FELT AS THOUGH PEOPLE-- 685 00:26:06,665 --> 00:26:07,698 SOMEBODY WAS WATCHING ME. 686 00:26:07,699 --> 00:26:08,799 TWO BAD DREAMS? 687 00:26:08,800 --> 00:26:10,334 TONI, I'LL SEE YA LATER, GIRL. 688 00:26:10,335 --> 00:26:11,602 WE GOTTA GET SOME SAGE. 689 00:26:11,603 --> 00:26:12,636 - BUT, WAIT A MINUTE! - NUH-UH. 690 00:26:12,637 --> 00:26:13,537 TAMAR, GET BACK OVER HERE! 691 00:26:13,538 --> 00:26:14,371 WHAT ARE YOU TALKIN' ABOUT? 692 00:26:14,372 --> 00:26:15,472 IT'S NOT NIGHTTIME. 693 00:26:15,473 --> 00:26:16,206 LET ME TELL YOU SOMETHIN'-- I DON'T PLAY THAT. 694 00:26:16,207 --> 00:26:17,107 IT'S DEFINITELY HAUNTED. 695 00:26:17,108 --> 00:26:18,208 I DON'T CARE WHAT NOBODY SAY, OKAY? 696 00:26:18,209 --> 00:26:20,277 DON'T NOBODY FEEL LIKE SOMEBODY'S WATCHING THEM 697 00:26:20,278 --> 00:26:23,681 UNLESS THEY ARE. 698 00:26:23,682 --> 00:26:25,015 SHE DON'T DO THAT. 699 00:26:25,016 --> 00:26:26,083 LET'S GO SEE THE POOL. 700 00:26:26,084 --> 00:26:27,184 PUT THE PURSE DOWN, TAMAR. 701 00:26:27,185 --> 00:26:28,218 WE'RE GONNA GO LOOK AT THE POOL. 702 00:26:28,219 --> 00:26:29,186 PUT THE PURSE DOWN-- PUT IT RIGHT HERE. 703 00:26:29,187 --> 00:26:30,254 COME ON. 704 00:26:30,255 --> 00:26:31,355 PUT YOUR PURSE RIGHT BESIDE MINE. 705 00:26:31,356 --> 00:26:32,723 LISTEN-- LET ME TELL YOU SOMETHIN'. 706 00:26:32,724 --> 00:26:33,958 GOD IS GOOD TO ME. 707 00:26:33,959 --> 00:26:34,858 I DON'T WANT NO BAD SPIRITS IN MY PURSE, GIRL, MY PURSE. 708 00:26:34,859 --> 00:26:35,893 OH, MY GOD! 709 00:26:35,894 --> 00:26:36,727 IT AIN'T GONNA JUMP IN OUR PURSE. 710 00:26:36,728 --> 00:26:37,895 IT HAS TO JUMP INTO A HUMAN BEING. 711 00:26:37,896 --> 00:26:39,229 - COME ON, GIRL. - THAT'S MESSIN' WITH MY COIN. 712 00:26:39,230 --> 00:26:40,631 TAMAR IS, OF COURSE, OVERREACTING. 713 00:26:40,632 --> 00:26:42,399 WHAT-WHAT-WHAT'S GONNA HAPPEN TO YOU? 714 00:26:42,400 --> 00:26:43,834 NOTHING-- WHAT-WHAT DO YOU MEAN? 715 00:26:43,835 --> 00:26:45,736 WE DON'T-- UH-UH. 716 00:26:45,737 --> 00:26:47,104 I MEAN, YOU JUST HAVE TO PRAY. 717 00:26:47,105 --> 00:26:48,539 I MEAN, YOU PRAY, EVERYTHING'LL BE ALL RIGHT-- 718 00:26:48,540 --> 00:26:49,607 JUST PRAY. 719 00:26:49,608 --> 00:26:51,241 ♪ I AIN'T SCARED OF NO DEMON ♪ 720 00:26:51,242 --> 00:26:52,076 ♪ NO NO ♪ 721 00:26:52,077 --> 00:26:53,944 ♪ I AIN'T SCARED OF THAT NO ♪ 722 00:26:53,945 --> 00:26:55,346 ♪ THEN YOU BETTER PRAY ♪ 723 00:26:55,347 --> 00:26:56,513 ♪ I GOT THE BLOOD OF JESUS ♪ 724 00:26:56,514 --> 00:26:57,514 ♪ NO NO ♪ 725 00:26:57,515 --> 00:26:59,183 ♪ IT'S IN MY HEART AND SOUL ♪ 726 00:26:59,184 --> 00:27:01,952 ♪ GOTTA PRAY DEMON CAN'T MESS WITH ME ♪ 727 00:27:01,953 --> 00:27:06,824 ♪ I GOT THE BLOOD OF JESUS AND I AIN'T SCARED OF NO DEMON ♪ 728 00:27:06,825 --> 00:27:10,127 ♪ NO NO PRAY YOU GOTTA PRAY ♪ 729 00:27:10,128 --> 00:27:11,695 WE'VE BEEN SINGING TOGETHER ALL OF OUR LIVES 730 00:27:11,696 --> 00:27:13,731 IT FEELS LIKE THERE'S NO REASON 731 00:27:13,732 --> 00:27:16,166 WE SHOULDN'T BE ABLE TO DO A FAMILY ALBUM. 732 00:27:16,167 --> 00:27:21,171 ♪ GOTTA PRAY GOTTA PRAY AND PROTECT THINE COIN ♪ 733 00:27:21,172 --> 00:27:23,907 IF WE ONLY COULD FIGURE OUT HOW TO NOT 734 00:27:23,908 --> 00:27:26,443 ALWAYS BE AT EACH OTHER'S THROAT. 735 00:27:26,444 --> 00:27:28,679 ♪ I GOT THE DOLLAR BILLS AND I GOT THE WORLD ♪ 736 00:27:28,680 --> 00:27:30,481 ♪ I GOT EVERYTHING THE HOLY SPIRIT ♪ 737 00:27:30,482 --> 00:27:32,883 ♪ AND I'M NOT SCARED OF NO DEMON NO ♪ 738 00:27:32,884 --> 00:27:35,654 ♪ LEAVE THAT COIN LEAVE THAT COIN ♪ 739 00:27:38,556 --> 00:27:39,957 WAIT A MINUTE, NOW-- OOO! 740 00:27:44,429 --> 00:27:45,663 COME ON, YA'LL-- SIT DOWN. 741 00:27:47,532 --> 00:27:51,368 I HAVE SOME WONDERFUL THINGS PLANNED FOR SISTER TIME. 742 00:27:51,369 --> 00:27:53,904 WHEN I WAS IN ATLANTA, I GOT A HIP BATH DONE. 743 00:27:53,905 --> 00:27:55,272 I'M TALK-- I'M TALKIN' ABOUT SOMETHIN' ELSE. 744 00:27:55,273 --> 00:27:56,440 A HIT-- THEY HIT YOU WHEN YOU'RE IN THE BATH? 745 00:27:56,441 --> 00:27:57,574 - HIP. - LIKE H-I-P. 746 00:27:57,575 --> 00:27:58,809 HIP. 747 00:27:58,810 --> 00:28:01,445 WHEN I GOT TO A SPA, I GET THE HIP BATH 748 00:28:01,446 --> 00:28:05,182 OR SOME PEOPLE MAY CALL IT THE V-STEAM. 749 00:28:05,183 --> 00:28:06,750 IT CLEANS YOUR . 750 00:28:06,751 --> 00:28:09,253 YOU SIT ON THIS THING, AND IT'S LIKE HERBS, 751 00:28:09,254 --> 00:28:11,889 AND FRUITS, AND BERRIES, AND-- - LIKE A CHAIR SIT ON IT? 752 00:28:11,890 --> 00:28:13,357 YEAH. 753 00:28:13,358 --> 00:28:16,260 ARE WE TALKIN' ABOUT, LIKE, VAGINA SPAS? 754 00:28:16,261 --> 00:28:17,695 THAT'S WHAT IT IS. 755 00:28:17,696 --> 00:28:19,129 OH, NO, BABY. 756 00:28:19,130 --> 00:28:21,031 SHE PUT SOME STUFF IN THERE, AND THE LADY SAID, 757 00:28:21,032 --> 00:28:22,199 "I PUT MAGIC IN THERE. 758 00:28:22,200 --> 00:28:23,434 "IT MAKE YOU TIGHTER." 759 00:28:23,435 --> 00:28:25,335 - NO... WHY WOULD I WANT THAT? - YES-- WHAT? 760 00:28:25,336 --> 00:28:27,538 - NOT LIKE A - NOT LIKE-- - HOW DID YOU FEEL AFTER? 761 00:28:27,539 --> 00:28:29,973 AWESOME! 762 00:28:29,974 --> 00:28:31,241 NO QUESTION. 763 00:28:31,242 --> 00:28:32,276 OKAY, BUT WE'RE GOIN'. 764 00:28:32,277 --> 00:28:33,310 WE'LL GO-- WE'RE GOING. 765 00:28:33,311 --> 00:28:34,378 - I'M GONNA GO. - I'M GOIN'. 766 00:28:34,379 --> 00:28:35,479 I'LL WATCH. 767 00:28:35,480 --> 00:28:36,613 - TAMAR IS GOIN'. - TAMAR'S GOING. 768 00:28:36,614 --> 00:28:38,082 I'M DEFINITELY TRYING TO BE A-A TEAM PLAYER, 769 00:28:38,083 --> 00:28:40,050 EVEN IF THAT MEANS HAVING, 770 00:28:40,051 --> 00:28:43,520 YOU KNOW, SOME TYPE OF VAGINA FACIAL 771 00:28:43,521 --> 00:28:47,324 THAT I DEFINITELY DON'T BELIEVE IN AND DON'T NEED. 772 00:28:47,325 --> 00:28:51,061 OKAY? 773 00:28:51,062 --> 00:28:52,663 ALL RIGHT-- IF YA'LL ARE WITH IT, 774 00:28:52,664 --> 00:28:53,697 I MEAN, I'LL DO THIS-- 775 00:28:53,698 --> 00:28:55,065 I'LL DO IT 'CAUSE Y'ALL ARE DOIN' IT. 776 00:29:12,650 --> 00:29:14,184 OUR "MARRIAGE BOOT CAMP" COUNSELORS, 777 00:29:14,185 --> 00:29:15,252 JIM AND ELIZABETH, 778 00:29:15,253 --> 00:29:18,021 HAPPEN TO BE IN L.A., SO KEVIN FLEW OUT HERE, 779 00:29:18,022 --> 00:29:20,557 SO WE HAVE ANOTHER SESSION WITH THEM. 780 00:29:20,558 --> 00:29:25,329 WE REALLY NEED TO WORK ON OUR ISSUES, RIGHT NOW. 781 00:29:25,330 --> 00:29:26,597 LET'S TALK ABOUT YOUR MUSIC, REAL QUICK. 782 00:29:26,598 --> 00:29:28,499 ARE YOU DOING ANYTHING WITH YOUR SISTERS ON SINGIN'? 783 00:29:28,500 --> 00:29:29,800 ARE YA'LL TRYING TO DO ANYTHING TOGETHER? 784 00:29:29,801 --> 00:29:31,902 WELL, WE'RE TRYING TO DO AN ALBUM. 785 00:29:31,903 --> 00:29:33,871 WE'RE LIVIN' IN THIS HOUSE... 786 00:29:36,441 --> 00:29:40,444 ...TOGETHER, AND I REALLY DIDN'T DISCUSS IT WITH MY HUSBAND. 787 00:29:40,445 --> 00:29:41,612 - OH, MY. - SO, OKAY-- 788 00:29:41,613 --> 00:29:43,981 SO, KEVIN, WHAT'S-WHAT'S GOIN' ON FOR YOU, RIGHT NOW? 789 00:29:43,982 --> 00:29:47,584 ANOTHER DECISION MADE WITHOUT MY INPUT. 790 00:29:47,585 --> 00:29:50,621 I'M FEELIN' LIKE THE SISTERS HAVE MORE INFLUENCE 791 00:29:50,622 --> 00:29:53,690 THAN I DO IN REFERENCE TO OUR HOUSE, OUR MARRIAGE, 792 00:29:53,691 --> 00:29:55,592 OUR LIFE. 793 00:29:55,593 --> 00:29:57,127 I WANNA BE THE SUPPORTIVE HUSBAND, 794 00:29:57,128 --> 00:29:58,962 BUT I JUST WANT THAT COMMUNICATION. 795 00:29:58,963 --> 00:30:00,798 I DON'T WANNA FIND OUT ON THE FLY. 796 00:30:00,799 --> 00:30:04,635 I WANNA FIND OUT BEFOREHAND. 797 00:30:04,636 --> 00:30:06,403 THINK ABOUT IT FOR JUST A MINUTE, OKAY? 798 00:30:06,404 --> 00:30:07,371 YOU MAKE A DECISION. 799 00:30:07,372 --> 00:30:08,639 YOU DON'T TELL HIM ABOUT IT. 800 00:30:08,640 --> 00:30:11,942 HE FEELS LEFT OUT, NOT IMPORTANT. 801 00:30:11,943 --> 00:30:15,312 CREATES A VOID THAT NEEDS TO BE FILLED, 802 00:30:15,313 --> 00:30:17,781 AND HE STRAYED LAST TIME. 803 00:30:17,782 --> 00:30:19,917 I GUESS I DIDN'T THINK ABOUT HOW IT MAKES KEVIN FEEL 804 00:30:19,918 --> 00:30:22,753 WHEN I LEAVE HIM OUT OF MY DECISIONS. 805 00:30:22,754 --> 00:30:24,421 IT DOESN'T EXCUSE HIS CHEATING, 806 00:30:24,422 --> 00:30:27,257 BUT I AM RESPONSIBLE FOR THIS MARRIAGE, TOO. 807 00:30:27,258 --> 00:30:28,792 ALL RIGHT-- SO, THERE'S JUST ONE PIECE 808 00:30:28,793 --> 00:30:31,829 THAT WE NEED TO JUST SORT OF GET SOME CLARITY ON. 809 00:30:31,830 --> 00:30:33,664 DURING THE LIE DETECTOR TEST, 810 00:30:33,665 --> 00:30:37,768 WE ASKED YOU ABOUT INFIDELITY IN THE RECENT PAST. 811 00:30:37,769 --> 00:30:40,938 HAVE YOU BEEN FAITHFUL TO TRACI IN RECENT MONTHS? 812 00:30:46,110 --> 00:30:50,548 NO. 813 00:30:52,784 --> 00:30:55,118 I DON'T KNOW THAT YOU PROCESSED THE FACT 814 00:30:55,119 --> 00:30:59,122 THAT WE WERE QUALIFYING IT WITH RECENT MONTHS. 815 00:30:59,123 --> 00:31:00,691 I HEARD, "HAVE YOU CHEATED?" 816 00:31:00,692 --> 00:31:02,526 IT TOOK EVERY LAST BIT OF ME NOT TO PUT MY HANDS-- 817 00:31:02,527 --> 00:31:04,394 NOT TO PUT THE PAWS ON YOU. 818 00:31:04,395 --> 00:31:05,596 I SAW YOUR FACE. 819 00:31:05,597 --> 00:31:07,097 SO, LET'S ASK-- 820 00:31:07,098 --> 00:31:10,535 HAVE YOU CHEATED ON TRACI IN THE LAST SIX MONTHS? 821 00:31:15,506 --> 00:31:18,008 COMING UP, ON "BRAXTON FAMILY VALUES"... 822 00:31:18,009 --> 00:31:20,444 WHERE ARE WE IN THE PROCESS OF THE GOSPEL ALBUM? 823 00:31:20,445 --> 00:31:22,412 WHERE ARE WE? 824 00:31:22,413 --> 00:31:24,047 WHILE OUR VAGINAS ARE EXPOSED? 825 00:31:24,048 --> 00:31:26,350 JUST FEEL LIKE, YOU KNOW, WRONG. 826 00:31:26,351 --> 00:31:27,919 I'M GETTIN' UP OUTTA HERE 'CAUSE I DON'T WANNA DO THAT. 827 00:31:30,288 --> 00:31:31,288 IT'S A PORNO SHOWER. 828 00:31:31,289 --> 00:31:32,689 - YEP. - YES. - YEAH. 829 00:31:32,690 --> 00:31:34,057 I HAVE ONE, TOO-- HALLE-LOO. 830 00:31:34,058 --> 00:31:35,459 YOU GOTTA DO THE-- YOU GOTTA PLAY PORNO MUSIC 831 00:31:35,460 --> 00:31:36,593 WHEN YOU TAKE A SHOWER. 832 00:31:36,594 --> 00:31:39,296 BOW-CHICKY-CHICKY-BOW- CHICKY-BOW-BOW-CHICKY-BOW! 833 00:31:39,297 --> 00:31:42,066 BOM-BOM-BOM-BOM- BOM-BOM-BOM! 834 00:31:43,935 --> 00:31:45,102 WAIT-- THEY DON'T DO THAT MUCH-- 835 00:31:45,103 --> 00:31:46,837 - ARE YOU KIDDING? - I DON'T KNOW. 836 00:31:47,906 --> 00:31:49,306 YOU KNOW, HARLEQUIN ROMANCE, 837 00:31:49,307 --> 00:31:51,508 THAT AIN'T FUN NO MORE, OKAY? 838 00:31:51,509 --> 00:31:52,743 YOU GOTTA TWERK ON THAT THING. 839 00:31:52,744 --> 00:31:54,378 YOU KNOW, YOU GOTTA BACK THAT UP AND, YOU KNOW, 840 00:31:54,379 --> 00:31:55,379 SHAKE IT AND STUFF. 841 00:31:55,380 --> 00:31:56,947 SHE AIN'T DOIN' NONE OF THAT. 842 00:31:56,948 --> 00:31:58,882 I NEED HER TO GET HER LIFE. 843 00:31:58,883 --> 00:32:01,886 LOOKIN' FOR LOVE IN ALL THE WRONG PLACES. 844 00:32:05,189 --> 00:32:09,059 HAVE YOU CHEATED ON TRACI IN THE LAST SIX MONTHS? 845 00:32:13,865 --> 00:32:17,701 NO, I HAVEN'T. 846 00:32:17,702 --> 00:32:22,039 - DO YOU BELIEVE HIM? - I BELIEVE YOU. 847 00:32:22,040 --> 00:32:25,142 I HAVE TO HAVE TRUST, AND I HAVE TO FORGIVE. 848 00:32:25,143 --> 00:32:27,244 I BELIEVE YOU. 849 00:32:27,245 --> 00:32:29,012 DO YOU TRUST ME? 850 00:32:29,013 --> 00:32:30,080 AND I- AND I-- 851 00:32:30,081 --> 00:32:34,385 THE-THE BETRAYAL MAKES THE TRUST LESS AND, UM... 852 00:32:41,993 --> 00:32:44,629 I APOLOGIZE THAT I DID THIS. 853 00:32:51,569 --> 00:32:54,973 I KNOW I-- I KNOW I BROUGHT THIS INTO OUR MARRIAGE. 854 00:32:56,841 --> 00:32:59,609 I MEAN, YOU SACRIFICED F ME. 855 00:32:59,610 --> 00:33:02,646 YOU SACRIFICED YOUR LIFE FOR ME. 856 00:33:02,647 --> 00:33:08,419 YOU-YOU TURNED YOUR BACK ON YOUR FAMILY FOR ME. 857 00:33:09,787 --> 00:33:14,057 I KNOW I GET ANGRY AND SAY THINGS BECAUSE I'M HURT. 858 00:33:14,058 --> 00:33:17,027 I DON'T REALLY MEAN THOSE THINGS. 859 00:33:17,028 --> 00:33:21,499 I DON'T... AND I-I FORGIVE YOU. 860 00:33:30,975 --> 00:33:32,409 DID YOU GET-- 861 00:33:32,410 --> 00:33:33,677 I'M TRYING NOT TO GET MAKEUP ON MY SHIRT. 862 00:33:37,115 --> 00:33:40,050 KEVIN AND I MADE SO MH PROGRESS TODAY, 863 00:33:40,051 --> 00:33:41,785 BUT I'M WORRIED. 864 00:33:41,786 --> 00:33:43,954 BY ME MOVIN' TO L.A. TO DO THIS ALBUM 865 00:33:43,955 --> 00:33:47,624 WITH MY SISTERS, I FEEL LIKE I'M ABANDONING MY MARRIAGE 866 00:33:47,625 --> 00:33:50,794 AT THE WRONG TIME-- I HOPE IT'S WORTH IT. 867 00:33:50,795 --> 00:33:52,396 WE'LL DO ANOTHER FOLLOW UP IN, YOU KNOW, SIX MONTHS 868 00:33:52,397 --> 00:33:53,964 OR SOMETHIN'-- SEE WHERE YOU'RE AT, OKAY? 869 00:33:53,965 --> 00:33:55,132 - YEAH-YEAH. - OKAY. 870 00:33:55,133 --> 00:33:57,168 THANK YOU SO MUCH. 871 00:34:18,389 --> 00:34:20,557 - HI-- WELCOME. - HOW ARE YOU? 872 00:34:20,558 --> 00:34:22,126 WE'RE HERE TO GET THE, UM... 873 00:34:23,761 --> 00:34:25,729 - WHAT? - WHAT'S THAT FIRST THOUGH? 874 00:34:25,730 --> 00:34:27,264 - THE V-STEAM. - THE V-STEAM, YES. 875 00:34:27,265 --> 00:34:28,999 THIS IS A COLD PRESS OIL DIFFUSER. 876 00:34:29,000 --> 00:34:30,133 WHAT'S THAT DO? 877 00:34:30,134 --> 00:34:31,568 IS THAT LIKE THE-- IS THAT WHAT WE'RE GONNA GET? 878 00:34:31,569 --> 00:34:33,403 SO, IT'S LIKE THIS, AND WE'RE SITTING ON IT, 879 00:34:33,404 --> 00:34:36,239 AND THE STEAM COMES THROUGH. - YES, THAT'S EXACTLY IT. 880 00:34:36,240 --> 00:34:39,276 I HONESTLY CAN'T BELIEVE THAT I TALKED MY SISTERS 881 00:34:39,277 --> 00:34:42,279 INTO DOING THIS, BUT I'M REALLY HAPPY 882 00:34:42,280 --> 00:34:44,581 THAT WE'RE DOING SOMETHIN' FUN, FINALLY, 883 00:34:44,582 --> 00:34:46,450 TOGETHER AS SISTERS. 884 00:34:46,451 --> 00:34:49,920 I HAD HEARD THAT IT HELPS YOU HAVE A O. 885 00:34:49,921 --> 00:34:50,987 IS THAT THE TRUTH? 886 00:34:50,988 --> 00:34:54,157 IT DOES HELP A LOT WITH YOUR SEX LIFE. 887 00:34:54,158 --> 00:34:57,260 - HMM. - OH, OKAY. 888 00:34:57,261 --> 00:34:58,962 OKAY, WHERE DO WE CHANGE-- WE'RE EAGER. 889 00:34:58,963 --> 00:35:00,331 YOU EXCITED, TONI? 890 00:35:04,602 --> 00:35:07,904 THAT'S ALL. 891 00:35:07,905 --> 00:35:10,574 THIS WAY, LADIES. 892 00:35:10,575 --> 00:35:12,542 OKAY, FOR THE RECORD, SHE'S ONLY HERE 893 00:35:12,543 --> 00:35:14,010 'CAUSE SHE'S A TEAM PLAYER, 894 00:35:14,011 --> 00:35:15,846 BECAUSE AT THIS POINT, 895 00:35:15,847 --> 00:35:20,083 HER PURSE IS LIKE AN OVEN, VERY SELF-CLEANING. 896 00:35:20,084 --> 00:35:22,586 FOLLOW ME THIS WAY. 897 00:35:22,587 --> 00:35:24,454 WHEN THE GIRLS AND I COME OUT OF THE DRESSING ROOM 898 00:35:24,455 --> 00:35:28,191 IN THE SPA, WE'RE IN THESE LONG DRESSES 899 00:35:28,192 --> 00:35:29,826 THAT REMINDS US OF THE GOSPEL ROBES 900 00:35:29,827 --> 00:35:31,394 WE USED TO WEAR IN CHURCH. 901 00:35:38,035 --> 00:35:40,070 SO, WE START SINGING GOSPEL SONGS AND ACTING LIKE 902 00:35:40,071 --> 00:35:41,705 WE'RE GOING DOWN THE CHOIR LINE. 903 00:35:41,706 --> 00:35:43,140 IT'S ACTUALLY PRETTY FUN. 904 00:35:49,947 --> 00:35:51,548 BUT, IT REALLY DOES MAKE ME EXCITED 905 00:35:51,549 --> 00:35:53,416 ABOUT WORKIN' ON THE GOSPEL ALBUM. 906 00:35:53,417 --> 00:35:56,753 HOLD UP-- THERE'S TOO MUCH EUCALYPTUS IN HERE. 907 00:35:56,754 --> 00:35:58,688 ACTUALLY HAVING FUN FOR THE FIRST TIME 908 00:35:58,689 --> 00:36:00,223 IN A LONG WHILE. 909 00:36:00,224 --> 00:36:02,392 - MY BUTT'S OUT. - MY BUTT'S OUT, TOO. 910 00:36:02,393 --> 00:36:05,295 I FEEL REAL UNCOMFORTABLE. - IT'S SUPPOSED TO BE. 911 00:36:05,296 --> 00:36:07,197 IT'S REAL WRONG, THOUGH. 912 00:36:07,198 --> 00:36:08,632 I FEEL LIKE I'M FITTIN' TO TAKE A POO. 913 00:36:08,633 --> 00:36:10,333 THIS IS REAL INVASIVE AND INTRUSIVE. 914 00:36:10,334 --> 00:36:14,004 TONI, SIT DOWN YOUR LITTLE BOOTY. 915 00:36:14,005 --> 00:36:15,305 I DIDN'T REALLY LIKE THE STEAM. 916 00:36:15,306 --> 00:36:17,541 IT'S NOT WHAT I EXPECTED. 917 00:36:17,542 --> 00:36:23,079 IT MADE ME FEEL LIKE I WAS-- I WAS ON THE TOILET. 918 00:36:23,080 --> 00:36:25,215 I MEAN, I'M WILLING TO TRY IT, 919 00:36:25,216 --> 00:36:28,385 BUT, YOU KNOW, IT HAS ME JUST A LITTLE... 920 00:36:28,386 --> 00:36:29,886 JUST A LITTLE LEARY ABOUT WHAT IT'S ACTUALLY 921 00:36:29,887 --> 00:36:33,390 DOING DOWN THERE. 922 00:36:33,391 --> 00:36:35,192 NOTHIN' WRONG WITH MY YANG. 923 00:36:35,193 --> 00:36:36,760 TOWANDA, THIS IS ABSOLUTELY DISGUSTING. 924 00:36:36,761 --> 00:36:38,094 IT IS NOT. 925 00:36:38,095 --> 00:36:39,462 I DON'T WANNA FEEL EUCALYPTUS. 926 00:36:39,463 --> 00:36:41,431 THE MINUTE I FEEL EUCALYPTUS OR LICORICE, 927 00:36:41,432 --> 00:36:44,467 I'M GETTIN' UP OUTTA HERE 'CAUSE I'M NOT HAVIN' FIRE SHOW UP IN MY BONES, 928 00:36:44,468 --> 00:36:47,804 ONLY THE HOLY GHOST, NOT THE COOTCHIE GHOST. 929 00:36:47,805 --> 00:36:49,072 THIS IS THE STEAM, 930 00:36:49,073 --> 00:36:50,941 AND THIS IS THE INFRARED LIGHT DOWN HERE. 931 00:36:50,942 --> 00:36:52,275 OKAY. 932 00:36:52,276 --> 00:36:53,843 BUT, I FEEL IT MORE IN MY-- 933 00:36:53,844 --> 00:36:56,112 - BOOTY. - IN HOLE TWO. 934 00:36:56,113 --> 00:36:58,548 BUT, THAT HELPS FOR YOU TO GO TO THE BATHROOM. 935 00:36:58,549 --> 00:37:00,250 MMM-HMM. 936 00:37:00,251 --> 00:37:01,585 AM I SUPPOSED TO FEEL IN MY NUM-- 937 00:37:01,586 --> 00:37:02,886 YOU FEEL IT IN ALL YOUR HOLES. 938 00:37:02,887 --> 00:37:04,120 YES. 939 00:37:04,121 --> 00:37:05,789 JUST FEEL LIKE, YOU KNOW, WRONG. 940 00:37:05,790 --> 00:37:08,692 IT'S LIKE YOU'RE SITTIN' ON A TOILET 941 00:37:08,693 --> 00:37:10,760 IN FRONT OF YOUR SISTERS, HAVIN' A CONVERSATION. 942 00:37:10,761 --> 00:37:11,861 LIKE, THAT'S FREAKY. 943 00:37:11,862 --> 00:37:13,363 THAT'S NASTY, M'KAY? 944 00:37:13,364 --> 00:37:14,598 I DON'T WANNA DO THAT. 945 00:37:14,599 --> 00:37:16,233 YOU CAN BE ON THE PHONE BY YOURSELF ON THE TOILET 946 00:37:16,234 --> 00:37:17,834 AND NOBODY KNOW, BUT YOU CAN'T BE AROUND EVERYBODY 947 00:37:17,835 --> 00:37:19,703 HAVIN' A CONVERSATION. 948 00:37:19,704 --> 00:37:20,937 I JUST GAVE MYSELF AWAY, I THINK, 949 00:37:20,938 --> 00:37:23,573 BUT I'M JUST SAYIN' EVERYBODY DO IT. 950 00:37:23,574 --> 00:37:26,543 WHERE ARE WE IN THE PROCESS OF THE GOSPEL ALBUM? 951 00:37:26,544 --> 00:37:28,111 WHERE ARE WE? 952 00:37:28,112 --> 00:37:29,714 WHILE OUR VAGINAS ARE EXPOSED? 953 00:37:33,484 --> 00:37:36,419 COMING UP, ON "BRAXTON FAMILY VALUES"... 954 00:37:36,420 --> 00:37:37,921 WE DO IT INDEPENDENT-- WE DO IT OUR WAY. 955 00:37:37,922 --> 00:37:39,823 WE GOT NOBODY TELLIN' US WHAT THEY THINK. 956 00:37:39,824 --> 00:37:41,057 I DISAGREE. 957 00:37:41,058 --> 00:37:43,126 WE NEED THE SUPPORT OF A BIGGER COMPANY. 958 00:37:43,127 --> 00:37:45,395 IF THE LABEL DOES NOT BELIEVE 959 00:37:45,396 --> 00:37:46,863 IN WHAT YOU'RE PUTTING OUT, 960 00:37:46,864 --> 00:37:48,531 THEY ARE NOT GOING TO SUPPORT IT. 961 00:37:48,532 --> 00:37:51,134 I CAN'T DO ANYTHING INDEPENDENT. 962 00:37:51,135 --> 00:37:52,269 WE KINDA KNOW THAT-- WE KNOW THAT. 963 00:37:52,270 --> 00:37:53,404 - I THINK IT'LL BE EASIER. - IT'S NOT. 964 00:37:56,841 --> 00:38:00,243 WHERE ARE WE IN THE PROCESS OF THE GOSPEL ALBUM? 965 00:38:00,244 --> 00:38:01,244 WHERE ARE WE? 966 00:38:01,245 --> 00:38:02,812 WHILE OUR VAGINAS ARE EXPOSED? 967 00:38:02,813 --> 00:38:03,947 - YEAH. - THAT'S THE CONVERSATION? 968 00:38:03,948 --> 00:38:05,315 - YEAH. - OKAY-OKAY. 969 00:38:05,316 --> 00:38:07,517 HOWEVER THE LORD LEADS. 970 00:38:07,518 --> 00:38:08,551 WELL? 971 00:38:08,552 --> 00:38:10,353 IT DOES SEEM A BIT STAGNANT. 972 00:38:10,354 --> 00:38:12,722 IT'S LIKE WE'RE-- TALKING ABOUT MAKING MOVES, 973 00:38:12,723 --> 00:38:14,724 COMING HERE AND STAYING HERE TO WORK ON THE ALBUM 974 00:38:14,725 --> 00:38:16,793 AND NO ONE KNOWS WHERE WE ARE. 975 00:38:16,794 --> 00:38:18,329 I DON'T REALLY KNOW WHERE WE ARE WITH THE RECORD. 976 00:38:21,766 --> 00:38:25,835 IF ANYBODY ASKS, WHAT WE NEED A RECORD LABEL FOR? 977 00:38:25,836 --> 00:38:26,836 WHAT DO YOU MEAN-- WHAT DO WE NEED- 978 00:38:26,837 --> 00:38:27,937 WE'RE GONNA PUT IT OUT OURSELVES INDEPENDENT? 979 00:38:27,938 --> 00:38:29,105 I WOULD DO IT INDEPENDENT. 980 00:38:29,106 --> 00:38:30,441 I DISAGREE. 981 00:38:32,810 --> 00:38:34,244 FIRST OF ALL, THERE'S FIVE OF US. 982 00:38:34,245 --> 00:38:36,813 IT'S A DIFFERENT AND BETTER RETURN, RIGHT? 983 00:38:36,814 --> 00:38:38,815 SO, WE DO IT INDEPENDENT. 984 00:38:38,816 --> 00:38:39,916 WE DO IT OUR WAY. 985 00:38:39,917 --> 00:38:41,518 WE AIN'T GOT NOBODY TELLIN' US WHAT THEY THINK. 986 00:38:41,519 --> 00:38:42,619 WE WOULD NOT HAVE THAT PROBLEM. 987 00:38:42,620 --> 00:38:45,021 WE NEED THE SUPPORT OF-OF-OF BIGGER COMPANY. 988 00:38:45,022 --> 00:38:46,656 PRODUCING AN ALBUM INDEPENDENTLY 989 00:38:46,657 --> 00:38:48,358 IS THE SPIDEST IDEA I'VE EVER HEARD, 990 00:38:48,359 --> 00:38:50,360 AT THIS STAGE, WITH FIVE GIRLS. 991 00:38:50,361 --> 00:38:51,695 IT'S TOO EXPENSIVE. 992 00:38:51,696 --> 00:38:53,830 THAT WOULD BE $400,000 TO MAKE IT HAPPEN. 993 00:38:53,831 --> 00:38:56,032 PLUS, TO MOVE THIS GROUP IS EXPENSIVE. 994 00:38:56,033 --> 00:38:58,768 IT'S $80,000 BETWEEN FLIGHTS, HOTEL, ACCOMMODATIONS. 995 00:38:58,769 --> 00:39:00,203 THAT'S WHY YOU HAVE A RECORD COMPANY. 996 00:39:00,204 --> 00:39:01,738 THEY MAKE THE INITIAL INVESTMENT, 997 00:39:01,739 --> 00:39:04,708 AND IT WORKS BETTER FOR EVERYONE. 998 00:39:04,709 --> 00:39:07,077 - I THINK IT'LL BE EASIER. - IT'S NOT. 999 00:39:07,078 --> 00:39:09,079 IF THE LABEL DOES NOT BELIEVE 1000 00:39:09,080 --> 00:39:10,680 IN WHAT YOU'RE PUTTING OUT, 1001 00:39:10,681 --> 00:39:13,616 THEY ARE NOT GOING TO SUPPORT IT, M'KAY? 1002 00:39:13,617 --> 00:39:16,453 I'VE HAD FIVE RECORD DEALS. 1003 00:39:16,454 --> 00:39:18,688 KINDA KNOW WHAT I'M TALKIN' ABOUT WHEN IT COMES TO THIS. 1004 00:39:18,689 --> 00:39:20,690 IF WE PUT OUT AN ALBUM INDEPENDENTLY, 1005 00:39:20,691 --> 00:39:21,858 WE MAKE ALL THE MONEY, 1006 00:39:21,859 --> 00:39:23,626 AND WE HAVE CREATIVE CONTROL, 1007 00:39:23,627 --> 00:39:25,862 BUT WE'D ALSO HAVE TO PAY THE EXPENSES UP FRONT, 1008 00:39:25,863 --> 00:39:28,431 AND I WENT THE INDEPENDENT ROUTE WITH MY SINGLES, 1009 00:39:28,432 --> 00:39:30,900 AND IT SET ME BACK QUITE A BIT. 1010 00:39:30,901 --> 00:39:33,269 SO, I WOULD DEFINITELY RATHER BE BACKED 1011 00:39:33,270 --> 00:39:35,004 BY A MAJOR LABEL. 1012 00:39:35,005 --> 00:39:36,306 EVERYBODY HAS TO COME OUT OF THEIR POCKETS 1013 00:39:36,307 --> 00:39:37,507 TO MAKE IT, THEN. 1014 00:39:37,508 --> 00:39:38,641 WHAT YOU MEAN? 1015 00:39:38,642 --> 00:39:39,909 EVERYBODY HAS TO CONTRIBUTE MONEY TO DO THE ALBUM. 1016 00:39:39,910 --> 00:39:41,945 YEAH, BUT THE RETURN, LIKE, IT'S LIKE AN INVESTMENT, 1017 00:39:41,946 --> 00:39:43,513 A GOOD INVESTMENT. 1018 00:39:43,514 --> 00:39:45,248 WHEN PEOPLE SAY INDEPENDENT, THEY FEEL LIKE YOU'RE DOING 1019 00:39:45,249 --> 00:39:47,117 THE WORK ALL YOURSELF-- THAT'S NOT HOW THAT GOES. 1020 00:39:47,118 --> 00:39:48,218 I KNOW THAT. 1021 00:39:48,219 --> 00:39:49,719 NO, I-- I KNOW THAT, BUT I'M JUST SAYIN'. 1022 00:39:49,720 --> 00:39:51,821 YOU HIRE-- YOU HIRE REALLY GOOD PEOPLE 1023 00:39:51,822 --> 00:39:53,690 THAT CAN REALLY MAKE THINGS HAPPEN, 1024 00:39:53,691 --> 00:39:56,459 MAKE A PHENOMENAL RECORD, AND THEY WORK IT 1025 00:39:56,460 --> 00:39:59,696 AND THE RETURN IS COIN-WORTHY, YOU KNOW. 1026 00:39:59,697 --> 00:40:01,765 I THINK IT HAS IT'S PROS AND CONS. 1027 00:40:01,766 --> 00:40:04,868 I-- I WOULD-- I WOULD DO IT INDEPENDENT. 1028 00:40:04,869 --> 00:40:06,569 THERE ARE NO CONS. 1029 00:40:06,570 --> 00:40:08,371 YOU KNOW, YOU STILL GOTTA GET UP AND DO THE WORK. 1030 00:40:08,372 --> 00:40:09,572 YOU STILL HAVE TO PROMOTE IT. 1031 00:40:09,573 --> 00:40:11,508 THERE-- WHAT ARE THE CONS? 1032 00:40:11,509 --> 00:40:12,876 THERE IS NO CONS. 1033 00:40:12,877 --> 00:40:15,211 IT'S COINS-- IT'S PROS AND COINS 1034 00:40:15,212 --> 00:40:17,415 PUTTIN' OUT AN INDEPENDENT RECORD. 1035 00:40:19,316 --> 00:40:20,884 BUT THE THING IS, WHAT ABOUT GETTING 1036 00:40:20,885 --> 00:40:22,719 THESE WONDERFUL PRODUCERS? 1037 00:40:22,720 --> 00:40:24,087 BECAUSE THEY'RE GONNA BE EXPENSIVE. 1038 00:40:24,088 --> 00:40:27,056 IT'S A DIFFERENT-- IT'S A DIFFERENT COIN NOWADAYS. 1039 00:40:27,057 --> 00:40:29,859 AND IT'S A DIFFERENT COIN WHEN YOU'RE INDEPENDENT. 1040 00:40:29,860 --> 00:40:32,295 I CAN'T DO ANYTHING INDEPENDENT. 1041 00:40:32,296 --> 00:40:36,766 I'M SIGNED TO MOTOWN, EXCLUSIVELY. 1042 00:40:36,767 --> 00:40:39,135 IT'S NOT AN OPTION. 1043 00:40:39,136 --> 00:40:42,672 WHY ARE WE EVEN DEBATING IF WE CAN DO THIS ALBUM INDEPENDENTLY OR NOT? 1044 00:40:42,673 --> 00:40:45,341 IF TONI CAN ONLY WORK WITH HER LABEL MOTOWN, 1045 00:40:45,342 --> 00:40:48,144 THAT MEANS WE HAVE TO GET A DEAL WITH MOTOWN. 1046 00:40:48,145 --> 00:40:54,250 WE CAN DEFINITELY DO SOMETHING OUTSIDE OF JUST TONI BRAXTON, INDEPENDENT. 1047 00:40:54,251 --> 00:40:56,152 BECAUSE I CAN. - I CAN'T-- WELL THAT'S YOUR CONTRACT. 1048 00:40:56,153 --> 00:40:58,254 - WELL HOW IS THAT-- HOW'S-- - I CAN'T DO THAT. 1049 00:40:58,255 --> 00:41:00,790 I AM EXCLUSIVELY SIGNED TO MOTOWN. 1050 00:41:00,791 --> 00:41:02,292 EXCLUSIVELY. 1051 00:41:02,293 --> 00:41:04,794 I AM TOTALLY COMMITTED TO DOING THIS FAMILY ALBUM, 1052 00:41:04,795 --> 00:41:07,230 AND EVEN THOUGH MY CONTRACT WITH MY LABEL SAYS 1053 00:41:07,231 --> 00:41:08,998 I NEED TO BE EXCLUSIVE WITH THEM, 1054 00:41:08,999 --> 00:41:11,234 IT DOESN'T MEAN WE CAN'T FIGURE THIS THING OUT. 1055 00:41:11,235 --> 00:41:14,204 UM, SO... ALL RIGHT, Y'ALL. 1056 00:41:14,205 --> 00:41:17,340 I THINK I'M-- I'M DONE. 1057 00:41:17,341 --> 00:41:18,475 YOU AIN'T EN ON THAT LONG ENOUGH. 1058 00:41:18,476 --> 00:41:19,709 YES, I HAVE. 1059 00:41:19,710 --> 00:41:23,313 MY ASS IS HOT, AND I DON'T MEAN IN A GOOD WAY. 1060 00:41:23,314 --> 00:41:25,215 I'M LEAVIN' THE V-STEAM 1061 00:41:25,216 --> 00:41:27,484 BECAUSE AIN'T NOBODY GOT TIME FOR THAT. 1062 00:41:27,485 --> 00:41:30,620 I MEAN, I SURE THE HELL HOPE EVERYBODY DIDN'T COME OUT HERE FOR NOTHIN'. 1063 00:41:30,621 --> 00:41:32,655 I JUST CAN'T WAIT 'TIL YOU GET THAT LITTLE ORGASM 1064 00:41:32,656 --> 00:41:34,224 AFTER YOU GOT ALL THIS. - IT'S NOT TIME, TAMAR. 1065 00:41:34,225 --> 00:41:36,826 IT IS-- I DON'T WANT A FRIED ASS. 1066 00:41:36,827 --> 00:41:38,928 WHY DOES SHE KEEP LEAVIN' SO EARLY? 1067 00:41:38,929 --> 00:41:40,430 SHE ALWAYS LEAVES. 1068 00:41:42,366 --> 00:41:46,769 I ALREADY KNOW THAT ONCE WE GET IN THE STUDIO... 1069 00:41:46,770 --> 00:41:49,706 THIS IS HOW TAMAR'S GOING TO BE-- MMM-HMM-- 1070 00:41:49,707 --> 00:41:53,343 BOSSY, CONTROLLIN'... 1071 00:41:53,344 --> 00:41:55,813 E, ALL OF THE ABOVE-- THAT'S WHAT'S GONNA HAPPEN. 80103

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