All language subtitles for Braxton.Family.Values.S04E01.Bright.Lights.Big.Breakdowns.1080p.ROKU.WEB-DL.AAC2.0.H.264-FFG_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,468 --> 00:00:01,567 YA'AL 2 00:00:01,568 --> 00:00:01,600 YA'AL GIVE 3 00:00:01,601 --> 00:00:01,667 YA'AL GIVE IT 4 00:00:01,668 --> 00:00:01,734 YA'AL GIVE IT UP 5 00:00:01,735 --> 00:00:02,768 YA'AL GIVE IT UP FOR 6 00:00:02,769 --> 00:00:03,235 YA'AL GIVE IT UP FOR TAMAR! 7 00:00:03,236 --> 00:00:05,571 - YA'AL G- TRINA!P FOR TAMAR! - TOWANDA! 8 00:00:05,572 --> 00:00:09,541 - TRACI! - TONI BRAXTON! 9 00:00:12,512 --> 00:00:15,247 I LOVE YOU! 10 00:00:15,248 --> 00:00:17,716 LAST SEASON OF "BRAXTON FAMILY VALUES," 11 00:00:17,717 --> 00:00:21,854 THE DRAMA RAINED DOWN. 12 00:00:21,855 --> 00:00:24,623 WE STRUGGLED WITH INFIDELITY AND DIVORCE. 13 00:00:24,624 --> 00:00:28,127 I DON'T HAVE NO BABY. 14 00:00:28,128 --> 00:00:29,995 I'M STILL IN THE DENIAL STAGE. 15 00:00:29,996 --> 00:00:31,397 I DON'T WANT A DIVORCE. 16 00:00:31,398 --> 00:00:34,466 I'M NOT READY TO DO THIS. 17 00:00:34,467 --> 00:00:36,502 AND WHEN IT CAME TO WORKING TOGETHER, 18 00:00:36,503 --> 00:00:38,270 WE CLASHED HARD. 19 00:00:38,271 --> 00:00:40,005 I DON'T THINK TOWANDA WILL EVER FORGIVE TRINA 20 00:00:40,006 --> 00:00:41,607 FOR LOSING A MILLION DOLLARS. 21 00:00:41,608 --> 00:00:42,875 DIDN'T SHE SAY WE DIDN'T DELIBERATE? 22 00:00:42,876 --> 00:00:43,909 - WAIT-- WAIT-- - FIRST, SHE SAID 23 00:00:43,910 --> 00:00:45,110 WE DIDN'T DELIBERATE, NOW. - LET ME CLARIFY-- 24 00:00:45,111 --> 00:00:47,513 LET ME CLARIFY. 25 00:00:47,514 --> 00:00:49,782 BUT MY SISTERS WAS THERE AND Y'ALL JUST STOOD THERE. 26 00:00:49,783 --> 00:00:50,883 - NO. - NO. 27 00:00:50,884 --> 00:00:52,251 YOU DON'T THINK IF MY BUTT'S HANGING OUT, 28 00:00:52,252 --> 00:00:54,586 YOU SHOULD MAYBE FIX IT. 29 00:00:54,587 --> 00:00:55,687 YOU'RE LATE. 30 00:00:55,688 --> 00:00:57,356 THIS IS TOWANDA'S REHEARSAL-- TOWANDA. 31 00:00:57,357 --> 00:00:59,058 I'M SORRY-- I HAD TO LET MY SISTER HAVE IT BECAUSE, YOU KNOW-- 32 00:00:59,059 --> 00:01:00,159 YOU'RE NOT GONNA LET ME HAVE IT, HONEY. 33 00:01:00,160 --> 00:01:02,895 I'M GONNA READ YOU WHEN IT'S RIGHT, GIRL. 34 00:01:02,896 --> 00:01:06,498 IT WAS ALSO A YEAR WHERE WE TOOK THE WORLD BY STORM. 35 00:01:06,499 --> 00:01:10,836 I HAVE BEEN NOMINATED FOR THREE AMAZING, GRAMMY AWARDS. 36 00:01:13,039 --> 00:01:15,441 TO THE BEST-LOOKING 40-YEAR-OLD 37 00:01:15,442 --> 00:01:18,677 I'VE EVER MET IN MY LIFE-- HEY! 38 00:01:18,678 --> 00:01:20,946 I DON'T KNOW WHAT I WAS THINKING ABOUT, RETIRING, HUH? 39 00:01:20,947 --> 00:01:22,414 WHAT'S THAT ABOUT? 40 00:01:22,415 --> 00:01:25,350 HERE ARE OUR BAR CHIX. 41 00:01:25,351 --> 00:01:28,153 BUT WE COULD NOT FIND HARMONY. 42 00:01:28,154 --> 00:01:30,923 I DON'T KNOW WHAT I DID TO ANYBODY TO NOT EVEN GET 43 00:01:30,924 --> 00:01:34,560 A "CONGRATULATIONS... BITCH," AT THE END. 44 00:01:34,561 --> 00:01:36,061 IF THAT'S HOW YOU FEEL. 45 00:01:36,062 --> 00:01:38,564 - YOU NEED TO BE RESPONSIBLE-- - I CAN BE RESPONSIBLE-- 46 00:01:38,565 --> 00:01:40,365 I CAN HELP OUT. - NO-NO-NO. 47 00:01:40,366 --> 00:01:41,667 BUT I CAN'T BE-- 48 00:01:41,668 --> 00:01:44,503 I CAN'T HELP IT I'M SKINNY AND YOU'RE NOT. 49 00:01:44,504 --> 00:01:48,340 AND TAMAR AND TOWANDA'S FEUD GREW OUT OF CONTROL. 50 00:01:48,341 --> 00:01:50,342 BECAUSE YOU'RE MEAN AND YOU'RE HATEFUL. 51 00:01:50,343 --> 00:01:51,410 I'M MEAN-- YOU'RE THE MEAN GIRL. 52 00:01:51,411 --> 00:01:52,578 HOW AM I-- HOW AM I THE MEAN GIRL? 53 00:01:52,579 --> 00:01:54,580 - ARE YOU SERIOUS? - I CAN SHOW YOU, . 54 00:01:54,581 --> 00:01:56,049 SOMETIMES, IT'S JUST TOO MUCH. 55 00:01:58,118 --> 00:02:01,553 SINCE THEN, THERE HAVE BEEN MORE SHOCKING REVELATIONS. 56 00:02:01,554 --> 00:02:05,824 HAVE YOU BEEN FAITHFUL TO TRACI IN RECENT MONTHS? 57 00:02:05,825 --> 00:02:07,559 NO. 58 00:02:09,796 --> 00:02:13,732 AND OUR LIFE-LONG DREAM OF FINALLY DOING A BRAXTON ALBUM... 59 00:02:13,733 --> 00:02:15,634 I WANT YOU TO SIGN SOMETHING RIGHT HERE, RIGHT NOW. 60 00:02:15,635 --> 00:02:18,303 ...IS BECOMING A NIGHTMARE. 61 00:02:18,304 --> 00:02:22,274 IT'S BEEN BULL FOR AT LEAST ALMOST TWO YEARS! 62 00:02:22,275 --> 00:02:24,776 - I WILL BE PRESSING CHARGES. - OH, OH, OH, OH, OH! 63 00:02:24,777 --> 00:02:26,478 YOU JUST SAID-- YOU JUST-- 64 00:02:26,479 --> 00:02:30,382 AND NOW, OUR FAMILY FACES A TOTAL MELTDOWN. 65 00:02:30,383 --> 00:02:31,783 I'M SICK OF THE SHADE-- I'M SICK OF THE SHADE! 66 00:02:31,784 --> 00:02:33,619 - AMEN. - I-I AM! 67 00:02:33,620 --> 00:02:35,354 PLEASE STOP TRACI FROM TRYING TO BEAT ME UP 68 00:02:35,355 --> 00:02:36,889 LIKE SHE ALWAYS DO! 69 00:02:36,890 --> 00:02:38,390 CAN YOU PLEASE TELL THE TRUTH FOR ONCE? 70 00:02:38,391 --> 00:02:40,259 WHY IS IT ALWAYS ABOUT FEELINGS ALL THE TIME? 71 00:02:40,260 --> 00:02:43,896 NOBODY EVER CARED ABOUT HOW TOWANDA FEELS! 72 00:02:43,897 --> 00:02:45,764 NOBODY CARES! 73 00:02:45,765 --> 00:02:47,466 EW, I'M SO MAD! 74 00:02:47,467 --> 00:02:51,537 WILL WE PULL IT TOGETHER, BEFORE WE FALL COMPLETELY APART? 75 00:02:51,538 --> 00:02:53,772 - COME ON BACK. - I DON'T CARE! 76 00:02:53,773 --> 00:02:57,476 NOBODY CARES ABOUT ME! 77 00:02:57,477 --> 00:02:58,577 NO, NO. 78 00:02:58,578 --> 00:02:59,745 TOWANDA WAS DISRESPECTING 79 00:02:59,746 --> 00:03:01,413 - NO. - GROW THE UP. 80 00:03:01,414 --> 00:03:02,915 - IT'S WHAT IT IS! - YOU'RE A LIAR. 81 00:03:02,916 --> 00:03:04,650 I DON'T PLAY. 82 00:03:04,651 --> 00:03:09,055 THIS IS MY LAST SCENE AND SEASON. 83 00:03:10,123 --> 00:03:13,125 ♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪ 84 00:03:13,126 --> 00:03:16,929 ♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪ 85 00:03:16,930 --> 00:03:20,732 ♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪ 86 00:03:20,733 --> 00:03:23,335 ♪ WILL TEACH YOU A THING OR TWO ♪ 87 00:03:23,336 --> 00:03:28,540 ♪ ON BRAXTON FAMILY VALUES ♪ 88 00:03:40,453 --> 00:03:41,987 HEY, TRACI BRAXTON, TRINA AND TOWANDA. 89 00:03:41,988 --> 00:03:42,821 - HEY. - HEY. 90 00:03:42,822 --> 00:03:44,423 - HAPPY BIRTHDAY, GIRL. - HI. 91 00:03:44,424 --> 00:03:47,826 - MISS FABULOUS. - HEY, DADDY. 92 00:03:47,827 --> 00:03:49,561 WE'RE ALL IN NEW YORK 93 00:03:49,562 --> 00:03:52,297 BECAUSE TONI IS PERFORMING ON BROADWAY AGAIN. 94 00:03:52,298 --> 00:03:54,366 AND TODAY IS TAMAR'S BIRTHDAY! 95 00:03:54,367 --> 00:03:55,834 DON'T YOU LOVE YOUR BIRTHDAY? 96 00:03:55,835 --> 00:03:57,302 LIKE, IT'S SO ALL ABOUT ME. 97 00:03:57,303 --> 00:04:02,441 I WOULD BE SO MAD IF, LIKE, MY BIRTHDAY WAS CHRISTMAS, 98 00:04:02,442 --> 00:04:04,543 'CAUSE EVERYBODY GETS GIFTS. 99 00:04:04,544 --> 00:04:08,247 LIKE, I'M SO EXCITED TO SEE WHAT I'M GONNA GET. 100 00:04:08,248 --> 00:04:09,681 VINCE IS PLANNING THE DINNER LATER ON TONIGHT 101 00:04:09,682 --> 00:04:11,416 WITH SOME FRIENDS AND MY FAMILY, 102 00:04:11,417 --> 00:04:14,553 BUT, FIRST, I WANTED TO GET SOME BIRTHDAY DRINKS 103 00:04:14,554 --> 00:04:16,655 WITH MY SISTERS AND MY DADDY. 104 00:04:16,656 --> 00:04:18,890 I AM DISAPPOINTED THAT TONI'S NOT HERE. 105 00:04:18,891 --> 00:04:22,327 BUT, WE'LL ALL BE TOGETHER LATER ON TONIGHT FOR DINNER. 106 00:04:22,328 --> 00:04:23,929 WHERE ARE MY GIFTS? 107 00:04:23,930 --> 00:04:25,664 WE'RE HERE. 108 00:04:25,665 --> 00:04:26,898 Y'ALL DIDN'T BRING ME NO GIFT BAGS. 109 00:04:26,899 --> 00:04:27,933 NO. 110 00:04:27,934 --> 00:04:29,668 Y'ALL SUPPOSED TO GIVE ME GIFTS. 111 00:04:29,669 --> 00:04:31,069 NO. 112 00:04:31,070 --> 00:04:32,304 DON'T I GIVE Y'ALL SOME? 113 00:04:32,305 --> 00:04:33,438 - NO. - NO. 114 00:04:33,439 --> 00:04:34,273 - NO. - WHAT'D YOU GIVE ME FOR MY BIRTHDAY? 115 00:04:34,274 --> 00:04:35,507 I GIVE OUT GOOD BIRTHDAY GIFTS. 116 00:04:35,508 --> 00:04:36,375 - OKAY, YOU DIDN'T THIS YEAR. - YOU DIDN'T LAST YEAR. 117 00:04:36,376 --> 00:04:37,476 - THAT'S NOT TRUE. - YOU DIDN'T. 118 00:04:37,477 --> 00:04:40,345 WELL, TAMAR, HOW OLD ARE YOU ON YOUR BIRTHDAY? 119 00:04:40,346 --> 00:04:41,947 37. 120 00:04:41,948 --> 00:04:43,081 OKAY, FIRST AND FOREMOST, 121 00:04:43,082 --> 00:04:46,485 I DON'T KNOW HOW MANY 37 YEAR-OLDS LOOK LIKE THIS? 122 00:04:46,486 --> 00:04:50,389 I CAN ONLY THINK OF ONE AND THAT'S ME! 123 00:04:50,390 --> 00:04:52,691 GET THIS, GET THIS. 124 00:04:52,692 --> 00:04:55,027 - LOOK, HIS HAIR LOOKS LIKE-- - LOGAN'S. 125 00:04:55,028 --> 00:04:57,062 HE'S LIKE LOGAN'S TWIN, RIGHT? 126 00:04:57,063 --> 00:04:58,230 HIM AND VINCE. - YES. 127 00:04:58,231 --> 00:04:59,831 IT'S LIKE HIM AND VINCE HAD A BA-- 128 00:05:03,836 --> 00:05:05,370 I DIDN'T-- I DON'T KNOW HOW THAT CAME OUT. 129 00:05:05,371 --> 00:05:06,505 LIKE, WHEN I THOUGHT ABOUT IT, 130 00:05:06,506 --> 00:05:08,507 IT SOUNDED DIFFERENT THAN THE WAY IT CAME OUT. 131 00:05:08,508 --> 00:05:09,508 ALL RIGHT, YOU GUYS WANT ME 132 00:05:09,509 --> 00:05:10,809 TO TAKE YOU SHOPPING FOR MY BIRTHDAY GIFT? 133 00:05:10,810 --> 00:05:11,943 - NO. - NO. 134 00:05:11,944 --> 00:05:13,613 - YOU SURE? - YES. - YES. 135 00:05:15,048 --> 00:05:17,549 WELL, I UNDERSTAND Y'ALL HAVE AN ALBUM. 136 00:05:17,550 --> 00:05:19,718 - YES. - YEAH. 137 00:05:19,719 --> 00:05:21,286 WELL, AN INSPIRATIONAL RECORD. 138 00:05:21,287 --> 00:05:23,990 NOT TOTALLY GOSPEL, 'CAUSE, YOU KNOW... 139 00:05:27,527 --> 00:05:29,661 SO, YOU KNOW, WE CAN'T REALLY DO THAT. 140 00:05:29,662 --> 00:05:30,796 YES. 141 00:05:30,797 --> 00:05:33,231 WE ALL AGREED AND SIGNED AN INFORMAL CONTRACT 142 00:05:33,232 --> 00:05:35,434 TO DO THIS INSPIRATIONAL ALBUM. 143 00:05:35,435 --> 00:05:37,469 BUT THERE'S A LOT OF DECISIONS WE HAVE TO MAKE 144 00:05:37,470 --> 00:05:38,704 BEFORE WE MOVE FORWARD. 145 00:05:38,705 --> 00:05:41,139 SO, IT'S NOT A DONE DEAL YET, 146 00:05:41,140 --> 00:05:43,975 BUT WE DO REALLY WANNA DO IT. 147 00:05:43,976 --> 00:05:48,814 ALSO, WE'RE GETTING READY FOR TONI'S OPENING TONIGHT. 148 00:05:48,815 --> 00:05:50,148 TOMORROW. 149 00:05:50,149 --> 00:05:52,651 RIGHT NOW, WE'RE CELEBRATING TAMAR TODAY. 150 00:05:54,420 --> 00:05:57,055 JUST-- CAN YOU PUT MY JACKET ON MY SHOULDER PLEASE? 151 00:05:58,825 --> 00:06:00,659 I CAN'T-- I CAN'T-- I CANNOT! 152 00:06:00,660 --> 00:06:03,228 - THANK YOU. - WHO ARE YOU? 153 00:06:03,229 --> 00:06:06,298 I'M THE BIRTHDAY PRINCESS, TRINA. 154 00:06:06,299 --> 00:06:10,035 THIS IS TAMAR BIRTHDAY FABULOUS. 155 00:06:11,270 --> 00:06:12,671 GET INTO IT. 156 00:06:23,116 --> 00:06:24,516 IT'S MY GREAT PLEASURE TO INTRODUCE 157 00:06:24,517 --> 00:06:26,985 THE AMAZING KENNY "BABYFACE"♪EDMONDS, 158 00:06:26,986 --> 00:06:29,488 AND THE BEAUTIFUL AND TALENTED, TONI BRAXTON. 159 00:06:32,258 --> 00:06:33,425 I AM BACK ON BROADWAY 160 00:06:33,426 --> 00:06:34,860 AND REALLY EXCITED TO BE IN THE MUSICAL, 161 00:06:34,861 --> 00:06:36,361 "AFTER MIDNIGHT," WITH BABYFACE. 162 00:06:36,362 --> 00:06:39,364 HE'S PLAYING THE MC AND I AM THE LOUNGE SINGER. 163 00:06:39,365 --> 00:06:41,433 AND TODAY, WE'RE DOING PRESS FOR THE SHOW, 164 00:06:41,434 --> 00:06:43,235 WHICH I LOVE. 165 00:06:43,236 --> 00:06:44,903 I'M RETURNING BACK TO THE STAGE, 166 00:06:44,904 --> 00:06:46,738 AND IT'S BEEN A COUPLE YEARS FOR ME, HUH? 167 00:06:46,739 --> 00:06:48,106 YEAH. 168 00:06:48,107 --> 00:06:50,709 A COUPLE YEARS, AND I HAVE MY MUSICAL HUSBAND HERE WITH ME, 169 00:06:50,710 --> 00:06:52,077 SO I'M EVEN MORE COMFORTABLE. 170 00:06:52,078 --> 00:06:53,445 I GOTTA TELL YA, I'M PRETTY EXCITED. 171 00:06:53,446 --> 00:06:54,946 I LOVE THE CROWD, THE COSTUMES 172 00:06:54,947 --> 00:06:56,181 'CAUSE THEY'RE SO BEAUTIFUL, 173 00:06:56,182 --> 00:06:57,616 AND THAT AIR, YOU GET TO BE GLAMOROUS 174 00:06:57,617 --> 00:06:59,484 AND HOLD YOUR HEAD AND BE PROUD. 175 00:06:59,485 --> 00:07:01,586 IT'S EDUCATIONAL FOR ALL ARTISTS. 176 00:07:01,587 --> 00:07:03,288 WE SHOULD ALL EXPERIENCE IT. 177 00:07:03,289 --> 00:07:04,389 DUDE, HOW YOU BEEN? - WELCOME HOME. 178 00:07:04,390 --> 00:07:05,457 - RIGHT-- EXACTLY. - WELCOME HOME. 179 00:07:05,458 --> 00:07:07,058 WHAT ARE YOU LOOKING FORWARD TO THE MOST? 180 00:07:07,059 --> 00:07:08,994 IT'S RAW-- IT'S ME AND THE AUDIENCE EVERY NIGHT 181 00:07:08,995 --> 00:07:10,762 AND I GET THAT FEEDBACK IMMEDIATELY. 182 00:07:10,763 --> 00:07:12,464 AND IT'S MUCH DIFFERENT THAN BEING IN THE STUDIO. 183 00:07:12,465 --> 00:07:14,733 THAT'S THE ADRENALINE-- THAT'S-- WHO NEEDS DRUGS? 184 00:07:14,734 --> 00:07:16,268 I GET TO PERFORM ON STAGE. 185 00:07:16,269 --> 00:07:18,170 THIS IS THE THIRD TIME FOR ME ON BROADWAY. 186 00:07:18,171 --> 00:07:20,872 I DID "AIDA"♪AND "BEAUTY AND THE BEAST" YEARS AGO. 187 00:07:20,873 --> 00:07:23,175 BUT, I THINK I'M MORE NERVOUS THIS TIME 188 00:07:23,176 --> 00:07:24,910 BECAUSE MY HEALTH IS A LITTLE DIFFERENT 189 00:07:24,911 --> 00:07:26,278 THAN IT WAS THE LAST TIME I DID BROADWAY. 190 00:07:26,279 --> 00:07:27,746 I KNOW I CAN DO IT, 191 00:07:27,747 --> 00:07:31,149 BUT I JUST HAVE TO BE CAREFUL AND MAKE SURE I TAKE CARE OF MYSELF, 192 00:07:31,150 --> 00:07:33,018 IN ORDER TO GET THROUGH THIS RUN. 193 00:07:33,019 --> 00:07:34,886 - IT'S GREAT TO HAVE YOU BACK. - YES, THANK YOU SO MUCH. 194 00:07:34,887 --> 00:07:36,621 - GOOD TO SEE YOU, AS ALWAYS. - YES, THANK YOU-- YOU, TOO. 195 00:07:36,622 --> 00:07:38,290 - THE BEST. - THANK YOU. 196 00:07:46,332 --> 00:07:47,866 I CAN'T WAIT TO TASTE THE CAKE. 197 00:07:47,867 --> 00:07:50,001 TAMAR'S AT THE HOTEL WITH LOGAN, 198 00:07:50,002 --> 00:07:52,971 AND TONI'S REHEARSING FOR HER WONDERFUL BROADWAY PLAY. 199 00:07:52,972 --> 00:07:54,873 SO WE HAVE A LITTLE BIT OF TIME 200 00:07:54,874 --> 00:07:57,809 TO SHOP FOR TAMAR'S CAKE FOR HER BIRTHDAY. 201 00:07:57,810 --> 00:07:59,644 - HEY, MOM. - HEY! 202 00:07:59,645 --> 00:08:00,979 YOU LOOK BEAUTIFUL. 203 00:08:00,980 --> 00:08:02,347 HEY, TRACI. 204 00:08:02,348 --> 00:08:04,416 HI, THERE. - HELLO, MISS E. 205 00:08:04,417 --> 00:08:05,884 HEY. 206 00:08:08,721 --> 00:08:10,489 YOUR WIFE GONNA KILL YOU. 207 00:08:13,693 --> 00:08:16,061 NOW, YOU GOT TO STOP. - OH, LORD HAVE MERCY. 208 00:08:16,062 --> 00:08:17,762 DADDY, WHY YOU HUGGIN' MOMMY? 209 00:08:17,763 --> 00:08:19,965 IT'S A LOST CAUSE, HONEY. 210 00:08:19,966 --> 00:08:23,001 STOP TRYING TO GET HOPE ALIVE. 211 00:08:23,002 --> 00:08:25,804 IT IS DEAD AND GONE. 212 00:08:25,805 --> 00:08:27,005 MOVE. 213 00:08:27,006 --> 00:08:28,673 - OH, NO, WELL, YOU-- - LET ME SEE THESE CAKES. 214 00:08:28,674 --> 00:08:30,309 COME ON, LET'S GO. 215 00:08:31,811 --> 00:08:33,311 - HI-- GOOD AFTERNOON. - HI. 216 00:08:33,312 --> 00:08:34,880 WE NEED A FABULOUS CAKE. 217 00:08:34,881 --> 00:08:35,881 YOU KNOW WHAT? 218 00:08:35,882 --> 00:08:37,682 CAN WE TASTE 'EM? - TASTE THEM? 219 00:08:37,683 --> 00:08:40,485 UH, WELL, WE CAN'T REALLY GIVE IT OUT TO TASTE, UM, 220 00:08:40,486 --> 00:08:42,888 BUT, LIKE, I CAN DESCRIBE EACH AND EVERY ONE IF YOU WANT. 221 00:08:42,889 --> 00:08:45,357 YEAH, BUT THAT DOESN'T PUT THE TASTE IN MY MOUTH. 222 00:08:45,358 --> 00:08:46,491 CUT IT, YOU KNOW. 223 00:08:46,492 --> 00:08:47,626 WELL, ACTUALLY, I HAVE THESE CUPCAKES. 224 00:08:47,627 --> 00:08:49,227 WE HAVE, UH, THESE MINI CUPCAKES RIGHT HERE. 225 00:08:49,228 --> 00:08:50,395 OH, OKAY. 226 00:08:50,396 --> 00:08:51,963 SHOULD I TASTE IT? - NO, YOU SHOULDN'T. 227 00:08:51,964 --> 00:08:53,598 - LET ME TRY IT. - SURE-- HERE YOU GO. 228 00:08:53,599 --> 00:08:55,901 LET ME SEE. 229 00:08:55,902 --> 00:09:01,339 MOMMY HAS NO WILLPOWER WHEN IT COMES TO CAKE. 230 00:09:01,340 --> 00:09:02,974 - WELL, I THINK Y'ALL SHOULD-- - I'LL TAKE 'EM ALL. 231 00:09:02,975 --> 00:09:04,876 MOMMY, YOU HAVE CAKE ON YOUR LIP. 232 00:09:04,877 --> 00:09:06,444 YOU WERE TRYING TO SAVE IT FOR LATER? 233 00:09:06,445 --> 00:09:09,814 I WAS SAVING IT FOR LATER, TRACI. 234 00:09:09,815 --> 00:09:11,316 I THINK MOMMY AND DADDY SHOULD PICK IT. 235 00:09:11,317 --> 00:09:12,751 WE'RE GONNA GO OVER HERE AND TASTE SOME STUFF. 236 00:09:12,752 --> 00:09:14,185 RED VELVET. 237 00:09:14,186 --> 00:09:16,187 I DON'T KNOW IF SHE LIKE RED VELVET OR NOT. 238 00:09:16,188 --> 00:09:17,956 I LIKE THAT BECAUSE SHE LIKE PINK-- 239 00:09:17,957 --> 00:09:19,424 SHE LIKES PINK. - OKAY. 240 00:09:19,425 --> 00:09:20,926 OKAY, SO YOU WANNA GO WITH THE PINK CAKE? 241 00:09:20,927 --> 00:09:22,093 YEAH. 242 00:09:22,094 --> 00:09:24,029 SURE, AND WHAT WOULD YOU LIKE TO INSCRIBE IT WITH? 243 00:09:24,030 --> 00:09:27,366 "HAPPY BIRTHDAY"-- HOW ARE WE GONNA SPELL TAMAR? 244 00:09:29,235 --> 00:09:30,702 IT'S T-A-M-A-R. 245 00:09:30,703 --> 00:09:31,803 YOU KNOW, I WAS REALLY HAPPY 246 00:09:31,804 --> 00:09:33,738 THAT THE GIRLS LEFT ME WITH THE CAKES 247 00:09:33,739 --> 00:09:35,640 BECAUSE THEN I COULD LOOK AT THEM, 248 00:09:35,641 --> 00:09:37,976 AND I COULD JUST SAY, "MMM." 249 00:09:37,977 --> 00:09:39,978 BUT LEAVING ME WITH MY EX-HUSBAND, 250 00:09:39,979 --> 00:09:42,614 IT REALLY WORKED ON MY NERVES. 251 00:09:42,615 --> 00:09:44,149 SO YOU ALL RIGHT WITH THAT? 252 00:09:44,150 --> 00:09:45,817 YEAH. BRAXTON, DON'T DO THAT. 253 00:09:45,818 --> 00:09:47,385 PLEASE, DON'T DO THAT. - WELL, DON'T WALK AWAY. 254 00:09:47,386 --> 00:09:49,788 AND ESPECIALLY WHEN HE PUT HIS ARMS AROUND ME. 255 00:09:49,789 --> 00:09:53,558 I WAS FURIOUS-- JUST MAD. 256 00:09:53,559 --> 00:09:56,027 YOU GOTTA STOP, BOY. 257 00:09:56,028 --> 00:09:57,562 OKAY, SWEETIE, YOU KNOW WHAT? 258 00:09:57,563 --> 00:09:59,531 WE'RE GONNA ARRANGE FOR SOMEBODY TO COME 259 00:09:59,532 --> 00:10:00,865 AND PICK THE CAKE UP, OKAY? - NO PROBLEM. 260 00:10:00,866 --> 00:10:01,833 THAT'S NOT A PROBLEM. 261 00:10:01,834 --> 00:10:02,867 ALL RIGHT, THANK YOU SO MUCH. 262 00:10:02,868 --> 00:10:04,836 - THANK YOU. - OKAY, NO PROBLEM-- BYE-BYE. 263 00:10:04,837 --> 00:10:08,406 Y'ALL MAY JUST GET A BROTHER TONIGHT. 264 00:10:22,121 --> 00:10:23,488 SO LET'S LOOK AT "I USED TO WALK." 265 00:10:23,489 --> 00:10:24,689 THIS IS THE FIRST TIME. 266 00:10:24,690 --> 00:10:25,991 - I USED TO WALK - YEAH. 267 00:10:25,992 --> 00:10:28,126 AND I MOVED IT DOWN A KEY FOR YOU. 268 00:10:28,127 --> 00:10:29,794 HERE WE GO. 269 00:10:29,795 --> 00:10:31,963 I USED TO WALK... 270 00:10:31,964 --> 00:10:34,332 TOMORROW IS THE OPENING NIGHT OF MY BROADWAY SHOW. 271 00:10:34,333 --> 00:10:36,401 I'M REHEARSING UNTIL THE VERY LAST SECOND 272 00:10:36,402 --> 00:10:38,737 BECAUSE WE'VE ONLY HAD A FEW DAYS TO LEARN ALL THE MUSIC 273 00:10:38,738 --> 00:10:40,605 AND ALL THE DANCE STEPS. 274 00:10:40,606 --> 00:10:42,707 DANCE, YEAH. 275 00:10:45,244 --> 00:10:46,945 - I-- - NO, NOT YET, NOT YET. 276 00:10:48,147 --> 00:10:50,448 - STILL DANCING? - UH-HUH. 277 00:10:50,449 --> 00:10:51,650 LET ME STOP YOU FOR A SECOND. 278 00:10:51,651 --> 00:10:52,617 LET'S GO BACK TO "I USED TO WALK." 279 00:10:52,618 --> 00:10:54,452 - OKAY. - TWO... 280 00:10:54,453 --> 00:10:56,755 - I-- I'M SORRY. - HERE'S THE MELODY. 281 00:10:56,756 --> 00:10:58,023 THE MELODY IS, "I... 282 00:10:58,024 --> 00:10:59,624 THIS SONG, "SUNNY SIDE OF THE STREET" 283 00:10:59,625 --> 00:11:01,626 ♪ IS SUCH A CHALLENGE FOR ME, UGH, 284 00:11:01,627 --> 00:11:03,528 AND MY NERVES ARE REALLY ON EDGE. 285 00:11:03,529 --> 00:11:05,096 THEY'RE ABOUT TO TAKE OVER. 286 00:11:11,971 --> 00:11:13,705 YEAH, LET'S GET A LITTLE BIT MORE PRECISE ON THAT. 287 00:11:13,706 --> 00:11:15,440 LET'S FIGURE THAT OUT. - 'KAY. 288 00:11:15,441 --> 00:11:17,409 THERE ARE SOME CHALLENGES OF SINGING JAZZ 289 00:11:17,410 --> 00:11:19,611 BECAUSE YOU HAVE TO BE ACCURATE, 290 00:11:19,612 --> 00:11:22,614 MEANING YOU HAVE TO RESPECT THAT ERA, AND IT'S NOT R&B. 291 00:11:22,615 --> 00:11:26,317 IT'S NOT A LOT OF ROOM TO DO 2014 MUSIC. 292 00:11:26,318 --> 00:11:28,920 YOU HAVE TO BE 293 00:11:28,921 --> 00:11:30,255 THAT YOU'RE SINGING IN. 294 00:11:33,959 --> 00:11:38,363 ♪ ON THE SUNNY SIDE OF THE STREET ♪ 295 00:11:38,364 --> 00:11:40,665 GREAT. 296 00:11:40,666 --> 00:11:43,268 - I'M OUT OF BREATH, THOUGH. - OF COURSE. 297 00:11:43,269 --> 00:11:44,769 WHEW! 298 00:11:44,770 --> 00:11:48,273 OKAY, AND I'M NOT EVEN DOING THE CHOREOGRAPHY, YET. 299 00:11:48,274 --> 00:11:49,808 OTHER PEOPLE OUT OF BREATH WHEN THEY SINGING? 300 00:11:49,809 --> 00:11:51,009 - ABSOLUTELY. - SO IT'S NOT JUST ME? 301 00:11:51,010 --> 00:11:52,310 OH, NO, NO, NO, NO. 302 00:11:52,311 --> 00:11:53,812 I'M REALLY HAVING A ROUGH TIME 303 00:11:53,813 --> 00:11:55,647 GETTING THROUGH THIS REHEARSAL. 304 00:11:55,648 --> 00:11:57,716 I NEED TO MAKE SURE I REST BEFORE THE SHOW TOMORROW, 305 00:11:57,717 --> 00:12:00,852 SO I PROBABLY SHOULDN'T GO TO TAMAR'S BIRTHDAY PARTY TONIGHT. 306 00:12:00,853 --> 00:12:02,353 I DON'T WANNA DISAPPOINT HER, 307 00:12:02,354 --> 00:12:05,857 BUT I ALSO CAN'T RISK GETTING SICK BEFORE OPENING NIGHT. 308 00:12:16,736 --> 00:12:21,673 ♪ OOH WEEEEEE ♪ 309 00:12:21,674 --> 00:12:23,508 ALL RIGHT-- DANG IT. 310 00:12:32,384 --> 00:12:34,053 HEY, HEY, HEY! 311 00:12:38,491 --> 00:12:40,925 - THANK YOU. - YOU'RE VERY WELCOME. 312 00:12:40,926 --> 00:12:42,494 CAN WE GET A LITTLE STRAW? 313 00:12:42,495 --> 00:12:44,863 - HI, EVERYBODY. - BIRTHDAY GIRL. 314 00:12:47,800 --> 00:12:49,434 HI-- HOW ARE YOU? 315 00:12:49,435 --> 00:12:52,370 TONIGHT IS MY FAVORITE HOLIDAY IN THE WHOLE WIDE WORLD. 316 00:12:52,371 --> 00:12:54,072 IT'S MY BIRTHDAY. 317 00:12:54,073 --> 00:12:55,807 AND I'M IN NEW YORK CITY 318 00:12:55,808 --> 00:12:58,877 AND I INVITED A LOT OF MY FRIENDS THAT LIVE IN NEW YORK 319 00:12:58,878 --> 00:13:02,914 JUST FOR A NICE, INTIMATE, YOU KNOW, CHINESE DINNER. 320 00:13:02,915 --> 00:13:04,616 ALL RIGHT. - ALL RIGHT. 321 00:13:05,618 --> 00:13:07,353 TONI STILL AT REHEARSAL? 322 00:13:09,688 --> 00:13:11,490 WHAT'S WRONG WITH HER? 323 00:13:15,161 --> 00:13:17,428 COMING UP ON "BRAXTON FAMILY VALUES"... 324 00:13:17,429 --> 00:13:19,464 WHAT IS A TAMARTIAN? 325 00:13:19,465 --> 00:13:22,967 A RUDE, YOUNG CHILD ON TWITTER. 326 00:13:24,403 --> 00:13:25,270 LIES. 327 00:13:25,271 --> 00:13:26,738 EVERY TIME WE THINK WE'VE MOVED ON 328 00:13:26,739 --> 00:13:28,706 FROM TAMAR'S AND TOWANDA'S FEUD, 329 00:13:28,707 --> 00:13:30,909 IT KEEPS COMING RIGHT BACK. 330 00:13:30,910 --> 00:13:32,310 I'M NEVER ARGUING WITH YOU AGAIN. 331 00:13:32,311 --> 00:13:33,311 YOU CAN'T KEEP WALKING AWAY. 332 00:13:33,312 --> 00:13:35,180 ALL THE TIME-- ALL THE TIME. 333 00:13:35,181 --> 00:13:36,481 WHEN IS IT GONNA END? 334 00:13:36,482 --> 00:13:39,818 NOBODY EVER CARED ABOUT HOW TOWANDA FEEL! 335 00:13:39,819 --> 00:13:41,253 NOBODY CARES! 336 00:13:45,958 --> 00:13:47,258 TONI STILL AT REHEARSAL? 337 00:13:47,259 --> 00:13:49,595 - SHE HAD A FLARE-UP TODAY. - WHAT'S WRONG WITH HER? 338 00:13:51,197 --> 00:13:53,031 - WELL, WHERE SHE AT? - IN THE BED. 339 00:13:53,032 --> 00:13:54,232 OH, I THOUGHT SHE WAS AT THE HOSPITAL. 340 00:13:54,233 --> 00:13:56,034 NO, NO, NO. 341 00:13:56,035 --> 00:13:58,336 IS SHE IN THE HOSPITAL? 342 00:13:58,337 --> 00:14:01,606 NO, SHE'S LAYING DOWN. 343 00:14:01,607 --> 00:14:05,677 OKAY, GIRL. 344 00:14:05,678 --> 00:14:09,347 BUT DOES ANYBODY ELSE NOTICE 345 00:14:09,348 --> 00:14:12,417 THAT I GO TO EVERYBODY'S FUNCTIONS, 346 00:14:12,418 --> 00:14:14,752 AND DON'T NOBODY COME TO MY . 347 00:14:14,753 --> 00:14:16,621 NOBODY COMES TO MY NOTHING. 348 00:14:16,622 --> 00:14:20,058 TAMAR'S NOTHING. 349 00:14:23,495 --> 00:14:25,663 - HEY! - HI, GABE. 350 00:14:25,664 --> 00:14:27,466 HEY, GABRIEL. 351 00:14:33,806 --> 00:14:36,174 - I'M STILL SHOCKED. - WHY? 352 00:14:36,175 --> 00:14:38,443 BECAUSE I DIDN'T KNOW THEY GOT BACK TOGETHER. 353 00:14:38,444 --> 00:14:40,712 - GIRL, YOU KNOW-- - NOBODY TOLD ME THAT. 354 00:14:40,713 --> 00:14:42,714 BUT TAMAR, YOU HAVE TO UNDERSTAND-- NOBODY KNOWS. 355 00:14:42,715 --> 00:14:43,681 YOU DON'T KNOW IF THEY'RE TOGETHER, 356 00:14:43,682 --> 00:14:44,782 THEY BROKE UP, TOGETHER, THEY BROKE UP-- 357 00:14:44,783 --> 00:14:46,050 IS THIS THE FIRST YOU ALL SEEN 'EM TOGETHER? 358 00:14:46,051 --> 00:14:47,151 NO, THEY'VE BEEN AT MY HOUSE. 359 00:14:47,152 --> 00:14:48,486 THIS IS MY FIRST EXPERIENCE. 360 00:14:48,487 --> 00:14:50,288 I'M TELLING YOU, LIKE-- - THEY BEEN AT MY HOUSE. 361 00:14:50,289 --> 00:14:52,156 THEY BE KISSING AND STUFF AT YOUR HOUSE? 362 00:14:52,157 --> 00:14:52,957 YEAH. 363 00:14:52,958 --> 00:14:56,060 GRINDING AND DANCING AND STUFF. 364 00:14:56,061 --> 00:14:58,696 - THEY BE SURFBOARDING. - EW! 365 00:14:58,697 --> 00:15:02,533 OF COURSE, TOWANDA KNEW 366 00:15:02,534 --> 00:15:04,802 THAT TRINA AND GABE WERE BACK TOGETHER, 367 00:15:04,803 --> 00:15:08,840 BUT THAT'S BECAUSE TOWANDA IS THE ORIGINAL SECRET SCROLL, 368 00:15:08,841 --> 00:15:12,911 AND THAT MEANS I KNOW EVERYTHING BEFORE EVERYBODY ELSE, OKAY? 369 00:15:12,912 --> 00:15:15,146 UM, IT'S BEEN A WORK IN PROGRESS. 370 00:15:15,147 --> 00:15:17,015 NO, HOW LONG-HOW LONG Y'ALL BEEN BACK TOGETHER? 371 00:15:17,016 --> 00:15:19,651 IT'S BEEN A COUPLE-- IT'S BEEN ABOUT TWO MONTHS. 372 00:15:19,652 --> 00:15:20,985 SHUT UP! 373 00:15:23,289 --> 00:15:25,056 WELL, HEAR HEAR. 374 00:15:25,057 --> 00:15:27,458 HEAR HEAR TO WORKING IT OUT WITH-- WORKING IT OUT WHEN IT'S WORTH IT. 375 00:15:27,459 --> 00:15:28,993 CHEERS. 376 00:15:28,994 --> 00:15:30,361 ONLY PERSON THAT CAN TELL Y'ALL THAT IS Y'ALL. 377 00:15:30,362 --> 00:15:31,195 IT'S YOUR LIFE. 378 00:15:31,196 --> 00:15:33,998 - HALLELUJAH-- HALLELU. - WHOO! 379 00:15:33,999 --> 00:15:36,134 TRINA AND GABE IS LIKE HERPES SIMPLEX I. 380 00:15:36,135 --> 00:15:37,235 IT NEVER GOES AWAY. 381 00:15:37,236 --> 00:15:38,636 YOU KNOW, IT JUST POPS UP AND IT GOES AWAY, 382 00:15:38,637 --> 00:15:39,804 AND IT POPS UP AND IT GOES AWAY, 383 00:15:39,805 --> 00:15:42,307 BUT IT'S ALWAYS IN YOUR BLOODSTREAM. 384 00:15:42,308 --> 00:15:43,574 A NICE, LITTLE WARNING WOULD HAVE BEEN NICE, 385 00:15:43,575 --> 00:15:46,444 ESPECIALLY 'CAUSE IT'S MY NIGHT, 386 00:15:46,445 --> 00:15:49,847 BUT, YOU KNOW, I MEAN, GOOD FOR THEM. 387 00:15:49,848 --> 00:15:51,483 THIS IS FROM YOUR SISTERS. 388 00:15:54,620 --> 00:15:56,088 HERE WE GO! 389 00:15:57,489 --> 00:15:58,756 OOH! 390 00:16:04,063 --> 00:16:05,997 - OH, THAT'S CUTE-- THANK YOU. - YOU'RE WELCOME. 391 00:16:05,998 --> 00:16:07,231 I LOVE THIS COLOR! 392 00:16:09,201 --> 00:16:11,202 HALLELUJAH! 393 00:16:11,203 --> 00:16:12,370 WELL, DON'T EVERYBODY WANNA STAND UP 394 00:16:12,371 --> 00:16:14,740 AND SAY SOMETHING NICE ABOUT ME? 395 00:16:18,510 --> 00:16:20,078 WE'RE SISTERS-- WE'RE ALWAYS GONNA HAVE UPS AND DOWNS. 396 00:16:20,079 --> 00:16:21,312 RIGHT. 397 00:16:21,313 --> 00:16:22,814 BUT WE HAVE ALWAYS BEEN 398 00:16:22,815 --> 00:16:25,183 SINCE WE WERE LITTLE BABIES, 399 00:16:25,184 --> 00:16:26,751 AND WE'RE ALWAYS GONNA BE . 400 00:16:26,752 --> 00:16:27,752 YOU'RE MY DRINKING PARTNER. 401 00:16:27,753 --> 00:16:29,988 - TRIED IT. - YOU'RE MY FUN PARTNER. 402 00:16:29,989 --> 00:16:31,689 AT TIMES, WE'VE BEEN WRITING PARTNERS. 403 00:16:31,690 --> 00:16:34,859 I JUST LOVE YOU-- SIMPLE, PLAIN, THAT'S IT. 404 00:16:34,860 --> 00:16:36,027 HOW MANY DRINKS HAVE YOU HAD? 405 00:16:36,028 --> 00:16:36,928 ONE-- I DIDN'T FINISH. 406 00:16:38,263 --> 00:16:39,530 ONE, AND I DIDN'T FINISH IT. 407 00:16:39,531 --> 00:16:42,066 I'M NOT A MUSHY PERSON-- I DON'T GET MUSHY. 408 00:16:42,067 --> 00:16:44,936 YOU KNOW, I THINK THAT WHEN GOD WAS GIVING OUT MUSHINESS, 409 00:16:44,937 --> 00:16:46,704 HE SKIPPED ME. - LIES. 410 00:16:46,705 --> 00:16:49,374 BUT, I WOULD HAVE TO SAY THAT... 411 00:16:49,375 --> 00:16:52,944 WE HAVE BEEN THROUGH SO MUCH TOGETHER, 412 00:16:52,945 --> 00:16:55,680 EVEN THOUGH WE MAY ARGUE HARD. 413 00:16:55,681 --> 00:16:58,683 LIKE, YOU KNOW HOW HORRIBLE THE EXPERIENCE 414 00:16:58,684 --> 00:17:00,485 BEING IN THE BRAXON'S WAS FOR ME? 415 00:17:00,486 --> 00:17:02,186 EVERY GROUP YOU'VE BEEN IN FAILED, 416 00:17:02,187 --> 00:17:03,955 BECAUSE OF THAT ATTITUDE OF YOURS. 417 00:17:03,956 --> 00:17:05,790 YOU SAID, AND I QUOTE, 418 00:17:05,791 --> 00:17:08,026 "I DON'T EVEN WANNA WORK WITH Y'ALL, ANYMORE." 419 00:17:08,027 --> 00:17:09,827 BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME." 420 00:17:09,828 --> 00:17:11,095 WAIT-- WHOA, WHOA, WHOA, WHOA! 421 00:17:11,096 --> 00:17:12,864 YOU'RE SUCH A BULLY, PEOPLE ARE AFRAID TO TELL YOU THAT. 422 00:17:12,865 --> 00:17:13,965 I'M A BULLY-- YOU'RE THE MEAN GIRL. 423 00:17:13,966 --> 00:17:14,999 HOW AM I-- 424 00:17:15,000 --> 00:17:16,000 HOW AM I THE MEAN GIRL? - ARE YOU SERIOUS? 425 00:17:16,001 --> 00:17:17,668 HOW AM I THE MEAN GIRL WHEN I'M OSTRACIZED? 426 00:17:17,669 --> 00:17:19,170 I THINK WE ARGUE HARD 427 00:17:19,171 --> 00:17:22,940 BECAUSE WE LOVE EACH OTHER SO MUCH. 428 00:17:22,941 --> 00:17:24,509 I'M EXTREMELY PROUD OF YOU 429 00:17:24,510 --> 00:17:26,844 AND I LOVE YOU VERY, VERY MUCH. 430 00:17:26,845 --> 00:17:28,846 I LOVE YOU, TOO-- THANK YOU, TOWANDA. 431 00:17:30,215 --> 00:17:32,917 THAT WAS MY MUSHY MOMENT. 432 00:17:32,918 --> 00:17:36,454 MY BABY SISTER, YOU KNOW, WE BUMP HEADS ALL THE TIME 433 00:17:36,455 --> 00:17:38,689 BECAUSE WE'RE SO MUCH ALIKE. - AMEN. 434 00:17:38,690 --> 00:17:42,827 BUT, I AM SO PROUD OF YOU. 435 00:17:42,828 --> 00:17:44,762 YOU REACH FOR YOUR DREAMS, 436 00:17:44,763 --> 00:17:50,001 AND I SEE THE LOVE AND THE STRUGGLE OF YOUR WORK. 437 00:17:50,002 --> 00:17:53,671 I DO LOOK UP TO MY BABY SISTER, SOMETIMES. 438 00:17:53,672 --> 00:17:56,474 AND I LOVE YOU SO MUCH... - AW! 439 00:17:56,475 --> 00:17:57,942 ...AND I'M SO PROUD. 440 00:17:57,943 --> 00:17:59,777 - TRACI'S GETTING MUSHY. - I'M SO PROUD OF YOU. 441 00:17:59,778 --> 00:18:01,879 YOU COULD'VE CRIED IF YOU WANT TO. 442 00:18:01,880 --> 00:18:04,348 - WHAT YOU SAYIN', MOMMY? - I AIN'T NO CRYBABY. 443 00:18:04,349 --> 00:18:06,184 MY EYELASHES GONNA COME OFF-- I AIN'T GOT TIME FOR THAT. 444 00:18:06,185 --> 00:18:08,252 I AIN'T GONNA CRY-- UH-UH. 445 00:18:08,253 --> 00:18:10,054 BUT THE BIGGEST THING TO ME WAS 446 00:18:10,055 --> 00:18:11,689 WHEN TRACI WAS LIKE, YOU KNOW, I LOOK UP TO YOU, 447 00:18:11,690 --> 00:18:13,491 YOU KNOW, YOU INSPIRE ME. 448 00:18:13,492 --> 00:18:16,594 AND, YOU KNOW, THAT MEANS A LOT WHEN YOUR OLDER SISTER 449 00:18:16,595 --> 00:18:21,232 SAYS THAT, YOU KNOW, TO YOU-- IT WAS REALLY NICE. 450 00:18:21,233 --> 00:18:22,633 IT WAS REALLY NICE. 451 00:18:23,969 --> 00:18:26,771 ANYBODY OVER HERE LIKE TO SAY SOMETHING-- CHARLES? 452 00:18:26,772 --> 00:18:29,807 FOR ME, TAMAR, I'VE KNOWN YOU FOR A-A LONG TIME, 453 00:18:29,808 --> 00:18:33,711 AND I GET, YOU KNOW, CHILLS WHEN I THINK ABOUT THE FACT 454 00:18:33,712 --> 00:18:37,014 THAT YOU'RE THE SAME PERSON YOU WERE 15 YEARS AGO 455 00:18:37,015 --> 00:18:38,916 WHEN I MET YOU, AND THAT'S WHAT I LOVE. 456 00:18:38,917 --> 00:18:41,886 LIKE, NOTHING'S CHANGED WITH ALL THAT YOU'VE ACCOMPLISHED. 457 00:18:41,887 --> 00:18:45,056 EVERYBODY, YOU KNOW, THAT TRIES TO SAY YOU'RE DIFFERENT NOW, 458 00:18:45,057 --> 00:18:48,659 NO-- I KNOW YOU, LIKE, YEARS AGO AND YOU'RE THE SAME PERSON, 459 00:18:48,660 --> 00:18:50,728 AND THAT'S WHAT-THAT'S WHAT-- 460 00:18:50,729 --> 00:18:52,263 - IS SHE OKAY? - SORRY. 461 00:18:53,999 --> 00:18:56,667 NO, NO-- NO, NOT-NOT SHADE TOWARDS Y'ALL. 462 00:18:56,668 --> 00:18:58,035 A LOT OF PEOPLE SAY THAT, 463 00:18:58,036 --> 00:18:59,237 TRY TO SAY THAT, BUT THAT'S NOT TRUE. 464 00:18:59,238 --> 00:19:00,605 NOT Y'ALL. - AND I KNOW. 465 00:19:00,606 --> 00:19:02,340 AND I KNOW SHE-- - OH, YOU KNOW. 466 00:19:04,009 --> 00:19:05,343 NO, I WASN'T THERE AS LONG AS Y'ALL, 467 00:19:05,344 --> 00:19:06,410 BUT I'VE BEEN THERE LONG ENOUGH. 468 00:19:06,411 --> 00:19:07,512 I GOT YOU. 469 00:19:07,513 --> 00:19:11,582 SO WHEN CHARLES WAS SAYING THAT I HADN'T CHANGED. 470 00:19:11,583 --> 00:19:13,384 SHE'S THE SAME OLD CHICK. 471 00:19:13,385 --> 00:19:16,287 I MEAN, , AND TRINA, SHE WAS LIKE... 472 00:19:18,757 --> 00:19:20,858 AND THEN WAVED THE WAND ON TOWANDA. 473 00:19:20,859 --> 00:19:23,161 WHAT YOU MEAN-- YOU WAS THERE. 474 00:19:23,162 --> 00:19:26,397 LIKE, AT THAT MOMENT, I JUST HAVE TO MAKE THAT MOMENT 475 00:19:26,398 --> 00:19:31,269 NOT ABOUT ME, AND DEFINITELY NOT ABOUT MY SISTERS, HONEY, 476 00:19:31,270 --> 00:19:34,772 BECAUSE NOBODY WAS EVEN TALKING ABOUT THEM. 477 00:19:34,773 --> 00:19:37,942 ARE YOU KIDDING, DUDE? 478 00:19:37,943 --> 00:19:40,077 ARE YOU THROWING A LITTLE BIT OF SHADE OVER HERE 479 00:19:40,078 --> 00:19:42,180 TO US, AS SISTERS? 480 00:19:42,181 --> 00:19:44,883 LIKE, WE DON'T EVEN KNOW WHO YOU ARE. 481 00:19:48,187 --> 00:19:50,655 COMING UP ON "BRAXTON FAMILY VALUES"... 482 00:19:50,656 --> 00:19:53,858 TONI, ARE YOU EXCITED ABOUT THE FAMILY COMING TO THE SHOW? 483 00:19:53,859 --> 00:19:55,826 NO-- I DON'T WANT THEM BACKSTAGE. 484 00:19:55,827 --> 00:19:57,528 I DON'T WANT THEM TO COME AND SAY "HI." 485 00:19:57,529 --> 00:20:00,364 - I DIDN'T ASK ABOUT -- I DIDN'T ASK ABOUT WHAT HE SAID. 486 00:20:00,365 --> 00:20:02,500 I DIDN'T REFUTE ANYTHING THAT HE SAID. 487 00:20:02,501 --> 00:20:03,634 THIS IS RIDICULOUS. 488 00:20:03,635 --> 00:20:05,002 I MEAN, WHEN IS THIS GONNA END? 489 00:20:05,003 --> 00:20:06,737 LIKE, SERIOUSLY, WHEN IS IT GONNA END? 490 00:20:06,738 --> 00:20:09,575 JUST LEAVE EACH OTHER ALONE. 491 00:20:15,547 --> 00:20:17,148 - NOT Y'ALL. - AND I KNOW. 492 00:20:17,149 --> 00:20:18,382 AND I KNOW-- - OH, YOU KNOW? 493 00:20:18,383 --> 00:20:20,117 YOU WERE THERE-- - NO, I WASN'T THERE 494 00:20:20,118 --> 00:20:22,086 AS LONG AS Y'ALL, BUT I'VE BEEN THERE LONG ENOUGH. 495 00:20:22,087 --> 00:20:23,554 I GOT YA-- THAT WAS GOOD. 496 00:20:23,555 --> 00:20:25,690 THAT WAS GOOD. - WHY WE PING-PONGING? 497 00:20:27,326 --> 00:20:29,460 TOWANDA USUALLY KEEP IT TOGETHER, 498 00:20:29,461 --> 00:20:32,830 SO I'M KIND OF SURPRISED THAT SHE'S CALLIN THIS GUY OUT. 499 00:20:32,831 --> 00:20:36,267 BUT HE'S THROWING A LOT OF SHADE AT MY SISTER, HONEY, 500 00:20:36,268 --> 00:20:40,037 AND IT DOESN'T HELP THAT TAMAR'S STICKING UP FOR THIS DAMN DUDE. 501 00:20:40,038 --> 00:20:41,672 ALL RIGHT, Y'ALL WANNA SAY SOMETHING NICE? 502 00:20:41,673 --> 00:20:43,541 I'M NICE-- THANK Y'ALL-- HI. 503 00:20:46,445 --> 00:20:48,246 IF EVERYBODY CAN RAISE THEIR GLASS 504 00:20:48,247 --> 00:20:51,182 AND GIVE TRACI SOME WATER. 505 00:20:51,183 --> 00:20:52,917 I JUST THANK YOU GUYS FOR COMING OUT. 506 00:20:52,918 --> 00:20:55,953 AND, UM, I LOVE YOU GUYS, 507 00:20:55,954 --> 00:21:00,925 AND I WOULD NOT BE ME IF IT WAS NOT FOR YOU ALL IN MY LIFE. 508 00:21:00,926 --> 00:21:04,895 SO I THANK YOU GUYS SO MUCH FOR BEING SUCH A POSITIVE FORCE 509 00:21:04,896 --> 00:21:07,465 AND INSPIRATION TO ME, AS WELL-- LOVE YOU GUYS. 510 00:21:07,466 --> 00:21:09,600 MAYBE WE'LL SEE EACH OTHER AGAIN NEXT YEAR. 511 00:21:13,639 --> 00:21:16,073 HALLELUJAH. 512 00:21:38,697 --> 00:21:39,797 TONIGHT IS THE BIG OPENING NIGHT, 513 00:21:39,798 --> 00:21:43,601 AND I'M NOT ONLY NERVOUS, BUT I'M EXHAUSTED. 514 00:21:43,602 --> 00:21:45,670 I HAD A LITTLE, TINY LUPUS FLARE-UP. 515 00:21:45,671 --> 00:21:47,305 I MEAN, I'M FEELING MUCH BETTER, 516 00:21:47,306 --> 00:21:49,840 BUT WE'VE HAD TWO REHEARSALS ALREADY TODAY. 517 00:21:49,841 --> 00:21:51,509 SO I HAVE TO GET MY ENERGY UP. 518 00:21:51,510 --> 00:21:53,711 OKAY, SO TELL ME WHAT TO DO, PORSCHE. 519 00:21:53,712 --> 00:21:56,447 SO, I THINK YOU SHOULD DO THE BRIGHT RED LIP, 520 00:21:56,448 --> 00:21:58,316 TO THE RIGHT. - THIS ONE? 521 00:21:58,317 --> 00:21:59,483 - YEAH. - OKAY. 522 00:21:59,484 --> 00:22:03,554 THIS OKAY? - MMM-HMM-- OOH, YEAH. 523 00:22:03,555 --> 00:22:05,289 I HAVE A REALLY GREAT MAKEUP ARTIST IN NEW YORK. 524 00:22:05,290 --> 00:22:08,359 HER NAME IS PORSCHE AND SHE CAN'T DO MY MAKEUP FOR OPENING NIGHT, 525 00:22:08,360 --> 00:22:10,261 BECAUSE IT'S A UNION THING-- UNION RULES. 526 00:22:10,262 --> 00:22:12,463 YOU HAVE TO BE IN THE UNION TO PARTICIPATE. 527 00:22:12,464 --> 00:22:15,866 SO, ON TOP OF EVERYTHING ELSE, NOW I'M DOING MY OWN MAKEUP, 528 00:22:15,867 --> 00:22:19,337 AND I THINK I CAN DO MY OWN MAKEUP, BUT NOT FOR STAGE. 529 00:22:19,338 --> 00:22:21,806 SO I'M NOT AS CONFIDENT AS I USUALLY AM. 530 00:22:21,807 --> 00:22:24,041 TONI, ARE YOU EXCITED FOR TONIGHT? 531 00:22:24,042 --> 00:22:28,112 I'M LOOKING FORWARD FOR TONIGHT BEING OVER. 532 00:22:28,113 --> 00:22:30,815 - ARE YOU NERVOUS? - YEAH. 533 00:22:30,816 --> 00:22:33,984 I HAVE BUTTERFLIES UP IN MY ESOPHAGUS. 534 00:22:33,985 --> 00:22:36,754 - I'M EXCITED. - ME, TOO. 535 00:22:36,755 --> 00:22:39,223 I GUESS I BETTER GET EXCITED 'CAUSE Y'ALL EXCITED. 536 00:22:39,224 --> 00:22:40,891 WE NEED TO RUB OFF ON YOU. 537 00:22:40,892 --> 00:22:42,660 SOMETHING. 538 00:22:42,661 --> 00:22:44,328 I PUT THIS ON IT, TOO? - YEAH. 539 00:22:44,329 --> 00:22:46,997 I DON'T WANNA GIVE TOO MUCH LIP SERVICE. 540 00:22:46,998 --> 00:22:49,400 IS THAT BETTER? 541 00:22:49,401 --> 00:22:50,534 I MEAN, I'M THINKING WHAT YOU SAID. 542 00:22:50,535 --> 00:22:52,236 THE PERSON IN THE BACK ROW HAS TO SEE ME. 543 00:22:52,237 --> 00:22:53,771 EXACTLY. 544 00:22:53,772 --> 00:22:55,239 PEOPLE IN THE FRONT ROW WILL BE, 545 00:22:55,240 --> 00:22:57,608 "THAT BITCH IS A DRAG QUEEN." - RIGHT. 546 00:23:02,080 --> 00:23:03,280 FOLKS, THIS WAY WITH TICKETS. 547 00:23:03,281 --> 00:23:05,050 THIS WAY WITH TICKETS. 548 00:23:06,251 --> 00:23:07,351 OKAY, NUMBER ONE, I'M REALLY EXCITED 549 00:23:07,352 --> 00:23:08,853 TO SEE TONI BACK ON BROADWAY. 550 00:23:08,854 --> 00:23:10,521 IT'S BEEN, LIKE, WHAT-- TEN YEARS 551 00:23:10,522 --> 00:23:12,156 SINCE SHE'S BEEN ON BROADWAY, 552 00:23:12,157 --> 00:23:14,091 AND FOR HER TO COME BACK TO BROADWAY 553 00:23:14,092 --> 00:23:16,927 AND SELL OUT, SHE DID THAT. 554 00:23:16,928 --> 00:23:20,232 I MEAN, SHE'S TONI B. BRAXTON-- I TRY TO TELL EVERYBODY 555 00:23:24,236 --> 00:23:26,071 - GIVE HER A HUG FOR US. - WE SURE WILL. 556 00:23:29,608 --> 00:23:31,008 TONI, ARE YOU EXCITED ABOUT 557 00:23:31,009 --> 00:23:33,411 ALL THE FAMILY COMING TO THE SHOW? 558 00:23:33,412 --> 00:23:35,646 NO-- THEY'RE GONNA HAVE ME STRESSED. 559 00:23:35,647 --> 00:23:37,848 SO I DON'T WANT THEM BACKSTAGE TILL AFTER THE SHOW. 560 00:23:37,849 --> 00:23:40,084 I DON'T WANNA BE HYPER. 561 00:23:40,085 --> 00:23:42,420 I DON'T WANT THEM TO COME AND SAY "HI." 562 00:23:42,421 --> 00:23:46,090 I JUST GOTTA GET THIS... ELEPHANT OFF. 563 00:23:46,091 --> 00:23:48,025 HE'S IN THE ROOM-- YOU SEE THE ELEPHANT RIGHT OVER THERE? 564 00:23:48,026 --> 00:23:49,560 AND WE LOOKED. 565 00:23:49,561 --> 00:23:53,964 I JUST HAVE TO REMEMBER ALL MY LINES AND ALL MY DANCE STEPS, 566 00:23:53,965 --> 00:23:56,033 AND I'VE ONLY HAD ONE WEEK TO REHEARSE, 567 00:23:56,034 --> 00:23:57,802 AND MY FAMILY'S IN THE AUDIENCE, 568 00:23:57,803 --> 00:23:59,637 WHICH ALWAYS ADDS EXTRA PRESSURE FOR ME. 569 00:23:59,638 --> 00:24:01,372 I CAN'T BELIEVE I'M NERVOUS-- I'M NEVER NERVOUS. 570 00:24:01,373 --> 00:24:03,274 WELL, OKAY, I'M ALWAYS NERVOUS, BUT I'M NEVER NERVOUS. 571 00:24:03,275 --> 00:24:07,912 YOU SOUND GREAT, YOU LOOK GREAT AND BREAK YOUR LEG. 572 00:24:07,913 --> 00:24:09,814 BREAK-- WHY DO THEY SAY THAT IN BROADWAY? 573 00:24:09,815 --> 00:24:10,981 I DON'T GET BREAKING A LEG. 574 00:24:10,982 --> 00:24:12,316 I MEAN, YOU COULD REALLY BREAK YOUR LEG. 575 00:24:12,317 --> 00:24:14,318 YOU WOULDN'T TELL A BASEBALL PLAYER, 576 00:24:14,319 --> 00:24:16,821 "BREAK AN ARM" BEFORE HE GOES OUT AND PLAY. 577 00:24:16,822 --> 00:24:18,556 - IT MEANS THE OPPOSITE. - I'M ABOUT TO DO MY HAIR. 578 00:24:18,557 --> 00:24:19,824 "BREAK A COMB." 579 00:24:19,825 --> 00:24:21,258 WELL, DON'T BREAK THAT BRUSH. 580 00:24:22,394 --> 00:24:24,462 THAT BRUSH COST $60. 581 00:24:24,463 --> 00:24:26,931 IT IS SO MUCH PRESSURE, OPENING NIGHT ON BROADWAY. 582 00:24:26,932 --> 00:24:29,934 IN A TONI BRAXTON SHOW, IF I FORGET THE LYRICS, 583 00:24:29,935 --> 00:24:33,103 I CAN TELL THE AUDIENCE, "YOU SING-- HELP ME." 584 00:24:33,104 --> 00:24:34,405 OH, NOT ON BROADWAY. 585 00:24:34,406 --> 00:24:36,807 YOU HAVE TO REMEMBER EVERY LYRIC, EVERY NIGHT. 586 00:24:36,808 --> 00:24:39,910 THERE IS NO ROOM FOR ERROR-- THAT'S TOUGH. 587 00:24:39,911 --> 00:24:42,847 I'M MORE NERVOUS ABOUT FORGETTING THE LYRICS THAN ANYTHING ELSE, 588 00:24:42,848 --> 00:24:44,549 SO WISH ME LUCK. 589 00:24:47,752 --> 00:24:49,053 I AM READY-- LET'S GO. - ALL RIGHT. 590 00:24:49,054 --> 00:24:50,921 TO THE STAGE-- HERE I GO, HERE I GO, HERE I GO. 591 00:24:50,922 --> 00:24:53,124 BREAK A LEG-- BREAK TWO LEGS. 592 00:25:06,404 --> 00:25:17,615 ♪ GRAB YOUR COAT AND GET YOUR HAT ♪ 593 00:25:17,616 --> 00:25:22,052 ♪ LEAVE YOUR WORRIES ON THE DOORSTEP ♪ 594 00:25:22,053 --> 00:25:25,389 ♪ UST DIRECT YOUR FEET ♪ 595 00:25:25,390 --> 00:25:29,760 ♪ TO THE SUNNY SIDE OF THE STREET ♪ 596 00:25:29,761 --> 00:25:31,428 MY BIGGEST CONCERN ON OPENING NIGHT 597 00:25:31,429 --> 00:25:33,163 IS REMEMBERING THE LYRICS 598 00:25:33,164 --> 00:25:34,932 AND REMEMBERING WHERE TO STAND 599 00:25:34,933 --> 00:25:36,333 BECAUSE EVERYTHING IS ABOUT BLOCKING. 600 00:25:36,334 --> 00:25:37,868 THAT'S THE TOUGHEST PART TO ME, 601 00:25:37,869 --> 00:25:40,004 BECAUSE ON DIFFERENT PARTS OF THE SONG, 602 00:25:40,005 --> 00:25:42,239 YOU HAVE TO BE STANDING EXACTLY IN YOUR LIGHT. 603 00:25:42,240 --> 00:25:44,575 THE LIGHT DOES NOT FOLLOW YOU. 604 00:25:44,576 --> 00:25:46,777 YEAH, A LOT TO THINK ABOUT. 605 00:25:50,982 --> 00:25:54,385 ♪ IF I NEVER HAD A CENT ♪ 606 00:25:54,386 --> 00:25:58,656 ♪ I'D BE RICH AS ROCKEFELLER ♪ 607 00:25:58,657 --> 00:26:00,991 I DIDN'T KNOW IT WAS "SUNNY SIDE OF THE STREET"♪AT FIRST. 608 00:26:00,992 --> 00:26:03,460 I HAD NO IDEA WHAT SONG IT WAS, 609 00:26:03,461 --> 00:26:05,462 AND I WAS LIKE, THAT SOUND KIND OF FAMILIAR, 610 00:26:05,463 --> 00:26:07,698 BUT NOT REALLY, SO THEN, SHE SUNG THE HOOK, 611 00:26:07,699 --> 00:26:09,900 I'M LIKE, "OH, I KNOW THAT SONG." 612 00:26:09,901 --> 00:26:13,171 SO, YOU KNOW, SHE ADDED A LITTLE SPIN TO IT. 613 00:26:14,406 --> 00:26:24,215 ♪ ON THE SUNNY SIDE OF THE STREET ♪ 614 00:26:37,662 --> 00:26:39,430 THE SHOW WAS GREAT, 615 00:26:39,431 --> 00:26:41,865 AND TONI DID AN EXCELLENT JOB. 616 00:26:41,866 --> 00:26:43,567 I'M SO PROUD OF HER. 617 00:26:47,205 --> 00:26:49,740 ALTHOUGH I'M USUALLY NERVOUS WHEN MY FAMILY'S IN THE AUDIENCE, 618 00:26:49,741 --> 00:26:52,876 I'M ALWAYS, AT THE END, ACTUALLY GLAD THAT THEY'RE THERE. 619 00:26:52,877 --> 00:26:55,779 THEY OFFER ME SUPPORT, AND I KNOW THEY'RE CHEERING ME ON, 620 00:26:55,780 --> 00:26:58,248 AND THEY'RE SHARING THAT MOMENT WITH ME. 621 00:26:58,249 --> 00:27:00,017 IT'S WHAT FAMILY'S FOR. 622 00:27:10,595 --> 00:27:14,965 I'MA SIT RIGHT HERE-- I LIKE THIS SEAT. 623 00:27:14,966 --> 00:27:16,266 SO AFTER TONI'S SHOW, 624 00:27:16,267 --> 00:27:18,068 WE ALL DECIDED WE WAS GONNA GO TO DINNER 625 00:27:18,069 --> 00:27:19,803 TO CELEBRATE HER OPENING NIGHT, 626 00:27:19,804 --> 00:27:21,205 AND SHE DID AN AMAZING JOB, 627 00:27:21,206 --> 00:27:23,273 AND I CAN'T WAIT TO TELL HER IN PERSON. 628 00:27:23,274 --> 00:27:24,375 HEY, GUYS. 629 00:27:28,747 --> 00:27:30,614 HEY, HEY, HEY. - THANK YOU. 630 00:27:30,615 --> 00:27:31,949 - CONGRATULAONS. - THANK YOU. 631 00:27:31,950 --> 00:27:33,617 - IT WAS WONDERFUL! - IT WAS REAL GOOD. 632 00:27:33,618 --> 00:27:35,119 I HADN'T BEEN THAT NERVOUS IN YEARS. 633 00:27:35,120 --> 00:27:36,787 - YOU COULDN'T TELL. - BEYOND NERVOUS. 634 00:27:36,788 --> 00:27:38,522 - COULD NOT TELL. - NO. 635 00:27:38,523 --> 00:27:40,558 - DAD, CAN I WEAR YOUR HAT? - CERTAINLY. 636 00:27:43,461 --> 00:27:44,728 I'M GLAD TO SEE YOU HAVING A GOOD TIME. 637 00:27:44,729 --> 00:27:46,096 I KNOW. 638 00:27:46,097 --> 00:27:47,564 I'M SUPPOSED TO GO TO ANOTHER PARTY WITH KENNY. 639 00:27:47,565 --> 00:27:48,932 I CAN'T GO-- I'M LIKE, "KEN, I CAN'T GO. 640 00:27:48,933 --> 00:27:50,467 "I LOVE YOU-- I CAN'T GO." 641 00:27:50,468 --> 00:27:51,969 - HIS DAUGHTER-- - SHE'S SO YUMMY. 642 00:27:51,970 --> 00:27:53,337 'CAUSE TOWANDA WAS LIKE, 643 00:27:53,338 --> 00:27:55,472 "LOOK AT YOUR NAILS-- YOUR NAILS ARE SO CUTE." 644 00:27:55,473 --> 00:27:59,410 AND SHE WAS LIKE, "ACTUALLY, IT STARTED OFF AS TURQUOISE, 645 00:27:59,411 --> 00:28:02,579 "AND THEN, I PUT A LIGHTER BLUE AND A WHITE ON THERE, 646 00:28:02,580 --> 00:28:04,315 "SO IT COULD CRACKLE." 647 00:28:05,517 --> 00:28:07,317 SHE'S A TAMARTIAN. 648 00:28:07,318 --> 00:28:08,686 NO, THAT DOESN'T MAKE HER A TAMARTIAN. 649 00:28:08,687 --> 00:28:11,055 WHAT-- OKAY, LET ME ASK TAMAR-- WHAT IS A TAMARTIAN? 650 00:28:11,056 --> 00:28:14,658 A RUDE, YOUNG CHILD, ON TWITTER. 651 00:28:16,394 --> 00:28:18,530 LIES. 652 00:28:20,999 --> 00:28:23,901 LIES-- I'M A LITTLE OFFENDED BY THAT. 653 00:28:23,902 --> 00:28:26,603 OMG-- HERE WE GO AGAIN. 654 00:28:26,604 --> 00:28:28,872 TAMAR AND TOWANDA GOING AT IT. 655 00:28:28,873 --> 00:28:30,841 I'D LIKE TO KNOW WHAT A TAMARTIAN IS. 656 00:28:30,842 --> 00:28:32,509 FIRST OF ALL, TAMARTIANS ARE NOT RUDE. 657 00:28:32,510 --> 00:28:35,045 - WHAT? - YES, THEY ARE. 658 00:28:35,046 --> 00:28:37,181 COMING UP ON "BRAXTON FAMILY VALUES"... 659 00:28:37,182 --> 00:28:39,049 WHAT ABOUT WHAT TOWANDA SAID. 660 00:28:39,050 --> 00:28:41,819 - YOU'RE DEFENDING YOUR FANS. - NO, I'M DEFENDING MYSELF. 661 00:28:41,820 --> 00:28:44,288 BOTH OF THEM COULD USE A SEDATIVE RIGHT NOW, 662 00:28:44,289 --> 00:28:47,891 LIKE, FOR REAL. - JUST STOP, FOR GOD SAKES! 663 00:28:47,892 --> 00:28:49,059 LET ME FINISH 'CAUSE I LET YOU TALK. 664 00:28:49,060 --> 00:28:49,927 - GO AHEAD, FINISH. - THANK YOU. 665 00:28:49,928 --> 00:28:51,161 OKAY, CONTINUE. 666 00:28:51,162 --> 00:28:52,329 YOU JUST COULDN'T LET HIM SAY SOMETHING NICE ABOUT ME? 667 00:28:52,330 --> 00:28:54,398 WE CAN'T KEEP ARGUING ABOUT EVERY LITTLE THING. 668 00:28:54,399 --> 00:28:56,501 - THAT'S NOT A TRAP. - OH, IT'S ALL A TRAP. 669 00:28:58,603 --> 00:28:58,702 I 670 00:28:58,703 --> 00:28:58,869 I NEED 671 00:28:58,870 --> 00:28:58,936 I NEED EVERYBODY 672 00:28:58,937 --> 00:28:59,069 I NEED EVERYBODY TO 673 00:28:59,070 --> 00:28:59,203 I NEED EVERYBODY TO GATHER 674 00:28:59,204 --> 00:28:59,369 I NEED EVERYBODY TO GATHER AROUND, 675 00:28:59,370 --> 00:29:00,437 I NEED EVERYBODY TO GATHER AROUND, THOUGH, 676 00:29:00,438 --> 00:29:02,072 BECAUSE I DO SOMETHING DIFFERENT GWITH MY BIRTHDAY CAKES. 677 00:29:02,073 --> 00:29:04,908 MAKE A WISH, COUNT TO THREE, AND THEN, DIG IN THE CAKE. 678 00:29:04,909 --> 00:29:07,311 YOU HAVE TO TAKE ONE BITE WITH YOUR HAND. 679 00:29:07,312 --> 00:29:09,214 EVERYBODY READY-- OKAY, GO. 680 00:29:11,816 --> 00:29:13,585 OH! 681 00:29:14,786 --> 00:29:16,186 WELL... 682 00:29:17,856 --> 00:29:20,991 LOOK AT HER-- SHE'S GREEDY. 683 00:29:20,992 --> 00:29:24,995 WE'RE JUST GREEDY-- LOOK AT HER. 684 00:29:29,768 --> 00:29:31,301 NO, YOU DON'T NEED THAT MUCH CAKE FOR-- 685 00:29:31,302 --> 00:29:33,637 [laughter 686 00:29:33,638 --> 00:29:35,239 MOMMY, STOP IT. 687 00:29:42,413 --> 00:29:42,479 LIES-- 688 00:29:42,480 --> 00:29:42,513 LIES-- I'M 689 00:29:42,514 --> 00:29:42,646 LIES-- I'M A 690 00:29:42,647 --> 00:29:42,813 LIES-- I'M A LITTLE 691 00:29:42,814 --> 00:29:42,846 LIES-- I'M A LITTLE OFFENDED 692 00:29:42,847 --> 00:29:43,647 LIES-- I'M A LITTLE OFFENDED BY 693 00:29:43,648 --> 00:29:44,448 LIES-- I'M A LITTLE OFFENDED BY THAT. 694 00:29:44,449 --> 00:29:47,217 TAMAR, TELL ME,LE WHAT A TAMARTIAN IS? 695 00:29:47,218 --> 00:29:48,685 FIRST OF ALL, TAMARTIANS ARE NOT RUDE. 696 00:29:48,686 --> 00:29:50,687 - WHAT? - YES, THEY ARE. 697 00:29:50,688 --> 00:29:52,022 ARE YOU KIDDING? 698 00:29:52,023 --> 00:29:53,423 THEY CAN CALL THEMSELVES THAT, 699 00:29:53,424 --> 00:29:55,926 BUT THE TAMARTIANS THAT I HAVE COME ACROSS ARE NOT RUDE PEOPLE. 700 00:29:55,927 --> 00:29:57,227 I AM NOT RUDE. 701 00:29:57,228 --> 00:29:58,529 - TRINA-- - I AM NOT RUDE. 702 00:29:58,530 --> 00:29:59,696 TRINA BRAXTON. 703 00:30:01,299 --> 00:30:03,467 EXCUSE ME, EXCUSE ME, EXCUSE ME. 704 00:30:03,468 --> 00:30:04,835 I WOULD LIKE TO SAY-- 705 00:30:04,836 --> 00:30:06,203 YOU'RE MISUNDERSTANDING THEIR PASSION. 706 00:30:06,204 --> 00:30:08,672 THESE ARE THE SAME TAMARTIANS WHO SAID 707 00:30:08,673 --> 00:30:11,675 THAT THEY WISH THAT MY CHILDREN WERE RAPED 708 00:30:11,676 --> 00:30:14,344 AND GOTTEN HIT BY A BUS. - KILLED. 709 00:30:14,345 --> 00:30:17,381 OKAY, BUT TOWANDA-- WHO CLAPPED BACK AND ATTACKED ME. 710 00:30:17,382 --> 00:30:18,482 WE'RE NOT GONNA DO THAT. 711 00:30:18,483 --> 00:30:19,616 WE'RE NOT GONNA DO THIS TODAY. 712 00:30:19,617 --> 00:30:20,684 NO, MA'AM. 713 00:30:20,685 --> 00:30:21,685 AND WE'RE NEVER GONNA HAVE THIS CONVERSATION-- 714 00:30:21,686 --> 00:30:22,786 NO, MA'AM, WE'RE GONNA HAVE IT RIGHT NOW. 715 00:30:22,787 --> 00:30:23,987 OH, MY GOD. 716 00:30:23,988 --> 00:30:25,189 WE CAN'T KEEP DOING THIS. 717 00:30:25,190 --> 00:30:26,356 THIS HAS TO STOP. 718 00:30:26,357 --> 00:30:27,491 WHOA! 719 00:30:27,492 --> 00:30:28,859 BUT YOU CAN'T DEFEND THAT, TAMAR. 720 00:30:28,860 --> 00:30:30,227 WHAT IS GOING ON? 721 00:30:30,228 --> 00:30:32,362 EVERY TIME WE THINK WE MOVED ON FROM TAMAR'S 722 00:30:32,363 --> 00:30:35,966 AND TOWANDA'S FEUD, IT KEEPS COMING RIGHT BACK. 723 00:30:35,967 --> 00:30:37,634 WHAT ABOUT WHAT TOWANDA SAID? 724 00:30:39,504 --> 00:30:40,904 WE NOT GONNA LET HER DO THAT HERE. 725 00:30:42,607 --> 00:30:44,508 I ABSOLUTELY CANNOT BELIEVE 726 00:30:44,509 --> 00:30:50,814 THAT TAMAR IS STICKING UP FOR SOME OF HER MEAN-IONS-- 727 00:30:50,815 --> 00:30:53,050 YES, I CALLED THEM "MEAN-ION ♪TAMARTIANS." 728 00:30:53,051 --> 00:30:55,786 HOW DARE YOU STICK UP FOR STRANGERS, 729 00:30:55,787 --> 00:30:57,888 BEFORE YOU STICK UP FOR YOUR SISTERS, 730 00:30:57,889 --> 00:30:59,790 FOR YOUR NIECE AND NEPHEW. 731 00:30:59,791 --> 00:31:01,625 I THINK THAT'S TOTALLY RIDICULOUS. 732 00:31:01,626 --> 00:31:03,493 THAT JUST LETS ME KNOW THAT SHE RESPECTS THEM 733 00:31:03,494 --> 00:31:05,395 MORE THAN SHE RESPECTS US. 734 00:31:05,396 --> 00:31:08,031 - YOU'RE DEFENDING YOUR FANS. - NO, I'M DEFENDING MYSELF 735 00:31:08,032 --> 00:31:09,766 BECAUSE-- - YOUR FANS. 736 00:31:11,269 --> 00:31:13,070 TAMARTIANS WAS NAMED AFTER ME, TOWANDA. 737 00:31:13,071 --> 00:31:14,538 STOP-- STOP, STOP, GUYS. 738 00:31:14,539 --> 00:31:16,506 I SAID, YOUR FANS-- I DIDN'T SAY TAMAR. 739 00:31:16,507 --> 00:31:19,543 - STOP, FOR GOD SAKES-- - I DIDN'T SAY TAMAR! 740 00:31:19,544 --> 00:31:23,180 NOW, EVERYBODY WHO COME AT YOU, IN MY DEFENSE, 741 00:31:23,181 --> 00:31:26,083 IS NOT A TAMARTIAN BECAUSE WE ARE VERY POSITIVE PEOPLE, 742 00:31:26,084 --> 00:31:27,451 BECAUSE YOU DON'T GET THIS BEAT 743 00:31:27,452 --> 00:31:29,853 WITHOUT BEING POSITIVE AND THAT'S, YOU KNOW, A TRUE FACT. 744 00:31:29,854 --> 00:31:32,923 HOWEVER, YOU KNOW, A TAMARTIAN KNOWS, AT THE END OF THE DAY, 745 00:31:32,924 --> 00:31:34,524 WE MIGHT FUSS AND ARGUE AND FIGHT, 746 00:31:34,525 --> 00:31:36,360 BUT I LOVE MY SISTERS, AND I'MA ROOT FOR 'EM 747 00:31:36,361 --> 00:31:42,733 AND I'MA FIGHT FOR THEM-- SO, THAT WASN'T A TAMARTIAN... 748 00:31:42,734 --> 00:31:44,401 ...YET. 749 00:31:44,402 --> 00:31:45,602 DO WE HAVE TO-- IT'S MY NIGHT. 750 00:31:45,603 --> 00:31:46,870 CAN WE FOCUS? 751 00:31:46,871 --> 00:31:48,939 NO ONE SAID "I'M SORRY." OR "I DIDN'T MEAN THAT." 752 00:31:48,940 --> 00:31:50,707 BOTH OF THEM COULD USE A SEDATIVE RIGHT NOW. 753 00:31:50,708 --> 00:31:53,243 LIKE, FOR REAL-- CAN WE DO A TOAST? 754 00:31:53,244 --> 00:31:54,912 DANG, CONGRATULATIONS. - OH, ABSOLUTELY. 755 00:31:54,913 --> 00:31:57,014 YOU DID THAT. 756 00:31:57,015 --> 00:32:00,017 IT WAS HARD, BUT YOU GOT THROUGH IT AND IT WAS GREAT. 757 00:32:00,018 --> 00:32:01,151 IT WAS AWESOME. 758 00:32:01,152 --> 00:32:03,787 - CLINK-CLINK CLINK-CLINK-CLINK. - THANK YOU. 759 00:32:03,788 --> 00:32:06,957 BOY, DO WE NEED A RETREAT? - Y'ALL NEED TWO RETREATS. 760 00:32:06,958 --> 00:32:08,659 WHEN DO WE LEAVE? 761 00:32:08,660 --> 00:32:10,027 I'M SORRY-- I HAVE A NANNY, RIGHT NOW. 762 00:32:10,028 --> 00:32:11,828 SORRY-- I LOVE Y'ALL TO PIECES. 763 00:32:11,829 --> 00:32:13,230 OKAY, GOOD-NIGHT. 764 00:32:13,231 --> 00:32:14,866 AU PAIR. 765 00:32:32,450 --> 00:32:33,383 HI. 766 00:32:33,384 --> 00:32:34,418 WE HAVE CHAMPAGNE FOR THE TABLE THERE. 767 00:32:34,419 --> 00:32:35,585 I AM WAITING FOR MY SISTERS, WHO ARE LATE. 768 00:32:35,586 --> 00:32:36,754 I AM ON TIME. 769 00:32:38,356 --> 00:32:39,423 COULD YOU, PLEASE-- THANK YOU, SO MUCH. 770 00:32:39,424 --> 00:32:40,691 VERY GOOD. 771 00:32:40,692 --> 00:32:43,193 IT'S WEDNESDAY, WHICH MEANS THERE ARE TWO SHOWS, 772 00:32:43,194 --> 00:32:44,661 A MATINEE AND A NIGHT PERFORMANCE. 773 00:32:44,662 --> 00:32:45,929 SO, IN BETWEEN THE SHOWS, 774 00:32:45,930 --> 00:32:47,064 I'M GONNA GO HANG OUT WITH THE GIRLS, 775 00:32:47,065 --> 00:32:48,265 JUST TO HANG OUT. 776 00:32:48,266 --> 00:32:50,567 FAMILY MEAL BEFORE THEY ALL LEAVE. 777 00:32:50,568 --> 00:32:51,768 - HEY-HEY. - HELLO. 778 00:32:51,769 --> 00:32:53,070 - HI. - HEY, EVERYONE. 779 00:32:53,071 --> 00:32:54,104 HEY. 780 00:32:54,105 --> 00:32:56,606 - I DON'T KNOW WHAT THAT IS. - DELICIOUSNESS. 781 00:32:56,607 --> 00:32:59,609 - HEY, GUYS. - I WAS HERE BEFORE ANYONE. 782 00:32:59,610 --> 00:33:02,879 TONI NEVER LATE. 783 00:33:02,880 --> 00:33:04,681 SO Y'ALL GONNA COME TO THE SHOW TONIGHT? 784 00:33:04,682 --> 00:33:06,316 CHEER ME ON? - I'M GOING. 785 00:33:06,317 --> 00:33:07,484 IT'S SOLD OUT. 786 00:33:07,485 --> 00:33:08,819 STOP EATING WITH YOUR HANDS, GIRL. 787 00:33:08,820 --> 00:33:09,686 THAT'S WHERE I GET MY NAILS DONE. 788 00:33:09,687 --> 00:33:11,121 YOU TONI BRAXTON. 789 00:33:11,122 --> 00:33:13,223 I'M HUNGRY BRAXTON, RIGHT NOW. 790 00:33:13,224 --> 00:33:16,126 I'M EATING MY FEELINGS. 791 00:33:16,127 --> 00:33:18,295 - WHAT ARE YOUR FEELINGS? - I DIDN'T LIKE YESTERDAY. 792 00:33:18,296 --> 00:33:21,231 I DIDN'T LIKE HOW-- WHAT WE DID LAST NIGHT. 793 00:33:21,232 --> 00:33:23,500 - IT'S NOT WE. - IT'S WE. 794 00:33:23,501 --> 00:33:25,202 - IT'S LIES. - IT'S WE. 795 00:33:25,203 --> 00:33:26,636 I DON'T WANNA TALK ABOUT IT AT ALL. 796 00:33:26,637 --> 00:33:29,539 I WANNA TALK ABOUT IT 'CAUSE YOU GOTTA GET PAST IT. 797 00:33:29,540 --> 00:33:30,707 WHEN TONI WAS LIKE, YOU KNOW, 798 00:33:30,708 --> 00:33:32,342 I DON'T LIKE WHAT "WE" DID LAST NIGHT. 799 00:33:32,343 --> 00:33:33,477 NO, IT WASN'T "WE." 800 00:33:33,478 --> 00:33:35,512 BECAUSE I FELT LIKE TOWANDA INSULTED ME, 801 00:33:35,513 --> 00:33:37,881 AND MY TAMARTIAN FRIENDS. 802 00:33:37,882 --> 00:33:39,316 THIS IS RIDICULOUS. 803 00:33:39,317 --> 00:33:40,784 I MEAN, WHEN IS THIS GONNA END? 804 00:33:40,785 --> 00:33:42,619 LIKE, SERIOUSLY, WHEN IS IT GONNA END? 805 00:33:42,620 --> 00:33:45,222 BECAUSE I SAID SOMETHING ABOUT SOME STRANGERS THAT FOLLOW YOU, 806 00:33:45,223 --> 00:33:47,524 YOU'RE MAD AT ME-- THAT'S CRAZY. 807 00:33:47,525 --> 00:33:50,794 SO HOW ARE WE GOING TO MOVE FORWARD, 808 00:33:50,795 --> 00:33:53,296 IN ORDER TO DO OUR RECORD AND OUR ALBUM, 809 00:33:53,297 --> 00:33:55,699 IF WE HAVE TENSION-- HOW'S THAT GONNA WORK? 810 00:33:59,570 --> 00:34:02,172 I WAS, YOU KNOW, IN A HAPPY MOOD YESTERDAY. 811 00:34:02,173 --> 00:34:04,474 IT WAS MY OPENING NIGHT AND IT'S LIKE, "HERE WE GO." 812 00:34:04,475 --> 00:34:07,844 I GET THE FEELING-- ON MY BIRTHDAY, TOO, I GOT IT, SO... 813 00:34:07,845 --> 00:34:10,580 EVERYBODY SAID REALLY GOOD, NICE THINGS TO YOU. 814 00:34:10,581 --> 00:34:13,450 UNTIL THAT WAS CHALLENGED, 815 00:34:13,451 --> 00:34:16,620 BUT I'M NOT GETTING READY TO TALK ABOUT THAT NOW. 816 00:34:16,621 --> 00:34:17,687 HOW CAN WE MOVE PAST IT, 817 00:34:17,688 --> 00:34:18,889 IF YOU'RE NOT GONNA SPEAK ON IT? 818 00:34:18,890 --> 00:34:21,024 - THAT'S WHAT I SAY. - IS SOMEBODY GONNA HAVE ESP? 819 00:34:21,025 --> 00:34:23,427 I DON'T KNOW WHAT THE HECK Y'ALL TALKING ABOUT. 820 00:34:23,428 --> 00:34:24,961 OKAY, FIRST OF ALL, WAIT-- JUST-- 821 00:34:24,962 --> 00:34:26,096 I'M NOT GONNA TALK AROUND ANYTHING 822 00:34:26,097 --> 00:34:27,130 AND I'M NOT GONNA MINCE WORDS. 823 00:34:27,131 --> 00:34:28,498 THIS IS JUST SLATE. - GOOD. 824 00:34:28,499 --> 00:34:32,035 SO-SO, AT THE PARTY, SOME GUY SAYS, 825 00:34:32,036 --> 00:34:35,005 "WELL, EVERYBODY SAYS THAT YOU'RE NOT THE SAME PERSON 826 00:34:35,006 --> 00:34:37,140 OR YOU ACTING DIFFERENTLY, BUT I DON'T SEE THAT, 827 00:34:37,141 --> 00:34:38,175 OR SOMETHING TO THAT EFFECT. 828 00:34:38,176 --> 00:34:39,709 I SAID... 829 00:34:39,710 --> 00:34:42,312 AND THEN, TOWANDA SAID SOMETHING 830 00:34:42,313 --> 00:34:44,548 AND THEY WERE KINDA GOING BACK AND FORTH. 831 00:34:44,549 --> 00:34:46,583 AND THEN, TAMAR TURNS AROUND AND SHE SAYS, 832 00:34:46,584 --> 00:34:48,351 "HE'S NOT TALKING ABOUT Y'ALL. 833 00:34:48,352 --> 00:34:49,786 "HE'S NOT TALKING ABOUT "Y'ALL OR SOMETHING." 834 00:34:49,787 --> 00:34:51,221 WHATEVER-WHATEVER. - WHO IS THIS GUY? 835 00:34:51,222 --> 00:34:52,322 WHY DID HE FEEL THE NEED TO SAY THAT? 836 00:34:52,323 --> 00:34:53,924 I DON'T EVEN KNOW. 837 00:34:53,925 --> 00:34:56,093 YOU KNOW, HE WASN'T SAYING, TOWANDA, TRACI AND TRINA. 838 00:34:56,094 --> 00:34:58,161 HE SAID, I KNOW PEOPLE SAID, AND THEN, YOU SAID... 839 00:34:58,162 --> 00:34:59,162 . 840 00:34:59,163 --> 00:35:00,530 AND TOWANDA SAID, ARE YOU THERE? 841 00:35:00,531 --> 00:35:01,698 ARE YOU WITH HER ALL THE TIME? 842 00:35:01,699 --> 00:35:03,433 THEN, HOW DO-- - TRINA STARTED COUGHING FIRST. 843 00:35:03,434 --> 00:35:04,634 WELL, YOU'RE THE ONE WHO SAID SOMETHING. 844 00:35:04,635 --> 00:35:05,869 - IT DOESN'T MATTER. - OH, MY GOD. 845 00:35:05,870 --> 00:35:07,704 TAMAR ALWAYS SINGLES ME OUT. 846 00:35:07,705 --> 00:35:09,272 SHE ALWAYS SINGLES TOWANDA OUT. 847 00:35:09,273 --> 00:35:10,474 I DON'T KNOW WHY, 848 00:35:10,475 --> 00:35:13,009 BECAUSE TRINA COUGHED FIRST, 849 00:35:13,010 --> 00:35:16,179 AND EVERYBODY KNOWS THAT WHEN YOU COUGH, 850 00:35:16,180 --> 00:35:18,982 IT MEANS -- THAT'S WHAT IT MEANS. 851 00:35:18,983 --> 00:35:20,150 WHY WOULD YOU MAKE THE STATEMENT 852 00:35:20,151 --> 00:35:22,119 THAT HE'S NOT TALKING ABOUT Y'ALL? 853 00:35:22,120 --> 00:35:23,320 TOWANDA, I'M NOT GONNA FALL INTO YOUR TRAP. 854 00:35:23,321 --> 00:35:24,454 NO, THAT'S-- THAT'S NOT A TRAP. 855 00:35:24,455 --> 00:35:26,123 - OH, IT'S ALL A TRAP. - THAT'S NOT A TRAP. 856 00:35:26,124 --> 00:35:28,291 WHY WOULD YOU EVEN MAKE THAT STATEMENT? 857 00:35:28,292 --> 00:35:30,327 YOU FELT GUILTY BECAUSE YOU KNOW HOW YOU'VE BEEN ACTING. 858 00:35:30,328 --> 00:35:32,229 - GUILTY, HMM-- OKAY. - AND HOWEVER-- EXCUSE ME. 859 00:35:32,230 --> 00:35:33,797 LET ME FINISH 'CAUSE I LET YOU FINISH. 860 00:35:33,798 --> 00:35:34,764 GO AHEAD, FINISH-- 861 00:35:34,765 --> 00:35:35,799 - THANK YOU-- I WILL. - OKAY, CONTINUE. 862 00:35:35,800 --> 00:35:37,734 - I WILL, AND-- I WILL. - GOOD. 863 00:35:37,735 --> 00:35:41,905 AND, UM, YES-- SO, AND THEN, YOU DECIDED THAT, YOU KNOW, 864 00:35:41,906 --> 00:35:43,240 YOU WANTED TO SAY SOMETHING. 865 00:35:43,241 --> 00:35:46,877 LIKE, YOU JUST COULDN'T LET HIM SAY SOMETHING NICE ABOUT ME? 866 00:35:46,878 --> 00:35:49,379 TOWANDA ALWAYS TRY TO ACT LIKE TAMAR DOESN'T GET IT, 867 00:35:49,380 --> 00:35:51,047 BUT THIS BACK AND FORTH BETWEEN THEM, 868 00:35:51,048 --> 00:35:53,617 IT'S HAPPENING ALL THE TIME NOW, 869 00:35:53,618 --> 00:35:57,187 AND I KNOW TOWANDA'S GONNA REACH HER BREAKING POINT SOON. 870 00:35:57,188 --> 00:35:59,055 DO YOU THINK YOU'VE BEEN THE SAME EXACT PERSON? 871 00:35:59,056 --> 00:36:01,391 - HE DOES. - NO, I'M ASKING YOU. 872 00:36:01,392 --> 00:36:02,993 DO YOU THINK THAT YOU'VE BEEN-- 873 00:36:02,994 --> 00:36:04,261 I KNOW-I KNOW I'M THE SAME PERSON... 874 00:36:04,262 --> 00:36:05,529 I'M ASKING, DO YOU THINK THAT YOU'VE BEEN-- 875 00:36:05,530 --> 00:36:06,930 - I'M ANSWERING. - OKAY, ANSWER THEN. 876 00:36:06,931 --> 00:36:07,998 I HAVE BEEN THE SAME. 877 00:36:07,999 --> 00:36:09,299 TOWANDA, YOU'RE NOT MY AUTHORITY, 878 00:36:09,300 --> 00:36:12,203 NOR AM I AFRAID OF YOU, SO DON'T TALK TO ME LIKE THAT, OKAY? 879 00:36:14,939 --> 00:36:15,972 HERE WE GO AGAIN. 880 00:36:15,973 --> 00:36:18,875 TOWANDA AND TAMAR ARGUING, AGAIN-- THIS IS CRAZY. 881 00:36:18,876 --> 00:36:21,711 WE CAN'T KEEP ARGUING ABOUT EVERYTHING, EVERY LITTLE THING. 882 00:36:21,712 --> 00:36:26,583 EVERY TIME WE GET TOGETHER, IT ALWAYS END UP 883 00:36:26,584 --> 00:36:28,718 THIS WAY. - THAT'S FUNNY. 884 00:36:28,719 --> 00:36:31,888 EITHER Y'ALL GO GET HELP, 885 00:36:31,889 --> 00:36:36,159 OR JUST LEAVE EACH OTHER ALONE, 886 00:36:36,160 --> 00:36:38,930 BECAUSE THIS IS A MESS. 887 00:36:41,699 --> 00:36:43,567 COMING UP ON "BRAXTON FAMILY VALUES"... 888 00:36:43,568 --> 00:36:44,868 YOU CAN'T KEEP WALKING AWAY. 889 00:36:44,869 --> 00:36:45,902 ALL THE TIME. 890 00:36:45,903 --> 00:36:47,504 I'M NEVER ARGUING WITH YOU AGAIN. 891 00:36:47,505 --> 00:36:50,107 NOBODY CARES ABOUT ME! 892 00:36:56,380 --> 00:36:58,615 EITHER Y'ALL GO GET HELP, 893 00:36:58,616 --> 00:37:02,385 OR JUST LEAVE EACH OTHER ALONE, 894 00:37:02,386 --> 00:37:06,957 BECAUSE THIS IS A MESS. 895 00:37:06,958 --> 00:37:09,626 I CAN'T EVEN BELIEVE MY MOM WOULD SAY, 896 00:37:09,627 --> 00:37:11,761 "WELL, MAYBE YOU GUYS SHOULDN'T HANG TOGETHER 897 00:37:11,762 --> 00:37:13,563 "OR BE TOGETHER OR LOVE EACH OTHER FROM AFAR." 898 00:37:13,564 --> 00:37:15,065 WHY WOULD YOU SAY SOMETHING LIKE THAT? 899 00:37:15,066 --> 00:37:16,833 THAT'S NOT... 900 00:37:16,834 --> 00:37:20,904 I DIDN'T THINK THAT WAS OKAY FOR HER TO SAY. 901 00:37:20,905 --> 00:37:24,841 IF EVERYBODY HAS SOMETHING NICE TO SAY ABOUT YOU, 902 00:37:24,842 --> 00:37:26,876 WOULDN'T YOU FEEL A CERTAIN TYPE OF WAY 903 00:37:26,877 --> 00:37:29,946 IF ONE OF YOUR FAMILY MEMBERS ARGUED THAT, 904 00:37:29,947 --> 00:37:31,615 AND IN THAT SETTING? 905 00:37:31,616 --> 00:37:33,483 IF SOMEONE SAID, YOU KNOW, "TONI'S AN AMAZING SINGER. 906 00:37:33,484 --> 00:37:36,820 "SHE'S A SIX-TIME GRAMMY "AWARD WINNING SONG WRITER, 907 00:37:36,821 --> 00:37:38,655 "PRODUCER, VOCALIST. 908 00:37:38,656 --> 00:37:40,457 "THIS IS HER THIRD "TIME ON BROADWAY." 909 00:37:40,458 --> 00:37:42,092 BUT ON THE OTHER SIDE OF THE TABLE, 910 00:37:42,093 --> 00:37:44,527 SOMEBODY SAY, "BUT THAT BITCH STINK." 911 00:37:44,528 --> 00:37:45,729 AND IT CAME FROM YOUR SISTER. 912 00:37:45,730 --> 00:37:47,197 WOULD YOU TURN AROUND AND SAY "WHAT?" 913 00:37:47,198 --> 00:37:48,632 I DIDN'T SAY THAT-- THAT'S NOT THE SAME. 914 00:37:48,633 --> 00:37:49,833 IT'S CRAZY. 915 00:37:49,834 --> 00:37:51,601 OF COURSE, WHAT I SAY, I CRAZY. 916 00:37:51,602 --> 00:37:52,535 TAMAR, STOP. 917 00:37:52,536 --> 00:37:53,703 - NO, SHE DIDN'T-- - NO, TAMAR, STOP. 918 00:37:53,704 --> 00:37:54,971 SHE DIDN'T SAY YOU WERE CRAZY. 919 00:37:54,972 --> 00:37:56,139 OBVIOUSLY, THERE'S A SENSITIVITY 920 00:37:56,140 --> 00:37:57,340 ABOUT WHETHER YOU'VE CHANGED. 921 00:37:57,341 --> 00:37:58,508 EXACTLY. 922 00:37:58,509 --> 00:37:59,609 NO, THAT IS NOT A SENSITIVITY. 923 00:37:59,610 --> 00:38:00,810 I DIDN'T ASK ABOUT NO SENSITIVITY. 924 00:38:00,811 --> 00:38:02,078 I DIDN'T ASK ABOUT WHAT HE SAID. 925 00:38:02,079 --> 00:38:04,214 I SAID, HOW WOULD YOU FEEL IF YOUR SISTER 926 00:38:04,215 --> 00:38:06,016 REBUTTALED THE FACT THAT-- 927 00:38:06,017 --> 00:38:07,817 I DIDN'T REFUTE ANYTHING THAT HE SAID. 928 00:38:07,818 --> 00:38:09,552 I WOULD BE EXTREMELY UPSET, 929 00:38:09,553 --> 00:38:10,887 BUT THAT'S NOT WHAT HAPPENED. 930 00:38:10,888 --> 00:38:12,055 OH! 931 00:38:12,056 --> 00:38:15,725 YOU KNOW, THIS IS ABOUT TO DRIVE ME TO DRINK. 932 00:38:15,726 --> 00:38:17,627 - HERE YOU GO. - I BEAT YOU. 933 00:38:17,628 --> 00:38:18,928 I LOVE YOU ALL, BUT I GOTTA GO. 934 00:38:18,929 --> 00:38:20,664 I CANNOT TAKE THIS ENERGY WITH ME ON STAGE. 935 00:38:20,665 --> 00:38:21,898 I'M OUT. 936 00:38:21,899 --> 00:38:23,600 I AM SUPER FRUSTRATED RIGHT NOW. 937 00:38:23,601 --> 00:38:24,768 NOT ONLY DO I HAVE TO LEAVE, 938 00:38:24,769 --> 00:38:27,070 I HAVE A SHOW IN AN HOUR, AND MY SISTERS ARE ARGUING 939 00:38:27,071 --> 00:38:30,206 AND THERE'S TENSION, AGAIN-- THIS IS JUST SILLINESS. 940 00:38:30,207 --> 00:38:31,908 I MEAN, SHAME ON YOU, BOTH OF YOU-- BOO. 941 00:38:31,909 --> 00:38:35,712 BOO TO TOWANDA, AND BOO TO TAMAR. 942 00:38:35,713 --> 00:38:38,548 I THINK ALL THE SISTERS SAID VERY NICE THINGS 943 00:38:38,549 --> 00:38:41,284 ABOUT-ABOUT THEIR SISTER. - THAT'S THE WHOLE POINT. 944 00:38:41,285 --> 00:38:42,786 WHEN THE GUY MADE THE COMMENT 945 00:38:42,787 --> 00:38:44,688 TALKING ABOUT TAMAR, HOW-HOW CAN HE KNOW-- 946 00:38:44,689 --> 00:38:45,822 TALKING ABOUT TAMAR? 947 00:38:45,823 --> 00:38:47,290 HE WASN'T DEFENDING ME-- HE WAS DEFENDING YOURSELF. 948 00:38:47,291 --> 00:38:48,525 NO-NO-NO-NO-- LET ME-LET ME FINISH. 949 00:38:48,526 --> 00:38:49,793 NO, MY THING IS THIS: 950 00:38:49,794 --> 00:38:52,162 WHO IS THIS DUDE SAYING THAT HE'S KNOWN TAMAR FOR A LONG TIME 951 00:38:52,163 --> 00:38:53,930 AND HE KNOWS THAT SHE HASN'T CHANGED. 952 00:38:53,931 --> 00:38:54,998 HOW DO YOU KNOW? 953 00:38:54,999 --> 00:38:56,066 YOU KNOW HER? 954 00:38:56,067 --> 00:38:57,167 TOWANDA, YOU JUST THOUGHT OF THAT, CHILD. 955 00:38:57,168 --> 00:38:58,268 NO, I DIDN'T-- NO, MA'AM, SIR. 956 00:38:58,269 --> 00:38:59,569 I DID NOT JUST THINK ABOUT THAT. 957 00:38:59,570 --> 00:39:00,904 I'M NOT GONNA ARGUE WITH HER-- I'M NOT GONNA ARGUE WITH YOU. 958 00:39:00,905 --> 00:39:01,971 I'M JUST TELLING WHAT I-- HOW I FEEL. 959 00:39:01,972 --> 00:39:03,239 I'M NEVER ARGUING WITH YOU AGAIN. 960 00:39:03,240 --> 00:39:04,607 - YOU CAN'T KEEP WALKING AWAY. - ALL THE TIME, ALL THE TIME. 961 00:39:04,608 --> 00:39:06,476 - YOU CAN'T WALK AWAY. - ALL THE TIME. 962 00:39:06,477 --> 00:39:12,515 OOH, CHILD, 'CAUSE I AIN'T GOT TIME FOR THE DRAMA, 963 00:39:12,516 --> 00:39:15,852 AND I LOVE JESUS. 964 00:39:15,853 --> 00:39:17,787 I'VE GIVEN MY LIFE OVER TO CHRIST. 965 00:39:17,788 --> 00:39:19,489 HALLELUJAH. 966 00:39:19,490 --> 00:39:26,229 I'M NOT GONNA ARGUE ABOUT NOTHING, 'CAUSE SHE NEEDS HER VOICE. 967 00:39:26,230 --> 00:39:27,464 BUT NO SHADE. 968 00:39:27,465 --> 00:39:28,565 IT'S TRUE-- I'M NOT GONNA ARGUE. 969 00:39:28,566 --> 00:39:29,766 I AIN'T GOT TIME FOR THAT. 970 00:39:29,767 --> 00:39:31,234 TAMAR, THAT'S WHACK THAT YOU'RE WALKING AWAY, THOUGH. 971 00:39:31,235 --> 00:39:32,235 GIRL, NO, IT'S NOT. 972 00:39:32,236 --> 00:39:33,370 - YES, IT IS. - GIRL LIES. 973 00:39:33,371 --> 00:39:34,738 NO, IT'S THE TRUTH. 974 00:39:34,739 --> 00:39:36,941 - UH-UH. - YES. 975 00:39:39,410 --> 00:39:41,311 THERE HAS TO BE SOME RESOLVE. 976 00:39:41,312 --> 00:39:46,649 HOW CAN IT BE, TRINA, A RESOLUTION, WHEN... 977 00:39:46,650 --> 00:39:48,284 SHE WALKS AWAY? 978 00:39:48,285 --> 00:39:51,087 I NEVER GET UP-- I NEVER WALK AWAY. 979 00:39:51,088 --> 00:39:52,389 I LOVE YOU, BOO-- I CAN'T DO THIS. 980 00:39:52,390 --> 00:39:53,723 OF COURSE, YOU CAN'T. 981 00:39:53,724 --> 00:39:55,358 I SHOULD HAVE NEVER COME HERE. 982 00:39:55,359 --> 00:39:57,026 PEACE IN THE MIDDLE EAST-- I GOT TO GO. 983 00:39:57,027 --> 00:39:58,528 DON'T WALK AWAY-- THAT'S NOT COOL. 984 00:39:58,529 --> 00:40:03,533 THIS SITUATION IS THE NUCLEUS OF ALL THE... 985 00:40:03,534 --> 00:40:06,970 EXCUSE ME-- 986 00:40:06,971 --> 00:40:09,005 THAT'S HAPPENING BETWEEN ALL THE REST OF THE SISTERS, 987 00:40:09,006 --> 00:40:10,974 BECAUSE SOME PEOPLE FEEL LIKE THEY'RE ON ONE SIDE. 988 00:40:10,975 --> 00:40:13,376 OTHER PEOPLE FEEL LIKE THEY'RE ON THE OTHER SIDE. 989 00:40:13,377 --> 00:40:14,411 WAIT, PLEASE LET ME FINISH. 990 00:40:14,412 --> 00:40:16,179 MMM-HMM-- MMM-HMM, MMM-HMM. 991 00:40:16,180 --> 00:40:18,948 IT IS SO FRUSTRATING AND IT'S HURTFUL. 992 00:40:18,949 --> 00:40:21,384 YES, IT IS. 993 00:40:21,385 --> 00:40:23,720 BECAUSE WE ALL LOVE EACH OTHER TOO MUCH 994 00:40:23,721 --> 00:40:27,791 FOR THIS STUPIDITY TO KEEP HAPPENING FOR NO REASON. 995 00:40:27,792 --> 00:40:28,892 YOU DON'T KNOW WHAT TO DO 996 00:40:28,893 --> 00:40:30,560 AND YOU DON'T KNOW WHAT TO SAY. 997 00:40:30,561 --> 00:40:33,596 AND THAT'S EXACTLY WHAT I WAS TRYING TO TELL ALL OF YOU. 998 00:40:33,597 --> 00:40:36,499 YOU'VE GOTTA GET TO THE BOTTOM OF THIS. 999 00:40:36,500 --> 00:40:39,702 IT'S MORE THAN THE PARTY, OR THE BIZ. 1000 00:40:39,703 --> 00:40:42,672 THERE'S A CORE THERE THAT NEEDS TO BE REACHED. 1001 00:40:42,673 --> 00:40:45,341 GO AHEAD, 'WANDA. 1002 00:40:45,342 --> 00:40:48,812 I'D LIKE TO COMMENT, TRINA, ON WHAT YOU JUST SAID. 1003 00:40:48,813 --> 00:40:52,282 I HAVE TO SAY THAT I HAVE NEVER ASKED ANYBODY 1004 00:40:52,283 --> 00:40:53,650 TO BE TEAM TOWANDA. 1005 00:40:53,651 --> 00:40:55,351 - NO, I'M NOT SAYING THAT-- - NO, BUT I HAVE TO SAY THAT 1006 00:40:55,352 --> 00:40:58,621 BECAUSE I HAVE NEVER ASKED, "WHAT ABOUT WANDA'S FEELINGS?" 1007 00:40:58,622 --> 00:41:04,527 BECAUSE I FEEL NO ONE EVER CARED ABOUT MY FEELINGS! 1008 00:41:04,528 --> 00:41:07,697 NOBODY EVER CARED ABOUT HOW TOWANDA FEELS! 1009 00:41:07,698 --> 00:41:08,932 CAREFUL WITH THE TABLE-- 1010 00:41:08,933 --> 00:41:10,166 - NOBODY CARES! - TOWANDA, PLEASE. 1011 00:41:10,167 --> 00:41:11,468 NOBODY CARES! 1012 00:41:11,469 --> 00:41:12,702 TOWANDA, GET UP FROM THE TABLE, THOUGH. 1013 00:41:12,703 --> 00:41:14,304 GET UP FROM THE TABLE. - I DON'T CARE! 1014 00:41:14,305 --> 00:41:17,707 NOBODY CARES ABOUT ME! 1015 00:41:17,708 --> 00:41:19,409 NO, BABY, YOU CAN'T DO THAT NOW. 1016 00:41:19,410 --> 00:41:22,445 - YES, I CAN! - NO, YOU CAN'T DO THAT. 1017 00:41:22,446 --> 00:41:24,481 MOVE-- MOVE! 1018 00:41:36,093 --> 00:41:39,896 I'M GONNA GET UP, CHECK ON MY SISTER. 1019 00:41:39,897 --> 00:41:42,699 WHAT IS GOING ON, FOR GOD SAKES? 1020 00:41:42,700 --> 00:41:44,033 COME ON. 1021 00:41:44,034 --> 00:41:47,837 SHE WAS JUST AT HER BREAKING POINT. 1022 00:41:47,838 --> 00:41:52,342 - COME ON. - COME ON. 1023 00:41:53,844 --> 00:41:57,914 GONNA BE ALL RIGHT, BABY. 1024 00:41:57,915 --> 00:42:01,017 I NEVER WOULD HAVE THOUGHT, IN 500 MILLION YEARS, 1025 00:42:01,018 --> 00:42:03,419 THAT THIS WOULD EVER HAPPEN TO OUR FAMILY. 1026 00:42:03,420 --> 00:42:07,524 AND I DON'T KNOW IF WE CAN GET THINGS BACK ON TRACK. 76332

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.