Original subtitles

TRINA

TRINA WAS

TRINA WAS OUT

TRINA WAS OUT OF

TRINA WAS OUT OF BREATH--

TRINA WAS OUT OF BREATH-- WASN'T

TRINA WAS OUT OF BREATH-- WASN'T SHE

TRINA WAS OUT OF BREATH-- WASN'T SHE OUT

TRINA WAS OUT OF BREATH-- WASN'T SHE OUT OF

TRINA WAS OUT OF BREATH-- WASN'T SHE OUT OF BREATH?

WELL, YOU KNOW, I GOT A LITTLE BIT CHUNKY.

I'M GETTING READY TO GO ON TOUR,

AND I'M STARTING TO FREAK OUT A LITTLE BIT.

EXCUSE ME, BUT BOSS LADY IS CALLIN'.

HEY, TONE.

- OKAY, NO POM-POMS, TONI. - UGH... SHE'S SO BOSSY.

- WHERE TOWANDA TODAY? - I DON'T KNOW.

SO, SHE WASN'T TRYIN' TO COME TO MY REHEARSAL?

I DON'T KNOW-- I DIDN'T ASK.

I'M YOUR SISTER.

TEXT ME AND SAY YOU'RE NOT COMIN' TO MY REHEARSAL.

I CAN'T MAKE EVERYBODY'S ISSUES MINE.

YOU DONE PREACHED WITH THAT ONE.

THAT, RIGHT THERE, IS THE WORD.

♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO ♪

♪ ON BRAXTON FAMILY VALUES ♪

WHERE THE GIRLS?

WHERE THE GIRLS AT?

TRINA, TOWANDA?

TODAY IS THE FINAL REHEARSAL BEFORE MY TOUR,

AND BECAUSE I HAVEN'T GONE ON TOUR IN, LIKE, FIVE YEARS,

I AM SUPER ANXIOUS.

THEY HAVE FIVE MINUTES.

OKAY, I'M GONNA SIT AND WAIT.

MY EX-HUSBAND, KERI, WILL BE COMING ON THE TOUR WITH ME,

AND HE IS, LIKE, THE PRODUCER OF THE TOUR.

AND THAT PART'S GREAT BECAUSE WE GET ALONG WONDERFULLY,

AND WE DON'T HATE EACH OTHER BECAUSE WE'RE DIVORCED.

SO, THAT'S GOOD.

OKAY, GUYS, THE TOUR IS A COUPLE DAYS AHEAD.

- BUT, DON'T GET NERVOUS. - WELL, I'M ALWAYS STRESSED

BEFORE A SHOW-- NO, I'M JUST THINKIN'.

WE'RE GONNA HAVE FUN, THOUGH.

- IT'LL BE FUN. - IT IS.

TONI, STOP STRESSING OUT,

BECAUSE IT'S GONNA TAKE A TOLL ON YOU IF YOU'RE STRESSED OUT.

AND YOU GOT US ON THAT LITTLE-LITTLE DIET THING

THAT I DON'T WANNA BE ONE. - YES.

WE ALL NEED TO BE LOSIN' A LITTLE WEIGHT.

I HAVE TO BE TEN POUNDS THINNER.

TONI CALLED ME "PROFESSOR KLUMP" THE OTHER DAY.

YOU CALLED HER PROFESSOR KLUMP?

JUST HER FINGERS WERE PROFESSOR KLUMPISH.

SHE SAID THAT MY HEAD DOESN'T MATCH THE REST OF MY BODY.

I HAVE A LITTLE HEAD, AND IT DOESN'T MATCH MY BODY.

BECAUSE YOUR BODY'S GAINED A LITTLE WEIGHT.

I LIKE MY BOOTY-- IT TOOK ME 40 YEARS TO LOOK LIKE THIS.

YOU NEED TO BE A LITTLE SMALLER.

YOU'RE RIGHT-- I MEAN, IT'S NOT LIKE YOU'RE WRONG.

I LIKE MY WEIGHT.

JUST HOLD IN YOUR STOMACH WHEN YOU DO THAT CHOREOGRAPHY.

DURING CHOREOGRAPHY, YOU WANNA TELL ME

TO HOLD IN MY STOMACH?

YOU COULDN'T WAIT 'TIL WE GOT BACK HOME

TO TELL ME SOMETHING LIKE THAT?

NO, YOU HAD TO SAY IT IN FRONT OF EVERYBODY.

STAY WITH IT.

TRINA, YOUR BUTT'S STARTIN' TO LOOK LIKE MINE.

- YOUR BUTT LOOKS FAKE. - I HAVE A BEAUTIFUL BUTT.

YOUR BUTT LOOKS FAKE.

OH, MY GOD-- I CAN'T TAKE IT.

I'M GONE. - MY BUTT IS BEAUTIFUL,

AND IT'S ALL MINE. - IT LOOKS FAKE.

IT LOOKS SO FAKE BECAUSE IT'S SO BEAUTIFUL, AND ROUND,

AND NATURAL, AND WONDERFUL.

POP, POP, POP.

TONI JUST MAD 'CAUSE SHE WISHES

SHE HAD A BIG, OL' BOOTY LIKE MINE.

ALL RIGHT, TRINA, LET'S PRACTICE.

READY-- FIVE, SIX, SEVEN, EIGHT.

AND KITTY, TWO, THREE, FOUR, FIVE, SIX.

IT DON'T LOOK LIKE YOU'RE DANCING.

LOOKS LIKE YOUR NAILS ARE WET. - AND THEN IT COMES BAM--

TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT.

BUT, I NEED THEIR ARMS TO GO UP AT THE SAME TIME.

YOU UNDERSTAND ME? - SAME TIME.

TONI, THIS IS YOUR SHOW.

THE MARQUEE SAYS, "TONI BRAXTON,"

BUT I WISH YOU WOULD NOT NITPICK SO MUCH

AND JUST LEAVE THE CHOREOGRAPHY THE WAY IT IS,

SO NONE OF US HAVE TO STRESS, RIGHT BEFORE THE TOUR.

ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT,

AROUND TO BEHIND THE BOX. - LET ME ASK YOU A QUESTION.

THEY'RE GONNA BE ABLE TO DO ALL OF THAT IN THE BOXES?

CAN I GET HIM TO PULL A BOX UP?

- DA-DA DA-DA DA-DA. - TOWANDA, DO IT INSIDE.

LET ME SEE IT.

LET'S TRY IT.

LOOK AT HER.

REMEMBER, I WAS TELLING YOU GUYS

THAT THE CHOREOGRAPHY HAS TO MATCH THE BOX.

SO, THE ARMS MAY BE TOO BIG.

KEEP IN MIND, IT'S HOT LIGHT BULBS.

IT'S HOT LIGHT BULBS, SO THEY CAN'T TOUCH IT.

OKAY.

I'M REALLY WORRIED THAT THESE LIGHTS

ARE NOT GONNA WORK.

I HAD THIS GREAT IDEA TO PUT THESE LIGHT BOXES UP,

AND IT'S NOT RIGHT.

IT'S NOT WORKING-- UGH!

WHAT DID I DO-- WHAT DID I DO?

I WANT YOU TO CLEAN IT UP-- I NEED 'EM CLEANED UP.

TOWANDA'S HANDS, THIS WAY-- TRINA HANDS ARE THIS WAY.

HER RIGHT HAND DOWN MORE-- LOOK LIKE YOUR NAILS ARE WET.

IT'S DRIVING ME CRAZY, GUYS.

HEY.

HI. - WHAT'S GOIN' ON?

HOW YOU DOIN'?

SO, TODAY, I'M DOIN' A FITTING FOR MY VIDEO,

FOR MY SONG "ALL THE HOME,"

WHICH WE'RE GONNA BE SHOOTIN' IN THIS BEAUTIFUL,

BIG ASS HOUSE IN ATLANTA, IN A FEW DAYS.

AND I THINK IT'S GONNA BE HOT AND GORGEOUS,

AND SHE'S SUPER EXCITED.

THIS IS MY FAVORITE THING.

IT'S DRAMATIC.

- IT'S PETITE. - IT'S NOT.

- YES, IT IS. - IT STRETCHES.

- NO, IT DON'T. - WE SHOULD TRY IT,

'CAUSE IT IS GORGEOUS. - IT'S VERY VEGAS.

- LOVE IT. - OKAY.

THE IDEA IS-IS HAVING FABRIC

COMING OUT THE BACK OF THAT CONVERTIBLE.

IT LOOKS VERY ADULT CONTEMPORARY.

YOU THINK?

YOU GOTTA SEE IT ON, THOUGH. - YES, VERY MRS. INCREDIBLE.

BUT GO AHEAD-- I'M LISTENIN'.

- THE WHITE? - NO, IT'S NOT.

YOU KNOW, SOMETIMES, LIKE, WHEN YOU WEAR STUFF,

YOU CAN LOOK OLD.

SHE AIN'T OLD YET.

SHE'S STILL YOUNG, AND SHE'S A SPRING CHICKEN.

WELL, A SUMMERTIME CHICKEN.

A LOT OF PRESSURE.

OKAY, YEAH. - SO, NOW, DOES THIS WORK?

SHOULD WE TRY IT? - WE GOTTA TRY IT.

EVERYBODY GATHER AROUND. - I DON'T SEE WHY NOT.

PLEASE LET THIS OUTFIT FIT.

PLEASE LET ALL MY OUTFITS FIT.

LET ME SUCK IN AND HAVE THE PERMANENT SUCKAGE

IN MY STOMACH, AND IN MY THIGHS AND BACK.

AMEN-- NO BACK FAT. - AMEN.

- OKAY. - LET ME TRY IT.

THIS IS, LIKE, THE BIGGEST DRESS ON THE RACK,

AND I'M GONNA TRY TO GET, YOU KNOW,

MY THICK'UMS ASS INTO IT, AND IF IT DOES NOT FIT,

I'M GONNA BE REAL EMBARRASSED.

LOOK AT HOW PRAYER CHANGES THINGS.

- HALLELUJAH! - HALLE-LOO!

I HAVEN'T EVEN SEEN IT, AND IT FEELS LIKE THAT.

- RIGHT. - DO YOUR BOUQUET.

DO YOUR BOUQUET, DO YOUR BOUQUET.

TURN AROUND, TURN AROUND-- THROW IT.

COME ON.

GET ME OUTTA THIS THING.

ASHLEY AND TERRELL HAVE THIS FABULOUS IDEA

THAT I NEED TO BE WEARIN' SOME LONG TRAIN OF FABRIC

BEHIND MY DRESS, AND IT'S GONNA BLOW IN THE WIND,

AND BE DRAMATIC AND FABULOUS,

AND I-I DON'T KNOW ABOUT THAT.

OH, YOU GUYS KNOW HOW I'M TALKIN' ABOUT SOMETHING

THAT'S, LIKE, GIVING THAT DRAMATIC EFFECT.

WHAT IF IT'S HAIR?

LIKE, ALMOST MARILYN-ESQUE. - LIKE WAVY?

ARE YOU GONNA BE OKAY WITH THAT?

TUSSLED '40s IS SICK.

SO, YOU KNOW, I THOUGHT ABOUT HAVING SOME, LIKE,

MARILYN MONROE-ESQUE HAIR.

COULD KINDA GO ALONG WITH MY THICK-UMS BODY.

WINNING, SHE WON-- TEE-HEE-HEE-HEE.

MARILYN DID IT.

SEE YA LATER.

COME ON, TERRELL-- WE HAVE TO DO HAIR.

- BYE, SWEETIE. - BYE, BABY.

- SEE YA TOMORROW. - SEVEN A.M.

TRACI, TOWANDA, AND I HAVE JUST ARRIVED IN ATLANTIC CITY

FOR OUR BIGGEST SHOW OF THE TOUR YET.

I AM SO HAPPY THAT TRACI WAS ABLE TO GO ON TOUR WITH US

AND IS GONNA BE MY BACKUP SINGER.

THANK YOU, TRACI.

TRINA, DO YOU KNOW WHERE YOU'RE GOIN'?

I DON'T-- I THINK I'M JUST GONNA WALK AROUND

UNTIL I FIGURE IT OUT. - OH, THERE ARE THE TABLES.

IS THAT DADDY? - THAT'S DADDY!

TONIGHT'S SHOW IS EXTRA SPECIAL

BECAUSE DADDY'S HERE.

THIS SHOW IS ONLY A FEW HOURS AWAY,

BUT WE HAD TO GET SOME TIME IN WITH OUR DADDY.

YES, GOD.

- DADDY, YOU GAMBLIN'? - WHAT ARE YOU DOIN'?

- HUH? - ARE YOU WINNING?

YOU WINNIN'? - WELL, I'M HAVIN' FUN.

ARE YOU SPENDING MONEY?

YOU'RE ACTUALLY SPENDING MONEY?

I'M HAVING FUN.

- CAN YOU TALK TO 'EM? - OKAY.

DADDY NEEDS A NEW GOLD TOOTH.

TALK TO IT-- TALK TO IT.

UH, GIVE ME MY DADDY'S MONEY BACK.

- OH, YOU CRAPPED OUT! - OH, CRAPPED OUT!

THAT'S 'CAUSE TRINA BLEW ON IT.

OKAY, DADDY, ARE YOU TRYING TO SAY

THAT MY BREATH WAS TARNISHED?

SO, YOU CRAPPED OUT BECAUSE I BLEW ON THE DICE?

JUST GIVE ME SOME GUM AND KEEP MOVIN'.

WHAT DO YOU MEAN?

LET'S TRY MY LUCK FIRST.

OKAY, I'M GONNA PUT ONE THERE.

OH, MY GOD, WHAT WE GOT-- WHAT WE GOT?

WHAT WE GOT-- WHAT WE GOT?

- WE WON. - NO, I-I WON.

I AM LUCKY, OKAY?

AND I LOVE THE FACT THAT I WIN.

I'M A WINNER, WINNING-- YAY, TOWANDA!

- THAT'S YOU, WANDA. - THIS IS ME, AND THAT'S ME.

I THINK I'M GONNA BET ON RED, NOW.

SO LUCKY!

OH, I AM SO LU-- I'M TELLING YOU.

I AM LUCKY!

TOWANDA IS CHEERING AND NOT BEING CONSIDERATE ON PURPOSE

BECAUSE SHE WANTS EVERYONE TO KNOW THAT SHE'S WINNING

AND EVERYONE ELSE IS LOSING.

I'M GONNA HAVE TO JUMP ON HER.

- I AM AWESOME! - WHATEVER, TOWANDA!

I'M FEELING REALLY GOOD.

I CAN'T HELP THAT TRACI AND TRINA ARE LOSING.

YEAH, I'M NOT WINNING ANYTHING.

- OH, MY GOD! - ME, EITHER.

I GAVE THE MONEY BACK THAT I WON.

I'M SO LUCKY!

WHY DOES TOWANDA KEEP WINNIN' AT ROULETTE?

CHEERING, "OOH!

"I'M SO LUCKY! I WON AGAIN!"

- OH-OH-OH! - THAT IS SO DAMN ANNOYING.

LET'S GIVE THE BIG WINNER A HAND.

THAT WOULD BE ME.

NO... NO.

SHE'S MEAN ALL THE TIME.

I WAS HAVING TERRIBLE LUCK AT THE CASINO,

SO I WAS HAPPY TO LEAVE

AND MAKE OUR WAY OVER TO SOUNDCHECK.

HOPEFULLY, I'LL HAVE BETTER LUCK

WHEN I DO MY SOLO PERFORMANCE TONIGHT.

- HEY, GUYS. - HEY, GUYS.

LOOK AT KERI!

KERI, WHAT ARE YOU DOIN' ON THE KEYBOARDS?

- HEY! - SHUT IT DOWN.

YOU SEE HOW YOU HOLD SECRETS FROM ME?

YOU'RE HOLDIN' SECRETS!

KERI, TONI'S EX-HUSBAND,

IS SITTING IN THE KEYBOARD'S CHAIR.

LIKE, WHAT ARE YOU DOIN'?

HOW COME YOU DIDN'T TELL ME?

THAT HURT MY FEELINGS,

'CAUSE YOU USED TO TELL ME EVERYTHING.

LOOK AT YOU-- YOU'RE GONNA BE UP HERE

CRACKIN' UP WITH US.

TONI'S HUSBAND IS UP THERE.

OOH, THIS IS SOME JUICY STUFF!

I CAN'T WAIT.

WAIT FOR IT, WAIT FOR IT,

'CAUSE I KNOW TONI'S GONNA SAY SOMETHIN'.

PRACTICE TRINA'S SONG.

♪ OH OH THEN YOU BETTER GO HOME ♪

♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪

♪ OH OH ♪

♪ THEN YOU BETTER GO HOME ♪

♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪

- TRINA? - WHAT?

WHY WERE YOU WALKIN' LIKE MARIAH?

WASN'T SHE WALKIN' LIKE MARIAH CAREY?

- SHE'S SKIPPING LIKE THIS. - WHAT'S SHE DOIN'-- WHAT?

TRINA IS CHANNELING MARIAH CAREY.

SHE'S KINDA TIPPIN' THROUGH, LIKE, TO THE BEAT.

DA DA-DA DA-DA DA-DA.

- LIKE, EH-AH-OOH. - I CAN'T HEAR YOU.

TRINA, CAN YOU JUST WALK LIKE TRINA?

THAT'LL BE GREAT.

OH-OH, YES.

HEY, TONE. - HEY, GUYS.

I WAS THINKIN', WHEN I FIRST COME OUT,

INSTEAD OF THE PINK LIGHTS BEING ON,

CAN IT BE NO LIGHTS?

YEAH.

YOU WANT ME TO BE PRE-SET, WHERE PEOPLE SEE ME?

NO.

THEN YOU HAVE TOWANDA AND THEM.

WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE.

COMING UP, ON "BRAXTON FAMILY VALUES"...

KERI, YOU'RE IN THE BAND TODAY?

- YES. - I'M-I'M SORRY.

NOBODY TOLD ME YOU WAS IN THE BAND.

OKAY.

TRINA, YOU NEED TO GO-- YOU GOT FIVE MINUTES.

- YEAH, I'M COMIN' RIGHT NOW. - STAGE IS READY FOR YOU.

I'M COMING.

COMING.

[collective

WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE.

YES.

KERI, MY EX-HUSBAND, IS SITTING AT THE KEYBOARDS.

WHY IS HE AT THE KEYBOARDS?

KERI, YOU'RE IN THE BAND TODAY?

- YES. - YOU JUST REALIZED THAT?

I'M-I'M SORRY.

NOBODY TOLD ME YOU WAS IN THE BAND.

I MEAN, IT WAS A PLEASANT SURPRISE TO ME, TOO,

PLEASANT.

OKAY.

I FOUND OUT THAT KERI, MY BABY DADDY,

WAS BEHIND THE KEYBOARD

BECAUSE MY REGULAR KEYBOARD PLAYER WAS OUT ON THE ROAD

WITH KEYSHIA COLE, AND I LOVE KEYSHIA.

HE'S ACTUALLY HER MUSICAL DIRECTOR, SO I GET IT.

BUT, IT'S TONI BRAXTON-- "TONI BRAXTON" ON THE MARQUEE.

THEY SHOULD'VE AT LEAST ASKED ME-- CAN WE FOCUS?

I'M-I'M SORRY-- I'M TRYING TO CONCENTRATE.

I JUST FOUND OUT KERI'S IN THE BAND TONIGHT.

I-I'M STILL THERE.

OKAY.

I DON'T THINK I CAN HANDLE ANYMORE SURPRISES.

MY BABY DADDY'S UP ON STAGE WITH ME-- OKAY.

THERE GOES MY SINGLE LIFE.

SEEMS SO WEIRD TO GO BACK INTO THE PINK LIGHTS.

AND WHO AM I-- I'M JUST THE ARTIST.

WILL IT LOOK WEIRD IF YOU HAVE THE LIGHTS OFF FOR HARMONY,

WHEN I FIRST START SINGING?

CAN I SEE IT WITH THE LIGHTS OFF, PLEASE?

OKAY, NOW IT LOOK LIKE POPSICLES ON THE STAGE.

DOES IT LOOK LIKE VANILLA ICE CREAM WITH PINK SK--

UM, SPRINKLES?

SO, I PROBABLY SHOULD JUST LEAVE IT ALONE FOR TONIGHT.

ALL RIGHT, I'LL HAVE TO MAKE IT WORK.

ALL OF YOU TAKE TEN.

HOW MANY MINUTES 'TIL SHOWTIME?

YOU SEE MY EYELASHES?

I HOPE WE ALL GET THROUGH THE NIGHT

WITHOUT GETTING IN TROUBLE AGAIN.

GIRL, YOU BETTER SHAKE YOUR FANNY TAIL.

TONIGHT IS A BIG NIGHT FOR ME,

AND QUITE HONESTLY, THE LAST THING I NEED

IS TRACI MESSING WITH MY CONFIDENCE.

I JUST NEED TO BLOCK THEM OUT.

WHY ARE YOU TRYING TO BE ALL--

LET ME GET SOME LIPS.

TONIGHT IS ONE OF THE BIGGEST SHOWS.

IT'S A VERY SPECIAL NIGHT TO ME, ALSO,

BECAUSE MY DAD IS GONNA BE HERE,

AND I HAVEN'T SEEN HIM IN A WHILE.

- SO I CAN'T DO THE SPLIT. - NO SPLITS, DAD.

I CAN'T DO THE MICHAEL JACKSON.

I CAN'T MOONWALK.

WELL, LET'S GET A CURRENT DANCE.

I DON'T KNOW ANY CURRENT DANCES.

MY DADDY'S SUCH A HAM.

I JUST WONDER WHICH DANCE HE'S GONNA DO.

HMM, THAT-THAT COULD BE EMBARRASSING.

HOPEFULLY, HE'LL STICK TO THE ONE-TWO PARENT DANCE

THAT EVERY PARENT SHOULD DO-- OKAY.

I'LL DO THE BEST I CAN.

I'LL DO THE BEST I CAN. - YOU GOT RHYTHM.

I-I KNOW I GOT RHYTHM-- I TAUGHT Y'ALL HOW TO DANCE.

HA-HA-HA-HA-- HA-HA-HA.

- LOVE YA. - LOVE YA-- SEE YA OUT THERE.

THE TWIST, THE MADISON...

NO, IF THEY HAVE A NAME TO IT, DON'T DO IT.

I WANT HIM TO BE PROUD OF ME.

WHEN I WAS RETIRING FROM MUSIC,

I THINK MY DAD WAS VERY DISAPPOINTED,

AND HE DIDN'T GIVE UP ON ME,

AND I'M NOT GONNA GIVE UP ON MYSELF,

AND I'M NOT A QUITTER.

SO, I WANT MY DAD TO SEE THAT HE WAS RIGHT TO BELIEVE IN ME.

TRINA, YOU NEED TO GO-- YOU GOT FIVE MINUTES.

YEAH, I'M COMIN' RIGHT NOW.

I NEED SOME PERFUME REAL FAST-- DAMN!

PERFUME, PERFUME?

YOU SURE DID.

TOWANDA, I'M GOING, 'CAUSE I'M ON STAGE RIGHT.

OKAY, I'M COMIN'.

CAN YOU HOLD MY PHONE FOR ME?

YEAH, SHOULD I FOLLOW YOU IN HERE?

OKAY, I'M READY.

THANKS, CHUCK.

BYE, DADDY.

- STAGE IS READY FOR YOU. - I'M COMING.

COMING.

PEOPLE ALWAYS TALK ABOUT A COMEBACK.

YOU KNOW, EVERY ARTIST WANTS A COMEBACK.

I MEAN, ALWAYS WANNA REMAIN RELEVANT,

AND THAT'S TOUGH TO DO.

BUT, I AM TRYING NOT TO LOOK AT IT AS A COMEBACK.

I'M GONNA LOOK AT IT AS A FUN-BACK,

'CAUSE BABYFACE TOLD ME I HAVE TO HAVE FUN.

SO, I'M GONNA HAVE FUN,

IN THE MIDST OF ALL THE STRESS.

I DON'T KNOW IF THE CHOREOGRAPHY WAS PERFECT,

BUT THE AUDIENCE TOTALLY LOVED IT.

THE LIGHT BOX WAS A BRILLIANT IDEA.

I WASN'T ACTUALLY WORRIED ABOUT IT AT ALL.

IT WAS GONNA BE FINE-- IT WAS GONNA BE PERFECT.

I DON'T KNOW WHAT I WAS THINKING ABOUT RETIRING, HUH?

WHAT WAS THAT ABOUT?

I'M SO RUDE-- GUYS, THESE ARE MY SISTERS.

I'M RUDE-- MY SISTER, TRINA.

ANOTHER SISTER, OVER HERE, TOWANDA.

MY DAD'S HERE-- WHERE'S MY DAD AND HIS LOVELY, MISS WANDA?

WHERE'S MY DADDY?

THERE'S MY DAD.

♪ WE ARE THE BRAXTONS AND YOU'LL SEE THAT ♪

♪ WE ARE LIKE NO ORDINARY FAMILY ♪

DO WE HAVE ANY-- TRINA, CAN YOU SING TONIGHT?

IF TRACI SINGS WITH ME, YES.

- CAN YOU SING? - YES.

YOU'RE GONNA SING-- OKAY, I'M GONNA GO AND CHANGE.

MY SISTERS DID NOT HELP MY CONFIDENCE IN SOUNDCHECK

ALL THAT MUCH.

I JUST REALLY WANNA DELIVER A GREAT SHOW,

BUT I AM SUPER-DUPER NERVOUS.

TRI-TRINA, WHERE YOU AT, BABY?

♪ TONIGHT THIS AIN'T FOR THE BOUGHIE AT ALL ♪

♪ THE TYPE THAT LIKES TO HIT THE CLUB AND HOLD UP THE WALL ♪

♪ TONIGHT I WANNA SEE YOU WITH YOUR HANDS IN THE AIR ♪

♪ WHEN THE BEAT DROPS ♪

♪ WANNA SEE YOU SHAKE YOUR DERRIERE ♪

♪ TONIGHT IT'S GONNA BE OUT OF CONTROL ♪

♪ AIN'T TRIPPIN' ON DRESS CODE PARTY ROCK ON OVERLOAD ♪

Y'ALL MUST BE READY TO GO HOME.

YOU'RE NOT PARTYIN', Y'ALL.

♪ THEN YOU BETTER GO HOME ♪

♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪

COMING UP, ON "BRAXTON FAMILY VALUES"...

WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD.

YOU DON'T THINK, IF MY BUTT'S HANGING OUT,

YOU SHOULD MAYBE FIX IT?

♪ TONIGHT

♪ TONIGHT IT'S

♪ TONIGHT IT'S GONNA

♪ TONIGHT IT'S GONNA BE

♪ TONIGHT IT'S GONNA BE OUT

♪ TONIGHT IT'S GONNA BE OUT OF

♪ TONIGHT IT'S GONNA BE OUT OF CONTROL

♪ TONIGHT IT'S GONNA BE OUT OF CONTROL ♪

♪ AIN'T TRIPPIN' ON DRESS CODE PARTY ROCK ON OVERLOAD ♪

Y'ALL MUST BE READY TO GO HOME.

YOU'RE NOT PARTYIN', Y'ALL.

♪ THEN YOU BETTER GO HOME ♪

♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪

I'M JUST REALLY HAVING A HARD TIME

GETTING INTO MY ZONE-- NERVES ARE TAKING OVER.

♪ AND NOBODY CARES ABOUT THE TIME ♪

♪ WE'RE GONNA PARTY ALL NIGHT YEAH ♪

I'M FEELING LIKE THAT MAYBE

THIS IS JUST NOT MY BEST NIGHT FOR A PERFORMANCE.

THANK YOU.

CHILD, IT WAS JUST SO DRY, LIKE TOAST.

IT WAS.

I MEAN, IT WAS LIKE CRICKETS.

OH, MY GOSH!

IT WAS A DIFFERENT CROWD THAN ANYBODY ELSE WE'VE EVER HAD.

NO, THEY WERE JUST SO IN AWE OF LOOKING UP THERE AT Y'ALL.

- OH, OKAY. - AND THEY SAID, "OH, GOD.

"THOSE GIRLS ARE BEAUTIFUL."

I'M DISAPPOINTED I DIDN'T DO BETTER TONIGHT.

THE PITCH FAIRY WAS SITTING RIGHT THERE ON MY SHOULDER,

TAUNTING ME,

AND THE CROWD WAS JUST NOT CONNECTING WITH ME AT ALL,

AND I FEEL LIKE I LET TONI DOWN.

I FEEL LIKE I LET MYSELF DOWN,

AND I'M JUST A BABY BIT DEVASTATED.

CARS ARE WAITING OUTSIDE,

IF Y'ALL WANNA LEAVE WHEN WE LEAVE.

- THANK YOU. - OKAY, THANK YOU.

DO YOU HAVE ONLY ONE CAR?

YEAH, AS SOON AS I CHANGE MY CLOTHES.

SO, YOU GOTTA GET OUT. - OKAY.

I USED TO CHANGE YOUR DIAPER, MISS.

WELL, I PROMISE, IT AIN'T THE SAME.

OH, MY GOD!

I FEEL LIKE SANTA CLAUS.

- YOU PROMISE? - DECIDE TO GO.

AND THERE-- CAN'T GET ANYMORE TRUE THAN THAT, DAD.

I GOT TO GO-- I GOT TO GO.

I GOT TO GO.

OKAY, HALLE-LOO-- HALLE-LA!

AND NOW CLOSE THE DOOR, SO WE CAN CHANGE!

- PLEASE. - HALLELUJER!

MY UVULA HURTS-- IT'S BRUISED.

I'M HUNGRY.

OH, I'M SO SLEEPY, BUT I'M HUNGRY.

WHY WAS YOU SO KIM KARDASHIAN AND PARIS HILTON LAST NIGHT?

- HUH? - YOU DID-- YOU SAID...

♪ AND NOBODY CARES ABOUT THE TIME ♪

♪ WE'RE GONNA PARTY ALL NIGHT YEAH ♪

NO, THIS IS YOUR MICROPHONE, WANDA.

TOWANDA, I DID-- FIRST OF ALL,

I DID NOT GET DOWN LIKE THAT.

YOU WENT FROM, LIKE, KARDASHIAN, PARIS HILTON,

SO HOT.

TO... PUT YOUR HANDS UP!

PUT YOUR HANDS UP!

I LOVE POKING FUN AT MY SISTERS,

AND THE REASON I DO THAT,

BECAUSE I'M TRYING TO MAKE IT LIGHT.

BUT TRINA'S PERFORMANCE IS STRESSING ME OUT.

IF TRINA'S PART'S NOT RIGHT,

I'M GONNA HAVE TO TAKE IT OUT OF THE SHOW,

BECAUSE YOU CAN'T HALF-ASS IT.

YOU CAN'T WING THIS.

YOU THINK YOU DON'T EVER DO ANYTHING WRONG,

BUT YOU DO, OKAY?

FIRST OF ALL, YOU DON'T PUT YOUR MIC UP

WHEN YOU'RE SUPPOSED TO.

NO, DON'T-- UH-UH, WAIT-WAIT.

NO, WAIT, I'M TALKIN' ABOUT YOU NOW, TOWANDA.

EXCUSE ME-- YEAH, WE GET TO TALK ABOUT YOU, TOO.

YOU KNOW WHAT, GIRLS?

I UNDERSTAND THAT WE WANNA MAKE EVERYTHING A LITTLE LIGHT,

AND YOU GUYS WANNA TALK ABOUT ME WALKING,

AND MAKE JOKES AND STUFF,

BUT THIS IS JUST MESSING WITH MY CONFIDENCE AND MY NERVES,

RIGHT BEFORE A REALLY IMPORTANT SHOW,

AND IT MAKES ME WANT TO TELL THEM TO SHUT UP.

GOOD NIGHT-- I'LL SEE Y'ALL IN ABOUT EIGHT HOURS.

HELLO?

HEY, SON-- WHAT'S UPPERS?

HOW YA DOIN'?

HEY, WAIT-WAIT.

WHO IS THIS GIRL THAT'S BEEN FLAT IRONING YOUR HAIR?

MUFFY?

WHAT DO YOU MEAN SHE'S OLDER-- HOW OLD IS OLDER?

TWENTY-SEVEN?

MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM, MMM-MMM.

MMM-MMM, MMM-MMM, MMM-MMM, NO.

MMM-MMM, MMM-MMM, NO.

- WELL, HE'S 18. - I DON'T GIVE A--

HE'S 18.

BABY, I-I JUST THINK SHE'S A LITTLE TOO OLD

FOR YOU TO HANG OUT WITH. - I DON'T THINK SO.

SHE WANT HIM TO ON HER .

GIRL, THAT IS NOT FUNNY.

I AM GETTIN' A LITTLE BIT TIRED

OF BEIN' ON THIS DAGGONE BUS.

I'M HAVIN' BUS FEVER.

LIKE YOU HAVE CABIN FEVER.

I'M HAVIN' BUS-- TOUR BUS FEVER.

I WANNA DO A CARTWHEEL RIGHT NOW,

BUT I KNOW I CAN'T-- - GO AND DO A CARTWHEEL, TRACI.

GO AHEAD AND DO A CARTWHEEL.

- NO, I'M DOIN' IT IN MY HEAD. - TRACI, I'LL GIVE YOU $100,

IF YOU DO A CARTWHEEL. - REALLY?

- YES. - JUST-JUST THE $100?

- YES. - TRACI.

THAT'S NOT GONNA ENTICE ME.

- ! - NOTHING!

TWENTY, FORTY, SIXTY, EIGHTY--

TWENTY, FORTY, SIXTY, EIGHTY, A HUNDRED-- TWO HUNDRED.

I'M NOT GONNA DO THIS DAMN CARTWHEEL.

TRACI, CARTWHEEL.

GO DO THAT CARTWHEEL, TRACI. - YOU GO DO A CARTWHEEL, TRINA.

GO DO THAT CARTWHEEL, TRACI.

GO DO THAT CARTWHEEL, TRACI. - YOU DO YOUR CARTWHEEL,

AND I'LL DO MY CARTWHEEL. - THEN GIVE ME $400.

OKAY. - I AM SO DAMN SCARED.

Y'ALL, I'M-I'M GONNA HURT MY DAMN SELF.

TRACI, NOT ON THE TOUR BUS.

WHY WOULD YOU TAKE THAT BET?

SUCH A WUSS-- IT WAS COMPLETELY STOPPED.

I AM.

TRACI'S TRYIN' TO DO A CARTWHEEL ON THE BUS.

I WAS IN THE MIDDLE OF IT.

I WAS IN THE MIDDLE OF IT!

TODAY, I'M SHOOTING MY VIDEO FOR MY NEW SINGLE,

"ALL THE WAY HOME."

HOLD IT RIGHT HERE-- LET'S PULL IT FROM RIGHT HERE!

HURRY UP-- WE GOT FIVE MINUTES IN.

LET'S GO!

THE CONCEPT IS JUST, YOU KNOW, YOU GET IN A FIGHT,

AND SOMEBODY ALWAYS LEAVE, WHICH I ABSOLUTELY HATE,

WHICH IS VINCENT HERBERT-- HE DOES THAT.

AND SO, THAT'S WHY HE'S IN THE VIDEO,

BECAUSE HE'S THE PERFECT PERSON.

I GOTTA GET ON THAT SIDE. - Y'ALL READY-- Y'ALL READY?

LET'S GO!

AND... ACTION!

SHE'S GONNA GET IT.

SHE DO. - SHE DRIVES ME CRAZY,

BUT SHE WORKS HARD. - MOVIN' ON, MOVIN' ON.

FOLKS, WITH THAT SET, THAT CAR CAN PULL UP RIGHT HERE.

WE'RE GONNA LOSE LIGHT, GUYS!

I'M COMIN', IKE-- I'S COMIN'.

I'S A-COMIN', IKE-- I'S COMIN'.

I CAN'T TURN AROUND IN THE CAR,

'CAUSE YOU WON'T BUY IT,

AND IF YOU BOUGHT IT FOUR MONTHS AGO

WHEN I HAD MY BABY, AS MY PUSH GIFT,

I WOULD ALREADY KNOW HOW TO OPERATE THE VEHICLE.

SO, SINCE YOU DIDN'T DO YOUR PART,

I CAN'T DO MY PART IN MY VIDEO.

WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD.

SO, I WAS DOING YOU A FAVOR. - I AIN'T.

I AIN'T.

I AIN'T. - I WAS DOING YOU A FAVOR.

IT TOOK A LOT TO GET VINCENT TO DO THIS VIDEO

BECAUSE HE'S SO INSUBORDINATE.

SO, YOU KNOW,

ERIC AND I ARE JUST A LITTLE CONCERNED ON HOW, YOU KNOW,

VINCENT THE HERBERT, DIVO EXTRAORDINAIRE,

IS GONNA ACT TODAY.

NOBODY ELSE WANTED TO, SO I DID A FAVOR.

ALL THE LIES YOU TELL.

COMING UP, ON "BRAXTON FAMILY VALUES"...

- CUT! - YO...

GIVE IT UP FOR MY SISTER, TRINA!

I AM SO NERVOUS.

TRINA BRAXTON!

WHAT

WHAT WERE

WHAT WERE YOU

WHAT WERE YOU THINKIN',

WHAT WERE YOU THINKIN', WITH

WHAT WERE YOU THINKIN', WITH THE

WHAT WERE YOU THINKIN', WITH THE RED

WHAT WERE YOU THINKIN', WITH THE RED BOOT?

- I COULDN'T LEAVE IT. - WHAT?

YOU SHOULD'VE. - I COULDN'T LEAVE THIS.

ARE YOU KIDDING ME?

I DON'T KNOW IF I'M WYNONNA JUDD,

IF I'M APOLLONIA-- WHO'S THAT?

- TRISHA YEARWOOD. - YES, HONEY.

WHAT I WAS THINKING OF IS YOU STEPPING ON-ON THE PEDAL.

OOH, NO.

YOU'RE NOT STEPPING ON NO PEDALS WITH THEM.

THESE ARE OPTIONS FOR OTHER THINGS.

IT'S NOT LIKE, OH, YEAH.

I WANT THIS WITH THIS RED BOOT ALL DAY LONG.

WHAT WAS YOU THINKIN' WITH THE RED BOOT?

SHOW ME. - WITH THIS...

- NO. - ALL DAY LONG.

NO, THAT'S DETROIT!

COUNTRY DETROIT MUSIC FESTIVAL.

THAT-- ALL RIGHT, WE GONNA SEE THAT BOOT.

WATCH. - YEAH, ON CARRIE UNDERWOOD.

BULL.

SHADE, BUT NO SHADE, YOU KNOW?

WELL,

WELL, I

WELL, I DIDN'T

WELL, I DIDN'T WANT

WELL, I DIDN'T WANT TO--

WELL, I DIDN'T WANT TO-- NOBODY

WELL, I DIDN'T WANT TO-- NOBODY ELSE

WELL, I DIDN'T WANT TO-- NOBODY ELSE WOULD.

SO, I WAS DOING YOU A FAVOR.

EVERY TAMARTIAN CAN RELATE TO THE THEME OF THIS VIDEO.

I-I MEAN, EVERYBODY FIGHTS WITH THEIR MAN OR THEIR WOMAN,

AND OVERREACT,

AND THAT'S EXACTLY WHAT ME AND VINCE IS DOIN'.

SO, WHAT'S-WHAT'S-- T., WHAT'S NEXT?

CHOP-CHOP. - UH, BALCONY IN TEN MINUTES.

LET'S GO-- WE GOTTA GO NOW.

WE GOTTA GO NOW. - CHOP-CHOP!

THE DIRECTOR, ERIC, MADE IT VERY, VERY EASY,

AND THERE WAS A LOT OF BEAUTY SHOTS.

SO, I MEAN, HOW COULD THAT BE HARD?

ALL SHE HAD TO DO, WAS JUST, LIKE, LOOK IN THE LENS

AND JUST SING-- YOU KNOW, NOTHING REALLY.

CUT, CUT, CUT, CUT!

MOVING ON INTO THE BEDROOM.

VINCENT DEFINITELY PULLS OFF BEING THE LEADING ROLE.

YOU KNOW, HE'S ON SET TODAY, WITH A LITTLE ATTITUDE,

JUST LIKE THE GUY IN THE VIDEO NEEDS TO BE.

HE SHOULD BE AN ACTOR.

HE JUST-HE'S DOING AN AMAZING JOB-- AMAZING.

HEY, VINCE, YOU'RE GOOD.

JUST KEEP THAT SAME ACTION, VINCE.

YOU'RE PERFECT. - THAT'S WHAT HE DO.

PLAYBACK.

CUT!

NICE!

- IN THE ZONE. - ALL RIGHT, WE GOT THAT?

- I LOVE COMING TO MIAMI. - DON'T YOU JUST?

- HEY, GIRLS. - HEY.

- HEY, TONE. - HELLO.

- YOU LOOK CUTE. - MMM-HMM.

THANK YOU.

GOT A SHOW TONIGHT. - I'M EXCITED.

ME, TOO.

THANK YOU FOR ALLOWING US TO COME WITH YOU.

OH, THANKS, GUYS, FOR DOIN' IT.

I JUST FEEL LIKE I NEED TO DO SOMETHIN' FOR YOU,

'CAUSE YOU'RE ALWAYS DOING SOMETHING FOR--

YOU ARE-- YOU'RE DOING A SHOW.

YOU COULD'VE HELPED ME WITH MY DRESS MALFUNCTION,

BUT THE POINT IS--

Y'ALL HAVE TO REMEMBER,

IF ANYTHING ELSE HAPPENS ONSTAGE,

PLEASE FIX IT. - WHAT?

YOU KNOW, FIVE YEARS AGO, THE WORLD WASN'T AS VIRAL,

SO I DIDN'T HAVE TO WORRY ABOUT THIS BEING ON THE INTERNET

AND-AND GROWING SO FAST.

SO, I GO ON THE INTERNET,

AND I'M WATCHING MYSELF COME APART,

AND TOWANDA AND TRINA ARE JUST STANDING THERE,

STILL DOING THEIR CHOREOGRAPHY.

ONE, TWO, ONE-- REALLY?

I KNEW SOMETHING WAS HAPPENING,

BUT I WASN'T SURE WHAT IT WAS.

BUT ONCE THE GUY, THE GENTLEMAN,

PUT THE JACKET ON ME, I REALIZED THAT, UH,

IT WAS A BURLESQUE SHOW.

TONI, BUT IN OUR DEFENSE, YOU TOLD US,

"DO NOT GET UP, UNDER ANY CIRCUMSTANCES."

YOU DON'T THINK, IF MY BUTT'S HANGING OUT,

YOU SHOULD MAYBE COME AND HELP?

WELL, I WAS TRYING TO TELL YOUR STYLIST--

YOU DIDN'T FEEL ME TRY TO HELP?

IT WAS A CHAIN-- IT WAS A CHAIN.

NO, ONLY FELT AIR AND WIND.

Y'ALL COULD'VE STOOD IN FRONT OF ME.

IN FRONT OF YOU?

WHILE YOU WERE STILL PERFORMING,

AND THEN GET YELLED AT LATER? - .

I THINK, IF I'M NAKED-- - YOU WEREN'T NAKED, THOUGH.

- YOU HAD A BODYSUIT ON. - AND YOUR BODY LOOKED GREAT,

I LOOKED NAKED-- I CAN'T BELIEVE THAT HAPPENED.

BUT EVERYBODY WAS TALKING ABOUT IT, IN A GOOD WAY.

I THINK TONI I ABOUSSECRETLY HAPPY,

BECAUSE SHE'S BEEN WORKIN' HARD,

AND FOR EVERYONE TO SEE HOW SHE LOOKS NOW, WHOA.

NO ONE ELSE IS LOOKIN' AT IT LIKE IT'S BAD.

BUT I PREFER TO BE CLOTHED ONSTAGE.

- WELL, YOU LOOKED CUTE. - THE GOOD THING IS,

YOU LOOKED GREAT. - YOU LOOKED GREAT.

- GREAT! - THANKS.

THE HEADLINE SHOULD BE, "TONI BRAXTON IS FINE."

- THAT'S WHAT IT SHOULD BE. - SILLY.

TONI BRAXTON WARDROBE MALFUNCTION-- CHEERS!

BRAXTON - AND TO HER SISTERS, WHO DIDN'T HELP HER.

'CAUSE SHE HAS A NICE 20-YEAR-OLD BOOTY.

YAY!

TONIGHT IS OUR SHOW IN MIAMI,

AND AFTER THINGS DIDN'T GO SO WELL IN ATLANTIC CITY,

I WANNA REDEEM MYSELF AND DELIVER THE PERFORMANCE

MYSELF THAT I KNOW I HAVE INSIDE OF MY BODY.

I LOVE YOU, MIAMI!

I'M GONNA LET YOU GUYS PICK THE NEXT SONG.

YOU GUYS TELL ME WHAT I SHOULD SING NEXT.

CAN YOU TURN THE LIGHTS ON?

LET ME-- TURN THE LIGHTS ON-- LET ME SEE.

LET ME TELL YA, I'VE BEEN WORKIN' OUT,

AND I GOT ANOTHER OUTFIT,

'CAUSE Y'ALL NEED TO SEE ALL OF THIS.

I FEEL LIKE, TONIGHT,

I REALLY HAVE SOMETHING TO PROVE TO MYSELF, AND TO TONI.

I AM SO NERVOUS.

GIVE IT UP FOR MY SISTER, TRINA!

TRINA BRAXTON!

♪ TONIGHT THIS AIN'T FOR THE BOUGHIE AT ALL ♪

♪ THE TYPE THAT LIKES TO HIT THE CLUB AND HOLD UP THE WALL ♪

♪ TONIGHT I WANNA SEE YOU WITH YOUR HANDS IN THE AIR ♪

♪ WHEN THE BEAT DROPS ♪

♪ WANNA SEE YOU SHAKE YOUR DERRIERE ♪

TONIGHT, I FEEL LIKE THE AUDIENCE

IS CONNECTING A LOT MORE WITH ME.

IT JUST GIVES YOU A FEELING OF ELATION

THAT NO ONE CAN EVER EXPLAIN.

♪ FOUR O'CLOCK ROCK ♪

♪ DJ PLAYIN' ALL THE JAMS SO THE PARTY DON'T STOP ♪

I'M SO PROUD OF TRINA.

I'M SO PROUD OF MY LITTLE SISTER.

TODAY, SHE'S GAINING HER CONFIDENCE,

AND SHE'S GOING OUT AND BEING THAT PERFORMER

I ALWAYS KNEW SHE COULD AND SHOULD BE.

♪ THEN YOU BETTER GO HOME ♪

♪ IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME ♪

I DID THE SHOW TONIGHT, AND I KILLED IT.

I-I KILLED IT-- IT'S SLAIN.

IT'S DEAD, ON THE GROUND.

VULTURES ARE EATING IT.

YES.

THANK YOU SO MUCH, MIAMI!

- THANK YOU SO MUCH. - THANK YOU SO MUCH.

THANK YOU.

IS THERE A PREFERENCE IN WATER THIS EVENING?

SPARKLING, FLAT, MAYBE ICE WATER FOR THE TABLE?

- JUST A LYCHEE MARTINI. - LYCHEE MARTINI.

- YES, PLEASE. - ALL THE WAY AROUND.

THANK YOU SO MUCH.

WHILE WE'RE ON TOUR,

THE GIRLS AND I DON'T REALLY GET MUCH TIME FOR DINNER,

AND MOST OF THE TIME,

WE'RE EITHER ORDERING ROOM SERVICE,

OR EATING SOMETHING WE'VE ORDERED TO HAVE ON THE BUS.

BUT, TONIGHT, WE HAVE SOME EXTRA TIME TO SIT DOWN

AND JUST HAVE A NICE, CIVILIZED FAMILY DINNER.

WELL DESERVED.

- HI. - YOU JUST DID IT ALL IN,

OOH! DID YOU?

ALL RIGHT, ALL RIGHT!

YOU STEPPIN' INTO THE BAD SIDE.

♪ OOH OOH OOH OOH ♪

I'M SINGLE NOW-- I CAN DRESS LIKE A SINGLE GIRL.

I GOTTA WEAR "DO ME, BABY" BOOTY DRESSES.

- YES, AND YOU ARE DOING IT. - YOU'RE WEARING IT, TOO.

I'M KINDA GETTIN' EXCITED ABOUT, YOU KNOW,

GETTIN' BACK OUT THERE A LITTLE BIT.

IT'S LIKE STARTIN' GYMNASTICS ALL OVER AGAIN.

COMING UP, ON "BRAXTON FAMILY VALUES"...

WHERE IS TAY-MONSTER?

I HAVEN'T TALKED TO HER. - IT JUST HURTS MY FEELINGS,

'CAUSE SHE CALLS WHEN SHE WANTS SOMETHING.

SHE DOESN'T CALL JUST TO SAY, "HEY, HOW YA DOIN'?"

I'M

I'M KINDA

I'M KINDA GETTIN'

I'M KINDA GETTIN' EXCITED

I'M KINDA GETTIN' EXCITED ABOUT,

I'M KINDA GETTIN' EXCITED ABOUT, YOU

I'M KINDA GETTIN' EXCITED ABOUT, YOU KNOW,

GETTIN' BACK OUT THERE A LITTLE BIT.

IT'S LIKE STARTIN' GYMNASTICS ALL OVER AGAIN.

WHY IS IT LIKE TAKING GYMNASTICS AGAIN?

- DON'T ASK. - DON'T HAVE HER EXPLAIN IT.

YOUR TRICKS IS THE SAME,

BUT YOU HAVEN'T DONE GYMNASTICS IN--

- , TRACI. - PUT YOUR DRINK RIGHT HERE

BECAUSE I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT NOW.

HOW MANY HAVE YOU HAD?

DATING IS SO DIFFICULT FOR ME.

I AM NOT GOOD AT DATING.

I DON'T KNOW IF I WANNA BE GOOD AT DATING YET.

YOU KNOW, IT'S HARD GETTING BACK ON THE HORSE

AND MEETING A GUY.

AND THEN I HAVE TO THINK OF HIM KISSING ME

AND TOUCHING ME-- AM I READY TO BE PHYSICAL?

I DON'T KNOW-- I NEED THERAPY?

PROBABLY.

WHERE IS TAY-MONSTER?

I HAVEN'T TALKED TO HER.

I HAVEN'T SPOKEN TO HER EITHER.

- I SPOKE TO HER TODAY. - YOU TALKED TO HER TODAY?

WHAT'D SHE SAY? - I SPOKE TO HER TODAY.

BECAUSE HER ALBUM JUST CAME OUT,

SO SHE'S DOING THE WHOLE SHOWCASE FOR THAT.

SHE'S JUST DOING A PERFORMANCE TO-TO PREMIERE HER ALBUM.

SHE'S STILL A NEW ARTIST.

THAT'S SOMETHIN' I'VE ALWAYS BEEN REALLY UNCLEAR ON.

SO, TAMAR'S ALREADY HAD A SOLO ALBUM BEFORE.

MMM-HMM.

SO, IS SHE STILL CONSIDERED A NEW ARTIST?

NO, SHE WILL NOT BE UP FOR A "NEW ARTIST" GRAMMY.

OKAY.

BUT SHE CAN BE "R&B PERFORMANCE."

A LOT OF DIFFERENT ONES, BUT NOT "NEW ARTIST," NO.

SO, I'M REALLY ROOTING FOR TAMAR.

I WANT HER TO WIN SO BAD.

YES, PLEASE, PLEASE, PLEASE, PLEASE.

NOT IN MY CATEGORY.

BUT, I DO WANT HER TO WIN.

BEING A NEW ARTIST IS TOUGH-- IT'S LONELY.

A LOT OF WORK, SO...

SHE HAS TO AT LEAST CALL US. - IT JUST HURTS MY FEELINGS,

'CAUSE SHE-SHE DOESN'T CALL JUST TO SAY,

"HEY, HOW YA DOIN'?"

SHE CALLS WHEN SHE WANTS SOMETHING.

TAMAR CALLS ME TO SAY, "HEY, WANDA.

"UM, CAN YOU LOOK THIS UP FOR ME?"

OR, "WANDA, I'M LOOKIN' FOR A NANNY.

"YOU KNOW SOMEBODY THAT'S GOOD FOR A NANNY?"

YOU KNOW, WHY CAN'T WE JUST SHOOT THE CRAP?

LIKE, "HEY, WANDA, HOW YA DOIN'?

"HOW ARE MY NIECE AND NEPHEW DOIN'?

"HOW ARE"-- I DON'T GET ANY OF THAT.

BUT SHE DOESN'T KNOW YET, WHEN SHE GETS OUT--

YOU KNOW, SHE'S WORKIN', AND SHE HAS A BABY.

SHE'LL SEE. - NO, I CAN'T SAY,

"YOU DON'T KNOW UNTIL YOU KNOW,"

BECAUSE PEOPLE WHO DID NOT KNOW,

THEY STILL HAD SOME TYPE OF COMPASSION.

BEFORE SHE BECAME A MOM,

TAMAR WASN'T NICE TO ME.

SHE DIDN'T UNDERSTAND WHEN I WAS TRYING TO JUGGLE

BEIN' A CAREER MOM,

AND STILL WANTING TO BE WITH MY KIDS.

MY CHOICE ARE MY CHILDREN.

IF YOU HAD CHILDREN, YOU WOULD UNDERSTAND!

I DON'T NEED TO HAVE KIDS TO UNDERSTAND.

- YES, YOU DO-- SURE, YOU DO. - I DON'T NEED TO HAVE KIDS

TO UNDERSTAND-- LIKE, WHAT ARE YOU TALKIN' ABOUT?

SURE, YOU DO-- SURE, YOU DO.

I UNDERSTAND BEING A PROFESSIONAL!

NO, YOU DON'T, TAMAR-- LISTEN.

IT'S ABOUT BEIN' A MOTHER.

YEAH, TOWANDA WAS PISSED OFF.

SHE WAS VERY MEAN-- SHE WAS NOT NICE.

BECAUSE SHE DIDN'T KNOW.

TONI, I CAN'T KEEP USING THAT

AS AN EXCUSE OF NOT KNOWIN'. - I AGREE-- I'M JUST SAYIN'.

TRINA'S CHILD IS 18 YEARS OLD.

MY OLDEST IS SEVEN.

SO, FOR NINE YEARS, I DIDN'T KNOW,

BUT I DIDN'T TREAT TRINA ANY DIFFERENTLY.

I'M JUST SAYIN', SHE DIDN'T KNOW.

SHE'S THE YOUNGEST,

AND SHE WAS ALLOWED TO BE THE YOUNGEST,

AND BE SPOILED, AND BE HER FIRST.

"I MEAN, IT'S A LITTLE DIFFERENT FOR ME BECAUSE"--

I DON'T FEEL LIKE HEARIN' IT.

SHE'S GONNA SAY, "NO, YOU'RE RIGHT, YOU'RE RIGHT.

"JUST THAT I DIDN'T KNOW"-- THAT'S WHAT SHE'S GONNA SAY.

"DON'T THEY HAVE A DADDY?

"HOW COME THEIR DADDY CAN'T TAKE CARE OF THEIR BABIES?"

WELL, SHE ABOUT TO SEE.

THE RELATIONSHIP BETWEEN TOWANDA AND TAMAR

HAS NOT BEEN GOOD.

IT'S STARTING TO AFFECT EVERYONE NOW,

BECAUSE THERE-- NOW, THERE ARE SIDES.

WHOSE TEAM ARE YOU ON?

TEAM TAMAR, TEAM TOWANDA-- WHO DO YOU LIKE MORE?

I SEE THAT STARTING TO BECOME A-A BIGGER ISSUE.

SHE'LL SEE-- SHE'S SEEIN' RIGHT NOW.

AND I'M GONNA BE THE FIRST TO SAY,

"I TOLD YOU SO." - TOLD YOU SO.

I'M NOT GONNA SAY IT OUT LOUD.

I'M JUST GONNA SAY IT IN MY BRAIN

AND GIVE HER THE LOOK. - ALL RIGHT, WHAT'S THE LOOK?

WE ALL IN UNISON, WHAT ARE WE GONNA DO WHEN SHE SAYS SOMETHIN'?

WHAT ARE WE GONNA DO? - "I MEAN, I JUST DIDN'T KNOW."

OKAY, WE GOT IT-- IT'S DONE.

THAT-THAT-- WE'RE JUST GONNA GIVE HER THE LOOK.

THAT'S IT. - THAT'S IT.

SHE NEED A LOOK. - MMM-HMM.

TOWANDA IS MAD.

YOU GET SO MAD ABOUT IT.

SO, MY SISTERS, Y'ALL CAN'T HELP ME

ON BEING-BEING SINGLE? - I CAN OFFER YOU SUPPORT,

BUT I CAN'T HELP YOU LIKE THAT.

I HAVE TO BE HONEST, I KNOW I CAN'T HELP YOU.

I THINK TOM CRUISE IS CUTE.

IS HE SINGLE?

- YEAH. - YEAH.

HE'S DIVORCED. - HE IS?

YOU DON'T THINK TOM CRUISE IS CUTE?

- I'M NOT BIG ON TOM CRUISE. - BUT HE'S WHITE.

JUST BECAUSE I LIKE, YOU KNOW, OTHER,

DOESN'T MEAN I LIKE EVERY OTHER.

YOU DON'T THINK TOM CRUISE IS CUTE?

THAT'S LIKE ME SAYING, "TRACI, YOU WANNA DATE

'THE PREDATOR?'" - NO.

'CAUSE HE GOT LOCKS AND EVERYTHING?

THAT'S WHAT I'M SAYIN'.

WAIT-- YOU CALLIN' TRACI'S HUSBAND "THE PREDATOR?"

'CAUSE HE GOT DREADLOCKS? - YES.

"PREDATOR VERSUS ALIEN."

CAN YOU HAND ME THAT, UH, THING, PLEASE?

YES.

I WAS JUST SAYIN'. - I'M JUST SAYIN'.

I MEAN, THAT'S LIKE-- YOU CAN'T JUST CATEGORIZE.

OH, MY STOMACH HURTS.