Original subtitles

"BRAXTON FAMILY VALUES..."

CIAO-- CIAO BELLA.

LOOK AT THE COLISEUM.

YOU THINK THIS IS BETTER THAN GOING TO ITALY WITH THE GIRLS?

DO YOU THINK IT'S BETTER THAN HAVING A NUMBER ONE RECORD?

WELL, YOU KNOW, THAT'S ALWAYS NICE.

OKAY.

GUYS, YOU KNOW, I HAVE TO GO TO CANADA TO DO THIS MOVIE.

YOU GOTTA PROMISE TO COME. - I'M COMIN'.

YOU GONNA BRING TAMAR?

TAMAR AND VINCE ARE VELCRO.

I DON'T THINK SHE CAN PEE

WITHOUT VINCE HANDING HER THE TOILET PAPER.

THIS THING IS GETTING TOO BIG.

ONE PERSON CANNOT BE THE-THE BRINK

OF EVERYBODY'S PROBLEM!

STOP, STOP, FOR GOD SAKES!

WE ARE THE BRAXTONS AND YOU'LL SEE THAT

WE ARE NOT LIKE AN ORDINARY FAMILY

TONI TRACI TOWANDA TRINA TAMAR AND MISS E

WILL TEACH YOU A THING OR TWO

ON BRAXTON FAMILY VALUES

I'M JUST GONNA BRING TWO PAIRS.

TWO PAIRS OF WHAT?

OF MY-MY SPARKLY BOOTS.

AFTER MY BIG, CONTROVERSIAL VOW RENEWAL WITH GABE--

YOU MAY KISS YOUR BRIDE.

TO THE BRIDE AND GROOM!

HEAR-HEAR.

MAY Y'ALL FOREVER GET YOUR LIFE.

I LET MY NEW AND IMPROVED HUBBY MOVE BACK IN.

I JUST DON'T KNOW IF I SHOULD PACK WINTRY STUFF,

OR IF I SHOULD PACK SUMMERTIME STUFF.

IT IS CANADA.

I'D PROBABLY PACK WINTER STUFF.

TONI IS WORKING ON A MOVIE IN CANADA,

AND ALL OF US GIRLS AND MOMMY ARE GOING TO VISIT HER.

SO, ARE YOU GONNA BE ABLE TO HANDLE ALL THE BUSINESS STUFF,

WHILE I'M CANADA?

'CAUSE YOU KNOW YOU LIKE ME TO TURN MY PHONE OFF,

'CAUSE YOU DON'T WANNA PAY THE LARGE BILL.

UH, YEAH, I'LL BE ABLE TO HANDLE IT.

YOU HAVE TO DEAL WITH THE BOYS, TOO, AND SCHOOL,

AND THEIR HOMEWORK, ESPECIALLY CALEB.

WE'LL BE ALL RIGHT-- WE'VE DONE THIS MANY TIMES.

ALTHOUGH, IN MY OPINION,

THEY NEED TO TAKE MORE RESPONSIBILITIES.

OH, MY GOSH!

IT'S LIKE THEY DON'T WASH THEIR OWN CLOTHES.

THEY DON'T PUT THE DISHES IN THE DISHWASHER.

ERIC DOESN'T EVEN DRIVE,

AND HE'S SUPPOSED TO GO TO COLLEGE NEXT YEAR,

AND I DON'T-- WHAT ARE WE GONNA DO?

IT'S NOT A BIG THING-- IT'S JUST--

IT IS A BIG THING-- HE'S A MALE.

I WOULDN'T DATE HIM-- WHAT ARE YOU GONNA DO?

"OH, MY MOM'S GONNA PICK YOU UP AT 7."

THAT AIN'T HOT.

YEAH, I KNOW-- THAT AIN'T HOT AT ALL.

SO, HOW ARE THE-- ALL YOUR-ALL YOUR SISTERS GETTIN' ALONG?

WELL, SOME OF US ARE GETTING ALONG BETTER THAN OTHERS,

RIGHT NOW.

THIS TRIP IS THE FIRST TIME WE'RE GONNA ALL BE TOGETHER

WITH TAMAR SINCE THE ESSENCE FESTIVAL.

I'M REALLY HOPING WE'LL HAVE SOME NICE BONDING TIME,

AND MAYBE WE'LL BE ABLE TO HASH OUT SOME OF OUR SISTER ISSUES,

'CAUSE LORD KNOWS OUR SISTER DRAMA

CAN GET WAY OUT OF HAND.

WE NEED TO NIP THIS IN THE BOOTY-PATOOTY.

TAKE CARE OF YOUR BROTHER. - I WILL TRY.

- AND LISTEN TO POPS. - OKAY.

- YEAH. - I'M OUT.

ALL RIGHT, BABE.

- YEAH! - WHOO!

- ALL RIGHT-- MAKE GOOD CHOICES. - MAKE GOOD CHOICES.

ALL RIGHT-- BRING ME BACK A GLASS OF MILK.

- WHAT? - GOODBYE.

LOVE YOU, GUYS.

- LOVE YOU, TOO. - Y'ALL HAVE A GOOD DAY.

- BE GONE. - BYE.

- LOVE YOU, GUYS. - BYE.

PHEW-- IT STINKS.

I'M SO HAPPY VINCE AND I WERE ABLE TO MAKE IT HERE

TO SUPPORT TONI ON HER MOVIE.

VINCE HAD A LOT OF WORK TO DO, SO I LEFT HIM AT THE HOTEL,

AND I WENT TO GO MEET UP WITH THE GIRLS.

AND EVEN THOUGH I'M GLAD WE'RE FINALLY HANGING OUT,

SHE AIN'T COME HERE FOR NO DAMN DRAMA OR ISSUES.

I'M JUST HERE FOR SOME SISTER TIME AND MOMMY TIME.

THAT'S IT.

THIS IS A REAL TRAILER-TRAILER, THOUGH.

YOU MADE IT!

LIKE, IT'S THE TRAILER, LIKE TRAILER PARK.

- WAIT-WAIT-WAIT. - NO, YOU GO FIRST.

- YOU SURE? - TONI-TONI.

- MUAH. - YOU MADE IT!

I AM SO HAPPY TO BE ON THE SET WITH TONI AND HER NEW MOVIE.

I CAN ALREADY TELL THAT SHE'S IN HER OWN ELEMENT.

SHE HAS BEEN A CAPTIVATING ENTERTAINER,

AND THIS COULD BE THE START OF A NEW CAREER FOR HER.

SO, I'M EXCITED.

HEY, TAY, GIRL!

IT SMELLS LIKE A STRAIGHT AUTOPSY OUTSIDE.

YOU KNOW WHAT?

BECAUSE IT'S ON LOCA-- WE'RE ON LOCATION,

AND YOU HAVE ALL THE FIELDS OF BLUEBERRIES

AND ALL THAT KIND OF STUFF. - THAT'S NOT BLUEBERRIES, BABY.

THAT DOESN'T SMELL LIKE BLUEBERRIES.

- NO, THEY-- - THAT'S POOP BERRIES.

THEY PUT A LITTLE POO ON IT TO FERTILIZE IT.

- BABY, THAT'S NOT A LITTLE BIT. - OH, THAT'S WHAT THAT IS?

OH, MY GOD!

THAT'S NOT A LITTLE BIT OF POOP-- THAT'S A LOT OF POOP.

THAT'S A LOT!

THE SET WAS VERY COLORFUL SMELLING.

IT SMELLED LIKE BOOTY CRACK.

IT WAS LIKE A PIG MARKET OR SOMETHING.

SMELLED LIKE .

BUT, THEY HAVE THE BEST BLUEBERRIES IN THE WORLD.

WE SHOULD GO BLUEBERRY PICKING.

YOU WANT US TO GO POOP BERRY PICKING.

- PRETTY MUCH. - NO, THANKS.

THEY JUST GOT THE FRESHEST, BEST STRAW--

I MEAN, BLUEBERRIES EVER-- I'M TELLING YOU.

THEY'RE, LIKE, PLUMP AND JUICY, AND THEY'RE NOT STEROIDS,

AND THEY'RE JUST-- - THAT IS BEAUTIFUL.

WHAT IS IT-- VELVET?

- WE SHOULD GO. - FIFTY CENTS A POUND.

- NO, THANKS. - WHAT?

AND IT IS-- NO, YOU DON'T HAVE TO PICK.

IT'S NOT LIKE PICKING COTTON. YOU JUST KINDA-- - OH, NOW, SEE?

- PICKING COTTON? - REALLY, COTTON?

I'VE NEVER PICKED COTTON BEFORE.

COTTON-- PICKING BERRIES.

PICKING COTTON-- WHEN HAS TONI

OR ANY OTHER BRAXTON SISTERS EVER PICKED COTTON?

- I'M JUST SAYIN'. - WOW!

THEY'RE DELICIOUS, AND THEY'RE FRESH.

NO, TONE, THAT'S STINKERIZATION.

THINK ABOUT IT-- THINK ABOUT IT.

THAT'S OKAY.

YEAH, WE THINKIN' ABOUT IT, AND WE SMELT IT.

NO, THANK YOU.

WHAT DO YOU THINK WE EAT AT HOME?

YOU DON'T-- WHAT DO YOU THINK THEY FERTILIZE IT WITH?

OKAY, CAN WE STOP TALKING ABOUT COW PLOP?

- LISTEN. - WHAT-- WHAT, WANDA?

- I'D LIKE TO SAY, GUYS. - WHAT?

TRINA'S PANTS MAKE ME-- IT LOOKS LIKE THIS.

UNH-UNH-UNH-UNH-UNH-UNH.

THERE'S NOTHING WRONG WITH MY PANTS!

IT'S REAL "NIGHT AT THE ROXBURY."

- I LOVE THEM! - IT'S A LITTLE BIT--

- IT'S NOT-- I LOVE THEM. - NO-- NO.

IT'S LIKE-IT'S LIKE THIS-- CHH-CHH-CHH-CHH WHEN SHE WALKS.

DOES IT MAKE NOISE WHEN YOU WALK?

CHH-CHH-CHH-- SEE?

NO, THE PANTS, THEY ARE KINDA AEROSMITH-ESQUE.

- REALLY? - NO, NOT THAT FABULOUS.

THEY'RE CUTE-- IT'S JUST THAT THEY'RE-IT'S--

WE'RE HERE IN FARMLAND.

AND IT'S NOT THE TIME, NO PLACE.

IT IS.

IT'S FARMLAND, AND TRINA'S ROCK STARRING IT.

YEAH.

- BUT, I FEEL YOU-- DO IT, BABY. - BUT, I'M A ROCK STAR.

WAIT-- OKAY, WAIT TILL YOU SEE THE CREW AND EVERYBODY ELSE.

YOU'LL UNDERSTAND WHY I SAID THAT.

THEY'RE PRETTY MUCH DOWN ON THE FARM.

OH.

LET'S GO-- I WANNA SEE.

THEY'RE THE BEST AND THE SWEETEST PEOPLE.

I'M NOT REALLY EXCITED ABOUT GOING OUTSIDE.

I DON'T WANT MY WEAVE TO SMELL LIKE POO.

JUST GOT HER DONE.

YOU KNOW, IT'S BEEN A MINUTE

SINCE THE WHOLE FAMILY HAS BEEN THERE, TOGETHER,

AND SO I-I JUST FELT SO GOOD.

I ALMOST CRIED.

SO, I, YOU KNOW, I HAD TO REFRAIN FROM DOING THAT

BECAUSE THEY SAY I'M SUCH A CRYBABY.

BUT, THEY DON'T UNDERSTAND.

WHEN YOU SEE YOUR FAMILY, AND THEY'RE ALL ON ONE ACCORD,

THAT'S THE GREATEST THING IN THE WORLD.

OKAY.

BE CAREFUL-- DON'T TRIP, GUYS.

OKAY, GUYS-- WE'RE INSIDE THE CHURCH.

THIS IS-- WE'RE DOING THE STUNTS.

OH, MY GOSH!

GIRL, IT LOOK LIKE EITHER SOMEBODY GOT THE SPIRIT

AND TORE THE CHURCH UP-- SOMEBODY GOT A BLESSING IN HERE.

OH, WHAT ARE WE DOIN'? - NO-NO-NO, IT'S IN THE MOVIE.

SOMEONE ROBS-- TRIES TO ROB THE CHURCH.

I CAN'T TELL YOU ANYTHING ELSE, BUT--

- OH. - OH.

YEAH, THAT'S-- YOU CAN'T TOUCH ANYTHING.

- I WON'T. - CONTINUITY IS VERY IMPORTANT.

IMPORTANT.

IT REALLY TAKES MY MIND BACK TO YOUR DAD'S FIRST CHURCH.

THE CHURCH SET IS REMINDING US OF DADDY'S FIRST CHURCH

WHEN HE WAS A MINISTER.

IT WAS SMALL.

IT WAS QUAINT.

I MEAN, IT-- I FELT LIKE I WAS SEVEN YEARS OLD, AGAIN.

AND THIS IS THE PULPIT.

THIS IS WHERE THE VANDALISM HAPPENED, RIGHT NOW.

- WOW! - OH!

I FALL-- I DO A STUNT-- I FALL.

YOU DO-- WHAT WAS YOUR STUNT?

- AH! - YOU DID IT LIKE THAT?

WELL, NOT REALLY-- I KINDA FELL.

- HOW DO YOU DO IT, BABY? - SHOW ME, TONI.

WE HAD TO DO ONE SCENE OVER, 'CAUSE WHEN I FELL, I FELL--

MY HAND LIKE THIS, AND THEY SAID, "NO, DON'T DO THAT."

YOU CAN FALL--

NO, YOU'RE NOT BETTE DAVIS, NOT YET.

- YOU CAN FALL CUTE. - LIKE, I FELL.

- OKAY. - AH!

- UH-UH. - OH!

- UH-UH! - UH-UH!

HEY, TONI, WHO AM I?

SHE FELL CUTE.

THEY SAID IT WAS WRONG-- DON'T DO THAT, AGAIN.

- WHO AM I? - TRINA-- TRINA, WATCH IT.

TRINA, WATCH IT-- DON'T STEP ON IT.

OH, THAT LADY IN CHURCH USED TO DO THAT.

- OH, YES! - UH-UH-UH-UH-UH.

- SHE WAS THERE. - YES, SHE DID.

- I WANNA DO IT IN OUR PEWS. - DO YOU REMEMBER THAT?

- COME IN ON THIS PEW-PEW.

WHICH ONE WE GONNA GET IN-- READY?

PEW AT THE CHURCH.

GET IT ON GET IT UP

WHY ARE YOU DOING LIKE MARY?

THERE WAS A GIRL WHO USED TO BE IN DADDY'S CHURCH

ON THE SECOND PEW USED TO DO THE, UH, JACKSON SLIDE.

UM, SLIDE.

AND YOU GOTTA SCREAM WHEN YOU DO IT.

HEY!

HEY-- HEY!

OH!

- UH-UH. - OH!

AH!

- OOH! - OOH!

I FEEL LIKE I'M STANDING.

IT'S SO GREAT TO SEE MY FAMILY,

BUT I HAVE TO GET BACK TO WORK.

I AM GLAD THAT EVERYONE'S GETTING ALONG, SO FAR.

IT'S LIKE A CANADIAN MIRACLE.

OH, I ALMOST GOT KNOCKED OUT!

OH, MY GOSH!

TRINA GOT KNOCKED OUT IN THE SPIRIT .

I GOT KNOCKED OUT BY THE SMELL.

IT'S SO PUNGENT-- IT HAS A COLOR.

IT'S PURPLE.

IT'S JUST HORSE FARM OR SOMETHIN', RIGHT?

OH!

- UH-UH. - MY GOSH!

- SMELLS LIKE A COW FARM. - UH-UH.

IT SMELT LIKE ON SHINGLES.

LITERALLY, ON SHINGLES.

HORSE MANURE ON SHINGLES.

IT'S A BEAUTIFUL AREA, THOUGH.

LOOK AT IT-- IT'S OLD, BUT IT'S NICE.

HOW CAN YOU SEE THROUGH THE SMELL?

WELCOME-- I'M STACY.

- HI, STACY. - NICE TO MEET YOU.

- HELLO. - HI-- TRINA.

- NICE TO MEET YOU. - TRACI.

WELCOME TO CAPILANO SUSPENSION BRIDGE.

- THANK YOU. - THANK YOU.

TODAY, WHILE TONI IS BUSY WORKING ON HER MOVIE,

THE REST OF US SISTERS ARE GOING TO CHECK OUT THE CANADIAN SITES

AND DO WHAT THE CANADIANS DO.

AND APPARENTLY, THAT INVOLVES A LOT OF BONDING WITH NATURE.

- TAMAR'S NOT HERE YET. - NO.

I GUESS WE'RE WAITING FOR ONE MORE PERSON.

- WAITING FOR ONE MORE? - OKAY, EXCELLENT.

- SHE'S ALWAYS LATE. - OH, IS SHE?

SHE HAS TO MAKE HER DIVA MOMENT, HER ENTRANCE.

HERE'S SHE-ME-HER.

HI!

HELLO-- HI.

HI-- HI.

- HI. - HEY.

WELCOME TO CAPILANO SUSPENSION BRIDGE.

- THANK YOU. - I'M STACY.

YOU BROUGHT YOUR PURSE-- WE DIDN'T BRING OUR PURSE.

- THAT IS TERRIBLE. - WE ALL HERE?

- YES. - YEAH.

- READY TO GO? - I HOPE YOU DON'T DROP IT.

- READY TO GO. - NO ONE'S SCARED OF HEIGHTS?

WE'RE GONNA BE OKAY? - I'M SCARED OF HEIGHTS.

A LITTLE FRIGHTENED, BUT NOT SCARED.

- ALL RIGHT. - THAT'S WHY I GOT MY PURSE,

'CAUSE I GOTTA HOLD MY FEELINGS IN IT.

THIS IS OUR SECOND DAY IN CANADA,

AND I'M ALL ABOUT KICKIN' IT WITH THE GIRLS.

I DON'T USUALLY GO TO NATURE PARKS,

BUT I AM TRYING TO BE A GOOD SPORT.

- OH! - ARE WE READY TO DO THE BRIDGE?

- YES. - OKAY.

- I'M READY TO DO THE BRIDGE. - SO, IT'S 450 FEET ACROSS.

- OH, THAT'S A LOT OF WALKING. - OH, BOY.

AND IT'S 230 FEET ABOVE THE CAPILANO RIVER BELOW.

- OH. - VERY, VERY STABLE.

IT COULD HOLD THE WEIGHT OF 96 ELEPHANTS.

ARE YOU SERIOUS?

YEAH, OR THE WEIGHT OF TWO 747 JET PLANES,

SO WE ARE GONNA BE VERY SAFE.

DON'T YOU WORRY. - OKAY.

- ALL RIGHT? - HERE WE GO.

- ALL RIGHT. - OKAY, LET'S GO.

FOR TAMAR TO EVEN COME TO THE BRIDGE,

I HAVE TO TELL YOU THAT I'M SHOCKED.

MAYBE SHE'S TRYING TO PARTICIPATE

IN HAVING SISTER TIME,

JUST A LITTLE BIT,

BUT TAMAR'S DIVA LEVEL IS ABOUT A SIX.

IT'S USUALLY AT A TEN.

- YEAH, NO SHAKING. - OH, MY JESUS-- JESUS!

AND NO SHAKING?

YOU'RE GONNA NOTICE IT'S GONNA WOBBLE QUITE A BIT.

YES-YES, NO RUNNING OR BOUNCING!

YES.

EVEN THOUGH IT'S VERY BOUNCY-ABLE.

WHAT-WHAT-WHAT'S UNDERNEATH US?

WATER AND ROCKS.

- NOTHIN'. - ROCKS.

WAIT A MINUTE-- HOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UP.

AND TREES, AND BRANCHES, OH, MY!

HOW ABOUT YOU-- LET'S HOLD HANDS.

COME ON.

NO, I DON'T WANNA HOLD HANDS, 'CAUSE THAT MA--

I CAN'T TURN BACK WHEN I WANT. - COME ON.

HOLD UP, HOLD UP, HOLD UP, HOLD UP.

- TAMAR, COME ON. - WAIT A MINUTE.

- WAIT-WAIT A MINUTE. - HOLD ON.

- WAIT A MINUTE. - TOWANDA, WAIT, FOR REAL.

DON'T PULL ME. - LOOK, THERE'S TOO MANY-

THERE'S TOO MANY PEOPLE BEHIND YOU.

THIS BRIDGE THAT I'M ON, FOR REAL,

IS SWINGIN' BACK AND FORTH,

AND WE'RE NOT EVEN HALFWAY ACROSS THE THING.

MY SISTERS KEEP SAYING, "COME ON, TAMAR.

"COME ON, TAMAR."

BUT, EVERYBODY KNOW THAT'S NOT MY JOOZ.

SHE DON'T DO THAT.

I THINK I'M SEASICK.

IT'S JUST A BRIDGE.

JUST BREATHE IN AND OUT-- YOU CAN DO IT.

HOLD ON-- HOLD ON!

WE-WE-WE GOTTA BACK THE SAME WAY?

- YES. - YEAH.

UH-UH-- UH-UH!

UH-UH-- UH-UH!

STAY WITH IT-- STAY WITH IT!

COMING UP, ON "BRAXTON FAMILY VALUES"...

I CAN'T BELIEVE TAMAR DIDN'T COME.

- SHE HAD A TANTRUM TODAY. - WHERE ARE THEY?

- LEAVIN'. - WHAT?

WHAT DO YOU MEAN, THEY'RE LEAVING?

- YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE?

THAT'S SO STUPID!

WAIT A MINUTE, HOLD ON-- WE-WE GOTTA BACK THE SAME WAY?

- YES. - YEAH.

UH-UH-- UH-UH-- UH-UH!

UH-UH-- STAY WITH IT-- STAY WITH IT!

UH-UH!

UH, NO. - COME ON, GIRL.

- NO, BABY-- SHE DON'T DO THAT. - YOU CAN DO IT.

AIN'T WHERE I GOTTA GO.

UH-UH.

OH, WOW-- TAMAR WENT BACK.

- TAMAR WENT BACK. - TAMAR WENT BACK?

TAMAR WENT BACK-- WE LOST TAMAR.

- TAMAR! - WE LOST TAMAR.

TAMAR CHICKENS OUT, OF COURSE.

TAMAR IS A LITTLE SCAREDY-CAT--

SCAREDY-SCAREDY CAT-- SCAREDY CAT.

UH-UH.

IT IS A KNOWN FACT THAT SHE IS AFRAID OF HEIGHTS,

AND SHE DOES NOT HAVE TIME TO BE LOSING HER LIFE

OR CRACKING THIS FACE

BECAUSE THE GIRLS WANNA WALK ACROSS SOME DAMN BRIDGE.

THAT DOESN'T EVEN SOUND LIKE FUN TO ME.

SO, UH-UH.

SHE WON'T BE PARTICIPATING IN THAT.

WE ARE IN A WEST COAST RAINFOREST,

'CAUSE IT DOES RAIN A LOT. - REALLY?

- SO, THAT'S IT, OVER HERE? - YEAH, DEFINITELY DOES.

SO, THAT'S THE DIFFERENCE

BETWEEN OVER HERE AND OVER THERE.

THAT'S ALSO A RAINFOREST, BUT THIS SIDE IS MORE TREED.

OH.

MORE TREES?

I CAN'T BELIEVE WE ALMOST KILLED OURSELVES

JUST TO SEE A BUNCH OF TREES THAT I ALREADY SAW

BEFORE WE GOT ON THIS STUPID BRIDGE.

I MEAN, I'M GLAD I DIDN'T CHICKEN OUT.

BUT, WHERE'S MY REWARD?

WHERE'S MY GLASS OF WINE?

THERE'S, LIKE, NO RAINFOREST BAR AROUND HERE OR SOMETHING?

I'M READY TO GO BACK ACROSS.

- DO YOU WANNA GO ACROSS? - YEAH.

OKAY, WE CAN GO ACROSS.

THEN, YOU'RE GONNA HAVE TO DO CLIFF WALK.

DO WHAT?

YEAH, YOU GET TO DO CLIFF WALK.

THAT'S OUR NEXT JOURNEY. - THE CLIFF WALK?

HOLD UP.

WAIT A MINUTE.

HOW YOU GONNA TELL US WE'RE GONNA DO A CLIFF WALK?

WHAT THE HELL IS THAT?

WE JUST DID A DEATH-DEFYING WALK UP ON THE DAMN BRIDGE,

WHERE EVERYBODY'S WALKIN' ON THIS BRIDGE,

AND IT'S SWAYIN' TO AND FRO-- REALLY?

HAVE YOU LOST YOUR EVERLASTING, CRAZY MIND?

ME?

HUH? - OKAY-- WELL, LET'S CONTINUE.

- YES. - THERE'S MORE?

- THERE'S MORE. - YES.

I'M NOT DOIN' DO NO BRIDGES!

WE'RE NOT GETTIN' ON ANOTHER BRIDGE.

- WELL, WHAT'S-WHAT IS IT? - IT'S A WALK.

IT'S A LITTLE WALK. - HOW HIGH IS IT?

- IT'S NOT-- IT'S LIKE THIS. - OKAY, PERFECT.

- HOW HIGH IS IT? - IT'S LIKE THIS.

- IT'S THIS HIGH. - WE'RE GONNA GO DO CLIFF WALK.

- IT DOESN'T WOBBLE LIKE THIS. - IT'S LIKE HERE.

LIKE THIS.

FEELS LIKE YOU'RE WALKING ON SOLID GROUND.

- IT'S LIKE THIS. - TAMAR, COME ON.

IT DON'T SHAKE LIKE THAT, RIGHT?

NO, NO-- IT DOESN'T SHAKE-- SOLID.

- HOW HIGH IN THE AIR? - IT'S LIKE THIS.

IT'S THIS-- IT'S RIGHT HERE-- THIS HIGH.

THREE HUNDRED FEET IS THE HIGHEST.

- THREE HUNDRED FEET? - IT'S LIKE THIS.

THE HIGHEST POINT.

TAMAR, YOU'RE ALREADY 300 FEET, RIGHT NOW.

- COME ON, TAMAR. - COME-COME, LITTLE KUMQUAT.

ALL RIGHT, THIS IS NOT MY IDEA OF SISTER AFTERNOON FUN.

THIS IS WHACK.

I MEAN, LIKE, REALLY, LET'S GO SHOPPING.

LET'S GO TO LUNCH-- LET'S HAVE SOME DRINKS.

LIKE, THIS IS NOT FUNNERS.

WHAT ABOUT MOSQUITOES, AND STUFF, AND BITES?

I MEAN, I THINK THE NEXT TIME,

I'LL BE THE ONE PLANNING THE SISTERS AFTERNOON

BECAUSE I HAVE TO HAVE FUN IN MY LIFE.

I FEEL LIKE I WAS TRICKED.

IT FEELS LIKE THIS IS STURDY, RIGHT?

SO, THIS HERE IS A TYPE OF SUSPENSION BRIDGE.

WE'RE HELD ALL BY THIS ANCHOR POINT, HERE.

SO, IF I WERE TO JUMP UP AND DOWN, RIGHT NOW...

DOES THIS LOOK LIKE JURASSIC PARK?

...IT WOULD WOBBLE A LITTLE.

- WHO PLANNED THIS? - OH.

THIS IS NOT THE BOMB!

LIKE, I DIDN'T KNOW THIS WAS GONNA TURN INTO

"THE INDIANA JONES AND THE LAST CRUSADE" EVENT.

LIKE, THE CLIFF WALK WAS SCARY AS HELL,

BUT NOT AS SCARY AS THAT DAMN BRIDGE.

SO, I DECIDED I WAS GONNA DO IT FOR THE GIRLS,

AND I HOPE THEIR ASS IS HAPPY, NOW.

YOU'LL SEE A LOT OF DEAD TREES THAT ARE LEFT STILL

IN THE FOREST, 'CAUSE THEY CAN BECOME NURSE LOGS.

SO, OTHER TREES, LIKE, IF YOU LOOK AT THIS ONE HERE,

THIS TREES A NURSE LOG, SO OTHER TREES USE IT,

AND THEY GROW OUT OF IT. - WHAT'S A NURSE LOG?

BASICALLY, IT'S A DEAD TREE THAT THEN HAS,

ONCE IT STARTS TO BREAK DOWN, IT'S VERY FERTILE.

OH.

AND SO, IT'S GREAT FOR OTHER TREES TO GROW OUT OF IT.

OH.

SO, IT STILL STAYS IN THE FOREST.

- OH. - YEAH.

TAMAR, YOU SHOULD HAVE A PIECE OF THAT.

- TOUCH ON THE FERTILE TREE. - I-I GOT FOUR KIDS-- I'M FINE.

- THAT'S THE FERTILE TREE. - I'M FINE.

- THEY'RE ALL FROZEN. - TAMAR, TOUCH THE FERTILE TREE!

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

TOUCH THE FERTILE TREE

TOUCH-TOUCH THE FERTILE TREE

- SHE DON'T NEED IT. - TOUCH THE FERTILE TREE

TOUCH-TOUCH THE FERTILE TREE

- SHE DON'T NEED IT - SAID TOUCH THE FERTILE TREE

TOUCH-TOUCH THE FERTILE TREE - SHE GOT FOUR KIDS

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

AND THAT'S ENOUGH-- SHE DON'T WANT NO MORE KIDS

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

AND THAT'S JUST TOUGH-- MMM-HMM.

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

SHE DON'T NEED IT-- SHE DON'T NEED IT

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

SHE DON'T NEED IT-- SHE DON'T NEED IT

TOUCH THE FERTILE TREE-- TOUCH-TOUCH THE FERTILE TREE

- SHE DON'T NEED IT - TOUCH THE FERTILE TREE

TOUCH-TOUCH THE FERTILE TREE

SHE DON'T NEED IT-NEED IT- NEED IT-NEED IT

NEED-NEED-NEED-NEED-NEED-NEED-NE ED-NEED IT

NO GIRLS.

OF COURSE, THIS TRIP WOULD NOT BE COMPLETE

WITHOUT SOME SORT OF BEEF WITH TAMAR.

AFTER THE CLIFF WALK,

I INVITED THE GIRLS TO MEET ME FOR A COCKTAIL AT A RESTAURANT

NEAR MY HOTEL.

VINCE AND MY GLAM SQUAD WERE ALREADY THERE,

AND THE GIRLS SHOW UP, AND THEY LITERALLY GOT MAD.

THEY LEFT BECAUSE MY HUSBAND WAS THERE.

HE WASN'T EVEN AT THE TABLE NO MORE.

HE WENT TO THE BAR WITH THE HAIR AND MAKEUP TEAM.

LIKE, SO, WHAT WAS THE PROBLEM THEN?

CAN I GET YOU ANYTHING?

NO.

I'LL JUST TAKE THE CHECK-- I DON'T THINK THEY'RE COMING BACK.

RIGHT.

I DIDN'T KNOW THIS WAS, LIKE, A SISTER MOMENT.

IF THAT WAS THE CASE, HE WOULDN'T HAVE COME.

DUH.

AFTER I FINISHED WORK THIS AFTERNOON,

THE GIRLS PICKED ME UP AND SAID,

"LET'S GO BLUEBERRY PICKING."

AND TAMAR WAS SUPPOSED TO JOIN US,

BUT THEN SHE SENT THIS WEIRD TEXT SAYING SHE'S NOT COMING.

I-I DON'T KNOW WHAT'S GOING ON,

BUT I'M SURE I'M GONNA FIND OUT EVENTUALLY.

HI.

HI, THERE-- WELCOME TO DRIEDIGER FARMS.

THANK YOU.

HOW MANY BLUEBERRY BUCKETS DO YOU NEED TODAY?

- FOUR. - JUST THE FOUR OF YOU?

PERFECT-- YOU ARE GONNA GO DOWN THE DIRT ROAD.

WHEN YOU SAY, "DIRT ROAD," WHAT DO YOU MEAN?

UH, THERE'S A DIRT ROAD THAT YOU'RE GONNA WALK--

THE ROCKS THERE TO THE OPENING OF THE FARM THERE.

LIKE, DIRT-- DIRT?

- IT'S A DIRT ROAD, TONI. - OKAY.

- A ROAD MADE OF DIRT. - THANK YOU.

- YOU'RE WELCOME. - OKAY.

- THANK YOU. - THANK YOU.

- HAVE A GREAT TIME. - WE WILL.

THANK YOU.

GUYS, DON'T YOU LOVE CANADA?

I DO, ACTUALLY.

SHE TALKS LIKE A CANADIAN.

I'M GONNA NEED YOU TO AND HAVE A SEAT.

HAVE A SEAT.

I'M GONNA NEED YOU TO STAY WITH IT.

- EH? - I MEAN, YOU KNOW, IT'S ABOUT--

- WHAT? - BLOUSE.

WHAT, TRINA-- WHAT?

IF YOU GUYS HAVEN'T FIGURED IT OUT BY NOW--

HAVEN'T FIGURED IT OUT BY NOW, I'M IGNORING YOU.

I'M IGNORING YOU. - TRINA'S REALLY CANADIAN.

I DON'T KNOW WHERE MY MAMA AND DADDY GOT HER FROM.

THERE, I SAID IT.

- THAT ONE SAYS, "OPEN." - WE'LL GO HERE.

HERE WE GO.

WELL, HOW DO WE KNOW WHICH ONES ARE GOOD ONES?

THESE ALL LOOK HEARTY.

NO, THESE ARE FINE-- LET ME TASTE 'EM.

- EW. - EW!

YOU HAVE TO WASH THEM OFF FIRST.

I WIPED IT OFF REAL GOOD.

OH, THEY'RE GOOD.

- WHAT? - WHAT IT TASTE LIKE?

BLUEBERRIES.

SMART MOUTH.

"MOUTH."

ISN'T IT FUN, DOING IT TOGETHER?

I FOUND A GOOD BUSH.

I CAN'T BELIEVE TAMAR DIDN'T COME.

SHE HAD A TANTRUM TODAY.

OH, WHAT'S WRONG WITH HER, NOW?

WE WERE TRYING TO GO OUT FOR DRINKS

AND HANG OUT WITH OUR SISTER, AND HER VELCRO WAS THERE,

AND WE WERE LIKE-LIKE, REALLY?

WHAT-WHAT DO YOU MEAN?

BEFORE WE WENT TO BLUEBERRY PICKING,

WE THOUGHT WE WERE GOING TO HAVE A SISTER DRINK,

AND WE WENT THERE,

AND WE WENT TO SIT DOWN, AND VINCE IS THERE.

I KNOW Y'ALL ARE MARRIED-- YOU'RE MARRIED FOR WHAT?

GOING ON THREE YEARS OR SOMETHING?

YOU DON'T HAVE TO BE VELCRO ALL THE TIME.

SHE MAD BECAUSE WE WANTED TO SPEND TIME WITH HER.

AND?

- BY HERSELF. - BY HERSELF.

YOU KNOW, TO HAVE A SISTER MOMENT.

BUT, YOU KNOW, VINCENT IS THE SIXTH SISTER.

SISTER TIME MEANS NO HUSBANDS ARE INVOLVED,

BUT TAMAR GETS A PASS TO BRING HERS.

THAT'S NOT COOL.

I-I-I FEEL AS IF WE PROBABLY HURT TAMAR'S FEELINGS THAT,

YOU KNOW, WE DIDN'T WANT VINCE AROUND,

BUT WE JUST WANT OUR SISTER TIME.

WE HAVEN'T HAD A SISTER TIME IN A LONG TIME.

SHE BE ALL RIGHT.

WHERE THEY AT-- WHERE ARE THEY? - LEAVIN'.

WHAT-- WHAT DO YOU MEAN, THEY'RE LEAVING?

- YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE?

THAT'S SO STUPID!

COMING UP, ON "BRAXTON FAMILY VALUES..."

WE CAN'T SAY WHAT WE FEEL, 'CAUSE IT'S ALWAYS, "UH-UH-UH!"

WELL, WHO WANTS TO DO THAT WHEN YOU'RE GROWN?

WHY WOULD YOU DO THAT?

WE'RE IN ANOTHER COUNTRY!

IT'S ILLEGAL IN THE STATES.

OMG.

WHERE THEY AT-- WHERE ARE THEY?

- LEAVIN'. - WHAT?

WHAT DO YOU MEAN, THEY'RE LEAVING?

- YOU HEARD WHAT I SAID. - WHY'D THEY LEAVE?

THAT'S SO STUPID! - BECAUSE TAMAR HAS TANTRUMS.

I MEAN, YOU KNOW SHE HAS TANTRUMS, TONI.

SHE DIDN'T EVEN COME BY THE HOUSE.

WHAT IS SHE REALLY SENSITIVE ABOUT, LIKE, HONESTLY?

I'M BEING HONEST.

YOU THINK I'M-YOU THINK I'M MAKING THAT UP?

NO, BUT I FEEL LIKE THERE'S MORE TO THE STORY.

WHAT DID SHE SAY?

SHE JUST GOT DEFENSIVE-- "OH, IT'S MY FAULT.

"OH, I DID SOMETHIN' WRONG." - THAT'S WHAT SHE SAID?

I SAID, "IF WE'RE NOT GONNA HAVE SISTER TIME,

"THEN I'M LEAVIN'."

I'M LEAVIN', YEAH.

- SO, WHY-- - AND I LEFT.

WHY WEREN'T YOU HAVING SISTER TIME?

BECAUSE I TOLD YOU HER VELCRO WAS THERE.

I'M THE OLDEST SISTER AND IN BEING THE OLDEST SISTER,

THERE'S PLENTY OF TIMES THAT I'VE HAD TO STEP UP

AND SOLVE THE PROBLEMS BETWEEN THE GIRLS AND WHOMEVER.

BUT, I THINK THIS IS THE WORST I'VE EVER SEEN.

I DON'T KNOW WHAT'S GOING ON WITH THIS FAMILY,

BUT WE NEED TO FIGURE IT OUT.

I'M GONNA CALL HER ON THE BAT LINE.

HEY, WHY ARE YOU LEAVING-- YOU--

WHY CAN'T YOU JUST COME TO THE HOUSE?

UH-UH.

SHE DON'T WANT TO HAVE SISTER TIME WITH US.

SO SILLY.

COME ON, TAMAR-- WE NEED TO TALK AND HASH IT OUT,

WHAT-WHATEVER WE'RE GOING THROUGH-- COME ON.

UGH!

WELL, THINK ABOUT IT-- I'LL CALL YOU BACK.

OKAY-- LOVE YOU-- OKAY, BYE.

WHAT IS SHE TALKING ABOUT?

- SHE DON'T KNOW. - TAMAR, I WANT YOU TO COME!

IT'S SO SILLY!

BLUEBERRY PICKING'S SUPPOSED TO BE FUN.

YES, IT'S SUPPOSED TO BE FUN.

THAT'S WHY I DON'T EVEN KNOW WHY YOU CALLED.

HMM.

SO, TONI, WE'RE GROWN.

YOU KNOW HOW, IF WE HAVE AN ISSUE WITH EACH OTHER,

WE TALK TO EACH OTHER ABOUT IT,

REGARDLESS ON IF WE AGREE WITH IT OR NOT.

BUT, WHEN IT COMES TO TAMAR, WE CAN'T SAY WHAT WE FEEL,

'CAUSE IT'S ALWAYS, "UH-UH-UH!"

WELL, WHO WANTS TO DO THAT WHEN YOU'RE GROWN?

I CAN'T, TONI-- I CAN'T KEEP DOING THAT.

THAT'S NOT FAIR.

IT'S NOT FAIR TO ME-- - THAT'S TRUE.

AS A WOMAN, WHO WANTS TO EXPRESS HERSELF TO HER SISTER

ABOUT HOW SHE'S FEELING ABOUT CERTAIN THINGS.

THAT'S TRUE.

WELL, IF I CAN GET HER TO COME BACK,

WE CAN ALL TALK ABOUT IT. - MMM-HMM.

LIKE, REALLY HASH AND TALK ABOUT IT.

- WOULDN'T THAT BE GREAT? - THAT WOULD BE NICE.

WE'RE KINDA OVERDUE-- THAT'S TOO MUCH TENSION AND--

TOWANDA'S AT HER BOILING POINT.

TAMAR'S AT HER BOILING POINT.

ALL I CAN DO, RIGHT NOW, IS TRY TO REACH OUT TO TAMAR, AGAIN,

AND GET HER TO COME AND JOIN US FOR DINNER

WITH MOMMY TONIGHT.

THIS IS CRAZY.

OKAY, GUYS, I HAVE TO BE HONEST ABOUT SOMETHING.

WHAT?

I WOULD PROBABLY HAVE MORE BLUEBERRIES IN MY BUCKET,

BUT I'VE BEEN EATING THEM.

TRINA, WHAT?

- COME ON, BETTE DAVIS. - SO, SHE'S BEING BETTE DAVIS.

REALLY?

IS THAT YOUR ALL-IS THAT YOUR HOSTING OUTFIT?

- IT IS. - YES-- I'M THE HOST.

- I CAN'T TAKE IT. - IT'S CUTE, THOUGH.

ISN'T IT CUTE-- WE'RE HAVING DINNER IN VANCOUVER,

IN THIS BEAUTIFUL HOUSE-- IT WAS A MOVIE RENTAL.

IT'S BEAUTIFUL.

- HEY, GUYS! - HEY, MOMMY!

AND STILL, I COULDN'T CONVINCE TAMAR TO JOIN US,

AND I'M REALLY DISAPPOINTED.

I'M MORE DISAPPOINTED BECAUSE I THINK THIS

WOULD'VE BEEN A GREAT TIME TO CLEAR THE AIR,

AND I REALLY DON'T KNOW WHEN WE'RE GONNA HAVE ANOTHER TIME

TO GET EVERYONE TOGETHER.

I HAD TO MOVE THE BLUEBERRIES FIRST.

HAVE YOU BEEN EATING BLUEBERRIES?

DIDN'T YOU GUYS GO TO PICK THE BLUEBERRIES?

WELL, I HAD TO EAT THE BLUEBERRIES.

DID YOU MAKE SOME BLUEBERRY DUMPLINGS?

UH-UH-- UH-UH.

BUT, MY TEETH ARE TURNING BLUE. - TAMAR DON'T LIKE DUMPLINGS.

SPEAKING OF TAMAR, WHERE'S TAMAR?

SHE MAD.

I TRIED TO CALL HER.

MOMMY ABSOLUTELY DOES NOT LIKE TO SEE US ARGUE.

SHE DOES NOT LIKE SEEING HER GIRLS AT ODDS.

SO, OF COURSE, MOMMY'S NOT HAPPY

WITH THE SITUATION AT ALL.

WHAT HAPPENED?

WELL, SHE INVITED US TO HAVE A DRINK.

AND, HONESTLY, I THOUGHT WE WERE HAVING A SISTER DRINK.

BUT, WHEN WE GOT THERE,

VINCENT WAS SITTING AT THE TABLE.

SO, IT'S LIKE-LIKE, REALLY?

THIS ISN'T SISTER TIME.

I MEAN, THERE'S NOTHING WRONG WITH HAVING YOUR HUSBAND THERE.

BUT, IF TOWANDA'S HUSBAND WAS THERE, IT'D BE A PROBLEM.

IF TRACI'S HUSBAND, TRINA'S, SHE'D HAVE A PROBLEM.

"WHY IS YOUR HUSBAND--" WHY YOUR HUSBAND ALWAYS HERE?

SO, SHE-- WELL, DID YOU-- YOU GUYS COMMENTED ABOUT IT?

ABOUT HER HUSBAND BEING THERE?

I-I DON'T UNDERSTAND. - YES, I DID.

- TOWANDA DID-- YEAH. - SHE GOT AN ATTITUDE.

"I MEAN, YOU KNOW, TOWANDA, YOU JUST DO WHATEVER

"YOU THINK IS BEST, THEN."

SHE WAS UPSET BECAUSE THEY-- ALL THREE OF THEM LEFT TOGETHER.

SO, I WAS HOPING SHE WOULD COME HERE.

I CALLED HER A COUPLE TIMES-- BUT, SHE DIDN'T WANNA COME.

THERE'S NOTHING WRONG WITH LOVING YOUR HUSBAND.

THERE'S NOTHING WRONG WITH BEING LOYAL TO YOUR HUSBAND.

I THINK IT'S A WONDERFUL THING.

BUT, WHAT IS WRONG WITH SISTER TIME?

NOTHING WRONG WITH THAT.

IT'S OKAY TO DISAGREE, YOU KNOW,

'CAUSE NO ONE AGREES ON THE SAME THING, ALL THE TIME.

BUT, WHEN YOU ARE AT ODDS WITH EACH OTHER,

AND YOU CAN'T EVEN HAVE DINNER TOGETHER,

SOMETHING IS WRONG WITH THAT PICTURE, AND I'M NOT HAVING IT.

I DON'T KNOW WHAT'S GOING ON,

AND I NEED TO FIND OUT WHAT-WHAT'S GOING ON.

I REALLY DO.

BUT, THAT'S MADNESS.

THE THING IS, IF IT'S RECIPROCATED

BY ANYBODY ELSE'S SPOUSES, IT'S AN ORDEAL.

IF ANDRE WAS HERE, HANGING OUT WITH US LIKE THIS,

SHE'D HAVE A FIT.

YEP.

SHE CALLED HIM A-- SHE CALLED ANDRE A B-I-T-C-H,

WHICH WAS EXTREMELY RUDE.

I MEAN, BUT SHE WOULD BE MAD, IF I SAID SOMETHIN' ABOUT HERS.

WHY ARE THERE DOUBLE STANDARDS?

WHY IS IT THAT YOU CAN BRING YOUR HUSBAND,

BUT IF ANYONE ELSE BRINGS THEIR HUSBAND, IT'S AN ISSUE?

THAT'S NOT RIGHT.

I USED TO TEASE AND CALL 'EM VELCRO.

MMM-HMM.

NOW, IT SEEMS A BIT STRANGE TO ME.

YOU KNOW, YOU HAVE REALLY SMALL EYES.

REALLY, TRINA?

I HAVE SMALL EYES?

YEAH, YOU HAVE LITTLE BABY ONES.

HA-HA!

YOU DON'T THINK IT'S SLEEP DEPRIVATION?

- REALLY, WANDA? - SHE'S TIRED.

YOU KNOW, AND YOUR EARS ARE ABOUT SMALL AS THESE LITTLE--

POTATO CHIP EARS.

YOU HAVE SOME LITTLE BABY EARS.

THAT'S WHAT I CALL THEM, POTATO CHIPS.

- LIKE MY DAD. - THIS WILL NOT BE .

YOU JUST HAPPENED TO BE SITTING BESIDE ME,

SO IT'S LIKE I GET- I GET TO, YOU KNOW,

OBSERVE SOME THINGS.

WAIT A MINUTE-- WAIT A MINUTE.

HOLD UP-- MY PHONE.

I'M SORRY, MOM-- I KNOW YOU SAID NO PHONES AT THE TABLE.

- GO AHEAD. - OOH, IT'S CRAIG.

SORRY, GUYS. - HEY, CRAIG.

HEY, CRAIGY.

HEY, TONI, I JUST GOT A TEXT FROM ALEX.

OKAY.

THE POLICE HAVE ARRESTED HIM.

ALEX IS MY ASSISTANT, WHO CAME UP HERE

TO HELP ME WHILE I WAS WORKING ON THE MOVIE,

AND HE DROVE THE GIRLS AROUND TODAY

BEFORE THE BLUEBERRY PICKING.

AND NOW, MY MANAGER, CRAIG, IS CALLING TO SAY HE GOT ARRESTED.

HE WAS-HE WAS TALKIN' ON THE TELEPHONE, EVIDENTLY,

AND HE WAS DRIVIN'.

AND, EVIDENTLY, THEY, UH, THEY-THEY SAW SOME GLASSES

IN THE BACK OF THE SEAT CAR, YOU KNOW,

THAT SOMEBODY WAS DRINKING EARLIER,

AND THERE WAS ALCOHOL IN 'EM, AND HE'S IN BIG TROUBLE.

SO, I JUST WANTED TO LET YOU KNOW.

I-I THINK ALEX IS ON HIS WAY TO FIND OUT JUST WHAT THE INSIDE

OF A CANADIAN JAIL LOOKS LIKE.

OH, GOD!

OMG.

DO WE KNOW WHAT WAS OPEN IN THE BACK OF THE CAR?

NO-- EVIDENTLY, THERE WERE SOME GLASSES EARLIER IN THE DAY

OR SOMETHIN'.

I DON'T THINK HE HAD BEEN DRINKING.

SO, THEY SHOULD RELEASE HIM AND JUST FINE HIM,

BUT WE'RE TRYING TO FIND OUT, RIGHT NOW.

AND I'LL KEEP YOU POSTED.

OKAY, CRAIGY, THANK YOU.

KEEP ME POSTED. - ALL RIGHT, T.

- OKAY, BYE. - BYE.

I THINK I HAVE SOMETHING TO SAY.

WHAT?

I HAD A GLASS OF WINE IN THE CAR.

WHY WOULD YOU DO THAT?

WE'RE IN ANOTHER COUNTRY!

IT WAS IN A CUP.

IT'S ILLEGAL IN THE STATES, HAVING AN OPEN BOTTLE

OR CONTAINER OF ANY ALCOHOLIC BEVERAGE.

WHY WOULD YOU DO THAT?

I'M SORRY.

THAT'S A CAR FROM THE PRODUCTION COMPANY OF THE MOVIE,

SO NOW THE MOVIE PEOPLE ARE GONNA KNOW.

BY THE TIME IT'S OVER, IT WON'T BE TONI BRAXTON'S ASSISTANT.

IT'LL BE "TONI BRAXTON GOT ARRESTED."

NO, I'M NOT SURPRISED THAT MY FAMILY TURNED

A SIMPLE FAMILY VACATION INTO CONFUSION, DRAMA, AND CRIME.

WE ARE THE BRAXTONS.

WE ARE THE BRAXTONS AND YOU'LL SEE THAT

FULL OF CONFUSION DRAMA AND CRIME

- THAT'S US. - ANYWAY-- IT'S THE WEEKEND.

YES.

IT'S FRIDAY.

- IT IS. - AFTER 5.

OH.

WE'RE NOT GONNA TALK TO HIM TILL MONDAY.

TONI, HE'LL BE FINE.

WHY ARE YOU UPSET?

I JUST AM.

BECAUSE SHE FEELS THAT SHE COULD'VE JUST TAKEN HER CUP

OUT OF THE CAR, IS WHAT'S GOING ON.

YES.

BUT, SHE CAN'T BE UPSET, RIGHT NOW.

- I WAS JUST-- - I-I'M UPSET, RIGHT NOW.

SHE CAN BE UPSET WHEN I LEAVE THE TABLE.

- OH. - I GET TO BE UPSET, RIGHT NOW.

I DON'T WANNA SHARE MY UPSETMENT.

I DON'T WANNA SHARE IT, RIGHT NOW.

- SHE SAID, "UPSETMENT." - YES.

YOU ARE REALLY UPSET.

YOU SAID, "UPSETMENT."

WHO DOES THAT?

WHO-- MY MANAGER, CRAIG, ACTUALLY SENDS ME A TEXT

WHILE WE'RE STILL AT THE TABLE SAYING THAT THE POLICE

DROPPED ALL THE CHARGES AGAINST ALEX,

WITH A WARNING, AND RELEASED HIM.

THANK GOD-- BUT, I'M NOT GONNA TELL TRINA.

I'M NOT TELLING HER YET.

SHE DESERVES TO FEEL HORRIBLE AND GUILTY

FOR THE REST OF THE TRIP.

HE MIGHT GO TO JAIL. - TO JAIL FOR A WHILE.

- I DON'T KNOW WHAT TO DO. - OR, THEY MIGHT DEPORT HIM.

- I GOTTA B-BAIL HIM OUT. - OR, THEY MIGHT DEPORT HIM.

- OR, DEPART-- - DEPORT HIM.

OH, MY GOSH.

WELCOME TO CANADA.

DRINK TO THAT ONE.

DON'T REALLY TOAST-- WELCOME TO CANADA.

- THANKS. - THANK YOU.

AFTER WE GOT BACK FROM CANADA,

MOMMY CAME TO VISIT ME IN L.A.

SHE ASKED ME TO GO OUT TO LUNCH WITH HER, ALONE,

AND I WENT BECAUSE SHE SOUNDED LIKE SHE REALLY WANTED

TO TALK TO ME.

I JUST HOPE THIS IS NOT ANOTHER BLAME TAMAR

FOR EVERYTHING IN EVERYBODY'S LIFE CONVERSATION.

AIN'T NOBODY GOT TIME FOR THAT.

I'M HERE BECAUSE OF A LOT OF REASONS.

AND, UH-- - UH-OH.

THERE'S A LOT OF THINGS THAT I'M SOMEWHAT UPSET ABOUT,

MAYBE JUST A BIT.

ABOUT WHAT?

YOU'RE ACTING LIKE FOOLS, IF I MUST SAY MYSELF.

COMING UP, ON "BRAXTON FAMILY VALUES"...

I'M GOING CRAZY HERE.

THERE'S-- SO, EVERYBODY DOESN'T HAVE AN ISSUE WITH ME?

NO ONE IS CALLING YOU A VICTIM.

I DIDN'T SAY I'M A VICTIM.

- NO ONE IS SAYING-- - I SAID, AM I GOING CRAZY HERE?

DOES ANYBODY--

NO, BUT NO ONE-NO ONE'S SAYING THAT YOU'RE GOING CRAZY.

OKAY-- WELL, LET ME ASK YOU A QUESTION.

WHAT IS YOUR OWN, INDIVIDUAL ISSUE WITH ME?

OH, LOOK AT THAT BIG OL' BEAR!

TAKE A PICTURE OF ME AND THIS BEAR.

NOW, TAKE ONE OF ME WITH TOWANDA'S CAMERA.

GO.

WHY YOU TRYING TO BE SEXY WITH THE DOGGONE BEAR?

I PUT THE BEAR'S PAW ON MY BUTT.

EW!

YOU KNOW HOW MANY BUTTS THAT PAW HAS BEEN TOUCHING?

YES.

LET'S GO.

I'M HERE BECAUSE OF A LOT OF REASONS.

AND, UH-- - UH-OH.

THERE'S A LOT OF THINGS THAT I'M SOMEWHAT UPSET ABOUT,

MAYBE JUST A BIT.

ABOUT WHAT?

YOU'RE ACTING LIKE FOOLS, IF I MUST SAY MYSELF.

I-I DON'T-I DON'T UNDERSTAND WHAT'S GOING ON.

I DON'T KNOW WHAT'S GOING ON, EITHER, MOMMY, HONESTLY.

WHEN WE WERE IN VANCOUVER,

I WAS A LITTLE, I GUESS, UM, DISAPPOINTED

YOU DIDN'T SHOW UP FOR DINNER.

AND SO, YOU KNOW, I'M ASKING THE GIRLS.

THEY HAVE THEIR THEORY.

I WANTED TO HEAR YOUR THEORY.

NO, I DIDN'T SHOW UP BECAUSE OF WHAT HAPPENED AT LUNCH.

I MEAN, LET ME ENLIGHTEN YOU ON WHAT HAPPENED AT LUNCH.

WHEN WE ALL CAME TO THE RESTAURANT,

TOWANDA AND TRINA WENT TO THE BATHROOM.

AND THEN, VINCE WENT TO THE BATHROOM.

AND THEN, TOWANDA AND TRINA CAME BACK FROM THE BATHROOM,

AND TOWANDA STOOD AT THE TABLE, AND SHE WAS LIKE,

"WELL, YOU KNOW, I'M GONNA GO BECAUSE, YOU KNOW,

"I THOUGHT WE WAS JUST GONNA HAVE A SISTERS' LUNCH."

AND I WAS LIKE, "ALL YOU HAD TO DO, WAS SAY SOMETHING."

AND THEN, SHE STORMED OUT.

THEN, TRINA WAS LIKE, "WELL, TAMAR, THAT'S NOT REALLY FAIR

"BECAUSE, YOU KNOW, THERE'S-- THERE ARE A LOT OF ISSUES."

AND I'M LIKE, "TRINA, WHAT ISSUES?"

AND SHE WAS LIKE, "WELL, YOU KNOW,

"WE JUST WANTED TO HAVE LUNCH WITH-WITH YOU."

I SAID, "WELL, WHY DIDN'T YOU JUST DIDN'T SAY NOTHIN'?

"I CAN SEND VINCE TO THE BAR-- IT'S NOT A BIG DEAL."

SO, I TEXT HIM.

I SHOWED THE GIRLS THE TEXT-- I WAS LIKE, "SEE?

"IT'S NOT REALLY A-- IT'S NO PROBLEM AT ALL."

AND TRINA SAID, "OKAY-- "WELL, I'LL BE BACK.

"I'M GONNA GO GET HER--" AND SHE LEFT OUT.

AND THEN, LIKE, FIVE MINUTES LATER, TRACI WAS LIKE,

"WELL, I'LL BE BACK--" AND SHE LEFT.

AND THAT WAS IT.

YOU KNOW, I JUST FELT LIKE, IF THAT'S HOW TOWANDA FELT,

THEN THAT'S HOW TOWANDA FELT.

WHY DID TRINA AND TOWA--

TRACI HAVE TO FOLLOW IN HER FOOTSTEPS?

SO, I CALLED TOWANDA.

AND I'M LIKE, "YOU LEFT?"

SHE WAS LIKE, "YEAH, BECAUSE, YOU KNOW,

"WE NEED TO TALK, AND THIS IS NOT THE FORUM

"BECAUSE VINCE IS AT THE TABLE."

I'M LIKE, "WELL, VINCE LEFT THE TABLE.

"LIKE, TRINA WENT OUTSIDE TO GET YOU.

"LIKE, NOBODY EVEN TOLD ME Y'ALL WANTED TO SIT DOWN

"AND HAVE A SISTERS CONVERSATION WITH ME."

AND SHE WAS JUST LIKE-- I DON'T KNOW.

SOMEHOW, IT WAS MY FAULT-- AND I TOOK A PICTURE.

I CAN SHOW IT TO YOU. - MMM-HMM.

I TOOK A PICTURE OF THE TABLE,

AND IT WAS ME AND FOUR DRINKS.

AND I SAID, "WHAT'S WRONG WITH THIS PICTURE?

"'CAUSE I'M SITTIN' AT THE TABLE BY MYSELF.

"IF Y'ALL WANNA COME HOLLER AT ME, COME AND TALK TO ME."

NOBODY EVEN CAME BACK TO THE TABLE.

- THE POINT IS-- - I KNOW YOU DIDN'T SEE THIS.

- MMM-HMM. - RIGHT.

I WAS JUST SO MAD THAT THEY ALL DECIDED

THAT THEY WAS GONNA LEAVE, ONE BY ONE,

'CAUSE NOW EVERYBODY HAS A ISSUE

WITH VINCE AND I BEING AT A RESTAURANT.

THIS IS THE FIRST TIME THAT THEY'VE COMPLAINED

ABOUT VINCE AND I TRAVELING TOGETHER.

THIS IS WHAT WE'VE BEEN DOING FOR TEN YEARS.

IT'S NOT LIKE EVERY TIME I GO OUT, HE GOT TO BE THERE.

LIKE, I GET THAT.

AND PLUS, I MIGHT ADD, I LIKE MY HUSBAND.

THAT'S THE PICTURE OF ME, AND THIS IS THE TEXT.

I'M LIKE, "I REALLY WANT NOTHING MORE THAN

"TO HAVE MY SISTERS BACK.

"THIS IS ALL A SHAME."

TOWANDA SAID, "I AGREE.

"SAD."

I SAID, "WHAT HAPPENED?"

AND THEN-THEN, TOWANDA WENT ON A RAGE, AND SHE WAS LIKE,

"IT'S NOT-IT'S NOT NO FAULT IN HER, ME, OR YOU.

"I'M APPALLED THAT NO ONE SEES THE BIGGER PICTURE ISSUE."

I'M LIKE, WHAT ARE YOU-- WHAT?

WELL, FIRST OF ALL, YOU GUYS ARE SISTERS.

YOU'VE ALWAYS BEEN CLOSE.

NOW, ALL OF A SUDDEN, YOU'RE ALL GONNA ACT CRAZY?

NO!

- CAN I SAY SOMETHIN'? - YES, YOU MAY.

I REALLY DO MISS MY SISTERS, AND IT'S A LOT.

AND THEY MISS YOU.

IT'S A WHOLE LOT, LIKE, NOT KNOWING.

YOU KNOW, IT'S ONE THING WHEN YOU KNOW

THAT YOU'VE DONE SOMETHING.

BUT, WHEN YOU DON'T KNOW, IT'S MORE HURTFUL.

WELL, WHEN YOU SIT DOWN AND TALK,

YOU WILL FIND OUT WHAT THEY FEEL OR FELT THAT YOU'VE DONE.

BUT, NOBODY WANTS TO HANG OUT WITH ME.

NOBODY WANTS TO CALL. - TAMAR?

- NOBODY WANTS TO COME OVER. - TAMAR?

NOBODY WANTS TO KICK IT, AND I DON'T EVEN KNOW WHAT I DID!

SO, ALL Y'ALL NEED TO DO, IS GET TOGETHER, TALK,

IRON THIS MESS OUT, OR ELSE I WILL BE LIKE CURLY AND MOE.

YOU KNOW WHO CURLY AND MOE, RIGHT?

- NO-- WHO THAT? - PUT ALL FIVE OF Y'ALL TOGETHER

AND JUST SLAP THE PISS OUT OF YOU.

- OH! - YOU-YOU KNOW CURLY AND MOE.

BIP-BIP-BIP-BIP-BIP.

I WILL NOT HAVE IT-- I'M NOT PLAYING WITH YOU.

FIX IT!

- HI, LADIES. - HI-- HOW ARE YOU?

- HOW ARE YOU DOIN'? - THESE-THESE ARE OUR MENUS.

- I JUST WANT A DRINK. - YEAH, ME, TOO.

TONI CONVINCED ME TO COME TO L.A. TO TALK TO TAMAR,

AND I'VE ACTUALLY WANTED TO CLEAR THINGS UP WITH HER

ABOUT CERTAIN THINGS FOR A VERY LONG TIME.

BUT, TAMAR LEFT CANADA BEFORE I HAD A CHANCE

TO DISCUSS ANYTHING WITH HER.

SO, I'M BRINGING MYSELF TO TAMAR, OF COURSE.

AS ALWAYS, I AM THE BIGGER PERSON.

WHAT'S UP?

TONI SAID THAT SHE WANTED US TO SIT AND TALK.

ABOUT WHAT?

THE ESTRANGEDNESS.

COMING UP, ON "BRAXTON FAMILY VALUES"...

YOU SAID, AND I QUOTE, "I DON'T EVEN WANNA WORK

"WITH Y'ALL ANYMORE."

BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME!

WAIT-- WHOA, WHOA, WHOA, WHOA, WHOA-- LET ME FINISH.

WHO WANTS TO GO INTO WORK AND--

LET ME FINISH-- "I DON'T EVEN WANNA WORK WIT' Y'ALL ANYMORE.

" THE 'BRAXTON FAMILY VALUES.'"

TONI SAID THAT SHE WANTED US TO SIT AND TALK.

ABOUT WHAT?

THE ESTRANGEDNESS.

I-I ACTUALLY, HONEST TO GOD,

DON'T KNOW WHERE ANY OF IT HAS COME FROM.

SO, YOU THINK

THAT-THAT THE ESTRANGEDNESS IS JUST COMING FROM--

JUST OUT OF THIN AIR?

NO.

- OKAY, WHAT-- - THAT'S INACCURATE.

OKAY, WHAT-WHAT-WHAT'S ACCURATE FOR YOU?

THERE'S BEEN A CLIQUE THAT'S BEEN FORMED,

AND I'M NOT INVOLVED IN IT.

SO, YOU KNOW-- NO, I'M JUST BEING HONEST.

- A CLIQUE? - I'M GOING CRAZY HERE.

THERE'S-- SO, EVERYBODY DOESN'T HAVE AN ISSUE WITH ME?

NO ONE IS CALLING YOU A VICTIM.

- I DIDN'T SAY I'M A VICTIM. - NO ONE IS SAYING--

I SAID, AM I GOING CRAZY HERE?

NO, BUT NO ONE-NO ONE'S SAYING THAT YOU'RE GOING CRAZY.

OKAY-- WELL, LET ME ASK YOU A QUESTION.

WHAT IS YOUR OWN, INDIVIDUAL ISSUE WITH ME?

MY ISSUE IS THAT YOU HADN'T BEEN TRANSPARENT...

WHAT?

...WITH THE THINGS THAT HAS BEEN GOING ON.

AS FAR AS WHAT-- WHAT?

YOU HAVE BEEN VERY, VERY SNEAKY WITH THE THINGS

THAT HAVE BEEN TRANSPIRING. - LIKE WHAT?

INSTEAD OF YOU COMING AND SAYING,

"HEY, I'M BEING OFFERED THIS SPIN-OFF SHOW,"

YOU PRETENDED THAT IT WASN'T HAPPENING.

THAT'S NOT COOL.

LET ME TELL YOU-- THE BOTTOM LINE IS,

AND THIS IS THE 100% CORE FACT.

I DID NOT GO AND PURSUE MY OWN SPIN-OFF SHOW.

- UGH. - IT WAS OFFERED TO--

YOU'RE MISSING THE POINT, BUT IT'S OKAY.

EXCUSE ME-- IT WAS-- HE DIDN'T WANNA DO IT.

I DIDN'T WANNA DO IT FOR THIS VERY REASON, RIGHT HERE.

I WISH I HADN'T DONE IT.

TAMAR, YOU'RE-YOU'RE SO MISSING THE POINT.

YOU'RE MAKING IT ABOUT THE FACT

THAT YOU'VE GOTTEN A SPIN-OFF SHOW.

WE DON'T GIVE A DAMN ABOUT THAT

BECAUSE WE'VE ALWAYS BEEN THE ONES TO SUPPORT

EACH AND EVERY ONE OF US.

- WELL, I-- - PERIOD!

- WELL, YOU KNOW-- - GIVE SUPPORT.

YOU'RE NOT BEING SUPPORTIVE, RIGHT NOW.

IT'S NOT ABOUT THE SUPPORT.

BECAUSE LET ME TELL YOU WHAT HAPPENED.

IT'S NOT ABOUT THE SUPPORT.

I JUST TOLD YOU WHAT THE 100% TRUTH IS.

OH, MY GOD-- THAT'S-- OH, MY GOD!

- AND YOU DON'T CARE! - YOU'RE MISSING IT.

THAT WASN'T THE REALITY!

TOWANDA CLAIMS THAT I'M MISSING HER POINT

THAT IT'S NOT ABOUT THE SHOW.

WELL, IF IT'S NOT ABOUT THE SHOW,

WHAT THE HELL IS IT ABOUT?

TOWANDA, LOOK, IF YOU FEEL LIKE I WAS BEING SNEAKY

AND THAT OFFENDED YOU, I-I'M SORRY.

BUT, VINCE AND I HADN'T REALLY EVEN TALKED ABOUT IT.

AND ONCE WE DECIDED TO DO IT,

I OFFERED TO YOU GUYS TO COME AND DO IT, AND Y'ALL TOLD ME NO.

SO, I WAS LIKE-- - YOU WANNA KNOW WHY?

OH.

BECAUSE WE HAD SEVERAL CONVERSATIONS,

AND EVERY TIME THERE WAS A BLOW UP, YOU SAID, AND I QUOTE,

"I DON'T EVEN WANNA WORK WITH Y'ALL ANYMORE."

BECAUSE OF THE WAY YOU GUYS HAVE BEEN TREATING ME!

WAIT-- WHOA, WHOA, WHOA, WHOA, WHOA-- LET ME FINISH.

- WHO WANTS TO GO INTO WORK-- - LET ME FINISH.

AND IT'S THE TENSION, CRAZY ENVIRONMENT.

- LET ME FINISH-- LET ME FINISH. - WHO WANTS TO DO THIS?

- LET ME-- OH, OKAY-- I'LL WAIT. - AND WHY AM I ON CAMERA

DEFENDING MY C-CHARACTER, AGAIN?

WHY AM I DOING THAT-- THIS IS RIDICULOUS!

I'LL WAIT.

TAMAR, IN THE BEGINNING, SHE WAS NOT FORTHRIGHT.

THEN, SHE TELLS US,

"I DON'T EVEN WANNA WORK WIT' Y'ALL ANYMORE.

" THE 'BRAXTON FAMILY VALUES.'"

AND THEN, SHE'S GONNA COME AND ASK US TO BE A PART OF HER SHOW?

NO!

WHY WOULD WE DO THAT-- WHY WOULD WE BE A PART OF THE SHOW

WHEN YOU TOLD US US?

BASICALLY, YOU SAID US.

LET'S MOVE TO THE OTHER POINT,

AND THAT WAS, "I DON'T WANT TO WORK WITH Y'ALL.

" IT.

"I DON'T NEED Y'ALL."

- TOWANDA-- - THAT'S WHAT--

YOU DON'T EVER SAY THINGS LIKE THAT?

I DON'T EVEN KNOW WHAT YOU'RE REFERRING TO.

BUT, YOU NEVER SAY THINGS LIKE THAT?

OKAY, TOWANDA, FINE.

IT JUST REMINDS ME OF YOUR PAST PATTERNS.

WHEN TAMAR CAME OUT AND TOLD US,

"I DON'T EVEN WANNA WORK WIT Y'ALL ANYMORE,"

IT JUST REMINDED ME, AND IT MADE ME REFLECT BACK

TO WHAT HAPPENED WHEN WE WERE IN THE GROUP TOGETHER.

YOU KNOW HOW HORRIBLE THE EXPERIENCE

BEING IN THE BRAXTONS WAS FOR ME?

THAT'S WHAT I'M FEELING, RIGHT NOW.

AND HOW HORRIBLE IT WAS-- OR HOW HORRIBLE IT WAS FOR US, TOO?

AND I DON'T-I DON'T HAVE ANY INTEREST-- EXCUSE ME, TRINA.

I AM TALKING TO YOU-- EXCUSE ME, TRINA.

EXCUSE ME-- I'M TALKING TO YOU, TOO.

HOW HORRIBLE IT WAS FOR US, TOO?

DON'T JUST TRY TO PINPOINT IT

AND SAY IT WAS JUST YOU BEING HORRIBLE IN THE GROUP, TAMAR.

EVERY GROUP YOU'VE BEEN IN FAILED!

YOU KNOW, I'M LIKE, OH, GOD, HERE WE GO, AGAIN, TAMAR.

LIKE, REALLY?

ALL RIGHT-- ARE WE DONE?

- I'M JUST SAYING. - I-I CAN'T.

LIKE I SAID, IT'S NOT GONNA BE RESOLVED...

I'M SO TIRED.

...IN ONE SETTING, BECAUSE IT'S A LOT OF UNDERLYING--

UNDERLYING SITUATIONS.

- WAIT. - THAT'S JUST THE FIRST ONE.

- WHAT'S THE SECOND ONE? - UH-UH-- I-I'LL WAIT.

I'LL WAIT FOR YOU TO TALK TO THE REST OF YOUR SISTERS.

SO, YOU GUYS HAVE HAD SEPARATE MEETINGS,

WHERE YOU SAT AROUND AND TALKED ABOUT ME?

SO, YOU KNOW-- SO, YOU GUYS--

SO, YOU KNOW WHAT THEIR ISSUE IS,

BUT YOU WON'T SHARE WITH ME WHAT THE ISSUE IS.

WOW-- THAT'S REALLY JACKED UP, Y'ALL.

YOU KNOW, WITH TAMAR, YOU HAVE TO DO ONE STEP AT A TIME.

YOU CAN'T JUST PILE EVERYTHING ON HER, AT ONE TIME,

BECAUSE, OF COURSE, TAMAR'S THE BABY,

AND SHE'S GONNA FEEL ATTACKED.

I HOPE TO GOD THAT WE-WE REPAIR WHATEVER THE HELL

Y'ALL FEEL TOWARDS ME.

I THINK IT'S VERY, VERY-- IT IS EXTREMELY IMPORTANT

FOR THEM TO TELL YOU THEMSELVES. - BUT, I CAN'T-- I CAN'T.

- I CAN'T SPEAK FOR EVERYBODY. - BUT, I CAN'T.

I CAN'T DO IT.

WE REALLY NEED TO WORK THINGS OUT, BUT EVERY CHANCE I GET,

YOU KNOW, I-I TRY TO BE NICE.

I TRY TO EXTEND MYSELF.

I'M ALWAYS EXTENDING THE OLIVE BRANCH.

AND I JUST FEEL LIKE, MOST OF THE TIME,

IT GOES UNNOTICED, AND IT'S JUST FIGHTING FOR NOTHING.

AND I AIN'T FITTIN' TO KEEP ARGUING.

I LOVE YOU, BOO.

EVERYBODY HAVE TO SPEAK FOR THEMSELVES.

I LOVE YOU, BOO-- I CAN'T DO THIS.

OF COURSE, YOU CAN'T.

OF COURSE, TAMAR, SHE'S DOING WHAT SHE DOES BEST.

SHE'S GETTING UP, AND SHE'S WALKING OUT

BECAUSE SHE DOESN'T WANNA HEAR THE TRUTH.

WHENEVER YOU PULL THE TRUTH OUT OF TAMAR'S BAG,

SHE KEEPS IT MOVIN'.

AH.