Original subtitles

I'M

I'M FINALLY

I'M FINALLY GOING

I'M FINALLY GOING TO

I'M FINALLY GOING TO SHOW

I'M FINALLY GOING TO SHOW MY

I'M FINALLY GOING TO SHOW MY VIDEO

TO TAMAR AND TONI.

IT LOOK LIKE, UM, KESHA TOOK A SHOWER.

THIS BAG IS $4,000.

EVERYTHING HAS A PRICE TAG!

YEAH, WHERE'S TRACI'S CIGAR?

TRACI WAS BEHIND YOU.

THAT IS SOME BULL .

DO YOUR THING, ALL RIGHT?

YOU READY TO SAY GOOD-BYE?

WHAT THE DID YOU DO TO YOUR HAIR?

THIS IS BULL , TO BE HONEST ABOUT IT.

MUST YOU ALWAYS BE SO OPINIONATED?

CAN YOU EVER BE A LISTENING EAR

INSTEAD OF AN OPEN MOUTH?

♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO ON BRAXTON FAMILY VALUES ♪

WHERE'S MY CHANEL BAG-- IT BETTER NOT BE ON THE FLOOR.

IT'S ON THE FLOOR.

YOU BETTER PUT IT IN A CHAIR.

THIS BAG IS $4,000.

DID WE CARE HOW MUCH IT IS-- LIKE REALLY?

DO WE CARE? - I CAN'T TAKE IT.

THESE SHOES COST ME A HUNDRED DOLLARS.

THESE SHOES COST ME TWO HUNDRED DOLLARS.

THESE WAS FREE-- I GOT THEM FOR MY BIRTHDAY.

WHAT'S THE NAME OF THEM THEN?

THESE ARE "NEMEN-MARTIN."

THESE ARE "VALENTINO," OKAY?

IT VALE-NEGRO.

MY SISTERS ARE ALL HERE IN LOS ANGELES FOR THE WEEKEND

SO WE CAN SPEND SOME TIME TOGETHER,

SISTER QUALITY TIME,

AND I'M REALLY GLAD THEY'RE HERE

BECAUSE I HAVE TO ASK THEM SOMETHING REALLY IMPORTANT.

I MAY HAVE TO ASK MY SISTERS TO JUMP IN AT THE LAST MINUTE

AND DO THE BACKGROUND SINGING FOR ME

BECAUSE THESE NEW GIRLS ARE NOT WORKING OUT.

THEY'RE TERRIBLE.

SHAKE-A-- SHAKE-A-- SHAKE-A--

SHAKE-A-- SHAKE-A-- STEP.

YA'LL WAS ALL OVER THE PLACE.

I REALLY NEED TOWANDA AND TRINA BACK

BECAUSE I'M PERFORMING NEXT WEEK

AT THE BIG JAZZ FESTIVAL IN SAINT LUCIA

AND I NEED TO BE PERFECT.

I'M JUST GONNA HAVE TO EAT CROW AND BOW DOWN

AND ASK THEM TO HELP ME.

TONI, HOW WAS THE BACKGROUND SINGIN' COMIN'?

WELL, THE BACKGROUND SINGERS--

YOU NEED ME TO SING IT TO 'EM?

I DON'T THINK THEY CAN-- SINGING'S NOT GONNA WORK.

- I TOLD YOU. - THEY-THEY'RE JUST NOT

GONNA WORK, AND I JUST WAS ON A TIME--

- CRUNCH. - CRUNCH

AND I HAD TO GET SOMEBODY, BUT THEY'RE NOT IT--

SO I NEED TRINA AND TOWANDA TO COME WITH ME TO SING.

WELL, YOU KNOW TOWANDA IS, SHE ASKED TRINA.

WHAT YOU MEAN?

NO, TOWANDA COULDN'T DO THINGS IN THE PAST BEFORE--

SHE COULDN'T GO TO NEW YORK.

- YEAH. - YOU-YOU SAID, "NO," TO TONI?

OKAY, THAT'S IT.

TRINA, CAN YOU COME TO SAINT LUCIA?

IT'S COMIN' UP.

TONI JUST FIRED US A FEW SHORT WEEKS AGO

AND NOW SHE WANTS US TO COME BACK AT A MOMENT'S NOTICE?

YOU DON'T GOT NOTHIN' ELSE TO DO.

JUST SAY, "YES."

YES.

I WASN'T GOING TO MAKE HER SWEAT THAT LONG ABOUT IT.

I MEAN, IT'S A FREE TRIP TO SAINT LUCIA.

YOU DON'T HAVE A SHOW WITH THE BAND?

- NO. - HA-HA-- LAUGH-LAUGH.

- THAT'S NOT A-- - THAT'S TRUE,

YA'LL MAKE YOUR MONEY DURING THE HOLIDAYS.

NO, AS A MATTER OF FACT, I'M NOT WITH THE BAND ANYMORE.

WHAT?

- O.M.G., REALLY? - REALLY.

- I MEAN, OH. - SO, WHAT H-HAPPENED?

WELL, BECAUSE I'M JUST SO BUSY DOIN' STUFF--

YOU KNOW, FOR MYSELF, I DON'T HAVE TIME--

WAIT A MINUTE-- HOLD UP.

NOW BLESS THE PROBLEM.

IS THE BAND YOUR BAND?

- NO. - OH.

REALLY?

I KNOW I SHOULD BE NICE AND NOT TALK ABOUT IT,

BUT I'M SO HAPPY THAT TRINA LEFT THE BAND.

YOU CAN'T BE THE QUARTERBACK HANDING OUT THE GATORADE,

AND WHEN SHE'S WITH THE BAND,

IT'S LIKE "GATORADE, GATORADE?"

SO I'M GLAD SHE LEFT-- OKAY, I SAID IT.

SORRY.

BUT I NEED YOU TO DO THE SHOW.

YOU AND TOWANDA.

OH, I DO SOME BOOTY SLAP, AND BOOTY SLAP.

YOU WANNA COME, TOO?

YEAH-- I'M DOWN.

I'M GONNA DO MY CHOREOGRAPHY RIGHT ON THE SIDE.

I DON'T NEED YOU FOR THE SHOW PART, BUT--

I SAID, "I'LL DO IT ON THE SIDE."

NO, I DON'T MEAN-- TAMAR, I DON'T MEAN IT THAT WAY,

I'M JUST SAYING NOW I DON'T HAVE TO DO THE CHOREOGRAPHY

BECAUSE I NEED TO BE AT CHOREOGRAPHY PRACTICE

AND I DON'T HAVE THE TIME.

I WAS A LITTLE BUMMED OUT, BUT SHE HAS HER REASONS WHY.

THE LAST TIME I WALKED OFF THE STAGE BECAUSE I WAS, LIKE,

"OKAY, UM, I'M JUST LOOKING WRETCHED AND RIDICULOUS."

THERE WAS ONE SONG THAT TRACI ABSOLUTELY KNEW

NOTHING ABOUT WITH THE CHOREOGRAPHY.

SHE DIDN'T EVEN KNOW THE SONG.

SHE DIDN'T EVEN KNOW THE WORDS TO THE SONG.

WHERE'S TRACI-- DID SHE LEAVE THE STAGE?

TRACI LEFT THE STAGE!

SO, THEREFORE, I UNDERSTAND W-WHY SHE ASKED

TOWANDA AND TRINA.

I MEAN, MAYBE WE COULD STAY A COUPLE OF EXTRA DAYS

AFTER THE SHOW AND HANG OUT.

HELL, YES I'M GOING TO SAINT LUCIA.

I'M GONNA GO HAVE SOME COCKTAILS,

I'M GONNA HANG OUT WITH MY MAN.

AND, THEN I'M GOING TO WATCH TOWANDA, TRINA, AND TONI

PERFORM, AND THAT'S JUST WHAT I'VE ALWAYS WANTED TO DO.

WHO WANTS TO SING TO "DO-WOP-POP-POP"

IN A CITY LIKE THAT-- SHE DOESN'T.

OKAY, PHONE HER, OKAY, I'LL MAKE THOSE ARRANGEMENTS.

TRINA, YOU JUST DID A VIDEO.

- I WANNA SEE IT. - ME TOO, TONE.

YOU KNOW WHAT?

IT'S GOING TO BE GREAT-- I'M REALLY EXCITED.

WHAT'S THE THEME-- WHAT'S THE VIDEO ABOUT?

PARTYIN' AND GOIN' HOME.

IT'S ABOUT DRINKIN' AND FUN--

TRINA HAD A-- SHE HAD A HUMAN RUSSIAN ROULETTE TABLE.

A ROU-ROULETTE TABLE.

- WHAT'S A HUMAN-- - LIKE A BOY?

LIKE, LIKE, YOU COULD ACTUALLY--

LIKE A HUMAN PERSON COULD ACTUALLY BE ON IT.

- LIKE, A-- - YOU KNOW, LIKE,

WHEN-- IN VEGAS, AND THERE'S LIKE THE ROULETTE TABLE?

MM-HMM.

IT'S A ROULETTE TABLE AND I'M THE BALL.

- I CAN'T WAIT TO SEE IT. - IT'S REALLY FUN.

CAN YOU SING THE HOOK SO I CAN REMEMBER IT?

GOT SOME DRINK IN MY CUP

TAKIN' ME TO MY ZONE.

IF YOU DIDN'T COME THE PARTY THEN YOU BETTER GO HOME

OH OH BABE YOU BETTER GO HOME

IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME

YEAH. - OKAY, THAT SOUNDS HOT.

- IT'S ACTUALLY-- - SO, I JUST WANT

YOU TO KNOW THAT YOUR BIG OL' BEEHIVE BUTT--

IT'S ALL OVER MY MODELESQUE LIFE.

ALL OVER MY VIEW.

WHY DO YOU CALL-- WHY DO SAY SHE HAS A BEEHIVE BUTT?

TOWANDA WALKS LIKE A BEE.

WHY DOES SHE SAY-- WHY DO YOU WALK LIKE A BEE?

HOW DOES A BEE WALK-- SHOW ME HOW A BEE WALKS.

BEES-- THEY WALK AND THEIR BUTT SWAYS LIKE THIS.

BECAUSE THOSE OF US THAT ARE MODELS, DON'T GET THAT.

I CAN'T TAKE IT-- I-I-I GOTTA MAKE THE ARRANGEMENTS

SO WE CAN GO TO SAINT LUCIA BEFORE WE LOSE THE FLIGHTS.

YOU AIN'T MAKIN' NO PHONE CALLS.

WELL, I WANT TO ASSIST THE ASSISTANT.

YOU AIN'T ASSISTIN' NOBODY.

HEY, BOO.

- HEY, HOW ARE YOU? - GOOD, HOW ARE YOU?

GOOD-- YOU, TOO.

SO, WHAT'S UP?

I WAS A BIT SURPRISED WHEN GABE CALLED MY OFFICE

TO SET UP AN APPOINTMENT TO SEE ME.

I DON'T KNOW EXACTLY WHAT IT'S ALL ABOUT,

BUT I'M WILLING TO SEE HIM

AND I'M WILLIN' TO TALK.

WELL, I JUST WANTED TO, UH, COME AND TALK TO YOU

AND SEE WHAT YOU THOUGHT,

UM... I'VE JUST BEEN TRYIN' TO STAY FOCUSED,

DO WHAT I NEED TO DO, AS FAR AS WITH ME AND TRINA.

I'M SEEKIN' ADVICE FROM MOM ABOUT MY MARRIAGE

BECAUSE I THINK SHE KNOWS TRINA,

AND, UH, I THINK SHE CAN POINT ME

IN THE RIGHT DIRECTION

ON HOW TO MAKE MY MARRIAGE A SUCCESS.

I WANTED TO SEE IF YOU HAD ANY ADVICE AS FAR AS

HOW I SHOULD TRY TO FIX OR REPAIR OUR MARRIAGE.

POOR GABE HAS NOT GIVEN UP ON TRINA,

AND WHATEVER GABE AND TRINA NEED, I'M WILLIN' TO HELP.

TO ME, IT'S KINDA LIKE, "OKAY, WHERE DO I GO NOW?"

I KNOW ONE THING THOUGH,

I KNOW I WANT MY MARRIAGE TO WORK, SO--

I'M GLAD-- I'M GLAD.

I'M FIGHTING FOR THE LIFE OF MY MARRIAGE RIGHT NOW,

AND TO TRINA, IT FEELS LIKE, THE MARRIAGE IS OVER.

I JUST WISH SHE WOULD GIVE ME ANOTHER CHANCE

TO SHOW HER THAT I'VE CHANGED

AND THAT I'M MAKIN' POSITIVE MOVES

TO MAKE OUR MARRIAGE WORK.

YOU KNOW, UM, GABE, I LIKE YOU.

THANKS.

YOU KNOW, SOMETIMES I GET UPSET WITH YOU,

I MEAN, I'M JUST SAYIN'.

BUT I LIKE YOU, AND SOMETIME WE GO THROUGH THESE THINGS

SO WE CAN LEARN, SO WE CAN GROW.

YOU WANNA CHANGE YOUR LIFE.

IT'S ABOUT FEELING GOOD ABOUT ONESELF.

YOU KNOW, FIRST OF ALL, YOU HAVE TO CHANGE

YOUR WAY OF THINKING. - OKAY.

SOMETIME YOU HAVE TO MAKE A CHANGE PHYSICALLY ALSO,

AS WELL AS INWARDLY.

I'M REALLY ANXIOUS IN SEEING HOW COMMITTED HE IS

'CAUSE IF HE'S NOT COMMITTED,

IT'S JUST NOT GOING TO WORK, AT ALL.

YOU KNOW, IF WE WANT TO START OUR LIFE OVER

AND START SOMETHING ELSE AND DO SOMETHING ELSE

A LITTLE DIFFERENTLY, WE HAVE TO CHANGE OURSELF

ON THE OUTSIDE ALSO.

YOU KNOW, WHEN ANYONE SAYS, "OH, THAT'S JUST GABE,"

NO, NO.

THIS IS THE NEW GABE-- THE NEW YOU.

YEAH, YOU'RE RIGHT.

YOU KNOW, A HAIRCUT, SHAVIN', WHOO!

SHE MAY JUST LIKE THAT. - YEAH.

I'M ALREADY MAKING TRANSFORMATIONS INSIDE.

MENTALLY, EMOTIONALLY, I'M ALREADY DOING THE THINGS

THAT I NEED TO DO,

SO, UM, I'LL DEFINITELY TAKE HER ADVICE

ON CHANGIN' MY PHYSICAL APPEARANCE.

THIS'LL BE A GOOD OPPORTUNITY FOR ME TO TRY SOMETHING ELSE

AND HOPEFULLY IT OPENS THE DOOR FOR THINGS.

I THINK YOU SHOULD GO FOR IT.

OKAY.

DO WHAT YOU NEED TO DO, AND MAKE A BRAND NEW YOU.

- SOUNDS GREAT. - ALL RIGHTY?

- ALL RIGHT. - OKAY, BOO.

ALL RIGHT.

YOU READY TO CLAP IT?

OH, MY GOD, AM I EVER.

TAMAR, YOU READY TO, UH, CLAP, CLAP, CLAP,

WHOO, WHOO, WHAT, WHAT, POP, POP?

WE'RE BACK IN ATLANTA, AND TAMAR, TONI, AND TRACI

DECIDES TO COME INTO TOWN TO VISIT MOMMY FOR A FEW DAYS.

SINCE WE'RE GOING TO SAINT LUCIA,

I FIGURED THAT ALL OF THE GIRLS NEEDED TO GET TOGETHER

TO GO TO A BOOTY CLAPPIN' CLASS

TO GET OUR BOOTIES IN SHAPE.

I MEAN, TRINA IS STUCK IN THE EDITING ROOM,

SO SHE CAN'T ATTEND, BUT THIS IS, LIKE,

ONE OF THE TIMES THAT I THINK THAT WE LOVE

TO GET TOGETHER AND DO CRAZY THINGS.

I'MA CLAP IT, TOO.

I KNOW I KNOW HOW TO DO MOST OF THEM.

I NEED TO BRUSH UP ON MY SKILLS.

NO MATTER HOW BIG OR SMALL YOUR BOOTY IS,

YOU CAN ACTUALLY MAKE IT CLAP,

AND IT SOUNDS LIKE THIS.

ALL RIGHT, SO WELCOME EVERYBODY.

YOU'RE HERE FOR A BOOTY CLAP LESSON.

MY NAME IS FIRESTARTER.

I'M YOUR INSTRUCTOR FOR TODAY.

ALL RIGHT, NOW, GRAB A HOLD OF YOUR POLE.

SO, EVERYBODY STAND WITH A FEET HIP DISTANT APART.

HERE-- OKAY?

SALT SHAKIN' MEANS YOU'RE SHAKIN' DOWN, OKAY?

SO DON'T GIVE ME UP DOWN-- UP DOWN.

GIVE ME JUST DOWN, DOWN, DOWN.

DOWN, DOWN, DOWN, DOWN, DOWN.

DOWN DOWN.

YOU GOT IT?

THERE YOU GO!

NOW, WE'RE READY TO GET DIRTY AND FILTHY, YES?

- I WANNA GET FILTHY! - FILTHY, ALL RIGHT!

WHEN I GOT THERE, I WAS A LITTLE HESITANT,

BECAUSE I TOOK A CLASS WHEN I HAD TO DO THE VIDEO

"HANDS TIED,"

AND IT WAS VERY "PLAYBOY PLAYMATE OF THE MONTH,"

BUT THIS CLASS WAS LOOKIN' A LITTLE "HUSTLER,"

SO I WAS LIKE, "EH."

OH, LOOK, SHE'S A BIT O.C.D.

SO, WE HAVE ONE LAST MOVE.

ARE YOU READY, FRED?

COMING UP ON "BRAXTON FAMILY VALUES..."

THAT DON'T LOOK GOOD-- THAT'S NOT A GOOD LOOK.

YEAH, WHERE'S TRACI'S CIGAR?

BASICALLY, TRACI WAS BEHIND YOU.

OH!

THAT IS SOME BULL .

HELL,

HELL, NAH.

TONI IS IN A BOOTY CLAPPIN' CLASS.

SHE IS SANITIZING THE POLE.

I'M GONNA MAKE SOME BUSINESS CARDS THAT SAYS

"TONI BRAXTON, THE BOOTY CLAPPER."

YES, MY DEAR?

UM, WHAT DO YOU DO IF YOU DON'T HAVE ENOUGH BOOTY?

YOU KNOW WHAT?

AS LONG AS YOU GOT A CRACK, YOU CAN WORK IT OUT, OKAY?

THAT DON'T LOOK GOOD-- THAT'S NOT A GOOD LOOK.

YANG-YANG-YANG-YANG YANG-YANG-YANG-YANG.

AND WINKY, FIVE-SIX-SEVEN-EIGHT.

ALL RIGHT.

TONI IS NOT THE BEST BOOTY CLAPPER.

I PUT HER TO SHAME.

NO, MA'AM, BABY, THAT AIN'T YOU.

YES AND YES-- POW.

GOOD-GOOD-GOOD-- YES-YES-YES.

BOW, BAM, BAM.

YES, IT'S GOIN' HOUND BACK THERE.

OH, IT'S GOIN' BANANAS-- UH-OH.

I FEEL LIKE A 'HO ALL READY.

THROW IT ON YOUR BACK-- HEY, THROW IT ON YOUR BACK.

HEY, THROW IT ON YOUR BACK.

TRACI WAS GOOD.

TRACI IS REALLY GOOD AT BOOTY CLAPPIN'.

SHE GOT A BIG OL' BOOTY.

BOUNCE-BIGGITY-BOUNCE-BOUNCE BOUNCE-BIGGITY

BOUNCE-BOUNCE, RIGHT?

SHE READY-- SHE KNOW WHAT TO DO

WHEN IT'S TIME TO GET FILTHY AND DIRTY.

I DID IT!

I AM SO DISGUSTED.

IF I HAD TO CHOOSE WHO WAS THE BEST BOOTY CLAPPIN'

OUT OF ALL MY SISTERS.

UH-OH, YEAH!

ALL RIGHT, YA'LL MAKE SOME NOISE YOURSELVES.

I WOULD HAVE TO RAISE MY HAND, BECAUSE THAT WAS ME.

YES, IT WAS ME-- IT WAS ME.

SEE THAT?

OH, YA'LL MAKE SOME NOISE FOR HER.

SHE WORKIN' IT OUT.

YES, I WALKED THE DOG.

MMM-HMM-- I DID.

OH!

I CANNOT BELIEVE TOWANDA HAD THAT UNDERCOVER 'HO

THING GOIN' ON, LIKE, WHAT SHE DOIN' SHAKIN' IT LIKE THAT.

WHERE SHE LEARN THAT?

GOTTA GET MY--

JUST WALK FASTER.

I AM.

- TRINA. - HI!

KNOCKA-KNOCKA KNOCK.

MY MUSIC VIDEO IS STILL BEING EDITED,

BUT TRACI AND I ARE GOING TO DEREK'S STUDIO, TODAY,

TO TAKE A SNEAK PEAK OF SOME OF THE FOOTAGE.

I NEED TO KNOW THAT I DIDN'T JUST FLUSH

A WHOLE LOT OF MONEY DOWN THE TOILET

ON A VIDEO THAT'S UNWATCHABLE.

ALL RIGHT, SO, ERIK, LET'S GO--

LET'S GO THROUGH THE FIRST-- - OH, LOOK AT ME.

YEAH, THE ROULETTE LOOK REAL GOOD.

SEE, WASN'T THAT A GOOD IDEA?

IT WAS A GREAT IDEA.

IT'D LOOK BETTER IF WE HAD SOME DICE.

AND THERE'S WHERE IT ALL BEGINS.

SO, THIS'LL BE YOUR OPENIN' SCENE, RIGHT HERE.

YOU LOOK LIKE YOU'RE GETTING READY TO SPANK SOMEBODY.

- YES. - SHE HAD THE WHIP.

MMM-HMM.

LIKE, COME OVER HERE AND KISS MY TOES.

ALL RIGHT, ISRA-ISRAEL TURNED OUT TO BE

A NICE LOOKIN' EDITION.

YOU'D BE OKAY WITH LIKE, AN ON SCREEN KISS

OR SOMETHING LIKE THAT?

- YEAH, THAT'S PAR. - LET ME SEE.

HE IS A Y-E-S.

IS THAT DRY HUMPIN'?

NO, WE WERE NOT DRY HUMPING.

FIRST OF ALL, GABE-- REMEMBER, GABE WAS LIKE,

"YOU GOTTA BE MORE AGGRESSIVE.

"YOU GOTTA GRAB-A, HOLD-A, SQUEEZE-A."

- THAT'S WHAT HE SAID? - GIRL-- YES.

GABE WAS LIKE TRYING TO GIVE HIM INSTRUCTIONS

ON HOW TO HOLD ME AND HOW TO GRAB ME.

GIRL, WELL HE WOULD KNOW.

STAY WITH IT.

THAT'S UNFLATTERING.

DO YOU SEE THAT, THE-THE BELLY?

NO, IT'S NOT.

- YEAH, YOU SEE-- - 'CAUSE I SEE MINE.

- TRACI, CAN WE FOCUS ON-- - OKAY-- OKAY!

DO YOU SEE THE-- SEE THE BUMP?

- RIGHT HERE? - NO.

SHE DIDN'T-- SHE'S NOT TALKIN' ABOUT THE CAMEL HOOF.

SHE TALKIN' ABOUT--

OH, MY BAD.

TRINA, YOUR BOOBIES LOOK GOOD, THOUGH.

DON'T THEY-- THAT WAS A GREAT INVESTMENT.

MA-MA.

DIDN'T I HAVE A CIGAR SOMEWHERE IN THIS SCENE?

YEAH, WHERE'S TRACI'S CIGAR?

BASICALLY, TRACI WAS BEHIND YOU.

OH!

SO YOU CAN SEE HER, BUT YOU HAVE TO LOOK.

OH, I GOT A QUICKIE?

YOU GAVE ME A QUICKIE, REALLY?

NAH, IT'S NOT LIKE THAT AT ALL.

I GOT YOU.

I GOT YOU.

MY CIGAR IS NOT IN THE DAMN VIDEO.

THAT IS SOME BULL .

HOW AM I NOT GOIN' TO HAVE MY CIGAR UP IN THE VIDEO?

THAT'S THE HOTTEST THING-- COME ON, NOW.

WATCH.

YOU'RE GONNA GIVE EYE CONTACT-- THERE YOU GO, TRACI.

TRACI, THERE'S YOUR CAMEO MOMENT.

LOOK AT YOU-- THEY SAVED THE BEST FOR LAST.

THAT'S WHAT HAPPENED.

THANK YOU FOR THAT CHEESEBURGER.

I APPRECIATE IT.

LOOKIN' GOOD.

THAT CIGAR WAS HOT.

YEAH, I THINK IT'S A GOOD START.

YEAH.

I AM SO EXCITED.

THE WARDROBE WAS HOT, THE SET WAS HOT,

THE DANCERS WERE HOT.

HOWEVER, WE STILL HAVE A LITTLE BIT MORE

EDITING TO DO, AND I HAVE TO GO THROUGH

THE BIG TEST OF SHOWING TAMAR AND TONI,

WHO ARE MY BIGGEST CRITICS EVER.

I THINK I'M MORE NERVOUS ABOUT SHOWING THEM

THAN I WAS FOR THE ACTUAL VIDEO SHOOT.

ALL RIGHT, GUYS, THANK YOU-- THANK YOU.

ALL RIGHT, I'M EXCITED.

I AM TOO.

NICE TO MAKE A HIT VIDEO.

HEY, YOU.

- HOW'RE YOU DOIN'? - GOOD- GOOD.

HOW ARE YOU? - DOIN' PRETTY GOOD.

IF GABE IS SERIOUS ABOUT GETTING TRINA BACK,

THEN I WILL HELP HIM TO GET THIS MAKEOVER

FROM THE OUTSIDE SO THAT IT CAN REFLECT

THE INSIDE THAT HE HAS.

AND FOR GOD SAKES, WE'RE GONNA GET RID OF THIS THING

THAT'S HANGING DOWN FROM HIS HEAD.

SO, WE'RE GONNA TAKE A LITTLE OFF THE TOP?

WELL, NO.

WE GONNA DO THAT A LITTLE MORE THAN THAT.

DO YOU THING.

I HOPE TRINA LIKES IT.

SHE ALWAYS SAYS I HAVE TOO BIG OF A FACE FOR--

TO HAVE SHORT HAIR, WHICH I DON'T UNDERSTAND

BECAUSE I ALWAYS WEAR IT IN A PONYTAIL.

YEAH, I DON'T-- I DON'T KNOW ABOUT ALL THAT.

DON'T WORRY, SHE'LL LIKE IT.

HOW LONG HAVE YOU BEEN WEARING YOUR HAIR

IN A PONYTAIL?

PROBABLY FIVE YEARS.

AND HOW OPPOSED ARE YOU TO

HAVING IT PRETTY SHORT, TODAY?

COME ON-- COME ON-- JUST TRY.

IT'S WHATEVER YOU THINK LOOKS BEST,

AND WHATEVER MOM THINKS LOOKS BEST.

YEAH, AND NOT ONLY THAT, BUT HE'S GONNA NEED A RINSE,

'CAUSE I WANT THAT GRAY OUT.

WHAT GRAY?

- YOU GOT A LITTLE GRAY. - I DON'T SEE NO GRAY.

YOU GOT A LITTLE GRAY GOIN' ON OVER THERE.

- DONE AND DONE. - GOOD-- THANK YOU.

ALL RIGHT, LET'S SEE HOW WE'RE GONNA WORK THIS.

YOU KEEP THIS AND YOU'RE REALLY NOT GONNA NEED

THAT AFTER TODAY.

AND, WHEN YOU CUT IT, I NEED THAT FOR MY WEAVE.

YOU LOOK KINDA CUTE.

MEXICAN NINJA?

LET ME SEE-- OH, YEAH, YA'LL WOULD HAVE

A CUTE LITTLE GIRL.

OH, YEAH.

AND THEN WE GET RID OF THAT FACIAL HAIR.

OH, MY GOD-- YOU KNOW WHAT?

WHAT?

YOU GONNA LOOK 10 YEARS YOUNGER.

THAT SOUNDS GOOD.

ALL RIGHT, YOU READY TO SAY GOODBYE.

- YEP-- LET'S SAY GOODBYE. - I'M READY.

WOW, I CAN SEE A DIFFERENCE ALREADY.

WHOO!

- ALL RIGHT. - WOW.

- THE BIG STUFF'S GONE. - WHOO!

- LOOK-- - CAN'T TAKE IT BACK, HUH?

NOPE, THERE'S NO GOIN' BACK.

'CAUSE WHEN YOU TRYIN' TO MAKE A CHANGE,

YOU GOTTA MAKE A CHANGE MIND, HEART, SPIRIT,

AND PHYSICAL-- IT'S GONNA WORK, YOU'LL SEE.

AND TRINA'S GONNA LOVE IT.

I DON'T KNOW IF TRINA'S GONNA LOVE IT.

I'M TELLING YOU, TRINA'S GONNA LOVE IT BECAUSE,

YOU KNOW WHAT?

YOU'RE GONNA COME IN A NEW MAN.

SO, MAYBE I CAN STOP HEARIN' THE OLD STUFF FROM HER.

YEAH-- SEE, YOU GOTTA START SOMEWHERE.

YOU CAN AT LEAST CUT AND GIVE ME,

LIKE, A RUGGED LOOK, HUH?

JUST GIVE YOU THAT, LIKE, FIVE O'CLOCK SHADOW?

I LIKE-- - NO, NO.

NO, YOU CAN'T HAVE THE FIVE O'CLOCK SHADOW.

YOU GOTTA DO IT RIGHT, NOW.

COME ON. - ALL RIGHT.

WOW, GABE, YOU'RE GONNA BE A FINE MOTOR SCOOTER.

YOU LOOK GREAT.

I DIDN'T KNOW YOU WERE THAT ATTRACTIVE.

YOU LOOK SO GOOD.

GABE LOOKED FABULOUS.

HOWEVER, WE HAVE ONE MORE STOP,

BECAUSE I THINK CLOTHES MAKES A MAN.

OH, THAT'S KINDA CUTE.

OH, LET'S GO BACK HERE.

WELL, COME ON DOWN, COME ON DOWN.

I CAN'T SEE.

THAT'S NICE.

I LIKE-- DEFINITELY LIKE THE COLOR.

WHOA-- WHOO!

OH, YEAH, I LIKE THIS ONE.

I MEAN, YOU'RE GONNA BLOW TRINA MIND.

I STILL CAN'T GET PAST MY PONYTAIL

AND MY GOATEE, ACTUALLY.

- THAT'S A CRAZY-- - YEAH.

I CAN'T EVEN SEE THE SUIT.

I CAN ONLY SEE SOMEBODY ELSE I DON'T RECOGNIZE

IN THE MIRROR.

YOU GOTTA-- YOU GOTTA THROW THE PONYTAIL AWAY.

THAT'S IT-- THAT'S GONE-- THAT'S GONE.

WE GOTTA LOOK FROM NECK DOWN.

YOU KNOW, I THINK WE'VE GOT THE MAN ON THE OUTSIDE

TO REFLECT THE MAN ON THE INSIDE.

NOW, THE REST OF IT IS UP TO GABE.

NOW, AFTER I SAY THIS, I'M OUTTA HERE, OKAY?

I CAN'T SAY NOTHIN' BACK?

NO, YOU CAN'T SAY A THING BACK.

OH, LORD, OKAY.

IT'S NOT THE SUIT THAT'S GOIN' TO CHANGE HER MIND.

BECAUSE SHE HAD TO BA-- HAD TO GAIN CONFIDENCE

IN YOU AND RESPECT AGAIN.

I'M JUST SAYIN'. - I AGREE.

SO, YOU'RE GONNA HAVE TO WORK ON THAT.

SO, IT MAY TAKE A MINUTE FOR HER TO GAIN

THAT CONFIDENCE IN YOU AND TRUST.

SO DON'T PUSH TOO HARD. - YEAH, OKAY.

LET HER DO IT IN HER OWN TIME.

ALL RIGHT.

YOU DO YOUR PART, AND THINGS WILL FALL IN PLACE.

I APPRECIATE YOU SUPPORTING ME.

OH, YOU'RE MORE THAN WELCOME.

- NOW, GIVE ME A HUG. - YEAH, GIVE ME A HUG.

COMING UP ON "BRAXTON FAMILY VALUES..."

WHO IS THIS-- WHAT THE HELL?

NO, WHY?

CAN YOU LEND ME A LISTENING EAR

INSTEAD OF AN OPEN MOUTH? - TAMAR.

CAN

CAN I

CAN I OFFER

CAN I OFFER YOU

CAN I OFFER YOU SOMETHING

CAN I OFFER YOU SOMETHING TO

CAN I OFFER YOU SOMETHING TO DRINK?

OH, I SHOULDN'T, BUT OKAY, I WILL HAVE A GLASS OF MERLOT.

ALL RIGHT.

BE RIGHT BACK.

GABE CALLED AND ASKED ME TO DINNER

AT A REALLY FANCY RESTAURANT.

BUT USUALLY HIS IDEA OF SPLURGING IS SUPER SIZING,

SO FOR HIM TO BUY ME A MEAL OUT,

THIS MUST BE A SPECIAL OCCASION OF SOME SORT.

THAT'S GOOD.

I'VE BEEN WAITING HERE FOR LIKE 20 MINUTES

AND IT'S NOT LIKE GABE TO BE LATE FOR ANYTHING.

AND FOR THE RECORD, GABE, THIS IS NOT HELPING YOUR CASE

TO MAKE ME SIT HER AND WAIT ALL ALONE.

- HEY. - WHAT'S THIS?

WHAT THE HELL?

YOU'RE NOT SUPPOSED TO LAUGH.

WHAT THE YOU DO TO YOUR HAIR?

- YOU DON'T LIKE IT? - NO!

WHEN I SEE GABE WALK THROUGH THE DOOR,

MY FIRST INSTINCT IS, "HA-HA-HA--

"HE LOOKS LIKE A GAME SHOW HOST."

WHY YOU LOOK LIKE THIS?

ARE YOU SERIOUS?

IT DOESN'T EVEN LOOK LIKE YOU.

WHY DID YOU DO THIS?

- YOU DON'T LIKE THE SUIT? - I DON'T!

YOU DON'T LIKE THE SUIT AT ALL?

YOU LOOK LIKE PAT SAJAK.

YOU KNOW, YOUR MOM HELPED ME PICK IT OUT.

- OKAY. - OKAY.

OH, GOD...

SO WHAT, WHAT PROMPTED THIS CHANGE?

GOT TIRED OF SEEING MY NAKED BODY

ALL OVER THE INTERNET.

ME TOO.

SO ANYWAY, I'VE BEEN TRYIN' TO CHANGE WHO I AM.

YOU KNOW THAT.

- MM-HMM. - UM, THE INSIDE OF ME.

AND I THOUGHT I WOULD CHANGE MY PHYSICAL APPEARANCE.

I WANTED TO LET YOU KNOW THAT I'M GONNA BE FAITHFUL

AND THAT I'LL BE A GOOD HUSBAND

AND I'M GONNA JUST CONTINUE WORKIN' ON OUR MARRIAGE.

HOW'D YOU END UP WITH MOMMY?

SHE GAVE ME THE IDEA.

SHE WAS LIKE, "WHY DON'T YOU CHANGE YOUR APPEARANCE?"

SHE VOLUNTEERED HER TIME AND WE WENT OUT TOGETHER

AND WE TALKED AND WE BONDED.

WHAT'D SHE SAY?

SHE THINKS WE SHOULD GET BACK TOGETHER AND WORK ON--

- MY MOTHER SAID THAT? - SHE DID.

MY-- EVELYN BRAXTON SAID THAT.

YES, SHE SAID, FORGET ABOUT WHAT EVERYBODY ELSE THINKS

AND Y'ALL SHOULD WORK ON EACH OTHER.

SINCE MOMMY HELPED OUT WITH GABE,

IT MAKES ME FEELS LIKE SHE ACCEPTED HIS APOLOGY.

I'VE MADE MANY BAD CHOICES IN OUR MARRIAGE, YOU KNOW,

BEING PHYSICALLY UNFAITHFUL, SEXTING, CYBER TEXTING

OR CYBER CHEATING, YOU KNOW.

I KNOW IT'S ALSO HURT THE FAMILY AS WELL.

AND I DO THANK YOU, YOU KNOW, FOR HUMBLING YOURSELF

LIKE THAT TO APOLOGIZE TO THIS FAMILY.

- YEAH. - THANK YOU.

AND THAT FELT REALLY GREAT.

I MEAN, I'M READY TO MOVE ON WITH OUR MARRIAGE.

I'M READY FOR US TO FORGIVE EACH OTHER AND START OVER.

SO-SO, NOW WHAT, YOU EXPECT TO JUST WALK IN

WITH THIS NEW SUIT AND THIS NEW LOOK

AND EXPECT ME TO FAWN ALL OVER YOU?

THE NEW ME, YES.

I DO.

YOU CAN'T- YOU CAN'T EXPECT ONE MOMENT IN TIME

TO CHANGE EVERYTHING.

IT JUST, IT DOESN'T-- THAT'S NOT THE WAY LIFE WORKS.

AND IT'S GONNA TAKE MORE THAN A CUTE PAISLEY TIE.

- OKAY. - AND A HAIRCUT

THAT MAKES YOU LOOK LIKE JOHN SECADA.

IT'S A DIFFICULT QUESTION

WHEN YOU TAKE ABOUT SECOND CHANCES.

IT'S ABOUT FORGIVENESS AND SEEING IF YOU CAN

ACTUALLY WORK THINGS OUT OR NOT WORK THINGS OUT.

I WANT TO WIPE THE SLATE CLEAN AND START NEW.

WHY NOW-- WHY?

BECAUSE WE'RE AT THE THRESHOLD OF DIVORCE.

LIKE, WE'RE DAMN NEAR IN FRONT OF THE JUDGE.

BECAUSE I DON'T WANNA LOOSE YOU.

DID YOU-- DID YOU WANNA LOOSE ME BEFORE?

I WASN'T THINKIN' ABOUT THAT.

I WAS THINKIN' ABOUT MY OWN SELFISH NEEDS AT THE TIME.

I TOOK FOR GRANTED WHAT I HAD

AND I SHOULDN'T HAD BEEN TAKING IT FOR GRANTED.

"FOOL ME ONCE, YOU KNOW, SHAME ON YOU.

"YOU FOOL ME TWICE, SHAME ON ME,"

AND THEN, YOU DON'T GET A THIRD TIME.

YOU DON'T GET A THIRD TIME.

IT'S JUST LIKE, THAT MAKES ME LOOK VULNERABLE

AND WEAK AND DUMB...

- I UNDERSTAND. - WHEN PEOPLE LOOK AT ME.

"OH, SHE'S DUMB."

"OH, HE'S DONE THIS, THAT AND THE OTHER.

"AND NOW SHE'S STILL A STUPID, LITTLE CHICK, LITTLE BROAD

"THAT'S GONNA ACCEPT ANYTHING HE GIVES HER."

I'VE FACED A LOT OF RIDICULE.

YOU NEED TO GIVE ME TIME TO KIND OF WORK THROUGH

ALL THE STUFF I NEED TO WORK THROUGH.

OKAY, ALL RIGHT.

LET'S SAY, "OKAY, GABE, I LIKE YOUR SUIT.

"AND I FORGIVE YOU."

SO THEN, WHAT?

I WOULD ASK YOU TO REALLY CONSIDER GIVIN' US ANOTHER CHANCE.

IT'S JUST A LOT TO THINK ABOUT.

I CAN'T JUST MAKE A DECISION TONIGHT.

OKAY.

IF YOU WOULD'VE ASKED ME A MONTH AGO,

"WOULD I CONSIDER GETTING BACK WITH GABE,"

YOU WOULD'VE GOTTEN A RESOUNDING, "HELL NO!"

BUT WITH ALL THE WORK THAT HE'S PUTTING IN

AND TRYING TO BECOME A BETTER MAN LIKE,

GOIN' TO THERAPY AND EVEN HIS ALEX TREBEK MAKE-OVER,

IT'S HELPIN' ME TO REMEMBER

WHY I FELL IN LOVE WITH HIM IN THE FIRST PLACE.

BUT WITH ALL THE HURT THAT I STILL FEEL BIG TIME,

THERE'S STILL A LOT TO THINK ABOUT.

LET'S JUST ENJOY THE NIGHT.

MAYBE BY THE END OF THE NIGHT, WE'LL BE KISSIN'--

THAT'S A BIG NEGATIVE, SOLDIER.

AND HUGGIN' AND RUBBIN' AND--

NUH-UH... WE WON'T BE DOIN' THAT TONIGHT.

THAT'S WISHFUL THINKING THOUGH BUT YOU KNOW WHAT,

THE GOOD THING IS, YOU ARE THINKING POSITIVE.

- YOU'RE RIGHT-- I AM. - BUT NOT TONIGHT, BOO.

TAMAR, I DID NOT JUST HOLD THE DOOR FOR YOU.

YOU DID.

MY SISTER'S ARE ALL STILL IN ATLANTA,

SO WE ALL GOT TOGETHER FOR LUNCH.

AND I FIGURED I WOULD TALK TO THEM ABOUT GABE

AND I'M SURE TAMAR HAS A FEW NICE AND SUPPORTIVE THINGS

TO SAY ABOUT IT.

I THINK I'M GONNA GET YOU KNOW,

FOR ST. LUCIA,

BECAUSE SHE'S GONNA BE ON THE BEACH

WITH HER SILHOUETTE IN THE SUNSET.

YOU GONNA WEAR A TWO-PIECE OR A ONE-PIECE?

SHE CAN NOT WEAR A TWO-PIECE.

SHE'S NOT GONNA JUMP OUT IN THE OCEAN LIKE THAT.

SHE'S GONNA WEAR REALLY, REALLY, REALLY TIGHT ONE-PIECE.

YEAH, THAT'S WHAT SHE'S DOIN'.

WHAT ARE YOU WEARIN' A TWO-PIECE OR ONE-PIECE?

THREE-PIECE.

SPANX.

YOU CAN'T WEAR SPANX IN THE WATER.

- YES, YOU CAN. - REALLY?

- YEAH. - I DIDN'T KNOW.

AS MUCH FUN AS IT IS, I DID NOT BRING MY SISTER'S HERE

TO TALK ABOUT SWIMSUITS.

WE'RE HERE TO TALK ABOUT GABE.

WELL GUYS, I WANNA TALK TO YOU ABOUT SOMETHING SERIOUS

WHILE WE'RE HERE.

- OH, LORD, WHAT? - WHAT?

GABE DOESN'T WANNA GO THROUGH THE DIVORCE.

NO, WHY?

MUST YOU ALWAYS BE SO OPINIONATED.

CAN YOU EVER BE A LISTENING EAR INSTEAD OF AN OPEN MOUTH?

TAMAR.

COMING UP, ON "BRAXTON FAMILY VALUES..."

TRINA, DON'T BE STUPID.

DON'T COME TO ME WITH THAT NO MORE.

I DON'T WANNA HEAR THE "WOES, THE WHOO-WHOO-WHOO'S."

YOU SEEM LIKE YOU'RE UNDER A LOT OF STRESS.

IT GOES WAY DEEPER THAN THAT, TAMAR.

I HAVE TO CHANGE MY LIFE FOR THE COMFORTABILITY

OF MY CHILDREN.

THEY'RE

THEY'RE HERE!

HEY YOU GUYS!

HOW ARE YOU?

TODAY, ME AND THE GIRLS ARE GETTING FITTED

FOR OUR CUSTOM, SPECIAL EAR PIECES,

WHICH IS GREAT WHEN YOU'RE PERFORMING ON-STAGE.

IT'S GONNA HELP US SO MUCH IN THE ST. LUCIA PERFORMANCE.

TAMAR'S NOT PERFORMING WITH US,

BUT I THINK IT'S A GOOD IDEA FOR HER

TO GET HER OWN EAR FOR HER SOLO WORK.

SO WHAT WE WANNA DO IS GET NEW IMPRESSIONS

OF THE INSIDE OF YOUR EAR.

- I'M AFRAID. - DON'T BE AFRAID.

IT JUST ITCHES.

BUT I DON'T KNOW IF I CAN BE QUIET

FOR FIVE TO SEVEN MINUTES-- THAT'S A LONG TIME.

THAT IS-- - OKAY, TRY NOT TO TALK, OKAY.

TAMAR CAN'T TALK.

TRACI, WE CAN SAY WHATEVER WE WANNA SAY

AND SHE CAN'T SAY NOTHIN' BACK!

NAH-NAH-NAH-NAH!

TAMAR-TAMAR-TAMAR-TAMAR!

OKAY, TAKE IT OUTTA YOUR MOUTH.

- OH. - OH, MAN.

- DANG. - Y'ALL TRIED.

'CAUSE YOU KNEW I WAS DOWN, BUT SHE'S BACK-- OOO!

WELL,

WELL, GUYS,

WELL, GUYS, I

WELL, GUYS, I WANNA

WELL, GUYS, I WANNA TALK

WELL, GUYS, I WANNA TALK TO

WELL, GUYS, I WANNA TALK TO YOU

WELL, GUYS, I WANNA TALK TO YOU GUYS

ABOUT SOMETHIN' SERIOUS WHILE WE'RE HERE.

- OH, LORD, WHAT? - GABE DOESN'T WANNA

GO THROUGH THE DIVORCE. - NO, WHY?

MUST YOU ALWAYS BE SO OPINIONATED?

CAN YOU EVER BE A LISTENING EAR?

INSTEAD OF AN OPEN MOUTH? - TAMAR.

I CAN'T-I CAN'T DO THEM-- I CAN'T...

DO TRINA AND GABE.

TRINA NEEDS PSYCHOLOGICAL HELP AT THIS POINT,

IF SHE'S GOING BACK TO HIM-- FOOLERY AT ITS FINEST.

HE'S LIKE HE WANTS TO MAKE A BETTER LIFE,

HE WANTS TO MAKE LIFE BETTER FOR US AND FOR THE CHILDREN

AND HE KNOWS HE CAN BE A BETTER HUSBAND AND HE KNOWS

HOW HE'S REALLY MESSED UP BEFORE AND WANTS TO MAKE IT BETTER.

- DON'T BE NO FOOL. - WELL, I CARE WHAT YOU SAY.

'CAUSE-'CAUSE-- LET ME JUST TELL YOU WHY.

- I'LL LISTEN. - BECAUSE, YOU KNOW,

JUST LIKE THE LAST TIME YOU WAS LIKE,

"WE COULD START OVER FRESH AND THINGS CAN GO BACK TO NORMAL,"

AND HE KICKED YOU IN THE THROAT AGAIN.

DON'T GO BACK INTO A SITUATION WHERE YOU FIND YOURSELF

DEEPER IN THE HOLE.

YOU MAKE SURE THINGS ARE ON YOUR TERMS.

- YES, I HEARD THAT. - YOU MAKE SURE

THAT YOU DON'T GO BACK OR DON'T TO ANYTHING

BECAUSE SOMEBODY ASKS YOU TO.

BECAUSE SOMEBODY BUYIN' YOU STUFF.

- HE AIN'T BUYIN' ANYTHING. - NO, BUT YOU UNDERSTAND

WHAT I'M TRYIN' TO SAY-- NO, BECAUSE SOMETIMES-

BECAUSE SOMETIMES WHEN PEOPLE KNOW THEY'RE LOSIN' SOMETHIN'

THAT'S REALLY VALUABLE AND REALLY PRECIOUS

AND KNOW THAT THEY'RE LOSIN' SOMETHIN',

SOMETHIN' THEY PROBABLY SHOULDA NEVER HAD IN THE BEGININ',

THEY TRY TO PULL OUT ALL THE STOPS

AND IT'S BULL TO BE HONEST ABOUT IT.

DON'T GO BACK WITHOUT KNOWIN' THAT THIS IS SOMETHIN'

THAT YOU CAN'T LIVE WITHOUT.

IF I DON'T LIKE THE DECISION,

AND SHE KEEP DOIN' IT OR EVERYTHING,

WELL TRINA, YOU KNOW WHAT, THAT'S WHAT YOU SAID LAST TIME.

DON'T EVEN COME TO ME WITH THAT NO MORE.

I DON'T WANNA HEAR THE WOE'S, THE WHOO-WHOO-WHOO'S.

IF TRINA AND GABE GET BACK TOGETHER, THAT'S ON THEM.

MY SHOULDER GONNA GET WRINKLED

WHEN SHE KEEP CRYIN' ON MY SHOULDER.

I WANT MY SHOULDER.

AT THE END OF THE DAY, I APPRECIATE EVERYTHING

THAT YOU GUYS SAY BUT IT HAS TO BE MY DECISION.

IT DOES-- BUT DON'T TELL ME BECAUSE I'M-I'M GONNA HAVE

TO KEEP HONEST WITH YOU 'CAUSE I WOULD WANT SOMEBODY

TO BE HONEST WITH ME AND I THINK MAYBE YOU SAYIN'

THAT I'M NOT BECAUSE YOU WANT SOMEBODY TO BE LIKE

"TRINA, DON'T BE STUPID." - TRINA, WHAT DO YOU WANNA DO?

- I DON'T KNOW. - SCREAM?

I'M NOT SURE.

BUT I'M GONNA GIVE MYSELF TIME TO MAKE MY DECISIONS

FOR MYSELF. - BUT, YOU KNOW, I'M GONNA

LET YOU DO THAT BUT YOU KNOW WHAT I WANT YOU TO DO--

- THANK YOU. - I WANT YOU

TO BLESS THE PROPHET BEFORE.

- BLESS THE WHAT? - ME, THE PROPHET.

ME-- 'CAUSE I DON'T SAID. - GIRL, THAT'S BLASPHEMY.

- NO, THAT'S NOT BLASPHEMY. - YOU'RE WORSE THAN ME.

A PROPHET IS WHEN SOMEBODY SPEAKS UP AND TELLS YOU

HOW THE THING GONNA TURN OUT AND IF YOU DO THIS--

BLESS THE PROPHET AND THEN YOU CAN COME CRY ON MY SHOULDER.

I'M TELLING-- I'M JUST-I'M JUST GONNA PUT THAT OUT THERE.

- BLESS THE PROPHET. - YOU'RE NOT THE PROPHET.

AS A PROPHET, THIS PREDICTION ISN'T EVEN THAT HARD.

GABE IS GABE.

IT AIN'T HARD TO SEE HOW THIS IS GONNA END UP.

WE GOT TO DO WHAT'S RIGHT FOR YOU BUT BLESS THE PROPHET.

AND BLESS THE PROPHET'S OF OLD.

I'M GONNA NEED THE HOSTESS TO DO HER JOB.

TING-TING. - HI, HOW YOU DOIN'?

OH!

WOULD YOU LIKE TO HAVE A SEAT?

- SURE. - OKAY.

EXCELLENT-- WELCOME TO "BELLA VINO."

THANK YOU-- I WAS EXPECTING A FEMALE.

I FLEW OUT TO LOS ANGELES TO GET IN A FEW MORE REHEARSALS

BEFORE TONI'S SHOW IN ST. LUCIA.

TAMAR AND I, WE DECIDE TO SIT DOWN AND HAVE A DRINK

BECAUSE I'M A LITTLE STRESSED BECAUSE I'M STILL TRYIN'

TO FIGURE OUT THINGS WITH GABE.

YOU SEEM LIKE YOU'RE UNDER A LOT OF STRESS.

I'M GONNA TELL YOU ALL THE STUFF THAT I HAVE TO JUGGLE.

AND I THANK GOD FOR DON'T MISUNDERSTAND ME.

BUT I HAVE TO BE A MOTHER AND, UH, WAS-WIFE.

YOU SAID A "WAS-WIFE--" WHAT IS THAT?

I DON'T KNOW YET-- THAT'S WHAT I'M SAYIN',

I DON'T KNOW-- AND, YOU KNOW--

- SOMEBODY WHO WAS A WIFE? - SEE, THAT'S IT,

I DON'T KNOW. - REALLY?

WHY ARE WE STILL TALKIN' ABOUT GABE?

WHAT ELSE DO YOU SAY ABOUT-- IT'S JUST WRETCHED.

IT'S JUST A LOT AND IT'S JUST LIKE MY KIDS ARE SLIPPING.

- WELL, WHAT'S GOIN' ON? - YOU KNOW, CALEB'S ACTIN'

A FOOL IN SCHOOL-- IN-IN A WAY,

I FEEL LIKE IT'S MY FAULT BECAUSE I'M NOT THERE.

DO YOU THINK, UM, CALEB IS KINDA ACTIN' OUT

FROM LIKE YOU AND GABE? - YEAH.

I JUST REMEMBER WHEN MOM AND DAD WERE HAVING PROBLEMS,

YOU KNOW, THEIR PROBLEMS KIND OF EFFECTED ME

AND MAYBE THAT'S WHAT'S KINDA GOIN' ON WITH YOUR KIDS.

IT GOES WAY DEEPER THAN THAT, TAMAR BECAUSE DO YOU REMEMBER

HOW I FELT WHEN DADDY DIDN'T COME TO MY WEDDING?

- MM-HMM. - AND I HAD THAT UTTER

FEELING OF REJECTION-- I REALLY DON'T WANNA

PUT CALEB AND ERIC THROUGH THAT A SECOND TIME.

YEAH, BUT YOU DON'T-YOU DON'T WANT TO SUBJECT THEM

TO THE WRONG SITUATION. - BUT IT'S NOT NECESSARILY

THE WRONG SITUATION, TAMAR BRAXTON.

HE'S NOT EVEN THE FOOL FROM OUTER SPACE ANYMORE.

SHE'S THE FOOL FROM OUTER SPACE.

IF, REALLY, IF MY MAN IS THAT MUCH OF A FOOLERY.

NO, HONESTLY, I SWEAR, PLEASE...

PULL ME ASIDE AND BE LIKE, "BOO, LEAVE... NOW...

"GET OUTTA HERE-- HE'S WRETCHED."

I JUST WANT YOU TO BE IN A PLACE WHERE YOU ARE HAPPY.

- ME TOO. - AND IF THAT MEANS

YOU HAVE TO, YOU KNOW, CUT THINGS OUT OF YOUR LIFE

THAT DOESN'T MAKE YOU HAPPY, YOU SHOULD DO THAT.

AND THAT'S WHERE I'M AT WITH IT.

AND THAT'S WHERE I'M AT WITH IT.

LIKE, I HAVE TO CHANGE MY LIFE FOR THE COMFORTABILITY

OF MY CHILDREN-- AND THAT'S WHAT IT IS.

KUDOS FOR YOU, TRINA.

YOU ADULT BITCH WITH YOUR CUTE SELF.

I WOULDN'T CRY BECAUSE WHAT ABOUT YOUR MAKEUP.

MY MAKEUP IS A MESS AND MY EYELASHES ARE ACTUALLY

ON THE TABLE.

THIS GONNA GET YOU THE GUYS-- WHEN THE SEE YOU LOOK HOT.

- I DO LOOK REALLY HOT THOUGH. - I'M JUST SAYIN'.

- OKAY. - ALL RIGHT, LET'S SEE.

I'M GONNA SIT OVER HERE.

MY MUSIC VIDEO IS FINALLY FINISHED AND I'M SCREENING IT

FOR THE FIRST TIME WITH TONI AND TAMAR

AND I'M EXTREMELY NERVOUS BECAUSE THEY ARE MY

HARSHEST CRITICS ABOUT EVERYTHING.

AND BESIDES, TONI JUST PUT OUT A VIDEO FOR HER NEW SINGLE

AND IT'S AMAZING.

HERE WE GO-- WHITE HALLWAY, TAKE ONE.

ROLL PLAYBACK. - DARLIN' IF YOU LOOK AT ME

YOU COULD SEE HOW GOOD COULD BE

I CAN'T DENY IT DAMN I KNOW IT'S STRONG

THAT YOU TURN ME ON IT'S JUST OH-OH-OH

WHAT AM I GONNA DO I LOVE YOU I LOVE YOU

DRIVE ME CRAZY THINKIN' 'BOUT YOU BABY

I LOVE YOU BUT YOU LOVE HER

DRIVE ME CRAZY WHAT AM I GONNA DO

SO, I JUST HOPE TONI LIKES IT.

ARE WE READY? - I'M READY.

AND...

TAKE HER OUT.

SHE SHOULD NOT BE IN YOUR VIDEO.

POINT, BLANK AND A PERIOD.

NO, SHE CAN'T BE IN YOUR VIDEO.

IF YOU DIDN'T COME TO PARTY THEN YOU BETTER GO HOME

THAT'S TOWANDA? - YES.

YEAH GET IT RIGHT SHE'S A POP STAR

LET'S GO

TRINA WHERE YOU AT BABY

- THAT WAS GOOD, TRINA. - THAT WAS GOOD.

YOU KNOW WHAT IT LOOK LIKE?

IT LOOK LIKE, UM, KESHA TOOK A SHOWER.

IT WAS GOOD.

THAT WAS WRONG ON SO MANY DIFFERENT LEVELS.

- IT WAS GOOD. - NO.

- IT WAS GOOD. - KESHA'S DOPE.

SHE JUST LOOK DIRTY. - THE ONLY THING

I COULD THINK ABOUT WAS, "WELL WHERE'S YOUR

"LATEST VIDEO, TAMAR?

"HUH, WHAT-- WHAT WAS THAT?

"OH, YOU DON'T HAVE ONE-- OH, I SEE.

"THANK YOU."

TRINA, ONE... TAMAR, ZERO.

YOU KNOW WHAT THOUGH, I REALLY, REALLY LIKED THE VIDEO.

I LIKED THE SEGMENTS THAT THEY HAD.

THEY NEED TO JUST EDIT IT A LITTLE DIFFERENTLY.

'CAUSE THE SCENE WITH YOU IN THE CHAIR, THE KING'S CHAIR,

IT'S TOO MUCH-- THAT SHOULD BE WHAT

THEY FLASH TO-- THAT SHOULDN'T BE THE FRAME.

THE FRAME SHOULD BE THE CLUB.

I AM SO PROUD THAT TRINA IS FINDING HER PLACE

IN THE SPOTLIGHT-- I WANT ALL MY SISTERS

TO BE SUCCESSFUL AND FIND THEIR NICHE

AND FIND THEIR MOMENTS IN THEIR CAREER.

THEY SHOULD CROP YOU DANCING WITH THE GIRLS DIFFERENTLY

BECAUSE THERE'S SOME BOO-BOOs ON YOUR STEPS.

I'M JUST SAYIN'.

JUST THE LITTLE THINGS THAT'S GONNA MAKE IT

LOOK MORE PROFESSIONAL-- THAT COSTS JUST TIME,

GOIN' INTO THE STUDIO AND HAVIN' 'EM EDIT IT.

I'M CONCERNED ABOUT GETTING MONEY TO DO EXTRA EDITING

FOR THE VIDEO-- I'VE ALREADY DRAINED

MY BANK ACCOUNT AND GABE'S, SO WHERE DO THEY THINK

ALL THIS MONEY IS GONNA COME FROM?

- I THINK IT'S A GREAT VIDEO. - I THINK IT'S CUTE.

IT'S REALLY, REALLY, REALLY CUTE.

EDIT IT DIFFERENTLY, THEN IT'S GONNA LOOK LIKE

A WHOLE BRAND NEW THING.

AND TAKE THAT CHICK OUT THE VIDEO.

WAS THAT THE GIRL FROM "AMERICA'S NEXT TOP MODEL?"

- YES. - TAKE HER OUT.

- YES. - WELL, SHE'S MY DJ.

NO.

SHE SHOULD NOT BE YOUR DJ IN YOUR VIDEO.

POINT, BLANK AND THE PERIOD.

NO, SHE CAN'T BE IN YOUR VIDEO.

IT'S YOUR MOMENT. - DOES SHE TAKE FROM ME?

SHE TAKE FROM ANYBODY-- SHE'S A MODEL.

SHE CAN'T MAKE IT.

YOU CAN'T HAVE A HOT GIRL THAT'S HOTTER THAN YOU.

THAT TOOK 3.4 SECONDS TO PAN UP HER BODY BEFORE THEY EVEN

GOT TO HER FACE, SO YOU WANNA SAY,

"WHO THE HELL BODY IS THAT?

"OH, -- THAT'S NOT EVEN TRINA."

DO YOU THINK THE LATE, GREAT, WHITNEY HOUSTON GOT PICTURES

OF SOME OTHER BITCHES UP ON HER WALL?

NO-- THAT'S HOW YOU HAVE TO LOOK AT.

- BOOM! - BOOM.

YOU KNOW, TRINA'S A REALLY CUTE AS CARAMEL PRETZEL

TYPE CHICK.

THERE WILL BE NO LIGHT-SKINNED CHICKS

IN HER VIDEO IF I WAS HER, YOU KNOW?

I'M JUST NOT HAVING ANY CARAMEL CUTE CHICKS IN MY VIDEO.

EVERYBODY'S HIGH YELLOW.

TONI, MY SISTER, AND SHE AIN'T EVEN ON MY WALL.

I HAVE TO SAY WITH TRINA, SHE HAVE INSPIRED ME

TO WRITE MY OWN SONG ABOUT HER MAN.

HE HAS

A DING-A-LING OF STEAL

HE MUST

BECAUSE THERE AIN'T NOWHERE

ON GODS GREEN EARTH

I WOULD EVER

TAKE YOUR MAN

HE MUST HAVE

A DING-A-LING OF GOLD

OF GOLD

OF GOLD OF GOLD OF GOLD

'CAUSE HE MUST

HAVE A DING-A-LING OF GOLD

DING-A-LING OF GOLD

GIRL, I BETTER PUT ME A DRESS ON AND SING THAT.