Original subtitles

WHO'S

WHO'S GOING

WHO'S GOING TO

WHO'S GOING TO GEORGIA?

- WHO'S GOING TO GEORGIA? - I

- WHO'S GOING TO GEORGIA? - I THINK

- WHO'S GOING TO GEORGIA? - I THINK WE'RE

- WHO'S GOING TO GEORGIA? - I THINK WE'RE ALL

- WHO'S GOING TO GEORGIA? - I THINK WE'RE ALL GOING.

YEAH?

SO, YOU GUYS ARE ALL PERFORMING?

THAT'S SOMETHING THAT WE GOTTA BE READY

AND PREPARED FOR.

THE NEXT SONG, YOU CAN DO ANOTHER SET.

CAN I-CAN I SAY WHAT I WANT FIRST?

CAN I FINISH?

YOU CAN'T PUT YOUR HANDS IN MY .

HOPEFULLY, YOU KNOW, WE CAN SIT DOWN

AND HAVE A LITTLE COME TO JESUS ABOUT OUR SISTERSHIP,

BECAUSE THE WAY THINGS ARE GOING, THEY'RE NOT GREAT.

TONI BRAXTON.

EVERYBODY BAILED ON ME.

YEAH-- Y'ALL SHOULD FEEL REAL BAD.

WE ARE THE BRAXTONS AND YOU'LL SEE

THAT WE ARE NOT LIKE AN ORDINARY FAMILY

TONI TRACI TOWANDA TRINA TAMAR AND MISS E

WILL TEACH YOU A THING OR TWO

ON BRAXTON FAMILY VALUES

YOU KNOW, I HATE WITH THE SCOOTCHY-OOTCHY BOOTHS.

I HATE THE SCOOTCH-OOTCH.

I'M A LITTLE HUNGRY.

TONI AND TOWANDA ARE THE LATEST PEOPLE

I'VE EVER MET. - ARE ALWAYS LATE.

NO, TOWANDA IS NOT THAT LATE.

WELL, TOWANDA IS LATE.

TOWANDA HAS BECOME LATE BECAUSE SHE'S WITH TONI.

- HEY, Y'ALL. - HEY, GIRLS.

HEY.

NOW, WHY Y'ALL WAS LATE TODAY?

I WASN'T THAT LATE.

YOUR ASSISTANT SHOULD GET YOU HERE ON TIME, TOWANDA.

I'M NOT HER ASSISTANT.

TOWANDA IS NOT MY ASSISTANT ANYMORE.

SHE'S MY SISTER. - THANK YOU, TONE.

IT IS SO NICE TO HEAR THAT TONI IS NO LONGER

TREATING ME LIKE HER PERSONAL ASSISTANT.

SHE IS REALLY GROWING, OR MAYBE IT'S BECAUSE

SHE'S IN A VERY GOOD MOOD BECAUSE SHE HAS GREAT NEWS.

I'M BEING INDUCTED INTO THE GEORGIA MUSIC HALL OF FAME.

- I THINK THAT'S GREAT. - THAT'S HOT.

- CONGRATULATIONS. - GOOD FOR YOU, TONI.

YEAH.

THE GEORGIA HALL OF FAME IS SUCH A HUGE HONOR.

SOME OF THE BIGGEST R&B MUSICIANS IN THE WORLD.

GLADYS KNIGHT, OTIS REDDING, RAY CHARLES, LITTLE RICHARD,

AND NOW, TONI BRAXTON.

THIS IS SUCH A HUGE HONOR FOR HER,

AND I AM SO EXCITED.

I WANT YOU GUYS TO PERFORM FOR ME.

WHAT DO YOU THINK? - WHAT DO YOU WANT US TO SING?

I DON'T KNOW.

WHATEVER YOU GUYS-- SURPRISE ME.

- A MEDLEY. - I DON'T WANNA KNOW THAT PART.

JUST KINDA SURPRISE ME.

YOU WANT US TO SING YOUR SONGS?

DO YOU THINK WHITNEY HOUSTON GONNA HAVE SOME OTHER DIVA

UP THERE SINGING SOME OTHER PEOPLE'S SONGS?

IT'D BE WHITNEY HOUSTON SONGS.

YOU WANT US TO SING YOUR SONGS, LIKE, FOR REAL?

WHY WOULD I WANT YOU TO FAKE SING 'EM?

'CAUSE NOBODY CAN REALLY GET DOWN THAT DEEP.

IT'S NOT THAT LOW.

IT JUST SOUNDS LOW 'CAUSE IT HAS HUSKY TONES.

IT'S ACTUALLY KIND OF HIGH.

I THINK WE SHOULD DO A MEDLEY.

NOBODY CAN SING THAT LOW.

I DON'T NEED TO KNOW THAT PART.

- WHY? - SURPRISE ME.

THE REALLY COOL THING ABOUT THE GEORGIA HALL OF FAME

IS THAT THE INDUCTEE GETS TO CHOOSE

THEIR PERFORMER OF CHOICE,

AND TONI CHOSE US, HER SISTERS,

TO PERFORM FOR HER-- I AM SO FLATTERED.

WE'RE GONNA TRY, BUT, YOU KNOW,

IT'S A LITTLE DIFFICULT WORKING TOGETHER, A LITTLE BIT.

NO, IT'S NOT.

EXCUSE ME, BUT TONI IS CRAZY THINKING

THAT WE CAN WORK TOGETHER.

HAS SHE BEEN PAYING ATTENTION?

TOWANDA, DO YOU HONESTLY FEEL LIKE

YOU'RE READY FOR THIS PERFORMANCE?

- I'M NOT FLAT. - YOU WERE, JUST NOW.

- OH, NO-OH, NO! - TAMAR, IT'S OKAY.

EVERYBODY GETS FLAT, EVERY NOW AND THEN.

- I DON'T GET FLAT. - YES, YOU DO-- YOU JUST DID.

SO, ARE WE GONNA WRITE SOMETHIN'?

ARE WE GOING TO SING SOMETHIN'?

ARE WE GONNA DO THE BRAXTON SOMETHIN'?

WHAT ARE WE GONNA DO? - LOOK THAT WAY.

LOOK THAT WAY.

WHY ARE YOU GETTING SO RILED UP?

BECAUSE IT IS FRUSTRATING.

TOWANDA, TRACI, TRINA, TAMAR--

AND TAMAR, WE BETTER GET OUR TOGETHER.

- MAKE SURE IT'S REALLY GOOD. - I PROMISE.

I'M GONNA MAKE SURE IT'S THE BOMB.

FOR EVERYBODY-- YOU, YOU, YOU, AND YOU.

MAKE SURE IT'S REALLY GOOD.

TONI GAVE US OUR MARCHING ORDERS THAT IT BETTER BE GOOD.

IF WE'RE GONNA DO THIS THING,

I AM DEFINITELY NOT GONNA ALLOW TAMAR TO RUIN IT

BY BEING BOSSY AND TAKING OVER.

HOLD UP, HOLD UP!

WHAT, TAMAR?

AND FIVE, SIX, SEVEN, EIGHT, AND NO, NO, NO, GO BACK.

NOTHING IS BEING ACCOMPLISHED.

NOTHING! - IT AIN'T MY FAULT.

WE'RE GONNA GET TOGETHER

AND MAKE SURE THAT THE PERFORMANCE WILL HAPPEN.

I'M EXCITED SINCE WE TOASTIN' TO TONI

BEING INDUCTED INTO THE MUSICAL HALL OF FAME.

- YEAH, TONI. - IT'S ABOUT DAMN TIME!

- YEAH! - CLINK-CLINK.

CLINK-CLINK-CLINK.

WHAT'S THAT IN HERE SMELLING LIKE SOME CHICKEN?

UH, UH, YEAH-- I COOKED CHICKEN TODAY.

THIS IS CHICKEN GREASE IN THERE.

- I SMELL CINNAMON AND SUGAR. - MOM, YOU FRYING CHICKEN?

WE ARE ALL AT TAMAR'S HOUSE, IN LOS ANGELES,

TRYING TO FIGURING OUT WHAT WE'RE ALL GOING TO SING

AT TONI'S GEORGIA MUSIC HALL OF FAME INDUCTION.

- SO, WHO'S GOING TO GEORGIA? - I THINK WE'RE ALL GOING.

- YEAH? - OKAY.

SO, YOU GUYS ARE ALL PERFORMING?

THAT'S SOMETHING THAT WE GOTTA BE READY

AND PREPARED FOR.

IT'S LIKE, YOU KNOW, YOU THROW IT TOGETHER,

IT'S GONNA LOOK THROWN TOGETHER.

THIS IS WHAT WE ARE SUPPOSED TO DO PROFESSIONALLY,

AND YOU HAVE TO TAKE IT AS BEING A PROFESSIONAL.

- I GET THAT-- I GET THAT. - AND BEING PROFESSIONAL

IS BEING READY.

WE HAVE ALL HEARD THIS FROM TAMAR BEFORE.

THE GIRL DEFINITELY NEEDS TO GET SOME NEW MATERIAL.

BESIDES, WE JUST HAD A VERY SUCCESSFUL PERFORMANCE

IN NEW YORK.

WE CAN DEFINITELY HANDLE GETTING A MEDLEY TOGETHER

FOR TONI'S INDUCTION.

YOU KNOW, IT'S NOT LIKE A TONI BRAXTON SONG IS NEW TO US.

IT'D BE DIFFERENT, IF WE HAD THE SHOW, AND WE JUST,

YOU KNOW, WE CAN KINDA, YOU KNOW, MAKE IT HAPPEN.

YOU'RE AB-- YOU'RE-YOU'RE ABSOLUTELY RIGHT.

- WE DON'T. - BUT, YOU KNOW,

AT-AT THE SAME TOKEN, IF SOMEONE ASKS ME, YOU KNOW,

"SISTER, COULD YOU DO THIS FOR ME?"

I'M GONNA TR-I'M GONNA ATTEMPT TO TRY TO DO

EVERYTHING THAT I CAN AND EXHAUST ALL MY OPTIONS.

IF WE'RE GONNA DO SOMETHIN', IT HAS TO BE A TEAM EFFORT.

I CONCUR.

AND IT CAN'T BE AN I-I-I-I-I.

LET IT BE A TEAM EFFORT, IS WHAT I'M SAYING.

IF WE'RE GONNA DO IT, LET'S WORK TOGETHER AS A GROUP.

IT SOUNDS IMPOSSIBLE, BUT IT'S NOT TOTALLY IMPOSSIBLE,

IF WE BUCKLE DOWN, AND EVERYBODY REALLY GIVE

A SWIFT KICK IN THE BEHIND AND DO IT, LIKE--

YOU GUYS GOT THIS, AND I, YOU KNOW,

I HAVE CONFIDENCE THAT YOU--

I'M GOING TO DO MY BEST TO STAY POSITIVE

WITH THIS PERFORMANCE.

BUT, YOU KNOW, WHEN YOU GET THE FOUR OF US TOGETHER,

IT ALWAYS TURN OUT BE A PILE OF BULL.

I'M JUST SAYIN'.

I MEAN, UH, DOES ANYBODY HAVE ANY SUGGESTIONS

OF WHAT SONGS THEY WANNA DO OF TONI'S MEDLEY?

I KNOW IT HAS TO BE "BREATHE AGAIN."

I KNOW IT HAS TO BE "UNBREAK MY HEART."

I KNOW IT HAS TO BE "ANOTHER SAD LOVE SONG,"

AND I KNOW IT HAS TO BE-- WHAT WAS THE OTHER ONE?

"MAN ENOUGH"-- THERE'S A LOT OF 'EM.

BUT, YOU SAID YOU ONLY HAVE FOUR MINUTES, RIGHT?

YEAH, BUT IT-- JUST A FEW SECONDS PER SONG.

IT AIN'T A LONG TIME.

WELL, I-I THINK YOU SHOULD TRY IT ANYWAY.

LIKE I SAID, UM, YOU'VE DONE THE SONGS BEFORE,

SO IT'S NOT LIKE IT'S COLD TURKEY.

WE CAN DO, LIKE, "MAN ENOUGH" FOR ME,

AND THEN DO THAT, UM, THAT "MAN ENOUGH FOR ME,"

THEN GO, UH, DUH-DUH-DUH-DUH-DUH.

THAT-THAT DANCE TAKES UP A GOOD MINUTE AND 30 SECONDS.

YEAH-- COULD WE DO THE CHORUS PART,

AND THEN DO THE DANCE PART THING,

AND THEN DO THE CHORUS PART, AGAIN?

- AND AT THAT SECTION. - YEAH.

I MEAN, IT'S-IT'S A THOUGHT.

WELL, IF THERE'S NO PRODUCER

THAT'S PUTTING THE SHOW TOGETHER,

THEN WE HAVE TO, LIKE, DELEGATE JOBS.

WELL, THAT'S WHAT WE'RE HERE TRYING TO DO.

NO, I'M JUST SAYING, "YOU'RE GONNA BE THIS.

"YOU'RE GONNA BE THAT.

"THAT'S YOUR JOB AND THIS IS MY JOB."

LIKE, THAT'S WHAT WE NEED TO DO.

AND THEN, THAT WAY, NOBODY'S LOOKING AROUND, LIKE,

"WELL, I THOUGHT YOU WAS DOING IT."

"I THOUGHT YOU WAS DOING IT."

NO, LIKE, IT HAS TO BE ORGANIZED.

HAS TO HAVE SOME TYPE OF ORGANIZATION TO THE MADNESS.

'CAUSE AT THE END OF THE DAY, IF IT'S WHACK,

YOU GONNA ALWAYS BE REMEMBERED FOR BEING WHACK.

AND I AIN'T TRYING TO BE WITH THE WHACK JUICE.

I DON'T WANT NO WHACK JUICE ON ME.

I'M NICE AND FRESH AND CLEAN.

THAT'S HOW I WANT TO STAY-- I'M JUST SAYING.

ARE WE A TEAM? - YES, WE CAN!

WE CAN DO THIS! - I HAVE TO GO THE BATHROOM.

WE AIN'T GOT NO CHOICE.

- SHE'S HERE. - WHO IS "SHE?"

- ME. - SHE-ME-HER.

SO, WE'RE MEETING UP AT THIS REHEARSAL STUDIO

TO REHEARSE FOR TONI'S TRIBUTE,

AND I'M JUST FINDING OUT

THIS IS, LIKE, A FOR REAL-FOR REAL SHOW.

LIKE, USHER AND JUSTIN BIEBER FITTIN' TO PERFORM HERE.

LIKE, WE GOTTA GET OUR STUFF TOGETHER FAST.

TRACI CAN COME ON AND DO "BREATHE AGAIN"

AND DRESSED LIKE "BREATH AGAIN."

- I WANNA DO-- - AND THE NEXT SONG,

YOU CAN DO ANOTHER SET--

CAN I SAY-CAN I SAY WHAT I WANT?

- CAN I FINISH? - YEAH, GO AHEAD.

- "ANOTHER SAD LOVE SONG." - OKAY.

AND THEN YOU CAN DO "LET IT FLOW."

AND I'LL COME OUT AND DO "YOU MEAN THE WORLD TO ME."

WE'RE TRYING TO GET THIS PERFORMANCE TOGETHER FOR TONI,

AND I WANT IT TO BE RIGHT.

THIS IS A HUGE ACCOMPLISHMENT AND WE HAVE TO DO OUR BEST.

LIKE, WE KNOW TONI'S ROUTINE AND IT HAS TO BE PERFECT.

'CAUSE OTHER THAN THAT, WE'RE JUST FOUR DO-WOP SINGERS,

SINGING DO-WOP FOR THE PERSON

WE'VE BEEN SINGING DO-WOP FOR ALL THIS TIME.

I'M JUST SAYING THAT'S WHAT IT LOOKS LIKE.

IT'S JUST, BASICALLY, PAYING HOMAGE TO OUR SISTER.

THIS IS A HUGE ACCOMPLISHMENT.

TONI BEING INDUCTED IN THE GEORGIA MUSIC HALL OF FAME

IS SUCH A HUGE DEAL, AND I FEEL HONORED MYSELF

THAT SHE'S BEING IN THERE, AND I JUST WANT ALL OF US

TO GET IT TOGETHER,

SO THAT WE CAN GO AHEAD AND PERFORM FOR HER.

I DON'T KNOW IF IT'S GONNA HAPPEN.

YOU SHOW US WHAT WE NEED TO DO.

NO, I'M NOT GONNA SHOW YOU GUYS WHAT YOU NEED TO DO,

BECAUSE I'M THE ONLY WHO DISAGREES.

'CAUSE IT'S NOT GOOD ENOUGH.

- THAT-THAT MEANS-- - SO, I MEAN--

NO, IF I'M THE ONLY PERSON THAT DON'T AGREE,

THAT MEANS THAT I SHOULD NOT BE DOING IT.

OKAY, WE DO NOT HAVE OUR ACT TOGETHER,

FOR REAL, LITERALLY.

I ASKED THEM, "OKAY, WHAT Y'ALL GOT?"

NOBODY HAD NO IDEAS, AND THAT IS NOT MY FAULT.

NOBODY ELSE IS COMING UP WITH ANYTHING,

AND I'M JUST SO SORRY-- IT'S JUST WRONG.

GUYS-- OKAY, LET'S DO YOUR IDEAS.

LET'S DO THAT-- COME ON, LET'S GET UP HERE.

LET'S SEE WHAT IT LOOK LIKE.

I THINK IT'S VERY IMPORTANT THAT WE PLAY OUT

WITH THE IDEAS-- COME ON.

- 'CAUSE YOU'RE REALLY ON 20. - WEAR THE ATTITUDE.

LET'S GET-LET'S GET CONFIDENT.

NO-NO, BUT YOU'RE ON 20, RIGHT NOW, TAMAR.

YOU'RE BEING VERY, VERY HYPER, AND, FOR ME,

THERE'S NO REASON. - OH, OKAY.

AND THAT'S NOT HOW WE CAN GET THINGS ACCOMPLISHED.

WHY CAN'T WE JUST GET TOGETHER AND MAKE IT WORK?

I-I'M TELLING YOU.

I AM NOT GONNA PUT UP WITH TAMAR'S SHENANIGANS TODAY.

IT'S NOT GONNA HAPPEN.

AND Y'ALL TWO SHOULD BE DOING THE BACKGROUND,

REAL QUICK.

TRINA, MOVE BACK, AND THEN Y'ALL COME UP

AND DO THE BACKGROUND-- I'M SERIOUS.

LET'S START OVER FROM THE BEGINNING.

WHO'S COMING OUT FIRST-- PUT YOUR HAND IN THE AIR.

NO, I'M TOWANDA.

EVERYBODY SKEDADDLE UP THE STAGE.

I JUST GOTTA-I JUST HAVE A NAME LIKE TOWANDA.

AND, TRINA, TRACI, AND TOWANDA, CAN YOU SKEDADDLE?

- THANK YOU, DARLING. - AND, THEN, TRACI,

BE READY FOR YOUR CUE.

UNLESS WE GONNA GET IN LINE AND FOLLOW SOME KIND OF DIRECTION,

WE'RE GONNA LOOK LIKE SOME WHACK-ASS

TONI BRAXTON IMPERSONATORS AT A KARAOKE BAR.

UH-UH-UH-- SHE DO NOT DO THAT.

FIVE, SIX... UH-UH!

YOU SAID. - I DIDN'T DO THAT.

YES, YOU DID.

YOU CANNOT COME OUT LIKE THAT.

SHE DID NOT DO IT LIKE THAT, TAMAR.

- THANK YOU, TRINA. - YES, SHE DID.

THAT'S NOT HOW SHE DOES.

YES, SHE-- TOWANDA, I'VE BEEN SINGING BACKGROUND

SINCE I WAS 12.

AND I'VE BEEN SINGING BACKGROUND SINCE I WAS 13.

WHY YOU ALWAYS GOT TO HAVE AN ISSUE?

ME?

HOW ARE WE GONNA PERFORM, IS THE PROBLEM.

AT THE END OF THE DAY, IF WE GOT THEM DANCE STEPS,

AND WE ARE SNATCHED AND BEAT, WE'RE GONNA BE HOT.

TOWANDA, WHY YOU ON THE PHONE DURING REHEARSAL?

OKAY, THIS IS SERIOUS.

ZO IS AT THE AIRPORT AND DOESN'T HAVE

HIS CONFIRMATION INFORMATION. - OH, OKAY.

THAT'S WHAT I'M SAYING-- THIS IS SERIOUS.

I'M NOT JUST DOODLING AROUND.

ZO HASN'T GOTTEN THE HANG OF THE TONI BRAXTON

PERSONAL ASSISTANT THING JUST YET, YOU KNOW?

SO, TONI IS STILL KINDA DEPENDING ON ME,

SO SHE'S STILL CALLING ME

AND ASKING ME TO HELP HER WITH THINGS.

SAY IT, AGAIN-- SAY IT, AGAIN.

TOWANDA, ARE YOU EVER GONNA GIVE YOURSELF A CHANCE

TO DO SOMETHING OTHER THAN BE ON THE PHONE?

SO, THIS ALWAYS HAS TO BE AN ISSUE.

JESUS!

JESUS!

YOU JUST ASKED WHAT THE ISSUE WAS, AND I TOLD YOU.

ARE YOU LEAVING?

TOWANDA AND I ARE ARGUING BECAUSE SHE IS ON THE PHONE,

INSTEAD OF FOCUSING ON GETTING THIS SHOW RIGHT FOR TONI.

I WANNA GO OVER THIS ONE STEP WITH YOU.

OH BABY BABY BABY BABY BABY

YOU KNOW WHAT I MEAN?

SHE'S-SHE'S--

NO, TRACI-- SHE'S VERY FLIRTY, VERY--

YOU'RE VERY... A LITTLE STIFF.

OH, WELL, YOU ARE VERY... WORKING ON MY NERVES.

- OKAY. - I THINK YOU SHOULD DO IT.

AND I'LL SIT BACK, AND I'LL GIVE DIRECTION.

I LIKE MY SONG.

YOU'RE ALWAYS GIVING UP, TRACI.

SHE'S ALWAYS QUITTING-- WHY?

YOU'RE ALWAYS QUITTING-- YOU QUIT ON YOUR SISTER.

I MEAN, COME ON. - TRINA CAN SAY SOMETHING.

NOBODY GETS MAD.

I HELP OUT, AND EVERYBODY IS ACTING LIKE

I AM PULLING THEIR TEETH.

CAN WE GET THROUGH IT ONE TIME?

THAT'S ALL I NEED.

YOU HAVE TO HAVE TRACI FINISH HER TANTRUM FOR A SECOND.

TANTRUM?

MISS BIG MOUTH ALMIGHTY-- MISS WONDERFUL ALL THOU!

I KNOW IT'S FOR TONI, BUT THAT ONE, RIGHT THERE,

HER MOUTH, JESUS!

COMING UP, ON "BRAXTON FAMILY VALUES."

HOW'S IT GOING-- HOW'S REHEARSALS GOING?

AND IF YOU'D BE REAL WITH YOURSELF,

YOU'D BE LIKE, "YOU KNOW WHAT?

"I WAS ACTING LIKE AN ASS TO YOU

"FOR ABSOLUTELY REASON." - I'M ALWAYS REAL WITH MYSELF.

I'M-- AND YES, I WAS, AND YES, I WAS,

JUST LIKE YOU WAS, TOO.

AND I ALWAYS ACT LIKE AN ASS .

MISS WANNABE DIANA ROSS AND MISS WANNABE TINA TURNER!

GOOD GOD!

YOU CAN'T TALK TO NONE OF THEM !

I

I THINK

I THINK YOU

I THINK YOU SHOULD

I THINK YOU SHOULD DO

I THINK YOU SHOULD DO IT,

I THINK YOU SHOULD DO IT, AND

I THINK YOU SHOULD DO IT, AND I'LL

I THINK YOU SHOULD DO IT, AND I'LL STEP

I THINK YOU SHOULD DO IT, AND I'LL STEP BACK,

AND I'LL SIT BACK AND I'LL GIVE DIRECTIONS.

YOU'RE ALWAYS GIVING UP, TRACI.

YOU'RE ALWAYS QUITTING-- YOU QUIT ON YOUR SISTER.

I MEAN, COME ON.

I KNOW IT'S FOR TONI, BUT THAT ONE RIGHT THERE,

HER MOUTH, JESUS!

I'M JUST SO UNAPPRECIATED,

AND I'M JUST TRYING TO PULL THIS SHOW TOGETHER.

TONI'S HALL OF FAME EVENT IS JUST, LIKE, A FEW DAYS AWAY,

AND NO ONE ELSE HAS ANY IDEAS

WHEN I GAVE THEM A CHANCE TO SHARE IT.

SO, LIKE, WHY IS EVERYBODY MAD AT ME?

I MIGHT AS WELL LEAVE, TOO.

I DON'T NEED TO BE DOING THIS, NEITHER.

I CAN GO.

SO, YOU GUYS CALL ME WHEN YOU GET YOUR ATTITUDES IN CHECK,

'CAUSE I WILL BE HELPING THINE SELF FROM NOW ON.

WELL, EXACTLY-- WHAT ELSE IS NEW?

WHO ARE YOU TALKING TO?

TOWANDA, WE'RE IN THE MIDDLE OF REHEARSAL.

WE ARE RIGHT IN THE MIDDLE OF REHEARSAL.

OKAY-- SO, WHO ARE YOU TALKING TO?

WELL, WHO ARE YOU TALKING TO?

I'M TALKING TO YOU.

WHEN YOU WALK OUT, IT'S OKAY.

WHEN YOU HAVE A MOMENT, IT'S OKAY.

- I DIDN'T HAVE A MOMENT. - YOU HAD THIS BEFORE.

- WHY ARE YOU SNAPPIN'? - WHY ARE YOU SNAPPIN'?

- I AM NOT SNAPPIN'. - I'M NOT SNAPPIN'.

ALL I'M DOING, IS ASKING.

ALL I'M DOING, IS TELLING YOU.

- WE ARE IN REHEARSAL. - WE SURE ARE.

- LIKE, I'M JUST SAYING. - I'M JUST SAYING.

ARE WE GONNA DO THE SHOW?

I'M ASKING YOU BECAUSE YOU-YOU'RE HERE

WITH AN ATTITUDE. - I DON'T HAVE AN ATTITUDE.

I DON'T HAVE AN ATTITUDE.

EVERY TIME I SAY SOMETHIN', EVERYBODY GETS MAD AT ME.

HOW COME YOU'RE GETTING MAD AT ME?

ALL I HAVE DONE, IS HELP EVERYBODY.

I DIDN'T DO NOTHIN' TO NOBODY, EITHER.

ALL I'VE DONE, IS HELP EVERYBODY.

AND CONTRIBUTE-CONTRIBUTE WHAT I KNOW HOW TO DO.

ALL I'VE DONE, IS CONTRIBUTE WHAT I KNOW HOW TO DO.

I THINK I KNOW WHAT PEOPLE WANT TO SEE.

AND I KNOW HOW TO TAKE CARE OF STUFF.

H-HOW ABOUT THAT?

I'M JUST TRYING TO HELP YOU OUT.

I'M TRYING TO HELP PEOPLE OUT, TOO.

WHY DO YOU HAVE THE ATTITUDE?

WELL, HOW COME YOU'RE GETTING MAD AT ME?

YOU'RE NOT GONNA DISRESPECT ME.

THAT'S NOT GONNA HAPPEN.

I CAN GET ON MY MAN'S JET AND GET THE HELL UP OUTTA HERE.

I DON'T NEED THIS.

THIS IS SO TYPICAL FOR TAMAR.

YOU KNOW, JUST LEAVING REHEARSAL

AND ALWAYS BLAMING EVERYBODY ELSE

FOR THE ISSUES AND THE PROBLEMS,

AND SHE'S NOT LOOKING AT HERSELF.

- I'LL BE RIGHT BACK, TRAY. - OKAY.

I DON'T KNOW WHAT IN TARNATION THE PROBLEM IS,

BUT I'M GONNA TRY TO DIFFUSE THE SITUATION,

SO WE CAN GET BACK TO WORK.

EVER SINCE WE WERE LITTLE, I'VE ALWAYS BEEN THE ONE

CALLED UPON TO MAKE THE PEACE.

BUT, IF WE CAN'T GET THIS THING TOGETHER,

THERE WILL BE NO TRIBUTE PERFORMANCE,

PLAIN AND SIMPLE.

TAMAR, WHERE ARE YOU GOING?

TOWANDA IS VERY DISRESPECTFUL.

EVERY TIME I SAY SOMETHING,

I'M JUST TRYING TO HELP THE SITUATION.

DO YOU KNOW WHY EVERYBODY'S MAD AT ME?

DO YOU KNOW WHY EVERYBODY IS-IS SO MEAN AND EVIL TO ME?

WELL, I-I HAVE TO BE HONEST, NOW.

IT'S-IT COMES ACROSS LIKE,

"OKAY, I'M RIGHT, AND YOU'RE WRONG."

I'M JUST SO FRUSTRATED THAT NOBODY APPRECIATES

WHAT I BRING.

EVERYBODY TAKES IT AS BEING NEGATIVE,

AND I'M NOT BEING NEGATIVE.

THIS IS COMPLETELY RIDICULOUS.

IF WE CANNOT CHANGE OUR BEHAVIOR

AND OUR FAMILY DYNAMICS, EVERYTHING IS GONNA BLOW UP,

AND WE ARE GOING TO RUIN TONI'S BIG NIGHT.

THE STAKES ARE TOO HIGH,

AND THIS IS WAY TOO IMPORTANT TO BLOW.

BUT, I'M JUST TRYING TO TELL YOU,

IF YOU DON'T LIKE MY REALITY, THEN--

I DIDN'T SAY OR DO ANYTHING WRONG TO YOU,

AND EVERY TIME I GIVE YOU A STEP,

YOU ALWAYS GET AN ATTITUDE WITH ME.

- IT'S YOUR DELIVERANCE. - NO, IT'S NOT.

- IT'S YOUR DELIVERANCE. - NO.

TRINA, I HAVE NOT DONE ANYTHING TO ANYBODY.

ALL I'VE BEEN DOING, IS TRYING TO HELP.

AND IF YOU'D BE REAL WITH YOURSELF, YOU'D BE LIKE,

"YOU KNOW WHAT-- I WAS ACTING LIKE AN ASS TO YOU

"FOR ABSOLUTELY REASON." - I'M ALWAYS REAL WITH MYSELF.

I'M-- AND YES, I WAS, AND YES, I WAS, JUST LIKE YOU WAS, TOO.

- THAT'S NOT NECESSARY. - JUST LIKE YOU WAS, TOO.

DON'T PUT YOUR HANDS IN PEOPLE'S FACE.

- WHAT-WHAT? - I'M JUST SAYING THAT'S NOT--

SOMEBODY CAN DO THAT, TOO?

JUST LIKE YOU CAN'T PUT YOUR HANDS IN FACE.

GOD!

MISS WANNABE DIANA ROSS AND MISS WANNABE TINA TURNER!

GOOD GOD!

YOU CAN'T TALK TO NONE OF THEM BITCHES!

AFTER REHEARSAL FELL APART,

TAMAR GOT IN HER CAR AND THREATENED TO LEAVE ATLANTA

TO GO TO BE WITH VINCENT.

SO, THE ONLY WAY I CAN SEE FOR THINGS TO HAPPEN,

IS TO CALL A SUMMIT MEETING

AND SEE IF WE CAN GET EVERYONE BACK ONBOARD.

IF TAMAR DOESN'T DO THE SHOW,

EVERYTHING IS GONNA FALL APART.

- TAMAR? - HELLO.

WILL YOU PLEASE COME OVER, SO WE CAN TALK?

BUT-BUT, THAT'S WHAT I'M SAYING.

YOU DON'T FEEL LIKE YOU'VE DONE ANYTHING,

AND THE GIRLS DON'T THINK THEY DONE ANYTHING.

YOU KNOW, SO, I THINK Y'ALL SHOULD TALK IT OUT.

I THINK THAT HAS-I THINK THAT CONVERSATION NEEDS TO BE HAD.

WHY CAN'T-WHY CAN'T WE JUST BE OPEN-MINDED

AND EVERYBODY JUST TALK TO EACH OTHER?

DO YOU WANT ME TO CALL DR. SHERRY?

- OH, TONE. - YES.

TONI AND I ARE HAVING LUNCH, UM, SO THAT WE CAN DISCUSS

THE AWARDS CEREMONY, AND, OF COURSE,

SHE WANTS AN UPDATE ON HOW THE REHEARSALS ARE GOING.

HOW'S IT GOING-- HOW'S REHEARSALS GOING?

WELL, IT'S JUST INTERESTING, BECAUSE, YOU KNOW,

TAMAR HAS THAT LITTLE TAKEOVER SPIRIT.

EVERYBODY WAS IN A GOOD SPACE,

AND SHE JUST CAME IN BARKING, LIKE,

FOR REAL, TRYING TO JUST TAKE OVER EVERYTHING.

- WE KNOW THAT'S TAMAR, BUT-- - WHY DO WE HAVE TO USE THAT

AS AN EXCUSE THAT THAT'S JUST TAMAR?

I'M NOT-I'M NOT MAKING IT AN EXCUSE.

YOU KNOW TAMAR ALWAYS FUSSES,

AND THEN IT ALWAYS COMES TOGETHER.

SHE JUST WANTS IT TO BE PERFECT.

YOU WANT IT TO BE PERFECT-- TAMAR WANTS IT TO BE PERFECT.

BUT, EVERYBODY WANTS IT TO BE PERFECT.

TRINA WANTS IT TO BE PERFECT-- IT'LL BE PERFECT.

- BUT, TAMAR IS-- - IT WOULDN'T BE US,

IF THERE WASN'T SOMETHING GOING ON.

SO, IT'S NORMAL.

I'M JUST ANXIOUS TO SEE IT,

'CAUSE I KNOW IT'S GONNA BE GREAT.

TONI IS SO EXCITED ABOUT US PERFORMING FOR THE CEREMONY.

BUT, THE WAY THAT THE REHEARSALS ARE GOING,

I AM SO NOT SURE IF THAT'S GONNA HAPPEN.

BUT, YOU KNOW WHAT?

I DON'T WANNA BREAK TONI'S HEART,

SO I'M REALLY GONNA TRY TO MAKE IT WORK.

I KNOW SHE'S PROBABLY GONNA SING "UNBREAK MY HEART,"

AND IMITATE ME AND TEASE ME.

SHE'S GONNA BE DANCING LIKE ME, HOW SHE THINKS I DANCE.

WELL, SHE DEFINITELY THINKS SHE KNOWS YOU DOWN PAT.

- YES, BUT THAT'S GOOD, THOUGH. - MMM-HMM.

YEAH. - IT'LL BE GREAT.

I CAN'T WAIT TO SEE IT.

I'M STILL FEELING REAL SORE ABOUT HOW I WAS TREATED

AT REHEARSAL, BUT MOMMY ASKED ME AND TRACI TO COME OVER

AND DISCUSS WHAT WE WAS GONNA DO FOR TONI'S TRIBUTE.

- WHAT-WHAT YOU GUYS GONNA DO? - I DON'T EVEN KNOW.

IT WAS HORRIBLE.

YOU KNOW, I CAN'T BELIEVE THAT IT WAS HORRIBLE.

GETTING ON STAGE AND, YOU KNOW,

ALL FOUR OF US DOING BACKGROUND MOVES TO TONI'S SONGS

IS NOT REALLY DOING US ANY JUSTICE OR HER RECORDS.

I DON'T WANNA LET TONI DOWN, EITHER.

BUT, I AIN'T FITTIN' TO GET ON NOBODY'S STAGE

WITHOUT NO PLAN AND WITHOUT REHEARSING.

LIKE, WE'RE GONNA EMBARRASS OURSELF AND TONI, TOO.

IT IS A SIN AND A SHAME

MY SISTERS DON'T WANNA LISTEN TO ME.

SO, YOU GUYS COULDN'T DO THREE OR FOUR SONGS?

IT'S NOT THE SINGING-- IT'S THE PERFORMANCE.

TAMAR IS WORKING ON MY NERVES WITH HER DICTATING WAYS.

SHE ALWAYS GOTTA RUN THE SHOW.

IT'S EITHER HER WAY OR NO WAY.

WHAT I'M SAYING, IS THAT YOU DONE IT IN THE PAST.

I THINK THAT THIS IS A GREAT OCCASION FOR YOUR SISTER.

SHE WORKED ALL OF HER LIFE DOING THIS.

IN SPITE OF THE GIRLS' DIFFERENCES,

THEY ALWAYS PUT IT TOGETHER,

AND THEY ALWAYS SET ASIDE WHAT IS GOING ON WITH THEM,

AT THAT TIME, OUT OF RESPECT FOR EACH OTHER,

AND I KNOW THAT THEY CAN DO IT OUT OF THE RESPECT FOR TONI.

YOU CAN'T GET UP THERE AND EXPECT THINGS TO

FALL INTO PLACE, IF YOU DON'T HAVE THE ADEQUATE PRACTICE.

TAMAR, THAT'S NOT TRUE.

AND YOU DON'T HAVE THE ADEQUATE--

YOU-YOU HAVEN'T PUT THE TIME IN TO MAKE IT RIGHT.

FOR YOU GUYS NOT TO BE PREPARED AND NOT TO BE READY,

I'M SOMEWHAT DISAPPOINTED.

I'M REAL DISAPPOINTED FOR A LOT OF STUFF, TOO, SO--

YEAH-- I'M EXTREMELY, EXTREMELY DISAPPOINTED.

MOMMY'S RIGHT-- THIS ISN'T ABOUT US.

THIS IS ABOUT TONI,

AND I DON'T THINK TAMAR GETS IT AT ALL.

I WOULD SAY I KNOW HOW TO GET TO TRINA'S PLACE.

BEEN THERE A FEW TIMES.

WHEN I HEARD THAT TONI WAS GONNA BE INDUCTED

INTO THE HALL OF FAME, IN ATLANTA,

I JUMPED ON THAT PLANE,

AND I MADE IT QUICKLY TO ATLANTA,

AS FAST AS I COULD, AND JAY PICKED ME UP AT THE AIRPORT,

AND HE WAS SUPPOSED TO TAKE ME OVER TO TRINA'S HOUSE.

- TWO MINUTES AWAY. - TWO MINUTES?

- TWO MINUTES. - OKAY.

- I THINK IT'S TWO LIGHTS. - MMM-HMM.

TWO LONG LIGHTS.

WE'RE HERE. - JAY, WHERE ARE YOU TAKING ME?

THIS DON'T LOOK LIKE TRINA'S PLACE.

I THINK TOWANDA SAID TO TAKE YOU TO TRINA'S OR MISS E'S?

- TR-- MISS E? - YEAH, MISS E.

YOU'RE NOT TAKING ME TO MISS E, ARE YOU?

I THINK SO-- LET ME CALL TOWANDA.

SHE TOLD ME TO TAKE YOU SOMEWHERE.

I CAN'T REMEMBER WHERE SHE SAID.

NOT MISS E.-- I KNOW SHE DIDN'T SAY MISS E.

I THINK SHE SAID-- LET ME CALL HER.

YOU'RE GONNA GET ME KILLED.

OH, GOSH.

LET ME JUST TRY TO TURN AROUND REAL QUICK.

AND INSTEAD OF TAKING ME TO TRINA'S HOUSE,

HE TOOK ME DIRECTLY TO EVELYN'S HOUSE

AND PARKED RIGHT IN FRONT OF HER DOOR.

I WAS SITTING THERE LIKE A SITTING DUCK.

I DIDN'T KNOW WHAT TO DO.

DON'T LET HER COME OUT-- WAIT.

IS THAT MISS E IN FRONT OF US?

OH, LORD.

WHEN I SAW MY EX-HUSBAND PARKED OUTSIDE OF MY HOUSE,

I WAS SHOCKED.

I MEAN, HOW COULD JAY BRING THIS MAN TO MY HOUSE?

IT WAS A PRETTY CLOSE CALL, AND I TOLD JAY,

"GET ME OUTTA HERE, AS QUICK AS YOU CAN."

YOU KNOW, I'M DEAD MEAT, BUT SHE GONNA KILL YOU.

COMING UP, ON "BRAXTON FAMILY VALUES"...

IT'S A LITTLE EMBARRASSING THAT WE CAN'T GET

A LITTLE MEDLEY TOGETHER.

YOU KNOW, WE JUST COULDN'T COME TOGETHER, DAD.

YOU'RE ALWAYS ABLE TO PULL IT TOGETHER

AT THE LAST MINUTE. - NOT THIS TIME.

YEAH, WE COULDN'T THIS TIME, AND I DON'T KNOW WHY.

I'M

I'M ALL

I'M ALL DRY

I'M ALL DRY MOUTH,

I'M ALL DRY MOUTH, NOW.

- I'M ALL DRY MOUTH, NOW. - I'LL

- I'M ALL DRY MOUTH, NOW. - I'LL BE

- I'M ALL DRY MOUTH, NOW. - I'LL BE RIGHT

- I'M ALL DRY MOUTH, NOW. - I'LL BE RIGHT BACK.

WHOO.

HELLO-- PEACE IN THE MIDDLE EAST.

COME IN-- HAVE A SIT-SIT.

- HELLO. - COME SIT, AT YOUR FINGERTIPS.

BOOM.

I'M TRYING TO THROW A HAIL MARY PASS HERE

TO TRY TO GET EVERYONE ON THE SAME PAGE.

WE REALLY NEED TO HAVE A PROPER TRIBUTE

FOR TONI'S BIG NIGHT.

OH, OKAY, GUYS-- I'M NOT GONNA KEEP YOU LONG.

THE WAY THINGS ARE GOING, NOW, IT HURTS MY FEELINGS,

YOU KNOW, 'CAUSE WE-WE'VE NEVER BEEN THIS WAY BEFORE,

AND I KNOW I LOVE EACH AND EVERY ONE OF YOU,

AND THERE IS NO ME WITHOUT ALL OF YOU.

BUT, JUST LIKE YOUR FEELINGS ARE HURT, I DON'T--

MY FEELINGS ARE NUMB-- I DON'T HAVE ANY FEELINGS.

THEY ARE-- THEY'VE BEEN TAKEN AWAY FROM ME.

THAT'S UNFORTUNATE BECAUSE AT-AT THE END OF THE DAY--

IT REALLY IS-- IT'S TERRIBLE.

WE CAN-WE CAN ARGUE, BUT, AT THE END OF THE DAY,

IT IS ALL LOVE.

WE'VE BEEN IN ARGUMENTS BEFORE.

WHO-WHO HAVE YOU BEEN IN AN ARGUMENT WITH, BESIDES ME?

WHAT-- I ARGUE WITH THE GIRLS ALL THE TIME.

OH.

WE HAVE DISAGREEMENTS ALL THE TIME,

BUT THAT'S WHAT THEY ARE, DISAGREEMENTS.

WE DISAGREE.

WHAT I DO WANNA DO IS, MAKE SURE THAT WE HAVE SOMETHING

SOLIDIFIED AND PLANNED FOR TONI TOMORROW.

IF WE COULD ALL WRITE SOMETHING OUT,

SO IT'S NOT GONNA TAKE MUCH.

JUST MAYBE A FEW LINES A PERSON, YOU KNOW,

JUST TO GIVE HER SOME ACCOLADES

FOR EVERYTHING THAT SHE'S DONE IN THIS INDUSTRY,

'CAUSE SHE'S PAVED THE WAY FOR SO MANY PEOPLE,

INCLUDING US.

AGAINST ALL ODDS, WE PULLED TOGETHER

OUR RECENT PERFORMANCE IN NEW YORK.

IF WE CAN PULL IT TOGETHER

AND MAYBE EVEN DO A SPOKEN TRIBUTE FOR TONI,

WE CAN AT LEAST PULL TOGETHER SOMETHING POSITIVE

FOR HER INDUCTION, FOR THE GEORGIA HALL OF FAME.

I THINK THAT WOULD BE A REALLY GREAT IDEA.

I THINK THAT'S A GREAT IDEA.

I CONCUR.

- TRAY? - YEAH-- I THINK SO, TOO.

OKAY.

AND, HOPEFULLY, NOW, OF COURSE, NOT RIGHT NOW,

BUT, HOPEFULLY, YOU KNOW, WE CAN SIT DOWN

AND HAVE A LITTLE COME TO JESUS ABOUT US AND OUR SISTERSHIP,

BECAUSE THE WAY THINGS ARE GOING,

THEY'RE NOT GREAT, AND IT USED TO BE.

THE WAY THINGS ARE GOING, NOW, IT HURTS MY FEELINGS.

SO, CAN WE HAVE A GROUP HUG? - YEAH, SURE.

WE DON'T-WE DON'T HAVE TO DO A CLANK-CLANK,

BUT WE CAN HAVE A GROUP HUG.

SO, LET'S-- COME-COME. - YES-- HOW ABOUT THAT?

LIFE IS WAY TOO SHORT.

WAIT-WAIT-- PLEASE DON'T OVERDO IT, THOUGH.

- MUAH-MUAH-MUAH. - LOVE YOU GUYS.

WE MAY HAVE JUST HUGGED IT OUT ON THE SISTER GROUP HUG,

BUT LET ME TELL YOU SOMETHIN, RIGHT NOW.

I AIN'T FEELING ALL THAT, RIGHT NOW.

I'M JUST SAYING. - MUAH.

- LOVE YOU GUYS. - LOVE YOU.

DADDY IS STAYING AT OUR HOUSE HERE IN ATLANTA,

IN ORDER TO BE THERE FOR TONI'S CEREMONY,

FOR HER INDUCTION INTO THE HALL OF FAME.

I'M BUSY WRITING MY SPEECH,

AND I THINK IT'S REALLY IMPORTANT

THAT TONI HAS EVERYONE'S SUPPORT TO BE THERE FOR HER.

- HI, TRINI. - HEY, WIN.

- YOU WORKING ON YOUR SPEECH? - MMM-HMM.

- IT'S A SHAME. - WHAT?

BECAUSE I REALLY WANTED TO DO THE PERFORMANCE.

- ME, TOO. - HEY, GIRLS.

- HEY, DADDY-O. - HEY, DAD.

HEY, TIGGER-- HEY, WONDA.

- HEY, DAD. - WHAT Y'ALL DOIN'?

WE'RE WRITING SOME ACCOLADES FOR TONI

FOR HER HALL OF FAME ACCEPTANCE AWARD.

- OH, GREAT. - WE WERE SUPPOSED TO PERFORM.

- WE WERE SUPPOSED TO SING. - AND WHAT HAPPENED?

YOU KNOW, WE JUST COULDN'T COME TOGETHER, DAD.

YOU KNOW, YOU'RE ALWAYS ABLE TO PULL IT TOGETHER

IN THE LAST MINUTE. - NOT THIS TIME.

YEAH, NOT-- WE COULDN'T THIS TIME, AND I DON'T KNOW WHY.

WE'VE BEEN ABLE TO RALLY PAST OUR PROBLEMS

AND ACHIEVE SOME SORT OF SUCCESS,

FOR A PERFORMANCE,

BUT THINGS ARE BEGINNING TO GET SO BAD,

THAT I'M VERY WORRISOME THAT WE CAN'T GET PAST IT,

AT THIS POINT.

IT'S NOT ABOUT ANYBODY'S PERSONALITY.

IT'S ALL ABOUT PERFORMING FOR TONI.

- YES. - RIGHT.

- YES, YES. - THAT'S THE BOTTOM LINE,

BUT IT'S ALSO A MATTER OF RESPECT.

BETWEEN EACH OTHER?

YES, DEFINITELY BETWEEN EACH OTHER.

BETWEEN EACH OTHER, ABSOLUTELY.

WHEN THERE IS A NEGATIVE VIBE WITHIN A ROOM,

OR WITHIN A UNIT,

IT IS VERY DIFFICULT TO PERFORM THE TASK AT HAND,

BECAUSE YOU'RE BUSY TAKING CARE OF

AND CUDDLING YOUR ATTITUDE.

THIS IS A HAPPY DAY, THIS IS A HAPPY OCCASION,

AND I-I HAVE MADE A DILIGENT CHOICE TO HAVE A WONDERFUL,

GREAT DAY FOR MY SISTER.

AND LET'S PUT ALL THE OTHER STUFF BEHIND US, OKAY?

- YES. - EXACTLY AND-AND LET'S--

I AM VERY PROUD OF ALL MY GIRLS.

COMING UP, ON "BRAXTON FAMILY VALUES"...

LOVE YOU, TONI.

SO, SOMEBODY JUST SAID,

"I CAN'T WAIT TO HEAR YOU PERFORM."

TONI BRAXTON.

MAMA!

- MAMA! - YES?

YOU GOT SOME BACON?

YOU KNOW, I WASN'T GONNA COOK, 'CAUSE YOU KNOW WHAT?

I HAVE SOME THINGS I HAVE TO DO LATER.

USUALLY, WHEN PEOPLE COME HOME

AND GO TO THEIR MAMA'S HOUSE AND STUFF--

UH-UH-- I CAN'T.

IT'S TOO MUCH. - THEY HAVE SOME HOG MAWS,

SOME PORK SKINS, FRESH PORK SKINS.

TAMAR, WE DON'T- WE DON'T HAVE--

YOU'VE BEEN TALKING ABOUT HOG MAWS FOR A WHILE.

YEAH, I NEED SOME OINK-OINK IN MY LIFE.

I'LL TELL YOU WHAT-- WHY DON'T YOU GUYS COOK FOR ME?

THAT WOULD BE NICE.

MOMMY, BUT YOU DON'T GO TO YOUR MAMA HOUSE

TO COOK FOR HER. - UH-HUH, UH-HUH-- YES, YOU DO.

YOU COOK FOR YOUR MAMA WHEN YOUR MAMA COME TO YOUR HOUSE.

REMEMBER, I MADE YOU BACON IN THE MORNING?

WHAT-- WHEN?

YOU HAVE TO MAKE ME BACON IN THE MORNING,

WITH A LITTLE BIT OF GRITS.

I'M A LITTLE-I'M A LITTLE TIRED.

OKAY-- WELL, I GOTTA GO GET SOME STOCKINGS.

AND IF YOU SEE SOMETHING REAL CUTE--

I'M NOT GETTING IT FOR YOU-- I'LL GET IT FOR ME.

UGH.

- SEE YA. - SEE YOU.

TRINA,

TRINA, YOU

TRINA, YOU BETTER

TRINA, YOU BETTER HURRY

TRINA, YOU BETTER HURRY UP

TRINA, YOU BETTER HURRY UP AND

TRINA, YOU BETTER HURRY UP AND BEAT

TRINA, YOU BETTER HURRY UP AND BEAT YOUR

TRINA, YOU BETTER HURRY UP AND BEAT YOUR FACE.

I'M TRYIN'.

I'M TELLING YOU, UNDER EYE--

WHY IS SHE DOING THAT?

LITTLE CIRCLES IS-IS NOT CUTE.

TODAY IS TONI'S INDUCTION TO THE GEORGIA HALL OF FAME,

AND WE'RE TRYING TO DECIDE WHAT WE'RE GOING TO SAY TO HER

WHEN WE'RE INTRODUCING HER.

SO, DID EVERYBODY WRITE OUT SOMETHING TO SAY TO TONI?

LIKE, "YOU'RE LATE, BUT YOU'RE GREAT."

I THINK IT'D BE FUNNY, THOUGH, IF YOU MADE REFERENCE

TO HER ALWAYS BEING LATE ALL THE TIME.

WELL, I THINK IT'S GONNA BE FUN.

I FEEL LIKE A SUCKER FOR NOT PERFORMING, THOUGH.

- YEAH. - I FEEL THAT WAY.

WE SHOULD-WE SHOULD FEEL LIKE SUCKERS,

'CAUSE WE SHOULD'VE MADE SURE SOMETHIN' CAME TOGETHER.

- THAT AIN'T HOT. - IT'S REALLY NOT.

IT'S A LITTLE EMBARRASSIN'.

LIKE, YOU KNOW, WE CAN'T GET A LITTLE MEDLEY TOGETHER.

DO YOU THINK WE CAN-WE CAN THROW SOMETHING TOGETHER?

- THROW SOMETHING? - NOT-NOT-NOT THROW--

WHEN I SAY, "THROW SOMETHING TOGETHER,"

YOU THINK WE CAN-- 'CAUSE WE KNOW A LOT OF SONGS.

THERE ARE A LOT OF SONGS ON THE ROSTER.

SHOULD WE TRY TO SING SOMETHING REALLY QUICK?

LIKE, MAYBE ONE OF HER FAVORITES?

- I MEAN, IT AIN'T NO SHAME. - HELLO?

BUT, IT AIN'T LIKE WE FIT TO GET UP THERE

AND SING SUPER BASE-- YOU KNOW WHAT I'M SAYIN'?

WE'RE ABOUT TO SING FOR REAL, FOR REAL R$B

CLASSIC RECORDS. - REALLY?

- TELEPHONE BANDIT. - NOT EVEN FOR TWO MINUTES?

WELL, YEAH-- NEXT YEAR, WE CAN DEFINITELY DO SOMETHIN'.

- NEXT YEAR? - ALL RIGHT-- THANK YOU.

OKAY, BYE.

SO, WOULD THEY LET US DO SOMETHIN' QUICK,

LIKE "GET AWAY JORDAN" OR SOMETHIN'?

- NO-NO. - I AIN'T DOIN' THAT.

BE-BECAUSE OF TIME CONSTRAINTS IN THE REHEARSALS--

- THAT WE MISSED. - WE-- YEAH.

WE CAN'T, UM, WE CAN'T EVEN SAY A SPEECH, NOW.

WHAT YOU MEAN?

WE CAN'T DO ANYTHING FOR HER?

OH, MY GOD-- SHAME ON US.

AND, YOU KNOW, JUSTIN IS GONNA BE, UM, PERFORMING.

- JUSTIN BEAVER? - JUSTIN WHO-- JUSTIN BIEBER?

I SAID "BEAVER" ON PURPOSE.

LIKE, THE "BABY, BABY, BABY?"

HE'S DOING A INTRO, AND HE'S DOING A PERFORMANCE.

- OH, MY GOSH. - THAT'S EMBARRASSING.

THAT'S REALLY EMBARRASSING.

SO, THE PRODUCERS OF THE SHOW CALLED ME TO INFORM ME

THAT IF WE'RE NOT PERFORMING,

THEN WE CAN'T DO OUR SPEECHES, AS WELL.

SO, WE JUST TOTALLY LET TONI DOWN,

AND I'M REALLY EMBARRASSED.

SO, BASICALLY, WE'LL JUST BE SITTIN' IN THE AUDIENCE,

WATCHING THE SHOW. - OH, MY GOSH.

SHAME ON Y'ALL, 'CAUSE I TOLD Y'ALL.

I'M JUST SAYIN'. - BUT, OKAY.

- OH, THAT'S-- NO-NO-NO. - BUT, YOU KNOW WHAT?

TRACI WAS IN HER FEELINGS.

BUT, NOW IS NOT EVEN THE TIME TO PLAY THE BLAME GAME.

YEAH.

IT'S REALLY NOT, BECAUSE WE-WE'VE DONE ENOUGH OF THAT.

I MEAN, I DON'T WANNA LET TONI DOWN, EITHER,

BUT IF WE GET ON THAT STAGE,

WITHOUT A PLAN OR A PROPER REHEARSAL,

WE WON'T BE HONORING TONI.

WE'RE GONNA BE HONORING OUR EMBARRASSMENT,

AND THAT'S JUST A SHAME

THAT MY SISTERS DON'T WANNA LISTEN TO ME.

NOW, WE'RE GONNA GO TO THIS THING, AND WE'RE NOT GONNA

BE ABLE TO DO ANYTHING FOR TONI EXCEPT TO BE THERE.

WE ARE SO EMBARRASSED THAT WE WILL NOT BE PERFORMING

OR GIVING SPEECHES AT TONI'S HALL OF FAME TRIBUTE.

NONE OF US WANTS TO LOOK AT HER IN THE FACE,

AND NONE OF US WANTS TO BE THE ONE TO TELL HER

THAT WE'RE NOT GONNA BE DOING ANYTHING FOR HER

FOR HER HALL OF FAME INDUCTION.

WE'RE REALLY EMBARRASSED, AND WE SHOULD BE.

TODAY, I AM SUPER EXCITED.

I AM BEING INDUCTED INTO THE GEORGIA MUSIC HALL OF FAME,

AND IT'S REALLY A HUGE HONOR FOR ME,

AND I'M EXCITED TO BE HERE,

BUT WHAT I REALLY CAN'T WAIT TO SEE

IS WHAT MY SISTERS HAVE PUT TOGETHER--

SOME TYPE OF PERFORMANCE IN MY HONOR.

AND I KNOW THEY WERE HAVING SOME ISSUES,

BUT I'M SURE THEY'RE GONNA PULL IT ALL TOGETHER,

AND THEY'RE GONNA BE GREAT.

WHOO!

- LOVE YOU, TONI. - THANK YOU.

THAT'S NOT ME.

IT'S A GOOD PICTURE.

- THANK YOU. - YOU'RE WELCOME.

- GET DADDY'S OTHER ARM? - YES.

- RIGHT HERE? - SHE'S ON HER WAY.

- NICE. - YES-- THANKS.

THANK YOU-- HELLO.

- HOW ARE YOU? - HI.

- HELLO. - THANK YOU.

OH, I'M TAMAR. - OH, I'M SORRY.

THAT'S OKAY.

NOBODY TOLD TONI WE ARE NOT GONNA PERFORM,

AND NOW WE ARE NOT EVEN GONNA GIVE OUR SPEECHES?

AND MINE IS FABULOUS, BY THE WAY.

SHE AIN'T GONNA BE HAPPY ABOUT THAT.

HELLO, TONI-- LOOK THIS WAY!

LOOK OVER THIS WAY!

ALL YOUR SISTERS ARE HERE TONIGHT.

YES.

THIS IS GONNA BE A SPECIAL NIGHT FOR ALL OF YOU.

IT'S GONNA BE A SPECIAL NIGHT.

MY WHOLE FAMILY'S TOGETHER, SO I ALWAYS FEEL HAPPY

WHEN MY FAMILY-WHEN WE'RE HERE, YOU KNOW, SUPPORTING ME,

AND I SUPPORT THEM, SO I'M EXCITED.

WE CAN'T WAIT TO SEE YOU ALL PERFORM.

WE'RE EXCITED-- THANK YOU.

YOU LOOK NICE, DOLL.

OKAY-- SO, SOMEBODY JUST SAID,

"I CAN'T WAIT TO HEAR YOU PERFORM."

- I KNOW. - I KNOW.

A LOT OF PEOPLE WERE SAYING THAT.

- YEAH. - THIS IS REALLY AWKWARD.

PEOPLE THINK WE'RE PERFORMING, AND WE'RE NOT.

THERE ARE A LOT OF MUSICIANS, AND A LOT OF ARTISTS,

AND A LOT OF PRODUCERS, AND A LOT OF BIG SHOTS HERE.

THIS IS SO EMBARRASSING.

SO, I SAID, "HMM-- HOLD YOUR BREATH."

NOT TONIGHT.

IN 2000, TONI WON TWO AMERICAN MUSIC AWARDS,

AND YET ANOTHER GRAMMY FOR HER ALBUM "THE HEAT,"

WHICH EARNED A TOP TEN SPOT IN OVER A DOZEN COUNTRIES

AROUND THE GLOBE.

STEPPING OUTSIDE THE MUSIC BUSINESS, ONCE AGAIN,

TONI MADE HER SILVER SCREEN DEBUT

WITH "KINGDOM COME," A COMEDY THAT ALSO STARRED--

THE GOVERNOR OF GEORGIA STARTS DOING MY INTRODUCTION,

AND I REALIZE, OKAY, I'M ON NEXT.

THIS IS GREAT.

BUT, MY SISTERS ARE STILL IN THE AUDIENCE,

IN THEIR CHAIRS.

TONI BRAXTON.

I WANNA THANK YOU GUYS SO MUCH FOR HAVING ME HERE.

THIS IS ABSOLUTELY WONDERFUL.

I LOVE GLADYS KNIGHT-- I LOVE OTIS REDDING.

AND TO BE STANDING HERE, TO HAVE THIS AWARD,

JUST SITTING ON THE PEWS WITH THOSE WONDERFUL LEGENDS,

I'D LIKE TO THANK YOU GUYS FOR THINKING OF ME.

THANK YOU, GUYS, SO MUCH!

CONGRATULATIONS.

WHEN I FINALLY SAW TONI ON THE STAGE,

IT REALLY HIT ME THAT WE BLEW IT IN A REALLY BIG WAY.

THERE IS NO RHYME OR REASON TO WHY WE COULD NOT BE ABLE

TO PULL JUST THIS LITTLE PERFORMANCE OFF FOR TONI.

ALL THIS PETTY STUFF, ALL THIS PETTY JUNK

HAPPENING BETWEEN MY SISTERS AND I, IT'S NOT OKAY,

AND IT'S INTERFERING WITH A WHOLE LOT.

AFTER THE CEREMONY, NONE OF MY SISTERS EVEN BOTHERED

TO COME BACKSTAGE TO SEE ME-- IT WAS PRETTY DEVASTATING.

THEY FAILED ME ON EVERY POSSIBLE LEVEL.

WE COULDN'T GO BACKSTAGE BECAUSE IT WAS ONLY

A LIMITED AMOUNT OF PEOPLE WHO COULD BACK THERE.

I WAS DEFINITELY EMBARRASSED, AND I WAS MORTIFIED

BECAUSE I KNOW THAT SHE WAS LOOKING TO SEE

WHAT HER FAMILY WAS GONNA DO FOR HER,

'CAUSE EVERYBODY ELSE'S FAMILY

AND EVERYBODY ELSE HAD REPRESENTATIVES THERE.

SHE HAD NOBODY.

CAN WE LEAVE, NOW?

COMING UP, ON "BRAXTON FAMILY VALUES"...

AS A WHOLE, EVERYBODY, I'M VERY DISAPPOINTED

THAT YOU GUYS DIDN'T SING AT MY INDUCTION

INTO THE GEORGIA HALL OF FAME.

EVERYBODY BAILED ON ME.

WE WERE GOING THROUGH THE NUMBER.

IT CAME DOWN TO TOWANDA'S PART,

AND THEN SHE HAD A MELTDOWN-- SO, DON'T LIE.

- IT WAS JUST ME? - TELL THE TRUTH.

IT'S

IT'S LIKE

IT'S LIKE TOWANDA

IT'S LIKE TOWANDA SAID.

IF SHE DIDN'T THINK ABOUT ORDERING HERSELF A CAR TODAY,

SHE WOULD NOT HAVE HAD-- - WELL, HELLO!

- HEY. - HI, GIRLS.

- HI, TONI! - HOW ARE YA DOIN'?

HI, GOOD TO SEE YOU-- GOOD.

WE'RE HAVING A SISTER SESSION WITH DR. SHERRY

TO TRY TO FIGURE OUR WAY THROUGH A BUNCH OF ISSUES

WE SEEM TO BE HAVING WITH EACH OTHER.

AND WHEN I SAY, "A BUNCH," I MEAN, LIKE,

A WHOLE LIFETIME WORTH OF PROBLEMS.

I WANTED TO SEE HOW THIS YEAR HAS CHANGED,

IN TERMS OF THE RELATIONSHIP, IN TERMS OF Y'ALL AS SISTERS.

YOU KNOW, HOW ARE THINGS FOR YOU?

A LITTLE MORE TENSION-- WELL, A LOT MORE TENSION

THIS YEAR, I THINK. - OKAY.

EVERYONE FEELS THAT THEY HAVE TO DEFEND THEMSELVES

ALL THE TIME. - AH.

AND SO IT'S CAUSING A LOT MORE CONFLICT.

- ALL THE TIME? - PEOPLE GET MAD.

THEY FUSS, THEY FIGHT, BUT WHAT HAPPENS AT THE END?

CAN YOU PULL IT TOGETHER?

AND HOW DO WE LEARN TO COMMUNICATE DIFFERENTLY,

SO WE DON'T HAVE THESE ISSUES?

WHAT IS THE ONE THING YOU NEED FROM YOUR SISTERS,

FROM EACH OF THEM?

AS A WHOLE, EVERYBODY, I'M VERY DISAPPOINTED

THAT YOU GUYS DIDN'T SING AT MY INDUCTION

INTO THE GEORGIA HALL OF FAME.

NO ONE FROM MY FAMILY-- MY SISTERS DIDN'T SING.

THEY WERE SUPPOSED TO SING, BUT THEY DIDN'T SING.

BUT, ALSO, IT BRINGS THAT WHOLE IDEA

YOU HAVE TO PUT THAT MASK ON AND SMILE,

BUT YOU HURT INSIDE.

IT'S NOT FAIR.

I FEEL REALLY BAD THAT WE ALL LET TONI DOWN.

THIS IS THE VERY FIRST TIME THAT WE COULDN'T STEP UP

AND FOLLOW THROUGH.

AND, YOU KNOW, WE REALLY HAVE TO CHANGE

OUR SISTER DYNAMIC.

THIS CANNOT CONTINUE ON THE WAY IT'S BEEN GOING.

THEN, NO ONE DID ANYTHING FOR ME.

MY FAMILY WASN'T-- MY PEOPLE THAT I LOVE--

BECAUSE WHEN YOU'RE BEING INDUCTED INTO SOMETHIN',

YOU CALL THE PEOPLE CLOSE TO YOU.

- RIGHT. - EVERYBODY BAILED ON ME.

- I HEAR YOUR PAIN WITH THAT. - YEAH, I WAS DISAPPOINTED.

- WHAT HAPPENED? - I JUST SMILED.

- I WAS DISAPPOINTED, TOO. - YEAH.

I JUST SMILED THE WHOLE TIME AND SAID,

"OH, WELL, STORY OF MY LIFE."

WHAT HAPPENED?

I DON'T EVEN BLAME TONI FOR BEING MAD AT ALL OF US.

LIKE, I GET IT.

WE DID NOT COME THROUGH WHEN WE SHOULD HAVE,

POINT BLANK AND THE PERIOD.

I'M GONNA SPEAK FOR ALL OF AND SAY,

FROM THE BOTTOM OF MY HEART,

THERE'S NO REASON WHY WE SHOULD NOT HAVE

GOTTEN OUR STUFF TOGETHER AND MADE IT HAPPEN FOR YOU.

YOU DESERVE TO HAVE SOMEBODY HONOR YOU.

AND I KNOW WE CAN'T GET BACK YESTERDAY.

- I ACCEPT THAT. - HOW DO YOU FEEL ABOUT THAT?

I ACCEPT THAT.

I THINK THAT'S A GREAT GESTURE.

I REALLY DO BECAUSE WE ALL MAKE MISTAKES,

AND YOU CAN'T BEAT 'EM UP.

ALTHOUGH, YOU CAN BEAT 'EM UP A LITTLE BIT.

YOU'VE ALREADY BEAT 'EM UP A LITTLE BIT.

IT'S WONDERFUL FOR US TO HAVE THIS LITTLE KUMBAYA MOMENT,

BUT UNTIL WE GET TO THE ROOT OF THE ISSUE

AND TO THE ROOT OF WHAT HAPPENED,

IT'S NEVER GONNA BE RESOLVED.

WHAT HAPPENED WAS, I THOUGHT IT WOULD BE A GREAT IDEA

FOR THE GIRLS TO DO A MEDLEY FOR TONI.

I ASKED EVERYBODY IN ADVANCE.

SAY, "HEY, DO YOU WANNA DO IT?"

EVERYBODY SAID, "YES"-- EVERYBODY WAS ONBOARD.

SO, WHEN WE GOT TO REHEARSAL, IT FELL APART.

NO, WHAT TOWANDA HAS LEFT OUT, THE MEAT.

SHE JUST GAVE YOU THE BREAD, OKAY?

TOWANDA WAS ON THE PHONE THE WHOLE ENTIRE TIME.

SHE COULDN'T PUT HER PHONE IN HER PURSE FOR FOUR HOURS

TO MAKE SURE YOUR SHOW WAS GREAT?

THAT'S WHY IT DIDN'T HAPPEN?

AND THAT-THAT WAS MY-- YES!

THAT IS WHY IT DIDN'T HAPPEN.

BECAUSE I WAS ON THE PHONE?

'CAUSE-'CAUSE AND THAT WAS MY BEEF.

YOU KNOW WHAT?

MY WHOLE BEEF WAS, EVERY TIME WE TRIED TO DO A NUMBER,

TOWANDA PICKS UP HER PHONE.

WHY CAN'T YOU PUT DOWN YOUR PHONE,

SO WE CAN GET OUR STUFF TOGETHER?

THERE SHE GOES, AGAIN, ALWAYS REFLECTING

THE RESPONSIBILITIES ON SOMEONE ELSE.

THAT IS TAMAR'S M.O., LET ME TELL YA.

SHE'S JUST BLAMING TOWANDA.

LET ME JUST BLAME TOWANDA FOR THIS, THIS TIME.

YOU KNOW, I WANT TAMAR TO TAKE SOME TYPE OF RESPONSIBILITY,

TO SAY, "HEY, IT'S ME-- PICK ME.

"I'M WRONG"-- SHE'S NOT GONNA DO THAT.

OKAY, HOLD ON FOR A MINUTE.

LET ME ASK-LET ME HEAR FROM TRINA.

NOT ONLY IS IT A LIE, IT'S NOT TRUE.

- WOW-- OH, OKAY. - I'M GONNA TELL YOU WHY.

IT DID NOT COME TOGETHER

BECAUSE WE DID NOT WORK TOGETHER.

THERE WAS ARGUING AND BICKERING AND FIGHTING,

AND IT WAS NOT A GOOD ENVIRONMENT.

WE ARE DEFINITELY AT A LOW POINT

WHEN IT COMES TO RELATING TO EACH OTHER.

WHEN IT COMES TO THE "BRAXTON FAMILY VALUES,"

THE ONLY VALUE WE'RE SHOWING, RIGHT NOW,

IS THAT WE CANNOT GET ALONG.

BUT, YOU GUY-YOU GUYS DECIDED A MONTH AGO

TO COLLABORATE AND MAKE IT HAPPEN.

THANK YOU-- THANK YOU.

SO, IN A MONTH'S TIME, NOTHING TRANSPIRED?

- NO ONE COULD WORK TOGETHER. - THAT'S NOT TRUE.

LET ME-LET ME CORRECT SOMETHING.

- THAT'S TRUE. - LET ME-LET CLAR--

THAT'S NOT TRUE BECAUSE WE WERE GOING THROUGH--

WE WERE GOING THROUGH THE NUMBER.

IT CAME DOWN TO TOWANDA'S PART,

AND THEN SHE HAD A MELTDOWN.

NOW, DON'T LIE-- TELL THE TRUTH.

IT WAS JUST ME HAVING A MELTDOWN, AND THAT'S IT?

BUT, NOBODY'S GONNA TELL THE TRUTH

BECAUSE EVERYBODY'S ON ONE TEAM.

IT WAS JUST ME HAVING A MELTDOWN.

AND NOBODY IS GONNA BE ON THIS TEAM.

WE CAN PLAY IT.

WHOA-WHOA-WHOA-WHOA-- WAIT A MINUTE.

HANG ON-- AH, EXCUSE ME.

IS THIS NOT AN EXAMPLE OF WHAT'S HAPPENING?

SO, IT'S LIKE A THREAD.

HAVE YOU EVER HAD A THREAD AND PULL IT,

AND THEN ALL OF THE SUDDEN, EVERYTHING UNRAVELS?

- YES. - IT'S UNRAVELING.

- YEAH. - IT IS UNRAVELING.

THIS SHOW HAS TURNED TO A FIRST-CLASS DIVA,

AND IT'S TURNING EVERYTHING UPSIDE DOWN.

EVERYBODY HAS A LOT OF PERSONALITY HERE--

PERSONALITY OVER THE TOP.

I MEAN, EVERYBODY WAS LOOKING AT ME,

BUT TONI HAS THE BIGGEST EGO OUT OF ALL OF US,

IF YOU REALLY WANNA KNOW THE HONEST TO GOD TRUTH.

I MEAN, WE ARE ALL SHARING THE SPOTLIGHT, NOW,

AND MAYBE TONI DON'T LIKE THAT.

OH, YES, I SAID IT.

BUT, YOU LOSE SIGHT OF THE GOAL

WHEN YOU HAVE YOUR MELTDOWNS, AND YOU FIGHT.

EVERYBODY'S EGOS ARE GETTING IN THE WAY.

DR. SHERRY IS ABSOLUTELY CORRECT.

SOME OF THE EGOS IN THIS FAMILY

HAVE BECOME ABSOLUTELY OUT OF CONTROL,

AND I AM TIRED OF BEING TRINA IN THE MIDDLE.

IT'S BECOMING VERY EXHAUSTING.

AND THIS GOES BACK TO BEING SELFISH

BECAUSE EVERYBODY WANTS IT THEIR WAY.

THAT DAY IS OVER-- YOU'RE TOO BIG FOR THAT.

YOU HAVE TO GET OVER THAT-- YOU'RE SELF-DESTRUCTING.

AND YOU KNOW WHAT HAPPENS?

YOU MAY GET TOGETHER LATER ON,

BUT THE PUBLIC SEES THIS, TOO,

AND THEY WANNA KNOW, WHERE'S ALL THE LOVE?

WHAT HAPPENED-- MY HEART GOES OUT FOR YOU.

SEE, YOU DON'T CANCEL STUFF LIKE THIS.

YOU SAY, "WE'RE WORKING IT OUT."

I DO BELIEVE THAT THE DYNAMICS OF THE SISTERS

IS DEFINITELY, YOU KNOW, SELF-DESTRUCTIVE.

HOWEVER, COMMA, IF TAMAR FESSES UP AND SAYS,

"OKAY, I'M TAKING RESPONSIBILITY.

"IT'S MY FAULT, TOO," YOU KNOW,

UNLESS SHE DOES THAT, IT'S JUST NOT GONNA IMPROVE.

WHERE'S ALL THE LOVE?

HOW DO YOU STOP THE MADNESS AND COME TOGETHER AS ONE?

I MEAN, I DO AGREE-- THERE IS A PROBLEM.

BUT, WHY DO I GET THE FEELING

LIKE EVERYBODY IS LOOKING OUT THE CORNER OF THEIR EYE

LIKE THE WHOLE PROBLEM IS ME?

UH-UH-- I DO NOT THINK SO.

IT IS NOT MY FAULT THAT I AM GETTING ALL THIS ATTENTION.

WELL, MAYBE IT IS.

YOU MUST CHANGE YOUR BEHAVIOR,

IF YOU WANT THE SITUATION TO CHANGE.