Original subtitles

I

I HAVE

I HAVE A

I HAVE A SHOW

I HAVE A SHOW IN

I HAVE A SHOW IN INDIANA.

I HAVE A SHOW IN INDIANA. - YOU

I HAVE A SHOW IN INDIANA. - YOU DO?

I WAS WONDERING, TRACI-- CAN YOU HELP ME OUT ON THAT?

YES, I WILL!

WHY DON'T YOU SHOW TRACI THE CHOREOGRAPHY?

I'LL BE HAPPY TO-- ROCK WITH IT.

BUT DO YOU LOOK LIKE ME IN THE MIRROR-- NO!

NO, NO!

IF YOU LOOK LIKE YOU PLAYIN' HOP SCOTCH,

THAT AIN'T THE MOVE!

- MOMMY HAS A NEW BEAU. - MOMMY WHO?

WELL, ARE YOU BE WILLING TO DO, LIKE, A DOUBLE DATE

WITH, LIKE, GABE AND I? - WE CAN DO THAT.

SO, UM, WHAT IS-WHAT IS YOUR INTENT WITH MY MAMA?

YEAH.

TRAY, YOU DO HAVE TO BE READY.

YOU DON'T THINK SHE CAN DO THE WHOLE SHOW?

HELL, NO-- HELL, NO.

MISS TONI BRAXTON AND COMPANY.

WHERE IS SHE?

♪ WE ARE THE BRAXTONS AND YOU'LL SEE ♪

♪ THAT WE ARE NOT LIKE AN ORDINARY FAMILY ♪

♪ TONI TRACI TOWANDA TRINA TAMAR AND MISS E ♪

♪ WILL TEACH YOU A THING OR TWO ON BRAXTON FAMILY VALUES ♪

- I AM NOT BOSSY. - YES, YOU ARE BOSSY.

I'M NOT-- I WAS ON THE PHONE WITH MOMMY

AND SHE MENTIONED IN PASSING

THAT SHE WAS GOING OUT WITH A NEW GUY.

NOTHIN' HAPPENS IN THIS FAMILY

WITHOUT ME KNOWIN' ABOUT IT.

SO, TRINA AND I HAVE DECIDED TO TAKE MOMMY OUT TO LUNCH,

SO THAT WE CAN GET ALL THE DIRTY DETAILS.

OKAY, TRINA, I JUST HAVE TO TELL YOU SOMETHING

THAT I JUST FOUND OUT.

YOU KNOW, I AM AN INVESTIGATOR.

MOMMY HAS A NEW BEAU. - MOMMY WHO?

YOU-YOU HAVE ONE MOTHER, TRINA.

- REALLY? - YEP.

WELL, HOW COME YOU DIDN'T TELL ME ABOUT IT?

I DON'T BELIEVE IN JUST PUTTIN' MY BUSINESS OUT THERE.

OOH!

THEY WANT TO KNOW EVERYTHING,

AND THEY CALLED ME "THE-THE SECRET SQUIRREL,"

BECAUSE I THINK YOU SHOULD ALWAYS RESERVE

SOMETHING FOR YOURSELF.

WELL, HOW LONG HAVE YOU BEEN SEEIN' THIS GUY?

MAYBE...

A MONTH AND A HALF.

SHE'S BEEN DATIN' HIM FOR OVER A MONTH AND A HALF

AND SHE DIDN'T TELL US ANYTHING ABOUT IT.

SO, TRINA AND I DECIDE

TO PUT MOMMY ON THE WITNESS STAND,

AND ASK HER A BUNCH OF QUESTIONS ABOUT HER NEW MAN.

WHAT'S HIS NAME? - DOC.

- WHAT'S HIS PROFESSION? - UM, HE IS A DOCTOR.

REALLY?

HE'S AN M.D.

I WOULD LOVE TO DATE A DOCTOR.

WE WOULD PLAY "DOCTOR" ALL THE TIME.

YOU KNOW WHAT?

NEXT. - YOU KISS HIM?

WHAT?!

I THINK THAT'S MY BUSINESS. - "WHAT?!"

- THAT MEANS "YES." - THAT'S A "YES."

- YOU LIKE HIM! - OH, MY GOD!

YOU ARE BLUSHIN'-- YOU'RE A LITTLE GIDDY.

SHE JUST GOT REALLY BASHFUL AND SHY.

I MEAN, SHE WAS JUST-- WE WAS LIKE,

"OH, MOMMY, YOU'RE SERIOUS ABOUT THIS ONE."

- DID HE PAY FOR LUNCH? - .

YOU-YOU FORGOT WHO YOU'RE TALKIN' TO.

I KNOW, BUT YOU JUST NEVER KNOW, MOM.

- RIGHT. - HE PAID FOR IT, YES.

OKAY, WE KNOW HE'S RICH, AND NOW WE KNOW HE'S NOT CHEAP.

HOW'S HE DRESS? - SUAVE.

- IS HE TALL? - HE'S TALL.

IS HE BLACK?

- HE'S NICE AND BROWN. - IS HE MEDIUM?

IS HE LARGE?

HE'S KIND OF MEDIUM, NOT LARGE.

'CAUSE HE'S INTO HEALTH.

HE'S REALLY-- HE'S A VEGETARIAN.

OH.

IT SEEMS A LITTLE ODD THAT A MAN DOESN'T EAT MEAT.

I LIKE ME A MANLY MAN!

I LIKE A MAN WHO EAT MEAT AND FISH AND EVERYTHING.

DOES HE HAVE ALL HIS TEETH?

TRINA, I DON'T THINK THAT'S AN APPROPRIATE QUESTION.

I'M JUST TRYIN' TO GET A MENTAL PICTURE, THAT'S ALL.

I REALLY FEEL LIKE I'M ON THE HOT SEAT

AND IT'S GETTING WARM.

OF COURSE, TO FIND OUT THAT HE'S A FINE BLACK MAN,

THERE'S ONLY ONE QUESTION TO ASK.

DOES HE WALK LIKE DENZEL?

- JUST A LITTLE BIT. - OH, I LOVE IT!

I CAN'T WAIT TO MEET DENZEL JUNIOR.

ME NEITHER-- I CAN'T WAIT TO MEET DENZEL JUNIOR.

DENZEL JUNIOR, TOWANDA.

- DENZEL JUNIOR. - JUST A LITTLE BIT.

SO, WHEN WE GONNA MEET HIM? - WHEN YOU WANT TO MEET HIM.

YOU WILLING TO DO, LIKE, A DOUBLE DATE

WITH, LIKE, GABE AND I.

- WE CAN DO THAT. - YEAH?

I'D LOVE TO MEET HIM-- LET'S GO HAVE A DATE.

I HAVE A BETTER IDEA.

WHY DON'T YOU HAVE A COOKOUT AT YOUR HOUSE

AND WE ALL COME OVER.

I GOT A BETTER ONE-- ABSOLUTELY NOT.

I'M NOT GOING TO SUBJECT THIS MAN

TO ALL OF MY GIRLS.

POOR BABY, HE WILL RUN TO THE HILLS.

AND SO, I DECIDED THAT I WOULD DO ONE ON ONE.

I'LL START WITH TRINA.

HERE'S TO-- - HERE'S TO YOU.

A NEW RELATIONSHIP.

HERE'S TO ME, CLINK, CLINK.

CLINK, CLINK, CLINK, CLINK, CLINK, CLINK.

I KNOW IT'S YOUR HOUSE AND EVERYTHING,

BUT IF YOU SAY "NO SHOES RULE," THAT SHOULD APPLY TO YOU, TOO.

BUT I WANT TO FEEL TALL TODAY.

BUT I WANNA FEEL COMPLETE, LIKE MY OUTFIT GOTTA BE RIGHT.

WELL, YOUR SOCKS LOOK LIKE H.R. PUFFINSTUFF.

I HAVE A GIG IN INDIANAPOLIS,

AND SINCE TAMAR DOESN'T WANNA BE A DO-OP-POP CHICK

FOR ME ANYMORE,

I THOUGHT IT'D BE A GREAT IDEA TO KEEP IN THE FAMILY.

SO, I ASKED TRACI TO TAKE HER PLACE.

TRACI, OF COURSE, WAS HAPPY TO DO IT.

SHE'S IN L.A. TO FRESHEN UP ON THE PARTS

AND LEARN ALL THE CHOREOGRAPHY.

AND FOR ME, AS A PERFORMER, MY FANS MEAN THE WORLD TO ME.

SO, IT'S IMPORTANT THAT TRACI REALLY NAILS IT,

AND I HAVE FAITH IN HER.

I KNOW SHE'S GONNA DO IT.

WHY DON'T YOU SHOW TRACI THE CHOREOGRAPHY?

I'LL BE HAPPY TO.

I CAN SHOW HER, BUT IT'S STILL NOT THE SAME,

UNLESS YOU HAVE ALL THE COMPONENTS.

YOU KNOW WHAT I'M SAYIN'?

I AGREE, BUT I THINK YOU CAN SHOW HER ONE ON ONE

AND THEN PUT IT WITH THE GIRLS.

YEAH, BUT SHE DON'T KNOW THE CHOREOGRAPHY WITH THEM.

USUALLY A PERSON LEARNS IT BY THEMSELF

AND THEN YOU PUT 'EM WITH THE OTHERS.

BUT TRACI GOTTA BE RECEPTIVE TO WHAT I TEACH

AND NOT TAKE IT PERSONAL.

I AM SURE I CAN TEACH TRACI BRAXTON SOME BASIC MOVES,

BUT THERE AIN'T NO WAY I CAN TEACH SOMEBODY HOW TO POP, POP

AND DROP, DROP AND ROLL, ROLL, ROLL,

AND BOOM, BOOM LIKE I DO,

BECAUSE IT'S EITHER YOU GOT IT OR YOU DO NOT!

AND I GOT IT.

BUT TAMAR, SOMETIMES WHEN YOU TEACH...

- I WANT HER TO GET THE STEPS. - YOU'RE NOT TEACHING.

YOU'RE-YOU'RE LECTURING-- TEACH.

NO, TAMAR CAN SOMETIMES BE A DICTATOR.

YOU GOTTA BE MORE PATIENT.

JUST SHOW HER THE CHOREOGRAPHY.

IF I'M GONNA SHOW YOU THE CHOREOGRAPHY,

YOU HAVE TO AT LEAST DO AN HOUR OF CARDIO EVERYDAY--

ONLY BECAUSE YOU CAN'T BE ON STAGE DOING...

"OOH, GEEZ, I CAN'T DO IT."

YEAH, YEAH.

YOUR HEART AND YOUR BREATH GOTTA BE, YOU KNOW, ON POINT.

SO, IT'S LIKE-- - TRACI KNOWS THAT.

SHE USED TO DANCE.

NO, I'M JUST SAYIN'-- I'M JUST SAYIN', BUT--

TRY NOT TO GET SENSITIVE ABOUT IT,

'CAUSE IT'S GONNA BE MUSCLES YOU'RE GONNA HAVE TO EXERCISE

THAT YOU NEVER USE.

I'M PREPARING YOU NOW-- BE PATIENT WITH YOURSELF.

JUST SHOW HER THE CHOREOGRAPHY-- SHE'LL BE OKAY.

- I WILL SHOW YOU. - YOU-YOU KNOW THE SONGS, RIGHT?

YOU KNOW THE SONGS, SO NOW JUST CHOREOGRAPHY.

ACTUALLY, I DON'T KNOW ALL THE SONGS OF TONI BRAXTON,

BUT THEY DON'T NEED TO KNOW THAT.

I'M GONNA GET THE CD OUT AND-AND START LEARNIN'.

YOU KNOW, KNOW, KNOW, KNOW THE SONGS?

YOU KNOW THE SONGS, RIGHT?

- I KNOW THE SONGS. - OKAY, THEN IT'S FINE.

WE'RE GOOD. - OKAY.

- DON'T HOLD MY HAND NOW. - STOP!

IT'S FINALLY TIME TO MEET THIS MYSTERIOUS GUY

MOMMY'S BEEN DATING.

SO, WE SET UP A DINNER DATE,

BUT THEY WANNA EAT AT FOUR.

WHO EATS AT 4 P.M.?

YOU MUST BE DOC. - HEY, YOU.

I JUST RECENTLY HEARD SO MUCH ABOUT YOU.

- MMM. - YEAH.

- ALL GOOD? - OH, OF COURSE.

LET'S START FROM THE BEGINNING-- WHERE'D Y'ALL MEET?

UH, WHAT'S THE NAME OF THAT PLACE?

I DON'T KNOW THE NAME OF IT.

I DON'T EVEN REMEMBER THE NAME.

WE-WE-WE DON'T REMEMBER THE NAME.

IT-IT WAS SUCH A GOOD EVENING

THAT WE DIDN'T REMEMBER THE NAME.

OOH!

DAMN, THIS DOC'S A PLAYER.

HE'S THE LOVE DOCTOR.

WHERE'D YOU GO TO SCHOOL?

UH, ANTIGUA, WEST INDIES.

REALLY!

- REALLY? - YES.

HOW DID THAT HAPPEN?

- OH, THAT'S A LONG STORY. - I HAVE TIME.

OH, I DON'T KNOW IF WE HAVE TIME FOR THAT.

- I DON'T HAVE TIME. - YEAH.

- NO OFFENSE. - YEAH.

- NO OFFENSE TO YOU. - NO, NONE TAKEN.

DOC HAVE A WAY OF GOIN' ALL THE WAY AROUND THE BARN

AND THEN INTO THE DOOR AND IT COULD TAKE,

LIKE, THREE OR FOUR HOURS.

I REALLY FEEL LIKE DOC AND MOMMY DID NOT WANT ME

TO KNOW THE STORY

ABOUT HIM GETTING HIS DEGREE IN ANTIGUA.

CAN I CHANGE THE CONVERSATION?

YOU KNOW, WE BEEN THINKIN' ABOUT WHERE ANDRE AND TOWANDA

AND THERE FAMILY'S GONNA GO NEXT...

UH-HUH?

...AND...

JUST TRYIN' TO SEE...

I MEAN, YOU HAVE A LOT OF ROOMS IN YOUR HOUSE...

SO...

GABE BROUGHT UP SOME THINGS THAT, YOU KNOW,

IT JUST WAS NOT THE TIME.

THEY WERE JUST MEETING HIM, FOR GOD'S SAKES.

YOU HAVE ALL THOSE BEDROOMS.

I MEAN, I FIGURED THEY COULD KINDA TRANSITION OVER

INTO THAT... YOUR HOUSE.

WE'RE JUST MEETING HIM FOR THE FIRST TIME,

AND I THINK YOU'RE WONDERFUL. - THANK YOU.

YOU'RE SO KIND. - THANK YOU SO MUCH.

THANK YOU-- I THINK YOU'RE WONDERFUL, TOO.

HOWEVER, THOSE FAMILIAL ISSUES NEED TO STAY WITH THE FAMILY,

AND THEY DON'T NEED TO BE, YOU KNOW,

DIVULGED RIGHT NOW IN FRONT OF THE COMPANY.

GABE IS JUST A FUN SNATCHER.

DO YOU HAVE TO GO THERE, GABE?

NO!

NOT IN FRONT OF THE COMPANY, HONEY!

SO, UM, WHAT-WHAT IS YOUR INTENT WITH MY MAMA?

THAT'S A VERY GOOD QUESTION.

WE'RE TAKIN' IT VERY SLOW.

UM, I WOULD LOVE FOR HER TO BE WITH ME

FOR THE REST OF MY TIME HERE.

IS THAT A PROPOSAL FOR MARRIAGE?

HE SAID...

MOMMY...

HE SAID HE WOULD VERY MUCH LIKE TO SPEND HIS TIME

WITH YOU FOR THE REST...

OF MY TIME.

...OF HIS TIME...

HERE. - CLINK, CLINK.

SO, YOU GUYS REALLY SEEM TO BE IN LIKE WITH EACH OTHER.

YEAH, I LIKE HIM.

AND I LIKE HER A LOT.

I'M SORRY--

OOH, THERE'S A LITTLE IMBALANCE THERE.

"I LIKE."

"I LIKE A LOT." - A LOT.

- THAT'S NOT BALANCED? - NO, THAT'S NOT BALANCED.

Y'ALL NEED TO BE EVENLY YOKED.

MMM-HMM.

I THINK, A FEW WEEKS, YOU CAN'T-YOU REALLY CAN'T TELL.

BUT IT'S BEEN MORE THAN A FEW WEEKS.

IT'S BEEN ALMOST MONTHS.

OKAY, SEVERAL WEEKS, YOU CAN'T-YOU REALLY CAN'T TELL.

I JUST WANT TO HAVE FUN.

I DON'T WANNA GET MARRIED AGAIN.

OKAY, THIS WHAT WE'RE THINKIN'.

THIS IS WHAT WE'RE THINKIN'.

WOULD YOU HAVE A PROBLEM WITH ANDRE AND TOWANDA

AND THEIR FAMILY STAYIN'-- - ARE WE BACK ON THIS?

I THINK THAT GABE NEED TO BE SEEN AND NOT HEARD.

OKAY, GO AHEAD, MOMMY.

YOU HAVE MY-YOU HAVE MY PERMISSION TO STAB HIM

IN THE NECK WITH A FORK.

IN THE NECK. - YOU'RE ON YOUR OWN.

THIS IS TAMAR BRAXTON!

I DON'T HAVE TIME FOR NO PRIMA DONNAS.

WELL, THEN YOU BETTER LEAVE!

I CAME HERE TO TEACH MY SISTER

HOW TO DO MY SISTER'S SHOW,

AND I GETS NO RESPECT.

HOW'S

HOW'S THE

HOW'S THE BABIES

HOW'S THE BABIES DOIN'?

GETTIN' BIG AND CRAZY.

TRINA, TRACI, AND I FLEW TO L.A.

TO HELP TONI WITH HER UPCOMING CONCERT,

AND I FIGURED WHILE WE'RE OUT HERE,

I SHOULD DISCUSS MY ACTING CAREER.

OKAY, I GOTTA TELL YOU GUYS A SECRET.

TRINA!

ARE YOU PINCHIN' MY WOBBLY BITS?

TOWANDA, LET GO-- LET GO. - YES, SHE IS.

WELL, WHAT?

NO, I'M GONNA TELL YOU GUYS WHAT HAPPENED.

I SAW HILL HARPER ON THE PLANE.

HILL HARPER IS AN EXTREMELY TALENTED ACTOR

IN FILM AND TELEVISION.

HE'S ALSO A SUCCESSFUL WRITER

AND HE'S VERY HANDSOME.

I WALKED UP TO HIM AND I TALKED TO HIM,

AND I SAID, "MY SISTER JUST LOVES YOU."

- WHAT DID HE SAY? - WHICH WE-- TOWANDA.

SO, WE CALLED HER ON THE PHONE.

OH, THAT'S--

WE CALLED HER ON THE PHONE, AND TOWANDA WAS SPEECHLESS.

NOT TOWANDA!

"UH, UH, UH, UH, MR. GOODNIGHT."

- "GOODNIGHT." - YES.

I THINK YOU LIKE EMBARRASSING ME BY TELLING THAT STORY.

NO, IT'S NOT EMBARRASSING.

BECAUSE I'M GONNA TELL YOU WHY.

WHY ARE YOU EMBARRASSED-- BECAUSE YOU LIKE HIM.

NO, I'M GONNA TELL YOU, BECAUSE THAT'S THE FIRST TIME

IN HISTORY THAT I DIDN'T HAVE ANYTHING TO SAY.

I WAS LIKE, "UH-HUH." - THAT'S BECAUSE YOU LIKE HIM.

TOWANDA, IT IS NOTHING WRONG WITH HAVIN' A CRUSH

ON A SUCCESSFUL-- TOWANDA AND HILL HARPER

SITTIN' IN A TREE K-I-S-S-I-N-G

I HAVE TO ADMIT I DO HAVE

JUST A LITTLE CRUSH ON HILL HARPER.

I DO-- YES, I DO.

YEAH-- AND I CAN'T SAY THAT WITHOUT BLUSHING.

TOWANDA, WHAT YOU GONNA DO TO GET CLOSER TO HILL HARPER?

HE CAN HELP YOU WITH YOUR ACTING.

THAT'S WHAT I'M SAYING.

NO, SHE CAN HELP HER WITH HER ACTING.

THAT WAY SHE CAN MEET HIM. - THANK YOU, TAMAR.

WHY YOU ACTIN'--

YOU DON'T HAVE TO BE AN ACTRESS TO MEET HILL HARPER.

I'M JUST SAYIN', THAT'S-THAT'S A WAY

TO KINDA, YOU KNOW, HOLLER.

CAN YOU GO ON "C.S.I." NOW-- ARE YOU READY?

A GUEST SPOT, AS A LOVE INTEREST.

- YEAH. - ALL FIVE EPISODES.

THANK YOU, TRINA.

WELL, HOW YOU, LIKE, YOU HAVE AN AGENT-- YOU HAVE A--

I AM ALWAYS READY-- THAT'S WHAT I NEED TO WORK ON.

I NEED AN AGENT TO WORK FOR ME.

SHE NEEDS AN AGENT.

TO-TO SEND ME OUT ON THINGS, 'CAUSE I DON'T HAVE AN AGENT

TO SEND ME ON ANYTHING.

I GOT NOTHIN'.

OKAY, BUT WHAT DO YOU HAVE, LIKE, TO MEET AN AGENT?

DO YOU HAVE YOUR HEAD-SHOT? - I HAVE EVERYTHING.

I REALLY NEED A GOOD AGENT.

I NEED AN AGENT WHO WILL BELIEVE IN ME

AND WHO WILL GIVE ME SOME GOOD WORK.

THIS IS WHAT WE SHOULD DO.

WE SHOULD ALL GET TOGETHER, CALL OUR AGENTS,

CALL OUR PEOPLE, AND GET TOWANDA A READING FOR "C.S.I."

WAIT, WAIT.

SO SHE CAN HILL HARPER.

WELL, HOW MANY AUDITIONS HAVE YOU BEEN ON SINCE YOU'VE HAD--

- IT DOESN'T MATTER-- - NO, BECAUSE LISTEN.

I'M-I'M INTO DOIN' THAT, RIGHT,

BUT WE WANNA KNOW THAT TOWANDA, SHE READY.

SHE ON HER FEET-- SHE GOT IT, YOU KNOW, POPPIN'.

WANNA HOOK UP, YOU KNOW, YOUR HOOK UPS, AND YOU KNOW,

LET ME TELL YOU SOMETHING-- RIGHT.

NO, NO, NO-- LET ME HELP YOU UNDERSTAND SOMETHING.

HAS ANYBODY EVER SEEN TOWANDA'S HEAD-SHOTS?

NO-- YOU WANNA KNOW WHY?

'CAUSE SHE AIN'T GOT NONE-- BOOM!

I'LL HAVE TO BE HONEST.

TOWANDA HAS CHILDREN, AND WE'RE FILMING THIS SHOW.

IT'S CHALLENGING.

AND IT'S GONNA BE-- HER COMMITMENT LEVEL

WILL NOT BE ABLE TO BE THERE.

I CONCUR.

WHEREAS, IF SHE DOES TELEVISION, SHE'S GONNA GET A SCRIPT,

SHE DOES HER HOURS, SHE COME BACK HOME.

AND SHE'S IN ONE PLACE.

BUT TOWANDA, IT'S NOTHIN' WRONG WITH HAVIN' A CRUSH

ON A SUCCESSFUL, CUTE, BLACK GUY!

- . - WHO YOUR CRUSH THEN?

- I-- I'M WITH MY CRUSH. - OKAY, WHO'S YOUR GIRL CRUSH?

- WHAT? - EVERYBODY HAS A GIRL CRUSH.

I DON'T HAVE ONE.

THAT'S WHAT THEY SAID IN "GLAMOUR."

EVERYONE HAS A GIRL CRUSH. - TONI, NOW YOU--

THAT'S A LIE-- UH-UH.

OKAY, WELL, WHO'S YOUR GIRL CRUSH?

IF I HAD TO HAVE A GIRL CRUSH, ELLEN...

DEGENERES.

ELLEN HAS SWAGGER-- I'M SORRY.

- ELLEN HAS CRAZY SWAGGER. - YES, SHE DOES.

SHE HAS SWAGGER. - WAIT A MINUTE!

ANDROGYNOUS-- I LOVE HER!

- Y'ALL LIKE GIRLS?! - NO, WE DON'T LIKE GIRLS.

BUT-BUT IF BARBARA WALTER'S INTERVIEWED YOU AND SAID,

"TAMAR, FUN STUFF-- FUN STUFF."

FUN STUFF-- FUN-- GO AHEAD. "- WHO'S YOUR GIRL CRUSH?"

TAMAR , BOOM!

UGH-- I THINK WE SHOULD SET TOWANDA UP WITH MR. HILL HARPER.

NO-- I CAN ATTEST THAT HILL HARPER

AIN'T COMIN' TO TOWANDA'S HOUSE WITH HER BABY DADDY,

GOT BROOKE IN ONE ARM AND BRAXTON RIGHT HERE,

TALKIN' ABOUT, "ALL RIGHT, HAVE A GOOD TIME!"

FIRST AND FOREMOST, NO ONE IS EVER COMING TO THE HOUSE

FOR THE FIRST DATE.

EVEN THOUGH I'M NOT INTERESTED IN DATING

RIGHT NOW, I MEAN...

IF HE ASKED ME TO HAVE HIS BABY, I WOULD THINK ABOUT IT.

DO YOU WANT A BABY?

I WANT A BABY IN MY LIFE, BUT NOT RIGHT NOW.

I SAY THAT TAMAR IS TOO VAIN TO CARRY A BABY.

AIN'T THAT STANK, TONI?

WHY DON'T YOU JUST HAVE A SURROGATE?

THAT'S WHAT-THAT'S WHAT-- AND THAT'S WHAT I WAS

LEADING UP TO.

BUT SOMEBODY STILL GOTTA WATCH IT-- WHO'S GONNA WATCH IT?

I GOT THINGS TO DO-- I'M BUSY!

NANNIES-- THERE ARE NANNIES.

BUT THAT'S WHY I DON'T HAVE ONE.

JUST 'CAUSE MY SISTERS WAS HOT IN THE ASS WHEN THEY WAS YOUNGER

AND DECIDED TO HAVE KIDS,

THAT DON'T MEAN THAT'S WHAT I WANT TO DO WITH MY LIFE.

THE BUSIEST PEOPLE IN THE WORLD HAVE BABIES.

- AND THEY HAVE A NANNY. - THEY DO!

OKAY.

YEAH, BUT-- NO, IT'S NOTHIN' WRONG WITH THAT.

I-I JUST HAVE THINGS I WANNA DO RIGHT NOW.

YOU CAN STILL DO IT WITH A KID.

HOW MANY KIDS DOES ANGELINA AND BRAD HAVE?

THAT'S THEM.

BUT THEY-BUT THEY-THEY BRING THEIR KIDS

ON THE FIELD TRIP WITH THEM.

BUT THEY BRINGIN' THEIR BABIES.

I DON'T WANT TO BE THE DUCK

WITH THE KIDS WALKIN' BEHIND ME.

"THE DUCK"?

YEAH, YOU KNOW HOW THE-THE DUCK HAVE A BABY

AND ALL THE DOGGONE CHICKADEES AND ALL THAT.

I DON'T WANT THAT-- THAT AIN'T HOT.

SO, BASICALLY, YOU WANNA ENJOY YOUR TIME

AT THE AMUSEMENT PARK,

INSTEAD OF HAVIN' A BIG OLD BEAR WITH YA.

YEAH.

NO, I GOT THE BIG BEAR WITH ME.

- I'M TALKIN' ABOUT THE BABIES. - THE BEAR IS THERE.

YOU KNOW, WITH THE-THE PRIZE--

THE PRIZE BEAR-- YOU GOTTA CARRY IT AROUND.

RIGHT, YOU GOTTA CARRY IT AROUND ALL THE TIME.

AND YOU CAN'T RIDE ON NO MORE RIDES.

I UNDERSTOOD THAT ONE.

AND I NEVER UNDERSTAND TRACI,

BUT I UNDERSTOOD THAT ONE. - SO, BOOM, THERE YOU GO.

YES-- I MEAN, LIKE FOR ONCE,

TRACI'S MAKING A LOT OF SENSE.

I DON'T WANNA BE LUGGIN' NO KIDS AROUND WITH ME.

I MEAN, I GOT TOO MANY THINGS TO DO.

I THINK I HAVE A MOTHER INSTINCT NOW,

AND MY MOTHERLY INSTINCT SAYS, "DON'T YOU HAVE ONE, BOO,

"BECAUSE YOU AIN'T READY."

THAT MAKES SENSE.

- WHAT'S GOIN' ON, ANDA? - I WAS THINKIN', TONI.

I AM REALLY SERIOUS ABOUT ACTING.

GOOD!

YOU KNOW, SOME OF MY SISTERS

MAY NOT TAKE MY ACTING VERY SERIOUSLY,

BUT I HOPE TONI WILL.

I JUST NEED A REALLY, REALLY, REALLY GOOD AGENT.

I WOULD SAY

YES, I WAS THINKIN' THE SAME THING.

SOMEONE WHO CAN PUT THE TIME IN.

YES, I DON'T WANNA GET LOST.

AND SOMETIMES THE BIGGER AGENCIES, YOU GET LOST.

I AGREE WITH THAT. - QUICK QUESTION.

YOUR FIRST ROLE, HOW DID YOU HANDLE THIS ROLE?

MY VERY, VERY FIRST ROLE WAS "KINGDOM COME,"

WITH JADA PINKETT SMITH, LL COOL J, AND WHOOPI GOLDBERG,

MY FAVORITE FEMALE ACTRESS, SHE AND MERYL STREEP.

RIGHT.

AND THEY WERE REALLY NICE TO ME, BUT IT WAS SOMETHING,

LET IT BE KNOWN, THAT SHE IS A SINGER

TRYIN' TO BE AN ACTRESS AND SHE IS NOT.

BUT WHOOPI GOLDBERG WAS GREAT.

SHE WAS LIKE, "DO YOU-- BE WHO YOU ARE."

YOU KNOW, I'M ASKING TONI FOR HER ADVICE ABOUT ACTING

BECAUSE SHE'S DONE IT.

SHE'S BEEN IN MOVIES.

SO, I-I REALLY RESPECT HER OPINION ABOUT THAT.

WHAT TYPE OF ROLES DO YOU WANNA DO?

ANYTHING IN PARTICULAR YOU THINK YOUR STRENGTHS ARE?

I'M KINDA VERSATILE-- I'M MORE LIKE A CHAMELEON.

LIKE, "I'M AN ACTRESS, DAMN IT-- I'M AN ACTRESS."

- I AM. - I'M AN ACTRESS.

I CAN DO ALL OF IT, REALLY.

I CAN PLAY THE SISTER OF A SUPERSTAR,

THE SISTER OF A DIVA, THE SISTER OF A HOOD RAT,

"WHAT, WHAT," AND THE SISTER OF A DRUNK.

I THINK I CAN GET THOSE ROLES-- I THINK I'D BE GOOD.

YEAH-- MMM-HMM-- YOU KNOW WHAT, I GET UPSET SOMETIMES

WHEN I WATCH THE SOAP OPERAS,

BECAUSE YOU KNOW I'M STILL ADDICTED

TO "THE YOUNG AND THE RESTLESS."

I WOULD LOVE TO SEE YOU ON A SOAP.

- WOULDN'T THAT BE GREAT! - YES!

MEG RYAN CAME FROM THE SOAPS. - MEG RYAN.

DEMI MOORE CAME FROM THE SOAPS. - HILL HARPER.

TONI.

I DON'T WANNA DISCOURAGE TOWANDA,

AND I WOULD NEVER TELL HER THIS TO HER FACE,

BUT ACTING IS ONE OF THE TOUGHEST BUSINESSES

TO BREAK INTO, AND I DON'T THINK IT'S A REALISTIC CHOICE

FOR HER RIGHT NOW.

SO, WHAT ARE YOU THINKIN' NEXT STEPS WOULD BE,

SO YOU CAN GO IN THAT DIRECTION?

WELL, FOR SOAPS, I WOULD JUST HAVE TO COME OUT HERE.

YOU'D BE GLAD TO HEAR THAT, HUH?

YES.

'CAUSE JUST ADMIT IT, I'M YOUR BEST FRIEND SISTER NOW.

IT'S OKAY. - THIS IS TRUE.

HEY, WHO'S-- DON'T TOOT THE HORN AT ME.

STAY IN YOUR LANE-- I'M SORRY!

HE HAD ROAD RAGE-- I DON'T HAVE ROAD RAGE.

HE TOOTED THE HORN AT ME. - CLEARLY, YOU DON'T.

- HE TOOTED THE HORN AT ME. - YES, HE DID.

NO, ONE TIME-- I'M GONNA TELL YOU WHAT HAPPENED.

ONE TIME-- THIS IS A TRUE STORY.

I'M DRIVIN' IN SANTA MONICA,

AND I GUESS I WASN'T GOIN' FAST ENOUGH,

BUT I WAS INDECISIVE IN WHAT I WAS GONNA DO.

AND THIS CAR TOOTED ITS HORN AT ME,

AND I TOOTED MY HORN BACK AT HIM.

I'M LIKE, "WHAT-- WHAT!"

IT WAS SMOKEY ROBINSON.

AND I WOUND MY WINDOW DOWN.

I WAS LIKE, "SMOKEY ROBINSON,

"WHY WOULDN'T YOU LET ME OVER?"

I WOULD HAVE SAID, "TONI BRAXTON--"

I SAID, IT'S TONI BRAXTON--" "I KNOW WHO YOU ARE."

EXACTLY.

- OKAY, LET'S EAT. - NO, I'M NOT GONNA EAT.

YOU CAN'T HAVE BREAD TODAY, HUH?

NO BREAD TODAY.

I'M THINKIN' ABOUT THAT PANCAKE THIS MORNING

I SAW YOU HAVE. - I DID HAVE ONE PANCAKE,

SO THAT'S WHY I'M NOT EATING THE BREAD,

'CAUSE I'M GOING TO MY ZUMBA. - OH, YOU'RE GOING TO ZUMBA.

I LOVE ZUMBA.

- YOU MOVE YOUR BOTTOM. - DON'T SAY "BOTTOM."

BODY, SAY "BODY."

- OKAY, BODY AND BOTTOM. - MMM-MMM.

- JUST SAY "BODY," MOM. - BUT YOU DO MOVE IT ALL.

SAY "BOOTY" OR "BODY."

- OKAY, YOU MOVE YOUR BOOTY. - OKAY, THAT'S BETTER.

"BOTTOM" MAKES ME THINK THE OTHER ONE.

WHAT BOTTOM?

WHAT OTHER ONE?

- YOUR FRONT. - OH, YOU DO MOVE THAT!

YES, YOU DO.

IT WORKS EVERYTHING.

- YOU'RE MOVIN' YOUR VAGINA? - STOMACH, EVERYBODY.

TOO MUCH INFORMATION, MOMMY.

EW, I THINK IT'S TIME TO CHANGE THE SUBJECT.

UGH-- WHAT'S NEXT?

ANYTHING GOIN' ON?

WHAT'S THIS I HEAR YOU'RE THINKIN' ABOUT MOVING?

WELL, YEAH, I AM THINKIN' ABOUT MOVING.

I WOULD LIKE TO MOVE CLOSER IN.

- THAT MAKES SENSE. - LIKE BUCKHEAD.

YOU KNOW, I'M SO FAR OUT, AND THERE'S NO ONE THERE.

MMM-HMM.

I LIVE ON THE OUTSIDE OF ATLANTA,

AND SO I'M TRYING TO HAVE A MORE SOCIAL LIFE,

AND SO I NEED TO MOVE JUST A LITTLE CLOSER TO THE CITY.

I DO WANT YOU TO MOVE-- GET A NICE PLACE.

I AM.

WHAT DOES DOC THINK ABOUT YOU MOVIN'?

WELL, DOC IS-DOC IS ALL FOR IT.

WHY DON'T Y'ALL JUST MOVE IN TOGETHER-- IT'S 2011.

UH, NO-- NO-- UH, NO.

IT CAN BE YOUR PLACE AND HE MOVE IN.

SO, IF IT DON'T WORK OUT, YOU CAN TELL HIM "GET OUT."

IF IT'S HIS PLACE, HE TELL YOU "GET OUT."

NO, HE WOULD NEVER TELL ME TO "GET OUT,"

'CAUSE I WOULD-- NO, I DON'T THINK SO.

I DON'T FEEL COMFORTABLE DOIN' THAT.

I MEAN, WHY BUY THE COW

WHEN YOU'RE GETTIN' ALL THE MILK FREE.

I'M NOT A-- I'M NOT--

BUT AIN'T Y'ALL DATING EXCLUSIVELY?

- WELL-- - I DON'T KNOW THE SITUATION.

I'M TRYIN' TO BE NOSY-- I'M SORRY.

PHEW.

SEE-- - I'M SORRY.

UGH!

PEOPLE LIVE WITH PEOPLE NOW BEFORE THEY GET MARRIED,

BEFORE THEY-- - WELL, YOU KNOW WHAT?

PEOPLE MAY DO THAT-- I DON'T DO THAT.

I DON'T FEEL COMFORTABLE DOING THAT.

I MEAN, YOU KNOW WHAT I'M SAYIN'.

- I HAVE TO RESPECT THAT. - I CAN'T DO THAT.

HOW DO YOU KNOW IF YOU'RE COMFORTABLE

IF YOU NEVER TRIED IT? - OH, OH, I DON'T WANNA TRY IT.

I KNOW I'M NOT COMFORTABLE.

JUST THE THOUGHT OF IT, UH, WORKS ON MY NERVES.

I THINK YOU SHOULD BE MARRIED AND LIVING, YOU KNOW,

WITH-WITH A MAN AND WHAT HAVE YOU.

AND BESIDES, WHAT DOES THAT SAY ABOUT ME

WHEN IT COMES TO MY GRANDCHILDREN AND MY CHILDREN.

I JUST DON'T BELIEVE IN THAT.

WHAT IF Y'ALL WERE ENGAGED, WOULD YOU LIVE TOGETHER?

NO.

IF Y'ALL WAS MARRIED, WOULD YOU?

THAT'S DIFFERENT.

I THOUGHT I'D ASK.

YOU KNOW WHAT, SOMETIMES I DON'T LIKE YOU!

HE'LL HAVE HIS PLACE, AND YOU'LL HAVE YOUR SPACE.

WELL, YOU KNOW WHAT, THAT'S A GOOD THING,

'CAUSE, UM, SOMETIMES YOU DON'T FEEL LIKE BEIN' BOTHERED.

YOU DON'T FEEL LIKE COMPANY-- YOU DON'T WANNA BE COMPANY.

- OKAY, THAT'S TRUE. - YOU KNOW WHAT I MEAN?

YOU WANT YOUR OWN LITTLE SPACE.

GO OVER IN YOUR OWN LITTLE CORNER.

YOU KNOW?

I THINK IT'S GREAT THAT MY MOM IS SO OLD FASHIONED.

I, ON THE OTHER HAND, THE HOE IN ME,

"LET'S MOVE TOGETHER.

"I GOTTA MAKE SURE THIS IS GONNA WORK."

I'VE BEEN MARRIED BEFORE-- I'D LIKE TO TEST IT OUT.

SORRY.

I LIKE TO EAT THAT WHOLE COW TO KNOW I'M EATING BEEF.

THAT'S GONNA WORK FOR ME.

LET'S DO A TOAST. - TO YOUR SUCCESS.

HERE'S JUST TO YOU!

I JUST MET DOC, WHAT, THREE MONTHS AGO?

DOES HE TRY TO KISS YOU IN YOUR MOUTH?

DOES HE USE THE TONGUE?

FRENCH KISS?

DOES HE TRY TO USE THE TONGUE?

DO YOU KISS HIM WITH YOUR MOUTH?

WHAT ELSE AM I GONNA KISS HIM WITH?

TONI

TONI ASKED

TONI ASKED ME

TONI ASKED ME TO

TONI ASKED ME TO WHIP

TONI ASKED ME TO WHIP UP

TONI ASKED ME TO WHIP UP THE

TONI ASKED ME TO WHIP UP THE GIRLS

TONI ASKED ME TO WHIP UP THE GIRLS FOR

TONI ASKED ME TO WHIP UP THE GIRLS FOR HER

TONI ASKED ME TO WHIP UP THE GIRLS FOR HER SHOW

IN INDIANAPOLIS THAT'S COMIN' UP IN FOUR DAYS,

AND I USED TO SING BACKGROUND WITH TONI, AND I WAS HOT.

THEY NOT.

THIS IS TAMAR BRAXTON.

YOU WANNA BE FAMOUS?

YOU WANNA SING?

WELL, IT STARTS RIGHT NOW!

TOWANDA!

- WHAT?! - THIS IS WHERE YOU GONNA SWEAT.

I DON'T SWEAT.

THE MORE YOU WANT IT,

THE MORE YOU'LL SWEAT.

THAT'S NOT TRUE.

WELL, YOU SAID YOU DON'T SWEAT.

WELL, I SWEAT LIKE A SLAUGHTERING PIG,

SO I MUST WANT IT ALL THE TIME.

I DON'T HAVE TIME FOR NO PRIMA DONNAS.

WELL, THEN YOU BETTER LEAVE.

WHY IS TAMAR ACTING LIKE SUCH A BAD IMPRESSION

OF DEBBIE ALLEN ON "FAME"?

SHE'S-- TAMAR CAN'T DANCE.

THIS IS GONNA BE A LONG DAY.

EVERYTHING IS A PICTURE.

SNAP-- SEE, WATCH ME.

AND SNAP, SNAP, SNAP, SNAP, SNAP, AND SNAP.

CLICK-- I JUST DID A PHOTO SHOOT.

TRACI'S A RUSTY DANCER.

TAMAR'S A TERRIBLE TEACHER.

WHAT COULD POSSIBLY GO WRONG?

AND FIVE, SIX, SEVEN, EIGHT, AND NO!

NO, NO!

GO BACK!

I'M TRYIN' TO PRACTICE, TRYIN' TO GET THE...

THE CHOREOGRAPHY,

AND I JUST FELT THAT TAMAR KEPT BROW BEATING ME.

TAMAR, I MEAN--

TRACI, IF-IF YOU LOOK LIKE YOU PLAYIN' HOP SCOTCH,

THAT AIN'T THE MOVE!

TRACI-- HOW DO I PUT THIS NICELY?

OR LET ME JUST PUT IT.

TRACI NEEDS LOTS OF HELP.

SHE'S VERY RUSTY.

YOU HAVE TO THROW A LITTLE BIT MORE STANK JUICE ON IT.

ALL RIGHT, AND FIVE, SIX, SEVEN, EIGHT, AND.

YOU GOTTA BE-- SO I KNOW MY MARKS.

BUT YOU DOIN' A LOT OF HOP SCO-- YOU DOIN'--

I'M DOIN' THE SAME THING YOU DOIN'.

YOU KNOW, I JUST THINK THAT TAMAR WANTS EVERYBODY

JUST TO BE HER.

BUT EVERYBODY CAN'T BE TAMAR.

EVERYBODY DON'T WANNA DO--

NO, EVERYBODY DON'T WANNA DO THAT.

I KNOW I DON'T.

ROCK WITH IT-- FIVE-- ROCK WITH IT.

BUT DO YOU LOOK LIKE ME IN THE MIRROR?

IF YOU THE CHOREOGRAPHER, YOU HAVE TO BE IN FRONT

OF ME TO SHOW ME.

TRACI, DON'T.

I'M TELLIN' YOU THE TRUTH-- I MEAN--

FIVE, SIX, SEVEN!

YOU'RE A LITTLE BIT TOO-- WHAT'S THE WORD?

OKAY, I DON'T HAVE A WAISTLINE.

I GOTTA MAKE EVERYTHING LOOK BIGGER.

THAT'S NOT MY FAULT EITHER-- BUT I'M JUST SAYIN'.

TAMAR-- OOH, I NEVER ASKED YOU THAT, TAMAR!

I NEVER ASK YOU THAT! - BUT YOU JUST SAID IT!

I SAID I HAVE TO MAKE SOMETHING--

I MAKE IT LOOK BIGGER. - YEAH, BUT THAT'S NOT MY FAULT.

TAMAR, KEEP GOIN'-- KEEP GOIN'.

- OKAY, FIVE-- - KEEP GOIN'-- KEEP GOIN'!

I AM-- YOU KNOW, FOR SOME REASON, WHEN I GIVE ADVICE

OR, YOU KNOW, LESSONS, IT'S TAKEN, YOU KNOW,

LIKE I'M TRYIN' TO TELL YOU WHAT TO DO.

ALTHOUGH I'M TRYIN' TO TELL YOU WHAT TO DO,

IT'S FOR YOUR OWN GOOD.

I CAME HERE TO TEACH MY SISTER

HOW TO DO MY SISTER'S SHOW,

AND I GETS NO RESPECT.

- YOU'RE NOT TEACHING RIGHT. - TAMAR'S DOING A FAVOR.

YOU'RE NOT TEACHING RIGHT.

YOU MAD AT ME 'CAUSE YOU DON'T KNOW

WHAT THE YOU'RE DOIN'!

THAT'S NOT MY FAULT! - YOU GOT THE-- WAIT, WAIT!

EXCUSE ME-- I'M SORRY-- I'M-- JUST FOR A MINUTE.

GET ALL THE FEELINGS OUT OF THE EQUATION

AND LET'S THINK ABOUT TONI'S SHOW.

THIS IS FOR TONI. - RIGHT.

YES, BUT SHE DIDN'T ASK ME TO COME HELP HER

IN A HOSTILE ENVIRONMENT.

TAMAR, JUST SHOW TRACI THE MOVE.

WELL, Y'ALL DON'T NEED ME.

TAMAR, SHE HAS TO LEARN IT SLOWLY.

SHE CAN-SHE CAN LEARN IT FROM Y'ALL,

'CAUSE SHE DOESN'T WANNA LEARN FROM ME.

YOU HAVE A GREAT DAY.

ALL RIGHT-- BYE!

TONI WANTED AN UPDATE ON HOW TRACI WAS DOING IN REHEARSAL.

SO, TAMAR AND I DROP BY HER HOUSE,

BUT WE DIDN'T WANNA SCARE HER WITH HOW MUCH

OF A DISASTER IT WAS.

HOW WAS REHEARSAL?

I'M A LITTLE NERVOUS.

I JUST DON'T FEEL LIKE TONI NEED TO KNOW ALL THE LOGISTICS

BECAUSE SHE HAS TO CONCENTRATE ON HER SHOW.

YEAH, THAT'S TRUE, BECAUSE IT MAKES HER MORE NERVOUS-- YES.

THAT'S NOT REALLY FAIR-- YOU SHOULD NOT HAVE TO WORRY

ABOUT WHAT'S GOIN' ON BEHIND YOU--

- BECAUSE IT'S ALL REFLECTIVE. - IT IS.

BUT YOU HAVE TO UNDERSTAND THE FACT OF IT IS,

IS THAT IF I ASKED HER TO DO IT,

I HAVE TO UNDERSTAND THAT SHE MAY NOT BE ABLE TO RUN IN

AND JUMP IN AND DO IT,

BUT SHE WILL SEE AND FEEL IT FOR HERSELF.

TRACI'S VERY FRAGILE, AND I KNOW SHE'S WANTED

TO DO THE BACKGROUND SINGING THING FOR A LONG TIME.

I THINK IT'S IMPORTANT, IF TAMAR'S GONNA TEACH HER,

SHE HAS TO UNDERSTAND PATIENCE IS THE KEY.

I DON'T WANT YOU TO BEAT HER UP SO MUCH.

I WANT YOU TO BE PATIENT.

WHY EVERYBODY THINK THAT'S WHAT I DO?

'CAUSE IT IS.

I'M SORRY, I'M THE ONE-- CAN I JUST BE REAL, REAL QUICK?

I'M THE ONE WHO FEEL LIKE THE PERSON

WHO GETS BEAT UP ALL THE TIME. - YOU SHOULDN'T.

I GET CHECKED EVERY FIVE MINUTES.

"YOU NEED TO TAKE-- TAMAR, IF YOU DON'T NOBODY TALKIN'

"TO YOU LIKE THIS, THAT, AND THE OTHER, YOU NEED

"TO DA, DA, DA, DA, DA."

I GET BEAT UP ALL THE TIME.

AND THE MINUTE I SAY SOMETHING TO SOMEBODY--

YOU HAVE TO ACCEPT THAT'S YOUR MOUTH.

THEY TOLD YOU THAT SINCE YOU WERE 16 YEARS OLD, YOUR MOUTH.

THAT'S INDIGENOUS-- THAT'S WHO YOU ARE.

BUT I CAN TAKE THAT AS ME GETTING BEAT UP.

EVERY FIVE MINUTES, SOMEBODY TELLIN' ME ABOUT MY MOUTH.

WELL, THEN STOP USIN' YOUR MOUTH LIKE THAT.

I MEAN, WHY IS EVERYBODY BABYING TRACI?

BUSINESS IS BUSINESS.

YOU HAVE TO LEARN DICTATORSHIP

AND DIRECTION FROM SOMEBODY.

AND NOW EVERYBODY JUMPIN' DOWN MY THROAT

FOR TRYIN' TO HELP HER?

MMM-MMM-- I MEAN, I DON'T EVEN KNOW WHAT'S UP WITH THAT.

YOU KNOW HOW TRACI BE FEELIN' LIKE I ATTACK HER?

I FEEL LIKE WHEN I'M TRYIN' TO HELP HER AND TEACH HER,

I FEEL ATTACKED.

IT'S YOUR DELIVERY-- ALL DAY.

WELL, IT'S NOT EVEN JUST MY DELIVERY, BUT-BUT, YOU KNOW,

I CAN'T GET MAD AT THE CHOREOGRAPHER

BECAUSE THEY TELL ME I DO A STEP WRONG.

'CAUSE IF YOU TELLIN' SOMEBODY, "NO, THAT'S WRONG.

"NO, THAT'S WRONG-- NO, THAT'S WRONG. NO, THAT'S WRONG.

"NO, THAT'S WRONG-- NO, THAT'S WRONG."

BUT IT BE WRONG.

WHAT I'M SAYING IS, YES, THAT MIGHT BE TRUE,

TO A CERTAIN DEGREE, BUT ENCOURAGEMENT HELPS SOMEBODY

FEEL LIKE, "YES, I CAN DO THIS."

BECAUSE WHEN YOU'RE CONSTANTLY HEARING,

"THAT'S NOT RIGHT-- THAT'S NOT RIGHT-- THAT'S NOT RIGHT."

DANG, WELL, AND THEY YOU GET FRUSTRATED,

AND THEN NOTHING WILL EVER BE ACCOMPLISHED.

BUT YEAH, SHE'S SENSITIVE-- BUT TRINA'S RIGHT.

SHE NEEDS TO BE RECEPTIVE TO WHAT SHE'S BEING TAUGHT, TOO,

BUT TRACI IS STILL STUCK IN HER MOMENT 20 YEARS AGO.

I FEEL THIS'LL ALL WORK ITSELF OUT.

I DO.

HOWEVER, I DO THINK TAMAR'S THE WORST TEACHER IN LIFE.

SHE HAS HORRIBLE PEOPLE SKILLS.

TRACI'S GONNA HAVE TO FIGURE THIS OUT FOR HERSELF.

SHE'S GONNA RISE TO THE OCCASION,

OR SHE'S GONNA BE FORCED TO DROP OUT.

EITHER WAY, IT'S HER DECISION.

SHE HAS TO REALIZE THIS FOR HERSELF.

WHEN SHE GETS OUT THERE AND SHE SEES DURING THE SHOW,

SHE WILL SAY, "WOW, I'M NOT PREPARED."

"WOW, WERE THEY NOT PICKIN' ON ME."

- YEAH, SHE'LL GET IT. - I UNDERSTAND.

SO LET HER FIG-- SHE'LL SEE IT.

THAT'S WHY YOU'RE THE OLDEST SISTER.

THAT'S WHY I'M THE SMARTEST SISTER.

- YOU'RE THE SMARTEST? - NO.

I THINK SHE WAS TALKIN' ABOUT YOU.

I'M OUTTA HERE.

OKAY.

- I GOTTA DO MY HAIR. - YES.

- YOU'RE SHOWIN' ME YOUR CRACK. - HA, HA, HA.

CRACK KILLS.

I THINK TRACI CAN DO IT.

- ALL RIGHT, PEOPLE. - DO THE WHOLE SHOW?

YOU DON'T THINK SHE CAN DO THE WHOLE SHOW?

HELL, NO-- HELL, NO!

I

I GET

I GET IT

I GET IT FROM

I GET IT FROM MY

I GET IT FROM MY MAMA.

I GET IT-- - NO, FROM DAD.

DADDY HAS THAT.

NO, YOU GET THE DUMP FROM YOUR FATHER.

- YES, WE DO. - YES.

WHO'S FATHER DID WHAT?

TRACI GOT HER BIG BUTT FROM HER DAD.

- GAVE TRACI HER DUMP. - SHE DID.

- YEP. - YOU DO HAVE A DADDY BOOTY.

TRACI GOT THE SUPER BAD.

I THINK WE ALL GOT A LITTLE BABY LITTLE BOOTY.

- NO, I AIN'T GOT NO-- - NO, EXCEPT FOR TAMAR.

WAIT A MINUTE.

- WHAT! - WHAT YOU MEAN?

BUT YOU JUST AGREED.

HOW YOU GONNA GET MAD?

TAMAR, HOW YOU GONNA GET MAD AFTER YOU AGREE?

TRINA, YOUR SOCKS HAVE COCKTAILS ON THEM!

YES, THEY DO!

SHE HAS TO TAKE A COCKTAIL EVERYWHERE SHE GOES.

IT'S GOT MARTINIS AND...

MART-- TRINA, THAT IS TOO CUTE!

RIGHT? - LOOK, IT'S GOT A BLOODY MARY.

NOW-NOW YOU GOT ME IN THE MOOD FOR A COCKTAIL.

WHY DON'T YOU WHIP US UP SOMETHING?

I DON'T FEEL LIKE MAKIN' A COCKTAIL--

- ME, TOO. - WELL, ACTUALLY, NO, I'M NOT.

WATCH

WATCH YOUR

- THIS IS A NICE PLACE. - IT'S CUTE.

- YEAH. - IT'S KINDA CUTE.

IT'S VERY, LIKE, DISNEYLAND RESTAURANT.

- YEAH, A LITTLE. - YEAH!

- IT REALLY IS. - , RIGHT?

MOM CAME OUT TO L.A. TO WATCH THE KIDS

BEFORE I LEFT TO GO TO THE CONCERT IN INDIANAPOLIS.

SO, WE FIGURED, HEY, WE'RE ALL HERE.

WE SHOULD GO OUT AND GET SOMETHING TO EAT REALLY QUICK.

MOMMY, HAS DOC BEEN TO MARYLAND YET?

UH...

NO.

WELL, DID YOU JUST MEET HIM,

OR DID YOU MEET HIM A LONG TIME AGO?

I JUST MET DOC, WHAT, THREE MONTHS AGO?

OKAY, THAT'S WHY I WAS CONFUSED.

OH, WELL.

I-I DECIDED TO GIVE HIM A LITTLE BREAK, ANYWAY.

YOU AND DOC BROKE UP-- YOU JUST STARTED DATING.

NO, NO, NO, I DIDN'T BREAK-BREAK UP.

THERE'S A DIFFERENCE.

I JUST DECIDED-- WE JUST DECIDED

TO GIVE EACH OTHER A BREAK FOR A MINUTE.

I THINK DOC IS A TERRIFIC MAN, A WONDERFUL MAN,

BUT IT'S CLEAR TO ME THAT, UM,

HE WANT TO BECOME SERIOUS, VERY SERIOUS,

AND I'M NOT READY FOR THAT RIGHT NOW.

UM, I ALREADY, UM,

WAS ON THE LOCKDOWN FOR 30 YEARS,

AND I REALLY DON'T WANT THAT RIGHT NOW.

WELL, WHAT HAPPENED WITH THE BREAK-- HE WAS MOVIN' TOO FAST?

HE WAS TRYIN' TO KISS YOU IN YOUR MOUTH?

DOES HE USE THE TONGUE?

THE FRENCH KISS?

DID HE TRY TO USE THE TONGUE?

DO YOU KISS HIM WITH YOUR MOUTH?

WHAT-WHAT ELSE AM I GONNA KISS HIM WITH?

BUT WHAT I'M SAYIN' IS, IS IT LIKE THIS?

NO-- THERE'S A DIFFERENCE.

- I MEAN, NO, NO, NO-- - LIKE, PLACE YOUR LIPS.

IS IT LIKE THIS--

WHAT ELSE AM I GOING TO KISS HIM WITH?

NO, NO, WHAT I'M SAYING IS-- MOMMY, IS IT LIKE THIS?

OR IS IT LIKE THIS?

EW-- TRINA!

- THERE'S A DIFFERENCE. - TAMAR.

THERE'S A DIFFERENCE!

BUT MOMMY, HE WAS SPEAKING IN TONGUES?

- THANK YOU VERY MUCH. - "SPEAKING IN TONGUES"?

I SAID, WAS HE "USING THE TONGUE, SPEAKING IN TONGUES."

HE'S INTO TONGUES?

- I SAID, "USING THE TONGUE!" - OOH!

WHAT TRACI TALKIN' ABOUT?

I JUST SAID "USING THE TONGUE."

MY GIRLS REALLY NEED TO GROW UP

AND TAKE THEIR MINDS OUT OF THE GUTTER.

EVERYTHING IS NOT SEX.

EVERYBODY NEEDS A BREAK. - THREE MONTHS?

YEAH, EVERYBODY NEEDS A BREAK.

WELL, YOU'RE SUPPOSED TO TAKE A BREAK.

YOU-YOU HAVE TO SEE-- - NOT THREE MONTHS IN.

A BREAK IS A BREAK UP. - YEAH.

FROM WHAT?

WELL, YOU-YOU JUST TAKE A BREAK

TO SEE IF THIS THE DIRECTION YOU WANT TO GO.

MOMMY, YOU HAVE ABSOLUTELY NO IDEA HOW TO DATE, DO YOU?

NONE.

WELL, I HAVE EVERY IDEA HOW TO DATE.

I'M JUST DOIN' IT WHAT WORKS FOR ME, HOW 'BOUT THAT?

HERE'S THE THING, I THINK MOMMY IS AFRAID

BECAUSE SHE LIKES HIM MORE THAN SHE ANTICIPATED.

THEN WHY YOU AIN'T WITH HIM?

BECAUSE THAT'S NOT WHAT I WANNA DO RIGHT NOW!

- EXACTLY. - HOW 'BOUT THAT?

- ALLS I'M SAYIN'-- - THREE MONTHS IS NOT A BREAK.

THAT'S-THAT'S STILL THE HONEYMOON STAGE.

LET ME TELL YA LIFE, SINCE YOU DON'T KNOW.

NOT THAT I AIN'T LIVIN' IT, BUT GO AHEAD.

YEAH, NO, NO, YOU'RE NOT-- NOT REALLY.

LET ME TELL YOU ABOUT LIFE.

FIRST TIME IN A RELATIONSHIP,

YOU MARRY FOR LOVE,

BECAUSE YOU'RE YOUNG,

YOU'RE INEXPERIENCED.

BUT BY THE TIME YOU GET MY AGE,

YOU MARRY FOR OTHER REASONS.

WHICH IS?

YOU JUST, UM, DON'T WANNA BE BY YOURSELF.

YOU DON'T WANNA GROW OLD BY YOURSELF.

MMM-HMM.

AND JUST IN CASE YOU GET SICK,

YOU GOT SOMEBODY THERE WITH YOU.

IT'S A DIFFERENCE, THE MINDSET IS TOT--

BUT MOMMY, HE'S A DOCTOR AND THE MAN, SO WHAT-WHAT PART OF--

WAIT A MINUTE, I DON'T CARE IF HE A DOCTOR

AND-AND WHATEVER ELSE.

IT IS WHAT IT IS.

IT'S A DIFFERENCE WITH THE MINDSET

OF A MATURE WOMAN,

AND I AM THAT.

SO, WHAT WOULD YOU SAY-- WHAT WOULD YOU DO?

WELL, I'M SAYIN' THIS...

I'LL JUST TAKE MY CHANCES,

BECAUSE THIS IS WHAT I WANT TO DO.

THIS IS WHY, NORMALLY, I DO NOT ALLOW MY GIRLS

IN MY PERSONAL LIFE.

HOPEFULLY, THEY WILL GROW UP...

MAYBE.

WELL, SOMEBODY TOLD ME THAT IF YOU PUT A CONDOM

ON YOUR HEART, THAT IF SOMEBODY SCREW WITH IT,

YOU'LL BE PROTECTED.

I'M SORRY-- I CAN'T TAKE IT.

THAT'S RIGHT.

WE JUST LANDED IN INDIANAPOLIS

FOR TONI'S CONCERT.

THIS IS TRACI'S FIRST TIME PERFORMING

IN A REALLY LONG TIME.

SO, WE'RE ALL JUST A LITTLE BIT NERVOUS.

SO, TOWANDA AND TRINA'S TRYIN' TO HELP ME OUT,

STILL PRACTICING BEFORE WE GO ON STAGE,

AND I'M NERVOUS AS HEN PISS.

BUT I'M LIKE, "OKAY, I'M GONNA GET THIS."

I'M GONNA LOOK REAL CUTE-- RIGHT.

I'M GONNA DO MY HOOD STUFF UP ON THAT ONE.

LIKE THAT?

BUT THAT FEELS AW-AWKWARD.

IT'S-IT'S REAL FAST LIKE THAT.

MMM, MMM, MMM, MMM, MMM.

I HAVE TO ADMIT, I'M REALLY, REALLY NERVOUS

ABOUT TRACI PERFORMING.

SO, ME AND TRINA JUST GAVE THAT LITTLE EYE THING,

LIKE, "LET'S GO OVER THE MOVES WITH TRACI

"AND MAKE SURE SHE HAS IT DOWN PAT,"

BECAUSE I DIDN'T WANT ANYBODY TO BE EMBARRASSED ON STAGE, OKAY?

ESPECIALLY TONI.

OH, I UP.

MOVE OVER.

WHOO-- TRACI READY TO FIGHT SOMEBODY WITH IT.

GOOD GOD FROM ZION! - YOU'RE ANGRY!

READY?

SHE MESSES UP A FEW TIMES AND I'M LIKE, "OH, MY GOD!

"TRACI CAN'T DO THIS."

TRACI, I THINK SHE'S NERVOUS.

YEAH.

TRACI HASN'T BEEN ON STAGE IN PROBABLY 15 YEARS,

TWELVE YEARS MAYBE.

I THINK TRACI'S GONNA BE OKAY, THOUGH, RIGHT?

- YEAH, TRACI'LL BE FINE. - YEAH, I THINK SO, TOO.

TRACI IS A LITTLE BEAT UP.

I CAN TELL HER CONFIDENCE IS IN THE GUTTER.

I THINK IT'S IMPORTANT THAT WE BUILD UP HER SELF-ESTEEM

AND MAKE HER FEEL GREAT ABOUT HERSELF

AND LET HER KNOW THAT SHE'S GONNA GET OUT THERE

AND SHE'S GONNA DO A GREAT JOB.

TRAY, YOU DO HAVE TO BE READY.

SO, EVEN WHEN YOU'RE NERVOUS OR IT'S NOT QUITE RIGHT,

PERSEVERANCE HAS TO KICK IN A LITTLE BIT.

LET'S SAY WHITNEY HOUSTON SAID, "OOH, THIS GIRL CAN SING.

"I HEARD YOU COULD SING-- LET ME HEAR YOU SING."

"I'M HOARSE-- UM, I CAN'T-- I'M NERVOUS."

SHE'S GONNA BE LIKE, "OKAY, NEXT."

PEOPLE SAID I COULDN'T SING-- THEY SAY I SOUND LIKE A DUDE.

I'M ANDROGYNOUS.

I SOUND LIKE A FEMALE ELVIS.

ALTHOUGH, R KELLY DID SAY THAT, TOO.

BUT MY POINT I'M SAYIN' IS,

I TOOK ELVIS AND TOOK IT ON UP ON THE STAGE

AND DID MY THING AND DIDN'T CARE WHAT PEOPLE SAID.

THEY SAID I WOULD NEVER BE A SINGER.

THEY SAID I WILL ALWAYS BE A BACKGROUND SINGER.

I WOULD NEVER BE A LEAD SINGER.

SO, YOU CAN'T LET OTHER PEOPLE'S OPINIONS STOP YOU.

TONI GAVE ME A LOT OF POSITIVE FEEDBACK.

I'M GLAD I DIDN'T LET TAMAR

STOP ME FROM PERFORMING.

BA, BA, BA, BA, BA!

HA!

OKAY, THAT WAS GOOD.

SEE HOW YOU JUST MESSED UP AND YOU WENT BACK

AND YOU CAME INTO IT.

THAT'S HOW YOU DO IT-- DON'T WORRY ABOUT THE BOO-BOOS.

UH-UH, 'CAUSE THIS YOU.

YOU HERE-- YOU JUST WANNA DO THAT.

THAT'S ALL YOU GONNA DO.

I THINK SHE'LL BE GOOD.

YOU'LL BE GOOD.

I DIDN'T BELIEVE THAT TRACI WAS REALLY READY

TO PERFORM WITH TONI.

I HAD MY FINGERS CROSSED FOR GOD TO SEND DOWN THE DANCING

AND THE SINGING SPIRIT INTO TRACI.

- I THINK TRACI CAN DO IT. - DO THE WHOLE SHOW?

YOU DON'T THINK SHE CAN DO THE WHOLE SHOW?

HELL, NO-- HELL, NO!

LISTEN, TONI-- BUT LISTEN--

I WILL TELL THE AUDIENCE THAT MY SISTER, TRACI,

IS HELPING ME OUT TODAY, GUYS,

AND SHE'S LEARNING THE SHOW HERE WITH US.

- OKAY, BUT THIS-- - I THINK THEY'LL BE FORGIVING.

NO?

NO.

TRACI ABSOLUTELY NEW NOTHING

ABOUT THE CHOREOGRAPHY.

WHERE IS SHE?

I LOOKED AROUND AND TRACI WAS NOWHERE TO BE FOUND.

SHE JUST DISAPPEARED.

SO,

SO, TONIGHT

SO, TONIGHT IS

SO, TONIGHT IS TONI'S

SO, TONIGHT IS TONI'S BIG

SO, TONIGHT IS TONI'S BIG CONCERT

SO, TONIGHT IS TONI'S BIG CONCERT IN

SO, TONIGHT IS TONI'S BIG CONCERT IN INDIANAPOLIS

AND I'M NERVOUS AS HELL.

YOU CAN'T-- YOU WANNA SEE THE CLOTHES?

TONI, I DON'T KNOW ABOUT HER BIG OL' BOOTY.

I THINK, LIKE, ONE OF THESE DRESSES,

IF YOU CAN SEE, LIKE THIS.

- OKAY. - I THINK THAT.

OUR OUTFITS?

I THINK YOU CAN WEAR THIS ONE TODAY.

OKAY.

I THINK ALL, Y'ALL, YOU GIRLS, YOU AND TRINA,

SHOULD WEAR THESE, LIKE, HOLD THEM OUT.

THEY'RE REALLY, REALLY CUTE. - OKAY.

AND THEY GOT THE CUTE LITTLE PANTY.

LET ME SHOW YOU THE PANTIES.

HERE, TRACI, YOU CAN TAKE THIS PANTY.

FIRST TRY THE-- - TRACI CAN'T FIT THAT

ON HER BIG OLD BUTT!

WHERE AM I GONNA PUT MY ASS IN KAMBAGABUKABOO?

OKAY, HOLD IT UP.

- WHERE IS IT GOIN'? - WHERE?

- WHERE! - WH-WHERE!

WHERE'S IT GOIN'-- TRACI CAN'T FIT THAT.

- OKAY, MAYBE NOT. - GIRL, STOP!

THAT WASN'T A PRETTY SIGHT THERE.

I HAVE MUCH BOOTY, BIGGER BOOTY THAN MY SISTERS.

I THINK THIS ONE WOULD WORK.

I THINK-- HOLD THIS-HOLD THIS ONE UP.

TRACI, PULL THEM OVER YOUR PANTS REAL FAST.

- NO. - I AIN'T DOIN' THAT.

I'M JUST SAYIN'--

SEE, I THINK THIS-- SEE, HOLD IT UP.

SO, WHEN YOU MOVE YOUR BOOTY, THAT COMES UP.

- MMM-HMM. - THAT'S CUTE.

THAT BOOTY HANGIN' OUT, THAT AIN'T HOT ON STAGE.

SO, TRACI, HOW THE PANTIES LOOK?

LET ME SEE.

- GIRL! - GIRL, LOOKS LIKE, YOU KNOW.

GOOD THING I HAVE BLACK UNDERWEAR.

LET ME SEE THE FRONT.

THAT BIG OLD BUTT AND THEM BIG OLD LEGS.

IT WAS TIGHT.

I AM A DIFFERENT SIZE THAN MY SISTERS AND EVERYTHING,

AND I DO EMBRACE MY SIZE, 'CAUSE I DO LOVE MY SIZE.

YOU THINK YOU GONNA CHOKE UP?

NO.

YOU GONNA FORGET SOME OF THE MOVES?

NO, I'M TOO EXCITED TO FORGET 'EM.

BUT SOMETIMES WHEN YOU GET EXCITED, YOU FORGET STUFF.

TOWANDA, DON'T EGG HER ON.

I'M JUST ASKIN', SO WE CAN GO OVER STUFF.

YOU KNOW, TOWANDA'S BEING REALLY NEGATIVE,

AND IT IS NOT HELPING!

NO, THAT'S WRONG. - AM I DOIN' IT RIGHT?

- NO. - I'M GIVING YOU ROOM, TOO.

I-I REALLY WANNA GO IN THE ROOM AND SAY,

"TONI, TRACI JUST NOT DARN READY-- SHE JUST NOT READY.

"SHE CAN'T DO IT."

YOU HAVEN'T BEEN ON STAGE IN HOW LONG?

IN A LONG TIME.

I MEAN, I DONE SOME CHURCH.

TRACI, SHE SAID, SHE SAID, "I MEAN, I SING IN CHURCH."

THIS AIN'T NO CHURCH, BABY.

I THINK A LITTLE PRAYER RIGHT NOW WOULDN'T HURT.

TRACI NEEDS ALL THE HELP SHE CAN GET.

- WELL, WE ABOUT TO START SOON. - OOH!

YOU NERVOUS?

YES.

I'VE BEEN HOUNDING TONI FOR YEARS,

AND IT'S MY TIME TO BE ON STAGE, AND I'M SCARED.

I'M SHAKING.

I DON'T WANT TO BLOW THIS. - OKAY.

ALL RIGHT, Y'ALL DO REAL GOOD.

- WORK IT, BABY. - ALL RIGHT, GOOD TO SEE YOU.

THANKS FOR COMIN' OUT. - ALL RIGHT, HAVE A GOOD SHOW.

LOVE YOU ALL. - LOVE YOU.

TRACI'S A LITTLE RUSTY-- SHE USED TO BE A DANCER.

I KNOW THAT WAS A LONG TIME AGO,

BUT I THINK IT'S GONNA KICK IN, AND SHE'LL BE FINE.

WHY YOU GOTTA LOOK SO PITIFUL AND UPSET?

PUT YOUR HANDS TOGETHER, LADIES AND GENTLEMEN,

FOR THE ONE, THE ONLY, MISS TONI BRAXTON!

GET UP!

ARE YOU READY TO HAVE A GOOD TIME?

ARE YOU READY TO HAVE AN ORGY?

I JUST HAD TO MAKE SURE YOU WERE LISTENIN'.

WOW, IT WAS, LIKE, SURREAL.

I'M ABOUT TO BUST OUT MY LITTLE SKIN.

WELL, GUYS, LET ME INTRODUCE MY SISTERS.

THESE ARE MY SISTERS, THE BRAXTON'S .

MY SISTER TRACI IS HELPING US OUT TONIGHT, GUYS.

THIS IS HER FIRST NIGHT WITH ME.

TRACI'S HAVING A LITTLE PROBLEM WITH THE MOVES.

THERE WAS ONE SONG THAT TRACI ABSOLUTELY KNEW NOTHING

ABOUT WITH THE CHOREOGRAPHY.

SHE DIDN'T EVEN KNOW THE SONG.

SHE DIDN'T EVEN KNOW THE WORDS TO THE SONG.

WHERE'S TRACI-- DID SHE LEAVE THE STAGE?

I FELT REALLY BAD I COULDN'T GET MY MOVE STRAIGHT.

I LOOKED LIKE ON SHINGLES.

I BELIEVE I LET MY SISTERS DOWN AND MYSELF DOWN.

I CAN'T BELIEVE I BLEW MY ONE CHANCE.

TRACI LEFT THE STAGE!

WHERE IS SHE?

I LOOKED AROUND AND TRACI WAS NOWHERE TO BE FOUND.

SHE JUST DISAPPEARED.

BUT I'M NOT GONNA LET HER GIVE UP LIKE THAT.

I'M NOT GONNA DO IT-- I'M GONNA CALL HER BACK OUT HERE.

SHE'S GONNA DO IT-- SHE CAN DO IT.

HI, TRACI.

I DID NOT LEARN THAT SONG.

I WOULDN'T HAVE GOTTEN BACK ON STAGE,

IF TONI WOULDN'T HAVE CALLED ME.

I MEAN, SHE HAD SO MUCH CONFIDENCE IN ME.

AND WHEN I START PERFORMING AGAIN,

IT JUST CLICKED AND I WAS ON IT.

GUYS, TRACI PICKED THAT ONE.

GIVE TRACI A HAND-- SHE DID GOOD!

I THREW HER IN HERE TODAY!

PERFORMING WITH TONI AND SEEING THE REACTION

OF THE CROWD,

I WAS PROUD OF HER.

I WAS PROUD OF MYSELF, TOO.

I HAVE TO TOOT MY OWN HORN--

TOOT, TOOT, TOOT, TOOT.

TRACI, YOU'RE NOT A VIRGIN ANYMORE.

I'M NOT.

AND IT FELT WONDERFUL!

AND I WANNA DO IT AGAIN!

OKAY, WHERE'S TRACI AND THEM?

SHOULDN'T THEY COME IN HERE WITH ME?

SHE GETS TO RIDE WITH TONI?

WE DIDN'T GET TO RIDE WITH TONI.

I THINK SOMEBODY'S GETTING SPECIAL TREATMENT.

- I'LL SEE Y'ALL AT THE HOTEL. - OKAY.

- SEE YOU AT THE HOTEL. - OKAY, BYE.

- LET TRACI COME WITH ME. - OKAY.

IT'S OKAY, THOUGH-- SHE DESERVES IT.

GOOD JOB!