All language subtitles for Il Cilindro Di Mario Salieri 1-c

Good morning, ladies and gentlemen. This
morning in this house, I'm going to put

you all in bad language, all the green
faces, and you're going to be in the

palace.

Here's the bell of Maria Rosa.

This production is for you and Rosa.

A big kiss.

A stupendo vagliosa. E buon divertimento
a tutti.

Ciao, Manolet. Venite insieme a me.

Jesus Giuseppe, Sant 'Anna Maria.

Fallisci fuori da casa mia.

Thank you.

Buongiorno.

Buongiorno. Buongiorno.

Buongiorno. Buongiorno. Buongiorno.

Yes, it's already sweetened and roasted.

When did you make it?

Ten minutes ago.

Ten minutes?

I couldn't bring it with me, it would
have been cold.

If it's cold, put it on the stove and
turn off the stove.

I understand, but don't do that.

The coffee, when it's hot, the taste is
burnt.

Hey,

it's frozen.

This is not a coffee, this is a granite.
In fact, a frozen brodaglia.

Eh,

I don't drink, but what do you want from
me?

A decent coffee, this is what you want.

If you want a decent coffee, in the
morning I know what to do.

But I'm nervous this morning.

Eh, I'm nervous.

That's true.

Today is February.

Do you know when the little princess
passed away?

Eh, no signore, non lo saccio, perché
siamo rimasti d 'accordo che i conti

facemero prima.

Ha fatto cinque morti. Cinque morti? Eh,
cinque morti. Che a 10

.000 lire morti fanno 50 .000 lire. Che
diviso per due fanno 25 .000 lire a

testa. Ma te pare a te, che a 25 .000
lire la principessina e suo

marito il principe hanno mangiato e
dormito un mese.

Of course not, you understand, you're
right.

On the other hand, I said to myself, but
wait, wait, when will you rent a room?

I said to myself, listen, if you want to
stay in this house, you have to do at

least ten deaths a month.

Otherwise, we don't have any agreement.

Anyway, don't worry, now that the days
are over, I'll put the cylinder on and

we'll have a nice talk.

I don't know if you understand, or
they'll beat you to death.

What are you doing now?

I don't know.

My wife and husband are not comfortable.

They didn't get out the first few days.

It's been half a day.

The courier for Mercogliano left at 9.

I don't know what's going on. We'll do
it in half an hour or so. Otherwise,

we'll lose him.

I know.

But who?

But how did you come up with the idea
that this year you would also come to

Beppino with us?

Who are you anyway?

And I'll explain, I'll explain why.

I wanted you to come with us because you
told me that the owner of the

Mercogliano restaurant is the best. And
yes, we are here, he makes us eat first,

second and fruit for 300 lire per hour,
including wine.

But if we can't do anything, I'm sorry.

Mamma mia, che schifo!

Una brodaglia ghiacciata!

Vabbè, io vado a vestirmi. Se fra cinque
minuti non lo vedo venire, me la lascio

là.

Non si può stare.

Non si può stare.

Buongiorno, donna mamma.

Ah, state pulizzando i friarelli?

No.

Ma non pulizzi che sto pulizzando i
friarelli?

Stasera mo che torniamo a Montevergine e
ci mangiamo il bel cabra -cabra.

Ma stamattina fa un freddo esagerato e
che stiamo al Palo Norte?

Mrs. Ma, you have to cover yourself
well.

That Montevergine is 1300 meters high.

Do you know how cold it is up there?

Anyway, when you want to leave, I'm
ready.

I'm ready too.

We're waiting for my husband.

He'll be out in a moment.

Mrs. Ma, why did you make some coffee at
home?

Stay here.

Go to the cafe.

Thank you.

You know what it is? In the morning, if
I don't drink coffee, I just can't move.

And then I stay all day, as I should
say, lazy.

Eh, lazy, that I don't really want to do
anything.

But, just a cup of coffee, and

the world starts to turn in the right
direction.

Dona Ma, it's ice cream.

If you want to drink it, I'll get it for
you.

I'm sorry, Dona Ma, I didn't mean to be
courteous. It was just an observation.

But I remember that the morning coffee
is my right, because it's the price we

paid for the rent of the bedroom.

These were the agreements.

Really?

But when did you say you wanted to drink
coffee?

Anyway, if you don't like it cold, you
can boil some coffee.

But if you really want to talk, dear Don
Peppino, you want to remember that your

wife has only had five deaths this
month.

Eh, okay, but what about this thing?
What can we do, Don Amaro?

There's the crisis, you know it too,
people don't want to spend.

And then, Don Amaro, we want to say it,
this quarter of the virgins.

There is an exaggerated competition.

But what competition?

You have had the luck to marry a
beautiful woman, who is nothing less

creature near you.

No, ma 'am, it's not what it seems.

That rose is a creature near me.

There are 24 years apart. I am 59 years
old and she is 35.

She could be my daughter.

And I realize that in these conditions,
as you see me, The age difference can be

seen everywhere.

But I assure you that when we got
married 13 years ago, I looked like a

man. But do you know what my colleagues
in typography called me? They called me

Amedeo.

Amedeo. Because they say that this is
Amedeo Nazzari, the actor, the famous

you know him, right?

Amedeo Nazzari. Wait.

I have a photograph that I'll show you.

Here it is, see?

This is Amedeo Nazzari, see?

Do you see all those pictures?

Those are all the pictures of my
colleagues.

I know that for them it was a game,
maybe they even took me around a bit.

But I am very fond of this photograph.
Think that in the evening I don't even

to bed if I don't put it in my pyjama
pocket.

Amedeo Nazzaro.

Really.

Of course I've cut you a lot, though.

Now what do I have to answer you, my
lady?

Every beautiful shoe becomes a shoe.

When life is against a poor bastard,
what does he have to do? He lowers his

and moves on.

You should know that my family owned a
beautiful apartment at Civico, number 18

of Via Duomo, in Naples, in the center.

Three rooms, very bright.

And then, on February 18, 1943,

a bombing of the Americans.

It's a bomb that hits precisely on our
palace.

At first there was the palace, and then
there were only rubble.

My father and my mother were buried
under the rubble with so many others.

I got away only because I was able to do
some commissions.

That's right.

How many families were destroyed in the
war.

Even today, because my father was the
only son I had.

His name was Bettina.

Peace to their souls.

Even under the bombs?

No, even in Tenerife.

An epidemic in 1943, half a second ago.

I don't remember, I remember it well.

This has always been a martyred city.

At the end of the war I moved to Venice
because there was my aunt, my father's

sister, who had married a well -known
Venetian merchant. She said to me,

Peppino, what are you doing alone in
Naples? Come here, you're a guest here.

We even found you a job in a typography
of our friends.

And I, donna Ma, didn't think twice
about it.

I was almost hungry.

I took those four leather scarves I had
and faced the journey to Venice.

But how can you do, donna Ma?

Twelve days to go from Naples to Venice.

I don't remember.

The bombs destroyed everything, the
roads, the railways.

I remember that by the end of the war,
the whole of Naples was destroyed in

almost two days.

I arrived at my aunt's house and never
stopped.

The next morning I immediately took
service in this typography.

I have to tell you the truth, I don't do
it to brag, but when it comes to

working I don't look at anyone's face.
They put me near a machine called Piano

Cilindrica, a huge beast that made
impressions just by looking at it. It is

practically a machine that is used to
print books, manifestos.

After a while I had learned so well how
to make this machine work that the

owners of the typography said, the Piano
Cilindrica must be used only by Pino.

Because only he understood how to make
it work well.

And I'm satisfied with this too.

And in short, everything was fine, the
salary was great.

Who had ever seen all that money all
together?

And so, after a while, I left my aunt's
house. I took an apartment for my own,

above the lagoon. In the evening I would
go home, open the window and look at

the lights on the sea.

sentivo l 'odore che mi arrivava e mi
sembrava di stare a Mercedina, a Santa

Lucia.

E così nel 49 conobbi a Rosa e l 'anno
dopo ci sposammo.

Abbiamo vissuto per cinque anni come dei
signori, donna ma, fino al 7 di ottobre

del 1955.

Donna ma, fino a quel momento io ero un
uomo felice, solo che non lo sapevo.

Sapete come si dice, la felicità è
quella cosa che quando ce l 'hai, non la

riconosci.

La felicità esiste solo nel ricordo.

Voi adesso mi prenderete per pazzo, ma
io certe volte vorrei tornare indietro

nel tempo di otto, nove, dieci anni e
riprendermi tutta la felicità che mi

spetta.

Respirarla a pieni polmoni, ingoiarla e
tenermela stretta dentro il più a lungo

possibile.

I don't believe in happiness, it's true.

And maybe I don't believe in it anymore.

Not anymore since that 7th of October.

I was cleaning a cylinder machine with
acid, an operation that I had already

done dozens of times.

But I don't know what was supposed to
happen that morning.

Maybe I breathed the vapors of the acid
or I don't know what else.

At a certain point my head started
spinning.

And then the whole typography was
spinning.

Sono caduto per terra, la bottichetta
con l 'acido si è rotta, mi è andata a

finire tutto sulle mani e qualche goccia
pure in quest 'occhio.

Appena arrivato dentro all 'occhio, l
'acido ha cominciato a fare il mestiere

suo, donna ma.

Corrodere, corrodere,

corrodere.

Un dolore che non ve lo potete nemmeno
immaginare, donna ma.

Un dolore che non augura il peggiore
nemico mio.

E io strofinavo, ma più strofinavo e più
faceva male, perché pure le mani erano

tutte sporche di acido.

Scusate, donna, ma...

L 'ultima cosa che mi ricordo sono le
facce spaventate dei miei colleghi. Poi

finalmente interviene la misericordia di
Dio.

Svegne persisente.

Mi sveglia che stavo già in ospedale,
con quest 'occhio bendato, e la mano di

medico del pronto soccorso che mi
batteva sulla spalla e mi diceva,

non abbiamo potuto fare di più.

Così ho perso l 'occhio, donna madre.

Sure, you would have had to get a good
disability pension.

A disability pension?

But what pension?

But what pension?

I worked in black.

I must tell the truth, the Ballarilli
brothers, the titulars of the

were two gallant men, they assisted me
in everything, they paid me all the

medical care.

Think that they sent me the salary up to
home, even when I didn't go to work.

And then in 1957 they also had some
problems, they failed and had to close

typography. And that's when my calvary
began, ma 'am.

Me and Rosa had to leave the apartment,
we moved to my aunt's house.

Rosa gave a hand in the house with the
domestic services and I went down every

morning to look for some job, just for
survival.

But only jobs, ma 'am, because a real
job is half blind and with all the

problems I had, but who do you want me
to give it to?

After two years, my aunt unfortunately
died.

And my husband, after not even a month,
had already remarried with another

woman. The first thing he did was to
throw me out of the house.

He was at that point, what was I
supposed to do?

And I thought about going back to
Naples. I said, the city will be

there will be some more opportunities.

But what opportunities?

I said, I don't want to make you suffer
with my troubles, but you see it better

than me. Here there are no
opportunities, there have been really

Io e mia moglie ne abbiamo ingoiato di
bocconi amari.

E così io e io ci siamo ridotti in
questa maniera che non mi fido nemmeno

guardarmi dentro allo specchio che certe
volte mi prenderei a chiaffi io stesso

da solo con mia moglie che è costretta
ad atescare gli uomini con il rischio

le possa succedere qualche cosa di male
da un giorno all 'altro.

No ma io nella mia vita ho avuto una
sola fortuna.

Quella di avere una moglie bella e
fedele.

Rosetta.

Rosetta.

But you can't talk any slower in the
morning.

Have you woken up?

Si è svegliata la principessina.

La prossima volta vi venimmo a portare
il tè e i biscottini d 'indolietto.

I 'esco.

Va cappi a rosare a guardaporte a Daniel
Uno Fuminello.

Ma che bene mio marito ci venimmo a
fermare tra a correre.

E chi è sto Daniel Uno Fuminello? Donno,
abbiate pazienza, donna ma. Voi questa

cosa a me mica me l 'avevate detta.

E io se sapevo che veniva un femminello
non ci venivo proprio a Montevergine con

voi. E mi rimaneva a casa.

Io solo se li sento parlare.

I have a bad feeling about it.

Don Peppino, don't worry.

Danielone will take care of the whole
neighborhood.

And then, he's mute.

What does it mean, he's mute?

What does it mean?

It means he doesn't talk.

When he was a little boy, he was going
to be an officer, and then he made a

mistake in his vocal cords.

Oh, no, but be patient.

What's the point of having a girl in a
procession in Montevergine?

Oh.

This is because you have a relative who
lives there.

Excuse me, but your uncle has never
talked about helping the Fomenielli.

And what is this, helping the
Fomenielli?

Today is the day of the Feast of the
Candelors. And every year, on this day,

Fomenielli pay homage to the slave
Madonna with a sanctuary pilgrimage.

This is helping the Fomenielli.

Oh mamma del Carmine, noi proprio oggi
dovevamo andare a Monteperci.

Vabbo, io me ne vado a chiamare, si è
fatta tardi.

A te, ammanno sti due friariello lì, che
ammanno te scitato e stai bella fresca

fresca.

Ma ammanno sti friariello?

Solo il femminello ci voleva oggi.

Ma tu perché non vieni?

Ah, lo sai che odio queste usanze
barbare.

Guarda, solo voi terroni potete andare
in processione a un monte vergine.

Usanze barbare? Che è una cosa
religiosa.

Sì, la cosa religiosa coi femminielli.

Ne è rimasto qua un po' di caffè?

Eh, per te è rimasto, come no?

Dì, dì.

Questo solo voi veneti lo potete bere.

Guarda che con questo qua a Venezia non
ci innaffiamo neanche le piante.

Prima ho sentito Don Amalia un po'
nervosa. È successo qualcosa?

Qualcosa? Quello l 'ha fatto afferrare
al pazzo.

Ha detto che questo mese hai fatto solo
cinque morti. Qua se non aumentiamo il

numero dei clienti, questi ci mettono in
mezzo a una strada.

Meglio la strada di quella camera da
letto. La puzza di quei fiori mi sta

uccidendo. I have a note on my neck here
that I don't even know how to explain.

Good morning.

Good morning, Mr. Gennaro.

Where's my wife?

She went to pick up the others. She says
she's waiting near the bus stop.

Mr. Gennaro, did you know that a woman
came with us?

Who, Danielone?

Of course I know.

Well, you don't give me any impression,
do you?

What impression?

Danielone does everything well in the
neighborhood.

Of course.

They are not afraid to look at him
because he is a mercantile, he has two

meters. But I can assure you that he is
as good as bread.

But now we have to move, otherwise we
will be late.

Come on.

Come on, love, see you tonight.

My wife was right, however, if you want
to go out in any way, you want to move.

Come on.

And don't open to anyone.

Yes, sir.

Buongiorno a tutti! Buongiorno Donna
Maria.

Donna Maria, una bella tazza di caffè?

Grazie. Mostri una prima libera, eh?

Passava, chiamami in uglietta.

Chiamami a breve.

Donna Maria, una bella tazza di caffè,
cavera, cavera.

Come, senza accettare.

Ma come, tu non sei ancora pronta?

E' arrivata pure Donna Maria.

Stiamo aspettando solo a te e tra dieci
minuti la guerriera parte.

But why are you doing this?

The last time we went to Montevergine
was for the wedding party. Do you

how beautiful it was?

Five years have passed.

Today is the Candelora and there is the
help of the Fominelli.

Come on, move, do you know what I'm
doing?

Okay, I got it.

Do as you want.

But tell everyone to keep their heads
up, okay?

I'd rather die than do this.

You're crazy!

Go away!

Go away!

Go away! Go away! Go away! Go away! Go
away! Go away!

Go away!

Go away!

Thank you.

Rosa, Donna Amalia ti ordina di volare
in friarielli.

Entra che fa frito.

Ciao. Ciao.

Come stai?

Bene, grazie.

Vieni, siediti.

Lo vuoi un po' di caffè?

Sì, grazie.

Scusa il ritardo, ma ho dovuto aspettare
che mio marito si addormentasse per

scendere. Tranquilla.

Sai, solitamente Danielone che mi aiuta
a codirlo, ma oggi è andato in

processione a Montevergine e sono
rimasta da sola.

Ma chi è Danielone?

Lo conosci, Danielone?

Pensa che quando tre anni fa mi sono
trasferita a Napoli dalla Colombia, è

la prima persona che ho conosciuto.

È un tuttofare.

Nel quartiere lo chiamano lo
femminiello.

Cos 'è che è un femminiello? Un maricon,
un travestito.

Ah, un omosessuale.

Ah, ecco, vedi. Io sapevo che a Napoli
invece li chiamavano ricchioni.

Sì. Mi pare che li chiamano anche così,
ma Danielone è un po' diverso.

Quando abbiamo più tempo, ti racconto
tutto.

Va bene.

Allora, oggi, come eravamo d 'accordo,
ti spiego il trucco del morto e poi

proviamo anche a metterlo in pratica.

Eh, però, se non vogliamo rischiare, è
importante che tu ascolti e segui bene

tutti i passaggi.

Se poi c 'è qualcosa che in italiano non
lo capisci, me lo dici e te lo ripeto.

D 'accordo?

Certo. Bene.

Ho fatto come mi hai detto.

This is the dress I wore.

Do you like it?

I didn't wear it on my wedding day.

Ave

Maria,

full of grace, the Lord is with you.

You are the blessed among women and
blessed is the fruit of your womb,

Holy Mary, Mother of God, pray for us
sinners, now and

at the hour of our death.

Amen.

Oh. Oh.

Thank you.

you

Thank you.

Thank you.

Thank you.

No.

I love you.

me me

Oh.

Buongiorno, mamma.

Buongiorno.

Mamma mia,

mamma. Ah, ieri sicuro a Montevergine ho
già poto apigliare un colpo di fritta.

Ah, tengo tutto quello che mi fa male e
non lo posso muovere.

Ah, solo che questo ci mancava.

Ah, hai ragione pure tu.

And as if it wasn't enough, this night I
woke up and I said to myself, thank you

very much, but you know what? Today I'm
going to have a fight.

I'm tired.

I'm going to have a fight.

I'm going to have a fight.

I'm going to have a fight. I'm going to
have a fight. I'm going to have a fight.

I'm going to have a fight.

I'm going to have a fight.

But after a minute or two, he comes
back.

And they put me with a little bit of
milk, because, believe me, they'll

me on that. They're making me sick.

I think you've got a few plans.

In half an hour, I'll take Pascale to
Caserta.

To Caserta?

And what are you going to do in Caserta
with Pascale?

Among other things, he's also cordially
antipathetic.

But how can you do that? He's a virgin.

He doesn't have a word.

Today, Rosaria, I'm going to drink a lot
with my sister.

And I'm going to stay alone for at least
five minutes.

That's how Pascal made us believe that
all of us were going to be tired.

So today I'm going to go and talk.

And when you get home, who are you going
to talk to?

With no one.

You stop here, wait half an hour, and
when you see that he's not coming, you

tell him that your friend couldn't come
because he had an unannounced visit.

But why did he do all this drama?

Because Rosario has always been at our
disposal.

He has always helped us in difficult
times, and we have never forgotten him.

You know the economic condition he was
in, right?

He worked for 30 ,000 lire a month.

And when his husband and sister were
tired, they made him a tyrant.

But now that he has been fired, he
doesn't do it anymore.

And that's why he wanted me to explain
the trick of the dead to try to do

something to the deaf. And we helped
him.

I understand.

I understand, but one thing is still not
clear.

But why didn't you do it with Pasquale?

But who?

Who is Pasquale so jealous that if one
touches a woman on the ass, a tragedy

will happen?

It's good, but it's better than a cow.

Wait, I made you coffee.

Drink a cup.

No, sir, it's nothing.

Today I'm going to mix it with the
coffee I made last night. I can do it.

I'm going to torture myself.

I'm going to torture myself.

Excuse me, I'm Rosa's friend. Do you
want to know if she's at home?

I'd love to stay a little longer. But if
you want, you can go.

No, thank you. It's not important.

Maybe I'll come back later.

All right. Excuse me for disturbing you.

Yes, yes. Goodbye.

Goodbye.

Good morning, Mrs. Amalia.

My husband and I are ready.

When you want, we can start.

Adelina, your Colombian friend, is
coming. She'll be here later.

How did you know her name was Adelina?
Do you know her?

We all know her in our neighbourhood.

She was so beautiful, you can't help but
notice her.

And then, when her husband died, the
whole newspaper was talking about her.

What exactly happened?

And she's always so reserved.

She never wanted to tell me about it.

It's life, you know?

A memory hurts.

It hurts so much.

They were originally from Colombia, and
I married them seven or eight years ago.

My brother and my husband immediately
moved to Naples after the war.

They lived in a beautiful place in
Fatiga, in Basso Porto. They worked as

unloaders.

Now Colombia seems to have a lot of
women for us.

And even three years ago they decided to
move to Naples.

He found the same fatigue as his brother
at Bascioporto.

He found a good job at the pastry shop
in Bellavista. He was doing like him.

In short, he was making pasta.

He found a nice house in Cadretto. He
made a great miracle.

They still live in the house.

In short, one thing is left to be seen.

One thing is left to be seen.

It was you who made the lives of the
great lords.

And how beautiful they were when they
went down the hill.

No less than the people who turned to
look at her.

Who now has the old women like this?

Short, slender, slender.

But who before was a little woman.

Well, you're still a beautiful woman
now, eh? Beautiful.

I look like a red -haired movie star.

But I don't want to be transferred to
the society of disgrace.

In the early morning, I went to work.

I was tired as hell, brother.

I went to the bank to buy a container,
which

was worth a hundred meters.

Oh, my God!

What a tragedy!

He was right.

It was a real tragedy.

My brother and five of them were shot
dead.

They were saved by a miracle.

But they were not recovered by the
ballerinas.

And when they came back, Steve Shunk was
killed.

But he was lucky, because the container
was broken in half.

Amalia, it's better to die than to be in
those conditions.

I've made up my mind.

But that woman was a great woman.

I'm glad I never left her alone.

She was always close to the hospital.

She would wake up in the morning and
leave in the evening.

Poor woman, poor woman.

It really was a tragedy.

That's why they have such serious
economic problems.

Danielone made me understand that the
situation is not so desperate.

Danielone lives.

And the female is him.

Yes, no, no, I don't know him, but
Adelina told me about him just

He's a little bit curious, but he's a
good Christian.

He doesn't talk, because when he was a
child, his parents were poor children,

but he has a vocal cord.

We in the neighborhood love everything,
he's our lucky charm.

He's someone who calls for a little
service.

He works as a woman, you know.

Really?

Yes, yes.

He assists the elderly, the sick, he is
close to the creatures.

He also does some domestic work.

Yes, Adelina told me that sometimes she
also gives him a hand with her husband.

There was a hand.

He would have died if he didn't know it.

Rosa, have you forgotten that I've been
sleeping on the bed for half an hour

with that smell of flowers that is
killing me?

What are

you

doing

there?

I'm looking at you.

You're beautiful.

Senti, invece di fare tanto lo
spiritoso, fai a fare il morto, che da

sei fatto vecchio è l 'unica roba che ti
riesce bene.

Sì, sì.

Tu levami i fiori dalla stanza e poi ti
faccio vedere.

Io me ne torno al Camposanto.

Buon lavoro.

Sì, sì.

Vai, vai.

Who is it?

Did you scare me?

No! Did you pass yesterday too? And the
other day too?

I saw you yesterday.

Not the other day.

And I'll pass tomorrow too. Oh yeah?

E dopo domani? Alla stessa ora, qua sto.

E come mai volete vedermi tutti i
giorni? Perché la vostra bellezza

nell 'animo gioia e letizia, creando un
'atmosfera magica e meravigliosa dove

tutto intorno si muove.

Mamma mia, che bello!

Voi napoletani siete tutti poeti?
Perché?

Poi dove siete?

Ah, io sono di Venezia.

Mi sono trasferita a Napoli da poco.

Quindi dicevate che passate tutti i
giorni per allegrarvi l 'animo?

Per questo e per altro.

Scusate, ma non è conveniente che io
rimanga alla finestra a parlare con uno

sconosciuto. E allora me ne vado.

Ma ne volete andare?

E voi avete detto che non è conveniente
parlare qui.

Possiamo parlare dentro?

Entrate. Grazie.

Be quiet.

What's your name?

Antonio.

My name is Antonio, but my name is not
the 13th of June in Santo Antonio di

Padova, no.

I celebrate the 17th of January in honor
of Santo Antonio Abbate, the great

Egyptian hermit.

Well, then, congratulations in advance.
Thank you. And what's your name?

Posso darti del tu?

Ma certo.

Mi chiamo Rosa.

Rosa. Santa Rosa il 23 agosto, in onore
a Santa Rosa da Lima.

Oppure il 6 marzo, in onore di Santa
Rosa da Viterbo.

Ora tu quale festeggi?

Il 6 marzo.

Ma fino al 6 marzo è lontano. Però ti ho
portato un pensiero.

Grazie. Ma domani, in onore del tuo
nome, ti porto un mazzo di rose rosse.

Rose di maggio.

Those cultivated in the mountains.

We call them hooded roses.

They are hooded because they have the
shape of a hood with very large and

petals that shrink and become small in
the center.

Fragrant? Very fragrant.

They are of a red color and emanate such
an acute fragrance that makes your head

spin.

Sono sicura che tu non offri le rose a
tutte le donne che incontri, eh?

Ma te sì.

Antonio, io ti ho fatto entrare perché
ho bisogno.

Antonio, solo il bisogno mi fa fare
quello che sto facendo.

Tu soldi ne hai?

Per comprare le rose?

Ma che rose?

Tu le rose perché me le vuoi dare?

Per farmi la corte?

E perché si fa la corte a una donna?

Per portarla a letto, e allora, è presto
fatto, dammi i soldi e andiamo a letto.

Non sono una prostituta, eh.

Credimi, io non faccio questo mestiere.

Antonio, tu sei il primo.

Uh, sei titella.

No, questo no.

Sei il primo dopo mio marito, ma la mia
vita non ti deve riguardare.

Sì, generoso, dammi un po' di soldi.

Eh, ma presta poco quanto.

Ma che ne so, io non me ne intendo.

Mi hanno detto... Diecimila.

Certo che questo fatto non accade tutti
i giorni.

Io diecimila lire ce l 'ho.

Spogliati. Spogliati prima tu.

Quanto sei bella.

Presto, presto.

Dobbiamo fare presto.

Non devo cambiare idea.

Su, su, su, su. Non ci devo pensare
sopra. Dammi subito i soldi, dai.

Ma non hai fiducia?

Ti ho già spiegato che io questo
mestiere non l 'ho mai fatto.

Mi hanno detto che si paga prima.

Ed è meglio. Non ti pare?

Meglio per te e meglio anche per me.

Io sono disperata. I soldi mi occorrono.

E poi...

Se tu mi tranquillizzi su questo punto,
posso anche essere più carina con te.

Sì, grazie. Hai ragione, hai ragione.

Diecimila lire.

Grazie. Prego.

Vieni. Dove? Là.

Sì.

E che sta facendo quello là?

Niente.

Non sta facendo niente.

Non può più fare niente.

Stanotte è morto all 'improvviso e mi ha
lasciata sola per sempre nella

disperazione.

E tu mi domandi cosa sta facendo?

Ah, ma sono una donna onesta io.

Adesso hai pagato, hai diritto. Vieni,
facciamo presto.

Vicino a lui?

Ma stai scherzando?

Che ti importa?

Tanto è morto. Mica ci può vedere.

Che mi importa? Non scherziamo. Ti
faccio le mie condoglianze e fammi

uscire. La porta sta là. È la 10 .000
lire.

Caro mio, stanno qua.

E adesso stanno qua. E se tieni il
coraggio, vieni a prendertele tu stesso.

Sia fatta la volontà di Dio.

Statti bene.

E anche questa è fatta.

E meno male che se n 'è andato. Con
quella voce mi stava venendo da ridere.

chi era? Pavelino.

Thank you.

Why?

No more.

No more. No more.

uh

Yeah.

No.

No.

Thank you.