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(woman bellowing)

(woman shrieking)

(woman shrieking)

(footsteps pattering)

(intense music) (woman gasping)

(footsteps pattering)

(footsteps pattering)

(eerie music)

(intense music)

(footsteps pattering)

(branches rustling)

(wind whistling)

(eerie music)

- Those in there.

The people who are there tonight are where they are

because there is where they are to be.

Through the centuries,

there they are,

trapped.

(eerie music)

(footsteps tapping)

- Sometimes...

Isn't it weird sometimes how,

how you remember things you don't wanna remember?

I told you I had a dream and now I...

It was a nightmare.

It was a nightmare about you.

I mean, you were in it and

many others were in it too, but

I saw you there

in a forest

with blood all over.

- Wasn't it you who said I shouldn't

pay too much attention to dreams?

- I meant when the dreams are not your own.

Like that book you read all the time.

You've changed.

- Yeah. I don't really care about my own dreams.

It's different when they come.

Like they're not my own.

- Because of that book. Right?

What she wrote, what she dreamt.

- Not only that.

- But that's what you believe.

You've changed.

- You would too.

- I wouldn't know.

I didn't find those things.

(eerie music)

- The human body begins the decay process

approximately 15 minutes after death.

Upon death, our protective coating breaks down.

So, bacteria begins consuming the body.

This causes the body to bloat.

When the bloating has reached its maximum,

the body ruptures and fluids drain out.

(eerie music)

(shutter clicking)

- That's it.

Attitude. More attitude!

(shutter clicking)

Even more attitude!

(shutter clicking)

You're sexy, you're bitchy, you're better than this!

You don't care, you're out of here!

(shutter clicking)

(soft dramatic music) (necklace jangling)

- But there's one thing that hasn't changed.

I can still lift you like a little doll.

- Hey! (both chuckle)

No! - remember that after the wedding dip?

- Stop! (book thuds)

Hey, that's my book!

(woman laughing)

Hey, stop it!

Ah, what are you doing?

(both laughing) - No

- These fluids will be extremely foul smelling.

Veteran police officers in crime scenes

will often gag and/or vomit upon smelling these odors.

Throughout this process.

insects are almost continually present.

Flies lay eggs in soft tissue

and moist areas such as the eyes.

(women groaning) - Red.

Now pain, pain!

(shutter clicking)

Pain in the face!

(shutter clicking)

Wild.

This is no game, baby.

This is the real stuff.

(shutter clicking)

- I wouldn't have liked to listen that stuff before.

(soft organ music)

Till I found the book.

- Now I remember what I felt

when I woke up from that nightmare.

- So yeah, you are right.

I've changed.

- I felt that everything is about timing.

Some people can be totally right for each other.

Everything just right.

- It's like when I found the necklace in the book.

It was timing.

Except for the timing.

- These eggs develop into larvae,

more commonly known as maggots.

These maggots usually appear to be small,

white and worm-like,

and they will consume the soft tissue of the body.

They will then mature into flies and lay more eggs.

And so the cycle repeats itself.

- Okay, great, great Be boring.

Be boring.

(shutter clicking)

But then. Then.

(shutter clicking)

Yes, Julie. It's like you're having sex with that lipstick.

And Dory, you're the virgin watching

a blowjob for the first time.

All right. There.

(shutter clicking)

Beautiful. Beautiful.

Beautiful. Beautiful!

(shutter clicking)

Take your shirt off now, Dory.

- Anybody knows what the two basic stages

of death are called?

Yes. - Ah, somatic

and molecular,

which is basically decomposition, right?

- That is correct. And then we have decomposition.

Does anybody know some of the stages of decomposition?

Yes, Alice.

- Well there is the first stage which is rigor mortis

Skin gets tight and gray in color.

Then there is also a greenish discoloration.

Bladder and bowels empty.

And I think hands and feet turn blue after 30 minutes.

- Yes, these are all examples

of one stage of decomposition,

the so-called fresh stage.

- Is rigor mortis in the fresh stage?

- That is correct. Rigor mortis is part of the fresh stage.

Anybody knows about the time frames of rigor mortis?

Yes. - Ah, about three,

four hours after death.

- That is true. That is when it approximately starts.

The body is completely rigid after about 12 hours,

and rigor mortis lasts about 36 hours after death,

then the body softens again.

- Isn't it after about 24 hours

that head and neck turn greenish?

- Yes, um, greenish blue color

starts spreading over the whole body,

but it starts from the head and neck.

That is true.

Anybody knows the other stages of decomposition?

- Three weeks after I found the necklace,

I found the book.

(soft dramatic music)

Both in this school.

This school.

(necklace jangling)

- How did you find that exactly?

- Didn't I tell you?

- Well, you, you said something about it hanging on a wall.

- That's what's so weird.

It was hanging from like a crack

in the wall here in school.

Anyway, it was as if

it was meant for me.

(eerie music)

- Yes, Phillip.

- There's the bloated stage.

- Yes. That occurs after three, four days.

So what happens during the bloated stage?

Yes. - Ah, the production of gases

makes the body inflate.

- Yes, the body may inflate to a balloon-like state.

And these gases make the skin blistered.

- Yeah, it those gasses that causes the terrible smell.

You know, seeping out fluids from the body openings.

- Yes, absolutely. That is correct.

And the rest of the stages? Anybody?

- There is putrefaction.

- Yes, that is true, though the putrefaction

is generally called the decay stage.

That is when the body collapses on itself,

as the skin cannot hold the gasses, the body deflates.

- Isn't that the stage when the maggots are feeding?

- Yes, larvae will have removed most of the flesh

from the body by then.

That is the end of the decay stage,

leaving only skin and cartilage.

- Try turn the cat. It's like the cat is a guard.

Turn him here. Try turning here.

(eerie music) (shutter clicking)

It's guarding your pussy.

He's guarding your pussy, Dory.

(shutter clicking)

- Then there is the skeletal stage.

- Yes, but before that there's another stage.

Anybody?

Max. - The post-decay stage,

where the body has been reduced to skin and bone.

- Yes, uh, the body's by then only skin

and cartilage and bone.

And that is also when the bacterial larvae

will be replaced by other types of larvae and parasites.

- Then after that comes the skeletal stage?

- Yes, that is when only bones and hair remain.

- So you never thought about someone,

someone having dropped it or...?

(soft organ music)

- No. No.

It was like, it was left there for me.

And then the book.

- That book.

- In the library, three weeks later.

Same thing there.

- It's a notebook, right?

- Yeah. It's handwritten.

It's dated 1973.

Not exactly from anyone here.

(chain jangling)

And when you read it...

Right after I found the necklace,

the dreams started.

Some of the dreams I had

were the same dreams that little girl had.

They were in the book.

- So, can anybody name the four primary categories

of organisms involved in decomposition?

- Well, there's bacteria.

- Yes.

(pen scratching)

- Insects. - Correct.

And?

- Well, then there's fungi.

- Right. And fourth?

- Scavengers. - Right.

If a body is exposed in the wild,

then, well, it may take less than a week

for scavengers to completely skeletonize a body.

- Then there is also pet animals.

- That is correct, though that counts

as the same category as scavengers.

But, in absence of their natural food,

it is true that, (clears throat), well,

pet dogs and cats will feed on their owners,

usually attacking the face and exposed limbs first.

- Can you tell me what kind of stuff is in the book?

(soft organ music)

Like what type, what kind of writing?

- Well, the girl calls it riddles

or enigmas.

- How old was she?

- Like five years old or-

- And she wrote that?

- No, she had the dreams.

She told her sister

what to write after each dream.

In the book, it's written about

how the girl finds a necklace.

This is in the, the 1970s.

(necklace jangling)

She finds it in her grandfather's attic.

Then she starts having those dreams.

- Do you think she's alive? The girl?

She must be over 40 now.

- No, she's dead.

- How do you know?

- She died when she was 18.

- Did you dream that?

- No, not really.

But that's the last thing her sister wrote in the book.

- And you don't know her name?

- I don't know any of their names.

(eerie music)

- But let's take a couple of moments for another level.

So to speak.

Since you are here for fundamentally

corresponding reasons.

- Well, in my case,

it used to be fear,

but, uh, now I'm writing a book

essentially about death.

It has, uh, become more of a preoccupation,

is perhaps a better word.

I'm more inclined toward a philosophical

point of view nowadays.

- For me, it used to be a consuming fear.

Fear of dying, thinking about that, bang,

just once, than not being impossible to change.

Never to be again, just death, death.

That always never, infinite nothingness.

(eerie music)

Blackness or not even that.

Just nothing.

- That is an example of thanatophobia.

- In my view, which is, uh, the subject of my book,

is, uh, death as a curse to mankind

or rather the knowledge of death.

The knowledge that we are going to die.

Irrefutably, irrevocably, inexorably,

you might might, might say hopelessly,

we are moving towards death.

(eerie music) - But I don't get it.

I was here early.

I was here before you and you got mad.

- I hate it even more when people are early.

Being on time means being on time, not earlier.

- So you'd rather have someone come late?

- Yeah. - (chuckles) Just like in bed.

- I'd rather have someone come too early though

than taking forever.

- Yeah, I hate those times when it takes forever.

- I always feel like asking those guys,

what are you looking for?

- I mean, I consider like three minutes after on time.

- Perhaps the G-spot? - That's such a big lie.

The G-spot. It's doesn't exist.

- Three minutes before is fucking stressing me out.

- Where is it? Where is it?

- The G-spot computer game. (chuckles)

- Yeah, find the magic button,

press and va-va-voom, orgasm!

- My idea is man

developed consciousness as a curse.

This consciousness

led to consciousness of death,

which is something animals don't have.

Animals are blissfully unaware, just, uh, living.

So my conclusion,

my cruel conclusion is...

- It's all clitorical.

- Yeah. The pleasure is all around the clitoris.

So a great tongue is what you need, Paul.

- Whatever. - If you wanna give pleasure,

go clitorical baby!

(both laughing)

- Who proved it though?

- Well, isn't experience enough?

- I mean, when they speak about it in the news

and stuff, scientifically.

- Some clitorical doctor. - (chuckles) Yeah.

- Instead of being late in the vagina,

be early, clitorically.

(women laughing)

- Get yourself ready for a fantastic clitorical voyage.

Be a clitorical explorer.

(women laughing)

- What is your cruel conclusion?

- Excuse me.

- Yes.

- I, I need to go to the bathroom.

- Well, go ahead. You don't need a hall pass here.

- Okay. Thanks.

(footsteps shuffling)

(creature growling)

(woman screaming)

(suspenseful music)

(footsteps shuffling)

(creature growling)

(tapping)

Hey. Someone there?

Who's there?

(clattering)

(suspenseful music)

(door bangs)

(soft organ music)

- When you kissed me,

it's just knowing that I can be loved

and love in such wander.

(breathing softly)

- Well, the cruel conclusion,

very philosophical,

is that since mankind,

unlike animals, is cursed.

It would be better if

mankind did not exist at all.

And then the real cruelty is to have children

and thereto continue the curse of consciousness

is actually a cruel act.

(suspenseful music)

(door squeaking)

(Phil sighs)

- When was the last time?

- Uh, uh...

- You mean with a guy?

- Of course. - Why, of course?

Of course?

- Well- - Shh, there's someone there.

(door squeaking)

What are you doing there?

- I, I was just...

- I think we have a Peeping Tom here.

- No, no, I, I'm here, down there

on a special seminar, but,

but, but I, I, uh, I, I,

but I came here because I know you, Julie.

- Yeah? I don't...

- Well, you wouldn't know, but you, you...

I know you don't wanna be called that anymore

and that you quit, but I worship you.

You are a

goddess to me.

I have followed you ever since

you started calling yourself Goddess Julie.

- Yeah, but that's over now.

- I know, I'm sorry, Goddess,

but I, I've been...

- Shh, shh, shh, shh, shh.

I'm gonna need some time here, okay?

- Yeah. Sure.

- Take your time.

(doorknob clattering)

- Don't worry. I'm not gonna tell you to fuck off.

- I was the one who gave you the trip

to Hawaii

on your birthday two years ago.

I used to put a thousand dollars in your bank account

every month

and all because...

I worship you.

(eerie music)

You rule me.

I love you, Goddess Julie.

- Hey, shh, you know I quit with that dominatrix stuff.

You know that, don't ya?

- I know. - So?

- But, but you still rule my life.

I look at your pictures every-

- Okay, honey, I don't wanna be rude,

but you can't follow me like this.

- But I didn't. - No?

- Not really.

- No?

(ominous music)

(creature snorting)

(woman gasps)

(suspenseful music)

- What's the matter?

There's nothing on the other side there.

- Shh.

- Can you hear something?

- Yes.

- I can't hear anything.

(distorted growling) (woman gasps)

(creature snarling) (woman gasps)

What's wrong?

- I have to get out of here.

I'm gonna run for my book. It's in my locker.

If you get out, wait for me outside.

- But wait, can I...

- Wait for me outside!

Get out! Now!

(suspenseful music)

(Wendy breathes heavily)

(muffled shrieking)

(suspenseful music)

(creature chittering)

(Wendy gasping)

(footsteps shuffling)

(creature rattling)

(Wendy breathes heavily)

(creature burbles and chitters)

(intense music)

(creature growling)

(Wendy gasping)

(creature snarling)

(Wendy gasping)

(creature snarling) (Wendy choking)

- What was that? - What.

(suspenseful music)

(Wendy breathes heavily)

(creature chittering)

(Wendy gasping) (force whirring)

(lights buzzing)

(creature chittering) (Wendy gasping)

(creature burbling) (Wendy whimpering)

(creature chittering)

(soft dramatic music)

(Wendy gasping)

(Wendy moaning)

(suspenseful music)

(Wendy gasping)

(eyeballs squelching) (Wendy screaming)

(creature rattling and growling)

(Wendy shrieking and screaming)

(creature growling)

(Wendy screaming) (creature chittering)

(creature snarling) (Wendy groaning)

(lights buzzing)

(soft dramatic music)

(woman sighs)

(intense music)

- Wendy? (panting)

(lights buzzing)

Wendy?

(suspenseful music)

Wendy?

(woman gasping)

(footsteps tapping)

Wendy?

(lights buzzing)

- Is it a power outage?

- But we're leaving anyway, so.

- Here's your stuff.

- It's kind a spooky, eh?

- Yeah. I hate places like this.

Especially in the night.

- We were almost finished for today at any rate.

- I wonder where this boy, what's his name?

- Philip. - Yes, Phillip.

I mean, he has been gone a long time.

- I don't think this is just a fuse.

Must be whole school.

It could be a power outage in the whole area.

- My daughter is expecting me in exactly 15 minutes.

Takes me five minutes to go to the car where she's waiting.

I will wait here for Philip for eight minutes.

- Perhaps he's sick.

I can go to the bathroom with his things.

- I think the most appropriate thing is to wait.

But if you wanna leave...

- I'm in a hurry.

I can wait here with you couple of minutes.

- I'd rather not go alone in this dark.

- That is completely understandable.

- Um, I've gotta powder my nose.

- All right, go ahead, and we'll wait outside the entrance.

- Are you kidding me? - No.

- You're kidding me, right?

- No, we'll wait right outside from where we came in.

- Are you gonna leave me here in the fucking dark?

Come on. I'm not gonna take long.

- Right, we'll wait here and escort madam out

when she's ready with the powdering.

- You should learn a little something from that guy.

(lights buzzing) (suspenseful music)

(door opens)

- Wendy?

(woman panting)

Wendy?

(door opens) - Perhaps he went home.

- He took his jacket so he can get his bag next week.

- I still think it's weird to just leave like that.

(footsteps tapping)

(lights buzzing)

(Julie sighing)

(suspenseful music)

(lights buzzing)

(woman breathes heavily)

(creature growling)

(creature burbling)

(soft dramatic music)

(creature chittering)

(lights buzzing) (footsteps tapping)

(muffled shrieking)

- Did you hear that?

(footsteps tapping)

- After you, madam.

- (gasping) You guys go ahead.

What's the matter?

(suspenseful music)

(door opens)

(Paul gasps)

(door squeaking)

(Lori gasps) (high-pitch screeching)

(Paul gasping)

(all gasping and groaning)

(all groaning)

(high-pitched screeching) (Phil and Paul screaming)

(Lori groaning)

(door closes)

(Max coughs and chokes)

(Alice retching)

(Paul groaning)

(Dorothy groaning)

(Phil and Paul groaning)

(Alice retching) (footsteps tapping)

- Alice!

(Max coughing)

Can you hear me?

(Max gasping)

- Your, your nose is bleeding.

- Shall I call an ambulance?

- I, I don't think that's...(coughs and gasps)

- I don't know about Alice.

- It's probably some gas.

It might be a terrorist attack.

- I'd better call my daughter.

(phone ringing) (Max wheezing)

- Yes, we're waiting! - Hi, honey.

Are you okay?

- Sure.

- Are you sure?

- Of course, I'm sure. Where are you?

- Um, I'm, I'm still in the school.

Where are you?

- Right outside.

- Right outside?

- Of course. You're supposed to be here.

- I, I, I, I, I know. There's been a delay.

- Why?

- Honey, are you sure you are okay?

- Of course. We're right outside.

- We think there might be some problem.

A, a, a gas leak.

Honey, are you in the car?

- No, I told you, we're right outside.

- Where?

- Right outside.

- Right outside?

- The playground.

- You, you mean here at the school yard?

- I told you, we're right outside.

- Honey.

Can, can you do me a favor?

- What?

- Can you walk here

to the entrance so that I can see you?

- Sure. We're right here.

- Uh, could you, could you walk over here?

- Sure. We're coming.

- They're outside? - How far away are you?

- I can see the school.

- It's, it, it's the, it's the main entrance.

- Okay. We're coming.

(suspenseful music) (lights buzzing)

- I can see you. Look!

- Ask them about the air. - How's your breathing?

Is the air feeling okay?

- Yeah, I guess.

- No problems? - No.

- Careful, honey.

- Why?

- Whoa, whoa, wait, wait, wait!

Are you all right?

- Where are you exactly?

- We're here!

We're right here! Right in front of you!

I can see you!

- Where? - Here!

Here!

- Are you sure you're in the right entrance?

- Yes, honey. I can see you.

I can see you.

You're right outside. See?

Look, look, look inside.

- There's nobody there.

- What's the matter? Can't you see?

(suspenseful music)

- It's all empty. All closed.

Nobody there.

- (sighs) Can you try open the door?

(door clattering)

- It's locked. - Try again!

(door clattering)

Harder!

(door clattering)

- It's locked, Mom!

(door clattering)

Uh, it's locked.

(suspenseful music) (lights buzzing)

(door opens and closes)

(door opens)

(high-pitched screeching)

(door closes)

- Wendy?

(suspenseful music)

(lights buzzing)

- Who am I?

Who am I?

(water dripping)

- Move!

(Alice vomiting)

(lights buzzing) (Paul groaning)

(suspenseful music)

- I'm okay.

- Are you?

- Please.

- (gasps) My cat!

Moon, Moon, come back here!

- (gasping) It felt like, (gasps) being strangled.

(footsteps tapping) (suspenseful music)

- Moon!

(water flowing)

- (breathes heavily) Who are you?

(sighs) Why are you here?

(woman gasps)

Can you, can you see me?

(footsteps tapping) (intense music)

(creature chittering)

(soft dramatic music)

- I am a goddess.

(creature chittering)

(Alice groaning)

(creature chittering)

(woman gasping)

(Alice screaming)

(woman gasping)

(Alice convusling)

(woman gasping) (Alice groaning)

(bones cracking)

(blood spurting)

(Alice screaming)

(woman gasping)

(Alice convulsing)

(jaws chomp) (tongue plops)

(woman gasps)

(blood burbling)

(woman gasping)

(Alice hissing) (intense music)

- It can still be gas. Some form of.

Uh, I mean, this was, this must have been

a hallucination.

Chemistry can conjure up some really horrible things.

- I never wanna experience that again.

- There must be help on its way.

Better stay inside.

Because we're sure not going out to that again.

I'm not going out until I know it's safe.

- Have you checked your phone?

- It's dead.

- Same here.

Have to go and look for Alice.

I wonder where she went.

- Yes.

(suspenseful music) (footsteps tapping)

- [Lori] I'm worried about my daughter.

- That fucking sound.

That fucking screeching shit.

- So, so horrible.

- Where the fuck did Dorothy go?

- I think she went looking for her cat.

- Okay.

- Could this be some kind of...

(Phil groans)

- Some kind of...

- I don't have a fucking clue.

I just don't wanna go out there again

until there's a rescue squad or something.

- It's so strange that all of our cell phones are dead.

- What is happening?

(suspenseful music)

- Moon?

(footsteps tapping)

(door opens)

(Dorothy panting)

Moon?

(footsteps tapping)

Moon?

Moon?

(lights buzzing)

(door opens)

- Alice?

(footsteps tapping)

Alice?

Alice?

(suspenseful music)

Hello?

What are you doing here?

- Are, are you all right?

- Anybody else here?

- Have seen a woman?

- Let's get you up. Out from here.

Shall we?

(suspenseful music)

- [Max] What's your name?

(lights buzzing)

What's your name?

- Are you here alone?

Was there someone with you?

- [Max] Have you seen anybody here?

She's clearly not responsive.

- Look! She's about to say something.

- What's that? A cat?

(suspenseful music)

A girl?

Just wait here. I'll go and have a look.

Alice? Alice?

(Moon meowing)

- Dory?

(footsteps tapping)

Dory?

- [Julie] Dorothy?

(suspenseful music) (lights buzzing)

- Wa, wait, wa, wa, wait.

Wa, wait here.

(footsteps tapping)

(eerie music)

(creature chittering)

(footsteps tapping)

(Lori laughing maniacally)

(soft dramatic music) (whirring)

(Lori humming)

(Lori gasping) (creature chittering)

(Lori choking)

(creature rattling)

(Lori groaning)

(bones cracking) (Lori screaming)

(creature chittering)

(bones snapping) (Lori gasping)

(Lori screaming) (intense music)

(Lori gasping)

(Dorothy panting) (lights buzzing)

(suspenseful music)

(footsteps tapping)

(creature growling)

- What?

Where did Lori go?

Did she go to the bathroom?

Lori? Are you in there?

Are you in there, Lori?

(door closes)

(eerie music)

(Max clears throat)

Do you know where she...

Are you okay? Uh.

I guess we might as well sit here

and wait for her for a couple minutes.

- Dorothy?

(suspenseful music) (lights buzzing)

Dorothy?

I went to high school here.

(eerie music)

I know a girl who said she saw a ghost here.

- You believe in ghosts?

Sometimes I do. Sometimes I don't.

(creature chittering)

(Paul gasping)

- What's the matter?

(creature growling)

- Do you see him? See him?

Can you see him?

- See what, Paul?

- Stay here.

- Paul! Come on, wait!

- [Phil] Let's follow him.

(lights buzzing)

(suspenseful music) (footsteps tapping)

- [Julie] Where did he go?

- [Phil] It seems like he went all the way up.

(footsteps tapping)

(Dorothy panting)

- (sighs) Hey!

(Moon meowing) Moon!

Wait!

(suspenseful music) (lights buzzing)

(creature chittering)

(Dorothy gasps)

(creature chittering)

(Dorothy gasping) (creature chittering)

(nails stabbing) (flesh ripping)

(Dorothy screaming) (flesh tearing)

(blood spurting)

(creature chittering)

(Dorothy screaming)

(blood spurting)

(Dorothy screaming)

(Paul screaming)

(Julie gasping)

- What?

(Paul groaning)

(Paul screaming)

(Paul growling)

(body thuds)

(Paul groaning)

(intense music) (Paul screaming)

(high-pitches screeching) (Phil and Julie screaming)

(Paul growling)

(body thuds)

(heavy breathing)

(eerie music)

(dial pad clicking)

- What was that?

(lights buzzing)

Who did that?

(suspenseful music)

(Julie whimpering)

(eerie music)

(Max sighs)

(eerie music)

- Uh, I think I...

I have to go

and look for that lady

I was here with.

(lights buzzing)

Do you wish to stay here?

Eh.

Hmm.

(scratches head) Hmm.

Hmm.

(suspenseful music)

(footsteps tapping)

- Was it was, was, was it really here?

- Yeah, of course.

- There's nothing.

(lights buzzing)

(suspenseful music)

(distorted voices)

- There was not a trace, no blood, nothing.

- Do you think it was a hallucination?

- Seems impossible.

I don't get the impression that I'm drugged,

No such feelings.

I don't feel like I'm drugged.

(lights buzzing) (suspenseful music)

- Have you lost something?

Huh? Uh. (groans)

(woman grunts)

- I have this fear.

- [Julie] Fear of death?

- Really not exactly the way people know.

Think of death or fear of what I've done with my life.

If I live it perhaps completely wrong.

And then there's death.

And there will be this big confrontation,

like a, a reckoning.

- Like judgment, you mean?

Perhaps like going through hell.

- Like a trial

And perhaps find out in death

that my life has been wrong.

All I did, all I thought

was right and true was actually wrong.

Completely wrong.

- That's just a lot of guilt shit.

You don't have to feel that way.

What about those feelings you had from me?

There's nothing wrong with that.

- It's not exactly about that.

My fear is that I die

and forever,

there will be punishment.

And through death, I'll have to face the consequences

of my sins forever.

- So you believe in hell.

You believe in sins.

- Well, not all the time.

Not when I see you, but alone, yes,

when I think about death.

(eerie music)

(lights buzzing)

(suspenseful music)

(creature chittering)

(creature snarling) (woman gasping)

(creature roaring and chittering)

(woman groaning)

(woman grunting)

(Phil groaning)

(creature growling)

(creature chittering)

Did you see that?

(footsteps tapping) (woman grunting)

Let's follow them.

(lights buzzing) (suspenseful music)

(footsteps tapping)

Have I been drugged?

Wasn't a girl with you just now?

- There might have been a gas attack outside.

We can't trust anything.

(footsteps tapping)

- There she is!

(suspenseful music)

- But that's not the same girl.

- Who are you?

- What do you wanna show us?

- I don't think I wanna be down here.

(lights buzzing)

- She disappeared again.

(woman snarls) - Don't!

- Don't trust your eyes.

(suspenseful music)

- It's...

- What do you want to show us here?

(footsteps tapping)

(footsteps tapping)

- You saw something, didn't you?

- [Phil] Did you see it too?

- There are elevators back there.

(creature chittering)

(footsteps tapping)

Uh, I'm gonna go and have a look.

(eerie music)

- Did you wanna show us something here,

but you can't remember what it was,

or it isn't here anymore?

(soft dramatic music)

Anyway, I'm Julie.

Maybe later we can speak. Huh?

You can tell me your name.

You want one?

- Thanks.

(matches clattering)

(match striking)

(suspenseful music)

I don't even smoke. (coughing)

- Smoking always made me feel

closer to fire.

So to just carry cigarettes and matches,

made me feel connected somehow.

The feeling of lighting a match.

I just love it. (chuckles)

(Phil coughing)

(suspenseful music)

(button clicks)

(button clicks)

(woman screaming)

- Doesn't, doesn't make any sense.

(Julie exhales)

(cigarette sizzles) (Phil coughs)

- I'll just go out and look where he went.

(suspenseful music)

(soft dramatic music)

(suspenseful music)

(creature rustling)

(creature burbling)

(footsteps tapping)

(Phil panting)

Hey, Max.

Could you come and have a look at something?

I think I saw something behind one of the curtains.

- Really?

Where?

(soft dramatic music)

(pages rustling)

(suspenseful music) (footsteps tapping)

(tarp crinkling)

Well, what's that?

- What's with the elevator?

- What exactly did you think you would...

(creature rustling)

So...

(suspenseful music)

(footsteps tapping)

(soft dramatic music)

- Could I have a look?

(book thuds)

Please. Just borrow it.

(matches clattering)

(matches clattering)

(matches clattering)

If I need another smoke,

you gotta let me borrow it.

Okay?

Just borrow it.

(book thuds)

(suspenseful music) (footsteps tapping)

(tarp crinkling)

(intense music) (all screaming)

(Max gasps)

(Phil coughing)

(Phil wheezing)

- That's not real! That's a hallucination!

This is, this is part of a,

this is, this is...

(Max panting)

(Max coughs)

(doorknob clattering)

(Max grunting)

(button clicking)

Listen! This is a...

This is part of a...

This is, this is...

(suspenseful music) (footsteps tapping)

(snarling) (Phil sighs)

(shrieking) (Phil groaning)

(snarling)

(creature burbling)

(lights buzzing)

(creature chittering)

(creature snarling)

(Phil breathes heavily)

(creature chittering)

(Phil breathes heavily)

(creature chittering)

(nails stab) (Phil screaming)

(flesh tears and squelches)

(entrails squishing) (Phil screaming)

(soft dramatic music)

- Billions of years ago,

they came.

Mysterious too.

Far away.

To open up gates.

One place at a time.

Only for Ted to see.

(suspenseful music)

(button clicking)

(elevator clanks and dings)

(Max gasping)

(elevator clanks)

(soft dramatic music)

(necklace jangling)

(necklace jangling)

(speaking in foreign language)

- Miami? What did you say?

Miami? Miami.

(chuckles) It sounded like you said Miami.

(speaking in foreign language)

(suspenseful music)

(Max whimpering)

(elevator dings)

(creature chittering)

(footsteps tapping)

(creature chittering) (Max gasps)

- Yes.

Yes.

(creature chittering)

God.

Whatever you need, God, I will do.

Whatever you want.

(creature chittering)

(Max gasping)

(Max groaning)

(flesh tearing)

(creature chittering) (Max groaning)

(creature buzzing)

(bones snapping)

(head ripping off) (blood spurting)

(body thuds) (blood spurting)

(intense music)

(speaking in foreign language)

- Wait a minute, honey. I'll go and find the others.

(suspenseful music) (footsteps tapping)

Hey! She spoke!

The girl spoke!

(Julie panting)

(footsteps tapping)

(doorknob clattering)

(Julie panting) (footsteps tapping)

(tarp rustling)

Where are you?

(Julie breathes heavily)

(tarp rustling)

(footsteps tapping) (Julie panting)

Where are they? Can you see them?

Where the fuck are they? (sighs)

(Julie panting) (footsteps tapping)

Where are you?

(creature chittering)

(doorknob clattering)

(Julie panting)

(button clicking)

(tarp rustling)

(tarp rustling)

Where are you?

(Julie panting) (footsteps tapping)

(intense music)

Wait!

No!

Where are you?

(tarp rustling)

(Julie panting)

(creature chittering)

(creature burbling)

(Julie breathes heavily)

(creature chittering)

(creature snarling)

(nails stabbing) (Julie screaming)

(flesh squelching) (Julie screaming)

(heart squishing) (Julie screaming)

(heart beating)

(Julie gasps)

(Julie gasps)

(suspenseful music)

(soft dramatic music)

(tarp rustling)

(lights buzzing)

(suspenseful music)

(footsteps tapping)

(tarp rustling)

(creature snarling)

(wall cracking)

(woman gasping)

(creature chittering)

(woman whimpering)

(heart plops)

(suspenseful music) (woman breathes heavily)

(speaking in foreign language)

(soft dramatic music)

(suspenseful music)

(footsteps tapping)

(footsteps tapping)

(intense music)

(heart squishing)

(matches clattering)

(match striking)

(fire crackling)

(tarp rustling)

(woman gasps)

(birds chirping)

(woman sighs)

(footsteps pattering) (soft dramatic music)

(footsteps pattering)

(creature chittering)

(creature shrieking) (woman gasping)

(creature chittering)

(creature growling) (woman breathes uneasily)

(creature chittering)

- I am a flame.

Prepare a

path for me.

The cavern

is open for

those in

the abyss. (creature chittering)

(face tearing)

(dramatic music)

(creature chittering)

(woman groaning)

(bones cracking) (woman gasping)

(intense music)

(creature breathe heavily)

(soft dramatic music)

(creature chittering) (intense music)

(soft dramatic music)

(intense music)