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Hello everyone, I'm Connor John. This
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time I bring you our new generation of
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wireless microphone, the LARK Max 2. Now
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the Lark Max 2 is a professional 32bit
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wireless microphone system with
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fullchain audio capture, transmission,
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and monitoring. Featuring 2.4 GHz
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wireless tech and OWS earphones, it
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enables realtime cable-free monitoring
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within 100 m. It captures up to 10 hours
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of uncompressed backup audio and
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advanced AI noise cancellation ensures
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crystal clear sound in any environment.
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With built-in time code and support for
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up to four transmitters per receiver,
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it's perfect for multi-person shoots.
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From commercial production to live
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interviews, enjoy flawless broadcast
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grade audio right out of the box.
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Let's see what's in the box.
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[Music]
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Now that you know what makes a Lark Max
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2 so powerful, let's take a closer look
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at its design and how each part of this
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system works so you can make the most
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out of every feature. Charging case
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intro. Let's start with the charging
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case, your base station for keeping
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everything powered and updated. First,
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take a look at the charging case
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indicator light. It shows the realtime
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battery level of the case itself. If the
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battery is below 3%, the light will glow
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red and breathe slowly. When the battery
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is between 3% and 6%, the light turns
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solid red. From 6% to 98%, the indicator
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stays a solid white. And once it's above
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98%, you will see a solid green light.
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And just a heads up, the green light
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stays on for 30 seconds each time you
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open or close the lid. Then it
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automatically turns off to save some
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power. Next, you'll notice the USBC port
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on the back of the case. This is used to
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charge your case and update your devices
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firmware. Now, this case isn't just for
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storing your gear. It's your command
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center for charging, syncing, and
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staying ready to create. Camera receiver
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introduction. Now, let's dive into the
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receiver, or RX for short. The heart of
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live audio control. On the side, we have
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a knob button. A single click on the
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main interface takes you straight into
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the menu, while a rotation lets you
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adjust the camera receiver output gain
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on the fly. Just note the knob only
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works on the main screen. It won't
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respond in other interfaces. Right next
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to it is the touchcreen, which gives you
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a clear, real-time view of both your mic
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transmitter and camera receiver status.
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It's your control center for quick
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monitoring and adjustments. Need to back
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up? Hit the back button to return to the
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previous menu with a single tap. Then
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there's the power pairing mute lock
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button. A true multitasker. Single click
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to lock or unlock the touchcreen. Double
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click to mute or unmute.
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And when this is powered off, long press
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for 6 seconds to enter pairing mode.
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On the side, you'll see a 3.5 mm TRS
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headphone monitoring jack, letting you
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monitor your audio output in real time.
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The charging and data transmission
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contacts allow for the receiver to
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charge while resting in the case. And
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for digital audio output or syncing time
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code with a computer or mobile device,
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you can use a USBC port. It also doubles
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as a charging port. Prefer analog
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output? No problem. There's a 3.5 mm TRS
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camera output interface, ready to go.
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Finally, the cold shoe mount on the
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bottom makes it easy to attach the
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receiver directly to your camera's cold
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or hot shoe for a streamlined setup.
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Phone receiver introduction. Now, let's
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take a closer look at the USBC receiver,
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or RX for short. On the front, you'll
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see the status lights, which show two
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things at a glance. Whether the
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transmitter is paired and whether the
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noise cancellation is currently active.
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On the side, you'll find the USBC
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charging port. This allows you to charge
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your mobile device while this receiver
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is plugged into it, giving creators
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uninterrupted power during longer
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shoots. Right below that is the noise
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cancellation and pairing button. Single
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click to toggle the mic transmitter's AI
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noise cancellation. Press and hold for 3
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seconds to enter pairing mode.
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Finally, at the base is the USBC male
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port, which outputs audio data and also
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supports charging, making it both
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functional and flexible for mobile
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workflows. Transmitter introduction.
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This is a LARK Max 2 transmitter, or TX
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for short. It features a built-in
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omniirectional microphone with a
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frequency response range of 20 Hz to 20
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kHz, delivering clear and natural sound.
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An internal recording status indicator
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shows whether internal recording is
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active, while the dedicated recording
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button allows you to easily start or
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stop local recording with a single
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click. The transmitter status light
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gives you real-time feedback on the
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connection status, the noise
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cancellation, mute mode, and battery
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level. It also includes a multi-function
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button. Click once to enable or disable
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noise cancellation. Double click to mute
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or unmute. Long press for 3 seconds to
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power on or off.
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And press for 6 seconds while it's off
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to enter pairing mode.
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At the bottom, charging contacts allow
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for effortless recharging in the case.
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The USBC port supports both audio file
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export and wired charging. And it also
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works with lavalier microphone for more
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recording flexibility.
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[Music]
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And the hovering back clip ensures a
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stable and discrete mount for any
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recording setup. Earphones introduction.
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Compared with the previous microphone,
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this time we have added an OWS monitor
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earphone. On the earphone case, you'll
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find a multi-function button. Here's how
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it works. When the earphones are placed
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inside the case and the lid is open,
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simply triple click this button to
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switch between 2.4 GHz wireless mode and
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Bluetooth mode, giving you flexibility
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depending on your setup. Once you've
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switched modes, just long press the
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button to enter pairing mode. And once
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you've paired your earphones with the
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camera receiver, they'll automatically
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reconnect every time you open the lid.
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No extra steps needed. There's also a
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USBC charging port on the case to keep
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your earphones powered up is fast and
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easy. Whether you're at your desk or out
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in the field, each earphone in the
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earphone compartment is equipped with a
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highquality speaker, delivering clear
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and accurate sound, so you can monitor
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audio in real time with confidence.
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You'll also notice the charging contacts
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on the back of each earphone. Just pop
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them back into the case when you're
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done, and they'll start charging right
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away. And controlling the playback is
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simple. Just double click the earphone
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to play or pause the audio, which is
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pretty quick and very intuitive.
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And don't forget to check the LED
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indicator light on the earphone. It
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tells you which mode you're in. The
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white light means you're in 2.4 GHz
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wireless mode, and the blue light
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indicates that you're in Bluetooth mode.
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Easy, efficient, and made for creators
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on the move. How to wear the earphones
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are open type earphones. After taking
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them out of the box, adjust the clamping
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angle to the maximum. Hang them on top
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of your ears and then fine-tune the fit
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for comfort. Now, the mic transmitter
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can be used in a couple different ways.
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The mic transmitter can be clipped
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directly onto the collar like I've done
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here
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[Music]
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or using the magnetic attachment.
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[Music]
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or use with the wired lavalier
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microphone accessory.
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[Music]
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How to connect. Here's how to connect
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the microphone to a camera or a mobile
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phone. For cameras with hot shoe mounts,
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such as Sony models, you can use our hot
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shoe adapter to mount the receiver unit.
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After mounting, connect the camera
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receiver to the camera's monitoring port
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using the 3.5 mm TRS to TRS cable. For
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cameras without a hot shoe, two TRS to
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TRS cables are required. Connect the
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camera's mic port to the camera
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receivers's camera port and connect the
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camera's monitoring port to the camera
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receivers's monitoring port.
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Now connecting to your mobile device.
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After turning on all devices, insert the
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USBC receiver into your mobile phone.
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The indicator light will stay on,
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indicating that the system is working
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properly and audio is being received.
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You can also download the Lark Sound app
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from the App Store to adjust microphone
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settings such as output volume, noise
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cancellation level, and playback via the
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phone speaker. compatible with Android
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devices and iPhone 15 or later models
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with a USBC interface. But don't worry
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if you have an older iPhone with a
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lightning port, it does come with a USBC
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to lightning port adapter. Introduction
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monitoring methods. There are two ways
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to monitor your audio. First, wired
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monitoring. Simply plug in your wired
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headphones into the receivers's
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monitoring port to hear the audio output
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directly. Second, wireless monitoring.
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Once your earphones are paired, you can
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select the monitoring source either from
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the receiver only or from both the
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receiver and the camera's audio for a
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more flexible and complete monitoring
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experience. Choose the method that works
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best for your setup and enjoy seamless
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audio monitoring.
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Time code function. To use the time code
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feature, simply access the menu on the
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camera version receiver and enable the
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time code function. You can then sync
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the time code output using C to C or TRS
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to TRS cables. Once the time code is
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activated, switching recording modes is
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not supported because the audio will be
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output on the left channel and the time
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code data will be output on the right
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channel. Four transmitter and one
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receiver function introduction. As
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stated earlier, you can use four
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transmitters per receiver. Here's how to
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set it up on the camera receiver. Camera
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receiver. First, please upgrade the
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existing two mic and one receiver
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devices first. Two. After upgrading,
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switch camera receiver to four mic and
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one receiver mode in the settings and
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pair with the additional mics. To pair
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the mics, power off the mic and then
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press and hold the power button, also
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the pairing button, for 6 seconds to
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enter pairing mode. And for the camera
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receiver, go to the pairing mode in the
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menu settings.
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After pairing, it is recommended to
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upgrade the entire system. And if you
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want those additional mics, you can
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purchase them separately. Now, a quick
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note, the wireless monitoring is not
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available during the four mic and one
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receiver mode. Now for the USBC
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receiver, switch to four mic and one
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receiver mode via the Lark Sound app and
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pair with the additional mics.
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Introduction to recording audio bit
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depth switching. You can switch bit
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depth via the camera receiver
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[Music]
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or the Lark Sound app. The device will
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restart after switching. Also, 32-bit
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audio will only be output properly if
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00:12:25,120 --> 00:12:27,839
the connected device supports 32-bit. If
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the device doesn't support 32-bit, it
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00:12:30,079 --> 00:12:32,720
will receive a 24-bit audio instead.
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Internal recording function
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introduction. So, let's talk about our
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internal recording function. It can be
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turned on at the transmitter and
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receiver ends. When turned on, the
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00:12:42,800 --> 00:12:45,200
indicator light will turn red. After the
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recording is complete, you can use a USB
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00:12:47,120 --> 00:12:50,320
A to C or USB C to C cable to connect
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00:12:50,320 --> 00:12:52,320
the transmitter to the computer and
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export the recorded file. The recorded
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file supports 32bit and 24-bit depth.
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00:12:57,760 --> 00:13:00,399
Lock function introduction to prevent
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00:13:00,399 --> 00:13:02,399
accidental touches and settings being
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00:13:02,399 --> 00:13:04,399
changed. You can use the lock function
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00:13:04,399 --> 00:13:06,480
on the receiver side. Enter the mic
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settings and select lock mic. After
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00:13:09,120 --> 00:13:11,279
turning it on, you cannot control the
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00:13:11,279 --> 00:13:13,040
different functions through the buttons
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on the transmitter. You can only set it
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after unlocking. Press the switch on the
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00:13:18,079 --> 00:13:20,240
side to turn on the receiver lock. The
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00:13:20,240 --> 00:13:22,399
lock icon will appear with a single
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press. Once it's enabled, you won't be
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able to change the receiver settings.
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00:13:26,959 --> 00:13:29,279
Pairing introduction. Let's talk about
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pairing. The earphones and mic are
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prepaired at the factory for your
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convenience. However, if the transmitter
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is disconnected from the camera
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receiver, you have two options for
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repairing. Simply place the transmitter
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into the charging case and it will
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00:13:44,720 --> 00:13:47,040
automatically pair or you can manually
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00:13:47,040 --> 00:13:48,800
pair it. To manually pair with the
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00:13:48,800 --> 00:13:50,880
camera receiver, first enter pairing
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mode on the receiver. Then long press
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the power button on the transmitter to
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00:13:55,600 --> 00:13:58,320
turn it off. Long press it again for 6
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00:13:58,320 --> 00:13:59,920
seconds until the transmitter's
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indicator light flashes quickly,
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signaling that it's in pairing mode.
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00:14:03,680 --> 00:14:05,839
Once the indicator light is no longer
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00:14:05,839 --> 00:14:08,399
flashing and is solid, the pairing is
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successful. For pairing with a USBC
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receiver, the process is slightly
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different. First, ensure the transmitter
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is powered off. Then, long press the
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button on the side of the transmitter
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for 6 seconds until the blue light
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00:14:20,560 --> 00:14:23,199
starts flashing quickly. Next, long
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00:14:23,199 --> 00:14:24,720
press the pairing button on the side of
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the receiver for 5 seconds until the
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blue light on the receiver also flashes
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00:14:29,120 --> 00:14:31,600
quickly. Once both the transmitter and
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00:14:31,600 --> 00:14:33,519
receiver are in pairing mode with the
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blue light flashing rapidly, wait
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approximately 3 seconds for the devices
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to pair. When you see the blue light
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00:14:39,519 --> 00:14:41,360
stay on, it means the pairing is
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00:14:41,360 --> 00:14:43,519
successful. How to pair your wireless
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00:14:43,519 --> 00:14:46,000
monitoring earphones. It only takes a
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00:14:46,000 --> 00:14:48,320
few easy steps. First, place the
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00:14:48,320 --> 00:14:50,399
earphones into the charging case and
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00:14:50,399 --> 00:14:52,720
keep the lid open. Then, press the
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00:14:52,720 --> 00:14:54,800
button three times to switch between
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modes. You'll see a blue light flash for
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00:14:57,120 --> 00:14:58,959
Bluetooth mode and a white light flash
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00:14:58,959 --> 00:15:01,920
for 2.4 GHz mode. Choose the one that
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00:15:01,920 --> 00:15:03,920
suits your setup. Once you've selected
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00:15:03,920 --> 00:15:06,160
your mode, long press the same button to
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enter pairing mode. At the same time,
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make sure your camera receiver is also
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00:15:10,320 --> 00:15:12,240
in pairing mode, and they'll just sync
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up automatically. Just like that, you're
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00:15:14,560 --> 00:15:16,320
ready to monitor your audio in real
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time. App introduction. To get the most
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00:15:18,959 --> 00:15:21,600
out of your LARK Max 2, make sure to
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00:15:21,600 --> 00:15:23,519
download the latest version of the LARK
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00:15:23,519 --> 00:15:26,000
Sound app. Both the USBC receiver and
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00:15:26,000 --> 00:15:27,920
the camera receiver support parameter
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00:15:27,920 --> 00:15:30,399
adjustments and firmware upgrades via
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the app, making setup and customization
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more intuitive than ever. When it comes
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to firmware updates, both the OWS
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00:15:36,959 --> 00:15:38,639
monitor earphones and the larger
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charging case support Bluetooth OTAA
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upgrades. If you're updating via the
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00:15:43,440 --> 00:15:45,600
box, place both the transmitter and
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00:15:45,600 --> 00:15:48,000
receiver units inside. Connect the box
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00:15:48,000 --> 00:15:50,320
via Bluetooth in the app and follow OTAA
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00:15:50,320 --> 00:15:52,959
upgrades process. Alternatively, you can
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connect the receiver to your smartphone,
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00:15:54,959 --> 00:15:56,800
pair it with the transmitter, and update
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the firmware directly through the app
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interface. During the upgrade process,
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ensure your devices stay paired and
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00:16:02,560 --> 00:16:04,880
connected. Avoid exiting the app or
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00:16:04,880 --> 00:16:06,959
disconnecting any unit as this could
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00:16:06,959 --> 00:16:08,959
lead to an upgrade failure or device
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00:16:08,959 --> 00:16:11,839
malfunction. Using the app with the USBC
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00:16:11,839 --> 00:16:14,560
receiver, you can adjust phone speaker,
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00:16:14,560 --> 00:16:16,959
locking the mic, noise cancellation,
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00:16:16,959 --> 00:16:19,279
auto gain and custom gain, recording
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00:16:19,279 --> 00:16:21,759
mode, whether you want mono, stereo, or
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00:16:21,759 --> 00:16:24,399
safety track, the bit depth, and the mic
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ID. For the camera receiver, you'll have
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access to all of the above settings with
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the added time code syncing, enabling
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00:16:31,199 --> 00:16:33,279
seamless audio video alignment in
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post-prouction. With your system now
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00:16:35,360 --> 00:16:37,519
fully updated and customized, let's move
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00:16:37,519 --> 00:16:39,279
on to how to set up your gear for
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00:16:39,279 --> 00:16:41,360
different recording scenarios. Now that
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00:16:41,360 --> 00:16:43,040
we've talked about how amazing the Lark
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00:16:43,040 --> 00:16:45,440
Max 2 is, let's find out which bundle is
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00:16:45,440 --> 00:16:46,800
going to be best for your creative
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00:16:46,800 --> 00:16:50,320
needs. Skew introduction. The Lark Max 2
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00:16:50,320 --> 00:16:52,800
lineup is designed to meet a variety of
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creative and professional needs. Whether
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00:16:54,880 --> 00:16:57,120
you're working solo or you're on a
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00:16:57,120 --> 00:16:59,680
larger team, there is a combo that fits
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00:16:59,680 --> 00:17:02,000
your workflow. The ultimate combo
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00:17:02,000 --> 00:17:04,559
includes a camera receiver, a USBC
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00:17:04,559 --> 00:17:07,520
receiver, and a pair of OWS monitor
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00:17:07,520 --> 00:17:09,760
earphones, giving you realtime wireless
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00:17:09,760 --> 00:17:11,599
monitoring and flexible connectivity
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00:17:11,599 --> 00:17:14,480
options, all in one kit. The combo
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00:17:14,480 --> 00:17:17,359
includes both camera and USBC receivers.
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00:17:17,359 --> 00:17:18,880
Ideal for creators switching between
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00:17:18,880 --> 00:17:21,599
camera and phone shooting setups. The
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00:17:21,599 --> 00:17:23,919
combo for person supports up to four
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transmitters paired with one receiver.
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00:17:26,240 --> 00:17:27,919
Perfect for panel discussions,
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00:17:27,919 --> 00:17:30,160
interviews, or a group content creation.
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00:17:30,160 --> 00:17:32,320
For oneperson setups, the Solo version
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00:17:32,320 --> 00:17:34,640
includes just the camera receiver and a
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00:17:34,640 --> 00:17:36,720
single transmitter or microphone.
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00:17:36,720 --> 00:17:38,880
Lightweight and portable for onthe-go
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00:17:38,880 --> 00:17:41,039
recording. Additionally, the system is
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00:17:41,039 --> 00:17:42,640
compatible with our omniirectional
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00:17:42,640 --> 00:17:44,559
lavalier microphone, giving you more
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00:17:44,559 --> 00:17:46,960
flexibility when a lowprofile or wired
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00:17:46,960 --> 00:17:49,360
mic is needed. So, we've covered just
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00:17:49,360 --> 00:17:51,760
about all the key features of the Lark
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00:17:51,760 --> 00:17:54,400
Max 2, but if you want more information,
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you can visit the official website.
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00:17:56,480 --> 00:17:58,080
Thank you so much for watching, and if
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00:17:58,080 --> 00:17:59,679
there are other tutorial videos you'd
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00:17:59,679 --> 00:18:01,840
like to see, please let us know in the
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00:18:01,840 --> 00:18:06,840
comments down below. See you next time.
33153
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