Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,598 --> 00:00:14,101
[DIXIELAND MUSIC PLAYS]
2
00:01:11,659 --> 00:01:14,161
[NEW SONG]
3
00:01:29,176 --> 00:01:31,679
♪ THEY SAY ♪
4
00:01:31,679 --> 00:01:33,681
♪ THERE’S A TREE ♪
5
00:01:33,681 --> 00:01:38,185
♪ IN THE FOREST ♪
6
00:01:38,686 --> 00:01:40,187
♪ A TREE ♪
7
00:01:40,187 --> 00:01:42,690
♪ THAT WILL GIVE YOU ♪
8
00:01:42,690 --> 00:01:47,194
♪ A SIGN ♪
9
00:01:47,194 --> 00:01:49,196
♪ COME ALONG ♪
10
00:01:49,196 --> 00:01:51,198
♪ WITH ME ♪
11
00:01:51,198 --> 00:01:55,703
♪ TO THE SWEETHEART TREE ♪
12
00:01:55,703 --> 00:01:58,706
♪ COME AND CARVE
YOUR NAME ♪
13
00:01:59,206 --> 00:02:05,212
♪ NEXT TO MINE ♪
14
00:02:05,212 --> 00:02:07,214
♪ THEY SAY ♪
15
00:02:07,715 --> 00:02:09,216
♪ IF YOU KISS ♪
16
00:02:09,216 --> 00:02:14,221
♪ THE RIGHT SWEETHEART ♪
17
00:02:14,221 --> 00:02:16,223
♪ THE ONE ♪
18
00:02:16,724 --> 00:02:23,230
♪ YOU’VE BEEN
WAITING FOR ♪
19
00:02:23,230 --> 00:02:25,733
♪ BIG BLOSSOMS ♪
20
00:02:26,233 --> 00:02:27,735
♪ OF WHITE ♪
21
00:02:27,735 --> 00:02:32,740
♪ WILL BURST
INTO SIGHT ♪
22
00:02:32,740 --> 00:02:37,745
♪ AND YOUR LOVE
WILL BE TRUE ♪
23
00:02:37,745 --> 00:02:43,250
♪ EVERMORE ♪
24
00:02:43,250 --> 00:02:45,252
[DRUMS PLAY]
25
00:02:51,258 --> 00:02:53,761
[MARCH SONG PLAYS]
26
00:03:50,284 --> 00:03:53,287
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
27
00:04:01,295 --> 00:04:03,797
[AUDIENCE BOOING
AND HISSING]
28
00:04:06,300 --> 00:04:11,305
[CHEERING]
29
00:04:11,305 --> 00:04:12,306
[BOOING]
30
00:04:12,306 --> 00:04:16,810
[CHEERING]
31
00:04:17,311 --> 00:04:20,314
[WHISTLES AND CHEERS]
32
00:06:24,938 --> 00:06:25,939
[AIRPLANE BUZZES]
33
00:06:32,946 --> 00:06:34,948
[FANFARE]
34
00:06:40,320 --> 00:06:42,823
LADIES AND GENTLEMEN,
35
00:06:42,823 --> 00:06:44,825
YOU ARE ABOUT
TO WITNESS
36
00:06:44,825 --> 00:06:48,328
THE MOST SPECTACULAR
FEAT EVER ATTEMPTED
37
00:06:48,328 --> 00:06:51,832
BY THE GREATEST DAREDEVIL
IN THE WORLD--
38
00:06:51,832 --> 00:06:54,334
THE GREAT LESLIE.
39
00:07:05,345 --> 00:07:08,348
HE WILL BE STRAPPED
IN A STRAITJACKET
40
00:07:08,348 --> 00:07:10,350
BEFORE YOUR VERY EYES
41
00:07:10,350 --> 00:07:12,352
AND LIFTED UP
INTO THE CLOUDS
42
00:07:12,352 --> 00:07:13,854
WHERE EAGLES SOAR
43
00:07:13,854 --> 00:07:17,357
AND NO SPARROW
DARES TO VENTURE.
44
00:07:48,388 --> 00:07:51,892
MISS, LET GO. LET GO.
PLEASE, MA’AM.
45
00:07:51,892 --> 00:07:53,894
LET GO, LET GO.
PLEASE LET GO.
46
00:08:23,924 --> 00:08:24,925
HA HA HA.
47
00:08:24,925 --> 00:08:26,927
TO WORK.
TO WORK, MAX.
48
00:08:28,428 --> 00:08:29,930
UP, UP, UP.
49
00:08:51,451 --> 00:08:52,452
HEY!
50
00:08:52,452 --> 00:08:53,954
TERRIFIC!
BULL’S-EYE!
51
00:08:59,459 --> 00:09:01,461
THERE’S A HOLE
IN THE BALLOON.
52
00:09:01,461 --> 00:09:03,964
AAH!
AAH!
53
00:09:06,967 --> 00:09:08,468
TERRIFIC!
HA HA HA!
54
00:09:08,468 --> 00:09:09,970
TERRIFIC!
55
00:09:23,483 --> 00:09:24,985
HE’LL NEVER MAKE IT.
56
00:09:24,985 --> 00:09:25,986
HE’LL NEVER
MAKE IT.
57
00:09:56,016 --> 00:09:57,517
A PARACHUTE.
A PARACHUTE.
58
00:10:01,521 --> 00:10:03,023
A PARACHUTE!
59
00:10:03,023 --> 00:10:05,525
A PARACHUTE!
60
00:10:05,525 --> 00:10:07,027
WHAT?
61
00:10:17,671 --> 00:10:19,172
LADIES AND GENTLEMEN,
62
00:10:19,172 --> 00:10:22,676
YOU ARE ABOUT TO WITNESS
A FEAT SO DANGEROUS
63
00:10:22,676 --> 00:10:25,679
THAT ONLY ONE MAN
WOULD DARE ATTEMPT IT--
64
00:10:26,179 --> 00:10:30,183
THE MAGNIFICENT
PROFESSOR FATE.
65
00:10:39,192 --> 00:10:40,694
ATTACH THE HOOKS.
66
00:10:41,194 --> 00:10:44,197
THE PROFESSOR
WILL DEFY DEATH
67
00:10:44,197 --> 00:10:47,701
AS HIS ASSISTANT
SWOOPS DOWN FROM THE SKY,
68
00:10:48,201 --> 00:10:50,704
SNARES THE PROFESSOR
ON THE GROUND,
69
00:10:50,704 --> 00:10:54,207
AND LIFTS HIM
INTO THE AIR.
70
00:10:56,710 --> 00:10:58,211
CONTACT.
71
00:10:59,212 --> 00:11:00,714
SWITCH ON.
72
00:12:12,285 --> 00:12:13,787
UP, MAX.
73
00:12:13,787 --> 00:12:15,789
BRING IT UP.
74
00:12:15,789 --> 00:12:17,290
COMING UP.
75
00:12:19,793 --> 00:12:22,295
MAX, UP, YOU IDIOT!
76
00:12:22,295 --> 00:12:23,296
UP!
77
00:12:23,797 --> 00:12:25,298
SHE’S UP!
78
00:12:25,298 --> 00:12:27,300
MAX!
79
00:12:29,302 --> 00:12:32,305
UP, YOU IDIOT! UP!
80
00:12:32,305 --> 00:12:34,307
TOO MUCH WEIGHT!
81
00:12:38,311 --> 00:12:43,817
MAAAAXXXX!
82
00:13:02,836 --> 00:13:07,340
I’D LIKE TO SEE THE
GREAT LESLIE TRY THAT ONE.
83
00:13:20,854 --> 00:13:21,855
AFTER TODAY,
84
00:13:21,855 --> 00:13:23,356
YOU WILL HAVE BROKEN
PRACTICALLY
85
00:13:23,356 --> 00:13:24,858
EVERY EXISTING
SPEED RECORD.
86
00:13:24,858 --> 00:13:27,360
WHAT ARE YOUR PLANS
FOR THE FUTURE?
87
00:13:27,360 --> 00:13:30,363
THAT DEPENDS ON HOW
SUCCESSFUL I AM TODAY.
88
00:13:30,363 --> 00:13:31,865
GENTLEMEN, WILL YOU
EXCUSE ME, PLEASE?
89
00:13:40,874 --> 00:13:42,375
BE CAREFUL,
YOU IDIOT.
90
00:13:42,375 --> 00:13:45,378
YOU’LL BLOW US BOTH
TO KINGDOM COME.
91
00:13:56,389 --> 00:13:58,892
AH. HE’S GETTING
IN THE BOAT.
92
00:14:27,921 --> 00:14:29,923
YOU SURE YOU TESTED
THE MECHANISM?
93
00:14:29,923 --> 00:14:31,424
I’M TELLING YOU,
YOU CAN’T MISS.
94
00:14:31,424 --> 00:14:32,926
ALL YOU HAVE TO DO IS
THROW THE SWITCH,
95
00:14:32,926 --> 00:14:35,428
AND THEN IT HONES IN ON
THE LOUDEST ENGINE NOISE.
96
00:14:35,428 --> 00:14:36,930
IT’S TERRIFIC.
97
00:14:36,930 --> 00:14:38,932
YOU SEE? IT’S PICKED UP
LESLIE’S BOAT.
98
00:14:38,932 --> 00:14:40,934
HA HA HA.
99
00:14:42,435 --> 00:14:44,437
SO LONG, LESLIE!
100
00:14:44,437 --> 00:14:45,438
AWAY!
101
00:15:11,965 --> 00:15:13,967
[ENGINE BACKFIRES]
102
00:15:15,969 --> 00:15:18,471
[ENGINE BACKFIRES]
103
00:15:20,473 --> 00:15:24,978
[BACKFIRING CONTINUES]
104
00:15:42,996 --> 00:15:45,498
[BOOM]
105
00:15:53,006 --> 00:15:54,007
HEY, LOOK.
106
00:15:54,007 --> 00:15:55,508
YEAH.
LOOK AT THAT.
107
00:15:55,508 --> 00:15:56,509
GOLLY.
108
00:15:56,509 --> 00:15:58,011
LOOK AT THAT FUNNY--
109
00:15:58,011 --> 00:16:01,014
GET AWAY
FROM THE ROCKET!
110
00:16:13,026 --> 00:16:14,027
GENTLEMEN,
111
00:16:14,027 --> 00:16:16,029
I INTEND TO COVER
THE MEASURED MILE
112
00:16:16,029 --> 00:16:18,531
IN APPROXIMATELY
12 SECONDS.
113
00:16:18,531 --> 00:16:21,534
[CROWD LAUGHS]
114
00:16:32,545 --> 00:16:35,048
ACTIVATE
THE ROCKETS.
115
00:16:58,571 --> 00:17:00,073
PROFESSOR.
116
00:17:00,073 --> 00:17:02,075
150.
117
00:17:05,578 --> 00:17:06,579
250.
118
00:17:06,579 --> 00:17:09,082
HA HA! I’LL GO DOWN
IN HISTORY.
119
00:17:09,082 --> 00:17:10,083
300.
120
00:17:10,083 --> 00:17:12,085
THEY’LL ERECT
A MONUMENT TO ME!
121
00:17:16,589 --> 00:17:18,091
I’VE DONE IT.
122
00:17:21,594 --> 00:17:22,095
PROFESSOR.
123
00:17:22,595 --> 00:17:23,096
WHAT?
124
00:17:23,596 --> 00:17:25,098
PROFESSOR.
125
00:17:40,113 --> 00:17:42,115
[ENGINE STOPS]
126
00:17:44,117 --> 00:17:47,620
AAH!
AAH!
127
00:17:52,625 --> 00:17:54,127
[CRASH]
128
00:18:05,138 --> 00:18:07,640
[COW MOOS]
129
00:18:14,647 --> 00:18:16,149
WELL,
THERE’S ANOTHER ONE
130
00:18:16,149 --> 00:18:19,152
LESLIE CAN TRY ON
FOR SIZE.
131
00:18:21,821 --> 00:18:23,323
GENTLEMEN...
132
00:18:24,324 --> 00:18:25,825
I’VE REQUESTED
THIS MEETING
133
00:18:25,825 --> 00:18:28,328
IN ORDER TO MAKE YOU
A PROPOSITION.
134
00:18:28,328 --> 00:18:29,829
IN MY OPINION,
135
00:18:29,829 --> 00:18:31,331
YOUR COMPANY MANUFACTURES
136
00:18:31,331 --> 00:18:33,833
THE FINEST AUTOMOBILE
IN THE WORLD.
137
00:18:33,833 --> 00:18:36,836
THE AUTOMOBILE
REPRESENTS PROGRESS
138
00:18:36,836 --> 00:18:39,839
IN THE MOST PROFOUND
SENSE OF THE WORD...
139
00:18:39,839 --> 00:18:41,341
THE ULTIMATE EXAMPLE
140
00:18:41,341 --> 00:18:44,844
OF AMERICAN INGENUITY
AND ENTERPRISE.
141
00:18:44,844 --> 00:18:47,847
THIS GREAT NATION
CANNOT TAKE A BACK SEAT
142
00:18:47,847 --> 00:18:51,351
TO COMPETITORS
LIKE DAIMLER, MERCEDES,
143
00:18:51,351 --> 00:18:54,854
NAPIER, ROLLS-ROYCE,
DeDEDRICK, OR PANHARD.
144
00:18:54,854 --> 00:18:56,356
GENTLEMEN...
145
00:18:56,356 --> 00:18:58,358
I PROPOSE TO PROVE
146
00:18:58,358 --> 00:19:00,360
THAT THE AMERICAN
AUTOMOBILE--
147
00:19:00,360 --> 00:19:02,862
YOUR AUTOMOBILE--
148
00:19:02,862 --> 00:19:04,864
IS WITHOUT PEERS.
149
00:19:04,864 --> 00:19:05,865
AHEM.
150
00:19:05,865 --> 00:19:08,868
AND, UH, JUST
HOW DO YOU PROPOSE
151
00:19:08,868 --> 00:19:10,370
TO PROVE THAT, SIR?
152
00:19:10,370 --> 00:19:12,372
A RACE.
153
00:19:12,372 --> 00:19:15,375
REALLY, SIR, YOU,
UH, SURPRISE ME.
154
00:19:15,375 --> 00:19:16,376
AUTOMOBILE RACES
155
00:19:16,376 --> 00:19:19,379
ARE BECOMING
MOST COMMONPLACE.
156
00:19:19,879 --> 00:19:21,381
I MEAN A LONG RACE,
157
00:19:21,881 --> 00:19:23,383
A VERY LONG RACE.
158
00:19:23,883 --> 00:19:26,386
BUFFALO TO ALBANY.
IT’S BEEN DONE.
159
00:19:26,386 --> 00:19:28,888
CHICAGO TO CLEVELAND.
THAT’S BEEN DONE.
160
00:19:31,391 --> 00:19:32,892
NEW YORK...
161
00:19:38,898 --> 00:19:40,900
TO PARIS.
162
00:19:40,900 --> 00:19:42,902
NEW YORK TO PARIS?
163
00:19:43,403 --> 00:19:44,904
YOU MUST BUILD
AN AUTOMOBILE
164
00:19:45,405 --> 00:19:46,906
TO THE MOST PRECISE
SPECIFICATIONS.
165
00:19:47,407 --> 00:19:48,408
NO.
166
00:19:48,908 --> 00:19:50,910
NO.
167
00:19:51,411 --> 00:19:53,413
ABSOLUTELY NO.
168
00:19:53,413 --> 00:19:55,415
FOR A COMPANY
OF THIS REPUTE,
169
00:19:55,415 --> 00:19:57,917
A GREAT COMPANY
THE LIKES OF THIS,
170
00:19:57,917 --> 00:19:59,919
ENTRUSTING ITS ENTIRE
AUTOMOBILE FUTURE
171
00:19:59,919 --> 00:20:01,921
TO THE MAN
THE LIKES OF LESLIE,
172
00:20:01,921 --> 00:20:02,922
IT’S DISREPUTABLE.
173
00:20:02,922 --> 00:20:04,424
A CHEAP
CARNIVAL PERFORMER,
174
00:20:04,924 --> 00:20:07,427
A FRAUD, A TRICKSTER.
175
00:20:09,929 --> 00:20:11,931
AAH! AAH! AAH!
176
00:20:11,931 --> 00:20:13,433
A MADMAN.
177
00:20:13,433 --> 00:20:14,434
OH, I APOLOGIZE.
LOOK! LOOK!
178
00:20:14,434 --> 00:20:15,435
I THOUGHT YOU
WERE SOMEONE ELSE.
179
00:20:15,935 --> 00:20:16,936
PULLIN’ IT OUT
BY THE ROOTS,
180
00:20:16,936 --> 00:20:17,937
YOU SEE?
I WARNED YOU.
181
00:20:17,937 --> 00:20:19,939
THE MADMAN.
DID YOU SEE HIM TRY
182
00:20:19,939 --> 00:20:21,941
TO PULL ME BEARD OUT
BY THE ROOTS?
183
00:20:29,449 --> 00:20:30,950
LESLIE WILL LOSE.
184
00:20:30,950 --> 00:20:32,452
YOUR AUTOMOBILE
WILL LOSE.
185
00:20:32,452 --> 00:20:33,953
I WILL WIN.
186
00:20:33,953 --> 00:20:35,955
HEE HA HA HA HA!
187
00:20:35,955 --> 00:20:37,457
HE JUMPED.
188
00:20:38,458 --> 00:20:40,960
I SHALL BUILD THE GREATEST
AUTOMOBILE IN THE WORLD,
189
00:20:41,461 --> 00:20:42,462
AND I SHALL WIN.
190
00:20:43,963 --> 00:20:46,466
O.K., PROFESSOR!
191
00:20:46,466 --> 00:20:49,469
THIS TIME IT
WILL NOT BE LESLIE!
192
00:20:49,469 --> 00:20:51,971
IT WILL BE I,
PROFESSOR FATE!
193
00:20:51,971 --> 00:20:54,474
FATE THE MAGNIFICENT!
194
00:20:56,976 --> 00:20:59,979
NO!
195
00:22:06,212 --> 00:22:08,715
AND IT IS WITH
NO LITTLE PRIDE
196
00:22:08,715 --> 00:22:11,217
THAT THE WEBBER
MOTOR CAR COMPANY
197
00:22:11,217 --> 00:22:14,721
UNVEILS ITS LATEST AND
GREATEST ACHIEVEMENT.
198
00:22:14,721 --> 00:22:16,222
GENTLEMEN...
199
00:22:16,222 --> 00:22:18,725
BEHOLD THE MOTOR CAR
OF THE FUTURE.
200
00:22:22,228 --> 00:22:24,230
WHAT A CAR.
201
00:22:33,239 --> 00:22:35,742
HOLY TOLEDO.
LOOK AT THAT CAR.
202
00:22:35,742 --> 00:22:38,745
YES.
IT’S QUITE A CAR.
203
00:22:50,256 --> 00:22:53,259
I NEVER SAW A CAR LIKE
THAT IN MY LIFE.
204
00:22:53,259 --> 00:22:55,261
AS YOU NEVER
WILL AGAIN EITHER.
205
00:22:55,261 --> 00:22:57,263
GIVE ME THE BOMB.
206
00:22:58,264 --> 00:22:59,766
THE BOMB, THE BOMB.
207
00:23:01,768 --> 00:23:03,269
PROFESSOR,
BE CAREFUL.
208
00:23:03,269 --> 00:23:05,271
AFTER YOU ACTIVATE
THE MECHANISM,
209
00:23:05,271 --> 00:23:07,273
YOU ONLY GOT
10 SECONDS.
210
00:23:07,273 --> 00:23:08,775
I KNOW THAT.
I KNOW THAT.
211
00:23:08,775 --> 00:23:10,276
GIVE ME THE CORD.
212
00:23:11,778 --> 00:23:13,780
[TICKING]
213
00:23:17,784 --> 00:23:18,785
AAH!
214
00:23:18,785 --> 00:23:19,786
NO!
215
00:23:19,786 --> 00:23:21,788
GET IT!
GET IT!
216
00:23:21,788 --> 00:23:23,790
WE, UH, HAVE TAKEN
THE LIBERTY
217
00:23:23,790 --> 00:23:25,792
OF NAMING IT
AFTER THE MAN
218
00:23:25,792 --> 00:23:27,293
WHO INSPIRED
ITS CREATION.
219
00:23:27,293 --> 00:23:28,795
THE LESLIE SPECIAL.
220
00:23:28,795 --> 00:23:30,296
I’M DEEPLY HONORED.
221
00:23:30,296 --> 00:23:32,298
[BOOM]
222
00:24:05,698 --> 00:24:09,202
HA HA HA HA HA!
223
00:24:12,205 --> 00:24:13,206
AHH.
224
00:24:13,206 --> 00:24:14,207
[KNOCK]
225
00:24:14,207 --> 00:24:15,708
[KNOCK]
226
00:24:15,708 --> 00:24:17,210
[KNOCK]
227
00:24:19,712 --> 00:24:21,214
[KNOCK KNOCK KNOCK]
228
00:24:22,215 --> 00:24:23,216
[BAM]
229
00:24:23,216 --> 00:24:24,217
OH!
230
00:24:28,221 --> 00:24:30,223
WHAT TOOK YOU
SO LONG?
231
00:24:30,223 --> 00:24:32,225
I HAD TO GO TO
THE ROLLS-ROYCE AGENCY.
232
00:24:32,225 --> 00:24:34,227
I HAD TO STEAL
A SPARE MAGNETO.
233
00:24:34,227 --> 00:24:35,228
OH, GOOD.
234
00:24:36,729 --> 00:24:37,730
IT’S READY.
235
00:24:37,730 --> 00:24:38,731
YES.
236
00:24:39,232 --> 00:24:41,234
YES, IT’S READY.
237
00:24:44,737 --> 00:24:47,740
THERE HAS NEVER BEEN
ANYTHING LIKE THIS.
238
00:24:47,740 --> 00:24:49,242
PROFESSOR, YOUR
GREATEST CREATION.
239
00:24:49,242 --> 00:24:50,243
GENIUS.
240
00:24:50,243 --> 00:24:51,744
WORK OF GENIUS.
241
00:24:51,744 --> 00:24:53,246
THE FINEST PARTS
242
00:24:53,246 --> 00:24:55,248
FROM THE GREATEST AUTOMOBILES
IN THE WORLD.
243
00:24:55,248 --> 00:24:56,749
THE HANNIBAL TWIN-8.
244
00:24:56,749 --> 00:24:59,252
AND WHEN IT COMES TO THE
BLIZZARDS AND THE SNOWSTORMS,
245
00:24:59,252 --> 00:25:01,754
WE WILL CONTINUE ON
JUST AS PLANNED.
246
00:25:01,754 --> 00:25:03,756
PUSH THE BUTTON,
MAX.
247
00:25:03,756 --> 00:25:06,259
HA HA HA HA HA!
248
00:25:06,259 --> 00:25:08,261
HA HA HA HA HA!
249
00:25:08,261 --> 00:25:11,264
WHEN THE RAINS COME
AND WHEN THE SNOW MELTS,
250
00:25:11,264 --> 00:25:14,767
WE SHALL CONTINUE
TO RISE ABOVE IT.
251
00:25:14,767 --> 00:25:16,769
PUSH THE BUTTON,
MAX.
252
00:25:26,779 --> 00:25:28,781
AH, NATURE
WILL CHASE US.
253
00:25:28,781 --> 00:25:30,783
WE WILL BEAT HER.
AND BRIGANDS, THIEVES,
254
00:25:30,783 --> 00:25:33,286
CUTTHROATS OF ALL NATIONS
MAY HOUND US,
255
00:25:33,286 --> 00:25:35,288
BUT WE ARE READY
FOR THEM.
256
00:25:35,288 --> 00:25:37,790
WE WILL BLAST THEM
TO KINGDOM COME.
257
00:25:37,790 --> 00:25:40,293
WE CAN MELT.
WE CAN BLAST.
258
00:25:40,293 --> 00:25:41,794
WE CAN RISE ABOVE.
259
00:25:41,794 --> 00:25:43,296
WE ARE INVINCIBLE!
260
00:25:43,296 --> 00:25:44,797
HA HA HA!
TAKE US DOWN.
261
00:25:44,797 --> 00:25:47,300
PUSH THE BUTTON,
MAX.
262
00:25:48,801 --> 00:25:53,306
MAAAAXXXX!
263
00:25:57,810 --> 00:25:59,812
[KNOCK ON DOOR]
264
00:25:59,812 --> 00:26:00,813
YES?
265
00:26:05,818 --> 00:26:07,320
MR. GOODBODY.
266
00:26:07,320 --> 00:26:08,821
WHAT IS IT,
FRISBEE?
267
00:26:08,821 --> 00:26:10,323
YOU’VE GOTTA
COME RIGHT AWAY.
268
00:26:10,323 --> 00:26:11,824
WHAT’S THE MATTER?
269
00:26:11,824 --> 00:26:13,326
WELL, IT’S
A YOUNG LADY, SIR.
270
00:26:13,326 --> 00:26:14,827
WHAT ABOUT
THE YOUNG LADY?
271
00:26:14,827 --> 00:26:17,330
SHE’S HANDCUFFED
HERSELF TO THE DOOR.
272
00:26:17,330 --> 00:26:19,832
HANDCUFFED HERSELF
TO THE DOOR?
273
00:26:19,832 --> 00:26:21,334
OF THE MEN’S ROOM.
274
00:26:21,334 --> 00:26:22,835
WHAT?
275
00:26:24,837 --> 00:26:26,839
EXCUSE ME, SIR.
276
00:26:29,342 --> 00:26:30,843
GENTLEMEN.
277
00:26:30,843 --> 00:26:31,844
GENTLEMEN.
278
00:26:31,844 --> 00:26:32,845
GENTLEMEN,
GENTLEMEN, GENTLEMEN.
279
00:26:32,845 --> 00:26:33,846
GENTLEMEN, GENTLEMEN,
GENTLEMEN.
280
00:26:33,846 --> 00:26:36,349
RETURN TO YOUR ASSIGNMENTS.
THIS IS A NEWSPAPER OFFICE.
281
00:26:36,349 --> 00:26:37,850
THIS IS
A NEWSPAPER OFFICE.
282
00:26:37,850 --> 00:26:38,851
THERE WILL BE
NO LOLLYGAGGING
283
00:26:39,352 --> 00:26:40,353
IN THIS HALLWAY.
284
00:26:40,853 --> 00:26:42,355
THERE’LL BE NO LOLLYGAGGING
IN THIS HALLWAY.
285
00:26:42,855 --> 00:26:43,356
FRISBEE.
YES, SIR.
286
00:26:43,856 --> 00:26:45,358
NOW, YOUNG LADY,
WHO ARE YOU?
287
00:26:45,858 --> 00:26:47,860
I’M A FEMALE PAST
THE AGE OF CONSENT.
288
00:26:47,860 --> 00:26:48,861
I WAS
THE FIRST WOMAN
289
00:26:48,861 --> 00:26:50,363
TO EDIT THE NEWSPAPER
AT MY COLLEGE.
290
00:26:50,363 --> 00:26:52,365
AND I SHALL REMAIN
HANDCUFFED TO THIS DOOR
291
00:26:52,365 --> 00:26:54,367
UNTIL I BECOME THE FIRST
FEMALE REPORTER
292
00:26:54,367 --> 00:26:56,369
OF THE
NEW YORK SENTINEL.
293
00:26:56,369 --> 00:26:57,370
OVER MY DEAD BODY.
294
00:26:57,370 --> 00:26:58,871
UNLOCK THOSE HANDCUFFS
AND GET OUT.
295
00:26:58,871 --> 00:27:00,373
I WILL UNLOCK
THE HANDCUFFS
296
00:27:00,373 --> 00:27:01,874
WHEN YOU
GIVE ME THE JOB.
297
00:27:01,874 --> 00:27:02,875
NEVER.
298
00:27:02,875 --> 00:27:03,876
NEVER?
299
00:27:03,876 --> 00:27:04,877
NEVER.
300
00:27:04,877 --> 00:27:07,380
BUT, SIR, IF SHE
REMAINS HERE,
301
00:27:07,380 --> 00:27:09,382
HANDCUFFED
TO THE MEN’S ROOM,
302
00:27:09,382 --> 00:27:11,384
THE MEN...
THE MEN--
303
00:27:11,884 --> 00:27:13,886
THE MEN MAY USE THE WASHROOM
ON THE NEXT FLOOR.
304
00:27:13,886 --> 00:27:14,887
OH, SIR.
305
00:27:15,388 --> 00:27:17,390
THEY CAN’T KEEP RUNNING
UPSTAIRS FOREVER.
306
00:27:17,390 --> 00:27:18,891
THEY CAN UNTIL
YOU GET HUNGRY.
307
00:27:18,891 --> 00:27:20,393
OH, THAT WOULD MAKE
QUITE A STORY
308
00:27:20,393 --> 00:27:21,894
FOR YOUR COMPETITION.
309
00:27:21,894 --> 00:27:22,895
"WOMAN STARVES
TO DEATH
310
00:27:22,895 --> 00:27:24,897
IN THE MEN’S ROOM OF
THE NEW YORK SENTINEL.
311
00:27:24,897 --> 00:27:26,899
YOU WOULDN’T DARE.
312
00:27:27,400 --> 00:27:29,402
I WOULD DARE ANYTHING
FOR WOMEN’S RIGHTS.
313
00:27:29,402 --> 00:27:30,403
HA!
314
00:27:30,403 --> 00:27:31,904
HA!
315
00:27:34,907 --> 00:27:36,409
GIVE ME
AN ASSIGNMENT.
316
00:27:36,409 --> 00:27:38,411
IF I FAIL, FIRE ME.
317
00:27:38,411 --> 00:27:39,912
YOU’RE FIRED.
318
00:27:39,912 --> 00:27:41,414
FRISBEE,
POST A BULLETIN.
319
00:27:41,414 --> 00:27:42,915
SUFFRAGETTES
ARE NOT PERMITTED.
320
00:27:42,915 --> 00:27:44,917
LET ME COVER
THE GREAT RACE.
321
00:27:44,917 --> 00:27:47,420
IT’S BEING COVERED BY
EXPERIENCED REPORTERS.
322
00:27:47,420 --> 00:27:48,421
NO. I MEAN
REALLY COVER IT,
323
00:27:48,421 --> 00:27:49,422
FROM START TO
FINISH.
324
00:27:49,422 --> 00:27:50,423
MILE BY MILE.
325
00:27:50,423 --> 00:27:52,425
REPORTERS ARE NOT
PERMITTED ON THE TRIP.
326
00:27:52,425 --> 00:27:54,927
ONLY CONTESTANTS.
THOSE ARE THE RULES.
327
00:27:54,927 --> 00:27:55,928
BREAK THEM.
328
00:27:55,928 --> 00:27:57,430
WE ARE RUNNING
A NEWSPAPER,
329
00:27:57,430 --> 00:27:59,432
NOT A SCHOOL
FOR REVOLUTIONARIES.
330
00:27:59,432 --> 00:28:01,934
ENTER THE RACE.
ENTER YOUR OWN CAR.
331
00:28:01,934 --> 00:28:03,436
WE ARE RUNNING
A NEWSPAPER, A NEWSPAPER,
332
00:28:03,436 --> 00:28:04,437
NOT AN AUTOMOTIVE AGENCY!
333
00:28:04,437 --> 00:28:05,438
ARE YOU AFRAID
OF LOSING?
334
00:28:05,438 --> 00:28:07,940
GIVE ME THE MONEY, AND
I WILL ENTER THE RACE.
335
00:28:07,940 --> 00:28:09,442
I DESPISE
SUFFRAGETTES.
336
00:28:09,442 --> 00:28:11,444
OH, I AM NOT
JUST TRYING
337
00:28:11,444 --> 00:28:13,446
TO GET THE VOTE
FOR WOMEN.
338
00:28:13,446 --> 00:28:15,448
I AM OUT
TO EMANCIPATE THEM
339
00:28:15,448 --> 00:28:16,449
FROM THE DRUDGERY
340
00:28:16,449 --> 00:28:18,451
OF BEING EITHER
SERVANTS OR SAINTS.
341
00:28:18,451 --> 00:28:20,453
OUT OF
THE LAUNDRY ROOMS
342
00:28:20,453 --> 00:28:21,954
AND OFF
THE PEDESTALS!
343
00:28:23,456 --> 00:28:24,957
YOU’RE MAD,
YOUNG WOMAN.
344
00:28:24,957 --> 00:28:25,958
YOU’RE MAD.
345
00:28:25,958 --> 00:28:29,462
AND YOU, SIR, ARE A SLAVE
TO YOUR PURITANISM.
346
00:28:29,462 --> 00:28:31,964
DOES YOUR WIFE
WEAR SILK STOCKINGS?
347
00:28:31,964 --> 00:28:34,467
AH! I WON’T DISCUSS SUCH
AN INTIMATE SUBJECT.
348
00:28:34,467 --> 00:28:36,469
SHE DOES, AND THEY’RE
VERY EXPENSIVE.
349
00:28:36,469 --> 00:28:38,971
BUT HAS SHE EVER RAISED
HER SKIRT FOR YOU
350
00:28:38,971 --> 00:28:40,473
AND SHOWN HER CALF?
351
00:28:40,473 --> 00:28:41,974
A WOMAN’S LEG
IN A SILK STOCKING
352
00:28:41,974 --> 00:28:43,476
CAN BE
QUITE ALLURING.
353
00:28:43,476 --> 00:28:44,977
SHH! MISS...
MAGGIE DUBOIS.
354
00:28:44,977 --> 00:28:46,479
I CAN SEE YOU
HAVE NEVER SEEN
355
00:28:46,479 --> 00:28:48,981
A WOMAN’S LEG IN
A SILK STOCKING.
356
00:28:48,981 --> 00:28:51,484
NEVER, NEVER IN
YOUR WHOLE LIFE.
357
00:28:51,484 --> 00:28:53,486
FRISBEE,
LEAVE THE ROOM.
358
00:28:53,486 --> 00:28:54,987
YES, SIR.
359
00:28:55,988 --> 00:28:56,989
WELL?
360
00:28:56,989 --> 00:28:58,491
WHAT ARE
YOU THINKING?
361
00:28:59,992 --> 00:29:01,994
COME ON.
THERE ISN’T ANYTHING
362
00:29:01,994 --> 00:29:03,996
MEN AND WOMEN
CAN’T DISCUSS
363
00:29:03,996 --> 00:29:05,498
IF THEY ARE
CIVILIZED AND MATURE
364
00:29:05,498 --> 00:29:06,499
AND EMANCIPATED.
365
00:29:06,999 --> 00:29:08,000
ANYTHING?
366
00:29:08,501 --> 00:29:10,002
YOU SEE, YOU CAN’T
DISCUSS IT,
367
00:29:10,002 --> 00:29:11,504
AND THAT’S
THE PROBLEM.
368
00:29:11,504 --> 00:29:13,506
WOMEN HAVE TO
EMANCIPATE THEMSELVES
369
00:29:13,506 --> 00:29:14,507
IN ORDER
TO EMANCIPATE MEN
370
00:29:14,507 --> 00:29:16,008
SO THEY CAN EMANCIPATE
EACH OTHER
371
00:29:16,008 --> 00:29:17,009
WHERE IT COUNTS
THE MOST.
372
00:29:17,009 --> 00:29:18,511
$50 FOR EVERY
EXCLUSIVE STORY
373
00:29:18,511 --> 00:29:20,513
OF THE RACE
I SEND BACK
374
00:29:20,513 --> 00:29:22,515
AND $100 FOR
EVERY PHOTOGRAPH.
375
00:29:25,017 --> 00:29:26,519
YOU’RE A FINE MAN.
376
00:29:26,519 --> 00:29:28,020
A TIMID MAN,
377
00:29:28,020 --> 00:29:30,022
BUT A WORTHWHILE
ONE.
378
00:29:30,022 --> 00:29:32,024
HAVE A CIGAR.
379
00:29:32,024 --> 00:29:33,025
HUH?
380
00:29:33,025 --> 00:29:34,026
DON’T SMOKE?
381
00:29:34,026 --> 00:29:35,027
HUH?
382
00:29:51,043 --> 00:29:53,546
THE SENTINEL
WILL SCOOP THE WORLD.
383
00:30:22,041 --> 00:30:23,042
[WHISTLES]
384
00:30:33,052 --> 00:30:34,553
MAN THE HELM!
385
00:30:35,554 --> 00:30:37,056
AYE, AYE, SIR.
386
00:30:41,060 --> 00:30:42,561
UP PERISCOPE.
387
00:30:42,561 --> 00:30:44,063
UP PERISCOPE!
388
00:31:00,079 --> 00:31:02,081
AH.
389
00:31:09,088 --> 00:31:12,591
HEH HEH HEH HEH
HA HA HA!
390
00:31:23,102 --> 00:31:24,103
GOOD AFTERNOON.
391
00:31:24,103 --> 00:31:25,104
GOOD AFTERNOON.
392
00:31:25,104 --> 00:31:27,106
I DON’T KNOW WHAT
SHE’S DOING HERE, BOSS.
393
00:31:27,106 --> 00:31:29,108
SHE SAYS SHE’S A WOMAN
WITH A MISSION.
394
00:31:29,108 --> 00:31:32,611
BUT I THINK SHE’S A SPY
FOR PROFESSOR FATE.
395
00:31:32,611 --> 00:31:35,114
SURELY YOU’RE NOT SUGGESTING
THAT I’M THE FIRST WOMAN
396
00:31:35,614 --> 00:31:39,118
EVER TO SEEK AN AUDIENCE
WITH THE GREAT LESLIE?
397
00:31:39,118 --> 00:31:42,621
I’M SIMPLY LESLIE,
AND I’M AT YOUR SERVICE.
398
00:31:42,621 --> 00:31:44,123
I’M RATHER THIRSTY.
399
00:31:44,123 --> 00:31:46,125
DO YOU HAVE
SOMETHING COLD?
400
00:31:48,127 --> 00:31:49,628
I HAVE CHAMPAGNE.
401
00:31:57,136 --> 00:31:58,637
DOWN PERISCOPE!
402
00:31:59,138 --> 00:32:00,639
AYE, AYE, SIR.
403
00:32:01,640 --> 00:32:03,642
AAH! OH! AH!
404
00:32:03,642 --> 00:32:04,643
UP!
405
00:32:04,643 --> 00:32:06,145
UP, IDIOT! UP! UP!
406
00:32:06,145 --> 00:32:07,646
UP! UP!
UP! UP!
407
00:32:07,646 --> 00:32:09,148
UP. AHH.
408
00:32:09,148 --> 00:32:12,651
AAH!
409
00:32:12,651 --> 00:32:14,153
DOWN! DOWN!
410
00:32:17,156 --> 00:32:19,158
I GOT YOU!
I GOT YOU!
411
00:32:19,158 --> 00:32:20,159
I GOT YOU!
YOU ALL RIGHT?
412
00:32:20,159 --> 00:32:23,662
THERE’S SOMETHING WRONG
WITH THE MECHANISM.
413
00:32:24,163 --> 00:32:26,665
AAH! DOWN, YOU IDIOT!
414
00:32:26,665 --> 00:32:29,668
RELEASE YOUR FEET!
RELEASE YOUR FEET!
415
00:32:30,169 --> 00:32:31,670
YOU HAVE TO BE CAREFUL.
416
00:32:31,670 --> 00:32:34,673
YOU HAVE A BRAIN
THE SIZE OF A CARBUNCLE!
417
00:32:34,673 --> 00:32:37,176
GET OUT OF HERE
BEFORE LESLIE SPOTS US.
418
00:32:37,176 --> 00:32:38,177
GETTING OUT!
419
00:32:38,177 --> 00:32:39,678
DIVE! CRASH DIVE!
420
00:32:39,678 --> 00:32:40,679
CRASH DIVE.
421
00:32:40,679 --> 00:32:42,181
[HORN SOUNDS]
422
00:32:42,181 --> 00:32:44,183
OW! AAH!
423
00:32:45,684 --> 00:32:48,687
WAIT! WAIT!
WAIT, PROFESSOR!
424
00:32:48,687 --> 00:32:50,689
PROFESSOR! COMING UP!
425
00:32:50,689 --> 00:32:57,363
♪ MY DESERT IS WAITING ♪
426
00:32:57,363 --> 00:33:04,870
♪ DEAR, COME THERE
WITH ME ♪
427
00:33:04,870 --> 00:33:12,378
♪ I’M LONGING
TO TEACH YOU ♪
428
00:33:12,378 --> 00:33:21,387
♪ LOVE’S SWEET MELODY ♪
429
00:33:21,387 --> 00:33:24,890
♪ I’LL SING A DREAM SONG
TO YOU ♪
430
00:33:24,890 --> 00:33:25,891
[POP]
431
00:33:29,895 --> 00:33:40,406
♪ PAINTING A PICTURE
FOR TWO ♪
432
00:33:40,406 --> 00:33:47,913
♪ BLUE HEAVEN
AND YOU AND I ♪
433
00:33:47,913 --> 00:33:56,422
♪ AND SAND
KISSING A MOONLIT SKY ♪
434
00:33:56,422 --> 00:34:02,428
♪ THE DESERT BREEZE
WHISPERING ♪
435
00:34:02,428 --> 00:34:05,431
♪ A LULLABY ♪
436
00:34:05,431 --> 00:34:11,437
♪ ONLY STARS
ABOVE YOU ♪
437
00:34:11,437 --> 00:34:17,943
♪ TO SEE I LOVE YOU ♪
438
00:34:17,943 --> 00:34:25,451
♪ OH, GIVE ME
THAT NIGHT DIVINE... ♪
439
00:34:25,451 --> 00:34:26,952
I’M A REPORTER.
440
00:34:29,455 --> 00:34:30,456
A REPORTER?
441
00:34:32,458 --> 00:34:33,959
YOU DISAPPROVE?
442
00:34:33,959 --> 00:34:34,960
AHEM.
443
00:34:34,960 --> 00:34:36,462
NO.
444
00:34:36,462 --> 00:34:38,464
LET’S SAY
I’M A BIT SURPRISED.
445
00:34:38,464 --> 00:34:40,966
WELL, LET’S BE HONEST
AND SAY YOU DISAPPROVE.
446
00:34:40,966 --> 00:34:43,969
A WOMAN DOING A MAN’S
JOB IS COMPETITIVE,
447
00:34:43,969 --> 00:34:44,970
BOTH SEXUALLY
AND ECONOMICALLY.
448
00:34:44,970 --> 00:34:47,473
YOU WANT TO KNOW
WHY I’M HERE.
449
00:34:47,473 --> 00:34:49,475
I WANT
TO REPORT THE RACE,
450
00:34:49,475 --> 00:34:51,977
AND I WANT TO BE IN IT.
451
00:34:51,977 --> 00:34:54,480
IT’S AS SIMPLE AS THAT.
452
00:34:55,481 --> 00:34:59,485
WELL, IT’S HARDLY
THAT SIMPLE, BUT, UH...
453
00:35:01,487 --> 00:35:02,988
LET’S DISCUSS IT,
SHALL WE?
454
00:35:02,988 --> 00:35:05,491
ALL RIGHT. LET’S
DISCUSS THE WHOLE THING
455
00:35:05,491 --> 00:35:07,993
FULLY AND COMPLETELY
RIGHT FROM THE BEGINNING.
456
00:35:07,993 --> 00:35:10,996
DO YOU WANT A WIFE,
A COMPANION...
457
00:35:10,996 --> 00:35:12,498
OR JUST A WOMAN?
458
00:35:12,498 --> 00:35:16,502
THERE ARE CERTAIN THINGS
WE SHOULDN’T DISCUSS.
459
00:35:17,002 --> 00:35:20,005
WHY? MEN DISCUSS THEIR
RELATIONSHIPS WITH WOMEN.
460
00:35:20,506 --> 00:35:22,007
GENTLEMEN DON’T.
461
00:35:24,009 --> 00:35:26,011
BUT I’M NOT
A GENTLEMAN.
462
00:35:26,011 --> 00:35:28,013
I’M A WOMAN.
463
00:35:29,515 --> 00:35:31,517
INDEED YOU ARE.
464
00:35:31,517 --> 00:35:32,518
THEN SAY IT.
465
00:35:33,018 --> 00:35:34,019
WHAT’S EXPECTED
OF ME?
466
00:35:34,520 --> 00:35:35,521
I’M AN EMANCIPATED
WOMAN,
467
00:35:35,521 --> 00:35:37,523
AND YOU’RE
AN EMANCIPATED MAN.
468
00:35:37,523 --> 00:35:41,026
THERE ARE CERTAIN THINGS
THAT SHOULD REMAIN IMPLICIT
469
00:35:41,527 --> 00:35:43,028
BETWEEN MEN AND WOMEN.
470
00:35:43,529 --> 00:35:44,530
WHY?
471
00:35:44,530 --> 00:35:47,032
BECAUSE THAT’S THE WAY IT’S
BEEN FOR THOUSANDS OF YEARS.
472
00:35:47,533 --> 00:35:49,034
AND I SEE NO REASON TO CHANGE.
473
00:35:49,034 --> 00:35:51,036
I AM A CREATURE OF HABIT.
474
00:35:51,036 --> 00:35:52,538
ALL THE MORE REASON.
475
00:35:54,039 --> 00:35:57,543
NOW YOU’RE USING YOUR FEMALE
ATTRACTIVENESS AS A WEAPON.
476
00:35:57,543 --> 00:35:59,044
EQUALITY,
REAL EQUALITY
477
00:35:59,545 --> 00:36:02,047
OF THE SEXES
BOTHERS YOU.
478
00:36:02,047 --> 00:36:03,048
DOESN’T IT?
479
00:36:06,051 --> 00:36:07,553
I CAN SPEAK, READ,
AND WRITE RUSSIAN,
480
00:36:07,553 --> 00:36:08,554
FRENCH, AND ARABIC.
481
00:36:09,054 --> 00:36:10,556
SO CAN I, PLUS FIVE
OTHER LANGUAGES.
482
00:36:11,056 --> 00:36:12,558
I CAN DRIVE
ANY CAR THERE IS.
483
00:36:13,058 --> 00:36:14,560
SO CAN HEZEKIAH.
484
00:36:15,060 --> 00:36:18,063
I WON THE WOMAN’S INTERNATIONAL
FENCING COMPETITION.
485
00:36:21,567 --> 00:36:22,568
EN GARDE!
486
00:36:22,568 --> 00:36:23,569
[SLASHES TENT]
487
00:36:25,070 --> 00:36:26,071
VERY WELL.
488
00:36:51,096 --> 00:36:52,598
UHH!
489
00:36:56,602 --> 00:36:58,103
NOW, IF YOU’D WON
490
00:36:58,103 --> 00:37:01,106
THE MEN’S INTERNATIONAL
FENCING COMPETITION...
491
00:37:04,109 --> 00:37:05,110
WAIT!
492
00:37:06,111 --> 00:37:07,112
[CLICK]
493
00:37:07,112 --> 00:37:09,114
NOW WE’LL TALK THIS OUT.
494
00:37:11,116 --> 00:37:12,117
MM!
495
00:37:12,117 --> 00:37:13,619
MM!
496
00:37:13,619 --> 00:37:14,620
MM.
497
00:37:14,620 --> 00:37:16,622
MM...
498
00:37:19,625 --> 00:37:21,126
[CLICK]
499
00:37:22,628 --> 00:37:24,630
NOW, IF YOU’LL
EXCUSE ME...
500
00:37:25,130 --> 00:37:28,133
OHH! OH! OH, YOU...
501
00:37:30,135 --> 00:37:31,637
HEZEKIAH, WILL YOU
SEE MISS DUBOIS
502
00:37:31,637 --> 00:37:32,638
TO HER HORSE, PLEASE?
503
00:37:33,138 --> 00:37:35,140
YOU’RE AFRAID! YOU’RE
AFRAID OF A REAL WOMAN!
504
00:37:35,140 --> 00:37:36,642
ALL RIGHT, LADY.
LET’S GO.
505
00:37:37,142 --> 00:37:37,643
I’LL SHOW YOU!
I’LL ENTER THE RACE MYSELF!
506
00:37:38,143 --> 00:37:39,645
I’LL ENTER MY OWN CAR,
507
00:37:40,145 --> 00:37:41,146
AND I’LL BEAT YOU!
508
00:37:41,647 --> 00:37:43,148
AND ANOTHER THING--
509
00:38:27,859 --> 00:38:28,860
PROFESSOR...
510
00:38:29,861 --> 00:38:31,863
DINNER IS SERVED.
511
00:38:31,863 --> 00:38:34,366
[MUSIC CONTINUES TO PLAY]
512
00:38:57,889 --> 00:38:59,391
[BELL RINGS]
513
00:39:02,394 --> 00:39:03,895
[MAX]
WHO IS IT?
514
00:39:03,895 --> 00:39:06,398
I WISH TO SEE
PROFESSOR FATE.
515
00:39:06,398 --> 00:39:08,900
I’M A REPORTER
FOR THE SENTINEL.
516
00:39:08,900 --> 00:39:10,402
BEAT IT, LITTLE GIRL.
517
00:39:10,402 --> 00:39:12,904
I’LL SIC THE DOGS
ON YOU.
518
00:39:14,406 --> 00:39:16,408
[BELL RINGS]
519
00:39:23,415 --> 00:39:24,916
WHO WAS THAT?
520
00:39:24,916 --> 00:39:26,918
KIDS. JUST KIDS.
MORE KIDS.
521
00:39:26,918 --> 00:39:28,420
STUPID KIDS.
522
00:39:32,924 --> 00:39:35,427
DO YOU WANT ME
TO FEED YOU?
523
00:39:37,429 --> 00:39:38,430
AHEM.
524
00:40:17,469 --> 00:40:19,971
[DOGS BARKING]
525
00:40:19,971 --> 00:40:21,473
LISTEN TO THAT.
526
00:40:27,479 --> 00:40:30,482
OUT BACK BY THE GARAGE!
THE CAR! HURRY UP!
527
00:40:30,482 --> 00:40:31,483
HEY!
528
00:40:31,483 --> 00:40:32,484
CAR!
529
00:40:46,498 --> 00:40:47,499
HELP!
530
00:40:48,500 --> 00:40:50,001
OHH! HELP!
531
00:40:53,505 --> 00:40:55,507
YOU’RE SURE YOU
LOCKED THE DOOR?
532
00:40:55,507 --> 00:40:56,508
I’M POSITIVE.
533
00:40:56,508 --> 00:40:58,510
BE CAREFUL. IF YOU OPEN
THE DOOR ONE INCH,
534
00:40:58,510 --> 00:41:00,512
IT SETS OFF
THE ALARM.
535
00:41:00,512 --> 00:41:01,513
I KNOW THAT.
536
00:41:01,513 --> 00:41:05,517
HELP! HELP!
[ALARM SOUNDS]
537
00:41:29,040 --> 00:41:30,542
GET AWAY! GET AWAY!
538
00:41:30,542 --> 00:41:31,543
HELP!
539
00:41:31,543 --> 00:41:32,544
GET HIM OFF!
540
00:41:32,544 --> 00:41:34,546
NO! HELP!
541
00:41:34,546 --> 00:41:36,548
HELP! GET ME DOWN!
542
00:41:36,548 --> 00:41:38,049
HELP!
543
00:41:38,049 --> 00:41:39,551
HERE, PUPPY.
544
00:41:41,052 --> 00:41:42,554
GET AWAY, YOU IDIOT.
545
00:41:44,556 --> 00:41:47,058
GET ME DOWN! HELP!
546
00:41:49,060 --> 00:41:50,562
GET ME DOWN!
547
00:41:52,063 --> 00:41:55,567
MAAAAXXXX!
548
00:41:58,570 --> 00:42:01,573
OUT! OUT!
AND STAY OUT!
549
00:42:01,573 --> 00:42:03,575
WAIT!
I’LL EXPOSE YOU!
550
00:42:03,575 --> 00:42:05,076
I’M A MEMBER OF--
551
00:42:05,076 --> 00:42:06,578
I SAID OUT!
552
00:42:06,578 --> 00:42:07,579
AND STAY OUT!
553
00:42:08,079 --> 00:42:09,581
A POX ON YOU!
554
00:42:10,081 --> 00:42:12,584
[SHOUTING OVER
ONE ANOTHER]
555
00:42:12,584 --> 00:42:14,586
WHAT ARE YOU KICKING
THE PROFESSOR FOR?
556
00:42:15,086 --> 00:42:17,088
STOP IT!
YOU HEAR ME?
557
00:42:17,088 --> 00:42:18,790
PUT UP YOUR DUKES!
558
00:42:19,291 --> 00:42:20,792
COME ON!
559
00:42:21,293 --> 00:42:21,793
YOU’RE A LUNATIC!
A LUNATIC!
560
00:42:22,294 --> 00:42:23,795
YOU CAN’T TALK
TO ME THAT WAY!
561
00:42:24,296 --> 00:42:26,298
I’M A MEMBER
OF THE PRESS!
562
00:42:39,811 --> 00:42:41,813
GET OFF THE CAR, PLEASE.
563
00:42:41,813 --> 00:42:44,816
JUST GET OFF THE CAR.
564
00:42:47,319 --> 00:42:49,321
GET YOUR HANDS OFF!
565
00:42:49,321 --> 00:42:51,823
GET AWAY FROM THERE!
566
00:42:51,823 --> 00:42:53,325
GET YOUR HANDS AWAY
FROM THERE.
567
00:42:53,325 --> 00:42:54,826
GET OFF OF THIS CAR!
568
00:42:54,826 --> 00:42:56,828
GET AWAY FROM THIS CAR!
569
00:42:56,828 --> 00:42:58,830
GET AWAY FROM THERE!
GET AWAY FROM THERE!
570
00:42:58,830 --> 00:43:00,332
HOLD IT!
571
00:43:02,334 --> 00:43:03,335
THAT’S IT.
572
00:43:17,349 --> 00:43:18,350
MOVE!
573
00:43:18,350 --> 00:43:20,352
GET AWAY FROM THE CAR!
574
00:43:37,869 --> 00:43:39,371
HOLD IT!
575
00:43:41,373 --> 00:43:42,374
THAT’S IT.
576
00:43:53,885 --> 00:43:55,387
EVERYTHING IS READY?
577
00:43:55,387 --> 00:43:57,389
EVERYTHING IS READY.
578
00:44:06,898 --> 00:44:08,400
HOLD IT!
579
00:44:09,401 --> 00:44:11,403
JUST STAY AWAY
FROM THE AUTOMOBILE.
580
00:44:11,403 --> 00:44:12,404
I’LL SIGN IT
FOR YOU.
581
00:44:12,404 --> 00:44:13,905
I CHECKED EVERYTHING
OVER TWICE.
582
00:44:13,905 --> 00:44:15,407
WE’RE READY TO GO.
583
00:44:15,407 --> 00:44:16,408
VERY GOOD.
584
00:44:40,932 --> 00:44:42,934
WHAT DO YOU THINK
YOU’RE DOING?
585
00:44:42,934 --> 00:44:44,436
I’M AN OFFICIAL ENTRY.
586
00:44:44,436 --> 00:44:45,437
OFFICIAL ENTRY?
587
00:44:45,437 --> 00:44:46,938
REPRESENTING
THE SENTINEL.
588
00:44:46,938 --> 00:44:47,939
WHAT?
589
00:44:47,939 --> 00:44:49,941
SINCE IT IS MY JOB
AS A REPORTER
590
00:44:49,941 --> 00:44:52,944
TO BE THERE WHEN THE FIRST CAR
CROSSES THE FINISH LINE,
591
00:44:52,944 --> 00:44:55,447
IT WILL BE NECESSARY
FOR ME TO WIN.
592
00:45:00,952 --> 00:45:02,954
IMAGINE
THAT CRAZY FEMALE.
593
00:45:03,455 --> 00:45:05,457
SHE WON’T EVEN GET
AS FAR AS ALBANY
594
00:45:05,457 --> 00:45:06,458
IN THAT STEAMER.
595
00:45:06,958 --> 00:45:08,460
DON’T BET ON IT.
596
00:45:08,960 --> 00:45:10,962
THAT’S A VERY DETERMINED
YOUNG LADY, HEZEKIAH.
597
00:45:11,463 --> 00:45:11,963
GOOD MORNING.
598
00:45:12,464 --> 00:45:12,964
GOOD MORNING,
HESTER.
599
00:45:13,465 --> 00:45:13,965
GOOD MORNING,
MAGGIE.
600
00:45:14,466 --> 00:45:14,966
HAVE A CIGAR.
601
00:45:15,467 --> 00:45:15,967
HESTER.
THANK YOU.
602
00:45:16,468 --> 00:45:17,469
I WANT TO THANK YOU
AGAIN
603
00:45:17,469 --> 00:45:18,970
FOR THIS OPPORTUNITY,
MR. GOODBODY.
604
00:45:18,970 --> 00:45:21,973
I HAD VERY LITTLE CHOICE AFTER
YOUR CONVERSATION WITH MY WIFE.
605
00:45:21,973 --> 00:45:24,976
HENRY, IF YOU CAN’T BE
MORE GRACIOUS, SHUT UP.
606
00:45:24,976 --> 00:45:27,479
IT’S A GREAT DAY
FOR THE CAUSE, MAGGIE.
607
00:45:27,479 --> 00:45:28,980
IT IS INDEED,
HESTER.
608
00:45:28,980 --> 00:45:30,982
[FANFARE]
609
00:45:33,618 --> 00:45:36,121
DRIVERS, TO YOUR CARS!
610
00:45:45,130 --> 00:45:46,131
HEZEKIAH.
611
00:45:46,131 --> 00:45:47,632
BOSS.
612
00:45:49,134 --> 00:45:50,635
COME ON, MAX!
613
00:45:50,635 --> 00:45:52,637
GOOD LUCK, MAGGIE.
614
00:45:52,637 --> 00:45:53,638
THANK YOU.
615
00:45:57,142 --> 00:45:59,144
MAX!
616
00:46:05,650 --> 00:46:07,152
COME ON, MAX!
617
00:46:07,152 --> 00:46:08,153
MAX!
618
00:46:08,153 --> 00:46:09,154
ALL SET.
619
00:46:50,695 --> 00:46:52,197
[STARTER’S GUN GOES OFF]
620
00:47:39,744 --> 00:47:42,747
ARE YOU SURE YOU
TOOK CARE OF EVERYTHING?
621
00:47:42,747 --> 00:47:45,250
JUST KEEP YOUR EYE
ON CAR NUMBER 2.
622
00:48:08,773 --> 00:48:11,276
NOW, AT APPROXIMATELY
THE 50-MILE MARK,
623
00:48:11,276 --> 00:48:14,279
CAR NUMBER 3, IT LOSES
ITS TRANSMISSION.
624
00:48:25,290 --> 00:48:29,294
IN ABOUT 5 SECONDS,
CAR NUMBER 4 BITES THE DUST.
625
00:48:38,803 --> 00:48:40,305
GENIUS, MAX.
POSITIVE GENIUS.
626
00:48:40,305 --> 00:48:41,806
WHAT’S NEXT?
627
00:48:41,806 --> 00:48:44,809
CAR NUMBER 5.
THE ENGINE FALLS OUT.
628
00:48:44,809 --> 00:48:47,312
CAR NUMBER 5!
HA HA HA HA.
629
00:48:47,312 --> 00:48:49,314
MAX...
630
00:48:49,314 --> 00:48:51,316
WE’RE NUMBER 5.
631
00:49:12,337 --> 00:49:14,339
THAT’S NOT SUPPOSED
TO HAPPEN TO NUMBER 6!
632
00:49:14,339 --> 00:49:17,342
I FIXED IT SO THE WHEELS
WOULD COME OFF!
633
00:49:23,348 --> 00:49:25,350
SMOKE! GET THE FIRE
EXTINGUISHER!
634
00:49:25,350 --> 00:49:27,852
SMOKE! FIRE! I GOT
THE EXTINGUISHER!
635
00:49:27,852 --> 00:49:28,853
FIRE EXTINGUISHER!
636
00:49:28,853 --> 00:49:29,854
SMOKE!
637
00:49:29,854 --> 00:49:32,857
COMING THROUGH!
I GOT IT!
638
00:49:32,857 --> 00:49:34,859
I GOT IT!
639
00:49:34,859 --> 00:49:37,862
ALL RIGHT! I THINK
WE GOT IT IN TIME!
640
00:49:37,862 --> 00:49:39,864
I THINK WE GOT IT.
641
00:49:40,865 --> 00:49:43,868
I THINK WE GOT IT
NOW, PROFESSOR.
642
00:49:43,868 --> 00:49:45,870
O.K. SHE’S OUT.
643
00:49:47,372 --> 00:49:50,375
WHERE ARE YOU?
644
00:49:51,876 --> 00:49:53,378
WHERE ARE YOU?
645
00:49:53,378 --> 00:49:54,879
TO YOUR RIGHT.
646
00:49:54,879 --> 00:49:55,880
[CAR APPROACHES]
647
00:50:17,402 --> 00:50:18,403
HOLD IT!
648
00:50:51,436 --> 00:50:53,438
THAT WAS A PIGEON.
649
00:51:06,951 --> 00:51:08,953
[SPRAYING FOAM]
650
00:51:11,456 --> 00:51:12,957
OH! OH!
651
00:51:22,800 --> 00:51:24,302
♪ MINE EYES HAVE SEEN
THE GLORY ♪
652
00:51:24,802 --> 00:51:26,304
♪ OF THE COMING
OF THE LORD ♪
653
00:51:26,804 --> 00:51:28,306
♪ HE IS TRAMPLING OUT
THE VINTAGE ♪
654
00:51:28,806 --> 00:51:29,807
♪ WHERE THE GRAPES... ♪
655
00:51:29,807 --> 00:51:31,309
GET THE BIRD.
656
00:51:31,309 --> 00:51:32,310
Y-Y-YES, SIR.
657
00:51:32,310 --> 00:51:34,312
COME HERE, BIRD.
658
00:51:34,312 --> 00:51:36,314
HURRY UP,
WILL YOU, FRISBEE?
659
00:51:36,314 --> 00:51:37,815
I’M HURRYING. BIRD...
660
00:51:37,815 --> 00:51:39,317
FRISBEE, JUST
GET THE BIRD.
661
00:51:39,317 --> 00:51:43,821
♪ GLORY, GLORY,
HALLELUJAH ♪
662
00:51:43,821 --> 00:51:46,324
DON’T LOLLYGAG OUT THERE.
JUST GET THE BIRD.
663
00:51:46,324 --> 00:51:48,326
I GOT HIM.
I GOT HIM, SIR.
664
00:51:49,827 --> 00:51:50,828
FRISBEE...
665
00:51:50,828 --> 00:51:51,829
FRISBEE, FRISBEE.
666
00:51:51,829 --> 00:51:53,831
YES, I GOT THE BIRD.
667
00:51:53,831 --> 00:51:55,333
JUST HOLD...
FRISBEE.
668
00:51:55,333 --> 00:51:57,335
FRISBEE. FRISBEE.
JUST BE QUIET.
669
00:51:57,335 --> 00:51:59,337
PLEASE TRY
TO SAVE ME, SIR.
670
00:51:59,337 --> 00:52:00,838
BE STEADY, FRISBEE.
671
00:52:00,838 --> 00:52:01,839
JUST BE STEADY.
672
00:52:01,839 --> 00:52:02,840
BLESS YOU, SIR.
673
00:52:02,840 --> 00:52:05,843
BE STEADY.
BE QUIET NOW, FRISBEE.
674
00:52:05,843 --> 00:52:07,345
THANK YOU, SIR.
675
00:52:07,345 --> 00:52:09,347
AND IT’S ORGANIZATIONS
LIKE THE SENTINEL
676
00:52:09,347 --> 00:52:11,349
THAT WE MUST DEAL
WITH FIRST.
677
00:52:11,349 --> 00:52:12,850
WHY, AT THIS VERY MOMENT,
678
00:52:12,850 --> 00:52:14,852
THE EDITOR SITS
BEHIND HIS DESK...
679
00:52:14,852 --> 00:52:16,854
AAH!
680
00:52:18,856 --> 00:52:21,859
FRISBEE, NEXT TIME,
BE MORE CAREFUL.
681
00:52:21,859 --> 00:52:23,361
YOU FEEL YOURSELF
FALLING,
682
00:52:23,361 --> 00:52:25,363
LET GO
OF THE BIRD.
683
00:52:38,376 --> 00:52:39,877
"SENTINEL CAR
TAKES LEAD
684
00:52:39,877 --> 00:52:43,381
APPROXIMATELY 600 MILES
WEST OF CHICAGO."
685
00:52:43,381 --> 00:52:44,382
FRISBEE!
686
00:52:44,882 --> 00:52:48,386
AAH!
687
00:52:53,891 --> 00:52:56,894
WELL, THAT SHOULD PUT US
ABOUT HERE.
688
00:53:07,572 --> 00:53:08,573
OOH!
689
00:53:18,583 --> 00:53:20,585
FAREWELL!
690
00:53:48,613 --> 00:53:51,115
HEZEKIAH, SEE WHAT’S WRONG
WITH THE CAR.
691
00:53:51,115 --> 00:53:52,116
OH. YEAH.
692
00:54:02,126 --> 00:54:03,628
OHH...
693
00:54:03,628 --> 00:54:05,630
OH, I
MUST HAVE FAINTED.
694
00:54:06,130 --> 00:54:08,132
PERFECTLY NATURAL
IN THIS HEAT.
695
00:54:08,132 --> 00:54:09,634
THANK YOU
FOR STOPPING.
696
00:54:10,134 --> 00:54:11,135
MY PLEASURE.
697
00:54:11,135 --> 00:54:13,137
MAY I OFFER YOU
SOME WATER?
698
00:54:13,137 --> 00:54:15,640
OH, NO, I’M MUCH BETTER NOW,
THANK YOU.
699
00:54:15,640 --> 00:54:17,642
HEZEKIAH,
CAN SHE BE FIXED?
700
00:54:17,642 --> 00:54:19,143
NOT A CHANCE, BOSS.
701
00:54:19,143 --> 00:54:20,645
HMM...
702
00:54:20,645 --> 00:54:24,148
WELL, I GUESS THAT’S
THE END OF THAT.
703
00:54:25,149 --> 00:54:27,652
I KNOW HOW DISAPPOINTED
YOU MUST BE,
704
00:54:27,652 --> 00:54:31,155
BUT IT’S AMAZING YOU WERE ABLE
TO ACCOMPLISH WHAT YOU DID.
705
00:54:31,155 --> 00:54:33,658
YOU MEAN AMAZING
BECAUSE I’M A WOMAN.
706
00:54:33,658 --> 00:54:36,661
THE STEAMER IS A FAST, SPORTY,
ATTRACTIVE AUTOMOBILE,
707
00:54:37,161 --> 00:54:39,163
DESIGNED FOR CITY DRIVING
AND COUNTRY PICNICS.
708
00:54:39,163 --> 00:54:41,666
YOU’RE LUCKY IT DIDN’T
BLOW UP ON YOU.
709
00:54:41,666 --> 00:54:44,669
IT’S REALLY AMAZING THAT ANYONE
WAS ABLE TO GO THIS FAR.
710
00:54:44,669 --> 00:54:46,170
I CONGRATULATE YOU,
711
00:54:46,170 --> 00:54:49,173
NOT AS A WOMAN BUT
AN INTREPID AUTOIST.
712
00:54:49,173 --> 00:54:52,176
YOU MEAN AN INTREPID
WOMAN AUTOIST.
713
00:54:52,176 --> 00:54:54,178
A RATHER DUBIOUS HONOR,
714
00:54:54,178 --> 00:54:55,680
WHEN YOU CONSIDER
THE ACCOMPLISHMENT
715
00:54:56,180 --> 00:54:57,682
IS PREDICATED ON THE FACT
716
00:54:57,682 --> 00:54:59,684
THAT YOU CHOSE
THE WRONG AUTOMOBILE.
717
00:54:59,684 --> 00:55:02,186
AH! BUT THE CHOICE
WAS NOT MINE.
718
00:55:02,186 --> 00:55:04,188
MY EDITOR, A MAN,
MADE THE ARRANGEMENTS.
719
00:55:04,188 --> 00:55:07,191
YOUR EDITOR’S SOMETHING
LESS THAN AN AUTHORITY
720
00:55:07,191 --> 00:55:08,693
ON AUTOMOBILES,
721
00:55:08,693 --> 00:55:10,695
BUT YOU, ON THE OTHER HAND,
CLAIMED FULL KNOWLEDGE
722
00:55:10,695 --> 00:55:13,197
OF THE AUTO
AND ITS WORKINGS.
723
00:55:13,197 --> 00:55:14,198
SO?
724
00:55:14,198 --> 00:55:16,701
SO, BEING A WOMAN,
YOU CHOSE TO IGNORE
725
00:55:16,701 --> 00:55:18,703
THE PRACTICAL EVIDENCE,
ACTED EMOTIONALLY,
726
00:55:18,703 --> 00:55:20,204
ENTERED THE RACE
727
00:55:20,204 --> 00:55:22,707
KNOWING FULL WELL THAT YOU
COULDN’T POSSIBLY FINISH.
728
00:55:22,707 --> 00:55:24,208
OH, I’LL FINISH.
729
00:55:25,209 --> 00:55:26,711
MAY I ASK HOW?
730
00:55:26,711 --> 00:55:29,213
NO, YOU MAY NOT ASK HOW,
BUT I’LL FINISH.
731
00:55:29,213 --> 00:55:31,215
I MAY NOT STILL BE
AN OFFICIAL ENTRY,
732
00:55:31,215 --> 00:55:33,718
BUT I WILL RECORD
EVERY FOOT OF THIS RACE.
733
00:55:33,718 --> 00:55:35,219
I’LL GET ANOTHER CAR.
734
00:55:35,219 --> 00:55:36,220
FROM WHERE?
735
00:55:36,220 --> 00:55:37,722
I DON’T KNOW.
736
00:55:37,722 --> 00:55:39,724
IF I DON’T,
I’LL GET SOMETHING ELSE.
737
00:55:39,724 --> 00:55:42,727
I’LL FIND A WAY,
EVEN IF I HAVE TO WALK.
738
00:55:42,727 --> 00:55:44,729
WELL, WHAT ARE YOU
WAITING FOR?
739
00:55:44,729 --> 00:55:48,232
EVERY MINUTE WASTED IS
ANOTHER MILE FOR PROFESSOR FATE.
740
00:55:49,734 --> 00:55:50,735
ALL RIGHT.
741
00:55:50,735 --> 00:55:52,737
WE’LL TAKE YOU
AS FAR AS BORACHO,
742
00:55:52,737 --> 00:55:54,739
WHERE I PICK UP
SOME GASOLINE.
743
00:55:54,739 --> 00:55:55,740
PERFECT.
744
00:55:55,740 --> 00:55:57,742
FROM THERE,
YOU’RE ON YOUR OWN.
745
00:55:58,242 --> 00:55:59,744
THANK YOU.
MY LUGGAGE, PLEASE.
746
00:55:59,744 --> 00:56:01,245
NOW WAIT A MINUTE.
747
00:56:01,245 --> 00:56:03,247
HEZEKIAH, THE LADY’S
LUGGAGE, PLEASE.
748
00:56:03,247 --> 00:56:04,248
HUH?
749
00:56:42,787 --> 00:56:44,288
[WHOOPING]
750
00:56:53,297 --> 00:56:55,299
PROFESSOR! WE’RE
BEING ATTACKED!
751
00:56:55,299 --> 00:56:57,802
SMOKE SCREEN, MAX.
GIVE THEM THE SMOKE SCREEN.
752
00:56:57,802 --> 00:56:59,303
SMOKE SCREEN!
753
00:57:03,307 --> 00:57:05,810
NO, YOU IDIOT!
THE SMOKE SCREEN!
754
00:57:05,810 --> 00:57:06,811
PUSH THE BUTTON, MAX!
755
00:57:07,311 --> 00:57:08,312
SMOKE SCREEN!
756
00:57:19,323 --> 00:57:21,325
[COUGHING]
757
00:57:26,363 --> 00:57:27,865
HERE THEY COME!
758
00:57:30,367 --> 00:57:32,369
YEE-HOO!
759
00:57:45,883 --> 00:57:48,385
GET IT DOWN!
GET IT DOWN!
760
00:57:49,887 --> 00:57:52,389
TAKE COVER, YOU FOOLS!
761
00:57:52,389 --> 00:57:54,892
TAKE COVER!
INDIANS!
762
00:57:54,892 --> 00:57:56,393
SAVAGES!
763
00:57:56,393 --> 00:57:58,395
START A POSSE!
764
00:57:58,395 --> 00:58:00,898
SAVAGES BEHIND US!
765
00:58:00,898 --> 00:58:02,399
FIRE AWAY!
766
00:58:02,900 --> 00:58:03,901
SAVAGES
ATTACKING US.
767
00:58:04,401 --> 00:58:06,403
OUT OF MY WAY, MAN.
768
00:58:06,403 --> 00:58:07,404
TAKE COVER!
769
00:58:07,404 --> 00:58:08,906
WELCOME TO BORACHO.
770
00:58:08,906 --> 00:58:11,909
YES, THANK YOU.
INDIANS, SAVAGES ATTACKING US.
771
00:58:11,909 --> 00:58:13,911
RIGHT BEHIND US!
AN ATTACK!
772
00:58:13,911 --> 00:58:15,412
WHAT’S FUNNY?
773
00:58:15,412 --> 00:58:16,914
THEM WAS JUST
THE SHERIFF
774
00:58:16,914 --> 00:58:18,415
AND SOME OF THE MEN
775
00:58:18,415 --> 00:58:19,917
DRESSED UP
LIKE INDIANS.
776
00:58:19,917 --> 00:58:22,419
WHY, THEY DONE RODE
OUT TO WELCOME YOU.
777
00:58:22,419 --> 00:58:24,421
THAT’S VERY REASSURING,
MR. MAYOR.
778
00:58:24,421 --> 00:58:26,423
NOW IF YOU’LL JUST SHOW US
WHERE THE GASOLINE IS,
779
00:58:26,423 --> 00:58:27,925
WE’LL BE ON OUR WAY.
780
00:58:27,925 --> 00:58:29,426
ON YOUR WAY?
781
00:58:29,927 --> 00:58:30,928
YOU CAN’T GO NOW.
782
00:58:31,428 --> 00:58:33,430
WHAT DO YOU MEAN
WE CAN’T GO NOW?
783
00:58:33,430 --> 00:58:34,431
GOT TO HAVE GAS.
GAS, GAS, GAS!
784
00:58:34,431 --> 00:58:35,933
YOU’RE THE GUEST
OF HONOR.
785
00:58:35,933 --> 00:58:38,435
BUT I DON’T WANT TO BE
A GUEST OF HONOR!
786
00:58:38,435 --> 00:58:40,437
I’VE GOT TO
PRESENT YOU
787
00:58:40,437 --> 00:58:41,438
WITH THIS HERE KEY
TO THE CITY.
788
00:58:41,438 --> 00:58:43,440
DON’T WANT A KEY.
WANTS GAS. GAS!
789
00:58:43,440 --> 00:58:44,942
AS MAYOR
OF BORACHO--
790
00:58:44,942 --> 00:58:46,944
I WANT GAS,
AND I WANT IT NOW!
791
00:58:46,944 --> 00:58:49,446
YOU AIN’T GOING TO GET
NO GAS TILL TOMORROW.
792
00:58:49,446 --> 00:58:50,447
TOMORROW?
TOMORROW?
793
00:58:50,447 --> 00:58:52,950
YOU’RE GOING TO ACCEPT
THIS HERE KEY,
794
00:58:52,950 --> 00:58:55,953
YOU’RE GOING TO ATTEND
THAT MEETING TONIGHT,
795
00:58:55,953 --> 00:58:57,454
OR BY JUMPED-UP HARRY,
796
00:58:57,454 --> 00:58:58,956
YOU’RE GOING TO BE
GUEST OF HONOR
797
00:58:58,956 --> 00:59:00,457
AT A NECKTIE PARTY.
798
00:59:00,457 --> 00:59:03,460
NECKTIE? WHAT KIND
OF CHEAP PRESENT IS THAT?
799
00:59:03,961 --> 00:59:05,462
YOU LISTEN TO ME,
800
00:59:05,462 --> 00:59:07,464
YOU CHEAP, MEALY-MOUTH,
THIRD-RATE WARD-HEALER--
801
00:59:07,464 --> 00:59:08,966
SOMEBODY
GET ME A ROPE!
802
00:59:08,966 --> 00:59:10,467
YOU WANT A ROPE? I GOT
A ROPE IN THE CAR.
803
00:59:10,467 --> 00:59:11,969
A ROPE!
DRIVE!
804
00:59:11,969 --> 00:59:13,470
SOMEBODY
GET ME A ROPE!
805
00:59:13,470 --> 00:59:14,471
HURRY UP!
THEY’RE LEAVING!
806
00:59:14,471 --> 00:59:15,472
THEY’RE LEAVING!
807
00:59:15,472 --> 00:59:19,476
GET ME A ROPE, SOMEBODY!
GET ME A ROPE!
808
00:59:31,488 --> 00:59:32,990
YOU GOING TO GIVE US
ANY TROUBLE?
809
00:59:32,990 --> 00:59:34,491
I BEG YOUR PARDON?
810
00:59:34,491 --> 00:59:36,994
WE BEEN PLANNING THIS HERE
SHINDIG FOR OVER A WEEK.
811
00:59:36,994 --> 00:59:38,996
NOW, DO WE STRING UP
THE BUNCH OF YOU,
812
00:59:38,996 --> 00:59:40,998
OR ARE YOU GONNA COOPERATE
AND BE THE GUEST OF HONOR?
813
00:59:40,998 --> 00:59:41,999
UH, GENTLEMEN,
I GREET YOU
814
00:59:41,999 --> 00:59:44,001
WITH CORDIALITY
AND GOOD CHEER,
815
00:59:44,001 --> 00:59:45,002
AND IT’S A PLEASURE
816
00:59:45,002 --> 00:59:47,004
TO BE ACCORDED
THIS GREAT HONOR.
817
00:59:47,004 --> 00:59:48,505
THERE’S A BIG
CELEBRATION TONIGHT.
818
00:59:49,006 --> 00:59:51,508
YOU AIN’T GOING TO GET
NO GAS TILL TOMORROW.
819
00:59:51,508 --> 00:59:53,010
MY FRIENDS AND I
820
00:59:53,010 --> 00:59:54,511
LOOK FORWARD
TO YOUR CELEBRATION
821
00:59:54,511 --> 00:59:55,512
AND THE HOSPITALITY
822
00:59:55,512 --> 00:59:57,014
OF YOUR CHARMING
COMMUNITY.
823
00:59:57,014 --> 00:59:58,015
[CHEERING]
824
00:59:58,015 --> 00:59:59,516
♪ IT LOOKS TO ME ♪
825
00:59:59,516 --> 01:00:01,518
♪ LIKE A BIG NIGHT
TONIGHT ♪
826
01:00:01,518 --> 01:00:03,020
♪ BIG NIGHT TONIGHT ♪
827
01:00:03,020 --> 01:00:04,021
♪ BIG NIGHT TONIGHT ♪
828
01:00:04,021 --> 01:00:06,023
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
829
01:00:06,023 --> 01:00:07,524
♪ ALL THE MICE
WANT TO PLAY ♪
830
01:00:07,524 --> 01:00:11,028
♪ AND IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
831
01:00:11,028 --> 01:00:13,030
♪ TONIGHT ♪
832
01:00:13,030 --> 01:00:14,531
♪ TONIGHT ♪
833
01:00:14,531 --> 01:00:17,534
♪ WELL, IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
834
01:00:18,035 --> 01:00:19,536
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
835
01:00:19,536 --> 01:00:21,038
♪ ALL THE MICE
WANT TO PLAY ♪
836
01:00:21,038 --> 01:00:24,541
♪ AND IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
837
01:00:34,051 --> 01:00:35,552
♪ HEY ♪
838
01:00:35,552 --> 01:00:38,555
♪ IT LOOKS TO ME
LIKE A BIG NIGHT TONIGHT ♪
839
01:00:38,555 --> 01:00:39,556
♪ BIG NIGHT TONIGHT ♪
840
01:00:40,057 --> 01:00:41,058
♪ BIG NIGHT TONIGHT ♪
841
01:00:41,058 --> 01:00:43,060
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
842
01:00:43,060 --> 01:00:44,561
♪ ALL THE MICE
WANT TO PLAY ♪
843
01:00:44,561 --> 01:00:46,563
♪ AND IT LOOKS
LIKE A BIG NIGHT ♪
844
01:00:46,563 --> 01:00:48,065
♪ IT LOOKS LIKE
A BIG NIGHT ♪
845
01:00:48,065 --> 01:00:51,568
♪ IT LOOKS LIKE A BIG NIGHT
TONIGHT ♪
846
01:00:57,074 --> 01:00:58,075
QUIET!
847
01:00:58,075 --> 01:01:01,078
CITIZENS OF BORACHO,
QUIET, QUIET!
848
01:01:01,078 --> 01:01:04,081
CITIZENS OF BORACHO--
THANK YOU.
849
01:01:04,081 --> 01:01:08,085
AS MAYOR OF BORACHO,
I OFFER A TOAST
850
01:01:08,585 --> 01:01:10,087
TO OUR GUEST OF HONOR,
851
01:01:10,587 --> 01:01:12,089
THE GREAT LESLIE.
852
01:01:17,594 --> 01:01:20,597
TO THE FAIR CITY
OF BORACHO.
853
01:01:27,104 --> 01:01:28,605
NOW HERE SHE IS--
854
01:01:28,605 --> 01:01:31,108
THE QUEEN
OF THE WEST.
855
01:01:31,108 --> 01:01:35,112
BORACHO’S OWN
LILY OLAY!
856
01:01:42,119 --> 01:01:47,624
♪ HE SLEEPS
OUT THERE ♪
857
01:01:47,624 --> 01:01:52,129
♪ OUT WHERE
THE COYOTES WAIL ♪
858
01:01:52,629 --> 01:01:55,132
♪ THE REASON HE AIN’T ♪
859
01:01:55,132 --> 01:01:59,136
♪ AT THE BAR
WITH THE BOYS ♪
860
01:01:59,136 --> 01:02:07,144
♪ MAKES QUITE
A DISMAL TALE ♪
861
01:02:07,644 --> 01:02:12,149
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
862
01:02:13,150 --> 01:02:16,653
♪ HE OUGHTN’T-A, SHOULDN’T-A,
HADN’T-A, NO, SIRREE ♪
863
01:02:18,155 --> 01:02:20,157
♪ YOU DON’T GET
MANY CALLERS ♪
864
01:02:20,157 --> 01:02:22,659
♪ SLEEPIN’
ON THE LONE PRAIRIE ♪
865
01:02:22,659 --> 01:02:25,662
♪ BUT HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
866
01:02:27,164 --> 01:02:29,166
♪ WAY OUT WEST
WE’RE WILD AND WOOLLY ♪
867
01:02:29,166 --> 01:02:31,168
♪ IN ORDER
TO EXPLAIN IT FULLY ♪
868
01:02:31,668 --> 01:02:34,171
♪ WE’RE TALL GROWN ♪
869
01:02:34,171 --> 01:02:36,173
♪ ALL GROWN ♪
870
01:02:36,173 --> 01:02:38,175
♪ ALL THE MEN
ARE HAIRY-CHESTED ♪
871
01:02:38,175 --> 01:02:40,677
♪ AND ALL THE WOMEN
DOUBLE-BREASTED ♪
872
01:02:40,677 --> 01:02:43,180
♪ WE’RE LADYLIKE
UNTIL MOLESTED ♪
873
01:02:43,180 --> 01:02:45,682
♪ AND THEN
WE’RE ON OUR OWN ♪
874
01:02:45,682 --> 01:02:48,685
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
875
01:02:50,187 --> 01:02:53,190
♪ HE OUGHTN’T-A, SHOULDN’T-A,
HADN’T-A FELT SO FREE ♪
876
01:02:54,191 --> 01:02:56,693
♪ HIS WIFE
GETS THE INSURANCE ♪
877
01:02:56,693 --> 01:02:59,196
♪ AND I’M SORRY
AS CAN BE ♪
878
01:02:59,196 --> 01:03:02,699
♪ BUT HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
879
01:03:03,700 --> 01:03:06,203
♪ THIS HERE JOB IS
MIGHTY TRYIN’ ♪
880
01:03:06,203 --> 01:03:08,205
♪ SOMETIMES THE ROOM
IS FAIRLY FLYIN’ ♪
881
01:03:08,205 --> 01:03:10,207
♪ WITH HIGHBALLS ♪
882
01:03:10,207 --> 01:03:13,210
♪ EYEBALLS ♪
883
01:03:13,210 --> 01:03:14,711
♪ ONE GUY
TILL SOMEBODY GOT HIM ♪
884
01:03:14,711 --> 01:03:17,214
♪ TORE UP THE JOINT
FROM TOP TO BOTTOM ♪
885
01:03:17,214 --> 01:03:19,716
♪ I THINK I WAS
THE ONE THAT SHOT HIM ♪
886
01:03:19,716 --> 01:03:21,718
♪ AS NEAR
AS I RECALL ♪
887
01:03:21,718 --> 01:03:24,721
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
888
01:03:26,223 --> 01:03:29,726
♪ HE MASSACRED EIGHT
OR NINE MEN AT THE LAZY-B ♪
889
01:03:30,727 --> 01:03:33,230
♪ HE THEN
TOOK ON THE SHERIFF ♪
890
01:03:33,230 --> 01:03:35,732
♪ AND THE SHERIFF’S
DEPUTY ♪
891
01:03:35,732 --> 01:03:39,236
♪ BUT HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
892
01:03:45,242 --> 01:03:47,244
♪ ALL YOU BOYS
REMEMBER HARRY ♪
893
01:03:47,244 --> 01:03:49,746
♪ THE WRANGLER
I WAS SET TO MARRY ♪
894
01:03:49,746 --> 01:03:52,249
♪ A LONG MAN ♪
895
01:03:52,249 --> 01:03:54,251
♪ STRONG MAN ♪
896
01:03:54,251 --> 01:03:56,253
♪ ONE NIGHT HE YELLS
I’M FROM TEXAS ♪
897
01:03:56,253 --> 01:03:58,755
♪ AND SOCKS ME
IN MY SOLAR PLEXUS ♪
898
01:03:58,755 --> 01:04:00,757
♪ WELL, HAVIN’ NORMAL
GOOD REFLEXES ♪
899
01:04:00,757 --> 01:04:03,260
♪ I KNOCKED HIM
ON HIS CAN ♪
900
01:04:03,260 --> 01:04:06,763
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A BLACKED MY EYE ♪
901
01:04:07,264 --> 01:04:12,269
♪ I’M REALLY A LOVABLE
PEACEABLE KIND OF GUY ♪
902
01:04:12,269 --> 01:04:14,271
♪ I WOULDN’T SCARE
A RABBIT ♪
903
01:04:14,271 --> 01:04:16,773
♪ AND I COULDN’T
HARM A FLEA ♪
904
01:04:16,773 --> 01:04:19,776
♪ BUT HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
905
01:04:20,777 --> 01:04:22,279
HA HA HA.
906
01:04:23,780 --> 01:04:24,781
SPOTTED THE GAS.
907
01:04:25,282 --> 01:04:26,283
SHUT UP!
908
01:04:39,796 --> 01:04:41,798
♪ IF THIS STORY
HAS A MORAL ♪
909
01:04:41,798 --> 01:04:44,301
♪ IT’S WHEN YOU’RE LOOKIN’
FOR A QUARREL ♪
910
01:04:44,301 --> 01:04:46,303
♪ OR SHOWDOWN ♪
911
01:04:46,803 --> 01:04:48,805
♪ SLOW DOWN ♪
912
01:04:49,306 --> 01:04:50,807
♪ IF BY NOW
YOU HAVEN’T MASTERED ♪
913
01:04:51,308 --> 01:04:53,310
♪ THE GENTLE ART
OF GETTIN’ PLASTERED ♪
914
01:04:53,310 --> 01:04:55,812
♪ YOU’RE JUST A LOW-DOWN,
YOU AIN’T MASTERED ♪
915
01:04:55,812 --> 01:04:57,314
♪ THE MOTTO OF OUR TOWN ♪
916
01:04:57,814 --> 01:05:00,817
♪ YOU SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A START NO FIGHT ♪
917
01:05:02,319 --> 01:05:05,822
♪ OUR BURYIN’ GROUND’S
A MOST IMPRESSIVE SIGHT ♪
918
01:05:07,324 --> 01:05:10,827
♪ THE MESSAGE
ON THEM TOMBSTONES ♪
919
01:05:10,827 --> 01:05:15,332
♪ IS AS SIMPLE
AS CAN BE ♪
920
01:05:15,332 --> 01:05:20,337
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
921
01:05:20,337 --> 01:05:27,344
♪ HE SHOULDN’T-A, HADN’T-A,
OUGHTN’T-A SWANG ON ME ♪
922
01:05:32,349 --> 01:05:33,650
HOWDY, MAYOR.
HOWDY, SHERIFF.
923
01:05:34,151 --> 01:05:35,652
HELLO THERE, CURLY.
924
01:05:37,154 --> 01:05:38,155
HELLO THERE.
925
01:05:38,155 --> 01:05:39,656
HEY, LILY.
926
01:05:39,656 --> 01:05:42,159
THIS HERE’S OUR GUEST OF HONOR
THE GREAT LESLIE.
927
01:05:42,159 --> 01:05:43,660
IT’S A PLEASURE
TO MEET YOU.
928
01:05:43,660 --> 01:05:45,662
WELCOME TO BORACHO,
HONEY.
929
01:05:49,666 --> 01:05:51,668
UM, WON’T YOU
JOIN US?
930
01:05:51,668 --> 01:05:54,171
WELL, JUST FOR A MINUTE.
SCOOT OVER, HONEY.
931
01:05:54,171 --> 01:05:56,173
HOW LONG Y’ALL
GOING TO BE HERE?
932
01:05:56,173 --> 01:05:57,174
UNFORTUNATELY
JUST FOR THE NIGHT.
933
01:05:57,174 --> 01:05:58,175
WE HAVE TO LEAVE
IN THE MORNING.
934
01:05:58,175 --> 01:05:59,176
THAT’S A PITY.
935
01:05:59,176 --> 01:06:01,178
YES. I WOULD LIKE
TO PROPOSE A TOAST
936
01:06:01,678 --> 01:06:02,679
TO MISS OLAY.
937
01:06:03,680 --> 01:06:05,182
THANK YOU, Y’ALL.
938
01:06:06,183 --> 01:06:08,685
IT’S LUCKY TEXAS JACK
AIN’T AROUND.
939
01:06:08,685 --> 01:06:11,688
HE’D GUN THAT DUDE
FOR SURE.
940
01:06:17,194 --> 01:06:19,696
PARDON ME,
MR. PARTNER.
941
01:06:20,197 --> 01:06:22,699
WHO IS
THIS TEXAS JACK?
942
01:06:23,200 --> 01:06:24,701
WHO’S TEXAS JACK?
943
01:06:24,701 --> 01:06:26,203
WHO?
944
01:06:26,203 --> 01:06:29,206
THE ROUGHEST, TOUGHEST
GUNSLINGER IN THESE PARTS.
945
01:06:29,206 --> 01:06:31,708
LILY’S HIS GIRL.
946
01:06:31,708 --> 01:06:34,711
OHH, LILY’S HIS GIRL.
947
01:06:35,212 --> 01:06:36,713
TERRIFIC.
948
01:06:36,713 --> 01:06:37,714
HO HO HO HO.
949
01:06:43,720 --> 01:06:45,722
OH.
950
01:06:47,724 --> 01:06:50,727
HONEY, YOUR SMILE
IS DOWNRIGHT PAINFUL.
951
01:06:50,727 --> 01:06:51,728
THANK YOU.
952
01:06:51,728 --> 01:06:53,730
ARE YOU A NATIVE
OF BORACHO?
953
01:06:53,730 --> 01:06:56,233
I AIN’T NO NATIVE.
I WAS BORN HERE.
954
01:06:57,234 --> 01:06:58,235
MR. PARTNER?
955
01:06:58,235 --> 01:06:59,236
YEAH.
956
01:06:59,236 --> 01:07:02,239
WHERE WOULD I FIND
THIS TEXAS JACK?
957
01:07:02,239 --> 01:07:05,242
HE’S GOT A RANCH ABOUT
8 MILES SOUTH OF TOWN.
958
01:07:05,242 --> 01:07:07,244
WELL, THANK YOU.
959
01:07:09,246 --> 01:07:11,248
I SAY,
I GOT TO GO UP
960
01:07:11,248 --> 01:07:13,250
AND GET ON THAT THERE
MOON AGAIN.
961
01:07:13,250 --> 01:07:14,751
DON’T GO AWAY, Y’HEAR?
962
01:07:14,751 --> 01:07:15,752
IT’S BEEN A PLEASURE
TO MEET YOU.
963
01:07:15,752 --> 01:07:18,255
WELCOME TO BORACHO, HONEY.
964
01:07:28,265 --> 01:07:30,267
Texas Jack!
965
01:07:31,268 --> 01:07:32,269
JACK!
966
01:07:45,282 --> 01:07:47,284
NOW WAIT A MINUTE, JACK.
967
01:07:47,284 --> 01:07:50,287
THIS IS
A FRIENDLY CELEBRATION.
968
01:07:50,287 --> 01:07:51,788
FIDDLE-DE-DEE.
969
01:07:51,788 --> 01:07:54,791
I DON’T MUCH LIKE
THE WAY YOU’RE CELEBRATING.
970
01:07:54,791 --> 01:07:56,793
SO YOU JUST
STEP BACK, SHERIFF,
971
01:07:56,793 --> 01:07:58,295
UNLESS YOU
WANT TO FALL BACK.
972
01:07:58,295 --> 01:08:01,298
HOWDY, JACK, HONEY.
973
01:08:11,808 --> 01:08:13,810
JACK, HONEY,
DON’T GET RILED.
974
01:08:13,810 --> 01:08:15,812
HE’S THE GUEST
OF HONOR.
975
01:08:15,812 --> 01:08:16,813
OUT OF MY WAY!
976
01:08:21,318 --> 01:08:23,320
NOW JUST A MOMENT.
977
01:08:28,825 --> 01:08:29,826
I’M AFRAID, SIR,
978
01:08:29,826 --> 01:08:31,328
YOU HAVE ME
AT A DISADVANTAGE.
979
01:08:31,328 --> 01:08:34,331
AS YOU CAN SEE,
I AM UNARMED.
980
01:08:34,331 --> 01:08:35,832
HE’S UNARMED.
981
01:08:43,340 --> 01:08:44,341
LET’S GET THE GAS.
982
01:08:44,841 --> 01:08:45,842
NOT YET.
983
01:08:45,842 --> 01:08:47,844
ALL RIGHT.
COME ON NOW.
984
01:08:47,844 --> 01:08:50,847
EVERYBODY STAND BACK AND GIVE
A MAN SOME FIGHTIN’ ROOM.
985
01:08:59,356 --> 01:09:01,858
NOW WILL YOU GIVE ME
SOME FIGHTIN’ ROOM?
986
01:09:08,365 --> 01:09:09,866
MY CAMERA!
987
01:09:29,886 --> 01:09:31,388
CITIZENS OF BORACHO,
988
01:09:31,388 --> 01:09:32,889
STOP!
989
01:09:32,889 --> 01:09:35,892
MUSIC, SOMEBODY.
START THE MUSIC.
990
01:09:37,894 --> 01:09:39,896
[MUSIC PLAYS]
991
01:09:39,896 --> 01:09:41,898
♪ IT LOOKS TO ME
LIKE A BIG NIGHT TONIGHT ♪
992
01:09:41,898 --> 01:09:42,899
♪ BIG NIGHT TONIGHT ♪
993
01:09:42,899 --> 01:09:43,900
♪ BIG NIGHT TONIGHT ♪
994
01:09:43,900 --> 01:09:44,901
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
995
01:09:44,901 --> 01:09:46,403
♪ ALL THE MICE
WANT TO PLAY ♪
996
01:09:46,403 --> 01:09:48,405
♪ IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
997
01:09:48,405 --> 01:09:49,406
♪ TONIGHT ♪
998
01:09:49,406 --> 01:09:50,907
♪ TONIGHT ♪
999
01:09:50,907 --> 01:09:52,409
♪ IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
1000
01:09:52,409 --> 01:09:53,910
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
1001
01:09:53,910 --> 01:09:54,911
♪ ALL THE MICE
WANT TO PLAY ♪
1002
01:09:54,911 --> 01:09:57,414
♪ IT LOOKS LIKE
A BIG NIGHT TONIGHT... ♪
1003
01:09:59,416 --> 01:10:02,919
CITIZENS OF BORACH--OHH!
1004
01:10:16,933 --> 01:10:19,436
♪ BIG NIGHT TONIGHT... ♪
1005
01:10:19,436 --> 01:10:22,439
NOW WILL YOU GIVE ME
SOME FIGHTIN’ ROOM?
1006
01:10:22,439 --> 01:10:23,940
JACK, HONEY.
1007
01:10:33,450 --> 01:10:34,951
EXCUSE ME, PLEASE.
1008
01:10:34,951 --> 01:10:36,453
THANK YOU.
1009
01:10:43,960 --> 01:10:45,462
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
1010
01:10:45,462 --> 01:10:47,464
♪ ALL THE MICE
WANT TO PLAY ♪
1011
01:10:47,464 --> 01:10:48,965
♪ IT LOOKS LIKE
A BIG NIGHT TONIGHT ♪
1012
01:10:49,466 --> 01:10:50,967
♪ IT LOOKS TO ME LIKE A BIG
NIGHT TONIGHT ♪
1013
01:10:50,967 --> 01:10:51,968
♪ A BIG NIGHT TONIGHT ♪
1014
01:10:51,968 --> 01:10:52,969
♪ A BIG NIGHT TONIGHT ♪
1015
01:10:52,969 --> 01:10:54,471
♪ WELL, WHEN
THE OLD CAT’S AWAY ♪
1016
01:10:54,471 --> 01:10:55,972
♪ ALL THE MICE
WANT TO PLAY ♪
1017
01:10:55,972 --> 01:10:57,974
NOW LOOK WHAT
YOU’VE DONE!
1018
01:10:57,974 --> 01:10:58,975
ME?
1019
01:11:28,672 --> 01:11:30,173
THERE’S THE GAS.
1020
01:11:30,173 --> 01:11:32,175
FIGHT! FIGHT! FIGHT!
IN THE SALOON!
1021
01:11:32,175 --> 01:11:33,677
FIGHT! FIGHT!
1022
01:11:33,677 --> 01:11:35,679
BIG FIGHT
IN THE SALOON!
1023
01:11:35,679 --> 01:11:37,180
OH, BIG FIGHT!
1024
01:11:37,180 --> 01:11:39,182
LESLIE! BIG FIGHT!
1025
01:11:39,182 --> 01:11:40,684
HE’S DRUNK!
HE’S CRAZY!
1026
01:11:40,684 --> 01:11:43,687
HE’S RUN AMOK!
SAVE ME!
1027
01:11:43,687 --> 01:11:45,689
RUNNING AMOK,
I TELL YOU!
1028
01:11:45,689 --> 01:11:47,691
[DOGS BARKING]
1029
01:11:51,194 --> 01:11:53,697
THE GAS, IDIOT!
THE GAS!
1030
01:11:53,697 --> 01:11:55,198
THE GAS!
1031
01:11:59,703 --> 01:12:01,204
WHERE’S THE CAR?
1032
01:12:01,204 --> 01:12:02,205
THE CAR.
1033
01:12:02,205 --> 01:12:03,206
WHERE’S THE CAR?
1034
01:12:03,206 --> 01:12:04,708
GET THE CAR!
1035
01:12:04,708 --> 01:12:06,209
I’LL GET THE CAR.
1036
01:12:31,234 --> 01:12:32,736
BOSS!
1037
01:12:32,736 --> 01:12:33,737
HEY, BOSS!
1038
01:13:36,800 --> 01:13:40,804
NOW CAN I HAVE ME
SOME FIGHTIN’ ROOM?
1039
01:13:44,808 --> 01:13:46,309
MAX!
1040
01:13:47,310 --> 01:13:48,812
THE BACK IS FULL.
1041
01:13:48,812 --> 01:13:51,314
I’LL PUT THE REST
OF THE GAS IN THE SEAT.
1042
01:13:51,314 --> 01:13:52,816
LEAVE IT!
LEAVE IT?
1043
01:13:52,816 --> 01:13:54,317
CAN’T LEAVE IT.
CAN’T LEAVE IT FOR LESLIE.
1044
01:13:54,317 --> 01:13:56,820
LEAVE LESLIE TO ME.
START THE CAR.
1045
01:13:58,821 --> 01:14:00,322
SWITCH ON!
1046
01:14:00,322 --> 01:14:02,324
HA HA HA HA.
1047
01:14:07,830 --> 01:14:09,331
MY APOLOGIES.
1048
01:14:14,837 --> 01:14:16,338
THE GASOLINE!
1049
01:14:21,343 --> 01:14:23,345
HA HA HA HA HA!
1050
01:14:23,345 --> 01:14:24,847
WE SHALL WIN!
1051
01:14:40,362 --> 01:14:41,864
HA HA HA HA.
1052
01:14:41,864 --> 01:14:42,865
WELL,
THAT FINISHES LESLIE.
1053
01:14:42,865 --> 01:14:44,867
OH, NO, NOT LESLIE.
NEVER LESLIE.
1054
01:14:45,367 --> 01:14:45,868
THE GREAT LESLIE,
1055
01:14:46,368 --> 01:14:47,369
HE’LL THINK
OF SOMETHING,
1056
01:14:47,369 --> 01:14:49,371
BUT WE’LL BE
IN ALASKA
1057
01:14:49,371 --> 01:14:50,372
BY THE TIME HE DOES.
1058
01:14:50,372 --> 01:14:52,374
[PIGEONS COOING]
1059
01:15:10,893 --> 01:15:12,895
GIDDYUP, HAH!
1060
01:15:15,898 --> 01:15:17,900
GIDDYUP, HAH!
1061
01:15:19,902 --> 01:15:21,403
WHOA!
1062
01:15:27,409 --> 01:15:29,411
I’M OFFERING YOU A LIFT...
1063
01:15:33,916 --> 01:15:38,420
OR WOULD YOU PREFER
AN ENGRAVED INVITATION?
1064
01:15:41,924 --> 01:15:43,926
I MIGHT CONSIDER
AN APOLOGY.
1065
01:15:43,926 --> 01:15:46,428
AN APOLOGY? FOR WHAT?
1066
01:15:46,929 --> 01:15:48,430
IT’S 20 MILES
BACK TO BORACHO.
1067
01:15:48,430 --> 01:15:49,431
YOU’D NEVER MAKE IT.
1068
01:15:49,932 --> 01:15:50,432
WELL, THAT’S YOUR FAULT.
1069
01:15:50,933 --> 01:15:52,434
MY FAULT?
1070
01:15:52,434 --> 01:15:54,937
I WARNED YOU I WOULD NOT BE
LEFT BEHIND IN BORACHO.
1071
01:15:55,437 --> 01:15:56,939
YOU LEFT ME NO CHOICE.
1072
01:15:56,939 --> 01:15:58,941
I HAD TO STOW AWAY
IN FATE’S CAR.
1073
01:15:58,941 --> 01:16:00,442
AND HE CAST YOU ADRIFT.
1074
01:16:00,442 --> 01:16:01,944
IF YOU HAD PROVIDED ME
1075
01:16:01,944 --> 01:16:03,445
WITH TRANSPORTATION
AS FAR AS GROMMETT,
1076
01:16:03,445 --> 01:16:04,947
WHERE I COULD HAVE
CAUGHT A TRAIN,
1077
01:16:04,947 --> 01:16:06,949
IT NEVER
WOULD HAVE HAPPENED.
1078
01:16:07,449 --> 01:16:09,952
GROMMETT WAS 100 MILES
OUT OF OUR WAY.
1079
01:16:09,952 --> 01:16:12,454
AND WHERE
ARE YOU GOING NOW?
1080
01:16:12,454 --> 01:16:13,956
WELL, BECAUSE
PROFESSOR FATE
1081
01:16:14,456 --> 01:16:15,457
DESTROYED
ALL THE GASOLINE,
1082
01:16:15,958 --> 01:16:17,960
GROMMETT IS A MATTER
OF NECESSITY.
1083
01:16:17,960 --> 01:16:20,462
AND WHEN YOU REACH GROMMETT,
YOU’LL SEND FOR GASOLINE?
1084
01:16:20,462 --> 01:16:21,463
CERTAINLY.
1085
01:16:21,463 --> 01:16:23,966
BUT IF YOU WERE TO SEND
FOR GASOLINE NOW,
1086
01:16:23,966 --> 01:16:26,468
IT WOULD BE IN GROMMETT
WHEN YOU ARRIVED.
1087
01:16:26,468 --> 01:16:27,970
IF I WERE TO SEND
FOR GASOLINE NOW,
1088
01:16:28,470 --> 01:16:29,471
I WOULD NEED A TELEGRAPH.
1089
01:16:30,973 --> 01:16:32,474
NOT NECESSARILY.
1090
01:16:33,475 --> 01:16:35,978
[PIGEONS COOING]
1091
01:16:41,984 --> 01:16:45,487
I WILL TAKE YOU
NO FURTHER THAN GROMMETT.
1092
01:17:09,544 --> 01:17:12,047
HEY, PROFESSOR,
WHERE ARE WE GOING?
1093
01:17:12,047 --> 01:17:16,051
WE SAVE 15 MILES BY
FOLLOWING THE TRACKS, MAX.
1094
01:17:16,051 --> 01:17:18,553
OH. OH, TERRIFIC.
1095
01:17:25,560 --> 01:17:28,563
[TRAIN WHISTLE]
1096
01:17:45,580 --> 01:17:48,083
[TRAIN WHISTLE]
1097
01:17:59,094 --> 01:18:00,595
IS THAT GASOLINE?
1098
01:18:00,595 --> 01:18:02,097
IT SURE IS.
1099
01:18:02,097 --> 01:18:03,098
OH, BOY.
1100
01:18:03,098 --> 01:18:05,600
COME AND GIVE ME
A HAND WITH THOSE.
1101
01:18:05,600 --> 01:18:07,102
WAIT A MINUTE.
1102
01:18:07,102 --> 01:18:10,105
NOBODY GETS NOTHING
TILL IT’S SIGNED FOR.
1103
01:18:10,105 --> 01:18:11,106
OF COURSE.
1104
01:18:11,106 --> 01:18:12,107
YOU M. DUBOIS?
1105
01:18:12,107 --> 01:18:13,108
I BEG YOUR PARDON?
1106
01:18:13,108 --> 01:18:15,110
GASOLINE’S CONSIGNED
TO M. DUBOIS.
1107
01:18:15,110 --> 01:18:16,111
WHAT?
1108
01:18:16,111 --> 01:18:17,112
OH, I’M M. DUBOIS.
1109
01:18:17,112 --> 01:18:18,613
I KNEW IT!
1110
01:18:18,613 --> 01:18:20,615
YOU GOT SOME
IDENTIFICATION?
1111
01:18:21,116 --> 01:18:21,616
WHAT DID I TELL YOU?
1112
01:18:22,117 --> 01:18:22,617
I TOLD YOU
NOT TO TRUST HER!
1113
01:18:23,118 --> 01:18:24,619
MY PRESS CARD.
1114
01:18:25,620 --> 01:18:29,124
O.K., JUST SIGN
ON THE LINE.
1115
01:18:29,124 --> 01:18:30,625
WHAT IF I DON’T SIGN?
1116
01:18:30,625 --> 01:18:32,127
YOU SEE!
1117
01:18:32,127 --> 01:18:33,128
LOOK, MA’AM,
YOU DON’T SIGN,
1118
01:18:33,128 --> 01:18:34,629
YOU DON’T
GET NO GAS.
1119
01:18:34,629 --> 01:18:36,631
WELL, MR. LESLIE,
1120
01:18:36,631 --> 01:18:39,634
YOU WISH TO CONTINUE
THE RACE. SO DO I.
1121
01:18:39,634 --> 01:18:41,136
AS FAR AS THE WEST COAST?
1122
01:18:41,136 --> 01:18:43,138
IF SHE GOES, I STAY.
1123
01:18:43,638 --> 01:18:44,639
HEZEKIAH.
1124
01:18:44,639 --> 01:18:46,141
YOU GOING TO SIGN
1125
01:18:46,141 --> 01:18:49,144
OR DO I SEND THE GAS
BACK TO NEW YORK?
1126
01:18:49,144 --> 01:18:51,146
MISS DUBOIS,
THIS IS VERY--
1127
01:18:51,146 --> 01:18:53,648
THE GAS IS YOURS IF YOU
TAKE ME TO THE WEST COAST.
1128
01:18:53,648 --> 01:18:56,151
UNDER THE CIRCUMSTANCES,
I CONSIDER THAT A FAIR EXCHANGE.
1129
01:18:56,151 --> 01:18:57,152
LOAD THE GAS
BACK ON THE TRAIN.
1130
01:18:57,152 --> 01:18:58,153
EXCUSE ME.
1131
01:18:58,153 --> 01:18:59,654
SHE’S NOT SIGNING,
1132
01:18:59,654 --> 01:19:01,656
AND THE TRAIN’S
LEAVING IN FIVE MINUTES.
1133
01:19:01,656 --> 01:19:03,158
JUST ONE MOMENT,
PLEASE, SIR.
1134
01:19:03,158 --> 01:19:04,659
I WILL NOT LEAVE
WITHOUT HEZEKIAH.
1135
01:19:05,160 --> 01:19:07,162
IF I CAN CHANGE HIS MIND?
1136
01:19:08,163 --> 01:19:09,664
ALL RIGHT.
1137
01:19:13,668 --> 01:19:16,171
SUPPOSE YOU DON’T
CHANGE HIS MIND?
1138
01:19:16,171 --> 01:19:20,175
OH, THEN I SHALL TAKE THIS
TRAIN BACK TO NEW YORK.
1139
01:19:21,676 --> 01:19:25,180
SIR, LET ME GIVE YOU A HAND
WITH THE GASOLINE.
1140
01:19:25,180 --> 01:19:28,183
BOYS, WOULD YOU
CARE TO JOIN ME?
1141
01:19:30,685 --> 01:19:34,189
HEZEKIAH, I UNDERSTAND
HOW YOU FEEL,
1142
01:19:34,189 --> 01:19:37,192
BUT I BEG YOU
TO RECONSIDER.
1143
01:19:38,193 --> 01:19:40,195
A DEAL IS A DEAL.
1144
01:19:42,697 --> 01:19:45,700
WELL, THEN I GUESS
I’LL HAVE TO HURRY
1145
01:19:45,700 --> 01:19:47,702
OR I’LL MISS
MY TRAIN.
1146
01:19:47,702 --> 01:19:48,703
GOODBYE, HEZEKIAH.
1147
01:19:48,703 --> 01:19:49,704
YOU MEAN...
1148
01:19:49,704 --> 01:19:52,207
WELL, A DEAL
IS A DEAL.
1149
01:19:52,207 --> 01:19:54,209
IT’S BEEN WONDERFUL
KNOWING YOU.
1150
01:19:54,209 --> 01:19:55,710
WHAT ABOUT THE GAS?
1151
01:19:55,710 --> 01:19:57,712
I SIGNED FOR IT.
1152
01:19:59,214 --> 01:20:00,715
OH, OH, OH.
WELL, I’M SORRY.
1153
01:20:01,216 --> 01:20:04,219
YOU SEE, THIS RACE AIN’T
THE RIGHT PLACE FOR A WOMAN.
1154
01:20:04,219 --> 01:20:06,221
I UNDERSTAND.
1155
01:20:06,221 --> 01:20:08,223
BOARD!
1156
01:20:08,223 --> 01:20:09,224
WELL...
1157
01:20:10,725 --> 01:20:13,228
WOULD YOU TAKE ME
TO THE TRAIN?
1158
01:20:13,228 --> 01:20:14,229
OH, WELL,
YES, MA’AM.
1159
01:20:19,734 --> 01:20:22,237
BOYS AND GIRLS, THIS IS
A SIX-CYLINDER AUTOMOBILE
1160
01:20:22,237 --> 01:20:24,739
WITH AN OVERHEAD CAM
THAT CAN PROD--
1161
01:20:24,739 --> 01:20:25,740
[TRAIN WHISTLE]
1162
01:20:25,740 --> 01:20:26,741
IT WAS BUILT BY A COMPANY
1163
01:20:26,741 --> 01:20:29,244
ESPECIALLY FOR ME
FOR THIS RACE.
1164
01:20:47,762 --> 01:20:50,265
HE, UM, HE JUST
WOULDN’T LISTEN.
1165
01:20:50,265 --> 01:20:53,768
I TOLD HIM, AND, UM,
1166
01:20:53,768 --> 01:20:55,270
HE SAID THAT, UM...
1167
01:20:55,270 --> 01:20:58,273
WELL, HE’S--HE’S
HAD ENOUGH, AND, UM,
1168
01:20:58,273 --> 01:21:00,775
HE DIDN’T THINK YOU
COULD WIN ANYWAY,
1169
01:21:00,775 --> 01:21:03,778
AND, UM...UH...
HE SAID HE WAS, UH,
1170
01:21:03,778 --> 01:21:06,781
GOING TO GO BACK
TO NEW YORK.
1171
01:21:06,781 --> 01:21:09,284
THAT DOUBLE-CROSSING
FEMALE!
1172
01:21:09,284 --> 01:21:11,286
HEY--HEY, BOSS!
1173
01:21:11,286 --> 01:21:12,787
BOSS!
1174
01:21:12,787 --> 01:21:15,790
HEY, CONDUCTOR!
1175
01:21:15,790 --> 01:21:16,791
WE WANT JOBS.
1176
01:21:16,791 --> 01:21:17,792
WE WANT JOBS.
1177
01:21:17,792 --> 01:21:19,794
YOU ARE TRYING
MY PATIENCE, MADAM.
1178
01:21:20,295 --> 01:21:21,296
WE KNOW OUR RIGHTS.
1179
01:21:21,796 --> 01:21:23,798
YOU’RE OBSTRUCTING TRAFFIC
AND YOU’RE DISTURBING THE PEACE.
1180
01:21:23,798 --> 01:21:25,800
AND YOU ARE EXCEEDING
YOUR AUTHORITY.
1181
01:21:25,800 --> 01:21:28,303
I AIN’T EXCEEDING
NOTHING, LADY!
1182
01:21:28,303 --> 01:21:29,804
THEN ARREST US.
1183
01:21:29,804 --> 01:21:30,805
WHAT?
1184
01:21:30,805 --> 01:21:32,807
ARREST US.
I DARE YOU.
1185
01:21:32,807 --> 01:21:34,309
WE WANT JOBS.
1186
01:21:34,309 --> 01:21:35,810
WE WANT JOBS.
1187
01:21:35,810 --> 01:21:37,812
[WHISTLE BLOWS]
1188
01:21:40,315 --> 01:21:41,816
SORRY, SIR.
1189
01:21:41,816 --> 01:21:43,318
I WANT YOU TO RUN OVER
TO CITY HALL
1190
01:21:43,318 --> 01:21:44,819
AND BAIL OUT
MRS. GOODBODY.
1191
01:21:44,819 --> 01:21:45,820
YES, SIR.
1192
01:21:45,820 --> 01:21:47,822
IN ABOUT TWO HOURS.
1193
01:21:47,822 --> 01:21:49,324
YES, SIR.
1194
01:21:54,329 --> 01:21:56,131
[HUMMING]
1195
01:22:16,651 --> 01:22:19,654
I ONCE WENT ON AN
ANTHROPOLOGICAL EXPEDITION
1196
01:22:19,654 --> 01:22:22,157
TO STUDY THE KWAKIUTL
INDIANS.
1197
01:22:22,657 --> 01:22:26,661
IN WINTER, ONE KWAKIUTL
IN A BLANKET FROZE,
1198
01:22:27,162 --> 01:22:30,665
BUT TWO KWAKIUTLS
IN THE SAME BLANKET...
1199
01:22:32,667 --> 01:22:33,668
YES?
1200
01:22:33,668 --> 01:22:35,670
WERE WARMER.
1201
01:22:43,178 --> 01:22:44,679
WOULD YOU
HOLD THIS, PLEASE?
1202
01:22:45,180 --> 01:22:46,181
CHAMPAGNE?
1203
01:22:46,681 --> 01:22:49,184
YOU PUT ALCOHOL IN THE
RADIATOR OF THE AUTOMOBILE
1204
01:22:49,684 --> 01:22:51,686
TO KEEP IT FROM FREEZING,
DON’T YOU?
1205
01:22:52,187 --> 01:22:53,188
HMM?
1206
01:23:05,700 --> 01:23:07,202
I CAN’T SEE A THING.
1207
01:23:07,702 --> 01:23:09,704
NEITHER CAN I.
1208
01:23:11,706 --> 01:23:14,209
M-M-MAYBE
WE BETTER STOP.
1209
01:23:20,215 --> 01:23:23,218
I CAN’T STAND IT.
I’M FREEZING TO DEATH.
1210
01:23:23,218 --> 01:23:25,720
SH-SH-SH-SHUT UP!
1211
01:23:26,221 --> 01:23:29,224
EVEN THE THERMOMETER
IS FROZEN.
1212
01:23:29,724 --> 01:23:31,226
EVERYTHING’S FROZEN.
1213
01:23:36,731 --> 01:23:38,233
LOOK AT THAT.
1214
01:23:53,248 --> 01:23:55,250
IT WON’T TAKE LONG
TO GROW BACK.
1215
01:23:55,750 --> 01:23:57,752
IT’S ONLY
A HALF A MUSTACHE.
1216
01:24:17,272 --> 01:24:17,772
[CLANK]
1217
01:24:18,273 --> 01:24:19,274
WHAT WAS THAT?
1218
01:24:19,774 --> 01:24:21,276
I DON’T KNOW.
1219
01:24:21,776 --> 01:24:23,278
WELL, I’LL GO SEE.
1220
01:24:34,789 --> 01:24:35,790
OH!
1221
01:24:35,790 --> 01:24:37,292
MISS DUBOIS, PLEASE.
1222
01:24:37,292 --> 01:24:38,793
THANK YOU.
1223
01:24:57,312 --> 01:24:58,813
AAH!
1224
01:25:09,824 --> 01:25:11,826
OH!
1225
01:25:16,331 --> 01:25:19,834
OH, I’M SO
TERRIBLY SORRY.
1226
01:25:20,335 --> 01:25:21,336
I THOUGHT YOU WERE
MAXIMILLIAN.
1227
01:25:21,836 --> 01:25:22,837
NOTHING TO WORRY ABOUT.
1228
01:25:23,338 --> 01:25:26,341
WE HAVE A LOT MORE
CHAMPAGNE IN THE CAR.
1229
01:25:26,841 --> 01:25:27,842
OH.
1230
01:25:45,527 --> 01:25:47,028
[RARR]
1231
01:25:47,529 --> 01:25:50,031
PROFESSOR!
1232
01:25:50,031 --> 01:25:53,034
YES?
1233
01:25:53,034 --> 01:25:56,037
WHERE ARE YOU?
1234
01:25:56,037 --> 01:25:58,039
BEHIND THE ROCK.
1235
01:25:58,039 --> 01:26:02,043
BEHIND WHICH ROCK?
1236
01:26:04,546 --> 01:26:07,048
THIS ROCK,
YOU IDIOT.
1237
01:26:07,048 --> 01:26:08,049
COME ON.
1238
01:26:17,058 --> 01:26:19,060
CLOSE THE DOOR
AND HURRY IT.
1239
01:26:19,060 --> 01:26:21,062
BRING IT UP. UP!
1240
01:26:27,569 --> 01:26:29,571
WE’RE SAFE UP HERE.
1241
01:26:29,571 --> 01:26:31,573
YEAH, YEAH,
SAFE HERE.
1242
01:26:31,573 --> 01:26:33,074
[GRRR]
1243
01:26:37,078 --> 01:26:38,580
AAH!
AAH!
1244
01:26:38,580 --> 01:26:40,081
HELP!
HELP!
1245
01:26:44,085 --> 01:26:45,086
MY APOLOGIES.
1246
01:26:45,086 --> 01:26:47,088
THERE’S A POLAR BEAR
IN OUR CAR.
1247
01:26:47,088 --> 01:26:49,591
IF YOU DON’T LEAVE
THIS CAR IMMEDIATELY,
1248
01:26:49,591 --> 01:26:52,093
I SHALL PERSONALLY
FEED YOU TO THE BEAR.
1249
01:26:52,093 --> 01:26:53,595
IF THE BEARS
DON’T GET US,
1250
01:26:53,595 --> 01:26:55,096
WE’LL CERTAINLY FREEZE
TO DEATH OUT THERE.
1251
01:26:55,096 --> 01:26:56,097
FREEZE RIGHT UP.
1252
01:26:56,097 --> 01:26:57,599
AS FAR AS FREEZING
IS CONCERNED,
1253
01:26:57,599 --> 01:27:00,101
YOU HAVE THE SAME
CHANCE THAT WE HAVE.
1254
01:27:00,101 --> 01:27:01,603
NOT IF YOU PUT US
OUT IN THE BLIZZARD.
1255
01:27:02,103 --> 01:27:03,104
SNOWING VERY BAD.
1256
01:27:03,104 --> 01:27:04,105
MAY I POINT OUT
1257
01:27:04,105 --> 01:27:07,108
THAT YOU’VE COMPLETELY
DEMOLISHED MY TOP?
1258
01:27:07,108 --> 01:27:08,610
AND THERE’S VERY
LITTLE DIFFERENCE
1259
01:27:08,610 --> 01:27:11,112
BETWEEN A BLIZZARD OUT THERE
AND IN HERE.
1260
01:27:11,112 --> 01:27:13,114
EXCEPT THAT YOU HAVE
BLANKETS AND STIMULANTS.
1261
01:27:13,114 --> 01:27:14,115
STIMULANTS.
STIMULANTS.
1262
01:27:14,616 --> 01:27:15,617
HE’S RIGHT.
1263
01:27:15,617 --> 01:27:17,118
MISS DUBOIS,
YOU’RE NOT SUGGESTING--
1264
01:27:17,118 --> 01:27:18,620
IF TWO IN A BLANKET
1265
01:27:18,620 --> 01:27:21,122
STAND A BETTER
CHANCE THAN ONE...
1266
01:27:21,122 --> 01:27:23,124
THEN FOUR
IN A BLANKET...
1267
01:27:23,124 --> 01:27:25,126
HE’S A CHEAT
AND A LIAR.
1268
01:27:25,126 --> 01:27:26,127
THAT’S BESIDE
THE POINT.
1269
01:27:26,127 --> 01:27:27,629
BESIDE
THE POINT.
1270
01:27:27,629 --> 01:27:28,630
THE POINT IS
WE’RE FREEZING.
1271
01:27:29,130 --> 01:27:31,132
YES. AND THE TIME HAS
COME TO CAST ASIDE
1272
01:27:31,132 --> 01:27:32,634
OUR PERSONAL
DIFFERENCES.
1273
01:27:32,634 --> 01:27:35,136
BURY THE HATCHET.
1274
01:27:35,136 --> 01:27:36,638
AND YOU KNOW
WHO HAS THE HATCHET.
1275
01:27:36,638 --> 01:27:37,639
HE DOESN’T HAVE
A HATCHET,
1276
01:27:38,139 --> 01:27:38,640
I PROMISE YOU.
HE DOESN’T
1277
01:27:39,140 --> 01:27:39,641
EVEN HAVE A
WHOLE MUSTACHE.
1278
01:27:40,141 --> 01:27:41,142
WHY CAN’T WE SETTLE
THIS WHOLE THING
1279
01:27:41,142 --> 01:27:42,143
UNDERNEATH
THE BLANKET?
1280
01:27:42,143 --> 01:27:43,144
YES, HE’S RIGHT.
1281
01:27:43,144 --> 01:27:45,647
WE MUST GET UNDERNEATH
THE BLANKET TOGETHER.
1282
01:27:45,647 --> 01:27:47,148
CLOSE TOGETHER.
1283
01:27:47,148 --> 01:27:50,151
THEREFORE IT WILL BE
NECESSARY TO LOWER THE SEAT.
1284
01:27:50,151 --> 01:27:52,153
LOWER THE SEAT.
LOWER THE SEAT.
1285
01:27:52,153 --> 01:27:53,655
I GOT IT.
1286
01:27:53,655 --> 01:27:55,156
MAX, DON’T PUSH.
1287
01:27:55,156 --> 01:27:59,661
THE FOOT!
WATCH THAT FOOT.
1288
01:27:59,661 --> 01:28:00,662
[MAGGIE]
OOH!
1289
01:28:00,662 --> 01:28:01,663
[FATE]
I BEG YOUR PARDON.
1290
01:28:01,663 --> 01:28:02,664
CHAMPAGNE, PROFESSOR?
1291
01:28:02,664 --> 01:28:04,666
AH, THANK YOU.
1292
01:28:05,667 --> 01:28:07,168
[MAX] THIS
IS TERRIFIC.
1293
01:28:07,168 --> 01:28:10,171
[FATE]
MAY I PROPOSE A TOAST?
1294
01:28:10,171 --> 01:28:11,673
[MAGGIE]
HA HA HA HA.
1295
01:28:11,673 --> 01:28:13,174
[FATE]
WHAT’S SO FUNNY?
1296
01:28:13,174 --> 01:28:14,175
SOMETHING WRONG?
1297
01:28:14,175 --> 01:28:15,677
WHAT HAPPENED
TO YOUR MUSTACHE?
1298
01:28:15,677 --> 01:28:17,178
[MAX]
I BROKE IT OFF.
1299
01:28:17,178 --> 01:28:18,179
[LESLIE]
YOU WHAT?
1300
01:28:18,179 --> 01:28:20,181
I BROKE IT OFF.
IT WAS FROZEN.
1301
01:28:20,181 --> 01:28:21,182
LOOK.
1302
01:28:21,182 --> 01:28:22,183
[SNAP]
1303
01:28:22,183 --> 01:28:23,551
OW!
1304
01:28:39,567 --> 01:28:42,570
[MAGGIE]
OOH. WHAT TIME IS IT?
1305
01:28:42,570 --> 01:28:44,072
[LESLIE]
JUST A MOMENT.
1306
01:28:58,086 --> 01:28:59,087
7:30.
1307
01:29:03,091 --> 01:29:04,092
GOOD MORNING.
1308
01:29:04,092 --> 01:29:05,093
GOOD MORNING.
1309
01:29:05,093 --> 01:29:07,095
OH, VERY BIG,
VERY BIG.
1310
01:29:07,095 --> 01:29:08,596
THE HEAD. VERY BIG.
1311
01:29:08,596 --> 01:29:10,098
TIME TO GET UP.
1312
01:29:10,098 --> 01:29:11,599
GRRR.
1313
01:29:12,600 --> 01:29:15,103
PROFESSOR,
TIME TO GET UP.
1314
01:29:15,603 --> 01:29:18,106
COME ON, PROFESSOR.
RISE AND SHINE.
1315
01:29:19,107 --> 01:29:20,608
RISE AND SHINE?
1316
01:29:20,608 --> 01:29:22,110
IT’S 7:30.
1317
01:29:22,110 --> 01:29:24,112
THEN YOU RISE,
YOU SHINE.
1318
01:29:24,112 --> 01:29:26,614
HE’S ALWAYS LIKE THIS
IN THE MORNING.
1319
01:29:26,614 --> 01:29:28,616
I’M NOT ALWAYS LIKE
THIS IN THE MORNING.
1320
01:29:28,616 --> 01:29:30,118
THIS PARTICULAR
MORNING,
1321
01:29:30,118 --> 01:29:32,120
I HAPPEN
TO BE SEASICK.
1322
01:29:32,120 --> 01:29:33,121
TOO MUCH CHAMPAGNE.
1323
01:29:33,121 --> 01:29:34,622
I’M NOT SICK
FROM CHAMPAGNE!
1324
01:29:34,622 --> 01:29:36,124
I’M SICK
FROM THE SEA!
1325
01:29:36,124 --> 01:29:37,125
IT’S NOT
NECESSARY
1326
01:29:37,125 --> 01:29:38,626
TO YELL AT US.
1327
01:29:38,626 --> 01:29:40,128
I’LL YELL AT WHOEVER
I WANT TO YELL AT!
1328
01:29:40,128 --> 01:29:42,630
ALWAYS YELLS LIKE THIS
IN THE MORNING.
1329
01:29:42,630 --> 01:29:44,132
LET ME OUT OF HERE!
1330
01:29:46,634 --> 01:29:49,637
7:30 IN THE MORNING,
YOU IDIOTS!
1331
01:29:49,637 --> 01:29:51,639
I’M SEASICK!
1332
01:29:51,639 --> 01:29:53,141
AH!
1333
01:29:54,642 --> 01:29:56,644
RISE AND SHINE.
1334
01:29:56,644 --> 01:29:57,645
RISE AND SHI--
1335
01:29:58,146 --> 01:29:59,147
AAH!
1336
01:30:01,149 --> 01:30:02,150
HELP!
1337
01:30:02,650 --> 01:30:04,152
MAX!
1338
01:30:04,652 --> 01:30:06,154
MAX!
1339
01:30:06,154 --> 01:30:08,156
MAX!
1340
01:30:08,156 --> 01:30:09,657
I’M COMING,
PROFESSOR.
1341
01:30:09,657 --> 01:30:11,159
HELP!
1342
01:30:11,159 --> 01:30:13,161
I GOT YOU.
I GOT YOU.
1343
01:30:34,098 --> 01:30:39,604
♪ THEY SAY THERE’S A TREE
IN THE FOREST ♪
1344
01:30:39,604 --> 01:30:45,109
♪ A TREE THAT WILL
GIVE YOU A SIGN ♪
1345
01:30:45,109 --> 01:30:48,112
♪ COME ALONG WITH ME ♪
1346
01:30:48,112 --> 01:30:50,615
♪ TO THE SWEETHEART TREE ♪
1347
01:30:50,615 --> 01:30:56,120
♪ COME AND CARVE YOUR NAME
NEXT TO MINE ♪
1348
01:30:56,120 --> 01:31:02,126
♪ THEY SAY IF YOU KISS
THE RIGHT SWEETHEART ♪
1349
01:31:02,126 --> 01:31:07,131
♪ THE ONE YOU’VE BEEN
WAITING FOR ♪
1350
01:31:07,131 --> 01:31:12,637
♪ BIG BLOSSOMS OF WHITE
WILL BURST INTO SIGHT ♪
1351
01:31:12,637 --> 01:31:17,642
♪ AND YOUR LOVE WILL BE TRUE
EVERMORE ♪
1352
01:31:42,667 --> 01:31:48,172
♪ THEY SAY IF YOU KISS
THE RIGHT SWEETHEART ♪
1353
01:31:48,172 --> 01:31:53,678
♪ THE ONE YOU’VE BEEN
WAITING FOR ♪
1354
01:31:53,678 --> 01:31:59,183
♪ BIG BLOSSOMS OF WHITE
WILL BURST INTO SIGHT ♪
1355
01:31:59,183 --> 01:32:07,191
♪ AND YOUR LOVE WILL BE TRUE
EVERMORE ♪
1356
01:32:25,259 --> 01:32:27,762
YOU’RE WASTING
YOUR TIME.
1357
01:32:27,762 --> 01:32:28,763
PERHAPS.
1358
01:32:28,763 --> 01:32:30,765
WE’RE MELTING!
1359
01:32:30,765 --> 01:32:31,766
SLOWLY.
1360
01:32:31,766 --> 01:32:33,768
WE’RE GOING TO SINK.
1361
01:32:33,768 --> 01:32:35,269
EVENTUALLY.
1362
01:32:35,269 --> 01:32:38,272
THEN YOU’RE WASTING
YOUR TIME!
1363
01:32:38,272 --> 01:32:41,776
I SHALL PLACE THIS LOG
1364
01:32:41,776 --> 01:32:43,778
IN A WATERTIGHT
CONTAINER.
1365
01:32:43,778 --> 01:32:47,782
IF FOUND, IT SHALL PROVIDE
VALUABLE INFORMATION
1366
01:32:47,782 --> 01:32:50,284
FOR THOSE WHO MAY FOLLOW.
1367
01:32:50,284 --> 01:32:53,287
"VALUABLE INFORMATION
FOR THOSE WHO MAY FOLLOW."
1368
01:32:53,287 --> 01:32:54,288
PROFESSOR.
1369
01:32:54,288 --> 01:32:55,790
WHAT?
1370
01:32:55,790 --> 01:32:56,791
I GOT AN IDEA.
WHAT?
1371
01:32:56,791 --> 01:32:58,292
INSTEAD OF THE BOOK,
1372
01:32:58,292 --> 01:33:00,795
WHY DON’T YOU AND ME GET INTO
THE WATERTIGHT CONTAINER?
1373
01:33:00,795 --> 01:33:01,796
SHUT UP.
1374
01:33:01,796 --> 01:33:03,798
WELL, WE GOT
TO DO SOMETHING.
1375
01:33:03,798 --> 01:33:04,799
OH, DON’T WORRY.
1376
01:33:04,799 --> 01:33:06,300
BEFORE THIS
ICEBERG MELTS
1377
01:33:06,300 --> 01:33:07,802
AND WE DROWN
LIKE RATS,
1378
01:33:07,802 --> 01:33:08,803
WE’RE GOING
TO DO PLENTY.
1379
01:33:08,803 --> 01:33:09,804
YEAH? WHAT?
1380
01:33:09,804 --> 01:33:11,305
WE’RE GOING
TO STARVE.
1381
01:33:14,809 --> 01:33:17,812
MISS DUBOIS, I RECOMMEND
WE HAVE COLD MEALS FROM NOW ON.
1382
01:33:17,812 --> 01:33:20,314
WE’RE MELTING
FAST ENOUGH AS IT IS.
1383
01:33:20,314 --> 01:33:21,816
WHAT DIFFERENCE
DOES IT MAKE?
1384
01:33:21,816 --> 01:33:24,318
A FEW HOURS
ONE WAY OR ANOTHER.
1385
01:33:24,318 --> 01:33:27,321
MINUTES HAVE MADE
THE DIFFERENCE IN SURVIVAL,
1386
01:33:27,321 --> 01:33:28,823
MISS DUBOIS.
1387
01:33:28,823 --> 01:33:29,824
MR. LESLIE,
1388
01:33:29,824 --> 01:33:31,826
I SUSPECT
YOU ARE BEING
1389
01:33:31,826 --> 01:33:32,827
UNREALISTICALLY
OPTIMISTIC
1390
01:33:32,827 --> 01:33:34,328
FOR MY BENEFIT.
1391
01:33:34,328 --> 01:33:36,330
AND IT ISN’T
AT ALL NECESSARY.
1392
01:33:36,330 --> 01:33:37,832
WE’RE LOST
ON AN ICEBERG,
1393
01:33:37,832 --> 01:33:41,335
AND WE’RE DOOMED TO
DRIFT WITH THE TIDE
1394
01:33:41,335 --> 01:33:42,336
AND SLOWLY MELT.
1395
01:33:43,838 --> 01:33:46,340
YOU’RE A BRAVE WOMAN,
MISS DUBOIS.
1396
01:33:46,340 --> 01:33:48,843
RED SKY.
1397
01:33:50,344 --> 01:33:51,846
SO WHAT?
1398
01:33:51,846 --> 01:33:54,849
GOING TO BE A STORM.
1399
01:33:54,849 --> 01:33:56,851
WHAT ARE YOU
TALKING ABOUT?
1400
01:33:56,851 --> 01:33:59,854
RED SKY IN THE MORNING,
SAILOR TAKE WARNING.
1401
01:33:59,854 --> 01:34:01,355
YOU THIMBLE-HEADED
GHERKIN.
1402
01:34:01,355 --> 01:34:02,857
DO YOU REALIZE THE
ODDS AGAINST A STORM
1403
01:34:02,857 --> 01:34:04,859
IN THIS PART
OF THE OCEAN
1404
01:34:04,859 --> 01:34:06,360
AT THIS TIME
OF THE YEAR?
1405
01:34:06,360 --> 01:34:07,862
NO. WHAT?
100-TO-1.
1406
01:34:07,862 --> 01:34:09,363
[THUNDER]
1407
01:34:12,867 --> 01:34:14,869
TIE DOWN THE CAR
WITH THE ROPE!
1408
01:34:14,869 --> 01:34:17,872
TIE THE ROPE DOWN
WITH THE CAR!
1409
01:34:17,872 --> 01:34:19,874
DOUBLE KNOTS,
YOU IDIOT!
1410
01:34:19,874 --> 01:34:21,375
MAX!
1411
01:34:21,375 --> 01:34:23,377
THROW ME A ROPE!
1412
01:34:25,379 --> 01:34:26,881
JUST RELAX.
1413
01:34:26,881 --> 01:34:28,883
I GOT YOU.
I GOT YOU.
1414
01:34:28,883 --> 01:34:29,884
I GOT YOU,
PROFESSOR.
1415
01:34:32,386 --> 01:34:35,890
RED SKY IN THE MORNING,
SAILOR TAKE WARNING.
1416
01:34:35,890 --> 01:34:38,392
WHY, YOU NINCOMPOOP!
1417
01:34:40,394 --> 01:34:41,896
AAH!
1418
01:34:42,897 --> 01:34:44,398
MAX!
1419
01:34:45,399 --> 01:34:47,401
[HORN HONKS]
1420
01:35:01,916 --> 01:35:03,417
ANOTHER FOOT.
1421
01:35:03,417 --> 01:35:05,920
ANOTHER FOOT. AH.
1422
01:35:05,920 --> 01:35:07,421
37 INCHES TO GO.
1423
01:35:07,421 --> 01:35:09,423
OH, 37 INCHES TO GO.
1424
01:35:09,423 --> 01:35:10,424
HUZZAH!
1425
01:35:10,424 --> 01:35:11,926
AT THE RATE
WE’VE BEEN MELTING,
1426
01:35:11,926 --> 01:35:14,428
THAT’S GOOD FOR
ABOUT ONE MORE WEEK.
1427
01:35:14,428 --> 01:35:16,931
YOU BETTER
KEEP IT TO YOURSELF.
1428
01:35:16,931 --> 01:35:19,433
OH, OF COURSE I’LL
KEEP IT TO MYSELF...
1429
01:35:20,434 --> 01:35:22,937
UNTIL THE WATER
REACHES MY LOWER LIP,
1430
01:35:22,937 --> 01:35:25,439
AND THEN I’LL MENTION IT
TO SOMEBODY.
1431
01:35:25,439 --> 01:35:26,941
[HONK HONK]
1432
01:35:30,945 --> 01:35:33,948
UM, WHAT WAS THE PROFESSOR
COMPLAINING ABOUT?
1433
01:35:33,948 --> 01:35:35,950
OH, YOU KNOW
THE PROFESSOR.
1434
01:35:35,950 --> 01:35:37,952
HE THINKS WE’RE MELTING
TOO FAST,
1435
01:35:37,952 --> 01:35:41,956
AND HE WAS VENTING
HIS WRATH ON THE GODS.
1436
01:35:41,956 --> 01:35:43,958
ARE WE MELTING
TOO FAST?
1437
01:35:43,958 --> 01:35:45,960
OH, I DON’T THINK SO.
1438
01:35:45,960 --> 01:35:47,461
ACCORDING TO
MY CALCULATIONS,
1439
01:35:47,461 --> 01:35:51,465
WE’LL REACH LAND JUST ABOUT
THE TIME THAT OUR FEET GET WET.
1440
01:35:52,466 --> 01:35:54,468
[HONK HONK HONK]
1441
01:35:58,973 --> 01:36:00,474
I’M HUNGRY.
1442
01:36:00,474 --> 01:36:01,976
SHE’S GETTING IT.
1443
01:36:01,976 --> 01:36:04,478
HOW LONG DOES IT TAKE
TO OPEN A CAN OF BEANS?
1444
01:36:04,478 --> 01:36:06,480
THE ETERNAL STRUGGLE
TAKES TIME, MAX.
1445
01:36:06,480 --> 01:36:08,983
WHAT STRUGGLE?
SHE’S GOT A CAN OPENER.
1446
01:36:08,983 --> 01:36:09,984
YOU CORK-BRAIN.
1447
01:36:09,984 --> 01:36:11,485
I’M TALKING ABOUT
MAN, WOMAN,
1448
01:36:11,485 --> 01:36:12,987
SEX, CONQUEST.
1449
01:36:12,987 --> 01:36:14,488
WHAT WAS THAT?
1450
01:36:14,488 --> 01:36:15,990
HE’S MAKING
HIS MOVE,
1451
01:36:15,990 --> 01:36:17,992
AND I’M SURE
SHE’S INTERESTED.
1452
01:36:17,992 --> 01:36:19,994
BUT UNLESS
I MISS MY GUESS,
1453
01:36:19,994 --> 01:36:21,495
SHE WILL
NEVER SUBMIT.
1454
01:36:21,495 --> 01:36:23,998
WELL, IF SHE DOES,
WE’RE NOT GONNA GET NO BEANS.
1455
01:36:23,998 --> 01:36:25,499
IT’S A CONTEST, MAX.
AND HE’S USING WEAPONS
1456
01:36:25,499 --> 01:36:27,501
THAT HAVE
TOPPLED EVERYTHING
1457
01:36:27,501 --> 01:36:29,503
FROM A KANSAS FARM GIRL
TO A EUROPEAN DUCHESS.
1458
01:36:29,503 --> 01:36:31,505
BUT SHE WILL COUNTER
WITH WOMEN’S RIGHTS.
1459
01:36:31,505 --> 01:36:32,506
HA HA.
1460
01:36:32,506 --> 01:36:33,507
THAT’S TERRIBLE.
1461
01:36:33,507 --> 01:36:35,509
YES. FOR A MAN
LIKE LESLIE,
1462
01:36:35,509 --> 01:36:36,510
THAT’S TERRIBLE.
1463
01:36:36,510 --> 01:36:39,513
LIKE ME, HE MUST WIN
ON HIS OWN TERMS.
1464
01:36:39,513 --> 01:36:41,015
AND SHE RECOGNIZES
NO TERMS
1465
01:36:41,015 --> 01:36:42,516
EXCEPT HER OWN.
1466
01:36:42,516 --> 01:36:44,518
[MAGGIE]
COME AND GET IT!
1467
01:36:44,518 --> 01:36:46,020
YOU SEE?
1468
01:36:47,521 --> 01:36:50,024
MAYBE SHE DON’T
MEAN US.
1469
01:36:58,532 --> 01:37:00,534
[ALARM CLOCK RINGS]
1470
01:37:10,044 --> 01:37:11,045
HEY.
1471
01:37:11,045 --> 01:37:12,046
HEY, PROFESSOR.
1472
01:37:12,046 --> 01:37:13,547
HMM?
1473
01:37:13,547 --> 01:37:15,049
HEY, PROFESSOR.
1474
01:37:15,049 --> 01:37:16,550
UP AND AT ’EM.
1475
01:37:16,550 --> 01:37:19,053
UP AND AT ’EM?
1476
01:37:19,053 --> 01:37:20,054
IT’S 7:30.
1477
01:37:20,054 --> 01:37:21,555
UP AND AT ’EM.
1478
01:37:21,555 --> 01:37:22,556
UP AND AT ’EM?
1479
01:37:22,556 --> 01:37:23,557
DON’T YELL!
1480
01:37:23,557 --> 01:37:26,060
ALWAYS YELLS LIKE THAT
IN THE MORNING.
1481
01:37:26,060 --> 01:37:27,061
YOU IDIOT.
1482
01:37:27,061 --> 01:37:29,563
"HEY, PROFESSOR,
UP AND AT ’EM."
1483
01:37:30,564 --> 01:37:32,566
"HEY, PROFESSOR.
UP AND AT ’EM.
1484
01:37:32,566 --> 01:37:34,068
IT’S 7:30."
1485
01:37:35,569 --> 01:37:37,571
WE’RE UNDERWATER!
1486
01:37:37,571 --> 01:37:39,573
WE’RE UNDERWATER!
1487
01:37:39,573 --> 01:37:41,575
WE’RE DOOMED!
1488
01:37:41,575 --> 01:37:42,576
WE’LL MAKE IT.
1489
01:37:42,576 --> 01:37:44,078
WE’LL MAKE WHAT?
1490
01:37:44,078 --> 01:37:45,579
LAND.
1491
01:37:45,579 --> 01:37:47,081
LAND?
1492
01:37:47,081 --> 01:37:48,082
LAND!
1493
01:37:48,082 --> 01:37:49,083
LAND!
1494
01:37:49,083 --> 01:37:50,584
IT’S PROBABLY
EAST CAPE.
1495
01:37:51,085 --> 01:37:52,086
I SEE A SHIP
IN THE HARBOR.
1496
01:37:52,086 --> 01:37:53,587
WE’RE SAVED!
1497
01:37:54,588 --> 01:37:55,089
WE’RE SAVED!
1498
01:37:55,589 --> 01:37:56,590
MAX, WE’RE SAVED!
1499
01:37:57,091 --> 01:37:57,591
WE’RE SAVED!
1500
01:37:58,092 --> 01:37:59,593
WE’RE SAVED!
1501
01:37:59,593 --> 01:38:02,096
I ALWAYS SAID
TO HAVE FAITH!
1502
01:38:02,596 --> 01:38:03,097
WE’RE SAVED!
1503
01:38:03,597 --> 01:38:05,599
MAX, TRUST ME.
TRY OUT THE CANNON!
1504
01:38:06,100 --> 01:38:06,600
THE CANNON!
1505
01:38:07,101 --> 01:38:08,102
FIRE THE CANNON, MAX,
1506
01:38:08,602 --> 01:38:10,104
AND LET THEM KNOW
WE’RE HERE.
1507
01:38:10,604 --> 01:38:11,105
HA HA HA!
1508
01:38:11,605 --> 01:38:12,106
SAVED!
1509
01:38:12,606 --> 01:38:13,107
HA HA HA!
1510
01:38:13,607 --> 01:38:16,110
PUSH THE BUTTON, MAX!
1511
01:38:18,612 --> 01:38:20,114
HERE SHE GOES.
1512
01:38:20,614 --> 01:38:22,116
MAAAAXXXX!
1513
01:38:25,119 --> 01:38:25,619
AHOY!
1514
01:38:26,120 --> 01:38:26,620
AHOY!
1515
01:38:27,121 --> 01:38:27,621
AHOY!
1516
01:38:28,122 --> 01:38:29,623
AHOY!
1517
01:38:29,623 --> 01:38:30,624
AHOY!
1518
01:38:30,624 --> 01:38:31,625
AHOY!
1519
01:38:31,625 --> 01:38:34,128
ISN’T IT WONDERFUL TO
SEE AN AMERICAN SHIP
1520
01:38:34,628 --> 01:38:35,629
IN THIS GOD-FORSAKEN
OUTPOST?
1521
01:38:36,130 --> 01:38:37,131
IT IS INDEED.
1522
01:38:37,131 --> 01:38:39,633
IT’S PROBABLY FROM
SAN FRANCISCO OR SEATTLE.
1523
01:38:39,633 --> 01:38:42,136
AHOY, ICEBERG!
1524
01:38:42,136 --> 01:38:44,138
IT’S ME!
1525
01:38:45,639 --> 01:38:47,141
IT’S ME!
1526
01:38:47,141 --> 01:38:51,145
IF I DIDN’T KNOW BETTER,
I WOULD SAY THAT’S...
1527
01:38:53,147 --> 01:38:54,148
ME!
1528
01:38:54,648 --> 01:38:56,650
HEZEKIAH.
1529
01:38:56,650 --> 01:38:58,152
WHAT?
1530
01:39:03,657 --> 01:39:05,659
YOU GAVE ME YOUR WORD,
AND I TRUSTED YOU.
1531
01:39:05,659 --> 01:39:07,161
THEN YOU HANDCUFFED
HEZEKIAH
1532
01:39:07,161 --> 01:39:09,663
TO THE ATCHISON,
TOPEKA, & SANTA FE.
1533
01:39:09,663 --> 01:39:10,664
IT WAS
THE SOUTHERN PACIFIC.
1534
01:39:11,165 --> 01:39:11,665
WHAT HAS THAT
GOT TO DO WITH IT?
1535
01:39:12,166 --> 01:39:13,167
YOU GAVE ME YOUR WORD.
1536
01:39:13,667 --> 01:39:14,668
YOU GAVE ME
NO CHOICE.
1537
01:39:15,169 --> 01:39:15,669
YOU LIED.
1538
01:39:16,170 --> 01:39:17,671
I TOLD YOU I WOULD
FINISH THE RACE.
1539
01:39:23,177 --> 01:39:24,678
PUSH THE BUTTON, MAX.
1540
01:39:24,678 --> 01:39:26,680
ARE YOU SURE THIS IS
SUCH A GOOD IDEA?
1541
01:39:26,680 --> 01:39:28,682
SHE IS HIS ACHILLES HEEL.
SHE IS OUR ACE IN THE HOLE.
1542
01:39:28,682 --> 01:39:30,684
SHE MUST NOT
BE LEFT BEHIND.
1543
01:39:30,684 --> 01:39:31,685
NOW, MAX--
1544
01:39:31,685 --> 01:39:33,687
I KNOW--
PUSH THE BUTTON.
1545
01:39:35,689 --> 01:39:36,690
HA HA!
1546
01:39:37,191 --> 01:39:38,192
OUT OF THE WAY!
1547
01:39:38,692 --> 01:39:40,194
OUT! OUT!
1548
01:39:42,196 --> 01:39:44,198
BUT YOU CAN’T
LEAVE ME HERE.
1549
01:39:44,198 --> 01:39:45,199
BOSS! BOSS!
1550
01:39:45,199 --> 01:39:46,700
I HAVE NO CHOICE.
1551
01:39:46,700 --> 01:39:47,701
[COUGHING]
1552
01:39:47,701 --> 01:39:48,702
HEZEKIAH, WATCH THE CAR.
1553
01:39:49,203 --> 01:39:50,204
LET ME GO! UNHAND ME!
1554
01:39:50,704 --> 01:39:51,705
THEY’RE
GETTING AWAY.
1555
01:39:52,206 --> 01:39:53,207
MISS DUBOIS?
1556
01:39:57,711 --> 01:39:59,213
WE WANT JOBS!
1557
01:39:59,213 --> 01:40:01,215
WE WANT JOBS!
1558
01:40:03,217 --> 01:40:04,718
FRISBEE!
1559
01:40:05,719 --> 01:40:06,720
FRISBEE!
1560
01:40:07,721 --> 01:40:09,223
"OUT OF THE LAUNDRY.
1561
01:40:09,223 --> 01:40:10,724
OFF THE PEDESTAL."
1562
01:40:10,724 --> 01:40:12,226
FRISBEE!
1563
01:40:12,226 --> 01:40:13,227
OHH!
1564
01:40:13,227 --> 01:40:15,229
OH, I’M SORRY, DEAR.
1565
01:40:15,229 --> 01:40:16,230
CAPITULATE, HENRY.
1566
01:40:16,230 --> 01:40:17,731
NEVER.
WELL, REMEMBER,
1567
01:40:17,731 --> 01:40:19,233
WE’RE HAVING THE
SIMPSONS TO DINNER.
1568
01:40:19,233 --> 01:40:20,234
NOW, TRY NOT
TO BE LATE.
1569
01:40:20,234 --> 01:40:21,235
YES, DEAR.
PARDON ME.
1570
01:40:21,235 --> 01:40:22,236
FRISBEE.
1571
01:40:22,236 --> 01:40:23,737
EXCUSE ME, MRS...
1572
01:40:24,738 --> 01:40:25,739
AAH!
1573
01:40:26,740 --> 01:40:28,242
I’M SORRY, DEAR.
1574
01:40:28,242 --> 01:40:30,744
I COULD HARDLY
GET ACROSS THE HALL.
1575
01:40:30,744 --> 01:40:31,745
WHAT ARE YOU
COMPLAINING ABOUT?
1576
01:40:31,745 --> 01:40:33,747
I HAVE TO SLEEP
WITH THEIR LEADER.
1577
01:40:33,747 --> 01:40:35,249
THIS IS FROM REUTERS.
1578
01:40:35,249 --> 01:40:37,251
"FROM LAST REPORT,
DATED MARCH 10th.
1579
01:40:37,251 --> 01:40:38,752
"FATE’S CAR
STILL IN LEAD
1580
01:40:38,752 --> 01:40:40,254
AND NEARING
SREDNE KOLIMSKY."
1581
01:40:40,254 --> 01:40:41,255
MARCH 10th.
1582
01:40:41,255 --> 01:40:44,758
THEY COULD HAVE REACHED
THE LENA RIVER BY NOW.
1583
01:41:02,443 --> 01:41:03,944
HEY, PROFESSOR,
WHAT IS THIS?
1584
01:41:04,445 --> 01:41:05,446
SHUT UP.
1585
01:41:36,977 --> 01:41:38,479
YOU GIVE THEM BEADS.
1586
01:41:38,479 --> 01:41:39,980
THAT MAKES THEM
FRIENDLY.
1587
01:41:40,981 --> 01:41:43,984
OBVIOUSLY, THEY DON’T
KNOW WHO I AM.
1588
01:41:49,490 --> 01:41:52,993
I AM PROFESSOR FATE!
1589
01:42:06,507 --> 01:42:09,009
YOU WANT TO TRY
THE BEADS?
1590
01:42:10,010 --> 01:42:12,012
WHAT IS THE WORD
FOR "FRIENDS"?
1591
01:42:12,012 --> 01:42:13,013
PROFESSOR--
SHUT UP.
1592
01:42:13,013 --> 01:42:14,014
I DON’T KNOW
THIS LANGUAGE.
1593
01:42:14,515 --> 01:42:15,516
WELL, GET THE DICTIONARY.
1594
01:42:15,516 --> 01:42:17,017
DICTIONARY.
RIGHT.
1595
01:42:18,519 --> 01:42:19,520
I GOT IT.
I GOT IT.
1596
01:42:19,520 --> 01:42:21,021
WHAT IS IT?
WHAT IS IT?
1597
01:42:21,021 --> 01:42:23,023
I CAN’T
PRONOUNCE IT.
1598
01:42:28,028 --> 01:42:29,029
VERY SIMPLE.
1599
01:42:29,029 --> 01:42:32,032
DROZY--DRAZY--
1600
01:42:32,032 --> 01:42:33,033
DROOZYHA.
1601
01:42:33,033 --> 01:42:34,034
DROOZYHA.
1602
01:42:34,034 --> 01:42:35,035
DROOZYHA.
1603
01:42:37,037 --> 01:42:41,542
I SPEAK, READ, AND WRITE
FRENCH, RUSSIAN, AND ARABIC.
1604
01:42:45,045 --> 01:42:46,547
[SPEAKING RUSSIAN]
1605
01:42:46,547 --> 01:42:48,549
[CHEERING]
1606
01:42:50,050 --> 01:42:52,052
GET AWAY FROM THE CAR!
1607
01:43:10,571 --> 01:43:12,072
MAX!
1608
01:43:12,072 --> 01:43:14,074
BACK TO THE CAR!
1609
01:43:25,085 --> 01:43:28,589
SHE DON’T ACT LIKE
SHE’S BEING KIDNAPPED.
1610
01:43:32,593 --> 01:43:34,595
MAX!
1611
01:43:36,597 --> 01:43:38,098
PROFESSOR!
1612
01:43:40,601 --> 01:43:41,602
BOSS,
1613
01:43:41,602 --> 01:43:45,105
THIS DISPATCH JUST CAME
IN FROM MAGGIE DUBOIS.
1614
01:43:45,105 --> 01:43:47,107
"HAVE CROSSED
CARPANIAN BORDER.
1615
01:43:47,107 --> 01:43:49,109
"NO CONTACT
WITH LESLIE CAR
1616
01:43:49,109 --> 01:43:50,611
"IN NEARLY
THREE WEEKS,
1617
01:43:50,611 --> 01:43:52,613
"SO THERE’S NO WAY
OF TELLING
1618
01:43:52,613 --> 01:43:54,615
WHO’S IN THE LEAD."
1619
01:43:54,615 --> 01:43:58,118
THE WEBBER MOTOR CAR COMPANY
BUILT THE LESLIE SPECIAL.
1620
01:43:58,118 --> 01:43:59,620
HAVE THEY INTEGRATED YET?
1621
01:43:59,620 --> 01:44:00,621
NO.
1622
01:44:00,621 --> 01:44:03,624
THEY STILL REFUSE
TO HIRE ANY WOMEN.
1623
01:44:03,624 --> 01:44:05,626
UNTIL WEBBER
CHANGES ITS POLICY,
1624
01:44:05,626 --> 01:44:09,129
WE WON’T MENTION OF THE LESLIE
SPECIAL IN THIS NEWSPAPER.
1625
01:44:09,129 --> 01:44:11,131
BUT YOU CAN’T
DO THAT.
1626
01:44:11,131 --> 01:44:12,633
WE’LL LOSE
THEIR ADVERTISING.
1627
01:44:12,633 --> 01:44:13,634
MR. FRISBEE,
1628
01:44:13,634 --> 01:44:16,637
UNTIL MY HUSBAND IS RELEASED
FROM HAPPY ACRES,
1629
01:44:16,637 --> 01:44:18,138
I AM IN CHARGE HERE.
1630
01:44:18,138 --> 01:44:19,640
YES, SIR--UH, MA’AM.
1631
01:44:19,640 --> 01:44:21,141
NOW, LET’S SEE.
1632
01:44:21,141 --> 01:44:25,646
UH, THEY SHOULD BE APPROACHING
THE NEXT GASOLINE STOP,
1633
01:44:25,646 --> 01:44:28,148
WHICH IS...POTZDORF.
1634
01:44:28,148 --> 01:44:29,650
[BELLS RINGING]
1635
01:44:40,360 --> 01:44:43,363
[CHEERING]
1636
01:45:16,396 --> 01:45:17,898
I AM GENERAL KUHSTER.
1637
01:45:17,898 --> 01:45:20,400
I WILL ESCORT YOU
TO THE PALACE
1638
01:45:20,400 --> 01:45:23,403
WHERE YOU WILL BE THE GUEST
OF HIS ROYAL HIGHNESS,
1639
01:45:23,403 --> 01:45:24,404
PRINCE HAPNICK.
1640
01:45:24,404 --> 01:45:27,407
WE ARE DEEPLY
HONORED, SIR.
1641
01:45:30,410 --> 01:45:32,412
WHO IS PRINCE HAPNICK?
1642
01:45:32,412 --> 01:45:34,915
HE’S THE ROYAL HEIR
TO THE THRONE.
1643
01:45:34,915 --> 01:45:35,916
OH.
1644
01:47:00,000 --> 01:47:01,001
AHH!
1645
01:47:02,502 --> 01:47:04,004
OH!
1646
01:47:04,004 --> 01:47:07,007
I SAY WE SHOULD HAVE
DUMPED HER A LONG TIME AGO.
1647
01:47:07,007 --> 01:47:09,009
I SAY
WE SHALL DUMP HER
1648
01:47:09,009 --> 01:47:10,510
WHEN I SAY
WE’LL DUMP HER.
1649
01:47:10,510 --> 01:47:12,512
SHE’S PLAYING YOU
FOR A SUCKER.
1650
01:47:15,515 --> 01:47:17,517
GOOD AFTERNOON,
GENTLEMEN.
1651
01:47:26,026 --> 01:47:28,028
WHAT DO YOU WANT?
1652
01:47:28,028 --> 01:47:29,529
WHO ARE YOU?
1653
01:47:29,529 --> 01:47:31,031
PROFESSOR FATE.
1654
01:47:31,031 --> 01:47:33,033
AND WHO
MIGHT YOU BE?
1655
01:47:33,033 --> 01:47:34,534
INCREDIBLE.
1656
01:47:34,534 --> 01:47:36,036
AMAZING.
1657
01:47:37,537 --> 01:47:38,538
LET ME GO!
1658
01:47:38,538 --> 01:47:40,040
UNHAND ME!
1659
01:47:40,040 --> 01:47:42,542
I FOUND THIS WILDCAT
SWIMMING IN THE LAKE.
1660
01:47:42,542 --> 01:47:45,045
I DEMAND TO KNOW
WHAT THIS IS ALL ABOUT!
1661
01:47:45,045 --> 01:47:46,546
IT’S VERY SIMPLE.
1662
01:47:46,546 --> 01:47:49,549
YOU AND YOUR FRIENDS
ARE UNDER ARREST.
1663
01:48:08,568 --> 01:48:10,203
WILL YOU BE IN POTZDORF
LONG, MR. LESLIE?
1664
01:48:10,203 --> 01:48:11,705
I’M AFRAID NOT. NO.
1665
01:48:11,705 --> 01:48:13,206
WE LEAVE
TOMORROW MORNING,
1666
01:48:13,206 --> 01:48:14,207
EARLY.
1667
01:48:14,207 --> 01:48:15,709
WHERE IS YOUR
COMPETITOR,
1668
01:48:15,709 --> 01:48:17,210
THIS
PROFESSOR FATE?
1669
01:48:17,210 --> 01:48:18,712
I SUSPECT NOT FAR BEHIND.
1670
01:48:18,712 --> 01:48:21,214
IF HE AIN’T AHEAD
OF US ALREADY.
1671
01:48:21,214 --> 01:48:23,717
HAVE YOU MET THE
CROWN PRINCE YET?
1672
01:48:23,717 --> 01:48:25,218
NO. I HAVEN’T
HAD THE HONOR.
1673
01:48:25,218 --> 01:48:26,219
[FANFARE]
1674
01:48:31,224 --> 01:48:33,226
HIS ROYAL HIGHNESS,
1675
01:48:33,226 --> 01:48:35,729
CROWN PRINCE
FREDERICK HAPNICK.
1676
01:48:37,230 --> 01:48:38,732
[FANFARE]
1677
01:48:59,252 --> 01:49:00,253
HEY, BOSS--
1678
01:49:00,253 --> 01:49:01,254
SHH.
1679
01:49:01,254 --> 01:49:02,756
BUT
THAT’S--THAT’S--
1680
01:49:02,756 --> 01:49:04,758
SHH. NO, IT ISN’T.
1681
01:49:09,262 --> 01:49:10,764
THAT WAS EXHAUSTING.
1682
01:49:10,764 --> 01:49:11,765
HA HA!
1683
01:49:25,278 --> 01:49:25,779
YOUR HIGHNESS.
1684
01:49:26,279 --> 01:49:27,781
WHICH WAY, GENERAL?
1685
01:49:34,287 --> 01:49:35,288
YOUR HIGHNESS,
1686
01:49:35,288 --> 01:49:38,291
MAY I PRESENT
THE GREAT LESLIE?
1687
01:49:38,291 --> 01:49:39,292
YOUR HIGHNESS.
1688
01:49:39,292 --> 01:49:41,795
AND THIS IS
MR. HEZEKIAH.
1689
01:49:41,795 --> 01:49:44,798
WELCOME TO POTZDORF.
1690
01:49:44,798 --> 01:49:46,299
EXCUSE ME,
YOUR HIGHNESS,
1691
01:49:46,299 --> 01:49:47,300
BUT DO YOU HAVE
ANY RELATIVES
1692
01:49:47,801 --> 01:49:48,802
IN THE UNITED STATES?
1693
01:49:48,802 --> 01:49:49,803
ME?
1694
01:49:49,803 --> 01:49:52,305
RELATIVES IN STATES?
1695
01:49:52,305 --> 01:49:53,807
IT’S OF
NO CONSEQUENCE, SIRE.
1696
01:49:53,807 --> 01:49:55,809
IT’S JUST THAT YOU BEAR
AN UNCANNY RESEMBLANCE
1697
01:49:55,809 --> 01:49:57,811
TO SOMEONE THAT
WE BOTH KNOW.
1698
01:49:57,811 --> 01:49:59,312
SOMEONE WHO
LOOKS LIKE ME?
1699
01:49:59,312 --> 01:50:00,814
YES, SIR.
HA HA!
1700
01:50:00,814 --> 01:50:02,816
[AUDIENCE LAUGHS]
1701
01:50:05,318 --> 01:50:06,319
POOR FELLOW.
1702
01:50:06,319 --> 01:50:07,821
HA HA!
1703
01:50:10,824 --> 01:50:14,828
[LAUGHS ALONE]
1704
01:50:14,828 --> 01:50:16,329
AHEM.
1705
01:50:16,329 --> 01:50:18,832
HA HA HA HA!
1706
01:50:33,847 --> 01:50:35,849
[ORCHESTRA PLAYS WALTZ]
1707
01:50:55,869 --> 01:50:58,371
MAY I HAVE THE HONOR
OF THIS DANCE?
1708
01:51:47,420 --> 01:51:49,422
HA HA HA.
1709
01:52:08,441 --> 01:52:10,944
IN THE KINGDOM OF CARPANIA,
IF ONE DOESN’T WALTZ,
1710
01:52:10,944 --> 01:52:13,446
ONE JUST DOESN’T DANCE,
AND I LOVE TO DANCE.
1711
01:52:13,446 --> 01:52:15,448
ONLY PROBLEM IS,
I HATE THE WALTZ!
1712
01:52:15,448 --> 01:52:17,450
SO YOU KNOW WHAT I DO?
1713
01:52:17,450 --> 01:52:19,452
I WALTZ JUST ENOUGH
TO COMPLY WITH TRADITION.
1714
01:52:19,953 --> 01:52:21,955
THEN I SNEAK OFF TO MORE
REWARDING ACTIVITIES.
1715
01:52:21,955 --> 01:52:22,956
BRANDY!
1716
01:52:22,956 --> 01:52:24,457
YOU KNOW,
I SHOULD’VE SCHEDULED
1717
01:52:24,457 --> 01:52:26,960
SOME DIVINE ENTERTAINMENT
FOR YOU, MR. LESLIE.
1718
01:52:26,960 --> 01:52:27,961
YOU SEE, CARPANIA’S
FULL OF FORESTS
1719
01:52:28,461 --> 01:52:29,462
AND THE FORESTS
ARE FULL OF GYPSIES,
1720
01:52:29,462 --> 01:52:32,465
AND THE GYPSIES
ARE FULL OF SHENANIGANS,
1721
01:52:32,465 --> 01:52:34,968
SUCH AS SWALLOWING SWORDS
AND CHEWING BROKEN GLASS.
1722
01:52:34,968 --> 01:52:35,969
EATING FIRE.
IT’S WONDERFUL.
1723
01:52:36,469 --> 01:52:37,971
I DON’T KNOW HOW THEY DO IT.
1724
01:52:37,971 --> 01:52:40,974
YOUR HIGHNESS SHOULD
VISIT INDIA ONE DAY.
1725
01:52:40,974 --> 01:52:43,476
INDIA. ISN’T THAT WHERE
THOSE HINDU PERSONS
1726
01:52:43,476 --> 01:52:45,979
THAT WALK ON HOT COALS
AND LIE ON NAILS?
1727
01:52:45,979 --> 01:52:48,481
OH, THEY TRAIN
THOSE HIDEOUS SNAKES.
1728
01:52:48,481 --> 01:52:49,482
THEY CAN...
1729
01:52:49,482 --> 01:52:50,483
AAH!
1730
01:52:50,483 --> 01:52:52,986
I THINK I’M SUPPOSED
TO GO TO INDIA, AREN’T I?
1731
01:52:52,986 --> 01:52:54,487
AFTER I ASSUME
THE THRONE ON THE--
1732
01:52:54,487 --> 01:52:55,989
DO WE GO TO INDIA,
GENERAL?
1733
01:52:55,989 --> 01:52:57,490
OH, YES, OF COURSE.
1734
01:52:57,490 --> 01:52:59,492
OH, GOOD. I CAN
HARDLY WAIT.
1735
01:52:59,492 --> 01:53:00,994
OH, SIT, SIT.
HERE, HAVE A CIGAR.
1736
01:53:00,994 --> 01:53:02,996
YOU KNOW, THE CORONATION
IS TOMORROW.
1737
01:53:02,996 --> 01:53:04,497
I DO HOPE YOU’LL STAY,
YOU GREAT LESLIE, YOU.
1738
01:53:04,497 --> 01:53:05,498
I’D BE MOST HONORED.
1739
01:53:05,498 --> 01:53:06,499
OH, GOOD.
1740
01:53:06,499 --> 01:53:07,500
BUT IF YOU ATTEND
THE CORONATION,
1741
01:53:08,001 --> 01:53:10,003
MR. LESLIE,
WON’T YOU LOSE
1742
01:53:10,003 --> 01:53:11,004
VALUABLE TIME IN
YOUR RACE TO PARIS?
1743
01:53:11,004 --> 01:53:12,505
SINCE THERE’S
BEEN NO REPORT
1744
01:53:12,505 --> 01:53:14,507
THAT PROFESSOR FATE
HAS CROSSED YOUR BORDER,
1745
01:53:14,507 --> 01:53:16,509
I MUST ASSUME THAT
I’M PRESENTLY IN THE LEAD.
1746
01:53:16,509 --> 01:53:19,512
BUT HE MIGHT CROSS
AT ANY MOMENT.
1747
01:53:19,512 --> 01:53:21,514
IT’S BEEN
MY EXPERIENCE, GENERAL,
1748
01:53:21,514 --> 01:53:24,517
THAT THERE IS LITTLE
ADVANTAGE TO WINNING
1749
01:53:24,517 --> 01:53:26,519
IF ONE WINS
TOO EASILY.
1750
01:53:26,519 --> 01:53:29,022
RAH! OH, RAH!
1751
01:53:29,022 --> 01:53:32,525
WHAT DO YOU SAY
TO THAT, GENERAL?
1752
01:53:32,525 --> 01:53:35,028
AN ADMIRABLE
POINT OF VIEW
1753
01:53:35,028 --> 01:53:36,529
FOR ANYONE
BUT A SOLDIER.
1754
01:53:36,529 --> 01:53:39,532
IN MY PROFESSION,
TO WIN IS IMPERATIVE.
1755
01:53:39,532 --> 01:53:42,035
TO WIN EASILY
IS A BLESSING.
1756
01:53:43,536 --> 01:53:44,537
OOH, EASILY A BLESSING.
1757
01:53:44,537 --> 01:53:45,538
HE HAS THESE
TERRIBLE MOTTOES
1758
01:53:46,039 --> 01:53:47,040
WRITTEN
ALL OVER HIS WALLS,
1759
01:53:47,040 --> 01:53:50,043
LIKE "IF A GOOD SOLDIER
DIES WITH HIS BOOTS ON,
1760
01:53:50,043 --> 01:53:51,544
REST ASSURED
THEY’RE POLISHED."
1761
01:53:54,047 --> 01:53:55,548
GOOD EVENING,
YOUR HIGHNESS.
1762
01:53:55,548 --> 01:53:58,551
ROLFE, YOU ROGUE,
WHERE HAVE YOU BEEN?
1763
01:53:58,551 --> 01:53:59,552
MY APOLOGIES
FOR BEING LATE,
1764
01:53:59,552 --> 01:54:01,054
YOUR HIGHNESS,
BUT I WAS DELAYED
1765
01:54:01,054 --> 01:54:03,556
BY SOME LAST-MINUTE
BUSINESS.
1766
01:54:03,556 --> 01:54:04,557
OH, YOU HAVEN’T BEEN
DUELING AGAIN,
1767
01:54:04,557 --> 01:54:05,558
YOU NAUGHTY BOY, YOU?
1768
01:54:06,059 --> 01:54:07,060
NO, YOUR HIGHNESS.
1769
01:54:07,060 --> 01:54:08,061
OH, AH!
1770
01:54:08,061 --> 01:54:10,063
OHH...
1771
01:54:10,063 --> 01:54:13,566
OH, MR. LESLIE, THIS IS
BARON ROLFE VON STUPPE.
1772
01:54:13,566 --> 01:54:15,568
NOW, BARON VON STUPPE,
I MUST TELL YOU,
1773
01:54:15,568 --> 01:54:17,070
IS CARPANIA’S
GREATEST SWORDSMAN.
1774
01:54:17,070 --> 01:54:18,071
AS A MATTER OF FACT,
1775
01:54:18,071 --> 01:54:19,072
HIS PROWESS WITH THE BLADE
IS SURPASSED
1776
01:54:19,572 --> 01:54:21,574
ONLY BY HIS REPUTATION
WITH THE LADIES.
1777
01:54:21,574 --> 01:54:22,575
BARON.
1778
01:54:22,575 --> 01:54:23,576
I’M HONORED.
1779
01:54:23,576 --> 01:54:25,578
YES. WELL, SIT, SIT,
SIT AND DRINK UP.
1780
01:54:25,578 --> 01:54:27,580
THE EVENING’S YOUNG.
WE’RE ALL GONNA HAVE
1781
01:54:27,580 --> 01:54:28,581
SUCH A DAY.
BRANDY!
1782
01:54:28,581 --> 01:54:30,083
OH, WHAT KEPT YOU?
1783
01:54:30,083 --> 01:54:34,087
HA HA HA! WHAT MAKES YOU
SO GREAT, MR. LESLIE?
1784
01:54:34,087 --> 01:54:37,090
GREATNESS IS
A LIGHTHEARTED TITLE
1785
01:54:37,090 --> 01:54:39,592
FOR, UH, THEATRICAL
AMUSEMENTS
1786
01:54:39,592 --> 01:54:42,595
OR A DEFINITION ENDOWED
ON MEN TOO LONG DEAD
1787
01:54:42,595 --> 01:54:45,598
TO KNOW THAT
IT’S BEEN AWARDED.
1788
01:54:47,100 --> 01:54:48,601
I’M SIMPLY LESLIE,
1789
01:54:48,601 --> 01:54:52,105
AND I’M AT YOUR SERVICE,
YOUR HIGHNESS.
1790
01:54:54,607 --> 01:54:56,609
WELL, I’M--
1791
01:54:56,609 --> 01:54:58,611
RAH!
1792
01:55:05,818 --> 01:55:07,820
OH, GOODNESS GRACIOUS.
1793
01:55:07,820 --> 01:55:10,823
YOU KNOW, THERE’S ONE THING
WRONG WITH LIVING IN A PALACE.
1794
01:55:10,823 --> 01:55:11,824
IT TAKES SO LONG
1795
01:55:11,824 --> 01:55:13,826
TO GET FROM ONE PLACE
TO ANOTHER.
1796
01:55:13,826 --> 01:55:16,829
I LIVE IN A CONSTANT STATE
OF EXHAUSTION.
1797
01:55:16,829 --> 01:55:18,831
POOR PRINCE. ’COURSE,
THERE’S ONE GOOD THING.
1798
01:55:18,831 --> 01:55:20,333
WHEN ONE WAS YOUNG,
1799
01:55:20,333 --> 01:55:22,335
YOU COULD PLAY
ALONG THE CORRIDORS.
1800
01:55:22,335 --> 01:55:24,837
I USED TO RIDE MY PONY
UP AND DOWN THIS CORRIDOR,
1801
01:55:24,837 --> 01:55:26,339
WHEN I WAS YOUNG.
THEN I GREW UP
1802
01:55:26,339 --> 01:55:30,343
AND GOT DRUNK AND FELL OFF.
HA HA HA!
1803
01:55:32,845 --> 01:55:35,348
I’M GOING TO BED NOW.
1804
01:55:35,348 --> 01:55:36,849
GOOD NIGHT,
YOUR HIGHNESS.
1805
01:55:36,849 --> 01:55:38,851
WHO’S GOING
TO TUCK ME IN?
1806
01:55:38,851 --> 01:55:40,353
I CAN MANAGE.
1807
01:55:40,353 --> 01:55:42,355
OH, NO! YOU’RE THE
SLOPPIEST TUCKER-INNER
1808
01:55:42,355 --> 01:55:43,356
IN ALL POTZDORF.
1809
01:55:43,356 --> 01:55:44,857
IF THERE’S ANYTHING
THAT I ABHOR,
1810
01:55:44,857 --> 01:55:46,859
IT’S A SLOPPY
TUCKER-INNER.
1811
01:55:49,362 --> 01:55:51,364
GOOD NIGHT,
YOU GOOD LESLIE.
1812
01:55:51,364 --> 01:55:54,367
YOU SLEEP TIGHT, AND DON’T
LET THE BLED BLUGS BLITE.
1813
01:55:54,367 --> 01:55:55,368
OH.
1814
01:55:59,872 --> 01:56:00,873
YES.
1815
01:56:00,873 --> 01:56:02,375
LICK HIM.
1816
01:56:04,877 --> 01:56:07,380
THEY’VE BEEN
WAITING FOR ME.
1817
01:56:09,382 --> 01:56:11,384
OH...
1818
01:56:12,385 --> 01:56:16,389
MUMSY, I’M AFRAID I HAD
1819
01:56:16,389 --> 01:56:19,392
A TEENY-WEENY LITTLE BIT
TOO MUCH TO DRINK,
1820
01:56:19,392 --> 01:56:21,894
BUT THEN AGAIN,
I ALWAYS HAVE
1821
01:56:21,894 --> 01:56:25,898
A TEENY-WEENY BIT
TOO MUCH TO DRINK.
1822
01:56:25,898 --> 01:56:28,901
BECAUSE MUMSY ISN’T HERE
TO SCOLD ME.
1823
01:56:28,901 --> 01:56:31,904
I WISH MUMSY WAS HERE.
1824
01:56:52,925 --> 01:56:53,926
OHH...
1825
01:57:01,934 --> 01:57:03,936
OH, HELLO.
1826
01:57:07,940 --> 01:57:10,943
GOOD NIGHT, MUMSY.
1827
01:57:33,966 --> 01:57:36,469
RUNNING LIKE
A TOP.
1828
01:57:36,469 --> 01:57:38,471
YOU KNOW,
GOOD MECHANICS
1829
01:57:38,471 --> 01:57:39,972
HAVE GOT TO ALWAYS
KEEP CHECKING
1830
01:57:39,972 --> 01:57:41,474
EVERY LITTLE THING.
1831
01:57:41,474 --> 01:57:42,975
A BEAUTIFUL MACHINE.
1832
01:57:42,975 --> 01:57:43,976
INDEED IT IS.
1833
01:57:43,976 --> 01:57:44,977
AND YOU JUST
MAKE SURE NOBODY
1834
01:57:44,977 --> 01:57:48,981
GETS NEARER THAN
50 FEET TO IT,
1835
01:57:48,981 --> 01:57:50,483
YOU UNDERSTAND?
UNLESS, OF COURSE,
1836
01:57:50,483 --> 01:57:52,485
IT’S ME OR, UH,
MR. LESLIE.
1837
01:57:52,485 --> 01:57:53,986
OH, DON’T WORRY.
1838
01:57:53,986 --> 01:57:56,989
WELL, I’LL SEE YOU
IN THE MORNING.
1839
01:57:56,989 --> 01:57:58,991
LOOKS LIKE
A BEAUTIFUL NIGHT.
1840
01:57:58,991 --> 01:58:00,493
I...UH-UH.
1841
01:58:00,493 --> 01:58:03,496
I THINK I’LL JUST
TAKE A LITTLE STROLL
1842
01:58:03,496 --> 01:58:04,997
AROUND THE PALACE.
1843
01:58:18,511 --> 01:58:20,012
HA HA HA!
1844
01:58:21,514 --> 01:58:23,516
YOU MAKE
TOO MUCH NOISE.
1845
01:58:23,516 --> 01:58:25,017
IT’S A SECRET.
1846
01:58:25,017 --> 01:58:27,019
OH, SHH! SECRETS.
I LOVE SECRETS.
1847
01:58:27,019 --> 01:58:29,021
SHH!
1848
01:58:29,021 --> 01:58:31,524
WHAT WE’RE DOING,
YOUR HIGHNESS--
1849
01:58:31,524 --> 01:58:32,525
WHAT’S THAT?
1850
01:58:32,525 --> 01:58:34,026
WAIT AND SEE.
1851
01:58:37,029 --> 01:58:38,531
WHERE ARE WE GOING?
1852
01:58:38,531 --> 01:58:40,533
FOR A LITTLE RIDE,
YOUR HIGHNESS.
1853
01:58:40,533 --> 01:58:41,534
OH, NO!
1854
01:58:41,534 --> 01:58:43,536
GET IN.
1855
01:59:05,057 --> 01:59:08,561
KING, KING.
I’M GOING TO BE KING.
1856
01:59:46,265 --> 01:59:47,266
OF COURSE, YOU REALIZE
IT’LL DO NO GOOD
1857
01:59:47,266 --> 01:59:48,768
TO GET THE BARS
OUT OF THE WINDOWS.
1858
01:59:48,768 --> 01:59:49,769
SHH!
1859
01:59:49,769 --> 01:59:51,270
YOU AND YOUR STUPID IDEAS.
1860
01:59:51,270 --> 01:59:52,271
MAX CAN’T ACCOMPLISH
ANYTHING WITH A PEN KNIFE.
1861
01:59:52,271 --> 01:59:53,272
AND IF HE COULD,
1862
01:59:53,272 --> 01:59:54,774
IT’S AT LEAST
A 100-FOOT DROP.
1863
02:00:04,784 --> 02:00:06,786
UNHAND ME!
1864
02:00:06,786 --> 02:00:08,287
YOU BLACKGUARDS,
SCOUNDRELS!
1865
02:00:08,287 --> 02:00:09,789
UNHAND ME!
1866
02:00:09,789 --> 02:00:13,292
I DEMAND TO SEE
THE AMERICAN CONSUL.
1867
02:00:14,293 --> 02:00:15,795
YOU BUMBLING IDIOTS,
1868
02:00:15,795 --> 02:00:16,796
YOU WILL ANSWER
TO MY GOVERNMENT
1869
02:00:16,796 --> 02:00:18,297
FOR THIS OUTRAGE.
1870
02:00:18,297 --> 02:00:19,799
OUTRAGE!
1871
02:00:19,799 --> 02:00:23,302
YOU ARE KIDNAPPING
FATE THE MAGNIFICENT.
1872
02:00:23,302 --> 02:00:24,804
LOOK, LET’S GET PRACTICAL.
1873
02:00:24,804 --> 02:00:26,806
I DON’T CARE WHAT YOU DO
WITH THE OTHERS
1874
02:00:26,806 --> 02:00:28,307
AS LONG AS YOU LET ME GO.
1875
02:00:28,307 --> 02:00:30,309
WHAT DO YOU SAY
TO $500? [WHISTLES]
1876
02:00:44,323 --> 02:00:45,324
PROFESSOR.
1877
02:00:45,324 --> 02:00:46,325
WHAT?
1878
02:00:46,325 --> 02:00:48,828
ALLOW ME TO PRESENT
HIS ROYAL HIGHNESS,
1879
02:00:48,828 --> 02:00:49,829
PRINCE HAPNICK,
1880
02:00:49,829 --> 02:00:53,332
HEIR TO THE THRONE
OF CARPANIA.
1881
02:01:01,841 --> 02:01:03,843
HI THERE.
1882
02:01:18,858 --> 02:01:20,359
IT’S OUT.
1883
02:01:20,359 --> 02:01:22,361
SHH!
1884
02:01:25,364 --> 02:01:26,866
[SMACK]
1885
02:01:26,866 --> 02:01:28,868
[KEYS RATTLE]
1886
02:01:39,879 --> 02:01:42,381
HA HA HA!
1887
02:01:55,394 --> 02:01:56,395
NO.
1888
02:01:56,395 --> 02:01:57,897
I SUGGEST
YOU RECONSIDER.
1889
02:01:57,897 --> 02:01:59,899
I WON’T DO IT.
1890
02:01:59,899 --> 02:02:02,902
THEN YOU LEAVE US
NO ALTERNATIVE.
1891
02:02:02,902 --> 02:02:03,903
I’LL DO IT.
1892
02:02:03,903 --> 02:02:05,404
HEZEKIAH.
1893
02:02:05,404 --> 02:02:07,907
WELL, DON’T JUST STAND THERE.
DO SOMETHING.
1894
02:02:07,907 --> 02:02:11,911
HEZEKIAH,
PLEASE WAKE UP.
1895
02:02:11,911 --> 02:02:13,412
HEZEKIAH.
1896
02:02:14,413 --> 02:02:16,916
PLEASE, HEZEKIAH.
1897
02:02:16,916 --> 02:02:18,918
MAX!
1898
02:02:20,419 --> 02:02:21,921
MAX, OPEN THIS DOOR!
1899
02:02:21,921 --> 02:02:26,425
MAX, YOU LITTLE RAT.
I’LL GET YOU FOR THIS.
1900
02:02:39,438 --> 02:02:41,941
BY TOMORROW
YOU’LL BE KING.
1901
02:02:41,941 --> 02:02:42,942
AFTER THAT,
1902
02:02:42,942 --> 02:02:44,944
YOU DECLARE
GENERAL KUHSTER CHANCELLOR
1903
02:02:44,944 --> 02:02:47,947
AND QUIETLY ABDICATE.
1904
02:02:47,947 --> 02:02:51,951
YOUR HIGHNESS, REMEMBER,
ONE SLIP AND YOU’RE DEAD.
1905
02:02:52,451 --> 02:02:53,953
AREN’T WE ALL?
1906
02:03:16,976 --> 02:03:17,977
[FABRIC TEARS]
1907
02:03:17,977 --> 02:03:19,979
OH! AAH!
1908
02:03:21,480 --> 02:03:23,482
GOOD EVENING.
1909
02:03:23,482 --> 02:03:26,485
WHEN WE GET BACK
TO THE PALACE,
1910
02:03:26,485 --> 02:03:28,487
YOU MUST TRIM
YOUR MUSTACHE.
1911
02:03:28,487 --> 02:03:31,490
YOU MUST LOOK EXACTLY
LIKE THE PRINCE.
1912
02:03:31,490 --> 02:03:32,992
UH, CAN YOU LAUGH?
1913
02:03:32,992 --> 02:03:35,494
WHAT DO YOU MEAN,
CAN I LAUGH?
1914
02:03:35,494 --> 02:03:37,997
THE PRINCE HAS
A VERY INDIVIDUAL LAUGH.
1915
02:03:37,997 --> 02:03:38,998
LIKE WHAT?
1916
02:03:38,998 --> 02:03:41,000
UH, HA HA HA!
1917
02:03:43,502 --> 02:03:45,004
HA HA HA!
1918
02:03:45,004 --> 02:03:46,505
HA HA HA!
1919
02:03:46,505 --> 02:03:47,506
NO, NO.
MUCH TOO BASS.
1920
02:03:47,506 --> 02:03:48,507
THE PRINCE IS
MORE OF A SOPRANO.
1921
02:03:49,008 --> 02:03:50,009
TRY IT.
1922
02:03:50,009 --> 02:03:51,010
[LAUGHING HIGHER]
1923
02:03:51,010 --> 02:03:52,011
TRY IT ONCE MORE.
1924
02:03:52,011 --> 02:03:53,012
HA HA HA!
1925
02:03:53,012 --> 02:03:54,513
HIGHER.
1926
02:04:36,021 --> 02:04:39,024
I DEMAND TO KNOW
WHAT THIS IS ALL ABOUT.
1927
02:04:39,024 --> 02:04:41,026
YOU’VE BEEN TOLD.
YOU’RE UNDER ARREST.
1928
02:04:41,026 --> 02:04:42,528
I KNOW.
BUT FOR WHAT?
1929
02:04:42,528 --> 02:04:43,529
SPYING.
1930
02:04:43,529 --> 02:04:44,530
SPYING?
1931
02:04:50,035 --> 02:04:51,537
HA HA HA!
1932
02:04:51,537 --> 02:04:53,038
AT LAST, AT LAST.
1933
02:04:53,038 --> 02:04:55,040
THE GREAT LESLIE
IS FINISHED.
1934
02:04:55,040 --> 02:04:56,041
I’VE WON!
1935
02:04:56,041 --> 02:04:58,043
THEY THOUGHT
I NEVER SAID--
1936
02:04:58,043 --> 02:05:00,045
GET OFF
OF THE BED.
1937
02:05:00,045 --> 02:05:02,548
DON’T YOU TRY
ANY DOUBLE-CROSSES,
1938
02:05:02,548 --> 02:05:04,049
MY FRIEND.
KEEP OUR DEAL.
1939
02:05:04,049 --> 02:05:06,552
HE STAYS IN THE POKY
UNTIL I’M SAFELY IN PARIS.
1940
02:05:06,552 --> 02:05:07,553
NO DOUBLE-CROSSES.
1941
02:05:07,553 --> 02:05:09,555
WHEN IT COMES
TO DOUBLE-CROSSES,
1942
02:05:09,555 --> 02:05:11,056
YOU ARE LOOKING
AT THE KING.
1943
02:05:11,056 --> 02:05:12,558
YOU’RE NOT UNTIL
YOU’VE TRIMMED
1944
02:05:12,558 --> 02:05:14,560
YOUR MUSTACHE,
YOUR MAJESTY.
1945
02:05:14,560 --> 02:05:18,063
[SNUFFLING]
1946
02:05:18,063 --> 02:05:19,565
I HATE YOU.
1947
02:05:46,592 --> 02:05:49,094
[KNOCK ON DOOR]
1948
02:05:54,600 --> 02:05:57,102
COME TO SEE
THE GREAT LESLIE.
1949
02:05:57,102 --> 02:05:59,605
I’M SORRY, PADRE.
I HAVE STRICT ORDERS
1950
02:05:59,605 --> 02:06:01,106
NOT TO LET ANYONE
SEE THE PRISONER
1951
02:06:01,106 --> 02:06:02,608
WITHOUT THE PROPER AUTHORITY.
1952
02:06:02,608 --> 02:06:05,110
I UNDERSTAND.
BLESS YOU, MY SON.
1953
02:06:19,124 --> 02:06:20,626
[HITS GUARD ON HEAD]
1954
02:06:20,626 --> 02:06:22,127
[THUD]
1955
02:06:26,131 --> 02:06:27,633
LESLIE!
1956
02:06:30,636 --> 02:06:31,637
LESLIE!
1957
02:06:35,140 --> 02:06:36,141
LESLIE!
1958
02:06:36,141 --> 02:06:37,643
I’M HERE.
1959
02:06:37,643 --> 02:06:38,644
IN HERE.
1960
02:06:44,650 --> 02:06:45,651
MAX.
1961
02:06:45,651 --> 02:06:48,654
COME ON, WE GOT TO
GO SAVE THE PROFESSOR.
1962
02:06:48,654 --> 02:06:49,655
WHAT ABOUT MISS DUBOIS
AND HEZEKIAH?
1963
02:06:50,155 --> 02:06:50,656
THEY’RE WITH THE BARON.
1964
02:06:51,156 --> 02:06:52,157
THE BARON?
1965
02:06:52,157 --> 02:06:53,158
THE BARON. THE BARON.
HE’S GOT EVERYBODY.
1966
02:06:53,659 --> 02:06:55,160
COME ON, WE GOT TO GO
SAVE THE PROFESSOR.
1967
02:07:23,188 --> 02:07:24,189
STOP!
1968
02:07:24,189 --> 02:07:25,691
STOP! STOP!
1969
02:07:26,692 --> 02:07:28,193
ESCAPED?
1970
02:07:28,193 --> 02:07:30,195
WITH A SMALL FRIAR.
1971
02:07:30,195 --> 02:07:32,197
LESLIE ESCAPED
WITH A CHICKEN?
1972
02:07:32,197 --> 02:07:34,700
NO, YOU IDIOT.
THE FRIAR.
1973
02:07:34,700 --> 02:07:35,701
A MONK. A PRIEST.
1974
02:07:35,701 --> 02:07:37,202
WHAT SHOULD WE DO?
1975
02:07:37,202 --> 02:07:39,204
THE CORONATION MUST TAKE
PLACE WITHOUT DELAY.
1976
02:07:39,204 --> 02:07:42,708
WITH LESLIE FREE,
EVERY MINUTE COUNTS.
1977
02:07:47,212 --> 02:07:48,213
YES, YOU’RE RIGHT.
1978
02:07:48,213 --> 02:07:52,251
WITH LESLIE ON THE LOOSE,
EVERY SECOND COUNTS.
1979
02:07:55,254 --> 02:07:58,257
ARE YOU SURE THAT THE BARON’S
CASTLE IS ON A LAKE?
1980
02:07:58,257 --> 02:08:00,259
I’M POSITIVE,
GREAT BIG LAKE.
1981
02:08:00,259 --> 02:08:02,761
AND THE ONLY LAKE
ON THIS MAP
1982
02:08:02,761 --> 02:08:04,763
IS STRAIGHT AHEAD.
1983
02:08:06,265 --> 02:08:09,268
YOU’RE NOT SERIOUS.
1984
02:08:09,268 --> 02:08:11,270
DEADLY SERIOUS.
1985
02:08:12,271 --> 02:08:13,772
YOU’RE A SADISTIC FIEND.
1986
02:08:13,772 --> 02:08:17,276
HE HAS ONLY TO ANSWER
A FEW SIMPLE QUESTIONS.
1987
02:08:17,276 --> 02:08:19,778
NOT THE...MUSTACHE.
1988
02:08:21,780 --> 02:08:23,782
WHY DID YOU COME HERE?
1989
02:08:25,284 --> 02:08:26,785
WHO SENT YOU?
1990
02:08:28,287 --> 02:08:29,288
PROCEED.
1991
02:08:29,288 --> 02:08:30,289
NO!
1992
02:08:30,289 --> 02:08:31,790
OW!
OWW!
1993
02:08:31,790 --> 02:08:33,292
YOU TOUCH ONE HAIR
ON HIS HEAD,
1994
02:08:33,292 --> 02:08:34,793
AND YOU HAVE TO ANSWER
TO TEDDY ROOSEVELT
1995
02:08:34,793 --> 02:08:37,296
AND THE GOVERNMENT OF THE
UNITED STATES OF AMERICA.
1996
02:08:37,296 --> 02:08:39,798
♪ MY COUNTRY
’TIS OF THEE ♪
1997
02:08:39,798 --> 02:08:42,301
♪ SWEET LAND
OF LIBERTY ♪
1998
02:08:42,301 --> 02:08:44,803
♪ OF THEE I SING... ♪
1999
02:08:51,810 --> 02:08:53,812
THAT’S IT.
ON THE LAKE.
2000
02:08:53,812 --> 02:08:56,315
COME ON. WE SAVE
THE PROFESSOR.
2001
02:08:56,315 --> 02:08:58,817
MAXIMILLIAN, I WARN YOU,
IF MISS DUBOIS
2002
02:08:58,817 --> 02:09:01,320
AND HEZEKIAH ARE NOT
IN THE CASTLE,
2003
02:09:01,320 --> 02:09:02,821
I PERSONALLY SHALL--
2004
02:09:02,821 --> 02:09:03,822
THEY’RE THERE.
I SWEAR IT.
2005
02:09:03,822 --> 02:09:06,325
COME ON. SAVE
THE PROFESSOR.
2006
02:09:06,325 --> 02:09:07,826
THEY’RE THERE.
THEY’RE THERE.
2007
02:09:07,826 --> 02:09:09,328
CROSS MY HEART.
2008
02:09:09,328 --> 02:09:10,829
SHH! SHH!
2009
02:09:14,333 --> 02:09:15,834
THE RIVER. THE RIVER.
2010
02:09:15,834 --> 02:09:16,835
SHH!
2011
02:09:16,835 --> 02:09:18,337
WHAT’S IT FOR?
2012
02:09:18,337 --> 02:09:21,340
DO AS I TELL YOU.
STAY DOWN.
2013
02:09:21,340 --> 02:09:22,341
DOWN. DOWN.
2014
02:09:27,846 --> 02:09:30,349
♪ LAND WHERE
OUR FATHERS DIED ♪
2015
02:09:30,349 --> 02:09:32,851
♪ LAND OF
THY PILGRIM’S PRIDE ♪
2016
02:09:33,352 --> 02:09:36,355
♪ FROM EVERY
MOUNTAINSIDE ♪
2017
02:09:36,355 --> 02:09:38,857
♪ LET FREEDOM RING ♪
2018
02:09:38,857 --> 02:09:39,858
WOW! BRAVO.
2019
02:09:39,858 --> 02:09:41,360
OH, SHUT UP,
PROFESSOR.
2020
02:09:41,360 --> 02:09:42,361
HA HA!
2021
02:09:42,361 --> 02:09:43,362
♪ MY... ♪
2022
02:09:44,863 --> 02:09:46,365
ENCORE.
2023
02:09:46,365 --> 02:09:48,367
♪ COUNTRY... ♪
2024
02:09:55,374 --> 02:09:56,375
THEY’RE...
THEY’RE...
2025
02:09:56,375 --> 02:09:57,876
THERE.
THERE.
2026
02:12:11,009 --> 02:12:13,512
HERE COMES THE MARINES!
2027
02:13:28,920 --> 02:13:30,922
GOOD EVENING,
BARON.
2028
02:13:30,922 --> 02:13:34,426
WELL, MR. LESLIE.
2029
02:13:34,426 --> 02:13:36,928
WHAT A PLEASANT
SURPRISE.
2030
02:13:36,928 --> 02:13:39,931
I HALF EXPECTED TO SEE YOU
AGAIN, BUT, UH...
2031
02:13:40,432 --> 02:13:42,934
NOT WITH A SWORD
IN YOUR HAND.
2032
02:13:42,934 --> 02:13:44,436
YOU PREFER
THE FOIL?
2033
02:13:44,436 --> 02:13:45,437
NOT PARTICULARLY.
2034
02:13:45,437 --> 02:13:46,938
IT HAPPENED TO BE
CONVENIENT.
2035
02:13:46,938 --> 02:13:49,941
I PRESUME YOU KNOW
HOW TO USE ONE.
2036
02:13:49,941 --> 02:13:52,444
I HOPE THAT WON’T
BE NECESSARY.
2037
02:13:52,944 --> 02:13:54,946
I’M SURE YOU DO.
2038
02:13:57,949 --> 02:13:59,951
WILL, UH, YOU
RELEASE MISS DUBOIS
2039
02:13:59,951 --> 02:14:01,453
AND THE OTHERS?
2040
02:14:01,453 --> 02:14:02,954
NO.
2041
02:14:02,954 --> 02:14:04,456
I’M AFRAID THIS
WILL BE NECESSARY.
2042
02:14:04,456 --> 02:14:05,957
YOU’RE BEING
VERY FOOLISH.
2043
02:14:05,957 --> 02:14:07,459
THAT’S
AN ASSUMPTION, BARON.
2044
02:14:07,459 --> 02:14:10,962
YOU MAKE ME THE VICTIM
EVEN BEFORE WE START.
2045
02:14:10,962 --> 02:14:12,464
IT’S YOUR LIFE.
2046
02:14:12,464 --> 02:14:14,466
YOU’RE ASSUMING AGAIN.
2047
02:14:15,467 --> 02:14:16,468
EN GARDE.
2048
02:14:35,987 --> 02:14:37,489
HEH HEH HEH.
2049
02:14:38,490 --> 02:14:40,992
VERY ADROIT,
MR. LESLIE.
2050
02:14:40,992 --> 02:14:42,494
VERY SKILLED.
2051
02:15:08,019 --> 02:15:10,021
MY COMPLIMENTS,
MR. LESLIE.
2052
02:15:10,021 --> 02:15:12,023
YOU HANDLE
A FOIL VERY WELL.
2053
02:15:12,023 --> 02:15:14,025
THANK YOU, BARON.
SO DO YOU.
2054
02:15:14,025 --> 02:15:16,528
PERSONALLY, I PREFER
A MAN’S WEAPON.
2055
02:15:16,528 --> 02:15:18,530
HOW ARE YOU
WITH A SABER?
2056
02:15:18,530 --> 02:15:21,533
THERE’S ONLY ONE WAY
TO FIND OUT.
2057
02:15:21,533 --> 02:15:23,034
MR. LESLIE.
2058
02:15:39,050 --> 02:15:40,051
SURROUND HIM!
2059
02:15:42,554 --> 02:15:45,056
LOOK OUT! LOOK OUT!
LOOK OUT!
2060
02:15:46,558 --> 02:15:47,559
[ENGINE BACKFIRES]
2061
02:15:47,559 --> 02:15:48,560
OH, THE SMOKE.
2062
02:15:48,560 --> 02:15:50,061
[COUGHING]
2063
02:16:13,084 --> 02:16:14,085
AHA!
2064
02:16:22,093 --> 02:16:23,094
AAH!
2065
02:16:45,116 --> 02:16:46,117
ET LA.
2066
02:17:29,160 --> 02:17:30,161
RUNNING AWAY, BARON?
2067
02:17:30,662 --> 02:17:32,163
AS A VERY WISE ENGLISH
GENTLEMAN ONCE SAID,
2068
02:17:32,664 --> 02:17:34,165
"HE WHO FIGHTS
AND RUNS AWAY,
2069
02:17:34,666 --> 02:17:36,167
MAY LIVE TO FIGHT
ANOTHER DAY."
2070
02:17:36,167 --> 02:17:39,170
SO, UNTIL ANOTHER DAY,
MR. LESLIE.
2071
02:17:41,673 --> 02:17:45,176
PLEASE EXCUSE ME.
I HAVE A BOAT WAITING.
2072
02:17:59,157 --> 02:18:01,159
[STATELY MUSIC PLAYING]
2073
02:19:08,727 --> 02:19:10,228
FASTER!
2074
02:19:10,228 --> 02:19:11,730
HA HA HA!
2075
02:20:03,782 --> 02:20:05,784
[SINGING IN LATIN]
2076
02:20:19,297 --> 02:20:21,299
[PRAYING IN LATIN]
2077
02:20:45,824 --> 02:20:48,827
PROFESSOR,
THE JIG IS UP.
2078
02:21:11,850 --> 02:21:12,851
YOUR HIGHNESS.
2079
02:21:14,352 --> 02:21:16,354
YOUR ROYAL HIGHNESS!
2080
02:21:16,354 --> 02:21:18,056
YOUR ROYAL HIGHNESS!
2081
02:21:30,068 --> 02:21:32,070
BUT, YOUR HIGHNESS!
2082
02:21:32,070 --> 02:21:33,571
YOUR HIGHNESS!
2083
02:21:39,077 --> 02:21:41,079
WAIT!
2084
02:21:41,079 --> 02:21:42,580
YOUR ROYAL HIGHNESS!
2085
02:21:42,580 --> 02:21:44,582
MY PRINCE!
2086
02:21:52,590 --> 02:21:54,092
OUT OF MY WAY.
2087
02:21:56,594 --> 02:21:58,096
YOUR HIGHNESS!
2088
02:22:06,104 --> 02:22:07,105
OHH!
2089
02:22:18,616 --> 02:22:19,617
UHH.
2090
02:22:22,620 --> 02:22:23,621
YOUR HIGHNESS...
2091
02:22:23,621 --> 02:22:26,624
WE’VE GOT TO GET
OUT OF HERE.
2092
02:22:37,635 --> 02:22:41,139
YOU WOULDN’T DARE.
2093
02:22:49,647 --> 02:22:50,648
OOOOH!
2094
02:22:52,650 --> 02:22:54,152
MISS DUBOIS...
2095
02:22:54,652 --> 02:22:56,154
MISS DUBOIS...
2096
02:22:56,154 --> 02:22:57,655
PLEASE!
2097
02:23:12,670 --> 02:23:15,173
WAIT FOR ME!
WAIT FOR ME!
2098
02:23:29,687 --> 02:23:30,688
OH!
2099
02:23:34,692 --> 02:23:35,693
YOUR MAJESTY?
2100
02:23:35,693 --> 02:23:36,694
HI THERE.
2101
02:23:44,702 --> 02:23:45,703
MMMHUH, BRANDY.
2102
02:23:45,703 --> 02:23:47,205
THROW MORE BRANDY!
2103
02:23:47,205 --> 02:23:49,207
THROW BRANDY!
2104
02:23:49,207 --> 02:23:50,708
MORE BRANDY!
2105
02:23:50,708 --> 02:23:52,210
BRANDY! HA!
2106
02:23:52,210 --> 02:23:53,711
THROW MORE BRANDY!
2107
02:23:54,712 --> 02:23:55,713
BRAN--
2108
02:23:57,215 --> 02:23:59,217
RUM! I NEVER MIX
MY PIES!
2109
02:23:59,217 --> 02:24:00,218
AH HA HA HA!
2110
02:24:00,218 --> 02:24:01,719
I WANT TO PLAY, TOO!
2111
02:24:12,230 --> 02:24:14,732
OH, MISS DUBOIS...
2112
02:24:19,237 --> 02:24:20,738
HEY, PROFESSOR!
2113
02:24:24,742 --> 02:24:26,244
HEY, PROFESSOR!
2114
02:24:26,244 --> 02:24:28,246
PROFESSOR!
IT’S ALL SET!
2115
02:24:31,249 --> 02:24:32,250
UHH!
2116
02:24:32,250 --> 02:24:33,251
AHH!
2117
02:24:39,757 --> 02:24:40,758
OH!
2118
02:24:40,758 --> 02:24:41,759
GRRR!
2119
02:24:41,759 --> 02:24:43,261
HEY,
PROFESSOR!
2120
02:24:48,766 --> 02:24:52,270
YOU! YOU’RE THE CAUSE
OF IT ALL! IT WAS YOUR IDEA!
2121
02:24:52,270 --> 02:24:53,271
NO, NO, YOUR
HIGHNESS.
2122
02:24:53,271 --> 02:24:54,272
IT WAS
BARON VON STUPPE!
2123
02:24:54,272 --> 02:24:56,774
I DON’T CARE!
I DON’T CARE!
2124
02:24:56,774 --> 02:24:57,775
YOU’RE BANISHED.
2125
02:24:57,775 --> 02:25:00,778
I’M GETTING
A NEW TUCKER-INNER.
2126
02:25:00,778 --> 02:25:02,780
BANISHED,
BANISHED, BANISHED!
2127
02:25:09,287 --> 02:25:10,288
OOH!
2128
02:25:10,288 --> 02:25:11,789
UH, MISS DUBOIS...
2129
02:25:20,798 --> 02:25:22,300
HEY, PROFESSOR!
2130
02:25:24,802 --> 02:25:26,804
HEY, PROFESSOR,
WHERE ARE YOU?
2131
02:25:26,804 --> 02:25:28,806
RIGHT HERE,
YOU IDIOT!
2132
02:25:28,806 --> 02:25:31,309
TERRIFIC. LET’S GO.
I GOT THE CAR.
2133
02:25:31,309 --> 02:25:32,810
GO!
2134
02:25:32,810 --> 02:25:34,312
MORE PIES!
2135
02:25:34,312 --> 02:25:35,313
MORE PIES!
2136
02:25:35,813 --> 02:25:36,314
BAKER!
2137
02:25:36,814 --> 02:25:37,815
BAKER!
2138
02:25:37,815 --> 02:25:39,317
MORE PIES!
2139
02:25:39,317 --> 02:25:40,818
AH HA HA HA!
2140
02:25:40,818 --> 02:25:42,320
OH, LESLIE...
2141
02:25:42,320 --> 02:25:43,321
LESLIE!
2142
02:25:43,321 --> 02:25:44,822
GET IN THE CAR!
2143
02:25:44,822 --> 02:25:46,324
START THE CAR!
2144
02:25:46,324 --> 02:25:49,327
I’LL CRANK IT UP.
YOU GET IT RUNNING!
2145
02:25:49,327 --> 02:25:50,828
TAKE IT AWAY!
2146
02:25:50,828 --> 02:25:51,829
GET IN!
2147
02:25:51,829 --> 02:25:53,831
TAKE IT AWAY!
2148
02:25:53,831 --> 02:25:55,333
HAH HA HA HA!
2149
02:25:59,837 --> 02:26:00,838
GOODBYE!
2150
02:26:00,838 --> 02:26:03,341
FAREWELL,
YOU GOOD LESLIE, YOU!
2151
02:26:03,341 --> 02:26:06,344
I HOPE YOU WIN!
I HOPE YOU WIN!
2152
02:26:07,345 --> 02:26:08,346
I’LL MISS HIM.
2153
02:26:08,346 --> 02:26:09,847
OH! THERE IT IS!
2154
02:26:11,349 --> 02:26:12,850
GENERAL.
2155
02:26:48,019 --> 02:26:49,020
OH!
2156
02:26:54,525 --> 02:26:56,027
E-FLAT.
2157
02:27:02,033 --> 02:27:06,037
I THINK I BETTER GO
AND FIX THE CAR.
2158
02:28:06,097 --> 02:28:10,101
♪ WAITING FOR ♪
2159
02:28:10,101 --> 02:28:11,602
♪ BIG BLOSSOMS ♪
2160
02:28:11,602 --> 02:28:14,105
♪ OF WHITE ♪
2161
02:28:14,105 --> 02:28:18,609
♪ WILL BURST
INTO SIGHT ♪
2162
02:28:18,609 --> 02:28:24,615
♪ AND YOUR LOVE
WILL BE TRUE ♪
2163
02:28:24,615 --> 02:28:28,619
♪ EVERMORE ♪
2164
02:28:38,629 --> 02:28:40,131
MISS DUBOIS...
2165
02:28:40,631 --> 02:28:41,632
YES?
2166
02:28:43,134 --> 02:28:45,136
I BELIEVE THE TIME
HAS COME FOR US
2167
02:28:45,636 --> 02:28:47,138
TO RESOLVE
OUR DIFFERENCES.
2168
02:28:48,139 --> 02:28:49,140
GOOD.
2169
02:28:51,142 --> 02:28:53,144
AS YOU KNOW,
I’VE, UH...
2170
02:28:53,144 --> 02:28:56,647
STEADFASTLY MAINTAINED
AN UNCOMPROMISING POSITION
2171
02:28:56,647 --> 02:29:00,651
ABOUT WOMEN’S RIGHTS
AND THE EQUALITY OF SEXES.
2172
02:29:00,651 --> 02:29:02,153
AS HAVE I.
2173
02:29:02,153 --> 02:29:03,154
MM-HMM.
2174
02:29:03,154 --> 02:29:06,157
THEREFORE IT IS SAFE
TO ASSUME THAT HAS BEEN
2175
02:29:06,157 --> 02:29:08,159
THE PRINCIPAL AREA
OF OUR CONFLICT.
2176
02:29:08,659 --> 02:29:10,161
NO DOUBT ABOUT IT.
2177
02:29:11,662 --> 02:29:14,665
THEREFORE, IN THE INTEREST
OF PROGRESS AND HARMONY,
2178
02:29:14,665 --> 02:29:18,669
I AM WILLING TO CONCEDE
TO YOUR POINT OF VIEW.
2179
02:29:21,172 --> 02:29:22,673
CONCEDE?
2180
02:29:27,178 --> 02:29:30,681
YOU ARE AN EMANCIPATED WOMAN,
MISS DUBOIS.
2181
02:29:30,681 --> 02:29:31,682
AND I...
2182
02:29:31,682 --> 02:29:33,684
AM AN EMANCIPATED MAN.
2183
02:30:05,716 --> 02:30:06,717
[HONK HONK]
2184
02:30:07,718 --> 02:30:08,719
OW!
2185
02:30:11,722 --> 02:30:12,723
TIRE!
2186
02:30:15,226 --> 02:30:16,727
OOOW!
2187
02:30:20,731 --> 02:30:22,233
COME BACK HERE!
2188
02:30:25,736 --> 02:30:28,739
YOU ARE THE MOST UNREASONABLE,
INCONSISTENT FEMALE--
2189
02:30:29,240 --> 02:30:30,241
I’M UNREASONABLE?
I’M INCONSISTENT?
2190
02:30:30,741 --> 02:30:31,242
YES. YES. YOU’RE--
2191
02:30:31,742 --> 02:30:32,243
WHAT ABOUT YOU?
2192
02:30:32,743 --> 02:30:33,744
TALK ABOUT
INCONSISTENT.
2193
02:30:33,744 --> 02:30:34,745
INCONSISTENT?
2194
02:30:34,745 --> 02:30:35,746
AND
UNREASONABLE.
2195
02:30:35,746 --> 02:30:36,747
UNREASONABLE?
2196
02:30:36,747 --> 02:30:37,748
AND ARROGANT.
2197
02:30:37,748 --> 02:30:38,749
ARROGANT?
2198
02:30:38,749 --> 02:30:39,750
YES, ARROGANT.
2199
02:30:39,750 --> 02:30:41,252
ALL RIGHT, MISS DUBOIS,
2200
02:30:41,252 --> 02:30:43,254
LET’S DISCUSS
ARROGANCE FOR A MOMENT.
2201
02:30:43,254 --> 02:30:45,756
ALL RIGHT,
MR. LESLIE. LET’S.
2202
02:30:48,259 --> 02:30:52,263
ANY WOMAN WHO HAS
THE UNMITIGATED ARROGANCE
2203
02:30:52,263 --> 02:30:53,764
TO CONSIDER HERSELF
MAN’S EQUAL--
2204
02:30:53,764 --> 02:30:55,766
ANY MAN WITH THE
UNMITIGATED ARROGANCE
2205
02:30:55,766 --> 02:30:57,768
TO CONSIDER HIMSELF
BETTER THAN A WOMAN--
2206
02:30:57,768 --> 02:30:59,270
ANY FOOL KNOWS
THAT A WOMAN--
2207
02:30:59,270 --> 02:31:01,272
THAT’S RIGHT.
ANY FOOL.
2208
02:31:01,272 --> 02:31:02,773
YOU KNOW WHAT’S
THE MATTER WITH YOU?
2209
02:31:02,773 --> 02:31:04,275
I KNOW WHAT’S
THE MATTER WITH YOU.
2210
02:31:04,275 --> 02:31:05,276
[HONK HONK]
HAH HA HA HA!
2211
02:31:05,276 --> 02:31:06,277
WHAT DID I TELL YOU, MAX!
2212
02:31:06,777 --> 02:31:08,779
SHE’S GOING TO WIN
THE RACE FOR US,
2213
02:31:09,280 --> 02:31:10,781
THE BUBBLE-HEADED VIXEN!
2214
02:31:11,782 --> 02:31:13,284
I ONLY TRIED
TO KISS YOU.
2215
02:31:13,284 --> 02:31:14,785
I KNOW WHAT
YOU TRIED TO DO.
2216
02:31:14,785 --> 02:31:16,787
YOU’RE THE ONE THAT’S BEEN
PREACHING EMANCIPATION,
2217
02:31:16,787 --> 02:31:17,788
SEXUAL EQUALITY.
2218
02:31:30,801 --> 02:31:32,303
WE’RE GOING TO WIN, MAX.
2219
02:31:32,803 --> 02:31:35,306
WE’RE GOING
TO WIN! HA HA!
2220
02:31:35,806 --> 02:31:38,809
I THINK YOU TURN RIGHT
AT THE NEXT CORNER.
2221
02:31:50,821 --> 02:31:52,823
YOU’RE NOT TALKING
ABOUT EQUAL RIGHTS.
2222
02:31:52,823 --> 02:31:54,825
I KNOW WHAT
I’M TALKING ABOUT.
2223
02:31:54,825 --> 02:31:56,827
YOU’RE TALKING ABOUT SOME
CONVENIENT FEMININE UTOPIA
2224
02:31:56,827 --> 02:31:58,829
THAT HAS ALL
OF THE ADVANTAGES
2225
02:31:58,829 --> 02:32:00,831
AND NONE OF
THE RESPONSIBILITIES.
2226
02:32:00,831 --> 02:32:01,832
RESPONSIBILITIES?
2227
02:32:02,333 --> 02:32:04,335
LOOK WHO’S TALKING
ABOUT RESPONSIBILITIES.
2228
02:32:04,335 --> 02:32:05,336
TURN RIGHT.
2229
02:32:05,336 --> 02:32:06,837
[HONK HONK]
2230
02:32:08,339 --> 02:32:09,840
GO BACK
AND TURN RIGHT.
2231
02:32:09,840 --> 02:32:11,342
WE DO NOT TURN RIGHT.
2232
02:32:11,342 --> 02:32:12,343
I KNOW PARIS.
2233
02:32:12,843 --> 02:32:13,844
SO DO I.
2234
02:32:13,844 --> 02:32:14,845
YOU HAVE TO TURN RIGHT
2235
02:32:14,845 --> 02:32:16,347
IN ORDER TO GET
TO THE EIFFEL TOWER.
2236
02:32:16,347 --> 02:32:17,848
IF WE TURNED RIGHT
BACK THERE,
2237
02:32:17,848 --> 02:32:20,351
WE’D END UP
ON THE MONTMARTRE STEPS.
2238
02:32:43,874 --> 02:32:45,376
YOU TALK A GOOD FIGHT,
2239
02:32:45,376 --> 02:32:47,378
BUT WHEN IT
COMES DOWN TO IT,
2240
02:32:47,378 --> 02:32:48,379
YOU’RE AS EMANCIPATED
2241
02:32:48,879 --> 02:32:50,381
AS A CONFIRMED SPINSTER
IN A KNITTING BEE.
2242
02:32:50,881 --> 02:32:51,882
HOW WOULD YOU KNOW?
2243
02:32:51,882 --> 02:32:53,384
YOU’RE THE SUFFRAGETTE.
2244
02:32:53,384 --> 02:32:55,886
YOU’RE THE ONE WHO WANTED
TO BRING SEX OUT INTO THE OPEN.
2245
02:32:55,886 --> 02:32:56,887
SO?
2246
02:32:56,887 --> 02:32:59,390
SO, I BROUGHT IT
OUT INTO THE OPEN,
2247
02:32:59,390 --> 02:33:00,891
AND I GOT SLAPPED
IN THE FACE FOR MY TROUBLE.
2248
02:33:00,891 --> 02:33:01,892
YOUR
INTERPRETATION
2249
02:33:01,892 --> 02:33:03,894
OF BRINGING SEX
OUT INTO THE OPEN
2250
02:33:03,894 --> 02:33:05,896
AND MINE ARE TWO
DIFFERENT THINGS.
2251
02:33:05,896 --> 02:33:08,399
WELL, WILL YOU PLEASE TELL ME
WHAT YOUR CONCEPT OF SEX IS?
2252
02:33:08,399 --> 02:33:09,900
GLADLY!
2253
02:33:12,403 --> 02:33:13,404
[HONK HONK]
2254
02:33:15,906 --> 02:33:16,907
[HONK HONK]
2255
02:33:19,410 --> 02:33:20,911
[HONK HONK]
2256
02:33:24,415 --> 02:33:25,916
YOU AND YOUR STUPID MAP!
2257
02:33:25,916 --> 02:33:27,918
SHE’S STILL WITH HIM.
YOU SAID AS LONG AS
2258
02:33:27,918 --> 02:33:29,420
SHE WAS STILL WITH HIM,
WE COULDN’T LOSE.
2259
02:33:29,920 --> 02:33:30,921
AW, SHUT UP!
2260
02:33:51,609 --> 02:33:53,611
AND BECAUSE I CONSIDER
MYSELF SEXUALLY FREE
2261
02:33:53,611 --> 02:33:55,112
AND MORALLY
EMANCIPATED,
2262
02:33:55,112 --> 02:33:57,615
I AM STILL A RESPONSIBLE,
DISCRIMINATING WOMAN
2263
02:33:57,615 --> 02:33:59,617
WHO DOES NOT
INTEND TO JUMP INTO BED
2264
02:33:59,617 --> 02:34:00,618
WITH
THE FIRST WAVY-HAIRED,
2265
02:34:00,618 --> 02:34:02,119
MUSCLEBOUND,
EGOCENTRIC MALE
2266
02:34:02,119 --> 02:34:04,121
WHO THINKS
HE CAN SEDUCE ME
2267
02:34:04,121 --> 02:34:07,124
BY AGREEING WITH SOME OF
THE THINGS I BELIEVE IN.
2268
02:34:07,124 --> 02:34:08,626
I ONLY WANTED
TO KISS YOU.
2269
02:34:08,626 --> 02:34:09,627
WHY?
2270
02:34:09,627 --> 02:34:11,629
BECAUSE I LOVE YOU,
THAT’S WHY.
2271
02:34:11,629 --> 02:34:12,630
HAH!
2272
02:34:12,630 --> 02:34:13,631
YOU DON’T
BELIEVE ME?
2273
02:34:14,131 --> 02:34:15,633
I DO NOT.
2274
02:34:19,637 --> 02:34:20,638
WHAT ARE YOU DOING?
2275
02:34:20,638 --> 02:34:22,139
PROVING
THAT I LOVE YOU.
2276
02:34:22,139 --> 02:34:23,641
YOU’LL LOSE
THE RACE!
2277
02:34:23,641 --> 02:34:26,644
CAN YOU THINK OF
A BETTER WAY TO PROVE IT?
2278
02:34:26,644 --> 02:34:27,645
BOSS!
MOVE IT.
2279
02:34:28,646 --> 02:34:29,647
[HONK HONK]
2280
02:34:30,648 --> 02:34:32,650
[HONKING]
2281
02:34:38,656 --> 02:34:39,657
I WON!
2282
02:34:39,657 --> 02:34:41,659
I--I WON.
2283
02:34:41,659 --> 02:34:43,160
WE WON!
I WON!
2284
02:34:43,160 --> 02:34:44,662
I WON!
WE WON!
2285
02:34:44,662 --> 02:34:45,663
I WON!
2286
02:34:45,663 --> 02:34:46,664
WE WON!
2287
02:34:48,666 --> 02:34:50,167
I AM INVINCIBLE!
2288
02:34:50,167 --> 02:34:51,168
WE WON!
2289
02:34:51,168 --> 02:34:53,170
I HAVE BEATEN LESLIE
AT LAST!
2290
02:34:53,170 --> 02:34:54,672
I HAVE BEATEN HIM!
2291
02:34:54,672 --> 02:34:56,674
AH, THE WORLD
IS MINE!
2292
02:34:56,674 --> 02:34:58,175
THE WORLD IS OURS!
2293
02:35:05,182 --> 02:35:07,685
YOU LOST.
2294
02:35:07,685 --> 02:35:09,186
ONLY THE RACE.
2295
02:35:12,690 --> 02:35:15,192
HE IS KING!
I AM KING!
2296
02:35:15,192 --> 02:35:17,695
I AM THE KING!
2297
02:35:17,695 --> 02:35:19,196
NO, I’M NOT!
2298
02:35:19,196 --> 02:35:20,698
I DIDN’T
BEAT HIM!
2299
02:35:20,698 --> 02:35:22,700
HE LET ME WIN!
2300
02:35:22,700 --> 02:35:24,201
I CAN’T
WIN THIS WAY.
2301
02:35:24,201 --> 02:35:27,204
I CAN ONLY WIN
ONE WAY! MY WAY!
2302
02:35:27,204 --> 02:35:28,706
HE LET ME WIN!
2303
02:35:28,706 --> 02:35:30,207
I CAN’T
WIN YOUR WAY!
2304
02:35:30,207 --> 02:35:31,709
YOU CHEATED!
2305
02:35:31,709 --> 02:35:33,210
YOU CHEATED!
2306
02:35:34,211 --> 02:35:35,212
YOU CHEATED!
2307
02:35:36,213 --> 02:35:37,214
YOU CHEATED!
2308
02:35:37,715 --> 02:35:38,716
YOU CHEATED! CHEATED!
2309
02:35:39,216 --> 02:35:40,718
I HATE YOU!
2310
02:35:40,718 --> 02:35:43,220
I REFUSE TO ACCEPT!
2311
02:35:43,220 --> 02:35:45,723
I WON’T WIN ANY WAY
BUT MY WAY.
2312
02:35:45,723 --> 02:35:47,224
YOU RUINED MY REPUTATION,
DO YOU HEAR?
2313
02:35:47,224 --> 02:35:49,226
YOU I HATE!
2314
02:35:49,226 --> 02:35:51,228
YOU AND YOUR HAIR
THAT’S ALWAYS COMBED!
2315
02:35:51,228 --> 02:35:54,732
YOUR SUIT IS ALWAYS WHITE.
YOUR CAR IS ALWAYS CLEAN!
2316
02:35:54,732 --> 02:35:56,734
I REFUSE TO ACCEPT!
2317
02:35:57,234 --> 02:35:59,737
I CHALLENGE YOU
TO ANOTHER RACE!
2318
02:35:59,737 --> 02:36:01,739
[CROWD CHEERS]
2319
02:36:02,740 --> 02:36:04,742
GET OFF MY HOOD!
2320
02:36:04,742 --> 02:36:06,577
ANOTHER RACE!
2321
02:36:49,119 --> 02:36:50,120
[STARTER’S GUN
GOES OFF]
2322
02:36:54,625 --> 02:36:56,126
COME ON,
PROFESSOR. GO!
2323
02:36:56,126 --> 02:36:58,128
[HONK HONK]
2324
02:36:59,129 --> 02:37:00,130
COME ON! GO!
2325
02:37:00,130 --> 02:37:04,134
RELAX. THIS TIME
I’M GOING TO WIN IT MY WAY.
2326
02:37:05,636 --> 02:37:07,638
PUSH THE BUTTON, MAX.
2327
02:37:08,639 --> 02:37:10,140
[BOOM]
2328
02:38:18,242 --> 02:38:24,248
♪ THEY SAY THERE’S A TREE
IN THE FOREST ♪
2329
02:38:24,248 --> 02:38:29,753
♪ A TREE THAT
WILL GIVE YOU A SIGN ♪
2330
02:38:29,753 --> 02:38:35,259
♪ COME ALONG WITH ME
TO THE SWEETHEART TREE ♪
2331
02:38:35,259 --> 02:38:40,764
♪ COME AND CARVE YOUR NAME
NEXT TO MINE ♪
2332
02:38:40,764 --> 02:38:46,770
♪ THEY SAY IF YOU KISS
THE RIGHT SWEETHEART ♪
2333
02:38:46,770 --> 02:38:52,276
♪ THE ONE YOU’VE BEEN
WAITING FOR ♪
2334
02:38:52,276 --> 02:38:57,281
♪ BIG BLOSSOMS OF WHITE
WILL BURST INTO SIGHT ♪
2335
02:38:57,281 --> 02:39:02,786
♪ AND YOUR LOVE
WILL BE TRUE EVERMORE ♪
2336
02:39:27,311 --> 02:39:33,317
♪ THEY SAY IF YOU KISS
THE RIGHT SWEETHEART ♪
2337
02:39:33,317 --> 02:39:38,822
♪ THE ONE YOU’VE BEEN
WAITING FOR ♪
2338
02:39:38,822 --> 02:39:41,325
♪ BIG BLOSSOMS OF WHITE ♪
2339
02:39:41,325 --> 02:39:43,827
♪ WILL BURST
INTO SIGHT ♪
2340
02:39:43,827 --> 02:39:46,830
♪ AND YOUR LOVE
WILL BE TRUE ♪
2341
02:39:46,830 --> 02:39:48,832
♪ EVERMORE ♪
2342
02:39:48,832 --> 02:39:51,835
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2343
02:39:51,835 --> 02:39:54,838
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
2344
02:39:54,838 --> 02:39:56,840
CAPTIONS COPYRIGHT 1991
WARNER BROS. PICTURES, INC. AND
PATRICIA-JALEM REYNARD COMPANY
153715
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof