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The following programme contains strong language and violent scenes.
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This is Charlie's creator - Jensen.
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All we need to get the machine up and running
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is to enter an activation sequence
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enciphered in this diary.
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I need you to wake Charlie up, Iris, or they're gonna kill me.
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Your diary is a puzzle. He calls the machine the lamentation of God.
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The silence of the dead voices.
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The abomination of desolation.
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The Kali Yuga.
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You haven't finished decoding it yet?
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I'd like to see you try. He changed the key every week.
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So, that's a no then.
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Hello? Hi. We've never actually spoken.
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My name's Iris Nixon. This is real, right?
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Meet me in Rome and I will tell you everything.
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(SPEAKS ITALIAN)
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Teo, they found me. I need to get off this island or I'm dead.
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'I told you. They're here for money.'
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I've still got the diary. You kill me, you don't get it.
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You hurt Joy, you don't get it.
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Get in!
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(OMINOUS MUSIC)
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MAN OVER RADIO: Team 1, all clear. No survivors.
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MAN: Team 1, all clear. No survivors.
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GUARD: All right, all right. On we go.
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MAN OVER RADIO: OK, copy that.
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(BREATHES SHARPLY)
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Huh.
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(DOOR CLOSES)
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What have you done to me, Jensen?
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Please help me understand.
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You know what you've done.
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Do you even remember?
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And can you explain it?
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It was my...
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..obligation. To what?
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These were nice people.
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These were brilliant, kind, clever people.
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They didn't mean you any harm. They didn't mean to hurt anyone.
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No.
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So...
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can you tell me why?
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Help me?
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There was a man called Eugene Schieffelin.No, no.
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Stop. He decided to introduce
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to the United States of America... Stop, stop...all the birds...
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I'm trying really hard to understand.
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But I am angry and I am scared...
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..and I just...
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I need you to give me something, so that I can forgive you.
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He decided to introduce to the United States of America
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all the birds mentioned in the place of Shakespeare.I know.
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In 1890 he released 80 starlings into Central Park.
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And that's where all the starlings in America come from...
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I know this story ..all 200 million of them.
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A man who loved Shakespeare
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and only wanted to make the world more beautiful.
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I just need the activation sequence.
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No.
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Never.
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In 1960 a plane crashed into Boston...(GROANS WEARILY)
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because 10,000 starlings had flown into it.
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62 people died.(I know.) Starlings decimate crops.
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Starlings drive out native species.
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Starlings they...
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spread diseases.
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I know...
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..you believe...
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that the truth will be beautiful.
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You think it will.
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The poetry, the symmetry.
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You believe it will set us free.
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But the truth...
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..is savage...
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..and sorrow.
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We must not speak.
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You know, I just need you to help me.
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I know.
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And I'm trying.
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(INTENSE MUSIC)
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# SIOUXSIE SIOUX: Here Comes That Day
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# Oh, here comes that day
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# Oh, here comes the rain on your parade
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# There's a price to pay
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# For a life of insincerity
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# And you pretend
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# That it doesn't matter
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# And that you're not scared
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# Oh, here comes that day
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# Oh, here comes the rain on your parade #
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CAMERON: (MUTTERS) Fuck, fuck, fuck, fuck.
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It's disgusting.
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Here.
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So, who are you?
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No-one, really.
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What do you mean? Everyone's someone.
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Yeah, obviously.
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I'm just no-one in particular. No, I don't understand.
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Who are you to Iris? She's my tutor.
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In? Maths. Science. Philosophy.
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So, what were you doing at the airstrip?
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She asked me. You had a bomb. You brought a bomb.
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No! I mean...
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yeah, but it's not like she told me that. I just thought...
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What?I don't know. Not that it was a bomb!What? A literal bomb?
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(SIGHS)
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So, you're not her accomplice or anything like that?
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Her confederate. No.
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Daughter? No.
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Girlfriend? What? Jesus!
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Sorry, I'm just trying to get this straight.
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Are you nothing to her?
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But I've just...
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Oh, Christ.
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What have I done?
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Meski, when we're clear,
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find a quiet place to set us down.
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(INDISTINCT RADIO CHATTER)
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(RADIO CHATTER IN ITALIAN)
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(INDISTINCT CHATTER IN ITALIAN)
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(SPEAKS ITALIAN)
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Iris Nixon?
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NICO:
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Look, I'm sorry about this,
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bringing you with me - I wasn't thinking.
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I thought you and she... I thought you meant something to her.
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Which was pretty stupid because nobody does, not really.
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She'll come for me. Yeah? What makes you think that?
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She promised. Well, she lies.Not to me.
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I wish I could agree, I really do.
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I could run. And Meski will shoot you.
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(HUFFS)
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They'll find my body.
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Trace it to you.
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Not if we load you into a helicopter and drop you into the sea.
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But you don't want to do it. No. I really don't.
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So don't.
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Yeah, the thing is I...
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I think I probably have to. Because I might tell people.
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Yeah, pretty much.
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So, pay me. Yeah, OK.
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But...the thing is, people who can be bought
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can generally be bought again by different parties.
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So, offer me a lot.I'm not talking about them paying you with money.
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I'm talking about bad stuff.
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I'm talking about fear and pain and all the rest of it.
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Yeah?
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Well, you've got...
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actually, I think you've got some bone in your hair.
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Oh, please. Get it out! Where?
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There.
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Eugh.
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Who was that, do you think, in my hair?
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Dunno.
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How do you know Miss Brook?
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Well, I was sort of her boss.
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Disgusting.
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What happened?
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Well, she stole something.
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And the thing is, if I don't get it back,
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things are gonna get really, really bad for me. Really bad.
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There are people out there...
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Joy.
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There are people out there, Joy...
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..and you wouldn't believe the things that they will do.
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I didn't believe it myself... until it was too late.
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You just take one step, one fork in the road...
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..and things get really dark.
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Yeah.
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I can see that.
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Well, for what it's worth, you seem like the sort of person she'd like...
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in a narcissistic sort of way.
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Which means you can't do it.
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Can't do what? Body me.
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Oh, right. (CHUCKLES) Course.
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Er, sorry, why?
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Because you need your thingamabob back from Miss Brook...Iris.
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..and the only way that's going to happen
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is if she actually does care about me a bit.
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Which you yourself said she actually might.
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So even if you wanted to kill me, which you basically don't...
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..you couldn't.
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Not yet.
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You need me alive.
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Plus... you need to be wrong about her...
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..which I actually think you are.
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(TENSE MUSIC)
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(CHUCKLES)
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Alright then, clever clogs...
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(HELICOPTER ENGINE STARTS)
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(HELICOPTER BLADES WHIR)
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(OMINOUS MUSIC)
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(GASPS SOFTLY)
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(SINISTER MUSIC)
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(DRONES BUZZING)
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(BUZZING INTENSIFIES)
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(TENSE MUSIC)
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(SPLASHING) (GASPS FOR BREATH)
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(COUGHS AND GASPS)
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A different kind of mystery,
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one that really set the conspirasphere alive.
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Exactly who and where is Iris Nixon.
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(BOTH SPEAK ITALIAN)
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(BOAT ENGINE REVS)
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(THUNDERCLAP)
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(THUNDERCLAP)
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(EERIE MUSIC)
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(INSECTS CHIRRUPING)
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IRIS: 'I need to know why Jensen did what he did.'
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(THUNDERCLAP)
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(YELLS) Charlie must not wake!
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(YELLS) Tell me why!
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JENSEN: 'Destroy the book. Burn it.'
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Your diary is a puzzle.
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'One more code to crack,
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five more pages to read... (ECHOES)
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..using a DNA sequence as a source of book code.'
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(ALARMS BLARES) (YELLS) Charlie must not wake!
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'One more code to crack... (ECHOES)
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..using a DNA sequence.
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DNA is the book of life. Using DNA. Using DNA.'
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It's you, Jensen.
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You used your own DNA.
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You crafty bastard. (LIGHTNING CRACKLES)
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(SNIFFS DEEPLY)
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(SNORTS)
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Comandante.
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(MOUTHS)
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NICO:
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NICO:
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(SIGHS HEAVILY)
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(BIRDS SQUAWK)
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(INDISTINCT LIVELY CHATTER)
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(COUGHS AND SPLUTTERS)
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(SPITS AND EXHALES HEAVILY)
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(CHATTING AND LAUGHTER)
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(COUGHS AND SPLUTTERS)
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(CHATTING IN ITALIAN)
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(TENSE MUSIC)
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Greetings and salutations!
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This is Two Seconds To Midnight
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and I'm Alfie Bird with an important update on the Iris Nixon affair.
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OK, we have got a missing girl, an island-wide lockdown,
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a mysterious helicopter, an alleged terrorist bomb
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and complete silence from local police.
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Why is Iris Nixon in Sardinia?
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And what is being kept hidden?
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This is Two Seconds To Midnight and I'm Alfie Bird.
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(PHONE CHIMES)
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(INHALES DEEPLY)
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(EXHALES HEAVILY)
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(SOFTLY) Come on.
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Multiple mainstream outlets
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are confirming that Iris
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has been spotted in Sardinia. (PHONE RINGS)
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(PHONE BUZZES AND RINGS)
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Hello? NICO: Hello.
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Hello? Am I speaking with Alfie Bird?
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Er...you are, yes.
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Sorry, who's...who's that?
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This is Inspector Casterman of the Sardinian police.
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OK. Gosh. I see.
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How can I help? Am I in trouble?
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No, not at all. Um...
266
00:23:05,840 --> 00:23:09,800
I think I'm...I'm correct in saying you are the closest thing there is
267
00:23:09,840 --> 00:23:12,080
to an expert on the subject of Iris Nixon.
268
00:23:13,160 --> 00:23:16,800
Well, it's not for me to say really but...yeah, I think it's fair.
269
00:23:16,840 --> 00:23:20,360
I mean, you might say so, but I couldn't possibly comment.
270
00:23:21,520 --> 00:23:25,200
So, yeah, what's...what's going on? How can I help?
271
00:23:26,240 --> 00:23:29,720
We have reason to believe that Iris Nixon is currently in Sardinia.
272
00:23:29,760 --> 00:23:33,520
So, it's definitely true then, what they're saying on the news?
273
00:23:33,560 --> 00:23:37,760
I'm afraid that I'm not at liberty to say.No. No, of course.
274
00:23:37,800 --> 00:23:41,440
I'm actually calling to ask if you might be in possession
275
00:23:41,480 --> 00:23:44,640
of any information that could be of useful to our investigation.
276
00:23:44,680 --> 00:23:46,360
What sort of information?
277
00:23:46,400 --> 00:23:49,040
Well, I'm thinking of the kind of material...
278
00:23:50,040 --> 00:23:53,600
..you wouldn't be comfortable sharing in a public forum.Such as?
279
00:23:53,640 --> 00:23:56,040
I don't know, Mr Bird, I'm asking you.
280
00:23:56,080 --> 00:23:59,240
Ha! Yeah, yeah, of course. Um...
281
00:24:00,240 --> 00:24:03,960
Pa-pa-pa-pa... Well, yeah not that I can think of.(CHURCH BELL TOLLS)
282
00:24:04,000 --> 00:24:08,840
I mean, not off the top of my head. Sorry.(CHURCH BELL TOLLS)I see.
283
00:24:08,880 --> 00:24:10,640
You know, if you're ever in London,
284
00:24:10,680 --> 00:24:12,840
maybe I could interview you for the channel.
285
00:24:12,880 --> 00:24:15,080
Oh, I don't think that will be necessary.
286
00:24:15,120 --> 00:24:18,560
But thank you, I appreciate it. Thank you for your help.
287
00:24:22,560 --> 00:24:24,800
(SNORTS AND EXHALES HEAVILY)
288
00:24:26,560 --> 00:24:30,280
ON RECORDING: Not off the top of my head. Sorry.(CHURCH BELL TOLLS)
289
00:24:33,000 --> 00:24:35,800
Not off the top of my head. Sorry. (CHURCH BELL TOLLS)
290
00:24:40,920 --> 00:24:42,920
(HELICOPTER WHIRS)
291
00:24:45,200 --> 00:24:47,280
(TENSE MUSIC)
292
00:24:59,160 --> 00:25:00,600
Joy.
293
00:25:10,760 --> 00:25:12,880
You're free to come and go as you please
294
00:25:12,920 --> 00:25:15,440
within the limits of your access privileges.
295
00:25:16,400 --> 00:25:18,480
Don't worry, it's pretty easy.
296
00:25:18,520 --> 00:25:20,920
Green for go, red for no, that kind of thing.
297
00:25:22,960 --> 00:25:24,240
(BEEPING)
298
00:25:24,280 --> 00:25:26,680
(LOCK CLICKS) Seems pretty basic, yeah.
299
00:25:28,640 --> 00:25:30,800
Is that basic in the pejorative sense or...?
300
00:25:33,760 --> 00:25:35,880
Home again, home again, jiggidy jig.
301
00:25:39,280 --> 00:25:43,280
You've got access to the grounds, but trying to leave would be a bad idea.
302
00:25:44,120 --> 00:25:47,320
Yeah?'Fraid so. Even if you got bitten by a radioactive spider,
303
00:25:47,360 --> 00:25:49,720
but somehow managed to make it past the perimeter,
304
00:25:49,760 --> 00:25:52,560
we're in the middle of nowhere and you'll die of exposure.
305
00:25:52,600 --> 00:25:56,600
Miss Brook managed it. Iris. Er, and she did, yes.
306
00:25:56,640 --> 00:26:01,000
But A) she's the devil and B) that's why we upgraded.
307
00:26:01,040 --> 00:26:03,240
So...just don't try and leave, OK?
308
00:26:03,920 --> 00:26:07,000
I'd hate for you to get shot before you got fried,
309
00:26:07,040 --> 00:26:08,840
before you got exploded by a mine,
310
00:26:08,880 --> 00:26:12,120
before you went hungry and froze to death
311
00:26:12,160 --> 00:26:15,040
and got eaten by...mammals.
312
00:26:17,760 --> 00:26:19,600
Whatever.
313
00:26:19,640 --> 00:26:21,640
Can I have the internet? No.
314
00:26:21,680 --> 00:26:24,960
Expect we can organise some sort of monitored "read-only" thing
315
00:26:25,000 --> 00:26:28,400
but obviously no social media. Obviously. Just Spotify.
316
00:26:28,440 --> 00:26:32,000
Oh, yeah, OK. What sort of stuff are you into?
317
00:26:32,040 --> 00:26:36,280
I mean, are we talking Billie Eilish or...?I quite like Abyssal Serenade.
318
00:26:36,320 --> 00:26:39,400
Oh, yeah? Pale Midnight are alright, I guess.
319
00:26:39,440 --> 00:26:42,680
OK. And um...Delulu Sisters sometimes.
320
00:26:42,720 --> 00:26:45,160
Right. Are you making these up?
321
00:26:46,280 --> 00:26:47,760
Yeah.
322
00:26:47,800 --> 00:26:49,880
(PHONE RINGS) OK.
323
00:26:53,760 --> 00:26:55,760
Hello. Mr Beck.
324
00:26:55,800 --> 00:26:58,400
I hope this isn't an inconvenient time to call.
325
00:26:58,440 --> 00:27:02,680
My name's Hugo Pym. I'm the acting head of the Intragroup Committee.
326
00:27:02,720 --> 00:27:05,480
Er, well, I wasn't actually expecting a call.
327
00:27:05,520 --> 00:27:08,240
But, er, I normally I deal with... Yes.
328
00:27:08,280 --> 00:27:10,600
No, you won't be dealing with them anymore.
329
00:27:10,640 --> 00:27:13,000
This issue has been, well, kicked upstairs.
330
00:27:13,040 --> 00:27:15,040
How far upstairs are we talking?
331
00:27:15,840 --> 00:27:17,720
Top floor, I'm afraid.
332
00:27:17,760 --> 00:27:19,800
What does that mean, exactly?
333
00:27:19,840 --> 00:27:22,280
Well, I'm sorry to be the bearer of bad tidings -
334
00:27:22,320 --> 00:27:26,960
and, obviously, this is terribly embarrassing for both of us -
335
00:27:27,000 --> 00:27:29,400
but I have a duty to inform you that there is,
336
00:27:29,440 --> 00:27:32,720
well, rather an issue with the shareholders, as it were.
337
00:27:33,880 --> 00:27:36,320
The money. I mean, their investment, as you know,
338
00:27:36,360 --> 00:27:38,800
it does amount to several billions of dollars.
339
00:27:38,840 --> 00:27:42,000
And they will recoup their investment a thousand times over.
340
00:27:42,040 --> 00:27:45,640
Yes - when you have regained access to the...device,
341
00:27:45,680 --> 00:27:47,520
the...apparatus.
342
00:27:47,560 --> 00:27:49,560
Obviously, yes.
343
00:27:49,600 --> 00:27:52,560
Well, there's the rub, you see. When do you think that's likely to be?
344
00:27:52,600 --> 00:27:54,840
Because without a definitive timeline...
345
00:27:55,560 --> 00:27:58,880
this situation feels less like a deferred return on investment
346
00:27:58,920 --> 00:28:01,360
and more like...well, fraud.
347
00:28:01,400 --> 00:28:03,520
Mr Pym, it works.
348
00:28:03,560 --> 00:28:05,960
Be that as it may, I have a duty to inform you that,
349
00:28:06,000 --> 00:28:09,560
given the continued absence of any compelling evidence as to your good faith,
350
00:28:09,600 --> 00:28:11,640
sanctions will be entered into.
351
00:28:11,680 --> 00:28:14,760
Would you care to articulate the nature of those sanctions?
352
00:28:14,800 --> 00:28:16,840
I'm afraid I'm not at liberty to do so.
353
00:28:17,600 --> 00:28:21,360
Well, just to be abundantly clear, we are talking about killing me here.
354
00:28:21,400 --> 00:28:24,440
Obviously, I can neither confirm nor deny that.
355
00:28:24,480 --> 00:28:27,520
But between you, ma and the gatepost
356
00:28:27,560 --> 00:28:30,440
I would advise you to ensure your affairs were in order.
357
00:28:30,480 --> 00:28:33,480
Mr Pym, I'm on top of it. I have leverage.
358
00:28:33,520 --> 00:28:36,360
Well, that's good news. What kind of leverage?
359
00:28:36,400 --> 00:28:40,080
Well, I have something that Iris wants very much
360
00:28:40,120 --> 00:28:42,040
and that she cares about very deeply.
361
00:28:42,080 --> 00:28:43,600
Joy...
362
00:28:44,600 --> 00:28:46,360
..say hello.
363
00:28:49,480 --> 00:28:50,920
Hello.
364
00:28:52,200 --> 00:28:54,840
And how does this leverage work... in practice?
365
00:28:56,960 --> 00:29:01,080
Well, Iris gives me what I need or... By which we mean the stolen diary.
366
00:29:01,120 --> 00:29:04,360
Yes. And if she doesn't you...
367
00:29:05,640 --> 00:29:07,960
..you kill this young woman?
368
00:29:08,000 --> 00:29:09,480
Yes.
369
00:29:10,640 --> 00:29:12,640
(DISTANT CHATTER)
370
00:29:13,840 --> 00:29:16,640
Mr Beck, that won't do at all, will it?
371
00:29:17,520 --> 00:29:20,080
No? Of course not.
372
00:29:20,800 --> 00:29:23,720
One doesn't kill the goose that laid the golden egg.
373
00:29:24,520 --> 00:29:26,880
One keeps the goose alive as long as one can
374
00:29:26,920 --> 00:29:30,560
while one sections and cooks it. Sorry, I don't follow.
375
00:29:30,600 --> 00:29:33,000
I'm saying we start perhaps with an amputation -
376
00:29:33,040 --> 00:29:36,280
a foot or a hand - that is often enough to do the trick.
377
00:29:36,320 --> 00:29:38,000
And if not, well, we have a number
378
00:29:38,040 --> 00:29:40,200
of highly-skilled surgeons on the payroll
379
00:29:40,240 --> 00:29:44,440
who'd be more than willing to keep this young woman alive and conscious
380
00:29:44,480 --> 00:29:47,920
past the point where continued existence becomes...
381
00:29:49,680 --> 00:29:52,720
..well, a moral obscenity, frankly.
382
00:29:52,760 --> 00:29:56,320
Once the limbs have been removed, we move on to the lower mandible.
383
00:29:56,360 --> 00:29:59,440
The tongue. Nose. Eyes.
384
00:29:59,480 --> 00:30:01,480
It's actually all quite fascinating.
385
00:30:01,520 --> 00:30:03,000
Mr Pym...
386
00:30:05,360 --> 00:30:07,680
..I employ professionals,
387
00:30:07,720 --> 00:30:10,320
not psychopaths.
388
00:30:10,360 --> 00:30:12,440
Well, then it's lucky we spoke.
389
00:30:13,960 --> 00:30:15,920
I'll be there in the morning.
390
00:30:15,960 --> 00:30:17,960
(HANGS UP) (CLEARS THROAT)
391
00:30:28,520 --> 00:30:30,160
OK?
392
00:30:30,200 --> 00:30:31,800
Mm-hm.
393
00:30:52,280 --> 00:30:54,280
(DISTANT CHATTER)
394
00:30:56,040 --> 00:30:59,000
(DISTANT SHOUTING AND CHATTER)
395
00:31:01,920 --> 00:31:03,920
(COUGHING)
396
00:31:05,200 --> 00:31:06,800
(FIRE CRACKLES)
397
00:31:07,480 --> 00:31:10,040
(BARKING AND SNARLING)
398
00:31:11,000 --> 00:31:12,960
(DISTANT MAN CACKLES)
399
00:31:13,000 --> 00:31:15,000
(OMINOUS MUSIC)
400
00:31:16,960 --> 00:31:19,320
(DOG BARKS) (HISSING)
401
00:31:19,360 --> 00:31:21,360
(SPRAY CAN HISSES AND RATTLES)
402
00:31:22,200 --> 00:31:24,200
(DISTANT MAN COUGHS)
403
00:31:24,240 --> 00:31:26,240
(HISSING CONTINUES)
404
00:31:27,920 --> 00:31:30,480
(DISTANT WHOOPING AND CHATTERING)
405
00:31:32,560 --> 00:31:34,560
(DARK SUSPENSEFUL MUSIC)
406
00:31:37,920 --> 00:31:39,920
(INDISTINCT CHATTER)
407
00:31:45,160 --> 00:31:47,160
(INDISTINCT CHATTER)
408
00:32:06,360 --> 00:32:08,680
(INDISTINCT CHATTER IN ITALIAN)
409
00:32:37,320 --> 00:32:40,480
Today we're breaking down the five key parts to target
410
00:32:40,520 --> 00:32:42,160
when size isn't on your side.
411
00:32:42,200 --> 00:32:44,440
First, the head.
412
00:32:44,480 --> 00:32:47,640
And it is not about landing that knockout punch.
413
00:32:47,680 --> 00:32:51,000
Targeting the head can affect the balance and orientation.
414
00:32:52,720 --> 00:32:56,800
Second, step into the space of your opponent and control the shoulder,
415
00:32:56,840 --> 00:32:59,680
use the hip as leverage and take him down.
416
00:32:59,720 --> 00:33:02,600
Third, attack, attack and attack.
417
00:33:02,640 --> 00:33:05,640
Being relentless is the key to your success.
418
00:33:05,680 --> 00:33:07,200
(SNIFFS)
419
00:33:08,600 --> 00:33:09,800
(SPEAKS ITALIAN)
420
00:33:15,800 --> 00:33:17,920
(GRUNTS) Ugh!Oh!
421
00:33:19,360 --> 00:33:20,840
Fuck!
422
00:33:23,440 --> 00:33:26,240
(GRUNTS) Hold the wrist. Pull the shoulder.
423
00:33:27,680 --> 00:33:28,960
(GRUNTING)
424
00:33:29,000 --> 00:33:30,640
(CRIES OUT)
425
00:33:30,680 --> 00:33:32,000
(GROANS)
426
00:33:32,040 --> 00:33:33,960
(BREATHES RAGGEDLY)
427
00:33:35,680 --> 00:33:36,760
(GRUNTS)
428
00:33:36,800 --> 00:33:38,320
Arh!
429
00:33:38,360 --> 00:33:40,360
(COUGHS) (GRUNTS)
430
00:33:47,720 --> 00:33:49,640
Shut up. Shut up. Shut up.
431
00:33:50,960 --> 00:33:53,160
(SHUSHES)
432
00:33:54,040 --> 00:33:57,200
(MOANS)Shut up. I'm not gonna hurt you anymore.
433
00:33:57,240 --> 00:33:59,080
I'm just gonna rob you.
434
00:33:59,120 --> 00:34:02,480
It's not like you're gonna go to the police, is it?(MUFFLED GRUNTS)
435
00:34:02,520 --> 00:34:05,480
(SHUSHES)(MUFFLED SPEECH) Shut up, shut up, shut up.
436
00:34:05,520 --> 00:34:07,400
(SHUSHES)
437
00:34:09,240 --> 00:34:11,600
(BREATHES HEAVILY)
438
00:34:11,640 --> 00:34:13,640
(MUFFLED GRUNT)
439
00:34:18,240 --> 00:34:20,640
(MUFFLED GRUNT) What else have you got?
440
00:34:20,680 --> 00:34:22,920
Cocaine. MDMA.
441
00:34:22,960 --> 00:34:25,040
Adderall.
442
00:34:25,080 --> 00:34:27,000
Fentanyl.
443
00:34:28,000 --> 00:34:30,000
Naloxone.
444
00:34:30,040 --> 00:34:32,040
Disease and cure, eh?
445
00:34:32,080 --> 00:34:33,360
Nice.
446
00:34:33,400 --> 00:34:35,200
(MUFFLED GRUNTS)
447
00:34:36,800 --> 00:34:39,440
(GRUNTS FURIOUSLY)
448
00:34:42,240 --> 00:34:44,240
(MOPED ENGINE REVS)
449
00:34:44,280 --> 00:34:46,440
(MUFFLED GRUNTS)
450
00:34:46,480 --> 00:34:48,480
(GRUNTS FURIOUSLY)
451
00:34:48,520 --> 00:34:50,920
# COWBOY JUNKIES: Sweet Jane
452
00:34:55,160 --> 00:34:58,080
# Anyone who's ever had a heart
453
00:35:00,800 --> 00:35:03,040
# Wouldn't turn around and break it
454
00:35:06,640 --> 00:35:09,200
# And anyone who's ever played a part
455
00:35:12,360 --> 00:35:14,840
# Would turn around and hate it
456
00:35:18,240 --> 00:35:20,400
# Sweet Jane
457
00:35:24,640 --> 00:35:26,280
# Sweet Jane
458
00:35:29,600 --> 00:35:31,640
# Oh, sweet, sweet Jane
459
00:35:34,600 --> 00:35:37,960
# You're waiting for Jimmy down in the alley
460
00:35:40,400 --> 00:35:43,960
# You're waiting there for him to come back home...
461
00:35:46,160 --> 00:35:48,160
(PHONE RINGS)
462
00:35:51,480 --> 00:35:54,880
# And thinking of ways to get back home...
463
00:35:56,560 --> 00:35:58,560
(MUSIC STOPS)
464
00:35:58,600 --> 00:36:00,600
Hey. IRIS: Hey.
465
00:36:01,280 --> 00:36:02,840
How are you?
466
00:36:02,880 --> 00:36:04,880
Exhausted. You?
467
00:36:04,920 --> 00:36:06,480
Exhausted.
468
00:36:07,560 --> 00:36:09,160
Joy?
469
00:36:09,200 --> 00:36:11,200
Not too bad, considering.
470
00:36:11,920 --> 00:36:13,160
Good.
471
00:36:13,200 --> 00:36:16,520
She seems pretty resilient. But then kids are, aren't they?
472
00:36:17,960 --> 00:36:20,400
They adapt to circumstances.
473
00:36:22,000 --> 00:36:24,000
Yeah, let's hope so.
474
00:36:25,360 --> 00:36:28,040
I should never have taken her, Iris. I'm sorry.
475
00:36:31,280 --> 00:36:32,800
I know.
476
00:36:33,560 --> 00:36:36,080
I wasn't thinking. It was all the adrenaline.
477
00:36:38,000 --> 00:36:39,280
I know.
478
00:36:40,720 --> 00:36:42,720
But the situation I'm in now,
479
00:36:42,760 --> 00:36:44,760
even if I didn't want to hurt her,
480
00:36:44,800 --> 00:36:47,040
which I don't, there are people who do.
481
00:36:48,200 --> 00:36:50,200
So, don't let them do it.
482
00:36:51,040 --> 00:36:53,440
Just bring me the diary.
483
00:36:53,480 --> 00:36:55,480
Don't try and contact her.
484
00:36:55,520 --> 00:36:57,520
Don't try and do anything clever.
485
00:36:57,560 --> 00:37:00,080
Give up trying to win...
486
00:37:00,120 --> 00:37:03,720
because right now the best that any of us can hope for
487
00:37:03,760 --> 00:37:07,120
is to just to get out of this alive.
488
00:37:09,280 --> 00:37:12,960
So, please, just bring me the diary.
489
00:37:15,600 --> 00:37:17,760
I'm trying. It's nearby.
490
00:37:17,800 --> 00:37:20,360
Well then, just tell me where it is.
491
00:37:21,200 --> 00:37:23,200
Not on your nelly.
492
00:37:24,240 --> 00:37:26,520
We do swapsies.
493
00:37:26,560 --> 00:37:28,560
I bring you the diary and...
494
00:37:30,280 --> 00:37:32,000
..you give me Joy.
495
00:37:33,040 --> 00:37:36,280
I'll call you tomorrow. Proof of life.
496
00:37:37,360 --> 00:37:39,360
I need to know she's OK.
497
00:37:40,040 --> 00:37:42,080
OK. Swapsies it is.
498
00:37:52,200 --> 00:37:55,000
Now, I realised something really weird today.
499
00:37:56,640 --> 00:37:58,600
Yeah? What's that?
500
00:37:58,640 --> 00:38:01,960
According to some metrics, you're probably my best friend.
501
00:38:03,960 --> 00:38:06,240
Well, according to others, you're drunk.
502
00:38:16,720 --> 00:38:18,720
(DARK EERIE MUSIC)
503
00:38:27,760 --> 00:38:29,480
(GLASS SHATTERS)
504
00:38:31,523 --> 00:38:35,280
I need to get a message to her but there's no messages in or out.
505
00:38:35,320 --> 00:38:38,800
Then again, it's not Supermax is it, Cameron? It's not GitMo.
506
00:38:40,800 --> 00:38:43,720
Because you want her to like you. You can't help yourself.
507
00:38:43,760 --> 00:38:47,640
So, what do you do... to make her like you?
508
00:38:47,680 --> 00:38:49,520
You give her something.
509
00:38:49,560 --> 00:38:51,920
Because you think that's the way to make her like you.
510
00:38:51,960 --> 00:38:54,480
It's not but you think it is. What does someone like you
511
00:38:54,520 --> 00:38:56,680
give someone like her, in her position?
512
00:38:56,720 --> 00:39:00,680
What does someone like you give someone like her, in her position?
513
00:39:00,720 --> 00:39:02,720
(DISTANT FAINT MUSIC)
514
00:39:06,200 --> 00:39:08,200
# SISTER SLEDGE: Lost In Music
515
00:39:09,600 --> 00:39:11,600
(FAINT) # No turning back
516
00:39:13,440 --> 00:39:15,440
# We're lost in music
517
00:39:17,360 --> 00:39:19,400
(NORMAL VOLUME) # We're lost in music
518
00:39:21,800 --> 00:39:24,160
# Feel so alive
519
00:39:24,200 --> 00:39:25,800
# I quit
520
00:39:25,840 --> 00:39:27,840
# My nine to five
521
00:39:29,760 --> 00:39:31,880
# We're lost in music... #
522
00:39:31,920 --> 00:39:33,920
# ANNA THORVALDSDOTTIR: Archora
523
00:39:36,200 --> 00:39:38,200
(MUSIC PLAYS VIA HEADPHONES)
524
00:39:59,600 --> 00:40:00,880
JOY: What?
525
00:40:00,920 --> 00:40:03,440
# THE THREE DEGREES: When Will I See You Again
526
00:40:03,480 --> 00:40:07,040
An Incomplete List of Songs I Love That You Probably Hate.
527
00:40:10,120 --> 00:40:12,120
When Will I See You Again.
528
00:40:12,920 --> 00:40:14,640
Don't Speak. Don't Make A Sound.
529
00:40:14,680 --> 00:40:17,120
I'm Coming For You. I Will Never Let You Down.
530
00:40:17,160 --> 00:40:20,120
However. There Is. Something I Need.
531
00:40:20,160 --> 00:40:22,200
Up On The Roof. Listen Up.
532
00:40:22,240 --> 00:40:24,920
This Is For You. Miss Brook.
533
00:40:24,960 --> 00:40:27,240
# Ha-ah
534
00:40:27,280 --> 00:40:29,600
# Oo-ooh
535
00:40:29,640 --> 00:40:32,360
# Precious moments... # (SONG STOPS)
536
00:40:32,400 --> 00:40:35,440
IRIS: 'Listen, I know you're scared and alone.
537
00:40:36,320 --> 00:40:40,080
But I know exactly where you are, and everything's going to be OK.'
538
00:40:41,120 --> 00:40:43,840
I'm gonna get the diary that Cameron wants
539
00:40:43,880 --> 00:40:45,600
and I'm gonna get you out of there.
540
00:40:45,640 --> 00:40:48,080
'But I'm gonna need you to do something for me.
541
00:40:49,360 --> 00:40:52,040
I need you to find a man called Jensen.
542
00:40:52,880 --> 00:40:56,040
I need you to get some of his DNA for me.
543
00:40:56,080 --> 00:40:58,120
Just one strand of hair would be enough
544
00:40:58,160 --> 00:41:01,200
for me to find out why all this is happening.'
545
00:42:12,440 --> 00:42:15,640
Just keep looking straight ahead, please.
546
00:42:15,680 --> 00:42:17,520
Thank you, for coming.
547
00:42:17,560 --> 00:42:20,040
You're welcome. No...no problemo.
548
00:42:21,440 --> 00:42:23,440
OK, I'll tell you everything.
549
00:42:23,480 --> 00:42:25,680
Jensen Lind. Charlie Big Potatoes.
550
00:42:25,720 --> 00:42:27,720
Do with it whatever you want.
551
00:42:28,400 --> 00:42:31,800
Take them all down. Get rich. Get famous.
552
00:42:33,680 --> 00:42:35,680
So how do we do that?
553
00:42:39,120 --> 00:42:42,040
First, I need to get my hands on a book.
554
00:42:42,080 --> 00:42:45,160
It's kind of a diary and I've hidden it here in Rome.
555
00:42:46,680 --> 00:42:48,800
Problem is, is I can't get it myself.
556
00:42:50,280 --> 00:42:52,480
There's too many people looking for me.
557
00:42:53,360 --> 00:42:55,360
So where is it?
558
00:42:56,120 --> 00:42:59,720
Come on, Alfie, mate. Where's the best place to hide a book?
559
00:43:01,600 --> 00:43:03,960
Actually, now we're here,
560
00:43:04,000 --> 00:43:06,040
I don't know if I can actually do this.
561
00:43:06,840 --> 00:43:09,600
IRIS: 'Course you can. Easy peasy.'
562
00:43:12,160 --> 00:43:14,600
I feel like everyone's looking at me.
563
00:43:15,600 --> 00:43:18,320
It's like a seventh sense thing.
564
00:43:18,360 --> 00:43:20,640
Nobody is looking at you.
565
00:43:20,680 --> 00:43:23,480
MAN: Head or body? (HEAVY THUMP)(MAN COUGHS AND GASPS)
566
00:43:23,520 --> 00:43:25,160
(HEAVY THUMP) (GASPS AND WHIMPERS)
567
00:43:25,200 --> 00:43:26,600
MAN:
568
00:43:26,640 --> 00:43:28,400
(COUGHS)
569
00:43:28,440 --> 00:43:30,440
Eh? MAN:
570
00:43:32,680 --> 00:43:34,680
(WHIMPERS AND SOBS)
571
00:43:35,880 --> 00:43:37,880
(GROANS AND COUGHS)
572
00:43:42,520 --> 00:43:44,280
(GASPS AND COUGHS)
573
00:43:50,840 --> 00:43:53,400
(GROANS AND SOBS)
574
00:44:04,640 --> 00:44:06,040
MAN:
575
00:44:16,440 --> 00:44:17,800
(PHONE BEEPS)
576
00:44:17,840 --> 00:44:19,560
(PHONES CHIME)
577
00:44:22,080 --> 00:44:24,480
(MOTORBIKE ENGINES START)
578
00:44:30,960 --> 00:44:33,320
ALFIE: OK. I'm inside.
579
00:44:33,360 --> 00:44:36,040
Oh, it's actually massive.
580
00:44:37,320 --> 00:44:39,320
(SUSPENSEFUL MUSIC)
581
00:44:45,400 --> 00:44:47,200
(GASPS SOFTLY)
582
00:44:49,880 --> 00:44:52,320
(SOFTLY) That guard is definitely looking.
583
00:44:53,440 --> 00:44:56,520
No, he's not. He is definitely not looking at you.
584
00:44:57,800 --> 00:45:01,320
What are his eyes doing then, when they're pointed at me?
585
00:45:01,360 --> 00:45:03,840
Just keep moving, Alfie.
586
00:45:12,440 --> 00:45:14,800
(BREATHES SHAKILY)
587
00:45:21,000 --> 00:45:22,960
(BREATHES SHAKILY)
588
00:45:24,000 --> 00:45:26,000
(NERVOUSLY) Oh, er...
589
00:45:29,120 --> 00:45:31,120
(ITALIAN TRANSLATION ON PHONE)
590
00:45:34,800 --> 00:45:36,800
TRANSLATOR: Grazie mille.
591
00:45:40,960 --> 00:45:42,840
Um...
592
00:45:47,560 --> 00:45:48,560
Grazie.
593
00:45:53,480 --> 00:45:55,720
(BREATHES SHAKILY)
594
00:45:57,800 --> 00:46:00,880
That guard's definitely looking, Iris.
595
00:46:00,920 --> 00:46:04,200
He is not looking at you. But he's gonna start looking at you
596
00:46:04,240 --> 00:46:06,840
if you talk to yourself like you're neglecting your medication.
597
00:46:06,880 --> 00:46:08,400
(SOFTLY) Wow. Rude.
598
00:46:10,400 --> 00:46:12,240
Just...
599
00:46:12,280 --> 00:46:14,280
Just be invisible.
600
00:46:16,000 --> 00:46:17,360
(OK.)
601
00:46:19,840 --> 00:46:21,200
(How?)
602
00:46:21,240 --> 00:46:24,160
By remembering that nobody cares that you exist.
603
00:46:24,200 --> 00:46:26,200
OK. Brilliant. Thanks.
604
00:46:27,680 --> 00:46:30,040
(I swear down they're all looking.)
605
00:46:31,040 --> 00:46:34,400
(It's like that bit in Invasion of the Body Snatchers.)
606
00:46:34,440 --> 00:46:36,000
What bit?
607
00:46:36,040 --> 00:46:38,040
I don't know. All of it.
608
00:46:40,520 --> 00:46:43,280
So pretend that you're a Pod Person and stand still.
609
00:46:43,320 --> 00:46:45,320
(SOFTLY) I've forgotten how to stand.
610
00:46:45,360 --> 00:46:47,360
I mean, where do you put your hands?
611
00:46:49,000 --> 00:46:51,720
Christ, this isn't a minute. She said she'd only be a minute.
612
00:46:51,760 --> 00:46:53,600
Just relax.
613
00:46:56,320 --> 00:46:58,000
(MUTTERS NERVOUSLY) Right.
614
00:46:58,720 --> 00:46:59,920
Oi!
615
00:46:59,960 --> 00:47:01,240
(BREATHES SHAKILY)
616
00:47:02,120 --> 00:47:04,280
Whoa. Thank you. Can't wait to dip in.
617
00:47:09,680 --> 00:47:11,680
(EERIE MUSIC)
618
00:47:18,200 --> 00:47:20,520
(BREATHES SHAKILY)
619
00:47:27,080 --> 00:47:29,200
(CHAIR SCRAPES)
620
00:47:32,000 --> 00:47:34,160
(CHAIR SCRAPES AND SQUEAKS)
621
00:47:34,200 --> 00:47:36,480
(EXHALES HEAVILY)
622
00:47:39,320 --> 00:47:41,320
Open the book, Alfie.
623
00:47:43,680 --> 00:47:45,880
There it is. That's it.
624
00:47:45,920 --> 00:47:47,920
(EERIE SUSPENSEFUL MUSIC)
625
00:47:49,920 --> 00:47:51,920
(EXHALES NERVOUSLY)
626
00:47:53,840 --> 00:47:56,120
I'm actually a bit scared to touch it.
627
00:47:56,160 --> 00:47:58,240
Don't be nervous.
628
00:47:58,280 --> 00:48:01,760
OK, careful now. Slowly.
629
00:48:06,920 --> 00:48:10,160
Now shove the bars of soap into the cavity.
630
00:48:14,080 --> 00:48:15,560
(HEAVY THUD)
631
00:48:15,600 --> 00:48:16,920
Oh, fuck.
632
00:48:18,720 --> 00:48:22,360
Alfie, Alfie. Alfie, seriously. (WHIMPERS)Pick up the diary.
633
00:48:22,400 --> 00:48:25,840
Alfie, would you snap out of it and pick it up!(WHIMPERS)
634
00:48:25,880 --> 00:48:29,120
Alfie, can you hear me. Alfie, pick it up! Alfie.
635
00:48:29,160 --> 00:48:32,320
(WHISPERS NERVOUSLY) Relax. I'm chill.
636
00:48:32,360 --> 00:48:34,000
Pick up the fucking diary!
637
00:48:36,840 --> 00:48:38,520
(SUSPENSEFUL MUSIC)
638
00:48:41,200 --> 00:48:42,800
(BREATHES SHAKILY)
639
00:48:53,200 --> 00:48:54,640
Happy now?
640
00:48:57,360 --> 00:48:59,040
That's it.
641
00:49:00,800 --> 00:49:03,560
That's it. Well done. Good boy. You're doing great.
642
00:49:03,600 --> 00:49:05,600
(BREATHES HEAVILY) Thank you.
643
00:49:10,960 --> 00:49:13,200
(BREATHES HEAVILY)
644
00:49:18,720 --> 00:49:20,720
(SUSPENSEFUL MUSIC)
645
00:49:23,480 --> 00:49:25,480
(CHAIR SCRAPES)
646
00:49:40,520 --> 00:49:42,920
I thought it would be funnier.
647
00:49:48,000 --> 00:49:49,520
OK.
648
00:50:03,840 --> 00:50:05,640
(BREATHES SHAKILY) Oh, no.
649
00:50:05,680 --> 00:50:09,200
That's it. Just get out of there, Alfie.
650
00:50:15,960 --> 00:50:18,760
(TENSE MUSIC)
651
00:50:33,760 --> 00:50:36,560
You have outdone yourself, my friend.
652
00:50:37,760 --> 00:50:40,080
That was good work.
653
00:50:40,120 --> 00:50:43,080
I know, right? You're made for it.
654
00:50:43,120 --> 00:50:46,160
No, I'm made for a glass of tequila. That's what I'm made for.
655
00:50:46,200 --> 00:50:48,960
I'm buying. Well, actually, you're buying.
656
00:50:49,760 --> 00:50:51,280
Mr Bird?
657
00:50:51,320 --> 00:50:53,280
Nico Casterman. (TENSE MUSIC)
658
00:50:53,320 --> 00:50:54,960
We spoke yesterday.
659
00:50:57,840 --> 00:51:00,840
I wonder if you have time to answer some questions for me.
660
00:51:00,880 --> 00:51:02,800
Yeah, of course. Good.
661
00:51:03,520 --> 00:51:05,040
Do you have a place to stay?
662
00:51:05,080 --> 00:51:07,000
Er, yeah.
663
00:51:07,800 --> 00:51:09,800
Can you take me there?
664
00:51:12,560 --> 00:51:14,640
(TENSE MUSIC)
665
00:51:24,680 --> 00:51:26,680
(MUSIC INTENSIFIES)
666
00:51:29,360 --> 00:51:32,600
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