Original subtitles

hey philippine hope everything's good just noticed you you do have an update

so let's go over and check so play this out

don't look at me like that all right

cool okay um nice so i

think i got why you don't have him on this post from the beginning that is

because the door is opening and going through his head and stuff like that

but it feels good i i like it i like you go from here to here like and then and

then continuing um so what i would do now i'll focus a little bit on some

fixes before we kind of nail the breakdowns um so

i do feel like this this pose is pretty good Just watch out like the bandies.

There's like some neck stuff and bandies kind of working, moving.

And there's some kind of eye drift as well, like wink.

Little things. I know we didn't get into this, right?

So this post is pretty good.

And then this one feels a little bit broken. I feel like this arm, it does

like it's... Why is this not drawing?

Where is that?

Okay, I think it's fixed.

Okay,

yeah, what I was saying, this arm feels a little bit uncomfortable.

It feels like it's breaking back, you know?

Something feels a little bit off.

So, I've seen two options. I've seen one option is just to drop the arm down.

The other option we have, you could just move it down.

here slightly i don't think we need to see the wrist um it'll be a little a

little um more comfortable try not breaking back that way um

and try not to cheat the bandits that much as well i'll say like maybe maybe

the safe option would be go down like oh you know rest looks pretty good um and

then you then you go into this shape i think the shape's so good my only

question was this arm do we need to make this arm go like back a

little bit more your form could go forward

here or it could just go back like this

they kind

of hear me you can do like a fifth or maybe a post like

Or another option would be just make it a little bit closer to the body.

I think maybe closer to the body is a safe thing to go.

We just kind of close this silhouette.

The grab feels way better.

Then he picks it up to come here.

This pose I will adjust a little bit. Now it's a little bit too flat. I think

need some bendies here.

especially the form um but the overall was good and then this one

is good so that's that's it for poses and i think we can finance a little bit

more as we go but um i think there'll be like enough fixes to start doing the

breakdowns um talk about breakdowns i feel like now this whole section in the

end i think you're moving the chest or the something on the on his torso that

everything is moving together I think for this kind of movement.

Let me see what he's saying.

Don't look at me like that, alright?

Don't look at me like that, alright?

You could focus more head and face.

You don't look at me like that, alright?

I think you can do those things, but your hand is not moving.

You can just keep it here.

Let me get a little bit of shoulder going up.

But I think you're moving, this is just going too much like this, you know, so

it's going to be a bit hard to spline this.

And then when you go into breakdowns, the first one you do is this.

And right now, for me, it's just feeling a little bit too even. I know you

didn't go all in and start working on this already, right? So as you move on,

you know, right now it's just even.

So you want to do a little bit of this.

I feel like you need to ease out a little bit, and you need to have that

And then how you're going to finish the motion.

For this, you might want to overshoot a little bit, like a little overshoot and

settle.

But you don't want to see things even, right?

You really want to get that kind of ease out, go fast, and then settle.

And then this one.

This one, if you go arms down, it's going to be a little bit more simple.

But I kind of like that you're going that way to go back.

I feel like there's a lot happening with your head right now.

And maybe you need a little antic. So you have him on this pose.

Let's drop his arm, for example. Let's see if that works.

But right now, you know, you might want to arc him down a little bit.

As this hand kind of goes out, you know.

So you could just, it's almost like a little antic to go to the side as you

have.

Maybe you'll keep this angle on your head, almost like dragging.

Think about what should be leading, what should be following.

This hand could just start to bring it in.

Up.

And then you could do this kind of flourish with your hand. I think it

cool.

But then you could just drag your head.

Your head was like this.

Now you can drag it like that.

And then to come back here.

Let's go slow.

Let's trim this handy for now.

Let's try to get this beginning working. At least from here to here.

Or at least from here to here.

As you're fixing the poses.

And then we move on.

What do you think? Let me know.

Talk to you soon.