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7, 8, 3, 8, 7, 8, 8, 5, 8, 4, 8, 2, 2.
Go ahead.
Right there.
1, 2, 3.
Are we still here?
is Hilma of Clint tells us that her art isn't abstract imagination.
She painted what she saw and what the spirits guided her to be.
The woman here.
Hilma.
She says she's your sister.
Oh, no.
What does she want?
She said something about building a temple.
A bloody temple.
She has a drawing to show you. Who is it?
Helma. The witch.
Tell her I'm dead.
Mr. Afton is asleep.
He's not feeling too well.
I'm sorry.
No. Nine.
I'll bound them. That's what you wanted, wasn't it?
One.
Two.
Three.
Four.
Five.
Six.
7, 8, 9, 10, 11,
98, 99, 100.
Ready or not!
Where were you?
Up there, hiding.
You scared me.
You see anything?
No.
Wait.
I want to go home.
Scientists can't just go home. We need to be patient.
I'm hungry.
I don't think I want to be a scientist anymore.
What did you find?
It's beautiful.
Must be.
Must be.
Come on!
Hey.
It's a skeleton.
But why are they digging it up?
They want to study it.
They're scientists, too.
Hermina, how do you know it was a she?
You could tell.
How? On the skeleton.
Right here. That's impossible.
Look,
it's a stone -age soldier, and it's worth a she.
Have some ginger, Mary. Thank you. My drawing.
Careful.
The bird! Hermina.
I want to study the bird.
Yes, the bird. And all the animals. And the flowers, all the growth.
Can't determine the gender based on the skeleton.
Absurd.
Don't be so sure.
It's just not science, is it? If you think of it, I mean... Hello, Ma.
I'm here.
Where are we on the map?
Here somewhere.
Look! The numbers!
Yes. He measured everything.
Grandfather was a scientist too.
He sailed around the whole world.
He measured the depth.
Everywhere.
So ships wouldn't get holes in them and sink.
That's right.
One fathom.
Two fathoms.
Three fathoms.
Thirteen fathoms!
Fourteen fathoms!
Fifteen fathoms!
How deep can it get?
Deep.
We'll make our own map one day, Hamina.
Of everything.
Everything in the world.
And everything else, too.
Because we're scientists.
98, 99, 100.
Ready or not!
You're too fast for me.
What's that cough?
You can't be there now.
Why?
She needs to rest.
Why?
Is her fever down?
Emma.
Emma. Emma.
Don't. Please, I have to see her. No, no, no.
Please, please.
Emma.
No.
Tell me where you are, Amita.
And then, all of a sudden, it just went dark.
And these really strong winds came in.
So, from absolutely nowhere, we found ourselves in the middle of a raging
I want to study the world.
To see how things are connected.
Are you interested in anything else than flowers?
Mathematics.
Geometry. Biology.
Astronomy. My father taught me everything.
And what about arts?
Art...
is a tool in my research.
A tool?
Yeah.
We're making a map of everything.
We?
Uh... I need to learn how
to paint.
Oh, yes.
I mean, these are very decorative.
I must say that, though.
The studies.
The studies. Studies are what? I didn't mean to decorate.
Excuse me, where are you going?
The technical school.
For artists.
Painters? The women's entrance is in the back.
A little mistake there, miss.
We have had a few very talented female painters here since we started the
ladies' section a couple of years ago with some really artistic things.
Look at this from last year.
You can't even tell it was painted by a woman can you?
No.
all what you see.
We're less interested in your fantasies.
My fantasies?
Aren't those things real?
Miss Clint, the word, please.
So what does Helmer want to learn here?
I want to understand the secret of life.
And everything else, too.
I'm Anna. It's nice to meet you. I'm Hilma.
I'm trying on a new dress.
Do you want to come along?
Which way is that? This way.
Oh, no.
Women only.
Use the front door, young man.
All right.
Go on in.
Enjoy. You're ridiculous.
Hilda, what do you think?
Isn't it gorgeous?
Thank you so much.
Oh, I love it.
Take one.
Thank you.
We publish them monthly.
Here, would you like one?
It's my sister, Matilda.
She's the editor.
It's our magazine.
Thank you.
It's on spiritism.
Cornelia does the drawing.
I do the writing. I do. You never told me you're an artist.
She's a good one, too.
I'm not an artist like you.
Hilma's an incredible artist as well. She goes to school with me. Do you?
Oh, I'm so envious.
The spirit survives through time and place.
All matter is conscious.
All matter has life.
All life reincarnates.
Today, when our Christian religion is being questioned and undermined, we
can still trust in the presence of the spirits.
They surround us and are always willing to communicate with us.
That was sacred.
She's a really powerful medium.
This higher consciousness is the immortal part of ourselves.
The part that never dies.
Just as when we sleep, And our dreams liberate our body from our mind.
It is death that liberates the spirit so that we can reincarnate and return to
this earth.
We theosophists see no conflict between science and religious belief.
But it is religion, all religions, that explain the truth of our higher
consciousness, that which cannot be seen.
I was dead.
See myself from above, lying in the hospital bed.
No. So what?
It was like I was floating, looking down on myself.
And I saw the doctor slap my face, trying to wake me up.
But I was dead.
But I could see and hear everything.
I was in another world.
And there was this bright light. Like what?
Spinning all around me.
It's so hard to explain because there isn't a light on Earth. She wasn't even
dead. She was hallucinating.
And she survived.
Secret. Hello.
I'm Hilma. Hilma.
Lovely to meet you. Nice to meet you.
Your home is beautiful.
Thank you. I'm Anna. I'm Cornelia's friend. Yes. I heard you were coming.
Thank you for having us. Of course.
Listening to the dream.
To all the dreams.
Without knowledge.
This realm is but an illusion.
It is a spiral.
Use the key.
Disappear.
Rush with the infinite is near.
An angel is present here.
Courage to focus on the dreams.
At the end of the breath, there is a key.
Seven thresholds.
Three is the first wave.
And, uh, well, hello.
Oh. Absolutely.
He's like a pro.
Go on now, love. What's going on here?
I told you we were having a gathering tonight.
A gathering?
So this is a gathering.
You should have told me before. I would have brought more friends.
Have you met any boys you like there in school?
Mm -hmm.
I love them.
Love them all.
Victor, dessert!
Yep, coming.
You're not going to paint for an eternity, are you?
No one wants to marry a girl who keeps painting all day.
I don't go to school to get married.
Papa, come!
You know we can't afford to take care of you.
I know.
Victor!
Yes?
Is there a problem?
Ask Mother.
I don't have a problem.
Huh?
You should go to war instead of playing the fiddle.
I should find a husband instead of wasting time in art school.
Right, Mother?
Could you just for once do something that girls would do?
What's for dessert?
I must distinguish between the mouth and... Please.
You and I will share an atelier.
Oh, my gosh, I wasn't sure what we were going to do, honestly.
But my parents asked to go and...
Belle,
what are you doing with the flowers?
Hold them out to your brother.
No. No, this is... Belle, remember you love your brother very much
and you want to give him flowers.
Can we please have the flowers there?
And bring your chin down a touch.
A token of love.
Hands out of your pockets and stand up straight.
Sorry. Please.
Don't worry, you can leave that. I've already got it drawn in. I'm sure she
loves her brother, but the flowers are behind her back.
I only paint what I see. If you could imagine the flowers being presented to
brother.
Flowers out front.
There we go. Beautiful flower.
To really get to know the world, look deeply within your own soul.
And to really get to know yourself, take an interest in the world.
That's good.
Makes sense.
The world.
Here it is.
Who wrote this?
Rudolf Steiner.
An Austrian philosopher.
He says...
Colour is the soul of nature and the universe.
And through colours we receive messages from the soul.
That's good too.
I must have met this man in an earlier life.
He's like my soul mate.
I need to fill a painting soon.
Do you?
Why? I need the money.
Grandfather gave us the noble name, but money didn't come with it,
unfortunately.
And the opposite.
Common name, pots of money.
Money's never interested me.
Only rich people don't care about money.
Oh,
look at this.
Oh, it's so beautiful. Look at this bird.
You see?
If I could die for just a second,
just to see what it would look like on the other side.
I'm not so sure.
Where is that other side?
What does it look like?
Someone who has achieved depth of soul will look at this, and they won't see
just water.
They see God's creation.
Hear that water?
It's God's creation.
It's so pleased. Listen to it.
I'm back at sea, Hilma.
My heart.
But don't worry about me.
The seas are calm.
That's his daughter, Elmer.
Very odd girl.
She paints.
Hmm?
So high.
Could look at the muscles here and draw how they are connected to the vein that
runs all here.
No, I can't. Take it. I don't need it. All right. Thank you.
Want some lunch?
Of course.
You're praying.
You're so scared. Run away.
Ladies, sorry to interrupt.
Mr. Moatwood won't invite you to come visit this exhibition at lunch.
It opens today.
Please, make me an honour.
Don't be sad.
She's safe now, wherever she is.
My sister is always with me.
They all are.
With us.
That's good. That's good.
Always paint it your way.
Lead me so that I may fight for freedom.
Amen.
Good evening, all of you.
I am Amelia.
Thank you for opening your eyes to see, your ears to hear,
your heart to hear.
All worlds are one.
Two fine lips in everything.
The secret world shall be revealed.
You have been chosen to document them in your heart.
The unseen will be seen.
To all Seneca comments build up.
To unveil our truth and cover our secrets for you to document.
It is a world you do not know.
All of us are one.
I saw it.
You really saw it?
What do you mean? I don't understand.
They want us to paint the invisible well.
Tell them that we could lose our soul.
Cornelia. There are, of course, risks. We must understand that.
There are risks?
And Jonathan's gone completely mad. Wait there. He was already mad.
He's a man.
He's been signed in his artwork with the names of dead artists.
Not to be.
It's dangerous.
But I don't understand.
We've all been chosen to sign them?
They want to be a painter.
But we can all take part.
Right, Anna?
We'll all help out.
Right? Of course.
Hilma and Anna, who told you that?
It came from the spirit.
Well, I'm a painter too.
Of course you are. It's just... I guess you don't have the education, Cornelia.
I didn't have that opportunity.
Look, we are all chosen.
We are all chosen.
It's important work. For this to succeed, we all need to contribute
you all accepting of the assignment or... the hard work that comes with it?
Yes. Yes.
All right, then.
There will be a period of preparation for your task.
You will prepare through prayer.
Refrain from eating meat.
heavy and unhealthy foods.
You will live selflessly and frugally.
Pray for friends and foe.
I have to eat something.
Here.
Find the truth.
There is no religion higher than truth.
Make a pact between the five of you.
You all know it is time to show the work.
I just want to see my children.
Secret.
It's a divine assignment, Sigrid.
You have so much power. I have nothing left.
Lunch? Starving, aren't you?
Not really.
So gender means nothing.
God created only one soul.
Then he divided it into two.
Rudolf Steiner describes it.
Two souls, man and woman.
Now they are drawn to each other. They want to unite again.
So man seeks woman.
Woman seeks man, I assume.
What do I know?
The dual force that brings them together.
And we are going to use that force.
The dual force?
It's a creative force that decides the night.
We can use it in our paintings.
The way you're using it to steal my potatoes.
Yes.
So I have the man's force and you have the woman's.
I seek the man's power and wisdom.
I'm sure you do.
I do.
And you have the woman's.
Power and warmth, right?
Do I?
You do.
Warmth.
We're like Hook and I.
I hope so.
The perfect Hook and I.
Come on.
Hang on a minute.
You're the man. We should be having it the other way around.
You should hook me.
It doesn't matter who's who.
As long as I get to be the man.
Is it... Is it finished?
Yes. It's finished.
It's so unusual.
I didn't paint it myself.
What do you mean?
You did, Elmer.
You painted it.
I was holding the brush.
But I didn't paint it myself.
But... I don't know.
You're supposed to do what?
We must build a temple for our art.
A temple for worship of the art of the Lord.
A temple that will inspire future generations.
Where did you get this idea?
I saw it.
Spirits came to me.
So you're ready to show your work?
Here's the entrance.
Our rat will hang on the wall here, and then you rise up to the divine.
Hilma?
Yes?
Can I help you?
I need my true soul.
I need that to inspire me.
Do you?
Mm -hmm.
You want to be the hook?
I'll be the eye?
It's big.
It's a big temple.
It's not too big.
All right.
Tell me it's not too big.
Say it. Tell me.
It's fine.
Why did you do it? Say it. Tell me.
Say it.
It's not.
The ex -ordinate.
Thank you.
The one in black is my aunt.
She's the weird one.
Eric.
Stop it.
Come here.
I just want to see her painting.
There's nothing to see.
Why can't I see them?
Because she's a witch.
get to have a look at what you're up to.
You can't see it yet.
It's not finished.
I can't see it anyway.
Anna, you tell me. What is it that you're doing?
Well, we received this assignment, or commission, as Aunt knows.
I know.
And we're getting instructions, or Hilma gets instructions.
It's going well, it is, but... Sometimes it's hard to understand what comes out
of it. What?
It's just... It's hard to see what it's supposed to represent.
You can't see what you paint?
I mean, what they mean, the painting.
I thought we could tell the truth.
We don't know what we're doing?
Do we?
I got an assignment from the spirit. You got an assignment?
Why aren't we working together?
Like the hook and the eye?
We were.
You? You gave up on it, didn't you?
I just can't see exactly what you see.
And why do we paint if we can't show people?
I want to show my work.
Why do we keep hiding it?
What are you waiting for?
Anna!
Scientists.
They don't present their findings until their research is finished.
I'm not finished.
They need to hang together.
As one.
The paintings.
Part of a map of a world.
Tell me why you're so afraid of sharing them.
I'm not afraid.
This is part of our 10 lodges theory.
Excuse me.
Hello. You can leave them over there by the table. Thank you.
So sorry.
So these are depicting our life cycles from childhood to old age. And this one
is adulthood.
Yes? Harry, can I take a shot?
Looks like the sun.
What do you think?
We'll have an exhibition of them in a couple of weeks.
Now you can finally see them.
Oh, that's very exciting.
These are some of the ten largest ones.
These are adulthood, and then here is...
What
do you think?
It's beautiful.
It's wonderful, you know.
Number six, please.
Can you see anything?
I can see a head.
I think it's the doctor.
That's correct.
Number five, please.
I'll take care of it.
I can pay it this time.
This is going to be your new typewriter.
Let's see if we can get her.
She seems sweet. Thank you.
The Swede Oskar Svahn won the gold medal in men's single -shot running day
yesterday during the Olympic Games in London.
She's really nice.
I can't afford her. You know that.
I'll take care of it. Don't worry.
The gallery.
They were idiots.
They just can't see it.
I can rent our own space for the exhibition.
It's just across the street.
Austrian philosopher Rudolf Steiner pays another visit to Stockholm next week.
He'll be speaking at the Royal Library on the 16th of... Steiner, my soulmate
coming to Stockholm.
You will understand.
What's soulmate in German?
Seelenverwandte.
Seelenverwandte.
Seelenverwandte.
Seelenverwandte.
I know we will find the truth about our existence and our unknown dimensions.
Everything is possible because there
are no essential limits
to human knowledge.
Thank you.
I'm an admirer of yours.
I've seen what you've seen.
I know what you describe.
Dr. Steiner, could you please sign my... That's fine.
You wrote that?
You're welcome.
Yes. I'll have an exhibition here in Stockholm of them all in a month from
What is depicted?
I don't know.
I was hoping Dr. Steiner would explain it to me.
This is adulthood.
What inspires you, Ms. Clinton?
What inspires me?
I get inspired by the high masters.
The spirits that gave me this assignment.
And my sister, Hermina.
Divine
things
will happen when we forget ourselves.
This way.
I have been the tool of the spirits.
I painted strictly following their instructions.
You are not creatively
responsible, he asks.
I, uh, promised the High Masters to obey their will.
They chose me for this assignment.
Yeah, I understand, I understand.
But when art
doesn't
have its roots in the soul of the artist, it doesn't touch me, he says.
The artist is not creatively responsible.
She doesn't think it can be called art.
If
we
do not believe in something higher than ourselves, then we shall never find the
strength to evolve into something higher.
I don't understand him, even if you translate.
If
I
don't understand your work, no one will.
I'm going to translate.
Mama?
You all right?
Get up now, Hilma.
He's not worth it.
He doesn't understand art.
He's just a pompous, bitter wither.
You've no right to criticise him. What does he know about the spirit?
Hilma? Come on, Hilma. I'll bring you some tea and toast.
Here.
Is that jam?
Yeah. Ape's got jam.
That's my favourite.
Stop flossing over her.
She's all right.
I can't do it.
We can't show the paintings.
Cancel the exhibition.
Are you serious? You're not thinking straight.
We can't cancel anything now.
Are you serious? This matters. They were painted for the temple.
It doesn't matter. Nothing else.
Because of one man's opinion.
If he doesn't understand them, no one will. This is against everything we
for, for years.
We need to show this work, for all of us.
We've been working so long for this, we can't just give up on it now.
Hilma, it's not... Just your work.
We all worked on them.
Cornelia did a lot of the drawing. The spirit worked on them.
I'm not showing them.
It looks so real.
Wonderful choices.
I have to admit, I didn't know what to think of your big ones.
I think they provide a lot of inspiration for me.
Oh, hell no.
I miss the new ones too.
Do you like them?
You alright?
Drink this. All right?
You all right?
Kandinsky, as you can see, is entirely unique.
He's what we call non -figurative art.
It's something new and quite breathtaking, I would say.
Take a moment with each painting.
When Kandinsky makes this non -figurative art, he wants to affect us
the way music affects us.
He wants us to stop thinking.
and only experience. There you are.
Kandinsky is the first hero to be making non -figurative... Hey, what's wrong?
Come on, sit down. You're all right, you're all right.
We're going to
concentrate
here on the hoof and the ligaments.
as they moved up into the mud.
Bye. The two of us again.
No, you can't expect me to keep paying for everything you do.
I want to support your art.
Nothing else.
I don't think there's any art left to support.
I don't paint anymore. But you pay too much attention to an old codger from
Germany.
He's Austrian.
And he's my soulmate.
Look, what I can't do is continue to support your romantic interest.
Very nice, ladies.
Very nice.
What do you mean?
Don't you think I have eyes?
Jonathan takes care of my mother.
Where does she find the time with everything else that keeps her busy?
Do you care about me?
Am I invisible like everything else you're portraying?
Why should I pay for your obsession with the spirits?
I never asked you to pay for anything for me.
What do I owe you?
How do I get you to see what you're blind to?
You don't even try to see beyond your fear. I tried and tried and you just
looked away. You and your mountains and sunsets. Can't you see anything else?
Not a single penny more from me.
Welcome home, Anna.
Thank you. It's so good to see you again.
As soon as we can afford it, we'll move to something bigger.
Thomas in!
Yeah? Oh, I'm here.
Who's going to pay for you?
You don't have to worry about that.
I'm right here.
We don't have the money.
You know we can't afford you, don't you?
Not for you to worry about.
I'm so sorry, Thomasine.
When do you need to go back to your work at the doctor's office?
Do you want me to?
No. Of course not.
I've been thinking.
I can take care of Mother myself.
I have the time.
Where do you want me to put these?
In the cupboard.
Thank you.
You've never seen that one before, have you?
It's beautiful.
Dear Anna, I'm lost.
How do you draw a map when you forgot how to draw and you can't see where you
are?
I want to understand the universe.
I want to get to know God for real.
Is that too much to ask?
Dear Hilma, I'm so happy to be back home.
Everything I love is here.
God's creation, right in front of me eye, visible to everyone.
I don't need your depth of soul to see it, thankfully.
The air here is good for me.
My asthma's almost gone now.
I miss you, Hilma.
This is us, in the wave we're in.
I made it at your summer house.
Never dared to show you.
Hmm.
Mr Trigg of Janssen suggested that married women who paid their own taxes
get the right to vote.
Carl Pearson and Stella Holt disagreed. If women were allowed to walk away from
their wife's duties to vote, it would hurt the children and create domestic
chaos.
Alfred Ander, the robber who killed Victoria Helliston with the
steel yard, was executed today with the guillotine imported from France.
The head was separated from the body at eight to five in front of the Longholman
officials.
That's awful.
Can you imagine?
Dear Anna, I've begun painting again.
Black swan? It's a miracle.
No.
A black swan? I still take advice from the spirits, but this time I'm guiding
the brush myself.
I think you'll be able to tell what I'm portraying this time.
Thomasine has promised to stay with us for as long as we need her help.
And we do need her right now.
I keep working on that map of the world I told you about.
My sister is helping me.
I'm inspired by her, by the sea, by all the things we remember from the summers
at Ardathir, while waiting for the temple.
We get by on a few commissions and portraits.
For everyone that asketh, receiveth.
And he that seeketh, findeth.
And to him that knocketh, it shall be opened.
Dear Hilma, I'm happy to hear that you found a way to support yourself.
There's nothing wrong with showing your art and even getting paid for it.
What a Christmas present this year.
Guess who's coming to Stockholm?
No, not him again.
You're not going there, are you?
Why are you so upset with him?
Dr. Steiner. He has seen God.
And he knows the truth.
And I have to find it.
Dr. Steiner.
Welcome back to Sweden.
Can we talk somewhere in private?
Since we last met.
That you guys don't take silver for size.
Thank you.
Can I show you my work in the future?
I can make up for my managers.
Don't go chasing after him again.
You're desperate for his approval.
And he's never going to give it to you.
Anna, you're being ridiculous. He almost... Killed your passion. He wants
what I'll paint in the future.
Your passion for painting, that's not what a soulmate does. I'm going to post
him all my miniatures.
What do you think?
I've
designed
an atelier together with the girls.
We're building it at Moons, sir.
Next to Arden, sir.
It's not the temple.
It's an atelier for me and the girls.
The girls are going to pay for it.
I assume you don't want to be part of it financially.
How lovely.
Good for you.
Mother, you look wonderful.
Can I see?
It's not ready.
Emma, show her.
Go on, show me.
Ready?
I'm so sorry. I don't know why I went in the first place. It's all right.
I just thought, hello.
Hi, you look so well.
Oh, look at you.
Hello. How are you?
Good to see you all. Good to see you.
What do you think?
Come on, get out!
Why do you still need her here?
Wasn't her job to take care of your mother.
Anna, you're being ridiculous. She's taking care of you now.
What are you suffering from that needs full -time care? What is it?
What am I suffering from?
I suffer from being belittled by you right now, Anna.
I suffer from old friends who can't deliver on their commitment.
I suffer because... I suffer and you don't.
I'm sorry, Anna.
I never wanted to be your charity case.
I meant Paris.
I supported your life, your career. I supported you with everything. With
you didn't even earn.
I only ever wanted your understanding.
Do you even believe in spirits, Anna?
You never did, did you?
You may have just played along to get to me.
Anna, I'm sorry.
Anna, I'm sorry.
Get off! Where are you going?
You have to take care of her.
You have to take care of her.
Get off!
Have some water.
Right?
We have looked at the miniature view centre and we would be delighted if you
would come visit us here in Switzerland.
Delighted? Are you sure? Yes.
Erfreut. Happy. Glad.
I'm glad.
It doesn't matter. He wants to see you.
Where we have the World Centre for Anthropology.
That's possible.
Keep reading.
Sorry,
an old photo.
We have just finished building our temple.
So, with the permission of the High Monsters, we want to donate our work to
Goethenium, the temple we've been looking for for so many years.
He wonders if you have changed the way that you paint.
No.
What does he say?
He doesn't want them.
What else?
He says, He thinks that art that manages to connect us to the spirits is
suggestive, poetic, and aims for the heart, not for the head.
He thinks your work is too intellectual.
He doesn't have the heart to understand it.
Not the head, either.
Tell him.
Tell him that.
First, first you tell me I shouldn't paint without my spirit.
Now you tell me that I can't use my brain.
Too intellectual, because you don't understand them.
You have to get over it.
He's dead.
Nothing you can do about it.
Dr. Steiner, what do you think?
Do you think there will come a day when people will like them?
You're quiet.
You don't know.
Liar.
You understood everything, didn't you?
Didn't you?
I
can't
admit it.
My latest sunset.
You can't even tell it's painted by a woman.
Can you?
It's been too long, Hilma.
I'm coming to Stockholm.
I need to see you.
My train arrives Thursday next week at ten to five.
Will you meet me there?
I missed the train, Hilma.
I know.
I know you did.
I'm here now.
Here, where you are.
I miss you, Anna.
There are so many things I recognize here.
That it would take all this to become a believer.
So this way, you can walk in a circle and experience all the big ones that
together. They must hang together. But this way, you never walk back. You just
keep going.
It's like a spiral -shaped temple reaching for the heavens, open for
all religions, art and science.
I've tried, but...
No one is willing to give us the money to build it, so...
Anna would have paid for the temple, had she been alive.
And, and, and Thomas in with... Aunt, aunt.
I'm sorry.
But no one, no one understands what you're doing.
Then, burn them all.
Hilma. She says she's your sister.
Oh, no.
What does she want?
She said something about building a temple.
I'm sorry, but Mr. Clint is asleep.
Did I tell him that?
No.
I've been here all the time.
I've been looking for you.
Well, you found me.
20 years.
Give me 20 years.
20 years what?
Ready?
There's no light on earth to describe it.
The truth is, Hilma Klint tells us that her art isn't abstract imagination.
She painted what she saw and what the spirits guided her to paint.
So these are actually observations of spiritual life.
And nobody believed her, of course.
So she painted for us. Who would believe?
For the future and for the temple that she envisioned.
Ready or not, here I come.
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