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All language subtitles for [1987] Federico Fellini - Intervista (EN)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:59,459 --> 00:01:01,188 Good evening. 2 00:01:01,294 --> 00:01:05,287 - You here already? - Go home to bed. 3 00:01:05,398 --> 00:01:07,866 Aha! The chief! 4 00:01:07,967 --> 00:01:14,805 Here the Cavalier comes 5 00:01:30,423 --> 00:01:32,186 Here she is! 6 00:01:33,093 --> 00:01:34,924 It's arriving. 7 00:01:43,503 --> 00:01:45,903 Bring the arc closer. 8 00:01:47,841 --> 00:01:49,308 More. 9 00:02:05,458 --> 00:02:07,790 Federico! They're here. 10 00:02:10,063 --> 00:02:11,894 Good evening. 11 00:02:11,998 --> 00:02:14,626 Excuse us, please, Signor Fellini. 12 00:02:14,734 --> 00:02:19,694 We know our appointment for the interview is tomorrow morning, 13 00:02:19,806 --> 00:02:22,639 but a little birdie told us you're here tonight. 14 00:02:22,742 --> 00:02:24,266 Are you the birdie? 15 00:02:24,377 --> 00:02:27,744 Oh, Federico! I knew he'd say that! 16 00:02:27,847 --> 00:02:29,371 He's right. 17 00:02:29,482 --> 00:02:32,178 Come on! Easy, my boys! 18 00:02:32,285 --> 00:02:34,116 Give, give. 19 00:02:40,860 --> 00:02:43,920 - Is he coming? - Aren't you coming up? 20 00:02:44,030 --> 00:02:47,158 I can imagine it from here. 21 00:02:47,267 --> 00:02:50,703 When you see the studio roofs, stop. 22 00:02:50,803 --> 00:02:53,203 What did I tell you? 23 00:02:53,306 --> 00:02:57,174 The megaphone! They can't hear us up there. 24 00:03:00,046 --> 00:03:01,104 Romano, 25 00:03:01,214 --> 00:03:03,580 light the mini-arcs. 26 00:03:03,683 --> 00:03:06,083 Turn them on me. 27 00:03:09,255 --> 00:03:11,883 Romano, go up as we go. 28 00:03:11,991 --> 00:03:14,687 Aim the jumbo at the pines. 29 00:03:14,794 --> 00:03:16,785 Fiammetta, Daniela, you can't stay there. 30 00:03:16,896 --> 00:03:18,261 Roberto, go to your booth. 31 00:03:18,364 --> 00:03:21,265 We need to go over those pines. 32 00:03:22,302 --> 00:03:26,329 Can you see Stage 5? Can you see the roof? 33 00:03:26,439 --> 00:03:29,101 Maurizio, answer me! 34 00:03:29,209 --> 00:03:32,269 We mounted lights on that other crane 35 00:03:32,378 --> 00:03:36,109 to create a general effect of moonlight. 36 00:03:37,550 --> 00:03:40,883 We have to go higher to see the roofs! 37 00:03:44,991 --> 00:03:47,152 May we ask what film you're making? 38 00:03:47,260 --> 00:03:50,696 A film that opens with the standard dream 39 00:03:50,797 --> 00:03:52,924 of someone flying. 40 00:03:53,032 --> 00:03:56,058 You must dream the same dream in Japan. 41 00:03:57,370 --> 00:04:00,066 Tonino, zoom slowly, 42 00:04:00,173 --> 00:04:03,768 as if you were gliding over the stages. 43 00:04:04,477 --> 00:04:06,502 There's Stage 5! 44 00:04:06,613 --> 00:04:09,377 It's beautiful from up here. 45 00:04:09,482 --> 00:04:11,780 We see the Roman aqueduct! 46 00:04:11,884 --> 00:04:13,818 The whole area! 47 00:04:15,088 --> 00:04:16,715 But everything's shaking! 48 00:04:19,158 --> 00:04:23,026 We need more smoke up there. 49 00:04:23,129 --> 00:04:29,659 The megaphone's gone. The batteries... 50 00:04:45,685 --> 00:04:49,917 This dream led me into a dark place, 51 00:04:50,023 --> 00:04:52,514 disturbing, but somehow familiar. 52 00:04:53,826 --> 00:04:56,192 I moved slowly 53 00:04:56,296 --> 00:04:57,763 in that deep gloom. 54 00:04:57,864 --> 00:05:00,298 I touched a wall 55 00:05:00,400 --> 00:05:02,334 that seemed endless. 56 00:05:04,904 --> 00:05:07,202 In other films, in a dream like this, 57 00:05:07,307 --> 00:05:10,276 I'd fly away, but this time, 58 00:05:10,376 --> 00:05:15,075 being older, heavier, I had trouble getting off the ground. 59 00:05:17,216 --> 00:05:19,081 I finally managed, 60 00:05:19,185 --> 00:05:22,518 and I was hovering high in the sky. 61 00:05:22,622 --> 00:05:26,786 But that view I glimpsed through gaps in the clouds... 62 00:05:26,893 --> 00:05:28,360 What was it? 63 00:05:28,461 --> 00:05:31,862 The University? The Municipal Hospital? 64 00:05:31,964 --> 00:05:35,798 It looked like a prison, an atomic shelter. 65 00:05:35,902 --> 00:05:39,429 At last I recognized it... Cinecitt�. 66 00:05:40,573 --> 00:05:43,542 Maybe I had this dream because 67 00:05:43,643 --> 00:05:46,237 I knew I'd be meeting you. 68 00:05:46,346 --> 00:05:50,476 By the way, if traffic or something delays me, 69 00:05:51,584 --> 00:05:52,812 start all the same. 70 00:05:52,919 --> 00:05:54,477 Interview my assistant. 71 00:05:54,587 --> 00:05:57,112 He knows more than I do. 72 00:05:57,690 --> 00:06:00,818 An assistant director's essential tools: 73 00:06:01,928 --> 00:06:03,589 Whistle... 74 00:06:03,696 --> 00:06:04,958 and megaphone. 75 00:06:05,064 --> 00:06:06,998 Nowadays it's a lost art. 76 00:06:07,967 --> 00:06:10,333 Assistants all become directors. 77 00:06:10,436 --> 00:06:14,236 Remaining an assistant is really heroic, 78 00:06:14,340 --> 00:06:15,773 something against nature. 79 00:06:15,875 --> 00:06:19,402 A man who decides to stay an adolescent forever, 80 00:06:19,512 --> 00:06:21,275 refusing to grow up... 81 00:06:21,381 --> 00:06:24,782 there are the psychological problems 82 00:06:24,884 --> 00:06:27,216 of a high-risk profession! 83 00:06:27,320 --> 00:06:29,345 And when it's Fellini you're working for... 84 00:06:30,223 --> 00:06:32,589 Maurizio, he's coming! 85 00:06:34,193 --> 00:06:36,753 Excuse me for a second. 86 00:06:39,232 --> 00:06:41,325 Hi, Piero, Everything's fine. 87 00:06:41,434 --> 00:06:45,495 The Japanese want to ask you a few questions. 88 00:06:45,605 --> 00:06:46,572 Clear out, Rivet! 89 00:06:46,672 --> 00:06:50,665 He called me! He wants me! 90 00:06:50,777 --> 00:06:52,745 Had any more dreams? 91 00:06:52,845 --> 00:06:55,006 When? How are you, everything okay? 92 00:06:55,114 --> 00:06:56,342 Where did she go? 93 00:06:56,449 --> 00:06:58,280 Now the first question is: 94 00:06:58,384 --> 00:07:01,478 What does Cinecitt� mean to you? 95 00:07:01,587 --> 00:07:04,249 Is it just a studio, or is it more? 96 00:07:04,357 --> 00:07:06,951 And if it's more, how is it more? 97 00:07:07,059 --> 00:07:08,754 How is it more? Frankly l... 98 00:07:09,796 --> 00:07:11,696 I saw you! Stay where you are, Rivet. 99 00:07:11,798 --> 00:07:13,356 Did you hear that? 100 00:07:13,866 --> 00:07:16,733 Shall I pick out some of these for a test? 101 00:07:16,836 --> 00:07:17,962 Wait a minute! 102 00:07:18,070 --> 00:07:21,528 I found the ideal ones this time: Giancorso, 103 00:07:21,641 --> 00:07:23,575 Alfredo, Antoine. 104 00:07:23,676 --> 00:07:25,541 And a surprise. I bet you can't... 105 00:07:25,645 --> 00:07:26,737 He's a girl. 106 00:07:26,846 --> 00:07:28,313 How did you... 107 00:07:28,414 --> 00:07:29,676 - What's your name? - Sophie. 108 00:07:29,782 --> 00:07:31,079 French? 109 00:07:44,630 --> 00:07:47,224 Did you make that? For your film? 110 00:07:47,333 --> 00:07:49,301 - No, no. It must be a commercial. - Lovely. 111 00:07:49,402 --> 00:07:54,430 "Try lmperial! Click, click, click! It does the trick!" 112 00:08:11,157 --> 00:08:14,024 Look! A Rolls-Royce rickshaw. 113 00:08:14,126 --> 00:08:15,753 Where do I put the gas, chief? 114 00:09:06,712 --> 00:09:08,043 One... two... three... 115 00:09:08,147 --> 00:09:09,637 Fire! 116 00:09:21,827 --> 00:09:25,024 It's a comfort for me to know Cinecitt� exists. 117 00:09:25,131 --> 00:09:29,431 It's a fortress, or perhaps an alibi. Yes, an alibi! 118 00:09:30,169 --> 00:09:31,329 Nadia! 119 00:09:31,437 --> 00:09:35,635 She can talk to you more knowledgeably than I can. 120 00:09:35,741 --> 00:09:36,765 Morning. 121 00:09:36,876 --> 00:09:39,811 These reporters from Japanese TV 122 00:09:39,912 --> 00:09:41,436 want an interview. 123 00:09:41,547 --> 00:09:42,514 Of me? 124 00:09:42,615 --> 00:09:46,949 Introduce her as a vestal of the city of Cinema. 125 00:09:47,053 --> 00:09:48,680 She's in charge 126 00:09:48,788 --> 00:09:52,315 of the film archive where Cinecitt� 127 00:09:52,425 --> 00:09:53,619 preserves its memories. 128 00:09:54,827 --> 00:09:56,385 Will you talk with them? 129 00:09:57,363 --> 00:10:00,389 I'm busy. I have to have my cappuccino. 130 00:10:00,499 --> 00:10:01,796 I'm already late. 131 00:10:01,901 --> 00:10:04,233 That's being busy? 132 00:10:04,337 --> 00:10:06,202 When do we start, chief? 133 00:10:06,305 --> 00:10:08,034 Soon! We'll start soon! 134 00:10:08,140 --> 00:10:11,007 Let's work like Nadia... having coffee. 135 00:10:13,779 --> 00:10:17,237 Nobody's noticed me. How do I look? 136 00:10:17,350 --> 00:10:20,513 Rivet has to stick with him. 137 00:10:20,620 --> 00:10:23,714 You can't just leave him on his own. 138 00:10:23,823 --> 00:10:28,089 He needs protection, comforting, care. 139 00:10:28,227 --> 00:10:32,027 If this guy gets sick, we all starve. 140 00:10:32,131 --> 00:10:34,599 Everything is done from scratch 141 00:10:34,734 --> 00:10:37,635 and you feel like God. 142 00:10:37,737 --> 00:10:40,865 If you guys don't give me any gas coupons, 143 00:10:40,973 --> 00:10:42,270 I won't show up anymore. 144 00:10:42,375 --> 00:10:46,106 Nadia, Nadia, what are you doing? 145 00:10:46,212 --> 00:10:47,873 Where are you going? 146 00:10:47,980 --> 00:10:51,211 The office. My boss wants me. 147 00:10:51,317 --> 00:10:55,219 Nuns! On the set! 148 00:10:55,321 --> 00:10:56,811 Move it! 149 00:10:56,922 --> 00:11:01,086 Turn and yell, "Nadia! When am I invited to dinner?" 150 00:11:01,193 --> 00:11:04,424 Excuse us, you going to the archives? 151 00:11:04,664 --> 00:11:06,825 No, I'm picking up chicory. 152 00:11:06,932 --> 00:11:09,025 You have chicory in Japan? 153 00:11:09,135 --> 00:11:12,036 Fellini shoots all his films at Cinecitt�. 154 00:11:12,138 --> 00:11:14,003 Any of his sets still standing? 155 00:11:14,106 --> 00:11:18,099 No, he takes them home as souvenirs. 156 00:11:20,012 --> 00:11:23,277 Where's the famous pool used in "Ben Hur"? 157 00:11:23,382 --> 00:11:26,818 It used to be over there, where they shot 158 00:11:26,919 --> 00:11:32,255 "Ben Hur," "Quo Vadis," the naval battle in "Cleopatra." 159 00:11:33,426 --> 00:11:37,328 All those apartment houses are surrounding us. 160 00:11:37,430 --> 00:11:42,299 They build them overnight. They'll overrun us pretty soon. 161 00:11:43,436 --> 00:11:45,301 This is chicory! 162 00:11:45,404 --> 00:11:47,269 What do you do with it? 163 00:11:47,373 --> 00:11:50,001 Oh, saut�ed with garlic and red pepper, it's to die for! 164 00:11:50,943 --> 00:11:54,640 My grandma used to say that the chicory tea... 165 00:11:57,950 --> 00:11:59,850 He says it's bitter. 166 00:11:59,952 --> 00:12:03,479 That's what makes it good... a nice kind of bitter. 167 00:12:03,589 --> 00:12:07,992 Like the Romans... they act tough, but they're sweethearts. 168 00:12:08,094 --> 00:12:11,325 How about going into business, exporting chicory to Japan? 169 00:12:11,430 --> 00:12:14,888 I have to go now, sorry. 170 00:12:15,000 --> 00:12:16,695 Thanks a lot. 171 00:12:16,802 --> 00:12:19,396 Have a good day at work. 172 00:12:19,505 --> 00:12:23,703 Signor Fellini, when was the first time you came to Cinecitt�? 173 00:12:23,809 --> 00:12:26,972 Oh, many years ago, in 1940. 174 00:12:27,079 --> 00:12:30,173 During the war. I worked for a magazine. 175 00:12:30,282 --> 00:12:33,217 They sent me to interview a famous actress. 176 00:12:33,319 --> 00:12:37,312 We had to catch the blue tram in front 177 00:12:37,423 --> 00:12:41,826 of a kind of bathhouse, the "Casa del Passeggero." 178 00:13:03,182 --> 00:13:05,343 Are you getting the sign? 179 00:13:12,691 --> 00:13:14,784 A full shot from here! 180 00:13:14,894 --> 00:13:17,226 Want the windows? 181 00:13:17,930 --> 00:13:22,367 Hello, Gino? This is Maurizio. The place is disappointing. 182 00:13:22,468 --> 00:13:27,462 The building's condemned, it's changed owners. 183 00:13:27,573 --> 00:13:32,237 Arabs, I think. What do we do? 184 00:13:36,582 --> 00:13:39,380 Yes, Fellini's here. 185 00:13:42,822 --> 00:13:45,382 Leave it then. 186 00:13:46,358 --> 00:13:50,021 Box lunches, my ass! Get over here! Fast! 187 00:13:50,129 --> 00:13:52,029 Heard from Peter? 188 00:13:53,365 --> 00:13:56,528 Behind the communist paper you'll find Peter, 189 00:13:56,635 --> 00:13:59,263 the legendary Notarianni, 190 00:13:59,371 --> 00:14:01,862 old friend and executive producer. 191 00:14:01,974 --> 00:14:05,171 300 films under his belt. He dates back to the Lumi�res. 192 00:14:05,277 --> 00:14:06,801 Even earlier. 193 00:14:07,479 --> 00:14:11,108 The Japanese ask how producers and I feel about each other. 194 00:14:11,217 --> 00:14:14,448 I said total, reciprocal mistrust. 195 00:14:14,553 --> 00:14:17,488 These won't hold up. Everything's rotted. 196 00:14:17,590 --> 00:14:19,490 Notarianni! 197 00:14:19,592 --> 00:14:22,561 The lights have to go on the turrets. 198 00:14:22,661 --> 00:14:25,858 We'll need a lot. Tell Millozza. 199 00:14:25,965 --> 00:14:28,934 There's never enough light here. 200 00:14:29,034 --> 00:14:33,095 Tonino, these trusses won't hold. 201 00:14:33,205 --> 00:14:36,106 Like I said, we need turrets. 202 00:14:36,208 --> 00:14:38,574 Hey, Maestro, 203 00:14:38,677 --> 00:14:41,737 remember that great pizzeria where we used to eat? 204 00:14:41,847 --> 00:14:45,305 You hear the echo? 205 00:14:47,219 --> 00:14:50,848 Christian, take some shots inside the cars. 206 00:14:53,592 --> 00:14:54,991 Done? 207 00:14:55,094 --> 00:14:57,927 Get me some full shots from over there. 208 00:14:58,030 --> 00:15:02,262 The Cinecitt� tram! I must've taken it a million times. 209 00:15:02,368 --> 00:15:05,360 When did you first go to Cinecitt�, Tonino? 210 00:15:05,471 --> 00:15:06,904 In '38. 211 00:15:07,006 --> 00:15:09,167 Yeah, on a horse cart! 212 00:15:09,275 --> 00:15:11,869 Smartass. I'll kick you out. 213 00:15:13,646 --> 00:15:17,412 Terzano and I came on our bikes. Remember him? 214 00:15:17,516 --> 00:15:20,815 Tonino, I'm 20 years younger than you. 215 00:15:23,622 --> 00:15:25,021 Here they are! 216 00:15:25,124 --> 00:15:28,116 Look at them! You'd think it was a hold up. 217 00:15:29,628 --> 00:15:32,119 Who's that with Maurizio? 218 00:15:33,499 --> 00:15:36,468 I saw this lady at the station. 219 00:15:36,602 --> 00:15:39,537 You might test her for "Brunelda." 220 00:15:39,638 --> 00:15:41,663 Forgive us, Signora. 221 00:15:41,774 --> 00:15:46,268 You must have thought you were being kidnapped. 222 00:15:46,378 --> 00:15:47,572 Take some photos of her. 223 00:15:47,680 --> 00:15:49,875 Maurizio, Brunelda is a blonde! 224 00:15:49,982 --> 00:15:51,347 Are we shooting here, chief? 225 00:15:51,450 --> 00:15:53,008 Yes, we're shooting here. 226 00:15:53,118 --> 00:15:54,915 Like we couldn't pick any other place. 227 00:15:55,020 --> 00:15:57,989 I think with some wings and a marquee 228 00:15:58,090 --> 00:16:00,320 and a couple of drops, 229 00:16:00,426 --> 00:16:03,088 we can reconstruct the Casa del Passeggero here. 230 00:16:09,702 --> 00:16:12,603 Get your ass over here, now! 231 00:16:29,355 --> 00:16:31,448 Right there, where the road begins. 232 00:16:33,225 --> 00:16:34,556 Fix it now! 233 00:16:37,363 --> 00:16:39,297 The platform is crooked. 234 00:16:39,398 --> 00:16:41,263 Pull the cable! 235 00:16:51,977 --> 00:16:55,276 Just wait and see, Sergio. 236 00:16:55,381 --> 00:16:59,078 In no time, you'll feel right at home. 237 00:16:59,218 --> 00:17:01,345 Excuse us, we follow each step. 238 00:17:01,453 --> 00:17:05,287 Of course. Should I look into the camera? 239 00:17:06,558 --> 00:17:09,220 Who are you in this film? 240 00:17:09,328 --> 00:17:11,592 Some nice, little character. 241 00:17:11,697 --> 00:17:13,824 Didn't anyone tell you? 242 00:17:13,932 --> 00:17:16,867 I think you should just be yourself. 243 00:17:16,969 --> 00:17:20,097 No, not in here! Translate, please. 244 00:17:20,205 --> 00:17:23,333 They're working here. You can interview them later. 245 00:17:23,442 --> 00:17:28,175 Is our Olga taking care of you? Keeping you happy? 246 00:17:28,280 --> 00:17:29,975 He wants to know who he is. 247 00:17:30,082 --> 00:17:32,710 I'll explain it all. 248 00:17:32,818 --> 00:17:37,187 You are a journalist, a young reporter. 249 00:17:37,289 --> 00:17:42,522 Your paper sends you to interview a star actress at Cinecitt�. 250 00:17:42,628 --> 00:17:44,755 Turn that thing off! 251 00:17:44,863 --> 00:17:48,959 How can you work in this racket? 252 00:17:50,002 --> 00:17:53,335 So, this reporter is all excited. 253 00:17:53,439 --> 00:17:56,135 It's his first visit to Cinecitt� 254 00:17:56,241 --> 00:18:00,143 to interview this sexy woman he's dreamed about. 255 00:18:00,245 --> 00:18:03,373 Massimo, is that pimple ready? 256 00:18:05,050 --> 00:18:07,883 I want him to have a little bump on his nose. 257 00:18:08,620 --> 00:18:10,383 He couldn't leave the kid alone. 258 00:18:10,489 --> 00:18:12,047 That's enough, Olga. 259 00:18:12,157 --> 00:18:13,784 He was too cute. 260 00:18:13,892 --> 00:18:15,587 It looks like you care too much. 261 00:18:15,694 --> 00:18:17,025 He is cute! 262 00:18:17,129 --> 00:18:20,929 It's not a whim. I'm not just being mean. 263 00:18:21,033 --> 00:18:24,127 You see, a reporter who interviews 264 00:18:24,236 --> 00:18:27,433 a great beauty while he has a pimple, 265 00:18:27,539 --> 00:18:29,871 will feel embarrassed, mortified, 266 00:18:29,975 --> 00:18:33,172 and that's how I want the character to feel. 267 00:18:33,278 --> 00:18:36,736 It'll help you as an actor. That's why I did it. 268 00:18:40,586 --> 00:18:42,747 Come on! Come on! 269 00:18:42,855 --> 00:18:47,952 There! Stop beside the other truck! 270 00:18:48,861 --> 00:18:51,056 Sergio, Antonella, come on! 271 00:18:51,163 --> 00:18:53,097 Follow me, please! 272 00:18:53,198 --> 00:18:58,727 Are we going to shoot the movie in Brazil? 273 00:18:58,837 --> 00:19:00,964 Line up, side by side. 274 00:19:01,073 --> 00:19:05,066 Just like that, thank you. 275 00:19:05,177 --> 00:19:08,613 You are going to lead the procession later. 276 00:19:08,714 --> 00:19:10,807 Follow me. 277 00:19:10,916 --> 00:19:12,440 Fellini... 278 00:19:14,052 --> 00:19:15,019 What's going on? 279 00:19:15,120 --> 00:19:18,851 That actor who was coming up from Naples... he hasn't come. 280 00:19:18,957 --> 00:19:22,154 The one who was to play the big fascist. 281 00:19:22,261 --> 00:19:23,228 The fat guy! 282 00:19:23,328 --> 00:19:26,263 Now you tell me, five minutes before we shoot. 283 00:19:26,365 --> 00:19:28,424 And now what? 284 00:19:28,600 --> 00:19:31,797 Cal�, Fabiana, Cal�, Vittorio... here they are. 285 00:19:31,904 --> 00:19:33,565 What do I do now? 286 00:19:34,439 --> 00:19:37,897 Having to foresee everything is no fun. 287 00:19:38,010 --> 00:19:39,341 I agree with Fellini. 288 00:19:39,444 --> 00:19:41,810 On a film, the fun is foreseeing 289 00:19:41,914 --> 00:19:45,247 the unforeseeable and getting screwed anyway. 290 00:19:45,350 --> 00:19:48,945 No worries. The makeup guy is with us. 291 00:19:49,054 --> 00:19:52,023 Get those water cases! 292 00:19:54,560 --> 00:19:56,994 Wait, let me on first. I know where they sit. 293 00:19:59,164 --> 00:20:02,031 Maestro, your shirt. 294 00:20:02,134 --> 00:20:06,400 Here's the plan: Leave three places free here. 295 00:20:06,505 --> 00:20:10,464 The girls back with their parents. Everybody here? 296 00:20:10,576 --> 00:20:13,739 The fascist is missing! 297 00:20:15,681 --> 00:20:19,412 Federico, I can't walk in these boots. 298 00:20:19,518 --> 00:20:23,045 You're perfect! Thank God that actor couldn't come. 299 00:20:23,155 --> 00:20:24,713 I stuffed them with cotton. 300 00:20:24,823 --> 00:20:28,122 The shame of it! And the torture as well, free of charge. 301 00:20:28,227 --> 00:20:30,855 Unbelievable. You look so perfect. 302 00:20:30,963 --> 00:20:34,228 He's all bald, like his comrades! 303 00:20:35,534 --> 00:20:38,833 That's your seat, by the window. 304 00:20:39,805 --> 00:20:41,898 Where's my seat? 305 00:20:42,007 --> 00:20:44,635 It's all unbuttoned. It's not nice. 306 00:20:44,743 --> 00:20:47,211 Where's my megaphone? 307 00:20:47,312 --> 00:20:48,973 Thank you. 308 00:20:49,081 --> 00:20:51,015 Take away the steps. 309 00:20:51,116 --> 00:20:54,608 Are the policemen ready? You, ready to leave! 310 00:20:54,720 --> 00:20:56,517 Turn it around! 311 00:20:58,790 --> 00:21:00,553 Let's go! 312 00:21:02,561 --> 00:21:05,121 Damn, I was supposed to make a call. 313 00:21:05,230 --> 00:21:07,198 Gino, call the lawyer... 314 00:21:07,299 --> 00:21:10,268 No, I'll call later. Let's go! 315 00:22:09,161 --> 00:22:11,686 I'm proud of this line. 316 00:22:12,731 --> 00:22:16,827 We built it in record time. 317 00:22:46,865 --> 00:22:49,095 Are you an actor? 318 00:22:49,201 --> 00:22:50,930 Yes, you're an actor! 319 00:22:52,871 --> 00:22:54,202 An actor? 320 00:22:54,306 --> 00:22:56,274 Esmeralda, come here! 321 00:22:56,375 --> 00:22:58,366 You want a good slap? 322 00:22:58,977 --> 00:23:00,638 An actor, are you? 323 00:23:00,746 --> 00:23:04,648 - No, a journalist, I guess. - Bravo. 324 00:23:04,750 --> 00:23:07,218 A profession of great responsibility, 325 00:23:07,319 --> 00:23:08,377 as you are aware. 326 00:23:08,487 --> 00:23:09,681 Yes, of course. 327 00:23:12,858 --> 00:23:15,986 I also began as a reporter. 328 00:23:16,094 --> 00:23:18,528 And, as you well know, so did He. 329 00:23:18,630 --> 00:23:19,927 Yes. 330 00:23:54,466 --> 00:23:58,266 These voices express the same joy 331 00:23:58,370 --> 00:24:01,567 of those workers who made this land fertile 332 00:24:01,673 --> 00:24:03,903 in the days of Julius Caesar. 333 00:24:21,927 --> 00:24:23,394 To us! 334 00:24:23,962 --> 00:24:27,420 Hurrah for the beautiful workers of the vineyard! 335 00:24:36,107 --> 00:24:37,574 Companion, with fascist ardor... 336 00:24:37,676 --> 00:24:41,077 Thank you, beautiful people from the farms of Italy. 337 00:24:41,179 --> 00:24:43,147 We offer the golden fruit of our vineyards. 338 00:24:43,248 --> 00:24:44,647 How beautiful. 339 00:24:44,749 --> 00:24:46,649 Has it been washed? 340 00:24:48,854 --> 00:24:51,789 So sweet! 341 00:24:51,890 --> 00:24:53,687 Thank you! 342 00:24:53,792 --> 00:24:55,282 Companions, 343 00:24:55,393 --> 00:24:57,520 I would like to join you... 344 00:24:58,363 --> 00:24:59,591 Let me kiss you! 345 00:24:59,698 --> 00:25:01,859 And one from my mother! 346 00:25:01,967 --> 00:25:04,663 In your joyous toil. 347 00:25:07,305 --> 00:25:09,865 But duty calls me. 348 00:25:13,545 --> 00:25:15,638 Long live Italy! 349 00:25:17,883 --> 00:25:20,113 Not again! It's deliberate! 350 00:25:20,218 --> 00:25:22,948 I told them to keep him tied! 351 00:25:23,054 --> 00:25:25,921 Now where do I find the farmer? 352 00:25:26,024 --> 00:25:28,254 Move, will you? 353 00:25:28,360 --> 00:25:30,487 Who'll lend me a hand? 354 00:25:33,732 --> 00:25:36,826 Every morning it's the same disaster. 355 00:26:36,094 --> 00:26:38,392 Something, isn't it? 356 00:26:38,496 --> 00:26:40,088 Beautiful. 357 00:26:40,198 --> 00:26:43,099 Niagara! Niagara! I tell you, young man, 358 00:26:43,201 --> 00:26:45,965 Italy has nothing to envy anyone. 359 00:26:46,137 --> 00:26:48,469 Not even waterfalls. 360 00:27:10,195 --> 00:27:13,028 Look! Indians! 361 00:27:41,259 --> 00:27:45,059 A brave race, but treacherous. 362 00:27:45,163 --> 00:27:49,065 I wonder why they don't exterminate those tribes. 363 00:27:49,167 --> 00:27:53,194 Maybe they're saving some specimens for their films. 364 00:28:29,074 --> 00:28:30,803 Do you know Abyssinia? 365 00:28:30,909 --> 00:28:32,206 No. 366 00:28:32,310 --> 00:28:36,041 Magnificent land, our empire! Go there! 367 00:28:36,147 --> 00:28:38,945 Anyway, since we've sighted elephants, 368 00:28:39,050 --> 00:28:41,450 we must be at Cinecitt�. 369 00:29:05,310 --> 00:29:07,938 I wouldn't want to swear 370 00:29:08,046 --> 00:29:11,777 the trip to Cinecitt� was exactly like that. 371 00:29:11,883 --> 00:29:16,946 Maybe it was even more adventurous, I don't remember. 372 00:29:17,055 --> 00:29:19,319 We're there! 373 00:29:29,367 --> 00:29:31,699 My name's Antonella. 374 00:29:31,803 --> 00:29:34,363 Maybe we'll make this trip together again. 375 00:29:34,472 --> 00:29:36,940 Please meet my fianc�. 376 00:29:37,041 --> 00:29:39,305 Nice to meet you. 377 00:29:46,084 --> 00:29:48,450 This is a very important day for me. 378 00:29:48,553 --> 00:29:50,953 I'm having a screen test, and I'm scared. 379 00:29:51,723 --> 00:29:53,657 I wonder how it'll go. 380 00:29:53,758 --> 00:29:55,988 Wish me luck? 381 00:29:56,094 --> 00:29:57,857 - Yes, indeed! - Good-bye. 382 00:30:01,699 --> 00:30:04,793 Then that pretty blonde girl 383 00:30:04,903 --> 00:30:07,064 disappeared from my life. 384 00:30:07,172 --> 00:30:10,801 Ciao! Good luck! 385 00:30:14,913 --> 00:30:19,145 Ah, I was forgetting, the big fascist who shot with us 386 00:30:19,250 --> 00:30:21,218 was met by a magnificent limousine. 387 00:30:22,320 --> 00:30:23,480 And I remember 388 00:30:23,588 --> 00:30:26,819 I followed the elephants 389 00:30:27,192 --> 00:30:29,524 when I first entered Cinecitt�. 390 00:30:30,628 --> 00:30:32,220 Hey, you! Just a minute! 391 00:30:32,330 --> 00:30:34,696 I have to interview somebody. 392 00:30:34,799 --> 00:30:36,824 Interview? And your name? 393 00:30:36,935 --> 00:30:38,869 My editor called. Rubini's the name. 394 00:30:38,970 --> 00:30:42,269 Rubini. I'll check. 395 00:30:45,844 --> 00:30:48,506 See if we've got a Rubini. 396 00:30:49,681 --> 00:30:50,978 He's here. 397 00:30:51,082 --> 00:30:52,640 Go ahead. 398 00:30:52,750 --> 00:30:54,342 Thank you. 399 00:30:55,086 --> 00:30:59,079 Hey! What am I supposed to do? Push? 400 00:30:59,190 --> 00:31:00,623 Let's go! 401 00:31:00,725 --> 00:31:03,455 Start the procession. 402 00:31:04,929 --> 00:31:06,521 The bride! 403 00:31:06,631 --> 00:31:09,998 Okay, let's have the petals. 404 00:31:10,101 --> 00:31:11,864 The petals! 405 00:31:11,970 --> 00:31:15,929 More, more! Higher! 406 00:31:16,174 --> 00:31:18,665 Keep your distance! 407 00:31:22,981 --> 00:31:27,577 Slower, you... Go! 408 00:31:28,686 --> 00:31:30,119 That's it... Who's that kid? 409 00:31:30,221 --> 00:31:33,190 What's he doing? Get down! 410 00:31:34,792 --> 00:31:36,191 Down! 411 00:31:36,294 --> 00:31:37,659 Lower! 412 00:31:37,762 --> 00:31:39,923 Higher in the air! 413 00:31:40,031 --> 00:31:45,264 Like a whirl! The fan! 414 00:31:45,370 --> 00:31:46,632 Stop! 415 00:31:46,738 --> 00:31:49,866 Cut! Cut! 416 00:31:49,974 --> 00:31:54,104 Back in place! Another take. 417 00:31:58,583 --> 00:32:00,642 Tell him you can't run. 418 00:32:00,752 --> 00:32:03,687 Where's the bride? Get the bride ready! 419 00:32:05,089 --> 00:32:07,990 Music! Music! 420 00:32:11,796 --> 00:32:14,890 Pick up the beat! 421 00:32:17,869 --> 00:32:21,464 "Rolf!" Shout, "Rolf!" 422 00:32:25,610 --> 00:32:27,635 Stop! 423 00:32:35,687 --> 00:32:37,951 Help me down. 424 00:32:38,056 --> 00:32:40,024 Be careful, Maestro. 425 00:32:40,124 --> 00:32:41,716 - Help him. - Slow. 426 00:32:41,826 --> 00:32:45,455 He doesn't need help, he's spry as a cricket. 427 00:32:45,563 --> 00:32:48,896 I'm holding you, Maestro, don't worry. 428 00:32:49,000 --> 00:32:50,092 His shoes. 429 00:32:50,201 --> 00:32:53,637 Get his shoes, hurry! 430 00:32:56,374 --> 00:32:59,537 Maybe some confetti stuck to the lens. 431 00:32:59,644 --> 00:33:01,578 We'll see it in the rushes. 432 00:33:01,679 --> 00:33:03,613 Print it? 433 00:33:03,715 --> 00:33:06,445 Would you like mineral water, a beer? 434 00:33:06,551 --> 00:33:08,815 A pear. 435 00:33:09,954 --> 00:33:13,014 There's only an apple... A peach? 436 00:33:13,124 --> 00:33:16,321 A nice, juicy peach? 437 00:33:16,427 --> 00:33:17,416 A pear. 438 00:33:17,528 --> 00:33:19,189 A plum? 439 00:33:19,297 --> 00:33:20,286 A pear. 440 00:33:21,566 --> 00:33:23,830 A pear! A pear! 441 00:33:23,935 --> 00:33:27,996 A pear! He wants a pear! 442 00:33:29,907 --> 00:33:33,172 Was I all right, Maestro? Are you satisfied? 443 00:33:33,277 --> 00:33:36,508 The tear in my eye? Could you see it? 444 00:33:39,650 --> 00:33:41,174 Not bad. 445 00:33:41,285 --> 00:33:44,254 Where's the groom? 446 00:33:44,355 --> 00:33:46,915 Be quiet! Nuisance! 447 00:33:47,025 --> 00:33:49,459 You know, he's a little nervous. 448 00:33:49,560 --> 00:33:52,620 You're running towards love, happiness. 449 00:33:52,730 --> 00:33:54,595 This way. 450 00:33:54,699 --> 00:33:57,395 Follow me. Come, come! 451 00:33:57,502 --> 00:34:00,164 - Come on, don't worry. - You're running towards love. 452 00:34:01,139 --> 00:34:02,902 You were wonderful. 453 00:34:05,676 --> 00:34:07,667 - Who's that? - Nobody. 454 00:34:07,779 --> 00:34:10,043 Smile, smile. 455 00:34:11,082 --> 00:34:13,050 Smile. 456 00:34:13,151 --> 00:34:15,346 Smile. 457 00:34:15,453 --> 00:34:16,442 Helga! 458 00:34:17,221 --> 00:34:19,883 Go on, the hug. 459 00:34:19,991 --> 00:34:24,223 No! More enthusiasm! Watch me. 460 00:34:36,407 --> 00:34:39,342 Let's have the petals! Action! 461 00:34:39,444 --> 00:34:43,107 Hold it! Lunch! 462 00:34:43,214 --> 00:34:45,808 Stop! 463 00:34:47,518 --> 00:34:51,249 Hey, Nico, shall I take a plate for you, too? 464 00:34:51,355 --> 00:34:53,653 I'm going by the fountain. 465 00:34:59,464 --> 00:35:02,160 Thanks, bring it here, in the sunshine. 466 00:35:14,612 --> 00:35:17,046 Pericle, can you get me one of those? 467 00:35:17,148 --> 00:35:19,082 White! 468 00:35:22,954 --> 00:35:27,516 Hey, kid, get me a lunch for the lady. 469 00:35:27,625 --> 00:35:28,592 What lady? 470 00:35:28,693 --> 00:35:30,126 Katia. 471 00:35:30,228 --> 00:35:33,288 Of course. Right away. 472 00:35:36,601 --> 00:35:38,068 You're always late. 473 00:35:38,169 --> 00:35:41,400 You show up at 12:34 rather than 12:30. 474 00:35:44,008 --> 00:35:46,238 Thank you. You're so nice. 475 00:35:47,078 --> 00:35:48,807 Katia Venis? 476 00:35:48,913 --> 00:35:51,711 That's right. She's better today. She wants to work. 477 00:35:51,816 --> 00:35:53,010 I'm here to interview her. 478 00:35:53,117 --> 00:35:54,414 Does she know? 479 00:35:54,519 --> 00:35:56,919 I'll show you the way. 480 00:36:18,576 --> 00:36:20,806 Had a little argument with the wife? 481 00:36:24,182 --> 00:36:27,174 Can I ask you a few questions, too? 482 00:36:27,285 --> 00:36:29,116 What's in her lunch box? 483 00:36:29,220 --> 00:36:33,782 She never opens it. I get it for my sister-in-law. 484 00:36:33,891 --> 00:36:35,119 Do you work with Katia? 485 00:36:35,226 --> 00:36:36,284 I'm wardrobe... 486 00:36:36,394 --> 00:36:38,726 Didn't you do something else? 487 00:36:38,829 --> 00:36:41,161 She sent me away and then called me back. 488 00:36:41,265 --> 00:36:46,532 She's all right, but with him she acts like an empress. 489 00:36:46,637 --> 00:36:48,104 And for all his boots and plumes, 490 00:36:48,206 --> 00:36:51,664 he toes the line with her. 491 00:36:51,776 --> 00:36:53,038 Mind you, I haven't said a word. 492 00:36:53,144 --> 00:36:54,475 Don't worry. 493 00:36:56,814 --> 00:36:59,681 They're working on a super-colossal production. 494 00:37:02,853 --> 00:37:04,912 Can I look inside? 495 00:37:09,160 --> 00:37:11,321 Hey, Cesare. 496 00:37:12,330 --> 00:37:14,195 What is it? 497 00:37:14,298 --> 00:37:17,790 Why don't you go fuck yourself? 498 00:37:20,071 --> 00:37:23,871 For that pimple, try bread soaked in milk. 499 00:37:23,975 --> 00:37:25,533 It'll go away overnight. 500 00:37:34,719 --> 00:37:37,847 Hey, Cesare, I was thinking. 501 00:37:37,955 --> 00:37:39,286 What? 502 00:37:39,390 --> 00:37:41,824 Why don't you go fuck yourself? 503 00:37:47,932 --> 00:37:50,901 Say, kid, I've got to get going. 504 00:37:56,007 --> 00:37:57,099 Hey, Cesare. 505 00:37:58,175 --> 00:38:01,144 You know who I ran into? Old Snotty. 506 00:38:01,245 --> 00:38:02,974 - You know what he said? - No. 507 00:38:03,080 --> 00:38:04,547 He said you have to go fu... 508 00:38:04,649 --> 00:38:08,449 I just gulped a beer and I feel sick. 509 00:38:16,994 --> 00:38:19,758 So she says to me, she says, "Well?" 510 00:38:19,864 --> 00:38:23,356 "Well what?" I say. Some manners. 511 00:38:25,870 --> 00:38:27,735 I just got some fruit for you. 512 00:38:27,838 --> 00:38:30,363 - Any tangerines? - No tangerines. 513 00:38:33,110 --> 00:38:34,975 Give me some deli instead. 514 00:38:35,079 --> 00:38:39,607 You going for the eggs? I'll come too. 515 00:38:39,717 --> 00:38:43,244 There's this peasant who's in love with her. 516 00:38:43,354 --> 00:38:45,254 He sends her fresh eggs. She takes them raw. 517 00:38:46,324 --> 00:38:50,351 It's still warm! Here's her egg. 518 00:38:51,495 --> 00:38:53,986 I like the Signora... a lot. 519 00:38:54,098 --> 00:38:56,760 Hear that? 520 00:38:58,703 --> 00:39:00,728 Bring her over one day! 521 00:39:02,006 --> 00:39:06,067 - Who is it? - It's me, with lunch. 522 00:39:06,177 --> 00:39:07,769 Come in. 523 00:39:12,350 --> 00:39:15,808 - Rivet, the film's set in the '40s. - Do I fit? 524 00:39:15,920 --> 00:39:17,854 - No, you don't. - When will I? 525 00:39:17,955 --> 00:39:19,422 When we get to the '80s. 526 00:39:19,523 --> 00:39:22,253 - When is that? - I don't know. 527 00:39:22,960 --> 00:39:24,723 Shall we send a copy to Villa Medici? 528 00:39:26,063 --> 00:39:28,429 These are the two kids from the Conservatory. 529 00:39:28,532 --> 00:39:31,228 Have you read Kafka's "Amerika"? 530 00:39:32,670 --> 00:39:35,332 If all goes well you'll have to read it. 531 00:39:36,807 --> 00:39:38,468 Thanks... and good luck! 532 00:39:38,576 --> 00:39:40,134 This way. I'll check your size. 533 00:39:40,244 --> 00:39:44,510 So we've seen our young reporter enter the trailer 534 00:39:44,615 --> 00:39:47,277 and there, all by himself, 535 00:39:47,385 --> 00:39:52,152 he's waiting to meet the star who seems to excite him so much. 536 00:39:52,256 --> 00:39:53,382 Rubini, you hear me? 537 00:39:53,491 --> 00:39:54,890 I hear you! 538 00:39:55,926 --> 00:39:58,360 Everything's fine, but I'm not alone here. 539 00:40:03,300 --> 00:40:05,495 Then what does the Indian woman do? 540 00:40:05,603 --> 00:40:06,968 This is another one. 541 00:40:07,071 --> 00:40:11,906 Here it says, "When the 'lingam' is made to rotate inside, 542 00:40:12,009 --> 00:40:15,069 it's called 'zangolating'." 543 00:40:15,179 --> 00:40:16,703 I love to zangolate! 544 00:40:20,751 --> 00:40:22,776 "When the 'lingam'..." 545 00:40:23,888 --> 00:40:26,948 Ah, you weren't here. You missed the lesson. 546 00:40:27,057 --> 00:40:30,515 In the "Kama Sutra," our friend here is called 'lingam' 547 00:40:30,628 --> 00:40:32,459 and the other thing's called... 548 00:40:32,563 --> 00:40:34,224 The 'yoni'. 549 00:40:35,166 --> 00:40:39,125 So when the lingam, introduced into the yoni, 550 00:40:39,236 --> 00:40:42,034 starts moving in and out, in and out, 551 00:40:42,139 --> 00:40:44,664 without interruption 552 00:40:44,842 --> 00:40:47,470 and without extraction... 553 00:40:47,578 --> 00:40:49,637 What do we have? 554 00:40:50,648 --> 00:40:53,640 "The sparrow's flutter!" 555 00:40:56,187 --> 00:40:58,849 Charming image! 556 00:40:58,956 --> 00:41:01,686 Who's that? Who have you let in here? 557 00:41:01,792 --> 00:41:04,659 Signora, it's that reporter. 558 00:41:04,762 --> 00:41:07,697 And in front of a stranger, 559 00:41:07,798 --> 00:41:10,494 a reporter, you talk that filth. 560 00:41:10,601 --> 00:41:12,159 But it's a holy book. 561 00:41:12,269 --> 00:41:15,204 Eroticism on a religious plane. 562 00:41:15,306 --> 00:41:18,673 Freezing one minute, boiling the next! Can't they fix it? 563 00:41:18,776 --> 00:41:20,767 It's torture! 564 00:41:21,512 --> 00:41:25,414 I told production, but they just act dumb. 565 00:41:25,516 --> 00:41:27,313 I heard a story about you! 566 00:41:27,518 --> 00:41:29,452 Well, spread it around. 567 00:41:29,553 --> 00:41:32,545 "Cinema Magazine," I never miss an issue. 568 00:41:33,491 --> 00:41:36,927 I sent two poems, but you didn't publish them. 569 00:41:42,333 --> 00:41:44,494 Good morning, Signora. 570 00:41:45,436 --> 00:41:47,495 Isn't the heat killing you? 571 00:41:47,605 --> 00:41:49,368 My egg! 572 00:41:50,541 --> 00:41:52,372 A pin! 573 00:42:06,357 --> 00:42:07,585 Want to try it? 574 00:42:07,691 --> 00:42:09,784 This is my meal. 575 00:42:09,894 --> 00:42:13,091 I don't believe in interviews. 576 00:42:13,197 --> 00:42:16,325 Does Garbo ever grant interviews? 577 00:42:17,701 --> 00:42:20,693 Hm, the sweetie. 578 00:42:20,804 --> 00:42:24,865 But we have to help a beginner, don't we? 579 00:42:24,975 --> 00:42:27,910 Or, as the saying goes, they never get past 580 00:42:28,012 --> 00:42:31,846 the "Dear Sir or Madam" stage. 581 00:42:31,949 --> 00:42:35,316 One condition, though... my secretary is present. 582 00:42:35,419 --> 00:42:38,445 She's heard me so often with you reporters, 583 00:42:38,556 --> 00:42:42,492 so if I can't think of the right answer, 584 00:42:42,593 --> 00:42:46,654 she'll remember it, and she tells me. 585 00:42:48,399 --> 00:42:50,560 Why, he's just a kid, our reporter. 586 00:42:52,002 --> 00:42:57,770 I thought I might begin the piece, imagining you in the shower, 587 00:42:57,875 --> 00:42:59,502 glimpsed through the steam, 588 00:42:59,610 --> 00:43:02,044 like Tiepolo's Venus. 589 00:43:02,146 --> 00:43:03,704 Do you know Tiepolo? 590 00:43:03,814 --> 00:43:06,544 I doubt one can know everybody! 591 00:43:06,650 --> 00:43:08,948 That's for sure. 592 00:43:09,820 --> 00:43:12,050 Do you believe in dreams? 593 00:43:12,156 --> 00:43:15,421 I had one last night. I'm ashamed to tell. 594 00:43:16,393 --> 00:43:20,352 You said you don't like interviews. I understand. 595 00:43:21,532 --> 00:43:26,333 Because I, myself, feel uncomfortable asking you questions. 596 00:43:27,438 --> 00:43:30,737 But there's one I want to ask. 597 00:43:31,675 --> 00:43:33,438 How can a person be so beautiful? 598 00:43:33,544 --> 00:43:36,638 Believe me, I'm dazzled. 599 00:43:36,747 --> 00:43:39,181 Beautiful? Some of you writers disagree. 600 00:43:39,283 --> 00:43:42,878 One critic wrote that I seem a man. Maybe wishful thinking. 601 00:43:45,122 --> 00:43:47,090 My grandmother was beautiful! 602 00:43:47,191 --> 00:43:50,718 I don't have her photo, but she was the image of me. 603 00:43:50,828 --> 00:43:55,231 For a movie actress, beauty is less important than talent. 604 00:43:55,332 --> 00:43:57,061 Naturally, if she has both, 605 00:43:57,167 --> 00:44:01,467 so much the better! 606 00:44:01,572 --> 00:44:05,235 How did you discover your vocation? 607 00:44:05,342 --> 00:44:09,438 When did you first think of being an actress? 608 00:44:09,546 --> 00:44:13,141 Even as a child, people said 609 00:44:13,250 --> 00:44:15,844 I was pretty, like a little angel. 610 00:44:15,953 --> 00:44:18,581 In religious processions she was always the cherub. 611 00:44:18,689 --> 00:44:20,020 I can imagine. 612 00:44:20,124 --> 00:44:22,991 But without talent, it's hopeless. 613 00:44:24,361 --> 00:44:28,058 I can imagine all the men who'd give anything to be here, in my place. 614 00:44:28,165 --> 00:44:29,132 Oh, really? 615 00:44:29,233 --> 00:44:30,222 Oh, yes. 616 00:44:30,334 --> 00:44:33,064 You've got to realize one thing. 617 00:44:33,170 --> 00:44:35,968 The whole secret is in the eyes. 618 00:44:36,073 --> 00:44:39,770 True! A girl can have the greatest 'yoni' in the world... 619 00:44:39,877 --> 00:44:44,246 Pardon, my dear... but if her eyes aren't made up properly, she's had it! 620 00:44:44,415 --> 00:44:46,144 Write that! 621 00:44:46,250 --> 00:44:50,016 When you see an actress in close-up... 622 00:44:50,120 --> 00:44:51,178 Eyes shut. 623 00:44:51,288 --> 00:44:52,482 The lids... 624 00:44:52,589 --> 00:44:54,489 Close. Eyes shut. 625 00:44:54,591 --> 00:44:57,424 A close-up that fills the screen... 626 00:44:57,961 --> 00:44:59,394 Raise them! 627 00:44:59,496 --> 00:45:01,589 Her eyes just swallow you up! 628 00:45:01,699 --> 00:45:03,098 Write that! 629 00:45:03,200 --> 00:45:05,498 And write that I'm here at 5:00 AM. 630 00:45:05,602 --> 00:45:08,036 Her too, for the sake of art. 631 00:45:08,138 --> 00:45:09,969 That's a very hard life. 632 00:45:10,074 --> 00:45:12,838 Excuse me, one last question. 633 00:45:12,943 --> 00:45:15,741 When you're not acting, what do you do? 634 00:45:15,846 --> 00:45:18,610 An actress lives in her roles. 635 00:45:18,716 --> 00:45:19,705 She's imprisoned. 636 00:45:19,817 --> 00:45:21,717 Never free? 637 00:45:23,987 --> 00:45:25,477 That depends... 638 00:45:25,589 --> 00:45:28,319 On her latest 'lingam'. 639 00:45:29,093 --> 00:45:31,220 The costume's here. 640 00:45:31,328 --> 00:45:33,159 Ah, the Maharani costume! 641 00:45:36,266 --> 00:45:38,632 Everybody out now! 642 00:45:38,736 --> 00:45:41,762 The Signora has to dress. Out! 643 00:45:41,872 --> 00:45:44,432 That means everybody. You too. 644 00:45:44,541 --> 00:45:46,532 Take a nice walk. 645 00:45:46,643 --> 00:45:48,304 Just a minute. 646 00:45:48,412 --> 00:45:51,643 The Signora reads all interviews before publication. 647 00:45:51,749 --> 00:45:55,378 Remember, quote only what I said. 648 00:45:55,486 --> 00:45:57,886 Word for word. 649 00:47:00,717 --> 00:47:04,346 Young man... Hey, young man! 650 00:47:04,454 --> 00:47:05,421 You mean me? 651 00:47:06,456 --> 00:47:07,650 Come here. 652 00:47:12,196 --> 00:47:15,461 This thief here tells me you're a reporter. 653 00:47:16,567 --> 00:47:18,432 Had a good look around? 654 00:47:18,535 --> 00:47:21,595 You know what this circus is costing me? 655 00:47:21,705 --> 00:47:25,266 Like four apartment houses. 656 00:47:25,375 --> 00:47:28,674 The rent alone would have brought in a fortune. 657 00:47:28,779 --> 00:47:32,545 But making movies is a lot more fun. 658 00:47:32,649 --> 00:47:36,176 But we've already cut 50% off the budget! 659 00:47:37,821 --> 00:47:40,949 Have you ever seen a thief's face 660 00:47:41,058 --> 00:47:44,027 to equal this thief I have as production manager? 661 00:47:44,127 --> 00:47:45,719 Don't say such things. 662 00:47:45,829 --> 00:47:47,888 But I admire you! 663 00:47:47,998 --> 00:47:51,456 A thief who looks like a thief 664 00:47:51,568 --> 00:47:53,900 is being honest. 665 00:47:55,339 --> 00:47:58,968 That guy makes me die laughing. 666 00:48:00,711 --> 00:48:03,339 Look at the dumb face on him. 667 00:48:03,447 --> 00:48:05,108 The director says he's stupid. 668 00:48:06,183 --> 00:48:07,650 I think he's good. 669 00:48:09,319 --> 00:48:11,116 You shit! 670 00:48:12,422 --> 00:48:14,049 Who do you think you are? 671 00:48:14,157 --> 00:48:16,625 You've kept us waiting for three whole hours! 672 00:48:16,727 --> 00:48:19,457 Listen to the cheap, little hick. 673 00:48:20,497 --> 00:48:22,397 Give me that mirror, I can't see myself. 674 00:48:22,499 --> 00:48:25,400 You and your rich shit friend. 675 00:48:25,502 --> 00:48:28,903 - He means me. - No, that isn't you, chief. 676 00:48:29,873 --> 00:48:32,103 Did you hear all the shit in the air? 677 00:48:32,209 --> 00:48:36,168 Plenty for everybody, even you, an outsider. 678 00:48:37,781 --> 00:48:39,806 Poor Italy! 679 00:48:39,917 --> 00:48:41,384 A tough life. 680 00:48:41,485 --> 00:48:44,579 But here in Rome everybody's a shit. 681 00:48:44,688 --> 00:48:46,053 Incredible! 682 00:48:46,156 --> 00:48:47,714 We're more polite in Milan. 683 00:48:54,298 --> 00:48:55,925 Look... 684 00:48:56,033 --> 00:48:59,992 you needn't write about these outbursts, eh? 685 00:49:00,103 --> 00:49:01,730 We know about artistic temperament, of course. 686 00:49:01,838 --> 00:49:04,238 But this one goes too far. 687 00:49:04,341 --> 00:49:05,933 Enjoy your lunch, Pierone! 688 00:49:06,043 --> 00:49:08,034 Want some? 689 00:49:08,145 --> 00:49:10,705 No, but have a drink for me. 690 00:49:13,483 --> 00:49:16,316 Nice site, eh? 691 00:49:17,154 --> 00:49:21,591 Do you think it's the same in India? 692 00:49:22,626 --> 00:49:26,619 He thinks he's a Maharaja, but he's from Campobasso. 693 00:49:26,730 --> 00:49:31,133 But when he sings, he'll give you goose bumps. 694 00:49:31,234 --> 00:49:32,724 Smile! 695 00:49:32,836 --> 00:49:34,098 Dip! Heel! 696 00:49:34,204 --> 00:49:36,695 Dip! Keep in time! 697 00:49:50,854 --> 00:49:55,882 Get that salad bowl on her head! 698 00:49:55,993 --> 00:49:58,894 Remember your lines, sweetheart? 699 00:49:58,996 --> 00:50:02,397 I know your silly lines. 700 00:50:02,499 --> 00:50:07,095 But what he doesn't know is, he's finished playing God. 701 00:50:07,204 --> 00:50:10,537 One word from me, and he'll be sent to the border. 702 00:50:10,640 --> 00:50:14,940 You know why he yells all the time? He's in love. 703 00:50:15,045 --> 00:50:18,811 How could you miss that? Head over heels! 704 00:50:18,915 --> 00:50:21,179 How disgusting, that faggot dwarf! 705 00:50:21,284 --> 00:50:24,185 Crazy about you, like everybody. 706 00:50:24,287 --> 00:50:26,983 Okay, concubine, start singing. Sing! 707 00:50:27,691 --> 00:50:31,127 Now let those two dopes kiss your hand. 708 00:50:31,228 --> 00:50:33,321 Then say your line to the Maharaja. 709 00:50:33,430 --> 00:50:35,762 Does the Maharaja know what to do? 710 00:50:35,866 --> 00:50:38,164 You're insulting me! 711 00:50:38,268 --> 00:50:39,428 Listen! 712 00:50:46,476 --> 00:50:48,273 My sweet Mara. 713 00:50:50,113 --> 00:50:53,048 Some manners! Some noblemen! 714 00:50:53,150 --> 00:50:56,119 And those officers! It's an outrage! 715 00:50:56,219 --> 00:50:57,186 Indecent! 716 00:50:57,287 --> 00:51:01,121 The more he yells, the less he works. And tomorrow we'll still be here. 717 00:51:05,295 --> 00:51:09,789 Bring on the dancing girls! Graceful! 718 00:51:10,834 --> 00:51:13,029 Katia, you're on. 719 00:51:13,136 --> 00:51:14,398 Into the water! 720 00:51:14,504 --> 00:51:17,337 And say your line! 721 00:51:19,376 --> 00:51:24,643 "I bow to the glory of the Maharaja, splendor of Dergalesh. 722 00:51:24,748 --> 00:51:26,909 "Please accept with favor, 723 00:51:27,017 --> 00:51:30,214 my loyal, ardent devotion." 724 00:51:31,254 --> 00:51:34,417 And now, Katia the beautiful goes up to the canopy 725 00:51:34,524 --> 00:51:37,288 and enters, bowing low. 726 00:51:37,394 --> 00:51:39,487 They'll see my behind. 727 00:51:39,596 --> 00:51:42,793 It won't be the first time! 728 00:51:43,667 --> 00:51:45,498 With the movements of a tigress... 729 00:51:45,602 --> 00:51:47,570 slow, soft 730 00:51:47,671 --> 00:51:50,435 and swaying. 731 00:51:59,082 --> 00:52:01,448 Sway! Wiggle those hips! 732 00:52:01,551 --> 00:52:04,486 Why go up a stair otherwise? 733 00:52:09,159 --> 00:52:11,753 What's wrong? Now what is it? 734 00:52:12,762 --> 00:52:16,562 Go see what that bitch wants! 735 00:52:22,806 --> 00:52:24,967 What's going on? 736 00:52:25,075 --> 00:52:27,805 She doesn't feel well. 737 00:52:27,911 --> 00:52:30,277 She needs to go to bed earlier! 738 00:52:30,380 --> 00:52:32,075 It's ruining her makeup. 739 00:52:33,016 --> 00:52:35,041 Call the makeup artist! 740 00:52:35,152 --> 00:52:38,553 Aurelio, go take a look. 741 00:52:47,864 --> 00:52:51,732 When I say "trunks," up they go. 742 00:52:52,836 --> 00:52:55,066 Ready? Trunks! 743 00:53:02,112 --> 00:53:03,511 What's with that trunk? 744 00:53:06,183 --> 00:53:09,346 I knew it! I knew it! 745 00:53:09,452 --> 00:53:11,443 Get me down! 746 00:53:11,555 --> 00:53:14,251 Down! I want to get down! 747 00:53:14,357 --> 00:53:16,882 There! Are you satisfied? 748 00:53:16,993 --> 00:53:20,087 We'll end up like a bunch of dumb shits! 749 00:53:20,197 --> 00:53:21,994 And it's your fault! 750 00:53:22,098 --> 00:53:24,225 Your cheapskate production! 751 00:53:25,335 --> 00:53:26,825 Out of my way! 752 00:53:30,640 --> 00:53:32,938 You promised me real elephants! 753 00:53:33,043 --> 00:53:35,170 The circus is in Sicily. You know what they asked? 754 00:53:35,278 --> 00:53:36,575 Pay them! 755 00:53:38,882 --> 00:53:43,012 Or go back to laying brick... your true calling! 756 00:53:43,119 --> 00:53:45,849 Stop or I'll have you arrested! 757 00:53:45,956 --> 00:53:47,446 Criminal! 758 00:53:47,557 --> 00:53:51,584 You bum! You're making a mistake! 759 00:53:51,695 --> 00:53:53,424 I signed a contract with you! 760 00:53:53,530 --> 00:53:55,794 That was my mistake! 761 00:53:55,899 --> 00:53:58,163 I've had it! 762 00:53:58,268 --> 00:54:01,897 Out, everybody! I quit! 763 00:54:02,005 --> 00:54:04,439 The film is finished. 764 00:54:04,541 --> 00:54:07,908 No, you're finished. I'll ruin you! 765 00:54:08,011 --> 00:54:09,000 Take it easy. 766 00:54:09,112 --> 00:54:11,137 Stuff your coffee! 767 00:54:12,816 --> 00:54:15,341 I swear he'll never work again. 768 00:54:15,452 --> 00:54:17,977 Never, never, never, never! 769 00:54:18,088 --> 00:54:23,390 It would be a blessing never to work with your kind. 770 00:54:23,493 --> 00:54:26,462 You're what's ruining cinema. 771 00:54:26,563 --> 00:54:28,827 I'm going to Germany. 772 00:54:28,932 --> 00:54:30,627 No, to the loony bin! 773 00:54:30,734 --> 00:54:33,225 I've had enough of you! 774 00:54:33,336 --> 00:54:34,963 - Excuse me. - What? 775 00:54:35,071 --> 00:54:37,631 I appreciate the temperament, but you forgot something. 776 00:54:37,741 --> 00:54:38,708 What? 777 00:54:38,808 --> 00:54:43,245 You were supposed to knock over the first elephant, not the third. 778 00:54:43,346 --> 00:54:46,110 We have to redo it. 779 00:54:46,216 --> 00:54:48,912 This was the elephant to knock over. 780 00:54:49,019 --> 00:54:52,284 The idea was to have it fall right into the camera. 781 00:54:52,455 --> 00:54:55,015 Ah... where've you been hiding? 782 00:54:58,528 --> 00:55:03,022 We want to know one thing about your films. 783 00:55:05,535 --> 00:55:09,733 Where do you find all the strange faces? 784 00:55:37,100 --> 00:55:39,068 What are you doing? 785 00:55:43,006 --> 00:55:45,873 Need a face like mine? 786 00:56:01,524 --> 00:56:04,254 To hell with him! Who cares? 787 00:56:04,361 --> 00:56:05,487 And your mother? 788 00:56:05,595 --> 00:56:08,621 My mother? She never could stand him. 789 00:56:16,706 --> 00:56:18,970 Signorina. 790 00:56:19,075 --> 00:56:20,804 Excuse me. 791 00:56:20,910 --> 00:56:22,343 May we take your picture? 792 00:56:22,445 --> 00:56:24,106 But why? 793 00:56:24,214 --> 00:56:27,115 You have such a beautiful face. Striking! 794 00:56:29,119 --> 00:56:33,579 Wouldn't you like an unusual experience making a movie? 795 00:56:35,325 --> 00:56:37,793 I'm Maurizio Mein, Fellini's assistant. 796 00:56:37,894 --> 00:56:42,422 We need faces for the characters of Kafka's "Amerika." 797 00:56:42,532 --> 00:56:46,662 To make it into a film. Great idea, isn't it? 798 00:57:18,234 --> 00:57:21,795 You see Elvis? Looks like he has a toothache. 799 00:57:29,045 --> 00:57:30,842 What's your guess on Sampdoria vs. Atalanta? 800 00:57:30,947 --> 00:57:32,380 Me, too. 801 00:57:32,482 --> 00:57:34,416 Come on, ladies. 802 00:57:34,517 --> 00:57:35,882 Follow me. 803 00:57:35,985 --> 00:57:38,249 This way. 804 00:57:43,560 --> 00:57:47,428 Did you know they don't pay you for tests? 805 00:57:47,530 --> 00:57:49,157 No, not tests. 806 00:57:49,265 --> 00:57:54,134 And I get up at 5:00 AM to enjoy the fresh air? 807 00:57:54,237 --> 00:57:55,499 Hello, it's Maurizio. 808 00:57:55,605 --> 00:57:59,541 I'll be there with eight women. 809 00:57:59,642 --> 00:58:01,872 I'll send them to wardrobe. 810 00:58:01,978 --> 00:58:04,242 Ladies, there! Wardrobe. 811 00:58:04,347 --> 00:58:07,180 You go ahead, I'll check the sets. 812 00:58:07,283 --> 00:58:08,545 That way! 813 00:58:08,651 --> 00:58:12,178 I was here before, but nothing happened. 814 00:58:12,288 --> 00:58:14,381 Where to? Over there? 815 00:58:15,859 --> 00:58:17,656 I worked as a taster. 816 00:58:17,760 --> 00:58:21,958 A taste here, a taste there... I put on 80 pounds. 817 00:58:22,065 --> 00:58:23,760 - Signor Donati. - I'm busy. 818 00:58:23,867 --> 00:58:26,768 Fine as silk. 819 00:58:26,870 --> 00:58:28,132 Come in. 820 00:58:28,271 --> 00:58:31,399 I'm late, I've got to get a new license. 821 00:58:31,508 --> 00:58:34,773 Besides, the part calls for a blonde. 822 00:58:34,878 --> 00:58:36,505 "Shall I raise the curtain?" 823 00:58:36,613 --> 00:58:41,050 Repeat the line, Stefano, and get up. 824 00:58:41,150 --> 00:58:44,483 Massimo, you move to the other side. 825 00:58:44,587 --> 00:58:46,555 - Tonino! - What? 826 00:58:51,928 --> 00:58:53,793 Are you shooting? 827 00:58:55,832 --> 00:58:58,266 Brunelda eats, sleeps, and keeps making love. 828 00:58:58,368 --> 00:59:02,361 Yes, I see, she's a man-eater. 829 00:59:02,472 --> 00:59:03,439 Excuse me... 830 00:59:03,540 --> 00:59:05,974 Here it says Brunelda gets bathed. 831 00:59:06,843 --> 00:59:10,279 Her lover gives her a bath, like a baby. 832 00:59:10,380 --> 00:59:13,816 No, no. I don't do nude scenes. 833 00:59:13,917 --> 00:59:18,911 I admire Signor Fellini and all, but I've never done it, 834 00:59:19,022 --> 00:59:21,547 and not because I couldn't. 835 00:59:22,158 --> 00:59:24,285 It's a nice part... beautiful, but... 836 00:59:24,394 --> 00:59:27,488 Is Maurizio Mein here? Hello. 837 00:59:28,498 --> 00:59:30,966 You know what a window costs? 838 00:59:31,067 --> 00:59:33,558 Scratch four. 839 00:59:33,670 --> 00:59:36,798 It's no big savings. 840 00:59:38,675 --> 00:59:42,543 A frightening expression aggressive and fierce, 841 00:59:42,645 --> 00:59:44,510 but also sweet. 842 00:59:44,614 --> 00:59:47,981 You have to be like an animal... bestial. 843 00:59:48,084 --> 00:59:50,075 Oh, yes, the quivering nostril. 844 00:59:50,186 --> 00:59:51,847 That's basic. 845 00:59:51,955 --> 00:59:54,549 It solves everything. 846 00:59:59,662 --> 01:00:01,687 Hello. 847 01:00:01,798 --> 01:00:03,390 Yes, I'm listening... 848 01:00:03,499 --> 01:00:04,932 Stage 2, construction. 849 01:00:05,034 --> 01:00:07,662 What communiqu�? 850 01:00:07,770 --> 01:00:10,534 Gino, you better take this. 851 01:00:11,174 --> 01:00:14,337 I'll pass you to the head organizer. 852 01:00:18,781 --> 01:00:20,681 Who's speaking? 853 01:00:21,584 --> 01:00:23,711 Who is this? 854 01:00:23,820 --> 01:00:25,048 It's of no importance? 855 01:00:25,154 --> 01:00:27,054 Who said that? 856 01:00:31,160 --> 01:00:32,127 Hung up. 857 01:00:34,664 --> 01:00:38,100 Excuse me, everybody. Would you mind leaving? 858 01:00:38,201 --> 01:00:40,328 I forgot I had an appointment here. 859 01:00:40,436 --> 01:00:41,960 Outside, please. 860 01:00:42,071 --> 01:00:44,232 You two also. Thanks. 861 01:00:44,340 --> 01:00:45,807 The accountants are coming. 862 01:00:45,908 --> 01:00:48,308 That's just what we need. 863 01:00:48,411 --> 01:00:51,380 Thanks, Antonello, take them to the bar. 864 01:00:51,481 --> 01:00:52,675 It's on us. 865 01:00:52,782 --> 01:00:54,044 A miracle. 866 01:00:54,150 --> 01:00:55,447 Fifteen minute break. 867 01:00:57,687 --> 01:01:02,317 Not a word to anybody, understand? 868 01:01:02,425 --> 01:01:04,222 - Understood. - I bet. 869 01:01:04,327 --> 01:01:08,559 This woman's face will be plastered all over. 870 01:01:08,665 --> 01:01:12,192 We just got a terrible call. It's me, Maurizio. 871 01:01:12,301 --> 01:01:15,600 They've planted a bomb in Stage 2. Give the alarm. 872 01:01:15,705 --> 01:01:18,435 Gino says not to, but I don't agree. 873 01:01:18,541 --> 01:01:20,509 Start calling... 874 01:01:20,610 --> 01:01:24,137 Maurizio, let's go to the bar. 875 01:01:24,247 --> 01:01:27,444 Some chamomile tea will do you good. 876 01:01:29,752 --> 01:01:30,878 Let's keep it closed. 877 01:01:30,987 --> 01:01:32,318 Right, close it. 878 01:01:32,422 --> 01:01:34,447 You know, I think... 879 01:01:48,071 --> 01:01:50,562 The police are coming. 880 01:01:50,673 --> 01:01:54,404 Gino, we should alert the studio management. 881 01:01:54,510 --> 01:01:56,876 - It's a hoax. - What if it isn't? 882 01:02:20,269 --> 01:02:22,396 Get those people out... 883 01:02:22,505 --> 01:02:24,973 at the end of the street. 884 01:02:37,386 --> 01:02:38,944 Who took the call? 885 01:02:39,055 --> 01:02:41,546 Signor Gino Millozza. 886 01:02:41,657 --> 01:02:44,125 Is this Stage 2? 887 01:02:44,227 --> 01:02:45,819 I got everybody out. 888 01:02:45,928 --> 01:02:49,659 Cordon off the area! Everybody back! 889 01:02:56,873 --> 01:03:00,070 Check the people at the bar. 890 01:03:22,999 --> 01:03:25,593 You took the call here? 891 01:03:25,701 --> 01:03:27,191 Yes, where the art directors work. 892 01:03:27,303 --> 01:03:29,897 Please close the door. 893 01:03:31,641 --> 01:03:33,734 Did the voice speak Italian? 894 01:03:33,843 --> 01:03:36,641 Mr. Gino took the call, not me. 895 01:03:36,746 --> 01:03:38,805 Any sort of foreign accent? 896 01:03:38,915 --> 01:03:40,109 Italian. 897 01:03:40,216 --> 01:03:43,310 Did you hear coins drop? 898 01:03:43,419 --> 01:03:46,684 You think they called from a public phone? 899 01:03:46,789 --> 01:03:48,950 I don't think so. 900 01:03:49,058 --> 01:03:52,221 Is this the first time you've had threatening calls? 901 01:03:52,328 --> 01:03:55,593 No, it happens often, specially to Gino. 902 01:03:55,698 --> 01:03:57,859 But never involving bombs. 903 01:03:57,967 --> 01:03:59,832 Will somebody take me to the main office? 904 01:03:59,936 --> 01:04:01,699 - Yes, I'll take you. - Thank you. 905 01:04:01,804 --> 01:04:04,602 You check the hall and the upper floor. 906 01:04:07,109 --> 01:04:09,543 They searched everywhere, 907 01:04:09,645 --> 01:04:11,442 but didn't find anything. 908 01:04:11,547 --> 01:04:13,640 I felt sort of let down, 909 01:04:13,749 --> 01:04:14,875 disappointed. 910 01:04:14,984 --> 01:04:18,818 We went on working up in the production offices. 911 01:04:19,522 --> 01:04:22,855 So 40 years in the theater count for nothing. 912 01:04:22,959 --> 01:04:25,086 Faces, of course, 913 01:04:25,194 --> 01:04:27,094 they're needed. 914 01:04:27,196 --> 01:04:32,634 But you consider 40 years on the stage 915 01:04:32,735 --> 01:04:34,600 a waste of time? 916 01:04:34,704 --> 01:04:35,796 A shortcoming? 917 01:04:36,806 --> 01:04:40,503 Professionalism has become a fault? 918 01:04:40,610 --> 01:04:44,273 The director may be talented, but actors... 919 01:04:44,380 --> 01:04:48,009 real actors... are what moviemaking is all about. 920 01:04:48,117 --> 01:04:51,177 We're looking for some very specific types. 921 01:04:51,287 --> 01:04:54,484 Ah, llaria. It's the third time she's come. 922 01:04:54,590 --> 01:04:57,058 Fellini wanted to see her again. 923 01:04:57,159 --> 01:04:58,558 We couldn't do without... 924 01:04:58,661 --> 01:05:00,151 Let me work, will you? 925 01:05:00,263 --> 01:05:02,458 I've got to see the chief. 926 01:05:03,566 --> 01:05:08,663 You won't let me see him because you know he wants me around. 927 01:05:08,771 --> 01:05:10,898 "Rivet, you stick close to me." 928 01:05:11,007 --> 01:05:15,808 For a coffee, a glass of water, a cigarette. 929 01:05:15,912 --> 01:05:17,709 He doesn't smoke! 930 01:05:17,813 --> 01:05:19,280 Poor guy. 931 01:05:19,382 --> 01:05:22,749 They've all ditched him! 932 01:05:22,852 --> 01:05:24,843 Ceccacci, will you get Rivet off my back? 933 01:05:26,322 --> 01:05:29,257 Why is my test wrong? My accent? 934 01:05:29,358 --> 01:05:33,192 I play a foreigner, you said. 935 01:05:33,296 --> 01:05:36,424 These things happen with films. 936 01:05:36,532 --> 01:05:41,094 Fellini felt the part was better suited to someone else. 937 01:05:41,270 --> 01:05:45,570 For this job they renewed my visa. 938 01:05:47,176 --> 01:05:50,339 Good, you can stay in Rome, the world's loveliest city, 939 01:05:50,446 --> 01:05:53,074 and we'll find something for you. 940 01:05:54,884 --> 01:05:58,012 All the films Signor Fellini's made, 941 01:05:58,120 --> 01:06:00,020 and I've never worked in one. 942 01:06:01,023 --> 01:06:03,048 Me neither. 943 01:06:03,159 --> 01:06:06,128 Though as an actor, I grow constantly. 944 01:06:06,228 --> 01:06:08,093 Once he called me to play a corpse. 945 01:06:08,197 --> 01:06:11,132 Maurizio, this lovely boy's a stage actor. 946 01:06:11,233 --> 01:06:13,861 Should I show him to Fellini? 947 01:06:13,970 --> 01:06:18,907 Conservatory, public library, Vatican, Polish Embassy, Hungarian... 948 01:06:19,008 --> 01:06:20,635 I've been all over. 949 01:06:20,743 --> 01:06:24,804 If I haven't found what he wants, then I don't know what it is. 950 01:06:25,748 --> 01:06:27,147 Is the director here? 951 01:06:27,249 --> 01:06:30,844 I came because everyone says I'm the Fellini type. 952 01:06:30,953 --> 01:06:31,920 And so? 953 01:06:32,021 --> 01:06:36,754 The fact is, I've always had this natural tendency. 954 01:06:36,859 --> 01:06:40,192 As a kid, at funerals, 955 01:06:40,296 --> 01:06:41,388 I cried more than anybody else. 956 01:06:41,497 --> 01:06:45,365 Even now, I can cry any time. 957 01:06:46,769 --> 01:06:48,600 You want to see tears? 958 01:06:48,704 --> 01:06:51,400 We're looking for certain characters right now. 959 01:06:51,507 --> 01:06:53,998 I've also got a brother. 960 01:06:54,110 --> 01:06:56,078 He's better than this bunch. 961 01:06:56,178 --> 01:06:57,941 He also cried at funerals? 962 01:06:58,047 --> 01:07:02,313 No, he'd get up in woman's clothes and make us laugh. 963 01:07:02,418 --> 01:07:06,787 Our whole family's special. You can choose. 964 01:07:08,457 --> 01:07:10,015 We're back. 965 01:07:10,126 --> 01:07:12,185 With photos and the address? 966 01:07:12,294 --> 01:07:14,421 He's got them. 967 01:07:14,530 --> 01:07:16,862 I snapped it myself. 968 01:07:16,966 --> 01:07:19,560 There must be 200 people here. 969 01:07:19,668 --> 01:07:23,160 It was a grand wedding. People came even from Ancona. 970 01:07:23,272 --> 01:07:26,207 He's with his uncle... the one who's waving. 971 01:07:26,308 --> 01:07:29,106 Can't use it. 972 01:07:29,211 --> 01:07:31,645 It was a great reception. 973 01:07:31,747 --> 01:07:33,942 I'm sure. And you? 974 01:07:34,050 --> 01:07:37,884 You wanted fat people, so I came. 975 01:07:37,987 --> 01:07:40,854 But we need fat women, not... 976 01:07:40,956 --> 01:07:44,119 Well, find something for me. 977 01:07:44,226 --> 01:07:46,251 I'm here, we've met, now it's up to you. 978 01:07:46,362 --> 01:07:48,387 What's up to us? 979 01:07:48,497 --> 01:07:51,898 To do right by him. Unfortunately... 980 01:07:52,001 --> 01:07:53,491 I brought him here, too. 981 01:07:55,638 --> 01:07:56,605 Hello? 982 01:08:01,944 --> 01:08:04,708 This is a terrible day for phone calls. 983 01:08:04,814 --> 01:08:06,873 You're an actress, Signora? 984 01:08:06,982 --> 01:08:08,916 No, she's a widow. 985 01:08:09,018 --> 01:08:10,383 For three years! 986 01:08:10,486 --> 01:08:13,114 I'm sorry, I don't see what we can... 987 01:08:13,222 --> 01:08:15,315 They've agreed! What now? 988 01:08:15,424 --> 01:08:20,862 That way we create the atmosphere of an American street. 989 01:08:20,963 --> 01:08:25,627 - It'll still cost a fortune. - And you want to shoot at dusk. 990 01:08:25,734 --> 01:08:28,032 It's part of the effect. 991 01:08:28,904 --> 01:08:32,704 How about a nice, gray day, and to hell with dusk? 992 01:08:32,808 --> 01:08:36,835 And to hell with the construction costs, too? 993 01:08:36,946 --> 01:08:39,915 That hurts even more. 994 01:08:40,015 --> 01:08:43,712 Not even Hollywood has costumes like these. 995 01:08:43,819 --> 01:08:45,582 And I can reproduce them. 996 01:08:45,688 --> 01:08:47,781 Genuine, but with imagination. 997 01:08:47,890 --> 01:08:49,915 You know what? 998 01:08:50,025 --> 01:08:53,552 We'll use big blowups, life-size. 999 01:08:53,662 --> 01:08:56,028 We can pick some of the little ones as well. 1000 01:08:56,132 --> 01:08:58,692 We have to know if the lady's got the part, 1001 01:08:58,801 --> 01:09:01,531 to work out a schedule. 1002 01:09:01,637 --> 01:09:05,403 - She's been waiting for a week. - You have to go out there. 1003 01:09:05,508 --> 01:09:07,339 - Who's there? - It's me, Fellini. 1004 01:09:07,443 --> 01:09:11,004 - What? - We're taking everybody's picture. 1005 01:09:11,113 --> 01:09:13,047 I'm here. 1006 01:09:13,149 --> 01:09:16,050 What for? Get out of here, Rivet! 1007 01:09:17,086 --> 01:09:18,519 Come on, Rivet! Beat it! 1008 01:09:18,621 --> 01:09:20,555 By the way, I saw Marcello. 1009 01:09:20,656 --> 01:09:22,146 Tell me. 1010 01:09:22,258 --> 01:09:24,283 He's here shooting. 1011 01:09:24,393 --> 01:09:25,917 He'll drop in as soon as he can. 1012 01:09:26,028 --> 01:09:28,292 What is it? 1013 01:09:28,697 --> 01:09:29,857 What's going on? 1014 01:09:31,467 --> 01:09:34,368 Hi there, boys! 1015 01:09:34,470 --> 01:09:36,097 The usual headaches? 1016 01:09:36,205 --> 01:09:37,832 Run out of money? 1017 01:09:37,940 --> 01:09:41,933 Worse still? Sexual problems? Forget your woes! 1018 01:09:42,044 --> 01:09:44,035 Mandrake's here! 1019 01:09:44,146 --> 01:09:48,207 Two taps of his stick and up comes your dick! 1020 01:09:49,518 --> 01:09:50,485 Hurray! 1021 01:09:50,586 --> 01:09:52,451 Let's go check it out! 1022 01:09:55,291 --> 01:09:59,318 Marcello, I have something to tell you. 1023 01:09:59,428 --> 01:10:01,487 Later, later. 1024 01:10:03,832 --> 01:10:05,459 I'll see you downstairs. 1025 01:10:07,603 --> 01:10:11,095 Rub, rub, rub away dirtl 1026 01:10:21,350 --> 01:10:23,443 You look great. 1027 01:10:23,552 --> 01:10:25,452 A commercial! 1028 01:10:25,554 --> 01:10:29,046 - They've stopped asking me... - Did you meet Sergio? 1029 01:10:29,158 --> 01:10:33,219 The young Fellini? Couldn't I have played him for you? 1030 01:10:33,329 --> 01:10:35,889 Excuse me. Is she one of your girlfriends? 1031 01:10:35,998 --> 01:10:37,989 - She's one of them. - Which one? 1032 01:10:38,133 --> 01:10:40,294 He says you play sax very well. 1033 01:10:40,402 --> 01:10:42,666 I've an idea for the finale. I'll tell you later. 1034 01:10:43,539 --> 01:10:48,169 It's real luck, finding you. I wanted to ask you... 1035 01:10:48,277 --> 01:10:49,904 Come with me a minute. 1036 01:10:51,180 --> 01:10:53,114 Do you really play that thing? 1037 01:10:56,051 --> 01:10:57,541 A musician? 1038 01:10:57,653 --> 01:10:58,779 Sort of. 1039 01:11:00,723 --> 01:11:02,520 Gino, I'm going out there! 1040 01:11:02,625 --> 01:11:04,752 - Marcello's coming with me. - Come along. 1041 01:11:06,929 --> 01:11:08,829 Bye, Antonella. Remind me, eh? 1042 01:11:15,004 --> 01:11:17,097 What's this tree for? 1043 01:11:17,973 --> 01:11:20,032 A floral tribute. 1044 01:11:22,711 --> 01:11:25,179 Please, Marcello, that cigarette... 1045 01:11:26,282 --> 01:11:27,408 I forgot. 1046 01:12:05,754 --> 01:12:08,814 I can't breathe. Open the window. 1047 01:12:08,924 --> 01:12:11,051 I can't breathe if I'm not smoking. 1048 01:12:15,164 --> 01:12:16,290 Signor Mastroianni, 1049 01:12:16,398 --> 01:12:20,562 Hideo says he'll stop you smoking in 15 minutes. 1050 01:12:20,669 --> 01:12:25,163 It's taken me 40 years to achieve three packs a day, 1051 01:12:25,274 --> 01:12:27,401 and you want to ruin everything. 1052 01:12:39,088 --> 01:12:42,182 Toshiro Mifune, the actor, was a big smoker. 1053 01:12:42,291 --> 01:12:44,259 Hideo touches his nose, he stops. 1054 01:12:44,360 --> 01:12:46,692 He hates smoke now. 1055 01:12:49,298 --> 01:12:53,166 You get convulsions like the Maestro if I smoke? 1056 01:12:53,268 --> 01:12:56,863 No, but I don't like smoking... 1057 01:12:58,407 --> 01:12:59,931 or drinking. 1058 01:13:00,976 --> 01:13:02,466 But how about women? 1059 01:13:02,578 --> 01:13:05,775 Oh, yes, a lot, but... 1060 01:13:05,881 --> 01:13:07,644 But? But what? 1061 01:13:07,750 --> 01:13:12,016 Frankly, what I like best is jerking off. 1062 01:13:14,289 --> 01:13:18,419 An exercise in concentration that stimulates fantasy 1063 01:13:18,527 --> 01:13:22,429 and I'd say it develops a novelist's turn of mind. 1064 01:13:22,531 --> 01:13:24,658 My experiences, for example... 1065 01:13:25,768 --> 01:13:28,236 were like installment novels. 1066 01:13:31,206 --> 01:13:34,369 Always new characters, who introduced other new ones. 1067 01:13:34,476 --> 01:13:38,242 "Meet my sister. This is my cousin..." 1068 01:13:39,882 --> 01:13:42,316 Where are we going? 1069 01:13:42,418 --> 01:13:45,114 We're almost there. 1070 01:13:46,588 --> 01:13:49,853 Pietro, is this the right road? 1071 01:13:49,958 --> 01:13:50,925 Maestro... 1072 01:13:51,026 --> 01:13:55,087 I'm confused too, it's not like I live around here. 1073 01:13:55,197 --> 01:13:57,563 Ask this priest. 1074 01:14:04,840 --> 01:14:07,536 Excuse me, Father. Villa Pandora? 1075 01:14:07,643 --> 01:14:09,440 You're on the wrong road. 1076 01:14:10,946 --> 01:14:12,971 Where should we go? 1077 01:14:13,081 --> 01:14:14,548 Is that Mastroianni? 1078 01:14:17,052 --> 01:14:19,247 This way. I'll lead you. 1079 01:14:31,733 --> 01:14:33,701 We're almost there. 1080 01:14:40,742 --> 01:14:42,733 That's it. Good-bye. 1081 01:14:47,115 --> 01:14:48,742 The chief's here! 1082 01:14:49,985 --> 01:14:52,112 Federico, didn't you tell her? 1083 01:14:52,221 --> 01:14:54,621 She says she's not expecting anyone. 1084 01:14:54,723 --> 01:14:57,021 The production called her. 1085 01:14:57,125 --> 01:15:00,925 Damn those animals! Listen to them. 1086 01:15:03,098 --> 01:15:06,898 - Is Marcello all right? - Did you tell her it's me? 1087 01:15:09,705 --> 01:15:11,332 Let me try. 1088 01:15:16,778 --> 01:15:20,339 I'll untie the dogs and call the police. 1089 01:15:20,449 --> 01:15:22,940 Anita, it's Federico. 1090 01:15:23,051 --> 01:15:26,282 I've brought some friends. Can't you open up? 1091 01:15:26,388 --> 01:15:30,848 Federico? What are you doing here? Liar! 1092 01:15:30,959 --> 01:15:35,259 You said for Christmas in 1981 you'd come see me. 1093 01:15:35,364 --> 01:15:37,662 Now I won't open, darling! 1094 01:15:37,766 --> 01:15:40,758 Anita, open, I have a surprise for you. 1095 01:15:42,237 --> 01:15:45,297 They're waiting for me at Cinecitt�. 1096 01:15:45,407 --> 01:15:47,568 I'm here to see Anita. I should have told you. 1097 01:15:47,676 --> 01:15:52,170 - Anita Ekberg? - Yes. 1098 01:15:52,281 --> 01:15:54,613 I haven't seen her since "La Dolce Vita." 1099 01:15:54,716 --> 01:15:58,447 Watch out for the dogs, they're fierce. 1100 01:15:58,554 --> 01:16:01,853 Stay in the car. I'm opening. 1101 01:16:04,793 --> 01:16:08,354 Brace yourselves. She's opening the gate. 1102 01:16:08,463 --> 01:16:11,694 She says to stay in the car. 1103 01:16:24,980 --> 01:16:26,675 These are lions. 1104 01:16:31,653 --> 01:16:33,621 You get out. 1105 01:16:35,357 --> 01:16:36,847 Ya-ya, come. 1106 01:16:36,992 --> 01:16:39,324 Pandora, Tonga, come here. 1107 01:16:39,428 --> 01:16:40,895 Get into the house. 1108 01:16:42,798 --> 01:16:45,232 There she is. 1109 01:16:45,334 --> 01:16:46,892 I'm all excited! 1110 01:16:47,002 --> 01:16:49,971 What does she need dogs for? 1111 01:16:50,072 --> 01:16:51,903 She's stupendous, like a gladiator. 1112 01:16:57,946 --> 01:17:01,609 Federico, then it's true. 1113 01:17:01,717 --> 01:17:02,911 It is you! 1114 01:17:03,018 --> 01:17:05,486 What a triumphant vision! 1115 01:17:05,587 --> 01:17:07,111 Are you coming, or what? 1116 01:17:07,222 --> 01:17:08,246 Don't worry, I'm here. 1117 01:17:08,357 --> 01:17:10,154 My beauty, how are you? 1118 01:17:10,258 --> 01:17:12,317 Come, let me hug you. 1119 01:17:12,427 --> 01:17:13,325 Who's this? 1120 01:17:13,428 --> 01:17:17,558 Sergio Rubini, a young actor. 1121 01:17:17,666 --> 01:17:18,997 Since he was 12, 1122 01:17:19,101 --> 01:17:22,593 he's been dreaming of being embraced by Anita Ekberg. 1123 01:17:22,704 --> 01:17:24,467 Anita, thank you! 1124 01:17:24,573 --> 01:17:27,269 Sergio, that's enough! 1125 01:17:27,376 --> 01:17:28,843 Who else is in there? 1126 01:17:28,944 --> 01:17:30,172 Guess. 1127 01:17:31,880 --> 01:17:34,144 What a beautiful surprise! 1128 01:17:34,249 --> 01:17:35,511 Another big liar! 1129 01:17:35,617 --> 01:17:36,914 You're right about that. 1130 01:17:37,019 --> 01:17:39,988 Marcello, you are still so handsome. 1131 01:17:40,088 --> 01:17:41,612 Keep kissing her. 1132 01:17:41,723 --> 01:17:43,588 May I? Thank you. 1133 01:17:43,692 --> 01:17:46,559 Just a minute. Where are the scars? 1134 01:17:46,662 --> 01:17:48,357 What scars? 1135 01:17:48,463 --> 01:17:51,227 Then they lied to me. 1136 01:17:51,333 --> 01:17:54,496 I heard you had a minimum of three face-lifts. 1137 01:17:55,871 --> 01:17:58,965 No, not yet. Still too soon. 1138 01:17:59,074 --> 01:18:00,871 Maybe when I'm 80. 1139 01:18:00,976 --> 01:18:03,069 You're nearly there, my love. 1140 01:18:03,178 --> 01:18:06,079 Can you two hug again? Please... 1141 01:18:06,181 --> 01:18:07,478 Friends, 1142 01:18:07,582 --> 01:18:11,848 all I can offer you is some good wine and roasted chestnuts. 1143 01:18:11,953 --> 01:18:13,545 - Shall we go? - Yes, yes. 1144 01:18:13,689 --> 01:18:15,680 The lady is inviting us. 1145 01:18:15,791 --> 01:18:17,725 - Let's go! - Okay, let's go. 1146 01:18:17,826 --> 01:18:20,659 Signor Maestro, you like my country place? 1147 01:18:20,762 --> 01:18:22,593 We should come every weekend. 1148 01:18:22,698 --> 01:18:27,294 When it's clear you can see the whole ocean. 1149 01:18:27,402 --> 01:18:31,304 We all talk about living in the country, but... 1150 01:18:31,406 --> 01:18:33,135 May I use the phone? 1151 01:18:33,241 --> 01:18:35,209 Please, come in. 1152 01:18:41,446 --> 01:18:45,849 In Japan, there are no women like that. 1153 01:18:47,652 --> 01:18:50,485 - Sit wherever you like. - Ah, the fireplace is on. 1154 01:18:50,588 --> 01:18:52,180 But no seeds on the floor. 1155 01:18:52,290 --> 01:18:54,724 Make yourselves at home. 1156 01:18:54,826 --> 01:18:57,420 Good for you, Giovanna, pass the chestnuts. 1157 01:18:58,563 --> 01:19:00,724 Giovanna's my great friend, you know? 1158 01:19:02,734 --> 01:19:05,032 Marcello, come over here. 1159 01:19:06,371 --> 01:19:09,238 You get to work too. Open some bottles. 1160 01:19:09,341 --> 01:19:12,174 - Very nice here... - What? 1161 01:19:12,277 --> 01:19:14,507 - She's still a beautiful woman. - Beautiful. 1162 01:19:14,612 --> 01:19:16,341 She's mythic! 1163 01:19:16,448 --> 01:19:18,575 These are broiled perfectly. 1164 01:19:18,683 --> 01:19:19,843 Ah, chestnuts. 1165 01:19:19,951 --> 01:19:23,443 Do they still make chestnut flour? 1166 01:19:23,555 --> 01:19:25,352 I dreamed of you, Mastroianni. 1167 01:19:25,457 --> 01:19:27,288 I'm from your home town. 1168 01:19:27,392 --> 01:19:29,724 - Where were you born? - Ferentino. 1169 01:19:29,828 --> 01:19:33,821 But this wine is light, almost pediatric. 1170 01:19:33,932 --> 01:19:35,923 Where am I? 1171 01:19:36,034 --> 01:19:38,229 I told you, in the hospital. 1172 01:19:38,336 --> 01:19:39,826 In the hospital! 1173 01:19:39,938 --> 01:19:43,032 How can you tell so many lies? 1174 01:19:43,141 --> 01:19:45,666 Open the bottle instead! Go on! 1175 01:19:59,691 --> 01:20:02,182 You're beautiful as ever. 1176 01:20:06,798 --> 01:20:11,826 Hideo says you must try his massage against smoking. 1177 01:20:11,936 --> 01:20:14,962 Non-smokers are the ones who cause the most trouble. 1178 01:20:15,073 --> 01:20:19,169 You'll be young again for your Japanese fans. 1179 01:20:19,277 --> 01:20:20,767 What's the magician saying? 1180 01:20:22,680 --> 01:20:25,581 If this works, I'll sue him. 1181 01:20:28,787 --> 01:20:32,416 He'll make smoke come out of your ears! 1182 01:20:32,524 --> 01:20:35,049 I'm already suffering withdrawal pains. 1183 01:20:35,160 --> 01:20:38,095 Do you have trouble getting up? 1184 01:20:42,067 --> 01:20:46,629 When Hideo lifts his hands from stomach, say "hennn..." 1185 01:20:49,707 --> 01:20:51,607 Louder. 1186 01:20:56,014 --> 01:21:01,008 When he lets go your nose, say "hooon..." 1187 01:21:04,022 --> 01:21:07,321 With a woman like that you have to... 1188 01:21:07,425 --> 01:21:09,450 You have to what? 1189 01:21:09,561 --> 01:21:11,495 Oh, nothing. 1190 01:21:13,998 --> 01:21:16,660 I think I deserve a reward. 1191 01:21:16,768 --> 01:21:18,565 But, Mr. Mastroianni... 1192 01:21:18,670 --> 01:21:20,035 I thought I told him already. 1193 01:21:20,138 --> 01:21:22,902 Sorry to disappoint you, Hideo. 1194 01:21:23,007 --> 01:21:28,104 But I'd have felt worse had you succeeded. 1195 01:21:28,246 --> 01:21:30,646 Friends, if you'll allow me. 1196 01:21:31,015 --> 01:21:33,415 I'd like to perform a little trick 1197 01:21:33,518 --> 01:21:36,385 in honor of our beloved hostess. 1198 01:21:39,557 --> 01:21:41,787 O, magic wand of Mandrake, 1199 01:21:41,893 --> 01:21:44,691 take us back in time 1200 01:21:44,796 --> 01:21:48,527 to those days so sublime! 1201 01:23:08,913 --> 01:23:12,508 Who are you? A goddess? 1202 01:23:12,617 --> 01:23:16,075 The great Mother, the fathomless sea, our home? 1203 01:23:16,187 --> 01:23:21,489 Are you Eve, the first woman to appear on the Earth? 1204 01:23:22,860 --> 01:23:26,318 There are many questions I'd like to ask, Anita. 1205 01:23:27,031 --> 01:23:31,559 For instance, do you have any schnapps? 1206 01:23:33,771 --> 01:23:37,366 Fuck you, 'Marcelino'! 1207 01:23:37,475 --> 01:23:40,672 Don't make me laugh, my moustache will come off. 1208 01:23:40,778 --> 01:23:43,941 I'll get some. I need a drink myself. 1209 01:26:26,644 --> 01:26:29,340 Bring that shack forward! 1210 01:26:29,447 --> 01:26:33,110 Steady, don't let it wobble! 1211 01:26:33,217 --> 01:26:35,208 I'll tell you when to stop. 1212 01:26:35,319 --> 01:26:38,117 A little more, a little more. 1213 01:26:38,222 --> 01:26:40,156 Here at Stage 14, 1214 01:26:40,258 --> 01:26:43,625 we'll shoot one of the most important sequences. 1215 01:26:43,728 --> 01:26:45,320 Excuse me a moment. 1216 01:26:45,430 --> 01:26:48,524 The tests for... that's it... 1217 01:26:48,633 --> 01:26:50,464 for Kafka's characters. 1218 01:26:53,538 --> 01:26:57,531 We'll show what it means 1219 01:26:57,642 --> 01:27:00,839 to shoot a test, to choose a face, 1220 01:27:00,945 --> 01:27:04,346 what it means to be photogenic, 1221 01:27:04,449 --> 01:27:06,383 why one person is and another isn't. 1222 01:27:06,484 --> 01:27:09,385 Danilo! Where's Danilo? 1223 01:27:09,487 --> 01:27:12,854 Put the gramophone on this table. 1224 01:27:12,957 --> 01:27:14,720 Put it where he says. 1225 01:27:14,826 --> 01:27:17,727 Danilo, can you come here a minute? 1226 01:27:17,829 --> 01:27:19,456 I'm here, Federico. 1227 01:27:21,799 --> 01:27:22,891 Now, you... 1228 01:27:23,000 --> 01:27:26,128 Turn that mirror until it catches the light. 1229 01:27:27,004 --> 01:27:28,471 Like that. 1230 01:27:36,514 --> 01:27:39,244 - Come on, fix this. - Leave me alone. 1231 01:27:39,350 --> 01:27:41,045 Miranda, keep an eye on her. 1232 01:27:41,152 --> 01:27:42,881 Federico, the wardrobes? 1233 01:27:42,987 --> 01:27:46,423 I saw them, of course, I saw them, they're beautiful. 1234 01:27:57,869 --> 01:28:00,064 Good, Sergio. Bravo! 1235 01:28:00,171 --> 01:28:03,140 Everybody do the Charleston! 1236 01:28:03,241 --> 01:28:05,334 Maria Teresa, everybody! 1237 01:28:05,443 --> 01:28:08,708 Everybody, keep to the beat. 1238 01:28:08,813 --> 01:28:10,075 You too, Nello. 1239 01:28:10,181 --> 01:28:12,547 Dance as you push the tub! 1240 01:28:13,317 --> 01:28:15,785 There you go! 1241 01:28:15,887 --> 01:28:18,048 Good, keep playing. 1242 01:28:18,155 --> 01:28:21,420 - He should have used Ekberg. - He didn't ask her. 1243 01:28:21,526 --> 01:28:26,122 Take them over there, by the makeup. 1244 01:28:26,230 --> 01:28:29,393 Keep dancing, smiling. 1245 01:28:29,500 --> 01:28:32,025 Fix your pom-poms and your hair. 1246 01:28:32,136 --> 01:28:34,730 Then the film itself leads you elsewhere. 1247 01:28:34,839 --> 01:28:39,071 Some scenes, some characters, 1248 01:28:39,176 --> 01:28:41,872 don't belong to the story anymore. 1249 01:28:41,979 --> 01:28:45,210 He said he'd test me for this "Brunelda." 1250 01:28:45,316 --> 01:28:47,614 Don't I look like her? 1251 01:28:49,020 --> 01:28:51,887 We've looked at dozens of boys for "Karl." 1252 01:28:53,224 --> 01:28:55,658 We went to schools, special academies, 1253 01:28:55,760 --> 01:28:58,285 religious institutes, the Conservatory. 1254 01:28:59,330 --> 01:29:02,128 Fellini wanted a delicate, spiritual face, 1255 01:29:02,233 --> 01:29:04,463 yet full of life. 1256 01:29:04,569 --> 01:29:07,333 Because the star in Kafka's "Amerika" is just a kid. 1257 01:29:07,438 --> 01:29:09,201 I'd like you to make the same gestures. 1258 01:29:09,307 --> 01:29:11,502 When I say "get up," you both get up. 1259 01:29:11,609 --> 01:29:14,009 Okay, now. 1260 01:29:14,111 --> 01:29:18,480 The same gesture, in unison. 1261 01:29:18,583 --> 01:29:19,777 Fix your pom-poms, jackets and hair. 1262 01:29:19,884 --> 01:29:22,352 Smile, look at the camera. 1263 01:29:22,453 --> 01:29:24,284 Nadia, call Maurizio. 1264 01:29:26,624 --> 01:29:29,252 Maurizio, turn towards Nadia. 1265 01:29:31,596 --> 01:29:34,531 - Come here. - What is it? 1266 01:29:39,203 --> 01:29:42,331 What am I supposed to do? 1267 01:29:42,440 --> 01:29:45,534 They called you. So just wait. They'll tell you. 1268 01:29:45,643 --> 01:29:48,441 Doesn't the fairy godmother of Cinecitt� have a costume? 1269 01:29:48,546 --> 01:29:49,513 When's the fitting? 1270 01:29:49,614 --> 01:29:51,946 Fairy? What are you talking about? 1271 01:29:52,049 --> 01:29:54,313 Godmother... vestal virgin... whatever I am. 1272 01:29:55,987 --> 01:29:57,648 Lillo, a moment. 1273 01:29:57,755 --> 01:29:58,881 Get back here! 1274 01:29:59,991 --> 01:30:01,652 Our Nadia's kind of disappointed. 1275 01:30:01,759 --> 01:30:03,124 I was stupid to trust you. 1276 01:30:03,227 --> 01:30:06,628 You're right, but take my advice. 1277 01:30:06,731 --> 01:30:07,720 Be patient, just wait. 1278 01:30:07,832 --> 01:30:11,427 You're all a bunch of clowns! 1279 01:30:14,205 --> 01:30:15,638 Fellini, who're you starting with? 1280 01:30:15,740 --> 01:30:19,938 I don't know... with the lady who was crying earlier. 1281 01:30:20,978 --> 01:30:22,878 Have her sit down. 1282 01:30:22,980 --> 01:30:25,107 Hello. You're familiar with the character? 1283 01:30:25,216 --> 01:30:26,581 You told me before. 1284 01:30:26,684 --> 01:30:29,676 A former singer, of ample proportions, 1285 01:30:29,787 --> 01:30:32,449 overbearing, childish, gluttonous, 1286 01:30:32,556 --> 01:30:34,183 self-pitying, complaining. 1287 01:30:34,291 --> 01:30:35,485 It's hot. 1288 01:30:35,593 --> 01:30:37,857 Now testing for Brunelda's character. 1289 01:30:37,962 --> 01:30:40,897 Give the lady a fan too. 1290 01:30:40,998 --> 01:30:44,490 Bring on the Delamarche pair, both of them. 1291 01:30:44,602 --> 01:30:48,402 Look towards her. Greet her. 1292 01:30:48,506 --> 01:30:51,998 This young man, what's his name? 1293 01:30:52,109 --> 01:30:54,577 - Cruciani. - Cruciani, eat your sardines. 1294 01:30:54,679 --> 01:30:58,206 What's the name of the first Delamarche? 1295 01:30:58,315 --> 01:31:04,220 Carniti, smile at the lady. At those others, too. 1296 01:31:04,321 --> 01:31:07,688 Twirl your moustache. 1297 01:31:07,792 --> 01:31:10,352 Look into the camera, smooth your hair. 1298 01:31:10,461 --> 01:31:12,895 Touch your hair and look into the camera. 1299 01:31:12,997 --> 01:31:14,487 Smile. 1300 01:31:14,598 --> 01:31:16,589 A seductive look... more of a scoundrel. 1301 01:31:16,701 --> 01:31:22,264 I know they're disgusting, but your character loves sardines. 1302 01:31:22,373 --> 01:31:23,806 Good. 1303 01:31:23,908 --> 01:31:27,639 Signora, let them lead you to the tub. 1304 01:31:27,745 --> 01:31:31,909 You too, Carniti. Both of you help her. 1305 01:31:32,016 --> 01:31:35,508 Like a big baby doll, into the tub. 1306 01:31:35,619 --> 01:31:37,951 You go on eating sardines. 1307 01:31:38,055 --> 01:31:40,785 And say your line. 1308 01:31:41,659 --> 01:31:45,390 Pour the oil into the palm of your hand. 1309 01:31:45,496 --> 01:31:50,695 Lick your fingers. You really lust for sardines. 1310 01:31:50,801 --> 01:31:52,291 You're insane about sardines! 1311 01:31:52,403 --> 01:31:53,665 Take another one. 1312 01:31:53,771 --> 01:31:56,035 Good, good! 1313 01:31:56,774 --> 01:32:02,474 Here's our beautiful Roberta. Not scared now? 1314 01:32:02,580 --> 01:32:03,877 I'll feed you your lines, don't worry. 1315 01:32:03,981 --> 01:32:05,414 Smile. 1316 01:32:06,317 --> 01:32:09,582 Look straight ahead, just like that. 1317 01:32:09,687 --> 01:32:12,781 You go on caressing her, caressing her. 1318 01:32:12,890 --> 01:32:16,986 And you, Cruciani, lick your lips like a greedy dog. 1319 01:32:17,862 --> 01:32:21,298 Envious, arrogant. 1320 01:32:21,398 --> 01:32:23,866 Excuse me. Can we stay here? 1321 01:32:23,968 --> 01:32:27,131 Keep back with that light. 1322 01:32:27,238 --> 01:32:30,765 Fellini, can the Japanese stay? 1323 01:32:37,114 --> 01:32:39,548 Signor Fellini, one question. 1324 01:32:39,717 --> 01:32:41,912 Will you shoot Kafka's "Amerika" in America? 1325 01:32:42,019 --> 01:32:45,045 Now, you guys over there, open the gate. 1326 01:32:45,156 --> 01:32:47,454 Push the wheelchair. 1327 01:32:47,558 --> 01:32:49,048 Your hand, Signora. Wave! 1328 01:32:49,160 --> 01:32:52,596 You two, stand on either side of the door. 1329 01:32:54,198 --> 01:32:56,098 Exit... What's the matter, come on! 1330 01:32:57,535 --> 01:32:58,900 The kid can't make it. 1331 01:32:59,003 --> 01:33:01,631 Fine, then go and help him. 1332 01:33:01,739 --> 01:33:04,037 Are you done with those cut-outs already? 1333 01:33:04,141 --> 01:33:06,632 Come closer with that wheelchair. 1334 01:33:07,411 --> 01:33:10,175 Now what are you doing? 1335 01:33:10,281 --> 01:33:13,478 Test scene... Karl on the American street, 1336 01:33:13,584 --> 01:33:17,884 pushing Brunelda in the wheelchair towards the whorehouse. 1337 01:33:17,988 --> 01:33:20,786 Where's the whorehouse? 1338 01:33:20,891 --> 01:33:22,586 How should I know? 1339 01:33:24,094 --> 01:33:27,894 The atmosphere is good. This is the light I wanted. 1340 01:33:27,998 --> 01:33:33,368 You said in the finale I'd be standing in a cemetery for dead actors. 1341 01:33:33,470 --> 01:33:37,372 The vestal projecting the movies 1342 01:33:37,474 --> 01:33:40,307 of the great actresses of the past. 1343 01:33:40,411 --> 01:33:41,503 That's been cut. 1344 01:33:43,214 --> 01:33:45,580 It was nice, sure, but it meant bad luck. 1345 01:33:45,683 --> 01:33:47,878 There goes your cemetery. 1346 01:33:47,985 --> 01:33:50,886 Maurizio, this looks like you. 1347 01:33:50,988 --> 01:33:53,388 I thought it was you. 1348 01:33:53,490 --> 01:33:56,982 Romano, cut the lights before everything blows up. 1349 01:33:57,928 --> 01:33:59,293 It's raining! 1350 01:33:59,396 --> 01:34:02,888 Somebody up there loves us! We can go home. 1351 01:34:03,000 --> 01:34:03,898 Tonino, what'll we do? 1352 01:34:04,001 --> 01:34:07,061 Wait a moment. It might let up. 1353 01:34:07,171 --> 01:34:10,163 Cut the juice! 1354 01:34:11,809 --> 01:34:14,903 Maestro, should we get to a shelter? 1355 01:34:15,012 --> 01:34:17,276 Wait! Don't run away! 1356 01:34:17,381 --> 01:34:19,076 Maurizio, call them! 1357 01:34:19,183 --> 01:34:21,447 Make them come back! 1358 01:34:27,024 --> 01:34:28,616 Attention! 1359 01:34:28,726 --> 01:34:30,421 We are shooting! 1360 01:34:32,396 --> 01:34:34,660 Back to your places! 1361 01:34:44,408 --> 01:34:47,172 Let's move, please. 1362 01:34:55,052 --> 01:34:57,680 Everybody, this way! 1363 01:34:58,656 --> 01:34:59,748 Bring the tarp here! 1364 01:34:59,857 --> 01:35:01,722 Turn it... 1365 01:35:06,096 --> 01:35:08,291 Where are the benches? 1366 01:35:08,399 --> 01:35:10,697 Unload those benches! 1367 01:35:20,844 --> 01:35:23,074 Right there. Put it down. 1368 01:35:23,180 --> 01:35:24,738 Everybody in! 1369 01:35:26,884 --> 01:35:31,253 Come on, Maria Teresa, get inside. 1370 01:35:34,158 --> 01:35:36,126 Tonino, come here! 1371 01:35:36,260 --> 01:35:40,959 Tonino, come inside. Don't be a hero! 1372 01:35:46,937 --> 01:35:48,734 You stay outside. 1373 01:35:48,839 --> 01:35:51,273 Go take a shower! 1374 01:35:56,480 --> 01:35:58,880 Where's my chair? 1375 01:35:58,983 --> 01:36:00,746 Who took my chair? 1376 01:36:00,851 --> 01:36:03,251 It's the model my brother-in-law designed. 1377 01:36:03,354 --> 01:36:05,652 Okay, give it back! 1378 01:36:29,113 --> 01:36:30,512 Now, all together. 1379 01:36:30,614 --> 01:36:32,104 Ready, go! 1380 01:36:40,958 --> 01:36:44,291 Ro-ber-ta! Ro-ber-ta! 1381 01:36:44,395 --> 01:36:46,454 Roberta, what's this all about? 1382 01:36:46,563 --> 01:36:48,963 I don't know. They picked on me. 1383 01:36:52,069 --> 01:36:53,536 It's getting late. 1384 01:36:57,841 --> 01:37:02,301 That time I cooked for you... How was my pasta? 1385 01:37:02,413 --> 01:37:04,347 When did you ever cook for me? 1386 01:37:06,784 --> 01:37:08,615 At my house I'll make you pasta. 1387 01:37:08,719 --> 01:37:11,381 The genuine carbonara. Come and you'll see. 1388 01:38:40,310 --> 01:38:43,438 It's almost dawn. 1389 01:38:47,084 --> 01:38:48,881 It's dawn. 1390 01:38:48,986 --> 01:38:50,453 They'll attack now. 1391 01:39:05,736 --> 01:39:07,203 They're coming. 1392 01:39:07,304 --> 01:39:08,703 Here they are. 1393 01:40:05,696 --> 01:40:07,527 Take this. It's loaded. 1394 01:40:07,631 --> 01:40:08,723 We'll never surrender! 1395 01:40:32,222 --> 01:40:34,349 You'll never get us! 1396 01:40:38,495 --> 01:40:41,020 Stop! 1397 01:40:41,231 --> 01:40:44,598 That's good, stop! 1398 01:40:44,701 --> 01:40:46,828 Was it okay, Maestro? 1399 01:40:46,937 --> 01:40:49,929 You were great. Thank you. Very good. 1400 01:40:50,040 --> 01:40:52,270 We've wrapped it! 1401 01:40:52,409 --> 01:40:54,673 Is that it? How did it go? 1402 01:40:54,778 --> 01:40:57,212 I don't know. Don't ask me. 1403 01:40:57,314 --> 01:40:58,611 He said stop. 1404 01:40:58,715 --> 01:40:59,943 And tomorrow? 1405 01:41:00,050 --> 01:41:02,075 The film's over, I said. 1406 01:41:02,185 --> 01:41:03,846 Merry Christmas! 1407 01:41:03,954 --> 01:41:06,081 Yeah, right, Merry Christmas. 1408 01:41:10,594 --> 01:41:13,495 Hello, Gino, can you hear me? 1409 01:41:13,597 --> 01:41:16,259 - Merry Christmas! - Thank you! Best wishes! 1410 01:41:16,366 --> 01:41:18,596 Good-bye. Thank you! 1411 01:41:18,702 --> 01:41:20,135 Thank you! Best wishes. 1412 01:41:20,237 --> 01:41:21,795 You're easy to work with. 1413 01:41:21,905 --> 01:41:24,305 - Good-bye, Tonino! - Best wishes! 1414 01:41:38,221 --> 01:41:40,246 Here. Merry Christmas. 1415 01:41:40,357 --> 01:41:41,984 Thank you. Merry Christmas. 1416 01:41:43,860 --> 01:41:46,192 Hey, you guys! 1417 01:41:46,296 --> 01:41:49,322 Somebody give me a push. I'm stuck. 1418 01:41:49,433 --> 01:41:52,300 Come here, push me! 1419 01:41:54,338 --> 01:41:57,637 I'm coming, uncle's little darling. 1420 01:41:59,976 --> 01:42:02,911 - Push me! - I'm pushing! 1421 01:42:03,013 --> 01:42:04,480 - Switch to neutral. - I'm already in neutral! 1422 01:42:04,581 --> 01:42:06,879 How about a date? 1423 01:42:06,983 --> 01:42:09,076 - Good-bye! - This is mine. 1424 01:42:11,555 --> 01:42:14,388 Good-bye, take care of yourself! 1425 01:42:14,491 --> 01:42:16,789 Merry Christmas! 1426 01:42:22,232 --> 01:42:24,029 Merry Christmas, Maestro! 1427 01:42:24,134 --> 01:42:25,761 Good-bye, my friend! 1428 01:42:25,869 --> 01:42:27,393 Thank you! 1429 01:42:27,504 --> 01:42:29,699 Hello, Gino? Maurizio, here. Over. 1430 01:42:31,308 --> 01:42:32,935 We've wrapped this one, too. 1431 01:42:33,043 --> 01:42:35,170 We can all go home! 1432 01:42:35,278 --> 01:42:37,246 Let's go home, then. 1433 01:42:38,281 --> 01:42:40,806 - So long, Gino. - Best wishes. 1434 01:42:40,917 --> 01:42:42,544 Same to you. 1435 01:43:19,256 --> 01:43:22,453 The film should end here. 1436 01:43:22,559 --> 01:43:24,493 In fact, it ends here. 1437 01:43:24,594 --> 01:43:28,155 And I hear the words of an old producer of mine. 1438 01:43:28,265 --> 01:43:33,328 "What? Without the faintest hope, or ray of sunshine? 1439 01:43:33,437 --> 01:43:38,238 Give me a ray of sunshine, " he would beg at the end of each film. 1440 01:43:38,341 --> 01:43:39,808 A ray of sunshine? 1441 01:43:40,844 --> 01:43:42,869 Well, let's try. 1442 01:43:55,559 --> 01:43:56,856 Take one! 100293