All language subtitles for The.Adventures.of.Ozzie.and.Harriet.S09E17.The.Lost.Briefcase.1080p.AMZN.WEB-DL.DDP2.0.H.264-ShiNobi_track3_[eng]

[instrumental music]

- The Coca-Cola Company proudly
presents the most famous family

in America--

Ozzie, Harriet,
David, and Ricky.

The Nelson family.

- Statistics show that Coca-Cola
is enjoyed 60 million times

a day, and among those who
enjoy it often are the Nelsons.

- Hi, Mr. Nelson, Dave, Rick.
- Hi.

- Hey.

- Um, think I'll
have a large Coke.

- Me, too.

- Me, too.

- According to statistics,
when people order Coca-Cola

at the fountain,
given the choice,

two out of three usually
ask for a large Coke,

as the Nelson's do.

That's because when you ask
for a large glass of Coke,

you get even extra enjoyment.

And this, in turn, leads
to another statistic.

A large number of
people order something

to eat when they have
a Coke at the fountain

because ice cold Coke
goes so good with food.

Now, Ozzie has his
own statistic for us.

- When the three Nelson men
enjoy Coke at the fountain,

one out of the three is
bound to get the check.

Which one?

It figures.

- And now the Coca-Cola
Company invite you to enjoy--

[theme music]

"The Adventures of
Ozzie and Harriet."

[piano music]

- Is this any good, Jack?

- What's the name of it?

- Uh, "Murder By Mail."
- No.

The title's a dead giveaway.

You got to know
the postman did it.

- I guess you're right.

How about this one?

"The Corpse Who Kicked the Cop."
- I haven't read it.

Who wrote it?

- Uh, Helen Medbury.

- I'd pass that up.

- Why do you say that?

- It's written by a woman.

- What difference
does that make?

- Well, personally, I can
never follow their logic.

And most of them,
you've got to be a woman

to figure out who done it.

- Yeah, now that you mention,
I--I've noticed that, too.

- Now, if you want
a real good mystery,

try that "Twenty
Minutes to Kill."

- It's good, huh?

- Yeah, Terry MacDonald's
a real good mystery writer.

- OK, Jack.

You sold me.

You know, this job of yours
calls for a lot of talent.

Not only have to be able to
whip up a good choclate sundae,

but you have to be a
literary critic, as well.

- And speaking of talent,
take a look at this.

- Hey!

No, now wait a second.

I didn't order that.
- I know you didn't.

I did.

It's for me.

[instrumental music]

- How's the book?

- Oh, it's-- it's
pretty good so far.

- I read it about a year ago.

You know who the
murderer is yet?

- Well, no.

I--I just started.

I've only read about 10 pages.

- I knew who did it by the
time I'd read five pages.

- Well, how could
you have known that?

Nobody's even been killed yet.

- I knew it was going to happen,
and who was going to do it.

- How did you know that?

- Women's intuition.

- Just what does that mean?

- Plain, simple logic.

- What's simple about
a woman's logic?

- Do you know who did it?

- I told you, I'm
only on page 10.

- Who do you think did it?

- Well, there have only been
about a-- a half a dozen

characters mentioned so far.

The, uh-- the gardener,
Mrs. Thompson, Hans, Rodney,

the husband, and--
and Grandma Finley.

- Well?

- It's probably Grandma Finley.

It usually turns out to be
those kindly old ladies.

- Nope, sorry.

It was Rodney.

- What did you have
to tell me for?

- You asked me.

- Well, I-- I know, but, uh--

besides, h-- how could you
have figured out it was Rodney?

- It was easy.

He was the only one who
was mean to his wife.

- [chuckles] Are you kidding?

- Well, he was!

He said she couldn't
buy any new clothes.

I think that's mean.

- Th-- that's the kind of
reasoning you'd expect to find

in a book written by a woman.

- Who do you think wrote that?

- Uh, uh, Terry McDonald.

- Who do you think she is?

- Well, he's a man.

- Oh, really?

How do you know?

- Well, Jack told me.

- Jack who?

- You know, Jack the
banana split man.

You know, the guy
down at the malt shop.

- Well, just because he
makes a good banana split,

doesn't mean he's
a literary critic.

That's the paperback edition.

The copy I read had a picture
of Terry MacDonald on the back,

and she's a very
attractive young woman.

- Well, Terry's a man's name.

- Not always.

You follow my logic?

- Well, yeah, I guess I do.

- Good.

Now we can get back to that
first statement you made.

- I-- I'm not sure what it was,
but obviously I never should

have made it.

- Why should a woman mystery
writer's reasoning be any

different than a man's?

- Well, a-- a man's
logic is based on fact.

And what a woman calls
logic is based on emotion.

- P-- Pardon me.

Is this a good time
to ask for a favor?

- Uh, well, I'm not sure.

We're having a little
book discussion.

- What book are you discussing?

- Uh, it's "Twenty
Minutes to Kill."

It's sort of a classic.

- I read it.

She's a pretty good writer.

- How did a woman wrote this?

- Oh, by the story.

It's a typical example
of a woman's logic.

- There, you see?

- Well, it doesn't take
much logic to figure out

were listening at the door.

- I guess this is
the wrong time.

- Uh, uh, what did
you want, Dave?

- Well, Rick's using
his car tomorrow,

and mine's in the shop.

I need a ride home
from the office.

- Well, I'll tell you what.

Clara's going to the
dressmaker's tomorrow,

and then she's supposed to
meet June Williams in front

of the Emporium.

So if you go over
to the Emporium

and meet Mrs.
Williams, then Clara

can pick up the two of
you and bring you over

to the Woman's Club, and then
we can all ride home together.

- Well, I think that just
about proves my point.

- What do you mean?

- Well, wouldn't
it be much easier

if he just took the bus home?

- I think Pop's right.

I think I'll take the bus home.

- See how simple it is?

- Well, I was just trying
to save him car fare.

- Well, Dave?

- What's this?

- Your car fare.

It's worth it to win an
argument from your mother.

[playful music]

- Ms. Edwards?

- Yes, sir?

- Do you know what happened
to those depositions

I took in the Kramer case?

- Oh, I have them, Mr. Kelly.
I've been reading them.

- Oh.
Pretty interesting, aren't they?

Yes, sir.

Did you find the big discrepancy
in the Kramer testimony?

- No, sir.

Of course, I haven't
read very much of it yet.

Well, it might be
well worth your while

to take it home over the
weekend, read it carefully.

- I'd like to.
- OK.

But don't lose it.

I've got all my notes
in the back there,

and I wouldn't
want the opposition

to know that I know what
they think I don't know.

- Excuse me, Mr. Kelly, but
you're going to be late.

- Oh.

Thank you.

- Do you have the new
golf balls you bought?

- Doggone.

What would I do without you?

[playful music]

Ms. Edwards?

Dave?

- Yes, sir.

- What did I do with
those golf balls?

- Here they are,
in the wastebasket.

- I chipped them
in there yesterday.

Well, have a nice weekend.

- Thank you.

Same to you.

- Hey, it's almost 12 o'clock.

Why don't you close up?
- Well, thank you.

- We'll see you Monday morning.
- OK.

Bye.
- Bye, Mr. Kelly.

- I can't figure out how
such a disorganized man

can be such a good lawyer.

- Did you ring?

- Yes, sir.

- Going down.

- After you.

- Thank you.

Hi, Mom.

- Hi, dear.

- Thought you were going
to the Woman's Club.

- Oh, I changed my mind.

You're home early, aren't you?

- Yeah, kind of.

- Hi, Dave.

- Hi, Pop.

- I take it Mr. Kelly
is out playing golf

again this afternoon.

- Yeah.

- You know, I hate
to say this, Dave,

but sometimes I wonder
how he ever wins a case.

- Oh, he's a brilliant man, Pop.

You ought to see how
disorganized he is.

- How's that?

- Well, take this case
he's working on now.

The other side probably
thinks they've got it won,

but Mr. Kelly found
a big discrepancy

in Mr. Kramer's story.

- What kind of discrepancy?
- I don't know.

I haven't finished reading
the deposition yet.

Holy smokes.

- What's the matter?

- Well, I can't
find the deposition.

I put it in here this--

What's this?

Hey-- hey, this
isn't my briefcase!

- Well, are you sure?

- Well, yeah.

Wait a second.

The man sitting next to me
on the bus had a briefcase.

He must have taken mine.

- Oh, that's a shame, Dave.

But that's not the only copy
of the deposition, is it?

- Well, it's the only one that
has all of Mr. Kelly's notes

in the back.

- Uh, well won't
he remember them?

- Well, that's not the point.

If the people we're
suing get a hold of them,

we're in a lot of trouble.

At least I'm in
a lot of trouble.

- Maybe he's got some
identification in there.

- Well, just a small package.

- Is his name on it?

- No.

It says, "To my little
Teddy bear with all my love.

Signed, me."

- What are you laughing at?

You just called me "doll-face."

Are you sure there's no
identification in here, Dave?

- No, I looked all through it.

- Uh, uh, does your briefcase
have your name on it, Dave?

- No, just my initials.

Well, this is great.

- Well, why don't you
phone the bus company?

They usually have a lost
and found apartment.

- Yeah, that's a good idea.

- Uh, Harriet?

I never called you "doll-face."

- Oh, that's right.

I guess it wasn't you.

- Uh, uh, Harriet?

[phone ringing]

- Lost and found department.

- My name is David Nelson.

I lost my briefcase on one
of your buses this afternoon.

- Oh, I see.

Approximately when
did you lose it?

- Well, just a little while ago.

See, I was on the
Lake Street bus,

and I picked up this other
man's briefcase by mistake.

- Oh, you took somebody
else's briefcase?

- Well, yes.

Evidently we switched
them accidentally,

and I thought he might
call and try to reach me.

- Oh, well, what is
your name, please?

Uh-huh, and your address?

And phone number?

All right, thank you.

Now, is your name
on the briefcase?

- Oh, just my initials, "DM."

The one I picked up
has no name on it,

but there's a package in it
that says, "To Teddy Bear."

- Teddy bear?

You lost a Teddy bear?

- No, that's on the package.

- Oh.

Oh, I see.

Well, I'll tell ya.

I'll call ya if
anything turns up.

Now, what's your phone number?

Oh, yes.

[chuckles] You gave
me that already.

Well, OK.

Thank you.

- Thank you.

- What'd they say?

- Oh, they'll call me
if anything turns up.

- Well, I'll get lunch started.

- Well, I wouldn't worry
about it too much, Dave.

It's bound to turn
up sooner or later.

- Well, I hope so.

Eh, just thought of something.

You know that man that was
sitting next to me on the bus?

Well, he was standing out in
the hall when I left the office.

- Yeah?

- And then outside I stopped
at the newspaper stand,

he came over right behind me.

We both got on the same bus.

- Do you think he
was following you?

- Well, I don't think so.

Why would he do that?

- Well, he probably just
works in the same building.

- Well, could be.

Have you ever seen this
man in the building before?

- No, I don't think so.

- Wh-- why would anybody
want to follow Dave?

- Maybe he wanted to get
those papers he was carrying.

They were important,
weren't they?

- Well, only to people
connected with the case.

- That must be it.

- Well, in the first
place, how would the man

know Dave had the
papers in his briefcase?

And even if he did,
why would he leave Dave

a briefcase with
a present in it?

- I don't know.

Of course!

It's perfectly obvious.

Dave said the man was
standing in the hall.

He could have overheard that
Dave was carrying the papers.

- Well, what about the present?

- Well, the present
could be a false lead

to throw us off the track.

No.

On second thought, any
man who calls his wife

Teddy Bear can't be all bad.

- Well, I tell you what.

You try and figure this
out the best way you can,

and meanwhile Dave and I will
apply a little masculine logic

and we'll find the briefcase.

[phone rings]

- Hey, maybe that's
the lost and found.

Hello?

- Hello, is this David Nelson?

- Yes, it is.

- Oh, well, Mr. Nelson,
I have good news for you.

We found your teddy bear.

[instrumental music]

- Well, let's take this
step by step, Dave.

You say the man got on the
elevator in your building,

got on the bus with you,
and sat next to you?

- That's right.

- And he had a briefcase
just like yours?

- Well, at least it
was very similar.

- Well, it seems to
me it's quite evident,

either by accident or design,
he picked up your briefcase

and you subsequently
picked up his.

- That sounds very good, dear.

- Oh, thank you.

- Now, how does he get
his briefcase back?

- Harriet, I'm trying to
take this step by step

and follow it through
to a logical conclusion.

- And you're doing
a beautiful job.

- Well, thank you.

Of course, I can be
wrong, but I think

it's possible that this
man works in your building.

- Well, it's possible, but
I didn't recognize him,

and I know most of the
people who work there.

At least, I know them by sight.

- Well, that might
be true, but there

must be some people who work
there that you've never seen.

Don't you think?

- Well, yeah.
It is possible.

After all, it's a
pretty big building.

- Well, OK.

If we assume then that the
man works in the building,

the best place to start
would be right there.

- Yeah, that's logical.

Do you want to
come along with me?

- Yeah, and we better take
the briefcase and the present.

They may come in handy.

- And phone in every
once in a while.

I want to know how you
private eyes are doing.

- He's about 5 feet 10.

He was wearing a gray
topcoat and a gray hat,

and he was carrying a briefcase.

It was a brown
briefcase like that one.

- No, I don't know him.

- Well, it's possible he
might be a new tenant.

Are there any new
tenants in the building?

- Well, I wouldn't be
too sure about that.

See, uh, I'm new
to the job myself.

- That's right.

You haven't been working
here very long, have you?

- No, I just started Thursday.

- You fellas want
the fifth floor?

- Yeah, that's right.

Fifth.

- I haven't been able to let
anybody off the sixth floor.

Door's been stuck all morning.

Fifth floor.
- Thank you.

- Thank you.

- Sorry I couldn't help you.

- That's OK.

Thanks just the same.

Now, let's retrace
your steps, Dave.

- I came out of the office.

- You came out of the office.

- And I walked over
to the elevator.

- Walked over to the
elevator, and then what?

- And I pushed the button.

- OK, you pushed the button.

- Then the man came down the
hall and stood behind me.

- Uh, where'd he stand?

- Right where you are.

- And did he say
anything to you?

- Yeah, he asked
me if I'd pushed

the button for the elevator
yet, and I said yes.

- And then what happened?

- Then the elevator came.

- Going down.

- Oh, I-- I'm sorry.

I-- I pushed the
button by mistake.

- Oh, that's OK.

Say, I've been
thinking about that guy

with the brown hat
and the brown topcoat,

and the gray briefcase.

- No, no.

It was a gray hat and a gray
topcoat, and a brown briefcase.

- No, I don't know him.

You fellas going down?

- Well, no.

In a little while.

- Thanks just the same.

Where does this door lead?

- That's the stairway.

- Gee, I'll bet this is it.
- What?

- Well, the elevator
operator said something

about the elevator
door on the sixth floor

being stuck all morning.

So maybe the man's office
is on the sixth floor,

and he walked down to the
fifth to take the elevator.

- Yeah, you could be right.

- Well, come on.

Let's go up and
take a look around.

See anything here that
gives you any clue?

- Nope.

- Come on.

I want you to take
a look around.

- Well, most of the
offices are closed.

- Hey, here's one that's
open, this jewelry store.

Hey, Dave.

Take a look at that
package, the gift.

It may be jewelry.

- Yeah, it could be jewelry.

- I'll-- I'll bet the
man bought it here.

- May I help you?

- Yes, I wonder if
you recognize this?

- This is our gift wrapping.

- Oh, do you happen
to know who bought it?

- What is it?

- Well, I don't know.

See, my son found
it in his briefcase.

That is not his briefcase.

The briefcase belongs to
the man who bought that.

- We're trying to find
him so we can return it.

- Well, maybe it'd help
to know what was in it.

- Do you remember selling that?

- No, but maybe Mr. Lee does.

- Oh, is he here?

- I'm sorry, he just
left for the weekend.

- Oh.

- Well, don't you usually
make out a sales slip?

Might have his name on it.
- Oh, yes, we do.

Uh, when was it purchased?

- Oh, probably
sometime this morning.

- Well, let's take a look.

Oh, yes.

Here it is.

- Uh, what's the name?

- There's no name on it.

Whoever bought it paid cash.

- Looks like we've run
into a dead end, Pop.

- I'm sorry I can't help.

- Oh, that's all right.

- Would you like me
to wrap it again?

- Yeah, would you, please?
As a gift.

- I don't see any
point to this, Pop.

- Well, if the man knew
there was a jewelry

shop on this floor,
Dave, there's

a good chance his
office is up here.

- Hey, maybe this
guy can help us.

Uh, uh, pardon me.

- I'll be right with you.

That'll do it.

How's that?
- It's very good.

- It's fine.

Uh, is he a new tenant?

- Well, yes.

Mr. Harris.

- Well, could you tell me,
are there any other new people

in this building?

- Uh, yes.

There's a Marvin Watson.

- What floor is he on?

- Well, usually
the ground floor.

He's the new elevator operator.
- Oh.

Oh.
Oh.

Oh, yes, sir.

We met him.

- This Mr. Harris, could
you describe him to us?

- Oh, he's--

Eh, you guys aren't
processors, are you?

- Oh.
Oh, no.

No.

See, we have this briefcase
that doesn't belong to us,

and we're looking for the
owner and we thought maybe

it might be Mr. Harris.

- Oh, well, he might be just--
oh, he's about, like, hey.

Just about pretty
average looking fella.

- Did you see him this morning?

- Yes.

- Do you remember
what he was wearing?

- Let me think.

Uh-- oh, an eggshell white
shirt, cadmium red tie,

Aztec gray topcoat, hat,
and burnt Sienna briefcase.

- Uh, burnt Sienna?

- Well, that's brown.

- Hey, that sounds
like him, Pop.

You don't happen to know
where he lives, do you?

- No.
I'm sorry.

- Oh, well-- we'll--
we'll take it from here.

Thank you very much.

- Thanks a lot.

- Hey, fellas.

If you guys are a
process service,

don't tell Mr. Harris
that I said anything.

- He hasn't paid me yet.
- Oh, no.

No.
No.

I understand.

- There are about 15 Harris' in
here whose names begin with F.

- Well, he took the same
bus as you, didn't he?

He must live out in
our general direction.

Why don't you take a
look at the addresses?

[instrumental music]

- It's like nobody's home.

- Why don't you
just try it again?

[buzzer]

- Uh, uh, Mr. Harris?
- Yes?

- That's not the man, Pop.
- Oh.

I'm sorry.
I hope I didn't disturb you.

- No, I was just
taking a shower.

- Oh.

- Yes?

- Oh, uh, we're looking
for a Francis Harris.

- That's me.

- I-- I was sure
I was right, Pop.

When it's Francis with
an E-S, it's a girl.

- Oh, yeah, I--
I'm sorry.

You're not the party
he's looking for.

- I'm sorry.

- So am I.

- Yes?

- Oh, hi.

- Well, hello there, young man.

- This is the right man, Pop.

- Oh, good.

- I think I've got
your briefcase.

- You have?
- Uh, yes, sir.

Evidently, you picked up
the wrong one on the bus

this morning.

- No, I don't think so.

Well, just a second.

Mine's right here
on the hall table.

Well, this is mine all right.

It's got my initials
on it, "FWH."

- Well, this one has
your package in it.

- What package?

- Well, this one.

[letter crinkling]

- "To my little Teddy
Bear, with all my love."

- What's this?

- Uh, we were just returning
your husband's package.

- Eh, now, just a second.

This isn't my package.

- Who is Teddy Bear?

- I don't know any Teddy Bear.

- Oh-- oh--

I--I--I'm sorry.

Obviously, there's
been a mistake.

I'm sorry to have troubled you.

Come on, Dave.

- Now, what's this
all about, Fenimore?

- I tell you, I don't know
any more about it than you do.

- Hi, fellas.

How'd you make out?

- Not so good.

We tracked down the man, but
he didn't have the briefcase.

- Well, I wouldn't worry
about it if I were you.

- But, Mom, that
deposition is important.

- Yeah, I know it.
I located it.

- My briefcase?
- Uh huh.

It's on its way over here now.

- Well, how'd you do that?

- Oh, just used a
little feminine logic.

- What are you talking about?

- Well, the card read, "To my
little Teddy Bear, with love."

Well, now, what do bears like?

Honey.

Honey comes from bees.

B stands for Betty, so the
man's wife's name must be Betty.

- Who cares about the
man's wife's name?

What's his name?

- You'll find out.

- I'll get it.

Well, Mr. Kelly!

Come on in.

- Thank you, David.

Hello, Mr. Nelson.

- Oh, hi, Mr. Kelly.
- Hello, Mr. Kelly.

- David, here's your briefcase.

I seem to have picked it up
at the office by mistake.

- I guess we got it mixed up.

- Yeah.
- Here's yours.

- Aw, thank you.

- Uh, was there a--

- Yes, it's right in there.

[chuckles]

- I was afraid I'd lost it.

You see, today is
my wife's birthday.

When I got home
from the golf club,

I went to give her
present, and, well,

being a married man
yourself, Mr. Nelson,

you can realize the reaction
I got when I couldn't find it.

- Oh!

I know just what you mean.

- Well, thank you again.

I'm sorry to have
caused you this trouble.

- Oh, it's no trouble at all.

It's been very interesting.

And tell Betty we wish
her a happy birthday.

- Betty?

- Yes, y-- your wife, Betty.

- Oh, thank you.

Her name is Florence.

- Oh.

Well, anyway, tell her we
wish her a happy birthday.

- Thank you.

Speaking of my wife, I
suppose you read the card.

It's kind of embarrassing.

- Oh, don't be silly.

Ozzie used to call
me "doll-face."

- Oh, did he?

Well, that's uh-- [chuckles]
Well, now I've got to go home.

I'll see you Monday, David.

Goodbye.

- Goodbye.

- Bye.

- Uh, uh, so you figured out
his wife's name was Betty?

- Well, I'm entitled
to one little mistake.

You must admit, I
figured out the briefcase

belonged to Mr. Kelly.

- Well, now just a second.

If you figured out the briefcase
belonged to Mr. Kelly because

of his wife, and yet you
had his wife's name wrong,

how did you connect him with it?

- Oh, well, that was
the easiest part.

Just plain, simple logic.

- Go ahead.

- Well, Mr. Kelly phoned
while you were out.

- If he phoned, where
does the logic come in?

- Well, as soon as he told
me that he'd picked up

David's briefcase, I
immediately figured

David must have picked up his.

- Oh, that was fantastic.

- Thank you, dear.
- Uh, Pop.

- Yeah?

- Did you really use to
call Mom "doll-face"?

- Well, no, I didn't.

Harriet, that calls
for an explanation!

- Well, I just said
that because Mr. Kelly

seemed so embarrassed.

- No, I'm not
talking about that.

You said this afternoon it was
somebody else who used to call

you "doll-face."

And now-- now who was it?
- Well, you know him.

You've met him lots of times.

In fact, he was at our wedding.

- He was?

- Mmm hmm, he was that
tall, handsome man

who walked down
the aisle with me.

He gave the bride away.

- You mean Grandpa Hilliard?

- That's right.

My dad.

- I'm a little disappointed.

Didn't you ever have
a pet name for Mom?

You know, something special
just between the two of you?

- Well, yes, I did!

Come on, "chowder
head," how about dinner?

- OK, OK.

[instrumental music]

You still reading
that murder mystery?

I told you who did it.
Rodney.

- Huh.

Well, you might be wrong.

After all, you
were only guessing.

- I was not.

- Well, you said you
only read five pages.

- That's right.

- Well, I've read
the first 50 pages,

and I don't know
who the murderer is.

So how can you be so sure
if you've only read five?

- Well, you read the
first 50, didn't you?

- Well, yes.

- I read the last five.

- Oh.

[instrumental music]

- "The Adventures of
Ozzie and Harriet"

has been brought to you
by the Coca-Cola Company.

- What's good after a show?

Ice cold Coca-Cola.

Wouldn't it taste
great to you right now?

The day of a child's first step
is always a memorable occasion.

Most children accomplish it by
the time they're one or two,

but for the child with cerebral
palsy, it may be five or six,

or even seven years before
that first step is achieved.

The child with
cerebral palsy often

depends on the 13 services
provided by the United Cerebral

Palsy Association for
special training from infancy

to adulthood.

Keep faith with them by making
a generous contribution.

Mail your check now to Palsy,
care of your local postmaster.

- This has been an ABC
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presentation.