All language subtitles for The Adventures of Ozzie and Harriet S09E06 The Table and The Painting 1080p AMZN WEB-DL DDP2 0 H 264-ShiNobi (1)_track3_[eng]

[music playing]

- Eastman Kodak company
is happy to bring you

America's favorite
family, the Nelsons--

Ozzie, Harriet,
David, and Ricky.

They enjoy good times together.

And like most of us, they
enjoy good times over

again in pictures.

And now, here's Harriet.

- You know, Christmas is
only a matter of weeks away,

and that means it's
time for us to pick out

the picture we'll use for
this year's Christmas photo

greeting card.

All we have to do is
pick out the snapshot

we like best, either in
black and white or color.

And then, we'll have
our Kodak dealer make it

into a photo greeting card.

A photo greeting is a Christmas
card only you can send.

This style is
called the slimline,

and it comes in either full
color or black and white.

There are lots of
other styles too,

but you better hurry so you
can get your cards in the mail

early.

- And here's good news.

This year, many photo dealers
have an attractive Christmas

offer.

For example, when you buy
25 or more Kodacolor prints

of the same picture,
your Kodak dealer

will supply prints,
folders, and envelopes

all at a very
substantial saving,

so be sure to take
your Christmas snapshot

and have your Christmas
photo greetings made soon.

And now, Kodak invites you
to enjoy "The Adventures

of Ozzie and Harriet."

[saw blade cutting wood]

- Hi, Joe.

- Hi, Oz.

It's good to see you.

- Oh, I just thought I'd drop
by and see what you're up to.

I haven't seen much of you since
you started this woodworking.

- Yeah, I guess I have
been spending a lot of time

out here.

- Oh, Harriet wants
to know is there

anything you want us to bring
over to your party tomorrow

night?

Besides ourselves, that is.

- No, I don't think so.

In fact, you don't have to
come over, Oz, just as long

as Harriet shows up.

- It doesn't work that way.

If you want Harriet at the
party, you've got to take me.

It's a package deal.

- That's what I was afraid of.

- What are you making
here besides sawdust?

- Oh, nothing right now, just
trying out this new blade.

Here, you want to try it?

- Oh, no thanks.

- Sure, go ahead.

- No, you know me.

I'm all thumbs, and I've
grown kind of fond of them.

- Well, aren't you going to
ask to see what I've made?

- Oh, I'm sorry.

I'd like to see
what you've made.

- It's right over here.

Oz, you're the first
one I've shown it to.

Besides Clara, of course.

- Well, let me see it.

- Oz, you understand this is
the first thing I've ever made?

- Yeah, I know, and
I like to see it.

- What do you think?

- Yeah, it's very nice.

- You really like it?
- Oh, sure.

It's--

- It's an end table.

- Well, that's what I had.

- Feel how smooth it is.

- Oh, yeah, that's
a nice finish.

- It's really well
put together, too.

I doweled the legs and tongue
grooved the joints here.

- It's amazing.

- You don't think the
scrollwork is too much.

Do you?

- Oh, no, that's what
makes it interesting.

What are these holes here?

- I was afraid you
weren't going to ask me.

It's a little idea of my own.

Here, I'll show you.

It's a built-in pipe rack.

- Well, that's very clever.

- Oh, thanks, Oz.

I think furniture should
be functional as well

as ornamental.
Don't you?

- Oh, yeah, it's
a beautiful job.

- You really like it?
- Oh, yes.

- Now, you're not
just saying that?

- No, no, it's well-constructed.

It's interesting.

And it's functional, as you say.

It should make a nice
conversation piece.

- Oh, thanks, Oz.

How would you like to have it?

- What?
- No, I mean it.

It's yours.

I want you to have it.

- Well, I don't--

well, I don't know what to say.

- Well, don't say anything.

I'm just glad you like it.

- Well, yes, of
course, I like it.

But after all, Joe, it's the
first thing you've ever made.

I don't know.

You keep it, but
thanks just the same.

- But, Oz, you're
my best friend.

I want you to have it.

- Well, and I appreciate it.

- Let's just call it an
out-of-season Christmas

present.

- I don't know what to say, Joe.

- You better take it, Oz,
before I change my mind.

- Gee, well, thanks a lot.

Boy, wait'll Harriet sees this.

- Let me know what she says.

- Well, thanks again, Joe.

- Bye, Oz.

- Bye.

Hi.

- What's that?

- It's an end table.

- Where did you get it?

- Joe made it.

- Hey, that's not bad.

- Well, I think it's pretty
darn good for a first effort.

- What are you doing with it?

- Well, he gave it to me.

- For keeps?

- Yeah.

- Well, give it back.

- I can't do that.

- Well, how do he happen
to give it to you?

- Well, he asked me how I
liked it, and I said fine.

And first thing I knew,
he'd given it to me.

You know how it is when
somebody asks you, how

you like something he's made?

You can't very well
say, "I don't like it."

- Oh, well, no, of course not.

It's really not bad.

- No, it's sturdy.

It's well-built. It'll
probably lasts forever.

- What are the holes for?

- Oh, it's a built-in pipe rack.

It'll make a nice
conversation piece.

Well, what could I do?

- Oh, nothing.

I was just wondering
where we could put it.

- Well, we'll find
some place for it.

- I still don't know why
he had to give it to you.

- He just said I
was his best friend,

and he wanted me to have it.

Sort of an out-of-season
Christmas gift, he said.

- Well, we'll say something.

- Merry Christmas.

- Try it over there
by that chair again.

- It's no use.

It looks just as bad over there
as it does every place else.

- Well, do you want to try
it in the living room again?

- Well, to be
honest with you, I'm

a little tired of lugging this
darn thing all over the house.

- You haven't tried the attic.

- We can't put it
up in the attic.

Suppose Joe comes over here?

Be terribly embarrassing
if it isn't out someplace

where you can see it.

- Yeah, I suppose so.

- Hey, we haven't tried
it in the kitchen.

Maybe I could put spoons or
something in those holes.

- Oh, no, these are
for pipes, like this.

- Maybe you can use that as
an excuse to take it back.

- Well, he'd just
make bigger holes.

Here's an idea.

Why don't we put it right here?

- Oh, I don't know.

- Well, it has one advantage.

When we open the door
to let people in,

they won't be able to see it.

- I suppose you
could leave it there

till we decide
what to do with it.

[doorbell ringing]

- Oh, hi, Oz.
- Hi, Oz.

- Hi, Doc.

- Hey, you got a new table.
- Oh.

- Thought you guys might like
to play a little golf with us

today.

- Oh, well, thanks a lot.
Maybe next week.

I've got quite a few things I
have to do around the house.

- Did you see this, Darb?

- Oh, that's very nice.

You make that yourself, Oz?

- No, Joe Randolph made
it and gave it to me.

- No kidding.

Well, he sure did a nice job.

- Yeah.

Move it out here where I
can see it a little better.

- It's his first effort.

I think it's pretty good.

- Oh, I think it's darn good.

- And look at all
that fancy work there?

Hey, what are all
those holes for?

- That's quite an
interesting feature.

That's a built-in pipe rack.

- That's pretty clever.

- Yeah, how come
he gave it to you?

- Well, I don't know.

I admired it, and
he gave it to me.

Hey, do you guys
really like this?

- Oh, sure.

Don't you, Doc.

- Oh, I think it's great.

Are you sure Joe made this?

- Oh, well, yeah, he made
it out in his garage.

Say, we're having
a little difficulty

finding a place to put it to
show it to its best advantage.

Maybe one of you guys
would like to have it.

- Oh, thanks, Oz,
but I don't think so.

- It's very well-constructed.

- Oh, yeah, I can see that.

And I'd really love
to have it, but I

don't think that would be fair.

- No, Doc's right, Oz.

After all, Joe gave it to you.

- Well, I know, but you guys
know him just as well as I do.

- Yes, but you've known
him longer than we have.

- Well, no, we all met
him at the same time.

Don't you remember?

- Yes, but you were
introduced to him first.

- I don't recall
anything like that.

- Well, if we're going to play
some golf, we better get going.

- See ya, Oz.
- Bye, Oz.

Beautiful table.

- Are you sure?

- What are you doing?

- I found it.

- Good, what is it?

- It's that painting I made when
we attended those art classes.

- I thought you threw that away.

- No, I saved it,
and I'm glad I did.

- Why, for goodness sake?

- For just such an occasion.

- Oh, you've lost me.

- I'm going to give
it to Joe Randolph.

- Oh, you mean to get even?

- You wouldn't let
me hang this anyplace

where anybody could
see it, would you?

You can be honest with me.

- In that case, no, I wouldn't.

- And Clara wouldn't let
Joe hang it any place.

- No, I don't imagine she would.

- Well, there's your answer.

I'm going to give it to
Joe, and if he refuses it,

back goes his end table.

- Suppose he takes it?

- Well, fine, then he'll
have to hang it someplace,

which he'll never do.

He'll probably just
hide it somewhere.

And if he hides
this, then we can

hide that monstrosity of his.

- May I compliment you
on a brilliant scheme

well thought out?

- Well, thank you.

Frankly, I think I deserve it.

- Well, hi, Oz.
Come in.

- Hiya, Joe.

- What do you got here?

- Well, it's a little
painting I made.

- Hi, Ozzie.
- Hi, Clara.

- What's that?

- Well, it's a little
out-of-season Christmas gift.

Joe gave me one, so I
thought I'd give him one.

- Oh, isn't that nice.

- Why don't you take it in
the other room and look at?

I think the light's a
little better in there.

Well, what do you think?

- Oh, it's very interesting, Oz.

- It is.

- You really Like it?

- Oh, yeah, it's a
real professional job.

It'll make a wonderful
conversation piece.

- Oh, well, thank you.

- I've always wanted a
genuine, handmade oil painting.

- Oh, well, you got one now.

Where are you going to put it?

- Oh, well, I don't know.

You just don't slap a thing
like this up on the wall.

- Of course not.

- You've got to figure
out the right place

to put it to do it justice.

- Oh, well, if you don't mind
my making a suggestion, how

about up on the mantel there?

- Oh, well, that's an idea.

- Yeah, well, I'd
better be running along.

Nice to see you, Clara.

Merry Christmas, Joe.
- See ya.

Thanks again.

- Dinner almost ready?

- Almost.

I say something funny?

- I was just thinking
about Joe and Clara

when I gave him the painting.

You should have seen their
faces when I suggested

they hang it over the mantel.

- Oh, you didn't.

- Well, I didn't make
a big point of it.

They probably spent the
rest of the afternoon

trying to figure out what
to do with the darn thing.

- Oh, well, don't look
now, but here he comes

and he's got the
painting with him.

- Well, I have to
give him credit.

He's more honest than I am.

- Either that or the
picture's even worse

than you thought it was.

- Hi, Joe.
Come on in.

- Hi, Oz.
Hi, Harriet.

- Hi, Joe.

- Oz, I don't want to
hurt your feelings--

- Look, Joe, I understand.

I'll take the painting back.

- You will not.

- Well, isn't that why
you came over here?

- Heck no.

I just wanted you to see
the frame I made for it.

How do you like it?

Took me all afternoon.

- Oh, how about that.

- You like it, Harriet?

- Oh, yes.

- After all, if we're going
to hang it over the mantle,

we want to show it to
its best advantage.

- Oh, well, yeah, sure.

- Well, I don't want to
keep you from dinner.

I just wanted you
to see the frame.

- Oh, it's very nice.

- Oh, don't forget
you're coming over

for the party tomorrow night.

- Oh, sure, we're
looking forward to it.

- Oh, well, yeah,
we'll be there.

- You know, Oz, I don't
like many paintings,

but there's something about
this one that's really nice.

- Oh, well, thanks a lot, Joe.

- Bye now.
- Bye, Joe.

- So long.

- Way In the corner like that
with a lot of magazines on it,

you might not even notice it.

- I suppose.

It's ridiculous.

How could my painting be any
good and look so bad to us?

- I don't know.

- Well, then why
does Joe want it?

- Well, maybe he's got a hole in
the wall he wants to cover up.

- You heard him.

They're going to hang
it over their mantle.

- You know, it's just possible
that he's telling the truth

that he and Clara
really like it.

- Harriet, I find that
kind of hard to believe.

Well, no matter how
bad the painting is,

he still got the
best of the bargain.

- I don't know.

The more I look at that table--

yeah, you're right.

It's pretty bad.

[phone ringing]

Oh, I'll get it.

Hello?

Oh, hi, Darb.

Yes, he's here.

It's for you, Picasso.

- Hi, Darb.

- Oz, I just want you to
know I saw the painting,

and I'm speechless.

I just don't know what to say.

- Well, it's one of the
first things I ever did.

- I know it.

That's what makes it so amazing.

- Well, you mean you like it?

- I think it's great.

- Did you really paint it, Oz?

- Well, yeah, but I don't
think it's especially good.

It might be a little unusual,
but you know as well as I do,

it's pretty amateurish.

- Oz, you're just being modest.

- No, in fact, as I
recall, I was half kidding

when I painted it.

- Well, I don't know about
that, but I certainly

think you've got a
wonderful overall effect.

How come you gave it to Joe?

He doesn't appreciate
artistic things.

- Well, he likes the painting.

- Yes, but he doesn't
understand it.

- Well, I don't know.

I think he does, at
least he seems to.

- Then, why is he inviting
the art critics to his party?

- Art critics?

- Oh, gee, I guess I wasn't
supposed to tell you.

Well, so long, Oz.

- No, no, wait a second.

- Oh, I better hang up.
I've said too much already.

I'll see you at the party.
Goodbye.

- Uh, Darb?

Darb?

Harriet, did you hear that?

- No, you were holding the
receiver too close to your ear.

- What's going on?

- What do you mean?

- Well, I don't know whether
Darby's got me on or what.

- Well, knowing Darb,
he probably has.

- I don't know.

Maybe he hasn't.

- You know, it
might help if I knew

what you were talking about.

- The art critics.

- He's got you on.

- No, he wasn't
supposed to tell me.

It just slipped out.

- See, Joe is going to have
some art critics at the party

tonight.
- What for?

- Well, to look over my painting
and to explain it or something,

I guess.

- Oh, for goodness sake.

- Well, if he thinks he's going
to make a laughing stock out

of me in front of
all those people,

he's got another thing coming.

- You can't have it back, Oz.

- Well, why not?

- Because it belongs here.

Look at what it's
done for this room.

It's brightened it
up to such a point

that Clara is beginning to say
the furniture looks shabby.

- Well, you're wasting
your time, Joe.

I'm on to you.

- What do you mean,
you're on to me?

- Well, I know all
about the art critics

you've invited to your party.

- Oh, gee, I wanted
that to be a surprise.

- Well, fortunately,
I found out about it.

Now, give me the painting.

- You can't have it, Oz.

- Well, you're not going to
make a laughing stock out of me

in front of all my friends.

- What are you
talking about, Oz?

I'm trying to convince you
that the painting is good.

- Joe, you're talking to the
guy who painted this thing.

- The artist who painted it.

- OK, the artist who painted it.

- Do you think any artist is
able to appraise his own work?

Do you think that
Whistler realized

he was painting a masterpiece?

Or Rembrandt?

Or Leonardo da Vinci?

- Well, what's all that
got to do with this thing?

- Well, I'm not saying
that you're in their class,

but it is darn good, Oz.

And I don't mind
telling you that I

might be proud of myself.

It took me to recognize it.

- Well, OK, thanks a lot.

- People just don't
realize their own talent.

Now, take that table
of mine, for instance.

Frankly, I didn't realize
it was so good until you

took such an interest in it.

- Well, well, OK,
I'll see you later.

- Oh, sure, Oz.

Between 7 and 7:30
tonight, that's

when we're going to
have the unveiling.

- Look, Joe, why don't
we stop all this nonsense

and give me back the painting?

- Absolutely not.

This is the first time I've
owned an original work of art,

and I'm going to keep it.

- OK.

It's not bad enough he's invited
these art critics, whoever they

are, but now he's
going to unveil

the thing as if we're a
national monument or something.

- What are you so worried about?

- Well, I just don't
like to be laughed at,

unless you think
there's a possibility

that the painting really is--

- I don't think so.

- I wasn't going to
say a masterpiece,

but that it's passably
good in some strange way.

- I don't know.

Did the teacher of
the art class say

it was interesting or something?

- Well, yeah, I
think he did, but you

know how it is, that they all
like to give you encouragement.

What was his name?

Do you remember?

- Dexter, wasn't it?

- Yeah, that's right.

Maybe I ought to go over
there and ask him about it.

- Well, it won't do any harm.

- Yeah, I think I will.

- No, I'm afraid.

I don't remember the
painting, Mr. Nelson,

but I remember your dropping
the pallet face down

on the floor over there.

- Oh, yeah, that
made quite a mess.

Didn't it?

- Well, we managed to
get most of it off.

Are you interested
in some more lessons?

- No, I came down to ask
you about the painting.

I thought you might remember it.

- You say it was a landscape?

- Well, yeah, that is it
started out to be a landscape.

See, there was a
stream, and the sun

was shining through the clouds.

I remember there was a little
fence there and a kind of a boy

fishing.

- What do you mean,
"kind of a boy"?

- Well, see I spilled a
little paint in the stream.

That is, where I was
painting the stream.

And I kind of smudged it,
and it looked like a boy.

So I filled it in.

- Well, what did I say about
the painting at the time?

- Well, you were nice enough
to say it was very interesting.

- Then I must have
thought it was.

I'm always honest
with my students.

- Oh, thank you.

Yes, I realized that.

- Mr. Dexter?

- Yes?

Pardon me just a moment.

- Is this coming along OK?

- Oh, yes.

Say, hey, that's
very interesting.

- Thank you.

- Well, I think I'll
be running along.

I'm sorry to have
troubled you, Mr. Dexter.

- Not at all.

Nice to see you
again, Mr. Nelson.

Sorry I couldn't help.

- Oh, that's OK.

Thanks just the same.

- If you get a
chance, come on down

and attend some more classes.

- I may do that.

- Oh, that's fine, Jenkins.

Very interesting.

Very interesting.

Very interesting.

- Well, I'm sure he wouldn't
have said it was interesting

if he hadn't thought so.

- Well, I hope you're right.

You making the cake
for the party tonight?

- Yes, I thought
I'd surprise them.

- I hope they aren't too
surprised by my painting.

- Oh, well, don't
worry about it.

Here, I have complete confidence
in your artistic ability.

- You really want
me to gush on there?

- Oh, anything appropriate for
the unveiling of a major work

of art.

[laughter]

- That's descriptive
of my state of mind.

- Oh, hi, Harriet.
- Hi, Clara.

- You're just in time.

- I baked a cake for the party.

- You shouldn't have done that.

- Hi, Harriet.
- Hi, Joe.

- Where's Oz?
- Oh, he's outside.

He's trying to make up his
mind whether to come in or not.

- Oh, for goodness
sake, Oz, come on in.

We're all waiting for you.

- Hi, Joe.

- You're holding
up the proceedings.

Oz is here, everybody.

- Well, hi, Oz.

- Shall we have the
unveiling before dinner?

- Oh, sure, I think--

- Oz, since it's
your painting, I

think you should do the honors.
- Well, no, no, you're the host.

Go ahead, Joe.
- Don't be so modest--

- Oh, come on, Oz.

- For you folks who
haven't seen this,

I'm afraid you're in
for a disappointment.

It's just a simple
little painting.

- Oh, come on, Oz.

Pull off the sheet.

- Well.

- Ah.

- How about that, folks?

Isn't that the most
beautiful frame you ever saw?

- What's this all about?

- I figured the other
frame was too plain.

- The frame?
What about my painting?

- It's perfect, Oz.

Just the right size for
the amount of wood I had.

- You mean you wanted my
painting just for your frame?

- Oh, no.

Well, that is not entirely.

But naturally, you
can't show off a frame

unless you have a
picture to put in it.

- What was all this
about the art critics?

- Where are they?

- They're right here.

- Doc and Darbs?

Since when are they art critics?

- Just a second, Oz.

Darb is a man of
infinite good taste,

and my hem stitching is
the envy of every intern

at the hospital.

- It's nice.

When you come right down to
it, we're all art critics.

Everyone's entitled to
his own personal opinion.

Folks, I want to
call your attention

to the detail of
this scrollwork.

- The more I look
at it though, I--

pardon me please, folks.

I'm not at all sure that
picture's right for that frame.

- Oh, well, it's
just tacked in there.

I can take it out very easily.

Excuse me, please.

Doc, Darb, what do you think?

- Well, just a second, Joe.

I want to take another
look at this painting.

- What do you think, Darb?

- It's not bad.

In fact, it's darn good.

- I think the colors
are just beautiful.

- I love the way the sun is
shining through the clouds.

- I'm really quite proud
of this scrollwork.

- Please, Joe.

- You know that looks
so restful there, Oz.

Where is it?

- Oh, it's no place
in particular.

I just made it up.

- Really?

I could have sworn I've seen
that stream, and those trees.

- Well, I guess everybody
has seen a stream like that

at some time or another.

- It used to be one like that
on my grandmother's farm.

I used to love to
wiggle my toes in.

It was so nice and cool.

- Yeah, these new power
tools are really something.

- Take a look at the
expression on that kid's face.

You just know he's
playing hooky, right, Oz?

- Oh, well, it could be.

- He looks just like
my cousin Walter.

He's a dentist in Kansas City.

- You know what I think?

I think the boy is a symbol.

He represents the desire we all
have to escape from reality.

- Yes, but he's catching a fish.

I think he represents man's
struggle for survival.

- No, I think the boy
represents youth watching

the stream of life go by.

- How about it, Oz?

Who's right?

- Well, actually, all I did was
try and paint a happy picture.

- That's the same thing I had
in mind when I made this frame--

something happy, and
gay, full of life.

- I hate to break this up
everybody, but dinner's ready.

[indistinct chatter]

- I'm glad they liked your
painting so much, dear.

- Oh, thank you.

- You know, it is good.

- Oh, well, it's nice of you
to say so, but it really isn't.

It's just that they're
such good friends

and such wonderful people.

They wanted it to look good,
and so it looked good to them.

- Well, then that's
even more important.

- I guess it is.

- Well, come on, Joe.
Dinner's ready.

- Yeah, I know.

You know, Oz, that really
is a darn nice painting.

- Oh, thanks a lot, Joe.

- And this is a beautiful frame.

- Oh, thanks, Oz.

It's just the right
size for the picture.

- Let's try it over here again.

It really does something
for the picture.

It gives it an added dimension.

Tell me truthfully,
Oz, just what

did you have in mind when you
started out to paint this?

- Well, I said to myself,
why don't I paint a picture.

Then if a crazy neighbor of
mine gets some power tools

and decides to
make a frame, he'll

have a picture to put it around.

- Come on, you guys.

Even artists have
to eat, you know?

[music playing]

- "Ozzie and Harriet" are
brought to you on film

by Eastman Kodak company, who
also present "The Ed Sullivan

Show" on another network.

And remember--

- Now is the time to take a
picture for your photo greeting

card, the most personal
greeting you can send.

Good night.

- Poor human beings
somewhere in the world

are asking you for help.

They don't know
you specifically.

They couldn't talk
with you if they did.

But in the international
language of human emotions,

they're hoping your generosity
will respond to their need.

They're among millions who are
hungry today and every day.

Your generosity
expressed with $1

to the great CARE food crusade
can send them food for a month.

The $1 from you delivers the
complete package overseas

in your name.

Remember that hunger hurts
and join the food crusade CARE

by sending your contributions
to the local CARE

office in your city.

- This has been an ABC
Television Network film

presentation.