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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,870 --> 00:00:10,790 In this class, we're going to set off on an incredible creative journey to 2 00:00:10,790 --> 00:00:13,070 discover the wonder of animation. 3 00:00:13,570 --> 00:00:17,170 You'll draw a series of pictures on tracing paper. 4 00:00:17,430 --> 00:00:22,110 Then we're going to bring in a cameraman to shoot your work. You'll see your 5 00:00:22,110 --> 00:00:26,530 creation spring to life, just like the animation you see on television. 6 00:00:28,029 --> 00:00:29,029 Life, class. 7 00:00:29,310 --> 00:00:31,130 That's what animation means. 8 00:00:31,650 --> 00:00:37,750 Movement. Your characters can move in any style at all, limited only by the 9 00:00:37,750 --> 00:00:39,790 boundaries of your own imagination. 10 00:00:40,450 --> 00:00:45,570 You'll learn that being an animator is very hard work, but if you pour your 11 00:00:45,570 --> 00:00:48,570 heart into your labor, you just might pull off a miracle. 12 00:00:49,200 --> 00:00:53,840 Through the movement of colored shapes, you'll reveal the beauty of the human 13 00:00:53,840 --> 00:00:54,840 spirit. 14 00:00:55,820 --> 00:00:57,720 He said pull off. 15 00:01:07,900 --> 00:01:08,900 Plop. 16 00:01:11,460 --> 00:01:12,860 Plop. Plop. Plop. 17 00:01:18,330 --> 00:01:21,510 This must be like some kind of toilet of the future. 18 00:01:21,930 --> 00:01:23,550 Yeah, like the youth kitty litter. 19 00:01:24,090 --> 00:01:25,090 Yeah. 20 00:01:25,750 --> 00:01:27,170 I'm a water man myself. 21 00:01:27,750 --> 00:01:30,010 I like to take a dump in the kitty box sometimes. 22 00:01:30,230 --> 00:01:32,330 Then, like, the cat comes and buries it for you. 23 00:01:37,830 --> 00:01:40,030 Whoa. That looks pretty cool. 24 00:01:40,710 --> 00:01:41,710 Yeah. 25 00:01:42,590 --> 00:01:45,010 The electrified force field has created the perfect being. 26 00:01:45,230 --> 00:01:46,230 Yeah, yeah. 27 00:01:46,750 --> 00:01:51,750 In the future, it's like all turds will be perfectly round. 28 00:01:52,270 --> 00:01:53,149 Yeah, yeah. 29 00:01:53,150 --> 00:01:55,390 And they will go... Yeah. 30 00:02:04,470 --> 00:02:07,370 It's like, I haven't seen Danzig on TV in a while. 31 00:02:07,630 --> 00:02:10,690 Yeah, yeah. He's been hiding out so that I can't find him and kick his ass. 32 00:02:12,630 --> 00:02:13,630 Yeah, right. 33 00:02:14,570 --> 00:02:16,950 I'd like to see you try to kick Dan's ass. 34 00:02:18,610 --> 00:02:21,850 It'd probably be pretty close now because, like, all that Sam stuff down 35 00:02:21,850 --> 00:02:24,950 is probably like that pro formula weight gain powder stuff. 36 00:02:25,890 --> 00:02:28,250 He's trying to, like, bulk up for a fight. 37 00:02:29,590 --> 00:02:31,270 You're a butt monkey, Beaver. 38 00:02:32,050 --> 00:02:33,150 I'm going to kick his ass. 39 00:02:36,870 --> 00:02:38,190 Oh, check out his eyes. 40 00:02:38,570 --> 00:02:41,950 You want black eyes like that? Yeah, yeah. I think it'd be cool. 41 00:02:42,810 --> 00:02:43,810 Okay. 42 00:02:46,890 --> 00:02:53,850 One thing about this video, though, it's really cool and everything, 43 00:02:53,950 --> 00:02:55,210 but then it just stops. 44 00:02:55,610 --> 00:02:56,750 Like, just out of nowhere. 45 00:02:59,470 --> 00:03:03,950 To help you get ideas for your own films, I'm going to show you an animated 46 00:03:03,950 --> 00:03:05,530 I did when I was in school. 47 00:03:05,950 --> 00:03:07,930 So put down your pencils, everyone. 48 00:03:09,650 --> 00:03:12,730 Cool. Yeah, yeah. This better not suck. 49 00:03:14,930 --> 00:03:18,910 Your skin is purple, man. 50 00:03:19,210 --> 00:03:20,510 I don't dig you. 51 00:03:20,730 --> 00:03:22,890 I'm purple, and I'm proud. 52 00:03:23,210 --> 00:03:25,670 You're invading my space, greenie. 53 00:03:29,880 --> 00:03:35,460 Wow. Your blood is red, just like mine. Even though we're different on the 54 00:03:35,460 --> 00:03:38,900 outside, on the inside, we're all the same. 55 00:03:39,240 --> 00:03:41,180 Let's live together in peace. 56 00:03:46,380 --> 00:03:51,780 So, class, what did we learn from my little film about what's possible in 57 00:03:51,780 --> 00:03:52,780 animation? 58 00:03:53,280 --> 00:03:58,940 Uh, in animation, you can, like, have people ripping apart each other's guts. 59 00:03:59,420 --> 00:04:03,720 Yeah, yeah, yeah. They're like dabbing each other's heads with their tongue. 60 00:04:05,020 --> 00:04:06,520 Amination is cool. 61 00:04:08,180 --> 00:04:09,180 Yeah, yeah. 62 00:04:16,700 --> 00:04:18,640 We're drawing dead people. 63 00:04:19,839 --> 00:04:20,980 Yeah, yeah. 64 00:04:21,279 --> 00:04:22,640 Dead people are cool. 65 00:04:23,980 --> 00:04:25,960 These are cool dead people. 66 00:04:26,780 --> 00:04:27,780 Yeah. 67 00:04:28,640 --> 00:04:31,460 They're just, like, lying there. Because they're dead. 68 00:04:34,580 --> 00:04:40,580 You can't just do one drawing and sit back, you guys. For animation, you have 69 00:04:40,580 --> 00:04:42,840 do lots and lots and lots of drawings. 70 00:04:44,540 --> 00:04:45,940 Uh... Oh. 71 00:04:46,320 --> 00:04:49,180 Hey, butthead. Let's draw two dead people on this one. 72 00:04:49,560 --> 00:04:53,620 Yeah. We already have two dead people on this one. Yeah, but then we'd have, 73 00:04:53,700 --> 00:04:56,180 like, um... Three dead people. Yeah. 74 00:04:56,520 --> 00:04:57,520 Oh, yeah. 75 00:04:58,370 --> 00:04:59,850 That would be cool. 76 00:05:11,850 --> 00:05:12,890 Hey, Bela. 77 00:05:13,350 --> 00:05:16,970 Let's keep making more and more dead people until we've got, like, a whole 78 00:05:16,970 --> 00:05:18,590 massacre. Yeah, yeah! 79 00:05:19,430 --> 00:05:20,610 Massacre! Massacre! 80 00:05:21,130 --> 00:05:22,130 Massacre! 81 00:05:43,400 --> 00:05:45,100 This is getting boring. 82 00:05:45,660 --> 00:05:46,660 Yeah, I know. 83 00:05:47,000 --> 00:05:50,120 That's like strong dead people getting their guts chewed up by a dog. 84 00:05:50,360 --> 00:05:51,700 Yeah, that'd be cool. 85 00:05:52,680 --> 00:05:53,680 Yeah. 86 00:05:54,620 --> 00:05:56,840 Are dead people getting smashed by an airplane? 87 00:05:57,620 --> 00:05:58,620 Yeah, yeah, yeah. 88 00:05:58,720 --> 00:06:02,140 They're like dead people with a giant fork whipping them apart. Yeah. 89 00:06:04,140 --> 00:06:06,520 This is going to be cool. 90 00:06:06,820 --> 00:06:07,820 Yeah. 91 00:06:08,280 --> 00:06:09,280 Yeah. 92 00:06:11,940 --> 00:06:14,980 Oh, no. 93 00:06:15,460 --> 00:06:17,040 Is this the Eurythmics? 94 00:06:19,300 --> 00:06:21,560 You said, uh... You said, um... 95 00:06:22,130 --> 00:06:28,150 You're, uh, you said, um, you said something, uh, you're, uh, you're in? 96 00:06:28,510 --> 00:06:31,230 No, I said, is this the Eurythmics? 97 00:06:32,170 --> 00:06:35,510 Oh, yeah, but how do you think it's kind of funny because it sounds like, uh, 98 00:06:35,570 --> 00:06:37,990 you're in, uh, it sounds kind of like you're in, you know. 99 00:06:39,290 --> 00:06:40,290 There's something there. 100 00:06:41,430 --> 00:06:42,430 Shut up. 101 00:06:46,450 --> 00:06:50,330 Come on, shut the trunk. Come on, shut it. 102 00:06:51,050 --> 00:06:52,190 Shut it! Yeah. 103 00:06:53,850 --> 00:06:57,650 This reminds me of that part in Goodfellas where they have that guy in 104 00:06:57,650 --> 00:06:58,650 trunk. 105 00:06:59,250 --> 00:07:00,670 That movie was funny. 106 00:07:02,370 --> 00:07:03,370 Hell yeah. 107 00:07:03,630 --> 00:07:06,190 Remember that one part where you were like, what do you mean I'm funny? 108 00:07:06,770 --> 00:07:08,970 What do you mean, funny looking? What are you talking about? 109 00:07:09,470 --> 00:07:12,010 You think I'm funny? What am I here to amuse you? 110 00:07:12,310 --> 00:07:13,149 What am I? 111 00:07:13,150 --> 00:07:14,630 What, are you here for your entertainment? 112 00:07:14,990 --> 00:07:16,050 What are you talking about? 113 00:07:16,630 --> 00:07:18,530 No, no, no, you said I was funny. Come on, come on. 114 00:07:19,350 --> 00:07:20,650 Yeah, pretty good, huh? Yeah. 115 00:07:21,990 --> 00:07:23,410 Then that guy wussed out. 116 00:07:25,290 --> 00:07:26,009 Oh, yeah. 117 00:07:26,010 --> 00:07:28,290 Remember that time you were doing that to McVicker? 118 00:07:29,170 --> 00:07:30,170 Oh, yeah. 119 00:07:30,630 --> 00:07:32,850 That didn't work out too well, though, but... Yeah. 120 00:07:34,070 --> 00:07:35,430 You wussed out, too. 121 00:07:38,490 --> 00:07:43,130 Well, class, it's time to see what your tireless hours as animators have 122 00:07:43,130 --> 00:07:45,530 yielded. First up, Cassandra. 123 00:07:55,950 --> 00:08:00,870 Excellent work, Cassandra. How does it feel to see your ideas come to life? 124 00:08:01,230 --> 00:08:03,870 So powerful. So enormous. 125 00:08:04,450 --> 00:08:05,730 So brief. 126 00:08:07,100 --> 00:08:09,140 Hmm. Okay. 127 00:08:09,560 --> 00:08:15,220 And now let's peer into the imaginations of our friends Beavis and Butthead. 128 00:08:21,060 --> 00:08:22,060 Oh. 129 00:08:23,060 --> 00:08:24,080 Oh, my. 130 00:08:25,140 --> 00:08:26,140 Hmm. 131 00:08:27,240 --> 00:08:28,240 Hmm. 132 00:08:32,100 --> 00:08:33,100 Well. 133 00:08:35,909 --> 00:08:41,970 The piece does seem to be attuned to a certain aspect of our fragmented modern 134 00:08:41,970 --> 00:08:47,250 society. In fact, I must say I'm impressed by your work, boys. It's 135 00:08:47,450 --> 00:08:50,570 it's impulsive, and it's cool. 136 00:08:50,970 --> 00:08:54,890 Uh, but we drew like 500 dead people. Yeah! 137 00:08:55,570 --> 00:08:56,950 What'd you do with them, butthole? 138 00:08:58,320 --> 00:09:03,020 Beavis, through animation's wondrous illusion of motion, your hundreds of 139 00:09:03,020 --> 00:09:07,660 drawings have been transformed into a single pair of very dynamic characters. 140 00:09:08,180 --> 00:09:11,060 I'd like to take another look at that. Wouldn't you, class? 141 00:09:13,140 --> 00:09:16,540 But, like, in animation, you have to draw tons of dead people just to end up 142 00:09:16,540 --> 00:09:17,540 with two dead people? 143 00:09:18,160 --> 00:09:19,160 Animation sucks. 144 00:09:34,910 --> 00:09:36,870 Who the hell is this? 145 00:09:39,770 --> 00:09:43,170 This guy sort of sounds familiar. 146 00:09:44,590 --> 00:09:45,590 Yeah, yeah. 147 00:09:45,810 --> 00:09:47,410 He kind of looks familiar, too. 148 00:09:49,710 --> 00:09:53,150 Is this Adam Curry? 149 00:09:54,810 --> 00:09:55,810 No. 150 00:09:56,750 --> 00:09:58,090 Is it Sting? 151 00:09:58,310 --> 00:09:59,850 No, that's not Sting. That's... 152 00:10:00,890 --> 00:10:03,830 And I'll sniff Romano from one day at a time. 153 00:10:04,570 --> 00:10:05,570 No, it's not. 154 00:10:06,530 --> 00:10:08,450 I think it's David Lee Roth. 155 00:10:09,410 --> 00:10:10,810 Yeah, right. 156 00:10:11,870 --> 00:10:15,390 It is... Beavis, I think this is David Lee Roth. 157 00:10:15,990 --> 00:10:17,630 Oh, my God. 158 00:10:18,910 --> 00:10:20,010 Yeah, yeah, it's him. 159 00:10:20,950 --> 00:10:21,950 Where are all the chicks? 160 00:10:22,450 --> 00:10:23,450 I don't know. 161 00:10:24,130 --> 00:10:26,190 It's like something's wrong with him. 162 00:10:26,930 --> 00:10:28,170 I'm concerned about him. 163 00:10:29,020 --> 00:10:31,980 Maybe he, like, just, like, did it with every chick that there is. 164 00:10:32,460 --> 00:10:35,060 Whoa, look at that truck. It's going to hit him. Yeah. It's going to hit him. 165 00:10:35,080 --> 00:10:36,080 Look, 166 00:10:37,260 --> 00:10:39,380 it's really going to hit him. Look, look. Yeah, yeah, yeah. 167 00:10:40,700 --> 00:10:41,699 Wait a minute. 168 00:10:41,700 --> 00:10:45,300 Wait, what are they doing there before they get run over? Yeah, what happened? 169 00:10:45,740 --> 00:10:46,740 Damn it. 170 00:10:47,240 --> 00:10:48,240 Whoa, look at that. 171 00:10:49,400 --> 00:10:50,400 Yeah, there you go. 172 00:10:50,440 --> 00:10:52,180 That's the old Dave we used to know. 12113