Original subtitles

In this class, we're going to set off on an incredible creative journey to

discover the wonder of animation.

You'll draw a series of pictures on tracing paper.

Then we're going to bring in a cameraman to shoot your work. You'll see your

creation spring to life, just like the animation you see on television.

Life, class.

That's what animation means.

Movement. Your characters can move in any style at all, limited only by the

boundaries of your own imagination.

You'll learn that being an animator is very hard work, but if you pour your

heart into your labor, you just might pull off a miracle.

Through the movement of colored shapes, you'll reveal the beauty of the human

spirit.

He said pull off.

Plop.

Plop. Plop. Plop.

This must be like some kind of toilet of the future.

Yeah, like the youth kitty litter.

Yeah.

I'm a water man myself.

I like to take a dump in the kitty box sometimes.

Then, like, the cat comes and buries it for you.

Whoa. That looks pretty cool.

Yeah.

The electrified force field has created the perfect being.

Yeah, yeah.

In the future, it's like all turds will be perfectly round.

Yeah, yeah.

And they will go... Yeah.

It's like, I haven't seen Danzig on TV in a while.

Yeah, yeah. He's been hiding out so that I can't find him and kick his ass.

Yeah, right.

I'd like to see you try to kick Dan's ass.

It'd probably be pretty close now because, like, all that Sam stuff down

is probably like that pro formula weight gain powder stuff.

He's trying to, like, bulk up for a fight.

You're a butt monkey, Beaver.

I'm going to kick his ass.

Oh, check out his eyes.

You want black eyes like that? Yeah, yeah. I think it'd be cool.

Okay.

One thing about this video, though, it's really cool and everything,

but then it just stops.

Like, just out of nowhere.

To help you get ideas for your own films, I'm going to show you an animated

I did when I was in school.

So put down your pencils, everyone.

Cool. Yeah, yeah. This better not suck.

Your skin is purple, man.

I don't dig you.

I'm purple, and I'm proud.

You're invading my space, greenie.

Wow. Your blood is red, just like mine. Even though we're different on the

outside, on the inside, we're all the same.

Let's live together in peace.

So, class, what did we learn from my little film about what's possible in

animation?

Uh, in animation, you can, like, have people ripping apart each other's guts.

Yeah, yeah, yeah. They're like dabbing each other's heads with their tongue.

Amination is cool.

Yeah, yeah.

We're drawing dead people.

Yeah, yeah.

Dead people are cool.

These are cool dead people.

Yeah.

They're just, like, lying there. Because they're dead.

You can't just do one drawing and sit back, you guys. For animation, you have

do lots and lots and lots of drawings.

Uh... Oh.

Hey, butthead. Let's draw two dead people on this one.

Yeah. We already have two dead people on this one. Yeah, but then we'd have,

like, um... Three dead people. Yeah.

Oh, yeah.

That would be cool.

Hey, Bela.

Let's keep making more and more dead people until we've got, like, a whole

massacre. Yeah, yeah!

Massacre! Massacre!

Massacre!

This is getting boring.

Yeah, I know.

That's like strong dead people getting their guts chewed up by a dog.

Yeah, that'd be cool.

Yeah.

Are dead people getting smashed by an airplane?

Yeah, yeah, yeah.

They're like dead people with a giant fork whipping them apart. Yeah.

This is going to be cool.

Yeah.

Yeah.

Oh, no.

Is this the Eurythmics?

You said, uh... You said, um...

You're, uh, you said, um, you said something, uh, you're, uh, you're in?

No, I said, is this the Eurythmics?

Oh, yeah, but how do you think it's kind of funny because it sounds like, uh,

you're in, uh, it sounds kind of like you're in, you know.

There's something there.

Shut up.

Come on, shut the trunk. Come on, shut it.

Shut it! Yeah.

This reminds me of that part in Goodfellas where they have that guy in

trunk.

That movie was funny.

Hell yeah.

Remember that one part where you were like, what do you mean I'm funny?

What do you mean, funny looking? What are you talking about?

You think I'm funny? What am I here to amuse you?

What am I?

What, are you here for your entertainment?

What are you talking about?

No, no, no, you said I was funny. Come on, come on.

Yeah, pretty good, huh? Yeah.

Then that guy wussed out.

Oh, yeah.

Remember that time you were doing that to McVicker?

Oh, yeah.

That didn't work out too well, though, but... Yeah.

You wussed out, too.

Well, class, it's time to see what your tireless hours as animators have

yielded. First up, Cassandra.

Excellent work, Cassandra. How does it feel to see your ideas come to life?

So powerful. So enormous.

So brief.

Hmm. Okay.

And now let's peer into the imaginations of our friends Beavis and Butthead.

Oh.

Oh, my.

Hmm.

Hmm.

Well.

The piece does seem to be attuned to a certain aspect of our fragmented modern

society. In fact, I must say I'm impressed by your work, boys. It's

it's impulsive, and it's cool.

Uh, but we drew like 500 dead people. Yeah!

What'd you do with them, butthole?

Beavis, through animation's wondrous illusion of motion, your hundreds of

drawings have been transformed into a single pair of very dynamic characters.

I'd like to take another look at that. Wouldn't you, class?

But, like, in animation, you have to draw tons of dead people just to end up

with two dead people?

Animation sucks.

Who the hell is this?

This guy sort of sounds familiar.

Yeah, yeah.

He kind of looks familiar, too.

Is this Adam Curry?

No.

Is it Sting?

No, that's not Sting. That's...

And I'll sniff Romano from one day at a time.

No, it's not.

I think it's David Lee Roth.

Yeah, right.

It is... Beavis, I think this is David Lee Roth.

Oh, my God.

Yeah, yeah, it's him.

Where are all the chicks?

I don't know.

It's like something's wrong with him.

I'm concerned about him.

Maybe he, like, just, like, did it with every chick that there is.

Whoa, look at that truck. It's going to hit him. Yeah. It's going to hit him.

Look,

it's really going to hit him. Look, look. Yeah, yeah, yeah.

Wait a minute.

Wait, what are they doing there before they get run over? Yeah, what happened?

Damn it.

Whoa, look at that.

Yeah, there you go.

That's the old Dave we used to know.

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