subtitlecat.com

All language subtitles for Полночь в саду добра и зла.1997

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian Download

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:22,313 --> 00:00:26,942 k.d. lang: [ A cappella ] ♪♪ SKYLARK ♪♪ 2 00:00:27,152 --> 00:00:35,492 ♪♪ HAVE YOU ANYTHING TO SAY TO ME? ♪♪ 3 00:00:35,702 --> 00:00:44,918 ♪♪ CAN YOU TELL ME WHERE MY LOVE CAN BE? ♪♪ 4 00:00:45,128 --> 00:00:52,176 ♪♪ IS THERE A MEADOW IN THE MIST ♪♪ 5 00:00:52,385 --> 00:01:01,185 ♪♪ WHERE SOMEONE`S WAITING TO BE KISSED? ♪♪ 6 00:01:01,853 --> 00:01:05,647 ♪♪ SKYLARK ♪♪ 7 00:01:05,857 --> 00:01:14,823 ♪♪ I DON`T KNOW IF YOU CAN FIND THESE THINGS ♪♪ 8 00:01:15,033 --> 00:01:23,332 ♪♪ BUT MY HEART IS RIDING ON YOUR WINGS ♪♪ 9 00:01:23,541 --> 00:01:30,130 ♪♪ SO IF YOU FIND THEM ANYWHERE ♪♪ 10 00:01:30,340 --> 00:01:44,061 ♪♪ WON`T YOU LEAD ME THERE? ♪♪ 11 00:01:58,076 --> 00:02:00,869 [ SQUIRREL CHATTERING ] 12 00:02:04,040 --> 00:02:05,916 QUIT EYEBALLIN` ME, FLAVIS. 13 00:02:06,626 --> 00:02:09,795 I KNEW YOU WHEN YOU WAS A TWO-BIT HUSTLER ON BULL STREET. 14 00:02:10,004 --> 00:02:11,922 [ CHATTERS ] 15 00:02:12,132 --> 00:02:13,966 SHHHHHH! 16 00:02:14,175 --> 00:02:33,193 [ LAUGHS ] 17 00:02:56,885 --> 00:02:59,136 EXCUSE ME -- YOU KNOW WHERE A FELLOW COULD GET A CAB? 18 00:02:59,345 --> 00:03:00,470 YEAH, HE JUST LEFT. 19 00:03:00,680 --> 00:03:01,805 YOU CAN CALL THE COMPANY, 20 00:03:02,015 --> 00:03:04,016 BUT I`D JUST WAIT ON HIM TO COME BACK... 21 00:03:04,225 --> 00:03:05,350 UNLESS YOU WANT TO TAKE A RIDE. 22 00:03:05,518 --> 00:03:06,602 GOIN` TO JONES STREET? 23 00:03:06,811 --> 00:03:08,187 I`LL GET YOU THERE. 24 00:03:08,396 --> 00:03:10,189 PUT YOUR STUFF IN THERE. 25 00:03:14,777 --> 00:03:17,988 Bus Driver: TO YOUR RIGHT, THE PIRATES` HOUSE, 26 00:03:18,198 --> 00:03:20,282 BUILT IN 1 794. 27 00:03:20,491 --> 00:03:22,826 ALL THE NE`ER-DO-WELLS AND SCALAWAGS 28 00:03:23,077 --> 00:03:25,078 DIVIDED UP THEIR BOOTY THERE. 29 00:03:26,080 --> 00:03:28,540 SHERMAN STAYED IN THE GREEN-MELDRIM HOUSE 30 00:03:28,750 --> 00:03:31,460 TO REST UP AFTER HIS FIERY MARCH THROUGH ATLANTA. 31 00:03:31,669 --> 00:03:33,295 OH, HE WAS GONNA BURN SAVANNAH, TOO, 32 00:03:33,504 --> 00:03:35,589 BUT THE LOCALS DROWNED HIM 33 00:03:35,798 --> 00:03:38,634 IN CHATHAM ARTILLERY PUNCH AND FANCY PARTIES 34 00:03:38,843 --> 00:03:41,887 TILL HE DECIDED TO SPARE OUR FAIR CITY. 35 00:03:42,096 --> 00:03:44,223 FORSYTH PARK, LADIES AND GENTLEMEN. 36 00:04:07,247 --> 00:04:08,413 HEY. 37 00:04:09,791 --> 00:04:11,416 YOU LOOKIN` FOR SOMETHIN`? 38 00:04:13,336 --> 00:04:15,087 NO. 39 00:04:38,236 --> 00:04:40,737 Woman: MR. KELSO? ARE YOU MR. KELSO? 40 00:04:40,947 --> 00:04:41,822 YES. 41 00:04:42,031 --> 00:04:45,242 I`M LOREEN BAXTER. WELCOME TO SAVANNAH. 42 00:04:45,994 --> 00:04:49,371 TOWN & COUNTRY IS MY FAVORITE MAGAZINE. 43 00:04:49,998 --> 00:04:51,915 OH, MY LAND! WHERE ARE MY MANNERS? 44 00:04:52,125 --> 00:04:53,834 WHAT CAN I GET YOU TO DRINK? 45 00:04:54,794 --> 00:04:57,087 ANYTHING COLD WOULD BE GREAT. 46 00:04:57,297 --> 00:04:58,630 [ GATE CREAKS ] 47 00:05:03,052 --> 00:05:04,803 MR. WILLIAMS RESTORED THIS HOME -- 48 00:05:05,013 --> 00:05:08,682 ONE OF THE MANY HE SAVED FROM THE WRECKIN` BALL. 49 00:05:10,935 --> 00:05:14,271 THE CARRIAGE HOUSE lS RESERVED FOR JIM`S CLIENTS, 50 00:05:14,480 --> 00:05:16,690 AND GUESTS SUCH AS YOURSELF. 51 00:05:27,285 --> 00:05:28,952 HE`S HERE. 52 00:05:30,997 --> 00:05:33,248 OH, WELCOME, MR. KELSEY. 53 00:05:33,458 --> 00:05:36,168 OH, I`M SORRY -- MR. KELSO. 54 00:05:36,377 --> 00:05:37,461 JOHN KELSO. 55 00:05:37,670 --> 00:05:39,379 AH, YES, I`M BETTY HARTY. 56 00:05:39,589 --> 00:05:41,423 SONNY`S BEEN EXPECTING YOU. 57 00:05:41,632 --> 00:05:43,800 UH, I`M HERE TO SEE JIM WILLIAMS. 58 00:05:44,010 --> 00:05:45,510 SONNY IS JIM`S ATTORNEY. 59 00:05:49,974 --> 00:05:50,891 WELL, HELL! 60 00:05:51,100 --> 00:05:52,934 COME ON IN, COACH. 61 00:05:53,561 --> 00:05:54,603 JOHN KELSO. 62 00:05:55,563 --> 00:05:57,356 WELCOME TO ``THE OLD CURIOSITY SHOP.`` 63 00:05:57,565 --> 00:05:58,857 YOU TAKE A SEAT. I`LL BE RIGHT WITH YOU. 64 00:05:59,067 --> 00:06:01,068 UH-HUH. OH? 65 00:06:02,153 --> 00:06:03,820 MM-HMM. 66 00:06:04,030 --> 00:06:05,739 OH. 67 00:06:07,367 --> 00:06:09,284 OH, WELL, YOU LET ME KNOW. 68 00:06:12,372 --> 00:06:13,538 HOW WAS YOUR TRIP? 69 00:06:13,748 --> 00:06:15,540 FINE, FINE. MR. WILLIAMS SAID HE WAS GONNA MEET ME HERE. 70 00:06:15,708 --> 00:06:17,084 WELL, HE WILL BE RIGHT ALONG. 71 00:06:17,293 --> 00:06:19,294 WE HAVE A LITTLE BUSINESS TO ATTEND TO FIRST. 72 00:06:19,504 --> 00:06:23,715 CONFIDENTIALITY AGREEMENT -- JUST BOILERPLATE STUFF... 73 00:06:23,925 --> 00:06:28,178 PLUS A PARAGRAPH OUTLININ` JIM`S EDITORIAL PRIVILEGES. 74 00:06:28,388 --> 00:06:30,722 UH, TOWN & COUNTRY FLEW ME DOWN 75 00:06:30,932 --> 00:06:33,600 TO WRITE A 500-WORD STORY ON A CHRISTMAS PARTY. 76 00:06:34,310 --> 00:06:36,144 IT`S A LITERARY POSTCARD. ARE YOU SERIOUS ABOUT THIS? 77 00:06:36,354 --> 00:06:37,396 [ CHUCKLES ] 78 00:06:37,605 --> 00:06:39,272 IT`S NOT JUST ANY PARTY. 79 00:06:39,482 --> 00:06:40,899 [ CHUCKLES ] 80 00:06:41,109 --> 00:06:43,568 HAVE YOU TALKED TO THE MAGAZINE ABOUT THIS? 81 00:06:43,778 --> 00:06:46,238 WELL, I`D RATHER HAVE YOUR WORD THAN SOME NEW YORK LAWYER. 82 00:06:46,447 --> 00:06:49,324 UH, WELL, BE THAT AS IT MAY, 83 00:06:50,910 --> 00:06:52,411 UH, I`M NOT GONNA SIGN THAT. 84 00:06:53,538 --> 00:06:55,497 DAMN! HOW COME? 85 00:06:56,332 --> 00:06:58,208 IT`S JUST A LITTLE OLD PARTY WRITE-UP. 86 00:06:58,418 --> 00:07:00,544 ALL THE MORE REASON NOT TO COMPROMISE MY ETHICS. 87 00:07:00,753 --> 00:07:01,920 IT`S A SLIPPERY SLOPE. 88 00:07:02,130 --> 00:07:04,005 AS A PROFESSIONAL, I`M SURE YOU UNDERSTAND. 89 00:07:09,429 --> 00:07:10,804 PROMISE TO BE FAIR? 90 00:07:11,013 --> 00:07:13,098 YES, OF COURSE. 91 00:07:21,607 --> 00:07:23,900 JIM... 92 00:07:24,110 --> 00:07:25,986 THIS IS JOHN KELSO. 93 00:07:26,195 --> 00:07:27,362 HELLO. 94 00:07:29,115 --> 00:07:31,074 LET`S TAKE A WALK, SHALL WE, SPORT? 95 00:07:31,284 --> 00:07:32,409 SURE. 96 00:07:35,246 --> 00:07:37,539 WE`LL GO AROUND FORSYTH PARK. 97 00:07:48,426 --> 00:07:50,552 UM... WOULD Y`ALL MIND? 98 00:07:50,761 --> 00:07:53,805 OH, NOT AT ALL, BETTY. 99 00:07:54,015 --> 00:07:55,432 COME ON. 100 00:08:02,231 --> 00:08:04,524 DID YOU SIGN SONNY`S PAPERS? 101 00:08:04,734 --> 00:08:06,026 ACTUALLY, NO. 102 00:08:06,235 --> 00:08:07,527 GOOD FOR YOU. 103 00:08:07,737 --> 00:08:11,281 SONNY`S OVERLY PROTECTIVE OF MY INTERESTS. 104 00:08:11,491 --> 00:08:12,991 YOU WALKIN` THE DOG, MR. GLOVER? 105 00:08:13,201 --> 00:08:16,453 YES, SIR -- PATRICK DO LOVE HIS MORNING WALK. 106 00:08:22,126 --> 00:08:23,001 Woman: WOULD YOU MIND? 107 00:08:23,211 --> 00:08:25,295 COULD I PLEASE HAVE MY PICTURE MADE WITH UGA? 108 00:08:25,505 --> 00:08:26,796 YEAH. GREAT. 109 00:08:27,006 --> 00:08:28,465 THANKS. 110 00:08:30,760 --> 00:08:32,219 ALL RIGHT. SMILE. 111 00:08:32,428 --> 00:08:33,345 [ CAMERA SHUTTER CLICKS ] 112 00:08:34,138 --> 00:08:35,889 THANKS. DANG GOOD DOG. 113 00:08:37,475 --> 00:08:39,017 THANK YOU VERY MUCH. YOU`RE WELCOME. 114 00:08:39,185 --> 00:08:41,478 THANK YOU FOR ASKING. 115 00:08:41,687 --> 00:08:44,606 NO MATTER WHAT YOU AND I EVER DO IN OUR LIVES, MR. KELSO, 116 00:08:44,815 --> 00:08:47,150 NEITHER OF US WILL EVER BE AS FAMOUS AS UGA. 117 00:08:47,360 --> 00:08:50,445 HE`S THE UNIVERSITY MASCOT OF THE GEORGIA BULLDOGS. 118 00:08:50,655 --> 00:08:51,738 IS THAT RIGHT? MM-HMM. 119 00:08:51,948 --> 00:08:53,490 NOW, I KNOW I`M GONNA REGRET ASKING THIS, 120 00:08:53,699 --> 00:08:55,617 BUT THAT MAN SAID HE WAS WALKING A DOG? 121 00:08:55,826 --> 00:08:57,077 MM-HMM. 122 00:08:57,286 --> 00:08:58,787 WHAT DOG? 123 00:08:58,996 --> 00:09:01,248 WELL, MR. GLOVER WAS THE LAW-FIRM PORTER. 124 00:09:01,457 --> 00:09:03,583 MR. BOWEN LEFT INSTRUCTIONS IN HIS WILL 125 00:09:03,793 --> 00:09:06,086 THAT MR. GLOVER SHOULD CONTINUE TO BE PAID 126 00:09:06,295 --> 00:09:09,506 $1 5 EVERY WEEK FOR WALKING PATRICK, HIS LABRADOR. 127 00:09:09,715 --> 00:09:13,051 SO...WHERE`S PATRICK? 128 00:09:13,261 --> 00:09:15,053 OH, PATRICK WENT ON TO HIS GREAT REWARD 129 00:09:15,263 --> 00:09:17,722 ABOUT TWO YEARS AFTER MR. BOWEN, ABOUT 1 974. 130 00:09:17,932 --> 00:09:18,765 THE DOG`S DEAD? 131 00:09:18,975 --> 00:09:20,225 MM-HMM, QUITE. 132 00:09:20,434 --> 00:09:25,522 WHY D-DOESN`T MR. GLOVER WALK UGA? 133 00:09:26,607 --> 00:09:28,650 WELL, THEN WHO`D WALK PATRICK? 134 00:09:32,071 --> 00:09:34,531 I SEE. 135 00:09:36,492 --> 00:09:38,743 THERE IT IS. THIS IS YOUR HOUSE? 136 00:09:38,953 --> 00:09:41,580 MM-HMM, BUILT BY GENERAL HUGH MERCER IN 1860, 137 00:09:41,789 --> 00:09:43,790 BUT HE NEVER LIVED IN THIS HOUSE. 138 00:09:44,000 --> 00:09:46,626 HIS GREAT-GRANDSON WAS JOHNNY MERCER. 139 00:09:46,836 --> 00:09:47,877 THE SONGWRITER? 140 00:09:48,087 --> 00:09:49,588 MM-HMM, SAVANNAH`S OWN. 141 00:09:49,797 --> 00:09:52,257 WHAT`S YOUR FAVORITE OF HIS TUNES? 142 00:09:52,466 --> 00:09:55,385 WELL, MY MOTHER WAS ALWAYS PARTIAL TO ``FOOLS RUSH IN.`` 143 00:09:55,595 --> 00:09:56,886 YOUR MOTHER? 144 00:09:57,096 --> 00:09:58,805 YEAH. INDEED. 145 00:09:59,015 --> 00:10:02,142 WELL, I WOULD LOVE TO TAKE YOU IN AND GIVE YOU THE GRAND TOUR, 146 00:10:02,351 --> 00:10:04,978 BUT THEY`RE STILL SETTIN` UP FOR THE PARTY TONIGHT. 147 00:10:05,187 --> 00:10:07,230 I THOUGHT THE PARTY WAS TOMORROW NIGHT. 148 00:10:07,440 --> 00:10:09,566 WELL, THERE ARE TWO PARTIES. 149 00:10:09,775 --> 00:10:12,861 TONIGHT IS FOR BACHELORS -- GENTLEMEN ONLY. 150 00:10:13,070 --> 00:10:14,654 WOULD YOU LIKE TO COME? 151 00:10:15,573 --> 00:10:16,865 I`D LIKE TO COVER IT. 152 00:10:17,074 --> 00:10:18,700 OH, WELL, SORRY, IT`S PRIVATE. 153 00:10:18,909 --> 00:10:20,577 REPORTERS AREN`T ALLOWED. 154 00:10:20,786 --> 00:10:21,953 WOULD YOU LIKE TO SEE MY SHOP? 155 00:10:22,163 --> 00:10:23,330 IT`S BACK HERE IN THE CARRIAGE HOUSE. 156 00:10:23,539 --> 00:10:24,581 SURE. 157 00:10:24,790 --> 00:10:26,374 [ CLEARS THROAT ] 158 00:10:26,584 --> 00:10:29,544 NOW, THIS HOUSE IS ONE OF THE LARGEST HOUSES IN SAVANNAH. 159 00:10:29,754 --> 00:10:31,296 IT COVERS AN ENTIRE BLOCK. 160 00:10:31,505 --> 00:10:33,131 Jim: RIGHT IN HERE -- 161 00:10:33,341 --> 00:10:36,968 THIS IS WHERE WE DO ALL OF OUR RESTORATIONS. 162 00:10:49,023 --> 00:10:51,066 THIS LANDSCAPE -- IT`S A STUBBS. 163 00:10:51,275 --> 00:10:53,234 VERY GOOD. 164 00:10:53,444 --> 00:10:55,028 MY FATHER WAS A DEALER. 165 00:10:55,237 --> 00:10:58,615 IT`S CALLED ``NEWMARKET HEATH, WITH A RUBBING-DOWN HOUSE.`` 166 00:10:58,824 --> 00:11:00,033 IT`S A RECENT PURCHASE 167 00:11:00,242 --> 00:11:01,493 THAT I WILL UNVEIL AT TOMORROW NIGHT`S EVENT. 168 00:11:01,702 --> 00:11:03,953 IT`S AN ODD PIECE. 169 00:11:04,163 --> 00:11:05,997 YES, THE IMPASTO IS INTERESTING. 170 00:11:06,207 --> 00:11:08,208 WHERE`S YOUR BLACK LIGHT? 171 00:11:17,927 --> 00:11:19,427 IT`S AN OVERPAINT. 172 00:11:19,637 --> 00:11:22,013 VERY GOOD, SPORT. 173 00:11:24,642 --> 00:11:27,352 HAD IT X-RAYED YET? 174 00:11:27,561 --> 00:11:28,937 NOPE. 175 00:11:29,146 --> 00:11:31,439 THEN HOW WILL YOU KNOW WHAT IT`S OBSCURING? 176 00:11:31,649 --> 00:11:35,151 OH, I RATHER ENJOY NOT KNOWING. 177 00:11:42,076 --> 00:11:45,036 [ JAZZ MUSIC PLAYS ] 178 00:12:10,604 --> 00:12:12,230 [ RECORDER CLICKS ON ] 179 00:12:12,440 --> 00:12:15,692 [ HORNS HONKING, SIRENS WAILING ] 180 00:12:23,617 --> 00:12:33,710 [ KNOCKING ON DOOR ] 181 00:12:33,919 --> 00:12:35,253 JUST A MINUTE! 182 00:12:41,969 --> 00:12:43,219 WHO IS IT? 183 00:12:43,429 --> 00:12:44,888 Woman: MANDY. 184 00:12:45,097 --> 00:12:46,181 WHO? 185 00:12:46,390 --> 00:12:47,724 MANDY. 186 00:12:47,933 --> 00:12:49,392 I DON`T BELIEVE I KNOW A MANDY. 187 00:12:49,602 --> 00:12:52,020 WELL, OF COURSE NOT -- YOU WON`T OPEN THE DAMN DOOR. 188 00:12:53,689 --> 00:12:55,774 HI. NICE TO MEET YA. 189 00:12:58,402 --> 00:12:59,944 HI. 190 00:13:03,824 --> 00:13:06,201 Y`ALL GOT SOME ICE? 191 00:13:08,245 --> 00:13:10,330 SURE, HELP YOURSELF. 192 00:13:10,539 --> 00:13:14,042 JOE ODOM`S FRIDGE IS ON THE BLINK, 193 00:13:14,251 --> 00:13:17,629 AND PLUS, AT PRESENT, WE DON`T HAVE ELECTRICITY. 194 00:13:17,797 --> 00:13:19,839 THIRSTY? 195 00:13:20,049 --> 00:13:23,176 ME? NO. NO, NOT REALLY. 196 00:13:23,385 --> 00:13:24,552 WELL... 197 00:13:24,762 --> 00:13:26,805 IF YOU`RE THIRSTY, A DRINK`LL CURE IT, 198 00:13:27,014 --> 00:13:29,182 AND IF YOU`RE NOT, A DRINK`LL PREVENT IT. 199 00:13:29,391 --> 00:13:33,353 PREVENTION IS BETTER THAN A CURE. 200 00:13:33,562 --> 00:13:36,856 PUT ON SOME PANTS, JOHN KELSO. 201 00:13:39,068 --> 00:13:41,027 SURE, JUST LET ME GET A PAIR. 202 00:13:41,195 --> 00:13:43,863 OKAY. 203 00:13:44,073 --> 00:13:45,990 THIS IS OUR NEWEST ADDITION TO THE ODOM HOUSE. 204 00:13:46,158 --> 00:13:47,242 YEAH? 205 00:13:47,451 --> 00:13:48,785 AND AS YOU CAN SEE, 206 00:13:48,994 --> 00:13:50,787 JOE`S GETTIN` CREATIVE WITH OUR ELECTRICAL DILEMMA. 207 00:13:50,996 --> 00:13:52,831 [ INDISTINCT CONVERSATIONS ] 208 00:13:53,040 --> 00:13:54,666 Man: ANYWAY, WE`LL TRY THE GREEN WIRE. 209 00:13:54,875 --> 00:13:57,210 NOW, I`VE DONE THIS BEFORE, AND I AIN`T BEEN KILLED YET, 210 00:13:57,419 --> 00:13:59,921 BUT THERE`S A FIRST TIME FOR EVERYTHING. 211 00:14:00,130 --> 00:14:01,631 [ CRACKLES ] 212 00:14:01,841 --> 00:14:03,633 [ WOMEN SCREAM ] 213 00:14:03,843 --> 00:14:07,178 [ CHEERS AND APPLAUSE ] 214 00:14:07,388 --> 00:14:09,347 WE DONE IT! 215 00:14:09,515 --> 00:14:12,225 AIN`T A PROBLEM! 216 00:14:12,434 --> 00:14:13,560 JOE ODOM? 217 00:14:13,769 --> 00:14:15,395 THE ONE, THE ONLY. 218 00:14:15,604 --> 00:14:18,398 HEY, WHERE`S MY LIBATION? HOLD THESE, PLEASE. 219 00:14:18,607 --> 00:14:21,985 NOW, TO SAVANNAH ELECTRIC AND POWER! 220 00:14:22,194 --> 00:14:25,822 AND LET`S NOT FORGET OUR FRIENDS, 221 00:14:26,031 --> 00:14:28,241 THE...WHOEVER! 222 00:14:28,450 --> 00:14:29,659 [ LAUGHTER ] 223 00:14:29,869 --> 00:14:31,077 HERE`S TO YA! 224 00:14:31,245 --> 00:14:33,246 ALL RIGHT, INSIDE. 225 00:14:33,455 --> 00:14:35,623 HONEY, THAT`S A TOUGH JOB. 226 00:14:35,833 --> 00:14:38,585 YOU`RE TALKIN` TO THE LADY, HELLO! 227 00:14:38,794 --> 00:14:42,380 HAVE YOU MET MR. KELSO, OUR NEWEST ADDITION TO SAVANNAH? 228 00:14:42,590 --> 00:14:43,673 JERRY SPENCE. 229 00:14:43,883 --> 00:14:44,966 HELLO, HOW ARE YOU? 230 00:14:45,175 --> 00:14:47,051 I`M CHARMED NOW. HOW ARE YOU? 231 00:14:47,261 --> 00:14:48,803 I`M PRETTY GOOD, PRETTY GOOD -- ENJOYING THE PARTY. 232 00:14:49,013 --> 00:14:50,221 I WONDER IF HE GOES TO MY CHURCH. 233 00:14:50,431 --> 00:14:53,182 I WONDER. WE`LL FIND OUT. 234 00:14:53,392 --> 00:14:55,310 [ INDISTINCT CONVERSATIONS ] 235 00:14:55,519 --> 00:14:59,689 ♪♪ ...SEE, ALL NIGHT LONG, HAULIN` IN GREAT BIG CANS ♪♪ 236 00:14:59,899 --> 00:15:01,816 ♪♪ I HOPE ONE DAY SOON ♪♪ 237 00:15:02,026 --> 00:15:04,944 ♪♪ SHE`LL LET ME BE HER HEFTY MAN ♪♪ 238 00:15:05,154 --> 00:15:07,947 ♪♪ IN THE DUMPSTER WE`LL BE MAKIN` LOVE ♪♪ 239 00:15:08,157 --> 00:15:10,575 ♪♪ IN THE DUMPSTER BENEATH THE STARS ABOVE ♪♪ 240 00:15:10,784 --> 00:15:13,161 ♪♪ IN THE DUMPSTER I SMELL PARADISE ♪♪ 241 00:15:13,370 --> 00:15:15,580 ♪♪ DON`T HAVE TO ASK HER TWICE ♪♪ 242 00:15:15,789 --> 00:15:17,916 ♪♪ `CAUSE ALL I`M THINKIN` OF ♪♪ 243 00:15:18,125 --> 00:15:21,878 ♪♪ IS ME AND THAT TRASH GIRL MAKIN` THAT DUMPSTER LOVE ♪♪ 244 00:15:28,677 --> 00:15:31,429 [ CHEERS AND APPLAUSE ] 245 00:15:31,639 --> 00:15:34,474 DO YOU LIKE THAT? 246 00:15:34,642 --> 00:15:35,975 IT`S STRONG. 247 00:15:36,185 --> 00:15:37,560 YEAH, STRONG AND GOOD -- 248 00:15:37,770 --> 00:15:39,187 CHATHAM ARTILLERY PUNCH. 249 00:15:39,396 --> 00:15:41,439 WHAT`S IN IT? 250 00:15:41,649 --> 00:15:43,149 3 PARTS FRUIT, 7 PARTS LIQUOR -- 251 00:15:43,359 --> 00:15:44,859 WHATEVER`S AVAILABLE ON BOTH COUNTS. 252 00:15:45,069 --> 00:15:46,903 GREAT PARTY. THIS IS A GREAT HOUSE. 253 00:15:47,112 --> 00:15:49,155 MMM, YEAH, THE FELLOW THAT OWNS THIS PLACE 254 00:15:49,365 --> 00:15:50,615 IS IN NEW YORK FOR A YEAR -- 255 00:15:50,824 --> 00:15:52,492 ASKED ME TO LOOK IN ON IT FOR HIM, 256 00:15:52,701 --> 00:15:54,202 YOU KNOW, WATER THE PLANTS. 257 00:15:57,164 --> 00:15:58,414 YOU`RE SQUATTING? 258 00:15:58,624 --> 00:16:00,750 WHOO! HEY, NOW, THAT`S A VICIOUS WORD! 259 00:16:00,960 --> 00:16:02,627 YOU`RE NOT A LAWYER, ARE YOU? 260 00:16:02,836 --> 00:16:04,212 NO, NO, NO, NO, NO. 261 00:16:04,421 --> 00:16:07,465 GOOD, `CAUSE THEY`RE THE SCUM OF THE EARTH, LAWYERS, 262 00:16:07,675 --> 00:16:08,758 AND I SHOULD KNOW, 263 00:16:08,968 --> 00:16:11,260 BEIN` AN EX-BARRISTER MYSELF. 264 00:16:11,470 --> 00:16:12,887 EX? 265 00:16:13,097 --> 00:16:17,141 MM-HMM, CEREMONIOUSLY DISBARRED NIGH TWO YEARS AGO -- 266 00:16:17,351 --> 00:16:19,310 HAD A LITTLE CANON SNAFU. 267 00:16:19,520 --> 00:16:22,105 WHAT DO YOU DO NOW? 268 00:16:22,314 --> 00:16:24,482 ME AND MANDY -- WE`RE GONNA OPEN A PIANO BAR. 269 00:16:24,650 --> 00:16:25,775 I`D SAY YOU ALREADY HAVE ONE. 270 00:16:25,985 --> 00:16:27,986 LOOKS THAT WAY, DOESN`T IT? HMM. 271 00:16:28,195 --> 00:16:30,488 OH, WAIT A MINUTE -- HOLD THE MUSIC! 272 00:16:30,698 --> 00:16:33,199 LOOKY THERE! 273 00:16:33,409 --> 00:16:34,701 LOOK AT THIS! 274 00:16:34,910 --> 00:16:36,369 JERRY SPENCE... 275 00:16:36,578 --> 00:16:39,205 YOU HAVE OUTDONE YOURSELF AGAIN. 276 00:16:39,415 --> 00:16:43,167 THAT IS A COIF DEFINITELY BEFITTIN` YOUR STATURE 277 00:16:43,377 --> 00:16:45,920 AS THE FUTURE EX-MRS. JOE ODOM. 278 00:16:46,130 --> 00:16:47,630 KEEP DREAMIN`, DARLIN`. 279 00:16:47,840 --> 00:16:50,383 COME ON, JERRY. 280 00:16:52,886 --> 00:16:55,680 SHE`S ONE BEAUTIFUL WOMAN. 281 00:16:55,889 --> 00:16:57,640 YOU TWO ENGAGED? 282 00:16:57,850 --> 00:17:01,644 NOT YET. 283 00:17:01,854 --> 00:17:03,771 WELL, IT`S GETTING KIND OF LATE. I GOTTA GET UP IN A FEW HOURS, 284 00:17:03,981 --> 00:17:05,481 SO I`M GONNA HIT THE ROAD. NICE TO MEET YOU, JOE. 285 00:17:05,691 --> 00:17:07,567 HIT THE -- NO, WAIT A MINUTE. 286 00:17:07,776 --> 00:17:10,236 WHOA, WHOA, WHOA. JOE`S RULE NUMBER 2 -- 287 00:17:10,446 --> 00:17:14,198 IF YOU HAVE TO LEAVE A PARTY, YOU ALWAYS TAKE A TRAVELER. 288 00:17:14,408 --> 00:17:17,744 I CAN LIVE WITH THAT ONE. NICE TO MEET YOU. 289 00:17:17,953 --> 00:17:19,245 ALL RIGHT, THEN. 290 00:17:24,668 --> 00:17:26,044 HEY, THERE. 291 00:17:26,253 --> 00:17:27,670 HEY. 292 00:17:27,880 --> 00:17:30,548 BETTER TO BE ON THE EDGE OF A PARTY, DON`T YOU THINK? 293 00:17:30,758 --> 00:17:32,091 YEAH. 294 00:17:32,301 --> 00:17:34,677 WELL, THANK YOU FOR INVITING ME. 295 00:17:34,887 --> 00:17:36,763 ANY TIME... EVERY TIME. 296 00:17:41,435 --> 00:17:42,894 HEY... 297 00:17:43,062 --> 00:17:46,147 EARLIER -- HOW`D YOU KNOW MY NAME? 298 00:17:46,356 --> 00:17:48,441 WELCOME TO SAVANNAH. 299 00:17:56,283 --> 00:17:57,283 MR. JOHN KELSO? 300 00:17:57,493 --> 00:17:59,243 YEAH. 301 00:17:59,453 --> 00:18:01,621 THIS IS FOR YOU. THANK YOU. 302 00:18:08,545 --> 00:18:10,004 John: I`M NOT HERE RIGHT NOW. 303 00:18:10,214 --> 00:18:12,381 LEAVE A MESSAGE. I`LL GET RIGHT BACK TO YOU. 304 00:18:12,591 --> 00:18:14,675 [ BEEP ] 305 00:18:18,430 --> 00:18:22,225 [ SOFT PIANO MUSIC PLAYS ] 306 00:18:32,277 --> 00:18:33,945 MR. KELSO? YES. 307 00:18:34,154 --> 00:18:36,030 OH. I`M LUCILLE WRIGHT. 308 00:18:36,240 --> 00:18:38,741 I CATER MR. WILLIAMS` PARTIES. NICE TO MEET YOU. 309 00:18:38,951 --> 00:18:40,368 HE SHOULD BE DOWN SHORTLY. 310 00:18:40,577 --> 00:18:42,453 WOULD YOU LIKE ME TO SHOW YOU WHAT WE`RE GONNA SERVE? 311 00:18:42,663 --> 00:18:44,956 OF COURSE. YES, COME IN. 312 00:18:47,167 --> 00:18:50,419 UH, LOTS OF FRESH VEGETABLES, 313 00:18:50,629 --> 00:18:51,754 HOT BREAD, 314 00:18:51,964 --> 00:18:53,214 JUMBO SHRIMP, 315 00:18:53,423 --> 00:18:55,341 AND -- OH, LET`S SEE, 316 00:18:55,551 --> 00:18:57,552 THIS IS SMOKED HAM AND TURKEY. 317 00:18:57,761 --> 00:18:58,886 OH, BOTH. 318 00:18:59,096 --> 00:19:00,471 GREAT BIG FRUIT PLATTER, 319 00:19:00,681 --> 00:19:02,849 AND THIS IS A WONDERFUL CRAB DISH. 320 00:19:03,058 --> 00:19:04,392 IS IT A BISQUE? 321 00:19:04,601 --> 00:19:05,852 JEFF BRASWELL. 322 00:19:06,061 --> 00:19:07,228 JOHN KELSO. 323 00:19:07,437 --> 00:19:08,896 I SHOOT JIM`S PARTIES. 324 00:19:09,106 --> 00:19:11,649 GREAT, GREAT. LET`S GET A SHOT OF THE WHOLE SPREAD -- 325 00:19:11,859 --> 00:19:14,193 TOWN & COUNTRY LOVES ITS PRETTY PICTURES. 326 00:19:14,403 --> 00:19:16,320 AND PUMPKIN CORNBREAD. 327 00:19:16,488 --> 00:19:18,156 MR. WILLIAMS INSISTS 328 00:19:18,365 --> 00:19:21,659 ON LOW-COUNTRY COOKIN` FOR HIS PARTIES. 329 00:19:21,869 --> 00:19:24,495 OH, YOU`RE GONNA HAVE FUN TONIGHT. 330 00:19:24,705 --> 00:19:26,873 Jim: INDEED HE IS, LUCILLE. 331 00:19:27,082 --> 00:19:30,459 GOOD FIT -- 44 LONG. 332 00:19:33,213 --> 00:19:37,008 I HAVE AN EYE FOR FRAMIN` THINGS. 333 00:19:39,011 --> 00:19:40,428 WELCOME TO MERCER HOUSE, MR. KELSO. 334 00:19:40,637 --> 00:19:41,929 THANK YOU. 335 00:19:42,139 --> 00:19:44,765 LUCILLE, YOU HAVE OUTDONE YOURSELF AGAIN THIS YEAR. 336 00:19:44,975 --> 00:19:47,643 WELL, THANK YOU. 337 00:19:47,853 --> 00:19:50,313 [ INDISTINCT CONVERSATIONS ] 338 00:19:56,987 --> 00:20:00,031 [ CLASSICAL PIANO MUSIC PLAYS ] 339 00:20:00,240 --> 00:20:02,158 [ INDISTINCT CONVERSATIONS ] 340 00:20:11,376 --> 00:20:13,711 EVENIN`, SONNY. 341 00:20:13,921 --> 00:20:15,046 JIM. 342 00:20:15,255 --> 00:20:17,965 HA HA, HELLO, CLAIRE. 343 00:20:18,175 --> 00:20:19,217 GOOD TO SEE YOU. 344 00:20:19,426 --> 00:20:21,677 HEY...[SMOOCHES] 345 00:20:21,887 --> 00:20:23,846 I`M GLAD TO SEE YOU. MERRY CHRISTMAS TO YOU. 346 00:20:24,056 --> 00:20:25,473 MERRY CHRISTMAS. 347 00:20:25,682 --> 00:20:27,767 HEY, HEY, HEY. HOW ARE YOU? GOOD TO SEE YOU. 348 00:20:27,976 --> 00:20:29,936 I`M SO HAPPY YOU`RE BACK. MM-HMM. 349 00:20:30,145 --> 00:20:31,312 EMMA? 350 00:20:32,606 --> 00:20:35,733 DID YOU WATCH MY DRINK FOR ME? 351 00:20:35,943 --> 00:20:37,109 OR DID YOU TRY TO STEAL IT FROM ME? 352 00:20:37,319 --> 00:20:38,402 NO. HA HA. 353 00:20:38,612 --> 00:20:40,071 SENATOR, HOW ARE YOU? 354 00:20:40,280 --> 00:20:41,405 DOIN` GREAT. 355 00:20:41,573 --> 00:20:42,949 GOOD TO SEE YOU. MERRY CHRISTMAS TO YOU. 356 00:20:43,158 --> 00:20:44,200 MERRY CHRISTMAS TO YOU. SO HAPPY TO HAVE YOU HERE. 357 00:20:44,409 --> 00:20:46,327 HEY. LOOK AT YOU. 358 00:20:46,536 --> 00:20:48,537 [ SMOOCHES ] MERRY CHRISTMAS TO YOU. 359 00:20:48,747 --> 00:20:51,123 MERRY CHRISTMAS. GOOD TO SEE Y`ALL. WELCOME TO MERCER HOUSE. 360 00:21:11,728 --> 00:21:15,022 I THINK WE HAVE QUITE A PARTY GOIN` TONIGHT. 361 00:21:15,232 --> 00:21:17,692 OH, LOOK AT THAT NIECE OF MINE. 362 00:21:19,945 --> 00:21:21,445 HELLO. 363 00:21:21,613 --> 00:21:22,947 HEY. HOW ARE YOU? 364 00:21:23,156 --> 00:21:24,365 JOHN KELSO. YEAH, JOHN. 365 00:21:24,574 --> 00:21:27,243 OH. GOOD TO SEE YOU. MERRY CHRISTMAS. 366 00:21:27,452 --> 00:21:30,621 MERRY CHRISTMAS. HAPPY TO HAVE YOU HERE. 367 00:21:35,085 --> 00:21:38,754 OH, DARLIN`, DON`T YOU LOOK SO PRETTY TONIGHT! 368 00:21:38,964 --> 00:21:41,716 I HAVE ONE JUST LIKE THAT AT HOME. 369 00:21:41,925 --> 00:21:45,428 I SEE OUR EMERALD BIRD HAS ARRIVED. 370 00:21:45,637 --> 00:21:47,221 DARLING, GOOD TO SEE YOU. 371 00:21:47,431 --> 00:21:48,556 OH, HANDSOME AS EVER. 372 00:21:48,765 --> 00:21:49,849 HOW ARE YOU, DEAR? 373 00:21:50,017 --> 00:21:53,060 I`M JUST FINE. HARRY! OH, MY GOD! 374 00:21:53,270 --> 00:21:55,104 OH, IT`S LOVELY TO SEE YOU. 375 00:21:55,314 --> 00:21:58,107 JIM, NOW, WHO IS THAT MAGNIFICENT CREATURE? 376 00:21:58,317 --> 00:22:00,151 WELL, THAT IS SERENA DAWES. 377 00:22:00,360 --> 00:22:02,653 YOU LOOK GORGEOUS AS EVER! 378 00:22:02,863 --> 00:22:04,196 YES, WELL, I TRY. 379 00:22:04,406 --> 00:22:06,115 A CELEBRATED BEAUTY IN HER DAY. 380 00:22:06,325 --> 00:22:07,908 WHEN HER TYCOON HUSBAND DIED, 381 00:22:08,118 --> 00:22:10,411 SHE MOVED BACK TO SAVANNAH AND CREATED A -- 382 00:22:10,620 --> 00:22:13,247 WELL, A SORT OF A MUSEUM TO HERSELF IN HER BOUDOIR. 383 00:22:13,457 --> 00:22:15,124 COME HERE. I`LL INTRODUCE YOU. 384 00:22:15,334 --> 00:22:17,460 WHO ARE THESE PEOPLE? 385 00:22:17,669 --> 00:22:22,173 SERENA, HOW LOVELY TO SEE YOU OUT OF BED. 386 00:22:22,382 --> 00:22:23,674 [ LAUGHS ] 387 00:22:23,884 --> 00:22:27,219 WHY, JIM, I`D GET OUT OF BED FOR YOU ANYTIME. 388 00:22:30,432 --> 00:22:33,017 OH! HARRY WAS JUST ABOUT TO SHOW US 389 00:22:33,226 --> 00:22:35,686 THE LATEST ADDITION TO HIS ARSENAL. 390 00:22:35,896 --> 00:22:37,480 OH, MY GOD! 391 00:22:37,689 --> 00:22:40,691 YOU KNOW WHAT THAT IS? THAT IS A .25. 392 00:22:40,901 --> 00:22:44,111 MY LATE HUSBAND BLEW HIS BRAINS OUT WITH ONE OF THOSE. 393 00:22:44,321 --> 00:22:46,697 SO DID MINE! WHAT? 394 00:22:46,907 --> 00:22:49,575 I WAS FIXIN` MYSELF A DRINK, AND ``GUNSMOKE`` WAS ON TV, 395 00:22:49,785 --> 00:22:50,993 AND I HEARD A SHOT. 396 00:22:51,203 --> 00:22:53,037 I THOUGHT IT WAS PART OF THE SHOW 397 00:22:53,246 --> 00:22:56,457 TILL I WALKED IN, AND THERE WAS LYMAN BLEEDIN`, 398 00:22:56,666 --> 00:22:58,918 SPRAWLED IN HIS FAVORITE CHAIR. 399 00:22:59,127 --> 00:23:01,379 YOU KNOW, EVERYONE KNEW OUR MARRIAGE WAS A DISASTER. 400 00:23:01,588 --> 00:23:03,672 IF I`D SO MUCH AS TOUCHED THAT GUN, 401 00:23:03,882 --> 00:23:06,634 THEY`D HAVE CHARGED ME WITH MURDER! 402 00:23:06,843 --> 00:23:09,261 [ LAUGHTER ] 403 00:23:09,471 --> 00:23:13,099 YES, WELL, ONE DAY... 404 00:23:15,560 --> 00:23:17,728 ...I WILL SHOOT A MAN! YES, I WILL! 405 00:23:17,938 --> 00:23:19,230 I MAY START WITH YOU! OR YOU! 406 00:23:19,439 --> 00:23:20,648 OOH-HO! 407 00:23:20,857 --> 00:23:25,653 [ LAUGHTER ] 408 00:23:25,862 --> 00:23:27,613 IS THAT LOADED? OH, YEAH. 409 00:23:27,823 --> 00:23:29,490 OOH! [ LAUGHS ] 410 00:23:29,699 --> 00:23:31,909 WHICH CONVERSATION SHALL WE JOIN? 411 00:23:32,119 --> 00:23:34,703 THE ONE LEAST LIKELY TO INVOLVE GUNFIRE. 412 00:23:34,913 --> 00:23:36,872 OH, EXCUSE ME FOR A MOMENT. 413 00:23:55,684 --> 00:23:59,895 WELL, THAT`S FROM NAPOLEON`S CORONATION CARRIAGE. 414 00:24:00,105 --> 00:24:02,231 YOU HAVE A MOST IMPRESSIVE COLLECTION. 415 00:24:02,441 --> 00:24:04,733 OH, NO, NO, NO, MR. KELSO, LOOK AROUND -- 416 00:24:04,943 --> 00:24:06,986 IT`S NOT A COLLECTlON, IT`S MY HOME. 417 00:24:07,195 --> 00:24:08,404 FABERGẺ? 418 00:24:08,613 --> 00:24:10,364 MM-HMM, I`M A MINOR ENTHUSIAST. 419 00:24:10,574 --> 00:24:13,075 MINOR? THREE EGGS, A JEWELRY BOX, 420 00:24:13,285 --> 00:24:15,995 AND, I BELIEVE, THE GOLD-LEAF ALBUM. 421 00:24:16,204 --> 00:24:19,582 NICHOLAS HIMSELF WOULD BE LUCKY TO HAVE SO MUCH FABERGẺ. 422 00:24:19,791 --> 00:24:22,084 YES, WELL... 423 00:24:22,294 --> 00:24:23,419 WOULDN`T HE? 424 00:24:23,628 --> 00:24:25,296 I`LL ADMIT TO THAT. 425 00:24:25,505 --> 00:24:30,384 WOULD YOU CARE TO SEE SOMETHING A LITTLE MORE...UNUSUAL? 426 00:24:30,594 --> 00:24:33,137 THAT`D BE VERY NICE. 427 00:24:33,346 --> 00:24:34,513 MM-HMM. 428 00:24:36,725 --> 00:24:38,058 HELLO, MOTHER DARLIN`. 429 00:24:38,268 --> 00:24:40,436 YOU ENJOYIN` YOURSELF THIS EVENIN`? 430 00:24:40,645 --> 00:24:42,771 I`M HAVIN` A WONDERFUL TIME, DEAR. 431 00:24:42,981 --> 00:24:45,065 JOHN KELSO. MR. KELSO. 432 00:24:45,275 --> 00:24:46,650 HE`S A WRITER, MOTHER. 433 00:24:46,818 --> 00:24:48,360 OH! 434 00:24:55,535 --> 00:24:57,828 THIS IS WHAT WE CALL THE BALLROOM. 435 00:24:58,038 --> 00:24:59,371 WOW! 436 00:25:03,043 --> 00:25:04,919 IS THIS THE PRIZED RELIC? 437 00:25:05,128 --> 00:25:07,546 WELL, IT`S A VERY RARE RELIC. 438 00:25:09,257 --> 00:25:13,802 THIS IS THE DAGGER THAT PRINCE YUSUPOV USED 439 00:25:14,012 --> 00:25:16,514 TO MURDER RASPUTIN. 440 00:25:18,975 --> 00:25:21,810 HE SLICED OFF HIS COCK AND BALLS WITH IT. 441 00:25:22,020 --> 00:25:23,395 TRUE STORY... 442 00:25:23,563 --> 00:25:26,774 AND DELICIOUSLY EVIL, DON`T YOU THINK? 443 00:25:26,983 --> 00:25:28,234 DELICIOUS. 444 00:25:31,530 --> 00:25:32,780 GERMAN LUGER? 445 00:25:32,989 --> 00:25:35,491 MM-HMM. BE CAREFUL -- IT`S LOADED. 446 00:25:35,700 --> 00:25:37,159 WE`VE HAD BURGLARIES. 447 00:25:37,369 --> 00:25:40,496 EVERYBODY`S GOT LOADED GUNS AROUND HERE. 448 00:25:40,705 --> 00:25:43,749 SO TELL ME, JIM, HAS YOUR FAMILY ALWAYS COLLECTED? 449 00:25:43,959 --> 00:25:45,918 WELL, THAT`S A VERY GENTEEL WAY 450 00:25:46,127 --> 00:25:48,337 OF ASKING IF I COME FROM OLD MONEY. 451 00:25:48,547 --> 00:25:49,797 DO YOU? 452 00:25:50,006 --> 00:25:51,507 NO. 453 00:25:51,716 --> 00:25:55,719 I WAS BORN lN GORDON, GEORGIA, A LITTLE TOWN OUTSIDE OF MACON. 454 00:25:55,929 --> 00:25:58,389 MY FATHER WAS A BARBER AND SOMETIME HOUSEBUILDER. 455 00:25:58,557 --> 00:25:59,807 MY MOTHER WAS A SECRETARY. 456 00:26:00,016 --> 00:26:02,977 WHAT MONEY I HAVE IS ABOUT 11 YEARS OLD. 457 00:26:03,186 --> 00:26:05,354 SO, YES, I AM NOUVEAU RICHE, 458 00:26:05,564 --> 00:26:09,400 BUT THEN, IT`S THE ``RICHE`` THAT COUNTS, NOW, ISN`T IT? 459 00:26:09,609 --> 00:26:11,819 THERE`S ONLY TWO THINGS THAT INTEREST ME -- 460 00:26:12,028 --> 00:26:15,489 WORK, AND THOSE TRAPPINGS OF ARISTOCRACY 461 00:26:15,699 --> 00:26:17,741 THAT I FIND WORTHWHILE -- 462 00:26:17,951 --> 00:26:19,785 THE VERY THINGS THEY`RE FORCED TO SELL 463 00:26:19,995 --> 00:26:23,038 WHEN THE MONEY RUNS OUT... AND IT ALWAYS RUNS OUT. 464 00:26:23,248 --> 00:26:28,002 AND THEN ALL THEY`RE LEFT WITH IS THEIR LOVELY MANNERS. 465 00:26:28,211 --> 00:26:31,171 FUCK YOU, GODDAMN BITCH! 466 00:26:31,381 --> 00:26:33,882 WOULDN`T EVEN LET ME IN THE FUCKIN` HOUSE! 467 00:26:34,092 --> 00:26:35,718 I HAD TO COME IN THE SERVANTS` ENTRANCE! 468 00:26:35,927 --> 00:26:38,304 WILL YOU EXCUSE ME FOR A MINUTE? 469 00:26:40,390 --> 00:26:42,975 BILLY, I THOUGHT WE AGREED YOU`D STAY AWAY TONIGHT. 470 00:26:43,184 --> 00:26:45,019 DON`T GIVE ME THAT DRAG-ASS SHIT, JIM! 471 00:26:45,228 --> 00:26:47,229 I GOT STOOD UP TONIGHT, AND I`M PISSED OFF! 472 00:26:47,439 --> 00:26:48,606 GIVE ME $20. 473 00:26:48,815 --> 00:26:51,025 YOU GET PAID ON FRIDAY LIKE EVERYONE ELSE. 474 00:26:51,234 --> 00:26:52,860 WHAT DO YOU NEED $20 NOW FOR? 475 00:26:53,069 --> 00:26:54,194 GIVE ME $20. 476 00:26:54,404 --> 00:26:56,030 I NEED IT TO GET FUCKED UP IS WHAT. 477 00:26:56,239 --> 00:26:58,115 WELL, I`D SAY YOU`VE ACCOMPLISHED THAT, SPORT. 478 00:26:58,325 --> 00:26:59,825 GIVE ME THE MONEY! 479 00:27:00,035 --> 00:27:02,870 I AIN`T EVEN CLOSE TO GETTIN` FUCKED UP THE WAY I WANT TO BE! 480 00:27:03,079 --> 00:27:05,664 NO, I`M NOT GONNA GIVE YOU MONEY FOR LIQUOR 481 00:27:05,874 --> 00:27:07,082 OR MARIJUANA CIGARETTES OR WHATEVER ELSE YOU -- 482 00:27:07,292 --> 00:27:10,044 [ GLASS SHATTERS ] FUCK YOU, JIM! 483 00:27:10,253 --> 00:27:12,588 YOU DON`T GIVE ME WARNINGS -- I GIVE `EM TO YOU, REMEMBER, 484 00:27:12,797 --> 00:27:14,089 `CAUSE I CAN BACK MINE UP! 485 00:27:18,970 --> 00:27:21,639 AND YOU, YOU PIECE OF SHIT! 486 00:27:24,267 --> 00:27:26,602 YOU BETTER WATCH YOURSELF! 487 00:27:28,104 --> 00:27:29,938 FUCK YOU. 488 00:27:43,620 --> 00:27:45,704 UH, THAT`S BILLY HANSON. 489 00:27:45,914 --> 00:27:48,582 HE WORKS PART TIME IN THE SHOP, 490 00:27:48,792 --> 00:27:51,418 AND CAN, ON OCCASION, BE A VERY COLORFUL CHARACTER. 491 00:27:56,466 --> 00:28:00,135 [ DOG BARKING ] 492 00:28:00,345 --> 00:28:02,221 [ CAR DOOR SLAMS ] 493 00:28:02,430 --> 00:28:05,140 [ ENGINE TURNS OVER, REVS ] 494 00:28:05,350 --> 00:28:08,477 [ TIRES SCREECH ] 495 00:28:16,361 --> 00:28:18,654 WELL, I DON`T KNOW WHO HATES ME MORE -- 496 00:28:18,863 --> 00:28:20,239 THE ATWELLS OR THEIR DOGS. 497 00:28:20,407 --> 00:28:21,990 LOREN ATWELL`S BEEN UPSET WITH ME 498 00:28:22,200 --> 00:28:24,535 EVER SINCE I HAD HIM REMOVED FROM THE MUSEUM BOARD. 499 00:28:27,706 --> 00:28:29,123 WELL... 500 00:28:29,332 --> 00:28:32,042 THERE`S ONLY ONE WAY TO REMEDY THIS. 501 00:28:35,213 --> 00:28:37,381 [ BARKING CONTINUES ] 502 00:28:46,808 --> 00:28:49,059 [ PIPE ORGAN PLAYS ] 503 00:28:53,857 --> 00:28:58,652 [ DOGS BARKING, HOWLING ] 504 00:29:05,827 --> 00:29:08,120 [ LAUGHS ] 505 00:29:35,774 --> 00:29:37,232 THANK YOU, SENATOR. 506 00:29:37,442 --> 00:29:39,735 IT WAS A HELL OF A BASH, JIM. 507 00:29:39,944 --> 00:29:41,653 YOU`VE OUTDONE YOURSELF. 508 00:29:41,863 --> 00:29:43,655 DELIGHTFUL, DELIGHTFUL. WE THOROUGHLY ENJOYED IT. 509 00:29:43,823 --> 00:29:45,240 THANK YOU FOR COMING. 510 00:29:45,450 --> 00:29:47,034 THANK YOU FOR HAVIN` US. 511 00:29:56,753 --> 00:29:58,587 THIS -- YOU HAVE MY BOOK! 512 00:29:58,797 --> 00:30:00,297 YOU SEEM SURPRISED. 513 00:30:01,257 --> 00:30:04,510 WELL, IT DIDN`T EXACTLY FLY OFF THE BOOKSHELVES. 514 00:30:11,392 --> 00:30:15,103 WHAT A COINCIDENCE THAT I`D BE ASSIGNED TO THIS STORY, 515 00:30:15,313 --> 00:30:17,731 AND YOU`D HAVE READ MY ONLY BOOK. 516 00:30:19,901 --> 00:30:22,152 THERE ARE NO COINCIDENCES. 517 00:30:22,362 --> 00:30:25,322 HAVE YOU EVER WRlTTEN FOR TOWN & COUNTRY BEFORE? 518 00:30:25,490 --> 00:30:26,698 NO. 519 00:30:30,411 --> 00:30:33,330 YOU REQUESTED ME? 520 00:30:33,540 --> 00:30:37,209 THEY`VE BEEN WANTIN` TO COVER MY CHRISTMAS PARTY FOR YEARS, 521 00:30:37,418 --> 00:30:40,128 AND MY ACCEPTANCE OF THEIR OFFER THIS YEAR 522 00:30:40,338 --> 00:30:42,381 WAS CONTINGENT ON ONE THING -- 523 00:30:42,590 --> 00:30:44,633 YOUR PARTICIPATION. 524 00:30:47,262 --> 00:30:48,887 THANK YOU FOR THAT. 525 00:30:49,097 --> 00:30:51,473 NO, THANK YOU. 526 00:30:51,683 --> 00:30:54,768 NOW SIT BACK, RELAX, ENJOY YOUR BRANDY, 527 00:30:54,978 --> 00:30:58,981 AND TELL ME YOUR LIFE STORY, JOHN KELSO. 528 00:31:01,901 --> 00:31:04,695 IT`S GETTIN` LATE, AND I HAVE AN EARLY FLIGHT, 529 00:31:04,904 --> 00:31:07,281 SO MAYBE I CAN TAKE A RAINCHECK ON THAT... 530 00:31:07,490 --> 00:31:08,574 NEXT CHRISTMAS. 531 00:31:08,783 --> 00:31:11,285 IF YOU MAKE THE CUT. 532 00:31:11,494 --> 00:31:13,036 WELL, WE`LL HOPE FOR THE BEST. 533 00:31:13,246 --> 00:31:15,289 WELL, I-I CAN`T WAIT TO SEE THE ARTICLE, 534 00:31:15,498 --> 00:31:17,541 AND I CERTAINLY HOPE THAT YOU HAVE ENOUGH 535 00:31:17,750 --> 00:31:19,543 FOR YOUR 500-WORD ESSAY. 536 00:31:19,752 --> 00:31:21,295 BELIEVE ME, I COULD USE 1 0,000. 537 00:31:21,504 --> 00:31:24,089 THANK YOU FOR EVERYTHING, JIM. I`LL SHOW MYSELF OUT. 538 00:31:28,344 --> 00:31:30,262 OH, AND, SPORT... 539 00:31:32,056 --> 00:31:34,516 ...I REALLY DID LIKE YOUR BOOK. 540 00:31:34,726 --> 00:31:36,977 THANK YOU. 541 00:31:44,027 --> 00:31:47,821 [ SIRENS WAILING ] 542 00:31:59,250 --> 00:32:00,667 SUCH A BEAUTIFUL JACKET -- 543 00:32:00,877 --> 00:32:03,086 I BELIEVE THAT`S AN ENDANGERED SPECIES. 544 00:32:03,296 --> 00:32:06,006 LOOK AT THAT 14-KARAT-GOLD DRESS AND TONY MANERO. 545 00:32:06,215 --> 00:32:07,507 WHO`S HUNGRY? 546 00:32:07,717 --> 00:32:10,093 WANT SOME PUNCH, BABY? 547 00:32:10,303 --> 00:32:13,180 OH, YOU`RE SUCH A GOOD PONY! 548 00:32:13,389 --> 00:32:15,599 Joe: WHAT ARE YOU DOIN` GETTIN THAT HORSE DRUNK? 549 00:32:15,808 --> 00:32:16,975 HEY, JOE... 550 00:32:17,185 --> 00:32:18,644 WHAT HAPPENED? 551 00:32:18,853 --> 00:32:21,146 OH, THAT JIM WILLIAMS WENT AND SHOT SOMEBODY. 552 00:32:21,356 --> 00:32:22,648 CANAPė? 553 00:32:22,857 --> 00:32:24,066 WHAT? 554 00:32:24,275 --> 00:32:25,609 MM-HMM, HE SURE DID. 555 00:32:25,818 --> 00:32:28,195 THOSE LIGHTS AIN`T PART OF THE CHRISTMAS DISPLAY. 556 00:32:28,404 --> 00:32:29,613 FOR REAL? 557 00:32:29,822 --> 00:32:32,741 YES, SIR, HE DID -- HE SHOT SOMEBODY. 558 00:32:32,951 --> 00:32:34,534 LOOK AT THAT MAN GO. 559 00:32:34,744 --> 00:32:36,912 I BELIEVE I`M STARTIN` TO LIKE THAT YANKEE. 560 00:32:37,121 --> 00:32:39,498 WHAT`S THAT SAYIN` -- ``CURIOSITY KILLED THE YANKEE``? 561 00:32:39,707 --> 00:32:40,832 I THINK THAT`S IT. 562 00:32:46,839 --> 00:32:49,549 UH, WELL, HE WAS DRUNKER WHEN HE GOT BACK, 563 00:32:49,759 --> 00:32:52,761 AND, UH, I`LL TELL YOU, WHEN HE`S BEEN DRINKIN`, 564 00:32:52,971 --> 00:32:55,889 HE`S GOT, LIKE, ANOTHER PERSONALITY ALTOGETHER. 565 00:32:56,099 --> 00:32:59,434 HE`D ALREADY SMASHED SOME THINGS UPSTAIRS EARLIER IN THE EVENIN`, 566 00:32:59,644 --> 00:33:02,187 AND HE MUST HAVE GONE TO SOME DRIVE-IN ``B`` MOVIE 567 00:33:02,355 --> 00:33:05,023 WITH THROATS BEIN` SLASHED AND THAT SORT OF THING, 568 00:33:05,233 --> 00:33:07,609 AND NO DOUBT IT HAD AN EFFECT, 569 00:33:07,819 --> 00:33:10,946 BECAUSE I HAVE NEVER SEEN HIM THAT ANGRY. 570 00:33:11,155 --> 00:33:13,115 HE AND I GOT INTO AN ARGUMENT. 571 00:33:13,324 --> 00:33:14,783 HE -- HE DESTROYED 572 00:33:14,993 --> 00:33:17,452 THIS BEAUTIFUL, PRICELESS ANTIQUE CLOCK IN THE HALLWAY. 573 00:33:17,662 --> 00:33:20,706 IF YOU`D LIKE TO SPIKE THAT UP, 574 00:33:20,915 --> 00:33:22,624 THERE`S A BAR RIGHT THERE IN THE LIVIN` ROOM. 575 00:33:22,834 --> 00:33:24,584 NO, THANK YOU, I`M STILL ON DUTY, MR. WILLIAMS. 576 00:33:24,794 --> 00:33:29,381 YES, I-I KNOW THAT. 577 00:33:29,590 --> 00:33:33,385 I`M SORRY. THIS IS VERY UPSETTING. 578 00:33:33,594 --> 00:33:37,889 HOW MUCH LONGER IS THIS ALL GONNA TAKE? 579 00:33:38,099 --> 00:33:40,058 [ MEOWS ] 580 00:33:44,981 --> 00:33:47,315 HEY, JEFF, WHAT ARE YOU DOIN` HERE? 581 00:33:47,525 --> 00:33:50,027 I WORK FOR THE CITY, TOO. I GOT THAT FILM FROM THE PARTY. 582 00:33:50,236 --> 00:33:51,570 I`LL GET IT TO YOU. 583 00:33:51,779 --> 00:33:53,822 GREAT, GREAT. 584 00:33:54,032 --> 00:33:58,785 [ INDISTINCT CONVERSATIONS ] 585 00:33:58,995 --> 00:34:01,788 Jim: HE YELLED AT ME. 586 00:34:01,998 --> 00:34:03,457 HE CAME INTO THE OFFICE, 587 00:34:03,666 --> 00:34:05,834 AND HE STOOD THERE AND HE YELLED, 588 00:34:06,044 --> 00:34:07,794 ``I MIGHT BE LEAVIN` TOMORROW, 589 00:34:08,004 --> 00:34:10,380 BUT GODDAMN IT, YOU`RE LEAVIN` TONIGHT!`` 590 00:34:10,590 --> 00:34:12,132 AND HE FIRED AT ME TWICE, 591 00:34:12,341 --> 00:34:14,468 AND I PULLED THE LUGER FROM MY DESK, AND I FIRED BACK. 592 00:34:14,677 --> 00:34:16,428 AND I TELL YOU, IF IT HAD HAPPENED TO YOU, 593 00:34:16,637 --> 00:34:18,263 YOU WOULD HAVE DONE EXACTLY WHAT I DID. 594 00:34:18,473 --> 00:34:20,432 I HAVE NEVER BEEN SO SCARED IN MY LIFE. 595 00:34:20,641 --> 00:34:22,809 IF I HAD NOT SHOT AT BILLY, I HAVE NO DOUBT 596 00:34:23,019 --> 00:34:25,520 IT`D BE MY OBITUARY YOU`D BE READIN` IN THE PAPERS. 597 00:34:25,730 --> 00:34:28,023 WHAT THE HELL ARE YOU DOIN` HERE? 598 00:34:28,232 --> 00:34:29,608 JESUS CHRIST! FRANK... 599 00:34:29,817 --> 00:34:31,151 MY CLIENT HAS NOTHIN` TO SAY. 600 00:34:31,360 --> 00:34:32,736 SONNY. 601 00:34:32,945 --> 00:34:34,321 JIM. 602 00:34:34,530 --> 00:34:37,616 I CAN`T BELIEVE YOU WOULD DO THIS WITHOUT CALLIN` ME! 603 00:34:37,825 --> 00:34:40,077 HOW LONG HAVE WE KNOWN EACH OTHER? 604 00:34:40,286 --> 00:34:42,037 IS THIS ENTRAPMENT, FRANK? 605 00:34:42,246 --> 00:34:44,081 WHAT THE HELL IS GOIN` ON?! 606 00:34:44,290 --> 00:34:47,167 [ INDISTINCT CONVERSATIONS ] 607 00:35:06,062 --> 00:35:09,272 Man: WE`LL WRAP IT UP INDOORS AS SOON AS WE CAN. 608 00:35:23,663 --> 00:35:25,580 SORRY, BUT I`M NOT GONNA HAVE TIME 609 00:35:25,790 --> 00:35:28,583 TO PROCESS THIS FILM FOR YOU. 610 00:35:33,214 --> 00:35:34,464 Man: JOHN? 611 00:35:40,012 --> 00:35:42,931 JIM TOLD ME YOU HEARD HANSON THREATEN HIM. 612 00:35:43,141 --> 00:35:44,391 YEAH. 613 00:35:44,600 --> 00:35:46,101 NO-GOOD STREET HUSTLER. 614 00:35:46,310 --> 00:35:48,562 I TOLD JIM HE WAS DANGEROUS. 615 00:35:54,277 --> 00:35:56,194 John: DARLIN`, FORGET ABOUT TOWN & COUNTRY. 616 00:35:56,404 --> 00:35:58,280 YEAH, I KNOW I`VE ONLY BEEN HERE THREE DAYS 617 00:35:58,489 --> 00:36:00,365 AND IT`S JUST A SHOOTING, BUT GIVE IT TIME. 618 00:36:00,575 --> 00:36:01,950 OKAY? THIS PLACE IS FANTASTIC. 619 00:36:02,160 --> 00:36:04,369 IT`S LIKE ``GONE WITH THE WIND`` ON MESCALINE. 620 00:36:04,579 --> 00:36:06,913 I-I KNOW YOU`RE MY AGENT. LISTEN TO ME. 621 00:36:07,123 --> 00:36:09,457 THEY WALK IMAGINARY PETS HERE, GARLAND, 622 00:36:09,667 --> 00:36:10,876 ON A FUCKING LEASH, ALL RIGHT? 623 00:36:11,085 --> 00:36:12,627 AND THEY`RE ALL HEAVILY ARMED AND DRUNK. 624 00:36:12,837 --> 00:36:14,546 NEW YORK IS BORING. I`LL CALL YOU LATER. 625 00:36:16,465 --> 00:36:18,800 Man: FINLEY LARGENT`S UP FOR RE-ELECTION, 626 00:36:19,010 --> 00:36:21,511 SO HE`LL TRY HIS DAMNEDEST TO GET THIS THING TO TRIAL. 627 00:36:21,721 --> 00:36:23,388 HE WON`T TAKE MY DAMN PHONE CALLS, 628 00:36:23,598 --> 00:36:25,515 SO WE`LL JUST HAVE TO USE THE BACK DOOR. 629 00:36:25,725 --> 00:36:26,933 I`LL BE BACK. 630 00:36:27,143 --> 00:36:28,560 THANKS FOR COMIN` OVER, COACH. 631 00:36:28,769 --> 00:36:29,895 SONNY. 632 00:36:30,104 --> 00:36:31,730 JIM`S IN THE OFFICE. 633 00:36:36,694 --> 00:36:38,195 Sonny: JIM AND I HAD A TALK 634 00:36:38,404 --> 00:36:40,614 ABOUT SOMETHING WE WOULD LIKE TO RUN BY YOU. 635 00:36:40,823 --> 00:36:42,407 YOU WANT ME TO KILL THE STORY. 636 00:36:42,575 --> 00:36:43,909 UH-HUH. DONE. 637 00:36:45,411 --> 00:36:49,331 GREAT, GREAT! 638 00:36:49,540 --> 00:36:51,291 WHY? 639 00:36:51,500 --> 00:36:53,793 ACTUALLY, I WAS... 640 00:36:54,003 --> 00:36:57,297 CONSIDERING WRITING A BOOK. 641 00:36:57,506 --> 00:36:59,549 SWEET JESUS! A BOOK ABOUT WHAT? 642 00:36:59,759 --> 00:37:02,135 SELF-DEFENSE -- HAPPENS ALL THE TIME. 643 00:37:02,345 --> 00:37:04,888 THEN WHY ARE YOU WORRIED ABOUT THE D.A.? 644 00:37:05,097 --> 00:37:06,723 I...OVERHEARD IN THE LOBBY. 645 00:37:06,933 --> 00:37:08,058 WE`RE A SMALL TOWN. 646 00:37:08,267 --> 00:37:11,102 WE DEFEND OURSELVES -- OUR REPUTATIONS -- 647 00:37:11,312 --> 00:37:12,771 AGAINST THE OUTSIDE WORLD. 648 00:37:12,980 --> 00:37:14,314 WORD GETS AROUND 649 00:37:14,523 --> 00:37:16,608 SOME NEW YORKER`S TRYIN` TO MAKE US LOOK BAD, 650 00:37:16,817 --> 00:37:19,527 YOU`RE GONNA FIND SAVANNAHIANS CAN GET PRETTY TIGHT-LIPPED. 651 00:37:19,737 --> 00:37:22,572 IF THERE`S A TRIAL, WILL YOU CALL ME AS A WITNESS? 652 00:37:22,782 --> 00:37:24,366 YOU THREATENIN` ME? 653 00:37:24,575 --> 00:37:25,659 ABSOLUTELY NOT. 654 00:37:25,868 --> 00:37:27,035 YOU PERJURE YOURSELF, 655 00:37:27,245 --> 00:37:28,745 YOU`LL FIND YOURSELF IN JAIL, BUBBA. 656 00:37:28,955 --> 00:37:30,538 I WOULDN`T DO IT. 657 00:37:30,748 --> 00:37:33,375 MY POINT IS, WHEN IT COMES TO THIS, I`M AT GROUND ZERO. 658 00:37:33,584 --> 00:37:36,294 IF THERE`S NOTHING WORTH WRITING, YOU GOT NO WORRIES. 659 00:37:36,504 --> 00:37:41,091 THAT`S WHAT I GET PAID FOR. I WILL NOT PERMIT THIS. 660 00:37:41,300 --> 00:37:43,593 WELL... 661 00:37:43,803 --> 00:37:47,597 I DON`T NEED ANYONE`S PERMISSION. 662 00:37:47,807 --> 00:37:49,224 NOT REALLY. 663 00:37:51,644 --> 00:37:54,145 THEN WHY ARE YOU SOLICITING IT? 664 00:37:56,190 --> 00:37:57,983 YOU NEED MY PERMISSION, 665 00:37:58,192 --> 00:38:05,282 MY HELP, MY ACQUIESCENCE, OR YOU DON`T HAVE A STORY. 666 00:38:05,491 --> 00:38:07,200 NOT REALLY. 667 00:38:07,410 --> 00:38:11,663 AND WE BOTH KNOW THAT. 668 00:38:11,872 --> 00:38:14,833 SO, WOULD THE RIVER FLOW BOTH WAYS? 669 00:38:15,042 --> 00:38:16,793 MEANING? 670 00:38:17,003 --> 00:38:21,506 WOULD YOU SHARE WHATEVER INFORMATION YOU GARNER 671 00:38:21,716 --> 00:38:23,425 WITH ME AND SONNY? 672 00:38:23,634 --> 00:38:27,137 YES...BUT IT WON`T CHANGE WHAT I WRITE. 673 00:38:27,346 --> 00:38:29,556 AND YOU DON`T GET TO SEE A WORD OF IT 674 00:38:29,765 --> 00:38:31,016 UNTIL IT`S PUBLISHED. 675 00:38:42,653 --> 00:38:45,322 SO...WHO WOULD BE THE MAIN CHARACTER 676 00:38:45,531 --> 00:38:46,906 IN THIS BOOK? 677 00:38:53,706 --> 00:38:56,249 YOU WRITTEN UP CASES LIKE THIS BEFORE? 678 00:38:56,459 --> 00:38:58,293 A FEW OF THEM IN NEW YORK FOR ESQUIRE, YEAH. 679 00:38:58,502 --> 00:38:59,586 SO, WHAT DO YOU THINK? 680 00:38:59,795 --> 00:39:00,920 WHAT DO I THINK? 681 00:39:01,797 --> 00:39:03,298 WELL, IF YOU`RE WORRIED ABOUT THE D.A., 682 00:39:03,507 --> 00:39:04,924 GRAND JURIES READ PAPERS. 683 00:39:05,134 --> 00:39:07,010 PROPER SPIN CONTROL COULD MAKE A BIG DIFFERENCE. 684 00:39:07,928 --> 00:39:09,304 WHAT THE HELL ARE YOU TALKIN` ABOUT? 685 00:39:10,097 --> 00:39:11,973 YOU SAID HANSON WAS A STREET HUSTLER, RIGHT? 686 00:39:12,183 --> 00:39:14,392 DID HE HAVE A RECORD? TAKE DRUGS, DEAL DRUGS, PIMP? 687 00:39:14,602 --> 00:39:15,977 WHO ARE HIS FRIENDS? 688 00:39:16,187 --> 00:39:18,063 THAT`S THE KIND OF SPIN THAT CAN INFLUENCE A GRAND JURY. 689 00:39:18,272 --> 00:39:20,065 GET YOUR INVESTIGATORS. HIT THE STREETS. 690 00:39:20,274 --> 00:39:22,984 EVERY P.I. IN TOWN`S AN OFF-DUTY COP. 691 00:39:23,194 --> 00:39:26,071 BESIDES, WHY WOULD WE NEED A P.I. 692 00:39:26,280 --> 00:39:30,283 WHEN WE GOT OURSELVES A HOTSHOT NEW YORK WRITER? 693 00:39:30,493 --> 00:39:33,453 FILL IN ALL THE GAPS. [ CHUCKLES ] 694 00:39:33,662 --> 00:39:35,038 TAKE CARE, BUBBA. 695 00:39:35,247 --> 00:39:36,623 YEAH. 696 00:39:46,759 --> 00:39:48,593 [ DOORBELL RINGS ] 697 00:39:53,015 --> 00:39:54,974 [ LOCK CLICKS ] 698 00:39:55,184 --> 00:39:56,851 YES? HI. 699 00:39:57,061 --> 00:39:58,561 ARE YOU THE FLOWER MAN? 700 00:39:58,771 --> 00:40:01,189 I`M JOHN KELSO. I`M A WRITER, AND I WANTED TO ASK YOU -- 701 00:40:01,399 --> 00:40:04,526 HONEY, IF YOU`RE NOT THE FLOWER MAN, THEN JUST LEAVE ME BE. 702 00:40:04,735 --> 00:40:07,195 THE LADY`S IN MOURNING, AND I HAVEN`T RECEIVED 703 00:40:07,405 --> 00:40:09,906 A FLOWER OR A ROSE OR ANYTHING TO SHOW FOR IT. 704 00:40:10,116 --> 00:40:11,324 JUST PLEASE LEAVE ME BE. 705 00:40:11,534 --> 00:40:12,575 I JUST KNOW THAT -- 706 00:40:12,743 --> 00:40:14,452 UH... 707 00:40:14,662 --> 00:40:17,247 MISS DEVEAU, I -- I KNOW BILLY HANSON USED TO LIVE HERE. 708 00:40:17,456 --> 00:40:19,165 I WANTED TO ASK YOU A FEW QUESTIONS. 709 00:40:19,375 --> 00:40:22,210 IF IT`S AN INAPPROPRIATE TIME, YOU KNOW, I`LL COME BACK LATER. 710 00:40:22,420 --> 00:40:23,962 HONEY, I CAN`T BELIEVE 711 00:40:24,171 --> 00:40:26,256 THAT YOU`RE RUNNIN` AROUND, RINGIN` ON MY DOORBELL. 712 00:40:26,465 --> 00:40:29,217 WHERE ARE YOU FROM? WHERE ARE YOUR MANNERS? 713 00:40:29,427 --> 00:40:31,261 JUST LEAVE ME BE. 714 00:40:33,848 --> 00:40:35,056 MY CONDOLENCES. I`LL C-- 715 00:40:35,266 --> 00:40:36,307 [ LOCK CLICKS ] 716 00:40:36,517 --> 00:40:39,602 ...COME BACK ANOTHER TIME OR... 717 00:42:06,398 --> 00:42:09,359 I APOLOGIZE FOR THE, UH, DELAY. 718 00:42:09,527 --> 00:42:11,402 WHY, THANK YOU. 719 00:42:11,612 --> 00:42:13,613 THEY`RE LOVELY -- 720 00:42:13,822 --> 00:42:15,281 THEY`RE ABSOLUTELY LOVELY. 721 00:42:15,491 --> 00:42:17,700 I`D LOVE TO ASK YOU A FEW QUESTIONS, 722 00:42:17,868 --> 00:42:19,077 IF YOU HAVE A MINUTE. 723 00:42:19,286 --> 00:42:21,246 IS THIS YOUR CAR? 724 00:42:21,455 --> 00:42:23,748 YEAH? HOW ABOUT A RIDE HOME? 725 00:42:23,958 --> 00:42:25,166 SURE. 726 00:42:25,376 --> 00:42:27,335 MM-HMM. 727 00:42:27,545 --> 00:42:28,795 OH. 728 00:42:29,004 --> 00:42:31,589 THANK YOU. 729 00:42:39,265 --> 00:42:40,723 WHAT I WANT TO KNOW IS, 730 00:42:40,933 --> 00:42:43,184 WHAT IS A WHITE BOY LIKE YOU DOING 731 00:42:43,394 --> 00:42:46,104 DRIVING A BIG OLD BROTHER`S JIVED-ASS HEAP 732 00:42:46,272 --> 00:42:47,522 LIKE THIS SHIT HERE? 733 00:42:47,731 --> 00:42:49,107 I JUST BOUGHT THIS THING, ACTUALLY. 734 00:42:49,316 --> 00:42:50,775 I KIND OF LIKE lT. IT`S NOT A BAD CAR. 735 00:42:50,985 --> 00:42:52,569 NO, IT`S NOT BAD, AND I DIDN`T MEAN TO HURT YOUR -- 736 00:42:52,778 --> 00:42:54,028 DID I HURT YOUR FEELINGS? 737 00:42:54,238 --> 00:42:56,614 I`M SORRY. I DIDN`T MEAN TO HURT YOUR FEELINGS. 738 00:42:56,824 --> 00:42:58,908 I CAN`T HELP IT. I JUST CALL THINGS OUT. 739 00:42:59,118 --> 00:43:00,785 I JUST CALL lT OUT AS I SEE IT. 740 00:43:00,995 --> 00:43:02,912 I JUST CAN`T HELP IT. I JUST DO THAT. 741 00:43:03,122 --> 00:43:04,872 BUT THERE`S ONE THING YOU DON`T HAVE TO WORRY ABOUT. 742 00:43:05,082 --> 00:43:06,541 WHAT`S THAT? 743 00:43:06,750 --> 00:43:09,919 AIN`T NOBODY DAMN SURE GONNA TRY TO STEAL THIS PIECE OF SHIT. 744 00:43:10,129 --> 00:43:11,296 THAT`S FOR SURE. 745 00:43:11,505 --> 00:43:12,714 WELL, JUST PRACTICING UP 746 00:43:12,923 --> 00:43:14,841 TILL I CAN SAVE ENOUGH MONEY TO GET MY ROLLS. 747 00:43:15,050 --> 00:43:17,302 NOW, CHABLIS IS A PRETTY NAME. IT`S UNUSUAL. 748 00:43:17,511 --> 00:43:18,595 WHY, THANK YOU. 749 00:43:18,804 --> 00:43:20,471 YEAH, I GOT IT OFF A WINE BOTTLE. 750 00:43:20,681 --> 00:43:21,848 IT`S A SHOW NAME. 751 00:43:22,057 --> 00:43:23,182 YOU`RE AN ACTRESS? 752 00:43:23,392 --> 00:43:25,602 NO, I`M NOT AN ACTRESS. I`M A SHOWGIRL. 753 00:43:25,811 --> 00:43:27,604 I WORK AT THE PICKUP ON CONGRESS. 754 00:43:27,813 --> 00:43:28,896 HMM. 755 00:43:29,106 --> 00:43:31,107 I LIP-SYNC, I EMCEE, I DANCE. 756 00:43:31,275 --> 00:43:32,817 YOU KNOW, SHIT LIKE THAT. 757 00:43:32,985 --> 00:43:34,736 THE PERSON YOU`RE SEEING NOW 758 00:43:34,945 --> 00:43:36,946 IS JUST LITTLE OLD SIMPLE CHABLIS, 759 00:43:37,156 --> 00:43:40,992 BUT IN THE EVENINGS, WHEN I PUT ON MY GOWNS 760 00:43:41,201 --> 00:43:45,079 AND MY MAKEUP AND MY JEWELRY AND MY PERFUME, 761 00:43:45,289 --> 00:43:47,582 I BECOME THE LADY CHABLIS. 762 00:43:49,960 --> 00:43:51,753 YOU ARE JUST SO CUTE. 763 00:43:51,962 --> 00:43:55,340 A COOL WHITE WINE FOR A COOL BLACK GIRL. 764 00:43:55,549 --> 00:43:58,635 OH, AND YOU`RE FULL OF FLATTERY, TOO. 765 00:43:58,844 --> 00:44:02,013 HOO! IT`S GETTIN` HOT UP IN HERE, HONEY. 766 00:44:02,222 --> 00:44:04,015 MY SHOTS ARE KICKIN` IN! 767 00:44:04,224 --> 00:44:06,559 HOO! EXCUSE ME? 768 00:44:06,769 --> 00:44:09,437 YES, HONEY, MY SHOTS. UM, NEVER MIND THAT. 769 00:44:09,647 --> 00:44:11,856 LET ME ASK -- WHAT DID YOU WANT TO TALK TO ME ABOUT? 770 00:44:12,066 --> 00:44:14,567 BILLY HANSON. 771 00:44:14,777 --> 00:44:17,737 NO, BILLY`S DEAD. 772 00:44:17,946 --> 00:44:20,198 CASE CLOSED. 773 00:44:20,407 --> 00:44:22,200 WAS HE YOUR BOYFRIEND? 774 00:44:22,409 --> 00:44:24,243 BILLY -- MY BOYFRIEND? 775 00:44:24,453 --> 00:44:25,995 WERE YOU TWO LOVERS? 776 00:44:26,205 --> 00:44:27,705 [ CHUCKLES ] NO, HELL NO. 777 00:44:27,915 --> 00:44:30,208 BILLY WAS WAY TOO TRASHY FOR ME, HONEY. 778 00:44:30,417 --> 00:44:31,751 I`M A LADY. 779 00:44:31,960 --> 00:44:35,713 HOWEVER, HE DID DATE MY ROOMMATE CORINNE FOR A WHILE. 780 00:44:35,923 --> 00:44:40,218 THE TWO OF THOSE HAD SOME WILD TIMES TOGETHER. 781 00:44:40,427 --> 00:44:42,261 MMM. 782 00:44:42,471 --> 00:44:44,639 MMM, THOSE ARE BEAUTIFUL. 783 00:44:44,848 --> 00:44:47,809 SO, TELL ME MORE ABOUT CORINNE. 784 00:44:48,018 --> 00:44:50,103 CORINNE`S LIKE A LOT OF GIRLS. 785 00:44:50,312 --> 00:44:53,773 SHE FOUND HERSELF ATTRACTED TO THE WRONG TYPE OF MAN. 786 00:44:53,982 --> 00:44:56,442 BILLY WAS NOT THE RIGHT TYPE OF MAN. 787 00:44:56,652 --> 00:44:58,903 SHE THOUGHT SHE COULD CHANGE HIM, 788 00:44:59,113 --> 00:45:02,865 BUT THERE WAS NO WAY OF CHANGING THAT EVIL SON OF A BITCH. 789 00:45:03,033 --> 00:45:04,909 I`D LOVE TO SPEAK TO CORINNE. 790 00:45:05,119 --> 00:45:06,828 I`D LIKE TO SPEAK TO HER, TOO, 791 00:45:07,037 --> 00:45:09,789 BUT SHE SKIPPED TOWN, OWIN` ME TWO MONTHS` RENT. 792 00:45:09,998 --> 00:45:11,999 AND BILLY SAID THAT HE WOULD PAY FOR IT, 793 00:45:12,209 --> 00:45:13,876 BUT NOW HE`S -- YOU KNOW, HE`S... 794 00:45:14,086 --> 00:45:18,339 HE`S -- BUT YOU KNOW, I`M -- 795 00:45:18,549 --> 00:45:20,133 THANK YOU. 796 00:45:20,342 --> 00:45:24,971 BUT, YOU KNOW, IT`S LIKE MY MAMA ALWAYS SAID. 797 00:45:25,180 --> 00:45:27,390 TWO TEARS IN A BUCKET. 798 00:45:27,599 --> 00:45:30,977 MOTHERFUCK IT. 799 00:45:31,186 --> 00:45:32,687 I HAVE TO REMEMBER THAT ONE. 800 00:45:32,896 --> 00:45:35,273 NO, DON`T REMEMBER THAT ONE. THAT`S OFF THE RECORD. 801 00:45:35,482 --> 00:45:38,693 ALL RIGHT. ALL RIGHT. 802 00:45:38,902 --> 00:45:40,361 OKAY. 803 00:45:42,281 --> 00:45:44,532 I`M GONNA GET YOUR DOOR FOR YOU. 804 00:45:57,588 --> 00:46:00,173 THANK YOU, HON. 805 00:46:05,012 --> 00:46:09,474 IN THE PHONE BOOK, YOU WERE LISTED AS ``F. DEVEAU.`` 806 00:46:11,852 --> 00:46:13,519 WHAT`S THE ``F`` STAND FOR? 807 00:46:13,729 --> 00:46:14,896 [ CHUCKLES ] 808 00:46:15,105 --> 00:46:18,191 THE ``F`` STANDS FOR ``FRANK,`` HON. 809 00:46:18,400 --> 00:46:20,568 THAT`S ME. 810 00:46:30,412 --> 00:46:33,247 Huhhh. 811 00:46:33,457 --> 00:46:35,875 SHE`S A HE? CORRECT. 812 00:46:36,084 --> 00:46:37,126 YOU`RE SHITTIN` ME. 813 00:46:37,336 --> 00:46:38,628 NOPE. IF THIS THING HEATS UP, 814 00:46:38,837 --> 00:46:40,922 I THINK YOU`RE GONNA WANT TO TALK TO HER, SONNY. 815 00:46:41,131 --> 00:46:42,840 PROPER FOLKS DON`T DISCUSS SUCH THINGS. 816 00:46:43,050 --> 00:46:45,426 SHE PAINTS A PRETTY ROTTEN PICTURE OF BILLY HANSON. 817 00:46:45,636 --> 00:46:47,136 LET ME TELL YOU A STORY, COACH. 818 00:46:47,346 --> 00:46:49,138 THERE WAS A JUDGE HERE YEARS AGO. 819 00:46:49,348 --> 00:46:50,932 HIS OLDEST BOY WAS MESSIN` AROUND 820 00:46:51,141 --> 00:46:52,558 WITH A GANGSTER`S GIRLFRIEND. 821 00:46:52,768 --> 00:46:53,851 MM-HMM. 822 00:46:54,061 --> 00:46:56,062 ONE MORNING, THEY FOUND HIM 823 00:46:56,271 --> 00:46:57,522 LYIN` UNDER THE PORCH, 824 00:46:57,731 --> 00:47:00,858 HIS PRIVATES TUCKED INTO HIS LAPEL. 825 00:47:01,068 --> 00:47:02,151 [ CHUCKLES ] 826 00:47:02,361 --> 00:47:04,320 DEAD MEN TELL NO TALES. 827 00:47:04,530 --> 00:47:06,572 NEXT DAY, HEADLINE READ -- 828 00:47:06,782 --> 00:47:09,492 ``FALL FROM PORCH PROVES FATAL.`` 829 00:47:09,701 --> 00:47:12,662 SOME FALL. WHAT`S YOUR POINT? 830 00:47:12,871 --> 00:47:16,290 SAVIN` FACE IN THE LIGHT OF UNPLEASANT CIRCUMSTANCES -- 831 00:47:16,500 --> 00:47:17,834 IT`S THE SAVANNAH WAY. 832 00:47:18,043 --> 00:47:20,545 I`LL TRY AND TRACK DOWN THAT REAL GIRL. 833 00:47:20,754 --> 00:47:21,838 CORINNE, YOU SAID? 834 00:47:22,047 --> 00:47:23,256 CORINNE. 835 00:47:23,465 --> 00:47:24,549 WELL, I GOT TO SKEDADDLE. 836 00:47:24,758 --> 00:47:25,883 DOIN` CHRISTMAS AT TYBEE ISLAND. 837 00:47:26,093 --> 00:47:27,885 WE GOT ALL SORTS OF FOLKS COMIN`. 838 00:47:28,095 --> 00:47:29,178 HAVE A GREAT CHRISTMAS, SONNY. 839 00:47:29,388 --> 00:47:30,555 YOU TOO, JOHN. 840 00:47:30,764 --> 00:47:32,265 SEE YOU LATER. BYE, NOW. 841 00:47:40,899 --> 00:47:45,027 Santa Claus: MERRY CHRISTMAS. 842 00:47:45,237 --> 00:47:49,574 [ "JOY TO THE WORLD" PLAYS ] 843 00:48:00,794 --> 00:48:02,753 [ BUZZING ] 844 00:48:26,612 --> 00:48:30,281 HE`S GOT `EM ON A STRING. 845 00:48:50,677 --> 00:48:53,512 LUTHER`S NOT EATIN`. 846 00:48:57,768 --> 00:48:59,435 NO. 847 00:48:59,645 --> 00:49:03,147 CHECK, PLEASE. 848 00:49:03,315 --> 00:49:05,900 WHAT`S THE MATTER, YOU DIDN`T LIKE IT? 849 00:49:06,109 --> 00:49:10,488 NO, THEY WERE VERY GOOD. THEY WERE EXCELLENT. 850 00:49:10,697 --> 00:49:12,698 WHAT WAS IN THE VIAL? 851 00:49:12,908 --> 00:49:15,242 WELL, HE SAYS IT`S ENOUGH POISON 852 00:49:15,452 --> 00:49:17,745 TO KILL EVERYBODY IN THE COUNTY. 853 00:49:17,955 --> 00:49:19,163 OH. HMM. 854 00:49:19,373 --> 00:49:21,624 IF HE EATS AND IT`S A GOOD DAY... 855 00:49:21,833 --> 00:49:23,542 FINE. 856 00:49:23,752 --> 00:49:24,877 IF HE DOESN`T EAT -- 857 00:49:25,087 --> 00:49:27,254 WELL, LET`S JUST PUT IT THIS WAY -- 858 00:49:27,464 --> 00:49:30,299 IF I WERE YOU, I WOULDN`T DRINK THE WATER TODAY. 859 00:49:30,509 --> 00:49:32,343 WHERE DOES HE PUT THE POISON? 860 00:49:32,552 --> 00:49:34,136 IN THE WATER-SUPPLY SYSTEM. 861 00:49:36,264 --> 00:49:38,140 IS THAT TRUE? DO YOU BELIEVE THAT? 862 00:49:40,352 --> 00:49:42,603 I`VE LIVED HERE A LONG TIME, HONEY. 863 00:49:42,813 --> 00:49:45,189 I BELIEVE MOST ANYTHING ABOUT ANYBODY. 864 00:49:47,359 --> 00:49:49,777 WHERE ARE WE GOING, JIM? 865 00:49:49,987 --> 00:49:51,988 PATIENCE, DEAR BOY. 866 00:49:55,617 --> 00:49:57,451 I THINK IT`S TIME YOU MEET 867 00:49:57,661 --> 00:50:00,496 THE MOST IMPORTANT MEMBER OF MY DEFENSE TEAM. 868 00:50:00,706 --> 00:50:02,623 WE GOIN` TO THE CEMETERY? 869 00:50:02,833 --> 00:50:04,125 NOT BONAVENTURE. 870 00:50:04,334 --> 00:50:07,503 THE COLORED CEMETERY`S DOWN THE ROAD. 871 00:51:07,147 --> 00:51:08,856 WELL... 872 00:51:09,066 --> 00:51:12,943 LOOKS LIKE WE GOT THE GARDEN ALL TO OURSELVES TONIGHT. 873 00:51:13,153 --> 00:51:15,321 [ CHUCKLES ] 874 00:51:15,530 --> 00:51:18,657 JOHN, MEET MINERVA. 875 00:51:18,867 --> 00:51:21,285 HOW DO YOU DO? 876 00:51:21,495 --> 00:51:24,830 YOU TRYIN` TO WORK ME, BOY? 877 00:51:25,040 --> 00:51:29,418 PUT THAT HAND BACK IN YOUR POCKET. 878 00:51:34,883 --> 00:51:38,219 I FEEL SORRY FOR YA. 879 00:51:38,428 --> 00:51:40,721 OH, DO TELL, MINERVA. 880 00:51:40,931 --> 00:51:44,308 HE THINK NOBODY LOVE HIM. 881 00:51:44,518 --> 00:51:45,935 [ CLEARS THROAT ] 882 00:51:46,144 --> 00:51:48,896 THAT`S SILLY. WE`VE NEVER MET. 883 00:51:51,316 --> 00:51:53,234 YOU GOT A HOLE IN YOU. 884 00:51:53,443 --> 00:51:54,985 TOO MANY QUESTIONS. 885 00:51:55,153 --> 00:51:57,071 DON`T KNOW WHETHER TO FEEL THIS WAY OR THAT 886 00:51:57,280 --> 00:51:58,489 WITHOUT ANSWERS. 887 00:51:58,698 --> 00:52:00,032 WELL... 888 00:52:01,535 --> 00:52:05,079 ...THERE AIN`T NO ANSWERS. 889 00:52:05,288 --> 00:52:06,914 [ LAUGHS ] 890 00:52:09,918 --> 00:52:12,711 YOU COME A LONG WAY TO FIND THAT OUT, DIDN`T YOU? 891 00:52:12,921 --> 00:52:14,421 [ LAUGHS ] 892 00:52:16,216 --> 00:52:18,259 NOW WE GOT TO GET TO WORK. YOU BRING THE MONEY? 893 00:52:18,468 --> 00:52:19,635 YEAH. 894 00:52:21,805 --> 00:52:23,305 PUT IT ON THE GRAVE. 895 00:52:25,100 --> 00:52:27,726 KISS IT FIRST, SO IT COME BACK TO YOU. 896 00:52:30,355 --> 00:52:32,731 YOU BRING THE SHINY DIMES? 897 00:52:39,364 --> 00:52:41,490 BURY `EM. 898 00:52:41,700 --> 00:52:46,036 HE`S WORKIN` HARD AGIN YOU, JAMES. 899 00:52:46,246 --> 00:52:48,372 WHO, DR. BUZZARD? 900 00:52:48,540 --> 00:52:49,623 NO. NO. 901 00:52:49,833 --> 00:52:51,917 THE BOY -- THE DEAD BOY. 902 00:52:52,127 --> 00:52:55,129 OH, BILLY. WELL, THAT DOESN`T SURPRISE US. 903 00:52:55,338 --> 00:52:56,505 Dr. Buzzard? 904 00:52:56,715 --> 00:52:59,842 DON`T GOT MUCH DEAD TIME LEFT. 905 00:53:00,051 --> 00:53:02,344 DEAD TIME? 906 00:53:02,554 --> 00:53:04,138 LASTS AN HOUR -- 907 00:53:04,347 --> 00:53:08,475 HALF-HOUR BEFORE MIDNIGHT TILL HALF PAST. 908 00:53:08,685 --> 00:53:12,104 HALF-HOUR BEFORE MIDNIGHT, FOR WORKIN` GOOD. 909 00:53:12,314 --> 00:53:14,523 HALF-HOUR AFTER, FOR EVIL. 910 00:53:14,733 --> 00:53:17,026 AND WE`RE GONNA NEED A LITTLE OF BOTH TONIGHT. 911 00:53:17,235 --> 00:53:18,986 YOU GOT THE BOTTLE OF WATER? 912 00:53:21,323 --> 00:53:23,199 AIN`T BEEN THROUGH NO PIPE? 913 00:53:23,408 --> 00:53:25,993 GIVE IT TO ME. 914 00:53:31,541 --> 00:53:36,795 WE GOT TO MAKE HIM LOOSEN UP ON JAMES. 915 00:53:39,507 --> 00:53:42,551 I NEED SHANGO... 916 00:53:42,761 --> 00:53:44,345 AND A LITTLE OGOUN. 917 00:53:49,893 --> 00:53:51,602 [ GARGLES ] 918 00:53:57,108 --> 00:53:58,776 COME. 919 00:53:58,985 --> 00:54:02,321 COME! 920 00:54:05,700 --> 00:54:08,327 TELL ME SOMETHIN` ABOUT HIM. 921 00:54:08,536 --> 00:54:10,454 HE TRIED TO KILL ME? 922 00:54:10,664 --> 00:54:14,041 NO, BEFORE THEN -- SOMETHING GOOD. 923 00:54:14,251 --> 00:54:16,293 YOUR KIND WORDS TAKE ROOT. 924 00:54:16,503 --> 00:54:19,046 LOA WILL COME BACK TO BLESS YOU. 925 00:54:19,256 --> 00:54:21,674 SOMETHING THAT MADE HIM HAPPY? 926 00:54:21,883 --> 00:54:23,384 YES. 927 00:54:25,595 --> 00:54:27,179 HIS CAMARO -- 928 00:54:27,389 --> 00:54:28,555 HE LOVED HIS CAMARO. 929 00:54:28,765 --> 00:54:30,766 HE WOULDN`T LET ANYONE NEAR IT. 930 00:54:30,976 --> 00:54:33,227 THAT CAR WAS HIS PRIDE AND JOY. 931 00:54:33,436 --> 00:54:36,188 KEEP TALKIN`. IT`S WORKIN`. IT`S WORKIN`. 932 00:54:36,398 --> 00:54:40,609 HE, UM, SPRAY-PAINTED IT FLAT BLACK. 933 00:54:40,819 --> 00:54:42,361 OH, YOU SHOULD`VE SEEN HIM. 934 00:54:42,570 --> 00:54:45,698 HE SPENT HOURS ON THAT CAR, FIXIN` IT, CLEANIN` IT. 935 00:54:45,907 --> 00:54:48,325 HE PAINTED RACING STRIPES ON IT 936 00:54:48,535 --> 00:54:51,161 AND ALL KINDS OF OTHER THINGS. 937 00:54:51,371 --> 00:54:53,038 HE WAS VERY CREATIVE. 938 00:54:53,248 --> 00:54:57,584 THAT`S SOMETHING MOST PEOPLE DIDN`T KNOW ABOUT BILLY -- 939 00:54:57,794 --> 00:55:00,004 HE WAS AN ARTIST. 940 00:55:00,213 --> 00:55:03,799 AH, JUST NOW, WHEN YOU WAS SAYIN` THEM THINGS, 941 00:55:04,009 --> 00:55:05,509 I FELT HIM EASE OFF. 942 00:55:05,719 --> 00:55:08,595 HE HEARD YOU SAY YOU LOVE HIM. 943 00:55:08,805 --> 00:55:11,849 NO, THAT -- THAT`S PREPOSTEROUS. 944 00:55:12,017 --> 00:55:13,892 HE TRIED TO KILL ME. 945 00:55:16,229 --> 00:55:18,772 HE WAS WORKIN` AGIN YOU, JAMES, AND NOW I KNOW WHY. 946 00:55:18,982 --> 00:55:22,192 HE WANTS YOU TO TELL THE WHOLE WORLD YOU HATED HIM. 947 00:55:22,402 --> 00:55:23,736 AND MAYBE THEY`D THINK 948 00:55:23,945 --> 00:55:26,071 YOU HATE HIM ENOUGH TO KILL HIM! 949 00:55:26,281 --> 00:55:28,907 IF YOU DO THAT, YOU GO TO JAIL, 950 00:55:29,117 --> 00:55:31,702 AND HE KNOW THAT. 951 00:55:31,911 --> 00:55:33,871 MOST IMPORTANT THING -- 952 00:55:34,080 --> 00:55:37,416 YOU GOT TO BEG THAT BOY`S FORGIVENESS 953 00:55:37,625 --> 00:55:39,251 EACH AND EVERY DAY! 954 00:55:39,461 --> 00:55:43,172 [ CLOCK CHIMES MIDNIGHT ] 955 00:55:45,216 --> 00:55:48,677 TIME FOR EVIL. 956 00:55:52,182 --> 00:55:54,725 QUICK, QUICK! TELL ME HIS NAME. 957 00:55:54,934 --> 00:55:56,894 FINLEY LARGENT. 958 00:55:57,062 --> 00:55:58,395 WHEN YOU GET HOME, 959 00:55:58,605 --> 00:56:02,066 WRITE HIS NAME SEVEN TIMES ON A PIECE OF PAPER. 960 00:56:02,275 --> 00:56:04,401 CONNECT ALL THE NAMES INTO ONE. 961 00:56:04,611 --> 00:56:06,737 DOT NO I`S, CROSS NO T`S. 962 00:56:06,946 --> 00:56:09,406 FOLD IT TWICE AND PUT IT IN YOUR POCKET. 963 00:56:13,286 --> 00:56:15,162 GET A PICTURE. 964 00:56:15,372 --> 00:56:18,207 SEW UP THE MOUTH WITH DOVE`S BLOOD. 965 00:56:18,416 --> 00:56:19,708 BLACKEN THE EYES. 966 00:56:19,918 --> 00:56:21,293 NOW, GO. I GOT WORK. 967 00:56:25,882 --> 00:56:27,758 BOY... 968 00:56:27,967 --> 00:56:30,010 TAKE THESE WORDS TO HEART -- 969 00:56:31,638 --> 00:56:33,972 TO UNDERSTAND THE LIVING... 970 00:56:34,182 --> 00:56:37,267 YOU GOT TO COMMUNE WITH THE DEAD. 971 00:56:38,895 --> 00:56:41,688 NOW GO... 972 00:56:41,898 --> 00:56:44,108 AND DON`T YOU DARE LOOK BACK. 973 00:56:53,576 --> 00:56:56,412 [ MINERVA CHANTING ] 974 00:57:12,679 --> 00:57:15,013 UH, JIM... 975 00:57:15,223 --> 00:57:18,016 ON THE GRAVE, WHO -- WHO IS DR. BUZZARD? 976 00:57:18,226 --> 00:57:21,103 WELL, MINERVA WAS MARRIED TO DR. BUZZARD, 977 00:57:21,312 --> 00:57:23,063 WHO WAS THE FOREMOST VOODOO PRACTITIONER 978 00:57:23,273 --> 00:57:24,356 IN BUFORD COUNTY. 979 00:57:24,566 --> 00:57:25,816 YOU MAY NOT KNOW IT, 980 00:57:26,025 --> 00:57:27,943 BUT YOU ARE DEEP IN VOODOO COUNTRY. 981 00:57:28,153 --> 00:57:30,737 I DON`T GIVE MUCH STOCK TO THE HOCUS-POCUS OF IT, 982 00:57:30,947 --> 00:57:32,072 BUT I DO BELIEVE 983 00:57:32,282 --> 00:57:33,866 IN THE SPIRITUAL FORCE BEHIND IT. 984 00:57:34,075 --> 00:57:36,994 THE, UM, SHINY DIMES WERE EASY, 985 00:57:37,162 --> 00:57:40,789 BUT THE VIRGIN WATER WAS A TRICK OR TWO. 986 00:57:40,999 --> 00:57:42,374 HOW DO YOU KNOW 987 00:57:42,584 --> 00:57:44,209 SHE WOULDN`T KNOW THE DIFFERENCE IF IT WAS TAP WATER? 988 00:57:44,419 --> 00:57:47,588 NOT BY LOOKIN` OR TASTE, BUT SHE WOULD HAVE KNOWN 989 00:57:47,797 --> 00:57:50,466 IN AN INSTANT, JUST LOOKIN` AT MY FACE. 990 00:57:55,221 --> 00:57:57,681 I THINK THE, UH, PHOTO DOCTORIN` 991 00:57:57,891 --> 00:58:01,602 IS GONNA BE GOOD THERAPY. 992 00:58:01,811 --> 00:58:05,022 WHAT ABOUT THE PLEAS FOR DAILY FORGIVENESS? 993 00:58:05,231 --> 00:58:08,859 NO, I DON`T THINK THAT`S GONNA BE HAPPENING -- 994 00:58:09,068 --> 00:58:10,319 DEFINITELY NOT. 995 00:58:17,744 --> 00:58:20,037 ALL RIGHT. YOU HAVE A GOOD TIME. THANK YOU. 996 00:58:20,246 --> 00:58:21,371 HEY! HI. 997 00:58:21,581 --> 00:58:22,623 HEY, YOU. HOW ARE YOU? 998 00:58:22,832 --> 00:58:24,833 HOW YOU DOIN`? GOOD. 999 00:58:25,043 --> 00:58:26,084 YOU WORK HERE? 1000 00:58:26,294 --> 00:58:28,587 WHAT YOU SEE IS WHAT YOU GET. 1001 00:58:28,796 --> 00:58:31,590 NOTHING WRONG WITH THAT. GEE, THANKS. 1002 00:58:31,799 --> 00:58:33,759 [ BELLS JINGLE ] 1003 00:58:47,065 --> 00:58:48,649 HI. 1004 00:58:50,610 --> 00:58:52,110 THOSE ARE NICE. 1005 00:58:52,320 --> 00:58:54,655 SO, YOU WANT TO SEND SOME FLOWERS? 1006 00:58:54,864 --> 00:58:57,866 YEAH. YEAH, I THINK SO. I DON`T KNOW, THOUGH. 1007 00:58:58,076 --> 00:59:00,494 IT`S KIND OF COMPLICATED, YOU KNOW. 1008 00:59:00,703 --> 00:59:02,162 FOR WHOM? 1009 00:59:02,372 --> 00:59:03,413 WHAT`S SHE LIKE? 1010 00:59:03,623 --> 00:59:06,041 I DON`T KNOW HER THAT WELL YET, ACTUALLY. 1011 00:59:06,251 --> 00:59:07,543 ROSES ARE HER FAVORITE? 1012 00:59:07,752 --> 00:59:09,878 A BIT PRESUMPTUOUS. 1013 00:59:10,088 --> 00:59:12,673 HOW ABOUT...POINSETTIAS? 1014 00:59:12,882 --> 00:59:15,259 YEAH, BUT PERENNIALS MIGHT GIVE THE WRONG IMPRESSION. 1015 00:59:15,468 --> 00:59:16,593 TOO LONG-TERM? 1016 00:59:16,803 --> 00:59:18,512 YEAH, IT`S HARD TO SAY. 1017 00:59:18,721 --> 00:59:20,597 HMM. THIS IS COMPLICATED. 1018 00:59:20,807 --> 00:59:22,224 YEAH. 1019 00:59:22,433 --> 00:59:23,684 HOW ABOUT PETUNIAS? 1020 00:59:23,893 --> 00:59:26,478 THEY`RE PRETTY WITHOUT BEING PRESUMPTUOUS. 1021 00:59:26,688 --> 00:59:27,854 THEY SMELL NICE. 1022 00:59:28,064 --> 00:59:30,440 IN THREE DAYS, YOU JUST THROW `EM OUT. 1023 00:59:30,608 --> 00:59:32,901 SOUND LIKE WHAT YOU`RE LOOKIN` FOR? 1024 00:59:36,990 --> 00:59:39,324 SORRY, WE`RE ALL OUT OF PETUNIAS. 1025 00:59:47,375 --> 00:59:49,042 [ ENGINE SPUTTERS ] 1026 00:59:49,252 --> 00:59:53,088 Joe: MM-HMM. COME ON, GET UP, LOUIS, GET UP. 1027 00:59:55,133 --> 00:59:56,300 GET ON UP. 1028 00:59:56,509 --> 00:59:59,761 WHOA! AFTERNOON, YANKEE JOHN. 1029 00:59:59,971 --> 01:00:00,971 JOE! 1030 01:00:01,180 --> 01:00:04,349 THAT SOUNDS LIKE A DEAD BATTERY. 1031 01:00:04,559 --> 01:00:07,686 YEAH. 1032 01:00:07,895 --> 01:00:10,731 OH, UH, WOMAN THAT OWNS THE TOUR COMPANY 1033 01:00:10,940 --> 01:00:12,024 REAR-ENDED ME... 1034 01:00:12,233 --> 01:00:13,734 SO TO SPEAK. 1035 01:00:13,943 --> 01:00:15,277 SO, WHERE ARE WE HEADED? 1036 01:00:15,486 --> 01:00:19,072 HOW ABOUT A LITTLE LIVE ENTERTAINMENT? 1037 01:00:19,282 --> 01:00:20,449 WELL, ALL RIGHT. 1038 01:00:20,617 --> 01:00:24,328 GET OFF, LOUIS. THAT`S A GOOD HORSE. 1039 01:00:24,537 --> 01:00:25,787 ChabliS: HEY, BITCH. 1040 01:00:25,997 --> 01:00:27,372 HEY, BITCH! HEY, BITCH! HEY, BITCH! 1041 01:00:27,582 --> 01:00:29,958 OH, COME ON, LET THE HOUSE SAY IT LIKE YOU MEAN IT. 1042 01:00:30,168 --> 01:00:31,793 LET THE HOUSE SAY, ``HEY, BITCH.`` 1043 01:00:32,003 --> 01:00:34,212 HEY, BITCH! 1044 01:00:34,422 --> 01:00:36,548 YES, I AM A BITCH AND PROUD OF IT, HONEY. 1045 01:00:36,758 --> 01:00:38,800 WHOO, MAMA IS JUST SWEATIN`. 1046 01:00:39,010 --> 01:00:41,136 I`M PUTTIN` A SWEATIN` DOWN IN FRONT OF YOU WHITE FOLKS. 1047 01:00:41,346 --> 01:00:43,221 BUT THEN AGAIN, I WANT Y`ALL TO KNOW 1048 01:00:43,431 --> 01:00:45,140 HOW HARD A GIRL IS WORKIN` FOR YOU, BABY. 1049 01:00:45,350 --> 01:00:46,600 EXCUSE ME, DARLIN`. 1050 01:00:46,809 --> 01:00:49,019 [ CLEARS THROAT ] EXCUSE ME. 1051 01:00:49,228 --> 01:00:50,604 EXCUSE ME. 1052 01:00:50,813 --> 01:00:52,314 OH, MY GOD. 1053 01:00:52,523 --> 01:00:53,940 ``OH, MY GOD`` NOTHING, HONEY. 1054 01:00:54,150 --> 01:00:56,360 ``OH, MY EMPRESS`` IS WHAT YOU SHOULD SAY. 1055 01:00:56,569 --> 01:00:59,404 Y`ALL BEEN NECKIN` SINCE I WALKED OUT ON STAGE, HONEY. 1056 01:00:59,614 --> 01:01:02,199 LOOK, AN IVORY SOAP-USIN` GIRL, HUH? 1057 01:01:02,367 --> 01:01:04,493 LOVE THEM KIND OF BITCHES, BABY. 1058 01:01:04,702 --> 01:01:06,745 EITHER HE GOT SOME GOOD OLD STUFF, GIRL, 1059 01:01:06,954 --> 01:01:08,288 OR YOU`RE HORNY AS HELL. 1060 01:01:08,498 --> 01:01:09,831 [ LAUGHTER ] 1061 01:01:10,041 --> 01:01:11,500 WHOO-HOO! 1062 01:01:11,709 --> 01:01:13,543 IF THIS YOUR BOYFRIEND, YOUR HUSBAND? 1063 01:01:13,753 --> 01:01:15,337 HUSBAND. 1064 01:01:15,546 --> 01:01:17,297 WHAT DOES MR. MAN DO FOR A LIVIN`? 1065 01:01:17,507 --> 01:01:19,299 HE`S A DOCTOR. 1066 01:01:19,509 --> 01:01:20,759 HE`S A DOCTOR? 1067 01:01:20,968 --> 01:01:22,803 GIRL, YOU BETTER GO USE SOME NAILS, HONEY, 1068 01:01:23,012 --> 01:01:25,389 BECAUSE IF HE`S A GYNECOLOGIST, HE IS MINE. 1069 01:01:25,598 --> 01:01:27,683 I`M SERIOUS, HONEY. 1070 01:01:27,892 --> 01:01:29,184 HE IS MINE. A DOCTOR? 1071 01:01:29,394 --> 01:01:30,894 GO GET YOUR NAILS, HONEY, 1072 01:01:31,104 --> 01:01:33,730 `CAUSE I`M GONNA TAKE HIM AWAY FROM YOU. 1073 01:01:33,940 --> 01:01:36,066 [ LAUGHTER ] 1074 01:01:36,275 --> 01:01:39,403 LOOK AT HlM JUST BLUSHIN`. YOU`RE SO CUTE! 1075 01:01:39,612 --> 01:01:41,238 YOU WANT TO GIVE ME A PHYSICAL? 1076 01:01:41,447 --> 01:01:42,489 [ LAUGHTER ] 1077 01:01:42,699 --> 01:01:46,368 HUH? I HAVE NOTHING TO HIDE. 1078 01:01:46,577 --> 01:01:48,286 [ LAUGHTER ] 1079 01:01:48,496 --> 01:01:50,038 [ APPLAUSE ] 1080 01:01:50,248 --> 01:01:52,666 YOU BETTER HAVE AMERICAN EXPRESS, BABY. 1081 01:01:52,875 --> 01:01:54,251 WHOO! BUT YOU KNOW WHAT? 1082 01:01:54,460 --> 01:01:56,420 THAT`S OKAY ABOUT HIM. BECAUSE YOU KNOW WHAT? 1083 01:01:56,629 --> 01:01:58,380 THE DOLL HAS ALREADY GOT SOME WHITE BOY 1084 01:01:58,589 --> 01:02:00,716 RUNNIN` AFTER HER GOOD OLD, GOOD OLD STUFF, BABY. 1085 01:02:00,925 --> 01:02:03,677 SPOTLIGHT -- SHINE THE SPOTLIGHT OVER THERE. 1086 01:02:03,886 --> 01:02:07,055 YOU SEE THAT FINE WHITE MALE? YEAH, THAT ONE, RIGHT THERE. 1087 01:02:07,265 --> 01:02:09,599 BABY, HE HAS BEEN RUNNIN` THE DOLL 1088 01:02:09,809 --> 01:02:12,728 ALL AROUND SAVANNAH, TRYIN` TO GET SOME, HONEY. 1089 01:02:12,937 --> 01:02:16,273 FIRST DAY I MET HIM, HONEY, HE BROUGHT THE GIRL ROSES. 1090 01:02:16,482 --> 01:02:18,024 BUT THEN AGAIN, AS YOU WELL KNOW, HONEY, 1091 01:02:18,234 --> 01:02:20,360 AIN`T NOTHIN` TOO GOOD FOR THE DOLL. 1092 01:02:20,570 --> 01:02:23,113 AIN`T NOTHIN` TOO GOOD FOR THE LADY, HONEY. 1093 01:02:23,322 --> 01:02:24,614 I AM SERIOUS ABOUT THAT. 1094 01:02:24,824 --> 01:02:26,491 IF I CATCH ANY OF YOU BITCHES 1095 01:02:26,701 --> 01:02:29,161 NEAR HIM, HONEY, I WANT YOU TO KNOW 1096 01:02:29,370 --> 01:02:32,664 YOU`RE GONNA HAVE TO DEAL WITH THE LADY CHABLIS, 1097 01:02:32,874 --> 01:02:36,793 THE DOLL, THE GRAND EMPRESS, AND MY MOTHERFUCKIN` ICE PICK. 1098 01:02:37,003 --> 01:02:39,254 SO KEEP YOUR HANDS OFF OF THAT ONE, OKAY? 1099 01:02:39,464 --> 01:02:41,465 HELLO! 1100 01:02:41,674 --> 01:02:42,841 ChabliS: HEY, HON. 1101 01:02:43,050 --> 01:02:44,217 HOW ARE YOU, DOLL? 1102 01:02:44,427 --> 01:02:46,887 I`M FINE. WHO IS THAT HANDSOME MAN? 1103 01:02:47,096 --> 01:02:48,638 JOE ODOM. 1104 01:02:48,848 --> 01:02:50,307 VERY PLEASED TO MEET YOU. 1105 01:02:50,516 --> 01:02:52,017 MY PLEASURE. WE MET BEFORE. 1106 01:02:52,226 --> 01:02:54,102 WE -- WE SLEPT TOGETHER ONE NIGHT. 1107 01:02:54,312 --> 01:02:56,438 BABY, YOU`RE GONNA HAVE TO NARROW IT DOWN FOR THE DOLL 1108 01:02:56,647 --> 01:02:57,981 A LITTLE BIT MORE, 1109 01:02:58,191 --> 01:03:00,901 BECAUSE THERE ARE CERTAIN NIGHTS I CANNOT REMEMBER. 1110 01:03:01,110 --> 01:03:02,778 THAT`S ANOTHER TALE FOR ANOTHER TIME. 1111 01:03:02,987 --> 01:03:04,821 MY ICE CUBES ARE GETTIN` A LITTLE BIT DRY. 1112 01:03:05,031 --> 01:03:06,198 I`LL LEAVE YOU TWO ALONE. MA`AM. 1113 01:03:06,407 --> 01:03:07,908 THANK YOU, SIR. 1114 01:03:08,117 --> 01:03:10,994 I WILL TALK TO YOU LATER, YOU SENTIMENTAL GENTLEMAN, YOU. 1115 01:03:11,204 --> 01:03:12,245 HURRY BACK. 1116 01:03:12,455 --> 01:03:13,497 DON`T LET HIM HURRY BACK. 1117 01:03:13,706 --> 01:03:15,248 I NEED TO SPEND SOME TIME WITH YOU. 1118 01:03:15,458 --> 01:03:16,583 HOW ARE YOU? 1119 01:03:16,793 --> 01:03:18,877 I`M FINE, HONEY. STILL HIDIN` MY CANDY. 1120 01:03:19,086 --> 01:03:20,921 YOU WANT ME TO UNWRAP IT FOR YOU? 1121 01:03:21,130 --> 01:03:24,049 NO, YOU DON`T HAVE TO SHOW ME YOUR CANDY. YOU SURE? 1122 01:03:24,258 --> 01:03:26,551 NOT NOW -- I MEAN, NOT EVER. IT`S A SMALL LITTLE WRAPPER. 1123 01:03:26,761 --> 01:03:27,969 LIKE A LITTLE TOOTSIE ROLL WRAPPER. 1124 01:03:28,179 --> 01:03:29,679 NO. SOME PEOPLE DON`T NEED TO SEE CANDY. 1125 01:03:29,889 --> 01:03:31,890 OKAY. OKAY, THAT`S FINE. 1126 01:03:32,099 --> 01:03:34,559 OH, BUT I GOT SOMETHING TO TELL YOU. 1127 01:03:34,769 --> 01:03:36,812 I HAVE SOMETHING TO TELL YOU. 1128 01:03:37,021 --> 01:03:38,647 I HAVE BOYFRIEND NUMBER FOUR. 1129 01:03:38,856 --> 01:03:40,148 REALLY? 1130 01:03:40,358 --> 01:03:44,611 YES. A TALL, BLOND HUNK OF A HUNK OF MAN. 1131 01:03:44,821 --> 01:03:48,406 HE`S A MECHANIC, AND HE WORKS OVER THERE ON ABERCORN STREET. 1132 01:03:48,616 --> 01:03:49,866 I KNOW WHERE THAT IS. 1133 01:03:50,076 --> 01:03:51,409 TREATS ME LIKE A QUEEN. 1134 01:03:51,619 --> 01:03:53,870 NO PUN INTENDED -- NONE WHATSOEVER. 1135 01:03:54,080 --> 01:03:57,415 BUT YOU MUST PROMISE ME, IF YOU SHOULD EVER MEET HIM -- 1136 01:03:57,625 --> 01:03:59,084 WHICH I DOUBT YOU WILL -- 1137 01:03:59,293 --> 01:04:01,962 YOU MUST NEVER TELL MY ``T.`` HE HAS NO IDEA. 1138 01:04:02,171 --> 01:04:03,755 YOUR ``T``? 1139 01:04:03,965 --> 01:04:05,966 YOU KNOW WHAT I`M TALKIN` ABOUT. MY ``T,`` MY TRUTH. OH. 1140 01:04:06,175 --> 01:04:07,801 THE HIDE-MY-CANDY THING. 1141 01:04:08,010 --> 01:04:10,178 HE DOESN`T KNOW, SO YOU MUSTN`T SAY ANYTHING 1142 01:04:10,388 --> 01:04:12,138 IF YOU SHOULD EVER MEET HIM, OKAY? 1143 01:04:12,348 --> 01:04:13,807 PROMISE ME YOU WON`T. 1144 01:04:14,016 --> 01:04:15,725 DON`T YOU THINK HE`S GONNA FIND OUT? 1145 01:04:15,893 --> 01:04:18,311 WHEN I`M READY FOR HIM TO FIND OUT, HE`LL FIND OUT. 1146 01:04:18,521 --> 01:04:20,814 JUST LIKE WHEN I WAS READY FOR YOU TO FIND OUT -- 1147 01:04:21,023 --> 01:04:22,732 BUT I WASN`T LOOKING FOR YOUR CANDY. 1148 01:04:22,942 --> 01:04:24,943 NO. BUT YOU WAS KIND OF LIKE SMELLIN` FOR IT. 1149 01:04:25,152 --> 01:04:27,404 I DID NOT SMELL YOUR CANDY. WELL, WHY ARE YOU HERE? 1150 01:04:27,572 --> 01:04:28,822 I WANT TO INTERVIEW YOU. 1151 01:04:29,031 --> 01:04:30,323 AND I ENJOYED YOUR SHOW. 1152 01:04:30,533 --> 01:04:32,868 WELL, THANK YOU. YOU STILL WANT TO INTERVIEW ME? 1153 01:04:33,077 --> 01:04:34,828 YES, VERY MUCH SO. 1154 01:04:45,006 --> 01:04:48,508 SONNY! SONNY! 1155 01:04:48,718 --> 01:04:51,428 HEY, SONNY! WHAT HAPPENED? 1156 01:04:51,637 --> 01:04:53,805 GRAND JURY`S INDICTED -- MURDER ONE. 1157 01:04:54,015 --> 01:04:56,892 THEY`RE TRYIN` TO PUT OUR FRIEND AWAY FOR LIFE. 1158 01:05:02,940 --> 01:05:04,524 YOUR HONOR, THE COMMUNITY 1159 01:05:04,734 --> 01:05:07,569 THAT PUT US BOTH IN THE POSITIONS WE NOW HOLD 1160 01:05:07,778 --> 01:05:10,322 WOULD BE LESS THAN PLEASED WITH AN ORDER 1161 01:05:10,531 --> 01:05:12,198 ALLOWING A WEALTHY DEFENDANT 1162 01:05:12,408 --> 01:05:15,076 IN A FIRST-DEGREE MURDER CASE BAIL. 1163 01:05:15,286 --> 01:05:17,120 AND THEY`D BE RIGHT. 1164 01:05:21,042 --> 01:05:22,542 ALL RIGHT, GENTLEMEN, 1165 01:05:22,752 --> 01:05:25,921 I HAVE LISTENED CAREFULLY TO THESE ARGUMENTS. 1166 01:05:26,130 --> 01:05:29,591 MR. WILLIAMS IS CHARGED WITH A VERY VIOLENT CRIME. 1167 01:05:29,800 --> 01:05:32,552 AND, MR. SEILER, I CAN`T GRANT BAIL 1168 01:05:32,762 --> 01:05:34,262 UNDER THESE CIRCUMSTANCES... 1169 01:05:34,472 --> 01:05:35,805 [ CROWD MURMURING ] 1170 01:05:35,973 --> 01:05:38,934 ...BUT I WILL PUT THIS CASE ON A FAST TRACK 1171 01:05:39,143 --> 01:05:40,268 FOR A SPEEDY TRIAL. 1172 01:05:40,478 --> 01:05:41,895 THAT`S ALL. 1173 01:05:44,440 --> 01:05:45,982 THAT`S A DEAD STOP. 1174 01:05:54,784 --> 01:05:56,242 WELL, SPORT, 1175 01:05:56,452 --> 01:05:58,828 LOOKS LIKE THERE MIGHT BE A BOOK IN THIS, AFTER ALL. 1176 01:06:06,003 --> 01:06:09,714 DOES HE HAVE ANY IDEA HOW SERIOUS THIS IS? 1177 01:06:09,924 --> 01:06:12,050 YOU KNOW IT AND I KNOW IT, 1178 01:06:12,259 --> 01:06:15,887 AND AFTER TONIGHT, DAMN HELL, SO WILL HE. 1179 01:06:26,357 --> 01:06:27,816 WHAT IS IT? 1180 01:06:28,025 --> 01:06:29,776 YOU TOLD SONNY THAT I HEARD BILLY THREATEN YOU 1181 01:06:29,986 --> 01:06:31,069 THE NIGHT YOU SHOT HIM. 1182 01:06:31,278 --> 01:06:32,946 YES. 1183 01:06:33,155 --> 01:06:35,198 I HEARD YOU THREATEN HIM, TOO. IF I`M CALLED TO TESTIFY -- 1184 01:06:35,408 --> 01:06:37,784 I DIDN`T THREATEN BILLY, I WARNED HIM. 1185 01:06:37,994 --> 01:06:41,121 HE HAD A HISTORY OF VIOLENCE, HE WAS DRUNK AND HIGH, 1186 01:06:41,330 --> 01:06:44,332 AND WHILE TRESPASSING, HE PROFANELY DEMANDED MONEY 1187 01:06:44,542 --> 01:06:47,127 AND BRANDISHED A BROKEN BOTTLE IN MY FACE. 1188 01:06:47,336 --> 01:06:49,546 IS THAT NOT YOUR RECOLLECTION AS WELL? 1189 01:06:49,755 --> 01:06:51,089 MORE OR LESS. 1190 01:06:51,298 --> 01:06:53,758 WELL, THEN YOUR TESTIMONY CAN ONLY HELP ME. 1191 01:06:56,804 --> 01:06:59,514 WHAT WAS lT BETWEEN THE TWO OF YOU, JIM? 1192 01:07:01,308 --> 01:07:04,352 WE CAN TURN THIS OFF. 1193 01:07:04,562 --> 01:07:07,522 I DON`T MIND THAT. 1194 01:07:12,361 --> 01:07:14,320 WAS IT JUST SEX? 1195 01:07:14,530 --> 01:07:16,990 TELL ME ABOUT THE NATURE OF THE RELATIONSHIP. 1196 01:07:22,747 --> 01:07:25,498 BILLY AND I HAD A BOND. 1197 01:07:25,708 --> 01:07:27,125 THAT`S NOT SOMETHING 1198 01:07:27,334 --> 01:07:30,170 THAT THEY`RE EVER GOING TO UNDERSTAND. 1199 01:07:30,379 --> 01:07:32,047 THEY`LL JUST SEE THE SEX 1200 01:07:32,256 --> 01:07:34,758 AND THE AGE DIFFERENCE. 1201 01:07:34,967 --> 01:07:39,095 BUT BILLY WAS GOING TO MAKE SOMETHING OF HIMSELF. 1202 01:07:39,305 --> 01:07:42,640 GREAT THINGS, GREAT PEOPLE... 1203 01:07:42,850 --> 01:07:46,936 CAN COME FROM HUMBLE BEGINNINGS. 1204 01:07:47,146 --> 01:07:49,189 HE NEEDED WHAT I GAVE HIM... 1205 01:07:51,067 --> 01:07:53,359 ...AND I NEEDED WHAT HE GAVE ME. 1206 01:07:55,321 --> 01:07:58,656 NOW, DO YOU WISH TO PASS JUDGMENT ON THAT? 1207 01:07:58,866 --> 01:08:01,826 NO. 1208 01:08:02,036 --> 01:08:05,330 I`M INNOCENT, JOHN. 1209 01:08:05,539 --> 01:08:08,083 IT`S IMPORTANT THAT YOU BELIEVE THAT. 1210 01:08:08,292 --> 01:08:10,960 DO YOU BELIEVE THAT? 1211 01:08:13,047 --> 01:08:14,589 YES, I DO. 1212 01:08:17,551 --> 01:08:18,760 I`M HAVING TROUBLE 1213 01:08:18,969 --> 01:08:21,846 GETTING ANYONE TO TALK TO ME OUT THERE, JIM. 1214 01:08:22,056 --> 01:08:24,682 I`LL MAKE SOME ARRANGEMENTS. 1215 01:08:24,892 --> 01:08:26,434 OH, AND TOMORROW WHEN YOU COME, 1216 01:08:26,644 --> 01:08:29,104 CAN YOU BRING THE SOTHEBY`S AND CHRISTIE`S CATALOGS? 1217 01:08:29,313 --> 01:08:30,897 THEY SERVE DINNER HERE AT 7:00, 1218 01:08:31,107 --> 01:08:32,857 SO THAT`S WHEN WE`LL MAKE OUR CALLS. 1219 01:08:33,067 --> 01:08:34,192 OKAY. 1220 01:08:34,401 --> 01:08:35,902 OUR CALLS? 1221 01:08:39,949 --> 01:08:42,283 [ RINGS ] 1222 01:08:42,493 --> 01:08:45,161 HELLO? 1223 01:08:45,371 --> 01:08:49,124 YES, ACCEPT THE CHARGES, OPERATOR. 1224 01:08:49,333 --> 01:08:51,751 JIM, HOW ARE YOU? 1225 01:08:51,961 --> 01:08:53,294 ALL RIGHT, SPORT, 1226 01:08:53,504 --> 01:08:56,214 LET`S GIVE THIS A TRY, SHALL WE? 1227 01:08:56,423 --> 01:08:59,175 ALL RIGHT, LET`S SEE IF WE CAN GET THIS TO WORK. 1228 01:09:06,642 --> 01:09:08,935 [ GRUNTS, SNIFFS ] 1229 01:09:13,149 --> 01:09:14,357 [ RingS ] 1230 01:09:14,525 --> 01:09:15,900 ALL RIGHT, IT`S RINGING. 1231 01:09:16,110 --> 01:09:17,443 [ SNIFFING ] 1232 01:09:17,653 --> 01:09:20,113 HELLO, UH, JIM WILLIAMS CALLING 1233 01:09:20,322 --> 01:09:23,241 FOR A GEZA VON HABSBURG. 1234 01:09:23,450 --> 01:09:27,954 THANK YOU. 1235 01:09:28,164 --> 01:09:29,330 HELLO? 1236 01:09:29,498 --> 01:09:31,666 UH, GEZA... 1237 01:09:31,876 --> 01:09:35,128 JAMES! HOW NICE OF YOU TO CALL. 1238 01:09:35,337 --> 01:09:38,756 UH, WOULD YOU BE INTERESTED IN MY MAXIMILIAN DESK? 1239 01:09:38,966 --> 01:09:40,925 [ HOWLING ] 1240 01:09:41,135 --> 01:09:43,261 Someone please ask him to be quiet! 1241 01:09:43,470 --> 01:09:46,347 [ Howling ] 1242 01:09:46,557 --> 01:09:49,517 IT SOUNDS LIKE YOUR DOG DOESN`T WANT TO SELL. 1243 01:09:49,727 --> 01:09:50,810 WHAT`S HIS BREED? 1244 01:09:51,020 --> 01:09:52,103 [ Growling ] 1245 01:09:52,313 --> 01:09:55,398 UH, THAT`S, UH, RUSSIAN WOLFHOUND. 1246 01:09:55,608 --> 01:09:58,401 SOUNDS MORE LIKE A SHAR-PEI. 1247 01:09:58,611 --> 01:10:01,946 UH, NO, NO, THAT`S MY, UH, YORKIE. 1248 01:10:02,156 --> 01:10:03,656 [ GROWLING CONTINUES ] 1249 01:10:03,866 --> 01:10:04,866 [ Growling ] 1250 01:10:05,075 --> 01:10:08,119 [ YELPING AND GROWLING ] 1251 01:10:08,329 --> 01:10:12,332 WILL SOMEONE PLEASE PUT THE DOGS IN THE GARDEN?! 1252 01:10:12,541 --> 01:10:14,542 I`LL TAKE CARE OF THE DOGS FOR YOU. 1253 01:10:14,752 --> 01:10:16,085 [ BARKING ] 1254 01:10:16,253 --> 01:10:20,840 NOW, UH, GEZA, YOU KNOW I`LL WANT TOP DOLLAR. 1255 01:10:21,050 --> 01:10:23,051 AS ALWAYS. 1256 01:10:23,260 --> 01:10:24,510 Man: Shut up! 1257 01:10:24,720 --> 01:10:26,095 [ CLATTERING ] SHUT UP! 1258 01:10:26,263 --> 01:10:27,931 SHUT UP! 1259 01:10:33,604 --> 01:10:37,106 [ INDISTINCT CONVERSATIONS ] 1260 01:10:58,545 --> 01:11:01,339 HELLO. 1261 01:11:01,548 --> 01:11:02,840 HI. 1262 01:11:10,474 --> 01:11:13,226 EXCUSE ME. IS THIS THE MARRIED WOMEN`S CARD CLUB? 1263 01:11:13,435 --> 01:11:15,103 YES. 1264 01:11:17,856 --> 01:11:19,857 IS ANYBODY GONNA RING THE DOORBELL? 1265 01:11:20,067 --> 01:11:21,359 OH, HEAVENS NO. 1266 01:11:21,568 --> 01:11:23,111 WE HAVE VERY STRICT RULES. 1267 01:11:23,320 --> 01:11:25,321 THE DOOR OPENS PRECISELY AT 4:00. 1268 01:11:27,616 --> 01:11:29,409 WELL... 1269 01:11:29,618 --> 01:11:31,244 YOU ALL LOOK LOVELY. 1270 01:11:31,453 --> 01:11:36,332 ACTUALLY, JIM SUGGESTED THAT I INTRODUCE YOU AROUND. 1271 01:11:36,542 --> 01:11:39,294 BUT IF WE COULD JUST KEEP THAT BETWEEN US... 1272 01:11:39,503 --> 01:11:40,545 SURE, SURE. GOOD. 1273 01:11:40,754 --> 01:11:42,714 WHY? JUST A MINUTE. 1274 01:11:42,923 --> 01:11:45,216 EVERYTHING ALL RIGHT, LADIES? 1275 01:11:45,426 --> 01:11:47,510 GOOD. 1276 01:11:47,720 --> 01:11:50,471 JIM WAS A TRUE FRIEND TO ME OVER THESE YEARS. 1277 01:11:50,681 --> 01:11:53,725 BUT MOST OF THESE LADIES ARE STILL TRYING TO DECIDE 1278 01:11:53,934 --> 01:11:56,936 HOW THEY`LL RESPOND TO THIS CURRENT...PREDICAMENT. 1279 01:11:57,146 --> 01:12:00,398 YOU KNOW, THE INCIDENT. 1280 01:12:00,607 --> 01:12:02,608 IF YOU`LL EXCUSE ME, I HAVE WORK TO DO IN THE KITCHEN. 1281 01:12:02,818 --> 01:12:05,028 BUT IF YOU`D LIKE TO TAKE A SEAT... I DON`T PLAY BRIDGE. 1282 01:12:05,237 --> 01:12:08,239 OH, I DON`T MEAN PLAY. MEN AREN`T ALLOWED. 1283 01:12:08,449 --> 01:12:10,825 ESPECIALLY SINGLE MEN. 1284 01:12:11,035 --> 01:12:12,577 BUT, UH, YOU COULD SIT DOWN AND WAIT, 1285 01:12:12,786 --> 01:12:13,953 AND I`LL BE RIGHT BACK. 1286 01:12:14,163 --> 01:12:15,455 THANK YOU. 1287 01:12:18,625 --> 01:12:20,543 Woman: ISN`T IS THE SAME AS MURDER. 1288 01:12:20,753 --> 01:12:21,794 WHAT`S THE TRUMP? 1289 01:12:22,004 --> 01:12:23,796 Woman #2: FIFTH CLUBS. 1290 01:12:24,006 --> 01:12:27,717 IT WAS A CRIME PASSIONNEL, A LOVERS` QUARREL. 1291 01:12:27,926 --> 01:12:29,010 THAT MAY BE, BUT I GATHER 1292 01:12:29,219 --> 01:12:30,470 IT`S GOING TO BE RATHER STICKY FOR JIM. 1293 01:12:30,679 --> 01:12:32,388 REALLY? 1294 01:12:32,598 --> 01:12:35,224 THERE WAS NO GUNPOWDER ON THAT BOY`S HANDS. 1295 01:12:35,434 --> 01:12:39,437 THAT MEANS HE COULDN`T HAVE FIRED THE GUN, AS JIM CLAIMS. 1296 01:12:39,646 --> 01:12:40,772 GOOD LORD. 1297 01:12:40,981 --> 01:12:43,441 AND THE LOCATION OF THE BULLET WOUNDS. 1298 01:12:43,650 --> 01:12:44,859 SEEMS TO BE AT ODDS 1299 01:12:45,069 --> 01:12:47,236 WITH MR. WILLIAMS` SCENARIO OF SELF-DEFENSE. 1300 01:12:47,446 --> 01:12:48,529 HOW SO? 1301 01:12:48,739 --> 01:12:49,906 ONE ENTERED THE CHEST. 1302 01:12:50,115 --> 01:12:52,533 THE SECOND BULLET HIT THE BOY IN THE BACK. 1303 01:12:52,743 --> 01:12:55,161 AND THE THIRD -- WELL, THE THIRD BULLET... 1304 01:12:55,371 --> 01:12:56,954 WHAT DO YOU THINK`S GONNA HAPPEN TO JIM? 1305 01:12:57,164 --> 01:13:00,458 WELL, IT`S DIFFICULT TO SAY. 1306 01:13:00,667 --> 01:13:01,876 THOSE WHO ARE HAPPY 1307 01:13:02,086 --> 01:13:04,629 THAT BILLY IS NO LONGER BURNIN` RUBBER 1308 01:13:04,838 --> 01:13:06,297 THROUGH THE SQUARES 1309 01:13:06,507 --> 01:13:09,300 ARE THE EXACT PEOPLE WHO THINK THAT JIM PICKED 1310 01:13:09,510 --> 01:13:13,763 A VERY UNSEEMLY WAY TO EXIT THE CLOSET... 1311 01:13:13,972 --> 01:13:15,306 IF YOU WILL. 1312 01:13:15,516 --> 01:13:16,974 WITH A BANG. 1313 01:13:17,184 --> 01:13:18,643 HA HA HA! 1314 01:13:18,852 --> 01:13:21,145 LITERALLY! [ GIGGLES ] 1315 01:13:21,355 --> 01:13:23,773 AND THEN... THERE ARE THE OTHERS. 1316 01:13:23,982 --> 01:13:26,526 TELL ME ABOUT THE OTHERS. 1317 01:13:26,735 --> 01:13:29,612 WELL, HONEY, THERE`S BOUND TO BE A CERTAIN RESENTMENT 1318 01:13:29,780 --> 01:13:31,823 ABOUT JIM HAVIN` KILLED THAT BOY -- 1319 01:13:32,032 --> 01:13:33,866 THAT BOY IN PARTICULAR, I MEAN. 1320 01:13:34,076 --> 01:13:36,577 WHY? WELL... 1321 01:13:36,787 --> 01:13:40,248 BILLY WAS A VERY ACCOMPLISHED HUSTLER, MM-HMM -- 1322 01:13:40,457 --> 01:13:43,543 BY ALL ACCOUNTS, VERY GOOD AT HIS TRADE... 1323 01:13:43,752 --> 01:13:47,213 AND VERY MUCH APPRECIATED BY BOTH MEN AND WOMEN. 1324 01:13:47,423 --> 01:13:48,589 [ LAUGHS ] 1325 01:13:48,799 --> 01:13:50,341 THE TROUBLE IS, 1326 01:13:50,551 --> 01:13:54,095 HE HADN`T FINISHED MAKIN` THE ROUNDS, NO. 1327 01:13:54,304 --> 01:13:59,142 BILLY HANSON WAS KNOWN TO BE A GOOD TIME, BUT... 1328 01:13:59,351 --> 01:14:02,687 A GOOD TIME NOT YET HAD BY ALL. 1329 01:14:02,896 --> 01:14:03,938 MM-HMM. 1330 01:14:04,148 --> 01:14:05,731 THEY`RE SAYIN` THAT JIM WILLIAMS 1331 01:14:05,941 --> 01:14:07,775 KILLED THE BEST PIECE OF ASS IN SAVANNAH. 1332 01:14:07,985 --> 01:14:09,235 IS THAT TRUE? 1333 01:14:09,445 --> 01:14:10,778 WELL, I DON`T KNOW. JERRY, YOU KNOW A LITTLE BIT 1334 01:14:10,988 --> 01:14:12,113 ABOUT ASS IN SAVANNAH. WHAT DO YOU THINK? 1335 01:14:12,322 --> 01:14:13,448 CREDIT CARD. 1336 01:14:13,657 --> 01:14:14,824 [ LAUGHTER ] 1337 01:14:15,033 --> 01:14:17,076 GOOD GOSSIP`S HARD CURRENCY IN THIS TOWN. 1338 01:14:17,286 --> 01:14:18,870 FOLKS JUST PAYIN` THEIR BILLS. 1339 01:14:19,079 --> 01:14:21,539 WHEN THE CHIPS ARE DOWN, THEY`LL BE THERE FOR JIM. 1340 01:14:21,748 --> 01:14:23,791 EVERYTHING WILL BE JUST FINE -- TRUST ME. 1341 01:14:24,001 --> 01:14:25,418 I`D RATHER HEAR YOUR LEGAL STRATEGIES. 1342 01:14:25,627 --> 01:14:26,961 WELL, OUR GAME PLAN`S STILL PERCOLATIN`. 1343 01:14:27,171 --> 01:14:28,588 COME ON. I THOUGHT WE HAD A DEAL. 1344 01:14:28,797 --> 01:14:30,673 I`VE SHARED EVERY BIT OF INFORMATION I`VE COME ACROSS. 1345 01:14:30,883 --> 01:14:32,133 COME ALONG HERE. 1346 01:14:32,342 --> 01:14:33,968 NOW, DON`T MIND US. 1347 01:14:38,182 --> 01:14:40,266 Sonny: TRIAL DATE... 1348 01:14:40,476 --> 01:14:43,269 BIG GAME -- THREE WEEKS FROM NOW. 1349 01:14:43,479 --> 01:14:44,812 IT`S A SHOOTOUT. 1350 01:14:45,022 --> 01:14:47,815 BOTH TEAMS GOT ONE SILVER BULLET. 1351 01:14:48,025 --> 01:14:50,193 GUNSHOT RESIDUE TEST -- THAT`S THEIR SILVER BULLET. 1352 01:14:50,402 --> 01:14:52,570 NO GUNSHOT RESIDUE ON BILLY`S HANDS 1353 01:14:52,779 --> 01:14:54,071 MEANS HE DIDN`T FIRE -- 1354 01:14:54,281 --> 01:14:56,949 MEANS JIM KILLED HIM IN COLD BLOOD, 1355 01:14:57,159 --> 01:14:58,993 MOCKED UP THE WHOLE SCENE. 1356 01:14:59,203 --> 01:15:01,370 HOW DO YOU PLAN TO COUNTER THAT? 1357 01:15:01,538 --> 01:15:03,498 GUNSHOT RESIDUE TEST IS UNRELIABLE. 1358 01:15:03,707 --> 01:15:06,501 HELL, IT`S NOT EVEN ADMISSIBLE IN SOME JURISDICTIONS. 1359 01:15:06,710 --> 01:15:07,919 FINLEY`S GOT DOC POE. 1360 01:15:08,128 --> 01:15:10,421 WE WILL COUNTER WITH CUTTING-EDGE SCIENCE 1361 01:15:10,631 --> 01:15:13,508 WITH AN EXPERT WE GOT FROM UP NORTH. 1362 01:15:13,717 --> 01:15:16,761 THEY SAY THE SCENE WAS CONTRIVED, YES? 1363 01:15:16,970 --> 01:15:18,304 WHAT DO YOU SAY? 1364 01:15:18,514 --> 01:15:20,890 THAT`S OUR SILVER BULLET -- 1365 01:15:21,099 --> 01:15:22,808 SHODDY POLICE WORK. 1366 01:15:23,018 --> 01:15:24,894 TAKE A LOOK AT THIS. 1367 01:15:30,150 --> 01:15:31,275 JESUS! 1368 01:15:31,485 --> 01:15:32,610 THAT`S ME! 1369 01:15:32,819 --> 01:15:34,111 JUST LIKE YOU SAID. 1370 01:15:34,321 --> 01:15:35,404 GROUND ZERO -- 1371 01:15:35,614 --> 01:15:37,406 COPS SHOULD NEVER HAVE LET YOU IN. 1372 01:15:37,616 --> 01:15:40,952 I KIND OF LET MYSELF IN THROUGH THE BACK GATE. 1373 01:15:41,161 --> 01:15:42,453 THAT`S -- 1374 01:15:42,663 --> 01:15:45,414 WELL, THEY SHOULDN`T HAVE LET YOU GET IN. 1375 01:15:45,624 --> 01:15:49,669 Woman: ♪♪ HAPPY TOGETHER ♪♪ 1376 01:15:49,878 --> 01:15:53,089 ♪♪ UNHAPPY TOGETHER ♪♪ 1377 01:15:53,257 --> 01:15:57,218 ♪♪ AND WON`T IT BE FINE? ♪♪ 1378 01:15:57,427 --> 01:16:00,221 [ SLOW JAZZ MUSIC PLAYS ] 1379 01:16:00,430 --> 01:16:07,103 ♪♪ DAYS MAY BE CLOUDY OR SUNNY ♪♪ 1380 01:16:07,312 --> 01:16:14,944 ♪♪ WE`RE IN OR WE`RE OUT OF THE MONEY ♪♪ 1381 01:16:15,153 --> 01:16:19,198 ♪♪ BUT I`M WITH YOU ALWAYS ♪♪ 1382 01:16:19,408 --> 01:16:29,959 ♪♪ COME RAIN OR SHI-I-I-I-NE ♪♪ 1383 01:16:30,168 --> 01:16:32,628 [ CHEERS AND APPLAUSE ] 1384 01:16:41,305 --> 01:16:43,681 HEY, YOU`RE GOOD! I DIDN`T EVEN KNOW YOU SANG! 1385 01:16:43,890 --> 01:16:45,016 YOU NEVER ASKED. 1386 01:16:45,225 --> 01:16:46,267 HOW YOU DOIN`? GOOD. HOW ARE YOU? 1387 01:16:46,476 --> 01:16:47,560 HEY, JOE. 1388 01:16:47,769 --> 01:16:49,312 YOU GUYS GOT ANOTHER SET? 1389 01:16:49,521 --> 01:16:51,814 NO, ME AND JOE ARE JUST SITTIN` IN. WHY? 1390 01:16:52,024 --> 01:16:54,108 WANT TO GET A CUP OF COFFEE WITH ME? 1391 01:16:54,318 --> 01:16:55,526 BUSINESS OR PLEASURE? 1392 01:16:58,655 --> 01:17:00,823 WELL, NORMALLY THERE WOULDN`T BE A PROBLEM, 1393 01:17:01,033 --> 01:17:03,451 SEEIN` AS THE GENERAL RULE IS RICH PEOPLE GET OFF. 1394 01:17:03,660 --> 01:17:06,037 THE PROBLEM IS, THOUGH, THEY`RE USUALLY STRAIGHT. 1395 01:17:06,246 --> 01:17:08,247 SEE? SO IT`S A VOLATILE ISSUE. YEAH? 1396 01:17:08,457 --> 01:17:09,582 I`M NOT CRAZY. 1397 01:17:09,791 --> 01:17:11,000 NO, NEITHER IS SONNY. 1398 01:17:11,209 --> 01:17:13,127 JIM`S FRIENDS KNEW HE WAS GAY. 1399 01:17:13,295 --> 01:17:15,671 SECRETLY THEY CONGRATULATED THEMSELVES 1400 01:17:15,881 --> 01:17:17,298 ON BEIN` SO COSMOPOLITAN. 1401 01:17:17,507 --> 01:17:18,674 BUT IF THEY KNEW 1402 01:17:18,884 --> 01:17:21,510 HE WAS COMPLETELY OPEN WITH HIS SEXUALITY, 1403 01:17:21,678 --> 01:17:23,346 THEY WOULD`VE SHUNNED HIM. 1404 01:17:23,555 --> 01:17:25,097 MAYBE THE JURY WILL, TOO. 1405 01:17:25,307 --> 01:17:27,767 YOU THINK? YEAH. 1406 01:17:27,976 --> 01:17:30,019 YOU KNOW THAT NO ONE`S EVER GONNA REALLY KNOW 1407 01:17:30,228 --> 01:17:31,270 WHAT HAPPENED THAT NIGHT. 1408 01:17:31,480 --> 01:17:32,855 JIM`S TOLD HIS STORY A THOUSAND TIMES -- 1409 01:17:33,065 --> 01:17:34,273 NEVER WAVERED ONCE. 1410 01:17:34,483 --> 01:17:36,025 YOU`RE QUITE THE ADVOCATE. 1411 01:17:36,234 --> 01:17:38,194 WHAT HAPPENED TO ``STICK AROUND, KEEP MY EYES AND EARS OPEN, 1412 01:17:38,362 --> 01:17:39,612 STAY OBJECTIVE``? 1413 01:17:39,821 --> 01:17:41,947 OH, OBJECTIVELY SPEAKING, IT`S STARTING TO LOOK 1414 01:17:42,157 --> 01:17:44,367 LIKE THEY`RE GONNA HANG A GUY FOR HIS SEXUALITY. 1415 01:17:44,576 --> 01:17:47,870 SOMETHIN` THAT WOULD NEVER HAPPEN IN NEW YORK, RIGHT? 1416 01:17:48,080 --> 01:17:53,125 WELL, YOU SAID IT, NOT ME. 1417 01:17:53,335 --> 01:17:56,504 John: YOU KNOW, YOU DON`T SEEM LIKE YOU`RE FROM HERE. 1418 01:17:56,672 --> 01:17:59,799 Mandy: I WAS BORN HERE, DIDN`T LIKE IT, MOVED AWAY, 1419 01:18:00,008 --> 01:18:02,593 FIGURED OUT THE PART I DIDN`T LIKE WAS ME. 1420 01:18:02,803 --> 01:18:05,262 SO I WORKED ON THAT AND THEN MOVED BACK. 1421 01:18:05,472 --> 01:18:07,973 YEAH. I GOT MY FIRST KISS RIGHT HERE. 1422 01:18:08,183 --> 01:18:11,394 [ Laughing ] SAMMY JENKS... GAVE HIM A BLACK EYE. 1423 01:18:11,603 --> 01:18:13,270 YOU DID? HOW HARD? 1424 01:18:13,480 --> 01:18:14,605 WOW! 1425 01:18:14,815 --> 01:18:16,357 [ LAUGHS ] 1426 01:18:16,566 --> 01:18:18,025 THAT`S WHAT LOVE WILL DO. 1427 01:18:18,235 --> 01:18:20,111 YOU KNOW, KELSO, I`M HAVIN` TROUBLE PICTURIN` 1428 01:18:20,320 --> 01:18:22,405 WHAT KIND OF WOMAN YOU`D TAKE THE TROUBLE TO MARRY. 1429 01:18:22,614 --> 01:18:24,740 OH, YEAH? YEAH. 1430 01:18:24,950 --> 01:18:27,410 [ SIGHS ] FIRST-LOVE SITUATION. 1431 01:18:27,619 --> 01:18:31,163 WE GOT MARRIED A WEEK AFTER GRADUATING COLLEGE, 1432 01:18:31,373 --> 01:18:33,124 IF YOU CAN BELIEVE THAT. 1433 01:18:33,333 --> 01:18:34,583 SO, WHAT HAPPENED? 1434 01:18:34,793 --> 01:18:35,960 YOU WANT TO HEAR MY SOB STORY? 1435 01:18:36,169 --> 01:18:37,753 YEAH. 1436 01:18:37,963 --> 01:18:40,631 WELL, I THINK SHE THOUGHT SHE WAS MARRYING NORMAN MAILER. 1437 01:18:40,841 --> 01:18:42,758 YEAH, I THINK SHE THOUGHT I`D BE FAMOUS. 1438 01:18:42,968 --> 01:18:44,802 AND AFTER THE BOOK WAS PUBLISHED, 1439 01:18:45,011 --> 01:18:47,388 SHE`D WAKE UP AT THE CRACK OF DAWN ON SUNDAY, 1440 01:18:47,597 --> 01:18:49,306 MAKE COFFEE, CROSS HER FINGERS, 1441 01:18:49,516 --> 01:18:51,475 AND SHE`D LOOK IN THAT SUNDAY TIMES, 1442 01:18:51,685 --> 01:18:54,145 AND SHE WAS SURE IT WAS GONNA BE A BESTSELLER. 1443 01:18:54,354 --> 01:18:57,773 AND THEN ONE SUNDAY, SHE DIDN`T WAKE UP EARLY, 1444 01:18:57,983 --> 01:19:02,027 DIDN`T MAKE ANY COFFEE, SHE DIDN`T CROSS HER FINGERS... 1445 01:19:02,237 --> 01:19:04,363 AND I KNEW. 1446 01:19:04,573 --> 01:19:07,158 SHE LEFT YOU `CAUSE YOUR BOOK WASN`T A HIT? 1447 01:19:07,367 --> 01:19:08,492 I DON`T KNOW, KELSO, 1448 01:19:08,702 --> 01:19:11,036 THAT SEEMS PRETTY SHALLOW TO ME. 1449 01:19:11,246 --> 01:19:12,413 WELL... 1450 01:19:12,622 --> 01:19:15,332 SO, WHAT ABOUT YOU AND JOE ODOM? 1451 01:19:15,542 --> 01:19:16,751 [ CHUCKLES ] 1452 01:19:16,960 --> 01:19:20,212 WELL, ME AND JOE... WE`RE JUST FRIENDS. 1453 01:19:20,422 --> 01:19:23,340 YOU KNOW, WE HAVE A REAL MUSICAL RELATIONSHIP. 1454 01:19:23,550 --> 01:19:26,761 WE`RE KIND OF LIKE THE STEVE AND EYDIE OF SAVANNAH. 1455 01:19:26,970 --> 01:19:31,307 [ LAUGHS ] 1456 01:19:31,516 --> 01:19:34,101 OH, MY GOD, AND IT`S QUIET. 1457 01:19:34,311 --> 01:19:35,644 IT`S TOO QUIET. 1458 01:19:35,854 --> 01:19:38,898 WELL, JOE WILL BE PLAYIN` AT THAT BAR UNTIL DAWN. 1459 01:19:43,570 --> 01:19:45,571 WELL, I SHOULD PROBABLY GO. 1460 01:19:51,453 --> 01:19:53,537 IN CASE YOU WERE WONDERIN`, 1461 01:19:53,747 --> 01:19:56,665 THIS IS THE PERFECT TIME FOR A KISS. 1462 01:19:56,833 --> 01:19:58,042 [ LAUGHS ] 1463 01:19:58,251 --> 01:20:00,419 SAMMY JENKS WARNED ME ABOUT YOU. 1464 01:20:20,482 --> 01:20:21,774 Good night. 1465 01:20:27,656 --> 01:20:29,114 LADIES AND GENTLEMEN, 1466 01:20:29,324 --> 01:20:32,034 YOU CONSTITUTE OUR JURY FOR THIS TRIAL. 1467 01:20:32,244 --> 01:20:35,204 THIS TRIAL`S EXPECTED TO LAST SEVERAL DAYS. 1468 01:20:35,413 --> 01:20:37,498 I`M GONNA LET YOU GO HOME FOR THE EVENING, 1469 01:20:37,707 --> 01:20:40,000 INSTRUCT YOU TO BE BACK IN THE MORNING AT 9:30, 1470 01:20:40,168 --> 01:20:41,502 AND REPORT TO YOUR JURY ROOM. 1471 01:20:41,711 --> 01:20:44,171 IF ANYBODY TRIES TO APPROACH YOU ABOUT THIS CASE, 1472 01:20:44,381 --> 01:20:47,383 I WANT TO YOU REPORT IT TO ME THE FIRST THING IN THE MORNING. 1473 01:20:47,592 --> 01:20:52,596 YOU`RE EXCUSED FOR THE EVENING. 1474 01:20:52,806 --> 01:20:55,766 MR. DRIGGERS, LET ME SPEAK TO YOU. 1475 01:21:00,939 --> 01:21:03,274 LUTHER, LISTEN, 1476 01:21:03,483 --> 01:21:04,650 THIS IS A COURTROOM. 1477 01:21:04,860 --> 01:21:06,986 DON`T BRING THOSE FLIES BACK IN HERE TOMORROW. 1478 01:21:07,195 --> 01:21:10,865 AND LEAVE THAT VIAL OF WATER OR WHATEVER THAT STUFF IS 1479 01:21:11,074 --> 01:21:12,199 AT HOME TOMORROW. 1480 01:21:12,409 --> 01:21:13,826 SAM... 1481 01:21:14,035 --> 01:21:16,287 YOU KNOW WHEN WE WERE IN GEORGIA, 1482 01:21:16,496 --> 01:21:18,497 I KNOW HOW YOU HATED MY BUGS. 1483 01:21:18,707 --> 01:21:20,332 AND YOU KNOW HOW I LOVE THEM. 1484 01:21:20,542 --> 01:21:22,167 WE`RE NO LONGER AT THE UNIVERSITY. 1485 01:21:22,377 --> 01:21:23,586 THIS IS A COURTROOM. 1486 01:21:23,795 --> 01:21:25,087 NOW, I`M TELLING YOU 1487 01:21:25,255 --> 01:21:27,464 TO LEAVE ALL THAT FOOLISHNESS AT HOME TOMORROW. 1488 01:21:27,674 --> 01:21:29,425 DO YOU UNDERSTAND THAT? 1489 01:21:29,634 --> 01:21:31,010 I DO TAKE UMBRAGE. 1490 01:21:31,219 --> 01:21:33,637 BUT I`LL DO IT. 1491 01:21:33,847 --> 01:21:34,889 NOW, WHAT IS THIS STORY 1492 01:21:35,098 --> 01:21:36,682 WITH THE GUY WITH THE HORSEFLY EPAULETS? 1493 01:21:36,892 --> 01:21:39,518 OH, LUTHER DIGGERS. HE`S A GENIUS. 1494 01:21:39,728 --> 01:21:41,437 HE DEVELOPED A NO-BUG STRIP. 1495 01:21:41,646 --> 01:21:44,857 THE COMPANY HE WORKED FOR TOOK THE CREDIT AND THE MONEY. 1496 01:21:45,066 --> 01:21:46,692 NOW HE JUST WANDERS AROUND TOWN 1497 01:21:46,902 --> 01:21:49,445 WITH A BOTTLE OF POISON IN HIS POCKET. OF COURSE HE DOES. 1498 01:21:49,654 --> 01:21:52,197 YEAH, SAYS SOMEDAY HE`S GONNA PUT IT IN THE WATER SUPPLY, 1499 01:21:52,407 --> 01:21:53,657 DO US ALL IN. 1500 01:21:53,867 --> 01:21:56,118 WHY DO YOU WANT HIM ON THE JURY? 1501 01:21:56,328 --> 01:21:59,747 WE`RE THE DEFENSE TEAM, COACH. WE NEED ALL THE NUTS WE CAN GET. 1502 01:21:59,956 --> 01:22:01,332 WHAT ABOUT LARGENT? 1503 01:22:01,541 --> 01:22:03,751 FINLEY`S UP FOR RE-ELECTION. 1504 01:22:03,960 --> 01:22:05,461 IF HE STRIKES LUTHER, 1505 01:22:05,670 --> 01:22:09,006 HE MIGHT JUST UPSET HIM ENOUGH TO...YOU KNOW. 1506 01:22:09,215 --> 01:22:10,382 [ CHUCKLES ] 1507 01:22:10,592 --> 01:22:13,719 WELL, I`LL BE BACK IN ON SUNDAY. 1508 01:22:13,929 --> 01:22:16,096 YOU GOT A MURDER TRIAL STARTING IN THREE DAYS. 1509 01:22:16,306 --> 01:22:17,556 WHERE ARE YOU GOING? 1510 01:22:19,517 --> 01:22:23,604 HOME OPENER AGAINST BAMA. BETTY, HENRY. 1511 01:22:23,813 --> 01:22:25,272 GO, DOGS! 1512 01:22:25,482 --> 01:22:27,024 [ LAUGHS ] 1513 01:22:27,233 --> 01:22:28,609 [ BOTH LAUGH ] 1514 01:22:28,818 --> 01:22:29,902 IS HE REALLY LEAVING? 1515 01:22:30,111 --> 01:22:32,613 OH, YEAH. BETTER SAY A PRAYER. 1516 01:22:32,822 --> 01:22:35,199 Judge: ALL RIGHT, MR. LARGENT, 1517 01:22:35,408 --> 01:22:37,159 THE STATE HAS THE BURDEN OF PROOF, 1518 01:22:37,369 --> 01:22:39,703 AND YOU HAVE THE OPENING. 1519 01:22:41,206 --> 01:22:43,791 YOUR HONOR. 1520 01:22:44,000 --> 01:22:45,125 [ SPECTATORS MURMUR ] 1521 01:22:45,293 --> 01:22:47,586 THANK YOU AND GOOD MORNING, YOUR HONOR. 1522 01:22:47,796 --> 01:22:49,755 LADIES AND GENTLEMEN OF THE JURY. 1523 01:22:49,965 --> 01:22:51,882 THE STATE OF GEORGIA STANDS READY 1524 01:22:52,092 --> 01:22:53,717 AND IS MOST ANXIOUS TO PROCEED. 1525 01:22:53,927 --> 01:22:55,219 YOUR HONOR. 1526 01:23:05,230 --> 01:23:07,147 IF THE COURT PLEASES... 1527 01:23:18,660 --> 01:23:21,662 THE PHILOSOPHER THOMAS HOBBES IS QUOTED AS SAYING 1528 01:23:21,871 --> 01:23:26,041 THAT LIFE IS NASTY, BRUTISH... 1529 01:23:26,251 --> 01:23:27,710 AND SHORT. 1530 01:23:27,919 --> 01:23:32,548 AND SURELY IT MUST HAVE SEEMED SO TO BILLY HANSON... 1531 01:23:32,757 --> 01:23:34,591 AS HE LAY WOUNDED, 1532 01:23:34,801 --> 01:23:38,345 HIS BLOOD AND HIS LIFE OOZING OUT 1533 01:23:38,555 --> 01:23:41,890 ONTO JIM WILLIAMS` PERSIAN RUG. 1534 01:23:42,058 --> 01:23:44,435 IT`S IMPORTANT FOR YOU TO KNOW 1535 01:23:44,644 --> 01:23:48,439 THAT THE DEFENDANT IN THIS CASE... 1536 01:23:48,648 --> 01:23:51,066 ...BY THE END OF THIS TRIAL, 1537 01:23:51,276 --> 01:23:56,196 I BELIEVE THAT, WHEN FACED WITH THE EVIDENCE, 1538 01:23:56,406 --> 01:24:01,994 YOU WILL RENDER THE VERDICT THAT IS FAIR AND JUST -- 1539 01:24:02,203 --> 01:24:06,415 GUILTY OF FIRST-DEGREE MURDER. 1540 01:24:10,879 --> 01:24:13,172 THANK YOU. 1541 01:24:22,223 --> 01:24:23,766 ALL RIGHT, MR. SEILER, 1542 01:24:23,975 --> 01:24:26,477 WE`VE BEEN GOING FOR SOME TIME NOW. 1543 01:24:26,686 --> 01:24:29,688 WOULD YOU PREFER TO MAKE YOUR OPENING STATEMENT 1544 01:24:29,898 --> 01:24:31,106 AFTER RECESS? 1545 01:24:33,318 --> 01:24:37,112 I WOULD PREFER TO ADDRESS THE JURY NOW, 1546 01:24:37,322 --> 01:24:38,530 YOUR HONOR. 1547 01:24:39,991 --> 01:24:42,451 WHAT I HAVE TO SAY WON`T TAKE LONG. 1548 01:24:42,660 --> 01:24:44,495 [ SPECTATORS MURMUR ] 1549 01:24:46,456 --> 01:24:48,499 I APOLOGIZE IF I LOOK TIRED, 1550 01:24:48,708 --> 01:24:51,126 IF MY EYES ARE RED, 1551 01:24:51,336 --> 01:24:54,630 IF MY COMPLEXION IS SALLOW, 1552 01:24:54,839 --> 01:24:57,966 BUT I CAME BY IT HONESTLY... 1553 01:24:58,176 --> 01:25:02,971 BECAUSE I HAVE NOT HAD MUCH SLEEP LATELY. 1554 01:25:03,181 --> 01:25:06,308 FOR WHILE MY BED IS SOFT... 1555 01:25:06,518 --> 01:25:08,811 MY CLIENT`S IS NOT. 1556 01:25:09,020 --> 01:25:13,315 AND WHILE I`M SURROUNDED BY MY LOVIN` FAMILY, 1557 01:25:13,525 --> 01:25:15,692 JIM WILLIAMS... 1558 01:25:15,902 --> 01:25:19,071 MY FRIEND, MY CLIENT... 1559 01:25:19,280 --> 01:25:22,282 IS LOCKED UP IN A ROOM 1560 01:25:22,492 --> 01:25:25,994 FULL OF THIEVES, MURDERERS, AND RAPISTS. 1561 01:25:26,204 --> 01:25:29,039 OH, YEAH. 1562 01:25:29,249 --> 01:25:30,874 YOU`RE THE ONES I WANT. 1563 01:25:31,084 --> 01:25:34,878 YOU`RE THE ONES I TRUST. 1564 01:25:35,088 --> 01:25:37,923 BECAUSE ALTHOUGH IT IS JIM WILLIAMS 1565 01:25:38,133 --> 01:25:39,675 ON TRIAL HERE TODAY, 1566 01:25:39,884 --> 01:25:43,137 WHEN I LOOK AT THE CIRCUMSTANCES, 1567 01:25:43,346 --> 01:25:45,264 I THINK TO MYSELF, 1568 01:25:45,473 --> 01:25:49,101 ``THERE, BUT FOR THE GRACE OF GOD, 1569 01:25:49,310 --> 01:25:50,769 GO YOU OR I.`` 1570 01:25:50,979 --> 01:25:52,312 KNOW WHY? 1571 01:25:52,522 --> 01:25:54,398 BECAUSE I GUARAN-DAMN-TEE -- 1572 01:25:54,607 --> 01:25:56,233 SOMEONE COMES INTO MY HOME, AND THEY SHOOT AT ME, 1573 01:25:56,442 --> 01:25:57,776 I WILL SHOOT BACK! 1574 01:25:57,986 --> 01:26:01,363 AND I WILL SHOOT BACK AGAIN AND AGAIN AND AGAIN 1575 01:26:01,573 --> 01:26:04,032 UNTIL I`M SURE THAT THEY`RE DEAD -- 1576 01:26:04,242 --> 01:26:07,786 UNTIL I`M SURE THAT MY HOME AND MY FAMILY ARE SAFE! 1577 01:26:12,041 --> 01:26:13,917 AND THEN... 1578 01:26:14,127 --> 01:26:16,712 OLD FINLEY HERE, MY FRIEND, 1579 01:26:16,921 --> 01:26:19,256 WOULD BE PROSECUTIN` ME! 1580 01:26:19,465 --> 01:26:21,675 I`D BE THE ONE ON TRIAL, 1581 01:26:21,885 --> 01:26:28,182 AND MY LIFE WOULD BE IN THE HANDS OF GOOD FOLKS LIKE YOU... 1582 01:26:28,391 --> 01:26:30,142 He iS way out of bounds. 1583 01:26:30,351 --> 01:26:33,103 He didn`t object once during ours. 1584 01:26:33,313 --> 01:26:35,063 We`d Iook like assholes. 1585 01:26:35,273 --> 01:26:37,232 ...AND FANCY WORDS -- 1586 01:26:37,442 --> 01:26:40,903 FOLKS WHO WOULD NOT BE PREJUDICED... 1587 01:26:41,112 --> 01:26:45,699 WHO WOULD NOT JUDGE A MAN BY THE COLOR OF HIS SKIN 1588 01:26:45,909 --> 01:26:49,161 OR THE AMOUNT OF MONEY THAT HE MAKES. 1589 01:26:49,370 --> 01:26:55,500 I WILL SAY THE SIMPLE FACT OF THE MATTER IS 1590 01:26:55,710 --> 01:27:00,547 JIM WILLIAMS... MURDERED NO ONE. 1591 01:27:03,051 --> 01:27:04,801 [ SIGHS ] 1592 01:27:05,011 --> 01:27:07,930 HOW DID YOU THINK IT WENT? BECAUSE I WAS VERY PLEASED. 1593 01:27:08,139 --> 01:27:10,682 SONNY HAS A CERTAlN STYLE, A FLAIR, DOESN`T HE? 1594 01:27:10,892 --> 01:27:12,267 A CERTAIN FLAIR? 1595 01:27:12,477 --> 01:27:13,810 FROM WHAT I`VE SEEN, 1596 01:27:14,020 --> 01:27:15,687 THAT MAN COULD WEAVE HORSE SHIT INTO EGYPTIAN COTTON. 1597 01:27:15,897 --> 01:27:18,106 [ LAUGHS ] PLEASANTLY SURPRISED. 1598 01:27:18,316 --> 01:27:21,193 OH, JOHN KELSO, I HOPE YOU UNDERSTAND... 1599 01:27:21,402 --> 01:27:23,612 THAT I CONSIDER YOU MY FRIEND. 1600 01:27:23,821 --> 01:27:25,697 YES. 1601 01:27:25,907 --> 01:27:27,282 [ CHUCKLES ] 1602 01:27:30,078 --> 01:27:32,412 THE LACK OF GUNSHOT RESIDUE IN THE HAND, 1603 01:27:32,622 --> 01:27:34,456 PLUS THE OTHER THINGS I MENTIONED, 1604 01:27:34,666 --> 01:27:37,501 LED ME TO THE CONCLUSION THAT THE SCENE WAS CONTRIVED. 1605 01:27:37,710 --> 01:27:39,169 MM-HMM. 1606 01:27:39,379 --> 01:27:41,838 THANK YOU, DETECTIVE BOONE. 1607 01:27:42,048 --> 01:27:43,840 NO FURTHER QUESTIONS. 1608 01:27:46,052 --> 01:27:48,929 DETECTIVE... 1609 01:27:49,138 --> 01:27:54,268 I WOULD LIKE TO REVISIT SOME OF THE THINGS YOU SAID 1610 01:27:54,477 --> 01:27:58,855 JUST THEN IN DIRECT. 1611 01:27:59,065 --> 01:28:01,775 YOU TESTIFIED THAT THERE WAS BLOOD ON HANSON`S HAND. 1612 01:28:01,985 --> 01:28:03,068 IS THAT CORRECT? 1613 01:28:03,278 --> 01:28:04,611 YES. 1614 01:28:04,821 --> 01:28:06,822 THERE WAS BLOOD IN THE PALM OF THE VICTIM`S HAND. 1615 01:28:07,031 --> 01:28:08,323 AND THAT`S IMPORTANT 1616 01:28:08,533 --> 01:28:10,659 BECAUSE IF HANSON HAD BEEN HOLDING THE GUN, 1617 01:28:10,868 --> 01:28:12,160 THERE`D BE NO BLOOD. 1618 01:28:12,328 --> 01:28:14,371 MM-HMM. 1619 01:28:14,580 --> 01:28:18,000 BUT YOU NEVER SAW THE BLOOD ON THE VICTIM`S HAND, DID YOU? 1620 01:28:18,209 --> 01:28:19,710 NO. 1621 01:28:19,919 --> 01:28:22,713 THE BLOOD WAS NOTED IN THE AUTOPSY REPORT. 1622 01:28:22,922 --> 01:28:25,632 I DIDN`T TURN HIM OVER WHEN I BAGGED HIM. 1623 01:28:25,842 --> 01:28:28,844 I BELIEVE YOU ALSO TESTIFIED 1624 01:28:29,012 --> 01:28:32,472 THAT YOU BELIEVE THE FINAL SHOT WAS FIRED FROM ABOVE THE VICTIM. 1625 01:28:32,682 --> 01:28:33,890 IS THAT CORRECT? 1626 01:28:34,100 --> 01:28:35,976 I CONCLUDED THAT THE SHOT CAME 1627 01:28:36,185 --> 01:28:38,603 FROM SOMEONE STANDING OVER THE VICTIM -- 1628 01:28:38,813 --> 01:28:40,605 EXECUTION STYLE. 1629 01:28:40,815 --> 01:28:43,108 [ SPECTATORS MURMUR ] 1630 01:28:43,318 --> 01:28:44,818 A COUP DE GRÂCE. 1631 01:28:45,028 --> 01:28:47,237 A COUP DE GRÂCE? 1632 01:28:53,661 --> 01:28:57,789 WILL YOU TELL THE JURY, PLEASE -- 1633 01:28:57,999 --> 01:29:02,836 DID YOU FIND JIM`S PRINTS ON BILLY`S GUN? 1634 01:29:03,046 --> 01:29:09,134 THE, UH, THE LUGER HANDLE HAS A TEXTURED SURFACE. 1635 01:29:09,344 --> 01:29:12,888 IS THE ANSWER ``NO,`` DETECTIVE? 1636 01:29:13,097 --> 01:29:16,683 YES, THE ANSWER WAS ``NO.`` 1637 01:29:16,893 --> 01:29:18,685 ``YES, THE ANSWER IS `NO.``` 1638 01:29:18,895 --> 01:29:22,105 STATE`S 22, YOUR HONOR. 1639 01:29:25,360 --> 01:29:28,570 WHO`S THIS HANDSOME FELLA HERE? 1640 01:29:28,780 --> 01:29:29,821 THAT`S ME. 1641 01:29:30,031 --> 01:29:33,658 UH-HUH. 1642 01:29:33,868 --> 01:29:35,827 WHO`S THIS? 1643 01:29:36,037 --> 01:29:37,871 THAT`S THAT REPORTER FELLA FROM UP NORTH -- 1644 01:29:38,081 --> 01:29:40,332 THE ONE THAT`S WORKIN` WITH WILLIAMS. 1645 01:29:40,541 --> 01:29:43,919 UH, I DON`T KNOW HOW HE GOT IN. 1646 01:29:44,087 --> 01:29:45,212 AND THIS? 1647 01:29:45,421 --> 01:29:47,839 A YOUNG OFFICER... NAME ESCAPES ME. 1648 01:29:48,049 --> 01:29:49,466 THAT`S UNDERSTANDABLE. 1649 01:29:49,675 --> 01:29:51,718 I MEAN, YOU`D NEED A PROGRAM 1650 01:29:51,928 --> 01:29:54,596 TO KEEP TRACK OF EVERYONE IN THAT ROOM. 1651 01:29:54,806 --> 01:29:56,848 OBJECTION! 1652 01:29:57,058 --> 01:29:58,141 COUNSEL`S TESTIFYIN`. 1653 01:29:58,351 --> 01:30:00,310 STRIKE THAT. 1654 01:30:00,520 --> 01:30:03,313 I WOULD MUCH RATHER HAVE THE DETECTIVE TELL US. 1655 01:30:03,523 --> 01:30:06,108 HOW MANY PEOPLE WAS IN THAT ROOM, DETECTIVE? 1656 01:30:06,317 --> 01:30:07,901 SEVEN. 1657 01:30:08,111 --> 01:30:10,362 NO, EIGHT. 1658 01:30:10,571 --> 01:30:14,157 ``SEVEN -- NO, EIGHT,`` AND A PUSSYCAT. 1659 01:30:14,367 --> 01:30:17,119 [ SCATTERED LAUGHTER ] 1660 01:30:17,328 --> 01:30:19,371 YOU READ THE FUNNY PAPERS, DETECTIVE? 1661 01:30:19,580 --> 01:30:21,415 NOT OFTEN. 1662 01:30:21,624 --> 01:30:23,333 WELL, IN THE FUNNY PAPERS, 1663 01:30:23,543 --> 01:30:25,210 THEY SOMETIMES HAVE THIS LITTLE COMPETITION 1664 01:30:25,420 --> 01:30:27,629 WHERE YOU HAVE TO FIND AN ANIMAL HIDDEN IN AN ILLUSTRATION. 1665 01:30:27,839 --> 01:30:29,214 I LOVE TO PLAY IT WITH MY GRANDSON. 1666 01:30:29,424 --> 01:30:30,715 YOU KNOW THAT GAME? 1667 01:30:30,925 --> 01:30:32,509 WELL... 1668 01:30:32,718 --> 01:30:34,761 WE`RE GONNA PLAY ``WHERE`S SHELTON?`` 1669 01:30:34,971 --> 01:30:36,430 YOUR HONOR, I DON`T KNOW 1670 01:30:36,639 --> 01:30:39,307 WHAT MR. SEILER IS TRYlN` TO PROVE WITH ALL OF THIS, 1671 01:30:39,517 --> 01:30:40,600 BUT I -- 1672 01:30:40,768 --> 01:30:42,644 FINLEY, WE CAN ALL PLAY. 1673 01:30:42,854 --> 01:30:46,523 SHELTON WILLIAMS IS THE DEFENDANT`S TABBY CAT. 1674 01:30:46,732 --> 01:30:49,985 NOW, DETECTIVE... 1675 01:30:50,194 --> 01:30:52,863 LET`S PLAY ``WHERE`S SHELTON?`` 1676 01:30:54,949 --> 01:30:57,617 I`LL GIVE YOU A CLUE. 1677 01:30:57,827 --> 01:31:00,579 TAKE A LOOK AT THE RUG. 1678 01:31:03,291 --> 01:31:07,294 MM-HMM. IS THE ANSWER ``YES``? 1679 01:31:07,462 --> 01:31:09,212 YES. 1680 01:31:09,422 --> 01:31:12,090 STATE`S 22, YOUR HONOR. 1681 01:31:12,300 --> 01:31:14,843 TABBY CAT. 1682 01:31:15,052 --> 01:31:17,846 DETECTIVE, IS SHELTON WILLIAMS ON YOUR PAYROLL? 1683 01:31:18,055 --> 01:31:20,056 [ SCATTERED LAUGHTER ] 1684 01:31:20,266 --> 01:31:21,600 WELL, I`VE HEARD -- [LAUGHS] 1685 01:31:21,809 --> 01:31:24,144 I`VE HEARD TELL OF CAT BURGLARS. 1686 01:31:24,353 --> 01:31:27,439 IS THIS A CAT DETECTIVE WE HAVE HERE? 1687 01:31:27,648 --> 01:31:29,357 DON`T BE RIDICULOUS. 1688 01:31:29,567 --> 01:31:31,651 I`LL TELL YOU WHAT`S RIDICULOUS -- 1689 01:31:31,861 --> 01:31:34,821 YOU SAYIN` THAT THE SCENE OF THE CRIME WAS SECURE! 1690 01:31:35,031 --> 01:31:36,698 THAT`S WHAT`S RIDICULOUS! 1691 01:31:36,908 --> 01:31:39,993 SEVEN -- NO, EIGHT PEOPLE AND A PUSSYCAT 1692 01:31:40,203 --> 01:31:42,787 WALKIN` ALL AROUND THAT ROOM... 1693 01:31:44,582 --> 01:31:46,333 ...YOU CALL THAT SECURE?! 1694 01:31:54,884 --> 01:31:57,093 UM, WE HUNG AROUND A LOT. 1695 01:31:57,303 --> 01:32:01,681 BILLY HAD A CAR AND HE`D GIVE ME A RIDE SOMETIMES. 1696 01:32:01,891 --> 01:32:04,017 MR. TUCKER... 1697 01:32:04,185 --> 01:32:06,186 DO YOU, OF YOUR OWN KNOWLEDGE, 1698 01:32:06,395 --> 01:32:08,480 KNOW ANYTHING OF THE RELATIONSHIP 1699 01:32:08,689 --> 01:32:12,651 THAT EXISTED BETWEEN BILLY HANSON AND JIM WILLIAMS? 1700 01:32:12,860 --> 01:32:13,944 Sonny: OBJECTION! 1701 01:32:14,153 --> 01:32:15,612 OBJECTION, YOUR HONOR! 1702 01:32:18,741 --> 01:32:21,785 LET ME SEE YOU GENTLEMEN OVER HERE JUST A MINUTE. 1703 01:32:21,994 --> 01:32:24,913 [ SPECTATORS MURMUR ] 1704 01:32:27,500 --> 01:32:30,377 WHAT`S THIS ABOUT? 1705 01:32:30,586 --> 01:32:33,296 Your honor, if this boy says what I think he`s gonna say, 1706 01:32:33,506 --> 01:32:36,466 you can`t ask the jury to ignore that. 1707 01:32:36,676 --> 01:32:38,385 You can`t let a skunk go in the box 1708 01:32:38,594 --> 01:32:40,554 and then tell them they didn`t smell it! 1709 01:32:40,763 --> 01:32:42,305 Our intention with Mr. Tucker 1710 01:32:42,515 --> 01:32:45,016 is to show that the victim was afraid of the defendant. 1711 01:32:45,226 --> 01:32:46,560 In order to do that, 1712 01:32:46,769 --> 01:32:49,437 he has to describe the nature of the relationship. 1713 01:32:49,647 --> 01:32:52,691 Your intention is to paint Jim Williams pink 1714 01:32:52,900 --> 01:32:55,944 and then rely on some prejudice in the jury. 1715 01:32:56,153 --> 01:32:59,739 Besides which, whatever he says will be secondhand. 1716 01:32:59,949 --> 01:33:01,324 It would be hearsay. 1717 01:33:01,534 --> 01:33:05,287 He asked the witness if he knew of his own knowledge. 1718 01:33:05,496 --> 01:33:07,747 If he knows, it`s not hearsay. 1719 01:33:07,957 --> 01:33:09,666 I`m gonna allow it, 1720 01:33:09,875 --> 01:33:13,336 but I`m gonna grant you the same Iatitude when it`s your turn. 1721 01:33:13,546 --> 01:33:14,796 Objection`s overruled. 1722 01:33:16,882 --> 01:33:18,300 Yes, sir. 1723 01:33:22,597 --> 01:33:24,514 MR. TUCKER, THE QUESTION WAS -- 1724 01:33:24,724 --> 01:33:26,474 DO YOU, OF YOUR OWN KNOWLEDGE, 1725 01:33:26,684 --> 01:33:28,602 KNOW ANYTHING OF THE RELATIONSHIP 1726 01:33:28,811 --> 01:33:31,688 THAT EXISTED BETWEEN BILLY HANSON AND THE DEFENDANT? 1727 01:33:31,897 --> 01:33:33,148 YES, SIR. 1728 01:33:33,357 --> 01:33:36,651 JIMMY WOULD GIVE BILLY MONEY WHEN HE NEEDED IT. 1729 01:33:36,861 --> 01:33:39,487 HE, UH, BOUGHT HIM A CAR AND CLOTHES 1730 01:33:39,697 --> 01:33:41,406 FOR GOIN` TO BED WITH HIM. 1731 01:33:41,616 --> 01:33:44,200 TO SLEEP WITH HIM -- 1732 01:33:44,410 --> 01:33:47,704 TO, UH, HAVE SEX WITH HIM? 1733 01:33:47,913 --> 01:33:49,497 YES, SIR. 1734 01:33:52,960 --> 01:33:56,087 NOW, DID BILLY AND, UH, JIM WILLIAMS 1735 01:33:56,297 --> 01:33:58,923 EVER HAVE ANY DISAGREEMENTS -- IF YOU KNOW? 1736 01:33:59,133 --> 01:34:01,635 OH, ALL THE TIME. 1737 01:34:01,844 --> 01:34:04,721 JIM WOULD BE PISSED OFF AT BILLY 1738 01:34:04,930 --> 01:34:06,681 FOR ONE THING OR ANOTHER. 1739 01:34:06,891 --> 01:34:09,267 HE WAS REAL JEALOUS OF BILLY. 1740 01:34:11,187 --> 01:34:14,147 AND, UH, WHAT FEELINGS, IF ANY, 1741 01:34:14,315 --> 01:34:17,567 DID BILLY HAVE ABOUT THE DEFENDANT? 1742 01:34:17,777 --> 01:34:21,029 WELL, JIM`S A RICH AND POWERFUL MAN. 1743 01:34:21,238 --> 01:34:25,033 BILLY WAS A LITTLE AFRAID OF HIM, I GUESS. 1744 01:34:29,538 --> 01:34:31,039 THANK YOU, MR. TUCKER. 1745 01:34:48,349 --> 01:34:50,392 [ NO AUDIO ] 1746 01:34:50,601 --> 01:34:53,144 Sonny: MR. TUCKER... 1747 01:34:53,354 --> 01:34:57,732 YOU TELL ME -- HOW WELL DID YOU KNOW BILLY HANSON? 1748 01:34:57,942 --> 01:35:01,152 UH, WHAT -- WHAT KIND OF FRIENDS WERE YOU? 1749 01:35:01,362 --> 01:35:02,821 YES, SIR. 1750 01:35:03,030 --> 01:35:05,824 HE WAS ABOUT MY BEST FRIEND IN THE WORLD. 1751 01:35:06,033 --> 01:35:08,201 WE SAW EACH OTHER ALL THE TIME. 1752 01:35:08,411 --> 01:35:10,995 THERE`S NOTHIN` HE WOULDN`T DO FOR ME. 1753 01:35:11,205 --> 01:35:13,998 AND NOTHIN` YOU WOULDN`T DO FOR HIM? 1754 01:35:14,208 --> 01:35:17,043 LOOK, IF YOU`RE TRYIN` TO SAY I`M LYIN`, I`M NOT. 1755 01:35:17,253 --> 01:35:19,087 NOW, TAKE IT EASY, YOUNG MAN. 1756 01:35:19,296 --> 01:35:21,881 EVERYTHING I`M SAYIN` HERE IS TRUE. 1757 01:35:22,091 --> 01:35:23,216 OF COURSE IT IS. 1758 01:35:23,426 --> 01:35:26,010 THERE`S NO REASON FOR IT NOT TO BE. 1759 01:35:26,220 --> 01:35:29,013 THAT`S ALL WE`RE AFTER HERE IS THE TRUTH. 1760 01:35:29,223 --> 01:35:31,141 NOW, HOW WELL DID YOU KNOW JIM WILLIAMS? 1761 01:35:31,350 --> 01:35:33,268 I MEAN, YOU NEVER DID MEET HIM, DID YOU? 1762 01:35:33,477 --> 01:35:36,062 WELL, NOT SHAKIN` HANDS OR NOTHIN`, 1763 01:35:36,272 --> 01:35:39,482 BUT I STOOD NEXT TO HIM IN THE EMERGENCY ROOM 1764 01:35:39,692 --> 01:35:41,234 WHEN, UH, BILLY O.D.`d. 1765 01:35:41,444 --> 01:35:44,738 BILLY HANSON OVERDOSED ON DRUGS? 1766 01:35:46,657 --> 01:35:48,533 WHEN WAS THIS? 1767 01:35:48,743 --> 01:35:53,079 UH, ABOUT A MONTH BEFORE JIM KILLED HIM. 1768 01:35:53,289 --> 01:35:55,790 [ SPECTATORS MURMUR ] 1769 01:35:56,000 --> 01:35:59,961 SO, JIM WILLlAMS TOOK BILLY HANSON TO THE HOSPITAL? 1770 01:36:00,171 --> 01:36:01,546 HE SAVED HIS LIFE! 1771 01:36:01,756 --> 01:36:03,381 I MEAN, IF HE WANTED HIM DEAD, 1772 01:36:03,591 --> 01:36:05,425 W-WHY WOULD HE DO THAT? 1773 01:36:05,634 --> 01:36:07,469 I-I DON`T KNOW. 1774 01:36:07,678 --> 01:36:09,846 UM, I GUESS, UH -- 1775 01:36:10,055 --> 01:36:11,181 MR. TUCKER... 1776 01:36:11,390 --> 01:36:15,059 DID YOU EVER HAVE SEX WITH BILLY? 1777 01:36:15,269 --> 01:36:17,771 NO. NO, SlR. 1778 01:36:21,650 --> 01:36:24,944 ARE YOU, YOURSELF, A HOMOSEXUAL? 1779 01:36:26,655 --> 01:36:27,822 OBJECTION! 1780 01:36:29,825 --> 01:36:30,992 RELEVANCE? 1781 01:36:31,160 --> 01:36:33,995 MR. LARGENT, YOU OPENED THAT DOOR. 1782 01:36:34,205 --> 01:36:36,706 WHAT`S GOOD FOR THE GOOSE IS GOOD FOR THE GANDER. 1783 01:36:36,916 --> 01:36:38,082 I`M GONNA LET IT IN. 1784 01:36:39,752 --> 01:36:41,836 THANK YOU, YOUR HONOR. 1785 01:36:43,923 --> 01:36:46,466 WOULD YOU LIKE ME TO REPEAT THE QUESTION, GEORGE? 1786 01:36:46,675 --> 01:36:49,135 I COULD HAVE THE COURT REPORTER READ IT OUT. 1787 01:36:49,345 --> 01:36:52,096 NO, SIR, I AIN`T NO FAIRY! 1788 01:36:53,891 --> 01:36:55,433 OKAY? 1789 01:36:57,228 --> 01:36:59,437 LOOK, UH... 1790 01:36:59,647 --> 01:37:02,440 I-I HAD SOME EXPERIENCES, 1791 01:37:02,650 --> 01:37:05,360 BUT...I`M OUT OF IT NOW. 1792 01:37:05,569 --> 01:37:07,153 OUT OF IT? 1793 01:37:07,363 --> 01:37:08,613 YES, SIR. 1794 01:37:08,823 --> 01:37:10,990 MM-HMM. WOULD YOU CARE TO EXPLAIN TO THE JURY 1795 01:37:11,158 --> 01:37:13,034 WHAT YOU MEAN BY THAT -- ``OUT OF IT``? 1796 01:37:13,244 --> 01:37:17,121 IT`S WRONG. THE BIBLE SAYS SO. 1797 01:37:17,331 --> 01:37:21,459 THE BIBLE ALSO SAYS IT`S WRONG TO LIE, DOESN`T IT? 1798 01:37:23,504 --> 01:37:26,673 NOW, HOW LONG HAVE YOU BEEN OUT OF IT? 1799 01:37:26,882 --> 01:37:30,301 UM... 1800 01:37:30,511 --> 01:37:33,096 ALMOST THREE WEEKS. 1801 01:37:33,305 --> 01:37:35,181 [ SPECTATORS MURMUR ] 1802 01:37:35,391 --> 01:37:37,559 CONGRATULATIONS, GEORGE. 1803 01:37:39,353 --> 01:37:40,854 GOOD FOR YOU. 1804 01:37:45,025 --> 01:37:48,069 NO FURTHER QUESTIONS, YOUR HONOR. 1805 01:37:56,871 --> 01:37:57,954 PLEASE! 1806 01:37:58,163 --> 01:37:59,747 CHABLIS, IT`S A SUBPOENA! 1807 01:37:59,957 --> 01:38:01,499 THEY`LL HOLD YOU IN CONTEMPT! 1808 01:38:01,709 --> 01:38:03,710 I DON`T GlVE A DAMN IF IT`S AN INVITATION FROM GOD. 1809 01:38:03,919 --> 01:38:05,587 YOU TELL THEM IF THEY FUCK WITH THE DOLL, 1810 01:38:05,796 --> 01:38:07,171 I`LL TURN STATE`S EVIDENCE. 1811 01:38:07,381 --> 01:38:09,007 YOU GOT THAT OFF THE TELEVISION. WHATEVER, JOHN. 1812 01:38:09,216 --> 01:38:11,217 THEY`RE GONNA HOLD YOU IN CONTEMPT IF YOU DON`T GO. 1813 01:38:11,427 --> 01:38:13,553 I BEEN HELD IN CONTEMPT BEFORE. THAT DOES NOT SCARE ME. 1814 01:38:13,762 --> 01:38:15,722 BESIDES, A MAN`S LIFE`S AT STAKE. 1815 01:38:15,931 --> 01:38:18,850 WHAT DO I HAVE TO DO WITH THAT MAN`S LIFE? NOTHING. 1816 01:38:19,059 --> 01:38:20,894 ABSOLUTELY NOTH-- WAIT A MINUTE. 1817 01:38:21,103 --> 01:38:23,396 I`LL TELL YOU WHAT. I`LL MAKE YOU A DEAL. 1818 01:38:23,606 --> 01:38:27,233 ALL RIGHT. WHAT KIND OF DEAL? 1819 01:38:27,443 --> 01:38:29,235 WHAT KIND OF DEAL? 1820 01:38:29,445 --> 01:38:32,238 WAIT, JOHN. BE PATIENT. 1821 01:38:32,448 --> 01:38:33,740 I`LL TELL YOU WHAT. 1822 01:38:33,949 --> 01:38:37,160 YOU BRING ME A TRUCKLOAD OF GOOD-LOOKIN` BOYS 1823 01:38:37,369 --> 01:38:40,747 TO SEE MY SHOW TONIGHT, AND I`LL THINK ABOUT IT. 1824 01:38:40,956 --> 01:38:42,582 I`D LOVE TO, CHABLIS, BUT I CAN`T. 1825 01:38:42,791 --> 01:38:44,208 I GOT TO GO TO SOME COTILLION. 1826 01:38:44,418 --> 01:38:45,668 A COTILLION? HOW BORING! 1827 01:38:45,878 --> 01:38:47,712 WHAT COTILLION ARE YOU GOING TO, HON? 1828 01:38:47,922 --> 01:38:49,130 THE ALPHA PHI. 1829 01:38:49,340 --> 01:38:50,548 THE BLACK PEOPLE`S BALL? 1830 01:38:50,758 --> 01:38:52,550 YOU`RE GOlN` TO THE BLACK PEOPLE`S BALL? 1831 01:38:52,760 --> 01:38:53,927 YEAH. 1832 01:38:54,136 --> 01:38:55,428 OH, JOHN, JOHN, JOHN... 1833 01:38:55,638 --> 01:38:57,513 NO. NO. ABSOLUTELY NOT. 1834 01:38:57,723 --> 01:39:00,934 PLEASE TAKE ME. I`LL BE ON MY BEST BEHAVIOR. 1835 01:39:01,143 --> 01:39:02,185 YEAH. 1836 01:39:02,394 --> 01:39:04,562 I PROMISE, JOHN. PLEASE TAKE ME. COME ON! 1837 01:39:04,772 --> 01:39:06,147 NO, I CAN`T! 1838 01:39:06,315 --> 01:39:07,941 I WON`T SHAKE MY ASS. I WON`T CUSS. CHABLIS, I CAN-- 1839 01:39:08,150 --> 01:39:09,776 I WON`T DO ANYTHING. PLEASE TAKE ME. 1840 01:39:09,985 --> 01:39:11,653 THESE GIRLS ARE DEBUTANTES, CHABLIS. 1841 01:39:11,862 --> 01:39:13,279 SO WHAT DOES THAT MEAN -- 1842 01:39:13,489 --> 01:39:15,490 I CAN`T CLlENTELE WITH THESE UPTOWN, BLACK-ASS PEOPLE? 1843 01:39:15,699 --> 01:39:17,909 NO, BUT DEBS ARE -- THEY`RE CAREFULLY SCRUTINIZED. 1844 01:39:18,118 --> 01:39:20,453 OH, PLEASE! 1845 01:39:20,663 --> 01:39:22,205 AND... 1846 01:39:22,414 --> 01:39:24,040 FOR THE MOST PART -- 1847 01:39:24,249 --> 01:39:27,877 YOU KNOW, NOT MANY OF THEM HIDE THEIR CANDY. 1848 01:39:28,087 --> 01:39:30,546 VERY FEW OF THEM HAVE BEEN CAUGHT SHOPLIFTING -- 1849 01:39:30,756 --> 01:39:33,299 YOU KNOW, NOT MANY. 1850 01:39:33,509 --> 01:39:34,842 WELL, YOU KNOW WHAT? 1851 01:39:35,052 --> 01:39:36,928 THESE BITCHES MUST DO IT DAMN GOOD THEN, 1852 01:39:37,137 --> 01:39:38,763 IF THEY HAVEN`T GOTTEN CAUGHT YET. 1853 01:39:38,973 --> 01:39:41,432 SEE, I IMAGINE THEY DO A LOT OF VOLUNTEER WORK, FRANK. 1854 01:39:41,642 --> 01:39:43,977 STAY OUT OF BARS, GO TO CHURCHES -- 1855 01:39:44,186 --> 01:39:45,561 THOSE KIND OF LADIES. 1856 01:39:45,771 --> 01:39:48,815 FIRST OF ALL, DON`T YOU EVER CALL ME FRANK AGAIN, 1857 01:39:49,024 --> 01:39:52,110 AND...ARE THESE BLACK GIRLS WE`RE TALKIN` ABOUT? 1858 01:39:52,319 --> 01:39:53,820 UH-HUH. 1859 01:39:54,029 --> 01:39:57,240 IF THESE ARE BLACK GIRLS, THEY MUST BE SOME UGLY BlTCHES. 1860 01:39:57,449 --> 01:40:00,660 TAKE ME. PLEASE? COME ON, JOHN, TAKE ME. 1861 01:40:00,869 --> 01:40:02,078 CUT IT OUT. 1862 01:40:02,287 --> 01:40:03,621 PLEASE TAKE ME? 1863 01:40:03,831 --> 01:40:06,666 [ CLASSICAL MUSIC PLAYS ] 1864 01:40:33,861 --> 01:40:35,194 YEAH, NEW YORK. 1865 01:40:35,404 --> 01:40:37,071 IT`S GOOD TO HAVE YOU HERE. 1866 01:40:37,281 --> 01:40:38,322 THANK YOU, SIR. 1867 01:40:38,532 --> 01:40:40,241 YOU KNOW, THIS IS OUR 40th YEAR. 1868 01:40:40,451 --> 01:40:41,576 IT`S LOVELY. 1869 01:40:41,785 --> 01:40:42,994 THANK YOU, SIR. 1870 01:40:48,000 --> 01:40:50,043 YOU KNOW, I DO BELIEVE 1871 01:40:50,252 --> 01:40:53,254 THAT WE`VE ALMOST CAUGHT THE WHITE COTILLION. 1872 01:40:53,464 --> 01:40:55,506 CONGRATULATIONS. 1873 01:41:40,803 --> 01:41:43,304 GOOD EVENING. 1874 01:41:44,765 --> 01:41:46,516 EXCUSE ME, SIR, IS THIS SPOT TAKEN? 1875 01:41:46,725 --> 01:41:47,975 NO, MA`AM. 1876 01:41:48,143 --> 01:41:50,144 OH, PLEASE DON`T CALL ME MA`AM. 1877 01:41:50,354 --> 01:41:52,313 MY NAME`S CHABLIS. WHAT`S YOURS? 1878 01:41:52,523 --> 01:41:53,940 PHILLIP -- I`M AN ESCORT. 1879 01:41:54,149 --> 01:41:56,192 AN ESCORT? 1880 01:41:56,401 --> 01:41:58,361 YOU WORK FOR ONE OF THOSE SERVICES? 1881 01:41:58,570 --> 01:42:00,071 I`M ESCORTING MY SISTER. 1882 01:42:00,280 --> 01:42:02,490 PLEASE DON`T TELL ME YOU`RE DOIN` IT WITH YOUR SISTER. 1883 01:42:02,699 --> 01:42:05,576 NO. BUT GEORGE, MY SISTER`S BOYFRIEND, DECIDED NOT TO COME. 1884 01:42:05,786 --> 01:42:07,870 SO I KIND OF GOT ROPED INTO IT. 1885 01:42:08,080 --> 01:42:10,873 LET ME ASK YOU SOMETHIN`. 1886 01:42:12,376 --> 01:42:14,335 YOU EVER BEEN ARRESTED? 1887 01:42:14,545 --> 01:42:15,628 NO! 1888 01:42:15,838 --> 01:42:17,171 OH, COME ON. 1889 01:42:17,381 --> 01:42:19,590 WELL, ONCE ME AND A COUPLE OF GUYS HAD A FEW DRINKS, 1890 01:42:19,800 --> 01:42:21,634 AND I GOT A TICKET FOR DISTURBING THE PEACE. 1891 01:42:21,844 --> 01:42:23,636 DISTURBIN` THE PEACE? 1892 01:42:23,846 --> 01:42:27,765 PHILLIP, I GOT A PIECE YOU CAN DISTURB, HON. 1893 01:42:27,975 --> 01:42:29,684 NICE. 1894 01:42:29,852 --> 01:42:32,854 I`VE BEEN ADMlRING YOUR GOWN. 1895 01:42:33,063 --> 01:42:35,648 WHY, THANK YOU VERY MUCH. THIS LITTLE OLD THING? 1896 01:42:35,858 --> 01:42:37,859 IT`S VERY GLAMOROUS. 1897 01:42:38,068 --> 01:42:39,902 THANK YOU VERY MUCH. 1898 01:42:40,112 --> 01:42:41,737 OF WHOM ARE YOU A GUEST? 1899 01:42:41,947 --> 01:42:43,739 I`M HERE WITH MY COUSIN. 1900 01:42:47,786 --> 01:42:49,287 MY COUSIN... 1901 01:42:49,496 --> 01:42:51,914 LAVELLA. 1902 01:42:52,124 --> 01:42:53,499 LAVELLA! 1903 01:42:53,709 --> 01:42:56,043 OH, SHE`S A LOVELY GIRL. 1904 01:42:56,253 --> 01:43:00,006 OH, I THINK SO, TOO. SHE`S ALWAYS WANTED THIS. 1905 01:43:00,215 --> 01:43:01,966 WE`VE TALKED ABOUT THIS SINCE WE WERE KIDS. 1906 01:43:02,176 --> 01:43:04,552 SHE DIDN`T EVER THOUGHT SHE`D GET IT. 1907 01:43:04,761 --> 01:43:07,054 OH, SHE HAD NOTHING TO WORRY ABOUT. 1908 01:43:07,264 --> 01:43:10,516 YOU KNOW WHAT, HON? I TOLD HER THE SAME THING. 1909 01:43:10,726 --> 01:43:12,351 I SAID IF VANESSA WILLIAMS 1910 01:43:12,561 --> 01:43:14,979 CAN PULL ONE OVER ON THE MISS AMERICA COMMITTEE, 1911 01:43:15,189 --> 01:43:17,523 THEN HER LITTLE WHORING AROUND IN ATLANTA, GEORGIA, 1912 01:43:17,733 --> 01:43:19,317 WAS NOT GOING TO MEAN ANYTHING 1913 01:43:19,526 --> 01:43:23,738 TO A LITTLE STEERING COMMITTEE IN SAVANNAH. 1914 01:43:23,947 --> 01:43:26,741 AND SHE GOT IT, AND I`M SO HAPPY FOR HER. 1915 01:43:26,950 --> 01:43:28,409 WOULD YOU MIND WATCHING MY PURSE? 1916 01:43:28,619 --> 01:43:30,077 [ ``LA BAMBA`` PLAYS ] 1917 01:43:30,287 --> 01:43:32,496 `CAUSE I THINK PHILLIP AND I ARE GONNA GO DISTURB THE PEACE. 1918 01:43:32,706 --> 01:43:34,040 WHAT YOU THINK, HON? 1919 01:43:34,249 --> 01:43:36,792 LET`S GO DISTURB SOME PEACE. COME ON. 1920 01:44:37,396 --> 01:44:38,688 JESUS. 1921 01:44:44,528 --> 01:44:47,029 WOULD YOU EXCUSE ME FOR ONE MOMENT? 1922 01:44:53,537 --> 01:44:55,705 CAN YOU SHARE THE LOVE? OKAY? 1923 01:45:01,378 --> 01:45:04,005 [ SLOW BALLAD PLAYS ] 1924 01:45:10,262 --> 01:45:13,222 YOU HAVE A HELL OF A LOT OF NERVE BUSTIN` IN HERE LIKE THIS. 1925 01:45:13,432 --> 01:45:15,891 I GOT PLENTY OF NERVE TO DO ANYTHING I WANT TO DO. 1926 01:45:16,101 --> 01:45:18,436 HOW FAR ARE YOU GONNA TAKE THIS? I`M JUST STARTING. 1927 01:45:18,645 --> 01:45:19,937 WELL, THEN I`M GOING TO LEAVE 1928 01:45:20,147 --> 01:45:22,189 BECAUSE I DON`T INTEND ON INSULTING THESE PEOPLE 1929 01:45:22,399 --> 01:45:23,816 ANY MORE THAN I HAVE TO. 1930 01:45:25,986 --> 01:45:30,573 BEHAVE YOURSELF. 1931 01:45:38,790 --> 01:45:40,041 WHOO! 1932 01:45:40,250 --> 01:45:42,501 COME ON. LET`S GO. 1933 01:45:42,711 --> 01:45:44,420 GOOD NIGHT. 1934 01:45:50,135 --> 01:45:52,511 STOP PUSHIN` ME. I`M GOIN`. 1935 01:45:57,267 --> 01:45:58,684 OOH! 1936 01:45:58,894 --> 01:46:01,187 BARTENDER, CAN I PLEASE HAVE TWO APPLE SCHNAPPS? 1937 01:46:01,396 --> 01:46:03,272 I THINK YOU BETTER MAKE THOSE DOUBLES. 1938 01:46:03,482 --> 01:46:05,524 SO, JOHN, TELL ME -- 1939 01:46:05,734 --> 01:46:07,651 YOU MAD AT ME, HON? 1940 01:46:07,861 --> 01:46:09,445 ARE YOU MAD? ARE YOU? 1941 01:46:09,654 --> 01:46:10,988 WE`RE STILL FRIENDS. 1942 01:46:11,198 --> 01:46:13,491 I HOPE SO. THEN I GOT TO TELL YOU SOMETHIN`. 1943 01:46:13,700 --> 01:46:15,493 YOU ARE SO SEXY WHEN YOU`RE MAD. 1944 01:46:15,702 --> 01:46:16,869 BEHAVE YOURSELF. 1945 01:46:17,079 --> 01:46:18,704 STOP TELLIN` ME WHAT TO DO. 1946 01:46:18,914 --> 01:46:20,164 I WANT TO PROPOSE A TOAST. 1947 01:46:20,374 --> 01:46:21,499 [ GLASSES CLINK ] 1948 01:46:21,708 --> 01:46:24,168 FROM MY TOP... 1949 01:46:24,378 --> 01:46:26,212 TO YOUR BOTTOM... 1950 01:46:26,421 --> 01:46:29,090 FROM YOUR BOTTOM TO MY TOP... 1951 01:46:29,299 --> 01:46:32,259 FROM MY MIDDLE TO YOUR MIDDLE... 1952 01:46:32,469 --> 01:46:35,679 BE GOOD, JOHN, AND I JUST MIGHT GIVE YOU A LITTLE. 1953 01:46:35,889 --> 01:46:37,181 JUST BEHAVE YOURSELF. 1954 01:46:37,391 --> 01:46:39,767 OH, STOP TELLIN` ME WHAT TO DO, HON. 1955 01:46:39,976 --> 01:46:42,728 BESIDES, YOUR STAR WITNESS IS TESTIFYIN`. 1956 01:46:45,399 --> 01:46:46,732 SINCE WHEN? 1957 01:46:46,942 --> 01:46:48,401 SINCE I THOUGHT ABOUT IT, 1958 01:46:48,610 --> 01:46:51,028 AND I REALIZED HOW NICE YOU`VE BEEN TO ME. 1959 01:46:51,238 --> 01:46:52,530 YOU KNOW WHAT? 1960 01:46:52,739 --> 01:46:55,324 YOU`VE TREATED ME LIKE A PERFECT LADY. 1961 01:46:55,534 --> 01:46:58,285 YOU`VE EVEN MADE ME FEEL SO VERY SPECIAL. 1962 01:46:58,453 --> 01:47:01,872 YOU KNOW, PEOPLE CAN BE SO MEAN SOMETIMES... 1963 01:47:02,082 --> 01:47:04,667 BUT NOT YOU. 1964 01:47:04,876 --> 01:47:06,460 I WANT TO ASK YOU SOMETHING. 1965 01:47:06,670 --> 01:47:07,878 WHAT? 1966 01:47:08,088 --> 01:47:10,506 JOHN, DO YOU THINK I`M BEAUTIFUL? 1967 01:47:10,715 --> 01:47:14,385 UM...YES, I THINK YOU`RE VERY PRETTY. 1968 01:47:14,594 --> 01:47:18,139 PRETTY? I`M JUST NOT YOUR TYPE, HUH? 1969 01:47:18,348 --> 01:47:21,016 CHABLIS, ARE YOU TESTIFYING FOR ME? 1970 01:47:21,226 --> 01:47:22,518 OF COURSE I AM. 1971 01:47:22,727 --> 01:47:25,187 DO YOU THINK I GIVE A SHIT ABOUT MISS JIM WILLIAMS? 1972 01:47:25,397 --> 01:47:27,440 I DON`T EVEN KNOW THAT BITCH -- NEVER EVEN MET HER. 1973 01:47:27,649 --> 01:47:29,817 WELL, LISTEN, YOU SHOULD KNOW THAT ON CROSS-EXAMINATION 1974 01:47:30,026 --> 01:47:31,569 THEY`RE GONNA BE PRETTY ROUGH ON YOU -- 1975 01:47:31,778 --> 01:47:33,779 ON YOUR BACKGROUND, YOUR ARRESTS, YOUR LIVELIHOOD. 1976 01:47:33,989 --> 01:47:35,448 JOHN, I HAVE NOTHING TO HIDE, 1977 01:47:35,657 --> 01:47:37,825 AND I`M NOT ASHAMED OF ANYTHING I`VE EVER DONE. 1978 01:47:38,034 --> 01:47:40,661 I`M JUST SAYING YOU SHOULD KNOW THAT YOU TAKING THE STAND 1979 01:47:40,871 --> 01:47:43,122 IS GONNA BE A BLANKET INDICTMENT OF BILLY HANSON. 1980 01:47:43,331 --> 01:47:45,082 SO, LET ME GET THIS RIGHT NOW. 1981 01:47:45,292 --> 01:47:46,500 SO, WHAT YOU`RE SAYING 1982 01:47:46,710 --> 01:47:48,586 IS BECAUSE BILLY HUNG OUT WITH A DRAG QUEEN, 1983 01:47:48,795 --> 01:47:49,920 HE DESERVED TO DIE? 1984 01:47:50,130 --> 01:47:51,589 IT`S FUCKED UP, BUT YEAH. 1985 01:47:51,798 --> 01:47:54,133 YEAH, THAT`S FUCKED UP. 1986 01:47:54,342 --> 01:47:57,094 MAYBE YOU SHOULDN`T TESTIFY. 1987 01:47:57,304 --> 01:48:00,764 OH, JOHN, HOW SWEET! YOU REALLY CARE. 1988 01:48:00,974 --> 01:48:04,018 GOOD, `CAUSE GUESS WHAT? I`M TESTIFYIN`. 1989 01:48:04,227 --> 01:48:05,561 I AM TESTIFYIN`. 1990 01:48:05,770 --> 01:48:09,398 YOU SEE, THOSE FOLKS THINK THEY`RE USIN` THE DOLL, 1991 01:48:09,608 --> 01:48:12,443 BUT THE DOLL`S USIN` THEM RIGHT BACK. 1992 01:48:12,652 --> 01:48:16,655 I`M GONNA USE THEIR COURTROOM AS MY COMIN` OUT PAR-TY! 1993 01:48:16,823 --> 01:48:19,200 SEE, JOHN, YOU KNOW WHO I AM. 1994 01:48:19,409 --> 01:48:20,993 I AM THE LADY CHABLIS. 1995 01:48:21,203 --> 01:48:22,745 HEAR ME ROAR. 1996 01:48:22,954 --> 01:48:24,413 LOOK OUT. 1997 01:48:24,623 --> 01:48:25,831 [ MEOWS ] 1998 01:48:26,041 --> 01:48:27,791 BESIDES, I`VE ALREADY BOUGHT A NEW ENSEMBLE. 1999 01:48:28,001 --> 01:48:29,460 REALLY? IS IT NICE? 2000 01:48:29,669 --> 01:48:31,337 OH, YOU`LL SEE, HON. 2001 01:48:31,546 --> 01:48:33,339 LISTEN TO ME. 2002 01:48:33,507 --> 01:48:35,299 WE GOT TO GET OUT OF HERE BECAUSE THESE PEOPLE INVITED ME, 2003 01:48:35,509 --> 01:48:36,926 AND I THINK IT`S REALLY RUDE OF YOU TO BUST IN ON ME LIKE THIS. 2004 01:48:37,135 --> 01:48:38,427 I WOULD NEVER DO THAT TO YOU. 2005 01:48:38,637 --> 01:48:41,013 LAVELLA`S MOTHER IS ABOUT TO HAVE A SEIZURE. 2006 01:48:41,223 --> 01:48:42,640 SOMEBODY PUT A SPOON IN HER DAMN MOUTH, THEN, 2007 01:48:42,849 --> 01:48:44,099 BECAUSE I`M NOT LEAVIN`. 2008 01:48:44,309 --> 01:48:46,060 JUST STOP IT. YOU`RE LEAVING WITH ME RIGHT NOW. 2009 01:48:46,269 --> 01:48:47,436 I AM NOT. I`LL BUY YOU A DRINK. 2010 01:48:47,646 --> 01:48:49,063 BUY ME A DRINK? OUTSIDE OF HERE. 2011 01:48:49,272 --> 01:48:50,314 BUY ME A DIAMOND. 2012 01:48:50,524 --> 01:48:51,732 I`LL BUY YOU A DIAMOND. 2013 01:48:51,900 --> 01:48:53,359 GIVE ME SOME. I`M NOT GIVING YOU SHIT. 2014 01:48:53,527 --> 01:48:55,110 OH, COME ON! 2015 01:48:55,320 --> 01:48:56,779 I-I`M STRAIGHT. 2016 01:48:56,988 --> 01:48:59,949 SO AM I. STRAIGHT TO MY HOUSE. LET`S GO. 2017 01:49:00,158 --> 01:49:01,283 OHH. 2018 01:49:06,998 --> 01:49:08,749 RAISE YOUR RIGHT HAND. 2019 01:49:08,959 --> 01:49:10,584 DO YOU SOLEMNLY SWEAR THE EVIDENCE YOU`RE ABOUT TO GIVE 2020 01:49:10,794 --> 01:49:12,419 IS THE TRUTH, THE WHOLE TRUTH, AND NOTHING BUT THE TRUTH 2021 01:49:12,629 --> 01:49:13,796 SO HELP YOU GOD? 2022 01:49:14,005 --> 01:49:15,839 I DO. 2023 01:49:16,049 --> 01:49:18,467 Sonny: NOW, MISS DEVEAU, 2024 01:49:18,677 --> 01:49:20,844 I`M GONNA ASK YOU A QUESTION, 2025 01:49:21,054 --> 01:49:23,806 AND I WANT YOU TO ANSWER THE JURY 2026 01:49:24,015 --> 01:49:26,767 SO THAT, UH, THEY CAN UNDERSTAND. 2027 01:49:26,935 --> 01:49:28,435 YES, AND WHAT IS THAT? 2028 01:49:28,603 --> 01:49:31,272 YOU`D LIKE FOR ME TO EXPLAIN MY ``T``? 2029 01:49:31,481 --> 01:49:33,023 YOUR -- YOUR -- YOUR ``T``? 2030 01:49:35,151 --> 01:49:36,402 YEAH, MY ``T.`` 2031 01:49:36,611 --> 01:49:38,654 YEAH, I WOULD LIKE YOU TO EXPLAIN YOUR ``T,`` 2032 01:49:38,863 --> 01:49:40,406 AND I WOULD LIKE YOU TO DO THAT 2033 01:49:40,615 --> 01:49:42,658 IN AS PLAIN OF LANGUAGE AS YOU POSSIBLY CAN 2034 01:49:42,867 --> 01:49:44,285 FOR OUR FRIENDS HERE. 2035 01:49:44,494 --> 01:49:46,662 I WILL TRY MY BEST TO EXPLAIN TO YOU JURORS. 2036 01:49:46,871 --> 01:49:49,123 I COULD THROW WORDS AND LABELS AT ALL OF YOU, 2037 01:49:49,332 --> 01:49:52,126 BUT YOU SEEM LIKE NICE PEOPLE. 2038 01:49:52,335 --> 01:49:56,380 SO I`M GONNA BE OPEN AND HONEST. 2039 01:49:56,590 --> 01:49:59,258 I HAVE A MAN`S TOOLBOX. 2040 01:49:59,467 --> 01:50:00,926 [ SPECTATORS MURMUR ] 2041 01:50:01,136 --> 01:50:03,721 BUT EVERYTHING ELSE ABOUT ME IS PURE LADY. 2042 01:50:03,930 --> 01:50:05,431 I LOVE TO DRESS IN WOMEN`S CLOTHES. 2043 01:50:05,640 --> 01:50:07,850 I LOVE TO GO SHOPPING. 2044 01:50:08,059 --> 01:50:11,228 I LOVE TO HAVE MY NAILS DONE. 2045 01:50:11,438 --> 01:50:13,022 AND I LOVE MEN. 2046 01:50:13,231 --> 01:50:14,523 [ CHUCKLES ] 2047 01:50:14,733 --> 01:50:16,567 [ SPECTATORS MURMUR ] 2048 01:50:16,776 --> 01:50:18,777 ANY QUESTIONS? 2049 01:50:20,405 --> 01:50:22,406 AND, BY THE WAY, MA`AM, 2050 01:50:22,616 --> 01:50:23,907 I HOPE YOU DON`T MIND MY SAYING, 2051 01:50:24,117 --> 01:50:27,411 BLUE IS DEFINITELY NOT YOUR COLOR. 2052 01:50:27,621 --> 01:50:29,371 OKAY, OKAY, OKAY, GALS, YOU`RE BOTH PRETTY, NOW. 2053 01:50:29,581 --> 01:50:31,081 WHAT I WANT TO KNOW NOW -- 2054 01:50:31,291 --> 01:50:33,500 AND I WANT YOU TO TELL THE JURY -- 2055 01:50:33,668 --> 01:50:36,253 IS HOW YOU AND BILLY HANSON FIRST MET. 2056 01:50:36,463 --> 01:50:38,964 BILLY HIT ON ME ONE NIGHT AT THE CL-- 2057 01:50:39,174 --> 01:50:40,633 OH, STRIKE THAT YOUR HONOR! 2058 01:50:40,842 --> 01:50:42,259 BILLY AND I CLIENTELED. 2059 01:50:42,469 --> 01:50:44,011 CLIENTELED? 2060 01:50:44,220 --> 01:50:46,764 WILL YOU EXPLAINED TO THE JURY WHAT ``CLIENTELED`` MEANS? 2061 01:50:46,973 --> 01:50:48,891 WE SOCIALIZED TOGETHER FOR A LITTLE WHILE 2062 01:50:49,100 --> 01:50:50,476 UNTIL HE MET MY ROOMMATE CORINNE. 2063 01:50:50,685 --> 01:50:51,894 CORINNE? 2064 01:50:52,103 --> 01:50:53,687 NOW, ARE YOU TELLIN` ME 2065 01:50:53,897 --> 01:50:56,732 THAT CORINNE AND BILLY HANSON WERE INTIMATE? 2066 01:50:56,941 --> 01:50:58,317 YES. 2067 01:50:58,526 --> 01:51:01,111 HOT AND INTIMATE. 2068 01:51:02,989 --> 01:51:05,407 WILL YOU TELL THE JURY, MISS DEVEAU, 2069 01:51:05,617 --> 01:51:11,246 DID BILLY HANSON USE DRUGS? 2070 01:51:11,456 --> 01:51:15,542 YES, BILLY, UH, DID PILLS, SMOKED POT, 2071 01:51:15,752 --> 01:51:17,086 A LITTLE COKE. 2072 01:51:17,295 --> 01:51:18,545 HE SOLD DRUGS. 2073 01:51:18,713 --> 01:51:21,048 HE`D STAY WITH US SOMETIMES. 2074 01:51:21,257 --> 01:51:25,052 SO, SOMETIMES WE HAD STASH AROUND THE HOUSE. 2075 01:51:25,261 --> 01:51:28,097 UM, MRS. CHABLIS -- 2076 01:51:28,306 --> 01:51:29,348 MISS. 2077 01:51:29,557 --> 01:51:32,059 OF COURSE, MISS CHABLIS. 2078 01:51:32,268 --> 01:51:35,020 DO YOU YOURSELF TAKE DRUGS? 2079 01:51:35,230 --> 01:51:38,565 I SMOKE A LlTTLE POT. 2080 01:51:38,733 --> 01:51:40,693 YOU SEE, I`M A MELLOW KIND OF GIRL. 2081 01:51:40,902 --> 01:51:43,112 [ CHUCKLES ] I UNDERSTAND. 2082 01:51:43,321 --> 01:51:47,908 NOW, TELL ME, IF YOU KNOW, WHAT EFFECT, IF ANY, 2083 01:51:48,118 --> 01:51:50,452 THESE DRUGS HAD ON THE RELATIONSHIP 2084 01:51:50,662 --> 01:51:53,163 BETWEEN YOUR FRIEND CORINNE AND BILLY HANSON? 2085 01:51:53,373 --> 01:51:57,751 OH, NOW, WHEN BILLY GOT HIGH, HE COULD BE VERY, VERY HOSTILE. 2086 01:51:57,961 --> 01:51:59,128 HOSTILE? 2087 01:51:59,337 --> 01:52:00,879 HOSTILE WHEN HE WAS HIGH. 2088 01:52:01,089 --> 01:52:03,215 WOULD YOU EXPLAIN TO THE JURY WHAT YOU MEAN BY HOSTILE? 2089 01:52:03,425 --> 01:52:05,300 OH, I CAN DO MORE THAN THAT, HON. 2090 01:52:05,510 --> 01:52:06,844 LET ME SHOW YOU SOMETHING. 2091 01:52:07,053 --> 01:52:08,929 YOU MUST SEE THIS. LOOK AT MY DRIVER`S LICENSE. 2092 01:52:09,139 --> 01:52:10,472 WAIT JUST A MINUTE! 2093 01:52:10,682 --> 01:52:11,849 Largent: OBJECTION! 2094 01:52:12,058 --> 01:52:13,225 Judge: THIS ISN`T PROPER. 2095 01:52:13,435 --> 01:52:15,978 NOW YOU BE QUIET. I`LL HANDLE THIS. 2096 01:52:16,187 --> 01:52:19,064 JUST A MINUTE. THAT`S NOT PROPER PROCEDURE. 2097 01:52:19,274 --> 01:52:20,607 MR. SHERIFF? 2098 01:52:20,817 --> 01:52:22,609 PICK UP THIS ITEM, PLEASE. 2099 01:52:22,819 --> 01:52:24,278 MY EYE -- HE HIT ME. 2100 01:52:24,487 --> 01:52:27,781 I LOOKED LIKE THAT DOG FROM ``LITTLE RASCALS.`` 2101 01:52:27,991 --> 01:52:29,491 MEMBERS OF THE JURY, 2102 01:52:29,701 --> 01:52:31,869 I`M GONNA INSTRUCT YOU TO DISREGARD THIS OUTBURST. 2103 01:52:32,078 --> 01:52:34,413 PAY NO ATTENTION TO THAT PICTURE. 2104 01:52:34,622 --> 01:52:35,706 WHY, YOUR HONOR? 2105 01:52:35,915 --> 01:52:38,083 IT`S THE TRUTH. I`M NOT LYING. 2106 01:52:38,293 --> 01:52:40,169 YOUR HONOR, THE PEOPLE HAS TO -- 2107 01:52:40,378 --> 01:52:41,670 AND YOU BE QUlET! 2108 01:52:41,880 --> 01:52:44,840 NOW, WE GOT TO GET THIS THING UNDER CONTROL. 2109 01:52:45,049 --> 01:52:46,717 YOU SIT DOWN, MR. DEVEAU. 2110 01:52:46,926 --> 01:52:49,136 MISS DEVEAU -- I`M A SINGLE GIRL, YOUR HONOR. 2111 01:52:49,345 --> 01:52:51,263 MISS DEVEAU -- WHATEVER. 2112 01:52:51,473 --> 01:52:52,514 HAVE A SEAT. 2113 01:52:52,724 --> 01:52:56,185 OKAY. PLEASE DON`T GET TOO HUFFY. 2114 01:52:56,394 --> 01:52:57,644 NOW, YOU LISTEN TO ME. 2115 01:52:57,854 --> 01:53:00,355 I`M IN CHARGE OF THIS COURTROOM, NOT YOU. 2116 01:53:00,565 --> 01:53:02,483 AND HERE`S THE WAY IT WORKS -- 2117 01:53:02,692 --> 01:53:05,360 THESE LAWYERS ARE GONNA ASK YOU QUESTIONS -- 2118 01:53:05,570 --> 01:53:06,862 LOOK AT ME! -- 2119 01:53:07,071 --> 01:53:08,447 AND YOU ANSWER `EM. 2120 01:53:08,656 --> 01:53:10,949 IF I TELL YOU TO STOP, YOU STOP. 2121 01:53:11,159 --> 01:53:14,077 IF I TELL YOU TO SIT, YOU SIT. 2122 01:53:14,287 --> 01:53:15,579 AND I DON`T WANT YOU 2123 01:53:15,789 --> 01:53:17,831 TO COMMUNICATE DIRECTLY WITH THAT JURY. 2124 01:53:18,041 --> 01:53:19,458 DON`T PRODUCE ANY MORE ITEMS. 2125 01:53:19,667 --> 01:53:23,212 DON`T SHOW ANY PHOTOGRAPHS. NOW, DO YOU UNDERSTAND THAT? 2126 01:53:23,421 --> 01:53:27,800 UH, YES, YOUR HONOR, I UNDERSTAND. 2127 01:53:28,009 --> 01:53:30,302 I THINK SO. 2128 01:53:30,470 --> 01:53:32,513 HEY, THIS IS RICE. 2129 01:53:32,722 --> 01:53:35,432 THEY THREW IN SOME GUMBO. 2130 01:53:35,642 --> 01:53:37,267 I GOT YOUR CIGARETTES. 2131 01:53:37,477 --> 01:53:39,561 AH! THANK YOU. 2132 01:53:39,771 --> 01:53:42,606 SO, HOW ARE WE COMING WITH OUR CHARACTER WITNESSES? 2133 01:53:42,816 --> 01:53:45,234 WELL, I THOUGHT WE WOULD LIMIT IT TO THREE 2134 01:53:45,443 --> 01:53:47,903 BECAUSE WE DON`T NEED TOO MUCH FAWNIN` IN THE COURT. 2135 01:53:48,112 --> 01:53:49,905 WELL, WHY NOT? 2136 01:53:50,114 --> 01:53:52,825 JOHN, YOU TELL HIM HOW MANY OF MY FRIENDS ARE LININ` UP TO DEFEND ME. 2137 01:53:53,034 --> 01:53:54,368 I SUGGEST WANDA GEVITS. 2138 01:53:54,577 --> 01:53:56,203 SHE HAS A COMMANDING VOCAL PRESENCE. 2139 01:53:56,412 --> 01:53:58,539 SHE, UM, DECLINED, JIM, 2140 01:53:58,748 --> 01:54:00,499 ALONG WITH SOME OTHERS. 2141 01:54:00,708 --> 01:54:03,335 DECLINED? 2142 01:54:03,545 --> 01:54:04,920 MM-HMM. 2143 01:54:08,341 --> 01:54:11,134 THEY CLAMORED FOR MY FRIENDSHIP, 2144 01:54:11,344 --> 01:54:15,305 HOPING AND PRAYING FOR INVITATIONS TO MY PARTlES. 2145 01:54:15,515 --> 01:54:18,225 WHERE WERE THEIR JUDGMENTS THEN? 2146 01:54:18,434 --> 01:54:19,977 WELL, I HOPE WANDA UNDERSTANDS 2147 01:54:20,186 --> 01:54:22,229 THIS DEFINITELY PUTS HER IN THE ``OUT`` BOX 2148 01:54:22,438 --> 01:54:23,981 FOR MY CHRISTMAS PARTY. 2149 01:54:24,190 --> 01:54:26,608 I DON`T THINK WE HAVE TO WORRY ABOUT CHARACTER WITNESSES. 2150 01:54:26,818 --> 01:54:28,402 THEY GOT THEIRS. WE GOT OURS. 2151 01:54:28,611 --> 01:54:30,946 WHEN DO I TAKE THE STAND? 2152 01:54:31,155 --> 01:54:32,656 LAST. 2153 01:54:32,866 --> 01:54:35,033 GOOD. THEY`LL HAVE HEARD ALL THE THEORIES. 2154 01:54:35,243 --> 01:54:36,994 WE`LL FINISH THEM WITH THE TRUTH. 2155 01:54:37,203 --> 01:54:39,371 I`M LOOKING FORWARD TO THIS. DO YOU KNOW WHY? 2156 01:54:39,581 --> 01:54:42,082 BECAUSE IT`S IMPORTANT NOT THAT I`M JUST ACQUITTED, 2157 01:54:42,250 --> 01:54:44,209 BUT THAT EVERYONE KNOWS I`M INNOCENT. 2158 01:54:46,004 --> 01:54:48,922 I REFUSE TO LIVE IN A WORLD WHERE WHISPERS BECOME FACT. 2159 01:54:49,132 --> 01:54:50,382 GUILTY MEN MURMUR. 2160 01:54:50,550 --> 01:54:52,175 THE INNOCENT SHOUT TO THE RAFTERS. 2161 01:54:52,385 --> 01:54:54,553 HEAR, HEAR. 2162 01:54:54,762 --> 01:54:57,139 JIM, WE MAY NEED YOU TO COME CLEAN 2163 01:54:57,348 --> 01:54:59,808 ABOUT THE RELATIONSHIP WITH BILLY. 2164 01:55:01,352 --> 01:55:04,438 YOUR SEXUALITY, JIM. 2165 01:55:04,647 --> 01:55:06,940 FINLEY`S TAKlN` THIS WHOLE THING 2166 01:55:07,150 --> 01:55:09,651 IN A DIRECTlON WE DIDN`T COUNT ON -- 2167 01:55:09,861 --> 01:55:11,695 HIS OWN PRIVATE WITCH HUNT. 2168 01:55:11,905 --> 01:55:14,656 IT`S GOING TO DESTROY MOTHER. 2169 01:55:14,866 --> 01:55:17,242 JIM, SHE WAS IN COURT. 2170 01:55:17,452 --> 01:55:18,785 SHE HEARD GEORGE TUCKER. 2171 01:55:18,953 --> 01:55:21,455 LET`S FACE IT. SHE ALREADY KNOWS. 2172 01:55:21,664 --> 01:55:24,541 NOT FROM ME, SHE DOESN`T. 2173 01:55:30,381 --> 01:55:33,133 WHAT IF SHE WASN`T IN COURT? 2174 01:55:43,895 --> 01:55:46,813 WHAT`S THE MATTER, SONNY? GUNPOWDER? 2175 01:55:49,484 --> 01:55:51,026 DAMN GUNSHOT-RESIDUE TEST. 2176 01:55:51,235 --> 01:55:53,195 YOUR EXPERT WlTNESS COVERED IT. 2177 01:55:53,404 --> 01:55:55,447 HE SAID THE TESTS ARE UNRELIABLE. 2178 01:55:55,615 --> 01:55:57,491 THE JURY THINKS THAT`S A COP-OUT. 2179 01:55:57,700 --> 01:55:59,451 EVERY ONE OF THEM KNOWS DOC POE. 2180 01:55:59,661 --> 01:56:02,621 WHY ARE THEY GONNA LISTEN TO SOME EGGHEAD FROM UP NORTH? 2181 01:56:02,830 --> 01:56:04,039 NO OFFENSE, THOUGH. 2182 01:56:04,248 --> 01:56:05,666 NO, NONE TAKEN, NONE TAKEN. 2183 01:56:05,875 --> 01:56:08,043 HE SAID THE GUNPOWDER`S EASILY WIPED OFF. 2184 01:56:08,252 --> 01:56:10,671 MAYBE WHEN THEY WERE HANDLlNG THE BODY, THEY -- 2185 01:56:10,880 --> 01:56:13,090 BOONE SAYS HE BAGGED THEM. 2186 01:56:13,299 --> 01:56:16,051 DOC POE SAYS THEY WERE BAGGED 2187 01:56:16,260 --> 01:56:19,137 WHEN HE PERFORMED THE AUTOPSY. 2188 01:56:19,347 --> 01:56:22,015 WHEN DID THEY GET WIPED OFF? 2189 01:56:22,225 --> 01:56:23,976 I DON`T KNOW. 2190 01:56:27,397 --> 01:56:30,357 DO YOU REMEMBER WHEN YOU TOLD ME 2191 01:56:30,566 --> 01:56:32,818 THAT DEAD MEN TELL NO TALES? 2192 01:56:33,027 --> 01:56:36,238 SEE, I THINK THAT THAT MAY BE TRUE, 2193 01:56:36,447 --> 01:56:38,699 BUT IT DOES NOT APPLY HERE. 2194 01:56:38,908 --> 01:56:41,952 I MEAN, LOOK AROUND. 2195 01:56:42,161 --> 01:56:44,496 EVERY PICTURE ON EVERY WALL IN THIS TOWN 2196 01:56:44,706 --> 01:56:46,039 IS OF SOMEONE WHO`S GONE. 2197 01:56:46,249 --> 01:56:48,959 EVERY STORY HERE BEGINS WITH SOMEONE WHO`S DEAD. 2198 01:56:49,168 --> 01:56:52,087 THE ONLY LIVING NATIONAL TREASURE YOU HAVE 2199 01:56:52,296 --> 01:56:54,089 IS YOUR OWN SLATHERING MUTT. 2200 01:56:54,298 --> 01:56:55,716 YOU WRITIN` YOUR BOOK? 2201 01:56:55,925 --> 01:56:58,885 WHAT THE HELL ARE YOU TALKIN` ABOUT, COACH? 2202 01:56:59,053 --> 01:57:02,556 BILLY HANSON MAY NOT BE TALKIN`, BUT HIS HANDS ARE. 2203 01:57:02,765 --> 01:57:05,308 BILLY HANSON`S HANDS? 2204 01:57:08,229 --> 01:57:11,398 I GOT TO GO. 2205 01:57:11,607 --> 01:57:13,525 WHERE YOU GOIN`? 2206 01:57:16,863 --> 01:57:19,948 [ Imitating Minerva ] TO UNDERSTAND THE LIVING... 2207 01:57:20,158 --> 01:57:22,284 YOU GOT TO COMMUNE WITH THE DEAD. 2208 01:57:22,493 --> 01:57:26,538 I NEED SHANGO. 2209 01:57:26,748 --> 01:57:28,123 NOW, GO, 2210 01:57:28,332 --> 01:57:30,792 AND DON`T YOU DARE LOOK BACK. 2211 01:57:31,002 --> 01:57:35,255 HUH! I HOPE YOU CAN COMMUNICATE WITH SOMEONE, JOHN. 2212 01:57:36,591 --> 01:57:39,885 [ BELLS JINGLE ] 2213 01:57:40,094 --> 01:57:42,888 HEY, MANDY, YOU FEEL LIKE GOIN` FOR A WALK? 2214 01:57:44,599 --> 01:57:46,767 WHERE ARE YOU HEADED? 2215 01:57:46,976 --> 01:57:48,393 I DON`T KNOW. 2216 01:57:48,603 --> 01:57:50,604 I WAS THINKING ABOUT MAYBE STOPPIN` BY THE MORGUE. 2217 01:57:50,772 --> 01:57:53,273 WHAT ARE YOU, A NECROPHILIAC OR SOMETHIN`? 2218 01:57:53,483 --> 01:57:55,859 I THOUGHT WE AGREED YOU WOULDN`T TALK ABOUT MY EX-WIFE. 2219 01:57:56,069 --> 01:57:57,819 [ LAUGHS ] HOW LONG YOU BEEN AT THE BAR? 2220 01:57:58,029 --> 01:57:59,571 LONG ENOUGH. COME ON. IT`LL BE FUN. 2221 01:57:59,781 --> 01:58:01,364 WHY DO YOU WANT TO GO TO THE MORGUE? 2222 01:58:01,574 --> 01:58:03,950 IF I COULD ANSWER THAT QUESTION, I WOULDN`T HAVE TO GO. 2223 01:58:04,118 --> 01:58:05,410 WELL, THE MORGUE`S CLOSED. 2224 01:58:05,620 --> 01:58:06,953 AND TRUST ME, BY TOMORROW, 2225 01:58:07,163 --> 01:58:08,705 THIS WON`T SEEM LIKE SUCH A GOOD IDEA. 2226 01:58:08,915 --> 01:58:10,457 PRECISELY THE REASON WHY I WANT TO GO TONIGHT. 2227 01:58:10,666 --> 01:58:12,084 I`LL BREAK IN IF I HAVE TO. I DON`T CARE. 2228 01:58:12,293 --> 01:58:13,835 I`LL PRETEND I`M DEAD. COME ON. 2229 01:58:14,045 --> 01:58:15,545 YOU SURE YOU WANT TO DO THIS? 2230 01:58:15,755 --> 01:58:16,880 I THINK SO. YEAH. 2231 01:58:17,090 --> 01:58:18,799 WELL, THERE IS A BACK WAY -- 2232 01:58:19,008 --> 01:58:21,009 A HALLWAY OFF THE EMERGENCY ROOM -- 2233 01:58:21,219 --> 01:58:23,095 BUT, OF COURSE, IT`S OFF-LIMITS. 2234 01:58:23,304 --> 01:58:24,596 HOW WOULD YOU KNOW THAT? 2235 01:58:24,806 --> 01:58:26,223 I CANDY-STRIPED ONE SUMMER. 2236 01:58:26,432 --> 01:58:28,225 WE CREATE A DISTRACTION -- 2237 01:58:28,434 --> 01:58:30,227 WE? 2238 01:58:30,436 --> 01:58:32,270 WELL, YOU CREATE THE DISTRACTION, 2239 01:58:32,438 --> 01:58:34,564 AND I`LL JUST SLIP IN AND CHECK IT OUT. 2240 01:58:34,774 --> 01:58:35,899 OH. 2241 01:58:36,109 --> 01:58:38,068 NO, YOU`LL GET LOST. 2242 01:58:38,277 --> 01:58:40,445 ALL RIGHT, IT`S A 3-MAN JOB. WHERE`S JOE? 2243 01:58:40,655 --> 01:58:43,323 PERFECT CASTIN`, BUT HE`S OUT OF TOWN TILL TOMORROW. 2244 01:58:43,533 --> 01:58:46,368 HE IS? MM-HMM. 2245 01:58:46,577 --> 01:58:48,787 ALL RIGHT, WHO DO WE KNOW WHO CAN CAUSE A COMMOTION? 2246 01:58:51,499 --> 01:58:53,333 [ CHABLIS SCREAMS ] 2247 01:58:53,543 --> 01:58:56,169 OHH! OHH-HO-HO! 2248 01:58:56,379 --> 01:58:58,421 HELLO! NURSE! OH! OH! 2249 01:58:58,631 --> 01:59:00,882 GET HER IN THE CHAIR! OH, PLEASE HELP! 2250 01:59:01,092 --> 01:59:02,259 WHAT`S WRONG WITH HER? 2251 01:59:02,468 --> 01:59:03,635 HER STOMACH, I THINK! 2252 01:59:03,845 --> 01:59:05,428 I THINK MY WATER BROKE. 2253 01:59:05,638 --> 01:59:08,473 GIRL, I`M PREGNANT! SOMETHING`S WRONG! 2254 01:59:08,683 --> 01:59:10,600 I DON`T KNOW WHAT -- PLEASE, HELP! 2255 01:59:10,810 --> 01:59:12,144 WHAT`S WRONG? 2256 01:59:12,353 --> 01:59:14,729 LET`S GET HER UP ON THE TABLE. 2257 01:59:14,939 --> 01:59:17,440 PLEASE HELP ME! OW! WAIT, BABY. 2258 01:59:22,196 --> 01:59:24,447 OKAY. HERE WE ARE. 2259 01:59:24,657 --> 01:59:26,283 COMMUNE AWAY. 2260 01:59:26,492 --> 01:59:27,701 IS THIS WHERE IT HURTS? 2261 01:59:27,910 --> 01:59:29,953 OH, DOCTOR, WAlT. WAIT, WAIT, WAIT. 2262 01:59:30,163 --> 01:59:31,413 IS THIS WHERE IT HURTS? 2263 01:59:31,622 --> 01:59:34,457 NO, I THINK YOU NEED TO GO JUST A LITTLE BIT LOWER. 2264 01:59:34,667 --> 01:59:36,334 I`VE NEVER BEEN IN A MORGUE. 2265 01:59:36,544 --> 01:59:38,170 SO, WHAT ARE WE LOOKIN` FOR? 2266 01:59:38,379 --> 01:59:40,297 UH...I DON`T KNOW. 2267 01:59:40,506 --> 01:59:42,632 I WAS THINKING ABOUT THE BAGGING OF THE HANDS -- 2268 01:59:42,842 --> 01:59:44,134 SOMETHING SPECIAL. 2269 01:59:44,343 --> 01:59:46,928 OH, LOOK -- TEDDY LIPSCOMB! 2270 01:59:47,138 --> 01:59:49,890 EXCUSE ME? YOU KNOW THIS GUY? 2271 01:59:50,099 --> 01:59:52,767 YEAH. HE`S MY DAD`S DENTIST. 2272 01:59:52,977 --> 01:59:54,144 OH, MAN. 2273 01:59:54,353 --> 01:59:55,770 HMM. 2274 01:59:55,980 --> 01:59:57,814 CARDIAC ARREST. YEAH, RIGHT. 2275 01:59:58,024 --> 01:59:59,566 A MEDICAL TERM FOR DYING IN THE ARMS 2276 01:59:59,775 --> 02:00:01,610 OF A 25-YEAR-OLD COCKTAIL WAITRESS. 2277 02:00:01,819 --> 02:00:03,153 POOR GUY. 2278 02:00:03,362 --> 02:00:08,325 REMIND ME NEVER TO GET SICK IN SAVANNAH. 2279 02:00:08,534 --> 02:00:10,744 SEE? HE`S WEARING A HOSPITAL I.D. BRACELET. 2280 02:00:10,912 --> 02:00:12,954 YOUR SUPPOSED TO GET WELL IN HOSPITALS, 2281 02:00:13,164 --> 02:00:14,497 BUT NOT IN THIS CITY. 2282 02:00:14,707 --> 02:00:16,666 WELL, THE MORGUE DOESN`T HAVE ITS OWN RAMP, 2283 02:00:16,876 --> 02:00:18,960 SO ALL DOA`s COME THROUGH THE EMERGENCY ROOM. 2284 02:00:19,170 --> 02:00:21,463 SO, TECHNICALLY, THEY`D HAVE TO BE ADMITTED. 2285 02:00:22,965 --> 02:00:25,467 THEY`RE ALL WEARING THOSE BRACELETS. 2286 02:00:25,676 --> 02:00:27,469 YOU KNOW, IT`S LIKE BUREAUCRATIC RED TAPE. 2287 02:00:27,678 --> 02:00:29,095 I TOLD YOU I CANDY-STRIPED, RIGHT? 2288 02:00:29,263 --> 02:00:31,056 YEAH, YOU DID. THAT`S LIKE VOLUNTEER WORK? 2289 02:00:31,265 --> 02:00:33,850 YEAH, CUTE LITTLE STRIPED OUTFIT, SHORT SKlRT. 2290 02:00:34,060 --> 02:00:35,769 GIRL SCOUTS. [ LAUGHS ] 2291 02:00:35,937 --> 02:00:37,312 IS THIS WHERE IT HURTS? 2292 02:00:37,521 --> 02:00:39,189 ALMOST. JUST A TAD BIT... 2293 02:00:39,398 --> 02:00:40,523 THIS? THIS? 2294 02:00:40,733 --> 02:00:43,526 THAT`S THE SPOT. I LOVE YOU. I LOVE YOU. 2295 02:00:43,736 --> 02:00:46,196 OH, DR. FEELGOOD, THAT`S THE SPOT. 2296 02:00:46,405 --> 02:00:48,657 YOU GOT IT. 2297 02:00:53,287 --> 02:00:56,581 YOU WOULDN`T TAKE A BAG OFF TO PUT AN I.D. BRACELET ON, 2298 02:00:56,791 --> 02:00:57,958 WOULD YOU? 2299 02:00:58,167 --> 02:00:59,542 YEAH, PROBABLY. 2300 02:00:59,752 --> 02:01:01,878 MAYBE? YEAH. 2301 02:01:02,088 --> 02:01:04,881 [ TELEPHONE RINGS ] 2302 02:01:05,091 --> 02:01:07,509 ChabIis: THE PLEASURE`S BEEN ALL MINE, DOCTOR. 2303 02:01:07,718 --> 02:01:09,052 YES, A PLEASURE. 2304 02:01:09,262 --> 02:01:10,553 HOW YOU DOIN`, MOM? 2305 02:01:10,763 --> 02:01:12,889 EXCUSE ME, NURSE, I HAVE A QUESTION FOR YOU. 2306 02:01:13,099 --> 02:01:15,684 WERE YOU ON DUTY THE NIGHT BILLY HANSON`S BODY CAME IN? 2307 02:01:15,893 --> 02:01:17,686 YES, I WAS. WHERE DID YOU COME FROM? 2308 02:01:17,895 --> 02:01:19,104 HOW`D YOU GET BACK THERE? 2309 02:01:19,272 --> 02:01:21,481 BACK DOOR. I WAS LO-- I WAS WITH THE SICK LADY. 2310 02:01:21,691 --> 02:01:24,234 I HAVE A QUESTION FOR YOU. HANSON`S HANDS WERE BAGGED. 2311 02:01:24,443 --> 02:01:26,444 SOMEBODY HAD TO PUT THE I.D. BRACELET ON. 2312 02:01:26,654 --> 02:01:28,321 WOULD YOU HAVE TO TAKE THE BAG OFF 2313 02:01:28,531 --> 02:01:30,198 TO SLIDE THE BRACELET ON BY ANY CHANCE? 2314 02:01:30,408 --> 02:01:31,825 NO, NO. THEY SNAP ON. 2315 02:01:32,034 --> 02:01:35,704 THEY SNAP ON. 2316 02:01:35,913 --> 02:01:37,539 THANK YOU. MM-HMM. 2317 02:01:37,748 --> 02:01:40,125 OF COURSE, IT WAS EASIER WITH HIM `CAUSE I BAGGED HIM AFTER. 2318 02:01:43,212 --> 02:01:44,879 EXCUSE ME? 2319 02:01:45,089 --> 02:01:46,506 WELL, DOC POE CALLED FROM THE CRIME SCENE 2320 02:01:46,716 --> 02:01:48,008 AND SAID IF THEY WEREN`T BAGGED THERE, 2321 02:01:48,217 --> 02:01:49,718 THAT I WAS TO BAG THE HANDS WHEN HE CAME lN. 2322 02:01:49,927 --> 02:01:53,221 YOU BAGGED THE HANDS? 2323 02:01:53,431 --> 02:01:54,764 YES, I WROTE IT UP. 2324 02:01:54,974 --> 02:01:56,808 IT`S RIGHT OVER THERE ON THE ADMISSION SHEET. 2325 02:01:57,018 --> 02:01:58,518 MAY I SEE THAT? 2326 02:02:00,646 --> 02:02:02,856 HOLD ON, HOLD ON. I WANT TO LET SONNY TELL YOU. HE`LL BE HERE ANY MINUTE. 2327 02:02:03,065 --> 02:02:05,108 WELL, BEFORE SONNY GETS HERE, WHILE WE`RE WAITIN`, 2328 02:02:05,318 --> 02:02:06,776 I`D LIKE TO RUN SOMETHIN` BY YOU, JOHN... 2329 02:02:06,986 --> 02:02:08,194 FIRE AWAY. 2330 02:02:08,404 --> 02:02:10,030 ...ABOUT THAT NIGHT. 2331 02:02:16,412 --> 02:02:18,621 WHAT DO YOU GOT? 2332 02:02:18,831 --> 02:02:24,169 THE EVENING STARTED OUT AS I`VE ALWAYS SAID -- 2333 02:02:24,337 --> 02:02:28,506 THE ARGUMENT, THE SHOUTING... 2334 02:02:28,716 --> 02:02:33,303 YOU LET ME DOWN, JUST LIKE EVERYONE ELSE. 2335 02:02:33,512 --> 02:02:34,721 MY MAMA LET ME DOWN. 2336 02:02:34,930 --> 02:02:37,557 SHE HATES ME BECAUSE I LOOK LIKE MY DADDY! 2337 02:02:37,725 --> 02:02:39,142 WHAT ARE YOU YELLING ABOUT? 2338 02:02:39,352 --> 02:02:41,102 I`M YELLING ABOUT YOU! 2339 02:02:41,312 --> 02:02:44,230 WHO ARE YOU TO TALK TO ME, LIVIN` IN THIS GRANDEUR AND ALL! 2340 02:02:44,398 --> 02:02:47,067 AND SOMEDAY YOU COULD DO IT IF YOU TOOK RESPONSIBILITY! 2341 02:02:47,276 --> 02:02:48,443 BULLSHIT! AND YOU KNOW IT! 2342 02:02:48,652 --> 02:02:49,778 IF YOU DON`T LIKE IT, 2343 02:02:49,987 --> 02:02:51,654 WHY DON`T YOU JUST GET THE HELL OUT?! 2344 02:02:51,864 --> 02:02:53,490 DON`T YOU -- GET THE HELL OUT! 2345 02:02:53,699 --> 02:02:56,076 THIS IS ABOUT TO GO THROUGH THAT THERE PAINTIN`! 2346 02:02:56,285 --> 02:02:58,536 BIG THREATS. THEY DON`T MEAN A HELL OF A LOT. 2347 02:02:58,746 --> 02:03:01,414 I`LL STOP PAYIN` THE GODDAMN INSURANCE ON YOUR CAMARO. 2348 02:03:01,624 --> 02:03:03,416 SEE HOW YOU LIKE THAT. YOU WANT TO LEAVE HERE, 2349 02:03:03,626 --> 02:03:05,502 YOU CAN DO IT TOMORROW MORNIN` FOR ALL I CARE. 2350 02:03:08,422 --> 02:03:09,923 ...THE DAMAGED CLOCK... 2351 02:03:21,394 --> 02:03:22,685 GOD DAMN IT! 2352 02:03:22,895 --> 02:03:25,397 WALK THROUGH MY HOUSE AND RUIN MY FURNITURE! 2353 02:03:30,069 --> 02:03:32,320 ...BILLY POINTING THE LUGER... 2354 02:03:32,530 --> 02:03:34,197 I MAY BE LEAVING TOMORROW, 2355 02:03:34,407 --> 02:03:36,241 BUT, GOD DAMN IT... 2356 02:03:36,450 --> 02:03:37,867 ...BUT HERE`S THE DIFFERENCE -- 2357 02:03:38,077 --> 02:03:39,661 WHEN HE WENT TO PULL THE TRIGGER... 2358 02:03:39,870 --> 02:03:41,579 YOU`RE LEAVIN` TONIGHT. [ GUN CLICKS ] 2359 02:03:41,789 --> 02:03:45,333 ...NOTHING HAPPENED -- THE GUN WAS ON SAFETY. 2360 02:03:45,543 --> 02:03:48,795 AND AS HE FUMBLED TO TAKE THE SAFETY OFF, 2361 02:03:49,004 --> 02:03:50,380 I GRABBED MY OWN GUN... 2362 02:03:50,589 --> 02:03:52,799 [ SAFETY CLICKS ] 2363 02:03:54,844 --> 02:03:56,469 ...AND I SHOT HIM. 2364 02:04:00,307 --> 02:04:01,850 [ GASPING ] 2365 02:04:12,069 --> 02:04:15,697 HE FELL DEAD. 2366 02:04:19,201 --> 02:04:21,619 HE -- HE NEVER FIRED? 2367 02:04:21,829 --> 02:04:25,623 NO. 2368 02:04:25,833 --> 02:04:29,210 I THOUGHT, "GOD DAMN IT! WHAT HAVE YOU DONE?" 2369 02:04:45,102 --> 02:04:48,104 [ GUNSHOT ] 2370 02:04:59,450 --> 02:05:03,953 IT EXPLAINS WHY THERE`S NO POWDER ON BILLY`S HANDS. 2371 02:05:04,163 --> 02:05:06,956 NOW, WHEN I SIT ON THAT STAND, 2372 02:05:07,166 --> 02:05:09,792 AND I TELL THIS TO THE JURY, 2373 02:05:10,002 --> 02:05:12,420 LARGENT`S CASE WILL CRUMBLE. 2374 02:05:19,220 --> 02:05:21,471 I DON`T SEE HOW YOU FIGURE THAT, JIM. 2375 02:05:21,680 --> 02:05:25,225 IF YOU TELL THAT STORY, 2376 02:05:25,434 --> 02:05:28,728 YOU`RE ADMITTING THAT YOU LIED -- 2377 02:05:30,940 --> 02:05:32,857 LIED TO EVERYONE -- 2378 02:05:33,067 --> 02:05:36,319 THE POLICE, THE PRESS -- 2379 02:05:36,529 --> 02:05:38,988 EVERYONE. 2380 02:05:41,116 --> 02:05:43,743 YES. 2381 02:05:43,953 --> 02:05:47,288 OF COURSE. 2382 02:05:47,498 --> 02:05:53,086 I`D RATHER BE CONVlCTED OF LYING THAN OF MURDER. 2383 02:05:53,295 --> 02:05:54,504 SO -- 2384 02:05:54,713 --> 02:05:57,215 [ DOOR OPENS ] 2385 02:05:57,424 --> 02:05:59,968 Sonny: HEY, COACH, WE GOT IT! 2386 02:06:00,177 --> 02:06:02,303 JUST KEEP YOUR SEAT. YOU`RE GONNA NEED IT. 2387 02:06:02,513 --> 02:06:05,139 SONNY, I NEED TO TELL YOU SOMETHIN` FIRST. 2388 02:06:05,349 --> 02:06:06,641 NOW, ME FIRST. 2389 02:06:06,850 --> 02:06:09,352 NOW, YOU KNOW THAT GUNSHOT-RESIDUE TEST? 2390 02:06:09,562 --> 02:06:12,272 WHAT I HAVE TO SAY HAS DIRECT BEARING ON THE GUNSHOT -- 2391 02:06:12,481 --> 02:06:14,107 CAN I GET THIS OUT? 2392 02:06:16,652 --> 02:06:19,445 WE GOT `EM BY THE GONADS, JIMBO. 2393 02:06:19,613 --> 02:06:21,197 DETECTIVE BOONE LIED. 2394 02:06:21,407 --> 02:06:24,909 DOC POE CALLED THE ADMITTING NURSE AT CHANDLER 2395 02:06:25,119 --> 02:06:29,205 AND TOLD HER TO BAG THE HANDS IF THEY WERE NOT ALREADY, 2396 02:06:29,415 --> 02:06:32,917 WHICH SHE DID... RIGHT HERE IN THIS DOCUMENT. 2397 02:06:37,089 --> 02:06:39,549 ANY NUMBER OF PEOPLE COULD HAVE HANDLED THAT BODY 2398 02:06:39,758 --> 02:06:43,386 BETWEEN THE SCENE OF THE CRIME AND THE HOSPITAL, 2399 02:06:43,596 --> 02:06:46,556 WHICH EXPLAINS HOW THE POWDER GOT RUBBED OFF. 2400 02:06:46,765 --> 02:06:49,309 THERE IT IS... 2401 02:06:49,518 --> 02:06:52,145 THE DEATH KNELL 2402 02:06:52,354 --> 02:06:54,814 TO FINLEY LARGENT`S PRECIOUS GUNSHOT-RESIDUE TEST. 2403 02:06:55,024 --> 02:06:56,190 [ CHUCKLES ] 2404 02:06:56,400 --> 02:06:58,985 WELL...YOUR TURN. 2405 02:06:59,194 --> 02:07:01,029 WHAT DID YOU WANT TO SAY, JIM? 2406 02:07:01,238 --> 02:07:02,780 HMM? 2407 02:07:05,576 --> 02:07:08,161 OH, IT`S NOT IMPORTANT. 2408 02:07:13,250 --> 02:07:15,460 TAKE A LOOK HERE. 2409 02:07:15,669 --> 02:07:18,004 WE GOT `EM, JIMBO. 2410 02:07:23,969 --> 02:07:27,263 [ KNOCK ON DOOR ] 2411 02:07:27,473 --> 02:07:30,350 GOIN` SOMEWHERE, COACH? 2412 02:07:35,814 --> 02:07:39,734 WHAT`S HIS STORY? 2413 02:07:42,946 --> 02:07:45,990 [ DOORBELL RINGS ] 2414 02:08:00,297 --> 02:08:02,298 DETECTIVE, YOU`RE STILL UNDER OATH. 2415 02:08:04,093 --> 02:08:06,803 FRANK, ARE YOU ABSOLUTELY SURE 2416 02:08:07,012 --> 02:08:11,307 THAT YOU BAGGED BILLY HANSON`S HANDS AT MERCER HOUSE? 2417 02:08:11,517 --> 02:08:13,017 YES. 2418 02:08:13,227 --> 02:08:14,477 MM-HMM. 2419 02:08:14,687 --> 02:08:18,648 I HAVE NO FURTHER QUESTIONS, YOUR HONOR. 2420 02:08:18,857 --> 02:08:21,275 REDIRECT, MR. LARGENT? 2421 02:08:23,028 --> 02:08:25,071 UM... 2422 02:08:25,280 --> 02:08:27,281 NO, YOUR HONOR. 2423 02:08:27,491 --> 02:08:29,617 ALL RIGHT. DETECTIVE, YOU`RE EXCUSED. 2424 02:08:29,827 --> 02:08:32,537 YOU`RE STILL UNDER SUBPOENA. THANK YOU VERY MUCH. 2425 02:08:32,746 --> 02:08:36,666 DEFENSE CALLS SARA WARREN, R.N. 2426 02:08:41,547 --> 02:08:44,173 YOU WON`T FIND HER IN YOUR NOTES. 2427 02:08:44,383 --> 02:08:46,426 SHE`S NOT ON YOUR LlST, FINLEY. 2428 02:08:46,635 --> 02:08:48,553 SARA WARREN IS A DIRECT REBUTTAL 2429 02:08:48,762 --> 02:08:50,847 TO THE TESTIMONY OF DETECTIVE BOONE. 2430 02:08:51,056 --> 02:08:52,849 SHE IS, IN FACT, AN ADMITTING NURSE 2431 02:08:53,058 --> 02:08:56,018 AT CHANDLER EMERGENCY ROOM. 2432 02:08:56,228 --> 02:08:58,229 [ SPECTATORS MURMUR ] 2433 02:09:16,290 --> 02:09:19,709 Sonny: MR. WILLIAMS, WILL YOU DESCRIBE THE NATURE 2434 02:09:19,918 --> 02:09:22,128 OF YOUR RELATIONSHIP WITH THE DECEASED? 2435 02:09:22,337 --> 02:09:26,048 I FIRST MET BILLY HANSON WHEN HE CAME AROUND TO THE HOUSE 2436 02:09:26,258 --> 02:09:28,509 AND SAID THAT HE WANTED THE JOB. 2437 02:09:28,719 --> 02:09:32,597 SO, I HIRED HIM IN THE WORKSHOP TO REFINISH FURNITURE. 2438 02:09:32,806 --> 02:09:36,392 HE HAD SOME TALENT, AND I WANTED TO ENCOURAGE HIM. 2439 02:09:36,602 --> 02:09:39,979 NOW, DURING THIS TIME, I ALSO DEVELOPED HYPOGLYCEMIA. 2440 02:09:40,189 --> 02:09:42,607 I BLACKED OUT AT TIMES. I DON`T EAT VERY WELL. 2441 02:09:42,816 --> 02:09:44,776 THE DOCTOR TOLD ME THAT IT WAS NOT GOOD 2442 02:09:44,985 --> 02:09:47,820 FOR ME TO BE ALONE WHEN THIS CONDITION OCCURS, 2443 02:09:48,030 --> 02:09:50,782 SO BILLY WOULD STAY OVER AND TAKE CARE OF ME 2444 02:09:50,991 --> 02:09:52,492 WHEN I WASN`T FEELING WELL. 2445 02:09:52,701 --> 02:09:56,204 HE DID NOT LIVE AT MERCER HOUSE AS HAS BEEN STATED. 2446 02:09:56,413 --> 02:09:58,206 JIM... 2447 02:09:58,415 --> 02:10:02,251 WAS THAT THE FULL EXTENT OF YOUR RELATIONSHIP 2448 02:10:02,461 --> 02:10:04,962 WITH BlLLY HANSON? 2449 02:10:05,172 --> 02:10:06,214 NO. 2450 02:10:06,423 --> 02:10:08,090 NO, OVER TIME, 2451 02:10:08,300 --> 02:10:11,052 IT EVOLVED INTO SOMETHING LESS FORMAL. 2452 02:10:11,261 --> 02:10:12,970 WE BECAME INTIMATE. 2453 02:10:13,138 --> 02:10:15,640 NOW, BILLY COULD BE VERY CHARMING. 2454 02:10:15,849 --> 02:10:18,476 HE HAD HIS GIRLFRIENDS, AND I HAD MINE. 2455 02:10:18,685 --> 02:10:19,852 BUT TO ME, 2456 02:10:20,062 --> 02:10:22,230 SEX IS A PERFECTLY NATURAL THING. 2457 02:10:22,439 --> 02:10:24,816 DIDN`T BOTHER ME. DIDN`T BOTHER HIM. 2458 02:10:25,025 --> 02:10:27,485 IT WAS JUST AN OCCASIONAL NATURAL OCCURRENCE 2459 02:10:27,694 --> 02:10:29,987 BETWEEN CONSENTING ADULTS. 2460 02:10:33,575 --> 02:10:35,952 JIM... 2461 02:10:36,161 --> 02:10:38,538 WOULD YOU DESCRIBE TO THE JURY 2462 02:10:38,747 --> 02:10:41,374 EVENTS THAT OCCURRED IN YOUR HOUSE 2463 02:10:41,542 --> 02:10:42,750 AFTER THE PARTY? 2464 02:10:42,960 --> 02:10:46,295 WELL, BY THE TIME BILLY GOT BACK TO THE HOUSE, 2465 02:10:46,505 --> 02:10:48,047 HE WAS QUITE HIGH. 2466 02:10:48,215 --> 02:10:51,384 AND WE GOT INTO AN ARGUMENT ABOUT A PLANNED TRIP TO LONDON. 2467 02:10:51,552 --> 02:10:53,177 I WAS GOING TO AN AUCTION, 2468 02:10:53,387 --> 02:10:55,721 AND BILLY WAS GOING TO ACCOMPANY ME 2469 02:10:55,931 --> 02:10:57,306 BECAUSE OF MY CONDITION. 2470 02:10:57,516 --> 02:10:59,767 BUT HE INSISTED ON WANTING TO TAKE MARIJUANA CIGARETTES. 2471 02:10:59,977 --> 02:11:03,229 I DO NOT APPROVE OF DRUGS, AND I TOLD HIM HE COULD NOT GO. 2472 02:11:03,438 --> 02:11:04,856 HE BECAME VERBALLY ABUSIVE, 2473 02:11:05,065 --> 02:11:07,233 AND I ORDERED BILLY OUT OF THE HOUSE. 2474 02:11:07,442 --> 02:11:08,776 HE WENT INTO THE HALLWAY. 2475 02:11:08,986 --> 02:11:11,571 THE ARGUMENT CONTINUED OUT THERE FOR A WHILE. 2476 02:11:11,780 --> 02:11:13,739 AND THEN HE KNOCKED OVER A CLOCK. 2477 02:11:13,949 --> 02:11:15,449 I WENT INTO THE OFFICE TO CALL THE POLICE, 2478 02:11:15,659 --> 02:11:17,535 AND HE FOLLOWED ME IN THERE WITH THE GUN IN HIS HAND. 2479 02:11:17,744 --> 02:11:18,911 HE SAID -- 2480 02:11:19,121 --> 02:11:21,581 AND I`LL NEVER FORGET THIS AS LONG AS I LIVE -- 2481 02:11:21,790 --> 02:11:24,250 HE SAID, ``I MIGHT LEAVE TOMORROW, 2482 02:11:24,459 --> 02:11:27,003 BUT, GOD DAMN IT, YOU`RE LEAVIN` TONIGHT!`` 2483 02:11:29,131 --> 02:11:31,883 AND THE SECOND I SAW THAT LUGER, I GOT OUT OF THE WAY. 2484 02:11:32,092 --> 02:11:34,260 I REACHED INTO THE DRAWER FOR MY OWN WEAPON, 2485 02:11:34,469 --> 02:11:36,345 AND AS I CAME UP, 2486 02:11:36,555 --> 02:11:38,598 THE FIRST SHOT I FELT BREEZE BY MY SHOULDER. 2487 02:11:42,519 --> 02:11:44,186 AND I FIRED. 2488 02:11:47,816 --> 02:11:49,442 I DON`T REMEMBER HOW MANY TIMES. 2489 02:11:52,112 --> 02:11:54,697 IT WAS HORRIBLE. 2490 02:12:18,013 --> 02:12:20,973 Sonny: WELL, SAVANNAHIANS, 2491 02:12:21,183 --> 02:12:25,269 OUR PATHS CROSS FROM TIME TO TIME, 2492 02:12:25,479 --> 02:12:27,480 GREET EACH OTHER, 2493 02:12:27,689 --> 02:12:30,191 SMILE HERE, NOD THERE. 2494 02:12:30,400 --> 02:12:32,860 BUT EVEN IF WE DON`T KNOW EACH OTHER, 2495 02:12:33,070 --> 02:12:35,154 WE HAVE ONE THING IN COMMON -- 2496 02:12:35,364 --> 02:12:39,033 THIS BEAUTIFUL PLACE WHERE WE ALL LIVE. 2497 02:12:39,242 --> 02:12:42,411 AND AS ONE SAVANNAHIAN TO TWELVE, 2498 02:12:42,621 --> 02:12:45,456 I`D LIKE TO THANK YOU... 2499 02:12:45,666 --> 02:12:48,209 FOR YOUR CIVIC PRIDE, 2500 02:12:48,418 --> 02:12:50,044 FOR YOUR DILIGENCE, 2501 02:12:50,253 --> 02:12:54,674 AND HERE IN THIS COURTROOM, FOR YOUR RAPT ATTENTION. 2502 02:12:54,883 --> 02:12:56,717 I WATCHED YOU TAKIN` NOTES. 2503 02:12:56,927 --> 02:13:00,513 NOW, THE PROSECUTION HERE STARTED THIS WHOLE THlNG 2504 02:13:00,722 --> 02:13:03,891 WITH QUOTIN` SOMEONE BY THE NAME OF HOBBES. 2505 02:13:04,101 --> 02:13:05,810 I DON`T KNOW WHO THAT IS. 2506 02:13:06,019 --> 02:13:09,814 BUT I DO KNOW WHO PERRY MASON IS. 2507 02:13:09,982 --> 02:13:12,775 Y`ALL WATCH ``PERRY MASON``? 2508 02:13:12,985 --> 02:13:15,152 WELL, I DO. 2509 02:13:15,362 --> 02:13:17,655 AND I GOT TO THINKIN` 2510 02:13:17,864 --> 02:13:20,741 IF SOME TV WRITER WAS TO COME TO PERRY MASON 2511 02:13:20,951 --> 02:13:23,661 AND SAY, ``HERE YOU ARE, MR. RAYMOND BURR. 2512 02:13:23,870 --> 02:13:25,454 HERE`S A STORY LIKE THIS.`` 2513 02:13:25,664 --> 02:13:27,581 YOU KNOW WHAT I THINK HE`D SAY? 2514 02:13:27,791 --> 02:13:29,583 I THINK OLD RAYMOND WOULD SAY, 2515 02:13:29,793 --> 02:13:33,462 [ Imitating Raymond Burr ] ``THAT`S NOT A VERY GOOD STORY. 2516 02:13:33,672 --> 02:13:36,382 ``I WOULDN`T HAVE TO BE A VERY GOOD LAWYER 2517 02:13:36,591 --> 02:13:38,926 TO GET THAT MAN OFF, NOW, WOULD I?`` 2518 02:13:39,136 --> 02:13:41,095 [ Normal voice ] HE`D BE RIGHT. 2519 02:13:43,056 --> 02:13:46,225 BECAUSE BY ALL THE EVIDENCE, 2520 02:13:46,435 --> 02:13:50,312 JIM WILLIAMS IS AN INNOCENT MAN. 2521 02:13:50,522 --> 02:13:53,315 NOW, I`M NOT PERRY MASON. 2522 02:13:53,525 --> 02:13:56,110 I`M NOT SOME TV LAWYER. 2523 02:13:56,319 --> 02:14:01,949 SO I GOT TO SCRATCH AND TEAR AT THE PROSECUTION`S CASE, 2524 02:14:02,159 --> 02:14:04,994 TRYIN` TO WHITTLE IT DOWN TO NOTHIN`. 2525 02:14:05,203 --> 02:14:07,913 AND DARNED IF I DON`T THINK I HAVE. 2526 02:14:08,123 --> 02:14:11,709 BECAUSE THE FABRICATION OF THE PROSECUTION`S CASE 2527 02:14:11,918 --> 02:14:14,962 JUST COMES TUMBLIN` ALL DOWN INTO PIECES 2528 02:14:15,172 --> 02:14:17,256 WHEN YOU CONSIDER 2529 02:14:17,466 --> 02:14:20,092 HOW DETECTIVE BOONE HAS CONSISTENTLY LIED 2530 02:14:20,302 --> 02:14:23,179 ABOUT BAGGIN` THE HANDS. 2531 02:14:26,058 --> 02:14:29,226 NOW, DOES THAT SURPRISE YOU -- 2532 02:14:29,436 --> 02:14:31,937 THAT A DETECTIVE WOULD LlE? 2533 02:14:32,147 --> 02:14:34,065 WELL, OF COURSE HE WILL. 2534 02:14:34,274 --> 02:14:35,775 HE`S NOT A BAD MAN. 2535 02:14:35,984 --> 02:14:39,278 BUT HOW ELSE IS HE GONNA PLAY THE CARDS 2536 02:14:39,488 --> 02:14:42,239 THAT HAVE BEEN DEALT TO HIM FROM A PACK OF LIES? 2537 02:14:42,449 --> 02:14:48,370 NOW, IF JIM WILLIAMS IS GUILTY OF ANYTHIN`... 2538 02:14:48,580 --> 02:14:52,833 HE`S GUILTY OF BAD ASSOCIATION. 2539 02:14:53,043 --> 02:14:56,837 BUT THAT`S NOT WHAT HE`S ON TRIAL FOR. 2540 02:14:57,047 --> 02:14:58,756 NOW, IF YOU DON`T LIKE, 2541 02:14:58,965 --> 02:15:02,134 OR IF YOU DON`T COTTON TO HIS LIFESTYLE, 2542 02:15:02,344 --> 02:15:04,136 JUST THINK ABOUT THIS -- 2543 02:15:04,346 --> 02:15:07,598 WE DEAL WITH THESE PEOPLE ALL THE TIME -- 2544 02:15:07,808 --> 02:15:09,141 SOME GOOD... 2545 02:15:09,351 --> 02:15:11,435 SOME BAD. 2546 02:15:11,645 --> 02:15:13,938 THEY`RE A PART OF OUR COMMUNITY. 2547 02:15:15,732 --> 02:15:17,983 AND YOU CAN`T JUDGE A MAN FOR THAT. 2548 02:15:18,193 --> 02:15:20,444 THIS IS GOD`S WORLD. 2549 02:15:20,654 --> 02:15:23,405 LET GOD BE THE JUDGE OF THAT. 2550 02:15:25,075 --> 02:15:29,078 AND LET YOU GOOD FOLKS BE THE JUDGE OF THIS. 2551 02:15:31,915 --> 02:15:33,374 COME ON, NOW. 2552 02:15:35,836 --> 02:15:38,671 LET THIS MAN GO HOME. 2553 02:15:41,883 --> 02:15:44,301 HE`S HAD ENOUGH. 2554 02:15:50,308 --> 02:15:52,143 THANK YOU. 2555 02:16:29,681 --> 02:16:33,809 MR. FOREMAN, HAS THE JURY REACHED A VERDICT? 2556 02:16:34,019 --> 02:16:36,228 YES, WE HAVE, YOUR HONOR. 2557 02:16:36,438 --> 02:16:38,230 IS IT UNANIMOUS? 2558 02:16:38,440 --> 02:16:40,316 YES. 2559 02:16:43,904 --> 02:16:46,780 HAND IT TO THE SHERIFF, PLEASE. 2560 02:16:59,461 --> 02:17:01,754 PICK THAT UP. 2561 02:17:04,174 --> 02:17:08,469 HAND IT TO ME. 2562 02:17:14,517 --> 02:17:18,062 GIVE IT BACK TO HIM. 2563 02:17:28,949 --> 02:17:32,493 THE DEFENDANT AND ATTORNEYS RISE, PLEASE. 2564 02:17:34,955 --> 02:17:36,872 PUBLISH THE VERDICT. 2565 02:17:37,082 --> 02:17:38,832 [ CLEARS THROAT ] 2566 02:17:39,042 --> 02:17:42,753 WE, THE JURY, FIND THE DEFENDANT... 2567 02:17:42,963 --> 02:17:44,713 NOT GUILTY. 2568 02:17:44,923 --> 02:17:46,382 [ SCATTERED APPLAUSE ] 2569 02:17:46,591 --> 02:17:48,509 YES! 2570 02:17:54,057 --> 02:17:57,309 Judge: MEMBERS OF THE JURY, THIS CONCLUDES YOUR WORK. 2571 02:17:57,519 --> 02:17:59,103 YOU`VE RENDERED A GREAT SERVICE TO SAVANNAH 2572 02:17:59,312 --> 02:18:01,563 AND THE CHATHAM COUNTY. 2573 02:18:01,773 --> 02:18:04,775 I`M GONNA DISMISS YOU NOW WITH THE THANKS OF THE COURT. 2574 02:18:04,985 --> 02:18:06,944 [ GAVEL BANGS ] 2575 02:18:13,076 --> 02:18:14,910 FANTASTIC. 2576 02:18:18,665 --> 02:18:20,332 CONGRATULATIONS, JIM. 2577 02:18:20,542 --> 02:18:21,834 THANK YOU, JOHN. 2578 02:18:24,838 --> 02:18:26,422 GOODBYE. 2579 02:18:26,631 --> 02:18:29,049 YES, BLESS YOU. 2580 02:18:29,259 --> 02:18:30,968 GOD BLESS. 2581 02:18:53,908 --> 02:18:55,784 Minerva: HEY, BOY. 2582 02:18:59,414 --> 02:19:02,291 WHAT DO YOU GOT? 2583 02:19:02,500 --> 02:19:04,293 COME ON DOWN. 2584 02:19:04,502 --> 02:19:07,880 WE GOT TO GO VISIT THE BOY. 2585 02:19:11,468 --> 02:19:14,136 WE GOT TO MAKE HIM QUIT WORKIN` JAMES. 2586 02:19:14,346 --> 02:19:16,430 THE TRIAL`S OVER, MINERVA. 2587 02:19:16,639 --> 02:19:19,850 BILLY CAN`T DO ANYTHlNG TO JAMES NOW. 2588 02:19:20,060 --> 02:19:22,061 WHY I COME TO YOU? 2589 02:19:22,270 --> 02:19:27,941 BECAUSE YOU OUT OF EVERYBODY KNOW IT AIN`T OVER YET. 2590 02:19:28,151 --> 02:19:29,526 I KNOW, 2591 02:19:29,736 --> 02:19:31,028 THE BOY KNOW, 2592 02:19:31,237 --> 02:19:34,948 AND YOU KNOW JUSTICE AIN`T BEEN DONE YET. 2593 02:19:41,081 --> 02:19:45,376 I`LL COME DOWN FOR A MINUTE. 2594 02:19:45,585 --> 02:19:47,503 I DON`T KNOW ABOUT THIS. 2595 02:19:47,712 --> 02:19:50,964 THAT`S EXACTLY WHY YOU COME THIS FAR. 2596 02:20:18,410 --> 02:20:21,787 BILLY ALWAYS LOVED WILD TURKEY. 2597 02:20:21,996 --> 02:20:24,665 HE AIN`T HAPPY HERE. 2598 02:20:27,001 --> 02:20:29,128 AIN`T WHAT HE THOUGHT IT`D BE. 2599 02:20:31,297 --> 02:20:32,881 IF YOU AIN`T lN HEAVEN YET, 2600 02:20:33,091 --> 02:20:35,426 YOU WANT TO GET THERE, DON`T YOU, BOY? 2601 02:20:37,303 --> 02:20:40,681 WELL, THE ONLY WAY YOU GONNA GET UP 2602 02:20:40,890 --> 02:20:44,184 IS IF YOU QUIT PLAYIN` WITH JAMES. 2603 02:20:56,281 --> 02:20:58,949 I HAVE INFLUENCE WITH THE DEAD. 2604 02:20:59,159 --> 02:21:00,784 THEY CAN LIFT YOU UP. 2605 02:21:00,994 --> 02:21:03,787 NOBODY ELSE CAN DO THAT FOR YOU -- 2606 02:21:03,997 --> 02:21:05,539 NOBODY. 2607 02:21:13,882 --> 02:21:16,133 DON`T YOU LAUGH AT ME! 2608 02:21:16,342 --> 02:21:19,678 YOU THINK YOU HAD A HARSH LIFE! 2609 02:21:19,888 --> 02:21:21,638 YOU GOT NO IDEA! 2610 02:21:25,810 --> 02:21:28,854 NEVER HAD NO BILLS TO PAY, 2611 02:21:29,063 --> 02:21:31,148 NO CHILDREN TO FEED, 2612 02:21:31,357 --> 02:21:33,233 NO HOUSE TO CLEAN! 2613 02:21:33,443 --> 02:21:36,111 YOU HAD IT EASY. 2614 02:21:36,321 --> 02:21:40,616 WELL, YOU CAN JUST LAY THERE. 2615 02:22:07,310 --> 02:22:10,312 [ SOFT JAZZ MUSIC PLAYING ] 2616 02:22:13,858 --> 02:22:16,193 WHERE`S JIM? 2617 02:22:33,586 --> 02:22:35,963 THANKS FOR DROPPIN` BY. 2618 02:22:36,172 --> 02:22:37,422 HELLO, JIM. 2619 02:22:37,632 --> 02:22:42,469 OH, I`VE, UH, FINISHED MY CHRISTMAS PARTY LIST. 2620 02:22:42,679 --> 02:22:43,804 AND, UH... 2621 02:22:44,013 --> 02:22:45,806 YOU MADE THE CUT. 2622 02:22:46,015 --> 02:22:48,809 WELL, I`M HONORED, BUT I WON`T BE HERE, JIM. 2623 02:22:49,018 --> 02:22:51,019 OH? MANY WILL BE DISAPPOINTED. 2624 02:22:51,229 --> 02:22:54,690 SO, OBVIOUSLY YOU`VE DECIDED TO STAY IN TOWN, JIM. 2625 02:22:54,899 --> 02:22:56,358 MM-HMM, YES. 2626 02:22:56,568 --> 02:22:59,528 LIVING HERE PlSSES OFF ALL THE RIGHT PEOPLE. 2627 02:22:59,737 --> 02:23:01,655 WHAT CAN I DO FOR YOU? 2628 02:23:01,864 --> 02:23:04,658 OH, I HAVE SOMETHING FOR YOU. 2629 02:23:04,867 --> 02:23:07,786 YUSUPOV`S DAGGER MAY HAVE SEEMED MORE USEFUL 2630 02:23:07,996 --> 02:23:09,997 GIVEN YOUR CHOSEN PROFESSION, 2631 02:23:10,206 --> 02:23:13,125 BUT THE PAINTING SOMEHOW SEEMED APPROPRIATE. 2632 02:23:13,334 --> 02:23:14,876 I HOPE YOU WILL ACCEPT IT 2633 02:23:15,086 --> 02:23:17,379 AS AN EXPRESSlON OF MY GRATITUDE. 2634 02:23:17,589 --> 02:23:19,840 ``NEWMARKET HEATH,`` THE OVERPAINT. 2635 02:23:20,049 --> 02:23:21,550 THANK YOU. 2636 02:23:21,759 --> 02:23:24,886 I`LL HAVE IT -- I`LL HAVE IT SENT ALONG. 2637 02:23:25,096 --> 02:23:28,307 WELL, I DON`T WANT TO KEEP YOU FROM YOUR PARTY, JIM. 2638 02:23:31,769 --> 02:23:33,770 BUT, JIM, ONE MORE QUESTION -- 2639 02:23:33,938 --> 02:23:35,480 YOU KNOW, FOR THE BOOK -- 2640 02:23:37,692 --> 02:23:40,319 DO YOU WANT TO TELL ME WHAT REALLY HAPPENED THAT NIGHT? 2641 02:23:44,741 --> 02:23:47,117 [ SIGHS ] 2642 02:23:47,285 --> 02:23:49,411 SPORT... 2643 02:23:49,621 --> 02:23:51,246 TRUTH, LIKE ART, 2644 02:23:51,456 --> 02:23:54,750 IS IN THE EYE OF THE BEHOLDER. 2645 02:23:57,253 --> 02:23:59,463 YOU BELIEVE WHAT YOU CHOOSE, 2646 02:23:59,672 --> 02:24:02,633 AND I`LL BELIEVE WHAT I KNOW. 2647 02:24:04,260 --> 02:24:06,011 GOOD LUCK, JIM. 2648 02:24:52,266 --> 02:24:53,892 [ GUNSHOT ] 2649 02:25:01,567 --> 02:25:05,696 Billy: OH, YOU THINK YOU CAN?! 2650 02:25:05,905 --> 02:25:09,116 BULL! 2651 02:25:09,325 --> 02:25:11,785 TELL YOU WHAT, JIMMY... 2652 02:25:14,497 --> 02:25:16,915 [ HEARTBEAT POUNDING ] 2653 02:25:50,283 --> 02:25:55,412 [ HEARTBEAT SLOWS, STOPS ] 2654 02:26:36,412 --> 02:26:39,039 HEY... 2655 02:26:39,248 --> 02:26:41,833 WHY DON`T YOU COME IN? 2656 02:26:42,043 --> 02:26:45,003 I NEVER ENTER THE OFFICE ON SUNDAY -- 2657 02:26:45,213 --> 02:26:46,838 BAD JUJU. 2658 02:26:47,048 --> 02:26:48,256 HUH. 2659 02:26:48,466 --> 02:26:50,300 WELL, I STILL GOT A LOT OF QUESTIONS. 2660 02:26:50,510 --> 02:26:51,927 [ CHUCKLES ] 2661 02:26:52,136 --> 02:26:53,970 YOU KNOW ALL YOU NEED TO KNOW. 2662 02:26:54,138 --> 02:26:55,472 ONE THING -- 2663 02:26:55,681 --> 02:26:58,016 DON`T COMMUNE SO LONG WITH THE DEAD 2664 02:26:58,226 --> 02:26:59,684 YOU FORGET THE LIVIN`. 2665 02:27:04,607 --> 02:27:06,274 WHAT`S THIS? 2666 02:27:06,484 --> 02:27:09,611 [ CHUCKLES ] 2667 02:27:16,953 --> 02:27:20,705 I LOVE YOU, BOY, BUT I AIN`T THE ONLY ONE. 2668 02:27:20,873 --> 02:27:23,041 YOU KNOW THAT, DON`T YOU? 2669 02:27:25,127 --> 02:27:29,047 [ LAUGHS ] 2670 02:27:42,937 --> 02:27:45,021 HOW LONG`S YOUR LEASE? 2671 02:27:47,108 --> 02:27:49,901 SIX MONTHS. 2672 02:27:50,111 --> 02:27:52,821 WELCOME TO SAVANNAH. 2673 02:27:53,030 --> 02:27:54,990 YOU HUNGRY? YEAH. 2674 02:27:55,199 --> 02:27:57,075 COME ON. LET`S GO, GIRL. 2675 02:27:57,285 --> 02:27:59,494 [ Laughing ] YEP, THAT`S IT. 2676 02:27:59,704 --> 02:28:02,372 UH-OH. 2677 02:28:02,540 --> 02:28:06,293 HI. NOW, YOU TWO KNOW 2678 02:28:06,502 --> 02:28:09,880 YOU`RE NOT GOING ANYWHERE WITHOUT A CHAPERON. 2679 02:28:10,089 --> 02:28:12,883 I COOKED MY CHABLIS` FAMOUS CHICKEN. 2680 02:28:13,092 --> 02:28:14,759 LET`S GO HAVE A PICNIC. 2681 02:28:14,969 --> 02:28:16,636 AND GUESS WHAT, JOHN? WHAT? 2682 02:28:16,846 --> 02:28:19,973 YOU GET YOUR CHOICE OF BREAST OR THIGH. 2683 02:28:20,182 --> 02:28:22,851 WHAT`S IT CALLED -- THE CHICKEN? 2684 02:28:23,060 --> 02:28:25,020 CHABLIS` KICKIN` CHICKEN. 2685 02:28:30,401 --> 02:28:32,277 STILL WALKIN` THE DOG, MR. GLOVER? 2686 02:28:32,486 --> 02:28:33,695 YES, SIR. 2687 02:28:33,905 --> 02:28:35,697 PATRICK DO LIKE HIS MORNING WALK. 2688 02:28:35,907 --> 02:28:38,575 WELL, PATRICK IS WALKIN` KIND OF FAST THIS MORNIN`, 2689 02:28:38,784 --> 02:28:40,076 ISN`T HE? 2690 02:28:40,286 --> 02:28:41,661 YEAH. 2691 02:28:48,961 --> 02:28:50,754 [ CHUCKLING ] 2692 02:28:58,763 --> 02:29:01,514 [ CHATTERING ] 2693 02:29:33,547 --> 02:29:37,759 ♪♪ SKYLARK ♪♪ 2694 02:29:37,969 --> 02:29:46,726 ♪♪ HAVE YOU ANYTHING TO SAY TO ME? ♪♪ 2695 02:29:46,936 --> 02:29:55,026 ♪♪ CAN YOU TELL ME WHERE MY LOVE CAN BE? ♪♪ 2696 02:29:55,236 --> 02:30:03,910 ♪♪ IS THERE A MEADOW IN THE MIST? ♪♪ 2697 02:30:04,120 --> 02:30:12,836 ♪♪ WHERE SOMEONE`S WAITING TO BE KISSED? ♪♪ 2698 02:30:13,045 --> 02:30:17,465 ♪♪ SKYLARK ♪♪ 2699 02:30:17,675 --> 02:30:25,056 ♪♪ HAVE YOU SEEN A VALLEY GREEN WITH SPRING ♪♪ 2700 02:30:25,266 --> 02:30:32,522 ♪♪ WHERE MY HEART CAN GO A-JOURNEYING ♪♪ 2701 02:30:32,690 --> 02:30:37,652 ♪♪ OVER THE SHADOWS AND THE RAIN ♪♪ 2702 02:30:37,862 --> 02:30:42,240 ♪♪ TO A BLOSSOM-COVERED LANE? ♪♪ 2703 02:30:42,450 --> 02:30:47,454 ♪♪ AND IN YOUR LONELY FLIGHT ♪♪ 2704 02:30:47,663 --> 02:30:55,045 ♪♪ HAVEN`T YOU HEARD THE MUSIC IN THE NIGHT ♪♪ 2705 02:30:55,254 --> 02:30:58,298 ♪♪ WONDERFUL MUSIC ♪♪ 2706 02:30:58,507 --> 02:31:02,010 ♪♪ FAINT AS A WILL-O`-THE-WISP ♪♪ 2707 02:31:02,219 --> 02:31:05,680 ♪♪ CRAZY AS A LOON ♪♪ 2708 02:31:05,890 --> 02:31:12,854 ♪♪ SAD AS A GYPSY SERENADING THE MOON ♪♪ 2709 02:31:13,064 --> 02:31:17,609 ♪♪ SKYLARK ♪♪ 2710 02:31:17,777 --> 02:31:25,700 ♪♪ I DON`T KNOW IF YOU CAN FIND THESE THINGS ♪♪ 2711 02:31:25,910 --> 02:31:32,457 ♪♪ BUT MY HEART IS RIDING ON YOUR WINGS ♪♪ 2712 02:31:32,666 --> 02:31:36,544 ♪♪ SO IF YOU SEE THEM ANYWHERE ♪♪ 2713 02:31:36,754 --> 02:31:41,382 ♪♪ WON`T YOU LEAD ME THERE? ♪♪ 2714 02:31:41,592 --> 02:31:43,843 [ SAXOPHONE SOLO ] 2715 02:32:19,630 --> 02:32:24,509 ♪♪ SKYLARK ♪♪ 2716 02:32:24,718 --> 02:32:31,891 ♪♪ I DON`T KNOW IF YOU CAN FIND THESE THINGS ♪♪ 2717 02:32:32,101 --> 02:32:39,607 ♪♪ BUT MY HEART IS RIDING ON YOUR WINGS ♪♪ 2718 02:32:39,817 --> 02:32:45,280 ♪♪ SO IF YOU SEE THEM ANYWHERE ♪♪ 2719 02:32:45,489 --> 02:32:54,747 ♪♪ WON`T YOU LEAD ME THERE? ♪♪♪♪ 2720 02:32:54,957 --> 02:33:05,258 ♪♪ SOMEDAY WE`LL BE CLOSE TOGETHER ♪♪ 2721 02:33:05,467 --> 02:33:10,013 ♪♪ WAIT AND SEE ♪♪ 2722 02:33:10,222 --> 02:33:15,435 ♪♪ OH, BY THE WAY ♪♪ 2723 02:33:15,644 --> 02:33:24,277 ♪♪ THIS TIME THE DREAM`S ON ME ♪♪ 2724 02:33:24,486 --> 02:33:31,993 ♪♪ YOU`LL TAKE MY HAND ♪♪ 2725 02:33:32,203 --> 02:33:38,791 ♪♪ AND YOU`LL LOOK AT ME ADORINGLY ♪♪ 2726 02:33:39,001 --> 02:33:45,215 ♪♪ BUT AS THINGS STAND ♪♪ 2727 02:33:45,424 --> 02:33:54,224 ♪♪ THIS TIME THE DREAM`S ON ME ♪♪ 2728 02:33:54,433 --> 02:34:01,606 ♪♪ IT WOULD BE FUN ♪♪ 2729 02:34:01,815 --> 02:34:08,655 ♪♪ TO BE CERTAIN THAT I`M THE ONE ♪♪ 2730 02:34:08,864 --> 02:34:14,410 ♪♪ TO KNOW THAT I AT LEAST ♪♪ 2731 02:34:14,578 --> 02:34:22,543 ♪♪ SUPPLY THE SHOULDER YOU CRY ON ♪♪ 2732 02:34:22,753 --> 02:34:30,260 ♪♪ TO SEE YOU THROUGH ♪♪ 2733 02:34:30,469 --> 02:34:36,891 ♪♪ TILL YOU`RE EVERYTHING YOU OUGHT TO BE ♪♪ 2734 02:34:37,101 --> 02:34:43,773 ♪♪ IT CAN`T BE TRUE BUT ♪♪ 2735 02:34:43,983 --> 02:34:52,240 ♪♪ THIS TIME THE DREAM`S ON ME ♪♪ 193684