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00:00:05,667 --> 00:00:11,133
Narrator: IN THIS WORLD,
THERE IS REAL EVIL
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00:00:11,167 --> 00:00:15,767
IN THE DARKEST SHADOWS
AND IN THE MOST ORDINARY PLACES.
3
00:00:15,800 --> 00:00:18,600
THESE ARE THE TRUE STORIES
OF THE INNOCENT
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00:00:18,633 --> 00:00:20,100
AND THE UNIMAGINABLE.
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00:00:22,267 --> 00:00:25,800
WHEN THE HINSHAW FAMILY
MOVES INTO SUMMERWIND,
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00:00:25,833 --> 00:00:29,400
THE HOUSE SPEAKS TO THEM
IN WHISPERS.
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00:00:29,433 --> 00:00:33,433
IN TIME,
WHISPERS BECOME SCREAMS...
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00:00:33,467 --> 00:00:38,133
AND BURIED SECRETS
LEAD TO POSSESSION.
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00:00:38,167 --> 00:00:41,033
THE FAMILY MUST CALM
RESTLESS SPIRITS
10
00:00:41,067 --> 00:00:45,133
BEFORE THE HOUSE...
CONSUMES THEM ALL.
11
00:00:46,867 --> 00:00:51,500
BETWEEN THE WORLD WE SEE
AND THE THINGS WE FEAR...
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00:00:54,600 --> 00:00:56,767
...THERE ARE DOORS.
13
00:00:56,800 --> 00:01:03,333
WHEN THEY ARE OPENED...
NIGHTMARES BECOME REALITY.
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00:01:10,667 --> 00:01:13,667
ON THE SHORES
OF WEST BAY LAKE, WISCONSIN,
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00:01:13,700 --> 00:01:17,600
THERE STOOD AN OLD MANSION...
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00:01:17,633 --> 00:01:21,667
A CHAMBER FOR RESTLESS SOULS.
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00:01:25,800 --> 00:01:29,967
FOR 70 YEARS,
WHOEVER WALKED ITS HALLS...
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00:01:31,933 --> 00:01:36,700
...WALKED SIDE BY SIDE...
WITH THE DEAD.
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IT'S THE SUMMER OF 1969
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00:01:52,133 --> 00:01:56,500
WHEN GINGER HINSHAW
FIRST SETS EYES ON SUMMERWIND.
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00:02:00,500 --> 00:02:01,933
IT'S BEAUTIFUL.
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00:02:01,967 --> 00:02:05,067
SHE WAS VISITING A FRIEND
WHO SUGGESTED A TRIP
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00:02:05,067 --> 00:02:08,500
TO WHAT THE LOCALS REFER
TO AS THE OLD HAUNTED HOUSE.
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00:02:08,533 --> 00:02:11,100
DO YOU MIND?
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00:02:13,533 --> 00:02:15,300
I'D LIKE TO LOOK AT IT.
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00:02:15,333 --> 00:02:18,733
THE MANSION HAD REMAINED VACANT
FOR 40 YEARS,
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HOME ONLY TO BATS AND THE WIND.
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Ginger: I FELL IN LOVE
WITH THE HOUSE IMMEDIATELY.
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IT'S ENORMOUS.
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00:02:30,133 --> 00:02:32,833
I HAD TO HAVE IT.
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00:02:32,867 --> 00:02:37,967
ABSOLUTELY WANTED THAT HOUSE
IN THE WORST WAY.
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00:02:38,067 --> 00:02:43,067
FELT SORRY FOR THE HOUSE.
REALLY, REALLY SORRY.
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00:02:43,100 --> 00:02:45,300
I LOVE THIS PLACE.
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00:02:45,333 --> 00:02:49,267
Narrator: GINGER IS THE MOTHER
OF FOUR YOUNG CHILDREN.
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00:02:49,300 --> 00:02:51,133
SHE'S RECENTLY REMARRIED.
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00:02:51,167 --> 00:02:54,933
HAVING MOVED MANY TIMES BEFORE,
SHE ENVISIONS SUMMERWIND
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00:02:54,967 --> 00:02:58,133
TO BE THE LAST HOME
HER FAMILY WILL EVER NEED.
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00:02:58,167 --> 00:03:03,067
Ginger: I THOUGHT IT HAD GREAT
POTENTIAL ON A BEAUTIFUL SITE.
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00:03:05,167 --> 00:03:08,100
BUT EVERYBODY KEPT SAYING,
"THAT'S THE HAUNTED HOUSE."
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00:03:08,133 --> 00:03:12,300
I SAID, "WELL, FINE, THEN I'M
LIVING IN THE HAUNTED HOUSE."
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00:03:36,700 --> 00:03:40,067
Narrator: GINGER IS EXCITED TO
SHOW THE MANSION TO HER FAMILY.
42
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HER HUSBAND, ARNOLD, OWNS
A CONSTRUCTION BUSINESS
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00:03:49,133 --> 00:03:51,267
AND IMMEDIATELY
SEES THE POTENTIAL
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00:03:51,300 --> 00:03:53,067
OF THE SPRAWLING ESTATE.
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00:03:53,100 --> 00:03:54,333
IT'S A MESS.
46
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WOW.
47
00:03:55,433 --> 00:03:57,300
CAREFUL, TIMMY.
48
00:03:59,900 --> 00:04:04,233
9-YEAR-OLD APRIL
IS LESS ENTHUSIASTIC.
49
00:04:04,267 --> 00:04:08,933
April: THIS PLACE WAS HUGE.
50
00:04:08,967 --> 00:04:11,367
YEAH!YEAH!
51
00:04:11,400 --> 00:04:13,967
DINGY, NO PAINT.
52
00:04:14,067 --> 00:04:15,567
LOOK AT THIS MESS.
53
00:04:15,600 --> 00:04:16,567
DECREPIT.
54
00:04:16,600 --> 00:04:17,800
YOU'LL HAVE TO FIX IT UP.
55
00:04:17,833 --> 00:04:21,267
AND I'M THINKING,
"WE'RE GOING TO LIVE HERE?"
56
00:04:21,300 --> 00:04:23,533
IT'LL BE OKAY.
WE'LL FIX HER UP.
57
00:04:23,567 --> 00:04:27,400
AND IMMEDIATELY BEING
POSSESSED OF A FEELING
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00:04:27,433 --> 00:04:29,633
THAT I DIDN'T WANT TO BE THERE.
59
00:04:30,867 --> 00:04:34,700
Narrator: WITHIN A MONTH,
THE FAMILY MOVES IN.
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00:04:34,733 --> 00:04:37,467
GINGER AND ARNOLD
PUT ALL THEIR ENERGY
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00:04:37,500 --> 00:04:39,233
INTO RENOVATING
THE OLD MANSION.
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00:04:42,600 --> 00:04:45,400
GINGER BECOMES
INEXPLICABLY DRIVEN
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00:04:45,433 --> 00:04:49,400
TO RESTORE THE MANSION
TO ITS ORIGINAL STATE.
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00:04:49,433 --> 00:04:53,633
AS IF SOMEONE
OR SOMETHING IS GUIDING HER.
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00:04:53,667 --> 00:04:55,933
Ginger: I WAS OBSESSED.
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00:04:55,967 --> 00:05:02,900
I TRIED 11 DIFFERENT COLORS
OF PAINT TO MATCH THAT WOODWORK.
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00:05:02,933 --> 00:05:08,967
I HAD AN ASSIGNMENT.
I HAD A JOB TO DO.
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00:05:09,067 --> 00:05:13,267
Narrator: AS GINGER FIXATES
ON THE ENDLESS RENOVATIONS,
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00:05:13,300 --> 00:05:16,700
ARNOLD BEGINS TO LOSE INTEREST
IN THE HOUSE.
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00:05:19,167 --> 00:05:22,500
Ginger: HE WOULD WANDER AROUND,
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00:05:22,533 --> 00:05:26,067
DO THINGS AND THEN NOT DO
THINGS, NEVER FINISHED,
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BUT I KEPT WORKING.
73
00:05:27,733 --> 00:05:30,633
Narrator: AS THE DAYS PASS,
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00:05:30,667 --> 00:05:34,500
GINGER AND THE REST
OF THE FAMILY
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00:05:34,533 --> 00:05:37,933
BEGIN TO EXPERIENCE
STRANGE PHENOMENA.
76
00:05:44,900 --> 00:05:47,467
Ginger: THE CHAIRS WOULD MOVE.
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IT WOULD BE THERE,
78
00:05:48,733 --> 00:05:51,200
AND THEN IT WOULD BE OVER THERE
AGAINST THE WALL.
79
00:06:04,067 --> 00:06:08,933
April: NO MATTER WHAT ROOM, WHAT
AREA OF THE HOUSE YOU WERE IN,
80
00:06:08,967 --> 00:06:13,533
YOU WERE WATCHED.
81
00:06:13,567 --> 00:06:16,300
I ALWAYS FELT THAT.
82
00:06:16,333 --> 00:06:19,167
AND I THINK ALL THE KIDS
FELT THIS.
83
00:06:23,800 --> 00:06:28,267
Narrator: GINGER OFTEN HAS THE
FEELING THAT SHE IS NOT ALONE.
84
00:06:28,300 --> 00:06:29,700
[ CREAKING ]
85
00:06:32,767 --> 00:06:37,200
BUT SHE STILL REFUSES TO BELIEVE
HER HOUSE IS HAUNTED.
86
00:07:12,400 --> 00:07:14,967
WEEKS PASS.
87
00:07:15,067 --> 00:07:17,600
ARNOLD BECOMES
INCREASINGLY WITHDRAWN
88
00:07:17,633 --> 00:07:22,300
AND UNDERGOES A RADICAL CHANGE
IN PERSONALITY.
89
00:07:26,100 --> 00:07:28,333
Ginger: SO HE DOESN'T GO TO WORK
90
00:07:28,367 --> 00:07:33,767
AND HE SITS AND PLAYS HIS ORGAN,
DAILY, NIGHTLY.
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00:07:33,800 --> 00:07:37,133
SLEEPS ALL DAY,
STAYS UP ALL NIGHT.
92
00:07:39,100 --> 00:07:41,433
HE WOULDN'T ANSWER A QUESTION.
93
00:07:41,467 --> 00:07:43,367
HE KEPT LOOKING
AROUND THE ROOMS.
94
00:07:43,400 --> 00:07:45,533
HE KEPT WALKING
AROUND THE ROOMS.
95
00:07:45,567 --> 00:07:48,067
HE'D STAND OUT ON THE VERANDA
AND STARE.
96
00:07:48,067 --> 00:07:51,733
WHAT DO YOU WANT?
97
00:07:54,800 --> 00:07:56,467
WHAT DO YOU WANT?
98
00:07:56,500 --> 00:08:01,667
Narrator: ARNOLD IS TORMENTED
BY SOMETHING HE CANNOT SEE.
99
00:08:01,700 --> 00:08:05,100
WHAT DO YOU WANT?
100
00:08:05,133 --> 00:08:06,933
WHAT DO YOU WANT?
101
00:08:17,567 --> 00:08:21,767
Narrator: ONE DAY, WHILE GINGER
IS ALONE IN THE HOUSE...
102
00:08:21,800 --> 00:08:23,900
Man's voice: GINGER.
103
00:08:29,367 --> 00:08:31,267
WHO'S THERE?
104
00:08:31,300 --> 00:08:38,300
AND IT WAS A MALE VOICE --
A VERY DEEP, STRONG VOICE.
105
00:08:38,333 --> 00:08:42,067
GINGER.
106
00:08:42,067 --> 00:08:44,667
THERE'S NOBODY THERE,
107
00:08:44,700 --> 00:08:47,767
SO I STARTED UP THE STAIRS
AGAIN.
108
00:08:54,200 --> 00:08:56,533
WHO'S THERE?
109
00:09:32,767 --> 00:09:34,100
GINGER.
110
00:09:34,133 --> 00:09:35,500
WHO'S THERE?
111
00:09:41,100 --> 00:09:46,333
Narrator: GINGER CANNOT BELIEVE
SHE'S JUST SEEN A GHOST.
112
00:09:50,867 --> 00:09:53,900
Narrator: WITHIN WEEKS OF MOVING
TO SUMMERWIND,
113
00:09:53,933 --> 00:09:56,867
SOMETHING HAS MYSTERIOUSLY
TRANSFORMED ARNOLD
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00:09:56,900 --> 00:10:01,433
FROM A LOVING HUSBAND AND FATHER
INTO AN INSANELY ANGRY MAN.
115
00:10:01,467 --> 00:10:03,567
I WANT YOU TO FIND
THAT RACCOON RIGHT NOW.
116
00:10:03,600 --> 00:10:05,700
April IF YOU DID ANYTHING
TO MAKE HIM MAD,
117
00:10:05,733 --> 00:10:08,600
YOU BEARED THE BRUNT
OF HIS ANGER.
118
00:10:08,633 --> 00:10:11,600
IT WAS LIKE HE WAS BEING
POSSESSED.
119
00:10:11,633 --> 00:10:14,200
HE JUST SEEMED TO BE MORE EVIL.
120
00:10:14,233 --> 00:10:16,600
WHERE IS THAT RACCOON?
TELL ME WHERE...
121
00:10:16,633 --> 00:10:19,667
Narrator: ONE DAY THE CHILDREN'S
PET RACCOON ESCAPES,
122
00:10:19,700 --> 00:10:22,167
LAUNCHING ARNOLD
INTO A FURIOUS RAGE.
123
00:10:22,200 --> 00:10:24,400
WELL, I'M SURE
IT WAS A MISTAKE.
124
00:10:24,433 --> 00:10:28,033
Ginger:
THE CHILDREN WERE TERRIFIED.
125
00:10:28,067 --> 00:10:30,233
HE WAS JUST OUT OF IT.
126
00:10:30,267 --> 00:10:31,833
THEY ARE NOT
GOING OUT ALONE!
127
00:10:31,867 --> 00:10:33,500
THEY'RE GOING OUT
IN THE WOODS
128
00:10:33,533 --> 00:10:34,867
AND FIND THAT RACCOON
RIGHT NOW!
129
00:10:34,900 --> 00:10:36,633
NOBODY SLEEPS TONIGHT
UNTIL THAT RACCOON...
130
00:10:36,667 --> 00:10:40,533
Narrator: THE MAN GINGER FELL
IN LOVE WITH HAS DISAPPEARED.
131
00:10:40,567 --> 00:10:41,867
FIND THAT RACCOON!
132
00:10:41,900 --> 00:10:43,333
SEEMINGLY OVERNIGHT.
133
00:10:46,000 --> 00:10:51,467
April: AND HE KILLED THE RACCOON
AS A PUNISHMENT TO MY SISTER.
134
00:10:51,500 --> 00:10:54,400
THAT'S HOW EVIL HE WAS.
135
00:11:01,833 --> 00:11:03,967
SO, WE'VE BEEN WORKING
A LONG TIME...
136
00:11:04,067 --> 00:11:05,500
Narrator: GINGER TRIES HARD
137
00:11:05,533 --> 00:11:07,900
TO REGAIN A SENSE OF NORMALCY
IN HER LIFE.
138
00:11:07,933 --> 00:11:10,067
IT'S BEEN A LABOR OF LOVE,
BUT I'VE...
139
00:11:10,067 --> 00:11:12,067
SHE INVITES SOME FRIENDS
FOR A VISIT,
140
00:11:12,067 --> 00:11:14,800
TRYING TO PUT THE HOUSE
AND ARNOLD'S STRANGE BEHAVIOR
141
00:11:14,833 --> 00:11:16,067
OUT OF HER MIND.
142
00:11:16,067 --> 00:11:17,867
CHEESE AND CRACKERS?
143
00:11:17,900 --> 00:11:19,900
I'LL BE RIGHT BACK.
EXCUSE ME.
144
00:11:22,067 --> 00:11:23,600
I CAN'T BELIEVE THIS.
145
00:11:23,633 --> 00:11:25,933
THEY'VE DONE
A FANTASTIC JOB.
146
00:11:25,967 --> 00:11:27,400
I MEAN, LOOK AT IT.
147
00:11:27,433 --> 00:11:29,733
Man's voice: GINGER.
148
00:11:38,133 --> 00:11:43,067
[ WOMAN SCREAMING ]
149
00:11:43,067 --> 00:11:47,333
Narrator: GINGER'S GUESTS FLEE
WHEN THEY SEE A GHOSTLY FORM.
150
00:11:47,367 --> 00:11:49,900
I WILL NEVER FORGET THEIR FACES.
151
00:11:49,933 --> 00:11:53,433
NEVER TALKED TO THEM AGAIN.
152
00:11:53,467 --> 00:11:55,200
Narrator:
GINGER CAN NO LONGER DENY
153
00:11:55,233 --> 00:11:57,800
WHAT'S HAPPENING IN HER HOUSE.
154
00:11:57,833 --> 00:12:01,767
Ginger: THAT'S WHEN I FIRST KNEW
IT WASN'T JUST ME.
155
00:12:05,367 --> 00:12:09,633
Narrator: KNOWING SHE'S NOT
INSANE IS LITTLE CONSOLATION.
156
00:12:09,667 --> 00:12:13,767
ARNOLD DESCENDS FURTHER
INTO MADNESS,
157
00:12:13,800 --> 00:12:16,733
HIS PLAYING SOUNDING
MORE AND MORE DEMONIC.
158
00:12:43,300 --> 00:12:45,200
MOMMY.
159
00:12:48,733 --> 00:12:51,233
April:
IT JUST SEEMED TO POSSESS HIM.
160
00:12:58,067 --> 00:13:00,600
THE SONG STARTED TO CHANGE.
161
00:13:00,633 --> 00:13:04,367
THE SONG STARTED
TO BE MORE EVIL.
162
00:13:15,833 --> 00:13:18,767
Ginger: HE JUST WENT BERSERK.
163
00:13:18,800 --> 00:13:20,533
TOTALLY LOST IT.
164
00:13:20,567 --> 00:13:25,067
LOST THE BUSINESS, LOST HIMSELF,
LOST IT ALL.
165
00:13:30,800 --> 00:13:32,933
WHY DON'T YOU JUST STOP?
166
00:13:32,967 --> 00:13:34,833
IT'S THE ONLY PLEASURE I GET!
LEAVE ME ALONE!
167
00:13:34,867 --> 00:13:36,433
DO YOU HAVE ANY IDEA
WHAT TIME IT IS?
168
00:13:36,467 --> 00:13:37,967
I DON'T CARE,
JUST LEAVE ME ALONE!
169
00:13:38,067 --> 00:13:39,367
WELL, WHAT ABOUT
YOUR CHILDREN?
170
00:13:39,400 --> 00:13:40,733
I DON'T CARE.
LEAVE ME ALONE.
171
00:13:40,767 --> 00:13:41,867
THEY NEED THEIR SLEEP, TOO.
172
00:13:41,900 --> 00:13:43,100
JUST GO BACK TO SLEEP.
173
00:13:43,133 --> 00:13:45,700
STOP PLAYING!
174
00:13:45,733 --> 00:13:47,433
Narrator: APRIL AND HER SISTER
175
00:13:47,467 --> 00:13:50,200
BLAME THE HOUSE
FOR ARNOLD'S INSANITY.
176
00:13:50,233 --> 00:13:53,267
THEY REACH A POINT
OF DESPERATION.
177
00:13:53,300 --> 00:13:56,233
April: WHAT 9-YEAR-OLD AND
10-YEAR-OLD CHILD
178
00:13:56,267 --> 00:13:58,867
WANTS TO KILL THEMSELF
JUST TO ESCAPE?
179
00:13:58,900 --> 00:14:00,567
I DON'T KNOW OF ANY.
180
00:14:00,600 --> 00:14:01,767
STOP IT!
181
00:14:01,800 --> 00:14:03,533
JUST LEAVE ME ALONE,
I WANT TO KEEP PLAYING!
182
00:14:03,567 --> 00:14:04,933
HOW LONG ARE YOU GOING
TO DO THIS?
183
00:14:04,967 --> 00:14:06,367
ALL NIGHT IF I HAVE TO.
I LIKE IT!
184
00:14:06,400 --> 00:14:11,233
I KNEW MY MOM LOVED US AND
I KNEW SHE WAS STRUGGLING,
185
00:14:11,267 --> 00:14:16,633
AND I KNEW MY STEPDAD HATED US
AND HATED HER.
186
00:14:16,667 --> 00:14:20,967
HE DIDN'T BEFORE.
187
00:14:21,067 --> 00:14:24,500
AND HE CARED FOR US BEFORE.
HE DIDN'T THERE.
188
00:14:32,500 --> 00:14:36,800
Narrator: GINGER OFTEN SEEKS
REFUGE IN THE NEARBY WOODS.
189
00:14:36,833 --> 00:14:42,067
SHE IS UNABLE TO COPE WITH
WHATEVER IS HAUNTING SUMMERWIND.
190
00:14:44,800 --> 00:14:48,733
TERRIFIED TO BE
IN HER OWN HOME.
191
00:14:57,767 --> 00:15:00,067
Narrator: AS WINTER APPROACHES,
192
00:15:00,100 --> 00:15:03,700
LIFE AT SUMMERWIND
IS NEARING A CRISIS.
193
00:15:03,733 --> 00:15:05,967
April: OUR BEDROOMS WEREN'T
WARM,
194
00:15:06,067 --> 00:15:08,533
SO WE'D HAVE TO HAUL
ALL OUR MATTRESSES
195
00:15:08,567 --> 00:15:11,200
DOWN TO THE LIVING ROOM
BY THE FIREPLACE
196
00:15:11,233 --> 00:15:14,633
AND OUR BLANKETS AND SLEEP
EVERYBODY IN THE LIVING ROOM
197
00:15:14,667 --> 00:15:16,067
JUST TO STAY WARM.
198
00:15:19,633 --> 00:15:21,933
Narrator: ARNOLD HAS STOPPED
SPEAKING TO EVERYONE
199
00:15:21,967 --> 00:15:23,433
IN THE FAMILY.
200
00:15:23,467 --> 00:15:26,233
Ginger: HE'S LOST HIS BUSINESS.
201
00:15:26,267 --> 00:15:29,467
WE'RE LOSING MONEY, AND
WE'RE GOING DOWN THE DRAIN.
202
00:15:32,067 --> 00:15:35,633
Narrator: BOTH THE HEAT
AND ELECTRICITY ARE SHUT OFF
203
00:15:35,667 --> 00:15:37,167
WHEN BILLS GO UNPAID.
204
00:15:37,200 --> 00:15:42,367
A BROKEN PUMP FORCES THE FAMILY
TO CARRY WATER FROM THE LAKE.
205
00:15:42,400 --> 00:15:47,133
April: YOU START TO SET YOUR
LIFE TO WHAT'S A PRIORITY.
206
00:15:47,167 --> 00:15:52,233
HOW VALUABLE IS THE FURNITURE
VERSUS WARMTH AND SURVIVAL?
207
00:16:30,733 --> 00:16:34,533
I HATED THE WIND.
208
00:16:34,567 --> 00:16:36,667
AND I HATE THE WIND
TILL THIS DATE.
209
00:16:40,267 --> 00:16:44,300
Narrator: GINGER IS FINALLY
AT THE BREAKING POINT.
210
00:16:44,333 --> 00:16:48,467
PRIDE HAS KEPT HER FROM ASKING
HER FATHER FOR HELP,
211
00:16:48,500 --> 00:16:51,700
BUT PRIDE IS GIVING WAY TO FEAR.
212
00:16:57,433 --> 00:17:01,133
SHE WALKS TO A NEIGHBOR'S HOUSE
AND MAKES THE CALL.
213
00:17:02,700 --> 00:17:06,600
"BRING THE CAMPER, COME AND GET
ME. I CAN'T DO THIS ANYMORE."
214
00:17:08,800 --> 00:17:10,867
GRANDPA!
215
00:17:10,900 --> 00:17:14,400
April: I REMEMBER MY GRANDFATHER
COMING TO THE HOUSE.
216
00:17:14,433 --> 00:17:15,533
HOP IN, HOP IN.
217
00:17:15,567 --> 00:17:19,167
AND IT WAS LIKE A WAR WAS OVER.
218
00:17:19,200 --> 00:17:23,633
"I DON'T HAVE TO DEAL
WITH THIS ANYMORE."
219
00:17:23,667 --> 00:17:26,833
EVERYBODY JUST SIGHED.
220
00:17:31,600 --> 00:17:33,867
Narrator: ARNOLD STAYS BEHIND.
221
00:17:33,900 --> 00:17:36,833
HE'LL LEAVE SUMMERWIND
THE NEXT DAY.
222
00:17:36,867 --> 00:17:41,567
BUT FOR GINGER, THIS IS GOODBYE.
223
00:17:41,600 --> 00:17:44,467
WHATEVER CHANCES THEY MIGHT
HAVE HAD TOGETHER
224
00:17:44,500 --> 00:17:46,367
WERE DESTROYED BY THE MANSION.
225
00:17:48,800 --> 00:17:51,633
THE FAMILY NEVER HEARS
FROM HIM AGAIN.
226
00:17:57,533 --> 00:18:00,900
Ginger: I TOLD HIM EXACTLY
WHAT HAPPENED, ALL OF IT.
227
00:18:00,933 --> 00:18:02,067
EVERYTHING.
228
00:18:02,067 --> 00:18:07,133
AND I FELT LIKE HE DID NOT
BELIEVE ME.
229
00:18:07,167 --> 00:18:10,433
Raymond:
I WASN'T INTO HAUNTED HOUSES.
230
00:18:10,467 --> 00:18:15,100
I WASN'T INTO THE PARANORMAL,
THE SPIRITUAL WORLD.
231
00:18:19,100 --> 00:18:21,500
YOU HEAR STORIES AND YOU LISTEN,
232
00:18:21,533 --> 00:18:25,167
BUT YOU ALSO LISTEN
WITH A SKEPTIC'S PERSPECTIVE.
233
00:18:28,333 --> 00:18:32,600
WHEN FEAR STEPS IN,
THERE ARE NO BOUNDARIES.
234
00:18:32,633 --> 00:18:36,067
THAT FEAR JUST TAKES
OVER THE WHOLE PERSON.
235
00:18:47,333 --> 00:18:51,400
Narrator:
IT IS THE SPRING OF 1972.
236
00:18:51,433 --> 00:18:55,567
GINGER AND HER CHILDREN
ARE LIVING IN CANADA.
237
00:18:55,600 --> 00:18:57,367
SHE SPENDS MOST OF HER TIME
238
00:18:57,400 --> 00:19:00,067
LEARNING ABOUT THE WORLD
OF THE PARANORMAL,
239
00:19:00,067 --> 00:19:04,800
HOPING TO FIND ANSWERS ABOUT
THE HAUNTING OF SUMMERWIND.
240
00:19:04,833 --> 00:19:10,067
Ginger: I WAS INTO EVERYTHING
I COULD GET MY HANDS ON TO READ.
241
00:19:10,067 --> 00:19:11,167
EVERYTHING.
242
00:19:11,200 --> 00:19:14,433
I WAS OBSESSED
WITH WHAT HAPPENED.
243
00:19:16,900 --> 00:19:18,500
AND I KNOW EVERYBODY SAID,
244
00:19:18,533 --> 00:19:21,267
"OH, IT'S BECAUSE YOU'RE
HAVING HARD TIMES,
245
00:19:21,300 --> 00:19:24,167
AND YOU'RE STRESSED
AND YOU'RE THIS AND THAT."
246
00:19:24,200 --> 00:19:26,967
YEAH, WELL, I'VE HAD HARD TIMES
ALL MY LIFE,
247
00:19:27,067 --> 00:19:31,100
THAT DIDN'T MAKE IT EVERY HOUSE
I LIVED IN WAS HAUNTED.
248
00:19:31,133 --> 00:19:32,533
BUT THIS ONE WAS.
249
00:19:36,233 --> 00:19:40,367
Narrator: GINGER VOWS NEVER
TO RETURN TO SUMMERWIND.
250
00:19:40,400 --> 00:19:42,067
BUT FOR SOME REASON,
251
00:19:42,100 --> 00:19:45,967
HER FATHER CANNOT GET THE PLACE
OUT OF HIS MIND.
252
00:19:49,200 --> 00:19:53,800
Raymond: SUMMERWIND LOOKED LIKE
IT NEEDED SOMEBODY.
253
00:19:53,833 --> 00:19:57,600
IT'S LIKE SEEING A WET PUPPY.
254
00:19:57,633 --> 00:19:59,367
YOU WANT TO COMFORT IT,
255
00:19:59,400 --> 00:20:02,467
AND THAT HOUSE ALMOST
REACHED OUT TO YOU
256
00:20:02,500 --> 00:20:06,067
AND ASKED FOR COMFORT.
257
00:20:06,100 --> 00:20:09,567
Narrator: RAYMOND CONVINCES
THE NEW OWNER, MRS. MURRAY,
258
00:20:09,600 --> 00:20:12,300
TO SHOW THE OLD MANSION TO HIM
AND HIS SON RAY
259
00:20:12,333 --> 00:20:14,767
WHO'S JUST RETURNED
FROM THE VIETNAM WAR.
260
00:20:14,800 --> 00:20:15,933
NO, THIS IS AS FAR...
261
00:20:15,967 --> 00:20:18,000
SHE REPURCHASED THE HOUSE
FROM GINGER
262
00:20:18,033 --> 00:20:22,600
AND OFTEN BRINGS PEOPLE TO THE
PROPERTY BUT NEVER GOES INSIDE.
263
00:20:24,467 --> 00:20:26,867
RAY WAS RECENTLY DISCHARGED
FROM DUTY
264
00:20:26,900 --> 00:20:29,867
AND IS LOOKING FOR A PROJECT
TO OCCUPY HIS TIME.
265
00:20:29,900 --> 00:20:31,167
ABOUT OUR BUYING IT...
266
00:20:31,200 --> 00:20:36,000
LIKE HIS FATHER, HE IS INSTANTLY
DRAWN TO THE HOUSE.
267
00:20:36,033 --> 00:20:38,367
I CAN'T UNDERSTAND WHY
YOUR SISTER...
268
00:20:38,400 --> 00:20:39,700
Ray: ARCHITECTURALLY,
269
00:20:39,733 --> 00:20:42,000
IT DIDN'T FALL
INTO ANY KNOWN DESIGN
270
00:20:42,033 --> 00:20:43,933
THAT I HAD EVER SEEN BEFORE.
271
00:20:43,967 --> 00:20:47,967
IT WAS LIKE A MIXTURE OF ALL
DIFFERENT ARCHITECTURAL STYLES.
272
00:20:48,000 --> 00:20:51,533
BUT JUST THE CONDITION
THAT IT APPEARED IN
273
00:20:51,567 --> 00:20:54,767
AND THE WAY IT'S SET
IN THE CLEARING,
274
00:20:54,800 --> 00:20:57,367
IT JUST SEEMED TO SAY "HELP ME."
275
00:20:57,400 --> 00:21:02,067
YOU LOOKED AT IT AND SAID, "BOY,
I COULD DO SOMETHING WITH THIS.
276
00:21:02,100 --> 00:21:06,833
THIS COULD BE REALLY, REALLY
SOMETHING NICE."
277
00:21:36,600 --> 00:21:39,067
Narrator: BOTH MEN
SENSE SOMETHING EERIE
278
00:21:39,067 --> 00:21:40,600
ABOUT THE HULKING MANSION.
279
00:21:40,633 --> 00:21:41,867
HEY.
280
00:21:41,900 --> 00:21:43,133
HEY.
281
00:21:43,167 --> 00:21:45,400
THERE'S A MYSTERIOUS CHILL
IN THE AIR.
282
00:21:45,433 --> 00:21:46,900
I THINK WE'VE GOT IT MADE.
283
00:21:46,933 --> 00:21:48,100
IT'S SOMETHING ELSE.
284
00:21:48,133 --> 00:21:51,533
NEVERTHELESS, RAYMOND
DECIDES TO BUY IT.
285
00:21:51,567 --> 00:21:53,200
DON'T WORRY ABOUT IT.
286
00:21:53,233 --> 00:21:54,867
HE WILL SOON DISCOVER
287
00:21:54,900 --> 00:21:59,100
HE'S PURCHASED MUCH MORE
THAN AN OLD HOUSE.
288
00:22:03,800 --> 00:22:07,200
Narrator: RAYMOND IS DETERMINED
TO BUY SUMMERWIND
289
00:22:07,233 --> 00:22:10,467
DESPITE GINGER'S WARNINGS
THAT IT'S HAUNTED.
290
00:22:10,500 --> 00:22:11,633
HOW YOU DOING?
291
00:22:11,667 --> 00:22:14,733
HE TRIES TO BREAK THE NEWS
TO HER GENTLY.
292
00:22:14,767 --> 00:22:17,833
WE JUST GOT BACK
FROM LEE NORTHWOOD'S.
293
00:22:17,867 --> 00:22:20,133
DAD, NO, YOU DIDN'T.
YOU CAN'T BUY THAT PLACE.
294
00:22:20,167 --> 00:22:22,800
ARE YOU CRAZY? DON'T YOU
REMEMBER WHAT HAPPENED THERE?
295
00:22:22,833 --> 00:22:26,167
Ginger: I WAS SO ANGRY.
296
00:22:26,200 --> 00:22:27,567
I SAID, "WHY DID YOU DO THAT?"
297
00:22:27,600 --> 00:22:29,733
NO, DAD, I'M TALKING
ABOUT THE SPIRITS THERE.
298
00:22:29,767 --> 00:22:32,933
Raymond: BY THAT TIME, I WAS
A LITTLE TONGUE IN CHEEK.
299
00:22:32,967 --> 00:22:36,433
"OH, YEAH, GHOSTS, I'M SURE.
YEAH, RIGHT ON."
300
00:22:36,467 --> 00:22:38,733
YOU CAN'T BUY THAT PLACE.
ARE YOU CRAZY?
301
00:22:38,767 --> 00:22:43,300
Ginger: HE SAID, "AH, IT'S OKAY.
RAY NEEDED A PROJECT."
302
00:22:43,333 --> 00:22:47,867
THEY GOT A PROJECT ALL RIGHT.
THEY GOT A REAL PROJECT.
303
00:22:51,233 --> 00:22:55,633
Narrator: RAY BEGINS RENOVATING
SUMMERWIND ON HIS OWN.
304
00:22:55,667 --> 00:23:00,067
HE CALLS SEVERAL
LOCAL CONTRACTORS TO HELP HIM.
305
00:23:00,067 --> 00:23:03,900
Ray: INITIALLY THEIR RESPONSE
WAS, "OH, NOT A PROBLEM.
306
00:23:03,933 --> 00:23:05,700
WE'D BE GLAD TO DO IT."
307
00:23:05,733 --> 00:23:08,900
AS SOON AS I WOULD MENTION
WHERE IT'S AT,
308
00:23:08,933 --> 00:23:12,067
AT THIS OLD MANSION
OUT ON THE LAKE,
309
00:23:12,067 --> 00:23:15,567
THEIR ATTITUDE
WOULD CHANGE COMPLETELY.
310
00:23:15,600 --> 00:23:18,067
"OH, WELL, WE'RE WAY TOO BUSY.
311
00:23:18,067 --> 00:23:22,433
"MAYBE WE COULD LOOK AT IT
NEXT YEAR POSSIBLY.
312
00:23:22,467 --> 00:23:25,567
WE DON'T USUALLY HANDLE PROJECTS
OF THAT SIZE."
313
00:23:25,600 --> 00:23:29,967
I GOT THAT TWO OR THREE TIMES,
AND I JUST GAVE UP.
314
00:23:40,833 --> 00:23:43,067
[ SOFT GROWLING ]
315
00:23:57,600 --> 00:24:01,867
[ RAY SCREAMING ]
316
00:24:01,900 --> 00:24:05,867
Narrator: SOMETHING FRIGHTENS
RAY SO PROFOUNDLY
317
00:24:05,900 --> 00:24:08,767
HE CANNOT SPEAK ABOUT IT
TO ANYONE.
318
00:24:21,267 --> 00:24:22,767
WHAT ARE YOU DOING HOME
SO EARLY?
319
00:24:22,800 --> 00:24:23,867
LAWN MOWER BROKE.
320
00:24:23,900 --> 00:24:25,167
Ray: WHEN I GOT HOME,
321
00:24:25,200 --> 00:24:27,967
I JUST TOLD HIM, "WELL, I BROKE
THE LAWN MOWER,
322
00:24:28,067 --> 00:24:29,367
"I BROKE THE CHAIN SAW,
323
00:24:29,400 --> 00:24:31,967
"I COULDN'T GET ANYTHING DONE
AND I'M HOME,
324
00:24:32,067 --> 00:24:33,767
THAT'S IT, THAT'S END OF STORY."
325
00:24:33,800 --> 00:24:35,767
I DIDN'T TELL HIM
WHAT HAPPENED.
326
00:24:35,800 --> 00:24:37,867
I DIDN'T TELL HIM
WHAT I HAD SEEN.
327
00:24:37,900 --> 00:24:40,333
IT'S JUST NOT WORKING.
EVERYTHING'S --
328
00:24:40,367 --> 00:24:41,933
I'M JUST HOME, ALL RIGHT?
329
00:24:41,967 --> 00:24:43,767
Narrator:
IT'S CLEAR THAT SOMETHING
330
00:24:43,800 --> 00:24:45,767
HAS GONE TERRIBLY WRONG
AT THE MANSION.
331
00:24:45,800 --> 00:24:49,100
AND THE FACT THAT RAY
WILL NOT TALK ABOUT IT
332
00:24:49,133 --> 00:24:50,700
DISTURBS HIS FATHER.
333
00:24:54,700 --> 00:24:58,067
RAYMOND DECIDES TO PAY A VISIT
TO MRS. MURRAY
334
00:24:58,067 --> 00:25:01,833
WHOSE HUSBAND BOUGHT SUMMERWIND
FROM ITS ORIGINAL OWNER,
335
00:25:01,867 --> 00:25:02,933
A MR. PATTERSON.
336
00:25:02,967 --> 00:25:04,933
IT SEEMS LIKE
THE SERVANTS...
337
00:25:04,967 --> 00:25:08,667
HE ASKS HER WHAT SHE KNOWS ABOUT
SUMMERWIND'S STRANGE HISTORY.
338
00:25:08,700 --> 00:25:11,900
ONE PLACE TO ANOTHER...
339
00:25:11,933 --> 00:25:13,933
IT WAS THE EARLY 1930s.
340
00:25:13,967 --> 00:25:17,900
MRS. MURRAY SAYS THAT
THE PATTERSONS' SERVANTS
341
00:25:17,933 --> 00:25:21,067
COMPLAINED THAT THE HOUSE
WAS HAUNTED,
342
00:25:21,067 --> 00:25:25,800
BUT NOBODY BELIEVED THEM, LEAST
OF ALL MR. AND MRS. PATTERSON.
343
00:25:25,833 --> 00:25:30,067
ONE NIGHT, THE COUPLE WAS HOME
EATING DESSERT.
344
00:25:45,100 --> 00:25:47,067
[ SCREAMING ]
345
00:25:51,133 --> 00:25:54,567
THE SHOTS PASSED THROUGH
THE ENTITY WITHOUT ANY EFFECT.
346
00:25:54,600 --> 00:25:57,733
MR. PATTERSON AND HIS WIFE
LEFT THAT VERY NIGHT
347
00:25:57,767 --> 00:25:59,467
AND NEVER RETURNED.
348
00:26:06,367 --> 00:26:10,667
RAYMOND IS INTRIGUED
BY MRS. MURRAY'S STORY.
349
00:26:10,700 --> 00:26:13,833
Raymond: WHEN YOU'RE TALKING
ABOUT GHOSTS AND SPIRITS,
350
00:26:13,867 --> 00:26:15,967
WHAT MEASUREMENTS DO YOU USE?
351
00:26:16,067 --> 00:26:19,367
YOU DON'T USE -- THERE'S
NO TEXTBOOK, REALLY,
352
00:26:19,400 --> 00:26:21,067
ON GHOSTS AND SPIRITS.
353
00:26:21,067 --> 00:26:23,367
YOU'RE TALKING ABOUT A DIMENSION
354
00:26:23,400 --> 00:26:26,867
AND THAT, NOBODY CAN REALLY
PINPOINT OR FIGURE.
355
00:26:28,467 --> 00:26:29,967
Narrator: RAYMOND BELIEVED
356
00:26:30,067 --> 00:26:33,100
THAT GINGER'S TALES OF GHOSTS
HAUNTING THE OLD MANSION
357
00:26:33,133 --> 00:26:37,400
STEMMED FROM FEAR
AND SUPERSTITION.
358
00:26:37,433 --> 00:26:41,500
BUT NOW HE IS UNSURE
WHAT TO THINK.
359
00:26:50,633 --> 00:26:52,600
Narrator:
GINGER VISITS HER FATHER,
360
00:26:52,633 --> 00:26:53,833
HOPING TO CONVINCE HIM
361
00:26:53,867 --> 00:26:56,267
TO ABANDON HIS PLANS
FOR SUMMERWIND.
362
00:26:56,300 --> 00:26:57,900
OKAY, LOOK.
LET'S LOOK THIS OVER.
363
00:26:57,933 --> 00:26:59,633
THIS IS WHAT I HAVE
THAT'S ASSIGNED.
364
00:26:59,667 --> 00:27:02,233
WE WENT OUT, WE'VE DONE SOME
WORK AND HERE ARE THE PLANS.
365
00:27:02,267 --> 00:27:04,067
Narrator:
BUT HE'S ALREADY INVESTED
366
00:27:04,067 --> 00:27:05,233
IN DRAWING UP BLUEPRINTS.
367
00:27:05,267 --> 00:27:06,700
LET ME SHOW YOU
SO YOU CAN BE CONVINCED
368
00:27:06,733 --> 00:27:08,233
WHAT A GREAT IDEA THIS IS.
369
00:27:08,267 --> 00:27:11,267
Narrator: AS RAYMOND TALKS
ENDLESSLY ABOUT HIS VISION
370
00:27:11,300 --> 00:27:12,500
FOR THE OLD MANSION,
371
00:27:12,533 --> 00:27:15,233
GINGER'S BROTHER BECOMES MORE
AND MORE NERVOUS.
372
00:27:15,267 --> 00:27:18,100
THE WHOLE PLACE RESORT AREA.
THIS IS THE GRAND...
373
00:27:18,133 --> 00:27:19,167
ARE YOU OKAY?
374
00:27:19,200 --> 00:27:20,967
WHAT ARE YOU BITING
YOUR NAILS SO...
375
00:27:21,067 --> 00:27:23,267
GINGER CAN SEE THAT
SOMETHING'S WRONG WITH HIM.
376
00:27:23,300 --> 00:27:24,767
I'VE BEEN PRACTICING
THIS...
377
00:27:24,800 --> 00:27:26,867
SHE TELLS HIM SHE'S BEEN
STUDYING HYPNOSIS
378
00:27:26,900 --> 00:27:30,267
SO THAT PERHAPS SHE CAN HELP HIM
WITH HIS NAIL BITING.
379
00:27:30,300 --> 00:27:32,600
NO, SERIOUS.
I MEAN, I DON'T KNOW.
380
00:27:32,633 --> 00:27:33,667
JUST HUMOR HER.
381
00:27:33,700 --> 00:27:35,200
LET'S JUST GET IT DONE.
382
00:27:35,233 --> 00:27:37,733
Narrator: RAY AGREES
TO GIVE IT A TRY.
383
00:27:37,767 --> 00:27:41,267
OKAY.
384
00:27:41,300 --> 00:27:43,867
SISTER HELD UP A PEN
IN FRONT OF ME
385
00:27:43,900 --> 00:27:46,133
AND TOLD ME TO CONCENTRATE
ON IT.
386
00:27:46,167 --> 00:27:47,267
FOCUS ON THIS PEN.
387
00:27:47,300 --> 00:27:48,533
JUST LOOK AT IT?
388
00:27:48,567 --> 00:27:52,133
BUT AS SOON AS I STARTED GETTING
A LITTLE BIT DROOPY,
389
00:27:52,167 --> 00:27:54,967
SHE PUT ME INTO LIKE
A HALF-ASLEEP STATE
390
00:27:55,067 --> 00:27:57,833
AND THE NEXT THING I KNEW,
I WAS ASLEEP.
391
00:28:04,300 --> 00:28:06,633
CONCENTRATE ON MY VOICE.
392
00:28:06,667 --> 00:28:08,867
April: SHE WAS TALKING
IN GENERALITIES,
393
00:28:08,900 --> 00:28:12,300
GENERAL THINGS TO RELAX HIM.
394
00:28:12,333 --> 00:28:15,533
AND THEN SHE WAS TALKING
ABOUT THE MANSION.
395
00:28:15,567 --> 00:28:20,533
AND I REMEMBER MY UNCLE'S
LEG SHAKING
396
00:28:20,567 --> 00:28:22,233
AND SHAKING REALLY HARD,
397
00:28:22,267 --> 00:28:25,067
AND I REMEMBER THINKING,
"HE'S AFRAID."
398
00:28:25,100 --> 00:28:28,067
AND HIS VOICE CHANGED.
399
00:28:28,067 --> 00:28:31,233
I AM STRONG.
400
00:28:31,267 --> 00:28:33,233
I AM STRONG.
401
00:28:33,267 --> 00:28:34,233
RAY, WHERE ARE YOU?
402
00:28:34,267 --> 00:28:37,733
HE WAS NO LONGER MY UNCLE
ANYMORE.
403
00:28:37,767 --> 00:28:40,333
HE WAS SOMEBODY ELSE.
404
00:28:40,367 --> 00:28:41,700
WEAK.
405
00:28:41,733 --> 00:28:42,867
RAY, WHERE ARE YOU?
406
00:28:42,900 --> 00:28:44,933
Ginger: AND I WAS LOOKING
AT HIM,
407
00:28:44,967 --> 00:28:47,267
GOING, "ANSWER ME, RAY,
WHERE ARE YOU?
408
00:28:47,300 --> 00:28:49,167
TALK TO ME.
WHERE DID YOU GO?"
409
00:28:49,200 --> 00:28:52,333
I AM STRONG.
MY CHILDREN.
410
00:28:52,367 --> 00:28:55,667
WHERE DID YOU GO?
RAY, TALK TO ME.
411
00:28:55,700 --> 00:28:56,800
GINGER?
412
00:28:56,833 --> 00:28:58,400
Ginger: AND THIS VOICE COMES OUT
AND SAYS...
413
00:28:58,433 --> 00:29:02,133
YOU ARE WEAK.
I AM STRONG.
414
00:29:02,167 --> 00:29:03,433
ANSWER ME, RAY.
415
00:29:03,467 --> 00:29:04,500
MY CHILDREN...
416
00:29:04,533 --> 00:29:05,967
GET HIM OUT OF THERE.
417
00:29:06,067 --> 00:29:07,067
RAY, TALK TO ME.
418
00:29:07,067 --> 00:29:08,533
Ginger: IT WASN'T MY BROTHER
AT ALL.
419
00:29:08,567 --> 00:29:09,667
...ARE WEAK.
420
00:29:09,700 --> 00:29:11,367
RAY, TALK TO ME.
421
00:29:11,400 --> 00:29:12,767
Narrator: GINGER IS AFRAID
422
00:29:12,800 --> 00:29:15,233
SHE'S UNLEASHED SOMETHING
SHE CANNOT CONTAIN.
423
00:29:15,267 --> 00:29:16,433
Raymond: GET HIM OUT OF THIS.
424
00:29:16,467 --> 00:29:17,533
I AM STRONG.
425
00:29:17,567 --> 00:29:18,867
FOLLOW THE CROSS
426
00:29:18,900 --> 00:29:20,833
AND THE POWER OF THIS CROSS
RELEASE YOU OF THIS POSSESSION.
427
00:29:20,867 --> 00:29:22,067
OUR FATHER,
WHO ART IN HEAVEN,
428
00:29:22,067 --> 00:29:23,067
HALLOWED BE THY NAME.
429
00:29:23,067 --> 00:29:24,200
THY KINGDOM COME.
430
00:29:24,233 --> 00:29:25,633
THY WILL BE DONE,
ON EARTH AS IT IS IN HEAVEN.
431
00:29:25,667 --> 00:29:27,867
Narrator: SHE COMMANDS
THE SPIRIT TO LEAVE.
432
00:29:27,900 --> 00:29:29,800
GIVE US THIS DAY
OUR DAILY BREAD.
433
00:29:40,300 --> 00:29:42,967
Raymond: YOU ALL RIGHT, RAY?
434
00:29:43,067 --> 00:29:45,633
I FELT JUST A SLIGHT BIT
OF A HEADACHE,
435
00:29:45,667 --> 00:29:50,867
BUT EVERYBODY IN THE ROOM
AROUND ME WAS IN SHOCK.
436
00:29:50,900 --> 00:29:53,200
Raymond: RANTING THAT YOU'RE
THE POWER OR SOMETHING.
437
00:29:53,233 --> 00:29:54,300
WHAT WAS GOING ON?
438
00:29:54,333 --> 00:29:55,300
DON'T YOU REMEMBER?
439
00:29:55,333 --> 00:29:57,833
NO. WHAT HAPPENED?
440
00:29:57,867 --> 00:30:01,267
Ray: MY FATHER WAS PROBABLY
THE ULTIMATE SKEPTIC.
441
00:30:01,300 --> 00:30:03,633
THIS IS...
442
00:30:03,667 --> 00:30:07,867
HE TRIED TO DISMISS IT ALL
AS OVERACTIVE IMAGINATIONS.
443
00:30:07,900 --> 00:30:09,967
WE RECORDED IT, MAN.
WE'LL PLAY IT BACK.
444
00:30:17,533 --> 00:30:21,200
Ray: I AM STRONG.
445
00:30:21,233 --> 00:30:24,267
ON THE TAPE, IT WAS
A VERY FRIGHTENING,
446
00:30:24,300 --> 00:30:29,667
VERY DEMANDING VOICE,
AND VERY ANGRY VOICE.
447
00:30:29,700 --> 00:30:32,700
...ARE WEAK.
448
00:30:32,733 --> 00:30:36,367
AND MADE STATEMENTS
THAT HE WAS VERY OLD,
449
00:30:36,400 --> 00:30:40,200
THAT HE DESPISED WEAKNESS
OF ANY KIND.
450
00:30:40,233 --> 00:30:44,767
DESPISED HIS CHILDREN
OF WHICH I HAD NONE.
451
00:30:44,800 --> 00:30:49,833
CHILDREN ARE WEAK.
I DESPISE MY CHILDREN.
452
00:30:49,867 --> 00:30:52,700
Ginger: HE SAID,
"I HAD SEVEN CHILDREN,
453
00:30:52,733 --> 00:30:55,833
AND THEY ARE ALL WEAK
AND I AM VERY STRONG."
454
00:30:55,867 --> 00:30:56,933
MY CHILDREN, THEY ARE...
455
00:30:56,967 --> 00:30:58,367
Ginger: RAY.
456
00:30:58,400 --> 00:31:02,200
Narrator: RAY HAS EXPERIENCED
SOMETHING HE CANNOT EXPLAIN.
457
00:31:02,233 --> 00:31:03,933
POWER.
458
00:31:03,967 --> 00:31:06,167
IT COMPELS HIM TO FINALLY REVEAL
459
00:31:06,200 --> 00:31:08,533
WHAT HAPPENED TO HIM
AT SUMMERWIND.
460
00:31:08,567 --> 00:31:10,633
WHEN I WAS BACK AT THE HOUSE,
461
00:31:10,667 --> 00:31:13,667
I MEAN, THAT'S WHY --
THAT'S WHY I LEFT.
462
00:31:13,700 --> 00:31:14,900
I WAS WORKING...
463
00:31:18,133 --> 00:31:22,067
I WAS UPSTAIRS IN THE HALLWAY.
464
00:31:22,067 --> 00:31:24,833
I WAS TOTALLY ALONE.
THERE WAS NOBODY AROUND.
465
00:31:33,500 --> 00:31:35,933
Man's voice: RAY.
466
00:31:35,967 --> 00:31:37,200
WHO'S THERE?
467
00:31:48,700 --> 00:31:50,067
RAY.
468
00:31:50,067 --> 00:31:53,067
HELLO. HELLO.
469
00:31:53,067 --> 00:31:55,767
[ GUNSHOTS ]
470
00:31:58,633 --> 00:32:01,400
I WAS JUST STUNNED.
471
00:32:03,567 --> 00:32:04,967
Narrator: THE TWO GUNSHOTS
472
00:32:05,067 --> 00:32:07,900
SOUNDED LIKE THEY'D COME
FROM DOWNSTAIRS.
473
00:32:07,933 --> 00:32:12,833
Ray: WENT INTO THE KITCHEN AND
THOUGHT I SMELLED GUNPOWDER.
474
00:32:12,867 --> 00:32:15,533
DISMISSED IT.
475
00:32:15,567 --> 00:32:20,167
LOOKED AROUND, SAW NO ONE.
476
00:32:20,200 --> 00:32:22,700
IT HAD JUST RAINED
THE NIGHT BEFORE.
477
00:32:22,733 --> 00:32:25,700
THERE WERE NO TRACKS AROUND
OTHER THAN MINE.
478
00:32:25,733 --> 00:32:29,567
COULDN'T IMAGINE SOMEBODY
SHOOTING THAT CLOSE
479
00:32:29,600 --> 00:32:32,700
THAT COULD DISAPPEAR
THAT QUICKLY.
480
00:32:37,733 --> 00:32:41,800
AT THE DOOR LEADING
TO THE BASEMENT,
481
00:32:41,833 --> 00:32:43,967
I NOTICE TWO HOLES.
482
00:32:44,067 --> 00:32:46,867
AND I KNEW
THEY WERE BULLET HOLES.
483
00:32:46,900 --> 00:32:48,933
Narrator: THE BULLET HOLES
484
00:32:48,967 --> 00:32:52,733
LOOKED LIKE THEY'D BEEN THERE
FOR MANY YEARS.
485
00:32:52,767 --> 00:32:56,133
Ray: I WAS RATTLED.
486
00:32:56,167 --> 00:32:59,367
I HAD SEEN THE BULLET HOLES,
I HAD SMELLED THE GUNPOWDER,
487
00:32:59,400 --> 00:33:01,500
I HAD HEARD THE VOICES.
488
00:33:22,467 --> 00:33:24,400
[ SCREAMING ]
489
00:33:30,733 --> 00:33:33,667
Narrator: THE ENTIRE EXPERIENCE
LEAVES RAY SHAKEN.
490
00:33:36,133 --> 00:33:39,533
I WAS THE KIND OF PERSON
I DIDN'T BELIEVE IN GHOSTS.
491
00:33:39,567 --> 00:33:42,133
I DIDN'T BELIEVE
IN THE SPIRIT WORLD.
492
00:33:42,167 --> 00:33:45,167
I DIDN'T -- I THOUGHT
THAT WAS ALL HOGWASH.
493
00:33:45,200 --> 00:33:48,300
THAT WAS GOOD HOLLYWOOD STUFF.
494
00:33:48,333 --> 00:33:52,267
EVERYBODY LIKES
A GOOD GHOST STORY.
495
00:33:52,300 --> 00:33:55,867
BUT ACTUALLY HAVING ONE HAPPEN,
496
00:33:55,900 --> 00:34:00,700
I DIDN'T KNOW EXACTLY
WHAT WAS GOING ON.
497
00:34:06,100 --> 00:34:08,100
SO THAT'S --
THAT'S WHAT HAPPENED.
498
00:34:08,133 --> 00:34:11,500
Narrator: NO ONE IS MORE STUNNED
BY RAY'S TALE THAN HIS FATHER.
499
00:34:11,533 --> 00:34:14,633
HE IMMEDIATELY RECOGNIZES
A CONNECTION
500
00:34:14,667 --> 00:34:18,867
TO THE PATTERSON STORY
AND SHARES IT WITH HIS FAMILY.
501
00:34:18,900 --> 00:34:22,633
WELL, HE FIRED
TWO SHOTS OFF AT -- AT A GHOST.
502
00:34:22,667 --> 00:34:23,933
WHAT?
WHERE'D YOU HEAR THAT?
503
00:34:23,967 --> 00:34:25,733
WELL, I WENT BACK
TO MRS. MURRAY,
504
00:34:25,767 --> 00:34:28,300
AND I ASKED HER ABOUT WHAT
WAS GOING ON AND SHE...
505
00:34:28,333 --> 00:34:30,367
HE'S CONVINCED
THERE'S A POWERFUL FORCE
506
00:34:30,400 --> 00:34:32,467
TRYING TO COMMUNICATE.
507
00:34:32,500 --> 00:34:33,500
YOU SURE?
508
00:34:33,533 --> 00:34:35,067
I'M ABSOLUTELY SURE.
509
00:34:35,067 --> 00:34:38,167
AND ASKS GINGER
TO HYPNOTIZE HIM.
510
00:34:40,933 --> 00:34:44,800
RAYMOND'S NOW DETERMINED
TO UNRAVEL THE MANSION'S SECRETS
511
00:34:44,833 --> 00:34:48,067
DESPITE WHAT HAPPENED TO HIS SON
UNDER HYPNOSIS.
512
00:34:48,067 --> 00:34:50,800
I'M GOING TO COUNT BACKWARDS
FROM 10.
513
00:34:50,833 --> 00:34:54,067
IT TAKES LONGER TO PUT
HER FATHER UNDER.
514
00:34:54,067 --> 00:34:55,367
I'M IN A KITCHEN.
515
00:34:55,400 --> 00:34:57,567
BUT EVENTUALLY GINGER SUCCEEDS.
516
00:34:57,600 --> 00:34:58,933
IS IT SUMMERWIND?
517
00:34:58,967 --> 00:35:00,967
YES.
518
00:35:03,200 --> 00:35:09,900
IN HIS MIND'S EYE, RAYMOND
FINDS HIMSELF AT SUMMERWIND...
519
00:35:09,933 --> 00:35:13,533
AND DESCENDS INTO THE BASEMENT.
520
00:35:17,767 --> 00:35:20,300
CONCENTRATE ON THE SOUND
OF MY VOICE.
521
00:35:20,333 --> 00:35:24,067
THERE'S SOMETHING IN THERE.
522
00:35:25,567 --> 00:35:29,233
A BOX OR -- A WOODEN BOX
OR SOMETHING.
523
00:35:29,267 --> 00:35:33,300
WHAT'S INSIDE THE BOX?
CAN YOU GET THE BOX?
524
00:35:33,333 --> 00:35:35,700
WHAT'S INSIDE THE BOX?
525
00:35:35,733 --> 00:35:40,967
I WANT YOU TO WRITE
WHAT'S INSIDE THE BOX.
526
00:35:48,367 --> 00:35:52,067
Ginger: I WATCHED HIM WRITE
527
00:35:52,067 --> 00:35:55,633
LIKE YOU WOULD WRITE
WITH A QUILL ON PARCHMENT.
528
00:36:06,433 --> 00:36:13,333
Narrator: RAYMOND FINDS A LAND
GRANT WRITTEN IN 1767.
529
00:36:13,367 --> 00:36:16,800
GINGER ASKS HIM IF HE CAN
DETERMINE THE OWNER.
530
00:36:16,833 --> 00:36:19,167
HE LOOKS CLOSER,
531
00:36:19,200 --> 00:36:20,800
THEN CAREFULLY WRITES A NAME
532
00:36:20,833 --> 00:36:23,100
HE SEES AT THE BOTTOM
OF THE DOCUMENT.
533
00:36:23,133 --> 00:36:25,167
NOW I'M GOING
TO BRING YOU BACK.
534
00:36:28,167 --> 00:36:31,233
JONATHAN CARVER.
535
00:36:35,900 --> 00:36:38,067
OKAY, I'M GOING TO BRING YOU
BACK NOW.
536
00:36:41,100 --> 00:36:44,967
5...4...
537
00:36:45,067 --> 00:36:51,300
3...2...1.
538
00:36:53,400 --> 00:36:57,233
RAYMOND REMEMBERS NOTHING
ABOUT HIS HYPNOTIC JOURNEY.
539
00:36:57,267 --> 00:36:58,433
WHAT HAPPENED?
540
00:36:58,467 --> 00:37:01,333
AND ALTHOUGH THE FAMILY
HAS NO IDEA
541
00:37:01,367 --> 00:37:03,667
WHO JONATHAN CARVER MIGHT BE...
542
00:37:03,700 --> 00:37:04,900
WHO IS THAT?
543
00:37:04,933 --> 00:37:07,600
THEY NOW HAVE A NAME AND A DATE.
544
00:37:07,633 --> 00:37:08,833
WHAT'S THIS?
545
00:37:08,867 --> 00:37:12,300
FOR THE FIRST TIME,
THE FAMILY HAS CLUES
546
00:37:12,333 --> 00:37:16,633
THAT COULD HELP THEM SOLVE
SUMMERWIND'S ELUSIVE MYSTERY.
547
00:37:29,067 --> 00:37:31,600
Narrator:
RAYMOND BEGINS TO RESEARCH
548
00:37:31,633 --> 00:37:34,833
THE NAME JONATHAN CARVER
AT THE PUBLIC LIBRARY.
549
00:37:38,600 --> 00:37:41,633
HE DISCOVERS THAT CARVER
WAS A WELL-KNOWN EXPLORER
550
00:37:41,667 --> 00:37:43,700
IN THE LATE 1700s.
551
00:37:45,600 --> 00:37:47,533
Raymond: I DID FURTHER RESEARCH
552
00:37:47,567 --> 00:37:52,867
AND CAME TO FIND OUT HE WAS
QUITE A COLONIAL FIGURE.
553
00:37:52,900 --> 00:37:56,733
Narrator: JONATHAN CARVER'S
CROWNING ACHIEVEMENT
554
00:37:56,767 --> 00:37:58,267
WAS A PEACE HE NEGOTIATED
555
00:37:58,300 --> 00:38:01,067
BETWEEN TWO WARRING
NATIVE AMERICAN TRIBES.
556
00:38:03,067 --> 00:38:05,467
AFTER HIS DEATH,
HIS CHILDREN CLAIMED
557
00:38:05,500 --> 00:38:07,733
THE TRIBAL CHIEFS
REWARDED CARVER
558
00:38:07,767 --> 00:38:09,433
WITH A HUGE PARCEL OF LAND
559
00:38:09,467 --> 00:38:11,900
ON WHICH SUMMERWIND
WAS LATER BUILT.
560
00:38:14,233 --> 00:38:17,867
BUT HIS DESCENDENTS COULD NOT
FIND ANY DOCUMENTS
561
00:38:17,900 --> 00:38:19,467
TO VERIFY THE CLAIM.
562
00:38:19,500 --> 00:38:23,133
GINGER WONDERS,
COULD CARVER'S LAND GRANT
563
00:38:23,167 --> 00:38:25,333
BE HIDDEN AT THE MANSION?
564
00:38:25,367 --> 00:38:29,800
Ginger: JONATHAN CARVER
WANTED HIS LAND GRANT FOUND.
565
00:38:29,833 --> 00:38:32,800
IT WAS THE GHOSTS THAT
WERE IN THE HOUSE
566
00:38:32,833 --> 00:38:36,100
THAT WERE TRYING TO EXPLAIN
TO ME WHAT TO DO,
567
00:38:36,133 --> 00:38:39,233
AND I WAS JUST NOT SMART
ENOUGH TO GET IT.
568
00:38:42,067 --> 00:38:45,333
Raymond: WELL, THERE WAS
NO DOUBT IN OUR MIND
569
00:38:45,367 --> 00:38:48,667
THAT THE BOX EXISTED SOMEWHERE
IN SUMMERWIND.
570
00:38:53,467 --> 00:38:56,967
Ray: WE ALL WERE CONVINCED
THAT THE BOX MUST BE THERE.
571
00:38:58,967 --> 00:39:00,133
IT HAD TO BE.
572
00:39:00,167 --> 00:39:02,867
IT WAS SO CLEAR
IN MY DAD'S MIND.
573
00:39:12,200 --> 00:39:14,633
Raymond: I WAS FEARFUL.
574
00:39:14,667 --> 00:39:17,633
I WAS FEARFUL WE WERE WALKING
IN AN AREA
575
00:39:17,667 --> 00:39:19,667
THAT WE HAD NO CONTROL OVER.
576
00:39:43,567 --> 00:39:45,400
FIND OUT ABOUT IT
IN THE BASEMENT...
577
00:39:59,900 --> 00:40:03,400
Ginger: AND IT WASN'T A CASE
OF CAN WE FIND THE BOX?
578
00:40:03,433 --> 00:40:06,167
WE KNEW EXACTLY
WHERE THE BOX WAS.
579
00:40:07,833 --> 00:40:10,767
WAIT A MINUTE.
THIS LOOKS LIKE IT.
580
00:40:15,800 --> 00:40:18,333
Ray: WE PULLED SOME STONES OUT,
581
00:40:18,367 --> 00:40:21,600
AND THERE WAS A SPACE
BEHIND THEM.
582
00:40:21,633 --> 00:40:22,833
THERE'S A HOLE.
583
00:40:22,867 --> 00:40:25,600
OKAY. GET THAT
FLASHLIGHT OVER HERE.
584
00:40:25,633 --> 00:40:27,833
CAN YOU SEE ANYTHING?
WHAT'S IN THERE?
585
00:40:32,000 --> 00:40:36,067
BUT LO AND BEHOLD, THERE WAS
NOTHING IN THAT SPACE.
586
00:40:36,100 --> 00:40:37,467
THE BOX IS IN THERE?
587
00:40:37,500 --> 00:40:39,233
NO, I DON'T FEEL ANYTHING.
588
00:40:39,267 --> 00:40:40,800
THERE WAS NO BOX THERE.
589
00:40:40,833 --> 00:40:42,000
THERE'S NOTHING.
590
00:40:42,033 --> 00:40:44,100
YOU CAN'T SEE
ANYTHING IN THERE?
591
00:40:44,133 --> 00:40:48,500
Raymond:
IT WAS A TOTAL DISAPPOINTMENT
592
00:40:48,533 --> 00:40:53,567
TO DIG IN THAT STAIRWAY
AND NOT FIND THE BOX.
593
00:40:53,600 --> 00:40:57,767
YOU CAN'T IMAGINE
HOW FAR WE FELL
594
00:40:57,800 --> 00:41:01,433
IN THE ABYSS OF DISAPPOINTMENT.
595
00:41:01,467 --> 00:41:04,933
THIS IS WHERE
I KNOW I SAW IT.
596
00:41:04,967 --> 00:41:07,633
THIS IS THE PLACE.
597
00:41:07,667 --> 00:41:11,600
Ray: WE WENT THROUGH
THE ENTIRE HOUSE AFTER THAT,
598
00:41:11,633 --> 00:41:17,167
THROUGH EVERY POSSIBLE NOOK
AND CRANNY WE COULD THINK OF.
599
00:41:17,200 --> 00:41:19,800
WE WENT FROM ATTIC TO BASEMENT,
600
00:41:19,833 --> 00:41:24,333
INSIDE, OUTSIDE,
ALL OVER THE HOUSE.
601
00:41:29,067 --> 00:41:31,833
Narrator: THE BOX IS NOWHERE
TO BE FOUND.
602
00:41:35,267 --> 00:41:37,433
FRUSTRATED, THE FAMILY REALIZES
603
00:41:37,467 --> 00:41:41,267
THEY HAVE CHASED THE ANSWER
TO A MYSTERY FAR TOO LONG,
604
00:41:41,300 --> 00:41:45,267
AND IT HAS CONSUMED THEM ALL.
605
00:41:45,300 --> 00:41:48,367
THEY MUST TRY TO PROTECT
WHAT'S LEFT OF THEIR SANITY,
606
00:41:48,400 --> 00:41:50,867
TO FREE THEMSELVES FROM A PLACE
607
00:41:50,900 --> 00:41:53,533
THAT'S TORMENTED EVERYONE
WHO'S EVER LIVED THERE.
608
00:41:57,967 --> 00:42:03,300
THEY FINALLY LEAVE SUMMERWIND
AND NEVER RETURN.
609
00:42:13,267 --> 00:42:16,600
ON A STORMY SUMMER NIGHT
IN 1988,
610
00:42:16,633 --> 00:42:22,067
LIGHTNING STRIKES
SUMMERWIND MULTIPLE TIMES,
611
00:42:22,067 --> 00:42:27,367
AND THE OLD MANSION BURNS
TO THE GROUND.
612
00:42:27,400 --> 00:42:31,733
TODAY THESE RUINS
ARE ALL THAT REMAIN.
613
00:42:31,767 --> 00:42:34,533
NEITHER CARVER'S DESCENDANTS
NOR HISTORIANS
614
00:42:34,567 --> 00:42:36,767
HAVE EVER FOUND
THE ORIGINAL DEED.
615
00:42:39,500 --> 00:42:42,233
DID IT EVER EXIST?
616
00:42:42,267 --> 00:42:48,167
DID JONATHAN CARVER'S SPIRIT
HAVE SOME SORT OF MASTER PLAN?
617
00:42:48,200 --> 00:42:51,267
OR WAS HE EVER HERE AT ALL?
618
00:42:51,300 --> 00:42:55,733
THE TRUTH WILL FOREVER REMAIN
A MYSTERY.
619
00:42:58,300 --> 00:43:00,867
BUT WHAT HAPPENED TO THIS FAMILY
620
00:43:00,900 --> 00:43:04,167
WILL HAUNT THEM
UNTIL THE DAY THEY DIE.
621
00:43:04,200 --> 00:43:09,300
April: WHEN IT DID BURN DOWN,
IT WAS CLEANSING.
622
00:43:09,333 --> 00:43:16,667
I COULD FEEL A RELIEF,
AND I FELT THE EVIL WAS GONE.
623
00:43:16,700 --> 00:43:21,933
I WOULD NEVER GO BACK,
BURNED OR NOT BURNED,
624
00:43:21,967 --> 00:43:23,300
I WILL NEVER GO BACK.
625
00:43:23,333 --> 00:43:26,300
-- Captions by VITAC --
www.vitac.com
626
00:43:26,333 --> 00:43:29,733
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS, INC.
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