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♪
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00:00:23,834 --> 00:00:26,600
(woman) ♪ WHAT IS THIS THING ♪
3
00:00:26,600 --> 00:00:30,300
♪ CALLED LOVE? ♪
4
00:00:30,300 --> 00:00:32,800
♪ THIS FUNNY THING ♪
5
00:00:32,800 --> 00:00:36,400
♪ CALLED LOVE ♪
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♪ JUST WHO CAN SOLVE ♪
7
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♪ ITS MYSTERY? ♪
8
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♪ WHY SHOULD IT MAKE ♪
9
00:00:45,567 --> 00:00:49,500
♪ A FOOL OF ME? ♪
10
00:00:49,500 --> 00:00:51,600
♪ I SAW YOU THERE ♪
11
00:00:51,600 --> 00:00:55,567
♪ THAT WONDERFUL DAY ♪
12
00:00:55,567 --> 00:00:57,633
♪ YOU TOOK MY LOVE ♪
13
00:00:57,633 --> 00:01:01,333
♪ AND THREW IT AWAY ♪
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00:01:01,333 --> 00:01:04,300
♪ AND SO I ASK THE LORD ♪
15
00:01:04,300 --> 00:01:07,700
♪ IN HEAVEN ABOVE ♪
16
00:01:07,700 --> 00:01:10,700
♪ WHAT IS THIS THING ♪
17
00:01:10,700 --> 00:01:15,867
♪ CALLED LOVE? ♪
18
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♪ CALLED LOVE ♪
19
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(both moaning)
20
00:02:09,600 --> 00:02:12,600
(moaning continues)
21
00:02:35,200 --> 00:02:38,433
(moaning continues)
22
00:02:46,300 --> 00:02:49,333
(both panting)
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00:02:53,700 --> 00:02:55,533
SO...
24
00:02:55,533 --> 00:02:57,433
A DRAGON.
25
00:02:57,433 --> 00:03:01,166
IT'S LIKE A...
BIKER BITCH CHOICE.
26
00:03:01,166 --> 00:03:02,800
WHAT DOES IT EAT?
27
00:03:02,800 --> 00:03:04,266
MEN'S DREAMS.
28
00:03:04,266 --> 00:03:07,333
UH-HUH.
29
00:03:07,333 --> 00:03:08,900
WHAT?
30
00:03:08,900 --> 00:03:13,467
OH. THIS IS NOT THE JOCELYN
I KNOW.
31
00:03:13,467 --> 00:03:15,433
YOU DID THIS ON A WHIM?
32
00:03:15,433 --> 00:03:17,567
WELL, MAYBE YOU LIKE THE JOCELYN
YOU DON'T KNOW
33
00:03:17,567 --> 00:03:19,433
BETTER THAN THE ONE YOU DO.
34
00:03:19,433 --> 00:03:22,233
BEFORE I RESPOND, WHICH ONE
AM I TALKING TO RIGHT NOW?
35
00:03:22,233 --> 00:03:27,166
YOU'RE ASKING THE WRONG PERSON.
I AM NOT EVEN HERE.
36
00:03:27,166 --> 00:03:29,400
I AM IN A PLACE OF BLISS.
37
00:03:29,400 --> 00:03:31,734
THAT'S WHAT YOU DO TO ME,
MICHAEL.
38
00:03:31,734 --> 00:03:33,500
MMM.
39
00:03:33,500 --> 00:03:37,400
(moaning)
40
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(doorbell rings)
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FUCK. (sighs) MY MOTHER.
42
00:03:41,800 --> 00:03:44,233
SHE'S HALF AN HOUR EARLY.
43
00:03:44,233 --> 00:03:46,900
IT'S 7:45.
WHAT'S SHE DOING HERE?
44
00:03:46,900 --> 00:03:50,734
I TOLD YOU. SHE'S TAKING ME
ON A SPA WEEKEND IN SAN DIEGO.
45
00:03:50,734 --> 00:03:53,300
I'M NOT LIFTING A FINGER
UNTIL SUNDAY.
46
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BET YOUR MOTHER WILL FEEL
RIGHT AT HOME WITH THAT DRAGON.
47
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(growls)
48
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HEY.
49
00:03:58,200 --> 00:04:00,266
(both moaning)
50
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GO.
51
00:04:04,900 --> 00:04:06,934
OH. THANK YOU.
52
00:04:06,934 --> 00:04:09,834
THANKS.
53
00:04:15,867 --> 00:04:18,133
(grunts, clears throat)
54
00:04:18,133 --> 00:04:19,800
YOU ALL RIGHT, LUTHER?
55
00:04:19,800 --> 00:04:24,200
OH, YES. JUST... REACTING
TO THE PRICES OF THESE ENTREES.
56
00:04:24,200 --> 00:04:27,834
$125 FOR A STEAK?
57
00:04:27,834 --> 00:04:30,266
RELAX, LUTHER.
58
00:04:30,266 --> 00:04:33,900
YOU'RE GOING TO EXPENSE THIS
TO MY FATHER ANYWAY.
59
00:04:33,900 --> 00:04:35,667
WELL, I TAKE UMBRAGE.
60
00:04:35,667 --> 00:04:38,233
I WONDER WHAT THEY CHARGE
FOR THAT.
61
00:04:38,233 --> 00:04:40,900
IT'S KOBE BEEF, LUTHER.
MM-HMM.
62
00:04:40,900 --> 00:04:45,734
IT'S GENTLY YET THOROUGHLY
MASSAGED BY HAND,
63
00:04:45,734 --> 00:04:47,567
AND SOMETIMES EVEN BY FOOT.
64
00:04:47,567 --> 00:04:49,233
MM, MM, MM.
65
00:04:49,233 --> 00:04:50,767
FOOT, HUH?
66
00:04:50,767 --> 00:04:52,433
OH, THAT'S REMARKABLE,
DON'T YOU THINK, LUTHER?
67
00:04:52,433 --> 00:04:55,166
(giggles) OH, YES.
68
00:04:55,166 --> 00:04:56,500
(chuckles)
69
00:04:56,500 --> 00:05:02,734
LUTHER. (speaking Javanese)
70
00:05:02,734 --> 00:05:11,934
(speaking Javanese)
71
00:05:11,934 --> 00:05:15,166
(grunting,
continues speaking Javanese)
72
00:05:15,166 --> 00:05:16,800
UHH.
73
00:05:16,800 --> 00:05:20,400
WHAT LANGUAGE IS THAT
YOU'RE SPEAKING, LUTHER?
74
00:05:20,400 --> 00:05:22,166
IT'S JAVANESE.
75
00:05:22,166 --> 00:05:24,834
UH, YOU MEAN... JAPANESE.
76
00:05:24,834 --> 00:05:30,467
NO, JAVANESE. FROM JAVA.
77
00:05:30,467 --> 00:05:34,633
AH, AND, UM,
WHAT DO WE KNOW OF JAVA?
78
00:05:34,633 --> 00:05:38,367
IT'S WHERE THE LEGENDARY FOSSIL
OF JAVA MAN WAS FOUND.
79
00:05:41,800 --> 00:05:43,533
OH, FANTASTIC.
80
00:05:43,533 --> 00:05:46,734
I DIDN'T KNOW YOU WERE SUCH
A FOSSIL BUFF, DARLING.
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00:05:46,734 --> 00:05:48,600
(both chuckle)
82
00:05:48,600 --> 00:05:51,333
GO ON, LUTHER.
83
00:05:51,333 --> 00:05:55,900
FOR... GOD SAKES. ELABORATE.
WELL...
84
00:05:55,900 --> 00:05:58,467
WELL, TO NO ONE'S SURPRISE,
85
00:05:58,467 --> 00:05:59,800
AND GIVEN
THE ABUNDANT RAINFALL,
86
00:05:59,800 --> 00:06:03,166
THE RICE FIELDS IN JAVA
ARE AMONG THE...
87
00:06:03,166 --> 00:06:04,800
WETTEST IN THE WORLD.
88
00:06:04,800 --> 00:06:08,333
REALLY? HOW WET?
89
00:06:08,333 --> 00:06:10,200
SOAKING.
90
00:06:10,200 --> 00:06:12,300
SOAKING.
(whimpers)
91
00:06:12,300 --> 00:06:15,200
(laughs) OKAY, WELL, HONEY,
LET'S GET SOME BEEF, HUH?
92
00:06:15,200 --> 00:06:16,633
(dish clatters)
93
00:06:16,633 --> 00:06:19,567
THAT DINNER WENT ON
FUCKING FOREVER.
94
00:06:19,567 --> 00:06:22,600
I THOUGHT LUTHER WOULD NEVER
SHUT UP ABOUT JAVA.
95
00:06:22,600 --> 00:06:26,166
LIKE I GIVE A BROWN DOUGHNUT.
96
00:06:26,166 --> 00:06:29,233
YOU KNOW WHAT WAS THE BEST TIME
OF MY MARRIAGE TO PEMMIE?
97
00:06:29,233 --> 00:06:31,433
THE YEAR SHE WAS IN PRISON
FOR TAX EVASION.
98
00:06:31,433 --> 00:06:33,667
MY COCK FINALLY GOT A BREAK.
99
00:06:33,667 --> 00:06:35,600
THE WOMAN IS INSATIABLE.
100
00:06:35,600 --> 00:06:40,834
SHE'LL GRIND ANY MAN DOWN
LIKE A PIECE OF WOOD ON A LATHE.
101
00:06:40,834 --> 00:06:45,500
BEFORE I MET HER,
I REALLY LOVED SEX.
102
00:06:45,500 --> 00:06:48,500
BUT SHE JUST WORE ME OUT.
103
00:06:48,500 --> 00:06:50,600
SO WHY DO I STAY WITH HER?
104
00:06:50,600 --> 00:06:52,433
(chuckles)
105
00:06:52,433 --> 00:06:56,300
'CAUSE WE GOT SOMETHING
TOGETHER.
106
00:06:56,300 --> 00:07:01,767
DO NOT MENTION THIS TO MY COCK.
107
00:07:10,367 --> 00:07:13,166
SHE'S DRIVING MUCH CALMER SINCE
THE ANGER MANAGEMENT CLASSES.
108
00:07:15,300 --> 00:07:17,433
YOU ACTUALLY ASKED
TO COME ON A RIDE-ALONG?
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00:07:17,433 --> 00:07:19,633
DID YOU KNOW
SHE WAS DRIVING?
110
00:07:19,633 --> 00:07:22,233
MICHAEL WANTED TO SEE WHAT I DO
WHEN WE'RE NOT TOGETHER
111
00:07:22,233 --> 00:07:24,533
TRYING TO KILL EACH OTHER.
112
00:07:28,734 --> 00:07:30,567
(speaking indistinctly)
113
00:07:32,567 --> 00:07:34,300
HEY, PRESTON.
114
00:07:34,300 --> 00:07:35,533
THE BIG GUY--
ISN'T THAT LINDELL?
115
00:07:35,533 --> 00:07:37,300
FUCKHEAD NEVER LEARNS.
116
00:07:37,300 --> 00:07:39,133
DOWN, MICHAEL, DOWN!
117
00:07:39,133 --> 00:07:44,800
(siren wailing)
118
00:07:44,800 --> 00:07:47,500
(tires screech)
119
00:07:47,500 --> 00:07:50,233
YOU GET LINDELL.
I'LL GET HECKLE AND JECKLE.
120
00:07:50,233 --> 00:07:51,800
STOP, OR I'LL SHOOT!
121
00:07:54,834 --> 00:07:56,333
(gunshot)
122
00:07:56,333 --> 00:07:58,367
LIZ!
123
00:07:58,367 --> 00:08:00,400
STAY IN THE CAR!
124
00:08:08,467 --> 00:08:12,500
(panting)
125
00:08:12,500 --> 00:08:13,867
HEY, HEY, HEY! JEEZ!
126
00:08:13,867 --> 00:08:15,834
DIDN'T I TELL YOU
TO STAY IN THE CAR?
127
00:08:15,834 --> 00:08:17,367
OHH!
128
00:08:17,367 --> 00:08:20,667
RELAX.
(laughs) I'M NOT DEAD.
129
00:08:20,667 --> 00:08:22,200
UNIT 407,
WE HAVE AN OFFICER DOWN.
130
00:08:22,200 --> 00:08:23,433
PUT SOME PRESSURE ON THE WOUND
RIGHT HERE.
131
00:08:23,433 --> 00:08:25,133
RIGHT THERE.
132
00:08:25,133 --> 00:08:27,400
STAY HERE.
I'LL GUIDE THE AMBULANCE IN.
133
00:08:27,400 --> 00:08:29,233
(panting)
134
00:08:29,233 --> 00:08:32,333
YOU GLAD YOU CAME? (panting)
135
00:08:32,333 --> 00:08:36,200
PUT SOME PRESSURE
DOWN THERE. (groaning)
136
00:08:36,200 --> 00:08:37,734
N-NOT SO HARD.
137
00:08:37,734 --> 00:08:40,233
OKAY. ARE YOU OKAY?
138
00:08:40,233 --> 00:08:43,400
ME? NEVER BETTER.
139
00:08:43,400 --> 00:08:47,500
JUST A FLESH WOUND.
(laughs)
140
00:08:47,500 --> 00:08:49,800
(siren wailing in distance)
141
00:08:49,800 --> 00:08:52,567
(gasps)
142
00:08:52,567 --> 00:08:56,467
(seagulls crying)
143
00:09:02,133 --> 00:09:04,600
HEY.
144
00:09:04,600 --> 00:09:06,166
OH.
145
00:09:06,166 --> 00:09:07,667
MMM.
146
00:09:07,667 --> 00:09:09,867
MMM.
MMM.
147
00:09:09,867 --> 00:09:11,767
HOW YOU DOING?
148
00:09:11,767 --> 00:09:13,333
FINE.
149
00:09:13,333 --> 00:09:14,900
YEAH?
150
00:09:14,900 --> 00:09:16,700
NOT THE FIRST TIME
I'VE BEEN SHOT.
151
00:09:16,700 --> 00:09:18,433
HOW MANY TIMES?
152
00:09:18,433 --> 00:09:21,734
COUPLE. WHAT DOES IT MATTER?
153
00:09:21,734 --> 00:09:24,600
OH, I DON'T KNOW.
LIFE, DEATH, AHH.
154
00:09:24,600 --> 00:09:29,133
(chuckles) YOU'RE FAR
TOO MELODRAMATIC, YOU KNOW THAT?
155
00:09:29,133 --> 00:09:31,600
LIZ, YOU WERE SHOT.
156
00:09:31,600 --> 00:09:33,367
I'VE BEEN FULL OF HOLES
FOREVER.
157
00:09:33,367 --> 00:09:35,867
WHAT'S ONE MORE? (chuckles)
158
00:09:35,867 --> 00:09:39,867
HEY. COME HERE.
159
00:09:39,867 --> 00:09:42,700
HEY, YOU WERE SHOT.
160
00:09:42,700 --> 00:09:46,700
HEY. BUT NOT IN THE MOUTH.
161
00:09:46,700 --> 00:09:48,166
(both moaning)
162
00:09:48,166 --> 00:09:50,734
COME HERE.
163
00:09:52,233 --> 00:09:54,367
OHH.
164
00:09:54,367 --> 00:09:56,367
(computer alert playing)
165
00:09:56,367 --> 00:10:00,467
UGH. I GOTTA GO GET THAT.
IT'S THE OFFICE.
166
00:10:02,633 --> 00:10:04,900
(sighs deeply)
167
00:10:04,900 --> 00:10:07,500
(alert continues playing)
168
00:10:07,500 --> 00:10:09,367
Ah, there you are, Michael.
169
00:10:09,367 --> 00:10:11,400
Hello, Michael.
170
00:10:11,400 --> 00:10:13,567
How's the franchise agreement
coming along?
171
00:10:13,567 --> 00:10:16,900
A LOT... FASTER
NOW THAT I DECIDED TO DRAFT IT
172
00:10:16,900 --> 00:10:18,734
on my dad's boat.
173
00:10:18,734 --> 00:10:20,200
NOW I NEED IT
FIRST THING IN THE MORNING, HMM?
174
00:10:20,200 --> 00:10:22,467
AH, IT'LL BE THERE.
175
00:10:22,467 --> 00:10:24,433
Michael,
I want you to meet someone.
176
00:10:24,433 --> 00:10:26,333
Say hello to the reason
you are working so hard.
177
00:10:26,333 --> 00:10:27,800
Mirella Brenetti.
178
00:10:27,800 --> 00:10:29,333
Buon giorno, Michele.
179
00:10:29,333 --> 00:10:31,800
BUON GIORNO.
IT'S AN HONOR.
180
00:10:31,800 --> 00:10:33,367
I HAD ONE OF THE BEST MEALS
OF MY LIFE
181
00:10:33,367 --> 00:10:36,533
at Ristorante Brenetti
in Florence.
182
00:10:36,533 --> 00:10:37,800
AH, PERFETTO.
183
00:10:37,800 --> 00:10:39,467
I WILL HAVE MY HUSBAND
PREPARE YOU
184
00:10:39,467 --> 00:10:41,333
UN PIATTO COSI SPECIALE
185
00:10:41,333 --> 00:10:43,700
AT THE NEW BRENETTI'S
LAS VEGAS.
186
00:10:43,700 --> 00:10:47,166
CIAO, MICHELE.
CIAO!
187
00:10:47,166 --> 00:10:48,934
(taps key)
(giggles)
188
00:10:48,934 --> 00:10:53,934
DON'T EVER DO THAT... AGAIN.
189
00:10:55,300 --> 00:10:56,600
I'M GONNA GO HOME.
190
00:10:56,600 --> 00:10:57,867
NO, YOU DON'T.
191
00:10:57,867 --> 00:11:00,200
THERE'S NO ONE THERE
TO TAKE CARE OF YOU.
192
00:11:00,200 --> 00:11:02,300
I DON'T NEED ANYBODY
TO TAKE CARE OF ME.
193
00:11:02,300 --> 00:11:06,367
AH. THAT'S WHAT THIS
IS ALL ABOUT.
194
00:11:06,367 --> 00:11:08,667
THAT'S WHAT WHAT'S ABOUT?
195
00:11:08,667 --> 00:11:13,867
YOU CAN'T STAND ANYBODY
LOOKING AFTER YOU,
196
00:11:13,867 --> 00:11:16,834
SHOWING YOU SOME CONCERN.
197
00:11:16,834 --> 00:11:18,867
YEAH? SO?
198
00:11:18,867 --> 00:11:20,600
HEY.
199
00:11:48,900 --> 00:11:50,800
MMM.
200
00:11:50,800 --> 00:11:52,633
WHEATGRASS.
201
00:11:52,633 --> 00:11:57,467
OH! IT TASTES LIKE MY MOUTH
HAS JUST BEEN MOWED.
202
00:11:57,467 --> 00:11:59,367
(sighs and coughs)
203
00:11:59,367 --> 00:12:01,266
WHAT ARE YOU DRINKING THERE,
DARLING?
204
00:12:01,266 --> 00:12:02,700
IT'S NAKED CHARDONNAY.
205
00:12:02,700 --> 00:12:04,667
MMM.
206
00:12:06,200 --> 00:12:07,533
IT'S PERFECTION.
207
00:12:09,500 --> 00:12:11,667
MMM.
208
00:12:14,367 --> 00:12:17,266
PERFECTION--
THAT'S FUCKING GREAT.
209
00:12:17,266 --> 00:12:19,400
(laughs) YOU SHOULD WRITE
WINE REVIEWS, MOTHER.
210
00:12:19,400 --> 00:12:22,667
DID I TELL YOU
A GARDENER SAW US?
211
00:12:24,133 --> 00:12:27,433
ME AND MICHAEL IN THE BEDROOM,
NAKED.
212
00:12:27,433 --> 00:12:30,467
(laughs)
HOW MUCH DID HE SEE?
213
00:12:30,467 --> 00:12:34,400
WE WERE IN THE AFTERGLOW.
MM?
214
00:12:34,400 --> 00:12:36,900
MICHAEL IS QUITE A LOVER.
215
00:12:36,900 --> 00:12:41,467
WELL, I'M SURE I'M TRANSGRESSING
SOME FREUDIAN BOUNDARIES,
216
00:12:41,467 --> 00:12:44,400
BUT YOUR FATHER
IS NOT SO BAD.
217
00:12:44,400 --> 00:12:46,467
HE COULD TURN PRO.
218
00:12:46,467 --> 00:12:47,867
WHY, THERE'S THIS LITTLE THING
THAT HE DOES--OHH!
219
00:12:47,867 --> 00:12:51,900
OKAY, MOTHER. T.M.I.
T.M.I.
220
00:12:51,900 --> 00:12:54,700
YOU BROUGHT IT UP.
221
00:12:54,700 --> 00:12:58,934
I BROUGHT UP ME, NOT YOU
AND MY FATHER THE... PRO.
222
00:12:58,934 --> 00:13:01,300
WELL, POINT IS,
223
00:13:01,300 --> 00:13:05,433
THANKS TO YOUR DAD'S SKILLS
AND STAGGERING SPERM COUNT,
224
00:13:05,433 --> 00:13:07,200
YOU'RE HERE.
225
00:13:07,200 --> 00:13:09,567
WE SHOULD CELEBRATE
THE MAN AND HIS PENIS.
226
00:13:09,567 --> 00:13:11,567
YOU SAID "PENIS."
227
00:13:11,567 --> 00:13:13,400
I DIDN'T JUST IMAGINE THAT.
228
00:13:13,400 --> 00:13:15,800
MY ASTHMA HAS
A WHOLE NEW TRIGGER NOW.
229
00:13:15,800 --> 00:13:18,834
YEAH. IT'S GIRL TALK.
230
00:13:18,834 --> 00:13:20,700
TRYING TO BOND.
231
00:13:20,700 --> 00:13:22,633
(chuckles)
232
00:13:22,633 --> 00:13:25,567
(sighs) THIS PLACE IS NICE.
233
00:13:25,567 --> 00:13:27,767
A CHANCE
TO FORGET WHO WE ARE.
234
00:13:27,767 --> 00:13:29,467
YOU NEVER WANNA DO THAT.
235
00:13:29,467 --> 00:13:31,266
THERE ARE TOO MANY PEOPLE
OUT THERE
236
00:13:31,266 --> 00:13:32,800
READY TO DO IT FOR YOU.
237
00:13:34,367 --> 00:13:37,367
(sighs)
238
00:13:42,667 --> 00:13:44,767
(ice cubes rattle)
239
00:13:49,633 --> 00:13:51,433
WHAT TIME'S YOUR FLIGHT?
240
00:13:51,433 --> 00:13:53,533
(sighs) 7:00.
241
00:13:53,533 --> 00:13:56,433
MEANS YOU'LL BE IN FLORENCE
BY MID-MORNING.
242
00:13:59,367 --> 00:14:03,233
REMEMBER WATCHING THE SUNRISE
TOGETHER WHEN WE FLEW BACK?
243
00:14:05,834 --> 00:14:07,934
I'VE HAD SUCH A WONDERFUL TIME
WITH YOU, ARTHUR.
244
00:14:07,934 --> 00:14:09,333
HMM?
245
00:14:09,333 --> 00:14:10,867
WE COULD HAVE THIS
ALL THE TIME.
246
00:14:12,934 --> 00:14:15,400
THAT WOULD RUIN EVERYTHING.
247
00:14:26,100 --> 00:14:30,200
(seagulls crying)
248
00:14:34,467 --> 00:14:36,633
(sighs)
249
00:14:39,767 --> 00:14:41,900
HEY, REMBRANDT.
250
00:14:41,900 --> 00:14:45,133
YOU'RE BLEEDIN'.
251
00:14:45,133 --> 00:14:46,767
AREN'T WE ALL?
252
00:14:46,767 --> 00:14:48,467
(chuckles)
253
00:14:48,467 --> 00:14:51,200
YOU MUST BE
MIKEY'S NEW FRIEND LIZ.
254
00:14:51,200 --> 00:14:52,567
I'M VIC.
255
00:14:54,166 --> 00:14:56,467
SHOT OR STABBED?
256
00:14:56,467 --> 00:14:58,533
SHOT. IT'S THE FLESH WOUND.
257
00:14:58,533 --> 00:15:01,934
I GOT A MILLION OF THOSE.
THAT'S WHY I ACT THE WAY I DO.
258
00:15:01,934 --> 00:15:03,767
(laughs)
259
00:15:03,767 --> 00:15:06,300
YOU HUNGRY?
YEAH.
260
00:15:06,300 --> 00:15:08,200
COME ON.
261
00:15:12,166 --> 00:15:13,433
TUNA FISH.
262
00:15:13,433 --> 00:15:17,100
MY SPECIALTY.
263
00:15:17,100 --> 00:15:20,700
TO BE HONEST,
I EAT IT FOR THE MERCURY.
264
00:15:20,700 --> 00:15:23,333
FIGURE ONE DAY, IT'LL MAKE
MY COCK LIGHT UP IN THE DARK.
265
00:15:23,333 --> 00:15:25,867
(chuckles) THAT'D BE GREAT.
YOU CAN READ IN BED.
266
00:15:25,867 --> 00:15:28,500
I'LL HAVE TO BUY A BOOK.
267
00:15:28,500 --> 00:15:32,567
(laughs) MICHAEL'S TOLD ME
ABOUT YOU.
268
00:15:32,567 --> 00:15:35,700
MM. WHAT'D HE SAY?
269
00:15:35,700 --> 00:15:37,800
THAT HE WISHES
HE WAS MORE LIKE YOU.
270
00:15:37,800 --> 00:15:40,700
BAD IDEA.
271
00:15:40,700 --> 00:15:43,333
THERE'S ENOUGH OF ME
TO GO AROUND FOR EVERYBODY.
272
00:15:43,333 --> 00:15:45,800
(chuckles)
273
00:15:45,800 --> 00:15:49,734
UM, SO... YOU DON'T CARE
THAT MICHAEL'S SEEING ME?
274
00:15:49,734 --> 00:15:51,533
A GUY WHO'S ENGAGED?
275
00:15:51,533 --> 00:15:55,300
I BELIEVE IN THE THEORY
OF MAGNETIC NORTH.
276
00:15:55,300 --> 00:15:57,633
NO MATTER WHERE YOU THINK
YOU ARE,
277
00:15:57,633 --> 00:16:01,834
WHERE YOU THINK YOU WANNA BE,
YOU'RE DRAWN TO MAGNETIC NORTH.
278
00:16:01,834 --> 00:16:06,400
AND YOU, MY DEAR,
ARE MAGNETIC NORTH.
279
00:16:06,400 --> 00:16:08,633
(chuckles)
280
00:16:08,633 --> 00:16:12,333
HEY, UM, THANKS FOR LETTING ME
STAY ON YOUR BOAT.
281
00:16:12,333 --> 00:16:15,500
ANYTIME, AND IT'S A YACHT.
OH.
282
00:16:15,500 --> 00:16:17,300
YOU THINK I'D SPEND
THIS KIND OF MONEY ON A BOAT?
283
00:16:17,300 --> 00:16:19,600
(laughs)
284
00:16:19,600 --> 00:16:24,433
UM... VIC, I SHOULD--
I SHOULD GET GOING.
285
00:16:24,433 --> 00:16:25,700
WHAT? WHAT? I'M JUST
GETTING TO KNOW YA.
286
00:16:25,700 --> 00:16:27,400
WHERE DO YOU HAVE TO GO?
287
00:16:27,400 --> 00:16:28,667
HOME.
288
00:16:28,667 --> 00:16:31,266
WELL, PROBABLY A GOOD IDEA.
289
00:16:31,266 --> 00:16:32,767
STICK AROUND HERE
MUCH LONGER,
290
00:16:32,767 --> 00:16:34,600
I'LL JUST END UP
MARRYING YOU.
291
00:16:34,600 --> 00:16:36,600
OH. (laughs)
WHAT'S YOUR RING SIZE?
292
00:16:36,600 --> 00:16:38,500
(both laugh)
293
00:16:38,500 --> 00:16:40,867
COME ON.
FINISH YOUR LUNCH.
294
00:16:40,867 --> 00:16:42,367
YOU CAN DO THAT.
OKAY.
295
00:16:46,367 --> 00:16:48,500
(sighs)
296
00:16:48,500 --> 00:16:50,734
(knocks on door)
297
00:16:50,734 --> 00:16:53,567
AH. MICHAEL, MEET HANSINE.
298
00:16:53,567 --> 00:16:57,667
IT MEANS "GOD IS GOOD"
IN NORWEGIAN.
299
00:16:57,667 --> 00:16:59,367
(Norwegian accent)
I LOVE YOUR CUT,
300
00:16:59,367 --> 00:17:03,367
BUT IF YOU EVER WANT IT
CLOSER AND TIGHTER, CALL ME.
301
00:17:03,367 --> 00:17:05,567
SHE WON A TROPHY
302
00:17:05,567 --> 00:17:08,400
IN OSLO
FOR BEST SIDEBURN DESIGN.
303
00:17:08,400 --> 00:17:13,133
LONG IS BEST, BUT THEY MUST
ALIGN WITH THE LIPS
304
00:17:13,133 --> 00:17:14,734
TO BE TRULY ALIVE.
305
00:17:14,734 --> 00:17:18,467
SO, HOW'S LIFE ON THE HIGH SEAS
WITH DIRTY HARRIET?
306
00:17:18,467 --> 00:17:20,600
SHE'S GETTING THERE.
MM.
307
00:17:20,600 --> 00:17:22,834
YOU BELIEVE THIS?
SPENT ALL NIGHT LAST NIGHT
308
00:17:22,834 --> 00:17:26,200
WORKING ON THE BRENETTI
FRANCHISE AGREEMENTS FOR ARTHUR,
309
00:17:26,200 --> 00:17:27,767
AND HE'S NOT EVEN HERE?
310
00:17:27,767 --> 00:17:30,433
HE WAS IN A WEIRD FUNK
THIS MORNING.
311
00:17:30,433 --> 00:17:32,734
HE SAID...
"DID YOU EVER THINK
312
00:17:32,734 --> 00:17:34,734
"SOMETHING WOULD GO ONE WAY
IN YOUR LIFE,
313
00:17:34,734 --> 00:17:37,533
"AND THEN WHEN YOU'VE DISCOVERED
YOU ARE WRONG,
314
00:17:37,533 --> 00:17:40,133
IT SHOOK THE PRIMAL ORDER?"
315
00:17:40,133 --> 00:17:42,233
HE SAID THAT?
MM.
316
00:17:42,233 --> 00:17:43,834
YOU THINK HE'S COMING OUT?
317
00:17:43,834 --> 00:17:46,266
I HOPE NOT. HE DOESN'T HAVE
THE WARDROBE FOR IT.
318
00:17:46,266 --> 00:17:48,900
VERY TRUE.
319
00:17:48,900 --> 00:17:50,600
(chuckles)
320
00:17:50,600 --> 00:17:54,433
I AM THE LAST LIVING ACOLYTE
OF THE SWAMI AMRAVATI
321
00:17:54,433 --> 00:17:57,667
WHO WAS, AS YOU ALL KNOW,
WAS THE GREATEST PROPONENT
322
00:17:57,667 --> 00:18:00,467
OF THE 10-HOUR ORGASM.
323
00:18:00,467 --> 00:18:06,266
I WAS HIS LOVER FROM 1951 TO '53
AND THE INSPIRATION
324
00:18:06,266 --> 00:18:10,834
FOR HIS FIRST BOOK, "THE RIGORS
OF ENDLESS PLEASURE."
325
00:18:10,834 --> 00:18:13,600
I REMEMBER THE SUMMER WE MET
AT HIS SEASIDE RETREAT
326
00:18:13,600 --> 00:18:17,133
IN JAMMU AND KASHMIR.
327
00:18:17,133 --> 00:18:19,233
IT WAS THERE THAT HE TAUGHT
THE ANCIENT SECRETS
328
00:18:19,233 --> 00:18:22,467
OF BREATH CONTROL
AND CLITORAL LEVITATION.
329
00:18:22,467 --> 00:18:27,166
THERE ARE THOSE WHO SAY HE DIED,
BUT I WAS THERE.
330
00:18:27,166 --> 00:18:30,600
AFTER HE AND I HAD
AN ALL-DAY LOVEMAKING SESSION,
331
00:18:30,600 --> 00:18:36,667
THE SWAMI HAD AN 11-HOUR ORGASM
AND SIMPLY DEMATERIALIZED.
332
00:18:36,667 --> 00:18:39,767
NOW THAT'S... AN ORGASM.
333
00:18:48,166 --> 00:18:50,834
OHH.
334
00:18:50,834 --> 00:18:53,500
MMM.
335
00:18:53,500 --> 00:18:55,667
OHH.
336
00:18:55,667 --> 00:18:59,433
(moaning)
337
00:18:59,433 --> 00:19:02,133
WOW. AHH.
338
00:19:02,133 --> 00:19:05,633
(sighing and moaning)
339
00:19:07,767 --> 00:19:09,266
(gasps)
340
00:19:09,266 --> 00:19:11,767
(moans)
341
00:19:19,834 --> 00:19:22,066
OHH.
(gasps)
342
00:19:22,066 --> 00:19:26,166
(both gasping)
343
00:19:29,700 --> 00:19:33,367
(panting)
344
00:19:42,367 --> 00:19:45,233
MM! OH, GOD!
345
00:19:45,233 --> 00:19:48,867
AHH! MM.
346
00:19:48,867 --> 00:19:50,633
(sighs)
347
00:19:50,633 --> 00:19:51,867
(laughs)
348
00:19:51,867 --> 00:19:55,333
(sighs)
YOU DO ME IN, COUNSELOR.
349
00:19:55,333 --> 00:19:56,633
(gasps)
350
00:19:56,633 --> 00:19:58,200
WHAT CAN I DO FOR YOU?
351
00:19:58,200 --> 00:20:03,533
I'M WOUNDED,
BUT I'M MOTIVATED.
352
00:20:03,533 --> 00:20:04,800
MMM.
353
00:20:08,700 --> 00:20:10,200
MMM.
354
00:20:12,400 --> 00:20:14,767
I'D LIKE TO FALL ASLEEP
NEXT TO YOU.
355
00:20:14,767 --> 00:20:17,367
I'D LIKE THAT, TOO.
356
00:20:17,367 --> 00:20:19,567
OKAY.
357
00:20:28,133 --> 00:20:29,767
HOW'S THE PAIN?
358
00:20:29,767 --> 00:20:32,567
PAIN IS FOR PEOPLE
WHO FEEL PAIN.
359
00:20:34,433 --> 00:20:36,333
I MET YOUR DAD TODAY.
360
00:20:36,333 --> 00:20:38,900
OH, YEAH?
HE HIT ON YOU?
361
00:20:38,900 --> 00:20:42,333
HE TALKED TO ME.
362
00:20:42,333 --> 00:20:43,934
THAT'S NOT LIKE HIM.
363
00:20:43,934 --> 00:20:45,667
HMM.
364
00:20:45,667 --> 00:20:48,300
EVERYONE HAS SIDES.
365
00:20:54,633 --> 00:20:56,300
(Liz grunts)
366
00:20:56,300 --> 00:20:58,166
FUCK!
367
00:20:58,166 --> 00:21:01,233
(grunting)
368
00:21:05,300 --> 00:21:07,367
(panting)
369
00:21:07,367 --> 00:21:08,667
HEY, YOU OKAY?
370
00:21:08,667 --> 00:21:11,200
GET AWAY.
LIZ.
371
00:21:11,200 --> 00:21:14,400
GET AWAY!
OKAY, OKAY.
WHAT'S GOING ON?
372
00:21:14,400 --> 00:21:16,700
I DROPPED MY LAST PAIN PILL,
AND I CAN'T FUCKING FIND IT.
373
00:21:16,700 --> 00:21:20,700
AND I'M IN FUCKING PAIN.
SO JUST GET THE FUCK OUT!
374
00:21:20,700 --> 00:21:22,900
I'LL HELP YOU FIND THE PILL.
375
00:21:22,900 --> 00:21:24,600
GET THE FUCK OUT!
376
00:21:24,600 --> 00:21:26,433
HEY! HEY, CALM DOWN.
377
00:21:27,600 --> 00:21:29,700
STOP IT.
378
00:21:29,700 --> 00:21:31,834
(whimpers)
OH, OKAY.
379
00:21:31,834 --> 00:21:33,767
COME HERE. COME HERE.
380
00:21:33,767 --> 00:21:35,433
(grunts)
381
00:21:35,433 --> 00:21:37,433
LET'S LIE YOU DOWN,
AND I'LL FIND THE PILL.
382
00:21:37,433 --> 00:21:38,834
(clatter)
383
00:21:38,834 --> 00:21:41,767
IT'S OKAY.
PAIN BUILDS CHARACTER.
384
00:21:41,767 --> 00:21:43,533
YOU KNOW WHO SAID THAT?
385
00:21:43,533 --> 00:21:45,333
NO.
386
00:21:45,333 --> 00:21:46,633
GUESS.
387
00:21:46,633 --> 00:21:47,934
(grunts) KENNEDY?
388
00:21:47,934 --> 00:21:49,700
NO.
389
00:21:49,700 --> 00:21:53,567
IT WAS MY MOTHER,
TWO MONTHS BEFORE SHE DIED.
390
00:21:53,567 --> 00:21:57,667
SO IT DIDN'T BUILD CHARACTER
AT ALL. IT JUST... KILLED HER.
391
00:21:57,667 --> 00:22:00,367
I'M SORRY. I DIDN'T KNOW THAT,
LIZ. YOU NEVER TOLD ME THAT.
392
00:22:00,367 --> 00:22:03,367
IT WASN'T MUCH OF A STORY.
393
00:22:03,367 --> 00:22:06,734
SHE WAS FINE, AND THEN...
THEN WE BURIED HER.
394
00:22:06,734 --> 00:22:08,433
(sniffles)
395
00:22:09,734 --> 00:22:10,934
I'LL FIND THE PILL.
396
00:22:13,233 --> 00:22:15,467
OH, GOD, I HATE YOU
BEING SO NICE TO ME.
397
00:22:15,467 --> 00:22:17,567
I KNOW.
YOU KNOW, I REALLY DO.
398
00:22:17,567 --> 00:22:18,900
OH, I KNOW.
399
00:22:20,533 --> 00:22:22,467
(under breath) FUCK.
400
00:22:22,467 --> 00:22:23,734
(exhales deeply)
401
00:22:25,567 --> 00:22:29,600
(cell phone rings)
402
00:22:29,600 --> 00:22:31,266
HI, STRANGER.
HI.
403
00:22:31,266 --> 00:22:32,734
What are you doing?
404
00:22:32,734 --> 00:22:36,166
UH, WORKING LATE.
405
00:22:36,166 --> 00:22:38,433
HOW WAS THE MOTHER/DAUGHTER
WEEKEND?
406
00:22:38,433 --> 00:22:41,900
MM, THE PERFECT PEDICURE
SOLVES EVERY PROBLEM IN LIFE.
407
00:22:41,900 --> 00:22:43,667
YOU HAVE PROBLEMS?
408
00:22:43,667 --> 00:22:46,133
WE HAD A BLAST, GOSSIPING,
409
00:22:46,133 --> 00:22:47,533
eating like crazy.
410
00:22:47,533 --> 00:22:50,433
I mean, the place took forever
to get to,
411
00:22:50,433 --> 00:22:55,400
AND SOME OF THE WOMEN THERE
WERE JUST... OFF THE CHARTS.
412
00:22:55,400 --> 00:22:57,233
Here's a tip.
413
00:22:57,233 --> 00:23:00,300
Never get into a mud bath
next to a divorcée...
414
00:23:00,300 --> 00:23:01,900
(speaks indistinctly)
HUH? I'M LOSING YOU.
415
00:23:03,533 --> 00:23:05,467
HEY, CALL YOU TOMORROW.
416
00:23:09,300 --> 00:23:11,533
(sighs)
417
00:23:11,533 --> 00:23:13,900
HEY, OKAY, OPEN.
418
00:23:13,900 --> 00:23:16,667
(pants)
419
00:23:18,767 --> 00:23:21,667
(pants)
420
00:23:22,867 --> 00:23:24,433
(gulps)
421
00:23:24,433 --> 00:23:26,166
(bottle cap clicks)
MM.
422
00:23:27,533 --> 00:23:30,367
(giggles) THANK YOU.
423
00:23:34,200 --> 00:23:35,900
MM.
424
00:23:35,900 --> 00:23:55,934
MM. OW.
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