Original subtitles

♪ Shine on me ♪

The one thing that Shannon's new manager

cannot be suspected of is being a New York cop.

Arnie Hooten. Aren't you Shannon's Forbes' manager?

We've inundated our pirate market with your records.

We want something new, something big.

The company is backed by racketeers.

They're involved in all kinds corruption,

payola, piracy.

All I want is your boss.

Now, what's his name?

Clifford: McCloud!

[instrumental music]

[music continues]

[audience cheering]

[instrumental music]

♪ I used to be a rolling stone you know? ♪

♪ If the cause was right

♪ I'll leave to find the answer on the road ♪

♪ I used to be a heart beating for someone ♪

♪ But the times have changed

♪ The less I say the more my work gets done ♪

♪ 'Cause I live and breathe this Philadelphia freedom ♪

♪ From the day that I was born I've waved the flag ♪

♪ Philadelphia freedom took me knee high to a man ♪

♪ Yeah

♪ Gave me a piece of my mind my daddy never had ♪

♪ Oh Philadelphia freedom

♪ Shine on me

♪ I love you shine the light

♪ Through the eyes of the one left behind ♪

♪ Shine the lights shine the lights ♪

♪ Shine the lights won't you shine the lights? ♪

♪ Philadelphia freedom ♪

McCloud: Joe! Joe!

Hey, Joe!

McCloud! What are you doing here?

You're supposed to be in bunco.

Well, not anymore.

But the Chief ordered you to stay there

for the rest of the week. I sent down the memo myself.

Well, I guess bunco didn't get it.

You know where Joe is?

I got two tickets to the ball game. Got an extra one.

Um, he's on a special assignment at the trade center.

Trade center. Thank you.

- Who are you calling? - Joe.

Well, maybe he can get off early enough to go with me.

No!

I mean, no, he won't.

Ah, he's on duty for the rest of the night.

Where's Grover?

Um, he's in Brooklyn. Uh, checking out a suspect.

Well, maybe Sims can go with me.

I don't think so.

He's guarding a witness somewhere.

Polk?

I guess he's off to the Ozarks or someplace?

Ozarks? [laughs]

McCloud, that's funny.

But you're not too far off. Jersey.

[both laugh]

Yeah, I'll tell you, manpower around here

is just gettin' thinner than a bear in winter.

- Like baseball? - Mm-hmm.

Catfish Hunter's pitching.

I'd love to!

Oh, but I can't.

Why not?

Somebody's gotta mind the store.

Well, I'm not going to go there myself.

Clifford: Security is the key.

This is a $300 million racket, maybe more.

It crosses federal, state, city lines.

That's why the commissioner has asked me to hand-pick you men

to work with the Treasury Department.

Mr. Lund.

By now, all of you know we're talking about record piracy,

payola in the music industry.

Now, you men have your connections out on the street.

We have ours throughout the state and across the country.

So far though, we've only been able to knock over

a couple of mom and pop operations.

What we're hoping is that by working together,

we can nail the big operators.

Now, we don't know that this is a big operation.

But Broadhurst came up with some top information

from one of his informants.

Pirates are pressing this new album.

[machines whirring]

[dramatic music]

♪ Satin sheets ♪ Satin sheets to lie on

♪ Satin pillows ♪ Satin pillows to cry on

♪ Still I'm not happy

♪ Don't you see?

♪ Big long Cadillacs

♪ Tailor maids upon my back

♪ Still I want you to set me free ♪

♪ Still I want you

♪ To set me free ♪

[audience cheering]

Shannon: Thank you. Oh, thank you very much.

Congratulations. I hear you've set the date.

Thank you.

You just don't give up, do you?

Frankly, I nearly did, until I heard

the new song Tommy wrote for Shannon.

I know you're just gonna dig it.

Well, I won't really make any difference.

Her contract's up with Harrow Records.

You don't really think I'd let her sign with J-and-T, do you?

Why not?

Well, I guess life's just a little too short

to keep looking over my shoulder and never in the mirror.

[laughing]

♪ I've been cheated

♪ Been mistreated

♪ Where will I be loved? ♪

- Tell me something, Maggie-- - I can't!

I mean, what could I possibly tell you?

- What's goin' on? - On?

What makes you think something's going on?

You know, Maggie, you're just about the worst liar

since Delilah told Samson

that his hair was sappin' his strength.

Look, McCloud, if I was lying,

I was only lying because I was under orders.

Maggie, I can understand that.

But, you know, I'm not a wolf in the barnyard.

If chief cleared this this place out,

it's because that he was short-handed.

Which bring up the distinct possibility

that I might be of some help to him.

Mm?

You need somethin', fella?

Ah, is-- is-- is Sergeant Broadhurst here?

- No, but maybe I can help ya. - What? No.

He said he was gonna be here. I gotta see him right away!

From the look of things, you may not make it outta here.

He told he was gonna be here! And I gotta see him right now!

Now let's just settle down here.

Take it easy. Calm down.

You know, Sergeant Broadhurst is my best friend, you know that?

I mean, we got no secrets between us at all.

Anything that you can tell him, well, you can tell me.

Just say it right out.

Can you get a hold of him fast?

Did Joe and rest of 'em go with the Chief?

McCloud, I can't.

- You might have to! - But I'm under orders!

Maggie, this could be an emergency!

But if I call the Commissioner's office,

Chief Clifford's going...

Oh, he's gonna kill me.

Appreciate it.

Now, what'd you wanna talk to Joe about, fella?

- It's about the raid tonight. - The raid?

Mm?

On the pirate factory.

Pirate factory?

Pirate factory. Right here.

We hit it from both sides.

Lund, Broadhurst, Sims, front.

Me, Grover, Polk, right here, back.

- Any questions? - What time do we go in?

Tonight, ten o'clock.

Until then,

and I can't emphasize this strongly enough, gentlemen,

not a sound to anyone. We don't want any leaks.

Oh, you don't have to worry about this squad, Lund.

No one outside of this room

could possibly know anything about this meeting

or the raid tonight.

You have my assurance on that.

[intercom buzzes]

Yes?

Woman 1: Chief Clifford, I'm sorry to bother you,

but there's a man out here who insists upon seeing you.

I thought you said no one knew we were here.

They don't. They didn't.

What man?

Woman 1: What did you say your name was again?

McCloud: McCloud. Marshal Sam McCloud.

McCloud?

Woman 1: Does he know you, Mr. McCloud?

McCloud: Well, of course he knows me.

Hey, chief, can you hear me in there alright?

I can hear you alright.

McCloud: Well, there's somethin' that we all gotta

talk over right away.

All?

McCloud: Well, Joe, Sims, Polk, and Grover

still in there with you, ain't they?

Come in, McCloud.

Chief, I'm glad I was lucky enough to still find--

Now, hold it, McCloud.

Before I hear anything, I wanna know

which one of these men told you we were meeting here.

Not me.

I didn't.

- Well, who was it? - Well, none of 'em.

Well, that's not important now, anyway.

Uh...

Alright, McCloud, what is important?

Tonight's raid.

You mean, you know about the raid tonight?

Yeah, just to be quite honest with you,

I think we're trussin' up a pig here

that ain't gonna get roasted.

Huh?

These plans here, they're not worth

the-- the lead that it took to draw 'em.

I drew those plans, McCloud.

Well, there's no offense there, chief.

But them pirates ain't no closer to here

than Taos is to Albuquerque.

Wait a minute. What has New Mexico got to do with this?

- How do you know that? - Well, Benny told me.

He came into headquarters looking for you, Joe.

He said he found out that them pirates are using

a different place entirely.

I didn't want you to go off on no snipe hunt, chief.

- Benny Jones? - Yeah.

Did he tell you where they were setting up?

Yeah, and I think it's gonna be just a little bit complicated

for us to break in there.

Us?

But I looked the area over

on the way by, and I think

that I got it all figured out, chief.

The seven of us, we could clear that place out

faster than a bull loose at a hoedown.

Let's go.

[instrumental music]

Aren't you coming?

♪ I've been turned down

♪ I've been pushed around

♪ When will I be loved?

♪ When I meet a new man

♪ That I want for mine

♪ He always breaks my heart in two ♪

♪ It happens every time

♪ I've been made blue

♪ I've been lied to

♪ When will I be loved?

♪ Where're going baby?

♪ Here I am

♪ Well you left me here

♪ So I could sit and cry well ♪

[dramatic music]

Stay where you are. We're police.

Clifford: Hold it! Put your hands over...

[clamoring]

Up against the wall! Come on, move it!

- Hands up! - Spread your legs, come on.

Man 1: Keep your hands up. Don't move.

Man 2: Come on, hands up! Spread your legs.

Look for oppress and get...

Man 1: Come on, straight up. Turn around.

Slow and easy. Hands down. Hold it behind your back.

Come on, come on.

This is the key.

I hope it traces back to the right lock.

I don't know, this doesn't look like

the big company that we're after.

♪ You wander around on your own little cloud ♪

♪ When you don't see the why

♪ Or the where for

♪ You walk out on me ♪

Ah, Mrs. Wright. I was in the neighborhood.

- I hope you don't mind. - Of course not.

I hope I didn't misread these playlists?

It looks like that our, your artists

aren't getting too many plays.

I'm working on it, there are a couple of albums

that are starting to move big.

- They should be winners. - Should?

Now, you were positive in the beginning

when we bought up those contracts

of the groups that you wanted.

Their records just didn't do as well as I'd hoped.

Well, now, what about the sure thing you promised us?

Shannon Forbes?

Six straight hits.

No reason why a seventh, eighth or ninth

shouldn't follow for some company.

I'm working on that, too.

Oh, another possibility.

Alright, Jessica.

What's the problem? Now, you said she likes Tommy.

Her manager's nervous about some of my associates.

Oh, Jessica, this is 1975.

That Darnel knows the score.

He's the old-fashioned type.

Believes in something called integrity.

Jessica, it'll look good on the label.

See to it that she signs.

- I can't force her. - Don't.

Just remove the objections.

Now what's Darnel's price?

You haven't got enough money.

I know he's got a hang up.

- You find it. - I already did.

Date nut bread and raw milk.

Mrs. Wright... the whip is being snapped.

Now you hustle on all fronts,

Shannon Forbes, Mike Parker,

or anybody else that'll keep our registers ringing.

Mr. Gregory.

I'll need some more operating money.

Losing costs as much as winning, doesn't it?

Can I press some more pirates?

Alright, you run an extra 100,000 records this weekend.

And I'll have a truck come by on Sunday.

Oh, Mrs. Wright.

Make sure you spend the money well.

We don't wanna end up selling more records

under the table than we do over it, do we?

♪ You don't realize

♪ That it's all compromise

♪ And the problems are

♪ So overrated

♪ Goodbye means nothing

♪ When it's all for show

♪ So why pretend you've somewhere else ♪

♪ To go

♪ Don't sleep in the subway darling ♪

♪ Don't stand in the pouring rain ♪

♪ Don't sleep in the subway darling ♪

♪ The night is long

♪ Forget your foolish pride

♪ Nothing's wrong

♪ Now you're beside me

♪ Again ♪

That was lovely, Marlene, truly lovely.

You have a beautiful voice.

I hope you decide to use me, Mrs. Wright.

Well, that's up to Tommy. He handles the talent.

Marlene, with the right record,

you're going to the top non-stop.

That's why we keep in close contacts with all the DJ's,

like Mike Parker.

Mike Parker!

Do you know him?

No, but I'd sure like to.

Well, for heaven's sakes, we're going over there right now.

Why don't you come along with us?

- Really? - Forget it.

Freshen up. We'll wait.

Go ahead, darling.

What're you trying to do?

Keep us in the record business.

We can do without using the girl.

Believe me, love, we need all the help we can get.

- Jessie-- - Gregory was just here.

Jessie, we formed J-and-T to be independent,

do the songs we wanted, the way we wanted,

with no outside interference, now look at us.

Tommy, where do you see outside interference?

So we take a suggestion here and there

from our financiers.

Where does that hurt us?

J-and-T is one of the biggest.

And you still call every creative shot.

And, darling, don't worry.

Mike Parker gets bored easily.

He'll throw her back to you before you know it.

[dramatic music]

- Find anything? - No.

It was just another mom and pop operation.

- But they had the covers. - They were just bad forgeries.

Nothing to do with J-and-T or any of the other majors.

You have said that the record companies steal from themselves.

Is that right?

Yeah, but it's just about impossible to prove.

Well, I don't understand.

I don't know why they would steal from themselves.

They're gonna get the money sooner or later anyway.

Lund: Let me explain, gentlemen, there's two kinds

of money in this case.

Let's say that, uh, one of the majors

like J-and-T has a couple of big albums they wanna push.

The fastest way is through air play, disc jockeys.

Now, some of the jocks are on the take,

both hands open wide.

Well, the companies fill those hands with money,

dope, women, whatever it takes.

Now to handle the pay-off,

they press a couple of thousand extra albums,

dump them off on pirates,

then that way they get the unaccounted for cash they need.

Full circle.

No books, no taxes, no nothing.

Except that the artists and legitimate dealers

are left out of that circle.

Our job is to break through.

Lund: We're working on that.

The department has a minor narcotics rap

on one of the top DJ's in town.

I have him pretty close to cooperating.

Good. How can we help?

Ah, I have an appointment with him this afternoon.

Why don't you have a couple of your men out back?

I'll make the introduction, and then he'll have local contacts.

Top jock, huh? Who is he?

Mike: I can't playback anymore, my mind is absolutely blown!

Stage right, Super Mouth Mike Parker here, WPVO.

Your number one, that's why I'm number one.

Laying back the baddest, the meanest sounds around.

There ain't nobody else around, so you gotta stay with me

and we're here until nine o'clock.

Alright, to Shannon Forbes.

She's the lady. She's the queen.

She should be heard.

Let that voice be heard like a clarion call!

She's gonna talk to us.

Mm-hmm-hmm. Yeah, baby.

I hear you.

I know what you're saying.

You're talking to me.

Talk to me.

♪ I'm not happy

Jessica: Mike, you look terrible.

Jessica, what're you doing here?

Trying to make a living.

Come on, baby. Don't hassle me now.

I'm in pain, you understand? In pain.

Mike, you haven't been doing right by me at all.

You're playing everybody's songs but mine.

Don't get heavy with me now.

I am really hurtin'. You understand? Hurtin'.

Poor baby.

All pressure.

And who knows about his tensions better than me?

Who's always there if he needs me?

For anything. Who's never said no to anything he needed?

Like now.

- Is it any good? - "Is it any good?"

Rich as a gold mine.

Take two. They're small.

Well, go on, baby, it'll help you.

♪ Still I'm not happy

♪ Don't you see?

Yeah, well, I'll do what I can for you, Jessica, okay?

Make that a promise, I have something special.

What?

♪ Upon my bed

♪ Still I want you to save me ♪

Hell yeah.

And what do you do?

- Sing. - Like a lark.

Yeah, well, I always like helping new talent.

Didn't I tell you, Marlene? He's a wonderful person.

I'm a wonderful person. You come on over here.

Baby, listen, you sit there.

I'll meet you in a little while.

But I gotta get the job done, you dig?

Yeah, Shannon Forbes.

Now, you talkin' about new talent,

that's new talent.

And you know and I know

that Super Mouth Mike Parker likes helping new talent,

you dig?

Been over half an hour since Lund went in.

I guess Parker needed some extra convincing.

Maybe we ought to take a look.

Yeah, maybe, but we're not going to.

This is Lund's scenario and he said to wait.

[instrumental music]

♪ Philadelphia freedom

♪ Shine on me

♪ I love it shining light

♪ Through the eyes of the one left behind ♪

♪ Shine the lights shine the lights ♪

♪ Shine the lights won't you shine the lights? ♪

♪ Philadelphia freedom

♪ I lo-o-ove you

♪ I lo-o-ove you

♪ Don't you know that I lo-o-ove you? ♪

♪ Yes I do

♪ Philadelphia freedom

♪ I lo-o-ove you

♪ Yes I do

♪ Philadelphia freedom

♪ Don't you know that I lo-o-ove you? ♪

♪ Yes I do

♪ Philadelphia freedom

♪ Don't you know that I lo-o-ove you? ♪

♪ Yes I do ♪

Let's take a ten.

[birds chirping]

You didn't like it. I can tell.

No, it was fine, just fine.

Well, what's wrong then?

Now what makes you think something's wrong?

The bulldog jaw, the frown.

Should I go on or is that enough?

Bulldog jaw, huh?

[Shannon laughs]

You know the old man pretty well by now, don't you?

I love the old man. Now what's wrong?

It's those vultures up there.

Those vultures just happen to be

the two most important people in the industry.

Well, now, that just depends on how you look at it.

- Not cross-eyed the way you do. - Meaning what?

Why should we cut off our options?

We're going to sign with a new company, anyway.

Well, not with the J-and-T Records, we're not.

Well, now I think you're being pretty silly.

Tommy and I can come up with some really good stuff together.

I know it.

Shannon, we have never had a contract.

You decide not to listen to me,

and I mean this sincerely,

you're free to go out and find yourself somebody else

anytime you want.

All I wanna know is why.

Oh, look, sweetheart, I know Tommy is good. He's very good.

And-- and-- and Jessica is promotional genius.

But this is dirty money.

- They are gangsters. - Gangsters?

In the old days, they'd had their noses pushed in like this

and they'd have been talking a lot of dese, dem, and dose.

Wow.

Honey, listen to me.

We have done real good clean.

Let's don't start slopping around in a pig sty.

I mean, we don't need that. Do we? Hm?

- I agree. - That's my girl.

What would I do without you?

Well, I hope you never find out.

Because nobody else would give me a job.

♪ Shake it up

[woman screaming on radio]

[screaming]

- No, no, don't! - Shut up!

It's on the air!

Ladies and gentlemen. Ladies and gentlemen.

There has been a slight problem in transmission,

uh, which could be misunderstood.

Due to technical difficulties--

Where's the fella that was up here?

However, I want to assure all of our listeners

that just as soon as wen can--

Lund! Lund!

- He's dead. - Lund!

[screaming continues]

Where's the fella that was up here?

- I don't know. - No!

- No! Oh, God, no! - Listen. Find Lund!

- No! No! - Shh!

- It's alright. Shh! - No! No!

Just relax.

[whimpering]

Shh.

Darnel: You're just wasting your time.

Shannon is doing great without Tommy or you.

I know that. I also know that she's an artist.

And artists either grow creatively or die.

Shannon's told me how Tommy turns her on musically.

And, Jeremy, I swear to you, J-and-T Records will promote her

like she's never been promoted before.

Darnel: Jessica, I admit it,

your company can triple Shannon's sales.

- So what's the problem then? Darnel: Oh, only one.

What you and your friends will do to make those sales triple.

Oh, come on, Jeremy. What's the difference?

The money will pour in. That's all that counts.

You know, Jessica,

I know you find this a little hard to understand,

but there are some things in this world

more important than counting money.

Like what?

You'll excuse me, won't you?

Jessica, believe me, I know that tone of voice.

Nothing is gonna change his mind.

Never can tell.

[dramatic music]

Let's go.

One, two, three!

[instrumental music]

♪ Nothing you could say could tear me away from my guy ♪

♪ My guy

♪ Nothing you could do 'cause I'm stuck like glue to my guy ♪

♪ My guy

♪ I'm sticking to my guy

♪ Like a stamp to a letter

♪ Like birds of a feather we stick together ♪

♪ I can tell you from the start ♪

♪ I can't be torn apart from my guy ♪

♪ Nothing you could do could make me untrue to my guy ♪

♪ My guy

♪ Nothing you could buy could make me tell a lie to my guy ♪

♪ My guy

♪ I gave my guy my word of honor ♪

♪ You best be believing I won't be deceiving my guy ♪

♪ As a matter of...

♪ He's the cream of the crop

♪ Matter of taste he is...

[screaming]

What happened?

I don't know.

Call an ambulance.

- It's terrible. - Why?

He's a nice guy, that's why.

Not to us.

[groaning]

Man 3: I came in here, she was screaming to get off.

He was dead, I tell you, I didn't see anybody else.

He's gone.

Where could he be?

We have another accident.

Yeah, like Parker's OD.

But why'd they take him clear over to the river

from the radio station?

Well, to make the, uh, incidents look unrelated.

So we're back to square one.

Clifford: I didn't know we had left.

It was bush league play.

- Why do you say that? - I had Parker in my pocket.

So did a fed.

- Fed? - Yes.

He was holding hands with a fed.

Did Parker tell him anything?

Well, if he did, it won't make any difference.

I see.

I see.

So we can just go on.

No, we can't go on.

There's always my people.

- Are they-- - Angry?

Ah, Mrs. Wright, they have an uncanny way

of never showing their emotions.

But a potent way of getting their message across.

They want money, and a lot of it, and soon.

I-- I can run off some more records.

Ah, Mrs. Wright, we've inundated

our pirate market with your records.

We want something new, something big.

- Like Shannon Forbes. - I've got a chance at her now.

Oh, well, I hope so.

But you better make that a sure thing.

Because it is a very urgent matter.

[dramatic music]

[device beeping]

[instrumental music]

Woman on PA: Dr. Sherman, 4-6-5 stat.

Dr. Sherman, 4-6-5 stat.

He will be alright, won't he, Shannon?

The doctors are doing everything they can.

They can't let him die.

Jeremy mustn't die.

[indistinct chatter]

Polk.

Anything at the record company?

Zilch. We covered every man at home.

Go get some rest.

Maggie: Chief. Oh, sorry. Hold up.

The papers and TV stations are driving me nuts.

They want some news on Mike Parker's death.

So do I.

I've learned that Mike Parker's...

Joe: Nothing will happen to you. I know.

I know, but we'll give you police protection

around the clock.

I want some information. You'll be safe.

McCloud: Really? Are you sure?

You're sure about that?

Okay. Thank you.

- Pathology. - Parker?

- Just as we thought. - Murder?

He was dead before the injection.

Grover: Right. Right. Don't worry about it.

We'll send somebody right over.

Right.

The Feds wanna talk over the Lund situation.

You know as much about it as anybody.

Well, got it, chief.

McCloud! Yeah. Yeah, that's right.

Who'd you say this is?

Where're you callin' from?

Yeah. Yeah. Alright!

Alright, you stay there.

I'll be right over.

[siren blaring]

Woman on PA: Dr. Whitman, 2-5-7 stat.

Dr. Whitman, 2-5-7 stat.

Miss Forbes. I'm Marshal Sam McCloud.

Marshal?

I'm on-- on temporary duty from Taos, New Mexico.

Now you said on the telephone

that you had some information on the music business.

Yes, it's about a record company called J-and-T Records.

- Have you heard of them? - What can you tell me?

The company is backed by racketeers.

They're involved in all kinds of corruption,

payola, piracy.

You know this for a fact?

My manager told me.

Can I talk to him?

McCloud: What are his chances? Shannon: Bad.

And you think that one of 'em did this to him?

Oh, I know they did it, they wanted Jeremy

to sign me with their record company.

And he didn't wanna have anything to do with them.

I'll do anything I can to help.

Well, I gotta warn you this could be dangerous.

I realize that.

Might even interrupt your career.

As far as I'm concerned, my career can go

right down the drain.

I want them to pay for this.

You know that two people that've already

tried to help are dead.

Marshal, if you're trying to scare me,

it isn't going to work.

Jeremy found me and backed me with his own money,

and now he's dying because he was trying to protect me.

Now, if you can't help me, then maybe you can turn me on

to somebody who can.

Miss Forbes, I can certainly understand how you feel,

but unfortunately, everything you've told me

is without substantiation.

Well, it's the truth.

The law requires hard proof.

Well, we've got around on that, chief,

and I think that we've come up with a way to get some.

Now, if you give a horse everything that it wants,

I mean, water, oats, grain, the whole kit and caboodle,

there's no problem of leadin' that horse where you want.

Right?

Well, if we give J-and-T Records what they want,

a top singing star, Shannon Forbes here,

let 'em make a new hit record,

but along with all that comes a crooked manager,

a fella after their own heart, you know what I mean?

You, you be willing to along with this?

Shannon: Oh, yes. - Yeah.

It could be dangerous.

Probably'd be better if we used a police officer.

Tell me, generally speaking, what,

what are managers like?

Well, most of them are kind of funky.

Funky?

You know...

Oh, you mean the opposite of me,

suit, tie, short hair, language you can understand.

Well, most of them act the way they want to,

you know, they go their own route

and they don't really care what anyone else says.

They wanna wear suit and tie, that's okay.

They wanna wear jeans, that's alright too, you know.

They do their own thing. You know what I mean?

Yeah, of course he knows what you mean.

Now, look... Chief, look...

I got this thing all figured out.

I've already figured what you've figured, McCloud,

and I figure you can forget it!

Now, wait a minute, chief,

now just hold on a second.

Look, the one thing

that Shannon's new manager

cannot be suspected of

is being a New York cop.

Right?

Well, who you've got to fill that bill but me?

Just name one, tell me, who you've got?

Nobody.

You said yourself that I'm funky.

How would you ever be able to learn enough

about country music to pass?

To pass? Well, you've gotta be kiddin'.

I didn't just fall off the turn up truck

when it comes to country music.

My daddy was the best fiddler in Taos county.

All I need to do is get with those manager

for a little while, I'll pick up everything

I need to know in no time at all.

Well, that shouldn't be too difficult.

New York must be full of those people.

Shannon: Not any more.

- No. Where? - Nashville.

Tennessee?

Yeah, Shannon's gonna appear down there.

All I've gotta do is just mingle with 'em,

just mosey around, I'll just sop it all up.

- McCloud. - Yeah.

With what you're going to cost the department...

if you come back anything less than letter perfect,

I'll make the city of New York so hot for you

that you'll wish you were barefoot

in Death Valley... in August.

You're not gonna regret it. Come on, Shannon.

We've got some things to do.

And I'll tell you what I'd really do

if I wasn't in such a good mood.

Appreciate your confidence, chief. Let's go.

[instrumental music]

Announcer: And now, direct from the music capital

of the world, Nashville, Tennessee,

we proudly present a fella who's been spreading

joy and love all over the world.

Let's welcome Charlie Hoag.

[audience cheering]

[country music]

♪ There you go looking like sunlight ♪

♪ On a laughing summer day

♪ There you go saying my name

♪ So soft it takes my breath away ♪

♪ There you go with that smile of yours ♪

♪ That's sets the world aglow

♪ Casting spells ringing bells

♪ There you go

♪ There you go making me want you ♪

♪ There you go making me care

♪ There I go weaving day dreams ♪

♪ Out of moments that we shared ♪

♪ Here we go on a rainbow ride

♪ That's wrong for all we know

♪ Being fools breaking rules

♪ And there you go

♪ There you go looking like country ♪

♪ While your eyes are touching mine ♪

Arnie Hooten here.

What's going on there, Arnie?

Hey, chief, nice to hear from you.

Thanks. Whenever you're ready to make your move...

Oh, pretty soon now, you got nothin' to worry about.

Worry?

The city of New York is cut back on every single item

in its budget except McCloud.

I want you to wrap this up fast.

I'll give it my best shot.

Oh, uh, what about Shannon? She still cooperating?

Oh, yeah, 100 percent.

You know, she's on the phone about Darnel

just every chance that she has.

Poor little thing she feels like she's responsible for him.

Why? Wasn't her fault.

Well, that's what I keep tellin' her

but, boy, I tell you, she's really torn up about it.

Last call to the hospital wasn't too encouraging...

it took an hour before she could stop cryin'.

But she's helpin' me out, givin' me pointers right along...

Announcer: ...greatest little gal in the world,

Miss Shannon Forbes!

Uh, chief, I gotta run.

Now, hear me, McCloud, I want you

to get this thing over.

Appreciate your concern.

Appreciates my concern.

I'd like to dedicate this next number...

to a man who I love very much, Jeremy Darnel.

[country music]

♪ She outgrew brass buckles on her shoes ♪

♪ At twelve she was filling out her jeans ♪

♪ With a mind young and wild

♪ And a body that the devil styled ♪

♪ She could make a man do anything ♪

♪ She was old enough to try anything that crossed her mind ♪

♪ She liked anything that caught her eye ♪

♪ Like big diamond rings and shiny limousines ♪

♪ 'Cause the devil never gave her a chance to be a child ♪

♪ She outgrew brass buckles on her shoes ♪

♪ At twelve she was filling out her jeans ♪

♪ With a mind young and wild

♪ And a body that the devil styled ♪

♪ She could make a man do anything ♪

♪ They'd land her on the ground ♪

♪ Then get the young girl down

♪ But she just had to make her dreams come true ♪

♪ Now on every movie screen

♪ You can see this country queen ♪

♪ She's the centerfold of the Playboy magazine ♪

♪ She outgrew brass buckles on her shoes ♪

♪ At twelve she was filling out her jeans ♪

♪ With a mind young and wild

♪ And a body that the devil styled ♪

♪ She could make a man do anything ♪

♪ She outgrew brass buckles on her shoes ♪

♪ At twelve she was filling out her jeans ♪

♪ With a mind young and wild

♪ And a body that the devil styled ♪

♪ She could make a man do anything ♪

♪ She outgrew brass buckles on her shoes ♪

♪ At twelve she was filling out her jeans ♪

♪ With a mind young and wild

♪ And a body that the devil styled ♪

♪ She could make a man do anything ♪

♪ She could make a man do anything ♪♪

[applause]

Hooten, don't try to change the name of the game so fast.

Fast, slow, it's all the same difference.

You know, slavery went out with the Civil War.

Now we sign for three years. That's tops.

Alright. But then the advance drops.

Unh-unh. No, no. No, that stays right where it is.

- That's payable on signing. - No way.

- On delivery. - Half and half.

Sold. But if we don't recoup all the advance,

then you've got to pay back the balance.

It's an advance, it's not a loan.

It's an advance.

Now if you don't have faith in her earnin' power,

to get your money back, then you're not being the deal

to begin with.

Shannon, tell him what he's doing.

He does what he wants. I just do what he tells me.

Alright, alright. Sold.

Now for the final thing, Shannon picks the songs,

but we keep final okay, right?

- Sounds fair. - It is?

Are you kidding? Nobody's going to censor my songs.

You blew it.

How? I thought I was sailin' right along.

No record company retains creative control.

Not over its top artists, anyway.

Don't feel bad. Anybody can make a mistake.

Okay, let's, let's take it from the top.

Shannon, I love Jeremy as much as you do,

but we've been at this session two days.

I want a sliding royalty scale, topping off at 15 percent.

[groans] No.

[bugle call]

Announcer: They all over the gate, the flag is up.

There we go.

Looks like Greggy on top of American Mane.

In a way second. Many Problems is third.

Herona, fourth. Sioux Warrior.

Brinsa there. And, uh, Rock Rider.

Now onto the last lap. Marks the second, opens up.

By a length and a half. American Mane, second.

Many Problems, third...

Here. Use these.

Hm. Thank you.

You look familiar. Haven't we met somewhere?

Arnie Hooten's the name. That mean anythin' to you?

Arnie Hooten. Aren't you Shannon Forbes' new manager?

- Yeah. - Well, what do you know.

I'm Jessica Wright. J-and-T Records.

Quite a coincidence, isn't it?

Uh, just about as much as a fox

showin' up at a rabbit hole.

Which horse are you on?

I don't like to lose.

Then win.

What's that for?

Let's just call it a down payment.

- On what? - Million dollars.

Announcer: ...Rock Rider.

[indistinct]

Sioux Warrior on the way by three-quarters...

Brinsa there, second...

And Sioux Warrior!

Sioux Warrior, Number 5 wins it at three-quarters...

[indistinct]

[instrumental music]

[humming]

I can come back later if I'm disturbin' you.

I'm just writing a song...

for Jeremy.

♪ He was a very special warm and gentle person ♪

♪ Who put music in the world and spoke in rhyme ♪

♪ And it hurts me that I never really knew him ♪

♪ 'Cause all it would have taken was some time ♪♪

It's beautiful.

He's beautiful.

Anything new?

Fish will bite. We got good bait.

How much longer do you think it'll take?

Until she's too hungry enough not to notice the hook.

[whistles]

[McCloud whistles]

Hi. Jump in. We're going your way.

Well, another coincidence.

That's why I love small towns.

[chuckles]

Oh, excuse me. I'm being rude.

Mr. Hooten, I'd like you to meet Kathy Jones.

My pleasure, Miss Jones.

Thanks.

Well, I'd like to take you up on your offer,

but I got a little business to handle.

Mr. Hooten, I have a lot of business for us to handle.

Well, a small town like this,

we'll probably run into each other from time to time.

I'm throwing a little party tonight. Exclusive.

Just a few hundred of my most intimate friends.

I'd like you and Shannon to make it.

Yeah, well... I'll see what I can do.

Please.

You know I got a better idea,

why don't I drop by a little bit early

and we can look over your plant?

You'll like it.

You're right, I do. I like it.

Three gold albums this year.

- Not bad, huh? - No, it's not bad at all.

Almost as many as Shannon's had all by herself.

Oh, Mrs. Wright, there's a phone for you in the office.

Oh, thank you. Please, make yourself at home.

I'll be right back.

[dramatic music]

It was from the office. The party's starting to swing.

Really? Well, maybe we oughta give it a whirl.

Mr. Hooten, tell me. What's it going to take?

What's it gonna take?

To please you.

Now, why'd you ask that?

Just a good Samaritan.

Can't stop trying to make people happy.

[indistinct chatter]

[instrumental music]

[indistinct chatter]

[dramatic music]

[indistinct chatter]

It's not gambling or women,

and I'm sure dope is out.

What's your weak spot? I give up.

- I doubt that. - Mm-hmm. True.

So, why don't you make life easy for both of us

and just tell me what it is?

You know I'm gonna sign Shannon sooner or later.

Well, there she is, why don't you ask her now?

She wouldn't sign a letter whole without you tellin' her to.

Hi. Don't I know you?

- Another try? - No.

But it's not a bad idea from what I hear.

You look just like somebody I used to know.

Yeah, well, couple of drink, we're all friends. Right?

Shannon! Sing us a song.

I'd rather not.

Is that any way to act?

Here you are among friends here.

You're playin' hard to get.

I don't like to sing at parties.

That's 'cause you haven't been asked by the right party.

Tommy, why don't you help her out?

Sing your new one, Shannon.

Would you like to hear Shannon sing a new song?

[applause]

[dramatic music]

[instrumental music]

♪ He was a very special warm and gentle person ♪

♪ Who put music in the world and spoke in rhyme ♪

♪ And it hurts me that I never really knew him ♪

♪ 'Cause all it would have taken was some time ♪

♪ You know he always seemed to be there ♪

♪ When I stumbled

♪ And when mountains got too steep for me to climb ♪

♪ And it tears me up to think I never touched him ♪

♪ 'Cause all it would have taken was some time ♪

♪ Ain't that just the way

♪ That life goes down down down down ♪

♪ Moving way too fast or much too slow ♪

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere

♪ Not getting into someone I should know ♪♪

[dramatic music]

♪ Now he's in another place and I can't reach him ♪

♪ And I feel as though I'm guilty of a crime ♪

♪ I took all he had to give and gave him nothing ♪

♪ And all it would have taken was some time ♪

♪ All it would have taken... ♪

Shannon!

Is this party for just your close friends

or am I invited too?

It's for my friends, and you are definitely not invited.

Tina: Oh! - Tina!

What is the matter with you?

With me? You don't know?

Oh, oh, sweet and loyal Shannon.

Oh, Jeremy. I would never have another manager, never...

You are no better than the rest of them!

- Come on. - You are nothing!

You are no better than the rest of them!

- I gotta talk to her. - Shh!

I've got something to tell her.

If you're going to say her something, you'll be sorry for.

Tina! I've gotta tell her about it.

Shannon, you can't!

Shannon. He is dead.

[dramatic music]

Oh, Tina.

[sobbing]

What was that all about?

Got me. Looks like they got it all patched up now.

Was she upset because you're handling Shannon?

No. Don't worry about a thing.

You know, Shannon wouldn't tie her shoes

without me showin' her where the laces are.

[dramatic music]

Okay. You keep your hands just where they are.

He was after the covers, the covers of the new albums.

Do you know who he is?

No, haven't the slightest idea.

I never saw him before in my life.

Hold him there.

[dramatic music]

- Did you find out anything? - Nothing.

He was out after those covers.

Now we can do this the hard way or the easy way.

- Now, who do you work for? - I'm self-employed.

All pirates need a captain. Who's yours?

I told you, I run my own ship.

You're being a bad, bad boy.

My men like tough guys.

They could use the exercise.

Take him out.

[instrumental music]

[car engine cranks]

Hey, I wanna go to the track.

How long are you gonna keep on playing hero?

Man can't go against his nature.

That's good. Real good.

I wish I can talk like that.

All I can do is...

Clifford: Unit 11. Do you read?

Read you, chief.

- Anything? - Not a sound.

Do you think we better go in?

No. Not yet. Out.

- What's Joe tryin' to do? - His job.

- Well? - Nothing yet.

Sit up.

Come on. Sit up.

You've had most of the night.

It's going to happen in the next ten minutes.

What?

You talk now,

or so help me, you never talk again.

Now, who are you working for?

- What happens to me? - Nothing.

Absolutely nothing. You're unimportant.

All I want is your boss.

Now, what's his name?

- Who? Gregory: Hooten.

He said he's been working for Arnie Hooten.

- You sure? Gregory: I wouldn't call in.

- Now you take care of Hooten. - Right away.

[laughs]

Oh. Tommy! Tommy! Come in here.

[instrumental music]

Clifford: How does he look? - Wobbly, but alright.

Now, leave some distance behind. But stick.

10-4.

[car engine starts]

Broadhurst must have broke.

I just hope they bought his story.

[telephone ringing]

- Clifford here. - Is Marshal McCloud there?

It's for you. Shannon Forbes.

- What's up? - Jessica Wright called.

She wants to see you right away.

At her office. Do you know what it's about?

You remember that hook?

Well, I think she just swallowed it right up to the pole.

I told you it would happen, and it did.

I found that common ground I was looking for.

- What's that? - Greed.

Well, that's a big stompin' ground.

That could take in a lot of people.

Maybe. But I'm only interested in you.

Now, what're you talkin' about?

Jessica: Piracy.

Oh, you mean like Captain Kidd?

I mean like Arnie Hooten.

You know, I get the distinct impression

that you're tryin' to tell me somethin'.

I already have.

Can you clear it up some?

A lot.

Still haven't told me nothin'.

He has. Everything.

That right, Frankie?

I couldn't help it, Arnie.

No, I guess not.

Man's a hyena, he's just gotta stink.

[grunts]

[breathing heavily]

You gentlemen can go.

What do we tell Mr. Gregory?

That everything's fine. Just fine.

So what are you gonna do? Turn me in?

No. No, I'm not.

I have something better in mind.

Shannon, now that I know what you want.

But how do I get it?

When our company records her,

you can share in a few extras we run.

Ooh, one over and one under?

Is that it?

You know her next album's gotta sell into millions again.

So, you pirate a mess of 'em

along with the regular sales, hm?

Mm-hmm. Although, I still can't understand

why you need piracy.

- Well, you should. Jessica: Why?

I never seen two hawks with different feathers.

Oh, Arnie.

Man: Shannon Forbes, NB7 seven, take 13.

[instrumental music]

♪ He was a very special warm and gentle person ♪

♪ Who put music in the world and spoke in rhyme ♪

♪ And it hurts me that I never really knew him ♪

♪ 'Cause all it would have taken was some time ♪

♪ You know he always seemed to be there when I stumbled ♪

♪ And when mountains got too steep for me to climb ♪

♪ And it tears me up to think I never touched him ♪

♪ 'Cause all it would have taken was some time ♪

♪ Ain't that just the way

♪ That life goes down down down down ♪

♪ Moving way too fast or much too slow ♪

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere

♪ Not getting into someone I should know ♪

♪ Now he's in another place and I can't reach him ♪

♪ And I feel as though I'm guilty of a crime ♪

♪ I took all he had to give and gave him nothing ♪

♪ And all it would have taken was some time ♪

♪ But ain't that just the way

♪ That life goes down down down down ♪

♪ Moving way too fast or much too slow ♪

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere

♪ Not getting into someone I should know ♪

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere

♪ Getting up getting high getting down ♪

♪ Getting no no nowhere ♪

[dramatic music]

This is Broadhurst at Stakeout One.

It's a clear setup.

Clifford: Oh. Go to position two.

I'm on my way.

Broadhurst, Stakeout Two is perfect, chief.

Alright, teams go round the clock

once Shannon Forbes' recording session is over.

- That fast? - Fast?

They'll be pressing records

before she finishes the last note.

How is it going?

It's gotta be her biggest yet.

It's been a long road.

♪ Who put music in the world and spoke in rhyme ♪

♪ And it hurts me that I never really knew him ♪♪

Well?

Oh, I'd say three or four million.

Run it.

[instrumental music]

- When do I get my shipment? - Where do you want it?

- Waco, Texas. - That anywhere near Dallas?

Large straddle jump.

Good. I can break off some from another shipment.

Late next Monday.

Is Shannon gonna join us

for a little celebration?

Yeah, I'm gonna pick her up right now.

Fine, I'll meet you two at the cafe

in a few minutes.

Come on, I'll give you a lift.

No, no, no, it's fine.

Boys, car's right out front.

Why take a cab?

- Hi! - Hey, how are you?

[dramatic music]

- He's dead. - No, please.

No, please. No. Stop.

Please. No.

I remember him now.

Who, dear?

The man who just left.

Arnie Hooten. He helped me.

Oh, when?

You know, the night at Mike Parker's studio.

You must be mistaken.

You were only there that one night,

the night he OD'd.

No, he came in and he talked to me...

When did he get there?

With the police.

[dramatic music]

One thing's for sure, that shipment's going through

on Saturday.

People have promised, the money's been paid,

and there's no turning back.

Won't that be dangerous now?

Did you tell him anything about the pirate shipment?

I had to.

Oh, Jessica.

I bet the the entire police force should know.

I just told him. Tommy's been with him ever since.

Alright, we just have to make sure

that he doesn't tell anybody else.

You keep him out of things for a while.

- I vote we make it permanent. - Kill him?

After the way he took me, I'd--

Jessica, now just wait one minute.

Now what do you plan to do?

Take on the entire police force?

Now, if Hooten's a cop, and his pal's a cop,

and that means a whole lot of cops

know about this.

But if they don't know about the shipment,

there's not a thing they can do to us.

And after Saturday, we're in the clear.

They can ram their suspicions.

Alright... neutralize him.

Don't worry. I'll take care of it.

Gregory: Oh, one other thing, Jessica.

Please, don't get caught up

in that "woman scorned" bit.

Emotion is very bad for business.

[dramatic music]

I'm past that.

[dramatic music]

Hey.

Come on. Cheer up.

This is supposed to be a celebration.

My best song, for J-and-T Records.

It's not for J-and-T, it's for Jeremy.

Are we making any headway with this?

Well, the cork's beginning to bob.

They're cuttin' me in on the pirate shipment

of your new record.

That's terrific.

I got this operation nailed.

Got all the evidence I need.

Next step is to call Chief Clifford.

Of course, the problem has been Tommy.

He's been doggin' me ever since we left Jessica.

Just hope this party doesn't last too long

so we can get at it.

But why in public?

They can never prove it was us.

But what's the point?

We can't go on delivering any of the pirates now.

Tommy, what we want doesn't mean a damn!

And don't worry, Gregory is going to change the way

it happens this time.

Jessica, please, this is crazy.

Remember what happened to Darnell?

I remember.

And I hope we get the same results this time.

Just you stick with Hooten or whatever his name is

until I get there.

[machinery clanking]

I just couldn't wait. I had to seal it, if only with a drink.

To a great career, Shannon Forbes,

who ain't seen nothin' yet.

Thank you.

What's the matter, Tommy?

Uh-- uh, nothin', nothin'.

Everything's whirling around.

You know? Plans, ideas. It's going to be dynamite.

Hope it doesn't have a wet fuse.

[laughs]

Well, what have here? Fans?

Go on, kids. Go and get an autograph while you can.

[dramatic music]

[laughs]

Thank you.

To a long and fruitful relationship,

three out of the top four on the charts by the end of the year.

I don't like your pessimism. Why not four out of four?

[laughing]

[indistinct chatter]

[laughing]

It tastes better in a glass.

[laughing]

Are you alright?

Yeah. Yeah, I'm alright.

It's...

[laughing]

You know that...

[crying]

That reminds me of when I was a just...

I was just a little boy.

[crying]

- He's tripping out. - What're you talking about?

He's stoned.

[laughing]

Get your hand off of me!

Get it off!

Get it!

Are you on something?

Yeah, I'm alright.

Boy, I feel weird.

Huh.

All of you, just shut up!

Don't you know how to act, any of you? Huh?

Huh?

[dramatic music]

[music continues]

I don't know, I...

He's completely out of his mind.

And he has absolutely no control of himself.

Where are you?

Shannon: Top of the Anderson Building. Hurry!

Marshal!

Why don't you give me your hand?

[music continues]

Marshal, why don't you come over here and we can talk about it?

It's been a long time since I've been here.

It's good to be back home again.

You know, at sunset, this desert

will be all different kinds of colors.

It's really nice when the sun burns it hot.

[music continues]

[crowd screams]

[siren blaring]

[music continues]

[music continues]

[music continues]

[whimpering]

[whimpering]

[gasping]

[laughing]

[music continues]

[whimpering]

[horn honking]

[gunshot]

[music continues]

[horn honking]

[horn honking]

I know it was the same thing Jeremy had.

That's possible.

How long will something like this last?

That's very hard to predict.

It could be a couple of days, a week...

or it could be much longer.

Like Jeremy.

[instrumental music]

Shannon: He's coming to.

McCloud.

McCloud, this is Clifford.

Can you recognize me at all?

You've really been on a tough one, McCloud.

[dog snarling]

[dramatic music]

[McCloud grunting]

McCloud!

That might have been the best thing for him.

Maybe, but not for me.

He knows some information I have to get.

Tell me, doctor...

isn't there some...

something you can give him to counteract the drug,

bring him around faster?

Yes, but it could be dangerous.

Well, what do you call what he's on? It already killed a man.

I know that.

It's hard to say in some cases what's worse,

the disease or the cure.

You mean, the cure could kill him?

Man 4: Yes. Possibly.

Well, the drug he's on could kill him too.

Man 4: Well, again, possibly.

Well, which do you think is the way to go?

I honestly don't know.

No one can, with certainty.

Give him the antidote.

[dramatic music]

[music continues]

14-X-5-3. Picked up the tail.

Moving south on O'Neil. Out.

Man on radio: 10-4.

How much is 25 times 14?

- Three hundred and fifty. - Yeah?

How about 350 times 15?

Five thousand two hundred and fifty.

No kidding.

How about 5,250 times 187?

I only made sergeant, not Einstein.

What're you trying for?

I'm trying to figure out how many records that trailer holds.

And then I'd like to know the value of the shipment.

I love puzzles like that.

No wonder you're so popular at stake-outs.

Thanks.

Clifford: McCloud?

McCloud.

Can you hear me?

[groaning]

Shannon said the pirate shipment was going out.

Now, do you know when?

What happened?

You were given some form of psychotomimetic.

It's an hallucinogen.

Mind altering drug.

Shannon says she thinks that Jessica Wright

or Tommy slipped the stuff into your champagne.

There wasn't anybody else there.

- What time is it? - Eight o'clock.

- Eight when? - Saturday morning.

Saturday?

- Is it a whole night? - Right.

Now, what about that pirate shipment?

Ah...

Uh, pirate shipment...

Jessica said they were gonna deliver

my records to Waco, Texas, Monday.

Monday.

A truck would never make it by then.

What about a plane?

Well, wouldn't take that much time.

Seems like a train would get there just about then.

Central switchboard.

Clifford: Patch me through to Sergeant Broadhurst?

Roger.

- Broadhurst? - Yeah, chief.

Any truck headed for the freight yards, I want to know.

Right.

[dramatic music]

Looks legitimate.

[music continues]

Back to the drawing board.

[music continues]

Move it.

[music continues]

I don't think you should leave the hospital this soon, marshal.

Best way to recuperate is visit old friends.

[telephone ringing]

Room 184, Chief Clifford.

What?

We followed it here. It looked alright,

but after when we checked order out with the company,

they said their shipment wasn't due until next week

So, it was ripped off.

This has got to be the hot one.

Patch me through to central.

Man 5: Central switchboard. - This is Chief Clifford.

I want an APB, all units.

[instrumental music]

Tommy: There's no point in staying here.

We're staying until the last crate is stowed

and the boxcar door is sealed and closed.

I don't want any of Gregory's friends claiming a short count.

Clifford: That's right.

And I want choppers covering every train siding

on the Hudson River.

[helicopter whirring]

Man 6: 2-3, Charlie, ten. Spotted semi.

Location, Pier 15. West End of 22nd. Activity. Over.

Clifford: This is Chief Clifford, all units.

Repeat, all units coverage at train siding, Pier 15,

foot of 22nd Street.

Code Two.

[instrumental music]

[tires screeching]

[tires screeching]

Broadhurst! If there's a back way out of here, cover it!

Let's go!

[tires screeching]

[tires screeching]

[gunshots]

[gunshots]

[gunshots]

[tires screeching]

Stop! Police officers!

[tires screeching]

Get out!

Get out! Get your hands up!

Up!

Up!

Throw 'em down!

There's no way out!

[gunshots]

Take 'em!

This way.

Hey!

[dramatic music]

Now, get in.

Get this train moving! Go on!

Go on. Get it outta here fast!

Cop!

[music continues]

[screams]

[music continues]

[screaming]

Freeze!

Drop it, or I shoot him.

That's not gonna save you.

You want to die or go to jail?

♪ But ain't that just the way that life goes down ♪

♪ Down down down

♪ Movin' way to fast or much too slow ♪

♪ Gettin' up gettin' high gettin' down ♪

♪ Gettin' no no nowhere

♪ Not gettin' into someone I should know ♪

♪ Gettin' up gettin' high gettin' down ♪

♪ Gettin' no no nowhere

♪ Gettin' up gettin' high gettin' down ♪

♪ Gettin' no no no where ♪

[audience applauding]

[theme music]

[music continues]