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>> WHAT PART OF "I WANT THOSE
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TESTICLES CRUSHED" DO YOU NOT
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UNDERSTAND?
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AND I WANT IT DONE WITH AN
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ANVIL THIS TIME.
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WHAT DO YOU MEAN YOU CAN'T FIND
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AN ANVIL?
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THEY HAVE THEM IN CARTOONS ALL
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THE TIME.
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JUST GET IT DONE, OR I'M GONNA
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CRUSH YOUR NUTS WITH AN ANVIL.
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AND I'LL BE ABLE TO GET THAT
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SIGNED OFF BY THE BIG GUY.
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DON'T YOU WORRY.
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BY THE WAY, HOW'S YOUR WIFE,
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MAN?
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YEAH, SHE'S GORGEOUS.
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TIG OL' BITTIES.
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HOLD ON ONE SEC.
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GARY, CAN YOU GIVE ME ONE
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MINUTE?
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>> I JUST NEED TO GET ONE MINUTE
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FROM YOU.
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>> GIVE ME ONE MINUTE, BECAUSE
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THIS IS A VERY IMPORTANT CALL,
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OKAY?
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I'VE BEEN HAVING THESE WEIRD
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DREAMS RECENTLY.
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UH-HUH.
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NO, IT'S LIKE I'M IN MY HIGH
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SCHOOL, BUT IT'S -- IT IS MY
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HIGH SCHOOL, AND THAT'S THE
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WEIRD THING, 'CAUSE IT'S --
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OKAY, YOU KNOW WHAT?
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I'M GONNA RUN.
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OKAY. TALK TO YOU LATER.
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BYE.
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>> [ SIGHS ]
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>> WHAT CAN I DO FOR YOU?
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I'M VERY, VERY BUSY.
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>> OKAY.
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WELL, YOU KNOW HOW SATAN SAYS
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THAT I NEED TO RAMP IT UP A BIT?
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WELL, YOU FOLLOW HOCKEY, RIGHT?
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>> NO.
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>> CHECK IT OUT.
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LOOK AT THIS.
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WHAA!
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YEAH! [ CHUCKLES ]
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>> "HAIL SATIN"?
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YOU MEAN, LIKE, THE MATERIAL?
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>> I TAKE THIS TO THE HOCKEY
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PLAYOFFS.
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CAMERA CUTS TO ME, RIGHT?
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AND I'M LIKE [GRUNTING]
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SHOWING THE SIGN, RIGHT?
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GOT MY SHIRT OFF, RIGHT?
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THEN I BLOW MY BRAINS OUT WITH A
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SHOTGUN.
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START A WHOLE CHAIN OF PEOPLE
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THINKING THAT THAT IS A COOL
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THING TO DO.
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>> GARY...PLEASE.
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UM, DON'T TAKE THIS PERSONALLY.
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BUT NOBODY WANTS TO IMITATE A
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DOUGHY, UGLY...
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DUMB, 33-YEAR-OLD...LOSER.
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IT'S JUST NOT ASPIRATIONAL.
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>> WELL, THE THING IS, IS THAT I
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DON'T THINK I CAN RETURN THIS
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WIG.
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>> GARY, YOU KNOW WHAT DAZZLES?
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BROADWAY...MUSICAL.
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>> YOU KNOW WHAT WE COULD DO IS
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WE COULD TALK TO THOSE "RENT"
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GUYS, 'CAUSE THEY'RE DOWN HERE,
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RIGHT?
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'Cause they died of AIDS.
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I didn't really want to say it
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out loud, 'cause AIDS will come
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find you.
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>> AIDS WON'T...FIND YOU IF YOU
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SAY IT.
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>> IT'S LIKE "NIGHTMARE ON
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ELM STREET."
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>> NO.
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>> FINDS YOU IN YOUR DREAMS.
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AIDS COMES.
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>> WHAT ARE YOU TALKING ABOUT?
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>> Can't go to sleep.
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>> IT'S A DISEASE.
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>> OH, OKAY.
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I THOUGHT IT WAS, LIKE, A BODY
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INSECT.
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>> YOU'RE A [BLEEP] MORON, AND
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YOU'RE ANNOYING ME RIGHT NOW,
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OKAY?
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>> OKAY.
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>> WHAT WE GOT TO DO IS WE GOT
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TO FOCUS.
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NOW, I'VE GOT SOMEBODY --
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>> [ EXHALES DEEPLY ]
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I'M FOCUSING.
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>> LISTEN.
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WE GOT THE HOOKUP TO A
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SUPER-POWERFUL HOLLYWOOD
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SUPERSTAR --
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MISS TIFFANY VAN TRASKELL.
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AND YOU AND HER ARE GONNA WRITE,
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PRODUCE, AND STAGE A PLAY
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HONORING OUR DARK LORD AND
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MASTER.
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>> SO, YOU MEAN TO TELL ME THAT
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THIS...
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"MUSICAL" IS GONNA OPEN UP ON...
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* BROADWA-A-A-A-A-Y?
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>> NO. DIDN'T SAY THAT.
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>> OH!
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I THINK IT'S WORKING BIG-TIME!
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GETTING SOFT DOWN THERE!
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IT TINGLES!
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[ CHUCKLES ]
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>> INTESTILLAX.
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>> IT TINGLES!
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AND YOU KNOW WHAT?
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IT DID.
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I AM FROM THE METHOD SCHOOL.
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I TOOK EIGHT INTESTILLAX
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SUPPOSITORIES, BECAUSE ACTING IS
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NOT PRETEND.
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THE VIEWER HAS TO --
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JOSH?
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>> BELIEVE.
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>> BELIEVE!
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THAT'S RIGHT.
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YES, IN THE BACK.
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>> WERE YOU EVER IN ANY MOVIES?
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>> THAT WASN'T REALLY MY TRIP.
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MY BREASTS DID APPEAR IN
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"AEROBICIDE 2," THOUGH I WAS
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TOLD THAT THEY WOULD BE FRAMED
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OUT.
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LOOK -- MY POINT IS...
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IF MAKEUP IS APPLYING FAKE BLOOD
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TO YOUR BREASTS AND YOUR
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BUTTOCKS, YOU CAN BET YOUR
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BOTTOM DOLLAR THAT BOTH OF THOSE
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WILL APPEAR IN THE SHOT.
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[ SCHOOL BELL RINGS ]
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OH, OKAY. THERE'S THE BELL.
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LISTEN. JOSH?
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UH, COULD YOU STAY BACK, PLEASE?
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I'D LIKE TO TALK TO YOU ABOUT
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SOMETHING.
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[ BREATHING HEAVILY ]
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[ EXHALES SHARPLY ]
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[ SIGHS ]
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>> BOOGETY-BOOGETY!
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>> I SAW YOU CROUCHING IN THE
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BACK.
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>> I SUCK AT THIS!
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>> I KNEW THIS DAY WOULD COME.
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WHEN I SOLD MY SOUL FOR A CAREER
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IN BASIC CABLE, SATAN PROMISED
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ME A BIG BREAK.
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>> YEAH.
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>> FOR 12 YEARS, PEOPLE HAVE
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YELLED "GETTING SOFT DOWN
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THERE!" AT ME.
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>> [ CHUCKLES ]
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WELL, IT'S CLOSER TO 20, BUT --
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>> OKAY, I'M NOT COMPLAINING.
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IT'S JUST THAT I KNOW THAT I CAN
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DO SO MUCH MORE THAN ADS FOR
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STOOL SOFTENER.
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>> AND THAT'S WHY YOU HAVE BEEN
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CHOSEN TO TAKE SATAN'S LIFE
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STORY TO THE STAGE.
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[ BOTH LAUGH MANIACALLY ]
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>> * DEMON, I AM DREAMIN'
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>> [ Chuckling ] YEAH.
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YOU KNOW -- YOU KNOW --
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ACTUALLY, YOU KNOW, I-I ALWAYS
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THOUGHT THAT, LIKE, DEMON AND
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REAMIN' WERE A GOOD RHYME
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SCHEME.
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>> OKAY.
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>> DO YOU KNOW -- GETTING, LIKE,
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REAMED?
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LIKE, UP YOUR ASS?
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YOU KNOW, WHEN YOU GET REAMED BY
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THREE DEMONS -- WHEN IT'S A
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TRIPLE-TEAM REAMIN'?
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* I'M SCREAMIN' FROM MY TRIPLE
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DEMON REAMIN' *
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IT'S -- IT'S A THING.
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I JUST GET REAMED A LOT IN HELL,
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SO IT'S -- I GUESS "WRITE WHAT
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YOU KNOW."
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THAT'S WHAT THEY SAY.
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[ PIANO PLAYING UPBEAT MUSIC ]
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>> * DETAILS
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* THE DEVIL IN THE DETAILS
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[ WHIP CRACKING ]
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>> * YOU OVER THERE, MAKE THAT
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FLAME HOTTER *
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>> * MAKE THAT MAN HAVE SEX WITH
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HIS DAUGHTER *
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* DETAILS
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>> * OH, HELL
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IS A HEAVEN TO ME *
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* YES, HELL IS A HEAVEN
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TO ME-E-E-E-E-E-E *
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>> THAT'S GOOD.
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THAT'S REALLY GOOD.
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>> YOU LOOKED REALLY AMAZING IN
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THAT RED LEOTARD TODAY.
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>> BABY, I DON'T THINK I'M GONNA
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BE ABLE TO SNEAK OUT TONIGHT.
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I'VE -- I'VE GOT THAT
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SCIENCE-FAIR PROJECT, AND MOM
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AND DAD KEEP ASKING ME ABOUT ALL
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THAT JEWELRY YOU BOUGHT ME.
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>> FINE. YOU KNOW WHAT?
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JUST STAY HOME.
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BE A LITTLE BOY.
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BECAUSE WHAT I NEED IS A MAN.
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>> OKAY. A-ALL RIGHT. LATER.
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>> OH, YOU KNOW WHAT?
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JUST [BLEEP] GO!
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>> O-OKAY.
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>> NOW!
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>> I AM. I-I'M GOING.
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>> WA--
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NO, WAIT!
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DO YOU NEED A RIDE?
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WAIT, NO!
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I THINK I'M PREGNANT!
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WHAT THE [BLEEP] ARE YOU LOOKING
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AT?!
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>> [ BREATHING HEAVILY ]
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[ DOOR OPENS ]
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>> HEY. UH, REHEARSAL, HUH?
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I'M THERE.
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I'M JUST LIKE, "WHERE AM I?
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AM I IN HELL RIGHT NOW," YOU
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KNOW?
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BUT BRIE, I-I THINK SHE'S GOOD.
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BUT WHEN IT COMES TO GETTING
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BURNED BY LAVA --
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I KNOW YOU LIKE BRIE, BUT --
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[ BOTH MOANING ]
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>> OW!
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>> * I, I COMMAND THE LOVE OF
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ALL THE LADIES I SEE *
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* GIRLS, GIRLS DON'T GET ENOUGH
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OF MY STRENGTH AND ABILITY *
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>> COME ON, MAN!
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>> * LIKE AN EAGLE FLYING HIGH,
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PLUCKING FISH FROM THE SEA *
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>> GET OUT OF HERE!
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>> * THEY'RE MINE FOR THE
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TAKING, THEIR HEARTS I'LL BE
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BREAKING WHEN THEY TRUST AND
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LUST FOR ME *
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>> CLAUDE.
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>> GARY.
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00:07:32,019 --> 00:07:33,149
>> MY MAN.
269
00:07:33,153 --> 00:07:35,123
HUG IT OUT WITH ME.
270
00:07:37,525 --> 00:07:38,485
>> ALL RIGHT.
271
00:07:38,492 --> 00:07:39,992
>> [ CHUCKLES ] FOR REAL.
272
00:07:39,993 --> 00:07:41,233
AWW.
273
00:07:41,228 --> 00:07:43,998
YEAH. "DEVIL IN THE DETAILS."
274
00:07:43,997 --> 00:07:45,267
PREMIERES FRIDAY NIGHT.
275
00:07:45,265 --> 00:07:46,695
* WHEN THE MOOD IS RIGHT
276
00:07:46,700 --> 00:07:47,740
>> SATAN IS PUMPED.
277
00:07:47,735 --> 00:07:48,165
>> YEAH!
278
00:07:48,168 --> 00:07:49,698
>> THINK YOU CAN COMP US SOME
279
00:07:49,703 --> 00:07:50,173
TICKETS?
280
00:07:50,170 --> 00:07:51,200
>> ABSOLUTELY, YEAH.
281
00:07:51,204 --> 00:07:52,674
YOU WANT, UH, PLUS-ONE?
282
00:07:52,673 --> 00:07:53,213
PLUS-TWO?
283
00:07:53,206 --> 00:07:54,776
>> PLUS-202.
284
00:07:54,775 --> 00:07:56,205
>> [ COUGHS ]
285
00:07:56,209 --> 00:07:57,779
I'M NOT REALLY SURE IF THE MEDIA
286
00:07:57,778 --> 00:07:58,948
ROOM CAN HOLD ALL OF THAT.
287
00:07:58,946 --> 00:08:00,276
DO YOU THINK YOU GUYS CAN, LIKE,
288
00:08:00,280 --> 00:08:01,050
DOUBLE IT UP?
289
00:08:01,048 --> 00:08:02,618
>> WHAT DO YOU MEAN -- LIKE, TWO
290
00:08:02,616 --> 00:08:03,076
TO A SEAT?
291
00:08:03,083 --> 00:08:04,623
WHAT DOES THAT -- HOW WOULD THAT
292
00:08:04,618 --> 00:08:04,948
WORK?
293
00:08:04,952 --> 00:08:06,022
>> IT'S EASY, YOU KNOW?
294
00:08:06,019 --> 00:08:07,289
YOU SIT ON TOP OF EACH OTHER.
295
00:08:07,287 --> 00:08:08,757
>> ARE -- WHAT THE [BLEEP] ARE
296
00:08:08,756 --> 00:08:09,686
YOU TALKING ABOUT?
297
00:08:09,690 --> 00:08:11,730
>> MAY I ASK WHAT THIS IS?
298
00:08:11,725 --> 00:08:13,585
>> IT'S MY NEW MUSICAL.
299
00:08:13,594 --> 00:08:16,704
>> TIFFANY, I-I CANNOT ALLOW YOU
300
00:08:16,697 --> 00:08:17,967
TO STAGE A SATANIC-THEMED
301
00:08:17,965 --> 00:08:19,525
MUSICAL IN A -- IN A PUBLIC
302
00:08:19,533 --> 00:08:20,203
HIGH SCHOOL.
303
00:08:20,200 --> 00:08:20,870
I-I'M SORRY.
304
00:08:20,868 --> 00:08:22,198
>> YOU DON'T LIKE WHAT I HAVE TO
305
00:08:22,202 --> 00:08:22,872
SAY, JERRY?
306
00:08:22,870 --> 00:08:23,940
>> WHAT'S WRONG WITH DOING
307
00:08:23,937 --> 00:08:24,567
"GREASE"?
308
00:08:24,572 --> 00:08:25,542
PEOPLE LIKE "GREASE."
309
00:08:25,539 --> 00:08:26,739
>> OH, I HAVE HAD IT WITH YOU
310
00:08:26,740 --> 00:08:28,740
NONCREATIVES!
311
00:08:28,742 --> 00:08:30,212
I AM OUT OF HERE, AND YOU CAN
312
00:08:30,210 --> 00:08:32,180
SUSPEND ME WITH PAY.
313
00:08:40,921 --> 00:08:42,321
>> OKAY. LET'S DO THAT.
314
00:08:42,322 --> 00:08:43,662
[ WHISTLE BLOWS ]
315
00:08:43,657 --> 00:08:44,217
>> OKAY!
316
00:08:44,224 --> 00:08:46,064
TEAM, UH...
317
00:08:46,059 --> 00:08:48,059
LITTLE CHANGE TO THE PLAYBOOK.
318
00:08:48,061 --> 00:08:50,731
I AM COACH LINDSAY.
319
00:08:50,731 --> 00:08:52,571
AND, UH, I AM NOW YOUR DRAMA
320
00:08:52,566 --> 00:08:53,796
TEACHER.
321
00:08:53,801 --> 00:08:56,901
NOW, THIS FRIDAY, WE ARE DOING
322
00:08:56,904 --> 00:08:57,574
"GREASE."
323
00:08:57,571 --> 00:08:58,971
SO, FOR HOMEWORK, Y'ALL NEED TO
324
00:08:58,972 --> 00:08:59,942
MEMORIZE THIS DVD.
325
00:08:59,940 --> 00:09:01,310
>> HOW ARE WE SUPPOSED TO KNOW
326
00:09:01,308 --> 00:09:02,838
WHO'S PLAYING WHAT CHARACTER?
327
00:09:02,843 --> 00:09:04,183
>> GOOD EYE. YOU'RE TRAVOLTA.
328
00:09:04,177 --> 00:09:05,107
YOU'RE THE SLUT.
329
00:09:05,112 --> 00:09:06,752
YOU'RE THE MOUSY ONE TURNS INTO
330
00:09:06,747 --> 00:09:07,677
A SLUT AT THE END.
331
00:09:07,681 --> 00:09:09,081
THE REST OF Y'ALL JUST WORK IT
332
00:09:09,082 --> 00:09:10,182
OUT AMONGST YOURSELVES.
333
00:09:10,183 --> 00:09:11,753
YEAH? TEAMWORK! COME ON, NOW!
334
00:09:11,752 --> 00:09:12,652
[ WHISTLE BLOWS ]
335
00:09:12,653 --> 00:09:15,593
[ DOO-WOP MUSIC PLAYING ]
336
00:09:21,194 --> 00:09:22,364
>> WHAT KEY ARE WE DOING
337
00:09:22,362 --> 00:09:23,862
"BEAUTY SCHOOL DROP-OUT" IN?
338
00:09:23,864 --> 00:09:25,204
>> SWEET PEA, THE ONLY KEY I'M
339
00:09:25,198 --> 00:09:26,828
CONCERNED WITH IS THE KEY TO THE
340
00:09:26,834 --> 00:09:27,874
EQUIPMENT CAGE.
341
00:09:27,868 --> 00:09:29,638
UH, SING AND DANCE AROUND IF
342
00:09:29,637 --> 00:09:31,607
YOU WANT, BUT, Y'ALL, I'VE GOT A
343
00:09:31,605 --> 00:09:33,305
HUDDLE-UP WITH MY WIFE AT 9:00,
344
00:09:33,306 --> 00:09:34,976
SO WE -- Y'ALL DON'T HAVE TO DO
345
00:09:34,975 --> 00:09:36,205
THE WHOLE THING TONIGHT.
346
00:09:36,209 --> 00:09:37,279
JUST DO PART OF IT.
347
00:09:37,277 --> 00:09:38,277
DO THE FUN PART.
348
00:09:38,278 --> 00:09:39,678
>> OKAY, THIS IS WHAT WE'RE
349
00:09:39,680 --> 00:09:40,110
GONNA DO.
350
00:09:40,113 --> 00:09:41,353
YOU'RE GONNA STALL THEM, ALL
351
00:09:41,348 --> 00:09:41,878
RIGHT?
352
00:09:41,882 --> 00:09:43,122
MAKE THEM THINK WE'RE DOING
353
00:09:43,116 --> 00:09:44,116
"GREASE" OR SOMETHING.
354
00:09:44,117 --> 00:09:45,647
AND THEN -- OH, WE'RE GONNA SHOW
355
00:09:45,653 --> 00:09:46,953
THEM A SHOW UNLIKE THEY AIN'T
356
00:09:46,954 --> 00:09:47,824
NEVER SEEN BEFORE!
357
00:09:47,821 --> 00:09:48,861
>> IS THAT A SHOTGUN?
358
00:09:48,856 --> 00:09:49,786
>> YEAH. ALL RIGHT.
359
00:09:49,790 --> 00:09:51,020
NOW, IN ACT THREE, AFTER THE
360
00:09:51,024 --> 00:09:52,364
RUMBLE THING AT THE BOARDWALK...
361
00:09:52,359 --> 00:09:53,029
>> MM-HMM.
362
00:09:53,026 --> 00:09:54,286
>> ...YOU'RE GONNA TAKE THIS
363
00:09:54,294 --> 00:09:55,634
SHOTGUN, YOU'RE GONNA SAY,
364
00:09:55,629 --> 00:09:56,799
"SATAN, IT'S ALL FOR YOU!"
365
00:09:56,797 --> 00:09:57,967
THEN YOU'RE GONNA BLOW YOUR
366
00:09:57,965 --> 00:09:58,665
BRAINS OUT!
367
00:09:58,666 --> 00:09:59,866
>> I-I'M NOT GONNA DO THAT.
368
00:09:59,867 --> 00:10:00,727
>> YES, YOU ARE.
369
00:10:00,734 --> 00:10:02,004
>> NO, THAT'S NOT IN "GREASE."
370
00:10:02,002 --> 00:10:03,302
>> YOU DON'T WANT TO DO THIS?
371
00:10:03,303 --> 00:10:05,243
>> NO. WHO ARE YOU?
372
00:10:05,238 --> 00:10:06,138
>> [ GROANS ]
373
00:10:06,139 --> 00:10:07,979
>> ACTION! "GREASE" -- GO!
374
00:10:07,975 --> 00:10:08,975
[ WHISTLE BLOWS ]
375
00:10:08,976 --> 00:10:10,876
[ UPBEAT MUSIC PLAYING ]
376
00:10:20,387 --> 00:10:21,817
[ FEEDBACK ]
377
00:10:21,822 --> 00:10:22,692
>> [ GROANS ]
378
00:10:22,690 --> 00:10:23,720
ALL RIGHT. UM --
379
00:10:23,724 --> 00:10:25,034
HEY, TINA. HOW ARE YOU?
380
00:10:25,025 --> 00:10:26,225
JUST GET OUT OF HERE.
381
00:10:26,226 --> 00:10:27,256
GET OUT OF HERE!
382
00:10:27,260 --> 00:10:30,160
UH, SATAN, THIS IS ALL FOR YOU!
383
00:10:30,163 --> 00:10:31,433
HEAVY METAL RULES!
384
00:10:31,431 --> 00:10:33,371
[ GUNSHOT ]
385
00:10:35,368 --> 00:10:35,938
YEAH.
386
00:10:35,936 --> 00:10:37,666
YEAH, YOU GUYS MISSED A WHALE OF
387
00:10:37,671 --> 00:10:38,111
A SHOW.
388
00:10:38,105 --> 00:10:39,105
>> IS THAT CLAUDE?
389
00:10:39,106 --> 00:10:40,166
TELL HIM I SAID HI!
390
00:10:40,173 --> 00:10:41,173
>> Shh! SHUT UP!
391
00:10:41,174 --> 00:10:42,014
SHUT UP! COOK!
392
00:10:42,009 --> 00:10:43,339
I WISH YOU COULD'VE BEEN THERE
393
00:10:43,343 --> 00:10:44,913
FOR THE THING THAT YOU MADE ME
394
00:10:44,912 --> 00:10:46,352
WRITE, CHOREOGRAPH, AND REHEARSE
395
00:10:46,346 --> 00:10:47,206
FOR THREE WEEKS.
396
00:10:47,214 --> 00:10:48,854
>> SORRY, GUY. DINNER RAN LATE.
397
00:10:48,849 --> 00:10:49,849
>> I JUST WANTED --
398
00:10:49,850 --> 00:10:50,880
>> OH!
399
00:10:50,884 --> 00:10:52,354
[ Laughing ] GOD!
400
00:10:52,352 --> 00:10:52,922
OH!
401
00:10:52,920 --> 00:10:53,850
>> NACHO?
402
00:10:53,854 --> 00:10:55,024
>> YEAH. YEAH.
403
00:10:55,022 --> 00:10:56,092
THESE ARE GREAT SEATS.
404
00:10:56,089 --> 00:10:57,359
HOW'D YOU KNOW I LOVE HOCKEY?
405
00:10:57,357 --> 00:10:58,757
>> HEY, AND CHECK THIS OUT.
406
00:10:58,759 --> 00:11:02,199
>> HMM?
407
00:11:02,195 --> 00:11:03,195
[ GUNSHOT ]
408
00:11:03,196 --> 00:11:05,096
[ CROWD SCREAMING ]
409
00:11:05,132 --> 00:11:07,432
>> "HAIL STAN"?
410
00:11:07,434 --> 00:11:09,974
>> GOD, YOU SMELL AWFUL.
411
00:11:09,970 --> 00:11:11,400
COOKING YOU.
412
00:11:11,404 --> 00:11:12,974
WHO'S GONNA EAT YOU?
413
00:11:12,973 --> 00:11:14,913
THAT'S MY QUESTION.
414
00:11:14,908 --> 00:11:16,878
IT'S GONNA [BLEEP] BE ME, ISN'T
415
00:11:16,877 --> 00:11:18,207
IT?
416
00:11:18,211 --> 00:11:19,781
"HERE, GARY.
417
00:11:19,780 --> 00:11:22,050
HAVE A WHOLE BUNCH OF EDDIE,
418
00:11:22,049 --> 00:11:23,879
COVERED IN STINKY, OLD JALAPEÑO
419
00:11:23,884 --> 00:11:25,394
MAYONNAISE AND BIG CHUNKS OF
420
00:11:25,385 --> 00:11:27,085
BLACK BREAD FROM THE VIKING
421
00:11:27,087 --> 00:11:27,487
ERA."
422
00:11:27,487 --> 00:11:29,387
[ SPIT CREAKS ]
423
00:11:29,389 --> 00:11:30,819
MMM. ACTUALLY, YOU KNOW WHAT?
424
00:11:30,824 --> 00:11:31,994
NOW THAT I'M, LIKE, TALKING
425
00:11:31,992 --> 00:11:33,092
ABOUT IT -- WITH A GOOD,
426
00:11:33,093 --> 00:11:34,093
WHOLE-GRAIN MUSTARD.
427
00:11:34,094 --> 00:11:34,834
[ EXPLOSION ]
428
00:11:34,828 --> 00:11:36,058
I KNEW WE SHOULD'VE PUT SOME
429
00:11:36,063 --> 00:11:37,903
ROSEMARY UNDERNEATH YOUR TITS.
26024
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