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1
00:01:03,445 --> 00:01:07,212
[♪♪♪]
2
00:01:26,935 --> 00:01:29,201
[♪♪♪]
3
00:01:49,056 --> 00:01:50,022
SAY CHEESE!
4
00:01:50,057 --> 00:01:51,390
CHEESE!
5
00:01:51,425 --> 00:01:52,458
THERE ARE DRINKS INSIDE
6
00:01:52,494 --> 00:01:54,326
AND PLENTY OF FOOD
FOR EVERYONE.
7
00:01:54,395 --> 00:01:55,595
LEAVE IT TO LARRY
8
00:01:55,630 --> 00:01:57,797
TO INSIST ON BLACK TIE
FOR HIS BIRTHDAY PARTY.
9
00:01:57,832 --> 00:01:59,832
HE'S PROBABLY SPENDING
A FORTUNE.
10
00:01:59,901 --> 00:02:01,868
DAD, THIS IS NOT
THE PLACE.
11
00:02:01,903 --> 00:02:03,235
-[LARRY]: PETER?
-[PETER]: YEAH?
12
00:02:03,304 --> 00:02:05,270
-HELP THEM.
-SURE. FOLLOW ME.
13
00:02:05,306 --> 00:02:06,739
AND HE'S GOT PETER HARRELL
DOING THE CATERING?
14
00:02:08,510 --> 00:02:09,709
IT'S LIKE HE'S
SPITTING IN OUR EYE.
15
00:02:09,744 --> 00:02:10,676
OKAY, JUST STAY CALM.
16
00:02:10,712 --> 00:02:12,778
WE'LL FIGURE THIS OUT.
17
00:02:12,814 --> 00:02:14,046
[LARRY]: TESS!
18
00:02:14,081 --> 00:02:15,381
GOOD TO SEE YOU.
19
00:02:15,416 --> 00:02:17,316
LARRY!
HAPPY BIRTHDAY.
20
00:02:17,351 --> 00:02:18,651
WALTER,
21
00:02:18,720 --> 00:02:19,752
GLAD YOU COULD MAKE IT.
22
00:02:19,787 --> 00:02:21,020
IT WASN'T EASY.
23
00:02:21,055 --> 00:02:21,988
YOU KNOW WE HATE
TO TAKE TIME AWAY
24
00:02:22,023 --> 00:02:22,955
FROM THE RESTAURANT,
25
00:02:22,991 --> 00:02:24,356
ESPECIALLY NOW.
26
00:02:24,392 --> 00:02:26,626
I UNDERSTAND YOU'RE UPSET,
27
00:02:26,661 --> 00:02:27,693
BUT IF YOU COULD GIVE ME
SOME TIME,
28
00:02:27,729 --> 00:02:28,928
I'LL BE ABLE TO EXPLAIN...
29
00:02:28,963 --> 00:02:31,230
HEY, CAN I
GET A PHOTO?
30
00:02:31,265 --> 00:02:32,197
STAND TOGETHER.
31
00:02:32,233 --> 00:02:34,266
ONE, TWO, THREE.
32
00:02:34,301 --> 00:02:36,368
MAKE SURE YOU
GET MY GOOD SIDE.
33
00:02:37,705 --> 00:02:38,638
DO YOU HAVE A BAD ONE?
34
00:02:39,674 --> 00:02:41,306
THANKS, GUYS.
35
00:02:43,845 --> 00:02:46,278
THE RESTAURANT
HAS SOME BILLS COMING DUE.
36
00:02:46,313 --> 00:02:47,479
YOU HAVEN'T PAID
YOUR SHARE.
37
00:02:47,549 --> 00:02:49,248
WE NEED THAT MONEY,
LARRY.
38
00:02:49,316 --> 00:02:50,616
WALTER, I SWEAR,
39
00:02:50,652 --> 00:02:52,752
AS SOON
AS I FIGURE THINGS OUT...
40
00:02:52,787 --> 00:02:53,619
MIND IF I BORROW
MY FAVORITE CLIENT
41
00:02:53,688 --> 00:02:54,654
FOR A MOMENT?
42
00:02:54,689 --> 00:02:57,289
[LARRY]:
GO ON, ENJOY YOURSELF.
43
00:02:57,324 --> 00:02:58,591
EVERYTHING WILL BE OKAY.
44
00:02:58,626 --> 00:02:59,525
I PROMISE.
45
00:03:00,762 --> 00:03:02,327
COME ON, TESS.
46
00:03:04,732 --> 00:03:06,599
IT'S A PARTY,
REMEMBER.
47
00:03:06,668 --> 00:03:09,501
LET'S AVOID ANY
UNPLEASANT CONVERSATION.
48
00:03:09,571 --> 00:03:10,703
WALLY'S MY FRIEND.
49
00:03:10,738 --> 00:03:12,371
I OWE HIM
AN EXPLANATION.
50
00:03:12,406 --> 00:03:14,640
WELL, HE'S NOT LOOKING
FOR AN EXPLANATION.
51
00:03:14,676 --> 00:03:16,442
HE'S LOOKING FOR A FIGHT.
52
00:03:16,477 --> 00:03:17,610
REMEMBER, I WARNED YOU
53
00:03:17,679 --> 00:03:19,344
AGAINST INVESTING
IN YOUR FRIENDS' PROJECTS.
54
00:03:19,380 --> 00:03:21,213
EASIER SAID THAN DONE.
55
00:03:21,248 --> 00:03:22,514
DID YOU BRING THOSE DOCUMENTS
I ASKED FOR?
56
00:03:22,550 --> 00:03:23,716
AH, YES.
57
00:03:23,751 --> 00:03:25,551
I'M HAVING MY SECRETARY
PULL ALL THE OLD FILES.
58
00:03:25,620 --> 00:03:26,485
WE'LL HAVE
SOMETHING FOR YOU
59
00:03:26,520 --> 00:03:27,653
BY THE END OF THE WEEK.
60
00:03:27,722 --> 00:03:28,921
I'M SORRY,
BUT I CAN'T STAY.
61
00:03:28,957 --> 00:03:30,222
YOU'RE LEAVING?
62
00:03:30,291 --> 00:03:31,523
YEAH, WELL...
63
00:03:31,593 --> 00:03:32,625
YOU MAY BE
MY FAVORITE CLIENT,
64
00:03:32,660 --> 00:03:33,593
BUT YOU'RE NOT
MY ONLY ONE.
65
00:03:33,628 --> 00:03:36,696
MY ADVICE,
AS YOUR ATTORNEY...
66
00:03:36,731 --> 00:03:38,263
FOCUS ON YOUR BIRTHDAY.
67
00:03:38,299 --> 00:03:40,199
THE PAPERWORK
WILL STILL BE THERE TOMORROW.
68
00:03:41,903 --> 00:03:43,736
HEY, UNCLE LARRY.
69
00:03:45,773 --> 00:03:46,872
TONY.
70
00:03:46,908 --> 00:03:47,807
SO GLAD YOU'RE HERE.
71
00:03:50,011 --> 00:03:50,943
I HAVEN'T SEEN YOUR DAD YET.
72
00:03:50,979 --> 00:03:52,411
YEAH, NO, UH...
73
00:03:52,480 --> 00:03:53,613
HE COULDN'T MAKE IT.
74
00:03:53,648 --> 00:03:54,947
[PHOTOGRAPHER]:
HEY, GATHER UP.
75
00:03:54,983 --> 00:03:55,982
WE'RE GETTING
EVERYONE TOGETHER
76
00:03:56,050 --> 00:03:57,717
FOR A GROUP SHOT.
77
00:03:57,752 --> 00:03:58,818
WHAT HAPPENED
TO YOUR BOW TIE?
78
00:04:00,922 --> 00:04:02,454
I MUST HAVE FORGOT IT INSIDE.
79
00:04:02,523 --> 00:04:03,689
DON'T TAKE ANY PICTURES
WITHOUT ME.
80
00:04:03,725 --> 00:04:05,390
OKAY.
81
00:04:05,459 --> 00:04:06,525
CAN I GET EVERYONE
TO STAND HERE?
82
00:04:06,594 --> 00:04:07,459
WE'RE GOING
TO GET A GROUP SHOT
83
00:04:07,495 --> 00:04:08,694
OF ALL OF US
TOGETHER.
84
00:04:25,813 --> 00:04:27,046
[WHISTLING]
85
00:04:29,183 --> 00:04:31,083
WHAT A BEAUTY.
86
00:04:31,119 --> 00:04:31,951
[SHUTTER CLICKING]
87
00:04:57,311 --> 00:04:58,477
OKAY, GUYS, STAY PUT.
88
00:04:58,512 --> 00:04:59,611
I'M GOING TO RUSTLE
MR. BRADY OUT HERE, OKAY?
89
00:04:59,647 --> 00:05:01,047
ONE SEC.
90
00:05:03,517 --> 00:05:04,850
MR. BRADY?
91
00:05:04,886 --> 00:05:06,552
WE'RE WAITING.
92
00:05:06,587 --> 00:05:08,721
LARRY?
93
00:05:10,457 --> 00:05:11,557
LARRY?
94
00:05:14,195 --> 00:05:15,427
LARRY?
95
00:05:17,899 --> 00:05:19,732
LARRY!
96
00:05:19,801 --> 00:05:21,834
SOMEBODY CALL AN AMBULANCE!
97
00:05:24,538 --> 00:05:26,005
HELP!
98
00:05:29,243 --> 00:05:31,310
YOGA?
99
00:05:31,345 --> 00:05:34,046
I HAD NO IDEA IT COULD
BE SO... DAMAGING.
100
00:05:34,082 --> 00:05:36,415
WELL, IT IS
IF IT'S A NEW INSTRUCTOR
101
00:05:36,483 --> 00:05:38,150
AND THEY'RE SHOWING YOU
A COOL NEW POSE.
102
00:05:38,186 --> 00:05:39,351
WHAT NEW POSE?
103
00:05:39,420 --> 00:05:41,587
IT'S CALLED
"THE BRIDGE TO PEACE."
104
00:05:41,622 --> 00:05:43,723
-WHAT HAPPENED?
-MY BRIDGE COLLAPSED.
105
00:05:44,926 --> 00:05:46,525
ARE YOU GOING BACK
TO HIS CLASS?
106
00:05:46,560 --> 00:05:47,760
NO!
107
00:05:47,829 --> 00:05:49,995
NO, HE BLAMED ME
FOR SPRAINING MY WRIST.
108
00:05:50,031 --> 00:05:52,231
HE SAID IT WAS 'CAUSE MY CHAKRAS
WERE MISALIGNED.
109
00:05:52,266 --> 00:05:53,265
OH, THE NERVE!
110
00:05:53,334 --> 00:05:54,299
WELL, THAT'S JUST BAD KARMA.
111
00:05:55,636 --> 00:05:57,002
SO I GUESS THIS MEANS
112
00:05:57,071 --> 00:05:59,004
WE'RE GOING TO HAVE TO POSTPONE
THE SPRING INVENTORY.
113
00:05:59,040 --> 00:06:00,405
OH, YOU MEAN
THE SPRING INVENTORY
114
00:06:00,474 --> 00:06:02,108
THAT'S REALLY
OUR WINTER INVENTORY?
115
00:06:02,143 --> 00:06:03,209
TO BE FAIR,
116
00:06:03,244 --> 00:06:04,276
IT'S ACTUALLY
OUR FALL INVENTORY.
117
00:06:04,345 --> 00:06:05,344
OKAY, THAT'S IT.
118
00:06:05,379 --> 00:06:06,345
WE NEED TO HIRE
SOME HELP.
119
00:06:06,380 --> 00:06:07,479
YOU MEAN
A NEW EMPLOYEE?
120
00:06:07,514 --> 00:06:08,748
JUST TEMPORARY.
121
00:06:08,783 --> 00:06:10,182
SOMEONE WHO CAN HELP US
WITH THE INVENTORY,
122
00:06:10,218 --> 00:06:11,350
OH, AND ALSO BRING
UP THOSE BOXES
123
00:06:11,385 --> 00:06:12,384
FROM THE BASEMENT.
124
00:06:12,453 --> 00:06:13,652
OOH, IT WOULD BE GOOD
TO GET SOMEONE
125
00:06:13,687 --> 00:06:14,887
TO CHECK THE CRAWL SPACE.
126
00:06:14,922 --> 00:06:16,722
WE BETTER HURRY UP
AND HIRE THAT PERSON.
127
00:06:16,758 --> 00:06:17,990
THEY ARE ALREADY WAY BEHIND.
128
00:06:18,025 --> 00:06:19,491
[DOOR OPENING]
129
00:06:20,561 --> 00:06:22,161
HELLO, UM...
130
00:06:22,196 --> 00:06:23,695
I'M GUESSING
YOU'RE THE ANTIQUE DEALERS?
131
00:06:23,731 --> 00:06:25,597
WHAT GAVE US AWAY?
132
00:06:25,633 --> 00:06:27,666
I'M LOOKING
FOR JENNIFER SHANNON.
133
00:06:27,701 --> 00:06:28,868
OH, I'M JENNIFER SHANNON,
134
00:06:28,903 --> 00:06:29,701
AND THIS IS MY PARTNER, DANI.
135
00:06:29,771 --> 00:06:30,936
HELLO.
136
00:06:30,972 --> 00:06:31,971
I'M IAN HATHAWAY.
137
00:06:32,039 --> 00:06:33,038
[DANI]:
MR. HATHAWAY,
138
00:06:33,074 --> 00:06:35,307
UM, HOW CAN WE HELP YOU?
139
00:06:35,342 --> 00:06:36,308
WELL,
A CLIENT OF MINE, LARRY BRADY,
140
00:06:36,343 --> 00:06:38,577
PASSED AWAY LAST WEEKEND.
141
00:06:38,612 --> 00:06:40,646
HE HAD A HEART ATTACK
ON HIS 60TH BIRTHDAY.
142
00:06:40,681 --> 00:06:42,681
OH, I'M SORRY FOR YOUR LOSS.
143
00:06:42,750 --> 00:06:44,083
THANK YOU.
144
00:06:44,118 --> 00:06:45,918
HIS ESTATE HAS PASSED ON
TO HIS YOUNGER BROTHER, SCOTT,
145
00:06:45,987 --> 00:06:49,155
AND SCOTT'S LOOKING TO SELL
SOME OF LARRY'S BELONGINGS.
146
00:06:49,223 --> 00:06:50,890
AND I'M GUESSING
THERE ARE A FEW ANTIQUES?
147
00:06:50,925 --> 00:06:52,124
THAT'S RIGHT.
148
00:06:52,160 --> 00:06:54,994
YEAH,
LARRY WAS AN AVID COLLECTOR.
149
00:06:55,062 --> 00:06:56,228
IN FACT, HE HAS
AN IMPRESSIVE COLLECTION
150
00:06:56,264 --> 00:06:57,096
OF ANTIQUE CAMERAS.
151
00:06:57,165 --> 00:06:58,998
WOW.
152
00:06:59,033 --> 00:07:01,033
WE'RE VERY SORRY FOR YOUR LOSS,
153
00:07:01,068 --> 00:07:02,601
BUT WE'RE GLAD
YOU SOMEHOW FOUND US.
154
00:07:02,670 --> 00:07:04,003
ACTUALLY,
155
00:07:04,038 --> 00:07:05,905
IT WAS LARRY'S NEPHEW, TONY,
THAT RECOMMENDED YOU.
156
00:07:05,940 --> 00:07:08,240
HE WENT TO SCHOOL
WITH YOUR DAUGHTER, I BELIEVE.
157
00:07:08,276 --> 00:07:09,675
HANNAH.
158
00:07:09,710 --> 00:07:12,377
I HAD NO IDEA
SHE WAS SO GOOD AT P.R.
159
00:07:12,413 --> 00:07:13,712
I KNOW THAT LARRY
WOULD WANT HIS COLLECTION
160
00:07:13,747 --> 00:07:14,880
WELL TAKEN CARE OF,
161
00:07:14,916 --> 00:07:16,515
SO I ASKED AROUND,
AND I HAVE TO TELL YOU,
162
00:07:16,583 --> 00:07:18,417
YOUR SHOP HAS
AN EXCELLENT REPUTATION.
163
00:07:19,821 --> 00:07:20,953
I'LL BE AT HIS HOUSE
LATER TODAY
164
00:07:20,988 --> 00:07:22,654
IF YOU'D LIKE
TO STOP BY.
165
00:07:22,690 --> 00:07:23,923
THERE'S THE ADDRESS,
AND I CAN SHOW YOU THE CAMERAS.
166
00:07:23,958 --> 00:07:24,924
OH, THANK YOU.
167
00:07:24,959 --> 00:07:25,991
WE'LL BE THERE.
168
00:07:26,027 --> 00:07:26,826
ALL RIGHT.
169
00:07:26,861 --> 00:07:27,960
WELL, THANK YOU, LADIES.
170
00:07:27,995 --> 00:07:28,894
THANK YOU.
171
00:07:30,298 --> 00:07:31,496
WHOA...
172
00:07:31,532 --> 00:07:33,332
IS THAT WHAT I THINK IT IS?
173
00:07:33,367 --> 00:07:34,967
WELL, IF YOU'RE THINKING
IT'S A BIG CONSIGNMENT,
174
00:07:35,002 --> 00:07:36,035
I THINK YOU'RE RIGHT.
175
00:07:36,070 --> 00:07:38,137
YEAH... OW.
176
00:07:38,172 --> 00:07:40,139
WE ARE DEFINITELY
HIRING SOMEONE.
177
00:07:54,989 --> 00:07:56,355
AH.
178
00:07:56,390 --> 00:07:57,522
OOH.
179
00:07:57,591 --> 00:07:58,958
THIS IS NICE.
180
00:07:59,026 --> 00:08:00,592
IT'S A LITTLE SMALL.
181
00:08:00,661 --> 00:08:02,027
WELL, SOMETHING TELLS ME
182
00:08:02,063 --> 00:08:04,463
IF YOU LIVED HERE,
YOU'D FIND A WAY TO MANAGE.
183
00:08:04,531 --> 00:08:05,530
WELL, I'D HAVE TO SEE
184
00:08:05,566 --> 00:08:07,132
WHAT THE CLOSET SPACE
LOOKS LIKE FIRST.
185
00:08:07,168 --> 00:08:08,200
[LAUGHS]
186
00:08:14,608 --> 00:08:17,409
[IAN]: THANK YOU FOR
COMING OUT TO THE HOUSE.
187
00:08:17,444 --> 00:08:19,044
[JENN]: IT'S BEAUTIFUL.
188
00:08:19,113 --> 00:08:21,646
[IAN]: YES, MR. BRADY TOOK
GREAT PRIDE IN HIS HOME.
189
00:08:21,715 --> 00:08:24,016
HE BOUGHT THIS HOUSE,
PLANNING ON HAVING A BIG FAMILY,
190
00:08:24,051 --> 00:08:25,751
BUT...
191
00:08:25,786 --> 00:08:27,086
LIFE WORKED OUT DIFFERENTLY.
192
00:08:27,121 --> 00:08:28,220
WELL...
193
00:08:28,256 --> 00:08:29,154
THAT HAPPENS.
194
00:08:30,358 --> 00:08:32,892
NOW, WE PLAN TO SELL MOST ITEMS
AT AUCTION,
195
00:08:32,927 --> 00:08:33,859
BUT WE THOUGHT
THE CAMERA COLLECTION
196
00:08:33,895 --> 00:08:35,361
MIGHT DO BETTER
ON CONSIGNMENT.
197
00:08:35,396 --> 00:08:37,796
IF YOU DON'T MIND ME ASKING,
WHY THE RUSH TO SELL EVERYTHING?
198
00:08:37,831 --> 00:08:40,732
AH, YES, WELL...
199
00:08:40,768 --> 00:08:42,968
MR. BRADY WAS A GENEROUS MAN...
TO A FAULT.
200
00:08:43,004 --> 00:08:44,403
UNFORTUNATELY,
201
00:08:44,438 --> 00:08:46,005
HE LEFT HIS ESTATE
WITH QUITE A FEW DEBTS
202
00:08:46,040 --> 00:08:47,506
AND VERY LITTLE CAPITAL.
203
00:08:47,541 --> 00:08:50,209
I CAN RELATE.
204
00:08:50,244 --> 00:08:51,343
WELL, HIS YOUNGER BROTHER,
SCOTT,
205
00:08:51,379 --> 00:08:52,378
THOUGHT IT BEST
TO LIQUIDATE HIS ASSETS
206
00:08:52,413 --> 00:08:53,312
AND SELL THE HOUSE.
207
00:08:55,283 --> 00:08:58,017
WELL, WE APPRECIATE
THE BUSINESS, BUT...
208
00:08:58,052 --> 00:08:59,985
YOU WOULD PROBABLY GET
MORE MONEY FOR THE CAMERAS
209
00:09:00,021 --> 00:09:01,753
AT AUCTION, TOO.
210
00:09:01,789 --> 00:09:03,822
WELL, THAT'S TRUE,
BUT, UH...
211
00:09:03,857 --> 00:09:05,791
IT ISN'T JUST ABOUT THE MONEY.
212
00:09:05,826 --> 00:09:07,326
I MEAN, LARRY WAS MY FRIEND
AS WELL AS MY CLIENT.
213
00:09:08,996 --> 00:09:09,895
HE PUT HIS COLLECTION TOGETHER
HIMSELF,
214
00:09:09,931 --> 00:09:11,663
AND I JUST KNOW
215
00:09:11,698 --> 00:09:13,532
HE WOULD HAVE LOVED TO STUMBLE
ACROSS ITEMS LIKE THIS
216
00:09:13,567 --> 00:09:14,533
IN A SHOP LIKE YOURS.
217
00:09:16,137 --> 00:09:17,303
RIGHT THIS WAY,
PLEASE.
218
00:09:29,450 --> 00:09:32,451
WOW, THIS IS
QUITE A COLLECTION.
219
00:09:32,486 --> 00:09:33,785
LARRY TOOK UP
PHOTOGRAPHY
220
00:09:33,821 --> 00:09:36,588
AFTER HE SOLD
HIS INVESTMENT COMPANY.
221
00:09:36,623 --> 00:09:38,257
APPARENTLY,
IT WAS A CHILDHOOD LOVE
222
00:09:38,326 --> 00:09:39,658
HE SET ASIDE FOR WORK.
223
00:09:39,693 --> 00:09:41,593
WELL, THERE ARE
A LOT OF ITEMS.
224
00:09:41,628 --> 00:09:42,694
WE'LL NEED
TO COME BACK
225
00:09:42,729 --> 00:09:43,762
AND PACK EVERYTHING
UP FOR TRANSPORT.
226
00:09:43,831 --> 00:09:45,130
OF COURSE, YEAH,
227
00:09:45,166 --> 00:09:46,198
AND I CAN MAKE SURE
YOU HAVE ACCESS TO THE HOUSE.
228
00:09:46,267 --> 00:09:47,232
[POUNDING ON DOOR]
229
00:09:48,635 --> 00:09:51,303
UH...
IF YOU'LL EXCUSE ME...
230
00:09:52,539 --> 00:09:54,039
WHOA...
231
00:09:54,075 --> 00:09:55,841
WOW.
232
00:09:55,876 --> 00:09:58,177
THERE IS
A LOT OF STUFF.
233
00:09:58,245 --> 00:09:59,478
WE'RE DEFINITELY
GOING TO NEED...
234
00:09:59,546 --> 00:10:00,545
DON'T SAY IT.
235
00:10:00,581 --> 00:10:03,148
A HAND
GETTING IT BACK TO THE SHOP.
236
00:10:03,184 --> 00:10:04,283
[LAUGHING]
237
00:10:05,786 --> 00:10:06,952
HEY, WHAT'S THIS?
238
00:10:10,958 --> 00:10:12,224
WHAT?
239
00:10:12,259 --> 00:10:13,525
OH...
240
00:10:13,560 --> 00:10:14,826
DANI, LOOK AT THIS.
241
00:10:14,862 --> 00:10:16,595
WOW.
242
00:10:16,630 --> 00:10:18,663
I THINK THERE MIGHT STILL BE
FILM IN THERE.
243
00:10:18,699 --> 00:10:19,965
OH...
244
00:10:20,001 --> 00:10:21,633
I WONDER
IF THIS IS ONE OF THE ITEMS
245
00:10:21,668 --> 00:10:22,934
WE'RE SUPPOSED TO SELL.
246
00:10:22,970 --> 00:10:24,803
-[SHUTTER CLICKING]
-OH!
247
00:10:24,838 --> 00:10:27,039
I THINK I JUST TOOK A PHOTO.
248
00:10:27,074 --> 00:10:28,907
YOU MEAN
YOU JUST TOOK A PHOTO OF ME.
249
00:10:30,677 --> 00:10:32,544
WELL, WE BETTER HOPE
IT'S PART OF THE SALE.
250
00:10:33,881 --> 00:10:35,447
I'LL ASK IAN.
251
00:10:35,516 --> 00:10:37,349
I HOPE YOU GOT
MY GOOD SIDE.
252
00:10:38,652 --> 00:10:39,918
[IAN]:
HOW DID YOU FIND ME?
253
00:10:39,953 --> 00:10:41,286
THIS IS HIGHLY INAPPROPRIATE.
254
00:10:41,355 --> 00:10:43,022
[WALTER]: YOUR SECRETARY
TOLD ME WHERE YOU WERE.
255
00:10:43,057 --> 00:10:45,424
IF YOU'D STOP DUCKING MY CALLS,
I WOULDN'T HAVE TO DO THIS.
256
00:10:45,459 --> 00:10:48,360
LOOK, LARRY PROMISED THAT MONEY
TO THE RESTAURANT.
257
00:10:48,396 --> 00:10:49,928
WE NEED IT
TO STAY OPEN.
258
00:10:49,963 --> 00:10:50,896
DO YOU HAVE A CONTRACT?
259
00:10:50,931 --> 00:10:52,697
LARRY SIGN A CONTRACT?
260
00:10:52,733 --> 00:10:53,765
YOU'RE JOKING, RIGHT?
261
00:10:53,800 --> 00:10:56,135
WALTER, THERE IS NO MONEY.
262
00:10:56,170 --> 00:10:57,702
LARRY WAS COMPLETELY TAPPED OUT.
263
00:10:57,738 --> 00:10:59,171
EVERYTHING LEFT
IS SCOTT'S NOW.
264
00:10:59,206 --> 00:11:01,840
[WALTER]:
YOU KNOW, LARRY'S GONE.
265
00:11:01,909 --> 00:11:03,875
I SHOULD FINALLY GET WHAT'S DUE.
266
00:11:06,380 --> 00:11:07,246
[CLEARING THROAT]
267
00:11:08,882 --> 00:11:10,549
OH.
268
00:11:10,584 --> 00:11:13,018
MRS. SHANNON,
I'M SORRY IF YOU HEARD THAT.
269
00:11:13,087 --> 00:11:15,054
I DON'T MEAN
TO INTERRUPT.
270
00:11:15,089 --> 00:11:16,355
IT SOUNDS LIKE YOU HAVE
YOUR HANDS FULL.
271
00:11:16,390 --> 00:11:17,356
OH...
272
00:11:17,391 --> 00:11:19,324
IT'S ALL PART OF THE JOB.
273
00:11:19,360 --> 00:11:20,426
IS THERE SOMETHING
I CAN HELP YOU WITH?
274
00:11:20,461 --> 00:11:21,593
YES, THIS CAMERA.
275
00:11:21,628 --> 00:11:22,761
IS IT PART OF THE CONSIGNMENT?
276
00:11:24,331 --> 00:11:26,065
I DON'T REMEMBER IT
AS PART OF HIS COLLECTION,
277
00:11:26,100 --> 00:11:27,332
BUT HE HAD SO MANY.
278
00:11:27,368 --> 00:11:30,035
WELL, WE ACCIDENTALLY
TOOK A PICTURE.
279
00:11:30,104 --> 00:11:31,002
THERE'S FILM IN IT.
280
00:11:31,072 --> 00:11:33,072
OH, I SEE.
281
00:11:33,107 --> 00:11:35,974
BEST TO GET IT DEVELOPED
BEFORE WE PUT IT UP FOR SALE,
282
00:11:36,009 --> 00:11:38,143
IN CASE ANY OF THE PHOTOS
HAVE SENTIMENTAL VALUE.
283
00:11:38,212 --> 00:11:39,545
OF COURSE.
I CAN HANDLE THAT.
284
00:11:39,580 --> 00:11:41,346
AH, THANK YOU.
285
00:11:41,382 --> 00:11:42,281
WOULD YOU EXCUSE ME?
286
00:11:42,316 --> 00:11:43,215
OF COURSE.
287
00:11:48,255 --> 00:11:49,488
YOUR MOTHER'S GOING
TO BE SO IMPRESSED
288
00:11:49,523 --> 00:11:51,056
THAT WE TACKLED
DINNER ON OUR OWN.
289
00:11:51,092 --> 00:11:52,857
IT'S HARD TO MESS UP PASTA.
290
00:11:52,893 --> 00:11:54,159
YOU'D BE SURPRISED.
291
00:11:54,228 --> 00:11:56,228
ONE TIME IN COLLEGE,
I STARTED A FIRE,
292
00:11:56,263 --> 00:11:57,196
TRYING TO MAKE
MAC AND CHEESE.
293
00:11:57,231 --> 00:11:58,530
[LAUGHING]
294
00:12:00,167 --> 00:12:02,234
STRAINER, PLEASE.
295
00:12:02,269 --> 00:12:04,936
LOGAN? STRAINER?
296
00:12:04,972 --> 00:12:06,905
YEAH, RIGHT.
297
00:12:06,940 --> 00:12:08,707
EVERYTHING OKAY?
298
00:12:08,742 --> 00:12:10,142
[LOGAN]:
YEAH, I GUESS SO.
299
00:12:10,177 --> 00:12:11,577
IT'S JUST, UH...
300
00:12:11,612 --> 00:12:13,011
MY ENGLISH TEACHER
WANTS TO PUBLISH
301
00:12:13,046 --> 00:12:14,879
THIS PAPER THAT I DID
ON TENNESSEE WILLIAMS
302
00:12:14,915 --> 00:12:15,947
IN THE SCHOOL JOURNAL.
303
00:12:15,983 --> 00:12:17,416
[JASON]: THAT'S GREAT!
304
00:12:19,353 --> 00:12:20,986
THAT'S NOT GREAT?
305
00:12:21,021 --> 00:12:22,921
I DON'T THINK
I'M GOING TO DO IT.
306
00:12:22,956 --> 00:12:25,857
"TENNESSEE WILLIAMS
AND THE AMERICAN DREAM."
307
00:12:25,892 --> 00:12:27,326
YOU KNOW, I HAD A PAPER
IN THE SCHOOL JOURNAL.
308
00:12:27,361 --> 00:12:29,228
LOOKS GREAT
ON A COLLEGE APPLICATION.
309
00:12:29,263 --> 00:12:30,829
YOU SHOULD PUBLISH IT.
310
00:12:30,864 --> 00:12:31,763
WE'LL SEE.
311
00:12:33,000 --> 00:12:34,032
HEY, EVERYONE,
SORRY I'M LATE,
312
00:12:34,101 --> 00:12:36,768
BUT WE MIGHT HAVE
A NICE BIG CONSIGNMENT
313
00:12:36,837 --> 00:12:38,604
THANKS TO THIS YOUNG LADY.
314
00:12:38,639 --> 00:12:40,005
ME?
315
00:12:40,073 --> 00:12:41,773
MM-HMM, WE GOT A RECOMMENDATION
FROM YOUR OLD CLASSMATE,
316
00:12:41,808 --> 00:12:42,941
TONY BRADY.
317
00:12:43,010 --> 00:12:44,309
OH, TONY BRADY?
318
00:12:44,345 --> 00:12:45,511
YEAH, I USED TO GO SEE
HIS BAND PLAY ALL THE TIME.
319
00:12:45,579 --> 00:12:46,478
THEY'RE ACTUALLY
PRETTY GOOD.
320
00:12:46,547 --> 00:12:48,079
[JENN]:
WELL, UNFORTUNATELY,
321
00:12:48,115 --> 00:12:49,481
HIS UNCLE PASSED AWAY,
322
00:12:49,517 --> 00:12:51,016
BUT WE MIGHT BE SELLING
SOME OF HIS ANTIQUE CAMERAS.
323
00:12:51,084 --> 00:12:53,118
A BUSY SHOP
MEANS HAPPY WIFE.
324
00:12:53,154 --> 00:12:55,954
MM, AND I'M STARVING,
AND YOU MADE DINNER?
325
00:12:55,989 --> 00:12:57,088
OH, IT'S LIKE I DIED
AND WENT TO HEAVEN.
326
00:12:57,124 --> 00:12:58,723
HOW DO YOU
MESS UP PASTA?
327
00:12:58,759 --> 00:12:59,724
YOU'D BE SURPRISED.
328
00:13:02,463 --> 00:13:04,263
I SEE YOU BROUGHT
WORK HOME?
329
00:13:04,298 --> 00:13:06,565
OH, DANI ACCIDENTALLY
TOOK A PHOTO OF ME,
330
00:13:06,634 --> 00:13:08,099
AND NOW I HAVE
TO GET THE FILM DEVELOPED.
331
00:13:08,135 --> 00:13:09,734
THAT'S GOING
TO BE DIFFICULT,
332
00:13:09,770 --> 00:13:11,002
CONSIDERING EVERYTHING'S
DIGITAL THESE DAYS.
333
00:13:11,038 --> 00:13:12,070
I KNOW,
334
00:13:12,105 --> 00:13:13,272
BUT THE CLIENT
DOESN'T WANT US
335
00:13:13,307 --> 00:13:14,939
TO SELL THE CAMERA
WITH A PICTURE OF ME IN IT.
336
00:13:14,975 --> 00:13:17,376
WELL, I'D SAY ANY CAMERA
WITH A PICTURE OF YOU IN IT
337
00:13:17,411 --> 00:13:18,410
IS WORTH DOUBLE.
338
00:13:18,479 --> 00:13:19,444
[JENN]: OH!
339
00:13:19,480 --> 00:13:21,647
JASON, THAT IS SO SWEET.
340
00:13:21,715 --> 00:13:22,947
AND THIS LOOKS SO GOOD.
341
00:13:23,016 --> 00:13:24,283
ALMOST AS GOOD
342
00:13:24,318 --> 00:13:25,484
AS YOUR FLAMING
MAC AND CHEESE.
343
00:13:31,825 --> 00:13:33,225
WELL, BETWEEN
OUR INVENTORY,
344
00:13:33,260 --> 00:13:34,726
AND NOW THIS
CONSIGNMENT,
345
00:13:34,761 --> 00:13:36,395
THINGS ARE REALLY
PICKING UP AT THE SHOP.
346
00:13:36,463 --> 00:13:37,996
THAT'S GREAT...
347
00:13:38,065 --> 00:13:39,130
BUT WITH DANI'S
SPRAINED WRIST,
348
00:13:39,200 --> 00:13:41,066
DOES THAT MEAN
YOU'RE DOING DOUBLE LIFTING?
349
00:13:41,101 --> 00:13:42,867
WELL, WE'RE GOING TO HIRE
SOME PART-TIME HELP.
350
00:13:42,936 --> 00:13:44,403
DANI PUT AN AD ONLINE,
351
00:13:44,438 --> 00:13:45,270
AND SHE'S SCHEDULED AN
INTERVIEW FOR TOMORROW.
352
00:13:45,306 --> 00:13:46,905
I DON'T ENVY YOU GUYS.
353
00:13:46,973 --> 00:13:48,207
I'VE DONE MY FAIR SHARE
OF HIRING.
354
00:13:48,275 --> 00:13:49,140
IT'S TRICKY.
355
00:13:50,377 --> 00:13:51,577
HEY, MAYBE YOU COULD HELP.
356
00:13:51,612 --> 00:13:53,212
THANKS,
BUT I DON'T WANT TO MOVE BOXES.
357
00:13:53,247 --> 00:13:55,480
NO, MAYBE
YOU COULD HELP HER HIRE SOMEONE.
358
00:13:55,516 --> 00:13:57,916
YOU HAVE
THE EXPERIENCE.
359
00:13:57,984 --> 00:13:59,117
YOU DON'T WANT TO DO IT?
360
00:13:59,152 --> 00:14:00,151
WELL, ACTUALLY,
YOU'D BE DOING ME A FAVOR.
361
00:14:00,187 --> 00:14:01,587
I WANT TO FIND SOMEPLACE
362
00:14:01,622 --> 00:14:03,488
TO DEVELOP THE FILM
FROM THAT CAMERA TOMORROW.
363
00:14:03,524 --> 00:14:06,291
I DON'T USUALLY GET INVOLVED
IN SHOP BUSINESS.
364
00:14:06,327 --> 00:14:07,726
YOU SURE I WOULDN'T BE STEPPING
ON HER TOES?
365
00:14:07,761 --> 00:14:10,395
OH, NO, DANI WOULD LOVE IT
IF YOU HELPED HER,
366
00:14:10,464 --> 00:14:11,930
AND YOU KNOW WHAT TO LOOK FOR
IN A GOOD EMPLOYEE.
367
00:14:11,965 --> 00:14:13,732
YEAH, I GUESS I DO.
368
00:14:13,767 --> 00:14:15,434
AND BESIDES,
DANI HATES TO TELL PEOPLE NO.
369
00:14:15,502 --> 00:14:16,702
SHE'D WANT SOMEONE ELSE
TO DO THAT.
370
00:14:17,771 --> 00:14:18,670
FUN.
371
00:14:31,918 --> 00:14:33,518
THIS THING IS IN GREAT SHAPE.
372
00:14:33,554 --> 00:14:34,319
I HAVE ONE AT HOME MYSELF,
373
00:14:34,355 --> 00:14:36,788
BUT NOT THIS NICE.
374
00:14:36,823 --> 00:14:38,990
WELL, THE OWNER WAS
A REAL CAMERA ENTHUSIAST.
375
00:14:39,025 --> 00:14:39,858
OH, WHAT'S
THE COLLECTOR'S NAME?
376
00:14:39,893 --> 00:14:40,859
I MAY KNOW THEM.
377
00:14:40,927 --> 00:14:41,760
LARRY BRADY.
378
00:14:41,795 --> 00:14:42,761
NEVER MET HIM.
379
00:14:42,796 --> 00:14:44,363
HE DIED RECENTLY.
380
00:14:44,398 --> 00:14:45,697
THAT'S TOO BAD.
381
00:14:45,733 --> 00:14:47,932
I WOULD HAVE LOVED TO TALK
TO HIM ABOUT THIS CAMERA.
382
00:14:47,968 --> 00:14:48,933
IT'S A REAL BEAUTY,
383
00:14:48,969 --> 00:14:51,035
AND YOU SAY
THERE'S FILM IN IT STILL?
384
00:14:51,071 --> 00:14:52,304
RIGHT,
385
00:14:52,339 --> 00:14:53,872
AND THAT'S WHERE YOU
COME IN, HOPEFULLY.
386
00:14:53,907 --> 00:14:56,742
MY FRIEND ACCIDENTALLY
TOOK A PHOTO OF ME,
387
00:14:56,810 --> 00:14:58,009
AND I CAN'T SELL
THE CAMERA
388
00:14:58,078 --> 00:14:59,611
WITH THE PICTURE
OF ME IN IT.
389
00:14:59,647 --> 00:15:00,746
OH, YEAH.
390
00:15:00,781 --> 00:15:01,913
THIS GUY'S TRICKY.
391
00:15:01,982 --> 00:15:02,981
A REAL HAIR TRIGGER.
392
00:15:03,016 --> 00:15:05,049
YEAH,
I FOUND THAT OUT THE HARD WAY.
393
00:15:05,085 --> 00:15:06,785
YEAH, ALL THESE OLD CAMERAS
394
00:15:06,853 --> 00:15:07,653
HAVE SOMETHING UNIQUE
ABOUT THEM.
395
00:15:07,688 --> 00:15:08,720
UNFORTUNATELY,
396
00:15:08,789 --> 00:15:10,289
THEY HAVEN'T MADE
THIS MODEL IN DECADES.
397
00:15:10,324 --> 00:15:11,222
IS IT VALUABLE?
398
00:15:11,258 --> 00:15:12,291
FOR SURE.
399
00:15:12,359 --> 00:15:13,692
WELL, YOU KNOW,
400
00:15:13,727 --> 00:15:14,959
WE'RE SELLING
THE ENTIRE COLLECTION,
401
00:15:14,995 --> 00:15:15,960
IF YOU'RE INTERESTED.
402
00:15:15,996 --> 00:15:17,929
YEAH, NO, DEFINITELY.
403
00:15:17,964 --> 00:15:19,164
OKAY, WELL, AS SOON
AS I HAVE IT INVENTORIED,
404
00:15:19,199 --> 00:15:20,198
I'LL CALL YOU.
405
00:15:20,233 --> 00:15:21,400
AND I'M GOING TO TAKE MY TIME
406
00:15:21,435 --> 00:15:22,701
TO MAKE SURE
YOU GET BEAUTIFUL PHOTOS.
407
00:15:22,736 --> 00:15:24,803
OH, I DON'T THINK
MY PHOTO IS GOING TO BE FRAMED,
408
00:15:24,838 --> 00:15:25,937
SO FEEL FREE TO HURRY.
409
00:15:25,972 --> 00:15:27,138
THEN I'LL CALL YOU
WHEN IT'S READY.
410
00:15:27,174 --> 00:15:28,239
OKAY, THANK YOU, MANNY.
411
00:15:28,275 --> 00:15:29,140
YOU'RE WELCOME.
412
00:15:31,044 --> 00:15:32,577
[PHONE RINGING]
413
00:15:35,882 --> 00:15:37,182
HELLO?
414
00:15:37,217 --> 00:15:39,451
[MAN]: IS THISJENNIFER SHANNON, HANNAH'S MOM?
415
00:15:39,486 --> 00:15:40,852
IT IS.
HOW CAN I HELP YOU?
416
00:15:40,887 --> 00:15:42,187
THIS IS TONY BRADY.
417
00:15:42,222 --> 00:15:43,188
I WENT TO HIGH SCHOOL
WITH YOUR DAUGHTER.
418
00:15:43,223 --> 00:15:44,623
OH, TONY!
419
00:15:44,658 --> 00:15:46,591
THANK YOU SO MUCH
FOR THE RECOMMENDATION.
420
00:15:46,627 --> 00:15:48,193
I WISH IT WERE UNDER
DIFFERENT CIRCUMSTANCES.
421
00:15:51,064 --> 00:15:53,532
CAN I HAVE A FEW MINUTES
OF YOUR TIME TO TALK IN PERSON?
422
00:15:53,567 --> 00:15:54,533
IT WON'T TAKE LONG.
423
00:15:54,568 --> 00:15:56,668
YOU CAN PICK THE PLACE.
424
00:15:56,737 --> 00:15:58,570
I HAVE THE NEXT HOUR FREE.
425
00:15:58,605 --> 00:15:59,671
THERE'S A DINER
426
00:15:59,707 --> 00:16:00,706
RIGHT ACROSS THE STREET
FROM MY SHOP.
427
00:16:00,774 --> 00:16:02,607
OKAY, I'LL MEET YOU THERE.
428
00:16:02,643 --> 00:16:03,709
OKAY, I'LL SEE YOU THEN.
429
00:16:03,744 --> 00:16:04,609
THANK YOU.
430
00:16:13,654 --> 00:16:14,853
TONY?
431
00:16:14,888 --> 00:16:16,355
-HEY.
-HI, I'M JENN.
432
00:16:16,390 --> 00:16:17,389
NICE TO MEET YOU.
433
00:16:17,458 --> 00:16:19,424
NICE TO MEET YOU, TOO.
SIT DOWN.
434
00:16:19,460 --> 00:16:20,559
THANKS FOR TAKING THE TIME
TO TALK WITH ME.
435
00:16:20,594 --> 00:16:21,760
OH, OF COURSE.
436
00:16:21,829 --> 00:16:23,027
ANY FRIEND OF HANNAH'S
IS A FRIEND OF MINE.
437
00:16:23,063 --> 00:16:24,329
HANNAH'S AWESOME.
438
00:16:24,365 --> 00:16:26,732
SHE'S ALWAYS BEEN
REALLY POSITIVE ABOUT MY MUSIC.
439
00:16:26,767 --> 00:16:28,333
WELL, YOU SHOULD
GIVE HER A CALL.
440
00:16:28,369 --> 00:16:29,334
I'M SURE SHE'D LOVE
TO HEAR FROM YOU.
441
00:16:29,370 --> 00:16:30,602
YEAH, I SHOULD CALL HER.
442
00:16:30,637 --> 00:16:31,703
IT'S JUST...
443
00:16:31,739 --> 00:16:33,605
EVERYTHING'S A BIT
OF A MESS RIGHT NOW.
444
00:16:33,674 --> 00:16:35,807
YES, A DEATH IN THE FAMILY
CAN BE VERY STRESSFUL.
445
00:16:37,878 --> 00:16:40,245
UNCLE LARRY AND I
WERE VERY CLOSE.
446
00:16:42,182 --> 00:16:43,147
FOR MOST
OF MY LIFE,
447
00:16:43,216 --> 00:16:44,082
HE WAS BUSY
WITH HIS COMPANY,
448
00:16:44,117 --> 00:16:46,017
BUT THE LAST
FEW YEARS,
449
00:16:46,052 --> 00:16:47,952
WE REALLY GOT A CHANCE
TO KNOW EACH OTHER.
450
00:16:47,988 --> 00:16:51,723
BENEATH THE STRICT
BUSINESSMAN LOOK,
451
00:16:51,792 --> 00:16:52,724
HE WAS AN ARTIST TOO,
LIKE ME.
452
00:16:52,760 --> 00:16:54,493
IT'S A GREAT PHOTO.
453
00:16:54,561 --> 00:16:56,928
HE TOOK THAT
WITH ONE OF HIS CAMERAS.
454
00:16:56,997 --> 00:16:58,963
HE LOVED THAT COLLECTION.
455
00:17:00,434 --> 00:17:01,733
WELL, WE WILL TAKE
VERY GOOD CARE
456
00:17:01,769 --> 00:17:03,134
OF HIS CAMERA COLLECTION.
457
00:17:03,169 --> 00:17:04,503
THAT'S WHY I THOUGHT
OF YOUR SHOP.
458
00:17:04,538 --> 00:17:05,837
THE WAY HANNAH
TALKS ABOUT YOU,
459
00:17:05,906 --> 00:17:07,372
I KNEW THAT YOU'D
FIND OWNERS
460
00:17:07,408 --> 00:17:09,207
THAT APPRECIATE IT
AS MUCH AS HE DID.
461
00:17:09,242 --> 00:17:10,509
THANK YOU.
462
00:17:10,544 --> 00:17:11,877
THAT'S VERY SWEET
OF YOU TO SAY.
463
00:17:11,912 --> 00:17:13,211
IT'S WEIRD TO SEE IT ALL GO.
464
00:17:13,246 --> 00:17:14,145
TO ME,
IT WAS A PART OF HIM.
465
00:17:16,016 --> 00:17:17,749
YOU KNOW, THAT'S MORE COMMON
THAN YOU THINK.
466
00:17:17,785 --> 00:17:19,551
A LOT OF THE ANTIQUES
I BUY AND SELL
467
00:17:19,586 --> 00:17:21,853
HAVE SPECIAL MEANING
TO MY CUSTOMERS,
468
00:17:21,922 --> 00:17:23,054
AND I TRY TO TELL THEM
469
00:17:23,089 --> 00:17:24,523
THAT THEY WILL ALWAYS HAVE
THE MEMORIES,
470
00:17:24,558 --> 00:17:26,190
EVEN THOUGH THE OBJECT
HAS MOVED ON
471
00:17:26,226 --> 00:17:27,992
AND IS MAKING NEW MEMORIES
FOR NEW PEOPLE.
472
00:17:29,630 --> 00:17:31,496
THAT'S A BEAUTIFUL WAY
OF LOOKING AT IT.
473
00:17:33,500 --> 00:17:34,733
YEAH, THANKS
FOR TALKING WITH ME,
474
00:17:34,768 --> 00:17:36,535
AND, UH...
475
00:17:36,570 --> 00:17:38,537
I FEEL A LOT BETTER
ABOUT EVERYTHING NOW.
476
00:17:40,173 --> 00:17:42,173
TONY, IS THERE...
477
00:17:42,208 --> 00:17:43,475
SOMETHING ELSE
YOU WANT TO TALK ABOUT?
478
00:17:45,446 --> 00:17:46,778
NOTHING FOR YOU
TO WORRY ABOUT.
479
00:17:46,814 --> 00:17:48,713
OH, WELL...
480
00:17:48,749 --> 00:17:50,649
I AM A VERY GOOD WORRIER.
481
00:17:50,684 --> 00:17:51,616
YOU JUST ASK HANNAH.
482
00:17:54,354 --> 00:17:55,487
DO YOU EVER GET SOMETHING
483
00:17:55,522 --> 00:17:56,922
BOUNCING AROUND
INSIDE YOUR HEAD,
484
00:17:56,957 --> 00:18:00,391
AND YOU JUST CAN'T LET IT GO
UNTIL YOU SAY IT OUT LOUD?
485
00:18:00,427 --> 00:18:02,160
YOU'VE JUST DESCRIBED
EVERY DAY OF MY LIFE.
486
00:18:03,630 --> 00:18:05,063
IT'S JUST...
487
00:18:05,098 --> 00:18:06,898
THERE HAS BEEN SOMETHING
THAT'S BEEN BOTHERING ME
488
00:18:06,967 --> 00:18:07,699
ABOUT LARRY'S DEATH.
489
00:18:09,069 --> 00:18:10,602
HE WAS AS HEALTHY
AS A HORSE.
490
00:18:10,637 --> 00:18:12,036
HE WOULDN'T DROP DEAD
OUT OF THE BLUE.
491
00:18:13,373 --> 00:18:14,840
SOMETIMES, THESE THINGS
ARE HARD TO PREDICT.
492
00:18:16,109 --> 00:18:18,076
IT'S MORE THAN THAT.
493
00:18:18,144 --> 00:18:20,612
A WEEK BEFORE HE DIED,
LARRY CHANGED,
494
00:18:20,647 --> 00:18:22,113
AND HE WAS PUTTING
ON A GOOD SHOW,
495
00:18:22,182 --> 00:18:23,214
BUT I COULD SEE THROUGH IT.
496
00:18:23,249 --> 00:18:25,316
HE WAS WORRIED...
AND SCARED.
497
00:18:25,352 --> 00:18:26,818
SCARED OF WHAT?
498
00:18:28,856 --> 00:18:30,655
HE CALLED ME ONE NIGHT,
499
00:18:30,691 --> 00:18:33,291
AND HE SAID...
500
00:18:33,360 --> 00:18:35,360
HE SAID THAT SOMEBODY
WAS TRYING TO DESTROY HIM.
501
00:18:36,930 --> 00:18:38,563
TONY, IF YOU HAVE
ANY SUSPICIONS,
502
00:18:38,599 --> 00:18:39,731
YOU SHOULD GO
TO THE POLICE.
503
00:18:39,766 --> 00:18:41,299
I TOLD MY DAD.
504
00:18:41,334 --> 00:18:43,902
I TOLD IAN, LARRY'S LAWYER.
505
00:18:43,937 --> 00:18:46,037
THEY SAID
I WAS IMAGINING THINGS.
506
00:18:52,513 --> 00:18:53,512
YOU THINK I'M CRAZY, TOO.
507
00:18:53,547 --> 00:18:55,413
NO, NO,
I DON'T THINK YOU'RE CRAZY.
508
00:18:55,448 --> 00:18:57,415
BELIEVE ME, I HAVE MY SUSPICIONS
ALL THE TIME.
509
00:18:57,450 --> 00:18:59,918
I JUST WISH
I COULD HELP,
510
00:18:59,953 --> 00:19:00,986
BUT I'M NOT A DETECTIVE.
511
00:19:03,857 --> 00:19:05,957
WELL...
DON'T LET ME KEEP YOU.
512
00:19:05,993 --> 00:19:07,759
THANKS... FOR LISTENING.
513
00:19:07,794 --> 00:19:10,829
FEELS LIKE NO ONE ELSE DOES.
514
00:19:10,864 --> 00:19:12,463
OF COURSE.
515
00:19:22,809 --> 00:19:25,143
MANNY,
YOU WORK FAST.
516
00:19:25,211 --> 00:19:26,444
YEAH, YOU GOT LUCKY.
517
00:19:26,513 --> 00:19:29,147
THE FILM IN THE CAMERA'S
GOT TO BE OVER 50 YEARS OLD,
518
00:19:29,182 --> 00:19:30,815
AND YET SOMEHOW
IT DIDN'T CRUMBLE AWAY,
519
00:19:30,884 --> 00:19:32,383
AND, WELL, I WAS ABLE
TO GET IT DEVELOPED.
520
00:19:32,419 --> 00:19:33,685
OH... WOW.
521
00:19:33,720 --> 00:19:36,254
WELL, I'M NOTHING IF NOT LUCKY.
522
00:19:36,289 --> 00:19:38,322
SO THERE WERE JUST
THREE PHOTOS ON THE ROLL,
523
00:19:38,358 --> 00:19:39,223
AND YOU'RE ONE OF THEM.
524
00:19:40,293 --> 00:19:42,160
OOH.
525
00:19:42,228 --> 00:19:43,294
BLACK AND WHITE, HUH?
526
00:19:43,329 --> 00:19:44,495
PHOTOGRAPHERS LOVE IT.
527
00:19:44,531 --> 00:19:45,664
IT REALLY CAPTURES EMOTION WELL.
528
00:19:45,699 --> 00:19:47,799
WELL, IT DIDN'T CAPTURE
MY GOOD SIDE.
529
00:19:49,202 --> 00:19:50,168
WHAT ARE ON
THE OTHER TWO PICTURES?
530
00:19:50,203 --> 00:19:52,904
THIS IS WHERE
IT GETS INTERESTING.
531
00:19:52,940 --> 00:19:54,138
ONE'S A SHOT OF A WOMAN
HOLDING A CAMERA.
532
00:19:56,176 --> 00:19:57,208
HUH.
533
00:19:57,277 --> 00:19:58,910
THAT LOOKS LIKE IT WAS TAKEN
534
00:19:58,946 --> 00:20:00,445
ON THE DAY
OF LARRY'S BIRTHDAY PARTY.
535
00:20:01,982 --> 00:20:03,481
AND NOW THIS LAST SHOT,
UM...
536
00:20:03,516 --> 00:20:06,284
THIS LAST SHOT'S
A LITTLE... DISTURBING.
537
00:20:06,352 --> 00:20:08,019
JUST WARNING YOU.
538
00:20:08,055 --> 00:20:09,153
OH, DEAR.
539
00:20:09,189 --> 00:20:10,088
HOW DISTURBING?
540
00:20:15,762 --> 00:20:17,729
I THINK THAT'S LARRY BRADY.
541
00:20:17,764 --> 00:20:18,863
THE GUY WHO DIED?
542
00:20:20,634 --> 00:20:22,067
THEY SAID
IT WAS A HEART ATTACK,
543
00:20:22,102 --> 00:20:23,367
BUT THIS LOOKS
LIKE A STRUGGLE.
544
00:20:24,738 --> 00:20:26,037
I'LL TAKE THIS TO THE POLICE.
545
00:20:26,106 --> 00:20:27,005
THEY'LL HANDLE IT.
546
00:20:37,134 --> 00:20:38,067
HEY, DANI.
547
00:20:38,102 --> 00:20:38,968
JASON!
548
00:20:39,036 --> 00:20:40,436
-HI!
-HI.
549
00:20:40,505 --> 00:20:42,137
JENN ASKED ME
TO STOP BY.
550
00:20:42,173 --> 00:20:43,405
YEAH, SHE SAID
551
00:20:43,441 --> 00:20:44,941
YOU WERE GOING TO BE
MY INTERVIEW BUDDY TODAY.
552
00:20:44,976 --> 00:20:46,542
SO YOU'RE OKAY?
553
00:20:46,578 --> 00:20:48,845
I DIDN'T WANT YOU TO FEEL
LIKE I WAS INVADING YOUR TURF.
554
00:20:48,913 --> 00:20:50,312
OH, NO,
THE MORE, THE MERRIER!
555
00:20:50,381 --> 00:20:51,547
I'M GRATEFUL
FOR YOUR EXPERTISE.
556
00:20:51,583 --> 00:20:52,648
OKAY.
557
00:20:52,684 --> 00:20:53,449
WELL, HERE'S MY
INTERVIEW CHECKLIST.
558
00:20:54,519 --> 00:20:55,585
CHECKLIST?
559
00:20:55,620 --> 00:20:56,953
YOU NEVER WANT
TO HIRE THE WRONG PERSON.
560
00:20:57,021 --> 00:20:59,321
I FIND THESE 20 QUESTIONS
ENSURE THAT YOU DON'T.
561
00:20:59,357 --> 00:21:01,223
OF COURSE.
562
00:21:01,258 --> 00:21:02,625
GREAT,
SO WHERE SHOULD WE SET UP?
563
00:21:02,694 --> 00:21:03,493
I THOUGHT WE COULD USE
THIS TABLE.
564
00:21:04,629 --> 00:21:05,795
PERFECT.
YOU RELAX.
565
00:21:05,830 --> 00:21:07,062
OKAY.
566
00:21:18,643 --> 00:21:20,009
DON'T TELL JENN.
567
00:21:21,078 --> 00:21:22,678
OKAY.
568
00:21:25,717 --> 00:21:26,616
HEY, FRANK.
569
00:21:28,319 --> 00:21:29,652
HEY, JENN.
570
00:21:29,687 --> 00:21:30,653
WHAT BRINGS YOU DOWN HERE?
571
00:21:30,722 --> 00:21:32,688
WELL, I HAVE
A QUESTION FOR YOU.
572
00:21:32,724 --> 00:21:33,723
DO I HAVE TO ANSWER?
573
00:21:35,493 --> 00:21:37,560
DO YOU RECOGNIZE
THE NAME LARRY BRADY?
574
00:21:37,595 --> 00:21:38,828
YEAH.
575
00:21:38,863 --> 00:21:40,596
GOT A CALL OUT TO HIS
MANSION THREE DAYS AGO.
576
00:21:40,632 --> 00:21:42,297
AND HE WAS DEAD.
APPEARED TO BE A HEART ATTACK?
577
00:21:43,401 --> 00:21:44,433
WHERE ARE YOU GOING WITH THIS?
578
00:21:44,502 --> 00:21:46,602
I PICKED UP A CAMERA
AT LARRY'S ESTATE.
579
00:21:46,638 --> 00:21:48,638
WE'RE HANDLING THE SALE
OF SOME OF HIS THINGS,
580
00:21:48,706 --> 00:21:50,673
AND WHEN I GOT THE FILM
DEVELOPED,
581
00:21:50,708 --> 00:21:52,474
THIS IS WHAT I FOUND.
582
00:21:55,813 --> 00:21:57,479
WAS THIS PICTURE TAKEN
BY A DOG?
583
00:21:57,515 --> 00:21:59,782
IT'S AN ODD ANGLE,
BUT THAT IS LARRY BRADY,
584
00:21:59,817 --> 00:22:02,518
AND THAT IS SOMEONE ELSE
WITH THEIR HANDS AT HIS NECK.
585
00:22:02,554 --> 00:22:04,319
IF IT WAS
A STRANGULATION,
586
00:22:04,355 --> 00:22:05,922
THERE WOULD HAVE BEEN
RESIDUAL BRUISING,
587
00:22:05,957 --> 00:22:06,923
AND THERE WASN'T ANY.
588
00:22:06,991 --> 00:22:09,425
THE HANDS AREN'T
AROUND HIS NECK.
589
00:22:09,460 --> 00:22:10,626
LET ME SHOW YOU
SOMETHING.
590
00:22:10,662 --> 00:22:11,627
CAN I BORROW THIS?
591
00:22:12,697 --> 00:22:13,563
YEAH.
592
00:22:16,400 --> 00:22:17,533
IF YOU LOOK
RIGHT HERE,
593
00:22:17,569 --> 00:22:19,035
THERE'S A DESIGN
ON THE GLOVE...
594
00:22:22,607 --> 00:22:24,040
AND IF YOU LOOK CLOSELY
OVER HERE...
595
00:22:26,477 --> 00:22:27,610
RIGHT BETWEEN HIS FINGERS...
596
00:22:27,645 --> 00:22:29,946
THERE APPEARS TO BE A SYRINGE.
597
00:22:33,651 --> 00:22:35,184
HUH.
598
00:22:35,219 --> 00:22:37,152
YOU DON'T MISS A THING.
599
00:22:39,023 --> 00:22:41,824
WELL, THERE WAS NO
SYRINGE ON THE SCENE.
600
00:22:41,859 --> 00:22:42,892
I HAD COFFEE
WITH LARRY'S NEPHEW, TONY.
601
00:22:44,495 --> 00:22:46,395
HE SUSPECTS FOUL PLAY
IN LARRY'S DEATH.
602
00:22:46,430 --> 00:22:47,863
AND HE CAME TO YOU?
603
00:22:47,899 --> 00:22:49,331
OH, WELL,
604
00:22:49,366 --> 00:22:51,166
HE'S A FRIEND OF HANNAH'S
FROM SCHOOL,
605
00:22:51,235 --> 00:22:52,935
AND I TOLD HIM
TO COME TO THE POLICE,
606
00:22:53,004 --> 00:22:54,971
AND THEN WHEN I FOUND
THAT PHOTO,
607
00:22:55,006 --> 00:22:56,105
I BROUGHT IT STRAIGHT HERE
TO YOU.
608
00:22:57,475 --> 00:22:58,708
WELL, THIS PHOTO IS DISTURBING,
609
00:22:58,743 --> 00:22:59,976
BUT WE WON'T HAVE
ANY MORE INFORMATION
610
00:23:00,011 --> 00:23:01,443
UNTIL WE HEAR BACK
FROM THE AUTOPSY REPORT.
611
00:23:04,181 --> 00:23:05,414
IS LARRY'S BODY
STILL IN THE MORGUE?
612
00:23:06,784 --> 00:23:07,817
THAT'S A POLICE MATTER.
613
00:23:07,852 --> 00:23:09,585
YEP.
614
00:23:09,621 --> 00:23:10,552
WELL, I'LL LEAVE THAT WITH YOU.
615
00:23:10,588 --> 00:23:11,954
THANKS.
616
00:23:11,990 --> 00:23:13,956
AND, UH, CALL YOU LATER.
617
00:23:13,992 --> 00:23:14,890
I HOPE NOT.
618
00:23:20,865 --> 00:23:22,064
I GRADUATE IN JUNE,
619
00:23:22,100 --> 00:23:23,298
SO I'M LOOKING
TO MAKE A LITTLE MONEY
620
00:23:23,334 --> 00:23:24,934
BEFORE COLLEGE IN THE FALL.
621
00:23:24,969 --> 00:23:27,503
HAVE YOU EVER WORKED
WITH ANTIQUES BEFORE?
622
00:23:27,538 --> 00:23:28,904
I HAD A JOB
WITH A MOVING COMPANY
623
00:23:28,973 --> 00:23:30,305
LAST SUMMER.
624
00:23:30,341 --> 00:23:32,675
SOME OF THOSE BOXES
PROBABLY HAD ANTIQUES IN THEM.
625
00:23:32,710 --> 00:23:33,442
SO WHAT'S YOUR SCHEDULE LIKE
NOW?
626
00:23:33,511 --> 00:23:34,810
PRETTY OPEN.
627
00:23:34,846 --> 00:23:36,612
FOOTBALL AND BASKETBALL
SEASON ARE BOTH OVER,
628
00:23:36,648 --> 00:23:39,248
SO I'M JUST GETTING
READY FOR FINALS.
629
00:23:39,283 --> 00:23:41,216
OKAY, WELL,
630
00:23:41,285 --> 00:23:43,152
I THINK THAT'S
ALL WE NEED.
631
00:23:43,220 --> 00:23:43,919
DO YOU HAVE
ANY QUESTIONS?
632
00:23:46,490 --> 00:23:48,991
WHERE DO YOU GUYS GET
ALL THIS... OLD STUFF?
633
00:23:50,828 --> 00:23:54,496
UM... AUCTIONS
AND GARAGE SALES.
634
00:23:54,565 --> 00:23:56,198
PEOPLE MOSTLY
JUST BRING IT IN.
635
00:23:56,233 --> 00:23:58,233
WEIRD.
636
00:23:58,302 --> 00:23:59,501
LIKE, WHO DETERMINES
WHAT'S AN ANTIQUE
637
00:23:59,570 --> 00:24:02,204
AND WHAT'S JUST JUNK,
YOU KNOW?
638
00:24:02,239 --> 00:24:03,939
WELL, WE DO.
639
00:24:03,975 --> 00:24:05,007
WE'RE ANTIQUE DEALERS.
640
00:24:05,076 --> 00:24:05,975
OH.
641
00:24:06,010 --> 00:24:07,276
THAT MAKES SENSE.
642
00:24:07,344 --> 00:24:09,845
WELL, THANK YOU
FOR YOUR TIME, TRAVIS.
643
00:24:09,881 --> 00:24:12,281
-WE'LL BE IN TOUCH.
-NO, THANK YOU.
644
00:24:16,520 --> 00:24:17,586
HE SEEMS LIKE A GOOD KID.
645
00:24:17,621 --> 00:24:20,022
HE DOESN'T KNOW ANYTHING
ABOUT ANTIQUES.
646
00:24:20,058 --> 00:24:22,424
YOU'RE NOT HIRING SOMEONE
FOR THE FRONT OF THE SHOP.
647
00:24:22,459 --> 00:24:24,359
JUST SOMEONE
TO SORT AND MOVE BOXES.
648
00:24:24,395 --> 00:24:26,095
BUT SHOULDN'T YOU AT LEAST KNOW
SOMETHING
649
00:24:26,164 --> 00:24:27,863
ABOUT WHAT YOU'RE SORTING
AND MOVING?
650
00:24:27,932 --> 00:24:30,265
YOU CAN TEACH PEOPLE
ABOUT ANTIQUES,
651
00:24:30,301 --> 00:24:31,500
BUT YOU CAN'T TEACH THEM
652
00:24:31,535 --> 00:24:32,702
TO MOVE A HEAVY BOX
TO THE TOP SHELF.
653
00:24:33,771 --> 00:24:34,737
HEY, I'M ONLY HERE
654
00:24:34,772 --> 00:24:36,505
TO MAKE A SUGGESTION
OR TWO,
655
00:24:36,540 --> 00:24:38,941
BUT HE DOES
HAVE EXPERIENCE.
656
00:24:38,976 --> 00:24:40,275
HE'S GOT EXCELLENT
REFERENCES.
657
00:24:40,311 --> 00:24:41,276
PLAYED SCHOOL SPORTS,
658
00:24:41,312 --> 00:24:43,679
SO YOU KNOW HE'S
A TEAM PLAYER.
659
00:24:43,715 --> 00:24:46,982
I'M JUST SAYING,
CONSIDER CONSIDERING HIM.
660
00:24:47,051 --> 00:24:49,018
CONSIDER HIM
CONSIDERED.
661
00:24:49,053 --> 00:24:49,952
GOOD.
662
00:24:51,856 --> 00:24:53,288
[DOOR SLAMMING]
663
00:24:53,357 --> 00:24:54,590
HEY!
664
00:24:54,658 --> 00:24:56,525
I READ YOUR PAPER,
THE ONE YOUR TEACHERS LOVED.
665
00:24:56,594 --> 00:24:58,327
YOU DIDN'T HAVE TO DO THAT.
666
00:24:58,395 --> 00:24:59,361
WELL, I DID,
667
00:24:59,396 --> 00:25:00,062
AND I'VE GOT TO SAY,
IT WAS GREAT.
668
00:25:01,632 --> 00:25:02,765
THANKS, HANNAH.
669
00:25:02,800 --> 00:25:03,833
SO WHY WON'T YOU LET
YOUR TEACHER PUBLISH IT?
670
00:25:06,303 --> 00:25:07,402
I'D RATHER NOT TALK ABOUT IT.
671
00:25:07,438 --> 00:25:08,637
REALLY?
YOU DON'T WANT TO TELL ME?
672
00:25:08,672 --> 00:25:10,372
IT'S NO BIG DEAL.
673
00:25:11,709 --> 00:25:14,409
I'VE GOT TO GET
STARTED ON MY HOMEWORK.
674
00:25:21,252 --> 00:25:23,886
YOU'VE DRIED THAT
SAME DISH THREE TIMES.
675
00:25:23,921 --> 00:25:25,487
A LITTLE DISTRACTED?
676
00:25:25,522 --> 00:25:26,922
OH, I KEEP THINKING
677
00:25:26,958 --> 00:25:28,423
ABOUT THAT MAN
THAT OWNED THAT CAMERA.
678
00:25:28,459 --> 00:25:31,293
IT SEEMS LIKE HIS DEATH
MAY BE A MURDER.
679
00:25:31,328 --> 00:25:33,095
JENN, WE'VE TALKED ABOUT THIS.
680
00:25:33,131 --> 00:25:34,063
IF THERE'S A KILLER
ON THE LOOSE,
681
00:25:34,098 --> 00:25:34,897
YOU HAVE TO KEEP YOUR DISTANCE.
682
00:25:34,932 --> 00:25:35,965
OH, I AM.
683
00:25:36,000 --> 00:25:37,266
FRANK IS ALL OVER IT.
684
00:25:37,301 --> 00:25:38,300
IT'S NOT ME.
685
00:25:38,335 --> 00:25:40,236
GOOD.
686
00:25:40,271 --> 00:25:41,871
LEAVE IT TO THE POLICE.
687
00:25:41,906 --> 00:25:43,906
HEY, HOW DID
THE INTERVIEW GO TODAY?
688
00:25:43,941 --> 00:25:45,674
REALLY WELL.
689
00:25:45,709 --> 00:25:47,243
IT WAS THIS HIGH-SCHOOL KID.
690
00:25:47,311 --> 00:25:48,477
HE WAS LOOKING
FOR EXTRA COLLEGE MONEY.
691
00:25:48,512 --> 00:25:49,779
I LIKED HIM A LOT.
692
00:25:49,814 --> 00:25:51,546
WE'VE GOT ANOTHER CANDIDATE
COMING IN TOMORROW,
693
00:25:51,582 --> 00:25:53,115
BUT I'M JUST THERE TO HELP
DANI MAKE A DECISION.
694
00:25:53,151 --> 00:25:55,951
WELL, THANK YOU
FOR YOUR HELP.
695
00:25:55,987 --> 00:25:57,086
YOU'RE WELCOME.
696
00:25:57,121 --> 00:25:58,788
AND THANK YOU
FOR FINISHING THE DISHES!
697
00:26:01,225 --> 00:26:02,291
THERE'S STILL A LOT!
698
00:26:11,803 --> 00:26:13,002
DR. TRAMELL!
699
00:26:13,070 --> 00:26:14,703
OH, JENN,
I'M SO GLAD YOU'RE HERE!
700
00:26:14,738 --> 00:26:16,839
WHAT'S A WORD
THAT RHYMES WITH "CHAMPAGNE"?
701
00:26:16,874 --> 00:26:18,908
UH, "COMPLAIN"?
702
00:26:18,943 --> 00:26:21,710
ARE YOU MAKING
YOUR AUTOPSY REPORTS RHYME NOW?
703
00:26:21,745 --> 00:26:24,113
UH, NO, IT'S FOR
A POETRY CONTEST I'M ENTERING.
704
00:26:24,148 --> 00:26:25,247
POETRY?
705
00:26:25,283 --> 00:26:26,348
WHAT A SURPRISE!
706
00:26:26,383 --> 00:26:28,150
I USUALLY READ THEM
TO "THESE GUYS."
707
00:26:28,186 --> 00:26:29,484
[CHUCKLING]
708
00:26:29,520 --> 00:26:31,253
IS THAT A CARAMEL MACCHIATO?
709
00:26:31,289 --> 00:26:33,088
I KNOW IT'S YOUR FAVORITE.
710
00:26:33,157 --> 00:26:34,489
THEN I'D BETTER
"SAVOR IT."
711
00:26:34,525 --> 00:26:36,591
MM...
712
00:26:36,627 --> 00:26:38,227
I WAS HOPING TO ASK YOU
ABOUT LARRY BRADY.
713
00:26:38,262 --> 00:26:39,862
HOW CAN I HELP, "MILADY"?
714
00:26:39,897 --> 00:26:41,130
[LAUGHING]
715
00:26:41,165 --> 00:26:42,764
SORRY, I CAN'T STOP MYSELF.
716
00:26:42,800 --> 00:26:44,733
WELL, AT LEAST
IT WASN'T A PUN.
717
00:26:44,802 --> 00:26:46,635
NO, NOT AS MUCH "FUN".
718
00:26:47,805 --> 00:26:50,005
SO... LARRY...
719
00:26:50,041 --> 00:26:51,673
PROBABLY DIDN'T DIE
FROM NATURAL CAUSES.
720
00:26:51,709 --> 00:26:53,342
YOU KNOW
I'M NOT SUPPOSED TO SAY.
721
00:26:53,377 --> 00:26:55,377
BUT YOU'RE GOING TO...
"ANYWAY"?
722
00:26:55,412 --> 00:26:58,113
VERY NICE.
723
00:26:58,149 --> 00:26:59,648
WELL, YOU DON'T HAVE
TO TELL ME
724
00:26:59,717 --> 00:27:01,350
ABOUT THE INJECTION MARK.
725
00:27:01,385 --> 00:27:02,985
NEAR HIS NECK.
726
00:27:03,020 --> 00:27:04,419
NOPE, DON'T NEED
TO TELL YOU THAT.
727
00:27:04,455 --> 00:27:05,721
AND YOU DON'T HAVE
TO TELL ME
728
00:27:05,756 --> 00:27:07,356
ABOUT THE TRACE
ELEMENTS OF POISON
729
00:27:07,391 --> 00:27:08,657
YOU FOUND
IN HIS BLOODSTREAM.
730
00:27:08,692 --> 00:27:10,292
IF I TOLD YOU THAT,
I'D BE WRONG.
731
00:27:11,896 --> 00:27:13,495
REALLY?
732
00:27:13,530 --> 00:27:14,529
NO POISON?
733
00:27:14,565 --> 00:27:15,497
NOT POISON EXACTLY.
734
00:27:15,532 --> 00:27:17,066
POTASSIUM CHLORIDE.
735
00:27:17,101 --> 00:27:18,500
POTASSIUM CHLORIDE?
736
00:27:18,535 --> 00:27:20,870
NOTHING INHERENTLY UNUSUAL
ABOUT THE SUBSTANCE ITSELF.
737
00:27:20,938 --> 00:27:23,372
PEOPLE TAKE POTASSIUM CHLORIDE
SUPPLEMENTS ALL THE TIME.
738
00:27:23,407 --> 00:27:24,706
WHAT FOR?
739
00:27:24,742 --> 00:27:26,308
THEY HELP YOU MAINTAIN
THE RIGHT AMOUNT OF POTASSIUM
740
00:27:26,344 --> 00:27:27,409
IN YOUR BLOOD.
741
00:27:27,444 --> 00:27:28,543
KEEPS YOUR KIDNEYS,
HEART, MUSCLES,
742
00:27:28,579 --> 00:27:31,646
BASICALLY EVERYTHING
WORKING RIGHT.
743
00:27:31,682 --> 00:27:34,283
NOW, IF YOU HAVE
A WELL-BALANCED DIET,
744
00:27:34,318 --> 00:27:35,851
DON'T NEED TO WORRY.
745
00:27:35,887 --> 00:27:37,452
IS THAT THE ONLY PLACE
YOU FIND IT, IN SUPPLEMENTS?
746
00:27:37,488 --> 00:27:40,122
NO, POTASSIUM CHLORIDE
HAS A LOT OF USES.
747
00:27:40,157 --> 00:27:41,223
IT FERTILIZES, DE-ICES...
748
00:27:41,259 --> 00:27:44,193
IT CAN EVEN BE
A SALT SUBSTITUTE.
749
00:27:44,262 --> 00:27:45,594
IT'S JUST
THE CONCENTRATED FORMS
750
00:27:45,629 --> 00:27:47,062
THAT YOU HAVE BE CAREFUL WITH.
751
00:27:47,098 --> 00:27:48,463
SO IT CAN BE INJECTED?
752
00:27:48,499 --> 00:27:49,631
THAT'S RIGHT,
SOME STATES USE IT
753
00:27:49,666 --> 00:27:52,034
WHEN ADMINISTERING
LETHAL INJECTIONS.
754
00:27:52,069 --> 00:27:53,168
IT CAN INDUCE A HEART ATTACK.
755
00:27:54,638 --> 00:27:57,706
SO I'M GUESSING LARRY BRADY'S
POTASSIUM CHLORIDE INTAKE
756
00:27:57,741 --> 00:27:59,174
WAS ABOVE SUPPLEMENT LEVEL.
757
00:27:59,210 --> 00:28:00,542
TO GET THOSE LEVELS,
758
00:28:00,611 --> 00:28:02,477
HE WOULD HAVE TO SWALLOW
AN ENTIRE BOTTLE OF SUPPLEMENTS,
759
00:28:02,546 --> 00:28:04,079
MAYBE MORE.
760
00:28:04,115 --> 00:28:05,047
THANK YOU, DR. TRAMELL.
761
00:28:05,082 --> 00:28:06,115
YOU'VE BEEN A BIG HELP.
762
00:28:06,150 --> 00:28:07,482
WAIT. AREN'T YOU
FORGETTING SOMETHING?
763
00:28:07,518 --> 00:28:09,584
DON'T YOU WANT
TO HEAR MY POEM?
764
00:28:09,620 --> 00:28:11,153
NEXT TIME.
I'M LATE.
765
00:28:11,188 --> 00:28:12,521
PERFECT.
IT'S A "DATE".
766
00:28:12,556 --> 00:28:13,522
HA-HAH!
767
00:28:13,590 --> 00:28:15,224
"CAN'T WAIT!"
768
00:28:15,259 --> 00:28:16,158
[CHUCKLING]
769
00:28:22,411 --> 00:28:23,643
I APPRECIATE YOU
TAKING THE TIME TO SEE ME TODAY.
770
00:28:23,678 --> 00:28:24,511
JUST HAVE A FEW QUESTIONS
FOR YOU.
771
00:28:24,579 --> 00:28:25,812
YES, OF COURSE.
772
00:28:25,847 --> 00:28:27,180
ANYTHING I CAN DO TO HELP.
773
00:28:27,216 --> 00:28:28,615
SO YOU WERE THE ONE
774
00:28:28,650 --> 00:28:29,616
WHO DISCOVERED MR. BRADY'S BODY
IN THE STUDY, CORRECT?
775
00:28:29,651 --> 00:28:31,784
YES, WE WERE
GATHERING EVERYONE UP
776
00:28:31,853 --> 00:28:32,919
FOR A BIG GROUP PHOTO,
777
00:28:32,988 --> 00:28:34,787
BUT HE WAS MISSING
HIS BOW TIE,
778
00:28:34,823 --> 00:28:36,589
SO HE WENT BACK
INSIDE TO FIND IT.
779
00:28:36,625 --> 00:28:38,591
AND HOW LONG WOULD YOU SAY
MR. BRADY WAS IN THE HOUSE?
780
00:28:38,660 --> 00:28:41,428
A COUPLE OF MINUTES AT MOST.
781
00:28:41,463 --> 00:28:42,329
PEOPLE WERE
GETTING ANTSY,
782
00:28:42,398 --> 00:28:44,064
SO I WENT INSIDE
LOOKING FOR HIM.
783
00:28:44,099 --> 00:28:45,532
AND DID YOU NOTICE
ANYTHING ELSE IN THE ROOM?
784
00:28:45,567 --> 00:28:47,501
JUST LARRY...
785
00:28:47,569 --> 00:28:50,203
UM...
MR. BRADY ON THE FLOOR.
786
00:28:50,239 --> 00:28:52,672
BUT DID YOU SEE
ANYTHING AROUND HIM,
787
00:28:52,741 --> 00:28:54,041
OR ANYTHING OUT OF PLACE?
788
00:28:54,076 --> 00:28:57,344
THERE WERE SOME THINGS
SCATTERED ON HIS DESK.
789
00:28:57,379 --> 00:29:00,047
HE MIGHT HAVE KNOCKED THEM
AROUND WHEN HE FELL, BUT...
790
00:29:00,082 --> 00:29:02,382
I WASN'T REALLY LOOKING
AT THE ROOM.
791
00:29:02,418 --> 00:29:04,684
I WAS LOOKING AT HIS BODY.
792
00:29:04,753 --> 00:29:06,520
WHAT HAPPENED NEXT?
793
00:29:06,555 --> 00:29:09,156
I SHOUTED FOR SOMEONE
TO CALL AN AMBULANCE,
794
00:29:09,191 --> 00:29:10,823
AND PEOPLE CAME RUNNING IN
FROM OUTSIDE.
795
00:29:10,892 --> 00:29:12,092
DO YOU KNOW WHO SHOWED UP FIRST?
796
00:29:12,127 --> 00:29:13,393
IT'S ALL SUCH A BLUR.
797
00:29:13,429 --> 00:29:14,627
I CAN'T REMEMBER.
798
00:29:14,663 --> 00:29:15,828
DO YOU HAPPEN
TO HAVE ANY COPIES
799
00:29:15,864 --> 00:29:17,697
OF THE PHOTOS
FROM THE PARTY THAT DAY?
800
00:29:17,732 --> 00:29:19,232
I HAVE THEM ALL ON MY COMPUTER,
801
00:29:19,268 --> 00:29:21,134
BUT I, UH,
I MADE SOME PRINTS
802
00:29:21,170 --> 00:29:22,235
IN CASE THE FAMILY
EVER WANTED THEM.
803
00:29:25,340 --> 00:29:26,806
I COULDN'T FIND PARKING
804
00:29:26,841 --> 00:29:28,875
BECAUSE SOMEONE'S
BLOCKING THE DRIVEWAY.
805
00:29:28,910 --> 00:29:29,909
WHO ARE YOU?
806
00:29:29,945 --> 00:29:32,612
THE GUY BLOCKING THE DRIVEWAY.
807
00:29:32,647 --> 00:29:33,846
PETER, THIS IS
DETECTIVE LYNWOOD.
808
00:29:33,882 --> 00:29:34,914
HE'S ASKING QUESTIONS
809
00:29:34,950 --> 00:29:37,217
ABOUT LARRY
BRADY'S DEATH.
810
00:29:37,286 --> 00:29:39,152
IT WAS A HEART ATTACK...
RIGHT?
811
00:29:39,188 --> 00:29:41,621
I'M JUST FOLLOWING UP.
812
00:29:41,656 --> 00:29:42,489
DID YOU KNOW MR. BRADY?
813
00:29:42,524 --> 00:29:43,890
NOT WELL.
814
00:29:43,925 --> 00:29:45,592
HE HIRED BOTH OF US
FOR HIS PARTY.
815
00:29:45,627 --> 00:29:47,394
SANDY TOOK PHOTOS,
I HANDLED CATERING,
816
00:29:47,429 --> 00:29:49,028
BUT I COULDN'T STAY.
817
00:29:49,064 --> 00:29:50,763
I HAD A CORPORATE EVENT
TO OVERSEE ACROSS TOWN.
818
00:29:50,799 --> 00:29:52,132
IS THIS YOUR HUSBAND?
819
00:29:52,201 --> 00:29:53,066
BOYFRIEND.
820
00:29:55,070 --> 00:29:56,736
IS THERE ANYTHING ELSE?
WE'RE LATE FOR AN EVENT.
821
00:29:58,273 --> 00:29:59,473
NO.
822
00:29:59,508 --> 00:30:00,940
THANK YOU.
823
00:30:00,976 --> 00:30:01,808
I'LL LET YOU KNOW
IF I HAVE ANY QUESTIONS.
824
00:30:07,649 --> 00:30:09,782
[JENN]: THANK YOU
FOR MEETING ME, TONY.
825
00:30:09,851 --> 00:30:11,218
[TONY]: OF COURSE.
826
00:30:11,253 --> 00:30:12,552
YOU SAID YOU HAD
NEW INFORMATION
827
00:30:12,621 --> 00:30:13,820
ABOUT MY UNCLE?
828
00:30:13,855 --> 00:30:15,555
I DEVELOPED A PHOTO
FROM YOUR UNCLE'S CAMERA.
829
00:30:17,092 --> 00:30:18,525
THERE MIGHT BE SOMETHING
TO YOUR SUSPICIONS.
830
00:30:20,329 --> 00:30:21,294
CAN I SEE THE PHOTO?
831
00:30:21,363 --> 00:30:23,130
I GAVE IT
TO THE POLICE.
832
00:30:26,901 --> 00:30:28,235
THAT'S AWFUL.
833
00:30:28,270 --> 00:30:29,236
YOU SAID YOU THOUGHT
834
00:30:29,304 --> 00:30:30,036
SOMEONE WAS OUT
TO GET LARRY?
835
00:30:30,105 --> 00:30:31,804
THAT'S WHAT HE SAID,
836
00:30:31,840 --> 00:30:33,406
AND NOW LOOK,
HE'S GONE...
837
00:30:33,442 --> 00:30:35,208
AND BANKRUPT,
APPARENTLY.
838
00:30:35,277 --> 00:30:37,010
DID YOU KNOW
ABOUT HIS FINANCES?
839
00:30:38,413 --> 00:30:40,413
I WAS SHOCKED
WHEN I HEARD.
840
00:30:40,482 --> 00:30:42,349
HE ALWAYS SEEMED
LIKE HE HAD MONEY.
841
00:30:42,417 --> 00:30:44,884
HE WAS ALWAYS
LENDING IT TO PEOPLE.
842
00:30:44,919 --> 00:30:47,120
MAYBE HE WAS JUST TRYING
TO KEEP UP APPEARANCES.
843
00:30:47,156 --> 00:30:48,888
YOU KNOW, IF YOU HAD SAID THAT
TWO WEEKS AGO,
844
00:30:48,923 --> 00:30:50,723
I NEVER WOULD HAVE BELIEVED YOU,
845
00:30:50,759 --> 00:30:53,360
BUT LARRY LOVED
HIS LITTLE SECRETS.
846
00:30:53,428 --> 00:30:55,562
DID LARRY HAVE ANY ENEMIES,
847
00:30:55,597 --> 00:30:57,430
ANYONE YOU CAN THINK OF
THAT WOULD WANT TO HURT HIM?
848
00:30:59,734 --> 00:31:00,800
HE HAD THE ONE MAJOR ENEMY.
849
00:31:00,835 --> 00:31:01,801
HE DID?
850
00:31:01,870 --> 00:31:03,303
I SHOULDN'T SAY THIS,
851
00:31:03,338 --> 00:31:04,971
BUT HE'S BEEN ACTING SO STRANGE.
852
00:31:05,006 --> 00:31:06,173
WHO?
853
00:31:06,241 --> 00:31:08,275
IT'S MY DAD.
854
00:31:10,979 --> 00:31:13,380
YOU DON'T THINK YOUR FATHER
WOULD KILL HIS OWN BROTHER,
855
00:31:13,415 --> 00:31:14,314
DO YOU?
856
00:31:14,349 --> 00:31:15,882
NO.
857
00:31:15,950 --> 00:31:17,817
MAYBE? I DON'T KNOW.
858
00:31:17,886 --> 00:31:19,352
IT'S CRAZY TO CONSIDER.
859
00:31:19,388 --> 00:31:21,721
WELL, DID SOMETHING HAPPEN
THAT WOULD MAKE YOU THINK THIS?
860
00:31:21,790 --> 00:31:24,424
MY DAD HAS ALWAYS
RESENTED UNCLE LARRY.
861
00:31:24,459 --> 00:31:25,525
HE WAS THE ONE
WITH THE COMPANY,
862
00:31:25,561 --> 00:31:26,660
THE BIG HOUSE.
863
00:31:26,695 --> 00:31:28,961
MY DAD WAS NEVER GOOD
AT BUSINESS.
864
00:31:28,997 --> 00:31:31,531
STILL, THAT'S NOT ENOUGH
TO SUSPECT HIM OF MURDER.
865
00:31:31,567 --> 00:31:34,100
BUT I THINK
THAT HE ALSO STOLE FROM LARRY.
866
00:31:34,135 --> 00:31:36,936
IT WOULD BE
FOR AN INVESTMENT
867
00:31:37,005 --> 00:31:38,371
OR A COMPANY
THAT HE WANTED TO START,
868
00:31:38,407 --> 00:31:40,507
AND I THINK MY DAD WOULD JUST
KEEP MOST OF THE MONEY,
869
00:31:40,576 --> 00:31:41,741
AND LARRY,
HE'D FALL FOR IT EVERY TIME.
870
00:31:44,179 --> 00:31:45,778
I THINK
HE FELT SORRY FOR MY DAD.
871
00:31:45,814 --> 00:31:47,714
HAVE YOU EVER HEARD YOUR DAD
THREATEN LARRY?
872
00:31:49,084 --> 00:31:51,984
NOT EXACTLY...
873
00:31:52,020 --> 00:31:54,421
BUT A COUPLE YEARS AGO,
874
00:31:54,489 --> 00:31:55,422
LARRY CUT HIM OFF.
875
00:31:55,457 --> 00:31:57,123
NO MORE MONEY.
876
00:31:57,158 --> 00:32:00,260
MY DAD,
HE STOPPED TALKING TO HIM.
877
00:32:00,329 --> 00:32:02,329
HE SAID
HE'D GET IT ALL EVENTUALLY...
878
00:32:02,364 --> 00:32:03,230
WHEN LARRY WAS DEAD.
879
00:32:07,502 --> 00:32:09,669
YOU HAVE A LOVELY SHOP.
880
00:32:09,738 --> 00:32:11,771
I'VE SEEN QUITE A FEW
IN MY TIME,
881
00:32:11,840 --> 00:32:13,139
AND YOU CAN REALLY TELL
882
00:32:13,174 --> 00:32:15,342
WHEN A SHOP IS RUN
BY PEOPLE WHO CARE
883
00:32:15,410 --> 00:32:17,410
ABOUT THE ITEMS
THEY SELL.
884
00:32:17,446 --> 00:32:18,511
WELL...
885
00:32:18,547 --> 00:32:20,347
WHEN DID YOU GET
INTO ANTIQUES?
886
00:32:20,415 --> 00:32:22,048
WHEN I WAS A CHILD...
887
00:32:22,083 --> 00:32:23,717
BUT THEY WEREN'T "ANTIQUES".
888
00:32:23,752 --> 00:32:27,053
THEY WERE JUST ITEMS
IN MY HOUSE.
889
00:32:27,088 --> 00:32:29,088
I HAD A SMALL SHOP FOR YEARS,
890
00:32:29,157 --> 00:32:31,658
FIXING AND RESTORING OLD ITEMS.
891
00:32:31,693 --> 00:32:33,393
FURNITURE,
MOSTLY,
892
00:32:33,428 --> 00:32:35,061
BUT I'D LOVE IT
893
00:32:35,096 --> 00:32:38,465
WHEN SOMEONE BROUGHT IN
AN OLD MUSIC BOX,
894
00:32:38,500 --> 00:32:40,166
OR A CUCKOO CLOCK.
895
00:32:42,036 --> 00:32:43,670
I COULD SPEND ALL DAY
FIDDLING WITH THEM.
896
00:32:43,739 --> 00:32:46,239
THE WAY THEY WORK...
897
00:32:46,275 --> 00:32:47,307
IT'S LIKE MAGIC.
898
00:32:48,677 --> 00:32:50,243
OKAY.
899
00:32:54,683 --> 00:32:56,616
WE HAVE THIS CUCKOO CLOCK
900
00:32:56,652 --> 00:32:59,886
THAT HASN'T WORKED
SINCE WE BROUGHT IT IN.
901
00:33:01,590 --> 00:33:02,422
CAREFUL.
902
00:33:04,159 --> 00:33:09,562
THIS LITTLE DARLING
IS FINICKY AS ALL GET OUT.
903
00:33:09,598 --> 00:33:10,797
MAY I?
904
00:33:10,832 --> 00:33:11,798
SURE.
905
00:33:11,833 --> 00:33:13,700
THE SECRET IS,
906
00:33:13,735 --> 00:33:16,235
YOU'VE GOT TO KNOW
EXACTLY WHERE TO TINKER.
907
00:33:16,305 --> 00:33:19,406
YOU TOUCH
THE WRONG GEAR,
908
00:33:19,441 --> 00:33:21,574
AND YOU'LL BE FIDDLING
FOR HOURS.
909
00:33:24,680 --> 00:33:26,346
A CLOCK JUST LIKE THIS ONE
910
00:33:26,381 --> 00:33:29,148
HUNG IN
MY DOWNSTAIRS HALLWAY,
911
00:33:29,184 --> 00:33:31,785
AND I COULDN'T WAIT
912
00:33:31,853 --> 00:33:33,553
FOR THAT LITTLE BIRD
913
00:33:33,622 --> 00:33:35,922
TO POKE HIS HEAD OUT
914
00:33:35,957 --> 00:33:38,891
ON... THE...
915
00:33:38,927 --> 00:33:40,493
HOUR.
[CUCKOO SINGING]
916
00:33:40,529 --> 00:33:41,461
OH!
917
00:33:41,496 --> 00:33:42,429
THERE HE IS!
918
00:33:44,733 --> 00:33:45,732
OH!
919
00:33:45,801 --> 00:33:47,300
I'VE GOT IT, YEAH.
920
00:33:47,336 --> 00:33:48,802
YEAH.
921
00:33:48,870 --> 00:33:51,404
WELL, UM...
THANK YOU, KENNETH.
922
00:33:51,440 --> 00:33:53,239
WE'LL BE IN TOUCH.
923
00:34:00,315 --> 00:34:02,716
I LIKE HIM.
924
00:34:02,784 --> 00:34:04,484
HE TOOK MY PEN.
925
00:34:36,852 --> 00:34:39,151
[KNOCKING]
926
00:34:39,187 --> 00:34:40,152
OH!
927
00:34:40,221 --> 00:34:42,655
MRS. SHANNON.
928
00:34:42,691 --> 00:34:44,891
I DIDN'T KNOW
YOU WERE COMING BY TODAY.
929
00:34:44,926 --> 00:34:45,958
WELL, I WAS
IN THE NEIGHBORHOOD,
930
00:34:45,994 --> 00:34:47,059
AND I THOUGHT I'D STOP BY
931
00:34:47,095 --> 00:34:47,861
AND MAKE SURE
I DIDN'T MISS ANYTHING.
932
00:34:47,896 --> 00:34:49,195
AH, WELL,
933
00:34:49,230 --> 00:34:50,764
I'VE GOT THE APPRAISERS HERE
ALL DAY
934
00:34:50,799 --> 00:34:52,999
GOING OVER THE HOUSE
FROM TOP TO BOTTOM.
935
00:34:53,034 --> 00:34:54,166
I'M SURE THEY'LL LET ME KNOW
936
00:34:54,202 --> 00:34:56,002
IF THEY COME ACROSS
A STRAY CAMERA.
937
00:34:56,037 --> 00:34:57,404
[LAUGHING]
938
00:34:57,439 --> 00:34:58,605
YOU KNOW,
939
00:34:58,673 --> 00:35:00,807
I NEVER DID GET TO ASK YOU
ABOUT YOUR CLIENT.
940
00:35:00,842 --> 00:35:03,242
WOULD HE LIKE TO CONSULT
ON HOW THE ITEMS ARE SOLD?
941
00:35:03,278 --> 00:35:05,211
SCOTT? NO, NO.
942
00:35:05,246 --> 00:35:08,180
HE'S NOT REALLY INTO ANTIQUES
THE WAY LARRY WAS.
943
00:35:08,249 --> 00:35:10,917
NO, I'M SURE HE JUST WANTS
A FAIR AND QUICK SALE.
944
00:35:18,126 --> 00:35:19,325
LARRY CERTAINLY WAS
945
00:35:19,360 --> 00:35:21,027
A DISTINGUISHED-LOOKING
GENTLEMAN, WASN'T HE?
946
00:35:21,062 --> 00:35:22,829
YES, HE WAS.
947
00:35:22,864 --> 00:35:23,696
THAT'S LARRY
WITH HIS OLD BUSINESS PARTNER,
948
00:35:23,732 --> 00:35:24,664
WALTER...
949
00:35:24,699 --> 00:35:26,232
IN HAPPIER TIMES.
950
00:35:26,267 --> 00:35:27,600
OH, RIGHT.
951
00:35:27,669 --> 00:35:30,202
I RECOGNIZE HIM
FROM THE OTHER DAY.
952
00:35:30,271 --> 00:35:31,103
HE SEEMED QUITE UPSET.
953
00:35:31,139 --> 00:35:32,539
MM.
954
00:35:32,574 --> 00:35:33,673
THEY HAD QUITE A FALLING OUT
955
00:35:33,708 --> 00:35:35,274
WHEN LARRY SOLD
THEIR INVESTMENT COMPANY.
956
00:35:35,310 --> 00:35:36,609
LARRY GOT
ENOUGH MONEY
957
00:35:36,645 --> 00:35:38,545
TO DO NOTHING
FOR THE REST OF HIS LIFE,
958
00:35:38,580 --> 00:35:41,280
AND WALTER GOT...
A LOT LESS.
959
00:35:41,316 --> 00:35:42,882
THEY RECENTLY
RECONCILED
960
00:35:42,918 --> 00:35:44,050
TO INVEST IN
A NEW VENTURE...
961
00:35:44,085 --> 00:35:46,285
THAT IS,
UNTIL THE MONEY RAN OUT...
962
00:35:46,321 --> 00:35:48,655
BUT LET'S NOT
LET THAT STOP YOU
963
00:35:48,723 --> 00:35:49,489
FROM GETTING
THOSE CAMERAS SOLD,
964
00:35:49,524 --> 00:35:51,390
HMM?
965
00:35:51,426 --> 00:35:52,459
OH, UM,
966
00:35:52,494 --> 00:35:54,093
SPEAKING
OF CAMERAS,
967
00:35:54,128 --> 00:35:56,028
I HAD THAT FILM THAT
WAS IN THAT CAMERA
968
00:35:56,064 --> 00:35:56,930
DEVELOPED
THE OTHER DAY.
969
00:35:56,998 --> 00:35:58,364
IN A LAB IN TOWN,
970
00:35:58,399 --> 00:36:00,099
AND THE TECHNICIAN SAID
HE MIGHT BE INTERESTED
971
00:36:00,134 --> 00:36:01,033
IN PURCHASING
LARRY'S COLLECTION.
972
00:36:01,069 --> 00:36:03,536
OH, WELL,
THAT'S SOME GOOD NEWS.
973
00:36:03,572 --> 00:36:04,804
DO YOU BY ANY CHANCE KNOW
974
00:36:04,840 --> 00:36:06,172
WHERE LARRY GOT HIS FILM
DEVELOPED?
975
00:36:06,240 --> 00:36:07,841
IT COULD BE
ANOTHER POTENTIAL BUYER.
976
00:36:07,876 --> 00:36:09,241
MM, THAT'S SMART THINKING,
977
00:36:09,310 --> 00:36:11,010
BUT I REALLY CAN'T REMEMBER
978
00:36:11,079 --> 00:36:12,579
HIM MENTIONING
ANYTHING LIKE THAT.
979
00:36:12,614 --> 00:36:14,681
YOU KNOW,
I'LL CHECK HIS FILES.
980
00:36:14,716 --> 00:36:17,083
DON'T WANT TO LEAVE
ANY STONE UNTURNED.
981
00:36:17,118 --> 00:36:18,250
YOU KNOW,
982
00:36:18,286 --> 00:36:19,652
TONY HAS DEFINITELY MADE
HIS SHARE OF MISTAKES
983
00:36:19,688 --> 00:36:20,954
IN THE PAST,
984
00:36:20,989 --> 00:36:23,322
BUT HE'S MADE A GOOD CHOICE
WHEN HE RECOMMENDED YOU.
985
00:36:23,391 --> 00:36:24,390
WHAT DO YOU MEAN,
986
00:36:24,425 --> 00:36:27,460
TONY HAS MADE HIS
SHARE OF MISTAKES?
987
00:36:27,496 --> 00:36:28,561
I'M SORRY.
988
00:36:28,597 --> 00:36:30,096
THAT WAS
INAPPROPRIATE OF ME.
989
00:36:30,131 --> 00:36:31,698
TONY, HE'S...
HE'S A GREAT KID,
990
00:36:31,733 --> 00:36:33,967
BUT HE LIKES TO DAYDREAM
ABOUT BEING A MUSICIAN
991
00:36:34,002 --> 00:36:35,635
WHEN HE SHOULD BE
FIGURING OUT HIS BASIC NEEDS,
992
00:36:35,704 --> 00:36:37,904
HIS FOOD,
HIS SHELTER.
993
00:36:37,973 --> 00:36:40,907
YOU KNOW, HE'S BEEN EVICTED
FROM SEVERAL APARTMENTS.
994
00:36:40,942 --> 00:36:42,341
LARRY TRIED TO HELP HIM OUT
ON OCCASION,
995
00:36:42,377 --> 00:36:45,411
BUT THERE'S ONLY
SO MUCH YOU CAN DO.
996
00:36:45,446 --> 00:36:49,716
YOU KNOW, I HAD COFFEE
WITH TONY EARLIER TODAY.
997
00:36:49,751 --> 00:36:52,284
HE HAS A LOT OF SUSPICIONS
AROUND LARRY'S DEATH.
998
00:36:52,320 --> 00:36:54,487
LET ME GUESS.
999
00:36:54,523 --> 00:36:56,455
THOSE SUSPICIONS POINT
TO HIS FATHER?
1000
00:36:56,491 --> 00:36:57,924
YES.
1001
00:36:59,594 --> 00:37:01,027
YEAH, NO, IT'S TRUE
1002
00:37:01,062 --> 00:37:03,095
LARRY AND SCOTT DIDN'T HAVE
THE GREATEST RELATIONSHIP,
1003
00:37:03,131 --> 00:37:05,431
BUT WHAT KIND OF MAN
WOULD KILL HIS OWN BROTHER?
1004
00:37:22,966 --> 00:37:24,132
HEY!
1005
00:37:25,568 --> 00:37:27,736
WHAT'S GOING ON?
1006
00:37:30,473 --> 00:37:32,907
HOW DO YOU DO WHAT YOU DO?
1007
00:37:34,277 --> 00:37:35,176
WHAT DO YOU MEAN,
SELL ANTIQUES?
1008
00:37:35,245 --> 00:37:36,611
NO.
1009
00:37:36,647 --> 00:37:38,513
GET PEOPLE
TO OPEN UP TO YOU.
1010
00:37:38,548 --> 00:37:39,347
YOU'RE LIKE
EVERYONE'S FRIEND.
1011
00:37:40,617 --> 00:37:41,716
OH, GOSH, I DON'T KNOW.
1012
00:37:41,752 --> 00:37:43,384
IT KIND OF COMES NATURALLY,
1013
00:37:43,419 --> 00:37:44,719
BUT I THINK
1014
00:37:44,788 --> 00:37:47,388
PEOPLE WANT
TO TALK ABOUT THEMSELVES,
1015
00:37:47,423 --> 00:37:48,790
SO IT'S GIVING THEM
THE OPPORTUNITY,
1016
00:37:48,859 --> 00:37:50,491
OPENING THE DOOR.
1017
00:37:50,527 --> 00:37:52,260
RIGHT, BUT HOW DO YOU KNOW
HOW TO DO THAT?
1018
00:37:54,297 --> 00:37:55,864
BELIEVE IT OR NOT,
1019
00:37:55,899 --> 00:37:57,699
I'VE LEARNED A LOT
FROM READING MYSTERIES.
1020
00:37:57,768 --> 00:37:59,734
FROM EDGAR ALLAN POE
1021
00:37:59,770 --> 00:38:01,703
TO AGATHA CHRISTIE,
1022
00:38:01,738 --> 00:38:04,505
ALL THOSE STORIES ARE ABOUT
GETTING PEOPLE TO OPEN UP,
1023
00:38:04,541 --> 00:38:05,907
FINDING OUT
WHAT THEY'RE ALL ABOUT.
1024
00:38:05,942 --> 00:38:07,542
HMM...
1025
00:38:07,577 --> 00:38:08,609
I'LL GIVE IT A TRY.
1026
00:38:08,645 --> 00:38:10,712
O...
1027
00:38:10,747 --> 00:38:12,047
OKAY.
1028
00:38:18,521 --> 00:38:19,487
DON'T LET ME INTERRUPT
YOUR BREAKFAST.
1029
00:38:20,924 --> 00:38:22,623
SPILL IT.
1030
00:38:22,693 --> 00:38:23,558
WHAT HAVE YOU GOT?
1031
00:38:23,593 --> 00:38:24,693
SCOTT BRADY.
1032
00:38:24,728 --> 00:38:26,294
THE VICTIM'S BROTHER?
1033
00:38:26,329 --> 00:38:27,628
YES, I THINK
YOU SHOULD TALK TO HIM.
1034
00:38:27,664 --> 00:38:28,863
WELL, I JUST SPENT
ALL DAY YESTERDAY
1035
00:38:28,899 --> 00:38:30,732
GOING OVER THE GUEST LIST
OF LARRY'S PARTY.
1036
00:38:30,801 --> 00:38:31,800
HE WASN'T ON IT.
1037
00:38:31,835 --> 00:38:33,634
WELL, I TALKED
TO TONY BRADY AGAIN,
1038
00:38:33,704 --> 00:38:35,336
AND HE THINKS HIS FATHER
MIGHT HAVE HAD SOMETHING TO DO
1039
00:38:35,371 --> 00:38:36,171
WITH LARRY'S DEATH.
1040
00:38:36,206 --> 00:38:37,638
MOTIVE?
1041
00:38:37,674 --> 00:38:38,973
WELL, APPARENTLY,
1042
00:38:39,009 --> 00:38:40,274
THERE WAS A LOT OF BAD BLOOD
BETWEEN THE TWO OF THEM,
1043
00:38:40,343 --> 00:38:41,642
AND THEY HAVEN'T TALKED
1044
00:38:41,678 --> 00:38:43,044
SINCE LARRY CUT SCOTT OFF
FINANCIALLY.
1045
00:38:44,581 --> 00:38:45,446
AND YOU SPOKE WITH HIM?
1046
00:38:45,481 --> 00:38:47,015
WHO, SCOTT?
1047
00:38:47,050 --> 00:38:48,449
-YEAH.
-NO.
1048
00:38:49,786 --> 00:38:52,053
SO THIS IS ALL SECOND-HAND
OR CIRCUMSTANTIAL AT BEST.
1049
00:38:52,089 --> 00:38:53,421
AND I THOUGHT
I'D TELL YOU FIRST.
1050
00:38:56,259 --> 00:38:57,592
ALL RIGHT, I'LL PUT
HIM ON THE LIST,
1051
00:38:57,627 --> 00:38:58,659
BUT YOU, YOU...
1052
00:38:58,695 --> 00:38:59,961
I'M GOING TO GO
BACK TO MY ANTIQUE STORE
1053
00:38:59,996 --> 00:39:00,829
AND LET YOU
HANDLE THE CASE.
1054
00:39:00,864 --> 00:39:01,763
YOU PROMISE?
1055
00:39:02,799 --> 00:39:03,765
YOU BETTER DIG IN.
1056
00:39:03,834 --> 00:39:04,665
YOUR EGGS ARE GETTING COLD.
1057
00:39:08,772 --> 00:39:09,570
HEY!
1058
00:39:09,606 --> 00:39:11,172
HI!
1059
00:39:11,208 --> 00:39:12,573
PRODUCTIVE DAY?
1060
00:39:12,609 --> 00:39:14,709
YEAH, WE HAD A COUPLE
OF GOOD CANDIDATES.
1061
00:39:14,745 --> 00:39:16,410
ONE SEEMED LIKE
HE MIGHT BE A LITTLE...
1062
00:39:16,479 --> 00:39:18,346
BUT NO,
HE'S GOT SOME GOOD QUALITIES.
1063
00:39:18,414 --> 00:39:20,115
HMM...
HOW'S THE ARM?
1064
00:39:20,150 --> 00:39:21,082
BETTER AND BETTER.
1065
00:39:21,118 --> 00:39:22,483
HERE, ALLOW ME.
1066
00:39:22,518 --> 00:39:23,451
OH.
1067
00:39:23,486 --> 00:39:24,786
WELL, LOOK AT YOU GO.
1068
00:39:30,627 --> 00:39:31,793
AH, CAN I HELP YOU?
1069
00:39:31,862 --> 00:39:33,027
ARE YOU
JENNIFER SHANNON?
1070
00:39:33,063 --> 00:39:33,995
I AM.
1071
00:39:34,030 --> 00:39:35,830
I'M SCOTT BRADY.
1072
00:39:35,866 --> 00:39:36,731
I WANT TO KNOW
WHY YOU'RE TELLING PEOPLE
1073
00:39:36,767 --> 00:39:37,598
I KILLED MY BROTHER.
1074
00:39:41,805 --> 00:39:44,172
MAYBE WE SHOULD SIT DOWN
AND DISCUSS THIS CALMLY.
1075
00:39:44,207 --> 00:39:46,207
I KNEW SOMETHING WAS UP
1076
00:39:46,276 --> 00:39:47,942
WHEN TONY STARTED
AVOIDING ME.
1077
00:39:47,978 --> 00:39:49,110
IAN MENTIONED
1078
00:39:49,146 --> 00:39:51,179
THAT HE HAD CONTACTED
A LOCAL ANTIQUE SHOP
1079
00:39:51,214 --> 00:39:53,614
TO SELL
LARRY'S CAMERA COLLECTION.
1080
00:39:53,650 --> 00:39:55,049
DIDN'T TAKE MUCH
TO PUT EVERYTHING TOGETHER.
1081
00:39:55,085 --> 00:39:57,385
OKAY, TONY CAME TO ME,
1082
00:39:57,453 --> 00:39:58,319
AND HE SAID
THAT HE HAD SOME CONCERNS.
1083
00:39:58,354 --> 00:39:59,320
CONCERNS?
1084
00:40:01,191 --> 00:40:02,257
I DIDN'T KILL MY BROTHER!
1085
00:40:02,325 --> 00:40:04,625
IS EVERYTHING OKAY OUT HERE?
1086
00:40:04,661 --> 00:40:06,127
YES, EVERYTHING IS FINE.
1087
00:40:06,196 --> 00:40:07,162
RIGHT, SCOTT?
1088
00:40:07,197 --> 00:40:08,229
I WANT TO SEE THIS PHOTO.
1089
00:40:08,265 --> 00:40:09,063
[DOOR OPENING]
1090
00:40:10,133 --> 00:40:11,232
SCOTT!
1091
00:40:11,268 --> 00:40:12,300
I WARNED YOU
NOT TO COME HERE.
1092
00:40:12,368 --> 00:40:13,168
I'M VERY SORRY
ABOUT THIS.
1093
00:40:13,203 --> 00:40:14,535
SHE WON'T SHOW ME THE PHOTO.
1094
00:40:14,570 --> 00:40:16,137
I DON'T HAVE THE PHOTO.
1095
00:40:16,173 --> 00:40:17,205
IT'S WITH THE POLICE.
1096
00:40:17,240 --> 00:40:18,840
OKAY, COME ON,
LET'S LEAVE.
1097
00:40:18,875 --> 00:40:19,908
YOU TELL THE POLICE
1098
00:40:19,976 --> 00:40:20,875
THERE ARE
PLENTY OF PEOPLE
1099
00:40:20,944 --> 00:40:21,776
WHO WANT TO SEE
LARRY DEAD.
1100
00:40:21,812 --> 00:40:22,977
[IAN]:
ALL RIGHT, OKAY, OKAY.
1101
00:40:23,046 --> 00:40:24,745
AS THE ATTORNEY,
I HAVE TO STOP THIS RIGHT NOW.
1102
00:40:24,781 --> 00:40:25,680
GOOD DAY.
1103
00:40:34,157 --> 00:40:35,890
[VIDEO GAME NOISES]
1104
00:40:35,926 --> 00:40:37,525
WHATCHA PLAYING?
1105
00:40:37,560 --> 00:40:38,526
JUST A FLIGHT SIM.
1106
00:40:38,594 --> 00:40:40,295
HMM.
1107
00:40:40,330 --> 00:40:42,030
YOU KNOW, AFTER READING
YOUR SCHOOL PAPER,
1108
00:40:42,065 --> 00:40:43,664
I'VE SUDDENLY GONE
ON THIS OLD LITERATURE KICK.
1109
00:40:45,501 --> 00:40:47,768
HAVE YOU EVER READ
"THE TELL-TALE HEART"
1110
00:40:47,838 --> 00:40:48,536
BY EDGAR ALLAN POE?
1111
00:40:49,639 --> 00:40:51,172
NO, I DON'T THINK SO.
1112
00:40:51,241 --> 00:40:52,606
IT'S REALLY CREEPY.
1113
00:40:52,642 --> 00:40:53,774
I THINK YOU'D LIKE IT.
1114
00:40:53,844 --> 00:40:56,277
IT'S ABOUT THIS GUY
WHO KILLS HIS ROOMMATE
1115
00:40:56,313 --> 00:40:58,112
AND CHOPS HIM UP.
1116
00:40:58,148 --> 00:40:59,347
HE BURIES THE PARTS
1117
00:40:59,382 --> 00:41:00,381
UNDER THE FLOORBOARDS
OF THEIR HOUSE.
1118
00:41:00,416 --> 00:41:03,151
THAT SOUNDS PRETTY INTENSE.
1119
00:41:03,220 --> 00:41:04,853
THE POLICE SHOW UP
TO INVESTIGATE,
1120
00:41:04,888 --> 00:41:06,054
AND THEY END UP
SITTING IN CHAIRS
1121
00:41:06,089 --> 00:41:08,089
RIGHT OVER THE SPOT
WHERE THE BODY IS HIDDEN.
1122
00:41:08,124 --> 00:41:09,757
THEY'RE TALKING
TO THE MURDERER,
1123
00:41:09,792 --> 00:41:11,025
AND HE BECOMES CONVINCED
1124
00:41:11,061 --> 00:41:13,261
HE CAN HEAR THE HEARTBEAT
OF THE DEAD GUY,
1125
00:41:13,296 --> 00:41:14,595
BEATING AND BEATING...
1126
00:41:14,630 --> 00:41:16,530
UNTIL FINALLY,
1127
00:41:16,566 --> 00:41:19,334
HIS GUILT CAUSES HIM
TO CONFESS HIS CRIME.
1128
00:41:19,369 --> 00:41:20,501
OKAY, WELL, UH...
1129
00:41:20,570 --> 00:41:21,903
I GUESS I DON'T HAVE
TO READ THAT ONE NOW.
1130
00:41:21,938 --> 00:41:23,504
WELL, IT'S MORE ABOUT
THE POINT THAT POE IS MAKING,
1131
00:41:23,539 --> 00:41:25,039
ABOUT SECRETS
1132
00:41:25,108 --> 00:41:26,274
AND NOT BEING ABLE TO REST
1133
00:41:26,309 --> 00:41:28,409
WHILE HOLDING
ONTO THOSE SECRETS.
1134
00:41:28,444 --> 00:41:30,678
A LOT OF PEOPLE
CAN RELATE TO THAT.
1135
00:41:30,713 --> 00:41:31,679
THEY DO?
1136
00:41:31,748 --> 00:41:33,014
OH, YEAH.
1137
00:41:33,049 --> 00:41:35,816
REMEMBER LAST WEEK,
WHEN MOM BAKED THOSE COOKIES?
1138
00:41:35,852 --> 00:41:37,118
WELL, I ENDED UP
EATING THE LAST ONE,
1139
00:41:37,153 --> 00:41:38,953
AND THEN I FOUND OUT
1140
00:41:39,022 --> 00:41:40,088
THAT DAD
DIDN'T GET ANY,
1141
00:41:40,156 --> 00:41:42,590
AND I FELT SO BAD
THAT I HAD TO TELL HIM.
1142
00:41:42,625 --> 00:41:44,092
YOU KNOW,
1143
00:41:44,127 --> 00:41:46,961
"TELL-TALE COOKIE" DOESN'T HAVE
QUITE THE SAME RING TO IT.
1144
00:41:46,997 --> 00:41:49,297
IT'S DIFFERENT FOR EVERYONE.
1145
00:41:49,332 --> 00:41:50,865
IF YOU HAVE ANY SECRETS
1146
00:41:50,901 --> 00:41:52,033
YOU NEED TO GET OFF
YOUR CHEST...
1147
00:41:53,836 --> 00:41:54,769
NOPE.
1148
00:41:54,804 --> 00:41:56,670
I'M FINE.
1149
00:42:00,310 --> 00:42:02,377
I'LL LET YOU GET BACK
TO YOUR GAME, THEN.
1150
00:42:10,553 --> 00:42:12,253
I'M TOTALLY FINE.
1151
00:42:12,289 --> 00:42:13,922
DID HE THREATEN YOU?
1152
00:42:13,957 --> 00:42:15,856
NO, ALL HE DID
WAS RAISE HIS VOICE A LITTLE.
1153
00:42:15,892 --> 00:42:17,792
WELL, IF HE COMES IN AGAIN,
YOU CALL ME.
1154
00:42:17,827 --> 00:42:20,428
WELL, IF HE SHOWS UP AGAIN,
I'M GOING TO CALL THE POLICE.
1155
00:42:20,496 --> 00:42:22,063
THAT'S EVEN BETTER.
1156
00:42:22,098 --> 00:42:23,464
I'LL BE SAFE, DON'T WORRY.
LOVE YOU.
1157
00:42:23,499 --> 00:42:24,966
LOVE YOU, TOO.
1158
00:42:28,905 --> 00:42:31,272
JASON'S IN PROTECTIVE
HUSBAND MODE.
1159
00:42:31,341 --> 00:42:33,607
IT'S KIND OF CUTE
WHEN HE'S LIKE THAT.
1160
00:42:33,643 --> 00:42:35,109
IS HE GOING TO PROTECT ME, TOO?
1161
00:42:35,145 --> 00:42:36,311
WE WILL BE FINE.
1162
00:42:36,379 --> 00:42:38,212
ARE YOU LOOKING UP
BULLET-PROOF VESTS?
1163
00:42:38,248 --> 00:42:39,680
NO...
1164
00:42:39,715 --> 00:42:42,050
BUT I WAS THINKING
ABOUT SOMETHING SCOTT SAID
1165
00:42:42,085 --> 00:42:44,953
ABOUT OTHER PEOPLE
WANTING LARRY DEAD,
1166
00:42:44,988 --> 00:42:46,654
AND IT REMINDED ME
OF THAT FIGHT
1167
00:42:46,722 --> 00:42:48,256
THAT LARRY'S
FORMER BUSINESS PARTNER
1168
00:42:48,291 --> 00:42:49,991
WAS HAVING WITH IAN
AT LARRY'S HOUSE.
1169
00:42:50,026 --> 00:42:50,959
WHAT WAS HIS NAME?
1170
00:42:50,994 --> 00:42:52,560
WALTER.
1171
00:42:52,595 --> 00:42:53,394
I DON'T KNOW HIS LAST NAME.
1172
00:42:57,000 --> 00:42:58,799
OH.
1173
00:42:58,835 --> 00:43:00,601
MM, I KNOW THAT LOOK.
1174
00:43:02,172 --> 00:43:03,804
IS THERE SOMETHING
YOU WANT TO TELL ME?
1175
00:43:05,708 --> 00:43:07,741
WELL, I WAS GOING OVER
THE PEOPLE
1176
00:43:07,777 --> 00:43:09,110
THAT JASON AND I INTERVIEWED,
1177
00:43:09,145 --> 00:43:10,411
AND UNFORTUNATELY,
1178
00:43:10,447 --> 00:43:11,512
THERE WERE ONLY TWO APPLICANTS.
1179
00:43:11,547 --> 00:43:13,348
HUH.
1180
00:43:13,383 --> 00:43:15,350
WELL, THAT SHOULD MAKE
PICKING SOMEONE EASY.
1181
00:43:15,418 --> 00:43:16,617
[LAUGHING]
1182
00:43:16,652 --> 00:43:18,353
YEAH, WELL, THEY BOTH HAD
THEIR GOOD QUALITIES
1183
00:43:18,388 --> 00:43:20,154
AND THEIR WEAKNESSES.
1184
00:43:20,190 --> 00:43:21,922
WELL, WHO'D YOU HIRE?
1185
00:43:21,958 --> 00:43:22,890
BOTH.
1186
00:43:24,527 --> 00:43:26,827
I KNOW, I KNOW.
1187
00:43:26,896 --> 00:43:28,096
WE CAN'T AFFORD BOTH,
1188
00:43:28,131 --> 00:43:29,663
SO THIS IS...
1189
00:43:29,699 --> 00:43:32,033
I DON'T WANT YOU
TO WORRY ABOUT IT.
1190
00:43:32,102 --> 00:43:33,934
THIS IS...
I'M GOING TO SOLVE THIS...
1191
00:43:33,970 --> 00:43:35,636
-OH...
-[DOOR OPENING]
1192
00:43:35,671 --> 00:43:37,872
NICE TO MEET YOU, TRAVIS.
1193
00:43:37,907 --> 00:43:39,773
IN THE NEXT 30 SECONDS.
1194
00:43:39,809 --> 00:43:40,774
GENTLEMEN, HI.
1195
00:43:40,843 --> 00:43:42,710
YOU ARE RIGHT ON TIME.
1196
00:43:42,778 --> 00:43:45,279
KENNETH,
TRAVIS,
1197
00:43:45,315 --> 00:43:46,280
THIS IS
JENNIFER SHANNON,
1198
00:43:46,349 --> 00:43:47,648
YOUR NEW BOSS.
1199
00:43:47,683 --> 00:43:50,218
WE'RE GOING TO GO
RIGHT TO THE BACK,
1200
00:43:50,253 --> 00:43:53,354
AND I'LL FIND SOMETHING
FOR YOU TO DO.
1201
00:43:53,390 --> 00:43:55,189
WELCOME.
1202
00:43:56,959 --> 00:43:58,526
OH, DANI...
1203
00:44:34,630 --> 00:44:36,297
OH, HI, HONEY.
1204
00:44:36,332 --> 00:44:38,099
HOW WOULD YOU LIKE
TO GO TO DINNER TONIGHT?
1205
00:44:42,773 --> 00:44:43,972
I'VE GOT TO SAY, JENN,
1206
00:44:44,007 --> 00:44:47,576
THIS SPONTANEOUS DATE NIGHT
IS A NICE SURPRISE.
1207
00:44:47,645 --> 00:44:48,610
WHERE'D YOU GET
THE IDEA?
1208
00:44:49,647 --> 00:44:50,879
OH, I THOUGHT
1209
00:44:50,914 --> 00:44:52,113
A CELEBRATION
WAS IN ORDER
1210
00:44:52,183 --> 00:44:53,815
NOW THAT THE INTERVIEWS
AT THE SHOP ARE DONE.
1211
00:44:53,850 --> 00:44:55,617
WE ONLY DID
TWO INTERVIEWS.
1212
00:44:55,653 --> 00:44:57,719
I WOULDN'T THINK
THAT'S A CAUSE FOR CELEBRATION.
1213
00:44:57,754 --> 00:44:58,987
WELL, SOMETIMES,
1214
00:44:59,022 --> 00:45:01,089
THE LITTLE VICTORIES
DESERVE SOMETHING, TOO.
1215
00:45:02,626 --> 00:45:05,294
THAT HAD TO BE
A TOUGH CHOICE FOR DANI.
1216
00:45:05,329 --> 00:45:07,095
TRAVIS, HE SEEMED
LIKE A HARD WORKER,
1217
00:45:07,130 --> 00:45:09,298
BUT HE DIDN'T KNOW MUCH
ABOUT ANTIQUES.
1218
00:45:09,366 --> 00:45:11,700
KENNETH,
HE HAD THE KNOW-HOW,
1219
00:45:11,735 --> 00:45:13,802
BUT I DON'T KNOW
HOW MUCH LIFTING HE COULD DO.
1220
00:45:13,837 --> 00:45:15,537
SO WHO'D SHE CHOOSE?
1221
00:45:15,573 --> 00:45:16,471
BOTH OF THEM.
1222
00:45:16,507 --> 00:45:18,940
BOTH?
1223
00:45:18,975 --> 00:45:20,141
WELL, YOU DID SAY
1224
00:45:20,211 --> 00:45:21,176
SHE HAD A HARD TIME
GIVING PEOPLE BAD NEWS.
1225
00:45:22,746 --> 00:45:24,580
WELL, SHE'LL HAVE TO TALK
TO ONE OF THEM EVENTUALLY,
1226
00:45:24,615 --> 00:45:25,914
BUT FOR NOW,
1227
00:45:25,949 --> 00:45:27,349
WE'RE GOING TO GIVE THEM BOTH
A TRIAL RUN.
1228
00:45:27,384 --> 00:45:28,684
SO SHE'S JUST DELAYING
THE BAD NEWS.
1229
00:45:28,719 --> 00:45:29,651
EXACTLY.
1230
00:45:29,687 --> 00:45:31,587
NOT A BAD PLAN.
1231
00:45:32,623 --> 00:45:33,689
[TESS]: HELLO.
1232
00:45:33,724 --> 00:45:35,657
I BELIEVE WE HAVE
A COUPLE NEW FACES HERE.
1233
00:45:35,693 --> 00:45:36,825
GUILTY AS CHARGED.
1234
00:45:36,893 --> 00:45:38,560
I'M TESS MEADOWS,
THE HEAD CHEF.
1235
00:45:38,596 --> 00:45:39,728
HI, TESS.
1236
00:45:39,796 --> 00:45:40,729
I'M JENN,
AND THIS IS MY HUSBAND, JASON.
1237
00:45:40,764 --> 00:45:42,897
NICE TO MEET YOU.
1238
00:45:42,933 --> 00:45:45,567
DO YOU HAVE ANY QUESTIONS
ABOUT THE MENU?
1239
00:45:45,636 --> 00:45:47,469
EVERYTHING LOOKS SO GREAT.
1240
00:45:47,504 --> 00:45:48,604
I'D LIKE TO ORDER ALL OF IT.
1241
00:45:48,639 --> 00:45:50,672
[LAUGHING]
1242
00:45:50,708 --> 00:45:54,008
UM, DO YOU HAVE
ANY LOW-SODIUM OPTIONS?
1243
00:45:54,077 --> 00:45:55,244
SALT SUBSTITUTE
IS FINE.
1244
00:45:55,279 --> 00:45:56,511
OH, ABSOLUTELY.
1245
00:45:56,547 --> 00:45:58,012
WE CAN ADJUST ANY ITEM
ON THE MENU.
1246
00:45:59,149 --> 00:46:00,616
HOW DID YOU FIND OUT ABOUT US?
1247
00:46:00,651 --> 00:46:01,916
OH, I READ
AN ARTICLE ONLINE
1248
00:46:01,985 --> 00:46:03,151
AND WANTED TO CHECK IT OUT.
1249
00:46:04,521 --> 00:46:05,920
AND I CAME ALONG
FOR THE RIDE.
1250
00:46:05,956 --> 00:46:08,957
WELL, TAKE YOUR TIME
STUDYING THE MENU,
1251
00:46:08,992 --> 00:46:11,960
AND, UH,
JULIA SHOULD BE AROUND
1252
00:46:12,028 --> 00:46:14,162
TO TAKE YOUR ORDER
1253
00:46:14,197 --> 00:46:16,331
OR ANSWER ANY QUESTIONS,
IF YOU HAVE ANY.
1254
00:46:16,367 --> 00:46:17,966
I SHOULD CHECK
THE KITCHEN.
1255
00:46:18,034 --> 00:46:19,200
ENJOY YOUR MEAL.
1256
00:46:19,236 --> 00:46:20,168
THANK YOU.
1257
00:46:20,203 --> 00:46:21,670
THANKS.
1258
00:46:24,841 --> 00:46:26,007
WATCHING OUR SALT, ARE WE?
1259
00:46:27,378 --> 00:46:28,610
NEVER TOO SOON
TO START EATING HEALTHY.
1260
00:46:31,415 --> 00:46:32,381
WHY DO I GET THE SENSE
1261
00:46:32,449 --> 00:46:34,115
THAT THIS
"SPONTANEOUS DATE NIGHT"
1262
00:46:34,151 --> 00:46:35,150
IS MORE THAN IT APPEARS?
1263
00:46:36,587 --> 00:46:37,686
THAT...
1264
00:46:37,721 --> 00:46:39,321
MIGHT REQUIRE
A LITTLE EXPLANATION...
1265
00:46:40,724 --> 00:46:42,424
BUT FIRST,
I'M GOING TO WASH UP.
1266
00:46:42,493 --> 00:46:43,825
WILL YOU ORDER ME
A ROSE?
1267
00:46:43,860 --> 00:46:45,327
SURE.
1268
00:46:48,899 --> 00:46:51,065
OH, BOY...
1269
00:46:52,436 --> 00:46:54,903
[WALTER]:
SO WHAT'S BOTHERING YOU?
1270
00:46:54,971 --> 00:46:56,805
[TESS]: IT'S NOTHING.
I'M FINE.
1271
00:46:56,840 --> 00:46:58,206
TESS...
1272
00:46:58,241 --> 00:47:00,309
YOU CAN'T HIDE IT
FROM ME.
1273
00:47:02,078 --> 00:47:05,079
DAD, I'M WORRIED
ABOUT THE MONEY.
1274
00:47:05,115 --> 00:47:07,048
WE DON'T HAVE TO WORRY
ABOUT THE MONEY ANYMORE.
1275
00:47:07,117 --> 00:47:08,917
[TESS]:
WHERE DID YOU GET IT?
1276
00:47:08,952 --> 00:47:11,219
SCOTT BRADY
CAME THROUGH.
1277
00:47:11,254 --> 00:47:13,221
[TESS]:
HE GAVE IT TO US?
1278
00:47:13,256 --> 00:47:14,790
IT'S PAYBACK.
1279
00:47:18,562 --> 00:47:19,994
[WALTER]: YOU DON'T HAVE
TO WORRY ANYMORE, TESS.
1280
00:47:34,077 --> 00:47:35,043
HI, HANNAH!
1281
00:47:35,078 --> 00:47:36,110
HEY. IS MY MOM HERE?
1282
00:47:36,146 --> 00:47:37,278
NO, HONEY,
I'M SORRY.
1283
00:47:37,314 --> 00:47:38,313
SHE JUST STEPPED OUT.
1284
00:47:38,382 --> 00:47:40,482
NO WORRIES.
1285
00:47:40,517 --> 00:47:42,451
IS THERE ANYTHING
I CAN HELP YOU WITH?
1286
00:47:42,486 --> 00:47:44,285
UH...
1287
00:47:44,321 --> 00:47:45,253
YEAH, ACTUALLY.
1288
00:47:46,990 --> 00:47:50,024
HOW DO YOU GET PEOPLE
TO OPEN UP TO YOU?
1289
00:47:50,060 --> 00:47:51,693
OH...
1290
00:47:51,729 --> 00:47:52,961
WELL...
1291
00:47:52,996 --> 00:47:54,128
I'M KIND OF AN OPEN BOOK,
1292
00:47:54,164 --> 00:47:56,531
SO I JUST START TALKING,
1293
00:47:56,567 --> 00:47:57,999
AND THEN PEOPLE
START TALKING BACK.
1294
00:47:58,034 --> 00:48:00,101
YOU MAKE IT
SOUND SO EASY.
1295
00:48:00,136 --> 00:48:01,236
BELIEVE ME,
1296
00:48:01,271 --> 00:48:03,104
I WISH I WERE BETTER
AT KEEPING SECRETS.
1297
00:48:03,173 --> 00:48:04,539
IS THERE SOMEONE IN PARTICULAR
1298
00:48:04,575 --> 00:48:05,841
YOU'RE LOOKING
TO CONNECT WITH?
1299
00:48:05,909 --> 00:48:06,908
MY BROTHER.
1300
00:48:08,178 --> 00:48:09,678
LOGAN...
HE'S SO CUTE.
1301
00:48:09,713 --> 00:48:10,679
WELL...
1302
00:48:10,714 --> 00:48:12,714
I'D SAY IN THAT CASE,
1303
00:48:12,750 --> 00:48:14,349
HONESTY IS HARD
TO SAY NO TO.
1304
00:48:15,386 --> 00:48:16,818
YEAH.
1305
00:48:16,854 --> 00:48:18,253
THANKS,
IT'S GOOD ADVICE.
1306
00:48:19,423 --> 00:48:20,722
STILL NEED
TO TALK TO YOUR MOM?
1307
00:48:20,758 --> 00:48:22,624
I WAS HOPING TO PICK HER
BRAIN JUST A LITTLE MORE.
1308
00:48:22,659 --> 00:48:24,493
OKAY.
1309
00:48:24,561 --> 00:48:26,361
I'LL LET HER BRAIN KNOW
YOU'RE LOOKING FOR IT.
1310
00:48:26,397 --> 00:48:28,096
THANK YOU. BYE.
1311
00:48:28,131 --> 00:48:29,097
BYE!
1312
00:48:32,202 --> 00:48:33,301
HANNAH?
1313
00:48:34,671 --> 00:48:35,604
TONY!
1314
00:48:35,639 --> 00:48:37,372
HEY! HOW'VE YOU BEEN?
1315
00:48:37,408 --> 00:48:39,173
I HAVEN'T SEEN YOUR BAND
PLAYING AROUND LATELY.
1316
00:48:39,209 --> 00:48:41,810
YEAH, KIND OF
ON A BREAK
1317
00:48:41,879 --> 00:48:43,712
WHILE I FIGURE
SOME STUFF OUT.
1318
00:48:44,815 --> 00:48:45,680
IS THERE ANYTHING
YOU WANT TO TALK ABOUT?
1319
00:48:45,716 --> 00:48:47,248
YOU SEEM...
1320
00:48:47,284 --> 00:48:48,784
I DON'T KNOW, UPSET.
1321
00:48:48,852 --> 00:48:50,385
THERE'S NOTHING
THAT YOU CAN DO.
1322
00:48:50,454 --> 00:48:52,287
IT'S MY UNCLE'S DEATH
HAS MESSED ME UP A BIT.
1323
00:48:52,322 --> 00:48:53,922
I HEARD ABOUT THAT.
1324
00:48:53,957 --> 00:48:55,056
I'M SO SORRY.
1325
00:48:55,091 --> 00:48:56,224
THANKS.
1326
00:48:56,293 --> 00:48:57,292
IT'S JUST...
1327
00:48:57,327 --> 00:48:58,226
THERE'S A LOT
OF WEIRDNESS
1328
00:48:58,261 --> 00:48:59,561
SURROUNDING
HIS DEATH.
1329
00:48:59,596 --> 00:49:00,862
IT'S CAUSED
A LOT OF STRESS
1330
00:49:00,898 --> 00:49:01,963
IN MY FAMILY,
1331
00:49:01,998 --> 00:49:03,532
AND IT'S BEEN HARD
FOR ME TO SLEEP.
1332
00:49:05,068 --> 00:49:06,835
WELL, I HEARD
YOU'VE BEEN TALKING TO MY MOM.
1333
00:49:06,870 --> 00:49:08,269
SHE'S BEEN
VERY HELPFUL.
1334
00:49:08,305 --> 00:49:11,039
SHE IS REALLY GREAT
TO TALK TO.
1335
00:49:11,074 --> 00:49:13,975
BEEN TRYING TO LEARN
HOW SHE DOES IT.
1336
00:49:14,010 --> 00:49:15,577
I'M SO SORRY
ABOUT HER RUN-IN WITH MY DAD.
1337
00:49:15,612 --> 00:49:16,745
RUN-IN?
1338
00:49:16,780 --> 00:49:17,779
YEAH.
1339
00:49:17,848 --> 00:49:19,280
SHE DIDN'T TELL YOU?
1340
00:49:19,316 --> 00:49:21,349
NO, IT'S THE FIRST TIME
HEARING ABOUT IT.
1341
00:49:21,418 --> 00:49:22,751
MY DAD SHOWED UP HERE
YESTERDAY,
1342
00:49:22,786 --> 00:49:24,853
AND HE CAUSED A BIT OF A SCENE.
1343
00:49:24,888 --> 00:49:26,354
I WANTED TO MAKE SURE
THAT SHE WAS OKAY.
1344
00:49:26,423 --> 00:49:28,089
I HAD NO IDEA.
1345
00:49:28,124 --> 00:49:29,324
I'M SURE SHE'S FINE,
1346
00:49:29,359 --> 00:49:31,927
I JUST... STILL WANTED
TO APOLOGIZE TO HER
1347
00:49:31,962 --> 00:49:33,862
ON BEHALF OF MY FAMILY.
1348
00:49:33,897 --> 00:49:36,465
WELL,
I WILL DEFINITELY TELL HER
1349
00:49:36,500 --> 00:49:37,532
AS SOON AS I SEE HER.
1350
00:49:37,601 --> 00:49:38,467
I'D WAIT AROUND AND
I'D DO IT IN PERSON,
1351
00:49:38,502 --> 00:49:39,601
BUT THERE'S A LOT
OF THINGS
1352
00:49:39,636 --> 00:49:40,735
THAT I HAVE TO GET
TAKEN CARE OF, AND...
1353
00:49:40,771 --> 00:49:42,136
WELL, YOU COULD CALL HER.
1354
00:49:42,172 --> 00:49:44,739
MY CELL PHONE GOT
SHUT OFF THIS MORNING.
1355
00:49:44,775 --> 00:49:46,040
PROBLEMS
WITH THE BILL.
1356
00:49:46,076 --> 00:49:47,108
OKAY, WELL,
I'LL HAVE HER CALL YOUR HOUSE.
1357
00:49:47,143 --> 00:49:48,944
NO, DON'T DO THAT.
1358
00:49:48,979 --> 00:49:49,978
SORRY?
1359
00:49:50,013 --> 00:49:52,180
I CAN'T GO HOME RIGHT NOW.
1360
00:49:52,215 --> 00:49:53,582
MY DAD AND I,
WE'RE NOT ON THE BEST OF TERMS,
1361
00:49:53,650 --> 00:49:54,983
SO JUST, JUST...
1362
00:49:55,018 --> 00:49:56,050
LET HER KNOW
THAT I'M SORRY,
1363
00:49:56,086 --> 00:49:57,285
OKAY?
1364
00:50:00,524 --> 00:50:01,556
THANKS, HANNAH.
1365
00:50:03,393 --> 00:50:05,026
[VAN ENGINE STARTING]
1366
00:50:16,306 --> 00:50:19,340
OH, FRANK,
ARE YOU BUSY?
1367
00:50:19,409 --> 00:50:21,075
WELL, I'M GOING THROUGH
ALL THE PICTURES
1368
00:50:21,111 --> 00:50:22,377
FROM THE PARTY,
1369
00:50:22,412 --> 00:50:23,478
AND AS WE KNOW,
1370
00:50:23,514 --> 00:50:25,480
THE KILLER HAD
A DARK SUIT AND GLOVES.
1371
00:50:25,549 --> 00:50:27,482
PRETTY MUCH EVERYONE HAD
A DARK SUIT AT THE PARTY.
1372
00:50:27,518 --> 00:50:28,449
I THINK YOU
SHOULD CHECK OUT
1373
00:50:28,485 --> 00:50:29,684
LARRY'S
EX-BUSINESS PARTNER,
1374
00:50:29,753 --> 00:50:30,952
WALTER MEADOWS.
1375
00:50:30,988 --> 00:50:32,086
I ALREADY DID.
1376
00:50:32,122 --> 00:50:33,321
I'VE GOT WITNESSES
1377
00:50:33,356 --> 00:50:34,389
WHO WERE WITH WALTER
AND HIS DAUGHTER
1378
00:50:34,457 --> 00:50:36,124
THE ENTIRE PARTY.
1379
00:50:36,159 --> 00:50:38,092
DID YOU KNOW THAT LARRY
OWED WALTER A LOT OF MONEY?
1380
00:50:38,128 --> 00:50:39,794
LARRY OWED
A LOT OF PEOPLE MONEY.
1381
00:50:39,830 --> 00:50:41,763
BUT I THINK WALTER'S
GOING TO GET PAID.
1382
00:50:41,798 --> 00:50:42,731
FROM WHOM?
1383
00:50:42,766 --> 00:50:43,765
SCOTT BRADY.
1384
00:50:43,800 --> 00:50:44,933
THAT SEEMS FAIR.
1385
00:50:45,002 --> 00:50:46,001
WELL, ORIGINALLY,
1386
00:50:46,036 --> 00:50:47,301
THE LAWYER WASN'T
GOING TO PAY HIM.
1387
00:50:47,337 --> 00:50:48,570
NOW SCOTT IS.
1388
00:50:48,605 --> 00:50:49,838
I HEARD WALTER SAY
IT WAS "PAYBACK."
1389
00:50:50,807 --> 00:50:51,706
YOU HEARD?
1390
00:50:51,742 --> 00:50:53,408
OH, UM...
1391
00:50:53,443 --> 00:50:55,276
JASON AND I WENT OUT
TO DINNER LAST NIGHT
1392
00:50:55,345 --> 00:50:57,078
AT WALTER'S RESTAURANT.
1393
00:50:57,147 --> 00:50:58,279
THEN WHY AM I THE ONE
1394
00:50:58,314 --> 00:51:00,081
STARTING TO FEEL
LIKE I'VE GOT INDIGESTION?
1395
00:51:00,116 --> 00:51:02,183
WALTER'S RESTAURANT
USES POTASSIUM CHLORIDE
1396
00:51:02,218 --> 00:51:03,852
AS A SALT SUBSTITUTE.
1397
00:51:03,887 --> 00:51:05,386
THAT'S THE SAME STUFF
USED TO KILL LARRY.
1398
00:51:05,422 --> 00:51:06,387
I THOUGHT
YOU WERE STAYING OUT OF THIS.
1399
00:51:06,423 --> 00:51:07,689
I AM.
1400
00:51:07,724 --> 00:51:08,790
I JUST WENT TO EAT.
1401
00:51:08,825 --> 00:51:10,158
AT A SUSPECT'S RESTAURANT?
1402
00:51:10,193 --> 00:51:11,860
WHAT IF SCOTT AND WALTER
ARE WORKING TOGETHER?
1403
00:51:11,895 --> 00:51:13,161
THAT STILL DOESN'T MEAN
1404
00:51:13,196 --> 00:51:14,996
SCOTT WAS ANYWHERE
NEAR THE MURDER SCENE.
1405
00:51:15,032 --> 00:51:16,197
JUST BECAUSE
HE WASN'T AT THE PARTY
1406
00:51:16,266 --> 00:51:17,465
DOESN'T MEAN
HE WASN'T ON THE PROPERTY.
1407
00:51:17,534 --> 00:51:19,367
WHICH IS WHY I'VE BEEN COMBING
1408
00:51:19,402 --> 00:51:21,603
THROUGH ALL THESE PHOTOS
THAT THE PHOTOGRAPHER TOOK.
1409
00:51:21,638 --> 00:51:22,771
DO YOU MIND IF I TAKE A LOOK?
1410
00:51:24,541 --> 00:51:25,339
THESE ARE EVIDENCE, JENN.
1411
00:51:25,375 --> 00:51:26,808
OH, JUST A PEEK?
1412
00:51:40,891 --> 00:51:42,190
YOU KNOW, I COULD HELP YOU
GO THROUGH THESE
1413
00:51:42,225 --> 00:51:43,191
IF YOU LIKE.
1414
00:51:43,226 --> 00:51:44,960
THANK YOU.
1415
00:51:44,995 --> 00:51:46,728
IT'S COVERED.
1416
00:51:46,763 --> 00:51:47,729
RIGHT, GOTCHA.
1417
00:51:58,228 --> 00:51:59,626
[SHUTTER CLICKING]
1418
00:52:02,365 --> 00:52:03,464
HELLO?
1419
00:52:03,499 --> 00:52:05,399
BACK HERE.
1420
00:52:08,171 --> 00:52:08,970
HI.
1421
00:52:09,005 --> 00:52:09,837
HI!
1422
00:52:09,906 --> 00:52:10,872
CAN I HELP YOU?
1423
00:52:10,907 --> 00:52:11,739
OH, I'M JENNIFER SHANNON.
1424
00:52:11,774 --> 00:52:13,174
SANDY.
1425
00:52:13,209 --> 00:52:15,276
YOU HAVE
A BEAUTIFUL STUDIO, SANDY.
1426
00:52:15,311 --> 00:52:16,210
OH, THANK YOU.
1427
00:52:16,246 --> 00:52:17,511
I MOSTLY DO CATALOG WORK
1428
00:52:17,546 --> 00:52:20,047
AND SENIOR PICTURES
FOR HIGH-SCHOOL STUDENTS.
1429
00:52:20,116 --> 00:52:21,282
WERE YOU LOOKING
FOR A FAMILY PORTRAIT?
1430
00:52:21,317 --> 00:52:23,517
NO, ACTUALLY,
I'M AN ANTIQUE DEALER,
1431
00:52:23,552 --> 00:52:24,852
AND I WAS HOPING
THAT YOU COULD HELP ME
1432
00:52:24,888 --> 00:52:26,287
WITH THIS CAMERA.
1433
00:52:26,322 --> 00:52:28,356
WELL, I'LL SEE
WHAT I CAN... DO.
1434
00:52:28,391 --> 00:52:30,091
IT BELONGED TO LARRY BRADY.
1435
00:52:30,159 --> 00:52:31,292
ARE YOU FAMILIAR
WITH IT?
1436
00:52:31,327 --> 00:52:32,559
UH, YEAH.
1437
00:52:32,595 --> 00:52:33,861
I MEAN... IT'S AN ANTIQUE.
1438
00:52:33,897 --> 00:52:35,529
THERE AREN'T
MANY OUT THERE.
1439
00:52:35,564 --> 00:52:37,531
I'M TRYING TO FIGURE OUT
HOW LARRY HAD IT ARRANGED
1440
00:52:37,600 --> 00:52:39,133
WITH HIS OTHER CAMERAS.
1441
00:52:39,168 --> 00:52:40,601
I'M PUTTING TOGETHER A DISPLAY,
1442
00:52:40,669 --> 00:52:42,403
AND I WANT
TO SHOW THE COLLECTION
1443
00:52:42,438 --> 00:52:43,637
AS IT WAS INTENDED
TO BE SEEN.
1444
00:52:43,672 --> 00:52:45,139
SO WHAT DO YOU NEED
FROM ME?
1445
00:52:45,208 --> 00:52:46,507
I UNDERSTAND
1446
00:52:46,542 --> 00:52:48,109
YOU WERE TAKING PHOTOS
AT LARRY'S PARTY,
1447
00:52:48,144 --> 00:52:50,278
AND I WAS HOPING
I COULD SEE THE PHOTOS,
1448
00:52:50,313 --> 00:52:51,845
JUST SO I COULD RE-CREATE
1449
00:52:51,881 --> 00:52:53,414
HOW THIS CAMERA
AND THE OTHER CAMERAS
1450
00:52:53,482 --> 00:52:54,282
WERE SHOWN AT THE HOUSE.
1451
00:52:54,317 --> 00:52:55,849
I...
1452
00:52:55,885 --> 00:52:57,118
I WOULDN'T BOTHER.
1453
00:52:57,186 --> 00:52:58,485
NO?
1454
00:52:58,521 --> 00:53:00,955
THAT CAMERA WASN'T YET
PART OF HIS COLLECTION.
1455
00:53:02,758 --> 00:53:05,192
IT WAS
A BIRTHDAY PRESENT.
1456
00:53:05,228 --> 00:53:06,160
OH.
1457
00:53:09,265 --> 00:53:10,631
FROM YOU?
1458
00:53:10,666 --> 00:53:12,466
YEAH.
1459
00:53:12,501 --> 00:53:13,667
I GOT IT ONLINE.
1460
00:53:13,702 --> 00:53:15,102
IT TOOK A LITTLE
SEARCHING,
1461
00:53:15,171 --> 00:53:16,904
BUT I THOUGHT HE WAS WORTH IT.
1462
00:53:19,775 --> 00:53:22,209
SANDY, I'M NOT SURE
IF YOU KNOW THIS, BUT...
1463
00:53:22,245 --> 00:53:23,744
ONE OF THE LAST PHOTOS
THAT LARRY TOOK...
1464
00:53:24,847 --> 00:53:25,947
IT WAS OF YOU.
1465
00:53:25,982 --> 00:53:26,914
REALLY?
1466
00:53:26,950 --> 00:53:28,349
YES.
1467
00:53:28,384 --> 00:53:29,350
IT'S A VERY NICE PHOTO.
1468
00:53:29,419 --> 00:53:32,019
WELL, HE ALWAYS HAD
A GREAT EYE.
1469
00:53:33,957 --> 00:53:35,289
WERE YOU AND LARRY...
1470
00:53:36,392 --> 00:53:37,358
IT STARTED VERY INNOCENT.
1471
00:53:38,428 --> 00:53:39,493
LARRY AND I MET
1472
00:53:39,528 --> 00:53:42,296
IN A PHOTOGRAPHY WORKSHOP
THAT I TAUGHT.
1473
00:53:42,332 --> 00:53:44,098
WE REALLY CONNECTED.
1474
00:53:44,167 --> 00:53:45,532
HE KNEW I HAD A BOYFRIEND,
1475
00:53:45,568 --> 00:53:47,501
BUT HE TRIED EVERYTHING
TO WIN ME OVER.
1476
00:53:47,570 --> 00:53:50,972
SO THAT'S WHY HE HIRED YOU
TO TAKE PHOTOS AT HIS PARTY.
1477
00:53:51,007 --> 00:53:52,806
YEAH,
IT WAS LIKE A GAME TO HIM.
1478
00:53:52,842 --> 00:53:55,276
HE LIKED THE IDEA OF FLIRTING
WITH ME IN FRONT OF EVERYONE
1479
00:53:55,345 --> 00:53:57,445
WHEN NO ONE
KNEW THE TRUTH.
1480
00:53:58,681 --> 00:54:00,147
HE ALSO HIRED PETER
TO CATER THE EVENT...
1481
00:54:00,216 --> 00:54:01,082
PETER, MY BOYFRIEND.
1482
00:54:02,518 --> 00:54:05,987
LARRY,
HE LOVED HIS SECRETS.
1483
00:54:07,256 --> 00:54:09,056
I'M SORRY.
1484
00:54:10,259 --> 00:54:11,658
I'VE BEEN HOLDING ALL THIS IN.
1485
00:54:11,694 --> 00:54:12,759
THERE WAS NO ONE ELSE
I COULD TALK TO.
1486
00:54:12,828 --> 00:54:14,161
IT'S OKAY, REALLY.
1487
00:54:14,197 --> 00:54:15,329
I UNDERSTAND.
1488
00:54:15,365 --> 00:54:17,698
I GOT LARRY THE CAMERA
AS PART OF HIS GIFT.
1489
00:54:18,868 --> 00:54:21,035
I WAS GOING TO TELL
HIM AFTER THE PARTY
1490
00:54:21,104 --> 00:54:22,403
THAT I WAS LEAVING PETER,
1491
00:54:22,438 --> 00:54:25,339
BUT...
THEN I FOUND HIM IN HIS STUDY,
1492
00:54:25,375 --> 00:54:26,273
DEAD.
1493
00:54:29,578 --> 00:54:31,379
DID YOUR BOYFRIEND, PETER,
KNOW ABOUT LARRY?
1494
00:54:31,414 --> 00:54:32,546
NO.
1495
00:54:34,217 --> 00:54:35,682
I MEAN, I DON'T THINK SO.
1496
00:54:40,689 --> 00:54:41,855
SHE WAS
THE PHOTOGRAPHER
1497
00:54:41,891 --> 00:54:44,091
AT LARRY'S PARTY.
1498
00:54:44,127 --> 00:54:46,927
OH, THANK YOU,
TRAVIS.
1499
00:54:46,962 --> 00:54:48,429
I HAD NO IDEA
1500
00:54:48,464 --> 00:54:49,963
HOW WE'D GET THAT UP
FROM THE BASEMENT.
1501
00:54:49,999 --> 00:54:51,399
NO PROBLEM.
1502
00:54:51,434 --> 00:54:53,034
HE'S EFFICIENT, HUH?
1503
00:54:53,069 --> 00:54:54,968
YES, AND I'M IMPRESSED
WITH THE EXTRA CARE
1504
00:54:55,004 --> 00:54:56,603
THAT KENNETH IS
GIVING TO EACH PIECE.
1505
00:54:56,639 --> 00:54:57,938
NO CLEANING PRODUCTS.
1506
00:54:57,973 --> 00:54:59,340
JUST THE LIGHTEST TOUCH.
1507
00:54:59,375 --> 00:55:00,941
AND WE APPRECIATE IT.
1508
00:55:02,111 --> 00:55:04,011
SO SHE WAS DATING
THE CATERER?
1509
00:55:04,047 --> 00:55:06,380
YES, PETER HARRELL.
1510
00:55:06,449 --> 00:55:07,614
BUT SHE WAS IN LOVE WITH LARRY?
1511
00:55:07,650 --> 00:55:08,982
RIGHT. NOW WE JUST
NEED TO FIGURE OUT
1512
00:55:09,052 --> 00:55:10,518
IF PETER KNEW ABOUT LARRY.
1513
00:55:10,553 --> 00:55:12,119
AND SINCE THE MAN WAS A CHEF,
1514
00:55:12,155 --> 00:55:13,320
I'M TRYING TO FIND OUT
EVERYTHING ABOUT HIM
1515
00:55:13,356 --> 00:55:14,288
AND HIS FOOD.
1516
00:55:14,323 --> 00:55:16,590
[WHISTLING]
1517
00:55:16,659 --> 00:55:17,525
OH, TRAVIS...
1518
00:55:18,994 --> 00:55:20,394
OH, PLEASE,
WE MUST BE VERY CAREFUL
1519
00:55:20,430 --> 00:55:21,429
HOW WE HANDLE THE ANTIQUES.
1520
00:55:21,464 --> 00:55:22,896
WE DON'T KNOW WHAT
COULD BREAK THEM.
1521
00:55:22,932 --> 00:55:24,198
OH, DON'T WORRY,
I WON'T HURT ANYTHING.
1522
00:55:24,267 --> 00:55:25,566
GOT THE REFLEXES OF A CAT.
1523
00:55:25,601 --> 00:55:27,201
[CLATTERING]
1524
00:55:27,236 --> 00:55:28,369
UH...
1525
00:55:28,404 --> 00:55:29,670
I HAD A CAT ONCE
1526
00:55:29,705 --> 00:55:31,505
THAT KNOCKED OVER
A HUNDRED-YEAR-OLD VASE.
1527
00:55:33,576 --> 00:55:35,609
SO... JUST...
1528
00:55:35,644 --> 00:55:37,178
THANK YOU.
1529
00:55:39,115 --> 00:55:40,847
I KNOW.
1530
00:55:42,452 --> 00:55:44,251
YOU KEEP WORKING,
AND I'LL...
1531
00:55:44,287 --> 00:55:45,352
I'LL HANDLE THIS.
1532
00:55:45,388 --> 00:55:47,020
GENTLEMEN,
1533
00:55:47,056 --> 00:55:48,489
WHO'D LIKE
A COFFEE BREAK?
1534
00:55:49,792 --> 00:55:50,891
COFFEE SOUNDS GOOD.
1535
00:55:50,926 --> 00:55:51,892
OKAY.
1536
00:55:51,927 --> 00:55:54,095
LET'S GO
FOR COFFEE.
1537
00:55:58,301 --> 00:55:59,833
IT'S ON ME.
1538
00:56:16,051 --> 00:56:17,318
WHATCHA READING,
HANNAH?
1539
00:56:17,353 --> 00:56:18,319
MYSTERY.
1540
00:56:18,387 --> 00:56:19,220
TAKING AFTER YOUR MOM?
1541
00:56:19,255 --> 00:56:20,554
SORT OF.
1542
00:56:20,590 --> 00:56:21,989
TRYING TO GET LOGAN
TO SPILL HIS SECRET.
1543
00:56:22,024 --> 00:56:23,257
HA...
1544
00:56:23,292 --> 00:56:24,325
WELL,
1545
00:56:24,360 --> 00:56:25,692
YOU'RE NOT GOING
TO GET ANYWHERE
1546
00:56:25,728 --> 00:56:26,393
TREATING HIM LIKE
A MURDER SUSPECT.
1547
00:56:26,429 --> 00:56:28,028
HMM.
1548
00:56:28,097 --> 00:56:29,796
PUT THE BOOK DOWN.
1549
00:56:32,502 --> 00:56:35,536
IF YOU WANT SOMEONE TO OPEN UP,
EVEN LOGAN,
1550
00:56:35,571 --> 00:56:36,437
YOU'VE GOT TO FIND
COMMON GROUND.
1551
00:56:37,440 --> 00:56:38,339
COMMON GROUND...
1552
00:56:38,374 --> 00:56:39,440
YEAH.
1553
00:56:39,475 --> 00:56:41,575
DON'T FOCUS ON WHAT'S MISSING.
1554
00:56:41,611 --> 00:56:43,043
FOCUS ON
WHAT YOU SHARE IN COMMON,
1555
00:56:43,078 --> 00:56:44,811
THEN ALL THE MISSING PIECES
WILL FALL IN PLACE.
1556
00:56:46,415 --> 00:56:47,714
I'M SURPRISED.
1557
00:56:47,750 --> 00:56:48,849
THAT'S ACTUALLY
PRETTY GOOD ADVICE.
1558
00:56:48,884 --> 00:56:50,151
THANKS, DAD.
1559
00:56:50,186 --> 00:56:51,051
YOU'RE WELCOME.
1560
00:56:53,789 --> 00:56:55,156
HEY, WAIT.
1561
00:56:55,191 --> 00:56:56,056
WHY IS THAT A SURPRISE?
1562
00:56:56,125 --> 00:56:57,658
[LAUGHING]
1563
00:57:02,598 --> 00:57:03,830
"PETER HARRELL LEFT
1564
00:57:03,899 --> 00:57:05,732
THE ACCLAIMED RESTAURANT
THE MEADOWS
1565
00:57:05,768 --> 00:57:07,535
AND ESTABLISHED HIS OWN
SUCCESSFUL CATERING BUSINESS."
1566
00:57:09,639 --> 00:57:12,373
SO PETER WORKED
WITH WALTER AND TESS.
1567
00:57:12,408 --> 00:57:13,340
INTERESTING.
1568
00:57:15,778 --> 00:57:17,444
TRAVIS...
1569
00:57:30,859 --> 00:57:32,326
[DOOR OPENING]
1570
00:57:32,395 --> 00:57:34,395
UM, I'LL BE RIGHT THERE!
1571
00:57:35,698 --> 00:57:37,264
[LOUD THUDDING]
1572
00:57:42,137 --> 00:57:44,004
[CAR ENGINE STARTING]
1573
00:57:44,073 --> 00:57:45,138
[TIRES SCREECHING]
1574
00:58:19,742 --> 00:58:20,941
[LYNWOOD]:
NOW YOU'RE SURE YOU'RE OKAY?
1575
00:58:21,009 --> 00:58:22,243
[JENN]: I'M FINE.
1576
00:58:22,311 --> 00:58:23,277
NOTHING'S MISSING?
1577
00:58:23,312 --> 00:58:24,411
NOT THAT I KNOW OF.
1578
00:58:24,447 --> 00:58:25,479
DID YOU SEE
THE CAR?
1579
00:58:25,548 --> 00:58:27,715
NO, IT WAS GONE
BEFORE I GOT OUT HERE,
1580
00:58:27,750 --> 00:58:30,150
BUT I HEARD
SOME KIND OF SCRAPING NOISE.
1581
00:58:30,185 --> 00:58:33,186
AND I THINK WHOEVER IT WAS
MUST HAVE HIT THIS
1582
00:58:33,222 --> 00:58:35,789
WHILE THEY WERE TRYING
TO SPEED AWAY.
1583
00:58:35,824 --> 00:58:36,823
YEAH, LOOK, FRANK.
1584
00:58:38,394 --> 00:58:39,826
THAT APPEARS TO BE
WHERE THE SCRAPE HAPPENED.
1585
00:58:41,964 --> 00:58:43,697
WELL, I COULD PUT OUT
A BULLETIN
1586
00:58:43,733 --> 00:58:44,831
FOR A BLUE CAR
WITH A SCRAPE ON IT,
1587
00:58:44,867 --> 00:58:45,733
BUT THAT'S PUTTING OUT
A PRETTY WIDE NET.
1588
00:58:47,803 --> 00:58:49,069
WE WOULD PROBABLY HAVE
BETTER LUCK
1589
00:58:49,104 --> 00:58:51,238
CHECKING THE NOTE
FOR FINGERPRINTS.
1590
00:58:51,307 --> 00:58:53,173
BEFORE THIS HAPPENED,
1591
00:58:53,242 --> 00:58:55,709
I DISCOVERED
SOMETHING SURPRISING.
1592
00:58:55,745 --> 00:58:57,645
IT TURNS OUT THAT LARRY
WAS ROMANTICALLY ENTANGLED
1593
00:58:57,680 --> 00:58:59,647
WITH SANDY, THE PHOTOGRAPHER
FROM HIS PARTY.
1594
00:58:59,715 --> 00:59:01,181
HOW ENTANGLED?
1595
00:59:01,216 --> 00:59:02,349
WELL, SHE WAS
GETTING READY
1596
00:59:02,385 --> 00:59:03,350
TO LEAVE HER BOYFRIEND
FOR HIM,
1597
00:59:03,386 --> 00:59:05,452
PETER HARRELL.
1598
00:59:05,488 --> 00:59:07,020
WELL, I GUESS
I'M GOING TO HAVE TO TALK
1599
00:59:07,055 --> 00:59:08,855
TO PETER HARRELL AGAIN.
1600
00:59:08,891 --> 00:59:10,758
CAN YOU ALSO FIND TONY?
1601
00:59:10,793 --> 00:59:12,192
TONY?
1602
00:59:12,227 --> 00:59:13,360
WHY?
1603
00:59:13,396 --> 00:59:15,028
WELL, HE WAS THE ONE
1604
00:59:15,097 --> 00:59:16,597
THAT TOLD ME HE THOUGHT
SOMEONE WAS AFTER LARRY,
1605
00:59:16,632 --> 00:59:17,631
AND NOW THIS...
1606
00:59:17,700 --> 00:59:19,833
I JUST THINK IT
MIGHT ALL BE CONNECTED.
1607
00:59:19,868 --> 00:59:22,102
ALL RIGHT, WELL,
I'LL TRY TO TRACK HIM DOWN.
1608
00:59:22,137 --> 00:59:24,271
HIS PHONE IS GOING
STRAIGHT TO VOICEMAIL.
1609
00:59:24,340 --> 00:59:26,373
WE HAVE OTHER WAYS
OF FINDING PEOPLE.
1610
00:59:26,442 --> 00:59:27,974
I'M JUST A LITTLE WORRIED
ABOUT HIM.
1611
00:59:28,010 --> 00:59:29,343
I GOT IT.
1612
00:59:34,678 --> 00:59:36,377
THANKS FOR THE COFFEE.
1613
00:59:36,413 --> 00:59:37,545
I NEVER HAD A BOSS
TREAT ME SO WELL BEFORE.
1614
00:59:37,580 --> 00:59:39,380
YES, IT'S RARE
1615
00:59:39,416 --> 00:59:41,716
TO HAVE AN EMPLOYER
WHO CARES ABOUT YOU,
1616
00:59:41,751 --> 00:59:43,050
NOT JUST
AS AN EMPLOYEE,
1617
00:59:43,085 --> 00:59:44,752
BUT AS A PERSON.
1618
00:59:45,955 --> 00:59:48,323
YOU'VE BOTH BEEN WORKING
SO HARD.
1619
00:59:48,358 --> 00:59:51,759
I THOUGHT IT WOULD BE NICE
TO TALK ABOUT THE JOB.
1620
00:59:51,795 --> 00:59:53,461
YOU BOTH STILL ENJOYING IT?
1621
00:59:53,496 --> 00:59:54,929
OH, YES.
1622
00:59:54,964 --> 00:59:56,230
IT'S SO NICE,
1623
00:59:56,299 --> 00:59:58,199
GETTING OUT
OF THE HOUSE AGAIN
1624
00:59:58,267 --> 01:00:00,435
AND FEELING USEFUL
EVERY DAY.
1625
01:00:00,470 --> 01:00:01,736
I HADN'T REALIZED
1626
01:00:01,771 --> 01:00:03,938
HOW COOPED UP
I HAD BECOME
1627
01:00:03,973 --> 01:00:04,839
'TIL I GOT THIS JOB.
1628
01:00:06,409 --> 01:00:08,643
I'M SO GLAD
I COULD HELP.
1629
01:00:08,678 --> 01:00:10,645
HOW ABOUT YOU?
1630
01:00:10,680 --> 01:00:11,779
YOU MUST BE GETTING BORED,
1631
01:00:11,815 --> 01:00:12,680
CARRYING
ALL THOSE HEAVY ANTIQUES
1632
01:00:12,716 --> 01:00:13,914
ALL DAY.
1633
01:00:13,983 --> 01:00:15,583
ACTUALLY, I'M REALLY GETTING
INTO THEM.
1634
01:00:15,618 --> 01:00:17,585
I NEVER REALIZED
HOW COOL THIS STUFF IS.
1635
01:00:17,620 --> 01:00:18,853
ALL HAND-CRAFTED,
1636
01:00:18,888 --> 01:00:20,221
BEFORE IT WAS ALL
MASS-PRODUCED...
1637
01:00:21,758 --> 01:00:24,692
LOOK, I KNOW I'VE BEEN
OVER-DOING IT A LITTLE,
1638
01:00:24,728 --> 01:00:26,594
BUT IT'S COOL
TO BE TREATED LIKE A REAL ADULT.
1639
01:00:29,366 --> 01:00:31,799
YOU BOTH REALIZE IT'S JUST
A TEMPORARY POSITION, RIGHT?
1640
01:00:31,835 --> 01:00:34,268
I ALMOST WISH
IT WOULD GO ON FOREVER.
1641
01:00:35,538 --> 01:00:36,371
GUESS WE'LL HAVE
TO ENJOY IT WHILE IT LASTS,
1642
01:00:36,406 --> 01:00:37,338
RIGHT, KEN?
1643
01:00:46,349 --> 01:00:48,349
[CLATTERING]
1644
01:00:56,793 --> 01:00:58,125
WHAT ARE YOU DOING?
1645
01:00:58,194 --> 01:01:00,361
LOOKING FOR THE BOX THAT HAS
MY OLD HIGH-SCHOOL STUFF.
1646
01:01:00,397 --> 01:01:01,496
WHAT ABOUT
ALL THE SPIDERS?
1647
01:01:01,531 --> 01:01:02,597
SPIDERS?
1648
01:01:02,632 --> 01:01:04,432
I'M NOT AFRAID OF ANY SPIDERS.
1649
01:01:04,501 --> 01:01:06,601
SURE YOU'RE NOT.
1650
01:01:06,636 --> 01:01:07,668
WELL, IF YOU'RE
SO BRAVE,
1651
01:01:07,737 --> 01:01:08,969
WHY DON'T YOU COME UP HERE
AND HELP ME?
1652
01:01:09,038 --> 01:01:11,806
FINE. SCAREDY CAT.
1653
01:01:11,841 --> 01:01:13,173
I'M TRYING
TO FIND THE SCHOOL JOURNAL
1654
01:01:13,242 --> 01:01:14,642
FROM WHEN MY PAPER
GOT PUBLISHED.
1655
01:01:14,711 --> 01:01:16,677
I REMEMBER
I WAS SO NERVOUS
1656
01:01:16,713 --> 01:01:17,712
BEFORE IT CAME OUT.
1657
01:01:17,781 --> 01:01:18,679
OH!
1658
01:01:20,316 --> 01:01:21,449
I FOUND IT.
1659
01:01:21,518 --> 01:01:22,983
CHECK OUT THESE OLD CLOTHES.
1660
01:01:27,256 --> 01:01:28,856
CAN YOU BELIEVE
DAD ACTUALLY USED TO WEAR THESE?
1661
01:01:28,892 --> 01:01:30,691
"WHOA... GNARLY!"
1662
01:01:30,760 --> 01:01:32,427
WHAT ARE YOU TWO DOING?
1663
01:01:32,462 --> 01:01:33,561
OH, YOU KNOW,
1664
01:01:33,596 --> 01:01:34,829
JUST DIGGING THROUGH
YOUR EMBARRASSING PAST.
1665
01:01:34,864 --> 01:01:35,763
OH, LOVELY.
1666
01:01:37,133 --> 01:01:40,902
OH, WOW,
I HAVEN'T WORN THAT IN YEARS.
1667
01:01:40,937 --> 01:01:42,102
I CAN'T BELIEVE
I STILL HAVE IT.
1668
01:01:42,138 --> 01:01:44,204
MAYBE YOU SHOULD TAKE IT
TO THE SHOP?
1669
01:01:44,240 --> 01:01:45,740
HEY, IT'S OLD--
IT'S NOT THAT OLD.
1670
01:01:45,809 --> 01:01:47,141
[LOGAN]:
CHECK IT OUT.
1671
01:01:47,176 --> 01:01:48,443
IT'S DAD'S OLD CAMERA.
1672
01:01:48,478 --> 01:01:50,077
I WONDER IF THERE'S
STILL FILM IN IT.
1673
01:01:50,112 --> 01:01:51,646
OH, BE CAREFUL,
THE...
1674
01:01:51,681 --> 01:01:53,147
RELEASE LATCH
IS BROKEN.
1675
01:01:54,250 --> 01:01:56,651
GUESS I RUINED
THE FILM, HUH?
1676
01:01:56,686 --> 01:01:57,852
IT'S PROBABLY
FOR THE BEST.
1677
01:01:57,887 --> 01:01:58,853
[HANNAH]: MM-HMM.
1678
01:02:01,090 --> 01:02:02,990
GOOD MORNING!
1679
01:02:03,025 --> 01:02:04,124
HI. IS IT ALL CLEAR?
1680
01:02:04,160 --> 01:02:05,927
YES, I DID AN EXTRA LAP
AROUND THE SHOP
1681
01:02:05,962 --> 01:02:07,562
JUST TO BE SURE.
1682
01:02:07,597 --> 01:02:09,630
I CAN'T BELIEVE SOMEONE
WAS SNEAKING AROUND HERE.
1683
01:02:09,666 --> 01:02:10,631
I KNOW.
1684
01:02:10,667 --> 01:02:12,199
IT'S SO SCARY.
1685
01:02:12,234 --> 01:02:14,401
GIVES ME GOOSEBUMPS
JUST THINKING ABOUT IT.
1686
01:02:14,437 --> 01:02:15,837
WHAT ARE YOU DOING?
1687
01:02:15,872 --> 01:02:17,605
OH, I'M TRYING
TO GET AHOLD OF TONY.
1688
01:02:17,640 --> 01:02:18,706
I'M REALLY STARTING
TO WORRY ABOUT HIM.
1689
01:02:18,741 --> 01:02:20,140
WHY, DO YOU THINK
THE SAME PERSON
1690
01:02:20,176 --> 01:02:21,175
MIGHT BE
AFTER HIM, TOO?
1691
01:02:21,210 --> 01:02:22,443
I WOULDN'T BE SURPRISED.
1692
01:02:22,479 --> 01:02:24,411
I MEAN, TONY SAID
LARRY THOUGHT
1693
01:02:24,447 --> 01:02:25,980
SOMEONE WAS AFTER HIM
RIGHT BEFORE HE DIED.
1694
01:02:26,015 --> 01:02:27,648
COULD IT BE MR. SHOUTY
FROM THE OTHER DAY?
1695
01:02:27,684 --> 01:02:29,617
TONY'S DAD.
1696
01:02:29,652 --> 01:02:31,185
THAT WOULD EXPLAIN
WHY TONY DIDN'T WANT TO GO HOME.
1697
01:02:31,220 --> 01:02:32,487
THERE'S ALSO
WALTER MEADOWS,
1698
01:02:32,522 --> 01:02:33,921
THE FORMER PARTNER.
1699
01:02:36,225 --> 01:02:37,558
JUST FOR THE RECORD,
1700
01:02:37,594 --> 01:02:38,993
I WILL NEVER MURDER YOU.
1701
01:02:39,028 --> 01:02:40,995
THANK YOU.
1702
01:02:41,063 --> 01:02:41,896
THAT IS GOOD TO KNOW.
1703
01:02:43,199 --> 01:02:44,599
THEN THERE'S IAN THE LAWYER,
1704
01:02:44,634 --> 01:02:45,933
ALTHOUGH THE KILLER
WAS IN BLACK,
1705
01:02:45,969 --> 01:02:47,935
AND IAN WAS DRESSED
IN A BLUE SUIT.
1706
01:02:48,004 --> 01:02:48,936
YOU SAW A PICTURE
OF THE MURDER.
1707
01:02:48,972 --> 01:02:50,505
YOU'D THINK
THIS WOULD BE EASIER.
1708
01:02:50,540 --> 01:02:52,874
EXCEPT ALMOST EVERYONE
WAS IN A BLACK SUIT.
1709
01:02:52,909 --> 01:02:54,542
WASN'T THERE
A JEALOUS BOYFRIEND?
1710
01:02:54,577 --> 01:02:55,943
PETER.
1711
01:02:55,979 --> 01:02:56,911
SO WHAT ABOUT
A CRIME OF PASSION?
1712
01:02:56,946 --> 01:02:58,646
I ALWAYS PUT MY MONEY
ON THOSE.
1713
01:02:58,715 --> 01:02:59,947
FRANK IS LOOKING
INTO THAT.
1714
01:03:00,016 --> 01:03:01,248
YOU KNOW WHAT I DO
1715
01:03:01,283 --> 01:03:03,117
WHEN I'M TRYING TO WORK
SOMETHING OUT IN MY HEAD?
1716
01:03:03,152 --> 01:03:05,119
OH, DEAR,
I'M AFRAID TO ASK.
1717
01:03:05,187 --> 01:03:06,186
I GO BACK TO THE BEGINNING
1718
01:03:06,222 --> 01:03:07,522
AND WORK THROUGH IT
STEP BY STEP.
1719
01:03:09,025 --> 01:03:10,725
WELL, I WOULD LIKE
TO GET BACK IN THAT STUDY.
1720
01:03:10,760 --> 01:03:12,159
WHY DON'T YOU CALL IAN?
HE COULD LET YOU IN.
1721
01:03:12,194 --> 01:03:13,661
BUT I'D NEED A GOOD REASON.
1722
01:03:14,664 --> 01:03:16,296
YOU KNOW,
1723
01:03:16,365 --> 01:03:18,699
I THINK WE LEFT A LENS
FROM ONE OF THE ANTIQUE CAMERAS
1724
01:03:18,735 --> 01:03:19,667
THERE.
1725
01:03:21,137 --> 01:03:22,202
YOU KNOW,
I THINK YOU'RE RIGHT.
1726
01:03:22,238 --> 01:03:23,504
YEAH.
1727
01:03:23,540 --> 01:03:24,972
AND WE WOULDN'T WANT
TO LEAVE ANYTHING BEHIND.
1728
01:03:25,008 --> 01:03:26,941
NO.
1729
01:03:28,545 --> 01:03:29,911
A LENS?
1730
01:03:31,380 --> 01:03:33,313
YES, OF COURSE.
1731
01:03:33,382 --> 01:03:34,982
BETTER SAFE THAN SORRY.
1732
01:03:35,018 --> 01:03:36,050
LET ME WRAP UP A FEW THINGS,
1733
01:03:36,118 --> 01:03:37,418
AND I'LL MEET YOU
AT THE HOUSE.
1734
01:03:37,453 --> 01:03:38,318
WELL, THANK YOU, IAN.
1735
01:03:38,387 --> 01:03:39,921
I'M ON MY WAY.
1736
01:03:39,956 --> 01:03:40,855
I'LL CALL YOU LATER.
1737
01:03:40,890 --> 01:03:41,856
OKAY.
1738
01:03:51,935 --> 01:03:53,467
IAN?
1739
01:04:07,450 --> 01:04:09,050
IAN?
1740
01:04:54,797 --> 01:04:56,664
[GASPING]
1741
01:04:57,700 --> 01:04:58,499
HEY.
1742
01:04:58,567 --> 01:05:01,368
TONY?
1743
01:05:01,403 --> 01:05:03,938
THIS IS, UH...
IT'S NOT WHAT IT LOOKS LIKE.
1744
01:05:10,146 --> 01:05:11,045
MRS. SHANNON?
1745
01:05:14,150 --> 01:05:16,250
[TONY]:
WE'RE IN HERE.
1746
01:05:21,357 --> 01:05:22,890
TONY?
1747
01:05:22,925 --> 01:05:24,491
WHAT ARE YOU DOING HERE?
1748
01:05:24,527 --> 01:05:26,060
WHAT IS THIS SPACE?
1749
01:05:26,129 --> 01:05:28,129
IT'S UNCLE LARRY'S DARK ROOM.
1750
01:05:31,167 --> 01:05:32,299
TONY, ARE YOU
LIVING HERE?
1751
01:05:34,137 --> 01:05:35,402
BEATS LIVING IN MY VAN.
1752
01:05:35,437 --> 01:05:36,971
FIGURED NO ONE
WOULD NOTICE.
1753
01:05:37,006 --> 01:05:38,405
TONY,
YOU SHOULD HAVE CALLED ME.
1754
01:05:38,440 --> 01:05:39,807
I DIDN'T WANT YOU
TO TELL MY DAD.
1755
01:05:39,876 --> 01:05:41,909
YES, I HEARD
YOU TWO WERE FIGHTING.
1756
01:05:41,978 --> 01:05:43,544
YEAH,
I JUST NEEDED TO GET AWAY.
1757
01:05:45,214 --> 01:05:47,281
DOES ANYONE ELSE KNOW
ABOUT THIS ROOM?
1758
01:05:47,316 --> 01:05:49,050
MY UNCLE SAID
1759
01:05:49,118 --> 01:05:50,985
THAT THE ONLY PEOPLE
WHO KNEW ABOUT IT
1760
01:05:51,054 --> 01:05:51,886
WERE THE CONTRACTORS
WHO BUILT IT,
1761
01:05:51,921 --> 01:05:52,920
HIM, AND ME.
1762
01:05:52,955 --> 01:05:55,856
YOU DIDN'T KNOW ABOUT IT?
1763
01:05:55,925 --> 01:05:57,124
LARRY LOVED
HIS SECRETS.
1764
01:06:03,566 --> 01:06:05,299
WHAT, AM I IN TROUBLE NOW?
1765
01:06:05,334 --> 01:06:06,233
[IAN]:
YOU'LL BE FINE.
1766
01:06:06,268 --> 01:06:07,902
DON'T WORRY.
1767
01:06:10,740 --> 01:06:11,538
YOU SHOULD TELL HER
ABOUT THE MEMORIAL.
1768
01:06:11,574 --> 01:06:13,607
GO AHEAD.
1769
01:06:13,642 --> 01:06:14,909
[TONY]:
IT DIDN'T FEEL RIGHT
1770
01:06:14,944 --> 01:06:16,343
THAT WE'RE NOT HONORING
LARRY SOMEHOW.
1771
01:06:16,378 --> 01:06:17,678
SO IAN ARRANGED
TO HAVE A GATHERING
1772
01:06:17,714 --> 01:06:19,714
HERE AT THE HOUSE
LATER TODAY.
1773
01:06:19,749 --> 01:06:20,748
YOU'RE WELCOME TO COME.
1774
01:06:21,617 --> 01:06:22,516
THANK YOU.
1775
01:06:26,789 --> 01:06:28,823
SEEMS LIKE YOU GOT
IN A LITTLE TROUBLE HERE.
1776
01:06:28,858 --> 01:06:30,191
DRUNK AND DISORDERLY.
1777
01:06:32,195 --> 01:06:34,461
YEAH, I'M NOT PROUD
OF ANY OF IT.
1778
01:06:34,496 --> 01:06:35,796
THAT'S GOOD
TO KNOW.
1779
01:06:36,833 --> 01:06:37,965
CARE TO EXPLAIN?
1780
01:06:40,302 --> 01:06:41,969
MY GIRLFRIEND...
SANDY...
1781
01:06:43,639 --> 01:06:46,073
SHE BROKE UP WITH ME LAST NIGHT.
1782
01:06:46,142 --> 01:06:47,608
SORRY TO HEAR THAT.
1783
01:06:49,245 --> 01:06:51,212
TURNS OUT SHE WAS IN LOVE
WITH SOMEONE ELSE.
1784
01:06:52,481 --> 01:06:54,581
IF YOU DON'T MIND ME ASKING,
1785
01:06:54,617 --> 01:06:55,382
ANY IDEA WHO?
1786
01:06:55,417 --> 01:06:57,551
YEAH...
1787
01:06:57,586 --> 01:06:59,086
LARRY BRADY.
1788
01:07:00,957 --> 01:07:03,224
SHE SAID
THAT HE STOLE HER HEART,
1789
01:07:03,292 --> 01:07:05,359
AND NOW
HE'S GONE FOREVER.
1790
01:07:06,629 --> 01:07:08,062
HOW DO I COMPETE WITH THAT?
1791
01:07:08,097 --> 01:07:09,696
I UNDERSTAND.
1792
01:07:11,067 --> 01:07:11,766
SPEAKING OF COMPETITION...
1793
01:07:13,736 --> 01:07:15,069
LARRY HAS A FINANCIAL STAKE
IN ONE OF YOUR COMPETITORS,
1794
01:07:15,138 --> 01:07:16,036
ISN'T THAT RIGHT?
1795
01:07:16,105 --> 01:07:17,738
THE MEADOWS?
1796
01:07:17,774 --> 01:07:19,173
YEAH.
1797
01:07:19,208 --> 01:07:20,340
I HEARD YOU
USED TO WORK THERE.
1798
01:07:20,376 --> 01:07:22,309
YEAH, YEAH,
THEN I STARTED MY OWN COMPANY.
1799
01:07:22,344 --> 01:07:23,778
ANY HARD FEELINGS?
1800
01:07:23,813 --> 01:07:25,880
OH, A FEW.
1801
01:07:25,915 --> 01:07:27,547
WALTER AND TESS
DIDN'T WANT ME TO GO.
1802
01:07:27,616 --> 01:07:29,449
AND LARRY?
1803
01:07:29,485 --> 01:07:30,617
HE HIRED ME FOR HIS PARTY.
1804
01:07:30,686 --> 01:07:32,153
I THOUGHT
EVERYTHING WAS OKAY.
1805
01:07:34,257 --> 01:07:36,723
AND YOU WEAR
WHITE CATERING UNIFORMS?
1806
01:07:36,759 --> 01:07:38,692
MY STAFF WEAR WHITE.
1807
01:07:38,727 --> 01:07:40,060
I WEAR BLACK.
1808
01:07:40,096 --> 01:07:40,961
YOU KNOW WHO'S IN CHARGE.
1809
01:07:43,699 --> 01:07:44,832
AT THE PARTY,
1810
01:07:44,867 --> 01:07:47,268
WALTER COULDN'T STOP
COMPLAINING ABOUT LARRY,
1811
01:07:47,303 --> 01:07:49,336
HOW MUCH HE WAS SPENDING
ON HIS BIRTHDAY.
1812
01:07:50,807 --> 01:07:52,239
AFTER A WHILE,
I HAD TO EXCUSE MYSELF.
1813
01:07:52,275 --> 01:07:53,707
I HAD ANOTHER EVENT ACROSS TOWN.
1814
01:07:53,742 --> 01:07:55,075
ANYONE BACK THAT UP?
1815
01:07:55,144 --> 01:07:57,178
THERE WERE AT LEAST
A DOZEN PEOPLE WHO SAW ME THERE.
1816
01:07:59,748 --> 01:08:00,514
OKAY.
1817
01:08:02,819 --> 01:08:03,784
NAMES, PLEASE.
1818
01:08:03,820 --> 01:08:06,720
AS MANY AS
YOU CAN REMEMBER.
1819
01:08:23,011 --> 01:08:23,977
HUH.
1820
01:08:24,012 --> 01:08:25,144
THAT'S A COOL SHOT.
1821
01:08:25,179 --> 01:08:26,713
KIND OF ARTY.
1822
01:08:26,748 --> 01:08:29,916
YES, IT'S A NEW ART STYLE
CALLED "ACCIDENTAL".
1823
01:08:29,951 --> 01:08:31,183
HERE, THIS PHOTO IS MUCH BETTER.
1824
01:08:31,252 --> 01:08:32,284
SHOT ON PURPOSE, IN FOCUS,
1825
01:08:32,320 --> 01:08:33,419
AND YOU CAN SEE
THE DETAILS.
1826
01:08:33,454 --> 01:08:34,386
MM-HMM.
1827
01:08:37,692 --> 01:08:38,758
[HANNAH]: WHAT?
DID YOU FIND SOMETHING?
1828
01:08:38,793 --> 01:08:40,392
NOT SOMETHING,
1829
01:08:40,428 --> 01:08:42,294
BUT... SOMEONE.
1830
01:08:42,330 --> 01:08:44,430
RIGHT THERE,
THAT'S SCOTT BRADY,
1831
01:08:44,465 --> 01:08:45,898
AND HE'S NOT SUPPOSED
TO BE THERE.
1832
01:08:47,568 --> 01:08:49,502
I DON'T KNOW
HOW I MISSED THAT.
1833
01:08:51,539 --> 01:08:52,238
YOU KNOW WHAT,
LOOK AT THE TIME.
1834
01:08:52,273 --> 01:08:53,372
I'D BETTER GO
1835
01:08:53,407 --> 01:08:54,473
IF I'M GOING TO MAKE IT
TO LARRY'S MEMORIAL.
1836
01:08:54,509 --> 01:08:55,708
OH, TELL TONY I SAY HI.
1837
01:08:55,744 --> 01:08:56,743
I HOPE HE'S DOING BETTER.
1838
01:08:56,778 --> 01:08:57,977
ME TOO.
1839
01:09:05,286 --> 01:09:07,120
JASON!
WHAT'S UP, MAN?
1840
01:09:07,155 --> 01:09:08,287
OH, HEY, TRAVIS...
1841
01:09:08,356 --> 01:09:09,221
I WOULDN'T YELL
ACROSS THE ROOM,
1842
01:09:09,257 --> 01:09:10,389
IF I WERE YOU.
1843
01:09:10,458 --> 01:09:11,457
DANI AND JENN,
1844
01:09:11,492 --> 01:09:13,425
THEY PREFER
IF PEOPLE SPEAK QUIETER,
1845
01:09:13,461 --> 01:09:14,727
IF POSSIBLE.
1846
01:09:14,763 --> 01:09:16,829
IT HELPS WITH THE WHOLE
ANTIQUE-Y FEEL, YOU KNOW?
1847
01:09:16,865 --> 01:09:18,330
THANKS!
1848
01:09:18,399 --> 01:09:19,632
[QUIETER] THANKS.
GOOD POINTER.
1849
01:09:21,069 --> 01:09:22,068
WHERE'S DANI?
1850
01:09:22,137 --> 01:09:22,969
YEAH, SHE AND KENNETH
ARE JUST...
1851
01:09:23,004 --> 01:09:23,836
[GLASS SHATTERING]
1852
01:09:27,008 --> 01:09:28,675
I'M SO SORRY.
1853
01:09:28,710 --> 01:09:29,942
NO, IT WAS MY FAULT.
1854
01:09:29,978 --> 01:09:30,810
I SHOULD HAVE
LET YOU KNOW
1855
01:09:30,879 --> 01:09:31,778
I WAS BEHIND YOU.
1856
01:09:31,846 --> 01:09:33,412
ARE YOU SURE?
1857
01:09:33,481 --> 01:09:34,513
I FEEL TERRIBLE.
1858
01:09:34,549 --> 01:09:36,448
IT'S FINE,
IT'S FINE.
1859
01:09:36,484 --> 01:09:37,449
EVERYTHING OKAY?
1860
01:09:37,518 --> 01:09:39,118
YEAH, IT'S JUST
A LITTLE ACCIDENT.
1861
01:09:39,154 --> 01:09:40,787
THEY HAPPEN.
1862
01:09:40,822 --> 01:09:41,821
HERE, LET ME HELP.
1863
01:09:41,890 --> 01:09:43,489
NO, I WILL TAKE
CARE OF THIS.
1864
01:09:43,524 --> 01:09:44,523
WHY DON'T YOU
GO OUT FRONT
1865
01:09:44,559 --> 01:09:45,992
AND SEE IF TRAVIS
NEEDS SOME HELP?
1866
01:09:47,395 --> 01:09:48,761
-OF COURSE.
-OKAY.
1867
01:09:53,467 --> 01:09:54,667
SO...
1868
01:09:54,703 --> 01:09:56,202
HOW ARE THE NEW HIRES
WORKING OUT?
1869
01:09:58,606 --> 01:09:59,906
BETWEEN THE TWO OF THEM,
1870
01:09:59,941 --> 01:10:01,373
THEY MAKE
ONE REALLY GREAT EMPLOYEE.
1871
01:10:03,144 --> 01:10:05,211
TRAVIS NEVER GETS TIRED
OF MOVING THINGS,
1872
01:10:05,246 --> 01:10:07,013
AND KENNETH IS SO GOOD
1873
01:10:07,048 --> 01:10:09,481
AT HANDLING
AND CATALOGUING EVERYTHING.
1874
01:10:09,517 --> 01:10:10,883
CAN YOU KEEP BOTH OF THEM?
1875
01:10:10,919 --> 01:10:12,752
THE SHOP'S DOING WELL,
BUT IT'S NOT DOING THAT WELL.
1876
01:10:15,656 --> 01:10:16,889
JASON...
1877
01:10:16,925 --> 01:10:20,693
I KNOW YOU HAVE EXPERIENCE
WITH HIRING PEOPLE,
1878
01:10:20,762 --> 01:10:21,627
BUT WHAT ABOUT...
1879
01:10:21,662 --> 01:10:22,895
FIRING?
1880
01:10:22,931 --> 01:10:24,563
[SIGHING] YEAH.
1881
01:10:24,599 --> 01:10:26,599
IT'S NEVER FUN.
1882
01:10:26,634 --> 01:10:27,767
YOU'VE JUST GOT
TO RIP IT OFF QUICKLY,
1883
01:10:27,802 --> 01:10:28,801
LIKE A BAND-AID.
1884
01:10:30,739 --> 01:10:32,504
I GUESS IT'S OBVIOUS
WHICH ONE OF THEM NEEDS TO GO.
1885
01:10:34,542 --> 01:10:35,441
I'LL DO ANYTHING I CAN
TO HELP.
1886
01:10:37,078 --> 01:10:37,977
THANK YOU.
1887
01:10:41,116 --> 01:10:43,515
IT'S NOT...
1888
01:10:43,551 --> 01:10:45,551
WHAT I MEANT.
1889
01:10:52,927 --> 01:10:54,127
ALL RIGHT.
1890
01:10:54,162 --> 01:10:55,995
I GIVE UP.
1891
01:10:56,064 --> 01:10:57,897
I'M GUESSING THIS IS
GOING TO REQUIRE ME
1892
01:10:57,932 --> 01:10:59,799
TO STOP MAKING
MY SANDWICH.
1893
01:10:59,834 --> 01:11:01,901
YOU KNOW, AT FIRST,
IT WAS JUST FUN,
1894
01:11:01,936 --> 01:11:03,269
TRYING TO GET YOU
TO TELL ME YOUR SECRET.
1895
01:11:03,304 --> 01:11:05,204
MY SECRET?
1896
01:11:05,240 --> 01:11:08,007
ABOUT WHY YOU WOULDN'T PUBLISH
YOUR TENNESSEE WILLIAMS PAPER,
1897
01:11:08,076 --> 01:11:10,176
AND NOW...
1898
01:11:10,211 --> 01:11:11,077
I'M GETTING
A LITTLE WORRIED.
1899
01:11:11,146 --> 01:11:12,211
WHY ARE YOU WORRIED?
1900
01:11:12,280 --> 01:11:14,713
YOU USED TO TALK TO ME,
1901
01:11:14,749 --> 01:11:15,748
BUT NOW THERE'S SECRETS,
1902
01:11:15,784 --> 01:11:17,016
AND YOU WON'T GET PUBLISHED,
1903
01:11:17,051 --> 01:11:18,584
AND...
1904
01:11:18,619 --> 01:11:20,552
I GUESS I'M JUST
A LITTLE WORRIED FOR YOU.
1905
01:11:20,588 --> 01:11:22,421
YOU DON'T HAVE
TO BE WORRIED, OKAY?
1906
01:11:22,490 --> 01:11:24,590
IT'S JUST...
1907
01:11:24,625 --> 01:11:26,058
THERE'S THIS GIRL AT SCHOOL,
1908
01:11:26,094 --> 01:11:28,727
AND SHE WROTE THIS
REALLY AWESOME POEM,
1909
01:11:28,797 --> 01:11:30,596
BUT IF THEY PUBLISH MY PAPER,
1910
01:11:30,631 --> 01:11:32,198
THEN THERE WON'T BE AS MUCH ROOM
FOR POETRY,
1911
01:11:32,233 --> 01:11:34,000
SO...
1912
01:11:34,035 --> 01:11:36,335
I'M JUST LEAVING IT OUT
SO HER POEM CAN GET PUBLISHED.
1913
01:11:38,039 --> 01:11:39,038
THAT'S YOUR BIG SECRET?
1914
01:11:39,073 --> 01:11:40,239
YEAH.
1915
01:11:40,308 --> 01:11:41,340
YEAH, THAT'S IT.
1916
01:11:42,811 --> 01:11:45,678
I JUST DIDN'T WANT TO TALK
ABOUT IT AT FIRST BECAUSE I...
1917
01:11:46,948 --> 01:11:47,814
THAT'S REALLY SWEET.
1918
01:11:51,752 --> 01:11:53,786
HER POEM DESERVES TO BE READ.
1919
01:11:53,822 --> 01:11:55,554
TENNESSEE WOULD HAVE WANTED IT
THIS WAY.
1920
01:11:57,992 --> 01:11:59,091
THANKS FOR TELLING ME, LOGAN.
1921
01:12:01,729 --> 01:12:02,661
SO...
1922
01:12:04,866 --> 01:12:06,165
WHAT ARE WE MAKING?
1923
01:12:18,512 --> 01:12:19,445
MRS. SHANNON?
1924
01:12:21,482 --> 01:12:22,448
MR. BRADY...
1925
01:12:22,483 --> 01:12:23,282
I DON'T WANT A SCENE.
1926
01:12:23,318 --> 01:12:24,783
I JUST WANT TO TALK.
1927
01:12:26,520 --> 01:12:27,753
OKAY.
1928
01:12:27,788 --> 01:12:29,488
I'M SORRY ABOUT WHAT HAPPENED
AT YOUR STORE.
1929
01:12:29,557 --> 01:12:30,456
I LOST MY TEMPER.
1930
01:12:30,524 --> 01:12:31,891
I JUST...
1931
01:12:31,926 --> 01:12:33,792
I WANTED YOU TO BELIEVE ME
THAT I'M INNOCENT.
1932
01:12:33,828 --> 01:12:37,463
MR. BRADY, I WOULD LIKE
TO BELIEVE YOU'RE INNOCENT,
1933
01:12:37,498 --> 01:12:38,597
BUT WHY WON'T YOU ADMIT
1934
01:12:38,632 --> 01:12:39,966
THAT YOU WERE
AT LARRY'S BIRTHDAY PARTY?
1935
01:12:40,001 --> 01:12:41,200
WHAT DO YOU MEAN?
1936
01:12:45,173 --> 01:12:46,172
THIS PHOTO.
1937
01:12:46,241 --> 01:12:47,439
THAT'S YOU
IN THE BACKGROUND.
1938
01:12:51,246 --> 01:12:52,578
I DIDN'T GO TO HIS PARTY.
1939
01:12:52,613 --> 01:12:55,214
I WAS HERE THAT DAY,
BUT NOT FOR THE PARTY.
1940
01:12:55,250 --> 01:12:57,783
LOOK...
1941
01:12:57,818 --> 01:12:59,718
I UNDERSTAND YOU HAD
A COMPLICATED RELATIONSHIP
1942
01:12:59,754 --> 01:13:00,586
WITH YOUR BROTHER...
1943
01:13:02,323 --> 01:13:05,657
BUT IF YOU WANT PEOPLE
TO BELIEVE THAT YOU'RE INNOCENT,
1944
01:13:05,693 --> 01:13:06,893
YOU'RE GOING
TO HAVE TO BE HONEST.
1945
01:13:10,932 --> 01:13:13,266
I WENT TO THE PARTY
TO FIND TONY AND DRAG HIM HOME.
1946
01:13:15,569 --> 01:13:17,203
EVER SINCE LARRY RETIRED,
1947
01:13:17,238 --> 01:13:19,438
HE'S GOT HIMSELF INVOLVED
IN TONY'S LIFE--
1948
01:13:19,473 --> 01:13:22,041
GIVING HIM MONEY,
TELLING HIM WHAT TO DO.
1949
01:13:22,076 --> 01:13:23,542
IT WAS ALWAYS ABOUT CONTROL
WITH LARRY.
1950
01:13:23,577 --> 01:13:26,012
I, UH...
1951
01:13:26,080 --> 01:13:27,380
I GOT MYSELF WORKED UP,
1952
01:13:27,415 --> 01:13:30,482
THINKING ABOUT TONY
AT LARRY'S PARTY.
1953
01:13:30,518 --> 01:13:31,984
THE BOY'S GOT TO LEARN
TO STAND ON HIS OWN.
1954
01:13:33,587 --> 01:13:34,753
SO I CAME HERE
TO THE HOUSE
1955
01:13:34,822 --> 01:13:36,389
AND I SNUCK AROUND THE BACK,
1956
01:13:36,457 --> 01:13:38,857
AND WHEN I COULDN'T SPOT LARRY,
I WAS GOING TO MARCH INSIDE,
1957
01:13:38,893 --> 01:13:40,359
BUT I RAN INTO IAN.
1958
01:13:40,395 --> 01:13:41,360
HE MUST HAVE SEEN
THE LOOK ON MY FACE
1959
01:13:41,396 --> 01:13:42,528
BECAUSE HE GOT ME
TO LEAVE WITH HIM.
1960
01:13:44,432 --> 01:13:46,966
TONY MENTIONED
THAT YOU TWO WERE FIGHTING.
1961
01:13:47,001 --> 01:13:48,634
I'M SURE
THAT'S NOT WHAT YOU WANT.
1962
01:13:48,669 --> 01:13:50,803
I JUST WANT
TO MAKE EVERYTHING RIGHT.
1963
01:13:50,871 --> 01:13:52,004
I NEVER WANTED LARRY'S MONEY.
1964
01:13:52,040 --> 01:13:53,039
THAT'S WHY
I'M SELLING EVERYTHING,
1965
01:13:53,074 --> 01:13:54,673
INCLUDING THE HOUSE.
1966
01:13:54,742 --> 01:13:57,609
I'M CLOSING OUT
ALL OF HIS DEBTS.
1967
01:13:57,678 --> 01:13:59,345
LIKE WITH HIS OLD PARTNER,
WALTER?
1968
01:13:59,380 --> 01:14:01,147
ESPECIALLY WALTER.
1969
01:14:01,215 --> 01:14:02,514
LARRY OWED HIM MORE THAN ANYONE.
1970
01:14:04,085 --> 01:14:06,352
I WISH
I COULD JUST BUY MY SON BACK.
1971
01:14:08,923 --> 01:14:10,289
MR. BRADY,
1972
01:14:10,325 --> 01:14:12,724
I THINK IF YOU WANT
TO MAKE THINGS RIGHT WITH TONY,
1973
01:14:12,760 --> 01:14:14,060
YOU SHOULD GO INSIDE.
1974
01:14:14,095 --> 01:14:15,561
WHY?
1975
01:14:15,629 --> 01:14:18,464
BECAUSE MAYBE
IF YOU CAN FORGIVE LARRY,
1976
01:14:18,499 --> 01:14:19,432
TONY CAN FORGIVE YOU.
1977
01:14:25,206 --> 01:14:26,105
ALL RIGHT.
1978
01:14:27,175 --> 01:14:29,308
AFTER YOU.
1979
01:14:33,848 --> 01:14:35,814
UH, MR. BRADY?
1980
01:14:35,883 --> 01:14:37,183
I'LL CATCH UP WITH YOU
IN ONE SECOND.
1981
01:14:37,218 --> 01:14:39,118
SURE.
1982
01:15:05,380 --> 01:15:06,979
[LINE RINGING]
1983
01:15:07,015 --> 01:15:08,947
LYNWOOD.LEAVE A MESSAGE.
1984
01:15:08,983 --> 01:15:10,983
HEY, FRANK,
IT'S JENN.
1985
01:15:11,052 --> 01:15:12,918
LISTEN, I'M GOING TO TEXT YOU
A PHOTO.
1986
01:15:12,987 --> 01:15:14,286
THERE'S A CAR PARKED
1987
01:15:14,322 --> 01:15:16,288
OUT IN FRONT OF LARRY BRADY'S
MEMORIAL SERVICE.
1988
01:15:16,324 --> 01:15:20,859
IT HAS A YELLOW PAINT SCRATCH
ON THE FENDER.
1989
01:15:20,928 --> 01:15:23,295
I THINK THE KILLER
MIGHT BE HERE.
1990
01:15:51,759 --> 01:15:54,193
OH...
MAYBE THIS WAS A MISTAKE.
1991
01:15:54,228 --> 01:15:56,995
EXCUSE ME.
1992
01:15:57,031 --> 01:15:57,963
DAD?
1993
01:16:01,169 --> 01:16:02,301
HEY.
1994
01:16:02,336 --> 01:16:03,902
I'M SURPRISED
TO SEE YOU HERE.
1995
01:16:03,938 --> 01:16:06,038
WE...
1996
01:16:06,107 --> 01:16:07,739
SHOULD TALK...
1997
01:16:07,775 --> 01:16:08,707
IN PRIVATE.
1998
01:16:35,553 --> 01:16:37,153
SANDY,
ARE YOU OKAY?
1999
01:16:37,189 --> 01:16:38,121
YEAH.
2000
01:16:39,757 --> 01:16:41,490
I WAS JUST LOOKING
AT LARRY'S PHOTOGRAPHY.
2001
01:16:43,695 --> 01:16:45,461
THIS ONE...
2002
01:16:45,530 --> 01:16:46,930
IT'S ONE OF
MY FAVORITES.
2003
01:16:46,998 --> 01:16:48,331
IT'S BEAUTIFUL.
2004
01:16:48,366 --> 01:16:49,498
YEAH.
2005
01:16:51,369 --> 01:16:52,235
IS THAT YOU?
2006
01:16:53,872 --> 01:16:54,871
YEAH.
2007
01:16:56,774 --> 01:16:58,208
PHOTOGRAPHY REALLY DID
BRING YOU TWO TOGETHER,
2008
01:16:58,243 --> 01:16:59,375
DIDN'T IT?
2009
01:16:59,410 --> 01:17:01,410
HE ALWAYS SAID
IT WAS HIS SECOND LOVE...
2010
01:17:01,446 --> 01:17:02,578
AFTER ME.
2011
01:17:06,952 --> 01:17:07,984
SANDY,
2012
01:17:08,053 --> 01:17:10,386
YOU REALLY SHOULD HAVE THIS.
2013
01:17:10,421 --> 01:17:12,621
IS THIS THE PHOTO
THAT YOU TOLD ME ABOUT?
2014
01:17:12,657 --> 01:17:13,923
IT IS.
2015
01:17:13,959 --> 01:17:15,491
THANK YOU.
2016
01:17:15,526 --> 01:17:17,493
IT'S THE LEAST
I CAN DO...
2017
01:17:17,528 --> 01:17:18,694
BESIDES, YOU LOOK
SO BEAUTIFUL
2018
01:17:18,730 --> 01:17:19,863
IN THAT BLACK DRESS.
2019
01:17:20,765 --> 01:17:22,999
BLACK DRESS?
2020
01:17:23,034 --> 01:17:24,334
NO, I WORE BLUE TO THE PARTY
THAT DAY.
2021
01:17:26,037 --> 01:17:27,270
A BRIGHT BLUE.
I REMEMBER IT VERY WELL.
2022
01:17:37,682 --> 01:17:39,249
IT'S A RED FILTER.
2023
01:17:39,317 --> 01:17:40,850
THAT EXPLAINS IT.
2024
01:17:40,886 --> 01:17:42,651
ANYTHING BLUE WOULD
SHOW UP AS DARK BLACK
2025
01:17:42,720 --> 01:17:43,887
WITH THAT FILTER,
2026
01:17:43,922 --> 01:17:45,154
LIKE THIS DRESS.
2027
01:17:45,190 --> 01:17:47,357
OR A BRIGHT-BLUE SUIT.
2028
01:17:47,425 --> 01:17:49,292
[IAN]: EXCUSE ME?
2029
01:17:49,361 --> 01:17:50,393
WE'RE ALL GOING OUTSIDE,
2030
01:17:50,428 --> 01:17:52,161
WHERE TONY WOULD LIKE
TO SAY A FEW WORDS.
2031
01:17:58,169 --> 01:17:59,068
I SHOULD GO.
2032
01:18:00,105 --> 01:18:01,104
THANK YOU.
2033
01:18:01,139 --> 01:18:02,105
YOU'RE WELCOME.
2034
01:18:05,410 --> 01:18:06,276
EVERYTHING OKAY?
2035
01:18:06,311 --> 01:18:07,843
YES.
2036
01:18:07,879 --> 01:18:09,946
THAT WAS A GOOD CALL,
WITH THE GLOVES.
2037
01:18:09,981 --> 01:18:11,247
I WISH I WOULD'VE
THOUGHT OF THAT.
2038
01:18:11,283 --> 01:18:12,415
IT'S SO COLD OUT.
2039
01:18:12,450 --> 01:18:14,483
AH, WELL,
2040
01:18:14,519 --> 01:18:16,085
THESE AREN'T MUCH PROTECTION
AGAINST THE WEATHER.
2041
01:18:16,121 --> 01:18:17,620
THEY'RE DRIVING GLOVES.
2042
01:18:17,655 --> 01:18:19,155
THE DEALER THREW THEM IN
WHEN I GOT MY NEW CAR.
2043
01:18:20,225 --> 01:18:21,157
ARE YOU COMING?
2044
01:18:21,192 --> 01:18:22,558
I--I AM.
2045
01:18:22,593 --> 01:18:23,960
I'M JUST GOING
TO PACK UP MY BAG.
2046
01:18:45,283 --> 01:18:46,916
[DIALING]
2047
01:18:46,952 --> 01:18:47,984
[LINE RINGING]
2048
01:18:48,019 --> 01:18:49,685
LYNWOOD.LEAVE A MESSAGE.
2049
01:18:49,720 --> 01:18:51,454
FRANK, IT'S JENN.
2050
01:18:51,489 --> 01:18:52,455
IT'S IAN.
2051
01:18:52,523 --> 01:18:53,423
IAN IS THE KILLER.
2052
01:18:53,458 --> 01:18:54,958
GIVE ME THE PHONE.
2053
01:19:01,599 --> 01:19:02,598
AND ALL THIS TIME,
2054
01:19:02,633 --> 01:19:03,766
I THOUGHT IT WAS SOMEONE
IN A BLACK SUIT
2055
01:19:03,801 --> 01:19:05,234
WHO WAS OUT
TO GET LARRY.
2056
01:19:05,270 --> 01:19:07,503
TURNS OUT
THE SUIT WAS BLUE.
2057
01:19:07,538 --> 01:19:10,373
I WAS NEVER OUT TO GET HIM.
2058
01:19:10,408 --> 01:19:12,608
LARRY ASKED ME TO HANDLE
SOME BUSINESS MATTERS FOR HIM,
2059
01:19:12,643 --> 01:19:14,510
BUT...
2060
01:19:14,579 --> 01:19:17,413
I ENDED UP HANDLING HIS MONEY
ALL THE WAY TO MY BOOKIE.
2061
01:19:18,516 --> 01:19:19,849
BOOKIE?
2062
01:19:19,917 --> 01:19:20,616
THAT EXPLAINS WHY YOU WERE
LOOKING AT THE SPORTS PAGE
2063
01:19:20,651 --> 01:19:21,584
THE OTHER DAY.
2064
01:19:21,619 --> 01:19:23,652
OH, MRS. SHANNON,
2065
01:19:23,688 --> 01:19:25,788
I DIDN'T KNOW
YOU WERE COMING BY.
2066
01:19:25,823 --> 01:19:28,524
[JENN]: SO LARRY HAD NO IDEA
HE WAS BROKE, DID HE?
2067
01:19:28,559 --> 01:19:29,558
HE HAD NO IDEA
2068
01:19:29,627 --> 01:19:30,793
THAT YOU GAMBLED
ALL HIS MONEY AWAY.
2069
01:19:30,828 --> 01:19:33,596
OH, HE SUSPECTED
SOMETHING WAS WRONG.
2070
01:19:33,631 --> 01:19:35,664
THAT'S WHY HE ASKED TO SEE
ALL OF HIS FINANCIAL PAPERWORK,
2071
01:19:35,700 --> 01:19:37,933
AND I KNEW
SOMETHING HAD TO BE DONE.
2072
01:19:37,969 --> 01:19:38,968
SO YOU KILLED HIM.
2073
01:19:39,037 --> 01:19:40,103
I DIDN'T HAVE MUCH CHOICE.
2074
01:19:42,773 --> 01:19:43,973
[JENN]: AND YOU KNEW
ABOUT THIS DARK ROOM
2075
01:19:44,042 --> 01:19:45,241
AND ALL THE CHEMICALS
HE KEPT IN HERE.
2076
01:19:45,276 --> 01:19:47,510
PROVIDING YOU
WITH THE PERFECT MURDER WEAPON.
2077
01:19:47,545 --> 01:19:49,445
[BODY THUDS]
2078
01:19:49,481 --> 01:19:51,914
LARRY STARTED
ASKING QUESTIONS.
2079
01:19:51,983 --> 01:19:54,250
IT WAS ONLY A MATTER OF TIME
BEFORE HE DISCOVERED IT WAS ME.
2080
01:19:56,521 --> 01:19:58,087
[JENN]:
BUT SCOTT SAW YOU LEAVING.
2081
01:19:59,424 --> 01:20:00,156
[IAN]: YEAH...
2082
01:20:00,191 --> 01:20:01,157
WELL...
2083
01:20:01,226 --> 01:20:02,525
LUCKY FOR ME,
2084
01:20:02,560 --> 01:20:04,027
HE WAS TOO CONSUMED
WITH HIS OWN FAMILY DRAMA
2085
01:20:04,062 --> 01:20:05,361
TO WONDER
WHAT I WAS UP TO.
2086
01:20:05,430 --> 01:20:07,363
AND THEN YOU CAME TO MY STORE
TO TRY TO SCARE ME.
2087
01:20:07,399 --> 01:20:09,965
I SAW THE SCRAPE
ON YOUR CAR.
2088
01:20:10,001 --> 01:20:11,200
THE YELLOW PAINT
REALLY STICKS OUT.
2089
01:20:11,269 --> 01:20:12,335
WELL,
2090
01:20:12,404 --> 01:20:14,037
DON'T SAY
I DIDN'T TRY TO WARN YOU.
2091
01:20:14,072 --> 01:20:15,338
[GUN COCKING]
2092
01:20:16,374 --> 01:20:17,940
BY THE WAY...
2093
01:20:17,975 --> 01:20:19,608
DID I MENTION...
2094
01:20:19,677 --> 01:20:20,543
THIS ROOM IS SOUNDPROOF.
2095
01:20:20,578 --> 01:20:21,511
[PHONE RINGING]
2096
01:20:22,847 --> 01:20:23,779
[GUN FIRING]
2097
01:20:26,584 --> 01:20:28,518
FREEZE.
2098
01:20:28,586 --> 01:20:30,786
PUT DOWN THE GUN.
2099
01:20:34,526 --> 01:20:35,558
YEAH.
2100
01:20:36,794 --> 01:20:37,693
WHOA...
2101
01:20:46,104 --> 01:20:48,404
I GUESS YOU GOT MY VOICEMAIL.
2102
01:20:48,440 --> 01:20:49,672
I RAN THE PLATES.
2103
01:20:49,707 --> 01:20:51,307
WHEN I SAW IAN'S NAME,
2104
01:20:51,342 --> 01:20:52,875
I COULDN'T GET HERE
FAST ENOUGH.
2105
01:20:52,910 --> 01:20:54,743
GIVE ME FIVE MINUTES
ALONE WITH HIM.
2106
01:20:54,779 --> 01:20:55,844
MAYBE DON'T SAY
THAT STUFF
2107
01:20:55,880 --> 01:20:56,812
WHEN I'M HERE.
2108
01:20:56,847 --> 01:20:58,081
IT'LL BE OKAY.
2109
01:20:58,116 --> 01:20:59,315
HE'S GOING TO GET
WHAT HE DESERVES.
2110
01:20:59,384 --> 01:21:00,983
WE SHOULD HEAD HOME.
2111
01:21:01,018 --> 01:21:02,051
ONE SECOND.
2112
01:21:02,120 --> 01:21:03,453
I JUST WANT TO TALK
TO MRS. SHANNON.
2113
01:21:03,488 --> 01:21:04,720
SURE.
2114
01:21:04,755 --> 01:21:06,689
I'LL WAIT FOR YOU
IN THE CAR.
2115
01:21:06,724 --> 01:21:08,224
DID YOU GET A CHANCE
TO SPEAK WITH HIM?
2116
01:21:08,293 --> 01:21:09,459
YEAH.
2117
01:21:09,494 --> 01:21:10,659
THINGS AREN'T PERFECT,
2118
01:21:10,695 --> 01:21:12,861
BUT I THINK I UNDERSTAND HIM
A BIT BETTER NOW.
2119
01:21:12,897 --> 01:21:14,530
THANKS.
2120
01:21:14,599 --> 01:21:16,065
GOOD LUCK.
2121
01:21:21,005 --> 01:21:22,605
YOU SOLVE A MURDER
2122
01:21:22,640 --> 01:21:24,340
AND HEAL A FAMILY.
2123
01:21:24,375 --> 01:21:25,608
NOT BAD FOR
A DAY'S WORK.
2124
01:21:25,643 --> 01:21:27,910
WELL, I'M JUST GLAD
YOU SHOWED UP WHEN YOU DID.
2125
01:21:27,945 --> 01:21:29,979
I SHUDDER TO THINK
WHAT WOULD HAVE HAPPENED.
2126
01:21:30,014 --> 01:21:31,046
GOOD.
2127
01:21:31,116 --> 01:21:32,582
DON'T THINK ABOUT IT.
2128
01:21:32,617 --> 01:21:35,251
WELL, I'M GOING BACK
TO MY NICE, SAFE ANTIQUES.
2129
01:21:35,320 --> 01:21:37,286
NOW, THERE'S A PLAN
I CAN GET BEHIND.
2130
01:21:40,258 --> 01:21:42,492
IAN HATHAWAY SWAPPED
HIS BLUE SUIT
2131
01:21:42,527 --> 01:21:43,593
FOR AN ORANGE UNIFORM.
2132
01:21:43,628 --> 01:21:44,793
GUESS WHO'S LOOKING
FOR A LAWYER NOW?
2133
01:21:46,598 --> 01:21:47,863
I TALKED TO TONY.
2134
01:21:47,898 --> 01:21:49,365
HE SAID HE'S MOVING BACK IN
WITH HIS FATHER,
2135
01:21:49,434 --> 01:21:51,534
AND HIS BAND
IS REHEARSING AGAIN.
2136
01:21:51,569 --> 01:21:53,068
MAYBE YOU AND I CAN GO
SEE ONE OF THEIR SHOWS.
2137
01:21:53,138 --> 01:21:54,370
OH, THAT
WOULD BE GREAT,
2138
01:21:54,439 --> 01:21:55,605
ALTHOUGH FOR NOW,
2139
01:21:55,640 --> 01:21:57,440
I'M LOOKING FORWARD
TO GETTING BACK TO THE STORE
2140
01:21:57,509 --> 01:21:58,541
AND TACKLING THAT INVENTORY.
2141
01:21:58,576 --> 01:21:59,675
HEY, DID YOU GUYS DECIDE
2142
01:21:59,710 --> 01:22:02,311
ON WHICH EMPLOYEE
WE'RE GOING TO KEEP?
2143
01:22:02,380 --> 01:22:04,247
WELL, ACTUALLY,
2144
01:22:04,315 --> 01:22:06,115
I THOUGHT DANI WAS
GOING TO FIRE TRAVIS,
2145
01:22:06,151 --> 01:22:07,883
SO I GOT HIM A JOB
WITH A CONSTRUCTION COMPANY.
2146
01:22:07,918 --> 01:22:09,218
SEE, I THOUGHT
2147
01:22:09,254 --> 01:22:10,219
THAT JASON WAS GOING
TO FIRE KENNETH,
2148
01:22:10,255 --> 01:22:11,354
SO I MADE A CALL,
2149
01:22:11,389 --> 01:22:13,656
AND NOW HE'S A DOCENT
AT THE HISTORY MUSEUM.
2150
01:22:13,724 --> 01:22:14,957
OH, SO WHAT
YOU'RE TELLING ME
2151
01:22:15,026 --> 01:22:15,824
IS WE DON'T
HAVE ANY HELP?
2152
01:22:15,860 --> 01:22:17,026
NO.
2153
01:22:17,061 --> 01:22:18,194
I GUESS WE COULD HAVE
COORDINATED BETTER.
2154
01:22:18,263 --> 01:22:19,562
[DANI]: FORTUNATELY,
2155
01:22:19,597 --> 01:22:20,763
DREW WAS THERE
TO RESCUE ME.
2156
01:22:20,798 --> 01:22:21,764
LUCKY FOR EVERYONE,
2157
01:22:21,832 --> 01:22:22,865
I WAS SITTING
AT MY OWN SHOP
2158
01:22:22,900 --> 01:22:23,966
WITHOUT ANYTHING
HEAVY TO MOVE,
2159
01:22:24,001 --> 01:22:24,900
LOOKING FOR
AN OPPORTUNITY.
2160
01:22:24,935 --> 01:22:26,769
WELL, THANK YOU, DREW.
2161
01:22:26,837 --> 01:22:28,371
HEY, I HEAR
YOU ARE QUITE A WRITER.
2162
01:22:28,406 --> 01:22:29,605
[LOGAN]:
UH, YEAH.
2163
01:22:29,641 --> 01:22:32,275
IT'S JUST FOR
A SCHOOL ASSIGNMENT.
2164
01:22:32,343 --> 01:22:33,309
[HANNAH]:
HE'S BEING MODEST.
2165
01:22:33,344 --> 01:22:35,645
NOT ONLY
WAS HIS PAPER INCREDIBLE,
2166
01:22:35,680 --> 01:22:37,280
HE'S DOING WHAT HE CAN
TO HELP OUT A CLASSMATE.
2167
01:22:38,516 --> 01:22:39,649
I TOLD THE GIRL TODAY
2168
01:22:39,684 --> 01:22:41,950
THAT HER POEM'S GOING
TO GET PUBLISHED.
2169
01:22:41,986 --> 01:22:43,352
SHE GAVE ME THIS NOTE.
2170
01:22:43,388 --> 01:22:45,321
[SALLY]:
THAT'S GREAT.
2171
01:22:45,356 --> 01:22:46,455
LOGAN, I WOULD LOVE
TO READ YOUR PIECE,
2172
01:22:46,491 --> 01:22:47,756
EVEN IF IT'S NOT
BEING PUBLISHED.
2173
01:22:47,792 --> 01:22:49,358
SURE, MOM,
2174
01:22:49,394 --> 01:22:51,060
BUT IT'S NOT STAYING
UNPUBLISHED.
2175
01:22:51,128 --> 01:22:52,328
HANNAH ENCOURAGED ME,
2176
01:22:52,363 --> 01:22:55,030
SO I SUBMITTED IT TO
THIS THEATER WEB SITE,
2177
01:22:55,066 --> 01:22:56,532
AND THEY PUT IT UP ONLINE
THIS AFTERNOON.
2178
01:22:57,602 --> 01:22:59,835
WOW! YOU'RE FAMOUS.
2179
01:22:59,870 --> 01:23:01,571
INTERNET FAMOUS.
2180
01:23:01,606 --> 01:23:03,939
THAT'S GREAT, SON,
2181
01:23:03,974 --> 01:23:05,474
AND HEY, I HAVE
A SURPRISE FOR EVERYONE.
2182
01:23:05,543 --> 01:23:06,409
IT'S WAITING FOR US
IN THE LIVING ROOM
2183
01:23:06,444 --> 01:23:08,244
WHEN WE'RE DONE EATING.
2184
01:23:09,480 --> 01:23:11,280
WELL, NOW,
WHO CAN EAT
2185
01:23:11,316 --> 01:23:13,182
WHEN WE KNOW YOU HAVE
A SURPRISE WAITING FOR US?
2186
01:23:13,218 --> 01:23:14,350
I CAN.
2187
01:23:14,385 --> 01:23:15,184
[JASON]: COURSE.
2188
01:23:15,220 --> 01:23:16,552
LET'S GO.
2189
01:23:16,588 --> 01:23:18,287
OH, A SURPRISE!
I LOVE SURPRISES!
2190
01:23:18,356 --> 01:23:20,122
YOU, IT WOULDN'T SURPRISE.
2191
01:23:20,157 --> 01:23:21,257
I NEED THE LADIES
ON THE COUCH,
2192
01:23:21,292 --> 01:23:22,958
GENTLEMEN
BEHIND THE LADIES.
2193
01:23:22,993 --> 01:23:23,892
WHAT ARE WE DOING?
2194
01:23:23,928 --> 01:23:25,361
I DON'T KNOW.
2195
01:23:25,396 --> 01:23:26,929
I HAVE NO IDEA.
2196
01:23:28,333 --> 01:23:29,398
TA-DAH!
2197
01:23:29,434 --> 01:23:31,900
OH, NICE CAMERA!
2198
01:23:31,969 --> 01:23:33,202
AS YOU KNOW,
2199
01:23:33,271 --> 01:23:34,803
LOGAN FOUND MY OLD CAMERA
IN THE ATTIC,
2200
01:23:34,872 --> 01:23:36,872
AND I DECIDED IT'S TIME
TO INVEST IN A NEW ONE.
2201
01:23:36,907 --> 01:23:37,973
IT'S ALL DIGITAL.
2202
01:23:38,008 --> 01:23:40,610
WELL, IT'S TOO BAD
THE FILM GOT RUINED.
2203
01:23:40,645 --> 01:23:41,944
ACTUALLY,
2204
01:23:42,012 --> 01:23:44,213
I TOOK THE CAMERA TO MANNY.
2205
01:23:44,282 --> 01:23:45,448
HE WAS ABLE
TO WORK SOME WONDERS,
2206
01:23:45,483 --> 01:23:47,015
AND...
2207
01:23:47,051 --> 01:23:48,484
SALVAGED A COUPLE OF PICTURES.
2208
01:23:48,519 --> 01:23:49,985
REMEMBER, WE DID SAY,
"FOR BETTER OR FOR WORSE."
2209
01:23:50,020 --> 01:23:52,588
OH, DEAR.
2210
01:23:52,624 --> 01:23:54,624
[LAUGHING]
2211
01:24:02,166 --> 01:24:04,032
LOOK AT YOUR HAIR.
2212
01:24:04,068 --> 01:24:05,167
THANK YOU.
I LOVE MY HAIR.
2213
01:24:05,202 --> 01:24:06,168
[LAUGHING]
2214
01:24:06,203 --> 01:24:07,770
OKAY, YOU GUYS READY?
2215
01:24:07,805 --> 01:24:09,605
I NEED YOU A LITTLE
TIGHTER, GENTLEMEN.
2216
01:24:09,641 --> 01:24:11,540
READY? IT'S TIME
TO MAKE SOME NEW MEMORIES.
2217
01:24:12,843 --> 01:24:13,643
COME ON, DAD!
GET IN THE PICTURE!
2218
01:24:14,879 --> 01:24:16,746
ALL RIGHT.
2219
01:24:16,781 --> 01:24:17,880
OKAY, EVERYONE!
2220
01:24:17,915 --> 01:24:18,847
SAY "CHEESE"!
2221
01:24:18,883 --> 01:24:21,417
CHEESE!
2222
01:24:21,452 --> 01:24:22,818
[SHUTTER CLICKING]
149664
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