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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:03,445 --> 00:01:07,212 [♪♪♪] 2 00:01:26,935 --> 00:01:29,201 [♪♪♪] 3 00:01:49,056 --> 00:01:50,022 SAY CHEESE! 4 00:01:50,057 --> 00:01:51,390 CHEESE! 5 00:01:51,425 --> 00:01:52,458 THERE ARE DRINKS INSIDE 6 00:01:52,494 --> 00:01:54,326 AND PLENTY OF FOOD FOR EVERYONE. 7 00:01:54,395 --> 00:01:55,595 LEAVE IT TO LARRY 8 00:01:55,630 --> 00:01:57,797 TO INSIST ON BLACK TIE FOR HIS BIRTHDAY PARTY. 9 00:01:57,832 --> 00:01:59,832 HE'S PROBABLY SPENDING A FORTUNE. 10 00:01:59,901 --> 00:02:01,868 DAD, THIS IS NOT THE PLACE. 11 00:02:01,903 --> 00:02:03,235 -[LARRY]: PETER? -[PETER]: YEAH? 12 00:02:03,304 --> 00:02:05,270 -HELP THEM. -SURE. FOLLOW ME. 13 00:02:05,306 --> 00:02:06,739 AND HE'S GOT PETER HARRELL DOING THE CATERING? 14 00:02:08,510 --> 00:02:09,709 IT'S LIKE HE'S SPITTING IN OUR EYE. 15 00:02:09,744 --> 00:02:10,676 OKAY, JUST STAY CALM. 16 00:02:10,712 --> 00:02:12,778 WE'LL FIGURE THIS OUT. 17 00:02:12,814 --> 00:02:14,046 [LARRY]: TESS! 18 00:02:14,081 --> 00:02:15,381 GOOD TO SEE YOU. 19 00:02:15,416 --> 00:02:17,316 LARRY! HAPPY BIRTHDAY. 20 00:02:17,351 --> 00:02:18,651 WALTER, 21 00:02:18,720 --> 00:02:19,752 GLAD YOU COULD MAKE IT. 22 00:02:19,787 --> 00:02:21,020 IT WASN'T EASY. 23 00:02:21,055 --> 00:02:21,988 YOU KNOW WE HATE TO TAKE TIME AWAY 24 00:02:22,023 --> 00:02:22,955 FROM THE RESTAURANT, 25 00:02:22,991 --> 00:02:24,356 ESPECIALLY NOW. 26 00:02:24,392 --> 00:02:26,626 I UNDERSTAND YOU'RE UPSET, 27 00:02:26,661 --> 00:02:27,693 BUT IF YOU COULD GIVE ME SOME TIME, 28 00:02:27,729 --> 00:02:28,928 I'LL BE ABLE TO EXPLAIN... 29 00:02:28,963 --> 00:02:31,230 HEY, CAN I GET A PHOTO? 30 00:02:31,265 --> 00:02:32,197 STAND TOGETHER. 31 00:02:32,233 --> 00:02:34,266 ONE, TWO, THREE. 32 00:02:34,301 --> 00:02:36,368 MAKE SURE YOU GET MY GOOD SIDE. 33 00:02:37,705 --> 00:02:38,638 DO YOU HAVE A BAD ONE? 34 00:02:39,674 --> 00:02:41,306 THANKS, GUYS. 35 00:02:43,845 --> 00:02:46,278 THE RESTAURANT HAS SOME BILLS COMING DUE. 36 00:02:46,313 --> 00:02:47,479 YOU HAVEN'T PAID YOUR SHARE. 37 00:02:47,549 --> 00:02:49,248 WE NEED THAT MONEY, LARRY. 38 00:02:49,316 --> 00:02:50,616 WALTER, I SWEAR, 39 00:02:50,652 --> 00:02:52,752 AS SOON AS I FIGURE THINGS OUT... 40 00:02:52,787 --> 00:02:53,619 MIND IF I BORROW MY FAVORITE CLIENT 41 00:02:53,688 --> 00:02:54,654 FOR A MOMENT? 42 00:02:54,689 --> 00:02:57,289 [LARRY]: GO ON, ENJOY YOURSELF. 43 00:02:57,324 --> 00:02:58,591 EVERYTHING WILL BE OKAY. 44 00:02:58,626 --> 00:02:59,525 I PROMISE. 45 00:03:00,762 --> 00:03:02,327 COME ON, TESS. 46 00:03:04,732 --> 00:03:06,599 IT'S A PARTY, REMEMBER. 47 00:03:06,668 --> 00:03:09,501 LET'S AVOID ANY UNPLEASANT CONVERSATION. 48 00:03:09,571 --> 00:03:10,703 WALLY'S MY FRIEND. 49 00:03:10,738 --> 00:03:12,371 I OWE HIM AN EXPLANATION. 50 00:03:12,406 --> 00:03:14,640 WELL, HE'S NOT LOOKING FOR AN EXPLANATION. 51 00:03:14,676 --> 00:03:16,442 HE'S LOOKING FOR A FIGHT. 52 00:03:16,477 --> 00:03:17,610 REMEMBER, I WARNED YOU 53 00:03:17,679 --> 00:03:19,344 AGAINST INVESTING IN YOUR FRIENDS' PROJECTS. 54 00:03:19,380 --> 00:03:21,213 EASIER SAID THAN DONE. 55 00:03:21,248 --> 00:03:22,514 DID YOU BRING THOSE DOCUMENTS I ASKED FOR? 56 00:03:22,550 --> 00:03:23,716 AH, YES. 57 00:03:23,751 --> 00:03:25,551 I'M HAVING MY SECRETARY PULL ALL THE OLD FILES. 58 00:03:25,620 --> 00:03:26,485 WE'LL HAVE SOMETHING FOR YOU 59 00:03:26,520 --> 00:03:27,653 BY THE END OF THE WEEK. 60 00:03:27,722 --> 00:03:28,921 I'M SORRY, BUT I CAN'T STAY. 61 00:03:28,957 --> 00:03:30,222 YOU'RE LEAVING? 62 00:03:30,291 --> 00:03:31,523 YEAH, WELL... 63 00:03:31,593 --> 00:03:32,625 YOU MAY BE MY FAVORITE CLIENT, 64 00:03:32,660 --> 00:03:33,593 BUT YOU'RE NOT MY ONLY ONE. 65 00:03:33,628 --> 00:03:36,696 MY ADVICE, AS YOUR ATTORNEY... 66 00:03:36,731 --> 00:03:38,263 FOCUS ON YOUR BIRTHDAY. 67 00:03:38,299 --> 00:03:40,199 THE PAPERWORK WILL STILL BE THERE TOMORROW. 68 00:03:41,903 --> 00:03:43,736 HEY, UNCLE LARRY. 69 00:03:45,773 --> 00:03:46,872 TONY. 70 00:03:46,908 --> 00:03:47,807 SO GLAD YOU'RE HERE. 71 00:03:50,011 --> 00:03:50,943 I HAVEN'T SEEN YOUR DAD YET. 72 00:03:50,979 --> 00:03:52,411 YEAH, NO, UH... 73 00:03:52,480 --> 00:03:53,613 HE COULDN'T MAKE IT. 74 00:03:53,648 --> 00:03:54,947 [PHOTOGRAPHER]: HEY, GATHER UP. 75 00:03:54,983 --> 00:03:55,982 WE'RE GETTING EVERYONE TOGETHER 76 00:03:56,050 --> 00:03:57,717 FOR A GROUP SHOT. 77 00:03:57,752 --> 00:03:58,818 WHAT HAPPENED TO YOUR BOW TIE? 78 00:04:00,922 --> 00:04:02,454 I MUST HAVE FORGOT IT INSIDE. 79 00:04:02,523 --> 00:04:03,689 DON'T TAKE ANY PICTURES WITHOUT ME. 80 00:04:03,725 --> 00:04:05,390 OKAY. 81 00:04:05,459 --> 00:04:06,525 CAN I GET EVERYONE TO STAND HERE? 82 00:04:06,594 --> 00:04:07,459 WE'RE GOING TO GET A GROUP SHOT 83 00:04:07,495 --> 00:04:08,694 OF ALL OF US TOGETHER. 84 00:04:25,813 --> 00:04:27,046 [WHISTLING] 85 00:04:29,183 --> 00:04:31,083 WHAT A BEAUTY. 86 00:04:31,119 --> 00:04:31,951 [SHUTTER CLICKING] 87 00:04:57,311 --> 00:04:58,477 OKAY, GUYS, STAY PUT. 88 00:04:58,512 --> 00:04:59,611 I'M GOING TO RUSTLE MR. BRADY OUT HERE, OKAY? 89 00:04:59,647 --> 00:05:01,047 ONE SEC. 90 00:05:03,517 --> 00:05:04,850 MR. BRADY? 91 00:05:04,886 --> 00:05:06,552 WE'RE WAITING. 92 00:05:06,587 --> 00:05:08,721 LARRY? 93 00:05:10,457 --> 00:05:11,557 LARRY? 94 00:05:14,195 --> 00:05:15,427 LARRY? 95 00:05:17,899 --> 00:05:19,732 LARRY! 96 00:05:19,801 --> 00:05:21,834 SOMEBODY CALL AN AMBULANCE! 97 00:05:24,538 --> 00:05:26,005 HELP! 98 00:05:29,243 --> 00:05:31,310 YOGA? 99 00:05:31,345 --> 00:05:34,046 I HAD NO IDEA IT COULD BE SO... DAMAGING. 100 00:05:34,082 --> 00:05:36,415 WELL, IT IS IF IT'S A NEW INSTRUCTOR 101 00:05:36,483 --> 00:05:38,150 AND THEY'RE SHOWING YOU A COOL NEW POSE. 102 00:05:38,186 --> 00:05:39,351 WHAT NEW POSE? 103 00:05:39,420 --> 00:05:41,587 IT'S CALLED "THE BRIDGE TO PEACE." 104 00:05:41,622 --> 00:05:43,723 -WHAT HAPPENED? -MY BRIDGE COLLAPSED. 105 00:05:44,926 --> 00:05:46,525 ARE YOU GOING BACK TO HIS CLASS? 106 00:05:46,560 --> 00:05:47,760 NO! 107 00:05:47,829 --> 00:05:49,995 NO, HE BLAMED ME FOR SPRAINING MY WRIST. 108 00:05:50,031 --> 00:05:52,231 HE SAID IT WAS 'CAUSE MY CHAKRAS WERE MISALIGNED. 109 00:05:52,266 --> 00:05:53,265 OH, THE NERVE! 110 00:05:53,334 --> 00:05:54,299 WELL, THAT'S JUST BAD KARMA. 111 00:05:55,636 --> 00:05:57,002 SO I GUESS THIS MEANS 112 00:05:57,071 --> 00:05:59,004 WE'RE GOING TO HAVE TO POSTPONE THE SPRING INVENTORY. 113 00:05:59,040 --> 00:06:00,405 OH, YOU MEAN THE SPRING INVENTORY 114 00:06:00,474 --> 00:06:02,108 THAT'S REALLY OUR WINTER INVENTORY? 115 00:06:02,143 --> 00:06:03,209 TO BE FAIR, 116 00:06:03,244 --> 00:06:04,276 IT'S ACTUALLY OUR FALL INVENTORY. 117 00:06:04,345 --> 00:06:05,344 OKAY, THAT'S IT. 118 00:06:05,379 --> 00:06:06,345 WE NEED TO HIRE SOME HELP. 119 00:06:06,380 --> 00:06:07,479 YOU MEAN A NEW EMPLOYEE? 120 00:06:07,514 --> 00:06:08,748 JUST TEMPORARY. 121 00:06:08,783 --> 00:06:10,182 SOMEONE WHO CAN HELP US WITH THE INVENTORY, 122 00:06:10,218 --> 00:06:11,350 OH, AND ALSO BRING UP THOSE BOXES 123 00:06:11,385 --> 00:06:12,384 FROM THE BASEMENT. 124 00:06:12,453 --> 00:06:13,652 OOH, IT WOULD BE GOOD TO GET SOMEONE 125 00:06:13,687 --> 00:06:14,887 TO CHECK THE CRAWL SPACE. 126 00:06:14,922 --> 00:06:16,722 WE BETTER HURRY UP AND HIRE THAT PERSON. 127 00:06:16,758 --> 00:06:17,990 THEY ARE ALREADY WAY BEHIND. 128 00:06:18,025 --> 00:06:19,491 [DOOR OPENING] 129 00:06:20,561 --> 00:06:22,161 HELLO, UM... 130 00:06:22,196 --> 00:06:23,695 I'M GUESSING YOU'RE THE ANTIQUE DEALERS? 131 00:06:23,731 --> 00:06:25,597 WHAT GAVE US AWAY? 132 00:06:25,633 --> 00:06:27,666 I'M LOOKING FOR JENNIFER SHANNON. 133 00:06:27,701 --> 00:06:28,868 OH, I'M JENNIFER SHANNON, 134 00:06:28,903 --> 00:06:29,701 AND THIS IS MY PARTNER, DANI. 135 00:06:29,771 --> 00:06:30,936 HELLO. 136 00:06:30,972 --> 00:06:31,971 I'M IAN HATHAWAY. 137 00:06:32,039 --> 00:06:33,038 [DANI]: MR. HATHAWAY, 138 00:06:33,074 --> 00:06:35,307 UM, HOW CAN WE HELP YOU? 139 00:06:35,342 --> 00:06:36,308 WELL, A CLIENT OF MINE, LARRY BRADY, 140 00:06:36,343 --> 00:06:38,577 PASSED AWAY LAST WEEKEND. 141 00:06:38,612 --> 00:06:40,646 HE HAD A HEART ATTACK ON HIS 60TH BIRTHDAY. 142 00:06:40,681 --> 00:06:42,681 OH, I'M SORRY FOR YOUR LOSS. 143 00:06:42,750 --> 00:06:44,083 THANK YOU. 144 00:06:44,118 --> 00:06:45,918 HIS ESTATE HAS PASSED ON TO HIS YOUNGER BROTHER, SCOTT, 145 00:06:45,987 --> 00:06:49,155 AND SCOTT'S LOOKING TO SELL SOME OF LARRY'S BELONGINGS. 146 00:06:49,223 --> 00:06:50,890 AND I'M GUESSING THERE ARE A FEW ANTIQUES? 147 00:06:50,925 --> 00:06:52,124 THAT'S RIGHT. 148 00:06:52,160 --> 00:06:54,994 YEAH, LARRY WAS AN AVID COLLECTOR. 149 00:06:55,062 --> 00:06:56,228 IN FACT, HE HAS AN IMPRESSIVE COLLECTION 150 00:06:56,264 --> 00:06:57,096 OF ANTIQUE CAMERAS. 151 00:06:57,165 --> 00:06:58,998 WOW. 152 00:06:59,033 --> 00:07:01,033 WE'RE VERY SORRY FOR YOUR LOSS, 153 00:07:01,068 --> 00:07:02,601 BUT WE'RE GLAD YOU SOMEHOW FOUND US. 154 00:07:02,670 --> 00:07:04,003 ACTUALLY, 155 00:07:04,038 --> 00:07:05,905 IT WAS LARRY'S NEPHEW, TONY, THAT RECOMMENDED YOU. 156 00:07:05,940 --> 00:07:08,240 HE WENT TO SCHOOL WITH YOUR DAUGHTER, I BELIEVE. 157 00:07:08,276 --> 00:07:09,675 HANNAH. 158 00:07:09,710 --> 00:07:12,377 I HAD NO IDEA SHE WAS SO GOOD AT P.R. 159 00:07:12,413 --> 00:07:13,712 I KNOW THAT LARRY WOULD WANT HIS COLLECTION 160 00:07:13,747 --> 00:07:14,880 WELL TAKEN CARE OF, 161 00:07:14,916 --> 00:07:16,515 SO I ASKED AROUND, AND I HAVE TO TELL YOU, 162 00:07:16,583 --> 00:07:18,417 YOUR SHOP HAS AN EXCELLENT REPUTATION. 163 00:07:19,821 --> 00:07:20,953 I'LL BE AT HIS HOUSE LATER TODAY 164 00:07:20,988 --> 00:07:22,654 IF YOU'D LIKE TO STOP BY. 165 00:07:22,690 --> 00:07:23,923 THERE'S THE ADDRESS, AND I CAN SHOW YOU THE CAMERAS. 166 00:07:23,958 --> 00:07:24,924 OH, THANK YOU. 167 00:07:24,959 --> 00:07:25,991 WE'LL BE THERE. 168 00:07:26,027 --> 00:07:26,826 ALL RIGHT. 169 00:07:26,861 --> 00:07:27,960 WELL, THANK YOU, LADIES. 170 00:07:27,995 --> 00:07:28,894 THANK YOU. 171 00:07:30,298 --> 00:07:31,496 WHOA... 172 00:07:31,532 --> 00:07:33,332 IS THAT WHAT I THINK IT IS? 173 00:07:33,367 --> 00:07:34,967 WELL, IF YOU'RE THINKING IT'S A BIG CONSIGNMENT, 174 00:07:35,002 --> 00:07:36,035 I THINK YOU'RE RIGHT. 175 00:07:36,070 --> 00:07:38,137 YEAH... OW. 176 00:07:38,172 --> 00:07:40,139 WE ARE DEFINITELY HIRING SOMEONE. 177 00:07:54,989 --> 00:07:56,355 AH. 178 00:07:56,390 --> 00:07:57,522 OOH. 179 00:07:57,591 --> 00:07:58,958 THIS IS NICE. 180 00:07:59,026 --> 00:08:00,592 IT'S A LITTLE SMALL. 181 00:08:00,661 --> 00:08:02,027 WELL, SOMETHING TELLS ME 182 00:08:02,063 --> 00:08:04,463 IF YOU LIVED HERE, YOU'D FIND A WAY TO MANAGE. 183 00:08:04,531 --> 00:08:05,530 WELL, I'D HAVE TO SEE 184 00:08:05,566 --> 00:08:07,132 WHAT THE CLOSET SPACE LOOKS LIKE FIRST. 185 00:08:07,168 --> 00:08:08,200 [LAUGHS] 186 00:08:14,608 --> 00:08:17,409 [IAN]: THANK YOU FOR COMING OUT TO THE HOUSE. 187 00:08:17,444 --> 00:08:19,044 [JENN]: IT'S BEAUTIFUL. 188 00:08:19,113 --> 00:08:21,646 [IAN]: YES, MR. BRADY TOOK GREAT PRIDE IN HIS HOME. 189 00:08:21,715 --> 00:08:24,016 HE BOUGHT THIS HOUSE, PLANNING ON HAVING A BIG FAMILY, 190 00:08:24,051 --> 00:08:25,751 BUT... 191 00:08:25,786 --> 00:08:27,086 LIFE WORKED OUT DIFFERENTLY. 192 00:08:27,121 --> 00:08:28,220 WELL... 193 00:08:28,256 --> 00:08:29,154 THAT HAPPENS. 194 00:08:30,358 --> 00:08:32,892 NOW, WE PLAN TO SELL MOST ITEMS AT AUCTION, 195 00:08:32,927 --> 00:08:33,859 BUT WE THOUGHT THE CAMERA COLLECTION 196 00:08:33,895 --> 00:08:35,361 MIGHT DO BETTER ON CONSIGNMENT. 197 00:08:35,396 --> 00:08:37,796 IF YOU DON'T MIND ME ASKING, WHY THE RUSH TO SELL EVERYTHING? 198 00:08:37,831 --> 00:08:40,732 AH, YES, WELL... 199 00:08:40,768 --> 00:08:42,968 MR. BRADY WAS A GENEROUS MAN... TO A FAULT. 200 00:08:43,004 --> 00:08:44,403 UNFORTUNATELY, 201 00:08:44,438 --> 00:08:46,005 HE LEFT HIS ESTATE WITH QUITE A FEW DEBTS 202 00:08:46,040 --> 00:08:47,506 AND VERY LITTLE CAPITAL. 203 00:08:47,541 --> 00:08:50,209 I CAN RELATE. 204 00:08:50,244 --> 00:08:51,343 WELL, HIS YOUNGER BROTHER, SCOTT, 205 00:08:51,379 --> 00:08:52,378 THOUGHT IT BEST TO LIQUIDATE HIS ASSETS 206 00:08:52,413 --> 00:08:53,312 AND SELL THE HOUSE. 207 00:08:55,283 --> 00:08:58,017 WELL, WE APPRECIATE THE BUSINESS, BUT... 208 00:08:58,052 --> 00:08:59,985 YOU WOULD PROBABLY GET MORE MONEY FOR THE CAMERAS 209 00:09:00,021 --> 00:09:01,753 AT AUCTION, TOO. 210 00:09:01,789 --> 00:09:03,822 WELL, THAT'S TRUE, BUT, UH... 211 00:09:03,857 --> 00:09:05,791 IT ISN'T JUST ABOUT THE MONEY. 212 00:09:05,826 --> 00:09:07,326 I MEAN, LARRY WAS MY FRIEND AS WELL AS MY CLIENT. 213 00:09:08,996 --> 00:09:09,895 HE PUT HIS COLLECTION TOGETHER HIMSELF, 214 00:09:09,931 --> 00:09:11,663 AND I JUST KNOW 215 00:09:11,698 --> 00:09:13,532 HE WOULD HAVE LOVED TO STUMBLE ACROSS ITEMS LIKE THIS 216 00:09:13,567 --> 00:09:14,533 IN A SHOP LIKE YOURS. 217 00:09:16,137 --> 00:09:17,303 RIGHT THIS WAY, PLEASE. 218 00:09:29,450 --> 00:09:32,451 WOW, THIS IS QUITE A COLLECTION. 219 00:09:32,486 --> 00:09:33,785 LARRY TOOK UP PHOTOGRAPHY 220 00:09:33,821 --> 00:09:36,588 AFTER HE SOLD HIS INVESTMENT COMPANY. 221 00:09:36,623 --> 00:09:38,257 APPARENTLY, IT WAS A CHILDHOOD LOVE 222 00:09:38,326 --> 00:09:39,658 HE SET ASIDE FOR WORK. 223 00:09:39,693 --> 00:09:41,593 WELL, THERE ARE A LOT OF ITEMS. 224 00:09:41,628 --> 00:09:42,694 WE'LL NEED TO COME BACK 225 00:09:42,729 --> 00:09:43,762 AND PACK EVERYTHING UP FOR TRANSPORT. 226 00:09:43,831 --> 00:09:45,130 OF COURSE, YEAH, 227 00:09:45,166 --> 00:09:46,198 AND I CAN MAKE SURE YOU HAVE ACCESS TO THE HOUSE. 228 00:09:46,267 --> 00:09:47,232 [POUNDING ON DOOR] 229 00:09:48,635 --> 00:09:51,303 UH... IF YOU'LL EXCUSE ME... 230 00:09:52,539 --> 00:09:54,039 WHOA... 231 00:09:54,075 --> 00:09:55,841 WOW. 232 00:09:55,876 --> 00:09:58,177 THERE IS A LOT OF STUFF. 233 00:09:58,245 --> 00:09:59,478 WE'RE DEFINITELY GOING TO NEED... 234 00:09:59,546 --> 00:10:00,545 DON'T SAY IT. 235 00:10:00,581 --> 00:10:03,148 A HAND GETTING IT BACK TO THE SHOP. 236 00:10:03,184 --> 00:10:04,283 [LAUGHING] 237 00:10:05,786 --> 00:10:06,952 HEY, WHAT'S THIS? 238 00:10:10,958 --> 00:10:12,224 WHAT? 239 00:10:12,259 --> 00:10:13,525 OH... 240 00:10:13,560 --> 00:10:14,826 DANI, LOOK AT THIS. 241 00:10:14,862 --> 00:10:16,595 WOW. 242 00:10:16,630 --> 00:10:18,663 I THINK THERE MIGHT STILL BE FILM IN THERE. 243 00:10:18,699 --> 00:10:19,965 OH... 244 00:10:20,001 --> 00:10:21,633 I WONDER IF THIS IS ONE OF THE ITEMS 245 00:10:21,668 --> 00:10:22,934 WE'RE SUPPOSED TO SELL. 246 00:10:22,970 --> 00:10:24,803 -[SHUTTER CLICKING] -OH! 247 00:10:24,838 --> 00:10:27,039 I THINK I JUST TOOK A PHOTO. 248 00:10:27,074 --> 00:10:28,907 YOU MEAN YOU JUST TOOK A PHOTO OF ME. 249 00:10:30,677 --> 00:10:32,544 WELL, WE BETTER HOPE IT'S PART OF THE SALE. 250 00:10:33,881 --> 00:10:35,447 I'LL ASK IAN. 251 00:10:35,516 --> 00:10:37,349 I HOPE YOU GOT MY GOOD SIDE. 252 00:10:38,652 --> 00:10:39,918 [IAN]: HOW DID YOU FIND ME? 253 00:10:39,953 --> 00:10:41,286 THIS IS HIGHLY INAPPROPRIATE. 254 00:10:41,355 --> 00:10:43,022 [WALTER]: YOUR SECRETARY TOLD ME WHERE YOU WERE. 255 00:10:43,057 --> 00:10:45,424 IF YOU'D STOP DUCKING MY CALLS, I WOULDN'T HAVE TO DO THIS. 256 00:10:45,459 --> 00:10:48,360 LOOK, LARRY PROMISED THAT MONEY TO THE RESTAURANT. 257 00:10:48,396 --> 00:10:49,928 WE NEED IT TO STAY OPEN. 258 00:10:49,963 --> 00:10:50,896 DO YOU HAVE A CONTRACT? 259 00:10:50,931 --> 00:10:52,697 LARRY SIGN A CONTRACT? 260 00:10:52,733 --> 00:10:53,765 YOU'RE JOKING, RIGHT? 261 00:10:53,800 --> 00:10:56,135 WALTER, THERE IS NO MONEY. 262 00:10:56,170 --> 00:10:57,702 LARRY WAS COMPLETELY TAPPED OUT. 263 00:10:57,738 --> 00:10:59,171 EVERYTHING LEFT IS SCOTT'S NOW. 264 00:10:59,206 --> 00:11:01,840 [WALTER]: YOU KNOW, LARRY'S GONE. 265 00:11:01,909 --> 00:11:03,875 I SHOULD FINALLY GET WHAT'S DUE. 266 00:11:06,380 --> 00:11:07,246 [CLEARING THROAT] 267 00:11:08,882 --> 00:11:10,549 OH. 268 00:11:10,584 --> 00:11:13,018 MRS. SHANNON, I'M SORRY IF YOU HEARD THAT. 269 00:11:13,087 --> 00:11:15,054 I DON'T MEAN TO INTERRUPT. 270 00:11:15,089 --> 00:11:16,355 IT SOUNDS LIKE YOU HAVE YOUR HANDS FULL. 271 00:11:16,390 --> 00:11:17,356 OH... 272 00:11:17,391 --> 00:11:19,324 IT'S ALL PART OF THE JOB. 273 00:11:19,360 --> 00:11:20,426 IS THERE SOMETHING I CAN HELP YOU WITH? 274 00:11:20,461 --> 00:11:21,593 YES, THIS CAMERA. 275 00:11:21,628 --> 00:11:22,761 IS IT PART OF THE CONSIGNMENT? 276 00:11:24,331 --> 00:11:26,065 I DON'T REMEMBER IT AS PART OF HIS COLLECTION, 277 00:11:26,100 --> 00:11:27,332 BUT HE HAD SO MANY. 278 00:11:27,368 --> 00:11:30,035 WELL, WE ACCIDENTALLY TOOK A PICTURE. 279 00:11:30,104 --> 00:11:31,002 THERE'S FILM IN IT. 280 00:11:31,072 --> 00:11:33,072 OH, I SEE. 281 00:11:33,107 --> 00:11:35,974 BEST TO GET IT DEVELOPED BEFORE WE PUT IT UP FOR SALE, 282 00:11:36,009 --> 00:11:38,143 IN CASE ANY OF THE PHOTOS HAVE SENTIMENTAL VALUE. 283 00:11:38,212 --> 00:11:39,545 OF COURSE. I CAN HANDLE THAT. 284 00:11:39,580 --> 00:11:41,346 AH, THANK YOU. 285 00:11:41,382 --> 00:11:42,281 WOULD YOU EXCUSE ME? 286 00:11:42,316 --> 00:11:43,215 OF COURSE. 287 00:11:48,255 --> 00:11:49,488 YOUR MOTHER'S GOING TO BE SO IMPRESSED 288 00:11:49,523 --> 00:11:51,056 THAT WE TACKLED DINNER ON OUR OWN. 289 00:11:51,092 --> 00:11:52,857 IT'S HARD TO MESS UP PASTA. 290 00:11:52,893 --> 00:11:54,159 YOU'D BE SURPRISED. 291 00:11:54,228 --> 00:11:56,228 ONE TIME IN COLLEGE, I STARTED A FIRE, 292 00:11:56,263 --> 00:11:57,196 TRYING TO MAKE MAC AND CHEESE. 293 00:11:57,231 --> 00:11:58,530 [LAUGHING] 294 00:12:00,167 --> 00:12:02,234 STRAINER, PLEASE. 295 00:12:02,269 --> 00:12:04,936 LOGAN? STRAINER? 296 00:12:04,972 --> 00:12:06,905 YEAH, RIGHT. 297 00:12:06,940 --> 00:12:08,707 EVERYTHING OKAY? 298 00:12:08,742 --> 00:12:10,142 [LOGAN]: YEAH, I GUESS SO. 299 00:12:10,177 --> 00:12:11,577 IT'S JUST, UH... 300 00:12:11,612 --> 00:12:13,011 MY ENGLISH TEACHER WANTS TO PUBLISH 301 00:12:13,046 --> 00:12:14,879 THIS PAPER THAT I DID ON TENNESSEE WILLIAMS 302 00:12:14,915 --> 00:12:15,947 IN THE SCHOOL JOURNAL. 303 00:12:15,983 --> 00:12:17,416 [JASON]: THAT'S GREAT! 304 00:12:19,353 --> 00:12:20,986 THAT'S NOT GREAT? 305 00:12:21,021 --> 00:12:22,921 I DON'T THINK I'M GOING TO DO IT. 306 00:12:22,956 --> 00:12:25,857 "TENNESSEE WILLIAMS AND THE AMERICAN DREAM." 307 00:12:25,892 --> 00:12:27,326 YOU KNOW, I HAD A PAPER IN THE SCHOOL JOURNAL. 308 00:12:27,361 --> 00:12:29,228 LOOKS GREAT ON A COLLEGE APPLICATION. 309 00:12:29,263 --> 00:12:30,829 YOU SHOULD PUBLISH IT. 310 00:12:30,864 --> 00:12:31,763 WE'LL SEE. 311 00:12:33,000 --> 00:12:34,032 HEY, EVERYONE, SORRY I'M LATE, 312 00:12:34,101 --> 00:12:36,768 BUT WE MIGHT HAVE A NICE BIG CONSIGNMENT 313 00:12:36,837 --> 00:12:38,604 THANKS TO THIS YOUNG LADY. 314 00:12:38,639 --> 00:12:40,005 ME? 315 00:12:40,073 --> 00:12:41,773 MM-HMM, WE GOT A RECOMMENDATION FROM YOUR OLD CLASSMATE, 316 00:12:41,808 --> 00:12:42,941 TONY BRADY. 317 00:12:43,010 --> 00:12:44,309 OH, TONY BRADY? 318 00:12:44,345 --> 00:12:45,511 YEAH, I USED TO GO SEE HIS BAND PLAY ALL THE TIME. 319 00:12:45,579 --> 00:12:46,478 THEY'RE ACTUALLY PRETTY GOOD. 320 00:12:46,547 --> 00:12:48,079 [JENN]: WELL, UNFORTUNATELY, 321 00:12:48,115 --> 00:12:49,481 HIS UNCLE PASSED AWAY, 322 00:12:49,517 --> 00:12:51,016 BUT WE MIGHT BE SELLING SOME OF HIS ANTIQUE CAMERAS. 323 00:12:51,084 --> 00:12:53,118 A BUSY SHOP MEANS HAPPY WIFE. 324 00:12:53,154 --> 00:12:55,954 MM, AND I'M STARVING, AND YOU MADE DINNER? 325 00:12:55,989 --> 00:12:57,088 OH, IT'S LIKE I DIED AND WENT TO HEAVEN. 326 00:12:57,124 --> 00:12:58,723 HOW DO YOU MESS UP PASTA? 327 00:12:58,759 --> 00:12:59,724 YOU'D BE SURPRISED. 328 00:13:02,463 --> 00:13:04,263 I SEE YOU BROUGHT WORK HOME? 329 00:13:04,298 --> 00:13:06,565 OH, DANI ACCIDENTALLY TOOK A PHOTO OF ME, 330 00:13:06,634 --> 00:13:08,099 AND NOW I HAVE TO GET THE FILM DEVELOPED. 331 00:13:08,135 --> 00:13:09,734 THAT'S GOING TO BE DIFFICULT, 332 00:13:09,770 --> 00:13:11,002 CONSIDERING EVERYTHING'S DIGITAL THESE DAYS. 333 00:13:11,038 --> 00:13:12,070 I KNOW, 334 00:13:12,105 --> 00:13:13,272 BUT THE CLIENT DOESN'T WANT US 335 00:13:13,307 --> 00:13:14,939 TO SELL THE CAMERA WITH A PICTURE OF ME IN IT. 336 00:13:14,975 --> 00:13:17,376 WELL, I'D SAY ANY CAMERA WITH A PICTURE OF YOU IN IT 337 00:13:17,411 --> 00:13:18,410 IS WORTH DOUBLE. 338 00:13:18,479 --> 00:13:19,444 [JENN]: OH! 339 00:13:19,480 --> 00:13:21,647 JASON, THAT IS SO SWEET. 340 00:13:21,715 --> 00:13:22,947 AND THIS LOOKS SO GOOD. 341 00:13:23,016 --> 00:13:24,283 ALMOST AS GOOD 342 00:13:24,318 --> 00:13:25,484 AS YOUR FLAMING MAC AND CHEESE. 343 00:13:31,825 --> 00:13:33,225 WELL, BETWEEN OUR INVENTORY, 344 00:13:33,260 --> 00:13:34,726 AND NOW THIS CONSIGNMENT, 345 00:13:34,761 --> 00:13:36,395 THINGS ARE REALLY PICKING UP AT THE SHOP. 346 00:13:36,463 --> 00:13:37,996 THAT'S GREAT... 347 00:13:38,065 --> 00:13:39,130 BUT WITH DANI'S SPRAINED WRIST, 348 00:13:39,200 --> 00:13:41,066 DOES THAT MEAN YOU'RE DOING DOUBLE LIFTING? 349 00:13:41,101 --> 00:13:42,867 WELL, WE'RE GOING TO HIRE SOME PART-TIME HELP. 350 00:13:42,936 --> 00:13:44,403 DANI PUT AN AD ONLINE, 351 00:13:44,438 --> 00:13:45,270 AND SHE'S SCHEDULED AN INTERVIEW FOR TOMORROW. 352 00:13:45,306 --> 00:13:46,905 I DON'T ENVY YOU GUYS. 353 00:13:46,973 --> 00:13:48,207 I'VE DONE MY FAIR SHARE OF HIRING. 354 00:13:48,275 --> 00:13:49,140 IT'S TRICKY. 355 00:13:50,377 --> 00:13:51,577 HEY, MAYBE YOU COULD HELP. 356 00:13:51,612 --> 00:13:53,212 THANKS, BUT I DON'T WANT TO MOVE BOXES. 357 00:13:53,247 --> 00:13:55,480 NO, MAYBE YOU COULD HELP HER HIRE SOMEONE. 358 00:13:55,516 --> 00:13:57,916 YOU HAVE THE EXPERIENCE. 359 00:13:57,984 --> 00:13:59,117 YOU DON'T WANT TO DO IT? 360 00:13:59,152 --> 00:14:00,151 WELL, ACTUALLY, YOU'D BE DOING ME A FAVOR. 361 00:14:00,187 --> 00:14:01,587 I WANT TO FIND SOMEPLACE 362 00:14:01,622 --> 00:14:03,488 TO DEVELOP THE FILM FROM THAT CAMERA TOMORROW. 363 00:14:03,524 --> 00:14:06,291 I DON'T USUALLY GET INVOLVED IN SHOP BUSINESS. 364 00:14:06,327 --> 00:14:07,726 YOU SURE I WOULDN'T BE STEPPING ON HER TOES? 365 00:14:07,761 --> 00:14:10,395 OH, NO, DANI WOULD LOVE IT IF YOU HELPED HER, 366 00:14:10,464 --> 00:14:11,930 AND YOU KNOW WHAT TO LOOK FOR IN A GOOD EMPLOYEE. 367 00:14:11,965 --> 00:14:13,732 YEAH, I GUESS I DO. 368 00:14:13,767 --> 00:14:15,434 AND BESIDES, DANI HATES TO TELL PEOPLE NO. 369 00:14:15,502 --> 00:14:16,702 SHE'D WANT SOMEONE ELSE TO DO THAT. 370 00:14:17,771 --> 00:14:18,670 FUN. 371 00:14:31,918 --> 00:14:33,518 THIS THING IS IN GREAT SHAPE. 372 00:14:33,554 --> 00:14:34,319 I HAVE ONE AT HOME MYSELF, 373 00:14:34,355 --> 00:14:36,788 BUT NOT THIS NICE. 374 00:14:36,823 --> 00:14:38,990 WELL, THE OWNER WAS A REAL CAMERA ENTHUSIAST. 375 00:14:39,025 --> 00:14:39,858 OH, WHAT'S THE COLLECTOR'S NAME? 376 00:14:39,893 --> 00:14:40,859 I MAY KNOW THEM. 377 00:14:40,927 --> 00:14:41,760 LARRY BRADY. 378 00:14:41,795 --> 00:14:42,761 NEVER MET HIM. 379 00:14:42,796 --> 00:14:44,363 HE DIED RECENTLY. 380 00:14:44,398 --> 00:14:45,697 THAT'S TOO BAD. 381 00:14:45,733 --> 00:14:47,932 I WOULD HAVE LOVED TO TALK TO HIM ABOUT THIS CAMERA. 382 00:14:47,968 --> 00:14:48,933 IT'S A REAL BEAUTY, 383 00:14:48,969 --> 00:14:51,035 AND YOU SAY THERE'S FILM IN IT STILL? 384 00:14:51,071 --> 00:14:52,304 RIGHT, 385 00:14:52,339 --> 00:14:53,872 AND THAT'S WHERE YOU COME IN, HOPEFULLY. 386 00:14:53,907 --> 00:14:56,742 MY FRIEND ACCIDENTALLY TOOK A PHOTO OF ME, 387 00:14:56,810 --> 00:14:58,009 AND I CAN'T SELL THE CAMERA 388 00:14:58,078 --> 00:14:59,611 WITH THE PICTURE OF ME IN IT. 389 00:14:59,647 --> 00:15:00,746 OH, YEAH. 390 00:15:00,781 --> 00:15:01,913 THIS GUY'S TRICKY. 391 00:15:01,982 --> 00:15:02,981 A REAL HAIR TRIGGER. 392 00:15:03,016 --> 00:15:05,049 YEAH, I FOUND THAT OUT THE HARD WAY. 393 00:15:05,085 --> 00:15:06,785 YEAH, ALL THESE OLD CAMERAS 394 00:15:06,853 --> 00:15:07,653 HAVE SOMETHING UNIQUE ABOUT THEM. 395 00:15:07,688 --> 00:15:08,720 UNFORTUNATELY, 396 00:15:08,789 --> 00:15:10,289 THEY HAVEN'T MADE THIS MODEL IN DECADES. 397 00:15:10,324 --> 00:15:11,222 IS IT VALUABLE? 398 00:15:11,258 --> 00:15:12,291 FOR SURE. 399 00:15:12,359 --> 00:15:13,692 WELL, YOU KNOW, 400 00:15:13,727 --> 00:15:14,959 WE'RE SELLING THE ENTIRE COLLECTION, 401 00:15:14,995 --> 00:15:15,960 IF YOU'RE INTERESTED. 402 00:15:15,996 --> 00:15:17,929 YEAH, NO, DEFINITELY. 403 00:15:17,964 --> 00:15:19,164 OKAY, WELL, AS SOON AS I HAVE IT INVENTORIED, 404 00:15:19,199 --> 00:15:20,198 I'LL CALL YOU. 405 00:15:20,233 --> 00:15:21,400 AND I'M GOING TO TAKE MY TIME 406 00:15:21,435 --> 00:15:22,701 TO MAKE SURE YOU GET BEAUTIFUL PHOTOS. 407 00:15:22,736 --> 00:15:24,803 OH, I DON'T THINK MY PHOTO IS GOING TO BE FRAMED, 408 00:15:24,838 --> 00:15:25,937 SO FEEL FREE TO HURRY. 409 00:15:25,972 --> 00:15:27,138 THEN I'LL CALL YOU WHEN IT'S READY. 410 00:15:27,174 --> 00:15:28,239 OKAY, THANK YOU, MANNY. 411 00:15:28,275 --> 00:15:29,140 YOU'RE WELCOME. 412 00:15:31,044 --> 00:15:32,577 [PHONE RINGING] 413 00:15:35,882 --> 00:15:37,182 HELLO? 414 00:15:37,217 --> 00:15:39,451 [MAN]: IS THIS JENNIFER SHANNON, HANNAH'S MOM? 415 00:15:39,486 --> 00:15:40,852 IT IS. HOW CAN I HELP YOU? 416 00:15:40,887 --> 00:15:42,187 THIS IS TONY BRADY. 417 00:15:42,222 --> 00:15:43,188 I WENT TO HIGH SCHOOL WITH YOUR DAUGHTER. 418 00:15:43,223 --> 00:15:44,623 OH, TONY! 419 00:15:44,658 --> 00:15:46,591 THANK YOU SO MUCH FOR THE RECOMMENDATION. 420 00:15:46,627 --> 00:15:48,193 I WISH IT WERE UNDER DIFFERENT CIRCUMSTANCES. 421 00:15:51,064 --> 00:15:53,532 CAN I HAVE A FEW MINUTES OF YOUR TIME TO TALK IN PERSON? 422 00:15:53,567 --> 00:15:54,533 IT WON'T TAKE LONG. 423 00:15:54,568 --> 00:15:56,668 YOU CAN PICK THE PLACE. 424 00:15:56,737 --> 00:15:58,570 I HAVE THE NEXT HOUR FREE. 425 00:15:58,605 --> 00:15:59,671 THERE'S A DINER 426 00:15:59,707 --> 00:16:00,706 RIGHT ACROSS THE STREET FROM MY SHOP. 427 00:16:00,774 --> 00:16:02,607 OKAY, I'LL MEET YOU THERE. 428 00:16:02,643 --> 00:16:03,709 OKAY, I'LL SEE YOU THEN. 429 00:16:03,744 --> 00:16:04,609 THANK YOU. 430 00:16:13,654 --> 00:16:14,853 TONY? 431 00:16:14,888 --> 00:16:16,355 -HEY. -HI, I'M JENN. 432 00:16:16,390 --> 00:16:17,389 NICE TO MEET YOU. 433 00:16:17,458 --> 00:16:19,424 NICE TO MEET YOU, TOO. SIT DOWN. 434 00:16:19,460 --> 00:16:20,559 THANKS FOR TAKING THE TIME TO TALK WITH ME. 435 00:16:20,594 --> 00:16:21,760 OH, OF COURSE. 436 00:16:21,829 --> 00:16:23,027 ANY FRIEND OF HANNAH'S IS A FRIEND OF MINE. 437 00:16:23,063 --> 00:16:24,329 HANNAH'S AWESOME. 438 00:16:24,365 --> 00:16:26,732 SHE'S ALWAYS BEEN REALLY POSITIVE ABOUT MY MUSIC. 439 00:16:26,767 --> 00:16:28,333 WELL, YOU SHOULD GIVE HER A CALL. 440 00:16:28,369 --> 00:16:29,334 I'M SURE SHE'D LOVE TO HEAR FROM YOU. 441 00:16:29,370 --> 00:16:30,602 YEAH, I SHOULD CALL HER. 442 00:16:30,637 --> 00:16:31,703 IT'S JUST... 443 00:16:31,739 --> 00:16:33,605 EVERYTHING'S A BIT OF A MESS RIGHT NOW. 444 00:16:33,674 --> 00:16:35,807 YES, A DEATH IN THE FAMILY CAN BE VERY STRESSFUL. 445 00:16:37,878 --> 00:16:40,245 UNCLE LARRY AND I WERE VERY CLOSE. 446 00:16:42,182 --> 00:16:43,147 FOR MOST OF MY LIFE, 447 00:16:43,216 --> 00:16:44,082 HE WAS BUSY WITH HIS COMPANY, 448 00:16:44,117 --> 00:16:46,017 BUT THE LAST FEW YEARS, 449 00:16:46,052 --> 00:16:47,952 WE REALLY GOT A CHANCE TO KNOW EACH OTHER. 450 00:16:47,988 --> 00:16:51,723 BENEATH THE STRICT BUSINESSMAN LOOK, 451 00:16:51,792 --> 00:16:52,724 HE WAS AN ARTIST TOO, LIKE ME. 452 00:16:52,760 --> 00:16:54,493 IT'S A GREAT PHOTO. 453 00:16:54,561 --> 00:16:56,928 HE TOOK THAT WITH ONE OF HIS CAMERAS. 454 00:16:56,997 --> 00:16:58,963 HE LOVED THAT COLLECTION. 455 00:17:00,434 --> 00:17:01,733 WELL, WE WILL TAKE VERY GOOD CARE 456 00:17:01,769 --> 00:17:03,134 OF HIS CAMERA COLLECTION. 457 00:17:03,169 --> 00:17:04,503 THAT'S WHY I THOUGHT OF YOUR SHOP. 458 00:17:04,538 --> 00:17:05,837 THE WAY HANNAH TALKS ABOUT YOU, 459 00:17:05,906 --> 00:17:07,372 I KNEW THAT YOU'D FIND OWNERS 460 00:17:07,408 --> 00:17:09,207 THAT APPRECIATE IT AS MUCH AS HE DID. 461 00:17:09,242 --> 00:17:10,509 THANK YOU. 462 00:17:10,544 --> 00:17:11,877 THAT'S VERY SWEET OF YOU TO SAY. 463 00:17:11,912 --> 00:17:13,211 IT'S WEIRD TO SEE IT ALL GO. 464 00:17:13,246 --> 00:17:14,145 TO ME, IT WAS A PART OF HIM. 465 00:17:16,016 --> 00:17:17,749 YOU KNOW, THAT'S MORE COMMON THAN YOU THINK. 466 00:17:17,785 --> 00:17:19,551 A LOT OF THE ANTIQUES I BUY AND SELL 467 00:17:19,586 --> 00:17:21,853 HAVE SPECIAL MEANING TO MY CUSTOMERS, 468 00:17:21,922 --> 00:17:23,054 AND I TRY TO TELL THEM 469 00:17:23,089 --> 00:17:24,523 THAT THEY WILL ALWAYS HAVE THE MEMORIES, 470 00:17:24,558 --> 00:17:26,190 EVEN THOUGH THE OBJECT HAS MOVED ON 471 00:17:26,226 --> 00:17:27,992 AND IS MAKING NEW MEMORIES FOR NEW PEOPLE. 472 00:17:29,630 --> 00:17:31,496 THAT'S A BEAUTIFUL WAY OF LOOKING AT IT. 473 00:17:33,500 --> 00:17:34,733 YEAH, THANKS FOR TALKING WITH ME, 474 00:17:34,768 --> 00:17:36,535 AND, UH... 475 00:17:36,570 --> 00:17:38,537 I FEEL A LOT BETTER ABOUT EVERYTHING NOW. 476 00:17:40,173 --> 00:17:42,173 TONY, IS THERE... 477 00:17:42,208 --> 00:17:43,475 SOMETHING ELSE YOU WANT TO TALK ABOUT? 478 00:17:45,446 --> 00:17:46,778 NOTHING FOR YOU TO WORRY ABOUT. 479 00:17:46,814 --> 00:17:48,713 OH, WELL... 480 00:17:48,749 --> 00:17:50,649 I AM A VERY GOOD WORRIER. 481 00:17:50,684 --> 00:17:51,616 YOU JUST ASK HANNAH. 482 00:17:54,354 --> 00:17:55,487 DO YOU EVER GET SOMETHING 483 00:17:55,522 --> 00:17:56,922 BOUNCING AROUND INSIDE YOUR HEAD, 484 00:17:56,957 --> 00:18:00,391 AND YOU JUST CAN'T LET IT GO UNTIL YOU SAY IT OUT LOUD? 485 00:18:00,427 --> 00:18:02,160 YOU'VE JUST DESCRIBED EVERY DAY OF MY LIFE. 486 00:18:03,630 --> 00:18:05,063 IT'S JUST... 487 00:18:05,098 --> 00:18:06,898 THERE HAS BEEN SOMETHING THAT'S BEEN BOTHERING ME 488 00:18:06,967 --> 00:18:07,699 ABOUT LARRY'S DEATH. 489 00:18:09,069 --> 00:18:10,602 HE WAS AS HEALTHY AS A HORSE. 490 00:18:10,637 --> 00:18:12,036 HE WOULDN'T DROP DEAD OUT OF THE BLUE. 491 00:18:13,373 --> 00:18:14,840 SOMETIMES, THESE THINGS ARE HARD TO PREDICT. 492 00:18:16,109 --> 00:18:18,076 IT'S MORE THAN THAT. 493 00:18:18,144 --> 00:18:20,612 A WEEK BEFORE HE DIED, LARRY CHANGED, 494 00:18:20,647 --> 00:18:22,113 AND HE WAS PUTTING ON A GOOD SHOW, 495 00:18:22,182 --> 00:18:23,214 BUT I COULD SEE THROUGH IT. 496 00:18:23,249 --> 00:18:25,316 HE WAS WORRIED... AND SCARED. 497 00:18:25,352 --> 00:18:26,818 SCARED OF WHAT? 498 00:18:28,856 --> 00:18:30,655 HE CALLED ME ONE NIGHT, 499 00:18:30,691 --> 00:18:33,291 AND HE SAID... 500 00:18:33,360 --> 00:18:35,360 HE SAID THAT SOMEBODY WAS TRYING TO DESTROY HIM. 501 00:18:36,930 --> 00:18:38,563 TONY, IF YOU HAVE ANY SUSPICIONS, 502 00:18:38,599 --> 00:18:39,731 YOU SHOULD GO TO THE POLICE. 503 00:18:39,766 --> 00:18:41,299 I TOLD MY DAD. 504 00:18:41,334 --> 00:18:43,902 I TOLD IAN, LARRY'S LAWYER. 505 00:18:43,937 --> 00:18:46,037 THEY SAID I WAS IMAGINING THINGS. 506 00:18:52,513 --> 00:18:53,512 YOU THINK I'M CRAZY, TOO. 507 00:18:53,547 --> 00:18:55,413 NO, NO, I DON'T THINK YOU'RE CRAZY. 508 00:18:55,448 --> 00:18:57,415 BELIEVE ME, I HAVE MY SUSPICIONS ALL THE TIME. 509 00:18:57,450 --> 00:18:59,918 I JUST WISH I COULD HELP, 510 00:18:59,953 --> 00:19:00,986 BUT I'M NOT A DETECTIVE. 511 00:19:03,857 --> 00:19:05,957 WELL... DON'T LET ME KEEP YOU. 512 00:19:05,993 --> 00:19:07,759 THANKS... FOR LISTENING. 513 00:19:07,794 --> 00:19:10,829 FEELS LIKE NO ONE ELSE DOES. 514 00:19:10,864 --> 00:19:12,463 OF COURSE. 515 00:19:22,809 --> 00:19:25,143 MANNY, YOU WORK FAST. 516 00:19:25,211 --> 00:19:26,444 YEAH, YOU GOT LUCKY. 517 00:19:26,513 --> 00:19:29,147 THE FILM IN THE CAMERA'S GOT TO BE OVER 50 YEARS OLD, 518 00:19:29,182 --> 00:19:30,815 AND YET SOMEHOW IT DIDN'T CRUMBLE AWAY, 519 00:19:30,884 --> 00:19:32,383 AND, WELL, I WAS ABLE TO GET IT DEVELOPED. 520 00:19:32,419 --> 00:19:33,685 OH... WOW. 521 00:19:33,720 --> 00:19:36,254 WELL, I'M NOTHING IF NOT LUCKY. 522 00:19:36,289 --> 00:19:38,322 SO THERE WERE JUST THREE PHOTOS ON THE ROLL, 523 00:19:38,358 --> 00:19:39,223 AND YOU'RE ONE OF THEM. 524 00:19:40,293 --> 00:19:42,160 OOH. 525 00:19:42,228 --> 00:19:43,294 BLACK AND WHITE, HUH? 526 00:19:43,329 --> 00:19:44,495 PHOTOGRAPHERS LOVE IT. 527 00:19:44,531 --> 00:19:45,664 IT REALLY CAPTURES EMOTION WELL. 528 00:19:45,699 --> 00:19:47,799 WELL, IT DIDN'T CAPTURE MY GOOD SIDE. 529 00:19:49,202 --> 00:19:50,168 WHAT ARE ON THE OTHER TWO PICTURES? 530 00:19:50,203 --> 00:19:52,904 THIS IS WHERE IT GETS INTERESTING. 531 00:19:52,940 --> 00:19:54,138 ONE'S A SHOT OF A WOMAN HOLDING A CAMERA. 532 00:19:56,176 --> 00:19:57,208 HUH. 533 00:19:57,277 --> 00:19:58,910 THAT LOOKS LIKE IT WAS TAKEN 534 00:19:58,946 --> 00:20:00,445 ON THE DAY OF LARRY'S BIRTHDAY PARTY. 535 00:20:01,982 --> 00:20:03,481 AND NOW THIS LAST SHOT, UM... 536 00:20:03,516 --> 00:20:06,284 THIS LAST SHOT'S A LITTLE... DISTURBING. 537 00:20:06,352 --> 00:20:08,019 JUST WARNING YOU. 538 00:20:08,055 --> 00:20:09,153 OH, DEAR. 539 00:20:09,189 --> 00:20:10,088 HOW DISTURBING? 540 00:20:15,762 --> 00:20:17,729 I THINK THAT'S LARRY BRADY. 541 00:20:17,764 --> 00:20:18,863 THE GUY WHO DIED? 542 00:20:20,634 --> 00:20:22,067 THEY SAID IT WAS A HEART ATTACK, 543 00:20:22,102 --> 00:20:23,367 BUT THIS LOOKS LIKE A STRUGGLE. 544 00:20:24,738 --> 00:20:26,037 I'LL TAKE THIS TO THE POLICE. 545 00:20:26,106 --> 00:20:27,005 THEY'LL HANDLE IT. 546 00:20:37,134 --> 00:20:38,067 HEY, DANI. 547 00:20:38,102 --> 00:20:38,968 JASON! 548 00:20:39,036 --> 00:20:40,436 -HI! -HI. 549 00:20:40,505 --> 00:20:42,137 JENN ASKED ME TO STOP BY. 550 00:20:42,173 --> 00:20:43,405 YEAH, SHE SAID 551 00:20:43,441 --> 00:20:44,941 YOU WERE GOING TO BE MY INTERVIEW BUDDY TODAY. 552 00:20:44,976 --> 00:20:46,542 SO YOU'RE OKAY? 553 00:20:46,578 --> 00:20:48,845 I DIDN'T WANT YOU TO FEEL LIKE I WAS INVADING YOUR TURF. 554 00:20:48,913 --> 00:20:50,312 OH, NO, THE MORE, THE MERRIER! 555 00:20:50,381 --> 00:20:51,547 I'M GRATEFUL FOR YOUR EXPERTISE. 556 00:20:51,583 --> 00:20:52,648 OKAY. 557 00:20:52,684 --> 00:20:53,449 WELL, HERE'S MY INTERVIEW CHECKLIST. 558 00:20:54,519 --> 00:20:55,585 CHECKLIST? 559 00:20:55,620 --> 00:20:56,953 YOU NEVER WANT TO HIRE THE WRONG PERSON. 560 00:20:57,021 --> 00:20:59,321 I FIND THESE 20 QUESTIONS ENSURE THAT YOU DON'T. 561 00:20:59,357 --> 00:21:01,223 OF COURSE. 562 00:21:01,258 --> 00:21:02,625 GREAT, SO WHERE SHOULD WE SET UP? 563 00:21:02,694 --> 00:21:03,493 I THOUGHT WE COULD USE THIS TABLE. 564 00:21:04,629 --> 00:21:05,795 PERFECT. YOU RELAX. 565 00:21:05,830 --> 00:21:07,062 OKAY. 566 00:21:18,643 --> 00:21:20,009 DON'T TELL JENN. 567 00:21:21,078 --> 00:21:22,678 OKAY. 568 00:21:25,717 --> 00:21:26,616 HEY, FRANK. 569 00:21:28,319 --> 00:21:29,652 HEY, JENN. 570 00:21:29,687 --> 00:21:30,653 WHAT BRINGS YOU DOWN HERE? 571 00:21:30,722 --> 00:21:32,688 WELL, I HAVE A QUESTION FOR YOU. 572 00:21:32,724 --> 00:21:33,723 DO I HAVE TO ANSWER? 573 00:21:35,493 --> 00:21:37,560 DO YOU RECOGNIZE THE NAME LARRY BRADY? 574 00:21:37,595 --> 00:21:38,828 YEAH. 575 00:21:38,863 --> 00:21:40,596 GOT A CALL OUT TO HIS MANSION THREE DAYS AGO. 576 00:21:40,632 --> 00:21:42,297 AND HE WAS DEAD. APPEARED TO BE A HEART ATTACK? 577 00:21:43,401 --> 00:21:44,433 WHERE ARE YOU GOING WITH THIS? 578 00:21:44,502 --> 00:21:46,602 I PICKED UP A CAMERA AT LARRY'S ESTATE. 579 00:21:46,638 --> 00:21:48,638 WE'RE HANDLING THE SALE OF SOME OF HIS THINGS, 580 00:21:48,706 --> 00:21:50,673 AND WHEN I GOT THE FILM DEVELOPED, 581 00:21:50,708 --> 00:21:52,474 THIS IS WHAT I FOUND. 582 00:21:55,813 --> 00:21:57,479 WAS THIS PICTURE TAKEN BY A DOG? 583 00:21:57,515 --> 00:21:59,782 IT'S AN ODD ANGLE, BUT THAT IS LARRY BRADY, 584 00:21:59,817 --> 00:22:02,518 AND THAT IS SOMEONE ELSE WITH THEIR HANDS AT HIS NECK. 585 00:22:02,554 --> 00:22:04,319 IF IT WAS A STRANGULATION, 586 00:22:04,355 --> 00:22:05,922 THERE WOULD HAVE BEEN RESIDUAL BRUISING, 587 00:22:05,957 --> 00:22:06,923 AND THERE WASN'T ANY. 588 00:22:06,991 --> 00:22:09,425 THE HANDS AREN'T AROUND HIS NECK. 589 00:22:09,460 --> 00:22:10,626 LET ME SHOW YOU SOMETHING. 590 00:22:10,662 --> 00:22:11,627 CAN I BORROW THIS? 591 00:22:12,697 --> 00:22:13,563 YEAH. 592 00:22:16,400 --> 00:22:17,533 IF YOU LOOK RIGHT HERE, 593 00:22:17,569 --> 00:22:19,035 THERE'S A DESIGN ON THE GLOVE... 594 00:22:22,607 --> 00:22:24,040 AND IF YOU LOOK CLOSELY OVER HERE... 595 00:22:26,477 --> 00:22:27,610 RIGHT BETWEEN HIS FINGERS... 596 00:22:27,645 --> 00:22:29,946 THERE APPEARS TO BE A SYRINGE. 597 00:22:33,651 --> 00:22:35,184 HUH. 598 00:22:35,219 --> 00:22:37,152 YOU DON'T MISS A THING. 599 00:22:39,023 --> 00:22:41,824 WELL, THERE WAS NO SYRINGE ON THE SCENE. 600 00:22:41,859 --> 00:22:42,892 I HAD COFFEE WITH LARRY'S NEPHEW, TONY. 601 00:22:44,495 --> 00:22:46,395 HE SUSPECTS FOUL PLAY IN LARRY'S DEATH. 602 00:22:46,430 --> 00:22:47,863 AND HE CAME TO YOU? 603 00:22:47,899 --> 00:22:49,331 OH, WELL, 604 00:22:49,366 --> 00:22:51,166 HE'S A FRIEND OF HANNAH'S FROM SCHOOL, 605 00:22:51,235 --> 00:22:52,935 AND I TOLD HIM TO COME TO THE POLICE, 606 00:22:53,004 --> 00:22:54,971 AND THEN WHEN I FOUND THAT PHOTO, 607 00:22:55,006 --> 00:22:56,105 I BROUGHT IT STRAIGHT HERE TO YOU. 608 00:22:57,475 --> 00:22:58,708 WELL, THIS PHOTO IS DISTURBING, 609 00:22:58,743 --> 00:22:59,976 BUT WE WON'T HAVE ANY MORE INFORMATION 610 00:23:00,011 --> 00:23:01,443 UNTIL WE HEAR BACK FROM THE AUTOPSY REPORT. 611 00:23:04,181 --> 00:23:05,414 IS LARRY'S BODY STILL IN THE MORGUE? 612 00:23:06,784 --> 00:23:07,817 THAT'S A POLICE MATTER. 613 00:23:07,852 --> 00:23:09,585 YEP. 614 00:23:09,621 --> 00:23:10,552 WELL, I'LL LEAVE THAT WITH YOU. 615 00:23:10,588 --> 00:23:11,954 THANKS. 616 00:23:11,990 --> 00:23:13,956 AND, UH, CALL YOU LATER. 617 00:23:13,992 --> 00:23:14,890 I HOPE NOT. 618 00:23:20,865 --> 00:23:22,064 I GRADUATE IN JUNE, 619 00:23:22,100 --> 00:23:23,298 SO I'M LOOKING TO MAKE A LITTLE MONEY 620 00:23:23,334 --> 00:23:24,934 BEFORE COLLEGE IN THE FALL. 621 00:23:24,969 --> 00:23:27,503 HAVE YOU EVER WORKED WITH ANTIQUES BEFORE? 622 00:23:27,538 --> 00:23:28,904 I HAD A JOB WITH A MOVING COMPANY 623 00:23:28,973 --> 00:23:30,305 LAST SUMMER. 624 00:23:30,341 --> 00:23:32,675 SOME OF THOSE BOXES PROBABLY HAD ANTIQUES IN THEM. 625 00:23:32,710 --> 00:23:33,442 SO WHAT'S YOUR SCHEDULE LIKE NOW? 626 00:23:33,511 --> 00:23:34,810 PRETTY OPEN. 627 00:23:34,846 --> 00:23:36,612 FOOTBALL AND BASKETBALL SEASON ARE BOTH OVER, 628 00:23:36,648 --> 00:23:39,248 SO I'M JUST GETTING READY FOR FINALS. 629 00:23:39,283 --> 00:23:41,216 OKAY, WELL, 630 00:23:41,285 --> 00:23:43,152 I THINK THAT'S ALL WE NEED. 631 00:23:43,220 --> 00:23:43,919 DO YOU HAVE ANY QUESTIONS? 632 00:23:46,490 --> 00:23:48,991 WHERE DO YOU GUYS GET ALL THIS... OLD STUFF? 633 00:23:50,828 --> 00:23:54,496 UM... AUCTIONS AND GARAGE SALES. 634 00:23:54,565 --> 00:23:56,198 PEOPLE MOSTLY JUST BRING IT IN. 635 00:23:56,233 --> 00:23:58,233 WEIRD. 636 00:23:58,302 --> 00:23:59,501 LIKE, WHO DETERMINES WHAT'S AN ANTIQUE 637 00:23:59,570 --> 00:24:02,204 AND WHAT'S JUST JUNK, YOU KNOW? 638 00:24:02,239 --> 00:24:03,939 WELL, WE DO. 639 00:24:03,975 --> 00:24:05,007 WE'RE ANTIQUE DEALERS. 640 00:24:05,076 --> 00:24:05,975 OH. 641 00:24:06,010 --> 00:24:07,276 THAT MAKES SENSE. 642 00:24:07,344 --> 00:24:09,845 WELL, THANK YOU FOR YOUR TIME, TRAVIS. 643 00:24:09,881 --> 00:24:12,281 -WE'LL BE IN TOUCH. -NO, THANK YOU. 644 00:24:16,520 --> 00:24:17,586 HE SEEMS LIKE A GOOD KID. 645 00:24:17,621 --> 00:24:20,022 HE DOESN'T KNOW ANYTHING ABOUT ANTIQUES. 646 00:24:20,058 --> 00:24:22,424 YOU'RE NOT HIRING SOMEONE FOR THE FRONT OF THE SHOP. 647 00:24:22,459 --> 00:24:24,359 JUST SOMEONE TO SORT AND MOVE BOXES. 648 00:24:24,395 --> 00:24:26,095 BUT SHOULDN'T YOU AT LEAST KNOW SOMETHING 649 00:24:26,164 --> 00:24:27,863 ABOUT WHAT YOU'RE SORTING AND MOVING? 650 00:24:27,932 --> 00:24:30,265 YOU CAN TEACH PEOPLE ABOUT ANTIQUES, 651 00:24:30,301 --> 00:24:31,500 BUT YOU CAN'T TEACH THEM 652 00:24:31,535 --> 00:24:32,702 TO MOVE A HEAVY BOX TO THE TOP SHELF. 653 00:24:33,771 --> 00:24:34,737 HEY, I'M ONLY HERE 654 00:24:34,772 --> 00:24:36,505 TO MAKE A SUGGESTION OR TWO, 655 00:24:36,540 --> 00:24:38,941 BUT HE DOES HAVE EXPERIENCE. 656 00:24:38,976 --> 00:24:40,275 HE'S GOT EXCELLENT REFERENCES. 657 00:24:40,311 --> 00:24:41,276 PLAYED SCHOOL SPORTS, 658 00:24:41,312 --> 00:24:43,679 SO YOU KNOW HE'S A TEAM PLAYER. 659 00:24:43,715 --> 00:24:46,982 I'M JUST SAYING, CONSIDER CONSIDERING HIM. 660 00:24:47,051 --> 00:24:49,018 CONSIDER HIM CONSIDERED. 661 00:24:49,053 --> 00:24:49,952 GOOD. 662 00:24:51,856 --> 00:24:53,288 [DOOR SLAMMING] 663 00:24:53,357 --> 00:24:54,590 HEY! 664 00:24:54,658 --> 00:24:56,525 I READ YOUR PAPER, THE ONE YOUR TEACHERS LOVED. 665 00:24:56,594 --> 00:24:58,327 YOU DIDN'T HAVE TO DO THAT. 666 00:24:58,395 --> 00:24:59,361 WELL, I DID, 667 00:24:59,396 --> 00:25:00,062 AND I'VE GOT TO SAY, IT WAS GREAT. 668 00:25:01,632 --> 00:25:02,765 THANKS, HANNAH. 669 00:25:02,800 --> 00:25:03,833 SO WHY WON'T YOU LET YOUR TEACHER PUBLISH IT? 670 00:25:06,303 --> 00:25:07,402 I'D RATHER NOT TALK ABOUT IT. 671 00:25:07,438 --> 00:25:08,637 REALLY? YOU DON'T WANT TO TELL ME? 672 00:25:08,672 --> 00:25:10,372 IT'S NO BIG DEAL. 673 00:25:11,709 --> 00:25:14,409 I'VE GOT TO GET STARTED ON MY HOMEWORK. 674 00:25:21,252 --> 00:25:23,886 YOU'VE DRIED THAT SAME DISH THREE TIMES. 675 00:25:23,921 --> 00:25:25,487 A LITTLE DISTRACTED? 676 00:25:25,522 --> 00:25:26,922 OH, I KEEP THINKING 677 00:25:26,958 --> 00:25:28,423 ABOUT THAT MAN THAT OWNED THAT CAMERA. 678 00:25:28,459 --> 00:25:31,293 IT SEEMS LIKE HIS DEATH MAY BE A MURDER. 679 00:25:31,328 --> 00:25:33,095 JENN, WE'VE TALKED ABOUT THIS. 680 00:25:33,131 --> 00:25:34,063 IF THERE'S A KILLER ON THE LOOSE, 681 00:25:34,098 --> 00:25:34,897 YOU HAVE TO KEEP YOUR DISTANCE. 682 00:25:34,932 --> 00:25:35,965 OH, I AM. 683 00:25:36,000 --> 00:25:37,266 FRANK IS ALL OVER IT. 684 00:25:37,301 --> 00:25:38,300 IT'S NOT ME. 685 00:25:38,335 --> 00:25:40,236 GOOD. 686 00:25:40,271 --> 00:25:41,871 LEAVE IT TO THE POLICE. 687 00:25:41,906 --> 00:25:43,906 HEY, HOW DID THE INTERVIEW GO TODAY? 688 00:25:43,941 --> 00:25:45,674 REALLY WELL. 689 00:25:45,709 --> 00:25:47,243 IT WAS THIS HIGH-SCHOOL KID. 690 00:25:47,311 --> 00:25:48,477 HE WAS LOOKING FOR EXTRA COLLEGE MONEY. 691 00:25:48,512 --> 00:25:49,779 I LIKED HIM A LOT. 692 00:25:49,814 --> 00:25:51,546 WE'VE GOT ANOTHER CANDIDATE COMING IN TOMORROW, 693 00:25:51,582 --> 00:25:53,115 BUT I'M JUST THERE TO HELP DANI MAKE A DECISION. 694 00:25:53,151 --> 00:25:55,951 WELL, THANK YOU FOR YOUR HELP. 695 00:25:55,987 --> 00:25:57,086 YOU'RE WELCOME. 696 00:25:57,121 --> 00:25:58,788 AND THANK YOU FOR FINISHING THE DISHES! 697 00:26:01,225 --> 00:26:02,291 THERE'S STILL A LOT! 698 00:26:11,803 --> 00:26:13,002 DR. TRAMELL! 699 00:26:13,070 --> 00:26:14,703 OH, JENN, I'M SO GLAD YOU'RE HERE! 700 00:26:14,738 --> 00:26:16,839 WHAT'S A WORD THAT RHYMES WITH "CHAMPAGNE"? 701 00:26:16,874 --> 00:26:18,908 UH, "COMPLAIN"? 702 00:26:18,943 --> 00:26:21,710 ARE YOU MAKING YOUR AUTOPSY REPORTS RHYME NOW? 703 00:26:21,745 --> 00:26:24,113 UH, NO, IT'S FOR A POETRY CONTEST I'M ENTERING. 704 00:26:24,148 --> 00:26:25,247 POETRY? 705 00:26:25,283 --> 00:26:26,348 WHAT A SURPRISE! 706 00:26:26,383 --> 00:26:28,150 I USUALLY READ THEM TO "THESE GUYS." 707 00:26:28,186 --> 00:26:29,484 [CHUCKLING] 708 00:26:29,520 --> 00:26:31,253 IS THAT A CARAMEL MACCHIATO? 709 00:26:31,289 --> 00:26:33,088 I KNOW IT'S YOUR FAVORITE. 710 00:26:33,157 --> 00:26:34,489 THEN I'D BETTER "SAVOR IT." 711 00:26:34,525 --> 00:26:36,591 MM... 712 00:26:36,627 --> 00:26:38,227 I WAS HOPING TO ASK YOU ABOUT LARRY BRADY. 713 00:26:38,262 --> 00:26:39,862 HOW CAN I HELP, "MILADY"? 714 00:26:39,897 --> 00:26:41,130 [LAUGHING] 715 00:26:41,165 --> 00:26:42,764 SORRY, I CAN'T STOP MYSELF. 716 00:26:42,800 --> 00:26:44,733 WELL, AT LEAST IT WASN'T A PUN. 717 00:26:44,802 --> 00:26:46,635 NO, NOT AS MUCH "FUN". 718 00:26:47,805 --> 00:26:50,005 SO... LARRY... 719 00:26:50,041 --> 00:26:51,673 PROBABLY DIDN'T DIE FROM NATURAL CAUSES. 720 00:26:51,709 --> 00:26:53,342 YOU KNOW I'M NOT SUPPOSED TO SAY. 721 00:26:53,377 --> 00:26:55,377 BUT YOU'RE GOING TO... "ANYWAY"? 722 00:26:55,412 --> 00:26:58,113 VERY NICE. 723 00:26:58,149 --> 00:26:59,648 WELL, YOU DON'T HAVE TO TELL ME 724 00:26:59,717 --> 00:27:01,350 ABOUT THE INJECTION MARK. 725 00:27:01,385 --> 00:27:02,985 NEAR HIS NECK. 726 00:27:03,020 --> 00:27:04,419 NOPE, DON'T NEED TO TELL YOU THAT. 727 00:27:04,455 --> 00:27:05,721 AND YOU DON'T HAVE TO TELL ME 728 00:27:05,756 --> 00:27:07,356 ABOUT THE TRACE ELEMENTS OF POISON 729 00:27:07,391 --> 00:27:08,657 YOU FOUND IN HIS BLOODSTREAM. 730 00:27:08,692 --> 00:27:10,292 IF I TOLD YOU THAT, I'D BE WRONG. 731 00:27:11,896 --> 00:27:13,495 REALLY? 732 00:27:13,530 --> 00:27:14,529 NO POISON? 733 00:27:14,565 --> 00:27:15,497 NOT POISON EXACTLY. 734 00:27:15,532 --> 00:27:17,066 POTASSIUM CHLORIDE. 735 00:27:17,101 --> 00:27:18,500 POTASSIUM CHLORIDE? 736 00:27:18,535 --> 00:27:20,870 NOTHING INHERENTLY UNUSUAL ABOUT THE SUBSTANCE ITSELF. 737 00:27:20,938 --> 00:27:23,372 PEOPLE TAKE POTASSIUM CHLORIDE SUPPLEMENTS ALL THE TIME. 738 00:27:23,407 --> 00:27:24,706 WHAT FOR? 739 00:27:24,742 --> 00:27:26,308 THEY HELP YOU MAINTAIN THE RIGHT AMOUNT OF POTASSIUM 740 00:27:26,344 --> 00:27:27,409 IN YOUR BLOOD. 741 00:27:27,444 --> 00:27:28,543 KEEPS YOUR KIDNEYS, HEART, MUSCLES, 742 00:27:28,579 --> 00:27:31,646 BASICALLY EVERYTHING WORKING RIGHT. 743 00:27:31,682 --> 00:27:34,283 NOW, IF YOU HAVE A WELL-BALANCED DIET, 744 00:27:34,318 --> 00:27:35,851 DON'T NEED TO WORRY. 745 00:27:35,887 --> 00:27:37,452 IS THAT THE ONLY PLACE YOU FIND IT, IN SUPPLEMENTS? 746 00:27:37,488 --> 00:27:40,122 NO, POTASSIUM CHLORIDE HAS A LOT OF USES. 747 00:27:40,157 --> 00:27:41,223 IT FERTILIZES, DE-ICES... 748 00:27:41,259 --> 00:27:44,193 IT CAN EVEN BE A SALT SUBSTITUTE. 749 00:27:44,262 --> 00:27:45,594 IT'S JUST THE CONCENTRATED FORMS 750 00:27:45,629 --> 00:27:47,062 THAT YOU HAVE BE CAREFUL WITH. 751 00:27:47,098 --> 00:27:48,463 SO IT CAN BE INJECTED? 752 00:27:48,499 --> 00:27:49,631 THAT'S RIGHT, SOME STATES USE IT 753 00:27:49,666 --> 00:27:52,034 WHEN ADMINISTERING LETHAL INJECTIONS. 754 00:27:52,069 --> 00:27:53,168 IT CAN INDUCE A HEART ATTACK. 755 00:27:54,638 --> 00:27:57,706 SO I'M GUESSING LARRY BRADY'S POTASSIUM CHLORIDE INTAKE 756 00:27:57,741 --> 00:27:59,174 WAS ABOVE SUPPLEMENT LEVEL. 757 00:27:59,210 --> 00:28:00,542 TO GET THOSE LEVELS, 758 00:28:00,611 --> 00:28:02,477 HE WOULD HAVE TO SWALLOW AN ENTIRE BOTTLE OF SUPPLEMENTS, 759 00:28:02,546 --> 00:28:04,079 MAYBE MORE. 760 00:28:04,115 --> 00:28:05,047 THANK YOU, DR. TRAMELL. 761 00:28:05,082 --> 00:28:06,115 YOU'VE BEEN A BIG HELP. 762 00:28:06,150 --> 00:28:07,482 WAIT. AREN'T YOU FORGETTING SOMETHING? 763 00:28:07,518 --> 00:28:09,584 DON'T YOU WANT TO HEAR MY POEM? 764 00:28:09,620 --> 00:28:11,153 NEXT TIME. I'M LATE. 765 00:28:11,188 --> 00:28:12,521 PERFECT. IT'S A "DATE". 766 00:28:12,556 --> 00:28:13,522 HA-HAH! 767 00:28:13,590 --> 00:28:15,224 "CAN'T WAIT!" 768 00:28:15,259 --> 00:28:16,158 [CHUCKLING] 769 00:28:22,411 --> 00:28:23,643 I APPRECIATE YOU TAKING THE TIME TO SEE ME TODAY. 770 00:28:23,678 --> 00:28:24,511 JUST HAVE A FEW QUESTIONS FOR YOU. 771 00:28:24,579 --> 00:28:25,812 YES, OF COURSE. 772 00:28:25,847 --> 00:28:27,180 ANYTHING I CAN DO TO HELP. 773 00:28:27,216 --> 00:28:28,615 SO YOU WERE THE ONE 774 00:28:28,650 --> 00:28:29,616 WHO DISCOVERED MR. BRADY'S BODY IN THE STUDY, CORRECT? 775 00:28:29,651 --> 00:28:31,784 YES, WE WERE GATHERING EVERYONE UP 776 00:28:31,853 --> 00:28:32,919 FOR A BIG GROUP PHOTO, 777 00:28:32,988 --> 00:28:34,787 BUT HE WAS MISSING HIS BOW TIE, 778 00:28:34,823 --> 00:28:36,589 SO HE WENT BACK INSIDE TO FIND IT. 779 00:28:36,625 --> 00:28:38,591 AND HOW LONG WOULD YOU SAY MR. BRADY WAS IN THE HOUSE? 780 00:28:38,660 --> 00:28:41,428 A COUPLE OF MINUTES AT MOST. 781 00:28:41,463 --> 00:28:42,329 PEOPLE WERE GETTING ANTSY, 782 00:28:42,398 --> 00:28:44,064 SO I WENT INSIDE LOOKING FOR HIM. 783 00:28:44,099 --> 00:28:45,532 AND DID YOU NOTICE ANYTHING ELSE IN THE ROOM? 784 00:28:45,567 --> 00:28:47,501 JUST LARRY... 785 00:28:47,569 --> 00:28:50,203 UM... MR. BRADY ON THE FLOOR. 786 00:28:50,239 --> 00:28:52,672 BUT DID YOU SEE ANYTHING AROUND HIM, 787 00:28:52,741 --> 00:28:54,041 OR ANYTHING OUT OF PLACE? 788 00:28:54,076 --> 00:28:57,344 THERE WERE SOME THINGS SCATTERED ON HIS DESK. 789 00:28:57,379 --> 00:29:00,047 HE MIGHT HAVE KNOCKED THEM AROUND WHEN HE FELL, BUT... 790 00:29:00,082 --> 00:29:02,382 I WASN'T REALLY LOOKING AT THE ROOM. 791 00:29:02,418 --> 00:29:04,684 I WAS LOOKING AT HIS BODY. 792 00:29:04,753 --> 00:29:06,520 WHAT HAPPENED NEXT? 793 00:29:06,555 --> 00:29:09,156 I SHOUTED FOR SOMEONE TO CALL AN AMBULANCE, 794 00:29:09,191 --> 00:29:10,823 AND PEOPLE CAME RUNNING IN FROM OUTSIDE. 795 00:29:10,892 --> 00:29:12,092 DO YOU KNOW WHO SHOWED UP FIRST? 796 00:29:12,127 --> 00:29:13,393 IT'S ALL SUCH A BLUR. 797 00:29:13,429 --> 00:29:14,627 I CAN'T REMEMBER. 798 00:29:14,663 --> 00:29:15,828 DO YOU HAPPEN TO HAVE ANY COPIES 799 00:29:15,864 --> 00:29:17,697 OF THE PHOTOS FROM THE PARTY THAT DAY? 800 00:29:17,732 --> 00:29:19,232 I HAVE THEM ALL ON MY COMPUTER, 801 00:29:19,268 --> 00:29:21,134 BUT I, UH, I MADE SOME PRINTS 802 00:29:21,170 --> 00:29:22,235 IN CASE THE FAMILY EVER WANTED THEM. 803 00:29:25,340 --> 00:29:26,806 I COULDN'T FIND PARKING 804 00:29:26,841 --> 00:29:28,875 BECAUSE SOMEONE'S BLOCKING THE DRIVEWAY. 805 00:29:28,910 --> 00:29:29,909 WHO ARE YOU? 806 00:29:29,945 --> 00:29:32,612 THE GUY BLOCKING THE DRIVEWAY. 807 00:29:32,647 --> 00:29:33,846 PETER, THIS IS DETECTIVE LYNWOOD. 808 00:29:33,882 --> 00:29:34,914 HE'S ASKING QUESTIONS 809 00:29:34,950 --> 00:29:37,217 ABOUT LARRY BRADY'S DEATH. 810 00:29:37,286 --> 00:29:39,152 IT WAS A HEART ATTACK... RIGHT? 811 00:29:39,188 --> 00:29:41,621 I'M JUST FOLLOWING UP. 812 00:29:41,656 --> 00:29:42,489 DID YOU KNOW MR. BRADY? 813 00:29:42,524 --> 00:29:43,890 NOT WELL. 814 00:29:43,925 --> 00:29:45,592 HE HIRED BOTH OF US FOR HIS PARTY. 815 00:29:45,627 --> 00:29:47,394 SANDY TOOK PHOTOS, I HANDLED CATERING, 816 00:29:47,429 --> 00:29:49,028 BUT I COULDN'T STAY. 817 00:29:49,064 --> 00:29:50,763 I HAD A CORPORATE EVENT TO OVERSEE ACROSS TOWN. 818 00:29:50,799 --> 00:29:52,132 IS THIS YOUR HUSBAND? 819 00:29:52,201 --> 00:29:53,066 BOYFRIEND. 820 00:29:55,070 --> 00:29:56,736 IS THERE ANYTHING ELSE? WE'RE LATE FOR AN EVENT. 821 00:29:58,273 --> 00:29:59,473 NO. 822 00:29:59,508 --> 00:30:00,940 THANK YOU. 823 00:30:00,976 --> 00:30:01,808 I'LL LET YOU KNOW IF I HAVE ANY QUESTIONS. 824 00:30:07,649 --> 00:30:09,782 [JENN]: THANK YOU FOR MEETING ME, TONY. 825 00:30:09,851 --> 00:30:11,218 [TONY]: OF COURSE. 826 00:30:11,253 --> 00:30:12,552 YOU SAID YOU HAD NEW INFORMATION 827 00:30:12,621 --> 00:30:13,820 ABOUT MY UNCLE? 828 00:30:13,855 --> 00:30:15,555 I DEVELOPED A PHOTO FROM YOUR UNCLE'S CAMERA. 829 00:30:17,092 --> 00:30:18,525 THERE MIGHT BE SOMETHING TO YOUR SUSPICIONS. 830 00:30:20,329 --> 00:30:21,294 CAN I SEE THE PHOTO? 831 00:30:21,363 --> 00:30:23,130 I GAVE IT TO THE POLICE. 832 00:30:26,901 --> 00:30:28,235 THAT'S AWFUL. 833 00:30:28,270 --> 00:30:29,236 YOU SAID YOU THOUGHT 834 00:30:29,304 --> 00:30:30,036 SOMEONE WAS OUT TO GET LARRY? 835 00:30:30,105 --> 00:30:31,804 THAT'S WHAT HE SAID, 836 00:30:31,840 --> 00:30:33,406 AND NOW LOOK, HE'S GONE... 837 00:30:33,442 --> 00:30:35,208 AND BANKRUPT, APPARENTLY. 838 00:30:35,277 --> 00:30:37,010 DID YOU KNOW ABOUT HIS FINANCES? 839 00:30:38,413 --> 00:30:40,413 I WAS SHOCKED WHEN I HEARD. 840 00:30:40,482 --> 00:30:42,349 HE ALWAYS SEEMED LIKE HE HAD MONEY. 841 00:30:42,417 --> 00:30:44,884 HE WAS ALWAYS LENDING IT TO PEOPLE. 842 00:30:44,919 --> 00:30:47,120 MAYBE HE WAS JUST TRYING TO KEEP UP APPEARANCES. 843 00:30:47,156 --> 00:30:48,888 YOU KNOW, IF YOU HAD SAID THAT TWO WEEKS AGO, 844 00:30:48,923 --> 00:30:50,723 I NEVER WOULD HAVE BELIEVED YOU, 845 00:30:50,759 --> 00:30:53,360 BUT LARRY LOVED HIS LITTLE SECRETS. 846 00:30:53,428 --> 00:30:55,562 DID LARRY HAVE ANY ENEMIES, 847 00:30:55,597 --> 00:30:57,430 ANYONE YOU CAN THINK OF THAT WOULD WANT TO HURT HIM? 848 00:30:59,734 --> 00:31:00,800 HE HAD THE ONE MAJOR ENEMY. 849 00:31:00,835 --> 00:31:01,801 HE DID? 850 00:31:01,870 --> 00:31:03,303 I SHOULDN'T SAY THIS, 851 00:31:03,338 --> 00:31:04,971 BUT HE'S BEEN ACTING SO STRANGE. 852 00:31:05,006 --> 00:31:06,173 WHO? 853 00:31:06,241 --> 00:31:08,275 IT'S MY DAD. 854 00:31:10,979 --> 00:31:13,380 YOU DON'T THINK YOUR FATHER WOULD KILL HIS OWN BROTHER, 855 00:31:13,415 --> 00:31:14,314 DO YOU? 856 00:31:14,349 --> 00:31:15,882 NO. 857 00:31:15,950 --> 00:31:17,817 MAYBE? I DON'T KNOW. 858 00:31:17,886 --> 00:31:19,352 IT'S CRAZY TO CONSIDER. 859 00:31:19,388 --> 00:31:21,721 WELL, DID SOMETHING HAPPEN THAT WOULD MAKE YOU THINK THIS? 860 00:31:21,790 --> 00:31:24,424 MY DAD HAS ALWAYS RESENTED UNCLE LARRY. 861 00:31:24,459 --> 00:31:25,525 HE WAS THE ONE WITH THE COMPANY, 862 00:31:25,561 --> 00:31:26,660 THE BIG HOUSE. 863 00:31:26,695 --> 00:31:28,961 MY DAD WAS NEVER GOOD AT BUSINESS. 864 00:31:28,997 --> 00:31:31,531 STILL, THAT'S NOT ENOUGH TO SUSPECT HIM OF MURDER. 865 00:31:31,567 --> 00:31:34,100 BUT I THINK THAT HE ALSO STOLE FROM LARRY. 866 00:31:34,135 --> 00:31:36,936 IT WOULD BE FOR AN INVESTMENT 867 00:31:37,005 --> 00:31:38,371 OR A COMPANY THAT HE WANTED TO START, 868 00:31:38,407 --> 00:31:40,507 AND I THINK MY DAD WOULD JUST KEEP MOST OF THE MONEY, 869 00:31:40,576 --> 00:31:41,741 AND LARRY, HE'D FALL FOR IT EVERY TIME. 870 00:31:44,179 --> 00:31:45,778 I THINK HE FELT SORRY FOR MY DAD. 871 00:31:45,814 --> 00:31:47,714 HAVE YOU EVER HEARD YOUR DAD THREATEN LARRY? 872 00:31:49,084 --> 00:31:51,984 NOT EXACTLY... 873 00:31:52,020 --> 00:31:54,421 BUT A COUPLE YEARS AGO, 874 00:31:54,489 --> 00:31:55,422 LARRY CUT HIM OFF. 875 00:31:55,457 --> 00:31:57,123 NO MORE MONEY. 876 00:31:57,158 --> 00:32:00,260 MY DAD, HE STOPPED TALKING TO HIM. 877 00:32:00,329 --> 00:32:02,329 HE SAID HE'D GET IT ALL EVENTUALLY... 878 00:32:02,364 --> 00:32:03,230 WHEN LARRY WAS DEAD. 879 00:32:07,502 --> 00:32:09,669 YOU HAVE A LOVELY SHOP. 880 00:32:09,738 --> 00:32:11,771 I'VE SEEN QUITE A FEW IN MY TIME, 881 00:32:11,840 --> 00:32:13,139 AND YOU CAN REALLY TELL 882 00:32:13,174 --> 00:32:15,342 WHEN A SHOP IS RUN BY PEOPLE WHO CARE 883 00:32:15,410 --> 00:32:17,410 ABOUT THE ITEMS THEY SELL. 884 00:32:17,446 --> 00:32:18,511 WELL... 885 00:32:18,547 --> 00:32:20,347 WHEN DID YOU GET INTO ANTIQUES? 886 00:32:20,415 --> 00:32:22,048 WHEN I WAS A CHILD... 887 00:32:22,083 --> 00:32:23,717 BUT THEY WEREN'T "ANTIQUES". 888 00:32:23,752 --> 00:32:27,053 THEY WERE JUST ITEMS IN MY HOUSE. 889 00:32:27,088 --> 00:32:29,088 I HAD A SMALL SHOP FOR YEARS, 890 00:32:29,157 --> 00:32:31,658 FIXING AND RESTORING OLD ITEMS. 891 00:32:31,693 --> 00:32:33,393 FURNITURE, MOSTLY, 892 00:32:33,428 --> 00:32:35,061 BUT I'D LOVE IT 893 00:32:35,096 --> 00:32:38,465 WHEN SOMEONE BROUGHT IN AN OLD MUSIC BOX, 894 00:32:38,500 --> 00:32:40,166 OR A CUCKOO CLOCK. 895 00:32:42,036 --> 00:32:43,670 I COULD SPEND ALL DAY FIDDLING WITH THEM. 896 00:32:43,739 --> 00:32:46,239 THE WAY THEY WORK... 897 00:32:46,275 --> 00:32:47,307 IT'S LIKE MAGIC. 898 00:32:48,677 --> 00:32:50,243 OKAY. 899 00:32:54,683 --> 00:32:56,616 WE HAVE THIS CUCKOO CLOCK 900 00:32:56,652 --> 00:32:59,886 THAT HASN'T WORKED SINCE WE BROUGHT IT IN. 901 00:33:01,590 --> 00:33:02,422 CAREFUL. 902 00:33:04,159 --> 00:33:09,562 THIS LITTLE DARLING IS FINICKY AS ALL GET OUT. 903 00:33:09,598 --> 00:33:10,797 MAY I? 904 00:33:10,832 --> 00:33:11,798 SURE. 905 00:33:11,833 --> 00:33:13,700 THE SECRET IS, 906 00:33:13,735 --> 00:33:16,235 YOU'VE GOT TO KNOW EXACTLY WHERE TO TINKER. 907 00:33:16,305 --> 00:33:19,406 YOU TOUCH THE WRONG GEAR, 908 00:33:19,441 --> 00:33:21,574 AND YOU'LL BE FIDDLING FOR HOURS. 909 00:33:24,680 --> 00:33:26,346 A CLOCK JUST LIKE THIS ONE 910 00:33:26,381 --> 00:33:29,148 HUNG IN MY DOWNSTAIRS HALLWAY, 911 00:33:29,184 --> 00:33:31,785 AND I COULDN'T WAIT 912 00:33:31,853 --> 00:33:33,553 FOR THAT LITTLE BIRD 913 00:33:33,622 --> 00:33:35,922 TO POKE HIS HEAD OUT 914 00:33:35,957 --> 00:33:38,891 ON... THE... 915 00:33:38,927 --> 00:33:40,493 HOUR. [CUCKOO SINGING] 916 00:33:40,529 --> 00:33:41,461 OH! 917 00:33:41,496 --> 00:33:42,429 THERE HE IS! 918 00:33:44,733 --> 00:33:45,732 OH! 919 00:33:45,801 --> 00:33:47,300 I'VE GOT IT, YEAH. 920 00:33:47,336 --> 00:33:48,802 YEAH. 921 00:33:48,870 --> 00:33:51,404 WELL, UM... THANK YOU, KENNETH. 922 00:33:51,440 --> 00:33:53,239 WE'LL BE IN TOUCH. 923 00:34:00,315 --> 00:34:02,716 I LIKE HIM. 924 00:34:02,784 --> 00:34:04,484 HE TOOK MY PEN. 925 00:34:36,852 --> 00:34:39,151 [KNOCKING] 926 00:34:39,187 --> 00:34:40,152 OH! 927 00:34:40,221 --> 00:34:42,655 MRS. SHANNON. 928 00:34:42,691 --> 00:34:44,891 I DIDN'T KNOW YOU WERE COMING BY TODAY. 929 00:34:44,926 --> 00:34:45,958 WELL, I WAS IN THE NEIGHBORHOOD, 930 00:34:45,994 --> 00:34:47,059 AND I THOUGHT I'D STOP BY 931 00:34:47,095 --> 00:34:47,861 AND MAKE SURE I DIDN'T MISS ANYTHING. 932 00:34:47,896 --> 00:34:49,195 AH, WELL, 933 00:34:49,230 --> 00:34:50,764 I'VE GOT THE APPRAISERS HERE ALL DAY 934 00:34:50,799 --> 00:34:52,999 GOING OVER THE HOUSE FROM TOP TO BOTTOM. 935 00:34:53,034 --> 00:34:54,166 I'M SURE THEY'LL LET ME KNOW 936 00:34:54,202 --> 00:34:56,002 IF THEY COME ACROSS A STRAY CAMERA. 937 00:34:56,037 --> 00:34:57,404 [LAUGHING] 938 00:34:57,439 --> 00:34:58,605 YOU KNOW, 939 00:34:58,673 --> 00:35:00,807 I NEVER DID GET TO ASK YOU ABOUT YOUR CLIENT. 940 00:35:00,842 --> 00:35:03,242 WOULD HE LIKE TO CONSULT ON HOW THE ITEMS ARE SOLD? 941 00:35:03,278 --> 00:35:05,211 SCOTT? NO, NO. 942 00:35:05,246 --> 00:35:08,180 HE'S NOT REALLY INTO ANTIQUES THE WAY LARRY WAS. 943 00:35:08,249 --> 00:35:10,917 NO, I'M SURE HE JUST WANTS A FAIR AND QUICK SALE. 944 00:35:18,126 --> 00:35:19,325 LARRY CERTAINLY WAS 945 00:35:19,360 --> 00:35:21,027 A DISTINGUISHED-LOOKING GENTLEMAN, WASN'T HE? 946 00:35:21,062 --> 00:35:22,829 YES, HE WAS. 947 00:35:22,864 --> 00:35:23,696 THAT'S LARRY WITH HIS OLD BUSINESS PARTNER, 948 00:35:23,732 --> 00:35:24,664 WALTER... 949 00:35:24,699 --> 00:35:26,232 IN HAPPIER TIMES. 950 00:35:26,267 --> 00:35:27,600 OH, RIGHT. 951 00:35:27,669 --> 00:35:30,202 I RECOGNIZE HIM FROM THE OTHER DAY. 952 00:35:30,271 --> 00:35:31,103 HE SEEMED QUITE UPSET. 953 00:35:31,139 --> 00:35:32,539 MM. 954 00:35:32,574 --> 00:35:33,673 THEY HAD QUITE A FALLING OUT 955 00:35:33,708 --> 00:35:35,274 WHEN LARRY SOLD THEIR INVESTMENT COMPANY. 956 00:35:35,310 --> 00:35:36,609 LARRY GOT ENOUGH MONEY 957 00:35:36,645 --> 00:35:38,545 TO DO NOTHING FOR THE REST OF HIS LIFE, 958 00:35:38,580 --> 00:35:41,280 AND WALTER GOT... A LOT LESS. 959 00:35:41,316 --> 00:35:42,882 THEY RECENTLY RECONCILED 960 00:35:42,918 --> 00:35:44,050 TO INVEST IN A NEW VENTURE... 961 00:35:44,085 --> 00:35:46,285 THAT IS, UNTIL THE MONEY RAN OUT... 962 00:35:46,321 --> 00:35:48,655 BUT LET'S NOT LET THAT STOP YOU 963 00:35:48,723 --> 00:35:49,489 FROM GETTING THOSE CAMERAS SOLD, 964 00:35:49,524 --> 00:35:51,390 HMM? 965 00:35:51,426 --> 00:35:52,459 OH, UM, 966 00:35:52,494 --> 00:35:54,093 SPEAKING OF CAMERAS, 967 00:35:54,128 --> 00:35:56,028 I HAD THAT FILM THAT WAS IN THAT CAMERA 968 00:35:56,064 --> 00:35:56,930 DEVELOPED THE OTHER DAY. 969 00:35:56,998 --> 00:35:58,364 IN A LAB IN TOWN, 970 00:35:58,399 --> 00:36:00,099 AND THE TECHNICIAN SAID HE MIGHT BE INTERESTED 971 00:36:00,134 --> 00:36:01,033 IN PURCHASING LARRY'S COLLECTION. 972 00:36:01,069 --> 00:36:03,536 OH, WELL, THAT'S SOME GOOD NEWS. 973 00:36:03,572 --> 00:36:04,804 DO YOU BY ANY CHANCE KNOW 974 00:36:04,840 --> 00:36:06,172 WHERE LARRY GOT HIS FILM DEVELOPED? 975 00:36:06,240 --> 00:36:07,841 IT COULD BE ANOTHER POTENTIAL BUYER. 976 00:36:07,876 --> 00:36:09,241 MM, THAT'S SMART THINKING, 977 00:36:09,310 --> 00:36:11,010 BUT I REALLY CAN'T REMEMBER 978 00:36:11,079 --> 00:36:12,579 HIM MENTIONING ANYTHING LIKE THAT. 979 00:36:12,614 --> 00:36:14,681 YOU KNOW, I'LL CHECK HIS FILES. 980 00:36:14,716 --> 00:36:17,083 DON'T WANT TO LEAVE ANY STONE UNTURNED. 981 00:36:17,118 --> 00:36:18,250 YOU KNOW, 982 00:36:18,286 --> 00:36:19,652 TONY HAS DEFINITELY MADE HIS SHARE OF MISTAKES 983 00:36:19,688 --> 00:36:20,954 IN THE PAST, 984 00:36:20,989 --> 00:36:23,322 BUT HE'S MADE A GOOD CHOICE WHEN HE RECOMMENDED YOU. 985 00:36:23,391 --> 00:36:24,390 WHAT DO YOU MEAN, 986 00:36:24,425 --> 00:36:27,460 TONY HAS MADE HIS SHARE OF MISTAKES? 987 00:36:27,496 --> 00:36:28,561 I'M SORRY. 988 00:36:28,597 --> 00:36:30,096 THAT WAS INAPPROPRIATE OF ME. 989 00:36:30,131 --> 00:36:31,698 TONY, HE'S... HE'S A GREAT KID, 990 00:36:31,733 --> 00:36:33,967 BUT HE LIKES TO DAYDREAM ABOUT BEING A MUSICIAN 991 00:36:34,002 --> 00:36:35,635 WHEN HE SHOULD BE FIGURING OUT HIS BASIC NEEDS, 992 00:36:35,704 --> 00:36:37,904 HIS FOOD, HIS SHELTER. 993 00:36:37,973 --> 00:36:40,907 YOU KNOW, HE'S BEEN EVICTED FROM SEVERAL APARTMENTS. 994 00:36:40,942 --> 00:36:42,341 LARRY TRIED TO HELP HIM OUT ON OCCASION, 995 00:36:42,377 --> 00:36:45,411 BUT THERE'S ONLY SO MUCH YOU CAN DO. 996 00:36:45,446 --> 00:36:49,716 YOU KNOW, I HAD COFFEE WITH TONY EARLIER TODAY. 997 00:36:49,751 --> 00:36:52,284 HE HAS A LOT OF SUSPICIONS AROUND LARRY'S DEATH. 998 00:36:52,320 --> 00:36:54,487 LET ME GUESS. 999 00:36:54,523 --> 00:36:56,455 THOSE SUSPICIONS POINT TO HIS FATHER? 1000 00:36:56,491 --> 00:36:57,924 YES. 1001 00:36:59,594 --> 00:37:01,027 YEAH, NO, IT'S TRUE 1002 00:37:01,062 --> 00:37:03,095 LARRY AND SCOTT DIDN'T HAVE THE GREATEST RELATIONSHIP, 1003 00:37:03,131 --> 00:37:05,431 BUT WHAT KIND OF MAN WOULD KILL HIS OWN BROTHER? 1004 00:37:22,966 --> 00:37:24,132 HEY! 1005 00:37:25,568 --> 00:37:27,736 WHAT'S GOING ON? 1006 00:37:30,473 --> 00:37:32,907 HOW DO YOU DO WHAT YOU DO? 1007 00:37:34,277 --> 00:37:35,176 WHAT DO YOU MEAN, SELL ANTIQUES? 1008 00:37:35,245 --> 00:37:36,611 NO. 1009 00:37:36,647 --> 00:37:38,513 GET PEOPLE TO OPEN UP TO YOU. 1010 00:37:38,548 --> 00:37:39,347 YOU'RE LIKE EVERYONE'S FRIEND. 1011 00:37:40,617 --> 00:37:41,716 OH, GOSH, I DON'T KNOW. 1012 00:37:41,752 --> 00:37:43,384 IT KIND OF COMES NATURALLY, 1013 00:37:43,419 --> 00:37:44,719 BUT I THINK 1014 00:37:44,788 --> 00:37:47,388 PEOPLE WANT TO TALK ABOUT THEMSELVES, 1015 00:37:47,423 --> 00:37:48,790 SO IT'S GIVING THEM THE OPPORTUNITY, 1016 00:37:48,859 --> 00:37:50,491 OPENING THE DOOR. 1017 00:37:50,527 --> 00:37:52,260 RIGHT, BUT HOW DO YOU KNOW HOW TO DO THAT? 1018 00:37:54,297 --> 00:37:55,864 BELIEVE IT OR NOT, 1019 00:37:55,899 --> 00:37:57,699 I'VE LEARNED A LOT FROM READING MYSTERIES. 1020 00:37:57,768 --> 00:37:59,734 FROM EDGAR ALLAN POE 1021 00:37:59,770 --> 00:38:01,703 TO AGATHA CHRISTIE, 1022 00:38:01,738 --> 00:38:04,505 ALL THOSE STORIES ARE ABOUT GETTING PEOPLE TO OPEN UP, 1023 00:38:04,541 --> 00:38:05,907 FINDING OUT WHAT THEY'RE ALL ABOUT. 1024 00:38:05,942 --> 00:38:07,542 HMM... 1025 00:38:07,577 --> 00:38:08,609 I'LL GIVE IT A TRY. 1026 00:38:08,645 --> 00:38:10,712 O... 1027 00:38:10,747 --> 00:38:12,047 OKAY. 1028 00:38:18,521 --> 00:38:19,487 DON'T LET ME INTERRUPT YOUR BREAKFAST. 1029 00:38:20,924 --> 00:38:22,623 SPILL IT. 1030 00:38:22,693 --> 00:38:23,558 WHAT HAVE YOU GOT? 1031 00:38:23,593 --> 00:38:24,693 SCOTT BRADY. 1032 00:38:24,728 --> 00:38:26,294 THE VICTIM'S BROTHER? 1033 00:38:26,329 --> 00:38:27,628 YES, I THINK YOU SHOULD TALK TO HIM. 1034 00:38:27,664 --> 00:38:28,863 WELL, I JUST SPENT ALL DAY YESTERDAY 1035 00:38:28,899 --> 00:38:30,732 GOING OVER THE GUEST LIST OF LARRY'S PARTY. 1036 00:38:30,801 --> 00:38:31,800 HE WASN'T ON IT. 1037 00:38:31,835 --> 00:38:33,634 WELL, I TALKED TO TONY BRADY AGAIN, 1038 00:38:33,704 --> 00:38:35,336 AND HE THINKS HIS FATHER MIGHT HAVE HAD SOMETHING TO DO 1039 00:38:35,371 --> 00:38:36,171 WITH LARRY'S DEATH. 1040 00:38:36,206 --> 00:38:37,638 MOTIVE? 1041 00:38:37,674 --> 00:38:38,973 WELL, APPARENTLY, 1042 00:38:39,009 --> 00:38:40,274 THERE WAS A LOT OF BAD BLOOD BETWEEN THE TWO OF THEM, 1043 00:38:40,343 --> 00:38:41,642 AND THEY HAVEN'T TALKED 1044 00:38:41,678 --> 00:38:43,044 SINCE LARRY CUT SCOTT OFF FINANCIALLY. 1045 00:38:44,581 --> 00:38:45,446 AND YOU SPOKE WITH HIM? 1046 00:38:45,481 --> 00:38:47,015 WHO, SCOTT? 1047 00:38:47,050 --> 00:38:48,449 -YEAH. -NO. 1048 00:38:49,786 --> 00:38:52,053 SO THIS IS ALL SECOND-HAND OR CIRCUMSTANTIAL AT BEST. 1049 00:38:52,089 --> 00:38:53,421 AND I THOUGHT I'D TELL YOU FIRST. 1050 00:38:56,259 --> 00:38:57,592 ALL RIGHT, I'LL PUT HIM ON THE LIST, 1051 00:38:57,627 --> 00:38:58,659 BUT YOU, YOU... 1052 00:38:58,695 --> 00:38:59,961 I'M GOING TO GO BACK TO MY ANTIQUE STORE 1053 00:38:59,996 --> 00:39:00,829 AND LET YOU HANDLE THE CASE. 1054 00:39:00,864 --> 00:39:01,763 YOU PROMISE? 1055 00:39:02,799 --> 00:39:03,765 YOU BETTER DIG IN. 1056 00:39:03,834 --> 00:39:04,665 YOUR EGGS ARE GETTING COLD. 1057 00:39:08,772 --> 00:39:09,570 HEY! 1058 00:39:09,606 --> 00:39:11,172 HI! 1059 00:39:11,208 --> 00:39:12,573 PRODUCTIVE DAY? 1060 00:39:12,609 --> 00:39:14,709 YEAH, WE HAD A COUPLE OF GOOD CANDIDATES. 1061 00:39:14,745 --> 00:39:16,410 ONE SEEMED LIKE HE MIGHT BE A LITTLE... 1062 00:39:16,479 --> 00:39:18,346 BUT NO, HE'S GOT SOME GOOD QUALITIES. 1063 00:39:18,414 --> 00:39:20,115 HMM... HOW'S THE ARM? 1064 00:39:20,150 --> 00:39:21,082 BETTER AND BETTER. 1065 00:39:21,118 --> 00:39:22,483 HERE, ALLOW ME. 1066 00:39:22,518 --> 00:39:23,451 OH. 1067 00:39:23,486 --> 00:39:24,786 WELL, LOOK AT YOU GO. 1068 00:39:30,627 --> 00:39:31,793 AH, CAN I HELP YOU? 1069 00:39:31,862 --> 00:39:33,027 ARE YOU JENNIFER SHANNON? 1070 00:39:33,063 --> 00:39:33,995 I AM. 1071 00:39:34,030 --> 00:39:35,830 I'M SCOTT BRADY. 1072 00:39:35,866 --> 00:39:36,731 I WANT TO KNOW WHY YOU'RE TELLING PEOPLE 1073 00:39:36,767 --> 00:39:37,598 I KILLED MY BROTHER. 1074 00:39:41,805 --> 00:39:44,172 MAYBE WE SHOULD SIT DOWN AND DISCUSS THIS CALMLY. 1075 00:39:44,207 --> 00:39:46,207 I KNEW SOMETHING WAS UP 1076 00:39:46,276 --> 00:39:47,942 WHEN TONY STARTED AVOIDING ME. 1077 00:39:47,978 --> 00:39:49,110 IAN MENTIONED 1078 00:39:49,146 --> 00:39:51,179 THAT HE HAD CONTACTED A LOCAL ANTIQUE SHOP 1079 00:39:51,214 --> 00:39:53,614 TO SELL LARRY'S CAMERA COLLECTION. 1080 00:39:53,650 --> 00:39:55,049 DIDN'T TAKE MUCH TO PUT EVERYTHING TOGETHER. 1081 00:39:55,085 --> 00:39:57,385 OKAY, TONY CAME TO ME, 1082 00:39:57,453 --> 00:39:58,319 AND HE SAID THAT HE HAD SOME CONCERNS. 1083 00:39:58,354 --> 00:39:59,320 CONCERNS? 1084 00:40:01,191 --> 00:40:02,257 I DIDN'T KILL MY BROTHER! 1085 00:40:02,325 --> 00:40:04,625 IS EVERYTHING OKAY OUT HERE? 1086 00:40:04,661 --> 00:40:06,127 YES, EVERYTHING IS FINE. 1087 00:40:06,196 --> 00:40:07,162 RIGHT, SCOTT? 1088 00:40:07,197 --> 00:40:08,229 I WANT TO SEE THIS PHOTO. 1089 00:40:08,265 --> 00:40:09,063 [DOOR OPENING] 1090 00:40:10,133 --> 00:40:11,232 SCOTT! 1091 00:40:11,268 --> 00:40:12,300 I WARNED YOU NOT TO COME HERE. 1092 00:40:12,368 --> 00:40:13,168 I'M VERY SORRY ABOUT THIS. 1093 00:40:13,203 --> 00:40:14,535 SHE WON'T SHOW ME THE PHOTO. 1094 00:40:14,570 --> 00:40:16,137 I DON'T HAVE THE PHOTO. 1095 00:40:16,173 --> 00:40:17,205 IT'S WITH THE POLICE. 1096 00:40:17,240 --> 00:40:18,840 OKAY, COME ON, LET'S LEAVE. 1097 00:40:18,875 --> 00:40:19,908 YOU TELL THE POLICE 1098 00:40:19,976 --> 00:40:20,875 THERE ARE PLENTY OF PEOPLE 1099 00:40:20,944 --> 00:40:21,776 WHO WANT TO SEE LARRY DEAD. 1100 00:40:21,812 --> 00:40:22,977 [IAN]: ALL RIGHT, OKAY, OKAY. 1101 00:40:23,046 --> 00:40:24,745 AS THE ATTORNEY, I HAVE TO STOP THIS RIGHT NOW. 1102 00:40:24,781 --> 00:40:25,680 GOOD DAY. 1103 00:40:34,157 --> 00:40:35,890 [VIDEO GAME NOISES] 1104 00:40:35,926 --> 00:40:37,525 WHATCHA PLAYING? 1105 00:40:37,560 --> 00:40:38,526 JUST A FLIGHT SIM. 1106 00:40:38,594 --> 00:40:40,295 HMM. 1107 00:40:40,330 --> 00:40:42,030 YOU KNOW, AFTER READING YOUR SCHOOL PAPER, 1108 00:40:42,065 --> 00:40:43,664 I'VE SUDDENLY GONE ON THIS OLD LITERATURE KICK. 1109 00:40:45,501 --> 00:40:47,768 HAVE YOU EVER READ "THE TELL-TALE HEART" 1110 00:40:47,838 --> 00:40:48,536 BY EDGAR ALLAN POE? 1111 00:40:49,639 --> 00:40:51,172 NO, I DON'T THINK SO. 1112 00:40:51,241 --> 00:40:52,606 IT'S REALLY CREEPY. 1113 00:40:52,642 --> 00:40:53,774 I THINK YOU'D LIKE IT. 1114 00:40:53,844 --> 00:40:56,277 IT'S ABOUT THIS GUY WHO KILLS HIS ROOMMATE 1115 00:40:56,313 --> 00:40:58,112 AND CHOPS HIM UP. 1116 00:40:58,148 --> 00:40:59,347 HE BURIES THE PARTS 1117 00:40:59,382 --> 00:41:00,381 UNDER THE FLOORBOARDS OF THEIR HOUSE. 1118 00:41:00,416 --> 00:41:03,151 THAT SOUNDS PRETTY INTENSE. 1119 00:41:03,220 --> 00:41:04,853 THE POLICE SHOW UP TO INVESTIGATE, 1120 00:41:04,888 --> 00:41:06,054 AND THEY END UP SITTING IN CHAIRS 1121 00:41:06,089 --> 00:41:08,089 RIGHT OVER THE SPOT WHERE THE BODY IS HIDDEN. 1122 00:41:08,124 --> 00:41:09,757 THEY'RE TALKING TO THE MURDERER, 1123 00:41:09,792 --> 00:41:11,025 AND HE BECOMES CONVINCED 1124 00:41:11,061 --> 00:41:13,261 HE CAN HEAR THE HEARTBEAT OF THE DEAD GUY, 1125 00:41:13,296 --> 00:41:14,595 BEATING AND BEATING... 1126 00:41:14,630 --> 00:41:16,530 UNTIL FINALLY, 1127 00:41:16,566 --> 00:41:19,334 HIS GUILT CAUSES HIM TO CONFESS HIS CRIME. 1128 00:41:19,369 --> 00:41:20,501 OKAY, WELL, UH... 1129 00:41:20,570 --> 00:41:21,903 I GUESS I DON'T HAVE TO READ THAT ONE NOW. 1130 00:41:21,938 --> 00:41:23,504 WELL, IT'S MORE ABOUT THE POINT THAT POE IS MAKING, 1131 00:41:23,539 --> 00:41:25,039 ABOUT SECRETS 1132 00:41:25,108 --> 00:41:26,274 AND NOT BEING ABLE TO REST 1133 00:41:26,309 --> 00:41:28,409 WHILE HOLDING ONTO THOSE SECRETS. 1134 00:41:28,444 --> 00:41:30,678 A LOT OF PEOPLE CAN RELATE TO THAT. 1135 00:41:30,713 --> 00:41:31,679 THEY DO? 1136 00:41:31,748 --> 00:41:33,014 OH, YEAH. 1137 00:41:33,049 --> 00:41:35,816 REMEMBER LAST WEEK, WHEN MOM BAKED THOSE COOKIES? 1138 00:41:35,852 --> 00:41:37,118 WELL, I ENDED UP EATING THE LAST ONE, 1139 00:41:37,153 --> 00:41:38,953 AND THEN I FOUND OUT 1140 00:41:39,022 --> 00:41:40,088 THAT DAD DIDN'T GET ANY, 1141 00:41:40,156 --> 00:41:42,590 AND I FELT SO BAD THAT I HAD TO TELL HIM. 1142 00:41:42,625 --> 00:41:44,092 YOU KNOW, 1143 00:41:44,127 --> 00:41:46,961 "TELL-TALE COOKIE" DOESN'T HAVE QUITE THE SAME RING TO IT. 1144 00:41:46,997 --> 00:41:49,297 IT'S DIFFERENT FOR EVERYONE. 1145 00:41:49,332 --> 00:41:50,865 IF YOU HAVE ANY SECRETS 1146 00:41:50,901 --> 00:41:52,033 YOU NEED TO GET OFF YOUR CHEST... 1147 00:41:53,836 --> 00:41:54,769 NOPE. 1148 00:41:54,804 --> 00:41:56,670 I'M FINE. 1149 00:42:00,310 --> 00:42:02,377 I'LL LET YOU GET BACK TO YOUR GAME, THEN. 1150 00:42:10,553 --> 00:42:12,253 I'M TOTALLY FINE. 1151 00:42:12,289 --> 00:42:13,922 DID HE THREATEN YOU? 1152 00:42:13,957 --> 00:42:15,856 NO, ALL HE DID WAS RAISE HIS VOICE A LITTLE. 1153 00:42:15,892 --> 00:42:17,792 WELL, IF HE COMES IN AGAIN, YOU CALL ME. 1154 00:42:17,827 --> 00:42:20,428 WELL, IF HE SHOWS UP AGAIN, I'M GOING TO CALL THE POLICE. 1155 00:42:20,496 --> 00:42:22,063 THAT'S EVEN BETTER. 1156 00:42:22,098 --> 00:42:23,464 I'LL BE SAFE, DON'T WORRY. LOVE YOU. 1157 00:42:23,499 --> 00:42:24,966 LOVE YOU, TOO. 1158 00:42:28,905 --> 00:42:31,272 JASON'S IN PROTECTIVE HUSBAND MODE. 1159 00:42:31,341 --> 00:42:33,607 IT'S KIND OF CUTE WHEN HE'S LIKE THAT. 1160 00:42:33,643 --> 00:42:35,109 IS HE GOING TO PROTECT ME, TOO? 1161 00:42:35,145 --> 00:42:36,311 WE WILL BE FINE. 1162 00:42:36,379 --> 00:42:38,212 ARE YOU LOOKING UP BULLET-PROOF VESTS? 1163 00:42:38,248 --> 00:42:39,680 NO... 1164 00:42:39,715 --> 00:42:42,050 BUT I WAS THINKING ABOUT SOMETHING SCOTT SAID 1165 00:42:42,085 --> 00:42:44,953 ABOUT OTHER PEOPLE WANTING LARRY DEAD, 1166 00:42:44,988 --> 00:42:46,654 AND IT REMINDED ME OF THAT FIGHT 1167 00:42:46,722 --> 00:42:48,256 THAT LARRY'S FORMER BUSINESS PARTNER 1168 00:42:48,291 --> 00:42:49,991 WAS HAVING WITH IAN AT LARRY'S HOUSE. 1169 00:42:50,026 --> 00:42:50,959 WHAT WAS HIS NAME? 1170 00:42:50,994 --> 00:42:52,560 WALTER. 1171 00:42:52,595 --> 00:42:53,394 I DON'T KNOW HIS LAST NAME. 1172 00:42:57,000 --> 00:42:58,799 OH. 1173 00:42:58,835 --> 00:43:00,601 MM, I KNOW THAT LOOK. 1174 00:43:02,172 --> 00:43:03,804 IS THERE SOMETHING YOU WANT TO TELL ME? 1175 00:43:05,708 --> 00:43:07,741 WELL, I WAS GOING OVER THE PEOPLE 1176 00:43:07,777 --> 00:43:09,110 THAT JASON AND I INTERVIEWED, 1177 00:43:09,145 --> 00:43:10,411 AND UNFORTUNATELY, 1178 00:43:10,447 --> 00:43:11,512 THERE WERE ONLY TWO APPLICANTS. 1179 00:43:11,547 --> 00:43:13,348 HUH. 1180 00:43:13,383 --> 00:43:15,350 WELL, THAT SHOULD MAKE PICKING SOMEONE EASY. 1181 00:43:15,418 --> 00:43:16,617 [LAUGHING] 1182 00:43:16,652 --> 00:43:18,353 YEAH, WELL, THEY BOTH HAD THEIR GOOD QUALITIES 1183 00:43:18,388 --> 00:43:20,154 AND THEIR WEAKNESSES. 1184 00:43:20,190 --> 00:43:21,922 WELL, WHO'D YOU HIRE? 1185 00:43:21,958 --> 00:43:22,890 BOTH. 1186 00:43:24,527 --> 00:43:26,827 I KNOW, I KNOW. 1187 00:43:26,896 --> 00:43:28,096 WE CAN'T AFFORD BOTH, 1188 00:43:28,131 --> 00:43:29,663 SO THIS IS... 1189 00:43:29,699 --> 00:43:32,033 I DON'T WANT YOU TO WORRY ABOUT IT. 1190 00:43:32,102 --> 00:43:33,934 THIS IS... I'M GOING TO SOLVE THIS... 1191 00:43:33,970 --> 00:43:35,636 -OH... -[DOOR OPENING] 1192 00:43:35,671 --> 00:43:37,872 NICE TO MEET YOU, TRAVIS. 1193 00:43:37,907 --> 00:43:39,773 IN THE NEXT 30 SECONDS. 1194 00:43:39,809 --> 00:43:40,774 GENTLEMEN, HI. 1195 00:43:40,843 --> 00:43:42,710 YOU ARE RIGHT ON TIME. 1196 00:43:42,778 --> 00:43:45,279 KENNETH, TRAVIS, 1197 00:43:45,315 --> 00:43:46,280 THIS IS JENNIFER SHANNON, 1198 00:43:46,349 --> 00:43:47,648 YOUR NEW BOSS. 1199 00:43:47,683 --> 00:43:50,218 WE'RE GOING TO GO RIGHT TO THE BACK, 1200 00:43:50,253 --> 00:43:53,354 AND I'LL FIND SOMETHING FOR YOU TO DO. 1201 00:43:53,390 --> 00:43:55,189 WELCOME. 1202 00:43:56,959 --> 00:43:58,526 OH, DANI... 1203 00:44:34,630 --> 00:44:36,297 OH, HI, HONEY. 1204 00:44:36,332 --> 00:44:38,099 HOW WOULD YOU LIKE TO GO TO DINNER TONIGHT? 1205 00:44:42,773 --> 00:44:43,972 I'VE GOT TO SAY, JENN, 1206 00:44:44,007 --> 00:44:47,576 THIS SPONTANEOUS DATE NIGHT IS A NICE SURPRISE. 1207 00:44:47,645 --> 00:44:48,610 WHERE'D YOU GET THE IDEA? 1208 00:44:49,647 --> 00:44:50,879 OH, I THOUGHT 1209 00:44:50,914 --> 00:44:52,113 A CELEBRATION WAS IN ORDER 1210 00:44:52,183 --> 00:44:53,815 NOW THAT THE INTERVIEWS AT THE SHOP ARE DONE. 1211 00:44:53,850 --> 00:44:55,617 WE ONLY DID TWO INTERVIEWS. 1212 00:44:55,653 --> 00:44:57,719 I WOULDN'T THINK THAT'S A CAUSE FOR CELEBRATION. 1213 00:44:57,754 --> 00:44:58,987 WELL, SOMETIMES, 1214 00:44:59,022 --> 00:45:01,089 THE LITTLE VICTORIES DESERVE SOMETHING, TOO. 1215 00:45:02,626 --> 00:45:05,294 THAT HAD TO BE A TOUGH CHOICE FOR DANI. 1216 00:45:05,329 --> 00:45:07,095 TRAVIS, HE SEEMED LIKE A HARD WORKER, 1217 00:45:07,130 --> 00:45:09,298 BUT HE DIDN'T KNOW MUCH ABOUT ANTIQUES. 1218 00:45:09,366 --> 00:45:11,700 KENNETH, HE HAD THE KNOW-HOW, 1219 00:45:11,735 --> 00:45:13,802 BUT I DON'T KNOW HOW MUCH LIFTING HE COULD DO. 1220 00:45:13,837 --> 00:45:15,537 SO WHO'D SHE CHOOSE? 1221 00:45:15,573 --> 00:45:16,471 BOTH OF THEM. 1222 00:45:16,507 --> 00:45:18,940 BOTH? 1223 00:45:18,975 --> 00:45:20,141 WELL, YOU DID SAY 1224 00:45:20,211 --> 00:45:21,176 SHE HAD A HARD TIME GIVING PEOPLE BAD NEWS. 1225 00:45:22,746 --> 00:45:24,580 WELL, SHE'LL HAVE TO TALK TO ONE OF THEM EVENTUALLY, 1226 00:45:24,615 --> 00:45:25,914 BUT FOR NOW, 1227 00:45:25,949 --> 00:45:27,349 WE'RE GOING TO GIVE THEM BOTH A TRIAL RUN. 1228 00:45:27,384 --> 00:45:28,684 SO SHE'S JUST DELAYING THE BAD NEWS. 1229 00:45:28,719 --> 00:45:29,651 EXACTLY. 1230 00:45:29,687 --> 00:45:31,587 NOT A BAD PLAN. 1231 00:45:32,623 --> 00:45:33,689 [TESS]: HELLO. 1232 00:45:33,724 --> 00:45:35,657 I BELIEVE WE HAVE A COUPLE NEW FACES HERE. 1233 00:45:35,693 --> 00:45:36,825 GUILTY AS CHARGED. 1234 00:45:36,893 --> 00:45:38,560 I'M TESS MEADOWS, THE HEAD CHEF. 1235 00:45:38,596 --> 00:45:39,728 HI, TESS. 1236 00:45:39,796 --> 00:45:40,729 I'M JENN, AND THIS IS MY HUSBAND, JASON. 1237 00:45:40,764 --> 00:45:42,897 NICE TO MEET YOU. 1238 00:45:42,933 --> 00:45:45,567 DO YOU HAVE ANY QUESTIONS ABOUT THE MENU? 1239 00:45:45,636 --> 00:45:47,469 EVERYTHING LOOKS SO GREAT. 1240 00:45:47,504 --> 00:45:48,604 I'D LIKE TO ORDER ALL OF IT. 1241 00:45:48,639 --> 00:45:50,672 [LAUGHING] 1242 00:45:50,708 --> 00:45:54,008 UM, DO YOU HAVE ANY LOW-SODIUM OPTIONS? 1243 00:45:54,077 --> 00:45:55,244 SALT SUBSTITUTE IS FINE. 1244 00:45:55,279 --> 00:45:56,511 OH, ABSOLUTELY. 1245 00:45:56,547 --> 00:45:58,012 WE CAN ADJUST ANY ITEM ON THE MENU. 1246 00:45:59,149 --> 00:46:00,616 HOW DID YOU FIND OUT ABOUT US? 1247 00:46:00,651 --> 00:46:01,916 OH, I READ AN ARTICLE ONLINE 1248 00:46:01,985 --> 00:46:03,151 AND WANTED TO CHECK IT OUT. 1249 00:46:04,521 --> 00:46:05,920 AND I CAME ALONG FOR THE RIDE. 1250 00:46:05,956 --> 00:46:08,957 WELL, TAKE YOUR TIME STUDYING THE MENU, 1251 00:46:08,992 --> 00:46:11,960 AND, UH, JULIA SHOULD BE AROUND 1252 00:46:12,028 --> 00:46:14,162 TO TAKE YOUR ORDER 1253 00:46:14,197 --> 00:46:16,331 OR ANSWER ANY QUESTIONS, IF YOU HAVE ANY. 1254 00:46:16,367 --> 00:46:17,966 I SHOULD CHECK THE KITCHEN. 1255 00:46:18,034 --> 00:46:19,200 ENJOY YOUR MEAL. 1256 00:46:19,236 --> 00:46:20,168 THANK YOU. 1257 00:46:20,203 --> 00:46:21,670 THANKS. 1258 00:46:24,841 --> 00:46:26,007 WATCHING OUR SALT, ARE WE? 1259 00:46:27,378 --> 00:46:28,610 NEVER TOO SOON TO START EATING HEALTHY. 1260 00:46:31,415 --> 00:46:32,381 WHY DO I GET THE SENSE 1261 00:46:32,449 --> 00:46:34,115 THAT THIS "SPONTANEOUS DATE NIGHT" 1262 00:46:34,151 --> 00:46:35,150 IS MORE THAN IT APPEARS? 1263 00:46:36,587 --> 00:46:37,686 THAT... 1264 00:46:37,721 --> 00:46:39,321 MIGHT REQUIRE A LITTLE EXPLANATION... 1265 00:46:40,724 --> 00:46:42,424 BUT FIRST, I'M GOING TO WASH UP. 1266 00:46:42,493 --> 00:46:43,825 WILL YOU ORDER ME A ROSE? 1267 00:46:43,860 --> 00:46:45,327 SURE. 1268 00:46:48,899 --> 00:46:51,065 OH, BOY... 1269 00:46:52,436 --> 00:46:54,903 [WALTER]: SO WHAT'S BOTHERING YOU? 1270 00:46:54,971 --> 00:46:56,805 [TESS]: IT'S NOTHING. I'M FINE. 1271 00:46:56,840 --> 00:46:58,206 TESS... 1272 00:46:58,241 --> 00:47:00,309 YOU CAN'T HIDE IT FROM ME. 1273 00:47:02,078 --> 00:47:05,079 DAD, I'M WORRIED ABOUT THE MONEY. 1274 00:47:05,115 --> 00:47:07,048 WE DON'T HAVE TO WORRY ABOUT THE MONEY ANYMORE. 1275 00:47:07,117 --> 00:47:08,917 [TESS]: WHERE DID YOU GET IT? 1276 00:47:08,952 --> 00:47:11,219 SCOTT BRADY CAME THROUGH. 1277 00:47:11,254 --> 00:47:13,221 [TESS]: HE GAVE IT TO US? 1278 00:47:13,256 --> 00:47:14,790 IT'S PAYBACK. 1279 00:47:18,562 --> 00:47:19,994 [WALTER]: YOU DON'T HAVE TO WORRY ANYMORE, TESS. 1280 00:47:34,077 --> 00:47:35,043 HI, HANNAH! 1281 00:47:35,078 --> 00:47:36,110 HEY. IS MY MOM HERE? 1282 00:47:36,146 --> 00:47:37,278 NO, HONEY, I'M SORRY. 1283 00:47:37,314 --> 00:47:38,313 SHE JUST STEPPED OUT. 1284 00:47:38,382 --> 00:47:40,482 NO WORRIES. 1285 00:47:40,517 --> 00:47:42,451 IS THERE ANYTHING I CAN HELP YOU WITH? 1286 00:47:42,486 --> 00:47:44,285 UH... 1287 00:47:44,321 --> 00:47:45,253 YEAH, ACTUALLY. 1288 00:47:46,990 --> 00:47:50,024 HOW DO YOU GET PEOPLE TO OPEN UP TO YOU? 1289 00:47:50,060 --> 00:47:51,693 OH... 1290 00:47:51,729 --> 00:47:52,961 WELL... 1291 00:47:52,996 --> 00:47:54,128 I'M KIND OF AN OPEN BOOK, 1292 00:47:54,164 --> 00:47:56,531 SO I JUST START TALKING, 1293 00:47:56,567 --> 00:47:57,999 AND THEN PEOPLE START TALKING BACK. 1294 00:47:58,034 --> 00:48:00,101 YOU MAKE IT SOUND SO EASY. 1295 00:48:00,136 --> 00:48:01,236 BELIEVE ME, 1296 00:48:01,271 --> 00:48:03,104 I WISH I WERE BETTER AT KEEPING SECRETS. 1297 00:48:03,173 --> 00:48:04,539 IS THERE SOMEONE IN PARTICULAR 1298 00:48:04,575 --> 00:48:05,841 YOU'RE LOOKING TO CONNECT WITH? 1299 00:48:05,909 --> 00:48:06,908 MY BROTHER. 1300 00:48:08,178 --> 00:48:09,678 LOGAN... HE'S SO CUTE. 1301 00:48:09,713 --> 00:48:10,679 WELL... 1302 00:48:10,714 --> 00:48:12,714 I'D SAY IN THAT CASE, 1303 00:48:12,750 --> 00:48:14,349 HONESTY IS HARD TO SAY NO TO. 1304 00:48:15,386 --> 00:48:16,818 YEAH. 1305 00:48:16,854 --> 00:48:18,253 THANKS, IT'S GOOD ADVICE. 1306 00:48:19,423 --> 00:48:20,722 STILL NEED TO TALK TO YOUR MOM? 1307 00:48:20,758 --> 00:48:22,624 I WAS HOPING TO PICK HER BRAIN JUST A LITTLE MORE. 1308 00:48:22,659 --> 00:48:24,493 OKAY. 1309 00:48:24,561 --> 00:48:26,361 I'LL LET HER BRAIN KNOW YOU'RE LOOKING FOR IT. 1310 00:48:26,397 --> 00:48:28,096 THANK YOU. BYE. 1311 00:48:28,131 --> 00:48:29,097 BYE! 1312 00:48:32,202 --> 00:48:33,301 HANNAH? 1313 00:48:34,671 --> 00:48:35,604 TONY! 1314 00:48:35,639 --> 00:48:37,372 HEY! HOW'VE YOU BEEN? 1315 00:48:37,408 --> 00:48:39,173 I HAVEN'T SEEN YOUR BAND PLAYING AROUND LATELY. 1316 00:48:39,209 --> 00:48:41,810 YEAH, KIND OF ON A BREAK 1317 00:48:41,879 --> 00:48:43,712 WHILE I FIGURE SOME STUFF OUT. 1318 00:48:44,815 --> 00:48:45,680 IS THERE ANYTHING YOU WANT TO TALK ABOUT? 1319 00:48:45,716 --> 00:48:47,248 YOU SEEM... 1320 00:48:47,284 --> 00:48:48,784 I DON'T KNOW, UPSET. 1321 00:48:48,852 --> 00:48:50,385 THERE'S NOTHING THAT YOU CAN DO. 1322 00:48:50,454 --> 00:48:52,287 IT'S MY UNCLE'S DEATH HAS MESSED ME UP A BIT. 1323 00:48:52,322 --> 00:48:53,922 I HEARD ABOUT THAT. 1324 00:48:53,957 --> 00:48:55,056 I'M SO SORRY. 1325 00:48:55,091 --> 00:48:56,224 THANKS. 1326 00:48:56,293 --> 00:48:57,292 IT'S JUST... 1327 00:48:57,327 --> 00:48:58,226 THERE'S A LOT OF WEIRDNESS 1328 00:48:58,261 --> 00:48:59,561 SURROUNDING HIS DEATH. 1329 00:48:59,596 --> 00:49:00,862 IT'S CAUSED A LOT OF STRESS 1330 00:49:00,898 --> 00:49:01,963 IN MY FAMILY, 1331 00:49:01,998 --> 00:49:03,532 AND IT'S BEEN HARD FOR ME TO SLEEP. 1332 00:49:05,068 --> 00:49:06,835 WELL, I HEARD YOU'VE BEEN TALKING TO MY MOM. 1333 00:49:06,870 --> 00:49:08,269 SHE'S BEEN VERY HELPFUL. 1334 00:49:08,305 --> 00:49:11,039 SHE IS REALLY GREAT TO TALK TO. 1335 00:49:11,074 --> 00:49:13,975 BEEN TRYING TO LEARN HOW SHE DOES IT. 1336 00:49:14,010 --> 00:49:15,577 I'M SO SORRY ABOUT HER RUN-IN WITH MY DAD. 1337 00:49:15,612 --> 00:49:16,745 RUN-IN? 1338 00:49:16,780 --> 00:49:17,779 YEAH. 1339 00:49:17,848 --> 00:49:19,280 SHE DIDN'T TELL YOU? 1340 00:49:19,316 --> 00:49:21,349 NO, IT'S THE FIRST TIME HEARING ABOUT IT. 1341 00:49:21,418 --> 00:49:22,751 MY DAD SHOWED UP HERE YESTERDAY, 1342 00:49:22,786 --> 00:49:24,853 AND HE CAUSED A BIT OF A SCENE. 1343 00:49:24,888 --> 00:49:26,354 I WANTED TO MAKE SURE THAT SHE WAS OKAY. 1344 00:49:26,423 --> 00:49:28,089 I HAD NO IDEA. 1345 00:49:28,124 --> 00:49:29,324 I'M SURE SHE'S FINE, 1346 00:49:29,359 --> 00:49:31,927 I JUST... STILL WANTED TO APOLOGIZE TO HER 1347 00:49:31,962 --> 00:49:33,862 ON BEHALF OF MY FAMILY. 1348 00:49:33,897 --> 00:49:36,465 WELL, I WILL DEFINITELY TELL HER 1349 00:49:36,500 --> 00:49:37,532 AS SOON AS I SEE HER. 1350 00:49:37,601 --> 00:49:38,467 I'D WAIT AROUND AND I'D DO IT IN PERSON, 1351 00:49:38,502 --> 00:49:39,601 BUT THERE'S A LOT OF THINGS 1352 00:49:39,636 --> 00:49:40,735 THAT I HAVE TO GET TAKEN CARE OF, AND... 1353 00:49:40,771 --> 00:49:42,136 WELL, YOU COULD CALL HER. 1354 00:49:42,172 --> 00:49:44,739 MY CELL PHONE GOT SHUT OFF THIS MORNING. 1355 00:49:44,775 --> 00:49:46,040 PROBLEMS WITH THE BILL. 1356 00:49:46,076 --> 00:49:47,108 OKAY, WELL, I'LL HAVE HER CALL YOUR HOUSE. 1357 00:49:47,143 --> 00:49:48,944 NO, DON'T DO THAT. 1358 00:49:48,979 --> 00:49:49,978 SORRY? 1359 00:49:50,013 --> 00:49:52,180 I CAN'T GO HOME RIGHT NOW. 1360 00:49:52,215 --> 00:49:53,582 MY DAD AND I, WE'RE NOT ON THE BEST OF TERMS, 1361 00:49:53,650 --> 00:49:54,983 SO JUST, JUST... 1362 00:49:55,018 --> 00:49:56,050 LET HER KNOW THAT I'M SORRY, 1363 00:49:56,086 --> 00:49:57,285 OKAY? 1364 00:50:00,524 --> 00:50:01,556 THANKS, HANNAH. 1365 00:50:03,393 --> 00:50:05,026 [VAN ENGINE STARTING] 1366 00:50:16,306 --> 00:50:19,340 OH, FRANK, ARE YOU BUSY? 1367 00:50:19,409 --> 00:50:21,075 WELL, I'M GOING THROUGH ALL THE PICTURES 1368 00:50:21,111 --> 00:50:22,377 FROM THE PARTY, 1369 00:50:22,412 --> 00:50:23,478 AND AS WE KNOW, 1370 00:50:23,514 --> 00:50:25,480 THE KILLER HAD A DARK SUIT AND GLOVES. 1371 00:50:25,549 --> 00:50:27,482 PRETTY MUCH EVERYONE HAD A DARK SUIT AT THE PARTY. 1372 00:50:27,518 --> 00:50:28,449 I THINK YOU SHOULD CHECK OUT 1373 00:50:28,485 --> 00:50:29,684 LARRY'S EX-BUSINESS PARTNER, 1374 00:50:29,753 --> 00:50:30,952 WALTER MEADOWS. 1375 00:50:30,988 --> 00:50:32,086 I ALREADY DID. 1376 00:50:32,122 --> 00:50:33,321 I'VE GOT WITNESSES 1377 00:50:33,356 --> 00:50:34,389 WHO WERE WITH WALTER AND HIS DAUGHTER 1378 00:50:34,457 --> 00:50:36,124 THE ENTIRE PARTY. 1379 00:50:36,159 --> 00:50:38,092 DID YOU KNOW THAT LARRY OWED WALTER A LOT OF MONEY? 1380 00:50:38,128 --> 00:50:39,794 LARRY OWED A LOT OF PEOPLE MONEY. 1381 00:50:39,830 --> 00:50:41,763 BUT I THINK WALTER'S GOING TO GET PAID. 1382 00:50:41,798 --> 00:50:42,731 FROM WHOM? 1383 00:50:42,766 --> 00:50:43,765 SCOTT BRADY. 1384 00:50:43,800 --> 00:50:44,933 THAT SEEMS FAIR. 1385 00:50:45,002 --> 00:50:46,001 WELL, ORIGINALLY, 1386 00:50:46,036 --> 00:50:47,301 THE LAWYER WASN'T GOING TO PAY HIM. 1387 00:50:47,337 --> 00:50:48,570 NOW SCOTT IS. 1388 00:50:48,605 --> 00:50:49,838 I HEARD WALTER SAY IT WAS "PAYBACK." 1389 00:50:50,807 --> 00:50:51,706 YOU HEARD? 1390 00:50:51,742 --> 00:50:53,408 OH, UM... 1391 00:50:53,443 --> 00:50:55,276 JASON AND I WENT OUT TO DINNER LAST NIGHT 1392 00:50:55,345 --> 00:50:57,078 AT WALTER'S RESTAURANT. 1393 00:50:57,147 --> 00:50:58,279 THEN WHY AM I THE ONE 1394 00:50:58,314 --> 00:51:00,081 STARTING TO FEEL LIKE I'VE GOT INDIGESTION? 1395 00:51:00,116 --> 00:51:02,183 WALTER'S RESTAURANT USES POTASSIUM CHLORIDE 1396 00:51:02,218 --> 00:51:03,852 AS A SALT SUBSTITUTE. 1397 00:51:03,887 --> 00:51:05,386 THAT'S THE SAME STUFF USED TO KILL LARRY. 1398 00:51:05,422 --> 00:51:06,387 I THOUGHT YOU WERE STAYING OUT OF THIS. 1399 00:51:06,423 --> 00:51:07,689 I AM. 1400 00:51:07,724 --> 00:51:08,790 I JUST WENT TO EAT. 1401 00:51:08,825 --> 00:51:10,158 AT A SUSPECT'S RESTAURANT? 1402 00:51:10,193 --> 00:51:11,860 WHAT IF SCOTT AND WALTER ARE WORKING TOGETHER? 1403 00:51:11,895 --> 00:51:13,161 THAT STILL DOESN'T MEAN 1404 00:51:13,196 --> 00:51:14,996 SCOTT WAS ANYWHERE NEAR THE MURDER SCENE. 1405 00:51:15,032 --> 00:51:16,197 JUST BECAUSE HE WASN'T AT THE PARTY 1406 00:51:16,266 --> 00:51:17,465 DOESN'T MEAN HE WASN'T ON THE PROPERTY. 1407 00:51:17,534 --> 00:51:19,367 WHICH IS WHY I'VE BEEN COMBING 1408 00:51:19,402 --> 00:51:21,603 THROUGH ALL THESE PHOTOS THAT THE PHOTOGRAPHER TOOK. 1409 00:51:21,638 --> 00:51:22,771 DO YOU MIND IF I TAKE A LOOK? 1410 00:51:24,541 --> 00:51:25,339 THESE ARE EVIDENCE, JENN. 1411 00:51:25,375 --> 00:51:26,808 OH, JUST A PEEK? 1412 00:51:40,891 --> 00:51:42,190 YOU KNOW, I COULD HELP YOU GO THROUGH THESE 1413 00:51:42,225 --> 00:51:43,191 IF YOU LIKE. 1414 00:51:43,226 --> 00:51:44,960 THANK YOU. 1415 00:51:44,995 --> 00:51:46,728 IT'S COVERED. 1416 00:51:46,763 --> 00:51:47,729 RIGHT, GOTCHA. 1417 00:51:58,228 --> 00:51:59,626 [SHUTTER CLICKING] 1418 00:52:02,365 --> 00:52:03,464 HELLO? 1419 00:52:03,499 --> 00:52:05,399 BACK HERE. 1420 00:52:08,171 --> 00:52:08,970 HI. 1421 00:52:09,005 --> 00:52:09,837 HI! 1422 00:52:09,906 --> 00:52:10,872 CAN I HELP YOU? 1423 00:52:10,907 --> 00:52:11,739 OH, I'M JENNIFER SHANNON. 1424 00:52:11,774 --> 00:52:13,174 SANDY. 1425 00:52:13,209 --> 00:52:15,276 YOU HAVE A BEAUTIFUL STUDIO, SANDY. 1426 00:52:15,311 --> 00:52:16,210 OH, THANK YOU. 1427 00:52:16,246 --> 00:52:17,511 I MOSTLY DO CATALOG WORK 1428 00:52:17,546 --> 00:52:20,047 AND SENIOR PICTURES FOR HIGH-SCHOOL STUDENTS. 1429 00:52:20,116 --> 00:52:21,282 WERE YOU LOOKING FOR A FAMILY PORTRAIT? 1430 00:52:21,317 --> 00:52:23,517 NO, ACTUALLY, I'M AN ANTIQUE DEALER, 1431 00:52:23,552 --> 00:52:24,852 AND I WAS HOPING THAT YOU COULD HELP ME 1432 00:52:24,888 --> 00:52:26,287 WITH THIS CAMERA. 1433 00:52:26,322 --> 00:52:28,356 WELL, I'LL SEE WHAT I CAN... DO. 1434 00:52:28,391 --> 00:52:30,091 IT BELONGED TO LARRY BRADY. 1435 00:52:30,159 --> 00:52:31,292 ARE YOU FAMILIAR WITH IT? 1436 00:52:31,327 --> 00:52:32,559 UH, YEAH. 1437 00:52:32,595 --> 00:52:33,861 I MEAN... IT'S AN ANTIQUE. 1438 00:52:33,897 --> 00:52:35,529 THERE AREN'T MANY OUT THERE. 1439 00:52:35,564 --> 00:52:37,531 I'M TRYING TO FIGURE OUT HOW LARRY HAD IT ARRANGED 1440 00:52:37,600 --> 00:52:39,133 WITH HIS OTHER CAMERAS. 1441 00:52:39,168 --> 00:52:40,601 I'M PUTTING TOGETHER A DISPLAY, 1442 00:52:40,669 --> 00:52:42,403 AND I WANT TO SHOW THE COLLECTION 1443 00:52:42,438 --> 00:52:43,637 AS IT WAS INTENDED TO BE SEEN. 1444 00:52:43,672 --> 00:52:45,139 SO WHAT DO YOU NEED FROM ME? 1445 00:52:45,208 --> 00:52:46,507 I UNDERSTAND 1446 00:52:46,542 --> 00:52:48,109 YOU WERE TAKING PHOTOS AT LARRY'S PARTY, 1447 00:52:48,144 --> 00:52:50,278 AND I WAS HOPING I COULD SEE THE PHOTOS, 1448 00:52:50,313 --> 00:52:51,845 JUST SO I COULD RE-CREATE 1449 00:52:51,881 --> 00:52:53,414 HOW THIS CAMERA AND THE OTHER CAMERAS 1450 00:52:53,482 --> 00:52:54,282 WERE SHOWN AT THE HOUSE. 1451 00:52:54,317 --> 00:52:55,849 I... 1452 00:52:55,885 --> 00:52:57,118 I WOULDN'T BOTHER. 1453 00:52:57,186 --> 00:52:58,485 NO? 1454 00:52:58,521 --> 00:53:00,955 THAT CAMERA WASN'T YET PART OF HIS COLLECTION. 1455 00:53:02,758 --> 00:53:05,192 IT WAS A BIRTHDAY PRESENT. 1456 00:53:05,228 --> 00:53:06,160 OH. 1457 00:53:09,265 --> 00:53:10,631 FROM YOU? 1458 00:53:10,666 --> 00:53:12,466 YEAH. 1459 00:53:12,501 --> 00:53:13,667 I GOT IT ONLINE. 1460 00:53:13,702 --> 00:53:15,102 IT TOOK A LITTLE SEARCHING, 1461 00:53:15,171 --> 00:53:16,904 BUT I THOUGHT HE WAS WORTH IT. 1462 00:53:19,775 --> 00:53:22,209 SANDY, I'M NOT SURE IF YOU KNOW THIS, BUT... 1463 00:53:22,245 --> 00:53:23,744 ONE OF THE LAST PHOTOS THAT LARRY TOOK... 1464 00:53:24,847 --> 00:53:25,947 IT WAS OF YOU. 1465 00:53:25,982 --> 00:53:26,914 REALLY? 1466 00:53:26,950 --> 00:53:28,349 YES. 1467 00:53:28,384 --> 00:53:29,350 IT'S A VERY NICE PHOTO. 1468 00:53:29,419 --> 00:53:32,019 WELL, HE ALWAYS HAD A GREAT EYE. 1469 00:53:33,957 --> 00:53:35,289 WERE YOU AND LARRY... 1470 00:53:36,392 --> 00:53:37,358 IT STARTED VERY INNOCENT. 1471 00:53:38,428 --> 00:53:39,493 LARRY AND I MET 1472 00:53:39,528 --> 00:53:42,296 IN A PHOTOGRAPHY WORKSHOP THAT I TAUGHT. 1473 00:53:42,332 --> 00:53:44,098 WE REALLY CONNECTED. 1474 00:53:44,167 --> 00:53:45,532 HE KNEW I HAD A BOYFRIEND, 1475 00:53:45,568 --> 00:53:47,501 BUT HE TRIED EVERYTHING TO WIN ME OVER. 1476 00:53:47,570 --> 00:53:50,972 SO THAT'S WHY HE HIRED YOU TO TAKE PHOTOS AT HIS PARTY. 1477 00:53:51,007 --> 00:53:52,806 YEAH, IT WAS LIKE A GAME TO HIM. 1478 00:53:52,842 --> 00:53:55,276 HE LIKED THE IDEA OF FLIRTING WITH ME IN FRONT OF EVERYONE 1479 00:53:55,345 --> 00:53:57,445 WHEN NO ONE KNEW THE TRUTH. 1480 00:53:58,681 --> 00:54:00,147 HE ALSO HIRED PETER TO CATER THE EVENT... 1481 00:54:00,216 --> 00:54:01,082 PETER, MY BOYFRIEND. 1482 00:54:02,518 --> 00:54:05,987 LARRY, HE LOVED HIS SECRETS. 1483 00:54:07,256 --> 00:54:09,056 I'M SORRY. 1484 00:54:10,259 --> 00:54:11,658 I'VE BEEN HOLDING ALL THIS IN. 1485 00:54:11,694 --> 00:54:12,759 THERE WAS NO ONE ELSE I COULD TALK TO. 1486 00:54:12,828 --> 00:54:14,161 IT'S OKAY, REALLY. 1487 00:54:14,197 --> 00:54:15,329 I UNDERSTAND. 1488 00:54:15,365 --> 00:54:17,698 I GOT LARRY THE CAMERA AS PART OF HIS GIFT. 1489 00:54:18,868 --> 00:54:21,035 I WAS GOING TO TELL HIM AFTER THE PARTY 1490 00:54:21,104 --> 00:54:22,403 THAT I WAS LEAVING PETER, 1491 00:54:22,438 --> 00:54:25,339 BUT... THEN I FOUND HIM IN HIS STUDY, 1492 00:54:25,375 --> 00:54:26,273 DEAD. 1493 00:54:29,578 --> 00:54:31,379 DID YOUR BOYFRIEND, PETER, KNOW ABOUT LARRY? 1494 00:54:31,414 --> 00:54:32,546 NO. 1495 00:54:34,217 --> 00:54:35,682 I MEAN, I DON'T THINK SO. 1496 00:54:40,689 --> 00:54:41,855 SHE WAS THE PHOTOGRAPHER 1497 00:54:41,891 --> 00:54:44,091 AT LARRY'S PARTY. 1498 00:54:44,127 --> 00:54:46,927 OH, THANK YOU, TRAVIS. 1499 00:54:46,962 --> 00:54:48,429 I HAD NO IDEA 1500 00:54:48,464 --> 00:54:49,963 HOW WE'D GET THAT UP FROM THE BASEMENT. 1501 00:54:49,999 --> 00:54:51,399 NO PROBLEM. 1502 00:54:51,434 --> 00:54:53,034 HE'S EFFICIENT, HUH? 1503 00:54:53,069 --> 00:54:54,968 YES, AND I'M IMPRESSED WITH THE EXTRA CARE 1504 00:54:55,004 --> 00:54:56,603 THAT KENNETH IS GIVING TO EACH PIECE. 1505 00:54:56,639 --> 00:54:57,938 NO CLEANING PRODUCTS. 1506 00:54:57,973 --> 00:54:59,340 JUST THE LIGHTEST TOUCH. 1507 00:54:59,375 --> 00:55:00,941 AND WE APPRECIATE IT. 1508 00:55:02,111 --> 00:55:04,011 SO SHE WAS DATING THE CATERER? 1509 00:55:04,047 --> 00:55:06,380 YES, PETER HARRELL. 1510 00:55:06,449 --> 00:55:07,614 BUT SHE WAS IN LOVE WITH LARRY? 1511 00:55:07,650 --> 00:55:08,982 RIGHT. NOW WE JUST NEED TO FIGURE OUT 1512 00:55:09,052 --> 00:55:10,518 IF PETER KNEW ABOUT LARRY. 1513 00:55:10,553 --> 00:55:12,119 AND SINCE THE MAN WAS A CHEF, 1514 00:55:12,155 --> 00:55:13,320 I'M TRYING TO FIND OUT EVERYTHING ABOUT HIM 1515 00:55:13,356 --> 00:55:14,288 AND HIS FOOD. 1516 00:55:14,323 --> 00:55:16,590 [WHISTLING] 1517 00:55:16,659 --> 00:55:17,525 OH, TRAVIS... 1518 00:55:18,994 --> 00:55:20,394 OH, PLEASE, WE MUST BE VERY CAREFUL 1519 00:55:20,430 --> 00:55:21,429 HOW WE HANDLE THE ANTIQUES. 1520 00:55:21,464 --> 00:55:22,896 WE DON'T KNOW WHAT COULD BREAK THEM. 1521 00:55:22,932 --> 00:55:24,198 OH, DON'T WORRY, I WON'T HURT ANYTHING. 1522 00:55:24,267 --> 00:55:25,566 GOT THE REFLEXES OF A CAT. 1523 00:55:25,601 --> 00:55:27,201 [CLATTERING] 1524 00:55:27,236 --> 00:55:28,369 UH... 1525 00:55:28,404 --> 00:55:29,670 I HAD A CAT ONCE 1526 00:55:29,705 --> 00:55:31,505 THAT KNOCKED OVER A HUNDRED-YEAR-OLD VASE. 1527 00:55:33,576 --> 00:55:35,609 SO... JUST... 1528 00:55:35,644 --> 00:55:37,178 THANK YOU. 1529 00:55:39,115 --> 00:55:40,847 I KNOW. 1530 00:55:42,452 --> 00:55:44,251 YOU KEEP WORKING, AND I'LL... 1531 00:55:44,287 --> 00:55:45,352 I'LL HANDLE THIS. 1532 00:55:45,388 --> 00:55:47,020 GENTLEMEN, 1533 00:55:47,056 --> 00:55:48,489 WHO'D LIKE A COFFEE BREAK? 1534 00:55:49,792 --> 00:55:50,891 COFFEE SOUNDS GOOD. 1535 00:55:50,926 --> 00:55:51,892 OKAY. 1536 00:55:51,927 --> 00:55:54,095 LET'S GO FOR COFFEE. 1537 00:55:58,301 --> 00:55:59,833 IT'S ON ME. 1538 00:56:16,051 --> 00:56:17,318 WHATCHA READING, HANNAH? 1539 00:56:17,353 --> 00:56:18,319 MYSTERY. 1540 00:56:18,387 --> 00:56:19,220 TAKING AFTER YOUR MOM? 1541 00:56:19,255 --> 00:56:20,554 SORT OF. 1542 00:56:20,590 --> 00:56:21,989 TRYING TO GET LOGAN TO SPILL HIS SECRET. 1543 00:56:22,024 --> 00:56:23,257 HA... 1544 00:56:23,292 --> 00:56:24,325 WELL, 1545 00:56:24,360 --> 00:56:25,692 YOU'RE NOT GOING TO GET ANYWHERE 1546 00:56:25,728 --> 00:56:26,393 TREATING HIM LIKE A MURDER SUSPECT. 1547 00:56:26,429 --> 00:56:28,028 HMM. 1548 00:56:28,097 --> 00:56:29,796 PUT THE BOOK DOWN. 1549 00:56:32,502 --> 00:56:35,536 IF YOU WANT SOMEONE TO OPEN UP, EVEN LOGAN, 1550 00:56:35,571 --> 00:56:36,437 YOU'VE GOT TO FIND COMMON GROUND. 1551 00:56:37,440 --> 00:56:38,339 COMMON GROUND... 1552 00:56:38,374 --> 00:56:39,440 YEAH. 1553 00:56:39,475 --> 00:56:41,575 DON'T FOCUS ON WHAT'S MISSING. 1554 00:56:41,611 --> 00:56:43,043 FOCUS ON WHAT YOU SHARE IN COMMON, 1555 00:56:43,078 --> 00:56:44,811 THEN ALL THE MISSING PIECES WILL FALL IN PLACE. 1556 00:56:46,415 --> 00:56:47,714 I'M SURPRISED. 1557 00:56:47,750 --> 00:56:48,849 THAT'S ACTUALLY PRETTY GOOD ADVICE. 1558 00:56:48,884 --> 00:56:50,151 THANKS, DAD. 1559 00:56:50,186 --> 00:56:51,051 YOU'RE WELCOME. 1560 00:56:53,789 --> 00:56:55,156 HEY, WAIT. 1561 00:56:55,191 --> 00:56:56,056 WHY IS THAT A SURPRISE? 1562 00:56:56,125 --> 00:56:57,658 [LAUGHING] 1563 00:57:02,598 --> 00:57:03,830 "PETER HARRELL LEFT 1564 00:57:03,899 --> 00:57:05,732 THE ACCLAIMED RESTAURANT THE MEADOWS 1565 00:57:05,768 --> 00:57:07,535 AND ESTABLISHED HIS OWN SUCCESSFUL CATERING BUSINESS." 1566 00:57:09,639 --> 00:57:12,373 SO PETER WORKED WITH WALTER AND TESS. 1567 00:57:12,408 --> 00:57:13,340 INTERESTING. 1568 00:57:15,778 --> 00:57:17,444 TRAVIS... 1569 00:57:30,859 --> 00:57:32,326 [DOOR OPENING] 1570 00:57:32,395 --> 00:57:34,395 UM, I'LL BE RIGHT THERE! 1571 00:57:35,698 --> 00:57:37,264 [LOUD THUDDING] 1572 00:57:42,137 --> 00:57:44,004 [CAR ENGINE STARTING] 1573 00:57:44,073 --> 00:57:45,138 [TIRES SCREECHING] 1574 00:58:19,742 --> 00:58:20,941 [LYNWOOD]: NOW YOU'RE SURE YOU'RE OKAY? 1575 00:58:21,009 --> 00:58:22,243 [JENN]: I'M FINE. 1576 00:58:22,311 --> 00:58:23,277 NOTHING'S MISSING? 1577 00:58:23,312 --> 00:58:24,411 NOT THAT I KNOW OF. 1578 00:58:24,447 --> 00:58:25,479 DID YOU SEE THE CAR? 1579 00:58:25,548 --> 00:58:27,715 NO, IT WAS GONE BEFORE I GOT OUT HERE, 1580 00:58:27,750 --> 00:58:30,150 BUT I HEARD SOME KIND OF SCRAPING NOISE. 1581 00:58:30,185 --> 00:58:33,186 AND I THINK WHOEVER IT WAS MUST HAVE HIT THIS 1582 00:58:33,222 --> 00:58:35,789 WHILE THEY WERE TRYING TO SPEED AWAY. 1583 00:58:35,824 --> 00:58:36,823 YEAH, LOOK, FRANK. 1584 00:58:38,394 --> 00:58:39,826 THAT APPEARS TO BE WHERE THE SCRAPE HAPPENED. 1585 00:58:41,964 --> 00:58:43,697 WELL, I COULD PUT OUT A BULLETIN 1586 00:58:43,733 --> 00:58:44,831 FOR A BLUE CAR WITH A SCRAPE ON IT, 1587 00:58:44,867 --> 00:58:45,733 BUT THAT'S PUTTING OUT A PRETTY WIDE NET. 1588 00:58:47,803 --> 00:58:49,069 WE WOULD PROBABLY HAVE BETTER LUCK 1589 00:58:49,104 --> 00:58:51,238 CHECKING THE NOTE FOR FINGERPRINTS. 1590 00:58:51,307 --> 00:58:53,173 BEFORE THIS HAPPENED, 1591 00:58:53,242 --> 00:58:55,709 I DISCOVERED SOMETHING SURPRISING. 1592 00:58:55,745 --> 00:58:57,645 IT TURNS OUT THAT LARRY WAS ROMANTICALLY ENTANGLED 1593 00:58:57,680 --> 00:58:59,647 WITH SANDY, THE PHOTOGRAPHER FROM HIS PARTY. 1594 00:58:59,715 --> 00:59:01,181 HOW ENTANGLED? 1595 00:59:01,216 --> 00:59:02,349 WELL, SHE WAS GETTING READY 1596 00:59:02,385 --> 00:59:03,350 TO LEAVE HER BOYFRIEND FOR HIM, 1597 00:59:03,386 --> 00:59:05,452 PETER HARRELL. 1598 00:59:05,488 --> 00:59:07,020 WELL, I GUESS I'M GOING TO HAVE TO TALK 1599 00:59:07,055 --> 00:59:08,855 TO PETER HARRELL AGAIN. 1600 00:59:08,891 --> 00:59:10,758 CAN YOU ALSO FIND TONY? 1601 00:59:10,793 --> 00:59:12,192 TONY? 1602 00:59:12,227 --> 00:59:13,360 WHY? 1603 00:59:13,396 --> 00:59:15,028 WELL, HE WAS THE ONE 1604 00:59:15,097 --> 00:59:16,597 THAT TOLD ME HE THOUGHT SOMEONE WAS AFTER LARRY, 1605 00:59:16,632 --> 00:59:17,631 AND NOW THIS... 1606 00:59:17,700 --> 00:59:19,833 I JUST THINK IT MIGHT ALL BE CONNECTED. 1607 00:59:19,868 --> 00:59:22,102 ALL RIGHT, WELL, I'LL TRY TO TRACK HIM DOWN. 1608 00:59:22,137 --> 00:59:24,271 HIS PHONE IS GOING STRAIGHT TO VOICEMAIL. 1609 00:59:24,340 --> 00:59:26,373 WE HAVE OTHER WAYS OF FINDING PEOPLE. 1610 00:59:26,442 --> 00:59:27,974 I'M JUST A LITTLE WORRIED ABOUT HIM. 1611 00:59:28,010 --> 00:59:29,343 I GOT IT. 1612 00:59:34,678 --> 00:59:36,377 THANKS FOR THE COFFEE. 1613 00:59:36,413 --> 00:59:37,545 I NEVER HAD A BOSS TREAT ME SO WELL BEFORE. 1614 00:59:37,580 --> 00:59:39,380 YES, IT'S RARE 1615 00:59:39,416 --> 00:59:41,716 TO HAVE AN EMPLOYER WHO CARES ABOUT YOU, 1616 00:59:41,751 --> 00:59:43,050 NOT JUST AS AN EMPLOYEE, 1617 00:59:43,085 --> 00:59:44,752 BUT AS A PERSON. 1618 00:59:45,955 --> 00:59:48,323 YOU'VE BOTH BEEN WORKING SO HARD. 1619 00:59:48,358 --> 00:59:51,759 I THOUGHT IT WOULD BE NICE TO TALK ABOUT THE JOB. 1620 00:59:51,795 --> 00:59:53,461 YOU BOTH STILL ENJOYING IT? 1621 00:59:53,496 --> 00:59:54,929 OH, YES. 1622 00:59:54,964 --> 00:59:56,230 IT'S SO NICE, 1623 00:59:56,299 --> 00:59:58,199 GETTING OUT OF THE HOUSE AGAIN 1624 00:59:58,267 --> 01:00:00,435 AND FEELING USEFUL EVERY DAY. 1625 01:00:00,470 --> 01:00:01,736 I HADN'T REALIZED 1626 01:00:01,771 --> 01:00:03,938 HOW COOPED UP I HAD BECOME 1627 01:00:03,973 --> 01:00:04,839 'TIL I GOT THIS JOB. 1628 01:00:06,409 --> 01:00:08,643 I'M SO GLAD I COULD HELP. 1629 01:00:08,678 --> 01:00:10,645 HOW ABOUT YOU? 1630 01:00:10,680 --> 01:00:11,779 YOU MUST BE GETTING BORED, 1631 01:00:11,815 --> 01:00:12,680 CARRYING ALL THOSE HEAVY ANTIQUES 1632 01:00:12,716 --> 01:00:13,914 ALL DAY. 1633 01:00:13,983 --> 01:00:15,583 ACTUALLY, I'M REALLY GETTING INTO THEM. 1634 01:00:15,618 --> 01:00:17,585 I NEVER REALIZED HOW COOL THIS STUFF IS. 1635 01:00:17,620 --> 01:00:18,853 ALL HAND-CRAFTED, 1636 01:00:18,888 --> 01:00:20,221 BEFORE IT WAS ALL MASS-PRODUCED... 1637 01:00:21,758 --> 01:00:24,692 LOOK, I KNOW I'VE BEEN OVER-DOING IT A LITTLE, 1638 01:00:24,728 --> 01:00:26,594 BUT IT'S COOL TO BE TREATED LIKE A REAL ADULT. 1639 01:00:29,366 --> 01:00:31,799 YOU BOTH REALIZE IT'S JUST A TEMPORARY POSITION, RIGHT? 1640 01:00:31,835 --> 01:00:34,268 I ALMOST WISH IT WOULD GO ON FOREVER. 1641 01:00:35,538 --> 01:00:36,371 GUESS WE'LL HAVE TO ENJOY IT WHILE IT LASTS, 1642 01:00:36,406 --> 01:00:37,338 RIGHT, KEN? 1643 01:00:46,349 --> 01:00:48,349 [CLATTERING] 1644 01:00:56,793 --> 01:00:58,125 WHAT ARE YOU DOING? 1645 01:00:58,194 --> 01:01:00,361 LOOKING FOR THE BOX THAT HAS MY OLD HIGH-SCHOOL STUFF. 1646 01:01:00,397 --> 01:01:01,496 WHAT ABOUT ALL THE SPIDERS? 1647 01:01:01,531 --> 01:01:02,597 SPIDERS? 1648 01:01:02,632 --> 01:01:04,432 I'M NOT AFRAID OF ANY SPIDERS. 1649 01:01:04,501 --> 01:01:06,601 SURE YOU'RE NOT. 1650 01:01:06,636 --> 01:01:07,668 WELL, IF YOU'RE SO BRAVE, 1651 01:01:07,737 --> 01:01:08,969 WHY DON'T YOU COME UP HERE AND HELP ME? 1652 01:01:09,038 --> 01:01:11,806 FINE. SCAREDY CAT. 1653 01:01:11,841 --> 01:01:13,173 I'M TRYING TO FIND THE SCHOOL JOURNAL 1654 01:01:13,242 --> 01:01:14,642 FROM WHEN MY PAPER GOT PUBLISHED. 1655 01:01:14,711 --> 01:01:16,677 I REMEMBER I WAS SO NERVOUS 1656 01:01:16,713 --> 01:01:17,712 BEFORE IT CAME OUT. 1657 01:01:17,781 --> 01:01:18,679 OH! 1658 01:01:20,316 --> 01:01:21,449 I FOUND IT. 1659 01:01:21,518 --> 01:01:22,983 CHECK OUT THESE OLD CLOTHES. 1660 01:01:27,256 --> 01:01:28,856 CAN YOU BELIEVE DAD ACTUALLY USED TO WEAR THESE? 1661 01:01:28,892 --> 01:01:30,691 "WHOA... GNARLY!" 1662 01:01:30,760 --> 01:01:32,427 WHAT ARE YOU TWO DOING? 1663 01:01:32,462 --> 01:01:33,561 OH, YOU KNOW, 1664 01:01:33,596 --> 01:01:34,829 JUST DIGGING THROUGH YOUR EMBARRASSING PAST. 1665 01:01:34,864 --> 01:01:35,763 OH, LOVELY. 1666 01:01:37,133 --> 01:01:40,902 OH, WOW, I HAVEN'T WORN THAT IN YEARS. 1667 01:01:40,937 --> 01:01:42,102 I CAN'T BELIEVE I STILL HAVE IT. 1668 01:01:42,138 --> 01:01:44,204 MAYBE YOU SHOULD TAKE IT TO THE SHOP? 1669 01:01:44,240 --> 01:01:45,740 HEY, IT'S OLD-- IT'S NOT THAT OLD. 1670 01:01:45,809 --> 01:01:47,141 [LOGAN]: CHECK IT OUT. 1671 01:01:47,176 --> 01:01:48,443 IT'S DAD'S OLD CAMERA. 1672 01:01:48,478 --> 01:01:50,077 I WONDER IF THERE'S STILL FILM IN IT. 1673 01:01:50,112 --> 01:01:51,646 OH, BE CAREFUL, THE... 1674 01:01:51,681 --> 01:01:53,147 RELEASE LATCH IS BROKEN. 1675 01:01:54,250 --> 01:01:56,651 GUESS I RUINED THE FILM, HUH? 1676 01:01:56,686 --> 01:01:57,852 IT'S PROBABLY FOR THE BEST. 1677 01:01:57,887 --> 01:01:58,853 [HANNAH]: MM-HMM. 1678 01:02:01,090 --> 01:02:02,990 GOOD MORNING! 1679 01:02:03,025 --> 01:02:04,124 HI. IS IT ALL CLEAR? 1680 01:02:04,160 --> 01:02:05,927 YES, I DID AN EXTRA LAP AROUND THE SHOP 1681 01:02:05,962 --> 01:02:07,562 JUST TO BE SURE. 1682 01:02:07,597 --> 01:02:09,630 I CAN'T BELIEVE SOMEONE WAS SNEAKING AROUND HERE. 1683 01:02:09,666 --> 01:02:10,631 I KNOW. 1684 01:02:10,667 --> 01:02:12,199 IT'S SO SCARY. 1685 01:02:12,234 --> 01:02:14,401 GIVES ME GOOSEBUMPS JUST THINKING ABOUT IT. 1686 01:02:14,437 --> 01:02:15,837 WHAT ARE YOU DOING? 1687 01:02:15,872 --> 01:02:17,605 OH, I'M TRYING TO GET AHOLD OF TONY. 1688 01:02:17,640 --> 01:02:18,706 I'M REALLY STARTING TO WORRY ABOUT HIM. 1689 01:02:18,741 --> 01:02:20,140 WHY, DO YOU THINK THE SAME PERSON 1690 01:02:20,176 --> 01:02:21,175 MIGHT BE AFTER HIM, TOO? 1691 01:02:21,210 --> 01:02:22,443 I WOULDN'T BE SURPRISED. 1692 01:02:22,479 --> 01:02:24,411 I MEAN, TONY SAID LARRY THOUGHT 1693 01:02:24,447 --> 01:02:25,980 SOMEONE WAS AFTER HIM RIGHT BEFORE HE DIED. 1694 01:02:26,015 --> 01:02:27,648 COULD IT BE MR. SHOUTY FROM THE OTHER DAY? 1695 01:02:27,684 --> 01:02:29,617 TONY'S DAD. 1696 01:02:29,652 --> 01:02:31,185 THAT WOULD EXPLAIN WHY TONY DIDN'T WANT TO GO HOME. 1697 01:02:31,220 --> 01:02:32,487 THERE'S ALSO WALTER MEADOWS, 1698 01:02:32,522 --> 01:02:33,921 THE FORMER PARTNER. 1699 01:02:36,225 --> 01:02:37,558 JUST FOR THE RECORD, 1700 01:02:37,594 --> 01:02:38,993 I WILL NEVER MURDER YOU. 1701 01:02:39,028 --> 01:02:40,995 THANK YOU. 1702 01:02:41,063 --> 01:02:41,896 THAT IS GOOD TO KNOW. 1703 01:02:43,199 --> 01:02:44,599 THEN THERE'S IAN THE LAWYER, 1704 01:02:44,634 --> 01:02:45,933 ALTHOUGH THE KILLER WAS IN BLACK, 1705 01:02:45,969 --> 01:02:47,935 AND IAN WAS DRESSED IN A BLUE SUIT. 1706 01:02:48,004 --> 01:02:48,936 YOU SAW A PICTURE OF THE MURDER. 1707 01:02:48,972 --> 01:02:50,505 YOU'D THINK THIS WOULD BE EASIER. 1708 01:02:50,540 --> 01:02:52,874 EXCEPT ALMOST EVERYONE WAS IN A BLACK SUIT. 1709 01:02:52,909 --> 01:02:54,542 WASN'T THERE A JEALOUS BOYFRIEND? 1710 01:02:54,577 --> 01:02:55,943 PETER. 1711 01:02:55,979 --> 01:02:56,911 SO WHAT ABOUT A CRIME OF PASSION? 1712 01:02:56,946 --> 01:02:58,646 I ALWAYS PUT MY MONEY ON THOSE. 1713 01:02:58,715 --> 01:02:59,947 FRANK IS LOOKING INTO THAT. 1714 01:03:00,016 --> 01:03:01,248 YOU KNOW WHAT I DO 1715 01:03:01,283 --> 01:03:03,117 WHEN I'M TRYING TO WORK SOMETHING OUT IN MY HEAD? 1716 01:03:03,152 --> 01:03:05,119 OH, DEAR, I'M AFRAID TO ASK. 1717 01:03:05,187 --> 01:03:06,186 I GO BACK TO THE BEGINNING 1718 01:03:06,222 --> 01:03:07,522 AND WORK THROUGH IT STEP BY STEP. 1719 01:03:09,025 --> 01:03:10,725 WELL, I WOULD LIKE TO GET BACK IN THAT STUDY. 1720 01:03:10,760 --> 01:03:12,159 WHY DON'T YOU CALL IAN? HE COULD LET YOU IN. 1721 01:03:12,194 --> 01:03:13,661 BUT I'D NEED A GOOD REASON. 1722 01:03:14,664 --> 01:03:16,296 YOU KNOW, 1723 01:03:16,365 --> 01:03:18,699 I THINK WE LEFT A LENS FROM ONE OF THE ANTIQUE CAMERAS 1724 01:03:18,735 --> 01:03:19,667 THERE. 1725 01:03:21,137 --> 01:03:22,202 YOU KNOW, I THINK YOU'RE RIGHT. 1726 01:03:22,238 --> 01:03:23,504 YEAH. 1727 01:03:23,540 --> 01:03:24,972 AND WE WOULDN'T WANT TO LEAVE ANYTHING BEHIND. 1728 01:03:25,008 --> 01:03:26,941 NO. 1729 01:03:28,545 --> 01:03:29,911 A LENS? 1730 01:03:31,380 --> 01:03:33,313 YES, OF COURSE. 1731 01:03:33,382 --> 01:03:34,982 BETTER SAFE THAN SORRY. 1732 01:03:35,018 --> 01:03:36,050 LET ME WRAP UP A FEW THINGS, 1733 01:03:36,118 --> 01:03:37,418 AND I'LL MEET YOU AT THE HOUSE. 1734 01:03:37,453 --> 01:03:38,318 WELL, THANK YOU, IAN. 1735 01:03:38,387 --> 01:03:39,921 I'M ON MY WAY. 1736 01:03:39,956 --> 01:03:40,855 I'LL CALL YOU LATER. 1737 01:03:40,890 --> 01:03:41,856 OKAY. 1738 01:03:51,935 --> 01:03:53,467 IAN? 1739 01:04:07,450 --> 01:04:09,050 IAN? 1740 01:04:54,797 --> 01:04:56,664 [GASPING] 1741 01:04:57,700 --> 01:04:58,499 HEY. 1742 01:04:58,567 --> 01:05:01,368 TONY? 1743 01:05:01,403 --> 01:05:03,938 THIS IS, UH... IT'S NOT WHAT IT LOOKS LIKE. 1744 01:05:10,146 --> 01:05:11,045 MRS. SHANNON? 1745 01:05:14,150 --> 01:05:16,250 [TONY]: WE'RE IN HERE. 1746 01:05:21,357 --> 01:05:22,890 TONY? 1747 01:05:22,925 --> 01:05:24,491 WHAT ARE YOU DOING HERE? 1748 01:05:24,527 --> 01:05:26,060 WHAT IS THIS SPACE? 1749 01:05:26,129 --> 01:05:28,129 IT'S UNCLE LARRY'S DARK ROOM. 1750 01:05:31,167 --> 01:05:32,299 TONY, ARE YOU LIVING HERE? 1751 01:05:34,137 --> 01:05:35,402 BEATS LIVING IN MY VAN. 1752 01:05:35,437 --> 01:05:36,971 FIGURED NO ONE WOULD NOTICE. 1753 01:05:37,006 --> 01:05:38,405 TONY, YOU SHOULD HAVE CALLED ME. 1754 01:05:38,440 --> 01:05:39,807 I DIDN'T WANT YOU TO TELL MY DAD. 1755 01:05:39,876 --> 01:05:41,909 YES, I HEARD YOU TWO WERE FIGHTING. 1756 01:05:41,978 --> 01:05:43,544 YEAH, I JUST NEEDED TO GET AWAY. 1757 01:05:45,214 --> 01:05:47,281 DOES ANYONE ELSE KNOW ABOUT THIS ROOM? 1758 01:05:47,316 --> 01:05:49,050 MY UNCLE SAID 1759 01:05:49,118 --> 01:05:50,985 THAT THE ONLY PEOPLE WHO KNEW ABOUT IT 1760 01:05:51,054 --> 01:05:51,886 WERE THE CONTRACTORS WHO BUILT IT, 1761 01:05:51,921 --> 01:05:52,920 HIM, AND ME. 1762 01:05:52,955 --> 01:05:55,856 YOU DIDN'T KNOW ABOUT IT? 1763 01:05:55,925 --> 01:05:57,124 LARRY LOVED HIS SECRETS. 1764 01:06:03,566 --> 01:06:05,299 WHAT, AM I IN TROUBLE NOW? 1765 01:06:05,334 --> 01:06:06,233 [IAN]: YOU'LL BE FINE. 1766 01:06:06,268 --> 01:06:07,902 DON'T WORRY. 1767 01:06:10,740 --> 01:06:11,538 YOU SHOULD TELL HER ABOUT THE MEMORIAL. 1768 01:06:11,574 --> 01:06:13,607 GO AHEAD. 1769 01:06:13,642 --> 01:06:14,909 [TONY]: IT DIDN'T FEEL RIGHT 1770 01:06:14,944 --> 01:06:16,343 THAT WE'RE NOT HONORING LARRY SOMEHOW. 1771 01:06:16,378 --> 01:06:17,678 SO IAN ARRANGED TO HAVE A GATHERING 1772 01:06:17,714 --> 01:06:19,714 HERE AT THE HOUSE LATER TODAY. 1773 01:06:19,749 --> 01:06:20,748 YOU'RE WELCOME TO COME. 1774 01:06:21,617 --> 01:06:22,516 THANK YOU. 1775 01:06:26,789 --> 01:06:28,823 SEEMS LIKE YOU GOT IN A LITTLE TROUBLE HERE. 1776 01:06:28,858 --> 01:06:30,191 DRUNK AND DISORDERLY. 1777 01:06:32,195 --> 01:06:34,461 YEAH, I'M NOT PROUD OF ANY OF IT. 1778 01:06:34,496 --> 01:06:35,796 THAT'S GOOD TO KNOW. 1779 01:06:36,833 --> 01:06:37,965 CARE TO EXPLAIN? 1780 01:06:40,302 --> 01:06:41,969 MY GIRLFRIEND... SANDY... 1781 01:06:43,639 --> 01:06:46,073 SHE BROKE UP WITH ME LAST NIGHT. 1782 01:06:46,142 --> 01:06:47,608 SORRY TO HEAR THAT. 1783 01:06:49,245 --> 01:06:51,212 TURNS OUT SHE WAS IN LOVE WITH SOMEONE ELSE. 1784 01:06:52,481 --> 01:06:54,581 IF YOU DON'T MIND ME ASKING, 1785 01:06:54,617 --> 01:06:55,382 ANY IDEA WHO? 1786 01:06:55,417 --> 01:06:57,551 YEAH... 1787 01:06:57,586 --> 01:06:59,086 LARRY BRADY. 1788 01:07:00,957 --> 01:07:03,224 SHE SAID THAT HE STOLE HER HEART, 1789 01:07:03,292 --> 01:07:05,359 AND NOW HE'S GONE FOREVER. 1790 01:07:06,629 --> 01:07:08,062 HOW DO I COMPETE WITH THAT? 1791 01:07:08,097 --> 01:07:09,696 I UNDERSTAND. 1792 01:07:11,067 --> 01:07:11,766 SPEAKING OF COMPETITION... 1793 01:07:13,736 --> 01:07:15,069 LARRY HAS A FINANCIAL STAKE IN ONE OF YOUR COMPETITORS, 1794 01:07:15,138 --> 01:07:16,036 ISN'T THAT RIGHT? 1795 01:07:16,105 --> 01:07:17,738 THE MEADOWS? 1796 01:07:17,774 --> 01:07:19,173 YEAH. 1797 01:07:19,208 --> 01:07:20,340 I HEARD YOU USED TO WORK THERE. 1798 01:07:20,376 --> 01:07:22,309 YEAH, YEAH, THEN I STARTED MY OWN COMPANY. 1799 01:07:22,344 --> 01:07:23,778 ANY HARD FEELINGS? 1800 01:07:23,813 --> 01:07:25,880 OH, A FEW. 1801 01:07:25,915 --> 01:07:27,547 WALTER AND TESS DIDN'T WANT ME TO GO. 1802 01:07:27,616 --> 01:07:29,449 AND LARRY? 1803 01:07:29,485 --> 01:07:30,617 HE HIRED ME FOR HIS PARTY. 1804 01:07:30,686 --> 01:07:32,153 I THOUGHT EVERYTHING WAS OKAY. 1805 01:07:34,257 --> 01:07:36,723 AND YOU WEAR WHITE CATERING UNIFORMS? 1806 01:07:36,759 --> 01:07:38,692 MY STAFF WEAR WHITE. 1807 01:07:38,727 --> 01:07:40,060 I WEAR BLACK. 1808 01:07:40,096 --> 01:07:40,961 YOU KNOW WHO'S IN CHARGE. 1809 01:07:43,699 --> 01:07:44,832 AT THE PARTY, 1810 01:07:44,867 --> 01:07:47,268 WALTER COULDN'T STOP COMPLAINING ABOUT LARRY, 1811 01:07:47,303 --> 01:07:49,336 HOW MUCH HE WAS SPENDING ON HIS BIRTHDAY. 1812 01:07:50,807 --> 01:07:52,239 AFTER A WHILE, I HAD TO EXCUSE MYSELF. 1813 01:07:52,275 --> 01:07:53,707 I HAD ANOTHER EVENT ACROSS TOWN. 1814 01:07:53,742 --> 01:07:55,075 ANYONE BACK THAT UP? 1815 01:07:55,144 --> 01:07:57,178 THERE WERE AT LEAST A DOZEN PEOPLE WHO SAW ME THERE. 1816 01:07:59,748 --> 01:08:00,514 OKAY. 1817 01:08:02,819 --> 01:08:03,784 NAMES, PLEASE. 1818 01:08:03,820 --> 01:08:06,720 AS MANY AS YOU CAN REMEMBER. 1819 01:08:23,011 --> 01:08:23,977 HUH. 1820 01:08:24,012 --> 01:08:25,144 THAT'S A COOL SHOT. 1821 01:08:25,179 --> 01:08:26,713 KIND OF ARTY. 1822 01:08:26,748 --> 01:08:29,916 YES, IT'S A NEW ART STYLE CALLED "ACCIDENTAL". 1823 01:08:29,951 --> 01:08:31,183 HERE, THIS PHOTO IS MUCH BETTER. 1824 01:08:31,252 --> 01:08:32,284 SHOT ON PURPOSE, IN FOCUS, 1825 01:08:32,320 --> 01:08:33,419 AND YOU CAN SEE THE DETAILS. 1826 01:08:33,454 --> 01:08:34,386 MM-HMM. 1827 01:08:37,692 --> 01:08:38,758 [HANNAH]: WHAT? DID YOU FIND SOMETHING? 1828 01:08:38,793 --> 01:08:40,392 NOT SOMETHING, 1829 01:08:40,428 --> 01:08:42,294 BUT... SOMEONE. 1830 01:08:42,330 --> 01:08:44,430 RIGHT THERE, THAT'S SCOTT BRADY, 1831 01:08:44,465 --> 01:08:45,898 AND HE'S NOT SUPPOSED TO BE THERE. 1832 01:08:47,568 --> 01:08:49,502 I DON'T KNOW HOW I MISSED THAT. 1833 01:08:51,539 --> 01:08:52,238 YOU KNOW WHAT, LOOK AT THE TIME. 1834 01:08:52,273 --> 01:08:53,372 I'D BETTER GO 1835 01:08:53,407 --> 01:08:54,473 IF I'M GOING TO MAKE IT TO LARRY'S MEMORIAL. 1836 01:08:54,509 --> 01:08:55,708 OH, TELL TONY I SAY HI. 1837 01:08:55,744 --> 01:08:56,743 I HOPE HE'S DOING BETTER. 1838 01:08:56,778 --> 01:08:57,977 ME TOO. 1839 01:09:05,286 --> 01:09:07,120 JASON! WHAT'S UP, MAN? 1840 01:09:07,155 --> 01:09:08,287 OH, HEY, TRAVIS... 1841 01:09:08,356 --> 01:09:09,221 I WOULDN'T YELL ACROSS THE ROOM, 1842 01:09:09,257 --> 01:09:10,389 IF I WERE YOU. 1843 01:09:10,458 --> 01:09:11,457 DANI AND JENN, 1844 01:09:11,492 --> 01:09:13,425 THEY PREFER IF PEOPLE SPEAK QUIETER, 1845 01:09:13,461 --> 01:09:14,727 IF POSSIBLE. 1846 01:09:14,763 --> 01:09:16,829 IT HELPS WITH THE WHOLE ANTIQUE-Y FEEL, YOU KNOW? 1847 01:09:16,865 --> 01:09:18,330 THANKS! 1848 01:09:18,399 --> 01:09:19,632 [QUIETER] THANKS. GOOD POINTER. 1849 01:09:21,069 --> 01:09:22,068 WHERE'S DANI? 1850 01:09:22,137 --> 01:09:22,969 YEAH, SHE AND KENNETH ARE JUST... 1851 01:09:23,004 --> 01:09:23,836 [GLASS SHATTERING] 1852 01:09:27,008 --> 01:09:28,675 I'M SO SORRY. 1853 01:09:28,710 --> 01:09:29,942 NO, IT WAS MY FAULT. 1854 01:09:29,978 --> 01:09:30,810 I SHOULD HAVE LET YOU KNOW 1855 01:09:30,879 --> 01:09:31,778 I WAS BEHIND YOU. 1856 01:09:31,846 --> 01:09:33,412 ARE YOU SURE? 1857 01:09:33,481 --> 01:09:34,513 I FEEL TERRIBLE. 1858 01:09:34,549 --> 01:09:36,448 IT'S FINE, IT'S FINE. 1859 01:09:36,484 --> 01:09:37,449 EVERYTHING OKAY? 1860 01:09:37,518 --> 01:09:39,118 YEAH, IT'S JUST A LITTLE ACCIDENT. 1861 01:09:39,154 --> 01:09:40,787 THEY HAPPEN. 1862 01:09:40,822 --> 01:09:41,821 HERE, LET ME HELP. 1863 01:09:41,890 --> 01:09:43,489 NO, I WILL TAKE CARE OF THIS. 1864 01:09:43,524 --> 01:09:44,523 WHY DON'T YOU GO OUT FRONT 1865 01:09:44,559 --> 01:09:45,992 AND SEE IF TRAVIS NEEDS SOME HELP? 1866 01:09:47,395 --> 01:09:48,761 -OF COURSE. -OKAY. 1867 01:09:53,467 --> 01:09:54,667 SO... 1868 01:09:54,703 --> 01:09:56,202 HOW ARE THE NEW HIRES WORKING OUT? 1869 01:09:58,606 --> 01:09:59,906 BETWEEN THE TWO OF THEM, 1870 01:09:59,941 --> 01:10:01,373 THEY MAKE ONE REALLY GREAT EMPLOYEE. 1871 01:10:03,144 --> 01:10:05,211 TRAVIS NEVER GETS TIRED OF MOVING THINGS, 1872 01:10:05,246 --> 01:10:07,013 AND KENNETH IS SO GOOD 1873 01:10:07,048 --> 01:10:09,481 AT HANDLING AND CATALOGUING EVERYTHING. 1874 01:10:09,517 --> 01:10:10,883 CAN YOU KEEP BOTH OF THEM? 1875 01:10:10,919 --> 01:10:12,752 THE SHOP'S DOING WELL, BUT IT'S NOT DOING THAT WELL. 1876 01:10:15,656 --> 01:10:16,889 JASON... 1877 01:10:16,925 --> 01:10:20,693 I KNOW YOU HAVE EXPERIENCE WITH HIRING PEOPLE, 1878 01:10:20,762 --> 01:10:21,627 BUT WHAT ABOUT... 1879 01:10:21,662 --> 01:10:22,895 FIRING? 1880 01:10:22,931 --> 01:10:24,563 [SIGHING] YEAH. 1881 01:10:24,599 --> 01:10:26,599 IT'S NEVER FUN. 1882 01:10:26,634 --> 01:10:27,767 YOU'VE JUST GOT TO RIP IT OFF QUICKLY, 1883 01:10:27,802 --> 01:10:28,801 LIKE A BAND-AID. 1884 01:10:30,739 --> 01:10:32,504 I GUESS IT'S OBVIOUS WHICH ONE OF THEM NEEDS TO GO. 1885 01:10:34,542 --> 01:10:35,441 I'LL DO ANYTHING I CAN TO HELP. 1886 01:10:37,078 --> 01:10:37,977 THANK YOU. 1887 01:10:41,116 --> 01:10:43,515 IT'S NOT... 1888 01:10:43,551 --> 01:10:45,551 WHAT I MEANT. 1889 01:10:52,927 --> 01:10:54,127 ALL RIGHT. 1890 01:10:54,162 --> 01:10:55,995 I GIVE UP. 1891 01:10:56,064 --> 01:10:57,897 I'M GUESSING THIS IS GOING TO REQUIRE ME 1892 01:10:57,932 --> 01:10:59,799 TO STOP MAKING MY SANDWICH. 1893 01:10:59,834 --> 01:11:01,901 YOU KNOW, AT FIRST, IT WAS JUST FUN, 1894 01:11:01,936 --> 01:11:03,269 TRYING TO GET YOU TO TELL ME YOUR SECRET. 1895 01:11:03,304 --> 01:11:05,204 MY SECRET? 1896 01:11:05,240 --> 01:11:08,007 ABOUT WHY YOU WOULDN'T PUBLISH YOUR TENNESSEE WILLIAMS PAPER, 1897 01:11:08,076 --> 01:11:10,176 AND NOW... 1898 01:11:10,211 --> 01:11:11,077 I'M GETTING A LITTLE WORRIED. 1899 01:11:11,146 --> 01:11:12,211 WHY ARE YOU WORRIED? 1900 01:11:12,280 --> 01:11:14,713 YOU USED TO TALK TO ME, 1901 01:11:14,749 --> 01:11:15,748 BUT NOW THERE'S SECRETS, 1902 01:11:15,784 --> 01:11:17,016 AND YOU WON'T GET PUBLISHED, 1903 01:11:17,051 --> 01:11:18,584 AND... 1904 01:11:18,619 --> 01:11:20,552 I GUESS I'M JUST A LITTLE WORRIED FOR YOU. 1905 01:11:20,588 --> 01:11:22,421 YOU DON'T HAVE TO BE WORRIED, OKAY? 1906 01:11:22,490 --> 01:11:24,590 IT'S JUST... 1907 01:11:24,625 --> 01:11:26,058 THERE'S THIS GIRL AT SCHOOL, 1908 01:11:26,094 --> 01:11:28,727 AND SHE WROTE THIS REALLY AWESOME POEM, 1909 01:11:28,797 --> 01:11:30,596 BUT IF THEY PUBLISH MY PAPER, 1910 01:11:30,631 --> 01:11:32,198 THEN THERE WON'T BE AS MUCH ROOM FOR POETRY, 1911 01:11:32,233 --> 01:11:34,000 SO... 1912 01:11:34,035 --> 01:11:36,335 I'M JUST LEAVING IT OUT SO HER POEM CAN GET PUBLISHED. 1913 01:11:38,039 --> 01:11:39,038 THAT'S YOUR BIG SECRET? 1914 01:11:39,073 --> 01:11:40,239 YEAH. 1915 01:11:40,308 --> 01:11:41,340 YEAH, THAT'S IT. 1916 01:11:42,811 --> 01:11:45,678 I JUST DIDN'T WANT TO TALK ABOUT IT AT FIRST BECAUSE I... 1917 01:11:46,948 --> 01:11:47,814 THAT'S REALLY SWEET. 1918 01:11:51,752 --> 01:11:53,786 HER POEM DESERVES TO BE READ. 1919 01:11:53,822 --> 01:11:55,554 TENNESSEE WOULD HAVE WANTED IT THIS WAY. 1920 01:11:57,992 --> 01:11:59,091 THANKS FOR TELLING ME, LOGAN. 1921 01:12:01,729 --> 01:12:02,661 SO... 1922 01:12:04,866 --> 01:12:06,165 WHAT ARE WE MAKING? 1923 01:12:18,512 --> 01:12:19,445 MRS. SHANNON? 1924 01:12:21,482 --> 01:12:22,448 MR. BRADY... 1925 01:12:22,483 --> 01:12:23,282 I DON'T WANT A SCENE. 1926 01:12:23,318 --> 01:12:24,783 I JUST WANT TO TALK. 1927 01:12:26,520 --> 01:12:27,753 OKAY. 1928 01:12:27,788 --> 01:12:29,488 I'M SORRY ABOUT WHAT HAPPENED AT YOUR STORE. 1929 01:12:29,557 --> 01:12:30,456 I LOST MY TEMPER. 1930 01:12:30,524 --> 01:12:31,891 I JUST... 1931 01:12:31,926 --> 01:12:33,792 I WANTED YOU TO BELIEVE ME THAT I'M INNOCENT. 1932 01:12:33,828 --> 01:12:37,463 MR. BRADY, I WOULD LIKE TO BELIEVE YOU'RE INNOCENT, 1933 01:12:37,498 --> 01:12:38,597 BUT WHY WON'T YOU ADMIT 1934 01:12:38,632 --> 01:12:39,966 THAT YOU WERE AT LARRY'S BIRTHDAY PARTY? 1935 01:12:40,001 --> 01:12:41,200 WHAT DO YOU MEAN? 1936 01:12:45,173 --> 01:12:46,172 THIS PHOTO. 1937 01:12:46,241 --> 01:12:47,439 THAT'S YOU IN THE BACKGROUND. 1938 01:12:51,246 --> 01:12:52,578 I DIDN'T GO TO HIS PARTY. 1939 01:12:52,613 --> 01:12:55,214 I WAS HERE THAT DAY, BUT NOT FOR THE PARTY. 1940 01:12:55,250 --> 01:12:57,783 LOOK... 1941 01:12:57,818 --> 01:12:59,718 I UNDERSTAND YOU HAD A COMPLICATED RELATIONSHIP 1942 01:12:59,754 --> 01:13:00,586 WITH YOUR BROTHER... 1943 01:13:02,323 --> 01:13:05,657 BUT IF YOU WANT PEOPLE TO BELIEVE THAT YOU'RE INNOCENT, 1944 01:13:05,693 --> 01:13:06,893 YOU'RE GOING TO HAVE TO BE HONEST. 1945 01:13:10,932 --> 01:13:13,266 I WENT TO THE PARTY TO FIND TONY AND DRAG HIM HOME. 1946 01:13:15,569 --> 01:13:17,203 EVER SINCE LARRY RETIRED, 1947 01:13:17,238 --> 01:13:19,438 HE'S GOT HIMSELF INVOLVED IN TONY'S LIFE-- 1948 01:13:19,473 --> 01:13:22,041 GIVING HIM MONEY, TELLING HIM WHAT TO DO. 1949 01:13:22,076 --> 01:13:23,542 IT WAS ALWAYS ABOUT CONTROL WITH LARRY. 1950 01:13:23,577 --> 01:13:26,012 I, UH... 1951 01:13:26,080 --> 01:13:27,380 I GOT MYSELF WORKED UP, 1952 01:13:27,415 --> 01:13:30,482 THINKING ABOUT TONY AT LARRY'S PARTY. 1953 01:13:30,518 --> 01:13:31,984 THE BOY'S GOT TO LEARN TO STAND ON HIS OWN. 1954 01:13:33,587 --> 01:13:34,753 SO I CAME HERE TO THE HOUSE 1955 01:13:34,822 --> 01:13:36,389 AND I SNUCK AROUND THE BACK, 1956 01:13:36,457 --> 01:13:38,857 AND WHEN I COULDN'T SPOT LARRY, I WAS GOING TO MARCH INSIDE, 1957 01:13:38,893 --> 01:13:40,359 BUT I RAN INTO IAN. 1958 01:13:40,395 --> 01:13:41,360 HE MUST HAVE SEEN THE LOOK ON MY FACE 1959 01:13:41,396 --> 01:13:42,528 BECAUSE HE GOT ME TO LEAVE WITH HIM. 1960 01:13:44,432 --> 01:13:46,966 TONY MENTIONED THAT YOU TWO WERE FIGHTING. 1961 01:13:47,001 --> 01:13:48,634 I'M SURE THAT'S NOT WHAT YOU WANT. 1962 01:13:48,669 --> 01:13:50,803 I JUST WANT TO MAKE EVERYTHING RIGHT. 1963 01:13:50,871 --> 01:13:52,004 I NEVER WANTED LARRY'S MONEY. 1964 01:13:52,040 --> 01:13:53,039 THAT'S WHY I'M SELLING EVERYTHING, 1965 01:13:53,074 --> 01:13:54,673 INCLUDING THE HOUSE. 1966 01:13:54,742 --> 01:13:57,609 I'M CLOSING OUT ALL OF HIS DEBTS. 1967 01:13:57,678 --> 01:13:59,345 LIKE WITH HIS OLD PARTNER, WALTER? 1968 01:13:59,380 --> 01:14:01,147 ESPECIALLY WALTER. 1969 01:14:01,215 --> 01:14:02,514 LARRY OWED HIM MORE THAN ANYONE. 1970 01:14:04,085 --> 01:14:06,352 I WISH I COULD JUST BUY MY SON BACK. 1971 01:14:08,923 --> 01:14:10,289 MR. BRADY, 1972 01:14:10,325 --> 01:14:12,724 I THINK IF YOU WANT TO MAKE THINGS RIGHT WITH TONY, 1973 01:14:12,760 --> 01:14:14,060 YOU SHOULD GO INSIDE. 1974 01:14:14,095 --> 01:14:15,561 WHY? 1975 01:14:15,629 --> 01:14:18,464 BECAUSE MAYBE IF YOU CAN FORGIVE LARRY, 1976 01:14:18,499 --> 01:14:19,432 TONY CAN FORGIVE YOU. 1977 01:14:25,206 --> 01:14:26,105 ALL RIGHT. 1978 01:14:27,175 --> 01:14:29,308 AFTER YOU. 1979 01:14:33,848 --> 01:14:35,814 UH, MR. BRADY? 1980 01:14:35,883 --> 01:14:37,183 I'LL CATCH UP WITH YOU IN ONE SECOND. 1981 01:14:37,218 --> 01:14:39,118 SURE. 1982 01:15:05,380 --> 01:15:06,979 [LINE RINGING] 1983 01:15:07,015 --> 01:15:08,947 LYNWOOD. LEAVE A MESSAGE. 1984 01:15:08,983 --> 01:15:10,983 HEY, FRANK, IT'S JENN. 1985 01:15:11,052 --> 01:15:12,918 LISTEN, I'M GOING TO TEXT YOU A PHOTO. 1986 01:15:12,987 --> 01:15:14,286 THERE'S A CAR PARKED 1987 01:15:14,322 --> 01:15:16,288 OUT IN FRONT OF LARRY BRADY'S MEMORIAL SERVICE. 1988 01:15:16,324 --> 01:15:20,859 IT HAS A YELLOW PAINT SCRATCH ON THE FENDER. 1989 01:15:20,928 --> 01:15:23,295 I THINK THE KILLER MIGHT BE HERE. 1990 01:15:51,759 --> 01:15:54,193 OH... MAYBE THIS WAS A MISTAKE. 1991 01:15:54,228 --> 01:15:56,995 EXCUSE ME. 1992 01:15:57,031 --> 01:15:57,963 DAD? 1993 01:16:01,169 --> 01:16:02,301 HEY. 1994 01:16:02,336 --> 01:16:03,902 I'M SURPRISED TO SEE YOU HERE. 1995 01:16:03,938 --> 01:16:06,038 WE... 1996 01:16:06,107 --> 01:16:07,739 SHOULD TALK... 1997 01:16:07,775 --> 01:16:08,707 IN PRIVATE. 1998 01:16:35,553 --> 01:16:37,153 SANDY, ARE YOU OKAY? 1999 01:16:37,189 --> 01:16:38,121 YEAH. 2000 01:16:39,757 --> 01:16:41,490 I WAS JUST LOOKING AT LARRY'S PHOTOGRAPHY. 2001 01:16:43,695 --> 01:16:45,461 THIS ONE... 2002 01:16:45,530 --> 01:16:46,930 IT'S ONE OF MY FAVORITES. 2003 01:16:46,998 --> 01:16:48,331 IT'S BEAUTIFUL. 2004 01:16:48,366 --> 01:16:49,498 YEAH. 2005 01:16:51,369 --> 01:16:52,235 IS THAT YOU? 2006 01:16:53,872 --> 01:16:54,871 YEAH. 2007 01:16:56,774 --> 01:16:58,208 PHOTOGRAPHY REALLY DID BRING YOU TWO TOGETHER, 2008 01:16:58,243 --> 01:16:59,375 DIDN'T IT? 2009 01:16:59,410 --> 01:17:01,410 HE ALWAYS SAID IT WAS HIS SECOND LOVE... 2010 01:17:01,446 --> 01:17:02,578 AFTER ME. 2011 01:17:06,952 --> 01:17:07,984 SANDY, 2012 01:17:08,053 --> 01:17:10,386 YOU REALLY SHOULD HAVE THIS. 2013 01:17:10,421 --> 01:17:12,621 IS THIS THE PHOTO THAT YOU TOLD ME ABOUT? 2014 01:17:12,657 --> 01:17:13,923 IT IS. 2015 01:17:13,959 --> 01:17:15,491 THANK YOU. 2016 01:17:15,526 --> 01:17:17,493 IT'S THE LEAST I CAN DO... 2017 01:17:17,528 --> 01:17:18,694 BESIDES, YOU LOOK SO BEAUTIFUL 2018 01:17:18,730 --> 01:17:19,863 IN THAT BLACK DRESS. 2019 01:17:20,765 --> 01:17:22,999 BLACK DRESS? 2020 01:17:23,034 --> 01:17:24,334 NO, I WORE BLUE TO THE PARTY THAT DAY. 2021 01:17:26,037 --> 01:17:27,270 A BRIGHT BLUE. I REMEMBER IT VERY WELL. 2022 01:17:37,682 --> 01:17:39,249 IT'S A RED FILTER. 2023 01:17:39,317 --> 01:17:40,850 THAT EXPLAINS IT. 2024 01:17:40,886 --> 01:17:42,651 ANYTHING BLUE WOULD SHOW UP AS DARK BLACK 2025 01:17:42,720 --> 01:17:43,887 WITH THAT FILTER, 2026 01:17:43,922 --> 01:17:45,154 LIKE THIS DRESS. 2027 01:17:45,190 --> 01:17:47,357 OR A BRIGHT-BLUE SUIT. 2028 01:17:47,425 --> 01:17:49,292 [IAN]: EXCUSE ME? 2029 01:17:49,361 --> 01:17:50,393 WE'RE ALL GOING OUTSIDE, 2030 01:17:50,428 --> 01:17:52,161 WHERE TONY WOULD LIKE TO SAY A FEW WORDS. 2031 01:17:58,169 --> 01:17:59,068 I SHOULD GO. 2032 01:18:00,105 --> 01:18:01,104 THANK YOU. 2033 01:18:01,139 --> 01:18:02,105 YOU'RE WELCOME. 2034 01:18:05,410 --> 01:18:06,276 EVERYTHING OKAY? 2035 01:18:06,311 --> 01:18:07,843 YES. 2036 01:18:07,879 --> 01:18:09,946 THAT WAS A GOOD CALL, WITH THE GLOVES. 2037 01:18:09,981 --> 01:18:11,247 I WISH I WOULD'VE THOUGHT OF THAT. 2038 01:18:11,283 --> 01:18:12,415 IT'S SO COLD OUT. 2039 01:18:12,450 --> 01:18:14,483 AH, WELL, 2040 01:18:14,519 --> 01:18:16,085 THESE AREN'T MUCH PROTECTION AGAINST THE WEATHER. 2041 01:18:16,121 --> 01:18:17,620 THEY'RE DRIVING GLOVES. 2042 01:18:17,655 --> 01:18:19,155 THE DEALER THREW THEM IN WHEN I GOT MY NEW CAR. 2043 01:18:20,225 --> 01:18:21,157 ARE YOU COMING? 2044 01:18:21,192 --> 01:18:22,558 I--I AM. 2045 01:18:22,593 --> 01:18:23,960 I'M JUST GOING TO PACK UP MY BAG. 2046 01:18:45,283 --> 01:18:46,916 [DIALING] 2047 01:18:46,952 --> 01:18:47,984 [LINE RINGING] 2048 01:18:48,019 --> 01:18:49,685 LYNWOOD. LEAVE A MESSAGE. 2049 01:18:49,720 --> 01:18:51,454 FRANK, IT'S JENN. 2050 01:18:51,489 --> 01:18:52,455 IT'S IAN. 2051 01:18:52,523 --> 01:18:53,423 IAN IS THE KILLER. 2052 01:18:53,458 --> 01:18:54,958 GIVE ME THE PHONE. 2053 01:19:01,599 --> 01:19:02,598 AND ALL THIS TIME, 2054 01:19:02,633 --> 01:19:03,766 I THOUGHT IT WAS SOMEONE IN A BLACK SUIT 2055 01:19:03,801 --> 01:19:05,234 WHO WAS OUT TO GET LARRY. 2056 01:19:05,270 --> 01:19:07,503 TURNS OUT THE SUIT WAS BLUE. 2057 01:19:07,538 --> 01:19:10,373 I WAS NEVER OUT TO GET HIM. 2058 01:19:10,408 --> 01:19:12,608 LARRY ASKED ME TO HANDLE SOME BUSINESS MATTERS FOR HIM, 2059 01:19:12,643 --> 01:19:14,510 BUT... 2060 01:19:14,579 --> 01:19:17,413 I ENDED UP HANDLING HIS MONEY ALL THE WAY TO MY BOOKIE. 2061 01:19:18,516 --> 01:19:19,849 BOOKIE? 2062 01:19:19,917 --> 01:19:20,616 THAT EXPLAINS WHY YOU WERE LOOKING AT THE SPORTS PAGE 2063 01:19:20,651 --> 01:19:21,584 THE OTHER DAY. 2064 01:19:21,619 --> 01:19:23,652 OH, MRS. SHANNON, 2065 01:19:23,688 --> 01:19:25,788 I DIDN'T KNOW YOU WERE COMING BY. 2066 01:19:25,823 --> 01:19:28,524 [JENN]: SO LARRY HAD NO IDEA HE WAS BROKE, DID HE? 2067 01:19:28,559 --> 01:19:29,558 HE HAD NO IDEA 2068 01:19:29,627 --> 01:19:30,793 THAT YOU GAMBLED ALL HIS MONEY AWAY. 2069 01:19:30,828 --> 01:19:33,596 OH, HE SUSPECTED SOMETHING WAS WRONG. 2070 01:19:33,631 --> 01:19:35,664 THAT'S WHY HE ASKED TO SEE ALL OF HIS FINANCIAL PAPERWORK, 2071 01:19:35,700 --> 01:19:37,933 AND I KNEW SOMETHING HAD TO BE DONE. 2072 01:19:37,969 --> 01:19:38,968 SO YOU KILLED HIM. 2073 01:19:39,037 --> 01:19:40,103 I DIDN'T HAVE MUCH CHOICE. 2074 01:19:42,773 --> 01:19:43,973 [JENN]: AND YOU KNEW ABOUT THIS DARK ROOM 2075 01:19:44,042 --> 01:19:45,241 AND ALL THE CHEMICALS HE KEPT IN HERE. 2076 01:19:45,276 --> 01:19:47,510 PROVIDING YOU WITH THE PERFECT MURDER WEAPON. 2077 01:19:47,545 --> 01:19:49,445 [BODY THUDS] 2078 01:19:49,481 --> 01:19:51,914 LARRY STARTED ASKING QUESTIONS. 2079 01:19:51,983 --> 01:19:54,250 IT WAS ONLY A MATTER OF TIME BEFORE HE DISCOVERED IT WAS ME. 2080 01:19:56,521 --> 01:19:58,087 [JENN]: BUT SCOTT SAW YOU LEAVING. 2081 01:19:59,424 --> 01:20:00,156 [IAN]: YEAH... 2082 01:20:00,191 --> 01:20:01,157 WELL... 2083 01:20:01,226 --> 01:20:02,525 LUCKY FOR ME, 2084 01:20:02,560 --> 01:20:04,027 HE WAS TOO CONSUMED WITH HIS OWN FAMILY DRAMA 2085 01:20:04,062 --> 01:20:05,361 TO WONDER WHAT I WAS UP TO. 2086 01:20:05,430 --> 01:20:07,363 AND THEN YOU CAME TO MY STORE TO TRY TO SCARE ME. 2087 01:20:07,399 --> 01:20:09,965 I SAW THE SCRAPE ON YOUR CAR. 2088 01:20:10,001 --> 01:20:11,200 THE YELLOW PAINT REALLY STICKS OUT. 2089 01:20:11,269 --> 01:20:12,335 WELL, 2090 01:20:12,404 --> 01:20:14,037 DON'T SAY I DIDN'T TRY TO WARN YOU. 2091 01:20:14,072 --> 01:20:15,338 [GUN COCKING] 2092 01:20:16,374 --> 01:20:17,940 BY THE WAY... 2093 01:20:17,975 --> 01:20:19,608 DID I MENTION... 2094 01:20:19,677 --> 01:20:20,543 THIS ROOM IS SOUNDPROOF. 2095 01:20:20,578 --> 01:20:21,511 [PHONE RINGING] 2096 01:20:22,847 --> 01:20:23,779 [GUN FIRING] 2097 01:20:26,584 --> 01:20:28,518 FREEZE. 2098 01:20:28,586 --> 01:20:30,786 PUT DOWN THE GUN. 2099 01:20:34,526 --> 01:20:35,558 YEAH. 2100 01:20:36,794 --> 01:20:37,693 WHOA... 2101 01:20:46,104 --> 01:20:48,404 I GUESS YOU GOT MY VOICEMAIL. 2102 01:20:48,440 --> 01:20:49,672 I RAN THE PLATES. 2103 01:20:49,707 --> 01:20:51,307 WHEN I SAW IAN'S NAME, 2104 01:20:51,342 --> 01:20:52,875 I COULDN'T GET HERE FAST ENOUGH. 2105 01:20:52,910 --> 01:20:54,743 GIVE ME FIVE MINUTES ALONE WITH HIM. 2106 01:20:54,779 --> 01:20:55,844 MAYBE DON'T SAY THAT STUFF 2107 01:20:55,880 --> 01:20:56,812 WHEN I'M HERE. 2108 01:20:56,847 --> 01:20:58,081 IT'LL BE OKAY. 2109 01:20:58,116 --> 01:20:59,315 HE'S GOING TO GET WHAT HE DESERVES. 2110 01:20:59,384 --> 01:21:00,983 WE SHOULD HEAD HOME. 2111 01:21:01,018 --> 01:21:02,051 ONE SECOND. 2112 01:21:02,120 --> 01:21:03,453 I JUST WANT TO TALK TO MRS. SHANNON. 2113 01:21:03,488 --> 01:21:04,720 SURE. 2114 01:21:04,755 --> 01:21:06,689 I'LL WAIT FOR YOU IN THE CAR. 2115 01:21:06,724 --> 01:21:08,224 DID YOU GET A CHANCE TO SPEAK WITH HIM? 2116 01:21:08,293 --> 01:21:09,459 YEAH. 2117 01:21:09,494 --> 01:21:10,659 THINGS AREN'T PERFECT, 2118 01:21:10,695 --> 01:21:12,861 BUT I THINK I UNDERSTAND HIM A BIT BETTER NOW. 2119 01:21:12,897 --> 01:21:14,530 THANKS. 2120 01:21:14,599 --> 01:21:16,065 GOOD LUCK. 2121 01:21:21,005 --> 01:21:22,605 YOU SOLVE A MURDER 2122 01:21:22,640 --> 01:21:24,340 AND HEAL A FAMILY. 2123 01:21:24,375 --> 01:21:25,608 NOT BAD FOR A DAY'S WORK. 2124 01:21:25,643 --> 01:21:27,910 WELL, I'M JUST GLAD YOU SHOWED UP WHEN YOU DID. 2125 01:21:27,945 --> 01:21:29,979 I SHUDDER TO THINK WHAT WOULD HAVE HAPPENED. 2126 01:21:30,014 --> 01:21:31,046 GOOD. 2127 01:21:31,116 --> 01:21:32,582 DON'T THINK ABOUT IT. 2128 01:21:32,617 --> 01:21:35,251 WELL, I'M GOING BACK TO MY NICE, SAFE ANTIQUES. 2129 01:21:35,320 --> 01:21:37,286 NOW, THERE'S A PLAN I CAN GET BEHIND. 2130 01:21:40,258 --> 01:21:42,492 IAN HATHAWAY SWAPPED HIS BLUE SUIT 2131 01:21:42,527 --> 01:21:43,593 FOR AN ORANGE UNIFORM. 2132 01:21:43,628 --> 01:21:44,793 GUESS WHO'S LOOKING FOR A LAWYER NOW? 2133 01:21:46,598 --> 01:21:47,863 I TALKED TO TONY. 2134 01:21:47,898 --> 01:21:49,365 HE SAID HE'S MOVING BACK IN WITH HIS FATHER, 2135 01:21:49,434 --> 01:21:51,534 AND HIS BAND IS REHEARSING AGAIN. 2136 01:21:51,569 --> 01:21:53,068 MAYBE YOU AND I CAN GO SEE ONE OF THEIR SHOWS. 2137 01:21:53,138 --> 01:21:54,370 OH, THAT WOULD BE GREAT, 2138 01:21:54,439 --> 01:21:55,605 ALTHOUGH FOR NOW, 2139 01:21:55,640 --> 01:21:57,440 I'M LOOKING FORWARD TO GETTING BACK TO THE STORE 2140 01:21:57,509 --> 01:21:58,541 AND TACKLING THAT INVENTORY. 2141 01:21:58,576 --> 01:21:59,675 HEY, DID YOU GUYS DECIDE 2142 01:21:59,710 --> 01:22:02,311 ON WHICH EMPLOYEE WE'RE GOING TO KEEP? 2143 01:22:02,380 --> 01:22:04,247 WELL, ACTUALLY, 2144 01:22:04,315 --> 01:22:06,115 I THOUGHT DANI WAS GOING TO FIRE TRAVIS, 2145 01:22:06,151 --> 01:22:07,883 SO I GOT HIM A JOB WITH A CONSTRUCTION COMPANY. 2146 01:22:07,918 --> 01:22:09,218 SEE, I THOUGHT 2147 01:22:09,254 --> 01:22:10,219 THAT JASON WAS GOING TO FIRE KENNETH, 2148 01:22:10,255 --> 01:22:11,354 SO I MADE A CALL, 2149 01:22:11,389 --> 01:22:13,656 AND NOW HE'S A DOCENT AT THE HISTORY MUSEUM. 2150 01:22:13,724 --> 01:22:14,957 OH, SO WHAT YOU'RE TELLING ME 2151 01:22:15,026 --> 01:22:15,824 IS WE DON'T HAVE ANY HELP? 2152 01:22:15,860 --> 01:22:17,026 NO. 2153 01:22:17,061 --> 01:22:18,194 I GUESS WE COULD HAVE COORDINATED BETTER. 2154 01:22:18,263 --> 01:22:19,562 [DANI]: FORTUNATELY, 2155 01:22:19,597 --> 01:22:20,763 DREW WAS THERE TO RESCUE ME. 2156 01:22:20,798 --> 01:22:21,764 LUCKY FOR EVERYONE, 2157 01:22:21,832 --> 01:22:22,865 I WAS SITTING AT MY OWN SHOP 2158 01:22:22,900 --> 01:22:23,966 WITHOUT ANYTHING HEAVY TO MOVE, 2159 01:22:24,001 --> 01:22:24,900 LOOKING FOR AN OPPORTUNITY. 2160 01:22:24,935 --> 01:22:26,769 WELL, THANK YOU, DREW. 2161 01:22:26,837 --> 01:22:28,371 HEY, I HEAR YOU ARE QUITE A WRITER. 2162 01:22:28,406 --> 01:22:29,605 [LOGAN]: UH, YEAH. 2163 01:22:29,641 --> 01:22:32,275 IT'S JUST FOR A SCHOOL ASSIGNMENT. 2164 01:22:32,343 --> 01:22:33,309 [HANNAH]: HE'S BEING MODEST. 2165 01:22:33,344 --> 01:22:35,645 NOT ONLY WAS HIS PAPER INCREDIBLE, 2166 01:22:35,680 --> 01:22:37,280 HE'S DOING WHAT HE CAN TO HELP OUT A CLASSMATE. 2167 01:22:38,516 --> 01:22:39,649 I TOLD THE GIRL TODAY 2168 01:22:39,684 --> 01:22:41,950 THAT HER POEM'S GOING TO GET PUBLISHED. 2169 01:22:41,986 --> 01:22:43,352 SHE GAVE ME THIS NOTE. 2170 01:22:43,388 --> 01:22:45,321 [SALLY]: THAT'S GREAT. 2171 01:22:45,356 --> 01:22:46,455 LOGAN, I WOULD LOVE TO READ YOUR PIECE, 2172 01:22:46,491 --> 01:22:47,756 EVEN IF IT'S NOT BEING PUBLISHED. 2173 01:22:47,792 --> 01:22:49,358 SURE, MOM, 2174 01:22:49,394 --> 01:22:51,060 BUT IT'S NOT STAYING UNPUBLISHED. 2175 01:22:51,128 --> 01:22:52,328 HANNAH ENCOURAGED ME, 2176 01:22:52,363 --> 01:22:55,030 SO I SUBMITTED IT TO THIS THEATER WEB SITE, 2177 01:22:55,066 --> 01:22:56,532 AND THEY PUT IT UP ONLINE THIS AFTERNOON. 2178 01:22:57,602 --> 01:22:59,835 WOW! YOU'RE FAMOUS. 2179 01:22:59,870 --> 01:23:01,571 INTERNET FAMOUS. 2180 01:23:01,606 --> 01:23:03,939 THAT'S GREAT, SON, 2181 01:23:03,974 --> 01:23:05,474 AND HEY, I HAVE A SURPRISE FOR EVERYONE. 2182 01:23:05,543 --> 01:23:06,409 IT'S WAITING FOR US IN THE LIVING ROOM 2183 01:23:06,444 --> 01:23:08,244 WHEN WE'RE DONE EATING. 2184 01:23:09,480 --> 01:23:11,280 WELL, NOW, WHO CAN EAT 2185 01:23:11,316 --> 01:23:13,182 WHEN WE KNOW YOU HAVE A SURPRISE WAITING FOR US? 2186 01:23:13,218 --> 01:23:14,350 I CAN. 2187 01:23:14,385 --> 01:23:15,184 [JASON]: COURSE. 2188 01:23:15,220 --> 01:23:16,552 LET'S GO. 2189 01:23:16,588 --> 01:23:18,287 OH, A SURPRISE! I LOVE SURPRISES! 2190 01:23:18,356 --> 01:23:20,122 YOU, IT WOULDN'T SURPRISE. 2191 01:23:20,157 --> 01:23:21,257 I NEED THE LADIES ON THE COUCH, 2192 01:23:21,292 --> 01:23:22,958 GENTLEMEN BEHIND THE LADIES. 2193 01:23:22,993 --> 01:23:23,892 WHAT ARE WE DOING? 2194 01:23:23,928 --> 01:23:25,361 I DON'T KNOW. 2195 01:23:25,396 --> 01:23:26,929 I HAVE NO IDEA. 2196 01:23:28,333 --> 01:23:29,398 TA-DAH! 2197 01:23:29,434 --> 01:23:31,900 OH, NICE CAMERA! 2198 01:23:31,969 --> 01:23:33,202 AS YOU KNOW, 2199 01:23:33,271 --> 01:23:34,803 LOGAN FOUND MY OLD CAMERA IN THE ATTIC, 2200 01:23:34,872 --> 01:23:36,872 AND I DECIDED IT'S TIME TO INVEST IN A NEW ONE. 2201 01:23:36,907 --> 01:23:37,973 IT'S ALL DIGITAL. 2202 01:23:38,008 --> 01:23:40,610 WELL, IT'S TOO BAD THE FILM GOT RUINED. 2203 01:23:40,645 --> 01:23:41,944 ACTUALLY, 2204 01:23:42,012 --> 01:23:44,213 I TOOK THE CAMERA TO MANNY. 2205 01:23:44,282 --> 01:23:45,448 HE WAS ABLE TO WORK SOME WONDERS, 2206 01:23:45,483 --> 01:23:47,015 AND... 2207 01:23:47,051 --> 01:23:48,484 SALVAGED A COUPLE OF PICTURES. 2208 01:23:48,519 --> 01:23:49,985 REMEMBER, WE DID SAY, "FOR BETTER OR FOR WORSE." 2209 01:23:50,020 --> 01:23:52,588 OH, DEAR. 2210 01:23:52,624 --> 01:23:54,624 [LAUGHING] 2211 01:24:02,166 --> 01:24:04,032 LOOK AT YOUR HAIR. 2212 01:24:04,068 --> 01:24:05,167 THANK YOU. I LOVE MY HAIR. 2213 01:24:05,202 --> 01:24:06,168 [LAUGHING] 2214 01:24:06,203 --> 01:24:07,770 OKAY, YOU GUYS READY? 2215 01:24:07,805 --> 01:24:09,605 I NEED YOU A LITTLE TIGHTER, GENTLEMEN. 2216 01:24:09,641 --> 01:24:11,540 READY? IT'S TIME TO MAKE SOME NEW MEMORIES. 2217 01:24:12,843 --> 01:24:13,643 COME ON, DAD! GET IN THE PICTURE! 2218 01:24:14,879 --> 01:24:16,746 ALL RIGHT. 2219 01:24:16,781 --> 01:24:17,880 OKAY, EVERYONE! 2220 01:24:17,915 --> 01:24:18,847 SAY "CHEESE"! 2221 01:24:18,883 --> 01:24:21,417 CHEESE! 2222 01:24:21,452 --> 01:24:22,818 [SHUTTER CLICKING] 149664

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