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1
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I'm trying to decide
whether I'm happy or sad.
2
00:00:06,956 --> 00:00:08,789
BONNIE CARLSON: None of us
really see things as they are.
3
00:00:08,872 --> 00:00:10,123
We see things as we are.
4
00:00:11,456 --> 00:00:13,623
MADELEINE MACKENZIE: This is Jane Chapman.
She's new here.
5
00:00:13,706 --> 00:00:15,164
- Hi.
- Welcome!
6
00:00:16,914 --> 00:00:18,540
You're... so nice.
7
00:00:18,747 --> 00:00:21,248
This is Monterey.
We pound people with nice.
8
00:00:21,331 --> 00:00:22,289
- (CHUCKLES)
- To death.
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00:00:22,706 --> 00:00:24,540
- (CAMERAS CLICK)
- ♪ (DRAMATIC MUSIC PLAYS) ♪
10
00:00:24,623 --> 00:00:26,914
An autopsy
is still being conducted
11
00:00:26,997 --> 00:00:29,373
to ascertain
the exact cause of death.
12
00:00:30,039 --> 00:00:32,706
The injuries were many,
and they were severe.
13
00:00:33,331 --> 00:00:35,039
We're talking
multiple broken bones.
14
00:00:35,373 --> 00:00:37,665
There's clearly a lot
of bad blood in this community.
15
00:00:38,581 --> 00:00:40,872
Someone hurt Amabella.
16
00:00:41,123 --> 00:00:42,415
This could get ugly.
17
00:00:42,498 --> 00:00:44,248
Ticking bomb.
I'll leave it at that.
18
00:00:44,331 --> 00:00:45,540
You're dead in this town.
19
00:00:46,997 --> 00:00:50,039
So I take it that Ziggy's father
isn't exactly a good guy.
20
00:00:50,373 --> 00:00:51,331
Where is he?
21
00:00:52,039 --> 00:00:53,665
No, I know
that I'll never be over it.
22
00:00:55,123 --> 00:00:56,456
Something had to be wrong.
23
00:00:56,540 --> 00:00:58,872
We have this... dirty secret.
24
00:01:00,206 --> 00:01:01,914
When are you gonna leave him,
Celeste?
25
00:01:03,039 --> 00:01:04,540
RENATA KLEIN: I'm now one of those people
26
00:01:04,623 --> 00:01:07,039
I swore I would never
turn myself into.
27
00:01:07,123 --> 00:01:08,914
She can't just let us
all get along...
28
00:01:08,997 --> 00:01:10,415
(YELLING) I said, "Thank you!"
29
00:01:11,540 --> 00:01:13,289
You don't want anyone
getting hurt, do we?
30
00:01:13,373 --> 00:01:14,956
- You threatening me?
- JANE CHAPMAN: They bully.
31
00:01:15,039 --> 00:01:17,456
It's human nature.
They grow out of it.
32
00:01:17,540 --> 00:01:18,997
Sometimes, they don't.
33
00:01:20,206 --> 00:01:22,039
MADELEINE: Sometimes,
I'm just holding onto
34
00:01:22,123 --> 00:01:24,498
this idea of perfection so tight,
35
00:01:24,581 --> 00:01:25,581
something has to give.
36
00:01:26,206 --> 00:01:27,331
- (GASPS)
- (TIRES SCREECH)
37
00:01:28,039 --> 00:01:30,164
(WHISPERING)
We all do bad things sometimes.
38
00:01:30,248 --> 00:01:32,289
♪ (MUSIC SLOWLY INTENSIFIES) ♪
39
00:01:34,000 --> 00:01:40,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
40
00:01:46,540 --> 00:01:47,540
(SCREAMS)
41
00:01:55,623 --> 00:01:58,956
♪ ("COLD LITTLE HEART"
BY MICHAEL KIWANUKA PLAYING) ♪
42
00:02:14,456 --> 00:02:16,747
♪ Did you ever want it? ♪
43
00:02:18,956 --> 00:02:21,248
♪ Did you want it bad? ♪
44
00:02:21,331 --> 00:02:23,123
♪ Oh, my ♪
45
00:02:25,498 --> 00:02:27,623
♪ It tears me apart ♪
46
00:02:31,956 --> 00:02:34,123
♪ We can try to hide it ♪
47
00:02:36,206 --> 00:02:38,914
♪ It's all the same ♪
48
00:02:38,997 --> 00:02:41,789
♪ I've been losing you ♪
49
00:02:43,164 --> 00:02:45,498
♪ One day at a time ♪
50
00:02:47,956 --> 00:02:49,248
♪ And I know ♪
51
00:02:49,331 --> 00:02:53,747
♪ In my heart
In this cold heart ♪
52
00:02:53,831 --> 00:02:58,206
♪ I can live or I can die ♪
53
00:02:58,289 --> 00:03:02,415
♪ I believe if I just try ♪
54
00:03:02,498 --> 00:03:07,456
♪ You believe in you and I ♪
55
00:03:10,081 --> 00:03:12,997
♪ In you and I ♪
56
00:03:14,415 --> 00:03:17,872
♪ In you and I ♪
57
00:03:18,872 --> 00:03:21,706
♪ In you and I ♪
58
00:03:22,498 --> 00:03:24,331
♪ (MUSIC ENDS) ♪
59
00:03:37,206 --> 00:03:39,872
(WAVES CRASHING)
60
00:04:19,039 --> 00:04:21,248
(WAVES CRASHING)
61
00:04:29,081 --> 00:04:31,789
(HEART BEATING)
62
00:04:35,665 --> 00:04:37,248
(BEATING SPEEDS UP)
63
00:04:44,415 --> 00:04:45,997
MARY LOUISE WRIGHT:
Celeste. Celeste!
64
00:04:46,081 --> 00:04:47,456
(CELESTE WRIGHT SCREAMS)
65
00:04:47,540 --> 00:04:50,956
(PANTING) Oh my God.
66
00:04:51,039 --> 00:04:53,289
(SIGHS) I just...
67
00:04:54,498 --> 00:04:55,789
I was having a nightmare.
68
00:04:55,872 --> 00:04:57,540
Oh. Shouldn't they be awake?
69
00:04:57,623 --> 00:05:00,498
CELESTE: Oh my god. Oh...
70
00:05:00,581 --> 00:05:03,623
Yeah. Josh. Max. Up we go.
We overslept.
71
00:05:03,706 --> 00:05:05,456
C'mon, c'mon, c'mon. Let's go.
We're in a rush.
72
00:05:05,540 --> 00:05:07,872
- MARY LOUISE: Come on, soldiers.
- CELESTE: Quick, quick, quick.
73
00:05:07,956 --> 00:05:09,997
- Morning, Grandma.
- CELESTE: Protein bar breakfast
74
00:05:10,081 --> 00:05:11,206
in the car.
75
00:05:11,289 --> 00:05:13,331
(CHUCKLES) Your favorite.
76
00:05:13,415 --> 00:05:16,039
MARY LOUISE: I have to go
to town. I can drop you off.
77
00:05:16,123 --> 00:05:19,456
Oh... Thanks, Mary Louise.
78
00:05:23,623 --> 00:05:24,997
What was it about?
79
00:05:26,123 --> 00:05:27,248
Your nightmare.
80
00:05:27,331 --> 00:05:29,164
Oh, it was stupid.
81
00:05:30,248 --> 00:05:31,498
Nothing, really.
82
00:05:33,331 --> 00:05:34,540
You said "rape."
83
00:05:36,164 --> 00:05:37,164
What?
84
00:05:38,123 --> 00:05:39,373
Something about a rape.
85
00:05:43,623 --> 00:05:44,581
Huh.
86
00:05:44,665 --> 00:05:46,498
- (FAINT BUZZING)
- (SIGHS)
87
00:05:51,872 --> 00:05:53,789
Can I have some water, please?
88
00:05:57,706 --> 00:05:58,914
(SNIFFLES)
89
00:05:58,997 --> 00:06:00,123
(SIGHS)
90
00:06:02,081 --> 00:06:04,997
- (BUZZING CONTINUES)
- (EXHALES)
91
00:06:08,289 --> 00:06:10,581
♪ And I don't give a damn
About my reputation ♪
92
00:06:10,665 --> 00:06:12,872
♪ ("BAD REPUTATION"
BY JOAN JETT PLAYS) ♪
93
00:06:12,956 --> 00:06:16,039
♪ Never said I wanted
To improve my station ♪
94
00:06:17,540 --> 00:06:19,914
♪ And I'm only doin' good
When I'm havin' fun ♪
95
00:06:19,997 --> 00:06:21,956
♪ And I don't have
To please no one ♪
96
00:06:22,039 --> 00:06:25,331
♪ And I don't give a damn
'Bout my bad reputation ♪
97
00:06:26,872 --> 00:06:28,747
- ♪ Oh, no ♪
- ♪ No, no, no, no, no, no ♪
98
00:06:28,831 --> 00:06:30,956
Okay, I'm putting this
in your small pocket, okay?
99
00:06:31,039 --> 00:06:32,706
ZIGGY: Yep.
100
00:06:32,789 --> 00:06:34,081
- ♪ ...My reputation ♪
- (SINGING) ♪ Reputation ♪
101
00:06:34,164 --> 00:06:35,123
(YELLING) First day of school!
102
00:06:35,206 --> 00:06:36,623
(SEAGULLS SQUAWK)
103
00:06:36,706 --> 00:06:38,706
JOSH WRIGHT: Stop!
Hey, Max, you idiot!
104
00:06:38,789 --> 00:06:40,789
Hey, hey, boys come on.
Keep it down, would you?
105
00:06:40,872 --> 00:06:42,081
I can't hear myself think.
106
00:06:42,164 --> 00:06:43,456
MAX WRIGHT: Then just don't think, Mom.
107
00:06:43,540 --> 00:06:45,081
- JOSH: Give it back, you idiot!
- Hey!
108
00:06:45,164 --> 00:06:46,415
- Stop!
- Give it back!
109
00:06:46,498 --> 00:06:48,164
MARY LOUISE: (YELLING) Hey!
Quiet!
110
00:06:51,914 --> 00:06:53,081
Fine young men
111
00:06:53,164 --> 00:06:55,331
don't suddenly
become fine young men
112
00:06:55,415 --> 00:06:57,665
all of sudden in a whoosh,
you know.
113
00:06:57,747 --> 00:06:58,872
(CLEARS THROAT)
114
00:06:58,956 --> 00:07:01,039
It starts with being
fine young boys.
115
00:07:01,123 --> 00:07:03,498
And part of being
a fine young boy
116
00:07:03,581 --> 00:07:05,914
is listening
and respecting your mother.
117
00:07:06,747 --> 00:07:08,373
She works so hard for you.
118
00:07:08,456 --> 00:07:10,789
That's why the sun shines
on her so.
119
00:07:12,872 --> 00:07:14,081
Thank you, Mary Louise.
120
00:07:19,581 --> 00:07:20,997
MADELINE MACKENZIE: I have two showings,
121
00:07:21,081 --> 00:07:22,540
I have
Abigail's college advisor,
122
00:07:22,623 --> 00:07:23,872
not to mention
all this scrutiny.
123
00:07:23,956 --> 00:07:25,747
- It's just gonna be a day.
- What scrutiny?
124
00:07:25,831 --> 00:07:27,540
MADELINE: Ed, this is
the first day of school.
125
00:07:27,623 --> 00:07:30,331
We have to earn our
good-mom badges all over again.
126
00:07:30,415 --> 00:07:32,206
"Has she gotten fatter
over the summer?
127
00:07:32,289 --> 00:07:34,914
Does she look older?"
These questions get asked, Ed,
128
00:07:34,997 --> 00:07:37,164
and we all get judged
all over again.
129
00:07:37,248 --> 00:07:39,373
It's a complete double standard
'cause if a dad shows up,
130
00:07:39,456 --> 00:07:40,956
they're like,
"Wow, there's a dad here.
131
00:07:41,039 --> 00:07:43,123
He's involved."
But with the moms...
132
00:07:43,206 --> 00:07:45,123
(SCOFFS)
it just makes me wanna blow.
133
00:07:45,206 --> 00:07:46,373
CHLOE MACKENZIE: Boom!
134
00:07:46,456 --> 00:07:48,540
MADELINE: Oh my god.
Chloe. Goddammit!
135
00:07:48,623 --> 00:07:51,039
- (CROSSING GUARD BLOWS WHISTLE)
- Just right there. I need to get right there.
136
00:07:51,123 --> 00:07:52,081
- Chloe...
- (HONKS HORN)
137
00:07:52,164 --> 00:07:53,331
Could you please turn it down?
138
00:07:53,415 --> 00:07:54,747
Let second grade begin.
139
00:07:54,831 --> 00:07:56,540
♪ ("I'LL BE AROUND"
BY THE SPINNERS PLAYS) ♪
140
00:07:56,623 --> 00:08:00,747
♪ This is our bump in the road
141
00:08:00,831 --> 00:08:03,747
♪ Love's last episode ♪
142
00:08:05,415 --> 00:08:08,956
♪ There's nowhere to go ♪
143
00:08:09,039 --> 00:08:10,415
♪ Oh no ♪
144
00:08:10,498 --> 00:08:12,623
♪ You made your choice ♪
145
00:08:13,789 --> 00:08:16,914
♪ Now it's up to me ♪
146
00:08:18,123 --> 00:08:22,248
♪ To bow out gracefully ♪
147
00:08:22,331 --> 00:08:25,248
♪ Though you hold the key ♪
148
00:08:25,331 --> 00:08:27,248
♪ But, baby ♪
149
00:08:27,331 --> 00:08:31,747
♪ Whenever you call me
I'll be there ♪
150
00:08:31,831 --> 00:08:36,081
♪ Whenever you want me
I'll be there ♪
151
00:08:36,164 --> 00:08:39,914
♪ Whenever you need me
I'll be there ♪
152
00:08:39,997 --> 00:08:42,248
- (BELL RINGS)
- Welcome back to our wonderful,
153
00:08:42,331 --> 00:08:43,872
wonderful Otter Bay.
154
00:08:43,956 --> 00:08:45,997
Gosh, I always so love
the sound of that.
155
00:08:46,081 --> 00:08:47,872
Let's all say that together,
shall we?
156
00:08:47,956 --> 00:08:50,872
ALL:
Wonderful, wonderful Otter Bay.
157
00:08:50,956 --> 00:08:53,206
- Here we go. Now, gang...
- ♪ (PIANO BEGINS JAUNTY TUNE) ♪
158
00:08:53,289 --> 00:08:55,665
since we ask our children
to sing this song every year,
159
00:08:55,747 --> 00:08:57,997
I think it's high time
we sing it with them,
160
00:08:58,081 --> 00:09:00,456
so everybody let out
their inner otter,
161
00:09:00,540 --> 00:09:02,415
and sing along.
162
00:09:02,498 --> 00:09:04,039
ALL: (SINGING) ♪ Otter Bay ♪
163
00:09:04,123 --> 00:09:06,415
♪ Otter Bay, it's the best plac
Of them all ♪
164
00:09:06,498 --> 00:09:09,373
Very impressive. We're in
the key of F, Madeline.
165
00:09:09,456 --> 00:09:11,081
ALL: (SINGING) ♪ To start our day ♪
166
00:09:11,164 --> 00:09:13,123
♪ When we rise up with a snort ♪
167
00:09:13,206 --> 00:09:14,415
(SNORTING)
168
00:09:14,498 --> 00:09:17,872
♪ With dance and song
And sport ♪
169
00:09:17,956 --> 00:09:19,415
(SNORTING)
170
00:09:19,498 --> 00:09:24,831
♪ Oh, to be a little otter
In the bay ♪
171
00:09:24,914 --> 00:09:28,581
Yes! Oh, you got my otter heart
going! Thank you!
172
00:09:29,540 --> 00:09:31,581
Warren. (CHUCKLES)
173
00:09:31,665 --> 00:09:33,914
Really pushing the school spirit
this year, aren't you?
174
00:09:33,997 --> 00:09:35,872
Well, it's my otter blood,
Madeline.
175
00:09:35,956 --> 00:09:38,540
- Hi, Madeline Martha Mackenzie.
- Lisa Coolidge.
176
00:09:38,623 --> 00:09:40,331
Anyway, it was
a beautiful service, Warren.
177
00:09:40,415 --> 00:09:42,081
WARREN NIPPAL: (LAUGHS) Well,
thank you, Madeline,
178
00:09:42,164 --> 00:09:43,997
I like to think of it more
as an assembly.
179
00:09:44,081 --> 00:09:46,331
A service
is for when someone dies,
180
00:09:46,415 --> 00:09:48,331
you know,
like a school fundraiser.
181
00:09:48,415 --> 00:09:50,540
You're not seriously
gonna go there, are you?
182
00:09:50,623 --> 00:09:52,498
My hope is that
you don't go there, Madeline.
183
00:09:52,581 --> 00:09:54,747
Now, let's remember
a lot of last year's mishigas
184
00:09:54,831 --> 00:09:56,789
were lovingly stirred up by you.
185
00:09:57,914 --> 00:09:59,456
MELISSA: Anybody want a red velvet?
186
00:09:59,540 --> 00:10:01,540
- Melissa!
- Cupcake?
187
00:10:01,623 --> 00:10:03,540
MADELINE: I'll take one
for each thigh.
188
00:10:03,623 --> 00:10:04,997
MELISSA: Absolutely.
189
00:10:05,081 --> 00:10:06,706
I don't even like to chew.
I just shove 'em down.
190
00:10:06,789 --> 00:10:09,581
Maybe you can give one to Warren
so he can shove it too.
191
00:10:09,665 --> 00:10:12,789
WARREN: (CHUCKLES) And we're off.
192
00:10:12,872 --> 00:10:14,872
- MADELINE: Bonnie.
- It's a classy crop of moms,
193
00:10:14,956 --> 00:10:16,997
these ones. Those gluten-free?
194
00:10:17,081 --> 00:10:18,456
MADELINE: Tahoe was good?
195
00:10:18,540 --> 00:10:20,997
Uh, yeah, it was good.
Nathan caught a lot of fish.
196
00:10:21,081 --> 00:10:22,914
Wow.
197
00:10:22,997 --> 00:10:25,081
BONNIE CARLSON: And I hear you're selling
houses like crazy. That's very cool.
198
00:10:25,164 --> 00:10:26,914
Oh my gosh, in Monterey,
it is like printing money.
199
00:10:26,997 --> 00:10:28,623
I should have done this
years ago.
200
00:10:30,164 --> 00:10:31,831
- I'm gonna go find Skye.
- Okay.
201
00:10:33,831 --> 00:10:35,831
Okay. Are you two fighting?
202
00:10:35,914 --> 00:10:38,373
Uh, no.
Actually, I almost wish we were.
203
00:10:38,456 --> 00:10:42,831
No, she's... she's been acting
like that for a while now.
204
00:10:42,914 --> 00:10:44,289
Acting like what?
205
00:10:45,373 --> 00:10:47,540
Shut down. Like, withdrawn.
206
00:10:47,623 --> 00:10:49,831
Oh, you mean
you're not having sex.
207
00:10:49,914 --> 00:10:51,872
Okay, don't forget
that Abigail has
208
00:10:51,956 --> 00:10:53,831
- her college counselor meeting at 2:00 p.m.
- Yeah, yeah, I got your...
209
00:10:53,914 --> 00:10:55,415
I got your emails.
Six of them this morning.
210
00:10:55,498 --> 00:10:57,706
- Good. Thank you.
- This is her future, Nathan.
211
00:10:57,789 --> 00:10:59,581
Nice to be back.
212
00:10:59,665 --> 00:11:01,248
I'm told that my daughter,
Amabella,
213
00:11:01,331 --> 00:11:03,831
is going to be in your class.
So exciting.
214
00:11:03,914 --> 00:11:05,248
Yes, very nice to meet you.
215
00:11:05,331 --> 00:11:09,706
Um, she has an IQ of 152.
Genius level, right.
216
00:11:09,789 --> 00:11:11,997
That's a very high number.
Life's about give and take.
217
00:11:12,081 --> 00:11:14,123
I expect you to take care
of my daughter.
218
00:11:14,206 --> 00:11:16,831
Pay special attention.
And, again, welcome.
219
00:11:18,123 --> 00:11:21,123
Um, oh, oh, oh. (CHUCKLES)
And...
220
00:11:21,206 --> 00:11:23,706
my Amabella was bullied
last year.
221
00:11:23,789 --> 00:11:26,665
I mean, in like,
biting and choking.
222
00:11:26,747 --> 00:11:29,956
So, we're gonna make sure
that doesn't happen again.
223
00:11:30,039 --> 00:11:32,581
- (BAND PLAYS)
- RENATA KLEIN: Oh.
224
00:11:32,665 --> 00:11:34,831
Oops. Sorry.
225
00:11:34,914 --> 00:11:36,248
Sorry.
226
00:11:36,331 --> 00:11:38,164
Here's my problem
with the whole meditation thing.
227
00:11:38,248 --> 00:11:39,623
It's like you shut out
the world,
228
00:11:39,706 --> 00:11:40,997
but you also shut out
your friends,
229
00:11:41,081 --> 00:11:42,540
which is a little bit weird.
230
00:11:42,623 --> 00:11:45,331
And also, does she look funny?
Something's not right.
231
00:11:45,415 --> 00:11:47,206
- Are you talking about Bonnie?
- Uh-huh.
232
00:11:48,706 --> 00:11:52,206
Like, she's off. But she was off
before she went to Tahoe.
233
00:11:52,289 --> 00:11:53,456
Unplugged is one thing,
234
00:11:53,540 --> 00:11:55,415
but unhinged
is a total other thing.
235
00:11:55,498 --> 00:11:57,706
- (HORN BLARES)
- Hey! Asshole! Hey!
236
00:11:57,789 --> 00:11:59,623
- Oh, hon.
- Why are you cutting me off?
237
00:11:59,706 --> 00:12:01,914
- Honey. The horn. The horn.
- Dick! I just think we...
238
00:12:01,997 --> 00:12:02,997
Oh, yeah, sorry.
239
00:12:03,081 --> 00:12:04,789
Once I lean in,
you know how I am.
240
00:12:04,872 --> 00:12:06,956
- CELESTE: Indeed.
- I think we need to talk to her
241
00:12:07,039 --> 00:12:08,456
and see where her head is at.
242
00:12:08,540 --> 00:12:11,123
- CELESTE: Do you?
- Do you want to get a coffee?
243
00:12:11,206 --> 00:12:13,248
By the way, did you see Renata
244
00:12:13,331 --> 00:12:15,456
getting up
that new teacher's ass?
245
00:12:15,540 --> 00:12:17,665
I thought she was gonna have
to pull out her snorkel.
246
00:12:17,747 --> 00:12:19,831
CELESTE: Easy. I'm gonna go
to the ladies' room;
247
00:12:19,914 --> 00:12:22,956
- can you get me an Americano?
- MADELINE: Will do.
248
00:12:23,039 --> 00:12:24,789
- Hey, Bruna.
- BRUNA: Hey, Madeline.
249
00:12:24,872 --> 00:12:26,623
MADELINE: Wow, do you sell weed?
It smells like weed over here.
250
00:12:26,706 --> 00:12:28,623
- Keep the change.
- BRUNA: Thank you so much.
251
00:12:28,747 --> 00:12:30,415
- Can I get an Americano
- (DISTANT CHATTER)
252
00:12:30,498 --> 00:12:31,997
and a bran muffin?
253
00:12:32,081 --> 00:12:34,248
- ...that's a thing?
- MADELINE: Mary Louise?
254
00:12:36,206 --> 00:12:37,665
- Hi. Madeline.
- MARY LOUISE: Hi.
255
00:12:37,747 --> 00:12:39,248
- Madeline!
- Yes.
256
00:12:39,331 --> 00:12:41,164
- So nice to see you again.
- I'm Celeste's friend. Yes.
257
00:12:41,248 --> 00:12:42,498
How have you been?
258
00:12:42,581 --> 00:12:44,581
Good, good. The kids are good.
How are you?
259
00:12:44,665 --> 00:12:46,123
I can't complain.
260
00:12:47,415 --> 00:12:48,747
Actually, I can.
261
00:12:52,164 --> 00:12:53,373
My son is dead.
262
00:12:56,248 --> 00:12:59,123
But Celeste tells me that
you continue to be so helpful
263
00:12:59,206 --> 00:13:00,914
with her and the boys and...
264
00:13:00,997 --> 00:13:02,956
She should just get
a proper housekeeper.
265
00:13:03,039 --> 00:13:05,456
- You're very short.
- (SCOFFS) Excuse me?
266
00:13:05,540 --> 00:13:07,331
I don't mean it
in a negative way.
267
00:13:07,415 --> 00:13:08,623
MADELINE: Oh. (CHUCKLES)
268
00:13:09,581 --> 00:13:11,248
Maybe I do.
269
00:13:11,331 --> 00:13:16,123
I find little people to be
untrustworthy.
270
00:13:16,206 --> 00:13:19,248
(CHUCKLES) My apologies.
It's just that I'm...
271
00:13:20,540 --> 00:13:23,289
I pride myself on being
a very good judge of character,
272
00:13:23,373 --> 00:13:27,039
but you have always presented
such a difficult read.
273
00:13:27,123 --> 00:13:30,789
You know,
you seem like a nice person.
274
00:13:30,872 --> 00:13:35,373
Loving. But also,
you strike me as a wanter.
275
00:13:35,456 --> 00:13:37,540
- A... A wanter?
- Mm.
276
00:13:37,623 --> 00:13:39,081
You know...
277
00:13:39,164 --> 00:13:42,373
there are people in... in life
who content themselves
278
00:13:42,456 --> 00:13:44,456
with what they have,
and then there are others
279
00:13:44,540 --> 00:13:48,123
who just... just want.
280
00:13:49,997 --> 00:13:51,248
I'm not a wanter.
281
00:13:51,331 --> 00:13:52,831
Oh, you don't have to take it
personally.
282
00:13:52,914 --> 00:13:54,665
Anyway, I'm a wanter myself.
283
00:13:56,123 --> 00:13:59,498
You know what I want?
I want Perry back.
284
00:13:59,581 --> 00:14:01,747
I wanna know what happened
that night.
285
00:14:01,831 --> 00:14:04,706
And I... I'm very tempted
to ask you,
286
00:14:04,789 --> 00:14:07,540
but I doubt I would get
the, uh...
287
00:14:07,623 --> 00:14:09,039
the truth, would I?
288
00:14:11,581 --> 00:14:13,789
Your son lost his balance
and he fell.
289
00:14:13,872 --> 00:14:16,914
Yes, that seems to be
the company line.
290
00:14:16,997 --> 00:14:19,581
Depending on whose company
you keep.
291
00:14:19,665 --> 00:14:21,206
Mary Louise.
292
00:14:21,289 --> 00:14:24,331
Madeline and I were just...
talking.
293
00:14:25,498 --> 00:14:26,872
MADELINE:
What the hell was that?
294
00:14:26,956 --> 00:14:28,581
That was a very strong position.
295
00:14:28,665 --> 00:14:30,123
And I didn't like it!
296
00:14:31,039 --> 00:14:32,373
Welcome to my life.
297
00:14:39,039 --> 00:14:40,498
- (CARTS CRASH)
- Sorry.
298
00:14:41,206 --> 00:14:43,206
Whoa. Hi!
299
00:14:44,373 --> 00:14:45,540
Tori.
300
00:14:45,623 --> 00:14:47,706
Sorry, I didn't recognize you
at first.
301
00:14:47,789 --> 00:14:50,540
Yeah, I had my breasts done.
302
00:14:52,081 --> 00:14:53,248
Oh.
303
00:14:53,331 --> 00:14:54,789
Yeah, it's fabulous.
304
00:14:54,872 --> 00:14:56,581
I always felt a little
self-conscious, you know.
305
00:14:58,665 --> 00:14:59,956
About your breasts?
306
00:15:00,039 --> 00:15:01,373
- My nose.
- Oh.
307
00:15:01,456 --> 00:15:04,164
Now, nobody notices it so much.
308
00:15:04,248 --> 00:15:08,373
Everybody notices these though.
And that pisses Joseph off.
309
00:15:09,706 --> 00:15:11,206
So... uh...
310
00:15:11,289 --> 00:15:13,373
Well, I'll see you around.
311
00:15:15,623 --> 00:15:16,831
(CHUCKLES)
312
00:15:16,914 --> 00:15:19,997
(MAN TALKING INDISTINCTLY
ON LOUDSPEAKER)
313
00:15:20,081 --> 00:15:22,248
DR. AMANDA REISMAN:
How long does she plan to stay?
314
00:15:22,331 --> 00:15:23,581
Well, she comes and goes.
315
00:15:23,665 --> 00:15:25,623
It's a short hop
from San Francisco.
316
00:15:26,956 --> 00:15:28,747
She's been...
317
00:15:28,831 --> 00:15:31,581
- a really big help.
- Mm-hmm.
318
00:15:31,665 --> 00:15:33,540
I mean, I'd be lost without her.
319
00:15:35,540 --> 00:15:36,914
So what brings you?
320
00:15:36,997 --> 00:15:38,289
It's been a while.
321
00:15:39,540 --> 00:15:40,581
(CHUCKLES)
322
00:15:43,415 --> 00:15:44,665
(SIGHS)
323
00:15:44,747 --> 00:15:48,747
I've had some nightmares
starting up of late that, um...
324
00:15:49,872 --> 00:15:50,956
I mean, may be triggered
325
00:15:51,039 --> 00:15:52,665
by the beginning
of the school year.
326
00:15:52,747 --> 00:15:54,123
I think I still...
327
00:15:54,206 --> 00:15:57,289
- associate that place with...
- How could you not?
328
00:16:02,789 --> 00:16:04,081
Last night was...
329
00:16:05,373 --> 00:16:07,081
It was a beauty.
330
00:16:10,540 --> 00:16:15,623
Perry and I were in...
the in-vitro facility, and...
331
00:16:17,623 --> 00:16:22,747
it was all so sweet, and...
And suddenly, I...
332
00:16:24,540 --> 00:16:27,872
I turned into a monster.
333
00:16:27,956 --> 00:16:31,456
I was strangling him.
I was lifting him up, and I...
334
00:16:31,540 --> 00:16:32,747
I... (SIGHS)
335
00:16:34,623 --> 00:16:37,914
It was... beyond disturbing,
and I... I...
336
00:16:40,997 --> 00:16:42,498
a little exhilarating.
337
00:16:43,498 --> 00:16:44,623
Hmm...
338
00:16:46,164 --> 00:16:48,872
Is that... Do you see yourself
as a monster?
339
00:16:51,373 --> 00:16:52,997
I guess I still feel...
340
00:16:56,164 --> 00:16:58,331
- responsible.
- For...?
341
00:17:01,039 --> 00:17:02,914
For the accident.
342
00:17:02,997 --> 00:17:05,123
I mean, if I'd left him
when I should have...
343
00:17:05,206 --> 00:17:07,289
We should have
never been together that night,
344
00:17:07,373 --> 00:17:08,747
and he might still be alive.
345
00:17:08,831 --> 00:17:11,747
That I chose that night
of all nights to leave him
346
00:17:11,831 --> 00:17:13,289
and to tell him and...
347
00:17:17,831 --> 00:17:20,956
Even in death,
his message lives on.
348
00:17:21,039 --> 00:17:23,039
- What message?
- That you're to blame.
349
00:17:23,914 --> 00:17:26,039
You're always to blame.
350
00:17:29,706 --> 00:17:30,914
You're not.
351
00:17:38,206 --> 00:17:40,789
- Are you getting out?
- (SCOFFS)
352
00:17:40,872 --> 00:17:43,331
- Are you seeing anyone?
- No.
353
00:17:43,415 --> 00:17:46,081
That part of me is still dead,
I suppose.
354
00:17:46,164 --> 00:17:48,831
First thing's first: get
the boys' lives back on track,
355
00:17:48,914 --> 00:17:50,123
that's the priority.
356
00:17:50,206 --> 00:17:51,872
Seeing their mom happy
could help there.
357
00:17:51,956 --> 00:17:54,289
So, you're saying for my life
to go on successfully,
358
00:17:54,373 --> 00:17:56,373
- I need to be with a man?
- No.
359
00:17:56,456 --> 00:17:58,540
But the freedom to be with one,
maybe.
360
00:18:00,373 --> 00:18:04,623
You're still married, Celeste,
and the husband is dead.
361
00:18:07,914 --> 00:18:09,706
(TALKING INDISTINCTLY)
362
00:18:09,789 --> 00:18:11,706
(PANTING)
363
00:18:24,164 --> 00:18:27,248
(PANTING)
364
00:18:28,997 --> 00:18:30,415
NATHAN CARLSON:
Where've you been?
365
00:18:31,415 --> 00:18:32,789
I told you I was running.
366
00:18:32,872 --> 00:18:35,039
That was like two hours ago,
I've been calling you.
367
00:18:35,747 --> 00:18:36,789
BONNIE: Sorry.
368
00:18:42,123 --> 00:18:43,498
Honey.
369
00:18:43,581 --> 00:18:44,997
I just thought it might be
that you hated Tahoe,
370
00:18:45,081 --> 00:18:46,289
but since we've been back...
371
00:18:48,623 --> 00:18:49,914
Come on.
372
00:18:49,997 --> 00:18:52,331
BONNIE: I need some space,
Nathan. I told you.
373
00:18:53,248 --> 00:18:54,747
Just let it be.
374
00:18:54,831 --> 00:18:57,373
JANE CHAPMAN: He's my favorite
in the whole aquarium.
375
00:18:57,456 --> 00:18:58,872
It's a red octopus, and watch.
376
00:18:58,956 --> 00:19:01,789
The closer he gets to the kelp,
he'll change his color
377
00:19:01,872 --> 00:19:04,123
so that he camouflages
with his environment.
378
00:19:04,206 --> 00:19:06,206
- CHILD: Cool.
- Look. You see him right now?
379
00:19:06,289 --> 00:19:08,164
- CHILD: Yeah.
- He's changing color.
380
00:19:08,248 --> 00:19:10,498
You guys want to know a fun fact
about octopus?
381
00:19:10,581 --> 00:19:12,373
- ALL: Yeah!
- It's kinda weird.
382
00:19:12,456 --> 00:19:14,498
- You can handle it?
- Yeah.
383
00:19:14,581 --> 00:19:17,206
Okay, females contain
deadly venom,
384
00:19:17,289 --> 00:19:19,831
and sometimes, they'll kill
and they'll eat the males
385
00:19:19,914 --> 00:19:23,706
- after they mate with them.
- CHILDREN: (GROAN) Ew!
386
00:19:23,789 --> 00:19:24,956
JANE: (CHUCKLES) I know.
387
00:19:25,039 --> 00:19:27,164
SARAH: Why is it
the prettier something is,
388
00:19:27,248 --> 00:19:30,581
the more dangerous?
Like with snakes and spiders.
389
00:19:30,665 --> 00:19:33,415
That's a great question. I wish
I knew the answer to that.
390
00:19:33,498 --> 00:19:35,373
- COREY BROCKFIELD: One second, okay?
- You're so observant.
391
00:19:35,456 --> 00:19:37,914
Sometimes, pretty colors
are to give a fair warning
392
00:19:37,997 --> 00:19:41,498
so other animals know they need
to keep a safe distance.
393
00:19:41,581 --> 00:19:42,872
GIRL: Oh.
394
00:19:48,831 --> 00:19:49,872
There you go.
395
00:19:49,956 --> 00:19:52,498
(INDISTINCT CHATTER)
396
00:19:55,498 --> 00:19:56,623
NATHAN: How you doing?
397
00:19:57,623 --> 00:19:59,289
Good. You?
398
00:20:01,039 --> 00:20:03,331
Not really, no. Bonnie.
399
00:20:03,415 --> 00:20:05,914
I mean, she's gone missing
in mental action.
400
00:20:05,997 --> 00:20:07,872
The whole summer, truth be told.
401
00:20:08,872 --> 00:20:09,997
Hey, man, could I...
402
00:20:11,623 --> 00:20:13,456
Could I ask you a big favor?
403
00:20:13,540 --> 00:20:15,248
Could you maybe take her out
to lunch?
404
00:20:16,415 --> 00:20:17,747
Um...
405
00:20:17,831 --> 00:20:19,498
Listen, you've always
been better to talking to women
406
00:20:19,581 --> 00:20:21,081
than I have and, you know,
you certainly got Madeline
407
00:20:21,164 --> 00:20:22,623
in a way I never could.
408
00:20:22,706 --> 00:20:24,581
I mean, I think you might be
able to get her to open up.
409
00:20:24,665 --> 00:20:26,206
You know,
you have your little way.
410
00:20:26,289 --> 00:20:27,956
All I'm getting is pushback
at every turn.
411
00:20:28,039 --> 00:20:29,872
I swear to God, if I signed up
for this bullshit,
412
00:20:29,956 --> 00:20:31,581
I'd still be with Maddie.
413
00:20:31,665 --> 00:20:34,540
- I mean... I don't mean...
- Oh, no, no.
414
00:20:34,623 --> 00:20:37,540
Um, look, Nathan...
415
00:20:37,623 --> 00:20:39,831
I'm no expert on marriage
or anything.
416
00:20:39,914 --> 00:20:42,123
I mean, something tells me
if you're seeking out
417
00:20:42,206 --> 00:20:44,623
the husband of your ex-wife
to, like,
418
00:20:44,706 --> 00:20:47,914
lead the communication charge
with your new one...
419
00:20:51,081 --> 00:20:52,623
Why do you always have to be
so snide?
420
00:20:52,706 --> 00:20:54,581
- I don't mean to be snide.
- No, you don't mean to be,
421
00:20:54,665 --> 00:20:56,997
it just comes natural.
It's like you're a snide fuck.
422
00:20:57,081 --> 00:20:58,789
That's what you are.
You're a snide fuck.
423
00:20:58,872 --> 00:21:02,248
You know, Nathan, maybe instead
of just talking to Bonnie,
424
00:21:02,331 --> 00:21:04,665
you should embrace
some of her interests.
425
00:21:04,747 --> 00:21:06,123
- Her interests?
- Yeah.
426
00:21:06,206 --> 00:21:08,373
She won't even let me
embrace her.
427
00:21:08,456 --> 00:21:09,831
- Okay.
- Yeah, you're snide.
428
00:21:09,914 --> 00:21:11,415
- You're a snide fuck.
- What?
429
00:21:12,331 --> 00:21:13,665
- Whatever.
- Come on.
430
00:21:13,747 --> 00:21:15,498
Snide fuck.
431
00:21:15,581 --> 00:21:18,789
♪ ("WHAT BECOMES OF THE BROKENHEARTED"
BY JIMMY RUFFIN PLAYS) ♪
432
00:21:18,872 --> 00:21:22,747
♪ As I walk this land
Of broken dreams ♪
433
00:21:22,831 --> 00:21:24,123
(PHONE RINGING)
434
00:21:24,206 --> 00:21:25,831
- ♪ I have visions... ♪ (CUTS OFF)
- Hello.
435
00:21:25,914 --> 00:21:27,747
- JULIETTE: (OVER PHONE) Mrs. Klein?
- Juliette.
436
00:21:27,831 --> 00:21:30,081
Hey, honey. I'm pulling in.
Can you...
437
00:21:30,164 --> 00:21:31,498
- (PHONE VIBRATING)
- can... wait.
438
00:21:31,581 --> 00:21:33,498
Hold on one second. Hold on...
Hello?
439
00:21:33,581 --> 00:21:35,415
MADELINE: This is why
I talk about being nice.
440
00:21:35,498 --> 00:21:38,248
Hey. No, I can't...
441
00:21:38,331 --> 00:21:39,872
MADELINE: What do you think?
442
00:21:39,956 --> 00:21:41,415
MAN: I love the view.
443
00:21:41,498 --> 00:21:43,373
Oh, sorry, I'm on the phone.
444
00:21:43,456 --> 00:21:45,081
Yeah, I thought Tahoe
was supposed
445
00:21:45,164 --> 00:21:46,415
to be about decompression too,
446
00:21:46,498 --> 00:21:47,956
but she seems like
she's on Mars.
447
00:21:48,039 --> 00:21:50,289
- Maybe she's using.
- WOMAN: Excuse me.
448
00:21:50,373 --> 00:21:51,789
Yeah, just a second.
449
00:21:51,872 --> 00:21:53,206
And I am beating myself up
450
00:21:53,289 --> 00:21:54,789
that I told Jane
I liked her bangs.
451
00:21:54,872 --> 00:21:56,373
Can you get off the phone,
please?
452
00:21:56,456 --> 00:21:57,498
Hmm?
453
00:21:58,498 --> 00:22:00,081
Oh, let me call you back.
454
00:22:00,164 --> 00:22:01,997
♪ ("IT'S MY HOUSE"
BY DIANA ROSS PLAYS) ♪
455
00:22:02,081 --> 00:22:03,706
Yeah, what can I do for you?
456
00:22:03,789 --> 00:22:05,540
RENATA KLEIN:
I mean, I can't deny it.
457
00:22:05,623 --> 00:22:08,039
♪ It's my house
And I live here ♪
458
00:22:08,123 --> 00:22:10,373
JOEL: Good, right there.
459
00:22:10,456 --> 00:22:13,747
♪ It's my house
And I live here ♪
460
00:22:13,831 --> 00:22:17,623
Beautiful, come on down. Good.
Eyes up this way. Gorgeous.
461
00:22:17,706 --> 00:22:19,456
I'm so tired of those shots
of women.
462
00:22:19,540 --> 00:22:21,039
I mean, they're in power, right?
463
00:22:21,123 --> 00:22:23,872
They own banks and they're
all, like, demure. Bullshit.
464
00:22:25,498 --> 00:22:26,872
JOEL: Back to the ocean.
465
00:22:26,956 --> 00:22:28,498
GORDON KLEIN: What's all this?
466
00:22:28,581 --> 00:22:31,456
RENATA: Hey! The photoshoot.
Women in power.
467
00:22:31,540 --> 00:22:33,456
I thought they wanted just,
uh... office shots.
468
00:22:33,540 --> 00:22:37,373
No, um, they're doing house
and, uh, office.
469
00:22:38,248 --> 00:22:39,665
GORDON: You look nice.
470
00:22:39,747 --> 00:22:41,373
JOEL: Here we go. Look at me.
471
00:22:41,456 --> 00:22:43,289
♪ And I live here ♪
472
00:22:43,373 --> 00:22:45,123
(MINIATURE TRAIN WHISTLE BLOWS)
473
00:22:55,206 --> 00:22:58,206
♪ It's my house
And I live here ♪
474
00:22:59,123 --> 00:23:01,123
So she has a 3.8 GPA,
475
00:23:01,206 --> 00:23:04,665
and she has done charity work
with human trafficking.
476
00:23:04,747 --> 00:23:06,415
She also has an internship
coming up...
477
00:23:06,498 --> 00:23:08,623
Uh, Stanford has an admit rate
of under ten.
478
00:23:08,706 --> 00:23:10,289
Princeton and Williams the same,
479
00:23:10,373 --> 00:23:12,039
and since she doesn't have
legacy going for her...
480
00:23:12,123 --> 00:23:14,789
Any of these schools
would be lucky to have her.
481
00:23:14,872 --> 00:23:17,456
- She's an excellent candidate...
- MADELINE: Candidate is,
482
00:23:17,540 --> 00:23:19,039
- I think, the wrong...
- Honey.
483
00:23:19,123 --> 00:23:22,164
What? Don't "honey" me.
She has a 3.8 GPA.
484
00:23:22,248 --> 00:23:23,956
She has a 1350 on her SATs,
485
00:23:24,039 --> 00:23:25,498
but we're gonna get
that number up
486
00:23:25,581 --> 00:23:28,123
because she has private tutoring
coming up, so I feel...
487
00:23:28,206 --> 00:23:29,914
I don't even want
to go to college.
488
00:23:30,872 --> 00:23:32,665
(SCOFFS)
489
00:23:32,747 --> 00:23:34,415
I mean, she's just...
She's just nervous.
490
00:23:34,498 --> 00:23:37,081
- She doesn't mean that.
- I do mean it.
491
00:23:37,164 --> 00:23:38,997
I don't want to go to college.
492
00:23:39,081 --> 00:23:40,331
(CHUCKLES)
493
00:23:40,415 --> 00:23:42,831
It feels so good to say that
out loud. (SIGHS)
494
00:23:42,914 --> 00:23:45,248
Okay, Abigail, honey.
You're going to college.
495
00:23:45,331 --> 00:23:47,039
The planet is dying, Mom,
496
00:23:47,123 --> 00:23:51,164
but God forbid I don't study
Lysistrata? It's bullshit.
497
00:23:51,248 --> 00:23:52,706
Do you know what kids do
at college?
498
00:23:52,789 --> 00:23:56,123
They drink. They fuck.
They mull over a sex change.
499
00:23:56,206 --> 00:23:57,248
I'm not going.
500
00:23:57,331 --> 00:23:58,831
All right, you're going
to college.
501
00:23:58,914 --> 00:24:00,331
- I'm not going to college.
- Whoa, whoa, whoa.
502
00:24:00,415 --> 00:24:01,747
If you wanna go, you know,
you should go.
503
00:24:01,831 --> 00:24:03,206
You should go to college.
504
00:24:03,289 --> 00:24:04,706
Hey, no, I know how to make
any situation about me.
505
00:24:04,789 --> 00:24:06,289
This is not that.
This is about you
506
00:24:06,373 --> 00:24:08,540
- and your future, Abigail.
- NATHAN: Abby.
507
00:24:10,831 --> 00:24:12,956
- ABIGAIL CARLSON: I'm not going.
- I'm so sorry.
508
00:24:15,331 --> 00:24:16,581
Where did she go?
509
00:24:17,123 --> 00:24:18,248
I...
510
00:24:19,581 --> 00:24:21,956
- Did you know about this?
- No, I swear.
511
00:24:22,039 --> 00:24:23,706
You were with her all summer
in Tahoe,
512
00:24:23,789 --> 00:24:25,206
and you knew nothing about this?
513
00:24:25,289 --> 00:24:26,706
- Madeline, I didn't know.
- And what about Bonnie?
514
00:24:26,789 --> 00:24:28,289
Did she know about this
"fuck college" plan?
515
00:24:28,373 --> 00:24:29,956
Bonnie's left the building.
516
00:24:32,415 --> 00:24:33,581
Unbelievable.
517
00:24:33,665 --> 00:24:34,997
You know if she doesn't go
to college,
518
00:24:35,081 --> 00:24:36,872
she won't have a life.
519
00:24:36,956 --> 00:24:39,540
She'll just be serving Big Macs and
French fries, and that'll be her life.
520
00:24:39,623 --> 00:24:41,747
- Is that what you want for her, Nathan?
- Stop, stop. Stop yelling at me.
521
00:24:41,831 --> 00:24:44,498
- Stop yelling at me.
- What? You know you bear some responsibility here, right?
522
00:24:44,581 --> 00:24:45,956
- NATHAN: I do?
- You're her father.
523
00:24:46,039 --> 00:24:47,289
- NATHAN: Oh, okay.
- This is her senior year,
524
00:24:47,373 --> 00:24:48,623
she's on the cusp of her life,
525
00:24:48,706 --> 00:24:50,581
and you let it go all to shit
in Tahoe!
526
00:24:50,665 --> 00:24:52,415
Don't... You just hit me.
You just hit me.
527
00:24:52,498 --> 00:24:53,747
Because you deserve it!
528
00:24:54,831 --> 00:24:56,456
- (WIND RUSTLES)
- (WAVES CRASH)
529
00:25:11,581 --> 00:25:13,831
But honestly, Ed,
if she doesn't go to college,
530
00:25:13,914 --> 00:25:16,831
what's she gonna do?
Go into retail?
531
00:25:18,540 --> 00:25:20,206
Oh, let me call you right back.
532
00:25:21,415 --> 00:25:22,540
Mary Louise?
533
00:25:22,623 --> 00:25:25,039
- Hey, Maddie.
- Oh, Madeline. Hello.
534
00:25:25,123 --> 00:25:26,665
What's going on?
535
00:25:26,747 --> 00:25:29,914
Well, I thought I might look
for a small flat here in town,
536
00:25:29,997 --> 00:25:31,997
so that I could help out
with the boys
537
00:25:32,081 --> 00:25:34,164
but not quite be so underfoot.
538
00:25:34,248 --> 00:25:35,415
(CLEARS THROAT)
539
00:25:35,498 --> 00:25:37,081
- MADELINE: Oh, I see.
- Do you work here?
540
00:25:37,164 --> 00:25:38,747
- Yes.
- Do you handle rentals?
541
00:25:38,831 --> 00:25:41,206
I do, actually.
Oren and I both do, yes.
542
00:25:42,081 --> 00:25:43,540
I see you're wearing heels.
543
00:25:45,831 --> 00:25:47,456
Yes.
544
00:25:47,540 --> 00:25:50,498
Um, Oren, do you mind if I just
have a minute with Mrs. Wright?
545
00:25:50,581 --> 00:25:53,415
Of course not.
You're in wonderful hands.
546
00:25:53,498 --> 00:25:55,789
MADELINE: Thank you.
547
00:25:55,872 --> 00:25:58,498
Mary Louise, I realize
that you're still grieving,
548
00:25:58,581 --> 00:25:59,747
and that you've been through
549
00:25:59,831 --> 00:26:01,665
a tremendous amount
of heartbreak,
550
00:26:01,747 --> 00:26:04,206
but I don't care for the way
you spoke to me before.
551
00:26:04,289 --> 00:26:06,248
It was rude,
and I didn't deserve it.
552
00:26:06,331 --> 00:26:10,498
No, you didn't. Um, I apologize.
553
00:26:11,540 --> 00:26:13,081
Well, thank you.
554
00:26:13,164 --> 00:26:14,956
MARY LOUISE: The truth is,
it had nothing to do with you.
555
00:26:15,039 --> 00:26:17,789
When I was in boarding school,
I had... I had a best friend,
556
00:26:17,872 --> 00:26:19,581
or so I thought,
557
00:26:19,665 --> 00:26:22,164
who revealed herself
to be quite treacherous,
558
00:26:22,248 --> 00:26:26,498
and, uh, caused me
a lot of pain.
559
00:26:26,581 --> 00:26:29,623
So... she was just
an itty-bitty little thing
560
00:26:29,706 --> 00:26:33,081
with a big, bubbly personality
that, um...
561
00:26:33,164 --> 00:26:35,623
was designed to hide...
562
00:26:35,706 --> 00:26:37,540
that she was utterly vapid
inside.
563
00:26:37,623 --> 00:26:39,373
You remind me so much of her
564
00:26:39,456 --> 00:26:41,164
that I suppose I punish you
for that.
565
00:26:41,248 --> 00:26:43,123
That's wrong of me,
and I apologize.
566
00:26:46,872 --> 00:26:50,164
- Oren.
- OREN: Yes. Sorry.
567
00:26:50,248 --> 00:26:52,831
I'm sure Oren will address
all of your concerns.
568
00:26:52,914 --> 00:26:54,373
MARY LOUISE: Okay.
569
00:26:54,456 --> 00:26:56,956
- Where did we leave it?
- (CHUCKLES)
570
00:26:57,039 --> 00:27:00,289
♪ ("MYSTERY OF LOVE"
BY SUFJAN STEVENS PLAYS) ♪
571
00:27:10,540 --> 00:27:14,665
♪ Oh, to see without my eyes ♪
572
00:27:14,747 --> 00:27:19,039
♪ The first time
That you kissed me ♪
573
00:27:19,123 --> 00:27:22,456
♪ Boundless by the time
I cried ♪
574
00:27:23,872 --> 00:27:27,956
♪ I built your walls around me
575
00:27:28,039 --> 00:27:31,248
♪ White noise
What an awful sound ♪
576
00:27:32,789 --> 00:27:36,997
♪ Fumbling by Rogue River ♪
577
00:27:37,081 --> 00:27:40,415
♪ Feel my feet
Above the ground ♪
578
00:27:41,623 --> 00:27:45,789
♪ Hand of God deliver me ♪
579
00:27:45,872 --> 00:27:48,456
- ♪ (MUSIC CONTINUES THROUGH EARBUDS) ♪
- Oh!
580
00:27:50,289 --> 00:27:51,997
♪ (MUSIC ENDS) ♪
581
00:27:52,081 --> 00:27:54,498
(CHUCKLES) That probably
looked weird.
582
00:27:54,581 --> 00:27:55,706
Yeah.
583
00:27:55,789 --> 00:27:57,123
(BOTH LAUGH)
584
00:27:58,540 --> 00:28:00,039
Are you on the spectrum?
585
00:28:00,123 --> 00:28:02,665
- (BOTH CHUCKLE)
- Are you?
586
00:28:03,206 --> 00:28:05,164
Um, I'm...
587
00:28:06,331 --> 00:28:09,081
- Yeah, most likely.
- (BOTH CHUCKLE)
588
00:28:09,164 --> 00:28:11,747
- Well, I don't think I am, but...
- A little advice,
589
00:28:11,831 --> 00:28:13,997
you probably don't wanna act
weird and shit in public.
590
00:28:14,081 --> 00:28:16,706
We do a lot of kids' events at the
aquarium, and parents have a thing
591
00:28:16,789 --> 00:28:18,623
about entrusting their kids
to psychos.
592
00:28:19,415 --> 00:28:21,123
(CHUCKLES)
593
00:28:21,206 --> 00:28:23,164
Noted. Got it. Thank you.
594
00:28:23,248 --> 00:28:24,623
The way people talk
in this town,
595
00:28:24,706 --> 00:28:26,581
I don't need to tell you.
596
00:28:26,665 --> 00:28:28,997
You don't need to tell me?
What does that mean?
597
00:28:30,997 --> 00:28:32,872
You're one of
the Monterey Five, right?
598
00:28:34,373 --> 00:28:35,456
Monterey Five?
599
00:28:35,540 --> 00:28:37,164
You were there
the night the guy fell.
600
00:28:37,248 --> 00:28:39,289
Wh... Where did you here that?
601
00:28:39,373 --> 00:28:41,706
Someone at work.
I'll see you around.
602
00:28:42,373 --> 00:28:43,415
Yeah.
603
00:28:44,706 --> 00:28:46,789
JANE: It was just the way he said it.
604
00:28:46,872 --> 00:28:48,997
RENATA: How exactly was that?
605
00:28:49,081 --> 00:28:51,164
Like we all have scarlet letters
on our backs.
606
00:28:51,248 --> 00:28:53,164
- Oh, please.
- We're kidding ourselves
607
00:28:53,248 --> 00:28:54,831
if we think people
have stopped talking.
608
00:28:54,914 --> 00:28:56,289
Yeah, but people talk. It's...
609
00:28:56,373 --> 00:28:58,498
I think we're all being
a little bit paranoid, you guys.
610
00:28:58,581 --> 00:28:59,747
I think people have moved on,
611
00:28:59,831 --> 00:29:01,373
and the police
definitely moved on.
612
00:29:01,456 --> 00:29:03,123
- Well, we don't know for sure.
- Yeah...
613
00:29:03,206 --> 00:29:06,164
No, I talked to Susie Burke.
Do you know Susie from IBM?
614
00:29:06,248 --> 00:29:07,456
Yeah.
615
00:29:07,540 --> 00:29:09,123
She's a good friend
of Detective Quinlan.
616
00:29:09,206 --> 00:29:10,498
- Oh.
- I mean,
617
00:29:10,581 --> 00:29:13,415
like, really good friend.
Gossip for another day,
618
00:29:13,498 --> 00:29:16,914
but she told me that she heard
Quinlan say, like,
619
00:29:16,997 --> 00:29:21,373
the case isn't "closed" closed,
but they've got nothing.
620
00:29:21,456 --> 00:29:23,373
- Mm-hmm.
- CELESTE: Good.
621
00:29:24,914 --> 00:29:25,956
Good.
622
00:29:26,914 --> 00:29:28,456
- We're good.
- Okay.
623
00:29:28,540 --> 00:29:29,872
CELESTE: Yeah, good.
624
00:29:32,914 --> 00:29:34,248
(BELL RINGS)
625
00:29:42,331 --> 00:29:43,498
MADELINE: Where were you?
626
00:29:43,581 --> 00:29:45,081
We were waiting
for you at the beach.
627
00:29:45,164 --> 00:29:47,581
Oh, yeah. Something came up.
628
00:29:48,415 --> 00:29:49,540
MADELINE: Yeah?
629
00:29:52,789 --> 00:29:53,831
What?
630
00:29:55,331 --> 00:29:56,456
Are you all right?
631
00:29:58,123 --> 00:30:01,164
- Do you care?
- Do I care?
632
00:30:01,248 --> 00:30:02,456
What's going on?
633
00:30:07,373 --> 00:30:08,456
I killed someone.
634
00:30:09,415 --> 00:30:10,956
- Remember?
- Yes.
635
00:30:11,039 --> 00:30:12,373
It's heavy.
636
00:30:12,456 --> 00:30:16,123
Are you... I mean, are you angry
at me for some reason?
637
00:30:20,289 --> 00:30:21,747
I'm angry with myself.
638
00:30:23,123 --> 00:30:25,623
If I had just told the truth,
I would have gotten off,
639
00:30:25,706 --> 00:30:27,039
but you said he slipped,
640
00:30:27,123 --> 00:30:28,831
and everyone else
joined in the fucking chorus.
641
00:30:28,914 --> 00:30:31,623
- That was to protect you.
- Yeah, thanks a lot.
642
00:30:34,331 --> 00:30:36,331
You know, I can't talk
to my husband.
643
00:30:38,373 --> 00:30:39,456
Or my kid.
644
00:30:41,706 --> 00:30:43,331
I have to just swallow it all.
645
00:30:44,789 --> 00:30:46,039
You can talk to us.
646
00:30:47,123 --> 00:30:48,997
We're here for you. All of us.
647
00:30:51,498 --> 00:30:54,415
Well, it hasn't really felt
like that.
648
00:30:54,498 --> 00:30:56,456
Well, I'm sorry,
but you've been in Tahoe.
649
00:30:56,540 --> 00:30:58,914
It's not like
you can put that shit on Gmail.
650
00:30:58,997 --> 00:31:01,164
- Like, what am I supposed to...
- NATHAN: Hey.
651
00:31:02,581 --> 00:31:04,164
Hey. Bye, Maddie.
652
00:31:10,665 --> 00:31:11,914
Little Miss Sunshine, right?
653
00:31:11,997 --> 00:31:13,706
MADELINE:
Listen, I'm sorry I pushed you.
654
00:31:13,789 --> 00:31:15,289
There you go, I said it.
655
00:31:15,373 --> 00:31:18,872
(SIGHS) Okay, um, I need to talk
to Abby. Is she here?
656
00:31:20,081 --> 00:31:21,331
NATHAN: Abby!
657
00:31:21,415 --> 00:31:23,164
♪ ("THE RIP"
BY PORTISHEAD PLAYS) ♪
658
00:31:23,248 --> 00:31:25,164
♪ As she walks in the room ♪
659
00:31:25,248 --> 00:31:27,581
♪ Scented and tall ♪
660
00:31:28,706 --> 00:31:33,706
♪ Hesitating once more ♪
661
00:31:33,789 --> 00:31:36,039
- ♪ And as I take... ♪
- ♪ (MUSIC ENDS) ♪
662
00:31:38,081 --> 00:31:41,706
So... what was that all about?
663
00:31:41,789 --> 00:31:46,206
I just don't think college
is for everyone, that's all.
664
00:31:46,289 --> 00:31:47,415
MADELINE: Okay.
665
00:31:48,540 --> 00:31:50,331
So why is not for you?
666
00:31:50,914 --> 00:31:52,498
Well...
667
00:31:52,581 --> 00:31:56,373
Starting with the cost.
It's really expensive.
668
00:31:56,456 --> 00:31:58,373
So, I'm assuming
that if you're gonna abandon
669
00:31:58,456 --> 00:32:00,373
that plan to go to college,
you have another plan...
670
00:32:00,456 --> 00:32:01,540
I do.
671
00:32:03,747 --> 00:32:04,872
What is it?
672
00:32:06,248 --> 00:32:08,997
- It's to work for a startup.
- Oh, my God.
673
00:32:09,081 --> 00:32:10,706
Specifically, one that builds
674
00:32:10,789 --> 00:32:12,997
for-profit housing
for the homeless.
675
00:32:13,081 --> 00:32:14,498
- Excuse me?
- ABIGAIL: Yeah.
676
00:32:14,581 --> 00:32:18,289
And unlike, you know,
the privatized shams
677
00:32:18,373 --> 00:32:20,164
like banks
and credit card companies,
678
00:32:20,248 --> 00:32:23,373
ours will make money
while actually helping people.
679
00:32:23,456 --> 00:32:24,789
This is something real?
680
00:32:24,872 --> 00:32:27,914
I've been offered a position
to start in June.
681
00:32:27,997 --> 00:32:30,206
- You cannot be serious.
- I'm gonna take it.
682
00:32:30,289 --> 00:32:31,789
You cannot mortgage your future
683
00:32:31,872 --> 00:32:33,997
over some sort of
short-term plan.
684
00:32:34,081 --> 00:32:35,872
ABIGAIL: I'm not doing that!
685
00:32:35,956 --> 00:32:37,456
Well, then, what are you doing?
686
00:32:37,540 --> 00:32:40,164
There are four million
homeless people in America,
687
00:32:40,248 --> 00:32:42,206
the average age
being nine years old,
688
00:32:42,289 --> 00:32:44,206
- and I...
- I don't give a fuck!
689
00:32:44,289 --> 00:32:46,789
I don't care
about fucking homeless people.
690
00:32:48,123 --> 00:32:49,039
What?
691
00:32:49,123 --> 00:32:50,373
That is not what I meant.
692
00:32:50,456 --> 00:32:52,164
I do care about homeless people.
693
00:32:52,248 --> 00:32:55,206
I just think you can give money
to some charity
694
00:32:55,289 --> 00:32:56,956
while you actually
attend college.
695
00:32:57,039 --> 00:32:59,747
- I'm not going to college.
- Yes, you are.
696
00:32:59,831 --> 00:33:01,164
Give me
one good reason what I should...
697
00:33:01,248 --> 00:33:02,415
It's non-negotiable.
698
00:33:02,498 --> 00:33:04,415
You are going to college
because I said so,
699
00:33:04,498 --> 00:33:06,289
and because you're not thinking
straight...
700
00:33:06,373 --> 00:33:07,540
Because you said so?
701
00:33:07,623 --> 00:33:09,039
- Yes, because I said so.
- What do you know?
702
00:33:09,123 --> 00:33:10,498
You didn't go to college.
703
00:33:10,581 --> 00:33:12,789
That's exactly why you're going.
704
00:33:13,623 --> 00:33:15,039
Exactly.
705
00:33:15,123 --> 00:33:16,956
Because you will have no life!
706
00:33:20,331 --> 00:33:21,373
(DOOR SLAMS)
707
00:33:22,164 --> 00:33:23,164
(SIGHS)
708
00:33:27,997 --> 00:33:31,206
♪ ("THE FADE OUT LINE" BY PHOEBE
KILLDEER AND THE SHORT STRAWS PLAYS) ♪
709
00:33:32,540 --> 00:33:34,248
Can't you just tell her
it's time to go?
710
00:33:34,331 --> 00:33:37,498
CELESTE: The boys love her.
I mean, they love her.
711
00:33:37,581 --> 00:33:41,498
And she's... she's a big help,
she really is.
712
00:33:43,540 --> 00:33:46,415
So what's up? I'm guessing
you don't need my help
713
00:33:46,498 --> 00:33:48,289
on how to handle
a mother-in-law.
714
00:33:49,872 --> 00:33:52,997
Why are you
not cashing the checks?
715
00:33:53,081 --> 00:33:54,581
JANE: (SIGHS) I don't know.
716
00:33:54,665 --> 00:33:56,081
CELESTE: Come on, Jane. Why?
717
00:33:56,164 --> 00:33:59,373
It's rape money.
You know I can't do that.
718
00:34:01,789 --> 00:34:03,498
Ziggy's entitled to it.
719
00:34:04,415 --> 00:34:06,164
He's part of Perry's estate.
720
00:34:07,623 --> 00:34:10,248
Do you ever hate me?
Just a little bit.
721
00:34:13,540 --> 00:34:15,248
How could I hate you?
722
00:34:15,331 --> 00:34:17,831
Because I slept
with your husband.
723
00:34:17,914 --> 00:34:21,289
I mean, I didn't...
You know what I mean.
724
00:34:21,373 --> 00:34:22,831
He raped you.
725
00:34:22,914 --> 00:34:24,789
But I knew he was married.
I mean, I didn't know
726
00:34:24,872 --> 00:34:28,206
he was married to you,
but... somebody.
727
00:34:28,289 --> 00:34:31,081
No.
I don't blame you for anything.
728
00:34:32,789 --> 00:34:35,331
JANE: I think I would
if I were in your shoes.
729
00:34:36,623 --> 00:34:38,289
Celeste, for a man
to commit adultery,
730
00:34:38,373 --> 00:34:39,956
he... there... there
has to be another woman,
731
00:34:40,039 --> 00:34:42,956
and, you know what, more times
than not, she's complicit.
732
00:34:43,039 --> 00:34:46,581
I was complicit.
Not in the end, but...
733
00:34:46,665 --> 00:34:48,206
definitely in the beginning.
734
00:34:56,789 --> 00:34:58,373
Are you glad that he's dead?
735
00:35:01,956 --> 00:35:03,415
CELESTE: It's complicated.
736
00:35:05,581 --> 00:35:06,831
(SIGHS)
737
00:35:06,914 --> 00:35:09,081
(GATE BUZZES)
738
00:35:25,331 --> 00:35:28,081
♪ ("HARVEST MOON"
BY CASSANDRA WILSON PLAYS) ♪
739
00:35:44,123 --> 00:35:46,789
♪ Come a little bit closer ♪
740
00:35:48,623 --> 00:35:51,289
♪ Hear what I have to say ♪
741
00:36:00,248 --> 00:36:03,456
♪ Just like children sleeping ♪
742
00:36:04,997 --> 00:36:09,747
♪ We could dream
This night away ♪
743
00:36:09,831 --> 00:36:14,123
♪ (MUSIC CONTINUES
IN BACKGROUND)
744
00:36:14,206 --> 00:36:17,498
♪ (JOSH PLAYS
DISCORDANT NOTES) ♪
745
00:36:17,581 --> 00:36:20,623
♪ But there's a full moon
Rising ♪
746
00:36:22,248 --> 00:36:26,164
♪ Let's go dancing
In the light... ♪
747
00:36:31,581 --> 00:36:33,123
MARY LOUISE: Come on, everybody.
748
00:36:33,872 --> 00:36:34,997
Put it away, Max.
749
00:36:36,248 --> 00:36:37,331
Come.
750
00:36:40,248 --> 00:36:43,997
This looks so delicious.
Thank you, Mary Louise.
751
00:36:44,081 --> 00:36:46,456
MAX: I thought we were having KFC.
752
00:36:46,540 --> 00:36:50,206
Well, one cannot survive
on fast food every night.
753
00:36:50,289 --> 00:36:52,123
(CHUCKLING)
We don't have it every night.
754
00:36:52,206 --> 00:36:53,540
MARY LOUISE: You know that they...
755
00:36:53,623 --> 00:36:56,623
They ban these
insidious fast food institutions
756
00:36:56,706 --> 00:36:58,956
from some parts
of San Francisco.
757
00:36:59,039 --> 00:37:02,747
Do you remember when we walked
across the Golden Gate Bridge?
758
00:37:02,831 --> 00:37:04,123
It's red.
759
00:37:04,206 --> 00:37:06,248
(CHUCKLES)
You're right, it is red.
760
00:37:06,331 --> 00:37:07,623
(LAUGHS)
761
00:37:07,706 --> 00:37:09,747
Oh, and Dad said he was going
to swim to Alcatraz.
762
00:37:09,831 --> 00:37:11,248
(LAUGHS) Oh, yeah.
763
00:37:11,331 --> 00:37:13,831
Sharks would have
eaten him, stupid.
764
00:37:13,914 --> 00:37:15,665
No, they wouldn't, idiot.
765
00:37:15,747 --> 00:37:16,956
(SCOFFS)
766
00:37:17,039 --> 00:37:18,373
- CELESTE: Hey! Hey!
- Ow!
767
00:37:18,456 --> 00:37:21,289
You could hurt him!
What's wrong with you?
768
00:37:21,373 --> 00:37:22,872
I barely touched him.
769
00:37:22,956 --> 00:37:27,373
You stuck him with a fork, Josh.
That is unacceptable.
770
00:37:27,456 --> 00:37:29,164
For God's sake.
771
00:37:29,248 --> 00:37:31,581
♪ (MUSIC CONTINUES QUIETLY) ♪
772
00:37:33,997 --> 00:37:35,081
I miss Dad.
773
00:37:37,123 --> 00:37:40,081
I know, baby. I know you do.
774
00:37:42,415 --> 00:37:44,289
We all do.
775
00:37:44,373 --> 00:37:46,706
We've still got some recovery
ahead of us.
776
00:37:46,789 --> 00:37:50,415
Well, they're grieving, Celeste.
777
00:37:50,498 --> 00:37:53,956
Their father's death is not...
(CLEARS THROAT)
778
00:37:54,039 --> 00:37:57,039
something to be recovered
from like a cold.
779
00:37:57,123 --> 00:38:00,498
You know, your daddy
was the most amazing man,
780
00:38:00,581 --> 00:38:03,456
and you were so lucky
to have him.
781
00:38:03,540 --> 00:38:07,956
And it's very unfair and wrong
that he died.
782
00:38:08,039 --> 00:38:11,540
And you still feel angry
about it, don't you?
783
00:38:11,623 --> 00:38:15,248
I mean, you feel angry that
the other kids have their dads.
784
00:38:15,331 --> 00:38:17,123
You don't.
785
00:38:17,206 --> 00:38:20,081
You know, the other day,
I was with some friends,
786
00:38:20,164 --> 00:38:24,623
and, um, their sons
were not a patch on your dad.
787
00:38:24,706 --> 00:38:26,289
(LAUGHS) Not a patch.
788
00:38:27,831 --> 00:38:31,081
Just... I felt so angry.
(YELLING) Angry!
789
00:38:31,164 --> 00:38:34,415
(QUIETLY) You know,
that their mediocre,
790
00:38:34,498 --> 00:38:36,872
spindly, pudgy, balding,
791
00:38:36,956 --> 00:38:39,914
middle-management sons...
Still alive...
792
00:38:39,997 --> 00:38:43,831
And my Perry...
(WHISPERING) My Perry...
793
00:38:43,914 --> 00:38:46,997
I just... felt just...
I wanted to scream.
794
00:38:48,540 --> 00:38:49,706
So you know what I did?
795
00:38:49,789 --> 00:38:51,581
- MAX: What?
- I did scream.
796
00:38:53,581 --> 00:38:55,081
Wanna hear?
797
00:38:55,164 --> 00:38:56,831
MARY LOUISE: (CHUCKLES) Okay.
798
00:39:01,206 --> 00:39:03,415
(SCREAMS)
799
00:39:03,498 --> 00:39:05,498
Oh!
800
00:39:05,581 --> 00:39:08,456
Oh! Mary Louise! Mary Louise!
Mary Louise, please.
801
00:39:08,540 --> 00:39:11,039
What, my grief is too loud
for you?
802
00:39:11,123 --> 00:39:13,123
- Oh, Celeste.
- Just... Just... The boys!
803
00:39:13,206 --> 00:39:14,997
MARY LOUISE:
I should be more discrete.
804
00:39:15,081 --> 00:39:16,331
We should scream.
805
00:39:16,415 --> 00:39:19,373
We should scream
and beat our breasts
806
00:39:19,456 --> 00:39:22,831
and... and tear our hair.
Don't you feel angry?
807
00:39:24,665 --> 00:39:25,706
N...
808
00:39:25,789 --> 00:39:27,123
MARY LOUISE: You don't?
809
00:39:34,831 --> 00:39:35,914
I'm sorry.
810
00:39:37,540 --> 00:39:39,039
(SIGHS)
811
00:39:39,123 --> 00:39:43,581
(SOBS) I feel so, so alone.
(CLEARS THROAT)
812
00:39:48,665 --> 00:39:51,206
♪ ("ALL APOLOGIES" COVER VERSION
BY SINÉAD O'CONNOR PLAYS) ♪
813
00:39:51,289 --> 00:39:55,997
♪ In the sun
I feel as one ♪
814
00:39:56,081 --> 00:39:58,415
♪ In the sun ♪
815
00:39:58,498 --> 00:40:00,331
♪ In the sun ♪
816
00:40:01,914 --> 00:40:04,289
♪ I'm married ♪
817
00:40:04,373 --> 00:40:06,248
♪ Married ♪
818
00:40:06,997 --> 00:40:08,831
♪ Buried ♪
819
00:40:30,498 --> 00:40:32,914
(DISTANT WALKIE-TALKIE CHATTER)
820
00:40:38,039 --> 00:40:40,289
We were like animals.
We... We had to save her.
821
00:40:40,373 --> 00:40:43,665
We... It was like every instinct
inside of me
822
00:40:43,747 --> 00:40:45,331
told me that she was...
823
00:40:45,415 --> 00:40:48,747
He was gonna kill her
if we didn't help her.
824
00:40:48,831 --> 00:40:50,706
And, um...
825
00:40:50,789 --> 00:40:55,164
I thought he was gonna crush
her or kick her ribs in or...
826
00:40:55,248 --> 00:40:56,872
I didn't know
what he was gonna do.
827
00:40:56,956 --> 00:41:02,081
And then, he... Renata or... me,
we grabbed him, and then, um...
828
00:41:02,164 --> 00:41:04,081
then he grabbed Jane
by the neck.
829
00:41:06,039 --> 00:41:07,123
Yeah, um....
830
00:41:10,456 --> 00:41:12,039
(SNIFFS, SIGHS)
831
00:41:12,123 --> 00:41:13,289
I'm sorry.
832
00:41:15,289 --> 00:41:16,331
(SIGHS)
833
00:41:27,956 --> 00:41:29,081
In your own time...
834
00:41:30,997 --> 00:41:32,123
take a good look.
835
00:41:37,248 --> 00:41:39,123
♪ (SINISTER MUSIC PLAYS) ♪
836
00:41:42,831 --> 00:41:44,081
(YELLS) No!
837
00:41:44,164 --> 00:41:45,956
Fucking kill you!
838
00:41:46,498 --> 00:41:48,123
No!
839
00:41:48,206 --> 00:41:50,123
- (PANTING)
- MARY LOUISE: Are you all right?
840
00:41:50,206 --> 00:41:51,289
Celeste?
841
00:41:52,456 --> 00:41:53,498
You all right?
842
00:41:55,206 --> 00:41:56,331
You all right, dear?
843
00:41:57,789 --> 00:41:59,331
- Yeah.
- Another nightmare?
844
00:42:00,789 --> 00:42:01,831
Yes?
845
00:42:11,039 --> 00:42:12,706
- It's all right.
- (SIGHS)
846
00:42:12,789 --> 00:42:14,248
MARY LOUISE: It's all right.
847
00:42:14,331 --> 00:42:17,289
- CELESTE: I'm sorry.
- It's all right.
848
00:42:20,872 --> 00:42:21,997
So...
849
00:42:23,331 --> 00:42:25,289
who are we planning to kill?
850
00:42:25,373 --> 00:42:29,206
♪ ("THE FADE OUT LINE" BY PHOEBE
KILLDEER AND THE SHORT STRAWS PLAYS) ♪
851
00:42:35,540 --> 00:42:37,498
♪ It's everywhere I look ♪
852
00:42:37,581 --> 00:42:40,081
♪ From Las Vegas to right here
853
00:42:40,164 --> 00:42:44,498
♪ Under your dresser
Right by your ear ♪
854
00:42:44,581 --> 00:42:49,081
♪ It's creeping in sweetly
It's definitely here ♪
855
00:42:49,164 --> 00:42:53,831
♪ There's nothing more deadly
Than slow growing fear ♪
856
00:42:53,914 --> 00:42:58,373
♪ Life was full and fruitful an
You could a take a real bite ♪
857
00:42:58,456 --> 00:43:00,789
♪ The juice pouring
Well over you ♪
858
00:43:00,872 --> 00:43:02,956
♪ Skin's delight ♪
859
00:43:03,039 --> 00:43:07,415
♪ But the shadow it grows
And takes the depth away ♪
860
00:43:07,498 --> 00:43:11,997
♪ Leaving broken down pieces
To this priceless ballet ♪
861
00:43:12,081 --> 00:43:16,747
♪ The shallower it grows
The shallower it grows ♪
862
00:43:16,831 --> 00:43:21,164
♪ The fainter we go
Into the fade out line ♪
863
00:43:21,248 --> 00:43:25,872
♪ The shallower it grows
The shallower it grows ♪
864
00:43:25,956 --> 00:43:30,498
♪ The fainter we go
Into the fade out line ♪
865
00:43:30,581 --> 00:43:32,456
♪ Did we build
All those bridges ♪
866
00:43:32,540 --> 00:43:35,081
♪ To watch them thin down
To dust? ♪
867
00:43:35,164 --> 00:43:39,789
♪ Or blow them voluntarily
Out of constant trust ♪
868
00:43:39,872 --> 00:43:44,248
♪ The clock is ticking
Its last couple of tocks ♪
869
00:43:44,331 --> 00:43:48,831
♪ And there won't be a party
With weathering frocks ♪
870
00:43:48,914 --> 00:43:53,540
♪ The shallower it grows
The shallower it grows ♪
871
00:43:53,623 --> 00:43:58,039
♪ The fainter we go
Into the fade out line ♪
872
00:43:58,123 --> 00:44:02,706
♪ The shallower it grows
The shallower it grows ♪
873
00:44:02,789 --> 00:44:07,373
♪ The fainter we go
Into the fade out line ♪
874
00:44:07,456 --> 00:44:09,581
♪ Heading deep down ♪
875
00:44:09,665 --> 00:44:12,914
♪ We're sliding
Without noticing ♪
876
00:44:12,997 --> 00:44:14,623
♪ Our own decline ♪
877
00:44:17,123 --> 00:44:18,789
♪ Heading deep down ♪
878
00:44:18,872 --> 00:44:23,789
♪ We're hanging onto
Sweet nothings left behind ♪
879
00:44:28,665 --> 00:44:30,831
♪ Deeper down ♪
880
00:44:32,872 --> 00:44:35,206
♪ We're all going down ♪
881
00:44:37,206 --> 00:44:40,206
♪ Down, deeper down, yeah ♪
882
00:44:44,248 --> 00:44:48,123
♪ We are all plunging straight
Towards our own decline ♪
883
00:44:48,206 --> 00:44:52,747
♪ Without noticing we slide dow
Deeper down ♪
884
00:44:52,831 --> 00:44:57,206
♪ The shadow grows
Without ever slowing down ♪
885
00:44:57,289 --> 00:45:02,415
♪ We are heading straight
Into the fade out line ♪
886
00:45:02,498 --> 00:45:07,248
♪ The shallower it grows
The shallower it grows ♪
887
00:45:07,331 --> 00:45:11,706
♪ The fainter we go
Into the fade out line ♪
888
00:45:11,789 --> 00:45:16,289
♪ The shallower it grows
The shallower it grows ♪
889
00:45:16,373 --> 00:45:20,872
♪ The fainter we go
Into the fade out line ♪
890
00:45:20,956 --> 00:45:25,498
♪ The shallower it grows
The shallower it grows ♪
891
00:45:25,581 --> 00:45:30,123
♪ The fainter we go
Into the fade out line ♪
892
00:45:30,206 --> 00:45:34,789
♪ The shallower it grows
The shallower it grows ♪
893
00:45:34,872 --> 00:45:39,373
♪ The fainter we go
Into the fade out line ♪
894
00:45:39,456 --> 00:45:43,956
♪ The shallower it grows
The shallower it grows ♪
895
00:45:44,039 --> 00:45:48,164
♪ The fainter we go
Into the fade out line... ♪
895
00:45:49,305 --> 00:45:55,942
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