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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,440 --> 00:00:18,439 Previously on... Talamasca. 2 00:00:18,440 --> 00:00:20,120 We're interested in the supernatural. 3 00:00:20,240 --> 00:00:21,599 I don't believe in witches, vampires. 4 00:00:21,600 --> 00:00:22,639 Nobody does. 5 00:00:22,640 --> 00:00:23,639 Until they meet one. 6 00:00:23,640 --> 00:00:24,920 Why me? 7 00:00:25,040 --> 00:00:26,839 You hear things others cannot. 8 00:00:26,840 --> 00:00:29,239 Anna Leamas. She was my mother. 9 00:00:29,240 --> 00:00:30,680 She's alive. 10 00:00:30,800 --> 00:00:32,439 They're using you, kid. 11 00:00:33,840 --> 00:00:35,439 Tell me exactly what they've done for me. 12 00:00:35,440 --> 00:00:36,639 Everything. 13 00:00:36,640 --> 00:00:37,799 We have a specific need 14 00:00:37,800 --> 00:00:39,239 in London at present. 15 00:00:39,240 --> 00:00:40,680 You're gonna get that poor boy killed. 16 00:00:45,920 --> 00:00:48,119 Please be advised... 17 00:00:48,120 --> 00:00:49,199 Come and have a look at this. 18 00:00:49,200 --> 00:00:50,799 What do you think? 19 00:00:50,800 --> 00:00:52,199 Criminalist #2: Yeah, we'll need to bag that. 20 00:00:52,200 --> 00:00:53,960 Yeah, I'll take care of that. 21 00:00:55,040 --> 00:00:56,679 Got a finger. 22 00:00:56,680 --> 00:00:59,079 Least a nick of one. 23 00:00:59,080 --> 00:01:00,800 Might be a fingerprint. 24 00:01:02,520 --> 00:01:05,759 Jesus. She threw herself into a bloody blender. 25 00:01:05,760 --> 00:01:07,559 You don't see a lot of that. 26 00:01:07,560 --> 00:01:10,759 Women do not sully their looks when they top themselves. 27 00:01:10,760 --> 00:01:13,759 It's like, it's either wrist or pills now. 28 00:01:13,760 --> 00:01:16,559 Why is what's left of her all chewed up? 29 00:01:16,560 --> 00:01:18,399 Stray dogs more than likely. 30 00:01:18,400 --> 00:01:21,199 Well, they certainly had their fill. 31 00:01:21,200 --> 00:01:23,479 Pocketbook. 32 00:01:23,480 --> 00:01:24,919 Any ID? 33 00:01:26,880 --> 00:01:30,039 Soledad Marcel. Lives in Wandsworth. 34 00:01:30,040 --> 00:01:31,439 Lived. 35 00:01:31,440 --> 00:01:33,119 Gimme. 36 00:01:33,120 --> 00:01:34,639 I found this as well. 37 00:01:41,080 --> 00:01:42,279 What's that? 38 00:01:42,280 --> 00:01:44,799 Silly Putty. 39 00:01:44,800 --> 00:01:46,039 Kids play with it. 40 00:01:51,080 --> 00:01:52,639 - Appreciate it. - On it. 41 00:01:52,640 --> 00:01:55,999 I got multiple numbers not matching up. 42 00:01:56,000 --> 00:01:58,039 There's a new algorithm I'd like to show you. 43 00:01:59,440 --> 00:02:01,319 TV Reporter: ...guys in the vicinity... 44 00:02:12,400 --> 00:02:14,799 Mr. Owen. 45 00:02:14,800 --> 00:02:16,479 Thank you. 46 00:02:29,080 --> 00:02:36,439 ♪ Ooh, baby, baby, baby ♪ 47 00:02:36,440 --> 00:02:38,639 ♪ Why you gonna treat me this way? ♪ 48 00:02:38,640 --> 00:02:40,839 ♪ You know I'm still your loverboy ♪ 49 00:02:40,840 --> 00:02:42,719 ♪ I still feel the same way ♪ 50 00:02:44,720 --> 00:02:48,199 Intel on the Soledad Marcel police investigation. 51 00:02:48,200 --> 00:02:50,160 It appears we have nothing to worry about. 52 00:02:52,080 --> 00:02:54,559 Until she sends a replacement. 53 00:02:54,560 --> 00:02:56,160 And she will. 54 00:03:00,320 --> 00:03:01,999 ♪ ...a story 'bout free milk and a cow ♪ 55 00:03:02,000 --> 00:03:03,879 ♪ And said, "No huggee, no kissee" ♪ 56 00:03:03,880 --> 00:03:06,559 ♪ "Until I get a wedding vow" ♪ 57 00:03:06,560 --> 00:03:10,079 ♪ My honey, my baby, don't put my love upon no shelf ♪ 58 00:03:10,080 --> 00:03:12,239 ♪ She said, "Don't hand me no lines" ♪ 59 00:03:12,240 --> 00:03:15,239 ♪ "And keep your hands to yourself ♪ 60 00:03:51,600 --> 00:03:55,199 I have conditions. You never lie to me. 61 00:03:55,200 --> 00:03:57,479 No "above your pay grade, 62 00:03:57,480 --> 00:03:59,479 further down the road, all will be revealed." 63 00:03:59,480 --> 00:04:03,079 No, bullshit. I can walk away at any time. 64 00:04:03,080 --> 00:04:05,439 Something smells funny, and I'm out. 65 00:04:05,440 --> 00:04:07,279 My job at Cavitt is waiting for me 66 00:04:07,280 --> 00:04:08,879 like none of this ever happened. 67 00:04:08,880 --> 00:04:12,759 And don't... Don't say it's not possible. 68 00:04:12,760 --> 00:04:14,439 You personally got a Vampire board approved 69 00:04:14,440 --> 00:04:16,199 for a penthouse at The Dakota. 70 00:04:16,200 --> 00:04:19,360 So basically everything's possible. 71 00:04:23,960 --> 00:04:25,759 Anything else? 72 00:04:25,760 --> 00:04:27,240 Oh, I'll let you know. 73 00:04:28,920 --> 00:04:33,079 We'll need to create a cover. A legend. 74 00:04:33,080 --> 00:04:35,599 One that includes and explains your status at Cavitt, 75 00:04:35,600 --> 00:04:37,119 as well as your current state of mind. 76 00:04:37,120 --> 00:04:38,639 What are you talking about? 77 00:04:38,640 --> 00:04:40,079 You must be given the appearance 78 00:04:40,080 --> 00:04:42,199 and distinct footprint of a clean break, 79 00:04:42,200 --> 00:04:44,239 as well as an irrational yet believable reason 80 00:04:44,240 --> 00:04:45,959 for your journey. 81 00:04:45,960 --> 00:04:47,519 A sabbatical, Guy? 82 00:04:47,520 --> 00:04:49,839 You take a sabbatical after you're tenured. 83 00:04:49,840 --> 00:04:51,119 Law firms don't have tenure, 84 00:04:51,120 --> 00:04:52,759 and you haven't worked a day yet. 85 00:04:52,760 --> 00:04:55,319 Okay. Maybe more like a gap. 86 00:04:55,320 --> 00:04:57,679 A gap? 87 00:04:57,680 --> 00:05:01,480 Gap week, gap month, gap year? 88 00:05:02,960 --> 00:05:04,959 What's-- What's going on here, Guy? 89 00:05:04,960 --> 00:05:06,479 Second-guessing a career in law? 90 00:05:06,480 --> 00:05:08,679 No, no, no. Trying to find yourself? 91 00:05:08,680 --> 00:05:10,559 No, that's not it. Then what? What is it? 92 00:05:10,560 --> 00:05:11,960 A death. 93 00:05:13,840 --> 00:05:15,679 A death in the family, okay? 94 00:05:15,680 --> 00:05:18,679 A legend that will allow you to take on your assignment quickly. 95 00:05:18,680 --> 00:05:22,839 Not out of preference, but unfortunately, necessity. 96 00:05:22,840 --> 00:05:24,279 Training and preparation 97 00:05:24,280 --> 00:05:26,760 that should take a year will become a week. 98 00:05:28,800 --> 00:05:31,839 And in a week, I'll be doing what? 99 00:05:31,840 --> 00:05:35,199 Using your unique skills to access information. 100 00:05:35,200 --> 00:05:38,120 Our problem in London is getting worse by the day. 101 00:05:39,160 --> 00:05:41,240 What does their outfit have to do with yours? 102 00:05:42,720 --> 00:05:44,239 Ours. 103 00:05:44,240 --> 00:05:45,639 Where to, ma'am? 104 00:05:45,640 --> 00:05:46,960 Kennedy Airport. 105 00:05:48,320 --> 00:05:50,039 The London Mother House has gone rogue. 106 00:05:50,040 --> 00:05:51,279 If they continue on this path, 107 00:05:51,280 --> 00:05:52,599 it could undermine all that we do. 108 00:05:52,600 --> 00:05:54,239 Everyone's aware of it, 109 00:05:54,240 --> 00:05:56,359 but no one will do anything about it except us. 110 00:05:56,360 --> 00:05:57,519 And here I thought you were all 111 00:05:57,520 --> 00:05:59,959 part of the same tight-knit club. 112 00:05:59,960 --> 00:06:03,039 Every club has rules and members who don't follow them. 113 00:06:03,040 --> 00:06:05,399 Who made New York the enforcer? 114 00:06:05,400 --> 00:06:06,960 We did. 115 00:06:08,920 --> 00:06:10,439 You should know there is a degree 116 00:06:10,440 --> 00:06:12,840 of personal peril involved with this enterprise. 117 00:06:14,160 --> 00:06:15,799 Danger, in fact. 118 00:06:18,800 --> 00:06:21,239 Uh, so this is your new laptop. 119 00:06:21,240 --> 00:06:24,759 And that is a 54-character code 120 00:06:24,760 --> 00:06:29,439 you'll memorize to access our New York database using this. 121 00:06:29,440 --> 00:06:31,240 And your codename. 122 00:06:34,080 --> 00:06:35,639 Dark Horse. 123 00:06:35,640 --> 00:06:37,239 Your travel packet will contain 124 00:06:37,240 --> 00:06:38,959 an open-ended ticket to Heathrow 125 00:06:38,960 --> 00:06:42,999 and 20,000 British pounds on various debit cards. 126 00:06:43,000 --> 00:06:46,239 Ticket is coach to better suit your legend. 127 00:06:46,240 --> 00:06:48,479 We've set up a private account for you. 128 00:06:48,480 --> 00:06:50,519 One that I will personally oversee. 129 00:06:50,520 --> 00:06:53,359 One that the larger Talamasca Organization is blind to. 130 00:06:53,360 --> 00:06:54,599 They can know nothing of this mission, 131 00:06:54,600 --> 00:06:56,319 for the good of everyone. 132 00:06:56,320 --> 00:06:58,679 This is your favorite book. Never leaves your side. 133 00:06:58,680 --> 00:07:00,759 That is, until you've used it once, 134 00:07:00,760 --> 00:07:03,519 then you lose it and you carry your new favorite book. 135 00:07:03,520 --> 00:07:05,080 It's a decoder key. 136 00:07:06,440 --> 00:07:09,359 Page number, line number, word number. 137 00:07:09,360 --> 00:07:11,959 Page, line, word. Got it? Come on. Go, go, go. 138 00:07:11,960 --> 00:07:14,639 You got it? Page... Two. 139 00:07:14,640 --> 00:07:17,239 Line... Let's go. Resented. 140 00:07:17,240 --> 00:07:18,679 Word? Word, word, word. Yes. 141 00:07:18,680 --> 00:07:19,919 Yeah. Come. Seldom. 142 00:07:19,920 --> 00:07:21,359 Yes. 143 00:07:21,360 --> 00:07:22,879 When someone asks what I'm doing in London? 144 00:07:22,880 --> 00:07:24,919 Fresh start. 145 00:07:24,920 --> 00:07:26,879 You've had a rough time of it lately. 146 00:07:26,880 --> 00:07:29,479 A cousin of yours helped you to acquire a position 147 00:07:29,480 --> 00:07:32,240 of employment and a work visa. 148 00:07:33,680 --> 00:07:35,759 A cousin? 149 00:07:35,760 --> 00:07:38,199 Who now has a condo in Florida? 150 00:07:38,200 --> 00:07:40,239 I've very much appreciated your sense of humor 151 00:07:40,240 --> 00:07:41,719 through all this. 152 00:07:41,720 --> 00:07:42,999 Let's hope you can keep it up 153 00:07:43,000 --> 00:07:44,640 once you see where you're working. 154 00:08:15,000 --> 00:08:16,999 We've provided you with everything you need to know 155 00:08:17,000 --> 00:08:18,360 at this juncture. 156 00:08:19,480 --> 00:08:22,159 Names, faces of all the key players, 157 00:08:22,160 --> 00:08:24,840 as well as all pertinent London locations. 158 00:08:26,280 --> 00:08:29,279 In addition, we've assembled text and basic tutorials 159 00:08:29,280 --> 00:08:31,559 to augment what you've already learned. 160 00:08:45,240 --> 00:08:48,079 We know that London is bringing in a new operative, 161 00:08:48,080 --> 00:08:50,440 but their motives remain unclear. 162 00:08:51,960 --> 00:08:53,719 When we have more information, 163 00:08:53,720 --> 00:08:55,639 we'll contact you via the Dead Drop Beacon 164 00:08:55,640 --> 00:08:57,439 near your place of employment. 165 00:08:57,440 --> 00:09:00,039 Find and decipher the code. 166 00:09:00,040 --> 00:09:04,039 Once we reach out, you'll need to move quickly to gather Intel. 167 00:09:05,640 --> 00:09:07,159 This is your captain speaking. 168 00:09:07,160 --> 00:09:08,759 We are beginning our initial descent 169 00:09:08,760 --> 00:09:10,559 into London Heathrow Airport. 170 00:09:10,560 --> 00:09:12,679 On behalf of the entire flight crew, 171 00:09:12,680 --> 00:09:14,999 I'd like to thank you for choosing to fly with us today. 172 00:09:15,000 --> 00:09:16,959 We hope you enjoy your stay in London 173 00:09:16,960 --> 00:09:19,159 or wherever your final destination may be. 174 00:09:46,280 --> 00:09:48,959 We've selected modest housing for you 175 00:09:48,960 --> 00:09:51,240 in a neighborhood close to the London Mother House. 176 00:09:52,720 --> 00:09:54,840 Here's a critical piece of the puzzle. 177 00:09:56,000 --> 00:09:58,799 Your backstory, which is mostly true, 178 00:09:58,800 --> 00:10:02,000 will be accessible to anyone who searches for it. 179 00:10:03,800 --> 00:10:06,399 This, of course, includes the Talamasca Organization, 180 00:10:06,400 --> 00:10:08,679 who we want to keep at arm's length. 181 00:10:08,680 --> 00:10:10,719 Won't they already know my history? 182 00:10:10,720 --> 00:10:12,719 I mean, they pay for all of it. 183 00:10:12,720 --> 00:10:15,159 No, you are off book, so to speak. 184 00:10:15,160 --> 00:10:17,679 All the arrangements regarding your upbringing and education 185 00:10:17,680 --> 00:10:19,559 were handled privately. 186 00:10:19,560 --> 00:10:20,960 By you. 187 00:10:22,120 --> 00:10:24,559 I'm your pet project. 188 00:10:24,560 --> 00:10:26,760 I suppose one could say that. 189 00:10:28,360 --> 00:10:31,319 So, about a million lies led us to where we are now. 190 00:10:31,320 --> 00:10:33,519 Somehow fitting, I suppose. 191 00:10:33,520 --> 00:10:36,679 Which is why it's essential your legend remain consistent 192 00:10:36,680 --> 00:10:39,319 and as close to reality as possible. 193 00:10:39,320 --> 00:10:41,479 Guy Anatole had a promising career in law 194 00:10:41,480 --> 00:10:43,399 and a rich life in front of him. 195 00:10:43,400 --> 00:10:45,359 Things went swimmingly for a short while, 196 00:10:45,360 --> 00:10:47,799 then the poor boy had a mental break. 197 00:10:47,800 --> 00:10:49,759 A mental break? 198 00:10:49,760 --> 00:10:51,319 Not unusual for someone with your history. 199 00:10:51,320 --> 00:10:53,239 A loner who hears voices 200 00:10:53,240 --> 00:10:56,879 and uses an alarming amount of Clonazepam. 201 00:10:56,880 --> 00:10:59,119 Quite the résumé. 202 00:10:59,120 --> 00:11:01,279 How do I reach you? You don't. 203 00:11:01,280 --> 00:11:02,959 It's a very strong chance that once you leave, 204 00:11:02,960 --> 00:11:05,759 we won't see each other again. 205 00:11:05,760 --> 00:11:07,199 So, I arrive in London 206 00:11:07,200 --> 00:11:10,119 and this all just magically works out? 207 00:11:10,120 --> 00:11:12,919 I don't even know what I'm supposed to be doing. 208 00:11:12,920 --> 00:11:15,679 Whilst we wait for this new operative to arrive in London, 209 00:11:15,680 --> 00:11:18,199 we'll put you close to those who run the London Mother House. 210 00:11:18,200 --> 00:11:19,999 Close enough to hopefully use your skills 211 00:11:20,000 --> 00:11:21,960 to listen in and report back. 212 00:11:24,520 --> 00:11:26,279 And I'm on my own? 213 00:11:29,800 --> 00:11:31,999 If the Talamasca Organization doesn't know what I'm up to, 214 00:11:32,000 --> 00:11:33,079 then who does? 215 00:11:33,080 --> 00:11:35,319 Me and a few select others. 216 00:11:35,320 --> 00:11:38,959 A London point person will be in contact to spell out details. 217 00:11:38,960 --> 00:11:40,239 They're your handler, 218 00:11:40,240 --> 00:11:42,399 and everything will come through them. 219 00:11:42,400 --> 00:11:46,400 This is a very... specific and covert affair. 220 00:11:49,160 --> 00:11:50,559 So I believe I've hit the high notes. 221 00:11:50,560 --> 00:11:52,680 Any questions? Yeah. Just one. 222 00:11:55,040 --> 00:11:56,560 You never told me your name. 223 00:11:58,200 --> 00:11:59,560 Helen. 224 00:12:01,000 --> 00:12:02,479 It's Helen. 225 00:13:26,800 --> 00:13:29,599 Mr. Checkers, do you know why you're here? 226 00:13:29,600 --> 00:13:31,359 No, Mr. Owen. 227 00:13:31,360 --> 00:13:33,600 Were you friends with Soledad Marcel? 228 00:13:35,320 --> 00:13:38,599 Yes. Poor girl. 229 00:13:38,600 --> 00:13:40,120 Were you more than friends? 230 00:13:45,400 --> 00:13:46,679 W-What are you trying to say? 231 00:13:46,680 --> 00:13:48,959 At five before midnight, Thursday last, 232 00:13:48,960 --> 00:13:51,479 you entered the Secure File and Tech office. 233 00:13:51,480 --> 00:13:52,679 What? 234 00:13:52,680 --> 00:13:54,119 And you left 12 minutes later. 235 00:13:54,120 --> 00:13:56,879 Midnight? I can assure you, I did not. 236 00:13:56,880 --> 00:13:58,919 I never work that late. 237 00:13:58,920 --> 00:14:00,599 Which is a discussion for another time. 238 00:14:00,600 --> 00:14:03,960 But for this one, we know it wasn't you. 239 00:14:06,440 --> 00:14:08,600 Who is that? 240 00:14:10,320 --> 00:14:12,399 Looks like Soledad. 241 00:14:12,400 --> 00:14:14,479 Thank you for the confirmation. 242 00:14:14,480 --> 00:14:16,000 When did you last see her? 243 00:14:21,480 --> 00:14:23,679 Uh... It was the night she died. 244 00:14:23,680 --> 00:14:25,439 Some of us went out after work. 245 00:14:27,160 --> 00:14:28,839 Does this have anything to do with what happened to her? 246 00:14:28,840 --> 00:14:30,359 Thought you might know. 247 00:14:30,360 --> 00:14:33,759 Seeing that she used your card to gain access. 248 00:14:33,760 --> 00:14:36,119 Absolutely not. Absolutely not. 249 00:14:36,120 --> 00:14:38,399 I-I did not give her my card. 250 00:14:38,400 --> 00:14:39,960 See? Here. 251 00:14:41,040 --> 00:14:42,639 It's in here somewhere. 252 00:14:49,000 --> 00:14:51,239 What was she after? 253 00:14:51,240 --> 00:14:52,919 We don't know. 254 00:14:52,920 --> 00:14:55,240 What we do know is we're leveling you down a notch. 255 00:15:03,320 --> 00:15:05,720 You used to be someone I looked up to. 256 00:15:06,600 --> 00:15:08,879 We used to be a family around here. 257 00:15:08,880 --> 00:15:10,759 And now it's-- now it's all "need to know" 258 00:15:10,760 --> 00:15:13,799 and security cameras in every nook and cranny. 259 00:15:13,800 --> 00:15:15,839 Even in the loo, for Christ's sake. 260 00:15:15,840 --> 00:15:17,639 We've made efforts to right the ship, yes. 261 00:15:17,640 --> 00:15:19,519 Right the ship? 262 00:15:19,520 --> 00:15:22,039 A fucking pirate ship is what it is. 263 00:15:22,040 --> 00:15:25,119 And I've got a feeling-- we've all got a feeling 264 00:15:25,120 --> 00:15:27,880 that you're not the bloody captain anymore. 265 00:15:30,280 --> 00:15:32,079 It's you. 266 00:15:32,080 --> 00:15:33,999 Yeah, it's you. 267 00:15:34,000 --> 00:15:37,079 You're sneaking around, and you're whispering in his ear. 268 00:15:37,080 --> 00:15:39,999 We don't know who you are, but we know that you're the problem. 269 00:15:40,000 --> 00:15:42,040 Ever since you got here. 270 00:15:45,480 --> 00:15:47,439 Oh, I like this guy. 271 00:16:34,240 --> 00:16:37,839 Look at this little twat. He's looking at you. 272 00:16:37,840 --> 00:16:41,399 Oi. Pretty boy. Nice. 273 00:16:57,360 --> 00:16:59,399 Pretty ladies inside. 274 00:16:59,400 --> 00:17:00,680 4 quid. 275 00:17:01,800 --> 00:17:03,599 - Come on, lad, don't be shy. -Hi. 276 00:17:03,600 --> 00:17:06,159 My name's Guy Anatole. 277 00:17:06,160 --> 00:17:09,919 I was told that I was meant to come here for a job. 278 00:17:09,920 --> 00:17:13,039 The Yank, yeah. Yeah. What's your name? 279 00:17:13,040 --> 00:17:15,039 - Jimmy. - Jimmy. 280 00:17:15,040 --> 00:17:17,519 Go on, get inside. Learn your lines. 281 00:17:17,520 --> 00:17:20,119 My lines? Yeah, your lines. 282 00:17:20,120 --> 00:17:21,520 Go on. 283 00:17:25,040 --> 00:17:28,839 Russian, Polish, Asian, Exotic. 284 00:17:28,840 --> 00:17:30,919 Sexy. Sexy. Strippers to the left. 285 00:17:30,920 --> 00:17:32,439 Pole dancing to the right. 286 00:17:32,440 --> 00:17:33,679 Sexy. 287 00:17:37,360 --> 00:17:40,439 Hey! Come on. Sexy. Sexy. 288 00:17:40,440 --> 00:17:44,839 Russian, Polish, Asian, Exotic. 289 00:17:44,840 --> 00:17:47,479 Sexy. Sexy. Strippers to the left. 290 00:17:47,480 --> 00:17:50,000 Pole dancing to the right. Sexy. Sexy. 291 00:19:54,440 --> 00:19:55,999 Man #2: Cheers, mate. 292 00:19:58,080 --> 00:19:59,399 Here you go, Guy. 293 00:19:59,400 --> 00:20:01,960 Thanks, Billy. Enjoy, mate. 294 00:20:04,000 --> 00:20:05,399 Pint of Hazy, Bill. 295 00:20:05,400 --> 00:20:07,639 Coming up, love. Misty for you. 296 00:20:07,640 --> 00:20:10,120 Chippie roun' the corner is better, just so you know. 297 00:20:13,400 --> 00:20:14,840 Here you go. 298 00:20:19,080 --> 00:20:20,640 Yamas! 299 00:20:21,720 --> 00:20:23,280 Sure. 300 00:20:26,400 --> 00:20:28,319 Haven't seen you here before. 301 00:20:28,320 --> 00:20:29,999 It's my first time. 302 00:20:30,000 --> 00:20:31,519 Oh, well, you'll be back. 303 00:20:31,520 --> 00:20:33,599 It's a solid spot. 304 00:20:33,600 --> 00:20:35,280 Except for the food. 305 00:20:44,600 --> 00:20:47,680 Okay, Yank, where you from? 306 00:20:48,640 --> 00:20:51,119 Detroit. 307 00:20:51,120 --> 00:20:54,679 What do you do? No, no, let me guess. 308 00:20:54,680 --> 00:20:56,079 Social worker? 309 00:20:56,080 --> 00:20:57,639 Got the sad eyes for it. 310 00:20:57,640 --> 00:20:59,119 I just graduated. 311 00:20:59,120 --> 00:21:02,079 From where? NYU. 312 00:21:02,080 --> 00:21:04,879 In New York. Law school. 313 00:21:04,880 --> 00:21:07,279 Mm. Smarty pants. 314 00:21:08,600 --> 00:21:10,320 So, did you come for the rain? 315 00:21:11,720 --> 00:21:12,920 London. 316 00:21:14,360 --> 00:21:15,879 I'm still trying to work things out. 317 00:21:15,880 --> 00:21:18,439 I was able to get a work visa, so... 318 00:21:18,440 --> 00:21:20,399 Oh. Where are you working? 319 00:21:20,400 --> 00:21:21,679 I'd rather not say. 320 00:21:21,680 --> 00:21:24,440 Rather not, or you can't? 321 00:21:25,600 --> 00:21:27,119 I love secrets. 322 00:21:27,120 --> 00:21:29,280 Does this not look like a face you can trust? 323 00:21:31,760 --> 00:21:33,520 CIA. Worse. 324 00:21:35,400 --> 00:21:38,040 I'm a barker at a strip club in Soho. 325 00:21:39,200 --> 00:21:40,479 Actually, to call it a club 326 00:21:40,480 --> 00:21:42,159 would definitely be a stretch, so... 327 00:21:42,160 --> 00:21:43,959 Well, I'm guessing you can get me in for free, then. 328 00:21:43,960 --> 00:21:45,839 Guessing I can. 329 00:21:45,840 --> 00:21:47,719 Putting that away. You never know. 330 00:21:47,720 --> 00:21:49,879 You never know. You never know. 331 00:21:49,880 --> 00:21:51,240 Never know. 332 00:21:52,680 --> 00:21:55,560 Okay, so you came for the rain and a creepy job. 333 00:21:56,840 --> 00:21:58,159 My mom spent some time here. 334 00:21:58,160 --> 00:21:59,959 I kind of wanted to check the place out. 335 00:21:59,960 --> 00:22:01,239 From here? Where? 336 00:22:01,240 --> 00:22:04,159 What, north, south, east, west? 337 00:22:04,160 --> 00:22:06,679 Hammersmith, Ilford, Twickenham, Chiselhurst? 338 00:22:06,680 --> 00:22:08,239 You haven't got a clue 339 00:22:08,240 --> 00:22:09,959 what I'm talking about, have you? 340 00:22:09,960 --> 00:22:11,959 Yeah, well, those sound like Harry Potter characters to me. 341 00:22:13,720 --> 00:22:16,839 Okay, so I'm guessing it's your first time in London, then? 342 00:22:16,840 --> 00:22:19,999 Yeah, it's my first time anywhere. 343 00:22:20,000 --> 00:22:22,599 So you're a handsome young man 344 00:22:22,600 --> 00:22:26,039 on a journey of finding himself. 345 00:22:26,040 --> 00:22:29,439 That's the lead in every other romance novel 346 00:22:29,440 --> 00:22:31,160 on the bookstore shelf. 347 00:22:32,400 --> 00:22:33,959 I like it. 348 00:22:33,960 --> 00:22:36,119 Normally, I don't come in till chapter three. 349 00:22:36,120 --> 00:22:39,839 No, two. 'Cause you really need me to kick the story into gear. 350 00:22:39,840 --> 00:22:41,680 Oh, yeah. 351 00:22:45,600 --> 00:22:47,799 Oh. 352 00:22:47,800 --> 00:22:49,720 Right. 353 00:22:52,280 --> 00:22:54,160 Oh, shit. 354 00:22:55,320 --> 00:22:56,960 I got to crack on. 355 00:22:59,000 --> 00:23:00,399 I got it. 356 00:23:00,400 --> 00:23:01,599 Oh, no, no, that's totally not necessary. 357 00:23:01,600 --> 00:23:03,680 No, no. I got it. 358 00:23:07,280 --> 00:23:08,720 Decent. 359 00:23:12,360 --> 00:23:13,559 What's your name? 360 00:23:13,560 --> 00:23:14,799 Uh. It's Guy. 361 00:23:14,800 --> 00:23:17,799 That's kind of generic. 362 00:23:17,800 --> 00:23:20,039 Okay. What's yours? Keves. 363 00:23:20,040 --> 00:23:22,159 - Keves? - Mm-hmm. 364 00:23:22,160 --> 00:23:24,479 Oh, that is not at all generic. 365 00:23:24,480 --> 00:23:26,959 Mnh-mnh. You have this. 366 00:23:26,960 --> 00:23:28,320 Thanks. 367 00:23:30,280 --> 00:23:32,240 It was, uh, nice to meet you. 368 00:23:40,200 --> 00:23:41,640 Smile. 369 00:23:47,000 --> 00:23:48,320 Gimme your hand. 370 00:23:51,280 --> 00:23:54,879 Okay, so a bunch of us are going 371 00:23:54,880 --> 00:23:56,759 to this After Hours in Hackney tonight. 372 00:23:56,760 --> 00:24:01,280 Just, you know, sick beats, dope vibe, if you fancy it. 373 00:24:03,240 --> 00:24:04,719 Never know. 374 00:24:04,720 --> 00:24:06,680 It could change your life. 375 00:24:12,640 --> 00:24:13,959 That's my Guy. 376 00:24:22,560 --> 00:24:24,120 That's my Guy. 377 00:24:56,920 --> 00:24:59,159 Man #3: That's what friends are for. 378 00:25:30,520 --> 00:25:32,519 Why is he staring at you like that? 379 00:25:36,440 --> 00:25:38,840 You came! 380 00:25:41,280 --> 00:25:43,639 You good? Yes. 381 00:25:58,120 --> 00:25:59,719 Whoo! 382 00:26:01,560 --> 00:26:08,239 ♪ You leave in the morning with everything you own ♪ 383 00:26:08,240 --> 00:26:12,199 ♪ In a little black case ♪ 384 00:26:12,200 --> 00:26:15,719 ♪ Alone on a platform, the wind and the rain ♪ 385 00:26:15,720 --> 00:26:21,559 ♪ On a sad and lonely face ♪ 386 00:26:21,560 --> 00:26:34,559 ♪ I will never understand why you have to leave ♪ 387 00:26:34,560 --> 00:26:40,439 ♪ But the love that you seek will never be found at home ♪ 388 00:26:40,440 --> 00:26:48,599 ♪ The love that you need will never be found at home ♪ 389 00:26:48,600 --> 00:27:18,639 ♪ Run away, turn away, run away, turn away, run away ♪ 390 00:27:18,640 --> 00:27:23,599 ♪ Pushed around and kicked around ♪ 391 00:27:23,600 --> 00:27:27,759 ♪ Always a lonely boy ♪ 392 00:27:27,760 --> 00:27:31,279 ♪ You were the one they'd talk about ♪ 393 00:27:31,280 --> 00:27:35,159 ♪ Around town as they put you down ♪ 394 00:27:35,160 --> 00:27:38,119 ♪ And as hard as they would try ♪ 395 00:27:38,120 --> 00:27:42,599 ♪ They'd hurt to make you cry ♪ 396 00:27:42,600 --> 00:27:48,479 ♪ But you never cried to them, just to your soul ♪ 397 00:27:48,480 --> 00:27:56,679 ♪ No, you never cried to them, just to your soul ♪ 398 00:28:02,960 --> 00:28:06,559 You're in so much trouble. 399 00:28:06,560 --> 00:28:11,560 ♪ To your soul ♪ 400 00:28:12,920 --> 00:28:15,440 ♪ To your soul ♪ 401 00:28:16,720 --> 00:28:18,880 ♪ To your soul ♪ 402 00:28:21,000 --> 00:28:23,000 ♪ Cry ♪ 403 00:28:25,040 --> 00:28:28,839 ♪ Cry ♪ 404 00:28:40,080 --> 00:28:45,319 ♪ Run away, turn away, run away, turn away, run away ♪ 405 00:28:48,320 --> 00:28:51,759 I broke the rules. I broke all the rules. 406 00:28:51,760 --> 00:28:53,679 Oh! 407 00:28:53,680 --> 00:28:55,999 I'm a rule-breaker. 408 00:29:16,160 --> 00:29:17,960 I'm sorry. 409 00:29:34,800 --> 00:29:36,399 Keves? 410 00:29:38,960 --> 00:29:40,200 Keves? 411 00:29:52,000 --> 00:29:54,559 Live girls. 412 00:29:54,560 --> 00:29:56,439 Russian, Polish, Asian, Exotic. 413 00:29:56,440 --> 00:29:58,559 Ladies-- Oh. 414 00:29:58,560 --> 00:30:01,559 Ladies on the left. Pole dancing on the right. 415 00:30:01,560 --> 00:30:05,280 Sexy. Sexy. Russians, Polish, Asian. 416 00:30:09,120 --> 00:30:11,159 Sexy. Sexy girls. 417 00:30:11,160 --> 00:30:13,599 ♪ How ever do you want me ♪ 418 00:30:13,600 --> 00:30:15,399 ♪ How ever do you need me, how ♪ 419 00:30:15,400 --> 00:30:18,239 ♪ How ever do you want me ♪ 420 00:30:18,240 --> 00:30:20,319 ♪ How ever do you need me ♪ 421 00:30:20,320 --> 00:30:23,119 ♪ How ever do you want me ♪ 422 00:30:23,120 --> 00:30:25,079 ♪ How do you need me, how ♪ 423 00:30:25,080 --> 00:30:27,879 ♪ How ever do you want me ♪ 424 00:30:27,880 --> 00:30:29,960 ♪ How ever do you need me ♪ 425 00:30:32,840 --> 00:30:34,560 Where have you been? 426 00:30:41,440 --> 00:30:42,679 Hey. 427 00:30:42,680 --> 00:30:45,359 Hey, hey. Hey. Excuse me. 428 00:30:45,360 --> 00:30:47,559 Uh, did you take an X off the phone booth? 429 00:30:47,560 --> 00:30:49,199 An X in white tape? 430 00:30:49,200 --> 00:30:50,879 Did you take any white tape off the phone booth? 431 00:30:50,880 --> 00:30:52,359 No clue. 432 00:31:00,720 --> 00:31:02,439 Hey! 433 00:31:05,840 --> 00:31:07,720 What's going on? 434 00:31:10,240 --> 00:31:11,839 I gotta go, Jimmy, but I'll work a double tomorrow, 435 00:31:11,840 --> 00:31:13,839 I promise you. Hey! What am I gonna do? 436 00:31:13,840 --> 00:31:14,839 I don't know. 437 00:31:22,760 --> 00:31:25,439 Man #4: Alright. I'll let him know. 438 00:33:14,000 --> 00:33:17,319 Matej Vagna, nickname, Archie. 439 00:33:17,320 --> 00:33:20,199 Private flight, dinner Delphine. 440 00:33:20,200 --> 00:33:23,760 Aldgate... 19:00. Track from there. 441 00:33:25,760 --> 00:33:27,719 Discreetly follow wherever he goes, 442 00:33:27,720 --> 00:33:31,000 making note of locations as well as the company he keeps. 443 00:33:32,680 --> 00:33:36,359 We believe that he's in London for a specific purpose. 444 00:33:36,360 --> 00:33:38,399 When the underworld, or in this case, 445 00:33:38,400 --> 00:33:42,199 the London Mother House, needs someone found or dealt with, 446 00:33:42,200 --> 00:33:44,120 he's the one they call. 447 00:33:45,880 --> 00:33:48,840 If you have a chance to listen in, take it. 448 00:33:57,720 --> 00:34:00,839 This is recon only, so do not engage. 449 00:34:00,840 --> 00:34:03,079 These people are dangerous. 450 00:35:02,720 --> 00:35:04,799 I know what I'm doing. Let's get on with it. 451 00:35:04,800 --> 00:35:06,760 Don't fuck this up. 452 00:35:08,040 --> 00:35:10,679 How am I supposed to square this with Amsterdam? 453 00:35:10,680 --> 00:35:13,239 Who do we have here? 454 00:38:41,280 --> 00:38:43,319 Woman #2: What the hell are you talking about? 455 00:38:45,160 --> 00:38:47,199 Man #5: Give it to me now! 456 00:38:49,160 --> 00:38:50,959 Woman #2: 457 00:39:22,000 --> 00:39:24,039 Man #5: 458 00:42:37,480 --> 00:42:39,759 It's okay, it's okay. 459 00:43:03,520 --> 00:43:05,839 Oh. Oh, shit. 460 00:43:05,840 --> 00:43:08,480 Book. 461 00:43:14,800 --> 00:43:16,439 It's okay. 462 00:43:16,440 --> 00:43:18,919 It's okay. 463 00:43:18,920 --> 00:43:23,040 It's okay, it's okay. It's okay, it's okay. 464 00:43:24,640 --> 00:43:27,840 It's okay, it's okay, it's okay, it's okay, it's okay. 465 00:43:30,320 --> 00:43:32,119 It's okay. 466 00:43:37,360 --> 00:43:39,439 Fuck! 467 00:43:39,440 --> 00:43:41,159 Gosh. 468 00:44:29,280 --> 00:44:31,039 Something very important has gone missing. 469 00:44:31,040 --> 00:44:35,519 We refer to it as the 752. 470 00:44:35,520 --> 00:44:37,839 Why do you think Archie was killed? 471 00:44:37,840 --> 00:44:40,159 We're close. That's why. 472 00:44:40,160 --> 00:44:42,319 And we're not the only ones who want it. 473 00:44:42,320 --> 00:44:44,039 What do you know about my mom? 474 00:44:50,640 --> 00:44:52,039 What the hell is going on? 475 00:44:58,400 --> 00:44:59,760 Intel on the Soledad Marcel 476 00:44:59,880 --> 00:45:01,320 police investigation. 477 00:45:01,440 --> 00:45:03,680 It appears we have nothing to worry about. 478 00:45:03,800 --> 00:45:06,840 Until she sends a replacement. 479 00:45:06,960 --> 00:45:08,640 And she will. 480 00:45:15,760 --> 00:45:19,640 In episode two, once Guy says, "Yes." 481 00:45:19,760 --> 00:45:21,120 I have conditions. 482 00:45:21,240 --> 00:45:22,440 You never lie to me. 483 00:45:22,560 --> 00:45:24,600 Something smells funny and I'm out. 484 00:45:24,720 --> 00:45:27,840 And he has ulterior motives, you know, to pursue his goal, 485 00:45:27,960 --> 00:45:29,400 which is to find his mother. 486 00:45:29,520 --> 00:45:30,480 Anything else? 487 00:45:30,600 --> 00:45:32,000 Oh, I'll let you know. 488 00:45:32,120 --> 00:45:33,440 But once he does, 489 00:45:33,560 --> 00:45:34,680 he has to go through intense training. 490 00:45:34,800 --> 00:45:36,080 Training and preparation. 491 00:45:36,200 --> 00:45:38,520 That should take a year or become a week. 492 00:45:38,640 --> 00:45:43,400 Helen is in a hurry because there is this drive 493 00:45:43,520 --> 00:45:46,480 to discover what we call the 752. 494 00:45:46,600 --> 00:45:48,640 And she's lost a lot of the people 495 00:45:48,760 --> 00:45:52,560 that she's been working with in order to find this thing. 496 00:45:52,680 --> 00:45:53,600 Where to, ma'am? 497 00:45:53,720 --> 00:45:55,240 Kennedy airport. 498 00:45:55,360 --> 00:45:57,800 We get little pieces of the 752 as we go along 499 00:45:57,920 --> 00:46:00,720 and no one knows exactly what it is, 500 00:46:00,840 --> 00:46:02,200 which is kind of fun. 501 00:46:02,320 --> 00:46:03,920 You should know there is a degree 502 00:46:04,040 --> 00:46:07,080 of personal peril involved with this enterprise. 503 00:46:08,120 --> 00:46:09,360 Danger, in fact. 504 00:46:10,240 --> 00:46:12,680 I think he kind of does let the skepticism slide, 505 00:46:12,800 --> 00:46:15,040 and it's nice to be a part of something. 506 00:46:15,160 --> 00:46:16,520 Dark Horse? 507 00:46:16,640 --> 00:46:18,960 That's kind of what Guy's always looking for. 508 00:46:19,080 --> 00:46:20,880 When someone asks what I'm doing in London. 509 00:46:21,000 --> 00:46:22,360 Fresh start. 510 00:46:22,480 --> 00:46:24,040 You've had a rough time of it lately. 511 00:46:24,160 --> 00:46:26,400 But we've already seen what waits for him in London. 512 00:46:26,520 --> 00:46:29,200 And we know that, as Burton told him, 513 00:46:29,320 --> 00:46:30,880 not every vampire's like me. 514 00:46:31,000 --> 00:46:32,720 There are some people that are gonna try to take you 515 00:46:32,840 --> 00:46:34,680 and they won't play nice. 516 00:46:36,000 --> 00:46:37,480 London Motherhouse 517 00:46:37,600 --> 00:46:39,280 has kind of a creepy vibe to it a little bit, 518 00:46:39,400 --> 00:46:42,520 and there's a Gothic nature to that building in particular. 519 00:46:42,640 --> 00:46:44,600 I think the windows and how they're offset, 520 00:46:44,720 --> 00:46:45,920 it's really beautiful, 521 00:46:46,040 --> 00:46:48,400 but it's also there's something amiss. 522 00:46:49,440 --> 00:46:50,880 The sets are incredible. 523 00:46:51,000 --> 00:46:54,120 The basement of the Motherhouse is incredible. 524 00:46:54,240 --> 00:46:56,760 You'd step on and you don't have to try to figure out, 525 00:46:56,880 --> 00:46:58,120 "Geez, I wonder if I'm there." 526 00:46:58,240 --> 00:46:59,600 No, no, no. You're there. 527 00:46:59,720 --> 00:47:00,760 Just look around. 528 00:47:00,880 --> 00:47:02,480 There's real dirt on the ground. 529 00:47:02,600 --> 00:47:04,240 So this is it. This is the basement. 530 00:47:04,360 --> 00:47:07,240 This is a set that we had to think very carefully about 531 00:47:07,360 --> 00:47:10,680 how it was going to be shot, what the best angles were. 532 00:47:10,800 --> 00:47:14,080 But this is pretty much how I originally designed it. 533 00:47:14,200 --> 00:47:16,080 We're also establishing 534 00:47:16,200 --> 00:47:17,920 more of the inner workings of it. 535 00:47:18,040 --> 00:47:19,680 You see people working at computers 536 00:47:19,800 --> 00:47:21,640 and passing along information. 537 00:47:21,760 --> 00:47:23,920 We know that it's not just Dark Horse, 538 00:47:24,040 --> 00:47:25,600 it's there are people that work there. 539 00:47:25,720 --> 00:47:28,120 Mr. Owen. 540 00:47:28,240 --> 00:47:29,920 Thank you. 541 00:47:31,120 --> 00:47:33,760 Guy gets to London with all of this preparation 542 00:47:33,880 --> 00:47:35,240 and then doesn't know what to do. 543 00:47:35,360 --> 00:47:36,640 There's no orders. 544 00:47:36,760 --> 00:47:38,240 We're waiting for something to happen. 545 00:47:38,360 --> 00:47:39,640 Hey. Come on. 546 00:47:39,760 --> 00:47:41,000 Sexy. Sexy. 547 00:47:41,120 --> 00:47:42,240 Asian. 548 00:47:42,360 --> 00:47:43,680 Exotic. 549 00:47:43,800 --> 00:47:45,720 What I really like about reading spy stuff 550 00:47:45,840 --> 00:47:47,840 and watching things like "Three Days of the Condor" and whatnot, 551 00:47:47,960 --> 00:47:49,280 is that you've got these characters 552 00:47:49,400 --> 00:47:51,120 that are reluctant spies, 553 00:47:51,240 --> 00:47:53,680 and Guy, to me, is a real reluctant spy 554 00:47:53,800 --> 00:47:56,720 because he doesn't really want to be a spy. 555 00:47:56,840 --> 00:48:00,120 He just wants to figure out what the hell has happened to him? 556 00:48:00,240 --> 00:48:03,320 Well, the spy stuff is a lot of fun for me. 557 00:48:03,440 --> 00:48:05,000 I mean, just getting into a mindset 558 00:48:05,120 --> 00:48:06,480 where you have to do something 559 00:48:06,600 --> 00:48:08,240 in a really complicated way... 560 00:48:08,360 --> 00:48:10,720 ...that could be done very simply. 561 00:48:10,840 --> 00:48:12,640 So it's more a modus operandi 562 00:48:12,760 --> 00:48:15,840 than it is anything pragmatically necessary. 563 00:48:15,960 --> 00:48:17,600 But even more important than that, 564 00:48:17,720 --> 00:48:20,480 it's the mentality of being a spy 565 00:48:20,600 --> 00:48:23,880 that I think the show is very interested in. 566 00:48:24,000 --> 00:48:25,840 That's what I love about that moment right there. 567 00:48:25,960 --> 00:48:27,440 Like, "Wow! Okay." 568 00:48:27,560 --> 00:48:30,960 Who do we have here? 569 00:48:31,080 --> 00:48:33,000 He thinks he's gonna listen to me? 570 00:48:33,120 --> 00:48:34,720 Oh, no, no, no, no. 571 00:48:34,840 --> 00:48:36,520 I gotta get to know him. 572 00:48:38,800 --> 00:48:41,360 In episode two, Guy is in a very rough spot. 573 00:48:41,480 --> 00:48:45,400 And like many spies in many spy books and spy movies, 574 00:48:45,520 --> 00:48:47,160 Guy doesn't know the full context 575 00:48:47,280 --> 00:48:48,840 of the situation he's in. 576 00:48:48,960 --> 00:48:50,280 In following Archie, 577 00:48:50,400 --> 00:48:52,080 which is the only thing he's been told to do, 578 00:48:52,200 --> 00:48:55,520 he is putting himself in great peril. 579 00:48:55,640 --> 00:48:58,080 He's been warned not to intrude, 580 00:48:58,200 --> 00:49:00,480 that this is recon only. 581 00:49:00,600 --> 00:49:04,480 And yet a girl's screams make him as a human being go, 582 00:49:04,600 --> 00:49:07,400 "Uh, should I go? I have to go see if I can help." 583 00:49:09,040 --> 00:49:10,920 Yeah, it takes the show into a much darker realm. 584 00:49:11,040 --> 00:49:12,200 And I think dead bodies 585 00:49:12,320 --> 00:49:14,200 and Guy's never seen a dead body. 586 00:49:14,320 --> 00:49:16,840 Guy doesn't know what the hell to do with a dead body. 587 00:49:16,960 --> 00:49:20,640 And you really do see that vulnerability 588 00:49:20,760 --> 00:49:22,120 of fish out of water. 589 00:49:23,280 --> 00:49:24,840 When he goes into the room 590 00:49:24,960 --> 00:49:26,560 where she's hanging and looks at her, 591 00:49:26,680 --> 00:49:30,280 it's Kevus who had met only a night before 592 00:49:30,400 --> 00:49:31,920 and spent the night with. 593 00:49:32,040 --> 00:49:34,200 And Kevus, this person that he cared about 594 00:49:34,320 --> 00:49:36,240 who actually saw him and cared about him, 595 00:49:36,360 --> 00:49:38,200 and he, her, is like axed. 596 00:49:38,320 --> 00:49:39,560 And so I think that it's like, 597 00:49:39,680 --> 00:49:41,600 "What has Helen gotten him into?" 598 00:49:44,280 --> 00:49:45,560 All he can think to do 599 00:49:45,680 --> 00:49:47,920 is to run away as fast as possible. 600 00:49:48,040 --> 00:49:49,560 And so from that point on, 601 00:49:49,680 --> 00:49:51,760 there's no doubt that his life has changed. 42997

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