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♪ There is more to life than what you're living
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♪ So take a chance and face the wind
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♪ An open road and a road that's hidden
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♪ A brand new life around the bend
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♪ Nights are long but you might awaken
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♪ To a brand new life
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♪ Brand new life around the bend ♪
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Dear diary.
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We're all here at Camp Catawba to pick up Jonathan who's a little homesick.
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On our way up we learned something very strange.
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Angela and Tony each had their first kiss
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at a place near here called "Kissing Rock."
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Wait a minute, I may be way off on this, but you've got to admit,
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the stories do sound alike.
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I mean, the moon and the rock
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and the... (KISSES)
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Then this afternoon, Tony and Angela disappeared from camp.
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Angela, I found it.
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I found it.
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Anthony...
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And Ingrid.
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Ingrid.
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Ingrid.
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Huh. Well, it wasn't us.
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(THUNDER CRACKING)
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And that's when our old friend fate stepped in,
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drawing the two of them together.
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It's not like I'm holed up in a small motel in a thunderstorm with Ingrid.
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I mean, if I was with Ingrid there might be trouble.
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Yo Ingrid, come here, baby.
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Tony... I'm Ingrid.
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(AUDIENCE LAUGHING)
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I know something's going on.
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I just wish I knew what.
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ANGELA: Tony?
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Are you ready?
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For what?
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What, have we got dinner reservations?
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I'm coming out now.
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I'm coming out a little bit myself here.
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Come on, Angela, I'm just kidding.
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You know, come on out here.
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Come on.
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Come on.
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Whoa.
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So, that's what they mean by a fitted sheet.
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(CHUCKLES) Yes. Well, hmm, here we are.
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All undressed and no place to go.
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What, what are you doing?
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Well, I thought I'd tie one corner of the bedspread up here and then we could
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tie the other one maybe down here.
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And then we'd both have a little privacy like in, It Happened One Night.
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Oh, that's great, Claudette, but that was in the 30s.
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Tony, privacy never goes out of style.
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Angela, look, come on, if you're worried about you and me and...
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You know, that kiss was a long time ago.
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I mean that was then and this is now.
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Right. This is now and that was then.
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Right, so I mean, we were just two hot-blooded kids then.
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But we're adults now, right?
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So we'll just relax we'll have some fun...
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Not too much fun...
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We'll watch TV.
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It's a good idea.
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Angela, we got it made.
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They've got cable here.
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Oh, great, this won't be so bad.
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I love those old movies... Or the ballet.
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(EXCLAIMS) Oh no, don't do that.
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Perhaps a foreign film with subtitles.
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I love subtitles, my favorite.
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(BREATHES HEAVILY)
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I don't think we need subtitles for this, huh?
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(AUDIENCE LAUGHING)
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Oh, my God.
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You want to change the channel?
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Angela?
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Tony, is that an extra person with that couple?
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I think it's the lifeguard.
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I didn't know you could give CPR like that.
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Well, so much for TV.
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-Over here? -Yes.
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(THUNDER RUMBLING)
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Jonathan, your mother's safe at the Hidden Hollow Motel.
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Room 12.
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Samantha, your father's safe at the Hidden Hollow Motel.
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Room 12.
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Do you notice what I notice?
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Yeah, you're losing your hair.
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All right, campers, tomorrow morning, there's a nature hike at 10:00.
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You better wear your long pants because there's lots of bugs
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and frogs and crawly things, ugh.
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Boy, that Wormser is a total geek.
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Yeah, what a squid.
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Let's short-sheet his bed.
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Boys, I am ashamed of you.
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I expected better things of you.
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We've got to nail that geek.
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Let's try to think, of something that'll drive him up the wall
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but won't leave any scars.
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Well, there goes my idea.
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Wait a minute, he hates slimy things.
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Jonathan?
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ANGELA: You know, Tony,
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it is amazing how little there is to do in a motel when you don't want to... Watch TV.
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You think of doing push-ups?
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(KNOCKING ON DOOR)
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-I got it. -Room service.
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(EXCLAIMS)
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I didn't mean to interrupt anything here?
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You're not. You're not.
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I thought I'd turn down the beds.
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But I see you're already wearing yours.
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Oh, by the way, I thought you might like some dinner.
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Oh, thank you.
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But we didn't have any, so I brought you some pajamas.
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And I brought you some socks.
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Oh, how thoughtful.
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But don't lose the jammys. They're the only pair I've got.
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Oh, won't you be needing them?
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No, no, I sleep buck naked.
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Well, let's change.
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Tony!
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What? What?
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All right, all right, all right.
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I'll flip you for the top.
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Cute.
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Okay, which bed do you want?
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The east wing or the west wing.
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Oh, I'll take this one.
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Okay.
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Knock, knock. If you need me, I'll be in my room changing.
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(AUDIENCE LAUGHING)
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(SIGHS)
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Oh, boy!
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Well, goodnight.
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Goodnight, Angela.
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(GIGGLES QUIETLY)
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What?
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Nothing...
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Come on, you can't laugh and say nothing.
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That sounded like something.
143
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It was nothing.
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(LAUGHING)
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Angela, that sounded like something.
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I was just thinking about that night at Kissing Rock,
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you thought you were so cool, and you had sweaty palms.
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I did not.
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Yes, you did.
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Oh? Yeah? Well, I'll tell you something. I cut my lip on your braces.
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Oh, I'm sorry.
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That's okay.
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It was worth it.
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Well, goodnight.
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(SIGHS)
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Goodnight, Angela.
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(SIGHS)
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(LAUGHING)
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What?
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Nothing.
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Tony, you are just doing that to get even.
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You're right.
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No, no, really I did just remember something, you know.
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I was thinking about that night at Kissing Rock.
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How terrific you smelled.
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I mean, that was some great perfume you were wearing that night.
167
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Tony, that wasn't perfume.
168
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It was insect repellent.
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(AUDIENCE LAUGHING)
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You ought to wear it more often.
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Tony, that is so sweet.
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Do you know that my husband could never remember our anniversary
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and you remembered that 20 years ago, I wore Bug-Off.
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That's the kind of guy I am.
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You know, I always wondered about that boy.
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You know, who he was and if he ever thought about me.
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Oh, yeah, he did. I mean, I did.
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I... I used to wonder how your teeth turned out.
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And now I know. They turned out terrific.
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Thank you.
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Well, I guess it's getting late.
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I'd better go back to my room.
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Maybe you'd better.
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I'll help you.
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Goodnight, Tony
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(SIGHS) Goodnight, Angela.
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(AUDIENCE LAUGHING)
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(THUNDER CRACKING)
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Did you touch that sheet?
190
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Of course I didn't.
191
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Well, you know what Mother would say,
192
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that there is some great force pulling us together.
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The only force at work in this room is gravity.
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I got it?
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You do have to admit though, that it's quite a coincidence
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that I would end up working for Ingrid.
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Ingrid.
198
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Kind of silly of me to lie about my name.
199
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Yeah, well, don't feel so bad.
200
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If it makes you feel any better, I told a little white lie that night myself.
201
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Oh?
202
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Well, I knew you were 13 and I...
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I didn't know, I thought, maybe you wouldn't go out with me if you knew...
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-Well, if you knew... -If I knew what?
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How much older you were than me.
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Older?
207
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How much older?
208
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How old were you?
209
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I was 11.
210
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My first grown up kiss was with an 11-year-old?
211
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Hey... Wait a minute.
212
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I didn't hear you complaining that night.
213
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You hung in for 57 seconds.
214
00:13:22,333 --> 00:13:24,000
Were you counting?
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00:13:24,133 --> 00:13:25,966
Angela, was I counting?
216
00:13:26,100 --> 00:13:27,866
What kind of guy do you think I am?
217
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Wouldn't that be a little insensitive of me?
218
00:13:30,366 --> 00:13:33,466
Bruce Wynaburn had a stop watch in the bushes.
219
00:13:36,266 --> 00:13:38,533
(AUDIENCE APPLAUDS)
220
00:13:42,433 --> 00:13:43,866
What?
221
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Huh. You're gonna get a big kick out of this, Angela.
222
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You see... And this is funny.
223
00:13:49,066 --> 00:13:51,400
This is what I think is the basic difference between boys and girls.
224
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You went back to your bunk and told all your girlfriends how romantic it was
225
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and I went back to my bunk and collected my bet.
226
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Yeah. Give me that money...
227
00:14:02,066 --> 00:14:03,833
(EXCLAIMING)
228
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That is the most disgusting thing I have ever heard of!
229
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What, you didn't get a kick out of it?
230
00:14:11,033 --> 00:14:14,733
Tony, you took an innocent memory of two lovely children
231
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and turned it into something shabby and tawdry and stinky.
232
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Angela, I mean, don't you think you're overreacting a little bit here?
233
00:14:29,266 --> 00:14:31,066
No, I am not overreacting.
234
00:14:31,200 --> 00:14:35,533
I thought of you as a man with sensitivity, not a womanizer and a stop-watcher.
235
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Come on Angela, we were 13.
236
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Well, I was 11.
237
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And a liar!
238
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This conversation is over.
239
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I'm going to bed.
240
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Do you want me to hang up the sheet again?
241
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We don't need it.
242
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There's a wall between us that goes beyond sheets.
243
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(WATER DRIPPING)
244
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Oh, you dirty, rotten...
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Oh, come on, Angela, I said I was sorry.
246
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Lighten up.
247
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It's not you.
248
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It's the dumb ceiling. It's leaking on me.
249
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Oh, you're kidding. Can I help?
250
00:15:25,633 --> 00:15:28,500
What are you going to do? Time the drips?
251
00:15:28,633 --> 00:15:30,833
(AUDIENCE LAUGHING)
252
00:15:32,900 --> 00:15:34,166
Oh, the...
253
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(SCREAMS)
254
00:15:47,333 --> 00:15:49,666
It's about five seconds, Angela.
255
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(AUDIENCE LAUGHING)
256
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Here they come.
257
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Now I know how Ma Barker felt when her boys came back from a job.
258
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Come on, gang.
259
00:16:01,866 --> 00:16:03,233
We're back.
260
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Tell us all about it.
261
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And don't leave out the disgusting parts.
262
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He put frogs in Wormy's bed!
263
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And he put a humongous snake in his footlocker!
264
00:16:13,233 --> 00:16:14,800
All right, Bower.
265
00:16:14,933 --> 00:16:16,033
You're awesome.
266
00:16:16,166 --> 00:16:19,066
Yeah, you're really sneaky and rotten.
267
00:16:19,200 --> 00:16:20,800
Thank you.
268
00:16:20,933 --> 00:16:23,500
Well, it runs in the family.
269
00:16:27,400 --> 00:16:30,500
Look Angela... Angela, forget about that bed.
270
00:16:30,633 --> 00:16:33,700
You take my bed... And you know, I'll catch some Z's in the chair.
271
00:16:33,833 --> 00:16:35,666
No, it's perfectly all right.
272
00:16:35,800 --> 00:16:38,733
I'll just sleep leaning up against the wall.
273
00:16:41,266 --> 00:16:42,266
Come on, Angela.
274
00:16:42,400 --> 00:16:44,300
You're not a horse.
275
00:16:45,000 --> 00:16:46,633
Take the bed.
276
00:16:46,766 --> 00:16:48,533
I don't want your bed.
277
00:16:48,666 --> 00:16:49,666
Angela, take the bed.
278
00:16:49,800 --> 00:16:52,233
-I don't want the bed. -Take the bed.
279
00:16:52,366 --> 00:16:54,633
I don't want to argue. I'll take the bed.
280
00:16:54,766 --> 00:16:55,733
Thank you.
281
00:16:55,866 --> 00:16:57,433
You're welcome.
282
00:17:03,200 --> 00:17:05,466
(ANGELA YAWNING)
283
00:17:05,599 --> 00:17:07,933
That bed's no good anyway.
284
00:17:08,066 --> 00:17:09,400
It's too soft.
285
00:17:09,533 --> 00:17:11,466
This chair is nice and firm.
286
00:17:14,033 --> 00:17:15,233
Are you kidding me?
287
00:17:15,366 --> 00:17:17,933
I'm gonna be real fine over here. Nice and firm.
288
00:17:20,400 --> 00:17:22,066
Nice and firm.
289
00:17:27,233 --> 00:17:28,933
(ANGELA EXCLAIMS)
290
00:17:29,066 --> 00:17:31,700
Tony, Tony, are you all right?
291
00:17:31,833 --> 00:17:36,400
Tony, you fell out of the chair onto the floor.
292
00:17:36,533 --> 00:17:37,766
Thanks, Angela.
293
00:17:37,900 --> 00:17:41,000
I'd a never pieced that one together without you.
294
00:17:42,566 --> 00:17:43,900
Are you all right?
295
00:17:44,033 --> 00:17:46,266
Oh, yeah. I think I broke the fall with my head.
296
00:17:46,400 --> 00:17:49,100
Oh, wait, I'll get you a damp cloth.
297
00:17:54,100 --> 00:17:55,666
Sit down.
298
00:18:02,666 --> 00:18:04,100
Is that better?
299
00:18:04,233 --> 00:18:07,333
Yes, Angela, but the bump's on the other side.
300
00:18:09,066 --> 00:18:10,933
What am I doing with this?
301
00:18:13,000 --> 00:18:18,966
Tony, I'm sorry if I overreacted about Kissing Rock. It's...
302
00:18:19,100 --> 00:18:21,333
Just that it was very special to me.
303
00:18:23,333 --> 00:18:25,866
It was very special to me, too, Angela.
304
00:18:27,833 --> 00:18:29,966
To you it was just a bet.
305
00:18:30,100 --> 00:18:32,066
Come on, huh.
306
00:18:32,200 --> 00:18:35,366
I mean, that might have been the way it started out, but
307
00:18:36,900 --> 00:18:39,866
that's not why I carved your name in the rock.
308
00:18:40,000 --> 00:18:43,700
I mean, hey, the money's gone, but your name is still there.
309
00:18:43,833 --> 00:18:46,133
Well, not your name... Ingrid's.
310
00:18:52,900 --> 00:18:57,666
Uh, uh, well, I guess I'll hit the chair and try not to hit the floor.
311
00:18:57,800 --> 00:18:59,600
Yo, okay.
312
00:18:59,733 --> 00:19:02,166
-Tony. -Yeah.
313
00:19:02,300 --> 00:19:03,966
It's all right.
314
00:19:05,066 --> 00:19:06,800
You can sleep here.
315
00:19:12,433 --> 00:19:16,033
-I can sleep there. -Right.
316
00:19:16,166 --> 00:19:18,766
Right, because nothing's going to happen,
317
00:19:18,900 --> 00:19:22,700
and because we're both adults and because...
318
00:19:22,833 --> 00:19:28,166
Because things are pretty good between us the way they are.
319
00:19:29,266 --> 00:19:31,266
Right.
320
00:19:31,400 --> 00:19:36,400
Although, things could probably be good between us
321
00:19:36,533 --> 00:19:38,233
the way they aren't.
322
00:19:40,766 --> 00:19:42,366
They'd be great.
323
00:19:43,966 --> 00:19:45,566
Yes, they would.
324
00:19:47,833 --> 00:19:51,466
But they would not be the same.
325
00:19:51,600 --> 00:19:55,066
And I am not willing to risk
326
00:19:55,200 --> 00:19:57,166
losing what we got.
327
00:19:57,300 --> 00:19:59,200
Right.
328
00:19:59,333 --> 00:20:03,000
So we don't need any sheets between us...
329
00:20:03,133 --> 00:20:05,966
We'll just get into this bed...
330
00:20:06,633 --> 00:20:11,566
This... Narrow bed.
331
00:20:12,633 --> 00:20:15,466
And go to sleep.
332
00:20:15,600 --> 00:20:17,700
I've got a headache anyway.
333
00:20:42,633 --> 00:20:45,200
Oops, I'm, I'm sorry.
334
00:20:46,500 --> 00:20:47,866
Mistake.
335
00:20:49,233 --> 00:20:50,900
(SIGHS)
336
00:20:55,066 --> 00:20:56,866
See how easy this is?
337
00:20:59,900 --> 00:21:01,500
Piece of cake.
338
00:21:07,033 --> 00:21:08,633
Goodnight, Tony.
339
00:21:11,266 --> 00:21:12,933
Goodnight, Angela.
340
00:21:15,333 --> 00:21:19,666
(AUDIENCE APPLAUDS)
341
00:21:19,800 --> 00:21:22,466
TONY: Who's The Boss? will be back in a moment. Stick around.
342
00:21:31,966 --> 00:21:34,300
I am a guest here.
343
00:21:34,433 --> 00:21:37,200
How did I draw latrine duty?
344
00:21:38,700 --> 00:21:39,833
What do you expect, Mona?
345
00:21:39,966 --> 00:21:42,233
Wormser made out the duty roster.
346
00:21:42,366 --> 00:21:44,200
Oh?
347
00:21:44,333 --> 00:21:48,200
Well, then, I don't feel so bad about putting Saran Wrap over his toilet bowl.
348
00:21:49,866 --> 00:21:52,433
Here we go, Cinderella.
349
00:21:53,566 --> 00:21:54,633
Orphan Annie.
350
00:21:55,733 --> 00:21:57,466
(EXCLAIMS)
351
00:21:57,600 --> 00:21:59,466
Oh, I've missed you. I've missed you.
352
00:21:59,600 --> 00:22:02,033
All right. What have you two been up to?
353
00:22:02,166 --> 00:22:05,366
Oh well, Tony carved the name of the girl
354
00:22:05,500 --> 00:22:08,600
that he kissed at Kissing Rock, so we went there.
355
00:22:08,733 --> 00:22:10,733
Yeah. I carved it.
356
00:22:10,866 --> 00:22:14,566
And was it you two?
357
00:22:14,700 --> 00:22:20,500
Well, to tell you the truth, Mona, it was me... And... "Ingrid."
358
00:22:21,133 --> 00:22:22,633
Right, Angela?
359
00:22:22,766 --> 00:22:24,166
Right, Tony.
360
00:22:27,233 --> 00:22:30,433
-Sweetheart. -Please Mom, not in front of the guys.
361
00:22:30,566 --> 00:22:34,600
Oh, I'm sorry, honey, uh...fellow.
362
00:22:34,733 --> 00:22:36,533
Hey, hey, hey. Champ, where are you going?
363
00:22:36,666 --> 00:22:38,333
We're cutting out of here in about an hour.
364
00:22:38,466 --> 00:22:39,866
I'm staying here.
365
00:22:40,000 --> 00:22:41,800
Bye, Mom. See ya.
366
00:22:44,433 --> 00:22:47,033
What happened to, "I miss my Mommy?"
367
00:22:47,166 --> 00:22:49,833
You know, Mona, I got a feeling that some thing
368
00:22:49,966 --> 00:22:52,500
went on here last night that we're not aware of.
369
00:22:52,633 --> 00:22:55,233
I get the same feeling about you two.
370
00:22:57,733 --> 00:23:00,100
Come on, Mona, let's pack 'em up and move 'em out.
371
00:23:00,233 --> 00:23:01,766
Okay.
372
00:23:04,766 --> 00:23:06,000
Ingrid?
373
00:23:11,500 --> 00:23:13,366
-Well... -(SIGHS)
374
00:23:13,500 --> 00:23:16,633
That was some night.
375
00:23:16,766 --> 00:23:19,000
Yeah, it was.
376
00:23:19,133 --> 00:23:22,200
And I learned something very important about myself, Angela.
377
00:23:22,333 --> 00:23:24,633
I would have made a great monk.
378
00:23:28,233 --> 00:23:30,900
-The best. -Thanks.
379
00:23:31,033 --> 00:23:35,666
Hey, that's not all I learned. I learned something very important about you, too.
380
00:23:35,800 --> 00:23:37,433
What's that?
381
00:23:37,566 --> 00:23:39,200
You got very warm toes.
382
00:23:39,333 --> 00:23:42,100
(AUDIENCE LAUGHING)
383
00:23:43,000 --> 00:23:45,800
(AUDIENCE APPLAUDS)
384
00:23:53,266 --> 00:23:55,300
(THEME MUSIC PLAYING)
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