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Thank you.
Ladies and gentlemen, it's the Benny Hill Show, and here is Benny Hill.
I said, how was the show? She said, you ought to know. You silly great fool, you
were in it.
Anna Marie, you're the girl I adore.
Anna Marie, you're the girl I live for. I've travelled the world, all I can see.
I'll never find one like Anna Marie.
She invited me round for my birthday to show me how she could cook.
She made some flaky pastry.
It tasted like a wet book.
She had to admit that the cake that I bought really wasn't too bad.
She said she liked the 28 candles that were on the slice that she had.
Let's get cozy.
I'll put something more comfortable on.
And I sat there biting my fingernails for the full half an hour she was gone.
The door burst open. She stood there with all of me mates from the docks.
And they all sang happy birthday to you. And all I had on was me socks.
Thank you very much, ladies and gentlemen.
It's jolly nice to be with you once again. Of course, one of the joys of a
recorded show is that if anything goes wrong, it doesn't matter, you see,
because you just cut out the bit that's gone wrong and throw it away.
And then start again, you see. But of course, if anyone was to get hold of all
the little bits that have gone wrong and string them together, together,
together.
We're having a taste test, and one of these contains...
Spuddo, instant mashed potato.
And the other one just like contains ordinary potato.
And we want to know which one you like the best.
This one.
You're bleeding well, Wood, wouldn't you?
all right. Thank you.
Throw open wide your window, dear.
Mr. Green!
Mr. Green!
Mr.
Green!
So, Mr.
Green, do you know what I'm going to do?
I'm going to kill you.
But before...
Sorry, John, I've gone. I've dried.
I'm sorry. Can I have my word? I'm sorry.
I've never done this before in my whole life.
Honestly, I'm sorry, love.
Can we go again, please?
Living at today's high -speed pace, you have to be double sure
of personal freshness.
I'm sorry, officer.
I was doing a commercial.
Why?
Could I have a dressing gown?
Throw open wide your window, dear.
John,
could I have a word with you?
Eighteen months ago, Edith Tackett worked for Thames TV.
A year ago, She left to join Tele Monte Carlo.
And just six weeks ago, she became the fifth vie conteste d 'argent.
Now, we've been having a little trouble with the Eurovision link, but we hope
it's clear now.
And anyway, she has my numbered questions, so we should be all right.
Tell me, Edith, do you still get the TV times?
Do you still get the TV times?
What's it like being married to a 70 -year -old vicot?
Well, I don't get it as often as I used to.
I used to look forward to Thursday mornings and the postman's visit, but
when I do get it, I think of you, Alan.
And all my friends at Thames Television. Happy days they were.
I believe your favorite wedding present was a French poodle.
He's nearly 75 years old, you know.
But he still manages.
A little tennis and golf.
He's quite active, you know.
I saw a photo of you dining with the French president, Monsieur Pompidou.
sort of person is he?
Well, he's got the stem...
Tell me that from your villa there's nothing but vineyards full of grapes as
as the eye can see. How many acres have you?
Yes.
A perfect gentleman.
Do you hope to have children?
Probably twelve or fifteen hundred.
Mostly white ones, but one or two black ones.
what I don't know, but I do prefer red wine. Always have.
It's nearly two years since I was down that way.
Yes.
Well, we'll just have to wait and see, won't we?
It's a long time since I saw you in the flesh.
Alan, you wouldn't recognize the old place now.
television, mademoiselle. Cut, cut.
For crying out loud, cut.
Ladies and gentlemen, welcome to the Benny Hill Show, The Lady
Bird.
Well, I think I'm going out of my head.
Yes, I think I'm going out of my head.
Over you.
Want you to want me. I need you so badly. I can't think of
anyone but you.
And I think I'm going out of my head.
Cause I can't explain the tears that I shed over you.
But you just won't have me. You don't.
How let's let him go?
Eeny, meeny, miny, moe.
I go and push my bed over to yours.
Your husband!
Your wife!
What are you talking about? You are my wife!
Oh, you are my husband.
Come in. Nothing can go wrong.
Excuse me.
At last, huh?
Yeah, at last. The border, this place.
This place? For years they've been arguing, is it in the Russian sector or
in the American sector? Now they've decided.
I hope it is in the American text. What do you mean?
I can't stand those Russian winters.
to my wife. You have an export license?
I just want to push the bed over there next to my wife.
I want him to. And you, Madam Comrade, you have an import license?
I only want to push it over there. We were married this morning.
You wish to enter the Russian zone?
Yes, please.
You have a visa?
Oh, look, Comrade, he just wants to come over here.
It's understandable, no?
Betting a violator of the Krakow Pact of 1957 is a punishable offence.
They're looking for workers in Siberia, Madam Comrade.
Now, you capitalist pig.
You wish to enter the Russian zone, right? Yes, yes, yes, please, yes,
Name? Doppelganger.
pleasure.
Business.
I think he means pleasure.
You'll see I mean business.
Have you any of the following diseases?
Swine fever, howl, pest, foot and mouth. No, no, give me that. That's for
livestock. That's not for you. Oh, I don't know though.
Now then, application to enter a zone other than your own zone.
Yes, please.
I beg your pardon?
How long do you plan to stay in the Russian zone?
Can I take my bed with me? Not without an import license.
Ten minutes?
Half an hour. Thank you very much. Half an hour.
Can I go over there now? Why?
Because the bathroom is over there. I must go.
Don't you have a bathroom in the free world?
I don't know where the free one is.
It's down the corridor. You can't miss it.
I shall try not to.
Lucky, you could have had so many loyal party members, some of them fully paid
out. Shame on you, comrades.
Get back to your jukebox, you imperialist oppressor.
Then they will give out my visa, be so pleased. I'll put the application in
maybe a month, maybe two. Two?
darling. You cannot enter the Russian zone.
Darling?
Filthy muck made from grapes trodden down by the downtrodden peasant of
I wouldn't drink it with a fixed foot pole.
You keep away from me, you, you, you, you playboy of the Western world.
Come in, what is it? Come in. Stupid Schroeder. He can't even read his
right. That is the American zone and this is the Russian zone. This is the
Russian zone.
That looks good.
Yeah, that looks good too.
It's good. Rudy!
Rudy, my fully paid -up Communist Party member!
Rudy, my husband!
Get away from me, you filthy capitalist!
Get back to America, to your Hollywood, to John Wayne and all that trouble!
We don't want that, do we, darling?
And now, ladies and gentlemen, we present our tribute to the Lower
Hospital Service.
Thank you.
Sitting beside me is commercial television's most loyal viewer, Mrs.
Since its inception in 1955, you haven't missed a programme.
I say, it's not on yet.
I want to be ready for when it comes on.
In all that time, what has been your favourite programme?
Oh, I like them all, you know.
I like the cereal.
Oh, yeah, Katie and Philip.
I like that one.
Always watch that. Oh, she feeds him up, doesn't she? He's been getting quite
plump lately.
I like that one, yes, ever so much.
Do you feel strongly about violence and sex on TV?
Well, I didn't used to like it very much when they sometimes used to have a big
pee on the television.
And they wouldn't let it into the packet.
I think the programme was called Cannonball.
But they get a bit saucy sometimes, don't they?
Where's that?
Well, when that fella comes home and opens his wife's wardrobe and there's a
in there.
She makes out it's the bank manager.
But we know, don't we?
I mean, he may be the bank manager, but what's he doing in her wardrobe? That's
what I'd like to know.
And I like the educational programme.
Educational programme?
Oh, you learn so much on those, you do, honestly. How to wash things
biologically, you learn that, you do.
I mean, my husband's shirts, I used to put them straight in the wash.
Not now.
Put them in a pillowcase first.
All sorts of things. I've learned how to kill 99 % of all household germs.
Dead.
I don't suppose you could kill them any other way, really, could you?
Oh, and I like the adventure programs.
Oh, on the seas with Captain Birdseye. I like that one. Oh, and that one in the
forest. Oh, where that car runs out of petrol late at night.
And all those wolves come round.
Oh, it's exciting. I think I'm on the edge of my seat when I watch that. And
other car with the right ingredient in the petrol goes straight past, doesn't
it? And goes back to the village where that nice German lady is singing.
I mean, it really shouldn't leave him like that because it's dangerous.
could happen, couldn't it?
Of course, my husband, he likes that one of that nice lady who's like walking by
the river or by the woods, you know, and she's very slowly unwrapping a bar of
chocolate flakes.
That's his favourite, that one.
I don't know why, but whenever he sees that, he gets all romantic.
I don't know why, he gets ever so romantic when he sees that one.
Which show do you enjoy most?
Well, I think I like the human dramas.
There's one on there, it's the most beautiful thing I think I've ever seen.
It's wonderful, I'm sorry, but I get so carried away.
And there's this man and he comes home and he's got to clean the floor and he
can't do it and he tries and there's suds and soap all over it.
Scottish lady.
She comes in and she needs no bidding.
She gives it the once over quick as a flash.
It's all lovely and you can see he wants to thank her. You can see the gratitude
in his eyes. And he says, thank you. And she's so self -effacing and so modest.
She won't take any credit.
Don't thank me, she says.
Thank, and she holds the packet up.
I don't know who wrote that play, but, I mean, we could all learn a lot from
that play.
And, I mean, whoever wrote it, I think he must have been a very nice person.
sorry. There we are.
Don't forgive me.
Tell
me,
is there any programme you don't like?
Well... There's one like, well, I'm sure he's a very nice man on there.
I'm sure he's a very good actor and that, but he keeps looking at me and he
says, it contains the bitter lemon made by, shh, you know who.
And I don't know who.
And honestly, I feel like left out of it.
I mean, in spite of what you might think, I'm not a trendy person.
I'm not at all.
I mean, you know, and I feel like, I used to like those. It was much more
they had that nice chubby comedian on, Mr. Michael.
You just stop in all day and night watching TV?
Yes, well, it's because I'm so frail, you see.
My husband, he said to me, Rita, he says you're like a piece of gossamer, you
are. He said if you was the guy, you'd get blown clean away.
That's why he never takes me out anywhere.
So you sit here watching TV all alone?
Not on my own.
Oh? Oh, no!
friends round. We have community singing.
Oh, we join in all of them, yes.
We all sing, you know, what we want.
Lots of chocolates, martis. More, more. More, more.
Oh, yes. See that one?
Oh, dear me.
Of course, they don't write them like they used to.
In the old days, they used to write lovely ones, didn't they? Here. Do you
remember the singing petrol pump, mate?
It's so tiny, happy won't it?
Murray Mint, too good to hurry, Mint.
You'll wonder where the yellow went when you cleaned your teeth with Pepsodent.
You haven't quite got the right rhythm.
Your memory is going a bit... It's more, I wonder where the yellow went when you
cleaned your teeth with Pepsodent.
They're more romantic nowadays, aren't they, the songs are?
No hands that do dishes...
You know, more Leotina, aren't they?
I like that one.
I think they're lovely words, aren't they?
Hands that do dishes can be soft as your eye. It's coming on you.
That's the test part.
I'm so sorry. I'm afraid we will leave Crimea Cutting Care and return you to
studio.
Once again, Great Britain is the host of the Nations of Europe in this European
Song Contest. And as we join this elegant audience here at the Alfred
stage is set for the first contestant. From Italy, pop star Hugo Gelli with
Amore.
Spaghetti. Ravioli.
Thank you.
This year is Flora Loles with her guitarist El Rompo and a song about this
contest. La Contetta!
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Britain's entry this year is Ting Tingaling.
And to conduct it, here is Jet Pacey.
Now suppose you've got the fell pest, green fly and goose's cough, a
severe attack of hiccups and your kneecaps have dropped off.
The surgeon said I'll operate, but the anaesthetic's gone.
You turn and look and smile at him and say, you carry on, I'll stick me.
That's what Nelson did at the Battle of Waterloo. He stuck his finger in his ear
and went ting -a -ling -a -loo.
In 14 and in 39, war raised its ugly head.
And the bombs, they fell on Britain.
And one fell on my head.
But we went and fought the Germans and the Russians and the Finns and the
Italians.
Japanese and all that lot because we knew just what to do we stuck our
in our ears and went ping -a -ling -a -loo now
Prince Philip said get your fingers out and cut me to the
quick we've got our fingers out but I didn't do the trick
so follow your
with all your might and main.
Be like Jenkins, Heath and Wilson and stick them back in!
French conductor Michelle Lepetit mounts the rostrum and leaves the orchestra
for French singing star Mireille Maton.
Good morning, everybody, every evening.
And to all the British gentlemen, ladies, men, who are at this moment
together. In the privy of their own home.
Et maintenant,
sur les paroles d 'Alain Derrière.
Les musiques de Pierre Lecouf.
Accompagné par les champignons de la chanson.
The Singing Mushroom.
I give you Pauvre Fille.
C 'est parce que
j 'attends un bébé
et je ne suis pas marié.
Sur la main, il n 'y a pas un rêve.
I am not on the bill
And here with the Portuguese entry is Ammonia Rodriguez with Primavera.
Thank you.
That's funny.
Austria's entry is Sean Rose, with Hans and Lottie Stuck.
Thank you.
Your hair!
Oh,
no, it's better that I don't. I leave the
roses in the field, for there is the flower.
Oh, yes, the roses in the field. You have the shame.
And now, for the moment we've all been waiting for, here to collect the votes
from all the countries concerned is our own Katie Boyler.
Thank you. Thank you very, very much.
We're starting off right away with the Italian votes. And how many points,
Italy, please? How many points?
Carlo Ponti, Italy, Carlo Ponti.
Portugal, seven points.
Portugal, two points.
France, four points.
France, one and a half points.
Right, moving on. Come in, Portugal.
Come in, Portugal.
Here in Lisbon, we give Spain ten points. Seven points to Spain. And
now for the German marks, we are going to Zurich.
Dankeschön. That's absolutely splendid. And now on to Austria.
Dankeschön.
Well,
I liked it too, but what's that got to do with it?
Oh, I'm sorry.
Dankeschön. Dankeschön.
Nine. Italy, nine points.
That will get you nowhere.
On we go to España.
We're going to Spain.
Are you there, Spain?
Bonus nocus, signor Uta.
Depth to the Italians, is it?
Oh, I'm sorry. Thick to the Italians.
Ah,
tu es muy amable, gracias.
Carry on to la belle France.
Are you there, France?
Katie, la maivreuse Katie.
Comme t 'es belle, c 'est toi.
Avec votre jolie robe de noix. Et votre frappeuse, si élégante, ici.
T 'es méchante, toi, alors.
Great Britain.
Jolly good.
Shall we go on to the next one, please?
Would you speak up, please? I can't understand what you're saying.
Thank you.
Oh, house pies.
Oh, thank you. Thank you very much indeed, ladies and gentlemen.
And we look forward to seeing you all again very, very soon. Until then, bye
-bye.
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