Original subtitles

(dramatic music)

(ominous music)

(solemn music)

(dramatic music)

(both panting)

- We've lost him.

It could be anywhere in the Nine Realms by now.

- Who among the guardians are left alive?

- Only the Defender.

(air whooshing) (dramatic music)

(feet thud)

(swords clink)

(energy crackling)

- If he cannot find the prisoner?

- He must.

(thunder cracking)

(dramatic music)

(Beth panting)

(ominous music)

(tense music)

(gun clicking)

(gun bangs)

(speaking in foreign language)

(Beth gagging)

(Beth gasping)

(Beth coughing)

- What the?

Hold it right there!

(tense music)

(Beth squeaks)

(dramatic music)

(speaking in foreign language)

(guard yells)

- [Dispatcher] Available units,

we have a report of a civil disobedience

in the vicinity of Balboa and Silver Oaks.

Possible shots fired.

- Copy that, dispatch.

Officer Stark and Davis reporting.

(solemn music) (siren wails)

(suspenseful music)

(dramatic music)

(ominous music)

You two all right?

We had a report of a disturbance in this area.

- The report was of a woman yelling for help

with possible shots fired.

- You didn't hear anything, did you?

- You sure you two are all right?

- Thank you for your concern, Officer.

- But everything is fine.

(suspenseful music)

(energy whining) (dramatic music)

(gentle music) (crickets chirping)

(Amy laughs)

(both yell)

(Amy laughs)

(thunder cracking)

(ominous music)

- What is it?

(thunder cracks) (Amy yells)

(lighting bolts cracking)

(ominous music)

(thunder rumbling)

(Amy yells)

(house creaking)

(energy beam roars) (suspenseful music)

(energy beam whining)

- Holy--

(energy beam roars)

(wind whistling)

(solemn music)

(spheres chiming)

(speaking in foreign language)

- Find him.

(ominous music)

(thunder rumbling)

(Amy sighs)

(Amy groans) - You okay?

- Yeah, I think so.

What the hell was that?

- I have no idea.

Come on, let's go check it out.

(suspenseful music)

(thunder rumbling) (crickets chirping)

Oh.

(dramatic music)

Look.

- Is that a man?

- He's alive.

Come on, help me get him outta here.

(solemn music)

(dramatic music)

(Grant and Amy grunting)

Hang in there, buddy.

(ominous music)

(phone beeps)

Phone's dead.

- Probably just got damaged in the storm.

- Try your cell again.

(phone beeping)

This guy's burning up.

(Amy grunts)

- Still no signal.

- Try it in the living room.

Sometimes I can get a signal down there.

(phone ringing)

- [Operator] 911.

- Hello.

(solemn music)

Hello? (static crackling)

(Amy sighs) (phone beeps)

(glass crackles)

(Amy gasps) (dramatic music)

(glass crackling)

- Grant!

- I think he's waking up.

- Get down here!

(ominous music)

Someone's in the house.

(knife clinks)

(Amy screams)

(Amy grunts)

- Get away from her.

Get away from her!

(Grant grunting)

(Amy groans)

(ominous music)

(foot thudding) (bones cracking)

(Amy screams)

(Amy grunting) (solemn music)

(Amy groans)

- Please, please.

(knife clinks) (blood splats)

(solemn music)

(ominous music)

(knife clinks) (tense music)

(strikes thudding) (Defender grunting)

(blade clinks) (solemn music)

(dramatic music) (energy whining)

(suspenseful music)

(horns honking)

(engines revving)

(Freya laughs)

(alarm wailing)

(horns honking)

(Defender gasping)

(dramatic music)

(energy crackles)

- Save, save, save us.

(dramatic music) (Defender grunts)

(horn honks)

- [Man] Get out of the street!

- Oh hell.

(horn honking)

- Let's go. (siren wails)

(horns honking)

All right, buddy, outta the street.

- Happy hour's over.

Get an early start, did ya?

- Where,

where am I?

- Middle of the street, time to go.

- I,

I,

I must find something.

(dramatic music)

- Down on the ground.

Hands behind your head!

- Get down on the ground now!

Do it now! - Don't move.

- Stay where you are.

- Hands where we can see them!

- Turn around and face away from me.

- Off your feet. - Place your hands

behind your head. - Please, I--

- Any weapons?

- On the ground! - I said, any weapons?

Hands behind your head! - Do it!

- Don't move! - Do it now!

- Don't move!

Hands behind your head now!

- I'm here to-- - Don't move!

Any weapons? - Now, do it!

- Behind your head!

(tense music)

(officer grunts)

(dramatic music)

Suspect's heading east on Jefferson.

Send backup, I repeat, east on Jefferson.

Hey!

Suspect on foot, heading east, requesting backup.

(siren wails)

- This is Officer Reese, in pursuit of suspect,

last seen heading eastbound on Jefferson.

- Suspect's now headed on Maple.

- Suspect is a white male, mid-20s to early 30s.

Blonde hair, blue jeans, a white T-shirt.

- Meet me on Main Street, Maple and Main.

(siren wails)

- Spread 'em.

- Dispatch, this is Adam-20.

Suspect has been apprehended.

I repeat, suspect is now in custody.

- So what have you been up to tonight, Mr. Grant Farrell.

(radio chattering)

- Dispatch, this is Adam-20.

I'm gonna need available units.

Go to 3362 Topanga Boulevard.

Possible breaking and entering.

- You have the right to remain silent.

Anything you say can and will be held against you

in a court of law.

You have the right to an attorney.

If you cannot afford an attorney,

one'll be appointed to you by the courts.

You understand the rights I've read to you?

Good.

(doors thud)

(ominous music)

(Defender grunting)

- This is a mistake.

I do not belong here.

- You should've thought of that before you decided

to assault a police officer.

- Please, you must release me.

- Now why would we go and do a thing like that?

- Please, I,

I am here

to help you.

(officers laugh)

- Right.

- I think we've had just about enough of your help

for one evening.

(Defender grunts)

- Settle down.

- Please, you must release me.

I have to go.

I have to go north.

- The only place you're goin' is downtown.

- You don't understand.

There's something,

something out there that must be stopped.

- Hey, knock it off!

- Please, you must release me!

(ominous music)

- You're not goin' anywhere, pal.

- Kill him.

(officer grunts)

(gun bangs)

(tense music)

(gun bangs)

(engine revs) (tires squeal)

(gun banging)

(ominous music)

(dramatic music)

- Hey, hey!

(officer coughing) Come on!

(Defender grunting)

(head thudding)

Hey!

(fist banging)

Come on!

(Defender grunting)

(engine revs)

Wake up!

Ah!

(engine revving)

(Defender grunting) (foot thudding)

(suspenseful music)

(car thuds)

(solemn music)

(phone beeping)

(solemn music)

- So there's this crash, right.

And when I looked outside my window,

the car's already at the bottom of the river.

All I see is this big guy taking off running.

- Can you describe him for me, please?

- Yeah, he's about six-foot-four,

dirty blonde hair, jeans, white T-shirt.

Oh, and he's got one of those zip-up hoodies on.

- Okay, and which way was he headed?

- Towards downtown.

(ominous music)

- Do you mind meeting with one of our sketch artists,

so we can get a mock-up of him?

- Sure, of course.

- [Officer] Thanks, thank you, sir.

(suspenseful music)

(door rattles)

(door creaks) (solemn music)

(somber music)

(dramatic music)

- [Odin] Defend them.

The final attack.

You have entered the realm.

Face and end this.

(dramatic music)

(somber music)

(solemn music)

(door thuds)

(phone buzzing)

- Dad, Dad, stop it.

When are you gonna come down to visit?

- Soon, I hope.

You sure I wouldn't be cramping your style?

Do the kids still say that?

Cramp your style? (Freya laughs)

- They sure don't,

and you know you're getting old

when you refer to anyone as the kids.

- Ah.

So anyone interesting in your life these days?

- Dad, Dad, I think you're breakin' up.

- 'Cause I ran into Mary Jennings the other day,

and she told me her daughter married a guy she met

on one of those online dating websites.

- Oh, Dad, you're breakin' up.

I'm going through a tunnel.

Okay, you know what, I'll call you back.

I love you, bye.

(phone beeps)

(gentle music)

(door creaking) (suspenseful music)

(ominous music)

(Freya yells)

(tense music)

- He is here.

(dramatic music)

(Freya gasping)

(suspenseful music)

(Freya gasping)

(dramatic music)

(suspenseful music)

(dramatic music)

(Freya gasping)

- [Officer] Los Angeles Police Department.

- Hello.

There's a man in my store.

He has a gun.

(Defender yells)

(gun bangs) (Freya screams)

(dramatic music)

(gun bangs) (Freya screams)

(strike thuds) (Defender grunts)

- Who are you?

(strikes thudding)

Why are you trying to kill me?

(strikes thudding) (Defender grunting)

(gun clicks) (Freya yells)

(strikes thudding)

(solemn music)

(Freya gasps)

Go now. (door thuds)

- Please.

- Do it. (Freya yells)

(engine revs)

(dramatic music)

Have you been hurt?

Are you injured?

- No!

Please, please don't hurt me.

- I do not intend to harm you.

- Please, take my keys,

take my car, I won't call it in.

- I do not know how to operate this vessel.

Please take us north.

- There's a bus station.

It's just a few blocks away.

- I promise I will not harm you.

(siren wails)

(Freya gasps) (tires squeal)

- Help, help, I'm being kidnapped, help!

(tense music)

- Get in the vehicle.

(Freya grunting)

Now.

(Freya grunting)

Run.

(Freya yells)

What do you want form me?

(siren wails)

- [Dispatcher] We have a disturbance in the vicinity

of Calvert and Pessner.

- This is unit 19.

We are en route to the intersection of Calvert and Pessner.

(siren wails) (engine revs)

(Defender grunting) (strikes thudding)

(Freya panting) (tense music)

(Defender grunting)

- Beth, come on, we gotta get out of here.

(Freya gasps)

(gun bangs) (bullet clangs)

Are you crazy?

(strike thuds)

(dramatic music)

(gun bangs)

(engine revs)

- [Dispatcher] All units, be advised,

we are receiving reports

of shots fired. (gun banging)

- She's got a gun.

- Drop your weapon!

- Get down now!

(guns banging) (dramatic music)

(solemn music)

(dramatic music)

- What have we got? - Male, critical condition,

multiple gunshot wounds to the upper torso,

and he's hemorrhaging.

- [Surgeon] Masks on.

- Female shooter, multiple gunshot wounds.

Her vitals are fading.

- Get her on an IV.

(suspenseful music)

- [Surgeon] Get them off him

and set up the sterile field.

- [Surgeon] Let's get some suction here, please.

- Oxygen. - Increasing oxygen flow.

- [Surgeon] Hold here!

I need pressure here.

- [Nurse] Applying pressure.

- Scalpel! - Scalpel.

- [Nurse] Pulse is dropping.

- [Surgeon] Hold here.

Making first incision.

- [Surgeon] Come on, come on, up here, up here.

- [Nurse] Pupils are fully dilated.

- Forceps! - Forceps.

- [Surgeon] I see the bullet.

I got it, I got it.

- [Nurse] Applying pressure.

- [Nurse] Starting transfusion, type O-negative.

- There we go.

- Forceps! - Forceps.

- [Surgeon] Pat it down here.

Increase IV drip by 20%.

- She's stabilizing.

- Okay, I think that's everything.

Let's close him up.

(monitor beeping)

- He's coding.

- Start chest compressions, get me the defibrillator.

- Crash cart! - One, two, three, four,

five, six, seven-- - Check his airway.

(defibrillator humming) - Eight, nine, 10.

- Charged. - 200 joules.

Everyone, clear!

(paddles thump) (dramatic music)

- Stop him, before it's-- - I'll find you.

- [Surgeon] Get in here!

- One, two, three, four.

- [Nurse] He still hasn't got full rhythm.

- [Surgeon] Paddles charged.

Everyone, clear.

(dramatic music) (energy crackling)

(swords clink)

- Defend them, save them.

- [Surgeon] Continue chest compressions.

- [Nurse] One, two, three, four.

- [Surgeon] Come on, come on.

- Five, six, seven. - His pulse is fading.

- We're losing him. - Eight, nine, 10.

- [Surgeon] Increase the voltage by 30%.

Everyone, clear!

(electricity crackling) (solemn music)

(paddles thump) - He must be stopped.

(weapons clanging)

Find him.

(solemn music) (monitor beeps)

- Call it.

(somber music)

(thunder rumbling)

(ominous music)

(solemn music)

(Freya sniffs)

(thunder rumbles)

(Freya gasps)

(thunder cracks)

(monitor beeping)

(lights buzzing)

- Nothing to worry about.

Probably just a rolling blackout.

(ominous music)

(speaking in foreign language)

- Defend mankind, defend them.

Defend, defend them.

(dramatic music)

(ominous music)

- Excuse me, sir.

You're not supposed be here.

(doctor gasps)

(speaking in foreign language)

(doctor yells)

(tense music)

(footsteps clatter)

(ominous music)

- Sir, this is a restricted area.

I'm gonna have to ask (gags).

(Freya yells)

(speaking in foreign language)

- Somebody help, please!

(officer yells)

(screams) Somebody help me, please!

(Freya screams)

(speaking in foreign language)

- Let her go!

- Asgardian.

(Freya gasps)

(solemn music)

(energy whines)

(suspenseful music)

- Who are you?

- You don't remember, do you?

(weapons clanging)

- [Odin] To defend, you must make sacrifices.

Stop and end this.

Find and save.

(dramatic music)

(weapons clanging) (soldiers yelling)

- Loki.

- You need to help me.

You need to help me!

There's an emergency on this floor.

We need to call the police.

(ominous music)

(Freya gasps)

(energy whining) (both grunting)

(suspenseful music)

(brakes squeal)

(energy bolts whining)

- Get in.

(engine revs)

(ominous music)

Who are you?

- I, I can't remember.

The police called me Grant Farrell.

You know her?

- She's my sister.

- I'm sorry.

- What happened to her?

Why was she trying to kill you?

- She was not.

- And that guy back there in the hospital?

- Loki, he did this to her.

- Okay, what does that mean?

I need a straight answer.

What is going on?

(ominous music)

- [Loki] Stop them.

(Freya yells)

(tires squealing)

(dramatic music)

- We are not safe here.

(ominous music)

(Freya gasping)

Let's go, now!

(tires squeal) (engine revs)

(solemn music)

- We have to go to the police.

- They can't be trusted.

Any one of them could be under his control.

She's alive.

- What did he do to her?

I want to know everything.

- Her body is no longer her own.

He's taken the part of her that you know and locked it away.

What is left is nothing more than a vessel for his presence.

- Can it be reversed?

- I don't know, but if there is a way,

the answer lies to the north.

(solemn music)

(ominous music)

(dramatic music)

(officers yelling)

(solemn music)

- That'll be $45.

- [Freya] How is she?

- The same.

- Here.

I got you these.

I thought they'd make you look a little less conspicuous.

- Thank you.

- I got us some food.

Jesus.

(phone buzzing)

Hey.

- Freya.

Oh, thank god you're all right.

I was so worried.

- Dad, I'm, I'm fine.

- What is going on?

Your picture's all over the news.

- It's complicated.

- You're wanted as an accessory to murder.

- Dad, you know I'd never--

- Of course, I know,

but what is going on?

- I can't say, but it's okay.

Everything is gonna be just fine.

- Freya, come home.

We can figure this out together.

- I, I can't, and you shouldn't be there either.

You should go as far as you can

and don't tell anybody where you're at.

- But why? - I can't say.

And it's, it's better if you don't know, but just know

that we didn't do anything they're accusing us of.

I'll call you later.

I love you.

(phone beeps)

- Freya?

(dramatic music)

- Police have issued warrants for two fugitives suspected

in a recent rash of violent crimes.

A statewide manhunt has been issued in an attempt

to apprehend the pair believed responsible

for several deaths in the L.A. area.

The two are believed to be armed

and extremely dangerous. (phone beeping)

Police urge anyone with any information

to contact the authorities immediately.

(dramatic music)

- [Dispatcher] Attention, all units,

suspects last seen headed east on Lakeviews Road.

Suspects armed and extremely dangerous.

(siren wailing)

(suspenseful music)

(siren wailing)

(tense music)

(guns click)

- I swear I didn't steal it.

They said it was a fair trade.

- [Freya] We can take this road north

all the way to the border.

- If we maintain this speed and heading,

we should be there before nightfall.

- What exactly are we looking for?

- I'm not sure,

something powerful,

something true,

something that will help balance the equation.

- Like some sort of weapon?

- I don't know.

I'm sorry.

I wish I could tell you more.

I just can't remember. (dashboard buzzing)

- Great.

Perfect.

So what's it like not knowing who you are?

- Not what you might expect.

I feel like I do know who I am,

and my sense of right and wrong

and the causes for which I would fight

and die for are so ingrained in me they're almost palpable.

- But how do you not remember your past?

- I don't know.

Sometimes the memories come flooding back,

but only for an instant.

When I try to remember,

it's like waking from a vivid dream,

so clear at first, but it quickly fades.

The longer I'm here, the closer we get to the north,

the more I remember.

It's strange, I know.

- Well, after everything we're going through,

seems perfectly normal to me.

(horn honks)

(ominous music)

- I promise, I will not let him harm you.

- They're looking for two of us not one.

Just keep outta sight, I'll handle it.

(radio chattering)

- [Dispatcher] All units, 10-four,

suspect in custody, 2100 Edison.

(tense music)

(radio chattering)

(knuckles rap)

- Is there a problem with your vehicle, ma'am?

- No, she, uh, she just overheated, that's all.

It's okay.

She just takes a minute to cool down sometimes.

You don't have to wait.

(tense music)

- Is she okay?

- Yeah.

Yeah, yeah, she, um, just had a rough night, last night.

You know how that can be.

- All right, well, it's against regulations

for you to stand here, so if you can't get it started,

I'm gonna have to call a tow truck.

(engine sputtering)

You know what, that sounds like the starter.

Let me take a look at this.

(tense music)

(engine sputtering)

(engine purring)

(Freya gasps)

Ma'am, right down the road from here,

there's a service station.

Why don't you pull up there and let it cool down?

- Okay. - Have a better day, ma'am.

- Thank you.

(gentle music)

(ominous music) (breath hissing)

- Find him.

(ominous music)

(crickets chirping)

(Beth groans)

- She's getting worse.

(Beth groaning)

- I know.

- You've done enough.

I'll find another way to get north.

Stay here.

Help your sister.

Thank you for everything you've done.

- Wait.

Can you stop him?

- I must.

- Then I'm coming with you.

If you don't stop him,

then she'll never be freed.

(phone beeping)

- [Operator] 911 emergency.

- Hello.

I'm at the Frazier Mountain Motel.

There's a woman in room 12.

She's unconscious and appears to be shot.

Please send an ambulance.

(phone beeps) (somber music)

(suspenseful music)

(ominous music)

(suspenseful music)

(camera whirring)

(computer beeping)

- All units, respond, suspect sighted

at the intersection of Arcadia and Mallory.

- [Dispatcher] Suspects moving north, Humboldt County,

last seen in the intersection of Arcadia and Mallory.

Use of deadly force is authorized.

(dramatic music)

(sirens wailing)

(solemn music)

- Look. (dramatic music)

Get us off the road.

(sirens wailing)

(Freya gasps)

You must go faster.

(gun bangs) (Freya yells)

We have to find cover.

(gun bangs) (Freya yells)

There.

- [Freya] We're stuck!

- Get out!

(sirens wailing)

(tense music)

Stay here.

(gun bangs)

(gun clicks)

(suspenseful music)

(gun clicks)

(dramatic music)

(Defender grunts)

(gun banging)

(punches thud)

(solemn music)

- Can I see your license, sir?

(ominous music) (energy whining)

Sir, I'm gonna need you to step out of the vehicle.

(ominous music)

(dramatic music)

- Save them.

He must be stopped.

Defend them, save them.

He must be stopped before it is too late.

You are beaten.

Call off your army and my judgment for your insolence

and treachery may yet know mercy.

(dramatic music)

- [Loki] Mercy is for the weak.

(dramatic music)

(sphere whines)

(Defender gasps)

- Are you all right?

- It's nothing.

It's just more memories.

He's stolen something,

something that will amplify his powers.

We're running out of time.

(solemn music)

- Get your hands off me!

I know my rights, and there's no way in hell...

- Now where is your daughter?

- Must be some kinda accident.

(ominous music)

(Freya gasps)

We have to get out of here now.

(suspenseful music)

- Find them and kill them.

- Unit 92 to dispatch, we have an abandoned vehicle

on Old Mill Road, possible suspect activity.

- [Dispatcher] Attention, all units,

suspect activity reported in the vicinity of Old Mill Road.

Fugitives are considered armed

and extremely dangerous. (sirens wailing)

Orders are shoot to kill.

(dramatic music)

(sirens wailing)

- Set a perimeter.

Flush them out!

(dramatic music)

(radio chattering)

(gun clicks) - Don't move.

(tense music)

- Please, you don't understand.

- I got him.

He's about a mile--

(gun bangs) (tense music)

- It's locked.

(gun banging)

- Come on!

(suspenseful music)

- Secure the perimeter.

Smoke 'em out.

(gun clicking)

(smoke grenade clanking)

- Hey, get us out of here now!

(gun bangs)

(metal clanging)

(suspenseful music)

(both coughing)

Air.

(crickets chirping)

- Will any of these work?

(engine rumbles)

(solemn music)

Are you all right?

- Yeah, um, I'm okay.

- You need rest.

- I'll be fine.

- You've been up for two days.

You need to sleep.

- We don't have time.

- We're getting close,

very close.

When will it be light again?

- About eight hours.

- Find a place to stop.

(solemn music)

(Freya sighs)

Rest.

I will keep watch.

- You need your rest.

There's nobody out there.

We're all alone out here.

(gentle music)

- Stop him, stop him.

He must be stopped.

Nigh is happening.

Avenge me, it is time.

It is time.

(dramatic music) It is time.

- Get dressed, quickly.

(tense music)

Come on, this way.

- What about the car?

- We will not need it.

(suspenseful music)

It is here.

Come on.

(suspenseful music)

(gentle music)

- What is it?

(dramatic music)

- This is what we've been looking for.

(thunder rumbling)

(energy crackling)

(thunder cracking)

(Defender yells) (energy crackling)

(solemn music)

Father.

- My son,

you must find Loki,

before it is too late.

(Odin coughs)

With the sphere in his hand,

his powers will grow,

till he's able to raise an army with a single stroke.

You must stop him before he enslaves

or subjugates another people.

He will not stop until he has spread his madness

to all corners of the Nine Realms.

Do what you were born to do.

Protect the realms of gods and men.

He must be stopped,

no matter the cost.

(solemn music)

(Defender yells)

(dramatic music) (energy crackling)

- Grant!

(ethereal music)

(air whooshes)

Huh, how, how'd you--

- There's no time.

- What is it?

(Freya gasps)

(gun clicks) - Go now!

(gun banging) (bullets clanging)

Go now! - What about you?

- I'll be fine.

(dramatic music)

(Defender yells) (energy crackles)

(Freya panting)

(guns banging) (bullets clang)

(Defender yells) (energy crackles)

(solemn music)

- [Freya] Dad!

(metal clanging)

Come on, we gotta get out of here.

(Defender yells)

(gun bangs) (bullet clangs)

- Release her, immediately.

- Drop the hammer, or I kill the girl.

- Coward.

Show yourself!

- Drop it and you have my word she will go unharmed.

- What good is the word of a murderer.

- Insolence! (Freya yells)

Your dissension will not be tolerated.

- Face me then.

Or are you afraid?

- My powers have grown beyond your comprehension.

- And yet you hide behind the body of another.

- I am your lord.

To engage you would be beneath me.

- You're no lord of mine.

- So like your father,

impudent and weak.

- Enough of this!

Face me!

(Freya grunting)

- Do not test my resolve, Asgardian.

- Wait.

(Freya grunts)

Don't.

(dramatic music)

Now show yourself.

- As you wish.

- No! (Defender groaning)

- Fool, did you really think you could beat me?

(kick thuds) (Defender grunts)

(energy whining)

Now, reap the rewards of your failure.

(energy whining)

- Stop!

- Your opposition has come to an end.

(energy whines) (Defender groaning)

- No!

(solemn music)

(Freya sobbing)

(speaking in foreign language)

(Freya yells)

(ominous music)

(energy whines)

(energy beams roaring)

(ground rumbling)

(energy beams roaring)

(people yelling)

(dramatic music)

(solemn music)

(energy crackling)

(dramatic music)

- Impossible.

(uplifting music)

(ominous music)

(thunder crackling)

This time, I'll kill you where you stand.

- Shut up and fight.

(weapons clanging) (fighters grunting)

This madness ends here!

(energy beam whines) (dramatic music)

- [Loki] Soon, you'll join the people of this realm.

Lay down your weapon, and I shall grant you a quick death.

- I'd rather burn in flames of eternity

than surrender to you.

- [Loki] If suffering is what you wish for,

then suffering you shall receive.

(dramatic music)

(beam whining)

(explosion roars)

- Enough!

(weapons clanging) (fighters grunting)

Your reign ends now!

(thunder cracks)

(Defender yells)

(solemn music)

(hammer thuds)

(gentle music)

- [Freya] Is it really over?

- Yes.

Loki's gone.

The source of his power has been destroyed.

- So where do you go from here?

Back to your home?

- Home is wherever you want it to be.

I think I'll make mine here.

- Does that mean you're staying?

- This world is so full of life

and so much beauty.

I'd be a fool to leave it behind.

- I couldn't I agree with you more.

(gentle music)

(dramatic music)