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1
00:00:10,534 --> 00:00:12,198
PREVIOUSLY ON "AMBITIONS"...
2
00:00:12,200 --> 00:00:13,398
TRACY...
3
00:00:13,400 --> 00:00:15,698
EVAN, CALL 911!
4
00:00:15,700 --> 00:00:17,032
I ALREADY TOLD YOU
I'M NOT SELLING.
5
00:00:17,034 --> 00:00:19,532
Greg: BABE,
BE CAREFUL OUT THERE.
6
00:00:19,534 --> 00:00:22,798
ATLANTA CAN BE A ROUGH CITY
AFTER DARK.
7
00:00:22,800 --> 00:00:24,499
WHAT YOU WANT?
8
00:00:24,501 --> 00:00:26,699
SEVERAL HIGHER UPS IN THE
MAYOR'S CABINET ARE ON THE TAKE.
9
00:00:26,701 --> 00:00:29,465
Stephen: GET THAT UNGRATEFUL
HUSBAND OF YOURS TO PLAY BALL.
10
00:00:29,467 --> 00:00:31,198
STOP SCHMOOZING
AND SCHEMING,
11
00:00:31,200 --> 00:00:32,765
TRYING TO PULL
SOME POWER PLAY.
12
00:00:32,767 --> 00:00:34,965
SHOW THE PEOPLE OF ATLANTA
THAT THE PURIFOYS
13
00:00:34,967 --> 00:00:37,299
ARE HEARTBROKEN
OVER THIS OPIOID EPIDEMIC.
14
00:00:37,301 --> 00:00:39,965
Hunter: STEPHEN CARLISLE'S
BEEN OUT TO DESTROY MY
BUSINESS FOR...
15
00:00:39,967 --> 00:00:41,365
DECADES.
16
00:00:41,367 --> 00:00:42,799
Stephanie:
RELATIONSHIPS HAVE A WAY
17
00:00:42,801 --> 00:00:45,599
OF BECOMING COMPLICATED
VERY QUICKLY.
18
00:00:45,601 --> 00:00:48,532
ONE SECOND, YOU'RE HAVING
THE BEST SEX OF YOUR LIFE...
19
00:00:48,534 --> 00:00:50,698
WHY SHOULDN'T WE ENJOY
EACH OTHER'S COMPANY?
20
00:00:50,700 --> 00:00:54,065
...AND THE NEXT,
YOU WANT TO KILL HIM.
21
00:00:54,067 --> 00:00:57,598
[ SIREN WAILS ]
22
00:00:57,600 --> 00:00:58,698
[ POLICE RADIO CHATTER ]
23
00:00:58,700 --> 00:00:59,965
Rondell:
I'D SAY HE WAS ABOUT...
24
00:00:59,967 --> 00:01:02,465
5'10, 185 POUNDS.
25
00:01:02,467 --> 00:01:05,265
WELL, I'D PUT HIM
CLOSER TO 200.
26
00:01:05,267 --> 00:01:07,732
MR. LANCASTER, I NEED YOU
TO PUT THAT SHOTGUN AWAY.
27
00:01:07,734 --> 00:01:10,065
I'LL KEEP MY SHOTGUN
WHEREVER I DAMN WELL PLEASE.
28
00:01:10,067 --> 00:01:11,699
THIS IS
A DANGEROUS NEIGHBORHOOD.
29
00:01:11,701 --> 00:01:14,398
[ POLICE RADIO CHATTER ]
30
00:01:14,400 --> 00:01:16,299
CLOTHES?
31
00:01:16,301 --> 00:01:17,765
UM...
32
00:01:17,767 --> 00:01:21,865
SAGGING BLUE JEANS,
WHITE JORDANS, A GRAY HOODIE.
33
00:01:21,867 --> 00:01:23,465
A BLACK SKULLCAP.
34
00:01:23,467 --> 00:01:25,532
YEAH, HE HAD
ONE OF THOSE GIRLISH
35
00:01:25,534 --> 00:01:26,998
STOCKING CAPS
OVER HIS HEAD
36
00:01:27,000 --> 00:01:28,598
SO WE COULDN'T
MAKE OUT HIS FACE.
37
00:01:28,600 --> 00:01:31,732
WHACKING THE TABLETOPS
WITH A BASEBALL BAT.
38
00:01:31,734 --> 00:01:33,065
HE CAME
RUNNING OUT OF HERE,
39
00:01:33,067 --> 00:01:35,331
HEADED NORTH ON
ENGLISH AVENUE TOWARDS WHEELER.
40
00:01:35,333 --> 00:01:36,865
AND WHO ARE YOU?
41
00:01:36,867 --> 00:01:38,532
INEZ TRUJILLO.
I WORK HERE.
42
00:01:38,534 --> 00:01:40,332
LIVE RIGHT ACROSS
THE STREET.
43
00:01:40,334 --> 00:01:41,932
AND ME AND MY FATHER
LIVE UPSTAIRS
44
00:01:41,934 --> 00:01:42,932
ABOVE THE RESTAURANT.
45
00:01:42,934 --> 00:01:45,331
WAS THE ASSAILANT BLACK,
WHITE, LATINO?
46
00:01:45,333 --> 00:01:46,698
OH,
HE WAS ONE OF US.
47
00:01:46,700 --> 00:01:49,332
I WAS GONNA SHOOT HIS ASS
IF MY DAUGHTER DIDN'T STOP ME.
48
00:01:49,334 --> 00:01:51,132
DO YOU HAVE A PERMIT
FOR YOUR WEAPON, MR. LANCASTER?
49
00:01:51,134 --> 00:01:54,665
DON'T NEED NO PERMIT
FOR A SHOTGUN IN GEORGIA.
50
00:01:54,667 --> 00:01:56,665
STOP TRYING TO SPIN THIS
BACK ON US!
51
00:01:56,667 --> 00:01:59,765
YOU KNOW WHAT'S GOING DOWN
IN THIS NEIGHBORHOOD.
52
00:01:59,767 --> 00:02:01,932
YOU SHOULD HAVE HAD
MORE PATROLS OUT!
53
00:02:01,934 --> 00:02:03,932
YOU MENTIONED
HE SAID SOMETHING.
54
00:02:03,934 --> 00:02:05,565
[ POLICE RADIO CHATTER ]
55
00:02:05,567 --> 00:02:07,665
YEAH.
56
00:02:07,667 --> 00:02:11,265
HE SAID, "YOU KNOW
WHAT TIME IT IS, BITCH."
57
00:02:11,267 --> 00:02:14,699
ME AND MY PARTNER
WILL FILE YOUR REPORT.
58
00:02:14,701 --> 00:02:16,898
MAKE SURE
TO KEEP YOUR DOORS LOCKED
59
00:02:16,900 --> 00:02:18,598
DURING NON-BUSINESS HOURS.
60
00:02:18,600 --> 00:02:20,099
Y'ALL SORRY.
61
00:02:20,101 --> 00:02:21,432
YOU'RE SORRY.
62
00:02:21,434 --> 00:02:24,365
MISS LANCASTER,
MR. LANCASTER.
63
00:02:24,367 --> 00:02:26,365
CAREFUL WITH
THAT SHOTGUN.
64
00:02:26,367 --> 00:02:27,465
[ SIGHS ]
65
00:02:27,467 --> 00:02:30,465
YOU'RE THE MAYOR'S
FREAKIN' FAMILY.
66
00:02:30,467 --> 00:02:32,865
HOW CAN THIS
BE HAPPENING?
67
00:02:32,867 --> 00:02:34,198
Inez:
YOU SHOULD CALL HIM.
68
00:02:34,200 --> 00:02:35,798
I DON'T WANT
EVAN INVOLVED.
69
00:02:35,800 --> 00:02:37,332
THIS PLACE JUST
KEEPS GETTING WORSE.
70
00:02:37,334 --> 00:02:38,798
[ CAR DOOR SLAMS,
ENGINE STARTS ]
71
00:02:38,800 --> 00:02:42,198
RONDELL...
72
00:02:42,200 --> 00:02:44,265
MAYBE WE SHOULD JUST
GET OUT OF HERE.
73
00:02:44,267 --> 00:02:46,698
THEY GOT
THOSE NEW TOWNHOUSES
74
00:02:46,700 --> 00:02:47,965
OVER THERE
ON BUFORT HIGHWAY.
75
00:02:47,967 --> 00:02:50,065
I COULD LIVE
CLOSER TO BELLA.
76
00:02:50,067 --> 00:02:53,932
YOU CAN SELL TO THAT SLIMEBALL
IF YOU WANT TO, INEZ.
77
00:02:53,934 --> 00:02:56,465
THELMA'S PLACE
IS HERE TO STAY.
78
00:02:56,467 --> 00:02:58,131
♪♪
79
00:02:58,133 --> 00:03:00,398
WELL, YOU KNOW I'D NEVER LEAVE
WITHOUT YOU, GIRL.
80
00:03:00,400 --> 00:03:02,198
YOU WANT ME TO OPEN
IN THE MORNING?
81
00:03:02,200 --> 00:03:04,398
I'M GOOD.
82
00:03:04,400 --> 00:03:08,465
JUST PLAN ON COMING IN
FOR YOUR REGULAR SHIFT.
83
00:03:08,467 --> 00:03:09,598
OKAY.
84
00:03:09,600 --> 00:03:10,865
[ SIGHS ]
85
00:03:10,867 --> 00:03:12,932
I'LL SEE
YOU GUYS TOMORROW.
86
00:03:12,934 --> 00:03:15,332
BYE, SENIOR.
'NIGHT, NEZ.
87
00:03:15,334 --> 00:03:18,398
[ BELL JINGLES ]
88
00:03:18,400 --> 00:03:21,032
[ SIGHS ]
89
00:03:21,034 --> 00:03:23,365
♪♪
90
00:03:23,367 --> 00:03:26,332
SHE GOT A POINT,
YOU KNOW.
91
00:03:26,334 --> 00:03:28,465
PETERS AIN'T PLAYING
ANYMORE, RONDELL.
92
00:03:28,467 --> 00:03:31,065
NEITHER AM I,
DADDY.
93
00:03:31,067 --> 00:03:32,465
♪♪
94
00:03:32,467 --> 00:03:34,598
PETERS THINKS HE CAN JUST COME
AND SCARE ME
95
00:03:34,600 --> 00:03:37,332
INTO ABANDONING
MY MAMA'S RESTAURANT?
96
00:03:37,334 --> 00:03:39,332
UNH-UNH.
97
00:03:39,334 --> 00:03:40,732
♪♪
98
00:03:40,734 --> 00:03:43,465
OVER MY DEAD BODY.
99
00:03:43,467 --> 00:03:53,465
♪♪
100
00:03:53,467 --> 00:04:03,465
♪♪
101
00:04:03,467 --> 00:04:12,865
♪♪
102
00:04:12,867 --> 00:04:13,965
♪♪
103
00:04:13,967 --> 00:04:16,799
[ CAMERA SHUTTER CLICKING ]
104
00:04:16,801 --> 00:04:26,598
♪♪
105
00:04:26,600 --> 00:04:30,798
♪♪
106
00:04:30,800 --> 00:04:32,798
[ CAMERA SHUTTER CLICKS ]
107
00:04:32,800 --> 00:04:35,932
♪♪
108
00:04:35,934 --> 00:04:37,398
[ CAMERA SHUTTER CLICKS ]
109
00:04:37,400 --> 00:04:38,665
[ CHUCKLES ]
110
00:04:38,667 --> 00:04:40,932
♪♪
111
00:04:40,934 --> 00:04:43,198
[ SIGHS ]
112
00:04:43,200 --> 00:04:48,499
♪♪
113
00:04:58,334 --> 00:05:01,332
I HAD A DREAM WE WERE IN
A LITTLE SHACK IN THE CARIBBEAN.
114
00:05:02,800 --> 00:05:04,632
AND HAD THE WHOLE ISLAND
TO OURSELVES.
115
00:05:04,634 --> 00:05:05,632
NICE.
116
00:05:05,634 --> 00:05:10,932
NO MEETINGS, NO DEADLINES,
NO PHOTO OPS.
117
00:05:10,934 --> 00:05:13,465
JUST QUIET.
118
00:05:13,467 --> 00:05:18,132
WELL, BEING THE CITY GIRL
THAT I AM,
119
00:05:18,134 --> 00:05:19,531
YOU KNOW
WHAT I THINK?
120
00:05:19,533 --> 00:05:20,999
WHAT?
121
00:05:21,001 --> 00:05:23,331
[ LAUGHS ]
122
00:05:23,333 --> 00:05:25,798
WE SHOULD
MAKE SOME NOISE.
123
00:05:25,800 --> 00:05:27,132
OH, ALRIGHT.
124
00:05:27,134 --> 00:05:28,299
[ CHUCKLES ]
125
00:05:28,301 --> 00:05:38,465
♪♪
126
00:05:38,467 --> 00:05:48,098
♪♪
127
00:05:48,100 --> 00:05:58,165
♪♪
128
00:05:58,167 --> 00:06:02,732
♪♪
129
00:06:02,734 --> 00:06:05,765
-- Captions by VITAC --
www.vitac.com
130
00:06:05,767 --> 00:06:09,498
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
131
00:06:09,500 --> 00:06:11,865
Kent: THE BANKS COULD BE A THRIVING COMMUNITY
132
00:06:11,867 --> 00:06:13,265
WITH JUST A LITTLE HELP,
133
00:06:13,267 --> 00:06:16,498
BUT THE MAYOR INSISTS ON THROWING SERVICES
134
00:06:16,500 --> 00:06:18,198
AT THE FOLKS THAT DON'T EVEN NEED IT.
135
00:06:18,200 --> 00:06:20,965
I WANT TO KNOW WHY, WHO DOES HE OWE,
136
00:06:20,967 --> 00:06:22,165
AND I WANT TO SEE HIS BOOKS.
137
00:06:22,167 --> 00:06:23,699
THAT'S ALL I'M SAYING.
[ DOOR OPENS ]
138
00:06:23,701 --> 00:06:25,565
Man: SO LET'S SAY THAT THE MAYOR'S OFFICE
139
00:06:25,567 --> 00:06:27,565
MAKES ALL OF THOSE RECORDS AVAILABLE TO YOU.
140
00:06:27,567 --> 00:06:28,632
DO YOU REALLY BELIEVE...
141
00:06:28,634 --> 00:06:30,098
YOU STILL
SPEAKING TO ME?
142
00:06:30,100 --> 00:06:32,132
...THEY'LL COVER ANYTHING THAT YOU'RE SAYING NOW ABOUT...
143
00:06:32,134 --> 00:06:33,065
HAVEN'T DECIDED.
144
00:06:33,067 --> 00:06:34,798
YOU GOT SOMETHING
YOU WANT TO SAY?
145
00:06:34,800 --> 00:06:39,465
♪♪
146
00:06:39,467 --> 00:06:42,732
HOW ABOUT...
147
00:06:42,734 --> 00:06:44,732
I'M SORRY?
148
00:06:44,734 --> 00:06:47,231
♪♪
149
00:06:47,233 --> 00:06:49,199
DECENT START.
150
00:06:49,201 --> 00:06:52,398
AND I SHOULD HAVE TOLD YOU
I'D SEEN STEPHANIE EARLIER.
151
00:06:52,400 --> 00:06:56,465
♪♪
152
00:06:56,467 --> 00:06:58,532
MAKES ME WONDER
WHY YOU DIDN'T.
153
00:06:58,534 --> 00:07:00,465
SEEMED EASIER NOT TO.
154
00:07:00,467 --> 00:07:02,065
BECAUSE YOU HAVE SOMETHING
TO HIDE?
155
00:07:02,067 --> 00:07:04,865
BECAUSE I DIDN'T WANT
TO HAVE THIS CONVERSATION.
156
00:07:04,867 --> 00:07:08,865
♪♪
157
00:07:08,867 --> 00:07:11,998
TITUS.
158
00:07:12,000 --> 00:07:15,932
DO YOU STILL HAVE FEELINGS
FOR STEPHANIE?
159
00:07:15,934 --> 00:07:18,065
ABSOLUTELY NOT.
160
00:07:18,067 --> 00:07:19,665
[ SIGHS ]
161
00:07:19,667 --> 00:07:22,998
THEN I DON'T UNDERSTAND
WHY YOU WENT RUSHING OVER THERE
162
00:07:23,000 --> 00:07:24,465
THE FIRST CHANCE
YOU GOT.
163
00:07:24,467 --> 00:07:26,398
BABY,
SHE'S OPPOSING COUNSEL.
164
00:07:26,400 --> 00:07:28,798
I'M JUST TRYING TO MAKE
THIS LAWSUIT GO AWAY.
165
00:07:28,800 --> 00:07:29,932
THAT'S IT.
166
00:07:29,934 --> 00:07:31,132
WHEN I SUGGESTED
167
00:07:31,134 --> 00:07:34,598
THAT YOU PURSUE
THE POSITION AT PURIFOY,
168
00:07:34,600 --> 00:07:36,865
I DIDN'T THINK
THAT YOUR FIRST CASE
169
00:07:36,867 --> 00:07:38,798
WOULD BE AGAINST
STEPHANIE CARLISLE.
170
00:07:38,800 --> 00:07:39,898
FORGET STEPHANIE.
171
00:07:39,900 --> 00:07:42,998
WE CAME TO ATLANTA FOR US,
TO MAKE A NEW START.
172
00:07:43,000 --> 00:07:45,598
THAT'S WHAT
YOU SAID YOU WANTED,
173
00:07:45,600 --> 00:07:48,865
TO GET OUR MARRIAGE
BACK ON TRACK.
174
00:07:48,867 --> 00:07:51,198
WAS THAT JUST
LIP SERVICE?
175
00:07:51,200 --> 00:07:53,131
♪♪
176
00:07:53,133 --> 00:07:55,398
"LIP SERVICE"?
177
00:07:55,400 --> 00:08:00,865
♪♪
178
00:08:00,867 --> 00:08:03,265
I GOT
YOUR LIP SERVICE.
179
00:08:03,267 --> 00:08:07,832
♪♪
180
00:08:07,834 --> 00:08:09,832
[ GASPS ]
181
00:08:09,834 --> 00:08:11,865
♪♪
182
00:08:11,867 --> 00:08:14,665
♪ GIRL, I LOVE THE SYMPHONY ♪
183
00:08:14,667 --> 00:08:16,532
♪ YOU'RE MY PERFECT MELODY ♪
184
00:08:16,534 --> 00:08:20,798
♪ BEAUTIFUL, SO SENSUAL,
I LOVE YOUR SENSITIVITY ♪
185
00:08:20,800 --> 00:08:23,665
♪ AND I JUST WANT
TO LET YOU KNOW ♪
186
00:08:23,667 --> 00:08:25,798
♪ NEVER WANT TO LET YOU GO ♪
187
00:08:25,800 --> 00:08:30,198
♪ I JUST WANT
TO KEEP US TOGETHER ♪
188
00:08:30,200 --> 00:08:36,198
♪♪
189
00:08:36,200 --> 00:08:37,698
YOU'RE ALWAYS
RUNNING OUT ON ME.
190
00:08:37,700 --> 00:08:38,965
I'VE ALREADY STAYED
TOO LONG.
191
00:08:38,967 --> 00:08:40,498
YOU CAN'T
KEEP DOING THIS TO ME.
192
00:08:40,500 --> 00:08:41,999
YOU'RE ALWAYS TALKING ABOUT
HOW IT WILL BE BETTER
193
00:08:42,001 --> 00:08:43,932
ONCE YOU'RE OUT OF OFFICE
AND WE'RE MARRIED,
194
00:08:43,934 --> 00:08:45,398
BUT WHEN IS THAT
GOING TO HAPPEN?
195
00:08:45,400 --> 00:08:47,199
AND NOW
YOU WANT TO BE GOVERNOR?
196
00:08:47,201 --> 00:08:48,598
I'M ALMOST 30,
EVAN.
197
00:08:48,600 --> 00:08:50,932
AT LEAST YOU'VE ALREADY
ACCOMPLISHED SO MUCH, BABY.
198
00:08:50,934 --> 00:08:52,265
YOU PROMISED ME
YOU WOULD HELP
199
00:08:52,267 --> 00:08:53,798
TURN BELLA TRU
INTO A FASHION EMPIRE.
200
00:08:53,800 --> 00:08:56,132
YEAH, BUT WHAT ABOUT THOSE --
WHAT ABOUT ALL THOSE OUTLETS
201
00:08:56,134 --> 00:08:57,532
I INTRODUCED YOU TO
THAT WILL CARRY YOUR LINE?
202
00:08:57,534 --> 00:08:58,531
THEY'RE ALL LOCAL.
203
00:08:58,533 --> 00:09:00,398
I WANT TO TAKE
MY BRAND NATIONAL.
204
00:09:00,400 --> 00:09:02,498
RELAX, OKAY?
OKAY, RELAX.
205
00:09:02,500 --> 00:09:04,698
YOU WILL, BABY.
NOW GIVE ME A KISS.
206
00:09:04,700 --> 00:09:06,131
NO, I DON'T WANT
TO KISS YOU GOODBYE.
207
00:09:06,133 --> 00:09:07,998
YOU CAN'T
KEEP DOING THIS TO ME.
208
00:09:08,000 --> 00:09:09,498
HOW ABOUT THIS?
209
00:09:09,500 --> 00:09:12,598
STOP ASKING ME
TO ABANDON MY WIFE
210
00:09:12,600 --> 00:09:15,732
WHEN YOU'RE STILL SCREWING
THAT FOOTBALL HAS-BEEN.
211
00:09:15,734 --> 00:09:17,598
HE IS
SO FAR BENEATH YOU.
212
00:09:17,600 --> 00:09:19,465
THE THOUGHT
OF YOU TWO TOGETHER
213
00:09:19,467 --> 00:09:22,065
MAKES ME
ALMOST NOT WANT TO TOUCH YOU.
214
00:09:22,067 --> 00:09:25,465
I DON'T KNOW WHAT I'D DO
IF I SAW YOU TWO TOGETHER AGAIN.
215
00:09:25,467 --> 00:09:27,598
SO IF
I GIVE HIM UP,
216
00:09:27,600 --> 00:09:29,465
WILL YOU
DIVORCE STEPHANIE?
217
00:09:29,467 --> 00:09:30,699
I DON'T HAVE TIME
FOR THIS.
218
00:09:30,701 --> 00:09:32,232
FINE. GO.
219
00:09:32,234 --> 00:09:34,499
BUT UNTIL YOU PUT A RING
ON MY FINGER,
220
00:09:34,501 --> 00:09:36,732
I'LL SCREW
WHOEVER THE HELL I WANT.
221
00:09:36,734 --> 00:09:38,499
NOT IN MY LOFT...
222
00:09:38,501 --> 00:09:40,631
THAT I'M PAYING FOR.
223
00:09:40,633 --> 00:09:42,465
♪♪
224
00:09:42,467 --> 00:09:45,198
[ SIGHS ]
225
00:09:45,200 --> 00:09:47,265
FINE.
226
00:09:47,267 --> 00:09:48,199
♪♪
227
00:09:48,201 --> 00:09:50,265
[ DOORBELL RINGS ]
228
00:09:50,267 --> 00:09:53,865
[ CRICKETS CHIRPING ]
229
00:09:53,867 --> 00:09:56,532
♪♪
230
00:09:56,534 --> 00:09:57,932
[ DOOR CREAKS ]
231
00:09:57,934 --> 00:09:59,665
[ SIGHS ]
HI, MOM.
232
00:09:59,667 --> 00:10:01,665
HI.
233
00:10:01,667 --> 00:10:04,732
[ DOOR CREAKS ]
234
00:10:04,734 --> 00:10:07,198
STEPHANIE,
IS EVERYTHING OKAY?
235
00:10:07,200 --> 00:10:08,665
I COULDN'T SLEEP,
236
00:10:08,667 --> 00:10:10,798
AND I FIGURED
YOU'D STILL BE UP.
237
00:10:10,800 --> 00:10:13,732
[ DRAMATIC MUSIC PLAYS ]
"THE EDGE OF NIGHT"?
238
00:10:13,734 --> 00:10:17,198
CLASSICS NEVER GET OLD.
239
00:10:17,200 --> 00:10:19,865
[ TV SHUTS OFF ]
240
00:10:19,867 --> 00:10:22,665
[ SIGHS ]
241
00:10:22,667 --> 00:10:25,132
WHAT'S ON YOUR MIND,
SWEETIE?
242
00:10:26,800 --> 00:10:28,899
WHERE'S EVAN?
243
00:10:28,901 --> 00:10:38,865
♪♪
244
00:10:38,867 --> 00:10:41,598
♪♪
245
00:10:41,600 --> 00:10:43,465
[ SIGHS ]
246
00:10:43,467 --> 00:10:47,165
TONIGHT, I WAS SO PROUD
WATCHING MY DAUGHTER
247
00:10:47,167 --> 00:10:48,665
STEP INTO
THE SPOTLIGHT
248
00:10:48,667 --> 00:10:50,999
AS THE FIRST LADY
OF ATLANTA.
249
00:10:51,001 --> 00:10:53,632
AND THOUGH
YOU WERE BEAUTIFUL,
250
00:10:53,634 --> 00:10:56,598
I NEVER SAW
A SMILE.
251
00:10:56,600 --> 00:11:00,198
NOT A REAL ONE,
AT LEAST.
252
00:11:00,200 --> 00:11:05,932
SAMANTHA AND ADRIAN ARE OFF
LIVING THEIR OWN LIVES.
253
00:11:05,934 --> 00:11:09,132
I AM
THE LAST CARLISLE STANDING,
254
00:11:09,134 --> 00:11:10,999
THE ONLY ONE
WHO GAVE A DAMN
255
00:11:11,001 --> 00:11:15,198
ABOUT OUR FAMILY'S FIRM.
256
00:11:15,200 --> 00:11:17,999
SO WHY IS DADDY
PUNISHING ME FOR IT?
257
00:11:18,001 --> 00:11:22,365
OF THE MANY QUALITIES
I LOVE ABOUT YOUR FATHER,
258
00:11:22,367 --> 00:11:26,398
HIS INSATIABLE APPETITE
ISN'T ONE OF THEM.
259
00:11:26,400 --> 00:11:28,265
PLATE'S ALWAYS FULL,
260
00:11:28,267 --> 00:11:30,998
BUT SOMEHOW,
THERE'S ALWAYS ROOM FOR MORE.
261
00:11:31,000 --> 00:11:32,632
♪♪
262
00:11:32,634 --> 00:11:39,898
MORE CLIENTS,
MORE MONEY, MORE POWER.
263
00:11:39,900 --> 00:11:43,665
FEEDING THAT MAN WAS...
264
00:11:43,667 --> 00:11:47,365
SENDING ME IN CIRCLES.
265
00:11:47,367 --> 00:11:48,865
♪♪
266
00:11:48,867 --> 00:11:51,398
I NEVER SMILED MUCH
THOSE DAYS, EITHER.
267
00:11:51,400 --> 00:11:53,398
♪♪
268
00:11:53,400 --> 00:11:56,398
TOOK ME YEARS TO REALIZE
THAT WHAT I NEEDED
269
00:11:56,400 --> 00:12:00,465
WAS LESS STEPHEN
AND MORE IRENE.
270
00:12:00,467 --> 00:12:02,065
THAT'S WHEN I WAS ABLE
TO GO AFTER
271
00:12:02,067 --> 00:12:05,665
WHAT TRULY
MADE ME HAPPY.
272
00:12:05,667 --> 00:12:08,465
♪♪
273
00:12:08,467 --> 00:12:09,798
[ SMOOCHES ]
274
00:12:09,800 --> 00:12:11,998
GOOD NIGHT,
SWEETIE.
275
00:12:12,000 --> 00:12:13,198
GOOD NIGHT.
276
00:12:13,200 --> 00:12:22,465
♪♪
277
00:12:22,467 --> 00:12:23,465
♪♪
278
00:12:23,467 --> 00:12:24,998
[ SIGHS ]
279
00:12:25,000 --> 00:12:31,732
♪♪
280
00:12:31,734 --> 00:12:33,132
[ SIGHS ]
281
00:12:33,134 --> 00:12:34,365
♪♪
282
00:12:34,367 --> 00:12:39,365
[ CHUCKLES ]
[ KEYBOARD CLICKING ]
283
00:12:39,367 --> 00:12:42,465
♪♪
284
00:12:42,467 --> 00:12:44,732
[ CELLPHONE BUZZES ]
285
00:12:44,734 --> 00:12:54,732
♪♪
286
00:12:54,734 --> 00:13:04,332
♪♪
287
00:13:04,334 --> 00:13:13,998
♪♪
288
00:13:14,000 --> 00:13:23,998
♪♪
289
00:13:24,000 --> 00:13:32,998
♪♪
290
00:13:33,000 --> 00:13:36,932
[ KEYBOARD CLICKING ]
291
00:13:36,934 --> 00:13:39,465
♪♪
292
00:13:42,634 --> 00:13:45,765
[ BIRDS CHIRPING ]
293
00:13:45,767 --> 00:13:48,998
♪♪
294
00:13:49,000 --> 00:13:51,532
HOW'S YOUR WEEK LOOKING?
295
00:13:51,534 --> 00:13:53,065
HIGH TEA
WITH THE FALCONS' WIVES
296
00:13:53,067 --> 00:13:55,465
IN CANDLER PARK
LOOKS LIKE THE HIGHLIGHT.
297
00:13:55,467 --> 00:13:58,332
DON'T FORGET THE READING
KICK-OFF AT CHILDREN'S MUSEUM.
298
00:13:58,334 --> 00:14:00,265
HOW COULD I
FORGET THAT?
299
00:14:00,267 --> 00:14:01,732
HEY, DON'T PRETEND
YOU DON'T LOVE
300
00:14:01,734 --> 00:14:03,198
THOSE KIDS
CLIMBING ALL OVER YOU,
301
00:14:03,200 --> 00:14:05,398
LEAVING CHOCOLATE PAW PRINTS
ON YOUR DESIGNER SUITS.
302
00:14:05,400 --> 00:14:08,465
ON MY LONG LIST
OF FIRST LADY DUTIES,
303
00:14:08,467 --> 00:14:11,665
I SUPPOSE READING
TO PRESCHOOLERS ISN'T THE WORST.
304
00:14:11,667 --> 00:14:12,699
HEY.
305
00:14:12,701 --> 00:14:14,565
YOU USED TO LOVE
CURLING TREY AND CARLY
306
00:14:14,567 --> 00:14:16,298
UP ON YOUR LAP
WITH THE STORY OF THE NIGHT.
307
00:14:16,300 --> 00:14:17,832
♪♪
308
00:14:17,834 --> 00:14:20,332
THAT SEEMS LIKE
A MILLION YEARS AGO.
309
00:14:20,334 --> 00:14:25,065
♪♪
310
00:14:25,067 --> 00:14:27,932
YOUR FAVORITE COUNCILMAN
IS AT IT AGAIN.
311
00:14:27,934 --> 00:14:29,732
HE WAS ON GEORGIA
PUBLIC TELEVISION YESTERDAY,
312
00:14:29,734 --> 00:14:31,065
DISPARAGING YOU.
313
00:14:31,067 --> 00:14:32,265
HAMILTON?
314
00:14:32,267 --> 00:14:34,499
THAT GUY'S GOT THE POLITICAL
INSTINCTS OF A BASSET HOUND.
315
00:14:34,501 --> 00:14:36,032
YOU NEED
TO CHECK HIM, EVAN.
316
00:14:36,034 --> 00:14:37,865
I WILL.
317
00:14:37,867 --> 00:14:39,598
I WILL.
318
00:14:39,600 --> 00:14:42,065
ONE MORE THING.
319
00:14:42,067 --> 00:14:44,098
♪♪
320
00:14:44,100 --> 00:14:47,065
YOU'VE BEEN PUTTING IN
A LOT OF...
321
00:14:47,067 --> 00:14:48,831
LATE NIGHTS LATELY.
322
00:14:48,833 --> 00:14:51,965
AND I'M NOT
THE ONLY ONE NOTICING.
323
00:14:51,967 --> 00:14:53,032
♪♪
324
00:14:53,034 --> 00:14:54,665
YOU TALKING ABOUT
SATURDAY NIGHT,
325
00:14:54,667 --> 00:14:56,332
THE SAME NIGHT
YOU PUT A GUN TO MY HEAD?
326
00:14:56,334 --> 00:14:59,598
♪♪
327
00:14:59,600 --> 00:15:02,465
DON'T DISRESPECT ME.
328
00:15:02,467 --> 00:15:11,332
♪♪
329
00:15:11,334 --> 00:15:12,932
♪♪
330
00:15:12,934 --> 00:15:15,731
THANK YOU FOR SEEING ME,
COUNCILMAN HAMILTON.
331
00:15:15,733 --> 00:15:18,398
IF A PROSECUTOR WITH
THE DEPARTMENT OF JUSTICE
332
00:15:18,400 --> 00:15:20,732
SAYS SHE NEEDS
TO TALK TO ME, I'M...
333
00:15:20,734 --> 00:15:23,132
INCLINED TO MAKE TIME
IN MY SCHEDULE.
334
00:15:23,134 --> 00:15:26,699
SO WHAT CAN I DO FOR YOU,
ASSISTANT U.S. ATTORNEY HUGHES?
335
00:15:26,701 --> 00:15:29,198
I WANT TO TALK TO YOU
ABOUT THOSE STATEMENTS
336
00:15:29,200 --> 00:15:31,732
YOU'VE BEEN MAKING TO THE PRESS
ABOUT MAYOR EVAN LANCASTER.
337
00:15:31,734 --> 00:15:33,265
SO LANCASTER SENT YOU?
338
00:15:33,267 --> 00:15:35,431
I MEAN, HE'S THE ONE
WHO SHOULD BE INVESTIGATED.
339
00:15:35,433 --> 00:15:37,498
I WORK FOR THE CITIZENS
OF THE UNITED STATES,
340
00:15:37,500 --> 00:15:38,498
NOT A LOCAL MAYOR.
341
00:15:38,500 --> 00:15:41,631
IN A RECENT
TELEVISION INTERVIEW,
342
00:15:41,633 --> 00:15:43,498
YOU TOOK MAYOR LANCASTER
TO TASK,
343
00:15:43,500 --> 00:15:45,165
ALLEGEDLY FOR FAILING
TO PROVIDE AID
344
00:15:45,167 --> 00:15:47,265
TO POOR COMMUNITIES
LIKE THE BANKS
345
00:15:47,267 --> 00:15:49,198
IN FAVOR
OF HELPING THE RICH GET RICHER.
346
00:15:49,200 --> 00:15:51,032
PRETTY SERIOUS ALLEGATIONS.
347
00:15:51,034 --> 00:15:54,665
ARE YOU AWARE THAT, UM,
ATLANTA HAS THE WIDEST DIVIDE
348
00:15:54,667 --> 00:15:56,932
BETWEEN THE RICH AND POOR
OF ANY CITY IN THE NATION?
349
00:15:56,934 --> 00:15:59,231
THAT DOESN'T EXPLAIN
WHY YOU'RE ALL BUT ACCUSING
350
00:15:59,233 --> 00:16:01,799
A POPULAR SITTING MAYOR
WITH BEING ON THE TAKE.
351
00:16:01,801 --> 00:16:04,332
NOW, IS THIS JUST
POLITICS AS USUAL?
352
00:16:04,334 --> 00:16:05,798
ONE POLITICAL OFFICIAL
353
00:16:05,800 --> 00:16:08,665
TARNISHING THE REPUTATION
OF A RIVAL TO GAIN GROUND?
354
00:16:08,667 --> 00:16:11,632
OR CAN YOU BACK UP
YOUR VEILED COMMENTS WITH FACTS?
355
00:16:11,634 --> 00:16:13,798
THE U.S. ATTORNEY'S OFFICE
IS FINALLY READY
356
00:16:13,800 --> 00:16:16,332
TO TAKE A HARD LOOK
AT LANCASTER'S DIRTY CABINET,
357
00:16:16,334 --> 00:16:19,065
AND YOU WANT ME
TO DO YOUR JOB FOR YOU.
358
00:16:19,067 --> 00:16:20,299
IS THAT IT?
359
00:16:20,301 --> 00:16:25,532
♪♪
360
00:16:25,534 --> 00:16:28,065
THIS WAS
A WASTE OF TIME.
361
00:16:28,067 --> 00:16:31,065
♪♪
362
00:16:31,067 --> 00:16:33,265
YOU REALLY WANT THE DIRT
ON LANCASTER?
363
00:16:33,267 --> 00:16:34,499
♪♪
364
00:16:34,501 --> 00:16:36,532
[ CHUCKLES ]
365
00:16:36,534 --> 00:16:39,299
TALK TO HIS MISTRESS.
366
00:16:39,301 --> 00:16:48,532
♪♪
367
00:16:48,534 --> 00:16:50,665
[ KNOCK ON DOOR ]
368
00:16:50,667 --> 00:16:51,732
[ SIGHS ]
369
00:16:51,734 --> 00:16:57,232
♪♪
370
00:16:57,234 --> 00:16:58,898
HOLA.
371
00:16:58,900 --> 00:17:01,865
WHERE DID HE GO?
JOAQUIN?
372
00:17:01,867 --> 00:17:03,732
HI, PAPI.
373
00:17:03,734 --> 00:17:06,131
[ GASPS ] THERE'S MY
BEAUTIFUL BOY.
374
00:17:06,133 --> 00:17:08,798
OH, WERE YOU A GOOD BOY
FOR ABUELA?
375
00:17:08,800 --> 00:17:09,999
YES, MOM.
YOU WERE?
376
00:17:10,001 --> 00:17:12,131
OOH, MOMMY MISSED YOU
SO, SO MUCH.
377
00:17:12,133 --> 00:17:13,465
HE MISSED YOU, TOO.
378
00:17:13,467 --> 00:17:16,732
OH, YOU KNOW WHAT I HAVEN'T BEEN
ABLE TO DO THIS WHOLE TIME?
379
00:17:16,734 --> 00:17:18,598
♪♪
380
00:17:18,600 --> 00:17:19,932
[ LAUGHS ]
GIVE ME A KISS.
381
00:17:19,934 --> 00:17:21,398
[ SMOOCHES ]
YOU KNOW WHAT?
382
00:17:21,400 --> 00:17:23,098
I'M GONNA TALK TO YOUR ABUELA.
GO TO YOUR ROOM AND PLAY.
383
00:17:23,100 --> 00:17:24,131
OKAY?
OKAY.
384
00:17:24,133 --> 00:17:25,932
[ SMOOCHES ] OKAY.
385
00:17:25,934 --> 00:17:28,265
BYE.
[ LAUGHS ] OH.
386
00:17:28,267 --> 00:17:29,332
GUESS WHAT?
WHAT?
387
00:17:29,334 --> 00:17:30,865
SOMEONE CAME
INTO THELMA'S PLACE
388
00:17:30,867 --> 00:17:32,265
AND TRIED
TO BEAT UP RONDELL.
389
00:17:32,267 --> 00:17:33,465
WHAT?
SHE OKAY?
390
00:17:33,467 --> 00:17:34,998
SENIOR RAN HIM OFF
WITH A SHOTGUN,
391
00:17:35,000 --> 00:17:36,132
BUT WHAT IF
HE WASN'T THERE?
392
00:17:36,134 --> 00:17:37,665
OR WHAT IF
HE HADN'T HEARD THEM?
393
00:17:37,667 --> 00:17:39,065
I MEAN, RONDELL MIGHT HAVE
GOTTEN KILLED.
394
00:17:39,067 --> 00:17:40,465
I HOPE
SHE CALLED THE POLICE.
395
00:17:40,467 --> 00:17:42,131
WASTE OF TIME,
BUT SHE DID.
396
00:17:42,133 --> 00:17:44,899
RONDELL THINKS THAT DEVELOPER
GREG PETERS IS BEHIND IT.
397
00:17:44,901 --> 00:17:47,432
YOU BOTH NEED TO JUST SELL
AND GET THE HELL OUT OF THERE.
398
00:17:47,434 --> 00:17:49,665
TAKE THE MONEY AND LEAVE
AND DON'T LOOK BACK.
399
00:17:49,667 --> 00:17:51,865
JUST TURN OUR BACKS ON
THE NEIGHBORHOOD LIKE YOU DID?
400
00:17:51,867 --> 00:17:53,732
I HAVE NO REGRETS
IN GETTING ME AND JOAQUIN
401
00:17:53,734 --> 00:17:55,398
AS FAR AWAY
FROM THE BANKS AS POSSIBLE.
402
00:17:55,400 --> 00:17:57,598
WE'LL GO EVEN FARTHER
IF I HAVE IT MY WAY.
403
00:17:57,600 --> 00:17:59,999
YOU NEED TO BE GETTING FAR AWAY
FROM YOU KNOW WHO.
404
00:18:00,001 --> 00:18:02,365
I MEAN IT, ISABEL. THAT MAN WILL
BRING YOU NOTHING BUT MISERY.
405
00:18:02,367 --> 00:18:03,898
YOUR LIFE'S IN DANGER
IN THE BANKS,
406
00:18:03,900 --> 00:18:05,632
AND ALL YOU THINK ABOUT
IS MY SITUATION?
407
00:18:05,634 --> 00:18:07,799
YOU'RE JUST A SHINY TOY
TO HIM, MIJA. TRUST ME.
408
00:18:07,801 --> 00:18:09,498
I'VE KNOWN HIM
SINCE HE WAS A BOY.
409
00:18:09,500 --> 00:18:11,565
ONCE EVAN IS TIRED OF YOU,
HE WILL THROW YOU IN A BOX
410
00:18:11,567 --> 00:18:13,265
WITH ALL THE OTHER TRINKETS
HE'S DISCARDED.
411
00:18:13,267 --> 00:18:15,798
NO, MOMMY.
YOU'RE WRONG.
412
00:18:15,800 --> 00:18:16,865
EVAN LOVES ME,
413
00:18:16,867 --> 00:18:19,132
AND ONE DAY SOON,
HE'S GOING TO PROVE IT.
414
00:18:19,134 --> 00:18:20,465
YOU'LL SEE.
415
00:18:20,467 --> 00:18:27,465
♪♪
416
00:18:27,467 --> 00:18:29,598
[ SIGHS ]
417
00:18:29,600 --> 00:18:39,665
♪♪
418
00:18:39,667 --> 00:18:40,665
♪♪
419
00:18:40,667 --> 00:18:41,865
UH,
HE'S READY FOR YOU.
420
00:18:41,867 --> 00:18:43,065
THANKS, CHLOE.
YEAH.
421
00:18:43,067 --> 00:18:50,465
♪♪
422
00:18:50,467 --> 00:18:52,665
WHAT'S NEXT,
DAPHNE?
423
00:18:52,667 --> 00:18:55,132
WE SHOULD GET INTO CITY
TRANSPORTATION BUSINESS.
424
00:18:55,134 --> 00:18:56,532
BUSINESS?
425
00:18:56,534 --> 00:18:58,132
IF YOU KEEP LOOKING LIKE THAT
AROUND THE OFFICE,
426
00:18:58,134 --> 00:18:59,798
IT WILL BE HARD FOR ME
TO GET ANYTHING DONE.
427
00:18:59,800 --> 00:19:02,465
I CAN THINK OF A FEW THINGS
YOU COULD ACCOMPLISH.
428
00:19:02,467 --> 00:19:04,065
[ TELEPHONE RINGS ]
429
00:19:04,067 --> 00:19:06,198
CHLOE: Mayor Lancaster,
your father's on the phone.
430
00:19:06,200 --> 00:19:08,199
He says
it's important.
431
00:19:09,667 --> 00:19:11,532
YEAH?
432
00:19:11,534 --> 00:19:12,532
♪♪
433
00:19:12,534 --> 00:19:13,798
WHAT?
434
00:19:13,800 --> 00:19:15,932
WHEN?
435
00:19:15,934 --> 00:19:16,965
♪♪
436
00:19:16,967 --> 00:19:18,832
I'M ON THE WAY.
437
00:19:18,834 --> 00:19:20,032
RAIN CHECK.
438
00:19:20,034 --> 00:19:26,132
♪♪
439
00:19:26,134 --> 00:19:27,665
[ BELL JINGLES ]
440
00:19:27,667 --> 00:19:29,865
HEY.
YOU OKAY, SIS?
441
00:19:29,867 --> 00:19:31,865
[ SCOFFS ]
HERE YOU COME.
442
00:19:31,867 --> 00:19:34,265
A DAY LATE
AND A DOLLAR SHORT.
443
00:19:34,267 --> 00:19:36,132
WHO CALLED YOU?
444
00:19:36,134 --> 00:19:37,398
I DID.
445
00:19:37,400 --> 00:19:39,998
YOUR SISTER COULD HAVE BEEN
KILLED THE OTHER NIGHT.
446
00:19:40,000 --> 00:19:41,598
IT WAS JUST
ONE OF PETER'S BOYS
447
00:19:41,600 --> 00:19:42,865
TRYING TO SCARE SOMEBODY,
THAT'S ALL.
448
00:19:42,867 --> 00:19:44,065
IT WASN'T
ONE OF PETER'S GUYS.
449
00:19:44,067 --> 00:19:45,132
HOW DO YOU KNOW?
450
00:19:45,134 --> 00:19:46,465
BECAUSE YOU'RE BOTH
STILL BREATHING.
451
00:19:46,467 --> 00:19:48,332
SO YOU'RE JUST GOING TO ALLOW
FOLKS TO COME UP IN HERE
452
00:19:48,334 --> 00:19:49,665
AND ATTACK
YOUR OWN FAMILY?!
453
00:19:49,667 --> 00:19:51,398
WELL, YOU KNOW ME
BETTER THAN THAT, POP.
454
00:19:51,400 --> 00:19:52,332
I ALREADY GOT GUYS
455
00:19:52,334 --> 00:19:53,732
CANVASSING THE NEIGHBORHOOD
AS WE SPEAK.
456
00:19:53,734 --> 00:19:55,098
EH, BOY, BYE.
457
00:19:55,100 --> 00:19:57,365
AIN'T NOBODY IN THE BANKS
GONNA TELL THEM BUSTERS SHIT.
458
00:19:57,367 --> 00:19:59,165
YOU REMEMBER THE RULES.
459
00:19:59,167 --> 00:20:01,098
SNITCHES GET STITCHES.
SNITCHES GET STITCHES.
460
00:20:01,100 --> 00:20:03,732
I'M GLAD Y'ALL THINK
THIS IS FUNNY.
461
00:20:03,734 --> 00:20:06,032
POP, ALL THEY SAID WAS,
"YOU KNOW WHAT TIME IT IS?"
462
00:20:06,034 --> 00:20:08,398
"BITCH."
DON'T FORGET THE "BITCH."
463
00:20:08,400 --> 00:20:09,832
Rondell:
THEY BROKE ONE OF MY DAMN TABLES
464
00:20:09,834 --> 00:20:11,765
WITH THAT BASEBALL BAT.
465
00:20:11,767 --> 00:20:13,198
WHERE ARE YOU GOING?
[ BELL JINGLES ]
466
00:20:13,200 --> 00:20:15,498
TO MAKE SURE
THIS DOESN'T HAPPEN AGAIN.
467
00:20:15,500 --> 00:20:18,799
[ SIGHS ]
468
00:20:20,467 --> 00:20:22,932
♪♪
469
00:20:22,934 --> 00:20:26,032
[ INDISTINCT CONVERSATIONS ]
470
00:20:26,034 --> 00:20:33,332
♪♪
471
00:20:33,334 --> 00:20:34,732
MAY I TAKE
YOUR ORDER?
472
00:20:34,734 --> 00:20:37,065
MM. NOT QUITE YET.
I'M WAITING FOR SOMEONE.
473
00:20:37,067 --> 00:20:38,798
IF YOU DESCRIBE THEM
TO ME,
474
00:20:38,800 --> 00:20:40,265
I'LL BE SURE TO DIRECT THEM
TO YOUR TABLE.
475
00:20:40,267 --> 00:20:43,398
HE IS
A HANDSOME BLACK MAN
476
00:20:43,400 --> 00:20:45,932
WHO IS
QUIETLY DISTINGUISHED.
477
00:20:45,934 --> 00:20:49,265
I THINK THAT WOULD BE
A GOOD DESCRIPTION
478
00:20:49,267 --> 00:20:51,732
FOR THIS PARTICULAR
OLD FRIEND.
479
00:20:51,734 --> 00:20:54,998
Amara: I WOULDN'T EXACTLY
CALL US "FRIENDS".
480
00:20:55,000 --> 00:21:00,932
♪♪
481
00:21:04,567 --> 00:21:06,031
IF YOU SHOWING UP HERE
IS ABOUT TITUS --
482
00:21:06,033 --> 00:21:08,032
IT'S ABOUT RESPECT.
483
00:21:08,034 --> 00:21:10,632
STEPHANIE,
YOU DON'T GET
484
00:21:10,634 --> 00:21:12,532
TO TEXT MY HUSBAND
IN THE MIDDLE OF THE NIGHT.
485
00:21:12,534 --> 00:21:16,198
AMARA, YOU AND I ARE
TWO STRONG BLACK WOMEN.
486
00:21:16,200 --> 00:21:18,199
THERE'S NO NEED FOR US
TO FIGHT OVER A MAN.
487
00:21:18,201 --> 00:21:20,465
WHO'S FIGHTING?
TITUS IS MINE.
488
00:21:20,467 --> 00:21:21,665
[ LAUGHS ]
489
00:21:21,667 --> 00:21:24,532
WHAT IS THIS?
THE OLD BRANDY AND MONICA SONG?
490
00:21:24,534 --> 00:21:28,398
MY TEXT WAS ONLY A REQUEST
TO SET ASIDE TIME TO...
491
00:21:28,400 --> 00:21:31,132
DISCUSS THE PURIFOY
CLASS ACTION.
492
00:21:31,134 --> 00:21:35,465
THEN YOU CAN REACH TITUS
DURING NORMAL BUSINESS HOURS.
493
00:21:35,467 --> 00:21:37,798
DON'T LET IT
HAPPEN AGAIN.
494
00:21:37,800 --> 00:21:39,798
♪♪
495
00:21:39,800 --> 00:21:43,198
I DON'T THINK WE'RE
QUITE FINISHED CLEARING THE AIR.
496
00:21:43,200 --> 00:21:44,332
♪♪
497
00:21:44,334 --> 00:21:45,599
OKAY.
498
00:21:45,601 --> 00:21:47,199
LET'S.
499
00:21:47,201 --> 00:21:49,732
♪♪
500
00:21:49,734 --> 00:21:52,932
[ SIGHS ]
501
00:21:52,934 --> 00:21:55,765
♪♪
502
00:21:55,767 --> 00:21:59,165
SO WHAT EXACTLY DO YOU WANT
TO SAY TO ME, STEPHANIE?
503
00:21:59,167 --> 00:22:00,898
OR IS THAT
TOO DIRECT?
504
00:22:00,900 --> 00:22:03,165
I RECALL YOU NEVER LIKE ANYBODY
COMING STRAIGHT AT YOU.
505
00:22:03,167 --> 00:22:05,432
AND I RECALL YOU LIKE
CREEPING BEHIND MY BACK.
506
00:22:05,434 --> 00:22:06,732
THAT'S HOW
YOU GOT TITUS.
507
00:22:06,734 --> 00:22:09,399
I SIMPLY VALUED SOMETHING
YOU DISCARDED.
508
00:22:09,401 --> 00:22:11,732
AS OPPOSED TO STEALING
SOMETHING I VALUED?
509
00:22:11,734 --> 00:22:13,665
♪♪
510
00:22:13,667 --> 00:22:14,665
YOU KNOW WHAT?
511
00:22:14,667 --> 00:22:16,798
SINCE YOU
BROUGHT UP STEALING,
512
00:22:16,800 --> 00:22:19,665
WHAT DO YOU MAKE
OF THE RUMORS AND ALLEGATIONS
513
00:22:19,667 --> 00:22:21,465
AGAINST YOUR HUSBAND'S
CABINET?
514
00:22:21,467 --> 00:22:23,132
[ CHUCKLES ]
515
00:22:23,134 --> 00:22:25,798
IS THIS AMARA
THE FEDERAL PROSECUTOR SPEAKING?
516
00:22:25,800 --> 00:22:28,065
COULD BE AMARA,
YOUR EX-BEST FRIEND
517
00:22:28,067 --> 00:22:29,331
AND SORORITY SISTER.
518
00:22:29,333 --> 00:22:32,099
THE ONE WHO KNEW YOU BETTER
THAN YOU KNEW YOURSELF.
519
00:22:32,101 --> 00:22:35,365
YOU MAY HAVE STUDIED
MY EVERY MOVE BACK IN COLLEGE
520
00:22:35,367 --> 00:22:38,132
BECAUSE YOU SO DESPERATELY
WANTED TO BE ME,
521
00:22:38,134 --> 00:22:40,332
BUT MAKE NO MISTAKE.
522
00:22:40,334 --> 00:22:42,198
YOU NEVER KNEW ME.
523
00:22:42,200 --> 00:22:43,732
YOU KNOW,
AS MUCH FUN AS IT IS
524
00:22:43,734 --> 00:22:46,732
TO RUMINATE ON THINGS
THAT HAPPENED 20 YEARS AGO...
525
00:22:46,734 --> 00:22:48,465
COULD WE GO BACK
TO THE ALLEGATIONS
526
00:22:48,467 --> 00:22:50,332
AGAINST MAYOR LANCASTER?
527
00:22:50,334 --> 00:22:54,165
MM, IT'S OBVIOUS YOU'VE BEEN
WATCHING INTERVIEWS
528
00:22:54,167 --> 00:22:57,465
OF THAT IDIOT COUNCILMAN
KENT HAMILTON.
529
00:22:57,467 --> 00:23:01,465
ONLY A FOOL WOULD GIVE CREDENCE
TO THAT IMBECILE.
530
00:23:01,467 --> 00:23:02,798
♪♪
531
00:23:02,800 --> 00:23:05,665
WELL,
I SHOULD GET BACK TO WORK.
532
00:23:05,667 --> 00:23:07,132
YOU SHOULD.
533
00:23:07,134 --> 00:23:09,931
CIVIL-SERVICE JOBS
ARE HARD TO COME BY.
534
00:23:09,933 --> 00:23:11,798
[ CHUCKLES ]
535
00:23:11,800 --> 00:23:14,798
DON'T UNDERESTIMATE ME,
STEPHANIE.
536
00:23:14,800 --> 00:23:17,065
♪♪
537
00:23:17,067 --> 00:23:19,798
[ SIGHS ]
538
00:23:19,800 --> 00:23:22,998
NEVER AGAIN.
539
00:23:23,000 --> 00:23:30,132
♪♪
540
00:23:30,134 --> 00:23:32,665
NO PERMIT, NO SHOOT.
IT'S THE LAW.
541
00:23:32,667 --> 00:23:34,665
HOW?
IT'S A PUBLIC PARK.
542
00:23:34,667 --> 00:23:36,065
THAT MEANS
IT'S FOR EVERYONE.
543
00:23:36,067 --> 00:23:37,932
IT'S FOR EVERYONE
THAT ISN'T SHOOTING A FILM
544
00:23:37,934 --> 00:23:39,198
WITHOUT A PERMIT.
545
00:23:39,200 --> 00:23:41,465
IT'S NOT A FILM,
IT'S JUST A LITTLE PRESENTATION.
546
00:23:41,467 --> 00:23:43,198
IT'LL TAKE 10 MINUTES.
547
00:23:43,200 --> 00:23:45,432
I NEED MY GIRLS TO WALK
THE RUNWAY JUST A FEW TIMES.
548
00:23:45,434 --> 00:23:49,198
WHAT WILL IT TAKE FOR YOU
TO LOOK THE OTHER WAY?
549
00:23:49,200 --> 00:23:53,065
I'M SURE YOUR WIFE COULD USE
A NEW EVENING GOWN.
550
00:23:53,067 --> 00:23:55,665
I DON'T HAVE
A WIFE.
551
00:23:55,667 --> 00:23:58,531
IS THERE SOMETHING ELSE
YOU WANT TO DO?
552
00:23:58,533 --> 00:23:59,465
[ SIGHS ]
553
00:23:59,467 --> 00:24:00,532
[ CELLPHONE RINGS ]
554
00:24:00,534 --> 00:24:02,732
YOU STAY RIGHT HERE.
555
00:24:02,734 --> 00:24:04,465
IT'S ABOUT TIME.
556
00:24:04,467 --> 00:24:06,065
JUST GOT A SEC.
YOU CALLED?
557
00:24:06,067 --> 00:24:07,765
I'M INSIDE THE PARK
AT PIEDMONT AND 10th,
558
00:24:07,767 --> 00:24:09,032
AND THEY WON'T LET ME
SHOOT MY PRESENTATION
559
00:24:09,034 --> 00:24:10,898
WITHOUT A PARK PERMIT.
I NEED YOUR HELP.
560
00:24:10,900 --> 00:24:13,198
WHY DON'T YOU JUST RESCHEDULE?
I CAN'T.
561
00:24:13,200 --> 00:24:14,465
THERE'S
A REGIONAL DISTRIBUTOR
562
00:24:14,467 --> 00:24:15,998
EXPECTING TO
SEE THIS TOMORROW.
563
00:24:16,000 --> 00:24:17,532
I'M ONLY SELLING ONLINE
RIGHT NOW.
564
00:24:17,534 --> 00:24:19,265
IF THE DISTRIBUTOR
LIKES MY PRESENTATION,
565
00:24:19,267 --> 00:24:21,665
I COULD FINALLY GET MY BRAND
INTO ACTUAL SHOPS AND BOUTIQUES.
566
00:24:21,667 --> 00:24:23,265
DON'T TELL ME
THERE'S NOTHING YOU CAN DO.
567
00:24:23,267 --> 00:24:24,865
I'M ON THE WAY TO HANDLE
SOME URGENT BUSINESS.
568
00:24:24,867 --> 00:24:26,399
THIS CAN WAIT.
IT CAN'T.
569
00:24:26,401 --> 00:24:27,465
BUT IT HAS TO.
570
00:24:27,467 --> 00:24:29,731
SORRY, BABY.
571
00:24:29,733 --> 00:24:33,098
♪♪
572
00:24:33,100 --> 00:24:35,698
[ SIGHS ]
573
00:24:35,700 --> 00:24:38,398
[ KEYBOARD CLICKING ]
574
00:24:38,400 --> 00:24:40,198
[ Ringing ]
575
00:24:40,200 --> 00:24:42,465
HEY, RODERICK?
576
00:24:42,467 --> 00:24:44,798
I NEED YOUR HELP.
577
00:24:44,800 --> 00:24:47,398
YEAH. [ CHUCKLES ]
578
00:24:47,400 --> 00:24:48,798
INEZ, NOW, COME ON.
579
00:24:48,800 --> 00:24:51,532
I CAN'T BE LOOKING LIKE NO TROLL
ALL OVER THE INTERNET.
580
00:24:51,534 --> 00:24:52,798
WILL YOU
HELP A SISTER OUT?
581
00:24:52,800 --> 00:24:54,532
I CAN'T HELP YOU
AND HOLD THE PHONE.
582
00:24:54,534 --> 00:24:56,665
[ SCOFFS ] OKAY, YOU KNOW WHAT?
LET'S JUST DO IT.
583
00:24:56,667 --> 00:24:58,665
OKAY.
[ SIGHS ]
584
00:24:58,667 --> 00:25:00,532
THE BANKS IS MY HOME --
WAIT, WAIT, WAIT, WAIT, WAIT.
585
00:25:00,534 --> 00:25:01,732
I JUST
GOT TO GET THIS.
586
00:25:01,734 --> 00:25:02,932
DID YOU EVEN GET THE --
I GOT IT, I GOT IT.
587
00:25:02,934 --> 00:25:06,398
OKAY, OKAY. GO AHEAD.
GO AHEAD. GO AHEAD.
588
00:25:06,400 --> 00:25:08,398
THE BANKS IS MY HOME,
589
00:25:08,400 --> 00:25:12,265
AND I'LL BE DAMNED
IF I LET A COLONIZER HAVE IT.
590
00:25:12,267 --> 00:25:14,398
THAT'S WHY I'M PUTTING TOGETHER
A COALITION
591
00:25:14,400 --> 00:25:17,798
TO LET THESE VULTURES KNOW
THAT WE RUN THESE STREETS.
592
00:25:17,800 --> 00:25:20,532
OUR FIRST MEETING IS TONIGHT
AT THELMA'S PLACE.
593
00:25:20,534 --> 00:25:22,132
BE THERE OR --
OH, GEEZ.
594
00:25:22,134 --> 00:25:23,965
WOULD YOU --
595
00:25:23,967 --> 00:25:26,432
HEY, I TOLD YOU SOCIAL MEDIA
WAS BELLA'S THING, NOT MINE.
596
00:25:26,434 --> 00:25:27,898
GIRL,
LOOK AT THIS SCREEN.
597
00:25:27,900 --> 00:25:29,365
IT'S NOT BROKEN.
IT LOOKS FINE.
598
00:25:29,367 --> 00:25:30,932
WHY WOULD IT TURN OFF?
BECAUSE IT FELL.
599
00:25:30,934 --> 00:25:33,198
THAT'S RIDICULOUS.
EXCUSE ME.
600
00:25:34,200 --> 00:25:37,498
I, UM, WAS JUST NOTICING
YOU LADIES HAVING TROUBLE.
601
00:25:37,500 --> 00:25:39,765
HERE, TAKE MINE.
602
00:25:39,767 --> 00:25:43,465
WHAT -- YOU THAT COUNCILMAN
FROM TV?
603
00:25:43,467 --> 00:25:44,932
KENNY HAMFORD.
604
00:25:44,934 --> 00:25:46,465
[ CHUCKLES ]
KENT HAMILTON.
605
00:25:46,467 --> 00:25:47,865
THE BANKS
IS MY DISTRICT,
606
00:25:47,867 --> 00:25:49,665
SO THAT MAKES ME
YOUR COUNCILMAN.
607
00:25:49,667 --> 00:25:51,198
HOW ARE YOU GONNA COME
ROLL UP IN HERE
608
00:25:51,200 --> 00:25:54,131
AFTER ALL THAT MESS
YOU TALKED ABOUT MY BROTHER?
609
00:25:54,133 --> 00:25:56,198
IF YOUR BROTHER WASN'T THE
SECOND COMING OF MARION BARRY.
610
00:25:56,200 --> 00:25:58,332
[ SCOFFS ]
EXCUSE ME?
611
00:25:58,334 --> 00:26:02,332
IS THERE A WAY THAT I CAN
HELP YOU, MISS LANCASTER?
612
00:26:02,334 --> 00:26:04,131
I'M FINE.
613
00:26:04,133 --> 00:26:05,999
[ SCOFFS ]
614
00:26:06,001 --> 00:26:08,998
LOOK, I PLANNED TO COME
WHEN I HEARD ABOUT THE BREAK-IN,
615
00:26:09,000 --> 00:26:12,532
BUT SOMETHING CAME UP AT
ONE OF THE COMMUNITY SHELTERS.
616
00:26:12,534 --> 00:26:14,798
IT WAS LATE
WHEN I RESOLVED IT,
617
00:26:14,800 --> 00:26:16,665
SO I CAME
AS FAST AS I COULD.
618
00:26:16,667 --> 00:26:17,998
AND THE TRUTH IS
I'D BEEN MEANING
619
00:26:18,000 --> 00:26:20,132
TO REACH OUT
TO YOU WAY BEFORE NOW.
620
00:26:20,134 --> 00:26:22,332
REACH OUT TO ME FOR WHAT,
HATER?
621
00:26:22,334 --> 00:26:23,632
THELMA'S PLACE.
622
00:26:23,634 --> 00:26:25,998
IT'S AN INSTITUTION
IN THE COMMUNITY.
623
00:26:26,000 --> 00:26:28,732
AND DESPITE THE ANTIPATHY
I MAY HAVE...
624
00:26:29,734 --> 00:26:30,998
♪♪
625
00:26:31,000 --> 00:26:32,498
TELL YOU WHAT.
626
00:26:32,500 --> 00:26:35,698
HOW ABOUT I TURN DOWN THE SHADE
I THROW AT YOUR BROTHER?
627
00:26:35,700 --> 00:26:38,732
HOW ABOUT
YOU TURN IT OFF?
628
00:26:38,734 --> 00:26:40,431
HMM.
629
00:26:40,433 --> 00:26:43,165
THEN I WANT SOMETHING
IN RETURN.
630
00:26:43,167 --> 00:26:53,265
♪♪
631
00:26:53,267 --> 00:26:58,098
♪♪
632
00:26:58,100 --> 00:26:59,765
THANK YOU.
633
00:26:59,767 --> 00:27:00,732
♪♪
634
00:27:00,734 --> 00:27:02,965
UH-OH.
635
00:27:02,967 --> 00:27:07,265
YOU HAVE THAT PREDATORY GLEAM
IN YOUR EYE.
636
00:27:07,267 --> 00:27:10,532
YEAH, STEPHANIE'S PLANNING
A PRESS CONFERENCE SOON,
637
00:27:10,534 --> 00:27:12,932
ANNOUNCING THE PURIFOY
CLASS-ACTION FILING.
638
00:27:12,934 --> 00:27:14,965
IT'S JUST
A MATTER OF TIME
639
00:27:14,967 --> 00:27:18,232
BEFORE WE PUT THOSE DRUG PUSHERS
OUT OF BUSINESS.
640
00:27:18,234 --> 00:27:21,999
THAT GIRL IS ALWAYS
TURNING HERSELF INSIDE OUT
641
00:27:22,001 --> 00:27:24,132
TRYING TO PLEASE YOU.
642
00:27:24,134 --> 00:27:26,231
SHE TOOK ON YOUR BATTLE
WITH HUNTER.
643
00:27:26,233 --> 00:27:29,765
AND I HOPE YOU'VE NOTICED
ALL OF HER HARD WORK.
644
00:27:29,767 --> 00:27:30,865
MM-HMM.
645
00:27:30,867 --> 00:27:32,532
STEPHANIE'S GOT
HER OWN REASONS
646
00:27:32,534 --> 00:27:34,665
FOR GOING AFTER
THE PURIFOYS.
647
00:27:34,667 --> 00:27:36,665
SHE WANTS
TO REPLACE ME.
648
00:27:36,667 --> 00:27:38,965
WELL,
WOULD THAT BE SO TERRIBLE?
649
00:27:38,967 --> 00:27:41,299
IT'S HER TIME, STEPHEN,
AND YOURS.
650
00:27:41,301 --> 00:27:43,165
YOU'VE EARNED RETIREMENT.
651
00:27:43,167 --> 00:27:44,898
LET HER
HAVE THE FIRM.
652
00:27:44,900 --> 00:27:46,098
SHE'LL DO YOU PROUD.
653
00:27:46,100 --> 00:27:48,899
STEPHANIE PUT YOU UP TO THIS,
DIDN'T SHE?
654
00:27:48,901 --> 00:27:51,432
NOT EVERYONE
PLOTS WORLD DOMINATION
655
00:27:51,434 --> 00:27:53,965
BEFORE THEIR SECOND COCKTAIL,
DEAR.
656
00:27:53,967 --> 00:27:55,798
[ CHUCKLES ]
657
00:27:55,800 --> 00:27:57,332
[ DOOR OPENS ]
THANK YOU.
658
00:27:57,334 --> 00:27:58,831
AH!
659
00:27:58,833 --> 00:28:00,298
EVAN, DARLING,
JOIN US.
660
00:28:00,300 --> 00:28:01,965
I DIDN'T COME
TO SOCIALIZE.
661
00:28:01,967 --> 00:28:03,565
YOU WENT TOO FAR,
OLD MAN.
662
00:28:03,567 --> 00:28:05,365
WHAT?
WHAT ARE YOU BABBLING ABOUT?
663
00:28:05,367 --> 00:28:06,765
DON'T TRY
TO PLAY ME.
664
00:28:06,767 --> 00:28:08,899
I KNOW WHAT A RUTHLESS BASTARD
YOU CAN BE.
665
00:28:08,901 --> 00:28:10,832
I'VE SEEN IT FIRSTHAND.
666
00:28:10,834 --> 00:28:12,532
YOU REMEMBER?
667
00:28:12,534 --> 00:28:14,432
YOU FORGET? I USED TO WORK
FOR CARLISLE-PERKINS.
668
00:28:14,434 --> 00:28:17,632
I KNOW HOW YOU LIKE TO
SCARE PEOPLE INTO MAKING DEALS.
669
00:28:17,634 --> 00:28:18,732
WHAT PEOPLE?
670
00:28:18,734 --> 00:28:20,932
HOW DARE YOU COME IN HERE
ACCUSING ME?
671
00:28:20,934 --> 00:28:22,331
EVERYBODY CALM DOWN.
672
00:28:22,333 --> 00:28:23,665
NO, NOT UNTIL THIS
SON OF A BITCH UNDERSTANDS
673
00:28:23,667 --> 00:28:24,865
HE'S MESSING
WITH THE WRONG FAMILY.
674
00:28:24,867 --> 00:28:28,131
HE SENT A GOON WITH A BAT
TO TERRORIZE MY SISTER.
675
00:28:28,133 --> 00:28:30,732
NOW, WHETHER RONDELL SELLS
THAT RESTAURANT OR NOT,
676
00:28:30,734 --> 00:28:32,265
YOU'RE GONNA LEAVE HER
THE HELL ALONE.
677
00:28:32,267 --> 00:28:33,465
WHOA, WHOA, WHOA!
678
00:28:33,467 --> 00:28:35,365
I THINK YOU'D BETTER
BACK THE HELL UP, BOY.
679
00:28:35,367 --> 00:28:37,998
I WILL NOT
BE SPOKEN TO THAT WAY
680
00:28:38,000 --> 00:28:40,198
IN MY OWN HOME
IN FRONT OF MY WIFE.
681
00:28:40,200 --> 00:28:41,999
WHO YOU CALLING BOY,
OLD MAN?
682
00:28:42,001 --> 00:28:44,198
NOW, YOU'RE GONNA GET
THIS WARNING ONE TIME.
683
00:28:44,200 --> 00:28:46,732
GO NEAR MY SISTER AGAIN,
YOU'LL BE SORRY.
684
00:28:46,734 --> 00:28:47,932
OH, HUSH, EVAN.
685
00:28:47,934 --> 00:28:52,331
STEPHEN DIDN'T SEND ANYONE
AFTER YOUR SISTER.
686
00:28:52,333 --> 00:28:54,065
I DID.
687
00:28:54,067 --> 00:28:57,465
♪♪
688
00:29:01,667 --> 00:29:04,665
THE INTENT WASN'T
TO HARM RONDELL OR SENIOR,
689
00:29:04,667 --> 00:29:05,865
MERELY TO SCARE THEM.
690
00:29:05,867 --> 00:29:07,065
WHY WOULD YOU --
691
00:29:07,067 --> 00:29:10,465
THE ENGLISH ROSE DEVELOPMENT
WILL BENEFIT US ALL.
692
00:29:10,467 --> 00:29:12,532
THE SOONER
IT GOES THROUGH,
693
00:29:12,534 --> 00:29:15,465
THE QUICKER WE'LL BE RID
OF THAT VILE GREG PETERS.
694
00:29:15,467 --> 00:29:18,665
SO YOU SENT SOME THUG
AFTER MY SISTER?
695
00:29:18,667 --> 00:29:20,531
OH, WELL,
WOULD YOU RATHER
696
00:29:20,533 --> 00:29:22,599
IT HAVE BEEN ONE OF
GREG PETERS' HIT MEN?
697
00:29:22,601 --> 00:29:26,431
I'M TRYING
TO KEEP US ALL SAFE.
698
00:29:26,433 --> 00:29:28,032
[ LAUGHS ]
699
00:29:28,034 --> 00:29:30,798
HEY, IT LOOKS LIKE
SHE'S GOT YOU THERE, EVAN.
700
00:29:30,800 --> 00:29:32,532
YOU KNOW HOW CLOSE
MY FATHER CAME
701
00:29:32,534 --> 00:29:34,065
TO SHOOTING
YOUR MESSENGER?
702
00:29:34,067 --> 00:29:36,332
WHAT DO YOU THINK WOULD HAPPEN
IF WORD GOT OUT
703
00:29:36,334 --> 00:29:39,065
THAT THE CARLISLE MATRIARCH
HIRES THUGS?
704
00:29:39,067 --> 00:29:40,099
THAT INFORMATION
705
00:29:40,101 --> 00:29:41,899
BETTER NEVER
LEAVE THIS ROOM.
706
00:29:41,901 --> 00:29:43,432
Irene:
IT WON'T, DEAR.
707
00:29:43,434 --> 00:29:44,499
EVAN'S FAMILY.
708
00:29:44,501 --> 00:29:47,565
I MAY BE MARRIED
TO YOUR DAUGHTER,
709
00:29:47,567 --> 00:29:50,198
BUT RONDELL AND SENIOR
ARE MY BLOOD.
710
00:29:50,200 --> 00:29:51,732
NEVER FORGET THAT.
711
00:29:51,734 --> 00:29:56,065
♪♪
712
00:29:56,067 --> 00:29:59,065
[ SIGHS ]
713
00:29:59,067 --> 00:30:00,732
[ CHUCKLES ]
714
00:30:00,734 --> 00:30:04,265
DID NOT KNOW YOU HAD THAT
IN YOU, SWEETHEART.
715
00:30:04,267 --> 00:30:08,598
AFTER 45 YEARS OF MARRIAGE
TO STEPHEN CARLISLE,
716
00:30:08,600 --> 00:30:11,265
ONE PICKS UP
A FEW TRICKS.
717
00:30:11,267 --> 00:30:15,265
[ CHUCKLES ]
718
00:30:16,867 --> 00:30:21,665
♪♪
719
00:30:21,667 --> 00:30:24,932
Kent: MMM!
THAT'S SOME GOOD EATIN'.
720
00:30:24,934 --> 00:30:26,065
MM-HMM.
721
00:30:26,067 --> 00:30:27,198
[ LAUGHS ]
722
00:30:27,200 --> 00:30:28,865
NOW YOU KNOW WHY
THEY CALL MY MAMA
723
00:30:28,867 --> 00:30:30,998
THE "JULIA CHILD
OF THE HOOD."
724
00:30:31,000 --> 00:30:32,332
WAIT A MINUTE.
725
00:30:32,334 --> 00:30:34,398
ARE YOU TELLING ME THERE'S
A THELMA'S COOKBOOK SOMEWHERE
726
00:30:34,400 --> 00:30:36,532
I CAN
GET MY HANDS ON?
727
00:30:36,534 --> 00:30:37,798
NO.
728
00:30:37,800 --> 00:30:39,665
SHE NEVER
GOT AROUND TO THAT.
729
00:30:39,667 --> 00:30:42,532
SO THAT MEANS THERE'S ROOM
FOR RONDELL'S COOKBOOK.
730
00:30:42,534 --> 00:30:44,398
BOY, BYE.
[ CHUCKLES ]
731
00:30:44,400 --> 00:30:46,665
I GOT SIGNATURES TO COLLECT
AND WORK TO DO,
732
00:30:46,667 --> 00:30:49,265
AND SO DO YOU,
MR. COUNCILMAN.
733
00:30:49,267 --> 00:30:50,332
I'M WORKING RIGHT NOW.
734
00:30:50,334 --> 00:30:52,332
YOU JUST DON'T QUIT,
NOW, DO YOU?
735
00:30:52,334 --> 00:30:53,465
LIKE I SAID,
736
00:30:53,467 --> 00:30:55,865
I THINK WE'RE AIMING
TOWARDS THE SAME THING.
737
00:30:55,867 --> 00:30:58,865
I THINK YOU MIGHT BE HIDING
THE PEOPLE'S CHAMPION
738
00:30:58,867 --> 00:31:00,132
UNDERNEATH THAT APRON.
739
00:31:00,134 --> 00:31:01,065
NO.
740
00:31:01,067 --> 00:31:02,531
I MEAN, I DON'T KNOW
ABOUT ALL THAT.
741
00:31:02,533 --> 00:31:04,265
I'M JUST A GIRL
FROM THE BANKS
742
00:31:04,267 --> 00:31:06,732
THAT DOESN'T WANT TO SEE
MY HOME DISAPPEAR.
743
00:31:06,734 --> 00:31:07,732
I GET IT.
744
00:31:07,734 --> 00:31:09,799
MY PARENTS,
UH, RAISED ME
745
00:31:09,801 --> 00:31:11,931
IN A HOUSE
IN OLD FOURTH WARD.
746
00:31:11,933 --> 00:31:12,998
WHAT'S THERE NOW?
747
00:31:13,000 --> 00:31:15,265
FLIPPED HOUSES
AND OVERPRICED CONDOS.
748
00:31:15,267 --> 00:31:17,265
SO YOU AIN'T EVEN
FROM THE BANKS?
749
00:31:17,267 --> 00:31:18,532
MNH-MNH.
750
00:31:18,534 --> 00:31:20,465
TO HIGH SCHOOL HERE,
FELL IN LOVE WITH THE PEOPLE,
751
00:31:20,467 --> 00:31:22,198
AND THOUGHT I COULD HELP
MAKE THINGS BETTER.
752
00:31:22,200 --> 00:31:23,665
HMM.
753
00:31:23,667 --> 00:31:25,798
YOU KNOW,
COUNCILMAN HAMILTON --
754
00:31:25,800 --> 00:31:27,365
CALL ME KENT.
755
00:31:27,367 --> 00:31:28,832
[ CHUCKLES ]
756
00:31:28,834 --> 00:31:30,332
KENT.
757
00:31:30,334 --> 00:31:32,932
IF IT WASN'T
FOR ALL THAT SMACK
758
00:31:32,934 --> 00:31:35,332
YOU TALK
ABOUT MY BROTHER...
759
00:31:35,334 --> 00:31:37,465
I THINK
WE COULD BE FRIENDS.
760
00:31:37,467 --> 00:31:38,731
MM.
761
00:31:38,733 --> 00:31:41,531
WELL, I PROMISE YOU,
RONDELL LANCASTER,
762
00:31:41,533 --> 00:31:43,932
WE COULD BE MORE
THAN JUST FRIENDS.
763
00:31:43,934 --> 00:31:47,198
BUT FOR NOW,
LET'S JUST, UH,
764
00:31:47,200 --> 00:31:49,732
FOCUS ON
SAVING THE BANKS.
765
00:31:49,734 --> 00:31:50,798
[ INEZ CHUCKLES ]
766
00:31:50,800 --> 00:31:52,532
[ SCOFFS ]
767
00:31:52,534 --> 00:31:54,065
[ CHUCKLES ]
768
00:31:54,067 --> 00:31:54,998
WHAT YOU LOOKING AT?
769
00:31:55,000 --> 00:31:58,231
[ SCOFFS ]
770
00:31:58,233 --> 00:32:07,398
♪♪
771
00:32:07,400 --> 00:32:09,332
[ DOOR OPENS ]
772
00:32:09,334 --> 00:32:10,731
♪♪
773
00:32:10,733 --> 00:32:12,865
[ DOOR CLOSES ]
774
00:32:12,867 --> 00:32:14,865
GOT ANYTHING GOOD
FOR ME?
775
00:32:14,867 --> 00:32:16,332
TALK ABOUT
A LOADED QUESTION.
776
00:32:16,334 --> 00:32:17,498
[ CHUCKLES ]
777
00:32:17,500 --> 00:32:20,198
I WAS REFERRING TO
THE ASSIGNMENT I GAVE YOU.
778
00:32:20,200 --> 00:32:21,432
A GUY CAN DREAM.
779
00:32:21,434 --> 00:32:22,898
♪♪
780
00:32:22,900 --> 00:32:25,665
YOUR BOY TITUS
IS CLEAN.
781
00:32:25,667 --> 00:32:27,598
WHAT ABOUT THE WIFE?
782
00:32:27,600 --> 00:32:30,932
OUR MISS AMARA IS A NAUGHTY,
NAUGHTY GIRL.
783
00:32:30,934 --> 00:32:32,365
GO ON.
784
00:32:32,367 --> 00:32:34,332
HOOKED UP
WITH A CO-WORKER,
785
00:32:34,334 --> 00:32:37,332
ANOTHER FED BY THE NAME
OF DAMIAN COLLINS.
786
00:32:37,334 --> 00:32:38,732
♪♪
787
00:32:38,734 --> 00:32:41,465
SHE CHEATED ON TITUS?
788
00:32:41,467 --> 00:32:44,465
AND GOT A RAISE AND A PROMOTION
IN THE PROCESS.
789
00:32:44,467 --> 00:32:45,732
[ LAUGHS ]
790
00:32:45,734 --> 00:32:48,465
TOGETHER, THEY PROSECUTED
ONE OF THE BIGGEST METH DEALERS
791
00:32:48,467 --> 00:32:50,231
IN BIRMINGHAM HISTORY.
792
00:32:50,233 --> 00:32:51,832
[ SIGHS ]
793
00:32:51,834 --> 00:32:53,898
SO, WHAT'S THE DEAL,
BOSS LADY?
794
00:32:53,900 --> 00:32:55,532
WHY ARE YOU SO INTERESTED
IN THEIR MARRIAGE?
795
00:32:55,534 --> 00:32:59,132
NICK, I PAY YOU
TO ANSWER THE QUESTIONS,
796
00:32:59,134 --> 00:33:00,798
NOT ASK THEM.
797
00:33:00,800 --> 00:33:02,332
[ CHUCKLES ]
798
00:33:02,334 --> 00:33:03,265
♪♪
799
00:33:03,267 --> 00:33:05,399
[ SIGHS ]
800
00:33:05,401 --> 00:33:07,932
WHATEVER YOU SAY.
801
00:33:07,934 --> 00:33:16,432
♪♪
802
00:33:16,434 --> 00:33:18,199
[ SIGHS ]
803
00:33:18,201 --> 00:33:24,532
AMARA HUGHES, YOU HYPOCRITICAL,
LYING LITTLE SLUT.
804
00:33:24,534 --> 00:33:26,798
[ SIGHS ]
805
00:33:26,800 --> 00:33:28,432
[ INDISTINCT CONVERSATIONS ]
806
00:33:28,434 --> 00:33:30,798
JESUS CHRIST.
I TOLD YOU 20 MINUTES AGO
807
00:33:30,800 --> 00:33:32,265
THAT YOU AND YOUR PEOPLE
NEED TO LEAVE.
808
00:33:32,267 --> 00:33:33,398
IF YOU WOULD JUST
LET US FINISH,
809
00:33:33,400 --> 00:33:34,665
WE COULD BE OUT OF YOUR WAY.
MA'AM, MA'AM...
810
00:33:34,667 --> 00:33:35,932
HEY.
811
00:33:35,934 --> 00:33:37,798
SERIOUSLY RIGHT NOW!
812
00:33:37,800 --> 00:33:39,932
Roderick: HEY.
RODERICK, PLEASE HELP.
813
00:33:39,934 --> 00:33:41,531
[ SIGHS ]
WHAT'S UP?
814
00:33:41,533 --> 00:33:43,265
HEY.
815
00:33:43,267 --> 00:33:46,331
MR. JOHNSON,
YOU UNDERSTAND MY SITUATION.
816
00:33:46,333 --> 00:33:48,131
OF COURSE I DO.
817
00:33:48,133 --> 00:33:50,065
BUT LET ME
HOLLA AT YOU, BRO.
818
00:33:50,067 --> 00:33:51,665
♪♪
819
00:33:51,667 --> 00:33:54,598
SO, HOW CAN WE
MAKE THIS WORK?
820
00:33:54,600 --> 00:33:55,665
I-I CAN'T.
821
00:33:55,667 --> 00:33:57,499
THIS -- IT'S MY JOB.
822
00:33:57,501 --> 00:33:59,631
COME ON.
COME ON.
823
00:33:59,633 --> 00:34:03,131
I GET IT.
824
00:34:03,133 --> 00:34:05,865
WORK WITH ME,
MAN.
825
00:34:05,867 --> 00:34:06,998
YOU GOT IT.
826
00:34:07,000 --> 00:34:08,532
MY MAN.
THANK YOU.
827
00:34:08,534 --> 00:34:10,665
APPRECIATE YOU.
828
00:34:10,667 --> 00:34:12,132
[ SIGHS ]
829
00:34:14,067 --> 00:34:15,398
YOU GOT 45 MINUTES.
830
00:34:15,400 --> 00:34:16,731
OH!
WHAT DID YOU GIVE HIM?
831
00:34:16,733 --> 00:34:17,865
[ LAUGHS ]
832
00:34:17,867 --> 00:34:19,532
AIN'T NOBODY PASSING UP
FOUR TICKETS TO THE HAWKS GAME.
833
00:34:19,534 --> 00:34:22,099
[ LAUGHS ]
834
00:34:22,101 --> 00:34:24,032
THERE YOU ARE.
835
00:34:24,034 --> 00:34:25,331
♪♪
836
00:34:25,333 --> 00:34:27,399
[ LAUGHS ]
837
00:34:27,401 --> 00:34:29,965
♪♪
838
00:34:32,634 --> 00:34:33,832
♪♪
839
00:34:33,834 --> 00:34:36,398
I'VE BEEN LOOKING ALL OVER
FOR YOU.
840
00:34:36,400 --> 00:34:39,998
♪♪
841
00:34:40,000 --> 00:34:41,432
RODERICK JOHNSON.
842
00:34:41,434 --> 00:34:43,398
WASN'T SURE I'D BE ABLE
TO CATCH UP WITH YOU.
843
00:34:43,400 --> 00:34:44,532
MISS TRU.
844
00:34:44,534 --> 00:34:47,498
YOU AND RODERICK SEEM
TO BE JOINED AT THE HIP.
845
00:34:47,500 --> 00:34:49,665
IT'S JUST HIS REWARD
FOR LOOKING OUT FOR ME.
846
00:34:49,667 --> 00:34:50,998
HMM.
847
00:34:51,000 --> 00:34:51,999
WHAT'S UP, MAYOR?
848
00:34:52,001 --> 00:34:53,631
OH, I WAS OVER ON THE OTHER SIDE
OF THE PARK,
849
00:34:53,633 --> 00:34:54,632
SURVEYING A PARCEL
OF LAND
850
00:34:54,634 --> 00:34:56,365
THE CITY WANTS TO BUY
FOR THE PARKS EXPANSION.
851
00:34:56,367 --> 00:34:57,998
I WOULD BE DAMNED
IF ONE OF THE STAFF DIDN'T SAY
852
00:34:58,000 --> 00:34:59,665
THERE'S A RODERICK JOHNSON
SIGHTING OVER HERE.
853
00:34:59,667 --> 00:35:01,332
[ BOTH LAUGH ]
BELLA WAS HAVING A PROBLEM
854
00:35:01,334 --> 00:35:02,865
WITH THE PERMIT
FOR A VIDEO SHOOT.
855
00:35:02,867 --> 00:35:04,799
I GOT
THAT CLEARED UP.
856
00:35:04,801 --> 00:35:07,198
YOUR SWAY IN THIS CITY
IS EXACTLY WHY I SOUGHT YOU OUT.
857
00:35:07,200 --> 00:35:08,332
MAYOR LANCASTER,
858
00:35:08,334 --> 00:35:10,065
I ONLY HAVE
45 MINUTES TO FINISH MY VIDEO.
859
00:35:10,067 --> 00:35:11,332
I HATE TO BE RUDE,
BUT --
860
00:35:11,334 --> 00:35:13,332
WELL,
THEN DON'T BE.
861
00:35:13,334 --> 00:35:15,331
NOW, JUST THIS MORNING,
MY CABINET AND I
862
00:35:15,333 --> 00:35:17,599
GREEN-LIT A BRAND-NEW
"VISIT ATLANTA" PR CAMPAIGN.
863
00:35:17,601 --> 00:35:18,965
NOW, WE'RE RECRUITING
LOCAL CELEBRITIES
864
00:35:18,967 --> 00:35:20,732
TO PROMOTE
WHY THEY LOVE ATLANTA.
865
00:35:20,734 --> 00:35:22,265
MM.
I'D BE PERFECT FOR THAT.
866
00:35:22,267 --> 00:35:23,532
SO WE CAN
COUNT ON YOU?
867
00:35:23,534 --> 00:35:24,865
I'M DOWN
FOR WHATEVER YOU NEED.
868
00:35:24,867 --> 00:35:26,798
ALRIGHT.
SO IS BELLA, RIGHT?
869
00:35:26,800 --> 00:35:29,265
UH, WELL, BELLA'S NOT
A BIG-ENOUGH CELEBRITY.
870
00:35:29,267 --> 00:35:31,898
NO OFFENSE, BUT SHE'S NOT QUITE
AT YOUR LEVEL.
871
00:35:31,900 --> 00:35:34,698
HAVE YOU SEEN HOW MANY
SOCIAL-MEDIA FOLLOWERS SHE HAS?
872
00:35:34,700 --> 00:35:36,098
IF I WAS PUTTING
THIS CAMPAIGN TOGETHER --
873
00:35:36,100 --> 00:35:38,265
BUT YOU'RE NOT.
NOW, CAN WE COUNT ON YOU?
874
00:35:38,267 --> 00:35:39,598
[ CHUCKLES ]
875
00:35:39,600 --> 00:35:41,998
I THINK YOU'RE MISSING OUT,
BUT SURE.
876
00:35:42,000 --> 00:35:43,598
I'LL BE IN TOUCH.
877
00:35:43,600 --> 00:35:46,998
GOOD LUCK
WITH YOUR SHOOT, MS. TRU.
878
00:35:47,000 --> 00:35:48,865
THAT'S ALRIGHT.
879
00:35:48,867 --> 00:35:50,865
Roderick:
IT'S COOL, RIGHT?
880
00:35:50,867 --> 00:35:52,932
YEAH.
THAT'S GONNA BE CHILL.
881
00:35:52,934 --> 00:36:02,732
♪♪
882
00:36:02,734 --> 00:36:04,865
♪♪
883
00:36:04,867 --> 00:36:07,198
AM I DREAMING?
884
00:36:07,200 --> 00:36:09,265
YOU'RE HOME EARLY.
885
00:36:09,267 --> 00:36:11,331
AND YOU WILL NOTICE...
886
00:36:11,333 --> 00:36:13,598
I GOT
MY CHEF GEAR ON.
887
00:36:13,600 --> 00:36:14,699
[ LAUGHS ]
888
00:36:14,701 --> 00:36:16,832
WOW.
889
00:36:16,834 --> 00:36:20,132
I COULD
GET USED TO THIS.
890
00:36:20,134 --> 00:36:23,365
WELL, THERE ARE SOME BENEFITS
TO CORPORATE COUNSEL
891
00:36:23,367 --> 00:36:25,498
VERSUS
A ONE-MAN LAW FIRM.
892
00:36:25,500 --> 00:36:28,965
I KNOW BUILDING MY PRACTICE
CAUSED ISSUES FOR US.
893
00:36:28,967 --> 00:36:31,365
SO,
HOW WAS YOUR DAY?
894
00:36:31,367 --> 00:36:32,765
GOOD.
895
00:36:32,767 --> 00:36:34,932
[ KNIFE CHOPPING ]
896
00:36:34,934 --> 00:36:36,598
HAD LUNCH
WITH STEPHANIE.
897
00:36:36,600 --> 00:36:38,899
♪♪
898
00:36:38,901 --> 00:36:40,032
[ BOTTLES CLINK ]
899
00:36:40,034 --> 00:36:41,732
SHOULD I BE AFRAID?
900
00:36:41,734 --> 00:36:44,265
NO.
901
00:36:44,267 --> 00:36:46,932
NOT AT ALL.
902
00:36:46,934 --> 00:36:48,398
♪♪
903
00:36:48,400 --> 00:36:50,798
SAID WHAT I NEEDED TO SAY
AND KEPT IT MOVING.
904
00:36:50,800 --> 00:36:55,065
OKAY, WELL,
STEPHANIE IS NOT A FACTOR.
905
00:36:55,067 --> 00:36:57,265
I LIKE
THE SOUND OF THAT.
906
00:36:57,267 --> 00:37:01,732
♪♪
907
00:37:01,734 --> 00:37:04,398
Titus: I'M ALL ABOUT YOU,
BABY.
908
00:37:04,400 --> 00:37:06,398
OUR MARRIAGE IS
MY FIRST PRIORITY.
909
00:37:06,400 --> 00:37:08,465
WE'VE HAD
OUR CHALLENGES, BUT --
910
00:37:08,467 --> 00:37:11,932
YEAH,
BUT THAT'S ALL OVER.
911
00:37:11,934 --> 00:37:16,398
WE'RE HERE,
STILL TOGETHER.
912
00:37:16,400 --> 00:37:19,798
NOTHING BUT
A BRIGHT FUTURE AHEAD.
913
00:37:19,800 --> 00:37:25,632
♪♪
914
00:37:25,634 --> 00:37:30,232
ONLY THING THROWING ME OFF
IS DEJA BEING AWAY.
915
00:37:30,234 --> 00:37:32,065
I REALLY MISS HER.
916
00:37:32,067 --> 00:37:34,132
I KNOW.
917
00:37:34,134 --> 00:37:38,065
A DAUGHTER CLAIMS PRIME
REAL ESTATE IN A MOTHER'S HEART,
918
00:37:38,067 --> 00:37:42,332
BUT I AM WILLING
TO FILL THAT SPACE
919
00:37:42,334 --> 00:37:44,132
TILL DEJA GETS BACK.
920
00:37:44,134 --> 00:37:48,065
WELL, SIR,
IT IS A LARGE SPACE.
921
00:37:48,067 --> 00:37:49,999
LARGE SPACE?
MM-HMM.
922
00:37:50,001 --> 00:37:53,999
AND YOU MAY HAVE TO PUT IN
LOTS AND LOTS OF WORK.
923
00:37:54,001 --> 00:37:55,465
GOOD THING...
924
00:37:55,467 --> 00:37:56,532
♪♪
925
00:37:56,534 --> 00:37:58,665
...I'M AN OVERACHIEVER.
926
00:37:58,667 --> 00:38:01,198
[ LAUGHS ]
927
00:38:01,200 --> 00:38:07,532
♪ YOU BROKE MY HEART ♪
928
00:38:07,534 --> 00:38:10,031
IT'S THE ONLY WAY
YOU'RE GONNA EAT.
929
00:38:10,033 --> 00:38:12,765
[ BOTH LAUGH ]
930
00:38:12,767 --> 00:38:14,165
♪♪
931
00:38:14,167 --> 00:38:17,232
[ BLUES MUSIC PLAYING ]
932
00:38:17,234 --> 00:38:26,665
♪♪
933
00:38:26,667 --> 00:38:27,931
♪♪
934
00:38:27,933 --> 00:38:30,265
Rondell: ALL RIGHT, ALL RIGHT,
EVERYBODY.
935
00:38:30,267 --> 00:38:32,132
SETTLE DOWN, SETTLE DOWN.
936
00:38:32,134 --> 00:38:35,665
WELL, AS Y'ALL ALL KNOW,
GREG PETERS CONSTRUCTION
937
00:38:35,667 --> 00:38:38,398
IS PLANNING A PROJECT
RIGHT HERE IN THE BANKS.
938
00:38:38,400 --> 00:38:41,532
PETERS UPPED HIS ORIGINAL OFFER
TO ME JUST YESTERDAY.
939
00:38:41,534 --> 00:38:44,665
I'M THINKING ABOUT SELLING
AND MOVING TO SNELLVILLE.
940
00:38:44,667 --> 00:38:47,799
I DIDN'T INVITE Y'ALL HERE
TO FANTASIZE ABOUT MOVING.
941
00:38:47,801 --> 00:38:49,598
MM-HMM.
I BROUGHT Y'ALL HERE
942
00:38:49,600 --> 00:38:51,865
SO WE CAN FIGURE OUT
HOW TO SAVE THE BANKS.
943
00:38:51,867 --> 00:38:56,065
TONIGHT'S THE FIRST MEETING
OF OUR NEIGHBORHOOD ORGANIZATION
944
00:38:56,067 --> 00:38:57,398
I'M CALLING NAG.
945
00:38:57,400 --> 00:38:58,598
NAG?
N-A-G.
946
00:38:58,600 --> 00:39:00,132
YOU KNOW WHAT
THAT STANDS FOR?
947
00:39:00,134 --> 00:39:01,332
[ BELL JINGLES ]
NEI--
948
00:39:01,334 --> 00:39:03,198
NEIGHBORS AGAINST
GENTRIFICATION.
949
00:39:03,200 --> 00:39:04,331
[ CHATTER ]
950
00:39:04,333 --> 00:39:07,598
WELL,
EVERYBODY WELCOME
951
00:39:07,600 --> 00:39:12,665
ATLANTA CITY COUNCILMAN
MR. KENT HAMILTON.
952
00:39:12,667 --> 00:39:13,998
WHO INVITED HIM?
953
00:39:14,000 --> 00:39:15,599
DADDY,
JUST BE QUIET.
954
00:39:15,601 --> 00:39:18,332
HOW IS, UH, EVERYONE DOING
THIS EVENING?
955
00:39:18,334 --> 00:39:20,499
I'D BE BETTER IF THE STREET
IN FRONT OF MY HOUSE
956
00:39:20,501 --> 00:39:21,965
WASN'T COVERED
WITH POTHOLES.
957
00:39:21,967 --> 00:39:23,431
YEAH, WELL,
TELL IT TO HIM.
958
00:39:23,433 --> 00:39:25,098
THERE'S OUR TAX DOLLARS
WORKING FOR YOU.
959
00:39:25,100 --> 00:39:26,465
WHEN'S THE CITY
GONNA DO SOMETHING
960
00:39:26,467 --> 00:39:27,599
ABOUT THEM DOPE FIENDS
961
00:39:27,601 --> 00:39:29,599
HANGING OUT IN THE ALLEY
AT NIGHT BY MY PLACE?
962
00:39:29,601 --> 00:39:33,832
I CAN'T EVEN PUT MY TRASH OUT
AT NIGHT IN PEACE.
963
00:39:33,834 --> 00:39:35,098
Woman: MM-HMM.
THAT'S RIGHT.
964
00:39:35,100 --> 00:39:37,498
LISTEN. LISTEN.
965
00:39:37,500 --> 00:39:39,432
YES.
966
00:39:39,434 --> 00:39:43,665
TONIGHT'S NAG MEETING
IS ABOUT STOPPING DEVELOPERS
967
00:39:43,667 --> 00:39:46,532
AND IMPROVING OUR NEIGHBORHOOD.
968
00:39:46,534 --> 00:39:48,065
Man: ALL RIGHT.
EVERYBODY, LISTEN.
969
00:39:48,067 --> 00:39:52,132
TOGETHER, WE CAN MAKE THE BANKS
A SAFE AND THRIVING PLACE
970
00:39:52,134 --> 00:39:54,732
TO RAISE YOUR FAMILIES
AND RUN YOUR BUSINESSES.
971
00:39:54,734 --> 00:39:55,799
AND YOURS.
972
00:39:57,867 --> 00:40:00,798
RONDELL, YOUR BROTHER KNOW
YOU HANGING OUT WITH THE DUDE
973
00:40:00,800 --> 00:40:03,165
THAT BE TALKING
SO MUCH SMACK ABOUT HIM ON TV?
974
00:40:03,167 --> 00:40:05,265
BIG CHARLIE,
I'M A GROWN-ASS WOMAN.
975
00:40:05,267 --> 00:40:06,798
MY BROTHER
DON'T RUN ME, OKAY?
976
00:40:06,800 --> 00:40:07,865
YEAH,
THAT'S RIGHT.
977
00:40:07,867 --> 00:40:09,465
NOW, YOU HEARD HER.
SIT DOWN.
978
00:40:09,467 --> 00:40:12,365
SIT YOUR GREEDY BEHIND
BACK DOWN AND BE QUIET.
979
00:40:12,367 --> 00:40:15,431
[ CHATTER ]
980
00:40:15,433 --> 00:40:18,598
NOW, FOR THE REST
OF Y'ALL...
981
00:40:18,600 --> 00:40:21,165
IF YOU'RE NOT
WITH NAG,
982
00:40:21,167 --> 00:40:24,965
YOU'RE FOR THAT
STANKIN'-ASS GREG PETERS.
983
00:40:24,967 --> 00:40:27,365
SO,
WHAT IT'S GON' BE?
984
00:40:27,367 --> 00:40:29,432
WE'RE WITH YOU,
RONDELL.
985
00:40:29,434 --> 00:40:30,565
MM-HMM!
986
00:40:30,567 --> 00:40:31,632
ME, TOO.
987
00:40:31,634 --> 00:40:33,099
'CAUSE I'M GONNA NEED
ALL Y'ALL'S HELP
988
00:40:33,101 --> 00:40:35,099
TO GET ENOUGH
NEIGHBORHOOD SIGNATURES
989
00:40:35,101 --> 00:40:37,232
FOR THAT INJUNCTION
AGAINST PETERS.
990
00:40:37,234 --> 00:40:40,365
All:
[ Chanting ] N-A-G!
991
00:40:40,367 --> 00:40:42,665
PASS IT AROUND.
All: N-A-G!
992
00:40:42,667 --> 00:40:44,832
N-A-G!
993
00:40:44,834 --> 00:40:47,132
N-A-G!
994
00:40:47,134 --> 00:40:48,998
N-A-G!
995
00:40:49,000 --> 00:40:50,165
N-A-G!
996
00:40:50,167 --> 00:40:52,598
LOOKS LIKE YOU JUST BECAME
THE LOCAL ACTIVIST,
997
00:40:52,600 --> 00:40:53,765
MS. LANCASTER.
998
00:40:53,767 --> 00:40:55,499
N-A-G!
999
00:40:55,501 --> 00:40:56,632
N-A-G!
1000
00:40:56,634 --> 00:40:58,999
THAT'S RIGHT, Y'ALL.
N-A-G!
1001
00:40:59,001 --> 00:41:01,498
N-A-G!
1002
00:41:01,500 --> 00:41:03,631
N-A-G!
1003
00:41:03,633 --> 00:41:05,165
N-A...
1004
00:41:05,167 --> 00:41:06,665
♪♪
1005
00:41:06,667 --> 00:41:07,932
COME ON,
BABY.
1006
00:41:07,934 --> 00:41:09,998
THANK YOU
FOR HELPING MOMMY.
1007
00:41:10,000 --> 00:41:12,498
WERE YOU MOMMY'S
LITTLE HELPER TODAY?
1008
00:41:12,500 --> 00:41:13,765
HUH?
MR. EVAN!
1009
00:41:13,767 --> 00:41:16,998
HEY!
THERE HE IS.
1010
00:41:17,000 --> 00:41:18,465
[ LAUGHS ]
1011
00:41:18,467 --> 00:41:20,065
THERE HE IS.
1012
00:41:20,067 --> 00:41:22,365
OH, BOY!
1013
00:41:22,367 --> 00:41:23,898
OH, YOU'RE GETTING
SO BIG.
1014
00:41:23,900 --> 00:41:26,198
HEY,
I GOT A SURPRISE FOR YOU.
1015
00:41:26,200 --> 00:41:28,698
YOU READY?
1016
00:41:28,700 --> 00:41:31,198
HAVE YOU EVER USED
A TABLET BEFORE?
1017
00:41:31,200 --> 00:41:32,565
NO?
1018
00:41:32,567 --> 00:41:34,698
PUSH THIS BUTTON
RIGHT HERE.
1019
00:41:34,700 --> 00:41:36,098
I KNOW YOU KNOW
WHAT THAT IS.
1020
00:41:36,100 --> 00:41:37,198
THAT'S PRETTY COOL,
RIGHT?
1021
00:41:37,200 --> 00:41:38,865
Joaquin: MM-HMM.
BIG HIGH-FIVE.
1022
00:41:38,867 --> 00:41:40,131
ALL RIGHT.
1023
00:41:40,133 --> 00:41:42,065
YOU WANT TO PLAY WITH THAT
IN YOUR BEDROOM?
1024
00:41:42,067 --> 00:41:43,465
MM-HMM.
1025
00:41:43,467 --> 00:41:46,198
♪♪
1026
00:41:46,200 --> 00:41:48,865
WHAT ARE YOU
DOING HERE?
1027
00:41:48,867 --> 00:41:51,799
CAN'T A FATHER STOP BY
TO SEE HIS SON?
1028
00:41:51,801 --> 00:41:57,265
♪♪
1029
00:41:57,267 --> 00:41:58,532
ON THE NEXT "AMBITIONS"...
1030
00:41:58,534 --> 00:42:00,865
Man: HEADS UP, THEY'RE BRINGING
THE MAYOR'S MISTRESS IN.
1031
00:42:00,867 --> 00:42:02,398
Amara: IF THESE
ALLEGATIONS ARE TRUE,
1032
00:42:02,400 --> 00:42:04,632
YOU COULD BE LOOKING AT
SERIOUS TIME IN FEDERAL PRISON.
1033
00:42:04,634 --> 00:42:06,198
WHY'D YOU KEEP THIS
FROM ME?
1034
00:42:06,200 --> 00:42:07,198
[ SIGHS ]
1035
00:42:07,200 --> 00:42:08,999
STAY IN YOUR LANE.
1036
00:42:09,001 --> 00:42:12,165
YOU GOT BALLS THE SIZE
OF MONTANA, AND I LIKE IT.
1037
00:42:12,167 --> 00:42:14,498
SHE SAID I'LL FALL FIRST
AND THE HARDEST.
1038
00:42:14,500 --> 00:42:15,832
NO ONE'S FALLING.
1039
00:42:15,834 --> 00:42:18,199
I CAN SECURE
THELMA'S PLACE FOR YOU.
1040
00:42:18,201 --> 00:42:20,065
I'M STARTING TO THINK I'VE BEEN
DEALING WITH THE WRONG CARLISLE.
1041
00:42:20,067 --> 00:42:21,998
WE HAVE TO COOL IT OFF.
ARE YOU DUMPING ME?
1042
00:42:22,000 --> 00:42:23,265
Stephanie:
YOU AND DADDY
1043
00:42:23,267 --> 00:42:24,732
COULDN'T GIVE GREG PETERS
WHAT HE WANTS.
1044
00:42:24,734 --> 00:42:27,232
NOW I HAVE THE SITUATION
IN HAND.
84862
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