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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,847 --> 00:00:08,743 KELLY ANNE: Previously on Queen of the South... 2 00:00:09,304 --> 00:00:10,772 TERESA: We're selling to Dumas now. 3 00:00:10,782 --> 00:00:13,048 That was his ransom. Find out who he is. 4 00:00:13,057 --> 00:00:15,737 I know you like to do things all peaceful in the States. 5 00:00:15,746 --> 00:00:17,774 BOAZ: But in Sinaloa we don't kill with kindness. 6 00:00:17,804 --> 00:00:18,975 We just kill. 7 00:00:19,000 --> 00:00:20,995 POTE: Javier Jimenez, he's the leader of the Death Squad 8 00:00:21,019 --> 00:00:23,239 out of Juarez. (GRUNTS) 9 00:00:23,250 --> 00:00:25,030 I'm Judge Cecil Lafayette. 10 00:00:25,039 --> 00:00:26,496 Am I under arrest? 11 00:00:26,507 --> 00:00:30,346 To run a... a business in my city, you need to pay taxes. 12 00:00:30,356 --> 00:00:34,466 And those... those taxes shall be remitted to yours truly. 13 00:00:34,476 --> 00:00:37,100 (SUSPENSEFUL MUSIC) 14 00:00:37,109 --> 00:00:39,020 ♪ ♪ 15 00:00:39,030 --> 00:00:40,100 (GRUNTS) 16 00:00:40,109 --> 00:00:41,020 KELLY ANNE: Let's go. 17 00:00:41,030 --> 00:00:42,100 (GRUNTS) 18 00:00:42,109 --> 00:00:44,136 - You're supposed to be dead. - I know, I know. 19 00:00:44,146 --> 00:00:45,189 Please let me explain. 20 00:00:45,200 --> 00:00:49,534 If Teresa still wants me dead, I'm at peace with that. 21 00:00:50,189 --> 00:00:53,179 (DRAMATIC MUSIC) 22 00:00:53,189 --> 00:01:00,210 ♪ ♪ 23 00:01:07,060 --> 00:01:09,221 DUMAS: That's impressive. 24 00:01:10,019 --> 00:01:11,888 Why not just sell us the powder? 25 00:01:11,897 --> 00:01:14,019 Because I don't move it that way. 26 00:01:14,030 --> 00:01:15,030 And the purity? 27 00:01:15,039 --> 00:01:16,704 98%. 28 00:01:16,715 --> 00:01:19,109 Javier will be your contact. 29 00:01:19,120 --> 00:01:21,010 You and I won't be meeting again. 30 00:01:21,019 --> 00:01:22,567 I'll say this once. 31 00:01:23,652 --> 00:01:25,280 You know who we are. 32 00:01:25,905 --> 00:01:28,189 You wanted our attention. 33 00:01:28,984 --> 00:01:30,394 Now you have it. 34 00:01:30,405 --> 00:01:34,039 ♪ ♪ 35 00:01:36,150 --> 00:01:40,030 ♪ ♪ 36 00:01:40,039 --> 00:01:42,754 (CELL PHONE VIBRATES) 37 00:01:44,590 --> 00:01:46,442 You're a hard man to get ahold of. 38 00:01:46,453 --> 00:01:48,531 TERESA: I was expecting a call days ago. 39 00:01:48,540 --> 00:01:50,099 My sincerest apologies. 40 00:01:50,109 --> 00:01:52,120 The market's been on a roller coaster. 41 00:01:52,129 --> 00:01:55,000 I made an offer on that trucking company. 42 00:01:55,009 --> 00:01:58,037 We discussed using funds from the Turks and Caicos accounts. 43 00:01:58,048 --> 00:02:00,490 Unfortunately, that won't be possible. 44 00:02:00,516 --> 00:02:03,000 There's an ongoing fraud investigation. 45 00:02:03,010 --> 00:02:06,569 It won't affect you, but it could be a few months 46 00:02:06,578 --> 00:02:08,673 before I safely can access those accounts. 47 00:02:08,698 --> 00:02:12,367 Dieter, is there a problem with my money? 48 00:02:13,368 --> 00:02:15,231 DIETER: No, no. 49 00:02:15,241 --> 00:02:16,698 Those audits won't affect you. 50 00:02:16,707 --> 00:02:20,638 But they will tie up those funds temporarily. 51 00:02:20,647 --> 00:02:22,698 I'm purchasing this trucking company, 52 00:02:22,707 --> 00:02:24,828 and I can't hand them bags of cash. 53 00:02:24,837 --> 00:02:26,777 The sale must be legitimate. 54 00:02:26,788 --> 00:02:28,717 TERESA: I need this trucking company 55 00:02:28,728 --> 00:02:30,210 to continue to grow the NOLA operation. 56 00:02:30,219 --> 00:02:32,322 I will move some assets around. 57 00:02:32,331 --> 00:02:34,213 That should give you what you need 58 00:02:34,223 --> 00:02:36,737 without raising any red flags. 59 00:02:36,747 --> 00:02:38,490 Let me know when it's done. 60 00:02:38,500 --> 00:02:39,718 DIETER: Of course. 61 00:02:39,728 --> 00:02:41,718 You want me to get on a plane? 62 00:02:41,728 --> 00:02:43,314 Not yet. 63 00:02:43,788 --> 00:02:45,207 Let's wait and see. 64 00:02:45,218 --> 00:02:47,828 (SUSPENSEFUL MUSIC) 65 00:02:47,837 --> 00:02:52,264 ♪ ♪ 66 00:02:52,275 --> 00:02:56,849 Listen, I know you have every reason 67 00:02:56,860 --> 00:02:59,206 to walk away after what happened. 68 00:03:00,717 --> 00:03:02,638 I'm glad you're still here. 69 00:03:04,717 --> 00:03:08,737 Well, every bar that I ever worked in, 70 00:03:08,747 --> 00:03:10,837 my bosses have always been men. 71 00:03:10,848 --> 00:03:12,777 I knew what I was to them. 72 00:03:12,788 --> 00:03:15,788 Eye candy, nothing more. 73 00:03:15,798 --> 00:03:17,798 Even as I built up their business. 74 00:03:17,807 --> 00:03:19,638 But, um... 75 00:03:21,040 --> 00:03:22,881 I don't know. You're different. 76 00:03:23,788 --> 00:03:26,747 And I believe in what this bar could be. 77 00:03:28,320 --> 00:03:31,501 So that other stuff, 78 00:03:32,125 --> 00:03:34,094 it's your business. 79 00:03:35,877 --> 00:03:39,718 Well, are you ready to open the doors? 80 00:03:39,728 --> 00:03:41,737 Oh, yes. 81 00:03:41,747 --> 00:03:43,737 - (LAUGHS) - So nervous. 82 00:03:43,747 --> 00:03:44,737 Let's do it. 83 00:03:44,747 --> 00:03:46,638 Okay, let's go. 84 00:03:46,647 --> 00:03:47,718 (LAUGHS) 85 00:03:47,728 --> 00:03:49,848 (INDISTINCT CHATTER) 86 00:03:49,858 --> 00:03:52,837 (BOTH SPEAKING SPANISH) 87 00:03:52,848 --> 00:03:55,718 Listen, I'm heading to Pote's house. 88 00:03:55,728 --> 00:03:56,817 He should be getting in with Tony. 89 00:03:56,828 --> 00:03:58,394 I'll come with you. 90 00:03:58,418 --> 00:04:01,647 No, stay here and make sure everything runs smoothly. 91 00:04:01,657 --> 00:04:03,668 We'll come back in a couple of hours. 92 00:04:03,677 --> 00:04:04,747 Mmm. 93 00:04:04,758 --> 00:04:05,777 - I'll see you soon. - Hey. 94 00:04:05,788 --> 00:04:08,807 (SPANISH MUSIC PLAYING) 95 00:04:08,818 --> 00:04:10,807 (DOORBELL RINGS) 96 00:04:14,788 --> 00:04:16,768 - TERESA: Hey. - Hey. 97 00:04:16,778 --> 00:04:19,423 - Como estas? - Bien. 98 00:04:19,434 --> 00:04:20,757 Gracias. 99 00:04:21,768 --> 00:04:24,315 - Siempre. - Where's Tony? 100 00:04:24,326 --> 00:04:28,278 Teresita, there's something that you should know. 101 00:04:28,288 --> 00:04:30,430 I wanted to tell you in person. 102 00:04:30,440 --> 00:04:31,807 I didn't want to say it over the... 103 00:04:31,817 --> 00:04:33,759 - TONY: Teresa. - TERESA: Tony. 104 00:04:34,697 --> 00:04:35,798 TERESA: Oy. 105 00:04:37,718 --> 00:04:40,182 - How are you? - Doing good. 106 00:04:41,577 --> 00:04:43,548 I'm so sorry about what happened. 107 00:04:43,572 --> 00:04:45,643 It's not your fault. 108 00:04:46,867 --> 00:04:49,668 You're so big. 109 00:04:50,807 --> 00:04:52,146 What's that? 110 00:04:52,156 --> 00:04:54,278 Oh, um, I'm making my own graphic novel. 111 00:04:54,288 --> 00:04:56,887 Whatever you do, don't call it a comic book. 112 00:04:56,898 --> 00:04:59,697 - He goes crazy. - (CHUCKLES) 113 00:05:00,817 --> 00:05:02,737 I missed you. 114 00:05:02,747 --> 00:05:03,913 I missed you too. 115 00:05:05,338 --> 00:05:07,918 Am I going home with you now, or... 116 00:05:08,737 --> 00:05:09,877 Not yet. 117 00:05:09,887 --> 00:05:11,668 We're gonna figure that out. 118 00:05:11,677 --> 00:05:14,827 But I want you to know that you're safe here, okay? 119 00:05:14,838 --> 00:05:16,728 - Okay. - Teresita. 120 00:05:18,577 --> 00:05:20,538 POTE: I really need to tell you something. 121 00:05:21,747 --> 00:05:22,877 KELLY ANNE: Hey, Teresa. 122 00:05:22,887 --> 00:05:25,877 (SUSPENSEFUL MUSIC) 123 00:05:25,887 --> 00:05:32,483 ♪ ♪ 124 00:05:32,485 --> 00:05:40,494 Synced & corrected by -robtor- www.addic7ed.com 125 00:05:41,125 --> 00:05:42,456 - Did you know she was alive? 126 00:05:42,481 --> 00:05:43,658 - No. 127 00:05:43,682 --> 00:05:45,502 I was as surprised as you. 128 00:05:46,838 --> 00:05:48,250 How, Pote? 129 00:05:48,737 --> 00:05:50,146 - How did this happen? - James. 130 00:05:50,156 --> 00:05:51,807 She said James let her go. 131 00:05:51,817 --> 00:05:53,687 What do you mean, James let her go? 132 00:05:53,697 --> 00:05:54,778 Where were you? 133 00:05:54,788 --> 00:05:57,271 He told me to walk away, that he will do it. 134 00:05:57,281 --> 00:05:58,807 I heard the shot. 135 00:06:00,827 --> 00:06:02,658 Look, Teresita. 136 00:06:02,668 --> 00:06:04,867 Kelly Anne saved Tony's life. 137 00:06:05,309 --> 00:06:06,867 She could have stayed dead, 138 00:06:07,310 --> 00:06:09,798 but she took a risk because she knew Tony was in trouble. 139 00:06:09,807 --> 00:06:11,838 And I'm not defending her. 140 00:06:11,848 --> 00:06:13,687 I'm just letting you know what happened. 141 00:06:17,620 --> 00:06:19,322 Who sent them? 142 00:06:19,827 --> 00:06:20,858 It wasn't Camila. 143 00:06:20,867 --> 00:06:23,576 No, it was Cortez. 144 00:06:24,718 --> 00:06:26,887 He had the ball rolling right before we killed him. 145 00:06:26,898 --> 00:06:29,658 - Are the sicarios dead? - One of them is. 146 00:06:29,668 --> 00:06:31,658 I couldn't find the body of the second one. 147 00:06:35,648 --> 00:06:36,817 What do you want me to do with her? 148 00:06:36,827 --> 00:06:37,827 I don't know. 149 00:06:40,788 --> 00:06:42,807 We need to meet with the trucking company. 150 00:06:42,817 --> 00:06:44,617 I'll deal with her later. 151 00:06:46,420 --> 00:06:47,893 Tell Manny to stay with them. 152 00:06:48,757 --> 00:06:49,877 (SPEAKS SPANISH) 153 00:06:53,481 --> 00:06:54,651 Pote. 154 00:06:56,384 --> 00:06:58,454 You and Tony are safe here tonight. 155 00:06:59,668 --> 00:07:02,648 (JAZZ MUSIC PLAYING) 156 00:07:02,658 --> 00:07:04,747 ♪ ♪ 157 00:07:04,757 --> 00:07:06,737 From our new Mexican friend. 158 00:07:06,747 --> 00:07:08,668 ♪ ♪ 159 00:07:08,677 --> 00:07:11,718 Be interesting to see how she does is this town. 160 00:07:11,728 --> 00:07:12,867 ♪ ♪ 161 00:07:12,877 --> 00:07:14,502 René. 162 00:07:15,394 --> 00:07:16,574 Thought I heard you in here. 163 00:07:16,817 --> 00:07:18,197 What up, cuz? 164 00:07:18,206 --> 00:07:19,627 ♪ ♪ 165 00:07:19,637 --> 00:07:21,908 René and his buddy gonna grab a few drinks. 166 00:07:22,225 --> 00:07:23,677 LAFAYETTE: Do the town. 167 00:07:23,687 --> 00:07:25,627 Why don't you join us, Davis? 168 00:07:25,637 --> 00:07:27,838 ♪ ♪ 169 00:07:27,848 --> 00:07:29,668 LAFAYETTE: Go on, son. 170 00:07:29,677 --> 00:07:32,658 Have a good time. The night belongs to the young. 171 00:07:32,668 --> 00:07:34,858 ♪ ♪ 172 00:07:34,867 --> 00:07:37,877 All right. Guess so. 173 00:07:37,887 --> 00:07:41,877 Just, uh, text me where you end up and I'll meet you there? 174 00:07:41,887 --> 00:07:46,827 ♪ ♪ 175 00:07:46,838 --> 00:07:48,382 RENE: See you in a bit. 176 00:07:48,393 --> 00:07:51,050 ♪ ♪ 177 00:07:51,060 --> 00:07:52,637 How's he doing? 178 00:07:52,648 --> 00:07:53,908 ♪ ♪ 179 00:07:54,305 --> 00:07:57,425 Honestly? I'm worried. 180 00:07:57,747 --> 00:07:59,367 Ever since he came back from the hospital, 181 00:07:59,377 --> 00:08:00,767 he hasn't been right. 182 00:08:00,778 --> 00:08:03,817 They changed his medication and now he wanders 183 00:08:03,827 --> 00:08:06,617 around the house like a damned zombie. 184 00:08:06,627 --> 00:08:08,637 ♪ ♪ 185 00:08:08,648 --> 00:08:10,687 (TRUCK ENGINE TURNING OVER) 186 00:08:10,697 --> 00:08:14,697 Miss Mendoza, my wife and I built this company together, 187 00:08:14,708 --> 00:08:16,817 put our heart and soul into it. 188 00:08:16,827 --> 00:08:18,942 30-plus years. 189 00:08:19,718 --> 00:08:22,637 It's no small thing, turning it over to strangers. 190 00:08:22,648 --> 00:08:25,072 I understand it must be really difficult. 191 00:08:25,768 --> 00:08:27,817 But you're still interested in selling, right? 192 00:08:27,827 --> 00:08:29,898 We discussed it. We want to retire. 193 00:08:29,908 --> 00:08:33,788 We're ready to sell. But we have a problem. 194 00:08:38,548 --> 00:08:39,758 What problem? 195 00:08:40,212 --> 00:08:42,717 We hit a rough patch a few years back. 196 00:08:43,677 --> 00:08:46,857 IRS hit us with a lean. I needed some fast cash. 197 00:08:46,883 --> 00:08:50,592 So I went to a, um, private lender. 198 00:08:50,628 --> 00:08:52,898 Honey, for God's sake. Call the man what he is. 199 00:08:52,908 --> 00:08:54,707 He's a loan shark. 200 00:08:54,717 --> 00:08:56,131 FRANK: Abby, take it easy. 201 00:08:56,142 --> 00:08:59,390 This man fronted us money but at an insane interest rate. 202 00:08:59,400 --> 00:09:02,768 Now, on top of that, he's claiming a 30% stake 203 00:09:02,778 --> 00:09:04,727 in the company. 204 00:09:05,748 --> 00:09:06,888 What's his name? 205 00:09:06,898 --> 00:09:09,738 (SUSPENSEFUL MUSIC) 206 00:09:09,748 --> 00:09:11,211 Joel Boucher. 207 00:09:11,221 --> 00:09:12,888 ♪ ♪ 208 00:09:12,898 --> 00:09:15,758 I don't care who you is. 209 00:09:15,768 --> 00:09:17,837 Salerno Transport not for sale. 210 00:09:17,847 --> 00:09:20,658 I think you would like to hear my offer. 211 00:09:20,668 --> 00:09:22,254 Can you meet tonight? 212 00:09:23,697 --> 00:09:24,908 Sure, why not? 213 00:09:25,250 --> 00:09:27,311 You done got my curiosity up, cher. 214 00:09:27,336 --> 00:09:33,385 ♪ ♪ 215 00:09:33,748 --> 00:09:35,697 BOUCHER: Change of plan. 216 00:09:35,707 --> 00:09:37,908 We're gonna make a stop first. 217 00:09:38,250 --> 00:09:39,738 It shouldn't take too long. 218 00:09:39,748 --> 00:09:42,788 ♪ ♪ 219 00:09:42,798 --> 00:09:44,868 There are other trucking companies. 220 00:09:44,878 --> 00:09:46,878 POTE: I think this one is gonna be too much trouble. 221 00:09:46,888 --> 00:09:48,878 This one is a small, independent company 222 00:09:48,888 --> 00:09:51,788 with established shipping routes all the way to New York. 223 00:09:51,798 --> 00:09:54,668 It's perfect for what we need. 224 00:09:54,677 --> 00:09:55,768 TERESA: With the bigger companies, 225 00:09:55,778 --> 00:09:57,665 there would be too many questions. 226 00:09:58,697 --> 00:10:00,168 We need this. 227 00:10:00,677 --> 00:10:04,154 Are we gonna talk about what to do with Kelly Anne? 228 00:10:04,164 --> 00:10:05,778 She betrayed us, Pote. 229 00:10:05,788 --> 00:10:07,758 I know that. 230 00:10:07,768 --> 00:10:09,648 You want her gone. 231 00:10:09,658 --> 00:10:10,778 ♪ ♪ 232 00:10:10,788 --> 00:10:12,908 (ENGINE TURNS OVER, CAR STARTS) 233 00:10:12,932 --> 00:10:16,043 ♪ ♪ 234 00:10:16,738 --> 00:10:18,186 Hey, girl. How's it going? 235 00:10:18,317 --> 00:10:19,798 BIRDIE: Hey. Yeah, it's good. 236 00:10:19,807 --> 00:10:21,807 We haven't slowed down since we opened the doors. 237 00:10:21,817 --> 00:10:24,677 We made, like, 20 Teresitas in the last hour. 238 00:10:24,687 --> 00:10:26,778 JAVIER: Teresa. How did it go? 239 00:10:26,788 --> 00:10:28,134 MAN: Sir, hey, excuse me, sir. 240 00:10:28,144 --> 00:10:29,888 It's complicated. The couple... 241 00:10:29,898 --> 00:10:30,908 BOAZ: (SPEAKING SPANISH) 242 00:10:31,618 --> 00:10:33,778 - MAN: You have to calm down. - Don't touch me. 243 00:10:33,788 --> 00:10:35,707 TERESA: What is Boaz doing here? 244 00:10:35,717 --> 00:10:36,803 I have no idea. 245 00:10:36,813 --> 00:10:39,707 (UPBEAT MUSIC PLAYING) 246 00:10:39,717 --> 00:10:40,868 ♪ ♪ 247 00:10:40,878 --> 00:10:42,817 Hey, hey, hey, hey. It's okay. 248 00:10:42,827 --> 00:10:43,758 It's okay, we know him. 249 00:10:43,768 --> 00:10:45,216 He's got a gun in that box. 250 00:10:45,225 --> 00:10:47,788 It's not even loaded, pendejo. It's a showpiece for Teresa. 251 00:10:47,798 --> 00:10:50,788 - (JAVIER SPEAKING SPANISH) - Pendejo. 252 00:10:50,798 --> 00:10:52,668 (SPEAKING SPANISH) 253 00:10:53,748 --> 00:10:55,788 What are you doing here, Boaz? 254 00:10:55,798 --> 00:10:57,798 Just here on vacation. 255 00:10:57,807 --> 00:10:59,817 Here to recharge the batteries. 256 00:10:59,827 --> 00:11:01,697 Take a look at your gift. 257 00:11:01,707 --> 00:11:02,817 ♪ ♪ 258 00:11:02,827 --> 00:11:04,687 - Hey, Birdie. - BIRDIE: Yeah. 259 00:11:04,697 --> 00:11:05,807 Can you help me with this? 260 00:11:05,817 --> 00:11:09,707 ♪ ♪ 261 00:11:09,717 --> 00:11:13,697 Javier, why don't you show Boaz the VIP area? 262 00:11:13,707 --> 00:11:15,717 Have a drink. Relax. 263 00:11:15,727 --> 00:11:17,908 Yes, I'd like to clear the air between us. 264 00:11:18,823 --> 00:11:20,643 _ 265 00:11:20,668 --> 00:11:23,648 Have that drink and we'll talk later, okay? 266 00:11:23,658 --> 00:11:25,395 ♪ ♪ 267 00:11:25,405 --> 00:11:26,798 Very nice place, Teresa. 268 00:11:26,807 --> 00:11:28,788 BOAZ: (SPEAKING SPANISH) 269 00:11:28,798 --> 00:11:33,677 ♪ ♪ 270 00:11:33,687 --> 00:11:34,640 Boaz? 271 00:11:34,642 --> 00:11:35,883 _ 272 00:11:35,908 --> 00:11:37,898 - (LAUGHING) - WOMAN: Salud. 273 00:11:38,153 --> 00:11:39,350 _ 274 00:11:39,573 --> 00:11:41,774 No idea. Is Boucher her? 275 00:11:42,525 --> 00:11:43,687 _ 276 00:11:43,898 --> 00:11:46,857 Pinche loco, smells and looks like trouble. 277 00:11:46,868 --> 00:11:49,500 Thank he has a nose full too. 278 00:11:49,510 --> 00:11:50,758 Did you get the money out of the safe? 279 00:11:50,768 --> 00:11:51,793 It's ready. 280 00:11:51,802 --> 00:11:52,837 Do you want me to get Javier? 281 00:11:52,847 --> 00:11:55,738 No, I need him to keep Boaz busy. 282 00:11:55,748 --> 00:12:00,788 ♪ ♪ 283 00:12:00,798 --> 00:12:03,727 Mr. Boucher? Thank you for meeting me. 284 00:12:03,738 --> 00:12:04,908 ♪ ♪ 285 00:12:05,125 --> 00:12:06,215 Where's the worm? 286 00:12:06,240 --> 00:12:09,179 ♪ ♪ 287 00:12:09,427 --> 00:12:10,798 It's true. 288 00:12:11,534 --> 00:12:13,695 If you swallow it, you get to see visions. 289 00:12:14,009 --> 00:12:17,264 That's mezcal, and I wouldn't know. 290 00:12:18,388 --> 00:12:19,457 Ah. 291 00:12:19,482 --> 00:12:22,493 ♪ ♪ 292 00:12:22,518 --> 00:12:24,408 (LAUGHS) 293 00:12:24,628 --> 00:12:26,717 ♪ ♪ 294 00:12:28,658 --> 00:12:31,727 It's everything the Salernos owe you, plus your interest. 295 00:12:31,738 --> 00:12:34,239 I'm paying off their debt in full. 296 00:12:35,778 --> 00:12:38,748 Well, you wanna buy out the Salernos? 297 00:12:38,758 --> 00:12:40,036 That's fine. 298 00:12:40,687 --> 00:12:42,648 But you get me as a partner. 299 00:12:42,658 --> 00:12:44,748 (PERCUSSIVE MUSIC PLAYING) 300 00:12:44,758 --> 00:12:46,172 I don't need a partner. 301 00:12:46,182 --> 00:12:47,908 ♪ ♪ 302 00:12:48,325 --> 00:12:50,445 Well, then, 303 00:12:50,748 --> 00:12:53,748 I suppose there's option number two. 304 00:12:53,758 --> 00:12:55,857 Your pretty little self get lost, 305 00:12:55,868 --> 00:12:57,727 and I take the whole company. 306 00:12:57,738 --> 00:12:59,857 I got a third option for you, cabron. 307 00:12:59,868 --> 00:13:06,857 ♪ ♪ 308 00:13:06,868 --> 00:13:08,658 Mr. Boucher. 309 00:13:08,668 --> 00:13:10,738 ♪ ♪ 310 00:13:10,748 --> 00:13:13,857 I'm offering you a lot of money just to step away. 311 00:13:13,868 --> 00:13:17,727 But when you're gone, you stay gone. 312 00:13:17,738 --> 00:13:19,847 ♪ ♪ 313 00:13:19,857 --> 00:13:25,788 (LAUGHING) 314 00:13:25,798 --> 00:13:27,667 You're a funny girl. 315 00:13:28,662 --> 00:13:32,761 Oh, Salerno Transport 316 00:13:33,130 --> 00:13:34,748 is a gravy train. 317 00:13:34,758 --> 00:13:36,370 (SUSPENSEFUL MUSIC) 318 00:13:36,379 --> 00:13:38,748 And I'm nowhere near done riding her yet. 319 00:13:38,758 --> 00:13:40,798 Then I think we have a problem. 320 00:13:40,822 --> 00:13:44,267 Wait, I don't think you realize where you is. 321 00:13:44,847 --> 00:13:47,697 And this... this ain't no Mejico. 322 00:13:47,707 --> 00:13:48,817 ♪ ♪ 323 00:13:48,827 --> 00:13:51,868 Yeah, this ain't even America. 324 00:13:51,878 --> 00:13:53,628 This here... 325 00:13:53,638 --> 00:13:56,717 (KNOCKING) 326 00:13:56,727 --> 00:13:58,768 This New Orleans. 327 00:13:58,778 --> 00:14:01,847 And we got our own way to do things down here, cher. 328 00:14:01,857 --> 00:14:03,748 (CHUCKLES) 329 00:14:03,758 --> 00:14:07,039 See, the people I'm connected to, 330 00:14:07,638 --> 00:14:09,798 the buttons I can push... 331 00:14:09,807 --> 00:14:11,265 ♪ ♪ 332 00:14:11,275 --> 00:14:12,827 You don't even wanna know. 333 00:14:12,837 --> 00:14:15,798 ♪ ♪ 334 00:14:15,807 --> 00:14:17,697 (CHUCKLES) 335 00:14:17,707 --> 00:14:24,717 ♪ ♪ 336 00:14:25,215 --> 00:14:27,304 I got me one of them, too, beb. 337 00:14:27,315 --> 00:14:30,738 (MIMICS CLICKING NOISES) 338 00:14:30,748 --> 00:14:32,817 BOUCHER: Oh, 339 00:14:32,827 --> 00:14:35,527 I think I'm gonna be seeing you around. 340 00:14:36,557 --> 00:14:38,587 You done got my interest now, cher. 341 00:14:38,613 --> 00:14:43,533 ♪ ♪ 342 00:14:43,557 --> 00:14:44,658 (HOCKING) 343 00:14:44,682 --> 00:14:51,702 ♪ ♪ 344 00:14:56,788 --> 00:14:58,837 (LAUGHING) 345 00:14:58,847 --> 00:15:01,687 ♪ ♪ 346 00:15:01,697 --> 00:15:05,778 - BOUCHER: (LAUGHING) - Let me take him tonight. 347 00:15:06,317 --> 00:15:07,418 No. 348 00:15:07,442 --> 00:15:09,717 ♪ ♪ 349 00:15:09,727 --> 00:15:10,798 We'll find a way. 350 00:15:10,807 --> 00:15:13,230 We might not have a choice. 351 00:15:13,727 --> 00:15:16,807 I think we just kicked the hornet's nest with this cabron. 352 00:15:16,817 --> 00:15:19,788 ♪ ♪ 353 00:15:23,841 --> 00:15:25,633 (BLOWS LANDING) 354 00:15:25,658 --> 00:15:28,437 (BOTH GRUNTING) 355 00:15:28,628 --> 00:15:30,658 (SHOUTING) 356 00:15:30,668 --> 00:15:33,658 (SUSPENSEFUL MUSIC) 357 00:15:33,668 --> 00:15:36,837 ♪ ♪ 358 00:15:36,847 --> 00:15:39,878 You bring those Mexicans into our business. 359 00:15:39,888 --> 00:15:42,115 BOUCHER: You think you gonna chase me out, Frank? 360 00:15:42,125 --> 00:15:46,827 ♪ ♪ 361 00:15:46,837 --> 00:15:48,668 (GLASS SHATTERING) 362 00:15:48,677 --> 00:15:50,798 (WOMAN SCREAMS) 363 00:15:50,807 --> 00:15:56,316 ♪ ♪ 364 00:15:56,326 --> 00:15:57,868 Hey, Tony. 365 00:15:57,878 --> 00:16:00,847 Listen, I wanted to get back tonight, 366 00:16:00,857 --> 00:16:03,740 but it's getting late and you had a long day. 367 00:16:04,554 --> 00:16:06,794 Why don't you rest a bit and I'll see you tomorrow? 368 00:16:09,203 --> 00:16:11,778 Great. Have a good night. 369 00:16:11,788 --> 00:16:12,878 Bye. 370 00:16:12,888 --> 00:16:14,333 How is he? 371 00:16:14,788 --> 00:16:16,717 He's trying to be brave. 372 00:16:18,477 --> 00:16:19,658 He's scared. 373 00:16:20,687 --> 00:16:22,509 He feels safe with Kelly Anne. 374 00:16:26,390 --> 00:16:28,441 EDDIE: Thank you, everybody, for joining us here 375 00:16:28,466 --> 00:16:30,767 at Siete Gotas. 376 00:16:31,638 --> 00:16:32,628 Did I pronounce that right? 377 00:16:32,638 --> 00:16:33,707 What's wrong? 378 00:16:33,717 --> 00:16:35,778 - (CHEERS AND APPLAUSE) - Teresa? 379 00:16:35,788 --> 00:16:37,707 All right! 380 00:16:37,717 --> 00:16:40,707 (JAZZ MUSIC PLAYING) 381 00:16:40,717 --> 00:16:47,788 ♪ ♪ 382 00:16:53,857 --> 00:16:56,827 Why didn't you tell me you were playing here tonight? 383 00:16:56,837 --> 00:16:59,868 When Birdie called, I figured it was your idea. 384 00:16:59,878 --> 00:17:03,817 But of course it wasn't because this is your bar 385 00:17:03,827 --> 00:17:06,857 and now it's awkward. 386 00:17:06,867 --> 00:17:09,897 (BOTH LAUGHING) 387 00:17:09,907 --> 00:17:11,932 It's okay. 388 00:17:12,807 --> 00:17:16,209 I was just... surprised. 389 00:17:16,219 --> 00:17:17,896 (BOTH LAUGHING) 390 00:17:18,738 --> 00:17:20,667 You have everything you need? 391 00:17:20,678 --> 00:17:21,859 I'm good. 392 00:17:22,528 --> 00:17:24,577 You gonna have time to enjoy the set? 393 00:17:24,603 --> 00:17:26,553 Yes, of course. 394 00:17:26,577 --> 00:17:28,557 ♪ ♪ 395 00:17:28,583 --> 00:17:30,160 I'm happy to be here. 396 00:17:30,587 --> 00:17:32,768 It's a big night for you. Look around. 397 00:17:32,792 --> 00:17:35,633 Oye, Teresa. 398 00:17:35,657 --> 00:17:37,166 You got time for me now? 399 00:17:37,310 --> 00:17:38,792 Another 30 minutes, I'm gonna be too drunk 400 00:17:38,817 --> 00:17:39,827 to talk any business. 401 00:17:39,837 --> 00:17:42,677 ♪ ♪ 402 00:17:42,688 --> 00:17:44,627 It's my agave distributor. 403 00:17:44,637 --> 00:17:46,698 ♪ ♪ 404 00:17:46,708 --> 00:17:47,847 I'll be right back. 405 00:17:47,857 --> 00:17:49,243 TERESA: Have fun. 406 00:17:49,253 --> 00:17:52,317 ♪ ♪ 407 00:17:52,327 --> 00:17:53,677 TERESA: Let's go to my office. 408 00:17:53,688 --> 00:17:58,867 ♪ ♪ 409 00:18:00,688 --> 00:18:03,678 (SUSPENSEFUL MUSIC) 410 00:18:03,688 --> 00:18:10,708 ♪ ♪ 411 00:18:17,738 --> 00:18:18,857 That's a lot of food. 412 00:18:18,867 --> 00:18:21,867 Oh, you... honey, you scared me. 413 00:18:21,877 --> 00:18:23,647 - TONY: Sorry. - No, it's okay. 414 00:18:23,657 --> 00:18:25,867 Lord knows we all have a reason to be jumpy right now. 415 00:18:25,877 --> 00:18:28,748 Um, listen, I made you a whole bunch of sandwiches, okay? 416 00:18:28,758 --> 00:18:30,209 I'm gonna put them in the fridge. 417 00:18:30,219 --> 00:18:32,847 It should be enough to last you, like, a couple of days. 418 00:18:32,857 --> 00:18:34,516 You're leaving. 419 00:18:35,637 --> 00:18:37,387 My mom used to do that whenever she was getting ready 420 00:18:37,397 --> 00:18:38,728 to go away. 421 00:18:43,748 --> 00:18:45,847 Yeah, I have to go. 422 00:18:45,857 --> 00:18:47,362 Why? 423 00:18:49,601 --> 00:18:50,810 It's because of Teresa. 424 00:18:50,836 --> 00:18:52,625 Mm-mm, no. 425 00:18:52,651 --> 00:18:54,243 Okay, this is not her fault. 426 00:18:55,677 --> 00:18:57,837 I made a horrible mistake. 427 00:18:58,837 --> 00:19:01,768 And she trusted me, and I betrayed her. 428 00:19:02,768 --> 00:19:05,708 Trust is just a really hard thing to get back 429 00:19:05,718 --> 00:19:06,887 once it's been lost. 430 00:19:08,768 --> 00:19:10,728 But here's the good news. 431 00:19:10,738 --> 00:19:13,877 Okay, she loves you so much and you will be safe here. 432 00:19:13,887 --> 00:19:16,637 You know, people have been saying that all my life. 433 00:19:17,847 --> 00:19:19,637 Look where I ended up. 434 00:19:19,647 --> 00:19:22,637 (DRAMATIC MUSIC) 435 00:19:22,647 --> 00:19:24,678 No. Hey, Tony? 436 00:19:24,688 --> 00:19:27,512 ♪ ♪ 437 00:19:27,512 --> 00:19:29,532 BOAZ: I made the thief pay back what he stole, 438 00:19:29,542 --> 00:19:30,593 just like you said. 439 00:19:30,946 --> 00:19:32,613 I appreciate it. 440 00:19:32,949 --> 00:19:35,663 But you didn't have to come all this way just to deliver it. 441 00:19:35,673 --> 00:19:37,663 I know you have your doubts about me. 442 00:19:38,246 --> 00:19:40,123 But I wanted to reassure you. 443 00:19:41,039 --> 00:19:42,791 You have my loyalty. 444 00:19:43,593 --> 00:19:46,573 BOAZ: I wanted you to look into my eyes when I told you. 445 00:19:47,748 --> 00:19:49,748 _ 446 00:19:50,702 --> 00:19:52,682 You run Sinaloa, 447 00:19:52,692 --> 00:19:54,542 but you represent me there. 448 00:19:56,138 --> 00:19:58,552 I need you to know I can rely on my people. 449 00:19:59,692 --> 00:20:01,583 I need to know I can rely on you. 450 00:20:01,810 --> 00:20:03,145 You can. 451 00:20:04,430 --> 00:20:07,390 I'm glad you came and we understand each other. 452 00:20:10,553 --> 00:20:11,692 I should get back. 453 00:20:15,603 --> 00:20:17,692 - (CELL PHONE VIBRATING) - Gracias. 454 00:20:18,118 --> 00:20:19,623 Miss Salerno? 455 00:20:19,633 --> 00:20:21,522 ABBY: We're calling off the deal. 456 00:20:21,532 --> 00:20:23,482 Wha... wait, what happened? 457 00:20:23,492 --> 00:20:24,722 My husband was attacked tonight 458 00:20:24,732 --> 00:20:26,573 and one of our trucks was torched. 459 00:20:26,583 --> 00:20:28,692 Please don't contact us again. 460 00:20:28,702 --> 00:20:30,722 Miss Salerno. 461 00:20:30,732 --> 00:20:32,482 Hello? 462 00:20:33,512 --> 00:20:35,135 Que paso? 463 00:20:35,552 --> 00:20:37,522 Boucher attacked Frank Salerno. 464 00:20:37,532 --> 00:20:38,722 He set one of his trucks on fire. 465 00:20:39,182 --> 00:20:40,462 Puta madre. 466 00:20:40,472 --> 00:20:41,994 We got those people hurt. 467 00:20:42,005 --> 00:20:44,512 We need to make sure they're okay. 468 00:20:44,522 --> 00:20:45,633 Teresita. 469 00:20:45,643 --> 00:20:47,731 Always the hard way. 470 00:20:50,522 --> 00:20:52,712 (CAR ENGINE TURNING OVER) 471 00:20:52,722 --> 00:20:54,692 (CAR ENGINE REVVING) 472 00:20:54,702 --> 00:20:56,722 (TIRES SQUEALING) 473 00:20:56,732 --> 00:20:59,552 (TENSE MUSIC) 474 00:20:59,563 --> 00:21:01,007 Do it, big man! 475 00:21:01,017 --> 00:21:08,462 ♪ ♪ 476 00:21:20,869 --> 00:21:22,528 TERESA: This is Teresa. 477 00:21:22,553 --> 00:21:23,894 I'm unavailable right now. 478 00:21:23,920 --> 00:21:25,089 Please leave a message. 479 00:21:25,663 --> 00:21:28,482 - (ROCK MUSIC PLAYING) - (SIGHS) Ah, man. 480 00:21:28,492 --> 00:21:30,712 What's with this pinche hillbilly music? 481 00:21:30,722 --> 00:21:33,067 Let's get some mariachis up in this bitch, no? 482 00:21:33,067 --> 00:21:35,067 _ 483 00:21:36,072 --> 00:21:37,603 Teresa needs to keep a low profile, 484 00:21:37,613 --> 00:21:39,492 especially in this place. 485 00:21:39,502 --> 00:21:40,603 You know what that means. 486 00:21:40,613 --> 00:21:41,952 I am playing nice. 487 00:21:41,954 --> 00:21:43,121 _ 488 00:21:43,552 --> 00:21:46,057 What do they say? When in Rome... 489 00:21:46,067 --> 00:21:47,742 ♪ ♪ 490 00:21:47,752 --> 00:21:49,573 Remember me, amigo? 491 00:21:49,583 --> 00:21:51,106 Boss lady around? 492 00:21:51,116 --> 00:21:52,623 No. 493 00:21:52,633 --> 00:21:54,462 How's about setting me and my boy up 494 00:21:54,472 --> 00:21:56,752 in your VIP section? 495 00:21:57,462 --> 00:21:58,643 ♪ ♪ 496 00:21:58,653 --> 00:21:59,682 Follow me. 497 00:21:59,692 --> 00:22:01,492 We're comped. You know that, right? 498 00:22:01,502 --> 00:22:02,742 ♪ ♪ 499 00:22:02,752 --> 00:22:05,633 You comprendo? On the house? 500 00:22:05,643 --> 00:22:07,502 ♪ ♪ 501 00:22:07,757 --> 00:22:09,313 _ 502 00:22:09,623 --> 00:22:12,673 ♪ ♪ 503 00:22:12,682 --> 00:22:15,673 (SUSPENSEFUL MUSIC) 504 00:22:15,682 --> 00:22:21,712 ♪ ♪ 505 00:22:29,462 --> 00:22:31,623 ♪ ♪ 506 00:22:31,633 --> 00:22:33,532 (CAR DOOR OPENS) 507 00:22:33,542 --> 00:22:40,613 ♪ ♪ 508 00:22:46,492 --> 00:22:48,479 - Big cabron! - Big guy, do it, 509 00:22:48,489 --> 00:22:50,462 and she goes first. 510 00:22:50,472 --> 00:22:57,462 ♪ ♪ 511 00:22:57,472 --> 00:22:59,702 Just walk. 512 00:22:59,712 --> 00:23:00,921 Teresa! 513 00:23:00,931 --> 00:23:02,421 Settle down, big man. 514 00:23:02,431 --> 00:23:09,462 ♪ ♪ 515 00:23:16,472 --> 00:23:17,546 Hey there, cher. 516 00:23:17,556 --> 00:23:18,742 ♪ ♪ 517 00:23:18,752 --> 00:23:21,462 I bet you didn't think you was gonna see me again so soon, 518 00:23:21,472 --> 00:23:22,471 now did you? 519 00:23:22,481 --> 00:23:24,732 You said you know people. So do I. 520 00:23:24,742 --> 00:23:27,542 You should think about this before you do anything. 521 00:23:36,752 --> 00:23:38,552 (CHAINS CLATTERING) 522 00:23:38,563 --> 00:23:39,903 Come on, cher. 523 00:23:40,542 --> 00:23:41,905 You come walk with me. 524 00:23:47,512 --> 00:23:50,502 (ROCK MUSIC) 525 00:23:50,512 --> 00:23:57,542 ♪ ♪ 526 00:23:58,663 --> 00:24:02,653 BOUCHER: You know, this farm, it, uh... 527 00:24:02,663 --> 00:24:05,472 it done been in my family for generations, now. 528 00:24:06,692 --> 00:24:10,462 You know, my daddy, he used to wrestle gators. 529 00:24:10,472 --> 00:24:13,096 And he done learned me the four steps of it. 530 00:24:13,106 --> 00:24:15,061 - (WATER SPLASHING) - Now, first step, 531 00:24:15,071 --> 00:24:16,532 that's the most dangerous. 532 00:24:16,542 --> 00:24:18,082 BOUCHER: Getting on its back. 533 00:24:18,092 --> 00:24:21,872 You always approach a gator from behind. 534 00:24:21,882 --> 00:24:24,462 BOUCHER: 'Cause you wanna bind up those hind legs, 535 00:24:24,472 --> 00:24:25,844 keeping the feet off the ground 536 00:24:25,854 --> 00:24:28,482 so they can't whip that tail around at you. 537 00:24:28,492 --> 00:24:31,573 Ooh, that happen, hah. 538 00:24:31,583 --> 00:24:33,472 (ALLIGATOR SNARLING) 539 00:24:33,482 --> 00:24:35,492 Right there you done lost control. 540 00:24:35,502 --> 00:24:38,472 BOUCHER: And keeping control, well... 541 00:24:38,482 --> 00:24:40,542 (ALLIGATOR SNARLING) 542 00:24:40,552 --> 00:24:43,174 That's the key to your survival. 543 00:24:43,633 --> 00:24:46,643 (ROCK MUSIC PLAYING) 544 00:24:46,653 --> 00:24:50,492 ♪ ♪ 545 00:24:50,502 --> 00:24:52,722 (GROANING) 546 00:24:52,732 --> 00:24:54,752 (WATER SPLASHING) 547 00:24:55,462 --> 00:24:57,692 Now, then you get your fingers 548 00:24:57,702 --> 00:25:00,651 up underneath that gator's jaws 549 00:25:01,583 --> 00:25:07,553 and you start to feel all that soft skin all around the bone. 550 00:25:07,563 --> 00:25:10,553 (ROCK MUSIC PLAYING) 551 00:25:10,563 --> 00:25:12,752 ♪ ♪ 552 00:25:13,462 --> 00:25:14,472 (WATER SPLASHING) 553 00:25:14,482 --> 00:25:15,553 BOUCHER: And you get that head 554 00:25:15,563 --> 00:25:17,573 up at a 90-degree angle. 555 00:25:17,583 --> 00:25:19,482 (ROCK MUSIC PLAYING) 556 00:25:19,492 --> 00:25:21,633 (BOTH GRUNTING) 557 00:25:21,643 --> 00:25:24,008 And they can't fight back. 558 00:25:24,583 --> 00:25:26,532 BOUCHER: That's step number three. 559 00:25:26,542 --> 00:25:27,752 Gaining submission. 560 00:25:28,462 --> 00:25:29,722 Not unlike my business. 561 00:25:29,732 --> 00:25:31,633 ♪ ♪ 562 00:25:31,643 --> 00:25:33,752 As of tonight, 563 00:25:34,462 --> 00:25:37,663 I am in control of Salerno Transport. 564 00:25:37,673 --> 00:25:39,583 You said there was a step four. 565 00:25:39,593 --> 00:25:40,702 (LAUGHING) 566 00:25:40,982 --> 00:25:43,682 How you gonna jump off and get away 567 00:25:43,692 --> 00:25:46,492 without you don't get eaten up? 568 00:25:46,502 --> 00:25:47,712 (BOTH GRUNTING) 569 00:25:47,722 --> 00:25:53,462 ♪ ♪ 570 00:25:53,472 --> 00:25:56,682 (CAR ENGINE REVVING) 571 00:25:56,692 --> 00:26:00,563 (GUNFIRE) 572 00:26:00,573 --> 00:26:02,045 (ENGINE RATTLING) 573 00:26:02,055 --> 00:26:03,542 (CRASHING) 574 00:26:03,553 --> 00:26:06,462 (SUSPENSEFUL MUSIC) 575 00:26:06,472 --> 00:26:07,712 (GUNFIRE) 576 00:26:07,722 --> 00:26:10,502 ♪ ♪ 577 00:26:10,512 --> 00:26:11,844 POTE: Get in! 578 00:26:11,854 --> 00:26:13,573 ♪ ♪ 579 00:26:13,583 --> 00:26:17,282 (CAR ENGINE REVVING) 580 00:26:17,292 --> 00:26:18,732 (GUNSHOT) 581 00:26:18,742 --> 00:26:25,752 ♪ ♪ 582 00:26:31,583 --> 00:26:33,076 Did your cousin ever text you back? 583 00:26:33,261 --> 00:26:34,692 Kid's a basket case. 584 00:26:34,702 --> 00:26:36,663 (LAUGHING) 585 00:26:36,673 --> 00:26:39,492 Hey, Jay-vier. 586 00:26:39,502 --> 00:26:41,492 (LAUGHING) 587 00:26:41,502 --> 00:26:42,778 We're closing. 588 00:26:42,788 --> 00:26:44,722 This here is N'awllins. 589 00:26:44,732 --> 00:26:47,712 Ain't no such thing as last call here. 590 00:26:47,722 --> 00:26:52,732 Hell, I'm the liquor board, son. I tell you when you close. 591 00:26:53,663 --> 00:26:55,613 One more round. 592 00:26:57,563 --> 00:26:59,103 For the road. 593 00:26:59,512 --> 00:27:00,978 RENE: Sounds like a plan. 594 00:27:00,988 --> 00:27:02,712 Oy, primo. 595 00:27:02,998 --> 00:27:05,488 _ 596 00:27:05,512 --> 00:27:07,583 - While you're at it? - Don't do anything stupid. 597 00:27:07,593 --> 00:27:08,752 (CHUCKLES) 598 00:27:09,462 --> 00:27:10,522 (SUSPENSEFUL MUSIC) 599 00:27:10,532 --> 00:27:11,949 No promises, pendejo. 600 00:27:12,462 --> 00:27:19,472 ♪ ♪ 601 00:27:21,000 --> 00:27:22,532 What's that? 602 00:27:22,542 --> 00:27:24,583 (POTE SPEAKING SPANISH) 603 00:27:24,593 --> 00:27:27,472 (SIRENS WAILING) 604 00:27:27,482 --> 00:27:29,583 (TERESA BREATHING HEAVILY) 605 00:27:29,593 --> 00:27:31,512 MAN: Cut the engine! 606 00:27:31,522 --> 00:27:33,150 It's the judge. 607 00:27:33,160 --> 00:27:35,492 POTE: Lafayette. 608 00:27:35,502 --> 00:27:38,583 ♪ ♪ 609 00:27:38,593 --> 00:27:40,742 You and the boss lady sit tight now. 610 00:27:40,752 --> 00:27:43,047 Keep your hands in sight. 611 00:27:43,057 --> 00:27:45,462 MAN: Do not step out of this vehicle until I say so. 612 00:27:45,472 --> 00:27:47,532 Miss Mendoza. 613 00:27:47,542 --> 00:27:49,427 How good to see you again. 614 00:27:49,438 --> 00:27:53,593 ♪ ♪ 615 00:27:53,603 --> 00:27:57,692 I... I do apologize for the informality. 616 00:27:57,702 --> 00:28:00,722 The accommodations here were the best we could manage 617 00:28:01,248 --> 00:28:03,702 at this ungodly hour. 618 00:28:04,287 --> 00:28:05,502 What do you want? 619 00:28:05,512 --> 00:28:08,472 I like to keep a finger on the pulse of my city 620 00:28:08,482 --> 00:28:11,603 through my... my man here, Detective Green. 621 00:28:11,613 --> 00:28:14,583 Uh, he brought something to my attention tonight, 622 00:28:14,593 --> 00:28:18,553 and I... I felt compelled to look into it. 623 00:28:18,563 --> 00:28:24,583 And quite frankly, Joel, all roads led to you. 624 00:28:24,593 --> 00:28:28,462 Aw, now, Judge, you know that I done got 625 00:28:28,472 --> 00:28:32,673 a business relationship with Salerno Transport. 626 00:28:32,682 --> 00:28:35,682 As a member of both the legal and business communities, 627 00:28:35,692 --> 00:28:39,692 I... I feel obliged to step in and... and mediate 628 00:28:39,702 --> 00:28:41,732 before anyone else gets hurt. 629 00:28:41,742 --> 00:28:44,742 (SUSPENSEFUL MUSIC) 630 00:28:44,752 --> 00:28:48,109 I made a fair offer to the Salernos. 631 00:28:48,119 --> 00:28:49,742 They accepted. 632 00:28:49,752 --> 00:28:54,182 But Mr. Boucher threatened them, then kidnapped me 633 00:28:54,207 --> 00:28:55,802 and my associate. 634 00:28:56,502 --> 00:28:57,742 (BOUCHER LAUGHING) 635 00:28:57,752 --> 00:28:59,692 Now, Judge, 636 00:28:59,702 --> 00:29:05,381 this, uh, tifi she telling tales. 637 00:29:05,391 --> 00:29:06,702 (CLICKING TONGUE) 638 00:29:06,712 --> 00:29:08,573 I've, uh... 639 00:29:08,583 --> 00:29:13,553 I've known Mr. Boucher here for many years. 640 00:29:13,563 --> 00:29:15,702 CECIL: I know what he does. 641 00:29:15,990 --> 00:29:19,868 You... you... you have some naggin' questions. 642 00:29:20,994 --> 00:29:24,999 Just what do you want with all those trucks? 643 00:29:26,750 --> 00:29:30,837 I want to expand the market for my tequila out of state. 644 00:29:31,542 --> 00:29:35,532 The Salernos, they have a reliable fleet of trucks 645 00:29:35,542 --> 00:29:38,502 and shipping routes that are perfect for what I need. 646 00:29:38,512 --> 00:29:40,890 That all you transporting? 647 00:29:41,462 --> 00:29:42,712 Liquor? 648 00:29:43,183 --> 00:29:44,702 TERESA: I don't understand. 649 00:29:44,712 --> 00:29:47,563 What it comes down to for me, 650 00:29:47,573 --> 00:29:49,603 my long-standing relationship 651 00:29:49,613 --> 00:29:51,603 with Mr. Boucher notwithstanding, 652 00:29:51,613 --> 00:29:55,742 is the amount of money generated by, let's say, 653 00:29:55,752 --> 00:29:57,552 narcotics trafficking. 654 00:29:57,563 --> 00:30:01,583 ♪ ♪ 655 00:30:01,593 --> 00:30:06,462 CECIL: Versus that of a white trash shylock 656 00:30:06,472 --> 00:30:08,532 gutting a trucking company for parts. 657 00:30:08,542 --> 00:30:10,492 (GAGGING) 658 00:30:10,502 --> 00:30:12,712 (CHOKING) 659 00:30:12,722 --> 00:30:14,643 ♪ ♪ 660 00:30:14,653 --> 00:30:18,593 (GAGGING) 661 00:30:18,603 --> 00:30:25,623 ♪ ♪ 662 00:30:31,773 --> 00:30:34,563 I never liked that son of a bitch. 663 00:30:34,573 --> 00:30:36,583 ♪ ♪ 664 00:30:36,593 --> 00:30:39,583 I especially didn't appreciate the ungentlemanly way 665 00:30:39,593 --> 00:30:41,366 he spoke to you. 666 00:30:42,472 --> 00:30:45,472 CECIL: It offends me as a Southerner. 667 00:30:45,482 --> 00:30:47,000 ♪ ♪ 668 00:30:47,009 --> 00:30:50,643 So to the victor go the spoils. 669 00:30:50,653 --> 00:30:53,502 It would appear you're now free to close your deal 670 00:30:53,512 --> 00:30:54,963 with Salerno Transport, 671 00:30:55,462 --> 00:30:56,742 and the Salernos don't have to worry 672 00:30:56,752 --> 00:30:59,472 about Joel Boucher anymore. 673 00:30:59,482 --> 00:31:01,643 Mediation concluded. 674 00:31:01,653 --> 00:31:03,593 What do you want for this? 675 00:31:03,603 --> 00:31:05,542 ♪ ♪ 676 00:31:05,553 --> 00:31:07,623 Transparency between us. 677 00:31:07,633 --> 00:31:09,583 ♪ ♪ 678 00:31:09,593 --> 00:31:12,643 I want the money you offered Boucher. 679 00:31:12,653 --> 00:31:15,732 CECIL: Consider it an operating tax. 680 00:31:16,277 --> 00:31:18,737 This is my town. 681 00:31:19,512 --> 00:31:23,502 A sparrow doesn't fall from a tree without my knowledge. 682 00:31:23,512 --> 00:31:28,482 ♪ ♪ 683 00:31:33,603 --> 00:31:36,282 It must have been Dumas who told the judge about us. 684 00:31:36,502 --> 00:31:38,482 Pinche judge is a snake. 685 00:31:38,492 --> 00:31:40,603 Maybe that snake can become an ally. 686 00:31:40,613 --> 00:31:42,472 If we can trust him. 687 00:31:42,482 --> 00:31:44,522 We need to know everything about him. 688 00:31:45,593 --> 00:31:47,512 Everyone has a weakness. 689 00:31:47,522 --> 00:31:48,722 We need to find his. 690 00:31:50,542 --> 00:31:53,563 Let's put Chicho to follow him for a couple of days. 691 00:31:58,603 --> 00:32:00,682 I thought you weren't coming back tonight. 692 00:32:00,692 --> 00:32:02,553 It's late. You should be sleeping. 693 00:32:04,542 --> 00:32:05,867 I couldn't sleep. 694 00:32:06,962 --> 00:32:08,843 What's the matter? 695 00:32:11,185 --> 00:32:13,155 I know you don't want Kelly Anne here. 696 00:32:14,573 --> 00:32:17,643 But if she leaves, someone might go after her. 697 00:32:19,583 --> 00:32:21,482 You know, she saved my life. 698 00:32:24,576 --> 00:32:25,707 She's family. 699 00:32:28,015 --> 00:32:29,732 KELLY ANNE: Hey. Sorry. 700 00:32:29,742 --> 00:32:32,613 Um, Teresa, could I maybe talk to you for a minute? 701 00:32:36,682 --> 00:32:38,532 Go back to bed, okay? 702 00:32:38,542 --> 00:32:39,542 We'll talk tomorrow. 703 00:32:39,552 --> 00:32:40,603 Okay. 704 00:32:40,613 --> 00:32:41,723 Have a good night. 705 00:32:41,733 --> 00:32:42,794 Good night. 706 00:32:54,613 --> 00:32:56,482 What did you tell him? 707 00:32:56,492 --> 00:32:57,795 Told him the truth. 708 00:32:59,583 --> 00:33:00,973 That I betrayed you. 709 00:33:00,983 --> 00:33:04,050 Did you tell him you almost got me killed? 710 00:33:06,752 --> 00:33:08,803 I didn't tell him all the details. 711 00:33:11,563 --> 00:33:13,623 Look, I don't expect you to ever forgive me. 712 00:33:15,250 --> 00:33:17,000 So whatever you want to do with me, 713 00:33:17,010 --> 00:33:19,273 however you want to handle this, that's your choice. 714 00:33:20,972 --> 00:33:22,893 I deserve whatever I got coming. 715 00:33:24,769 --> 00:33:27,808 But you should at least know how sorry I am. 716 00:33:29,326 --> 00:33:31,542 KELLY ANNE: I don't know if I can ever make amends. 717 00:33:31,553 --> 00:33:33,788 I would really, really like to try. 718 00:33:36,375 --> 00:33:38,653 I appreciate what you did for Tony. 719 00:33:41,462 --> 00:33:43,653 But I can't trust you again. 720 00:33:47,102 --> 00:33:48,673 I understand. 721 00:33:48,682 --> 00:33:52,974 I don't want you anywhere near me or my business. 722 00:34:00,573 --> 00:34:01,983 This is your house. 723 00:34:02,462 --> 00:34:04,722 It's not up to me if she stays or goes. 724 00:34:05,011 --> 00:34:06,892 She's your guest. 725 00:34:19,672 --> 00:34:21,583 He's fine, Judge. 726 00:34:21,592 --> 00:34:24,532 Patrolman recognized him. Called me. 727 00:34:24,543 --> 00:34:26,463 Good Lord, what happened? 728 00:34:26,472 --> 00:34:28,512 Looks like he got disoriented. 729 00:34:28,523 --> 00:34:33,204 Just froze here a few blocks from your place. 730 00:34:33,215 --> 00:34:36,358 RANDALL: I would have brought him home, he wouldn't budge. 731 00:34:36,367 --> 00:34:38,682 (DRAMATIC MUSIC) 732 00:34:39,896 --> 00:34:41,492 CECIL: Davis? 733 00:34:41,503 --> 00:34:42,693 ♪ ♪ 734 00:34:42,983 --> 00:34:44,563 Son? 735 00:34:44,572 --> 00:34:47,563 ♪ ♪ 736 00:34:47,572 --> 00:34:49,512 Can... can you hear me? 737 00:34:49,523 --> 00:34:51,592 ♪ ♪ 738 00:34:51,603 --> 00:34:56,532 I... I... I got lost. 739 00:34:56,543 --> 00:34:59,259 Yeah. Come with me, son. 740 00:34:59,268 --> 00:35:01,483 CECIL: I'm gonna take you home, now. 741 00:35:01,960 --> 00:35:03,663 Just let go of the wheel. 742 00:35:04,755 --> 00:35:07,840 There you go. Yeah. 743 00:35:08,552 --> 00:35:09,672 Yeah. 744 00:35:09,682 --> 00:35:11,583 We're going home, son. 745 00:35:12,179 --> 00:35:13,492 Okay. 746 00:35:13,503 --> 00:35:15,523 ♪ ♪ 747 00:35:15,532 --> 00:35:17,492 Come on, son. 748 00:35:17,503 --> 00:35:19,101 CECIL: Come on. 749 00:35:20,623 --> 00:35:22,702 Yeah. That's all right. 750 00:35:22,713 --> 00:35:24,552 It's all right. 751 00:35:24,563 --> 00:35:30,652 ♪ ♪ 752 00:35:30,663 --> 00:35:32,572 Go get some rest. 753 00:35:32,583 --> 00:35:35,248 I'll call if I need you. 754 00:35:35,257 --> 00:35:36,532 Thank you. 755 00:35:38,693 --> 00:35:41,702 (CAR ENGINE REVVING) 756 00:35:44,693 --> 00:35:47,632 (PHONE BEEPING) 757 00:35:49,543 --> 00:35:50,592 (CELL PHONE VIBRATING) 758 00:35:50,603 --> 00:35:51,693 Ah. 759 00:35:51,702 --> 00:35:53,583 Miss Mendoza. 760 00:35:53,592 --> 00:35:54,900 You're burning the midnight oil. 761 00:35:54,909 --> 00:35:56,563 The deal is off. 762 00:35:56,572 --> 00:35:58,271 Whoa, hold on. 763 00:35:58,282 --> 00:35:59,503 Whoa, slow down. 764 00:35:59,512 --> 00:36:01,018 You broke our trust. 765 00:36:02,135 --> 00:36:04,096 I don't know what you're talking about. 766 00:36:05,492 --> 00:36:06,775 - (PHONE BEEPS) - I don't... 767 00:36:15,672 --> 00:36:18,552 MAN: Good night. 768 00:36:23,572 --> 00:36:25,592 That one reminds me of Emilia. 769 00:36:27,572 --> 00:36:28,693 She was the one, 'mano. 770 00:36:29,965 --> 00:36:31,592 She was the one. 771 00:36:32,583 --> 00:36:36,532 You know, I've been with more fine women than I can count, 772 00:36:36,543 --> 00:36:37,972 but I can't get past her. 773 00:36:39,909 --> 00:36:41,909 _ 774 00:36:44,210 --> 00:36:46,170 (CLATTERING) 775 00:36:50,632 --> 00:36:52,702 I better go keep an eye on this pendejo. 776 00:36:56,663 --> 00:36:59,663 (LIGHT MUSIC, SINGING IN SPANISH) 777 00:36:59,672 --> 00:37:01,572 ♪ ♪ 778 00:37:01,583 --> 00:37:03,503 We must have been pretty bad to send you running 779 00:37:03,512 --> 00:37:04,503 out the front door. 780 00:37:04,512 --> 00:37:05,632 (LAUGHING) 781 00:37:05,643 --> 00:37:07,523 ♪ ♪ 782 00:37:07,532 --> 00:37:08,652 I'm so sorry. 783 00:37:08,663 --> 00:37:11,532 ♪ ♪ 784 00:37:11,543 --> 00:37:13,722 I had a problem with my godson again. 785 00:37:13,733 --> 00:37:15,702 Everything okay? 786 00:37:16,219 --> 00:37:17,463 It is now. 787 00:37:17,472 --> 00:37:19,733 ♪ ♪ 788 00:37:20,641 --> 00:37:21,693 Can I come in? 789 00:37:21,702 --> 00:37:26,643 ♪ ♪ 790 00:37:26,652 --> 00:37:27,898 Thank you. 791 00:37:27,909 --> 00:37:32,713 ♪ ♪ 792 00:37:32,722 --> 00:37:35,563 TERESA: This is beautiful. 793 00:37:36,612 --> 00:37:38,672 EDDIE: Sorry it's a mess. 794 00:37:38,824 --> 00:37:40,552 I was working. 795 00:37:40,563 --> 00:37:42,543 ♪ ♪ 796 00:37:42,552 --> 00:37:43,713 It's 3:00 in the morning. 797 00:37:43,722 --> 00:37:45,742 (CHUCKLES) 798 00:37:45,753 --> 00:37:48,311 Helps me wind down after a gig. 799 00:37:48,320 --> 00:37:53,244 ♪ ♪ 800 00:37:53,255 --> 00:37:55,722 I feel bad I missed the show. 801 00:37:56,092 --> 00:37:57,672 I'm really sorry. 802 00:37:58,010 --> 00:37:59,672 Don't worry. 803 00:38:00,012 --> 00:38:01,681 There'll be other gigs. 804 00:38:02,532 --> 00:38:04,572 I'm real tight with the club owner. 805 00:38:04,583 --> 00:38:07,623 ♪ ♪ 806 00:38:07,632 --> 00:38:10,623 (PIANO MUSIC PLAYING) 807 00:38:10,632 --> 00:38:11,722 ♪ ♪ 808 00:38:11,733 --> 00:38:13,523 Leave it on. 809 00:38:13,532 --> 00:38:15,512 ♪ ♪ 810 00:38:15,523 --> 00:38:16,543 It's nice. 811 00:38:17,349 --> 00:38:18,523 Um... 812 00:38:18,532 --> 00:38:19,552 ♪ ♪ 813 00:38:19,563 --> 00:38:20,623 What is that? 814 00:38:20,632 --> 00:38:21,722 ♪ ♪ 815 00:38:21,733 --> 00:38:27,632 Uh, just something we did a few years back. 816 00:38:27,643 --> 00:38:29,603 Messing around in the studio. 817 00:38:29,612 --> 00:38:31,039 ♪ ♪ 818 00:38:31,050 --> 00:38:33,663 It's great. Who's that playing? 819 00:38:33,672 --> 00:38:34,967 A friend of mine. 820 00:38:34,976 --> 00:38:37,652 ♪ ♪ 821 00:38:37,663 --> 00:38:40,724 You should put that on an album. He's great. 822 00:38:40,733 --> 00:38:43,552 ♪ ♪ 823 00:38:43,563 --> 00:38:45,108 He's no longer with us. 824 00:38:45,117 --> 00:38:49,052 ♪ ♪ 825 00:38:49,061 --> 00:38:50,202 I'm sorry. 826 00:38:50,211 --> 00:38:53,652 ♪ ♪ 827 00:38:53,663 --> 00:38:55,632 Yeah. 828 00:38:55,643 --> 00:39:02,652 ♪ ♪ 829 00:39:12,400 --> 00:39:13,510 (DOOR OPENING) 830 00:39:22,603 --> 00:39:24,702 Hey, Jay-vier. 831 00:39:25,612 --> 00:39:27,141 (RENÉ LAUGHING) 832 00:39:27,702 --> 00:39:29,702 Coming to watch me piss? 833 00:39:29,713 --> 00:39:31,552 Hmm? 834 00:39:31,563 --> 00:39:34,463 Oops, my bad. 835 00:39:34,472 --> 00:39:35,663 (RENÉ LAUGHS) 836 00:39:35,672 --> 00:39:37,262 Just checking you don't hurt yourself 837 00:39:37,273 --> 00:39:39,092 on your way out of here. 838 00:39:39,103 --> 00:39:44,472 Now, you and your compadre need a cab or an Uber or something? 839 00:39:44,483 --> 00:39:46,472 Tell me the truth, amigo. 840 00:39:47,632 --> 00:39:50,552 You putting it to that boss lady of yours? 841 00:39:50,563 --> 00:39:53,552 (SUSPENSEFUL MUSIC) 842 00:39:53,563 --> 00:39:55,722 ♪ ♪ 843 00:39:56,045 --> 00:39:58,563 I'm not your amigo, cabron. 844 00:39:59,090 --> 00:40:02,184 And you really need to leave now. 845 00:40:02,195 --> 00:40:04,137 I bet she gives it to you, though. 846 00:40:04,148 --> 00:40:05,632 ♪ ♪ 847 00:40:05,643 --> 00:40:07,612 Kinda had you figured for a bitch. 848 00:40:07,623 --> 00:40:09,643 (GRUNTS) 849 00:40:09,652 --> 00:40:10,733 (GAGGING) 850 00:40:10,742 --> 00:40:12,572 (GRUNTS) 851 00:40:12,583 --> 00:40:14,186 - (BOTH GRUNTING) - (BLOWS LANDING) 852 00:40:14,195 --> 00:40:16,563 (RENÉ SHOUTING) 853 00:40:16,572 --> 00:40:18,652 (BOTH GRUNTING) 854 00:40:18,663 --> 00:40:20,623 ♪ ♪ 855 00:40:20,632 --> 00:40:24,907 My name is Javier. 856 00:40:24,916 --> 00:40:26,663 - (BLOW LANDS) - (JAVIER GRUNTS) 857 00:40:26,672 --> 00:40:31,663 ♪ ♪ 858 00:40:31,672 --> 00:40:33,713 (JAVIER GRUNTING) 859 00:40:33,722 --> 00:40:40,742 ♪ ♪ 860 00:40:45,663 --> 00:40:48,722 (BOTH GRUNTING) 861 00:40:48,733 --> 00:40:50,742 (JAVIER SHOUTING) 862 00:40:50,753 --> 00:40:53,643 (BOTH GRUNTING) 863 00:40:53,652 --> 00:40:56,623 (JULIAN SHOUTING) 864 00:40:56,632 --> 00:41:02,652 ♪ ♪ 865 00:41:02,663 --> 00:41:04,722 Hey! 866 00:41:04,733 --> 00:41:07,592 (BLOWS LANDING) 867 00:41:07,603 --> 00:41:11,583 (SPLASHING) 868 00:41:11,592 --> 00:41:13,682 (ALL SHOUTING) 869 00:41:13,693 --> 00:41:16,492 No! No! 870 00:41:16,503 --> 00:41:19,492 (ALL GRUNTING) 871 00:41:19,503 --> 00:41:23,592 (JAVIER SHOUTING) 872 00:41:23,603 --> 00:41:25,693 (BOAZ LAUGHING) 873 00:41:25,702 --> 00:41:30,583 ♪ ♪ 874 00:41:30,592 --> 00:41:32,512 This is really bad, primo. 875 00:41:32,523 --> 00:41:37,483 ♪ ♪ 876 00:41:37,492 --> 00:41:39,632 (LAUGHING) 877 00:41:39,643 --> 00:41:41,693 (INAUDIBLE) 878 00:41:41,702 --> 00:41:48,733 ♪ ♪ 56287

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