All language subtitles for The September Issue 2009

I think what I often see is that people
are frightened of fashion and that

Because it scares them or it makes them
feel insecure, they put it down.

On the whole, people that say demeaning
things about our world, I

think that's usually because they feel
in some ways excluded or not part of the

cool group.

So as a result, they just mock it.

Just because you like to put on a...

beautiful Carolina Herrera dress or a, I
don't know, pair of J brand blue

jeans that, you know, instead of
something basic from Kmart, it doesn't

that you're a dumb person.

There is something about fashion that
can make people very nervous.

Sophie, hi. This email here from Tom
Ford. Can you send it on today?

Okay, thanks.

Kate, there's a bit of a question.

Anna saw the picture and she doesn't
want Chanel or Hilary.

Okay. So I think we're done with Hilary
and Chanel.

I wonder if Anna would like this one or
that.

I'm not sure.

I'm just tired for that.

These are the approved ones that Mark
and I showed Anna. But also, Anna did

like the landing page, and we have
redesigned it, and that's what we're

Anna tomorrow.

Okay.

It is always going to be Anna's point of
view.

Focus Anna's magazine.

That's who signs it off.

We know that.

You belong to it. You belong to this
church.

And is it true to say that Anna is the
high priestess of all of us?

I would say Pope.

L 'Oreal's meeting with Anna to talk
about having the designers design an

infallible dress.

She sees her role as the director and
producer of this fashion world.

Can you think of an aspect of the
fashion industry that she isn't somehow

involved in?

No.

We have to be closed.

First of all, it's been a very bleak
week so far. It's been bleak street over

here in America.

You know what? It's a famine of beauty.

It's a famine of beauty. It's a famine
of beauty, honey. My eyes are starving

for beauty.

More wild.

You don't have to go too fast, but good
energy, good confidence.

Is Anna here already?

Julie, they're wondering, is Anna here
yet? Here is she there.

I'm with the internationally renowned
editor -in -chief of American Vogue,

Wintour. Anna Wintour is the editor -in
-chief of Vogue magazine, a bible for

the fashion world. The single most
important figure in the $300 billion

fashion industry.

She is watched more closely than the
movie stars or the runway.

People have said that you are a nice
woman.

Well, this week it was pretty cold.

Is there a way to wear fur this winter?

There's always a way to wear fur.

Personally I have it on my back.

What is your role at the Defilé? What is
my role at the Defilé? To help Anna

Wintour decide what goes in the magazine
and to help the editors of Vogue to

have a dialogue about fashion.

I'm Stefano.

I'm well.

Good to see you.

Well, shall I tell you the truth?

Yeah.

A bit.

A bit.

But I hope it's going to be okay.

No, no.

Good to see you.

Stefano, can we start?

Yes. Okay.

I know, I just said, I show them three
by three.

So this is look number one. Okay, you
just walk around easily.

Voilà. So this is basically what I
decided to work on, is to go back to the

essence of the cut.

Everything is hand -stitched all around.

Wow.

I don't see any real evening on that
rack. You're not doing it?

No, I am.

But they're all... In pieces? Yeah.

Do we have... Well, I have one costume
dress.

But this is the workmanship, which is
this one.

No, I think you've seen it.

No, that's pretty.

So you're not really feeling for color.

No.

No.

You know, it's my mood. I mean, in
winter, I never feel so much for color.

more a summery thing for me, frankly
speaking. But it's a bit neutral.

New blacks.

I don't know.

Blue navy.

There is an emerald green.

You know.

Very colorful.

This is colorful.

Okay, I'm going to need you when I'm
convincing Anna that that's not black.

Green, navy.

Good morning. Good morning. You look
beautiful.

Are you wearing Chanel?

Yes, trying to look like your customer.

You are our customer.

So we'll follow you.

Well, thank you for continuing these
breakfasts. I speak for the group.

very helpful and continue to allow us to
get to know each other better and

better. And we thank you for your time.

So I'm going to ask Sally to start
talking about our main points.

The key item for us, it seems to be the
jacket.

We're going to be putting a huge, huge
push onto a wardrobe of jackets for the

fall issues.

Nobody was wearing fur.

until Anna put it back on the cover of
Vogue back in the early 90s. And she

ignited the entire industry. If we get
behind something, it sells.

For once, Prada was in great debate this
season.

Anna had a lot of concerns over the
fabric and...

spoke with Mrs. Pratt on your behalf
many times. We thought that the pieces

just so heavy that you couldn't wear it.
So, Virginia, what was it that they're

going to reinterpret?

Because we really pushed.

That they are doing a version of a
fabric that's silk and mohair as opposed

the heavy wool and mohair. It's a
degradé fabric.

Fantastic. You've made our week, our
three weeks.

Let me touch on something that may be
out of your purview, but maybe you can

also help us.

deliveries of merchandise.

I'll tell you what I'd like you to do.

You are so influential with the
designers.

They have to recognize that the
worldwide demand for their product is

at a rate that even they don't
understand and they're not keeping up

production so that the demand is
outstripping supply.

We were waiting longer and longer and
longer for deliveries. They're coming at

the back end of the delivery schedule
instead of the front end.

And, you know, fashion is fun, and we
all love it, and that's what drives it.

But without the goods, and the ads in
your magazines are fabulous, and I know

you'll look like a telephone book this
year, but you've got to help us with

this.

You have a couple of choices. You can
start sewing yourself.

No, I think you said something very
interesting about which is editing, and

think some of the designers do have a
problem with that, and we are working on

that, and we will certainly, we're right
there with you. Less is more.

I mean, I can't do everything for the
rest of my life but keep myself in

Alderman, which is a... ugly fucking
hair.

I was discussing my September shoot with
Stephen Klein.

I think he really liked it. I

don't

find her to be hidden. I just don't find
her to be accessible to people she

doesn't need to be accessible to.

This I don't think we need.

We'll just wait for whatever it is
they're making and that's it. This I

think we should do. This I don't think
we should do.

This. She's busy.

And she's not warm and friendly. She's
doing her business.

These are all normal.

Yes. I thought this was pretty weak. It
is.

That definitely did a lot of work.

Okay. All right? Yes. We leave warm to
me. I'll have to be warm enough to do

When we put out the September issue of
Vogue, the first thing the reporters

usually ask us is, how much does it
weigh and how many pages?

One in ten American women, almost 13
million people, will get that issue.

A few years ago, when we put out a
record issue of September, it was the

monthly magazine ever published.

We're looking to break that record. We
have to break rules.

I want you to go into it like it's Vogue
the brand and market it like it's never

been marketed in its entire 114 years.

All right, so September.

Deanna, I think we're in excellent
shape, right?

All feathers.

I think this is really cute.

I do too. Do you? Big bird. The team
sees the collections and then comes back

and has fashion meetings, and in the
meetings you dissect the collections and

decide what.

Friends to feature. Andre, he didn't
like how that... I thought it was

September is the January in Farr.

You know? This is when I change.

This is when I say...

You know, I'm going to try to get back
on those high heels, because that's the

look. The jacket is the new clothes.

The look is sexy. The look is granny.

You need to know.

This is heaven. That's gorgeous.

That should be a fashion story.

Well, that's the problem, Grace.

It's an accessible story. Well, it's a
story for crime to be done. Grace, I

you, but it's not what I need in this
September issue.

You have to really find some stories
there, and you have to find stories that

haven't been played out anywhere else.

They have to be on a certain scale.

Having talked to Grace a little bit
about this, I think she very much wants

do texture.

What has that got to do with texture?

Look!

No.

I think you should bring it anyway.

It's breaking my heart.

Usually in the September issue, there's
one big disaster.

There's always one shoot, and that's a
big problem in the issue. Because it's a

big issue, and there's a lot of things
going on.

Let's put that one to the side for now.

And that one too.

Let me see what else there is.

Jonathan Sanders is someone we wanted
to... I mean, we're trying to get him

But it's a different thing.

They're not colour blocking.

I want to kill myself.

You want to kill yourself?

Why? I don't know what I'm doing.

What's happened?

He's got thrown out.

If it's with this... This is what we
did.

You have to demand because

otherwise you'll be blamed Don't be too
nice even to

me

No, honestly, because you lose.

You have to learn the way to beat your
path through to make yourself felt and

make yourself necessary and find a way
that works for you, for Vogue, because

a lot of people have come and a lot of
people have gone. They just couldn't

the heartbreak. You know, you have to be
fairly tough to withstand that.

So it's all pink.

Mm -hmm.

And Virginia, we really feel that this
is the most important message to put in

September issue.

I thought it was pretty.

It looks very springy. Oh, there's a
fur.

Maybe you want to develop it a little
bit more. I'd also like to see what

thinking about with the clothes so I can
get more of a handle on it.

I was thinking maybe it's kind of body
-conscious clothes.

Mm -hmm. And at one point I thought
maybe she could be sort of bionic.

It looks good on the rack.

I feel it's quite one -dimensional.

But also, the girls always look the
same, Elisa. If you look at your

the way they're dressed, it's always the
same. And some other pictures, always

the same. It's usually the same kind of
minimal approach. I mean, it's what you

are. I know, and the girl always turns
her head straight here.

You look at it, just like, it's always
the same. So it would be great if we

could break out.

Thanks.

You know that company Mango in Spain?
They're looking for someone to help them

consult.

Maybe Takun, you think?

I think he's one of the most talented
people out there.

He's coming to see me, I think, this
week, so I could talk to him. Okay.

My father was a newspaper editor. He
edited a newspaper in London called The

Evening Standard.

Former Fleet Street editor Charles
Winter will be assessing the long -term

effects. He came from quite a Victorian
upbringing. I'm not sure his mother ever

spoke to him.

He was also very private and very, in
some ways, inscrutable.

The NPA have about as much collective
spine as a tepid jellyfish.

Growing up in London in the 60s, I mean,
you'd have to be walking around with

Irving Penn's sack over your head not to
know that something extraordinary was

happening in fashion.

The look of the girls then and
everything that was going on, the pill

emancipation of women and the end of the
class system and just sort of seeing

that revolution go on made me love it
from an early age.

I think my father really decided for me
that I should work in fashion. I can't

remember what form it was I had to fill
out. Maybe it was an admissions thing,

and at the bottom it said career
objective, you know, and I looked at it,

shall I do, how shall I fill this out?
He said, well, you write that you want

be editor of Vogue.

So that was it. It was decided.

I haven't known about this piece for a
long time, so I don't want to hear it,

OK? I mean, she should just... Get on
the phone.

This is not clear.

Someone needs to check.

She looks pregnant.

We need to fix her. Yeah.

The first time that you're asked to go
see Anna and show her your collection,

it's like... Intimidating. Insane.

Right. And I remember it was me and
Meredith in Anna's office. It was the

time I met her.

I'm like, oh, my God, it's Anna. It's
like Madonna and Anna, you know? And I

was... Yeah, she's like, okay, go on. So
I'm like talking about the inspiration.

Like I'm moving my hand and I'm like
showing her, you know, the pieces.

And I can see my hand like shaking.

Like it was like shaking.

Because she just sat there the whole
time. Like, mm -hmm, mm -hmm. So then we

get out of there and Meredith's like, oh
my God, you were so well spoken. But

that hand kept shaking.

Aw.

Anna, would you stop it?

Hi, Takuma, how are you?

I have eight gadgets. I don't know how
you want me to lay them out for you.

Right here.

You know tycoon, right?

Yeah.

So these are here. For the Gap project,
the shirt.

And three that would... I'm going to
narrow it down to three.

I think we ought to do one with a little
sleeve. I love a little sleeve. And

then maybe one that's a dress.

It's very hard to be a designer in this
country.

So we... created a fashion fund to draw
attention to new talent, to fund it, and

to get mentoring for it. The winners get
to design something for a mega brand.

I wouldn't discount that. It's got a
simplicity that the customer is going to

immediately acknowledge.

Takun was one of the winners of the
award.

He has all the components to have a
serious, high -end designer line.

I'm happy with those three.

Love it. All right.

Thank you. Thank you.

You never know, though. I mean,
remember, Isaac and Sarashi went out of

business.

Fashion business isn't fair.

They do everything right, and they still
crash.

How does it go?

I'm one of the last remaining fashion
editors who dress the girls myself.

I'm told the very modern thing is to
don't touch the bell. Is that right?

Who does it? I don't know. I'm a bit old
-fashioned.

I love this. I say I love this.

Good social. What's it like, guys?

It looks like it's got a plastic bag on,
but it looks good.

Garbage. I started

reading

Vogue when I was a teenager and I grew
up in North Wales and it was kind of

difficult to get.

So I used to order it and rush once a
month to get my copy, which was probably

three months out of date.

I loved the whole sort of chic thing
that was so entirely out of context

compared to the lifestyle I led.

You know, I went to school, I went to a
convent.

I never went anywhere for my holidays,
and so I just looked at Vogue.

At the same time, there was a Vogue
model competition, and somebody sent my

bad pictures in.

and I actually won the young section,
because I was quite young at that time.

And so I started modeling for Vogue.

Somehow everything I did, I kind of fell
into. I just knew that I probably had

to get out of that place.

So I went up to London, and I became a
full -time model.

These are the pictures of me by the
photographers.

This is one of my very first model
pictures.

It's probably in 59 by Lord Snowden.

I stopped modeling because I had a car
crash.

My head went into the driving mirror, or
my eye went into the driving mirror, so

I had a lot of plastic surgery.

Then two years later I sort of went back
to work. This is from a shoot that I

did with Bailey Helmut. This is Manolo
Blahnik and this is Angelica Houston

she was modelling.

I was offered a job at British Vogue. I
was a junior editor and

kind of slowly worked my way up.

Oh, you're cute.

It was great. It was great.

I'm good.

You're good, aren't you?

You stole that. Thanks. Grace and Craig.

Beautiful.

Grace is without question the greatest
living stylist. There's no one better

than Grace. There's no one who can make
any photographer take more beautiful,

more interesting, more romantic, more
just stunningly realized pictures than

Grace. There's no one better, period.

She comes from the idea that fashion is
this world of play and make -believe.

It's as if someone's gone to the
dressing -up box and found the most kind

wonderful personal things and put them
together.

But it's beautiful.

Hi.

I'm not crazy about this one, are you? I
like it.

Do we need this?

It's just not getting texted to me, all
the others.

Do you understand what I'm saying? Yeah.

I'm just really, really concerned about
how much luck we're getting.

So, if we would take another one out.

Maybe that's... Let me see.

Let me just see it. Okay.

Okay. Who did that?

I think it's Rodarte.

What have they snipped off here?

Which one went?

That's the guess. Oh, yes, of course,
the other black one.

Those poor goddamn Rodartes.

I know, they're out.

Rubber's not a texture?

No, not for Anna.

And leather. We ordered it. We ordered
all the prints, so... Oh, yeah, I've

heard that story.

Yeah.

But it's such a great picture, that. No,
Anna actually liked it as a picture.

She thought it wasn't texture.

It is texture.

At the waistline, madam.

Do we need pockets?

So this one, is it not around? Yes, it
is.

I personally would not put this one in
the show, but the other things you've

shown us are exciting.

All this actually is still under
consideration.

Listen,

we have 150 pieces and we have to edit
them down to 65.

Grace is very good at that. Go on,
Grace.

I don't think we could take Anna's
slashing.

That's the man from Angle.

Who do you think that would be good?

And apparently they pay extremely well.

And perhaps they want to... I'm going to
propose you and me.

Who is this?

Takun.

He's really good.

See, now it's beautiful.

Now it's really pretty.

This is good.

This is good.

So, for the brooch.

Long time.

We have this.

I think it's cool.

It's like a neck brace.

Well, first we thought maybe it was a
scarf. We thought it was a neck brace.

Yeah.

I moved on, I'm on to Twenties now.

Twenties is something that, well really
the inspiration was John Galliano's

show. He was inspired by the
photographer Brass Eye, who is a

the Twenties.

Shoes, I'm very desperate for, it just
has to be something that slightly evokes

the Twenties.

What has she got, well.

They're so beautiful.

Okay, are they coming for the run
-through, please?

That was just Anna's office. She has an
11 o 'clock appointment.

So what does that mean? It's 10 till 11
right now. So she wants to see me

before?

Virginia? Yes.

Anna wants to see us now because she has
somewhere to be at 11.

Okay.

We're going in.

stuff here, and I don't know how many
double, triple, singles I'm doing.

But maybe we can prioritize what... But
yeah, and you should, you know, if you

hate something, just say, I never want
to see that in the magazine.

Okay. Well, there's two coats here. I'm
sort of undecided about them, but... It

is similar to the one we did in July.

It's not, because you're thinking of the
one we shot and didn't run.

I've shot them twice, but we have not
had them in the magazine.

The coat didn't run. Anyway, there's all
these little dresses.

And then this little coat.

I love all these little evening things.

Let's remove the coat.

I have to have a little freedom to play
around.

Grace, I mean, there's a lot of wearable
things in this, and I want this to be

more wearable than not.

I started working for American Vogue the
same day as Anna did.

I think we understand each other pretty
much, just through, you know, living

together for 20 years.

She knows I'm stubborn.

I know she's stubborn, and I know when
to stop pushing her.

She doesn't know when to stop pushing
me.

Is it odd just having one fur?

I mean, should we have one other thing
that has a fur?

I mean, I think it's odd to have one. I
mean, maybe you're going to do a fur

hat.

It's sort of strange to have a whole
shoe. Well, I'm trying to make as many

different looks as possible, because
otherwise you're going to get bored.

Well, I would take that out, and then
these are all out. Is that right? No,

absolutely not.

These are beautiful.

I mean, don't throw those out. They're
beautiful.

And I don't think we should do this.

That's the one from the resort, right?

Yeah, it's so perfect.

I know, but going to the store in
November, you can do it in the November

How come she thinks I'm leaving these
out?

I know, I love those. That was
unbelievable.

Well, I'm not leaving them out.

So cute.

Yeah. Yeah.

And perfect.

And what is this thing about we need a
fur coat to match that one?

Or a fur hat.

Oh, please.

I mean, look.

What's this? Oh, she's thrown it out.
This is fur.

This is fur.

This is fur.

That's the craziest thing I've heard.

These are all the September issues that
your mother has done. Yeah. She had a

lot of her old issues, and then one time
I came in here and looked and saw that

she didn't have everything that she'd
ever done, and I just thought it would

nice for her. So now she's got
everything.

I remember that.

That was controversial.

That was controversial.

Putting a black girl on the September
cover was my first one. That was

considered questionable.

This got a lot of attention, fur on the
cover. This is the death warmed up

cover. This one's really cute.

I know, but they look so pale.

I certainly read British Folk when I was
14, 15.

This is the one you hated?

Yes.

My American grandmother used to send me
17. That was a very high point of my

childhood every month.

All right, Gwyneth.

This is when we moved into celebrities.

You've got to decide between these two.

Which do you like? I like the color on
that one. You do? But I like the dress

the other one.

And then the other thing I wanted to
tell you, darling, was your look.

Her hair doesn't have space in the other
one.

You like that one?

One of them.

Do you think you'd ever work at a
magazine with your mom?

Never.

I think I'm going to go to law school,
so probably not.

But I don't know.

I'm going to get through college first.

Sorry, Mommy.

Early days. We'll see.

I really don't want to work in fashion.
It's just not for me. I really respect

her, obviously.

But it's a really weird industry to me,
and it's just not for me.

She wants me to be an editor.

I don't want to put it down, but I would
never want to take it too seriously.

Some of the people in there act like
fashion is life.

And it's just, it's really amusing and
you can make fun of them. But for that

be your career, it's just, you know,
there are other things out there.

They're very clean and crisp.

Almost. This is a compliment.

Institutional. Clinical. Clinical. You
got it. Andre.

Andre's having a great time with Isabel
today.

Fabulous time. Had all these ideas of
dualizing that we could do. We're doing

all that.

You make sunglasses too?

Upside down.

Upside down.

You have such an eye.

Make sure you feature the best.

Pretty thematic.

Mm -hmm. I like that a lot. Yeah, I
really do.

Look.

Beautiful.

This is it.

I don't know the way these couple
parents look, do you? They look big.

Are there any more choices, or is this
kind of it? These are all, you know,

within.

you know, little dark wigs we've seen
quite often, so you have to find another

way to do a 20s.

Do you like that?

The girls were wonderful and they

all seem to work perfectly.

I hope it looks as good as I think it
does.

We've done them in a very soft color.

It's almost like old film that's faded.

I love when it goes soft, and even
sometimes if there's movement, there's a

little blur and things, but everybody
seems to like things pin sharp these

I think it's a shame.

I hope it's okay.

Yeah. This morning.

This morning? Yeah. I mean, I knew that
they were doing an ad, but I didn't

know. That that would be on the cover.
Right. It's kind of exciting.

I guess just to start at the beginning
with when the Gap came to you.

It was Vogue I called and said that, you
know, we are working with the Gap this

coming up year. And we, you know, we
want to launch the partnership with this

concept of reworking the white shirt
idea.

Thank you. Your face is everywhere.

How are you? Good. It's so amazing.

It's so pretty. It's so nice.

Hi, Anna. How are you?

So, I told you I'd get you the gas. I
know, I know. You got me a huge thing,

which is great. Thank you so much.

It's so funny. I was just thinking about
our conversation a little bit. I know,

I know. I didn't realize it was going to
turn into such a big deal.

Have you had a good response?

Yes. I think they're sold out online.

Really? Yeah.

Sorry.

This is what we shot the other day. It
was really divine.

This is all Galeano, who was the
inspiration and the start of the whole

But I completely fell in love with
these.

This is Coco. She was doing the child's
mirror on the bar. It nearly fell off,

but I think that's kind of great.

We're going to try to print these out
again brighter.

Okay.

I think

you

have more personality out of these than
you do on that.

I know this one's again the group.

Yeah. But maybe if it's more in the
middle, it might work.

We'll see. All right.

How many are there?

22. Well, that'll give you the right
number. That'll give you the right

Okay,

I have to find out how much. I'm going
to go check and see how much of that is

in the syrup.

I need to print out the beauty better.
Yeah, for sure. Okay. And then try to

print this out better, too, if you can.

Well, look, I think it's because there's
more color. No, because even the

beauty, it's everything. I think it's
just the printer right now.

It's the printer right now.

They're meant to be soft.

They're meant to be.

Okay. That's the point. But the colors
are not like this, though. Like this.

Right. They are.

They have to be like that. I mean,
they're meant to be. They're not

be bright, you know, like this. No, no,
no. I know that. No, no, no. I know.

So don't try because you won't get
anywhere.

I mean, you probably will, because you
can probably pump them up, but that's

really a shame. Is this out?

Maybe.

Are you kidding?

No. Why?

Because it doesn't feel like it goes
through the rest of the story so much.

Wait and see.

This isn't early yet. We have the whole
issue to put together.

I don't get why you wouldn't get it.
That's all Galeano.

The point of the thing.

You've got a few more.

You've got a few more in there. Yeah.

I love this.

It's one of Holly's.

It's astounding.

No, they're supposed to be soft like
that. They're supposed to be backlit.

maybe all the things she doesn't like,
but that's what they're supposed to be.

No, it's great.

It's really nice.

I'll go to it. Sure. Call me when.

Sorry about that.

It's like a girly heaven.

Holy... Oh, my God. Is that the Marquis
drone?

Oh, my God. Amazing.

Andrea. Amazing.

Oh, my God. Is that wings? No.

I don't understand how everyone sort of
collectively does something.

Do they do them? Do they design them?
Yeah.

It's a September issue as well.

Hi, guys.

Hi. Hello. How are you? I'm good.

Hello. Hi, this is Amanda. Hi, I'm Anna.
How are you? Thank you for coming.

Do you want to try that?

It's quite ridiculous.

The evolution for Vogue to putting
celebrities on its covers has been

Anna. She was ahead of the curve to
appreciate the fact that celebrity

became overwhelming.

Am I supposed to pose in this bit? No. I
don't know.

What Vogue did, and what the supermodels
did in the pages of Vogue, is that they

trained a generation of celebrities.

to want to be supermodels.

Actresses started believing that fashion
was a seamless part of life and a

seamless part of celebrity and that it
was fine.

This is amazing.

I thought it was in Paris.

It's amazing.

And the rest of the shoot is just
brilliant, Grace.

Well, do mention it to Anna because
she's still talking about it. Oh, it's

beautiful. It is beautiful. She took out
the two best pictures.

Tom, do you want to do the hair stuff?

Or do you want to do that another time?

You know what? I just want to show you
this. This was what we looked up.

Which I love. It's divine. My hair's too
thick to do it with.

I mean, you're great in short hair.

You look better.

I do.

I mean, I have a survey of every
hairstyle you have on my board. I'm

The suit is centered around a weekend in
Rome. She's going to go around town,

and I have to storyboard that,
literally, because this is going to be

produced. Otherwise, it's going to be
chaos.

Feathers. I'm going to Europe today.

Rome, Paris, and London.

What time are we leaving on Wednesday?

We're kneeling your age tonight.

Just show me a time.

Have we organized where they would bring
these dresses in Rome?

No.

It's a problem when yours are the first
pictures in, because people get bored

with them.

So she's going to love the Rome pictures
because they'll come straight in and

they'll go straight to Pratt.

If Sienna gets sick and doesn't turn up
in Rome, maybe all the pictures will

come back.

They'll probably find another celebrity
to take her past, I don't know.

So, should we not talk about fellas
anymore?

The discussion is over.

Okay, is there anything we need to talk
about for December that we can back?

Well,

yeah, we have, you know, like, are there
any restrictions on cure?

The budget is the problem because, you
know, for obvious reasons.

It's not fine. It's not that simple.

It's a hell of a lot of work to put
together, which I don't want to do if

have a limited budget. I can't really
find out what the limit is because the

limit keeps changing.

Now I'm in a really foul mood because
they've killed another spread of my 20th

story.

And they're about to kill another one.
And they're all lying to me about it,

including Danko, who I thought was my
friend.

And you just sit here and everything is
killed. It's, like, incredibly boring.

And I love to talk money in front of you
guys with Anna because it drives her

crazy.

Sure way to get the budget up.

I don't like...

No. No, we do this too.

No, no, that's not a good place for that
to go.

Oh, okay.

This is too long, Charlie.

I think it's spread too long.

All right, we'll take it down. It's
easier to take it down then if that's

case. I'm leaving.

Yes, I'll have them do it right away.

Wait till I've gone.

Okay.

Didier?

I'm fine. How are you?

I think that it's actually going to be a
wig, Didier, so you're going to need

time to... Yeah, mm -hmm.

Her hair is just completely lackluster,
and she's growing it out. She won't cut

it, you know, blah, blah, blah, blah,
blah. It might be just easier to do a

Do you need this? A new ticket, sorry.
It's a July Europe envelope.

Okay, and what about money?

The money is in the bag. Okay, okay.

I'm going to see you guys in Europe.

Thank you.

Disgusting. And it's going to be around
until the next... Until Tannik is going

to come in.

And, you know... No, that's for next
month. No, the NR is not next month.

But we're not going to really do the
issue until Tannik gets back. We're just

putting all these things up.

Well, no, you're taking them all down.

Taking everything down.

I took two more out, and there's
question marks on two more.

So it's been whittled down.

I'm furious.

They've probably thrown out $50 ,000
worth of work.

I care very much about what I do. I do,
or I wouldn't be still doing it, you

know.

But it gets harder and harder to see it
just thrown out.

And it's very hard to go on to the next
thing.

Did they give you the message about to
know?

That you're going this afternoon? Yeah.

The dress is not done. The dress is not
done. But it will be like

the dress like Pierre Forger, you know.

The collection is different prints of
different countries.

Well, you know, I'm doing a shoot here

in Paris.

I mean, I'm looking, because I always
come to the Couture, almost always. I've

been, actually.

20 years with American Vogue and 20
years before that on British Vogue and a

years before that when I was modeling.
So I've been coming for a long time.

Obviously, ostensibly, I'm there to find
something to shoot.

But I always mark too many things.

Don't be silly.

Can't do that one.

Hi, darling.

How are you?

I'm good, and you?

Did you see the match? My God, you look
amazing for this room.

Right, I didn't think... Did you see the
match?

He won. No, I didn't see it, but I heard
he won.

So, we go to Siena.

Our schedule, a rough schedule I've done
with Tony.

Basically, I want to create a film, you
know, a mixture of Fellini meets

Visconti meets... Oh, right.

Roman holiday. Yeah, very cinematic, I
think, that I would like to try and do.

But the charming side of Italian film
rather than the broody, moody side. Of

course, but look how beautiful her with
the people in the back on it.

I mean, I want things that are quite
spectacular.

Then I want to do something to do with
the Vespas in St. Peter's Square.

And then I wanted something with horses
and soldiers.

I mean, there is a lot of white.

Like, I love that, the feeling of being
white.

There's the pastry shop, which is all
white. I mean, there's a lot of white. I

don't know why I keep on looking at
things that are white.

You know, the white horse, because I
think that that could be quite useful.

And then I love this idea of putting the
horse in odd places as well. But I just

don't want that to be the whole thrust
of the story.

Okay. Now let's talk about her, because
her hair is not looking its best.

We had thought of putting a wig on her,
like a long wig, a really graphic one.

I mean, my advice, since we're going to
be short on time, is if

we decide on a look and just stay with
it, because you don't want to waste

hours. Oh, no, I would do a look, and
that's a look. Yeah.

Oh, great. I'm really excited about it.
It's going to be the biggest one in our

kitchen. This is an amazing room, no?

You can have a party here.

What, the September one is going to be
how many pages? I don't know yet, but

it's the biggest in our history.

Really? Yep.

We're excited.

I should have a party here, no?

I never dreamt to be a model or never,
never dreamt to be a fashion editor, but

I just loved the pages and the pictures.

In my early years as a fashion editor, I
worked with Norman Parkinson, who was a

really big photographer, and he taught
me who...

Always keep your eyes open, you know,
never go to sleep in the car or anything

like that. Keep watching because
whatever you see out the window or

can inspire you.

It is amazing.

It's sort of strange to think how old it
is.

It's beautiful.

I think I got left behind somewhere
because I'm still a romantic.

You have to...

Go charging ahead.

You can't stay behind.

Okay.

I know. She looks good.

Good.

Go ahead. Just that tiny bit forward so
you get like an angle. There. Good.

That's the one. Good. Good. Oh, wow.

Anna, how are you?

We're doing very well. I'm sitting here
with Mario and everybody.

Santa's here. We're doing a wig.
Everything's great.

Let's divide our story like this. Let's
do four visual locations.

Let's say... That's pretty spectacular,
doesn't it? Yeah. I mean, look. It's

beautiful. It's beautiful.

I think we don't need it.

It's a beautiful open shade light, and
it's so pretty.

That is what I'm wondering, whether we
want freedom.

I find I've done this hair, like,
really.

I would love something new, a new
proposition.

We tried the wig, and it did not work,
and we moved on. And we moved on in the

right direction, I think.

There, wow. Stay there. Don't move,
don't move. This is your face, don't

This is really beautiful, no?

I like that freshness of you.

Go,

Tina. Go, go, go, go, go, go, go, go,
go, go.

I can certainly get rid of the head
thing. Do you want to get rid of the

thing? Maybe, maybe it's not good.

Grace, thanks for the pie.

I don't know if I should eat that
because the courses are so tight.

That's not going to make a difference.

Hello.

Fantastic.

Can you breathe?

Are you all right? Yeah.

That's incredible.

That's beautiful.

And the expression here is very lovely.

Just play with the hand a little bit.

Oh, wow.

That's beautiful.

It ain't bad.

I think you got it. Okay. Let's go. Well
done, Michal.

Go on, Drake. Left, left.

Miss Winter inaugurated me into health
by intervention.

She saved my life, I guess, in the long
term because she intervened three years

ago that I go to lose weight.

So now to what Miss Winter says.

Go.

So, I took up tennis.

Over your shoulder. Come on, come on,
come on. Good. I wouldn't come to the

tennis court and just...

A pair of shorts and a tennis shirt. I
go to Damon Dashwood for my trousers. I

go to Ralph Lauren for the shirt.

This is my version of a tennis watch.

It's a pinch of the PRJ from the 60s.
But I would wear this on a tennis court.

would wear it all day long. It's all a
part of the whole life of being who I

I have to get up and approach life with
my own aesthetics about style.

The magazine will be actually almost 9
million up when we come out of

Wow. This is not a great -looking
opener.

I mean, this is a cleaner opener.

You know, the girl looking at you.

I'm going to open something people want
to read, I think.

Do you need me, Charlie?

Yes, the couture is here. Oh, great.
What about Mario?

Mario, he's... Hello?

I love them.

They look gorgeous. I've stolen them.
I've snatched... the amount of Charlie's

hands.

Kind of, but, you know, he hates to

say until Anna's seen them in case he
makes a mistake.

About a week.

All through it.

Beautiful.

Well, we can wait, right?

Oh, yes, sure. This slightly hinges on
what happened with Sienna, I think.

Yeah, I know. Grace wasn't crazy about
that one anyway.

Hi.

I know it's just... Brian just told me
it's coming out now.

So as soon as I look at it, maybe I'll
call you right back.

Okay, thanks a lot, Mario.

Okay, I need these printed out right
away. Sure, yeah.

It's printing out, but...

This is what he just sent, yes.

But did he send the cover?

No.

He's taking them all to that.

That's it?

Yes. Is that for the clone?

That's all I said.

Can you get Tony in here?

No, she wasn't in before.

Let me see if she's back.

Not yet.

Okay.

Could we ask her assistant to see how
many pictures here we're missing?

Yes.

This is all his stuff.

Can I see Ivan, please?

Ivan. And I need Tony's assistant, or...
Hi, did you say this was more coming,

or... There's nothing else?

No, this is a big story, but I'll go
back to them and double -check.

All right. As I understand it, this is
everything. Okay, can we get Tony's

assistant or Virginia in here, please?

I thought we were going to have more
clothes.

Okay, Mariel.

I'd like to see the rest of the film as
soon as possible.

You understand?

But I didn't get the coliseum.

Right. I don't think that's it. I think
the thing is, it's the whole look. It's

everything.

Truthfully. It's a bit short on clothes.

But I don't know if we even need to
reshoot.

But it's something that's being talked
about.

So I just want to put it in your ear.

I just finished talking to Marion.

No other Nina Ricci?

That was it.

That was it. I didn't do it all night.
No, and he says he didn't do the

dress.

He says he didn't like it, so he didn't
do it. All right.

I just finished talking to Marion. Yeah.

He says there is nothing on the dress in
the Coliseum. Well, he didn't like it.

He really couldn't. He said he didn't
like it, so he never really did it, he

said. Which I had to tell her.

You know, it's digital. He did
something, but he never got an image

wanted to hold on to. Right.

You know, I understand that, you know,
she needs a few more stresses, but, you

know, you get what you get.

I'm concerned a little because I'm not
positive with the cover at the moment.

The one he's chosen, she's kind of tough
looking in the face. That's not a face

for a cover. Right.

See this?

Yeah. It can't be that.

I mean, I think there could definitely
be something there.

So, I think that's pretty ravishing.

Well, look at it now. I've cropped in on
it and turned it. Something?

Like this desk, but teeth.

But teeth.

Maya.

Hi. I'd just like to ask if there was
something there that we could at least

look at.

Not one?

Sorry, could you make me some coffee,
please?

She has to look so concerned because
she's working on a lawyer topic.

No, a judge. A judge.

Sorry.

My older brother is in charge of finding
lower income housing in London for

people that need it. And my sister's
very involved in supporting

farmers' rights in Latin America. My
younger brother is the political editor

The Guardian.

very successful, very brilliant.

And my

two brothers and my sister, I

think they're very amused by what I do.

They're amused.

Amanda Lacey is a London facialist who
is a great friend of Plum's, and she's

got a beautiful line of products, and
she's opening a new store in London.

And if it's ready, I'd love to do a
little item on that.

And then this is a piece about all the
advancements in eyes, and I think that

eyes are something that women of all
ages think about because their eyes

aging.

They're the first thing that starts to
age, and even women in their 20s are

concerned about it.

I remember when my dad retired and I
asked him why he was

leaving because he was obviously so
passionate about what he was doing still

he said, well, I get too angry.

I get too angry. I find myself getting
too angry.

So I do remember that because I know
every time I get quite angry. So I try

restrain that.

So I think when I find myself getting
really, really angry, that might be time

to stop.

the celebrity thing coming way before
everybody else jumped on that bandwagon

and you know whilst i hated it i'm
afraid i have to admit she was right you

you can't you can't stay behind you have
to go charging ahead and and she did

and the magazine is very successful
because of it i mean whilst i be i

really care if i never saw another
celebrity obviously if the magazine

sell

I don't have a job.

It would be silly.

You know, you've got to have something
to put your work in, otherwise it's not

valid.

Hello, good morning.

Has Prada gotten this request yet or no?

It's all changed.

It's all changed.

The shoot we're doing this weekend is
going to be a reshoot of the color block

shoot that Ed did.

And I killed color blocking and they
want to reshoot it and then, but of

it's very urgent, so.

I got your message. We're already
working on it. Okay. A little while.

Okay. So I've got to get all the clothes
in five minutes. Okay.

Getting a little busy up here.

There's just a bunch on the priority
rack. I don't know where it came from.

Sarah has more take -ups on her rack.
I'll grab that for you as well.

What about stuff like this?

That particular one was shot, but yes,
in theory, it would be color -blocked.

But I shot one of these in that same
issue, so that's no good.

And this one? That's good. I haven't
been shot. Have I shot that skirt? Well,

you shot the skirt. Yes.

This has to close on Thursday. I know.
And it's not going to come in until

Wednesday? No, it won't. I can't do
anything about it.

A change was made and I didn't even
know.

Did I shoot this?

I shot this. You did.

There's a red coat. Yeah, shot.

Was your 20s Prada dress shot? The red
one? Yeah. You shot it and it didn't

And it was killed.

I felt very excited to see that there
was a photograph of a man in the

20 years later.

Are we opening the issue?

Yes, as of now.

What do you mean as of now? Do we have
to ship?

Nothing is settled.

Is that all I did?

That's all.

It seemed to like, thread like mad.

Whatever happened to the Colosseum, I
don't know. That was the only one.

That didn't work, unfortunately.

You know, we had a little time and I
wanted to do another cover and I said,

know, I'm not going to spend three hours
here. Right, do one at the other.

Do you have the covers?

Right here.

So it's between these two. We're testing
both for now.

Do you think I should use this body and
that head? No, look at this.

It's a better neck. No?

You have to retouch a lot. It's very
easy.

And also there's a filling.

couple fillings there but i mean we
could fix that of course yeah absolutely

think you know it's going to be at you
so that's the one but i you're right i

think that neck the body might be more
beautiful no and i'm going to dummy it

that way so okay great all right there's
no color stuff left that hasn't already

been chopped so what is any good what is
it called that you're shooting i don't

know

I'm making it up as I go along.

Whoops. And I've got two days to... Is
it the last shoot that we expect? You

better pray it is.

Otherwise,

I don't know who's going to shoot it.
The biggest issue of the year, and we

to close it, and they're still shooting.

Now, I had an idea, but I don't know if
I want to do it or not, and it involves

you.

That's why I'm asking.

Not you, Connie.

My friend.

Are you feeling good?

You feel young today? Feel good?

Yes,

I have a plan for you.

Can you jump?

Yeah, that's great. This one's great.

One more. You can make it one more, OK?

OK.

Oh, that's great.

So we're going to mount her in the same
place, very close to him, like that.

Something too. You've done something to
tell me, haven't you?

That's

good,

I think. You're looking right in the
land. Yeah, yeah.

Awesome.

How many times did they make you jump?

Nothing, man.

fun. I mean, we just needed a breath of
fresh air and this year everything was

quite dense.

So, look great.

Wearable. Accessible.

We're working on this one.

Yeah.

A little bit of retouching. Need to go
to the gym.

But they look great.

We did it.

Yeah.

Patrick? Patrick did, yes.

Great. Patrick and Grace.

Did she like them?

Oh, I bet.

Of course.

Due to which picture? The jumping one?
Yeah.

She's right.

No, but, you know, personally, I think
it's better that you're not, like,

skinny, skinny.

To me, it much more makes the point than
that you're real people and not

models.

Everybody isn't perfect in this world.

I mean, it's enough that the models are
perfect.

You don't need to go to the gym.

Thank you, Chris.

Charlie?

Before looking at Patrick's pictures,
please do not retouch Bob's stomach.

No, please don't, because I don't want
him to look like, you know, a skinny

model.

Okay. But no, I just wanted to catch his
stomach before you gave him a... He's

pulling it in now as I speak.

This all seems so large and pretentious,
this type

Okay. Looks like it's a blind people.

It's going to come out like that, right?

Is she wearing feathers? Are those
feathers? I don't know. What are we

to do if feathers fall?

There's a ring.

No.

This is not in the correct order. Yes,
it is.

More like this.

Do we have the book in the cover there?
Do you have it updated?

Yeah. Okay.

Then this is our cover girl, whom we
took to Rome with Mario Ticino.

She was interviewed here by Sally
Singer.

We had the idea to do a sort of jazz aid
suit.

That's the cocoon, and on the right is
Chanel.

That is the issue. Very nice, Jenna.
Thank you.

Oh, my gosh.

Wasn't Jenna originally the lead?

Yes, it was.

Okay.

One more spread here.

Then it'll be my whole issue, just
about.

That looks great.

Fashion's not about looking back. It's
always about looking forward.

Thanks.

Certainly.

Move the board.

Yes, we will.

I don't believe for one minute that I
have a sense of what's going to happen

a sense of real change the way Grace
does.

I mean, Grace is a genius, and there's
no one that can visualize a picture or

understand the direction of fashion or
produce a great suit. I mean, she's

just...

Remarkable. Okay.

She and I don't always agree, but I
think that over the years we've learned

to deal with each other's different
points of view.

Anna, what's up?

Is anyone coming to this run -through
except for me?

What up?

We've got to keep it physical.

You know you're featured in the
September issue.

No way.

When is it coming out?

Is this better?

This is authority.

This is it or nothing.

This is it or nothing, okay? When I got
the post.

a stroke of genius on my side, I think.

Turn the cameras on you.

And it just came to me like I was
walking along the corridor and I was

my God, they're looking at my rack
again. I can't hang on a minute.

I'll teach them.

What's your strength?

Decisiveness. Your weakness?

My children.

What gift would you like?

a better backhand.

I can never ever want to do it right.
It's hard to speak to people I don't

When I go outside, I like to speak.

I hate big lights.

I hate sunglasses.

Words and pictures happen and I don't
look good.

So I can be a star.

What's this I can't wait to go?