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Hello, this is Sanago, master of the 3D pen.

Have you all seen the Demon Slayer movie?

I ran to the theater as soon as it opened and watched it.

It was fun.

So today,

I’m going to make my favorite character

from Demon Slayer: Zenitsu.

Zenitsu is one of the main characters in Demon Slayer,

and at first he shows up as a huge scaredy-cat,

so I thought he was just the comic-relief guy,

but in key moments he uses a powerful move called “Thunderclap and Flash,”

showing off his unexpected charm—

he’s even ranked No. 1 in the official popularity poll.

I’ve attached the front-view frame to the side-view frame.

And as always, I make

the middle frames that connect the two.

This outfit Zenitsu is wearing

is the Demon Slayer Corps uniform.

As you can tell from the title “Demon Slayer,”

it’s an anime about fighting demons,

and Zenitsu also belongs to the Corps.

Zenitsu uses the Breath of Thunder,

but unlike the other characters,

he only knows the First Form, “Thunderclap and Flash”—

in a way, a prodigy,

a bit of an unusual character, you could say.

And this is the pose right before he uses that skill.

Now that the pose is set, I’ll start creating the surfaces.

Wherever I think there should be a surface,

I build a lattice-like framework.

With the framework in, the form is taking shape.

Kaminari no Kokyū…

Bzzt—

I’ve split Zenitsu in half.

Because the pen can’t reach into every corner,

I’m going to divide it into parts

and make it like a snap-fit figure for easier work.

I’ll insert a brass rod into a bearing,

and use magnets to attach the parts easily.

I’ll fix the hardware to the cut surfaces.

I put two magnets in the waist to make it sturdy—

the waist is important.

For the arms as well,

I embedded a pin connector so they don’t rotate.

Now I can separate it like this and work on each section.

To really fill in the surfaces,

I’ll disassemble all the parts.

When filling surfaces, think about clothing wrinkles

and build them in three dimensions.

For the leg with the bent knee,

I made the pants look more crumpled.

To capture a realistic texture,

I wore baggy pants and tried copying Zenitsu’s pose,

and I thought my thigh was going to rip.

No wonder the Demon Slayer characters

all have bulked-up bodies.

I’ll assemble it to check if the wrinkles look natural.

Not bad.

Anyway, the fine details

can be tweaked while finishing,

so I’ll quickly refine with a soldering iron.

Like a snake slipping over a wall,

like butter on toast,

I smooth the filament with a hot iron.

For the face too, keeping the features in mind,

I shape the curves as I refine.

At this point I might be a soldering-iron master.

You can also apply heat to the filament to create contours.

Now I’ll make the hands.

Roughly sketch hands proportional to the arms,

clean them up with the iron,

and carefully carve with a knife to shape them.

Then attach a transparent “Doraemon hand”

and connect it to the sleeve.

With the connector inserted,

fix it firmly inside the arm.

Then reattach the cut sleeve.

I’ll shape the left hand to grip the sword,

and the right hand as if drawing the blade,

so being able to separate them like this

makes the work much easier.

The hand shape really

looks like it’s about to grab a sword, right?

Likewise, fix it well and close it up.

Now it’s looking pretty cool.

Will it stand if I just put it on the floor like this?

Will it…?

Of course not.

As I said, this pose requires a lot of lower-body strength,

and filament doesn’t have that kind of strength,

so I’ll borrow the power of magnets.

Now it can stand

on most metal surfaces.

Do not use breathing techniques here—

dust could get into your nostrils.

Turn on the dust collector and sand diligently.

If you sand too hard,

the clothing wrinkles you worked so hard on will blur,

so stop at a good point and switch to a fine sponge sander.

You’ll have to touch it up again anyway.

With a finishing tip, cleanly restore

the blurred wrinkles and edges.

The cloth tied at the ankles

is called kyōhane (leg wraps).

You probably didn’t wonder,

but I had nothing else to say so I looked it up.

After another round of finishing, it’s much cleaner, right?

Now I’ll make Zenitsu’s hair.

Wrap it well with masking tape

so the filament will come off easily later,

and make a hair mold first.

Zenitsu’s hair looks like cut-up colored paper

pasted on—a choppy mop, basically—

so to set the base shape,

I attached filament pieces to the mold.

Apply heat to the attached pieces

and turn that pinecone-like hairstyle

into something at least human-ish.

Still not very human, huh?

This is just the mold.

Fill the empty spaces with filament,

and refine it with the iron.

Once it’s roughly shaped, take it off and sand it.

Likewise, after sanding, I’ll add back the details.

And just like that, Zenitsu’s hair is made—

the back hair, anyway.

I’ll quickly make the bangs with the same method.

Now it’s looking pretty Zenitsu-like, right?

To make the hair detachable,

I’m drilling holes for the connectors—

something else came off.

Zenitsu’s hair is tough.

I fixed the back hair simply with a pin connector.

I couldn’t bring myself to drill into his forehead,

so I embedded magnets in advance for the bangs.

Now I’ll make a haori, the traditional Japanese coat,

as distinctive as the characters’ looks.

Heat a thin, flattened sheet of filament,

and when it gets floppy, dress it onto Zenitsu.

This job hurts about as much as holding

a stainless rice bowl at a mom-and-pop soup place for 10 seconds.

It’s basically impossible for the average person.

But I still can’t wear gloves,

because I need the dexterity for delicate work.

Please make sure you wear gloves.

Once the haori’s shape is roughly set,

I’ll clean the seams with the iron.

Now I’ll make the Nichirin blade.

I’ll cut up a bread knife to make it,

but if the blade is longer than 15 cm,

it violates the sword-possession law,

so it has to be shorter.

Even if it’s under 15 cm, if you fool around with it in public,

you can be arrested regardless of length,

so be careful.

And actually, the intended use matters most—

whatever it is, you must not harm others.

Depending on the situation, even a neutral witch can be a weapon.

Attach a template of Zenitsu’s Nichirin blade to the cut knife,

and refine the shape precisely with a grinder.

A Nichirin blade is the sword used by the Demon Slayer Corps.

Each one’s form differs by person,

but they’re all made from sun-imbued scarlet ore.

To establish the edge,

mark the center line of the blade face.

Then, while feeling with your fingertips

how the edge is forming, work delicately—

like a master craftsman.

It already looks cool,

but if you polish the edge with a finer sandpaper,

it’ll look even cooler.

Looks like a sword made by a master, right?

You’d never guess it used to be a bread knife.

I’ll make the handle out of filament.

It’s usually made of wood,

but wood can split easily when it’s too small,

so filament is more suitable.

With a finishing tip, I’ll carve the pattern.

I’m focusing all my attention on the sharp tip of the iron.

The decorative piece between the handle and blade

on a Japanese sword is called a tsuba.

It also serves a practical purpose—preventing your hand

from slipping onto the blade—

but it’s decorative as well.

Zenitsu’s tsuba is plainer than you might think.

If it’s too flashy, it actually looks worse.

Fit the tsuba onto the sword,

and now I’ll make the scabbard.

Zenitsu’s “Thunderclap and Flash” stance

starts with the blade inside the scabbard,

then drawing and striking in an instant—battojutsu.

So I made it delicate enough

to actually sheathe the sword.

Zenitsu’s Nichirin blade is complete.

Cool, right?

At long last, it’s time to paint.

Disassemble all the parts

and apply primer.

These days, I find brush painting more fun than spray painting,

so I mainly use acrylic paints.

They’re much cheaper, too.

Though with all the focus, my neck’s becoming a turtle,

so I might end up paying more in hospital bills.

Zenitsu is so timid he faints in the middle of fights,

but when he faints his combat power goes up,

and he uses powerful skills unconsciously.

So I drew him with his eyes closed.

It hasn’t been long since my LASIK,

so the delicate work was tough,

but it wrapped up nicely.

Assemble the painted parts.

I’ll also paint the character 滅 (destroy) on the back.

You can’t see it once the haori’s on,

but it’s basically the spirit of the Corps,

so of course it goes on.

Finally, put on the haori,

finish painting the haori,

and the Zenitsu “box-cutter-for-packages” from Demon Slayer

is complete.

I’m sure you’ve all had packages arrive with no knife to open them.

At times like that, you must have thought, “If only I had Demon Slayer…”

At least once, right?

Now, with this Zenitsu package-opening knife,

you can open any parcel in the blink of an eye.

Amazing, right?

Breath of Unboxing—

First Form.

Wow, Neutral Witch!

What do you mean, open the package without using a knife?

That’s like clapping without using your hands.

But this isn’t just any knife.

It doesn’t say not to open it with a Nichirin blade,

so it’s fine to open.

Just like Zenitsu in the manga,

with quick footwork,

you can strike a Thunderclap-and-Flash pose anywhere.

Originally, I should’ve etched yellow patterns onto the blade,

but due to lack of skill, it turned into a regular sword.

Still, its cutting ability is beyond a bread knife.

We should test it, right?

Here’s not a demon,

but a cucumber to slice.

Thunderclap and Flash!

Huh?

Thunderclap and Flash!

Thundercl—!

Ah, forget it—

timeout.

Lightning…

Ambush!

The blade is sharp,

but it’s too small to cut through.

Truly a package opener.

I hate cucumbers.

You all should try making

a box-opening knife with your favorite character.

I’ll be back with an even more fun video.

Thank you.

This was Sanago.