All language subtitles for Long.Ago.Tomorrow.1971.1080p.WEBRip.x264.AAC-[YTS.MX]

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[ref blowing whistle]

[shouts]

[general ad lib]

[ref blowing whistle]

[ref] Now put the ball down.

Put it down and get on with it.

[ref blowing whistle]

Hey!

[general ad lib]

-[general ad lib]
-[ref blowing whistle]

Goal!

[shouts]

-[general ad lib]
-[ref blowing whistle]

Hey… hey, ref… hey!

What was wrong with that, eh, ref?

Even the flag was up.

No doubt about it.

No more, else I'll send you off.

Right. Off you go. I said off!

-It wasn't offside.
-I sent you off.

Now get off.

[girls muttering]

It was never offside.
Never off side, Will.

You shouldn't have gone on like that.

You shouldn't have gone on like that.

Come on the whites.

["A Time for Winning"
by Macaulay Cook Greenway plays]

♪ Time for winning ♪

♪ Time for losing ♪

♪ Time enough to find which way ♪

♪ You're going ♪

♪ Running somewhere ♪

♪ Not that I care ♪

♪ Life surprises me each day ♪

♪ Don't you worry
'Bout my way of living ♪

♪ It's not me who needs a helping hand ♪

♪ If you get to feeling good by giving ♪

♪ Give away and I'll understand ♪

♪ For that's your way back ♪

♪ I can make it ♪

♪ I can take it ♪

♪ And if I ever get to choose ♪

♪ I will never lose ♪

♪ Love is something nice
To say to someone ♪

♪ It's a word I like to use ♪

♪ But it's easier to share with no one ♪

♪ Love's been known to fly away ♪

♪ Not today ♪

Look, love, last time I'm asking.

Do you want a night out or not?

Night out! Oh lovely.

We know what that is, don't we?

Four rounds with no
gum shields and a torn blouse.

Oh, give over.

Right.

[whistles]

Hey, stop at the corner, will you.

-Right.
-Goodnight, all.

[general ad lib]

See you around, eh?

Goodnight, Edna.

See you next week.

Not if you play
as you did today, you won't.

Look, that was a bloody goal.

♪ I'll get by, you know, somehow ♪

♪ It's time for winning now ♪

[football match on tv]

[door opens]

Well, I'm back in one piece and sober.

That makes a change.

[tv commentary]

Well aren't you going
to ask me how we did?

Well, how did you do, dear?

We lost. Must keep up tradition.

The ref was duff though. He sent me off.

-Who was?
-The ref. Duff.

All piss and point.

Oh, Bruce,
not on your brother's wedding night.

Well he's got to get used to
life's rich pageant, hasn't he?

Thank you, love.

[tv commentary in the background]

Where are the tits, Harold?

[tv commentary continues]

Aren't you gonna treat us
to a drink, then?

Why?

Why? Tradition, that's why.

You're very strong on tradition,
aren't you?

Sure. Everybody has a stag party
before their wedding night.

Well, I'm not everybody

and I've no intention of getting blind
drunk the night before I get married.

-Or after.
-All right.

Do you think she'll turn up?

[woman]
Now, don't tease him the moment you're in.

-Well, it's happened before.
-Never in our fam--

-Well, in my family, anyway.
-Oh, yes, yes.

I wonder if she knows how mean you are.

I don't propose to discuss
my intended with you.

Now, look, stop getting
at each other on last night.

Harold's got a lot on his mind.

Well, it's a very unhealthy thing to do,
if you ask me, on his last night.

-Carving a cow.
-[woman] Gladys is a very nice girl.

And what's good enough
for Harold is good enough for me.

Drop it, drop it.

Well, somebody's got to celebrate.
Any booze left, Dad?

Aye. Must be a drop of something here,
I suppose, left over.

Aye, here it is.

Mm, that's been there for years, Dad.

It's not so bad. Be matured.

I know Gladys's
mother's taking care of it all,

and I'm not saying a word against her,

but I just don't want
anything to go wrong.

What could go wrong?

They could all get food poisoning,
couldn't they?

-Cheers, Dad.
-Cheers.

You're always reading about it.

56 wedding guests struck down
with the bubonic or something.

-Groom dies on honeymoon.
-Oh, Bruce.

-Who's doing the food, then?
-That firm in Archer Street.

Don't like the sound of that.

What do you know about it?

They did the Red Cross dance,
didn't they? Got ten girls pregnant.

Look at that, Dad.

Don't get nervous, Harold dear.

[woman] Nothing'll go wrong
if you're careful.

Have you got your train tickets
in a safe place, dear?

-In my wallet.
-Safe enough in there.

Don't forget to send us
a telegram as soon as you arrive.

He's not going to the Congo
for his honeymoon.

Oh, I sometimes wish you'd go to Congo.

Oh, then you'd miss me,
wouldn't you? Eh? Eh?

Oh, stop it, Bruce. Stop it now.

[Bruce] Come on, give us a kiss.
Give the best man a kiss.

Look at those stud marks.

[Bruce] I scored a beauty today.

-Did you?
-Yeah.

The bugger disallowed it.
Offside. It was never offside.

[woman] Now hurry up!

That's gonna hurt tomorrow morning.

[woman]Take those into the kitchen!

-Do you feel nervous, then?
-Numb. Funny, really, isn't it?

What?

Last time I'm sleeping here.

[woman] Dad, look, I've told
you to pick up those things!

-Never thought I'd get married.
-Never?

Well, I've thought about it, you know,
but it never seemed real somehow,

and I never thought she'd have me.

I expect she loves you.

[woman] Dad, look,
I've told you to pick up those things!

-I love her.
-Well, you're laughing, then, aren't you?

Just so long as you don't end up
like them next door.

[man] Nag, nag, nag!

-Can I ask you something?
-Yeah.

I'm not getting at you or anything,

but have you ever done it with Gladys?

No, I never have.

-With anybody?
-Not really.

What does that mean?

Well, you know.

Not really.

Well, you're lucky.

It's not that much.

It's not that much without love.

[man] Quiet, quiet, everyone.
Bride's cutting cake.

[cheering and applause]

Here you are, Dad.

-Hello.
-Auntie Flo.

Oh, I know.

Yes, she won't be laughing tonight.

No, soon ends.

All right, Terry?

I hope you're saving
some of that for the toast.

Don't worry, don't worry.
Plenty more where that came from.

Who's got a second hand to their watch?

Here you are, Uncle Bob.

Thanks.

-Now, how long?
-It's got to be 60 seconds.

-Like a nice big bit of marzipan.
-Quite nice, isn't it?

Right, Uncle Bob, time's up. 60 seconds.

Let's see, Uncle Bob.

-That's funny.
-What's wrong?

Well, it's not quite perfect.

Oh, Gladys, it's lovely of you.

Look at that, Harold.

Where did you get it from, Uncle Bob?

I got it special.
I bought it from a bloke at work.

Let's have a look at the instructions.

You've got to heat it up with a cold clip.

Give it here.

Hey, love, have some champagne.
Give us your…

-Ha-ha! Lovely. Look at that.
-All right, leave that.

Have you got your speech ready?
Now just concentrate.

I call upon the best man!

-What?
-It's not you. It's not your place.

-It's him. Oh, damn. It's him.
-Oh.

Ladies and gentlemen,
I call on the best man

to propose the health
of the bride and groom.

-[cheering and applause]
-Ta. Ta.

Ladies and gentlemen,

and those of you who've had the operation.

[laughter]

Er… I haven't
made any notes for this speech

because, as you know,
the wedding was somewhat unexpected.

But I'd like to say this.

Gladys, God bless her,

is by far the most beautiful bride
I've seen today.

[cheering and applause]

And I'm not losing a brother,
I'm gaining an extra bed.

And I wish them health and happiness

in what will seem to be
a very long life together.

[applause]

The bride and groom.

[all] The bride and groom.

[applause]

Come, Martin.

It's hot in here.

-What?
-Bloody hot in here.

Expect your speech did that.

Bloody hot in here.
Frozen stiff in church.

I thought the service was beautiful.
Don't suppose you noticed.

The last time you were in church,
they sprinkled your head with water.

Here, what about this, eh?

Oh, oh, wait a minute.

♪ I went down the beaches of Cornwall ♪

♪ And I saw ♪

-♪ The most beautiful blonde ♪
-Don't worry.

♪ She smiled at me, at me ♪

♪ I smiled at her, at her ♪

♪ And then to my great surprise ♪

♪ She went away from me ♪

What's the matter with you?
It's a bloody wedding, not a funeral.

Always the bloody same.

Who's this, then?

Well, that's your father.

Oh, and they say there isn't an afterlife.

Well, I've got one more left.

Good. Well, save it for your funeral.

Look, I've told you.

You've got to focus with this…

With this.

Look, you've got to keep it
in a warm place. Focus with this here.

Come on, take Terry and me. Hey, come on.

-The bride's parents.
-Shh.

It's all right, they've gone.
Everybody's gone.

-Has Harold gone?
-Aye, he went hours ago.

-Stand still.
-[Bruce] Get your light straight.

Right, I'll focus.

You're not focused.
You've never been bloody focused.

Don't jog me. Stand still.

Right, here you are. Give us the whatsit.

Here, come on.
Give us the thing you put it in.

-Give us the cold clip.
-Oh. Here you are.

Right. Ah, right.

Got to keep it warm.

Should have given Harold that book.

This is the warmest place tonight.

How much did you give for that, then?

How much? I gave a tenner for it.

Worth 50.

-Ten?
-Aye.

Ten? You were done.

[Bruce] Fifteen seconds
and heating up nicely.

What do you mean, I was done?
What do you know about cameras?

Well, I know about these, don't I?

Worst bloody wedding
photographs I ever did see,

and my own son's wedding, too.

I wanted some lovely photographs
and what have I got?

Well, they're neither of them
oil paintings, are they?

What's that you say?
That's my daughter you're talking about.

-Ha-ha! Your what?
-My daughter.

She was churched anyway.

That's more than we can say
for your Doris.

They couldn't get her in the church.
She were feeding the baby.

-Right, time, gentlemen, please!
-Don't talk like that about my Doris.

She's the salt of the earth, my Doris.

How is it?

Hey, I think he's done it.
By Jove, I think he's done it!

Watch it! Watch it,
or it'll be your last time in church.

[Bruce] Go on, give him one!

Go on, smash him, Pop!
Rip his bloody shirt off!

Going to be a classic end.

Ah, they'll be all right now.

A little punch-up and a good cry.

Paragraph in the local paper,
which I shall probably write.

Here you are. Souvenir.

Let's take the girls home.

What girls? I mean, where are they?

You're right.

♪ Where have all the girls gone? ♪

-[father] Never mind that.
-Come on.

Let's go and write
peace slogans somewhere.

Oh, let's go home and do it.

What are you going to write anyway?

I'm gonna write,
"Dear Harold, wish you were here."

Oh!
Your Doris is a twit, though, isn't she?

[they laugh]

Oh, I wish I was a fly on the wall
in Harold's room tonight.

Oh, imagine Gladys.

Oh, hello, hello, hello.

Go on, give it one.

Do you realise I'm 24 years old?

Feel more like bloody 60.

Aye, you look bloody 60 as well.

My looks are the results of my efforts
to become a great writer.

Did you notice the bridesmaid's teeth?

Which one?

The one with big boobies.

Do you know,
she must have had at least 12 jellies?

You remember her. You danced with her.

-Did I?
-Yeah.

Go on, go home. I've had it.

Go on, dream about
her teeth rotting in the dark.

Are you all right?

Course I'm all right.

I'm so all right, I wish to be alone.

[Bruce] I wish to…

I wish…

to be alone.

Be alone.

I wish to be alone.

[father] Oh, come on now.
Let's concentrate.

[piano plays]

[Bruce] You've got to focus with this.

Don't worry about tomorrow.
I won't let you down.

Can you imagine Gladys?

[photographer] Well, they're neither
of them oil paintings, are they?

[Bruce] Come on, Harold, give it to her!

The bride's parents and those
of you who've had the operation.

[laughter]

[dramatic music plays]

[Terry] Hey, you know, I went back
and tried to date that bridesmaid.

Weddings are funny, aren't they?

How long do they reckon
with polio these days?

-It's not polio.
-No? What, then?

Don't know. I can't pronounce it.
It's not polio, though.

That's last year's disease.
They cured that on lumps of sugar.

It's your legs, though, isn't it?
You've lost the use of your legs.

Yeah.

Bloody hell.

-Doesn't seem possible, does it?
-Does if you're lying here.

They don't always mean
what they say, do they?

I mean, they can cure everything
these days.

Look at that other boy. He got better.
What… what did he have?

That was quite different, Mother.

Still, he's…
he's in a good place, isn't he?

But… but, as he says,
they can't keep him in there forever.

I mean, that's what the doctor's
telling us in the letter.

I know. I know.

I… I know what he's telling me.

♪ They bring tidings of comfort and joy ♪

He'll be in a wheelchair,
won't he, when he comes out?

Yes, dear.

I don't know how
you'll get him up and down.

They're completely
helpless in a wheelchair.

It's all right. We'll manage.

Ah, we'll just have to look into things.

We'll… look into things.

What are you bloody crying for?

Nothing.

-Pinch my leg.
-I've got work to do.

No, pinch it.
I thought I felt something this afternoon.

Down in the forest something stirred.

Hey, think I'm good-looking
from the waist up?

Well, I wouldn't like to have you loose,
I tell you.

Pinch it. Go on.

Come on. You're not trying.

Well, I don't trust myself.

Now, you go to sleep.

-I did feel something, you know.
-I'm sure you did.

Bloody despair.

[Terry] Do you get lots of visitors?

[Bruce] Fair amount.

Mum, Dad, Harold.

Don't worry about them, though.
You eat all you brought.

Don't know what it is. Moment I come
inside hospitals, I'm rabid, starving.

Same when my mum was in.

It's my balance. Can't keep my balance.

What about Gladys? Does she come?

She's far too delicate, is our Gladys.

She only comes as far as the waiting room.

Well, you've got to tell him
some time, haven't you?

Well, I can't tell him now.

Not tonight.

When, then?
You've been saying that for a week.

I don't know.

I've got to pick my moment.

He is my brother.

Well, I'm your wife.

I mean, I feel sorry for him too
but we've got our life to think about now.

I mean, his is over.

Don't say that.

It's all right to go in now.

Why don't you come in for once?

It's too morbid, sitting in there.

But I tell you one thing.

If you want any nookie tonight,
you'd better break him the news.

Do you see Edna at all?

Aye, she's having it away with Ronnie.
Lasted too. They've gone three weeks.

-Harold's Glad's gone too, you know.
-Gone?

Aye. She's gone ten weeks.

It's the deafening thud of tiny feet.

Saw her at the bus stop. Says they
did it to get on the housing list.

So, Harold's getting
a place of his own, then?

Yes. Yes, so I understand.

Have you… have you seen
the doctor this week?

Yes, I've seen him.

Good. Pleased with you, was he?

Delighted.
Says there's nothing they can do for me.

Well, they've got to say that.
They've got to, haven't they?

No, they haven't got to.

Did he write to you, then?
Told me he'd written.

I… I think your mother did get a letter.

And?

Well, I think Harold's going to come
and have a word with you about it.

He understands it better than I do.

Hey.

Do you think I'll ever walk again?

On my legs. Do you think I'll ever walk?

Oh, hello.

Just finished another poem.
Did you read the last one I sent home?

Yes.

-Did you like it?
-I didn't understand it.

I didn't think you would.
I got two quid for it, all the same.

Well, sit down. You won't catch
anything off that chair, you know.

-How's married life, then?
-Fine.

I dreamt about Gladys the other night.

Were her thighs burning
at four in the morning?

Has it kicked you out of bed yet?

-What?
-The fruit of your loins.

That's poetic. Just written that.

Well, you didn't waste much time, did you?

It was a late kick-off
but you scored early.

Well, Gladys wanted a family.

Oh, yes.

Well, that's lovely.

Helps you to get a council house too,
doesn't it?

What does?

Am I talking in another
language or something?

I mean, I keep saying things
and you keep asking, "What?"

I think you must have been at it too hard.

You're still bloody sarcastic, aren't you?

Ah, that's it.
That's what I wanted to hear.

-I know you're ill.
-I'm not ill.

-And I'm sorry for you.
-Well, don't be, cos I'm not ill.

You don't say "ill" to people like me.

-Well, whatever you do say.
-I don't say anything.

I just sit here and brood, wait for my
friends to tell me all the family news.

-How's Mum and Dad?
-Middling. Worried about you.

Well, they needn't be. I'm all right.

I've been doing a lot of thinking.

What are they worried about?

What's going to happen to you
when you come out of here.

Well, that's all settled.

You see, I've got
my name down for a house too.

Mind you, I didn't have
to get anybody in the family way.

There you are.

I've put myself on the transfer list.

You see, Harold,

I don't want to go home.

But this is a place for… Cripples.

It's a home for the disabled.

But you can't go into a place like that.

[man] Play it right. Play it right.

Whoa! Break it down. Nice one.

[gentle music plays]

Hello. Mr. Pritchard, isn't it?
Bruce Pritchard?

Yes, that's right.

Well, you made good time.
Matron's waiting.

I'll show you the way.

I'm Bill Chiles, by the way.

-Nice place, isn't it?
-[woman] Come in.

-Oh!
-Ha-ha-ha-ha!

Well, now, Mr. Pritchard…

Well, both Mr. Pritchards, I should say.

There are very few formalities.

Just take one of these, Bruce, will you?

And you too, Mr. Pritchard.
You can read it later on.

It's just a little booklet on the home,
setting out what goes on here.

-Thank you.
-And the rules and regulations.

There are one or two rules,
of course, like anywhere else,

but on the whole we're very free and easy.

Only one thing
we're a bit sticklish about.

Now, we don't like our residents leaving
the premises without consulting us.

Quite sensible, really, under
the circumstances, I'm sure you'll agree.

Yes.

-No perishable foods in the rooms.
-[noise outside]

No undue noise.

Oh, and, er…

As this home

is run by the Church,

we do like our residents to attend
our services whenever possible.

It's all one big family.

Well, now, Mr. Pritchard, would
you like to stay and have lunch with us?

-Or must you be getting back?
-I'd better get back.

Well, you're very welcome.
Now, you mustn't worry.

Your brother's in very good hands here.

-He'll soon settle down.
-Yes, I'm sure.

Perhaps you'll just stay
and see Bruce's room? Bill?

Yes?

Could you take Bruce and his brother
and show them the room?

Yeah.

[phone rings]

Matron here.

Quite nice outlook, isn't it?

Fields and that.

I mean, it all seems very nice,
don't you think?

You know, when we've settled in
and got the garden straight

and the place decorated up a bit,

you can come back for a change,
a bit of a holiday.

Well, what do you think of it?

Better or worse than you expected?

Matron seems a jolly sort of person,
I thought.

And the staff.

That bloke Bill.

Very friendly.

I mean, I'm satisfied in myself.

And you know we'll all write to you.

Gladys said she'd write.

You let us know how you get on.

Well, I'd better not miss that train.

Take care.

[gentle music plays]

-Work here, do you?
-Oh, yeah, on and off.

My wife works here full time.

What do you do, then?

Oh, I mend the bent wheelchairs.
We're in here.

[matron] Ah! Here is Bruce.

Well, now, Bruce,
I hope you like your food.

It's a very good lunch today.

Thank you, Bill. Well, now, introductions.

Of course, you'll soon
know us all only too well.

But in the meantime
this is Clarence Marlow.

-Bruce Pritchard.
-How do you do?

Clarence is the son
of the founder of the home

so we have to keep on
the right side of him, don't we?

And, Arnold Foster. Bruce Pritchard.

Oh, well, I think the best thing
I can do is to leave you in their hands.

They know all the ropes,
and all the dodges too, I'm afraid.

They'll take care of you.
Now, you mustn't worry.

You'll soon settle in. Enjoy your lunch.

Oh, Mr. Dickinson,
you won't forget your therapy?

Hello.

Well, Bruce, what are you, then?

What am I?

I mean, are you polio?

No.

Matron says you've come from up north.

That's right.

[woman] Hello.

[woman] Well, you've got everything?

Look, there's no need to hang
around here on my account.

-I'll find my own way around.
-Oh, right.

Coffee?

Well, we'll see you later, then.

Everything all right, then, ladies?

Ooh.

[indistinct]

-Good afternoon.
-Afternoon, Vicar.

You must be Bruce. I'm sorry I wasn't
here when you arrived. Corbett.

-The Reverend Corbett, actually.
-How do?

I leave the old uniform off
whenever I can.

The home's my parish, you see.

Well, how's the old grub?

-Fair enough.
-We do our best.

I always take the opportunity
of eating here myself, if possible.

It's better than most restaurants.
The trouble is keeping the staff.

The last cook we had was a shocker.

Ah, but this one's,
touch wood, coming up trumps.

Well, how do you think
you'll like being here?

I'm not going to like being here at all.

Fair enough.
Life's very difficult, I know.

But I'm sure, Bruce… May I call you that?

That if you give yourself the chance,

you'll get a lot of help
and comfort from God.

-Will I?
-Yes, I'm sure of it.

Tell me, if you buy him,

if you buy your God,
do you get a money-back guarantee?

How do you mean?

Well, I say, is he going
to work the miracle?

Well, he can't work miracles
every time for everybody.

Forget about the others.
Just concentrate on me.

I think you have to understand God…

-I don't.
-…before He can help.

I don't understand Him.

For one thing, he's a bit too choosy.

Choosy?

He chose me, didn't he?

I'm one of His chosen.

He must have looked down and thought,

"That's the one.
I'll put him on his back."

Bruce, let me say firstly,

if you ever want to talk about this
seriously, or about any other problem,

I'm always available.

Well, that's the first thing.
But, secondly, just let me say this.

When I look at the state the world's in,

I appreciate why so many
young people reject religion.

I don't want you to think
I'm out of touch.

Well, these are… these are
difficult times for God too, Bruce.

Well, there are new questions every day.

Well, there's the question
of celibacy for priests.

Oh, of course, that doesn't affect me.
But, well, there's the pill.

Oh, they're big questions,
Bruce, big questions,

and I don't think we can
get into them straightaway,

over lunch.

But I'll see you again

and, er, look forward to the day when
we can have a real heart-to-heart.

Yes, I look forward to that very much.

[whimsical music plays]

[whimsical music continues]

Ah, Mr. Pritchard. Do you play any games?

Yes, football.

-I meant card games.
-I have played, yes.

-Bridge?
-Strip poker, mostly.

-What did he say?
-Strip poker, dear.

Oh, well, I expect that's very nice too.

[whimsical music plays]

[people laughing]

-[tv] Your fate is sealed.
-Rubbish. Rubbish.

Just a waste of time to watch it.

[tv] We have spoken.

You took your revenge
to unnecessary lengths.

You should submit
to the will of your master.

You coming to the show
tomorrow night, Bruce?

-What show's that?
-Gilbert & Sullivan.

It's only amateur,
but they do it very well.

No, thanks, not my cup of tea.

What is your cup of tea?

It's a bit stronger than
amateur night at the church hall.

You don't know what you're missing.

They take a lot of trouble
to arrange it for us.

Shh.

Well, is there something else
you would like to do?

Not just tomorrow, I mean. Celia?
You could suggest some things to Bruce.

Yes, of course, anything.

Celia organises the occupational therapy.

What would Bruce like to do?

He doesn't seem quite sure at the moment.

Rug-picking, jewel-making,
leather work, painting, woodwork.

-We can arrange any of them.
-I don't think so.

Shh!

Well, you've got to have
something to occupy your time.

In our position,
we have to take what we can get.

We can't pick and choose too much, can we?

-Is it in the rules, then?
-[Celia] No.

What Margaret means is that
we have to make the effort, don't we?

Yes. You don't want to be
one of those, do you?

-One of what?
-The vegetables.

The kitchen gardens, we call them.

The people who do nothing at all,
just sit about staring into space.

Shut up, Margaret.

[tv] Yes, even puny mortals like you.

They came because you dare
to defile the sacred flame of light.

They come to prevent you dabbling further

in things that you cannot
begin to understand.

[soft music plays]

[soft music continues]

[typewriter strokes]

Do you ever get sick of making beds?

Yes.

-You're Bill's wife, aren't you?
-That's right.

-Nice chap.
-I think so.

-Dead energetic.
-Well, he certainly is keen.

He's got this dream about building
an ideal home for cripples.

Locks on all the doors, a bar, the lot.

-Put my name down for it.
-Ha.

How long has that girl been here?
Dark hair.

-She reads a lot.
-Jill, you mean?

-I think that's her name.
-Ooh, five or six years on and off.

She's going home soon. She's engaged.

-Oh. That's nice for her.
-Right.

That's your lot.
Anything else you need doing?

No, thanks.

Oh, you could post this for me.
I'll pay for the stamps later.

-What is it?
-A story.

-Are you a writer?
-Not really. Trying to be.

Well, what do you write about?

-This and that.
-What, thrillers? Love stories?

Why should I write love stories?

Well, people do, you know,
even people in wheelchairs.

Thanks for telling me.

It's all right.
It's all part of the service.

Priorité à droite !

-Sorry.
-It's all right.

Er, well, now we've
bumped into each other,

you wouldn't like a game
of chess, would you?

Er, no, thanks. You haven't
seen Miss Mathews, have you?

Jill? Not recently, no.

Any time you want a game of chess,

just let me know.

[man] What do you think?

Of course, you see,
if we do have that upholstery,

it's not really going to go
with the colour there.

Mind you, if we put a white cushion there,
it might bring it out, do you think?

Yes.

And Mother thinks we ought
to get a place a bit nearer her.

-Who's that?
-The latest arrival.

Hm. Looks a bit different from the rest.

Yes.

[soft dramatic music plays]

Hey?

[soft music plays]

Good book?

Not bad. Bit dull.

-Why are you reading it, then?
-Oh, I don't know.

Once I begin a book,
I always think I've got to finish it.

That's a bloody silly rule for a start.

Depressing, isn't it?

All these people sitting
around here in wheelchairs.

-What's your name?
-Jill.

-Jill what?
-Jill Mathews.

I'm Bruce Pritchard.

I expect you're glad to meet me at last.

-Are you glad to meet me?
-Yes.

You don't sound very sure.

Should I be?

I was only trying to make
conversation, you know.

I've pulled better than you!

Best of a bad bunch.

[gentle sad music plays]

[birds chirping]

[metal clanks]

Hello?

[thud]

Hello? What's that, then?

Who is it? What?

What's going on here, then?

-Oh, it's Mr. Pritchard.
-I'm sorry, I couldn't sleep.

Didn't your bell work?

-You didn't ring no bell, did you, sir?
-I didn't want to worry anybody.

Look, I'm out of my room after hours.
Big deal.

It's not the end of the world, is it?

Well.

I hear you're in disgrace.

Yeah, I tried to organise a mass breakout.

Matron took a very dim view.

-How about you?
-I'm neutral.

I, er, I thought you might
like to have that back.

I found it when I was cleaning up.

I'm afraid she never received it.

She left last night.
Her parents took her home.

Well, if you want to bribe me,
I'll give you her home address.

No. No, it's not important.

All right. Next time you think
of escaping, let me know.

I got the train robbers out.

Drink it up. Good for you.

I hope you're going to stay at home
this time, give it a real chance.

It'll make all
the difference to your mother.

Yes, well, I am going to try this time.

Don't roses look sad in winter?

Yes. Yes, they do.

We should have a good show this year,

if the late frost doesn't get them again.

[woman] Larry! Fancy having her out here
without a rug over her.

Oh, you ought to have more sense.

You're supposed to be a doctor.

I'm not supposed to be.
I am a doctor, and she's not cold.

It was my fault, Mummy.
I just wanted to see the garden.

Well, he ought to have had more sense.

Anyway, dear, it's time
you came in now, have your rest,

and then Mr. Andre's coming
to do your hair for the party.

I suppose I… I know it sounds
awfully ungrateful and I…

Well, I really
don't mean it to be like that,

but, well, I…

I suppose I have to have a party, do I?

Well, what do you mean, dear?
I've got it all arranged.

Oh. Oh, that's fine.

It's just that I thought,
you know, first night home,

it might be nicer just you and Daddy
and, well, perhaps Jeffrey.

Well, darling, we've had
printed invitations sent out.

All your old friends.

It's easier, Mummy, if I wheel myself.

Oh. Larry, what's the time?

Um… quarter to three.

I've got to, er, get my own hair done,
pick up my dress.

Oh, you did see your new dress,
didn't you, darling?

-Yes.
-I knew you'd like it.

-You did like it, didn't you?
-Oh, yes, it's lovely.

Larry, did you remember to ring
the local paper for the photographer?

No, I… I'll do that this afternoon.

Don't forget, will you? Because, you know,
there might be, the other thing.

No, I'll do it.

Well, I really must rush now, darling.

There's so much to do
and if I don't do it, nobody else will.

Remember when we were going
to have a swimming pool there?

I've still got the plans in my desk.

They always have leaves,
dead leaves in England.

Yes, that's true.

Don't, er, don't get too upset
about your mother, will you?

She means well
and, you see, you're still her baby.

Oh, Daddy, that's just what's wrong.

I'm not. I'm not her baby.

I'm a 31-year-old crippled woman

with a fiancé who's looking for an out.

-Don't say that.
-Daddy, it's true, it's true.

Every time I see Jeffrey,
I wish he'd say it, but he's trapped.

He's trapped by Mummy and trapped by pity.

What did she mean about the photographer?

Nothing.

Well, don't ring.
I… I don't want a photographer.

I… I don't want anything.
I'm not on display.

-Hello, Roy.
-Good day, doctor.

Heidi. Heidi.

Heidi, come here, girl. Come on.

Heidi, come on. Heidi, come on.

Good girl.

Daddy, it's not going to work.

I knew it.

I should never have been talked
into coming home.

We just thought it's better, darling.

You've been in and out of homes
for five years.

I know, but they leave you alone there.

You can be what you are.
You… you can be independent.

I know Mummy means well
and I know she loves me,

but she takes what's left away.

There's nothing of me left.

Nothing.

[soft dramatic music plays]

[knock]

Come in.

-Hello, darling.
-Hello.

Let me help you.

Oh, no, don't help me.
I must get used to it.

It's just this bed's a different height.

Your hair looks very nice.

I've probably ruined it, lying down.

Mr. Andre will cut his wrists.
Is he staying for the party?

I'm not sure. There's quite a few coming.

Well, it's my coming-out ball, isn't it?

For the 33rd time.

You look very nice, anyway. Nice dress.

You know, your mother's got
very good taste.

Jeffrey.

Can I ask you something?

Yes, of course.

Do you ever think about
what's under this dress?

-What do you mean?
-Do you ever…

Do you ever think about my breasts?
Do you know what they look like?

They're not deformed, you know.
I'm not deformed.

It's just that my legs don't move.

Do you realise you…

you don't really kiss me anymore?

You could kiss me now if you wanted to.
There's a lock on this door.

It's not like in the home.

Well, someone might want to come in.

Well, suppose they do.

It's all legal and above board.
We're both consenting adults.

We're even engaged.

It's been one of the longest
engagements in the history of the world.

-People are beginning to talk.
-What people?

All those people out there,

wondering
when you're going to name the day.

What they don't know is, you…

You can't name the day, can you, Jeffrey?

Do you love me?

Yes, I… I've always loved you.

Then if you love me,

why don't you put yourself
out of this agony?

It's quite easy, really. You just…

you just say,

"I do love you,

but I can't marry you,
because I'm frightened."

We'll all get over it.

Even Mummy will get over it.

It'll give us something else
to feel sorry about.

After all, it's what you want.

Well, it's not what I want.

No, but it's more honest
and it's more loving than this.

And then you could kiss me.

You could kiss me
without feeling sorry for me,

and, oh, that would be so nice.

[romantic music plays]

What are you two lovebirds up to?

Ah, doesn't she look pretty?

You look so pretty, my baby.

You look so pretty.

[birds chirping]

Hm. A masterly stroke, if I may say so.

The young genius leans back
in his chair, triumphant.

But the old grandmaster
has anticipated the move

and, with that breathtaking casualness

that has made him a household name
before the age of three,

strikes back with his bishop.

Sod it. Didn't see that.

Do you scream for mercy?

Not on your nelly.

[chatter outside]

[tense music plays]

Give you the game.

-Hello.
-Hello.

Read any good books lately?

-Read any dull books lately?
-No.

I never thought I'd see you again.

-Didn't you?
-No, thought that was it.

I'm glad you're back.

Oh, that sounds funny. I didn't mean
that. You know what I mean. I…

[woman] Lunch is ready.

I'm sorry you had to come back
but since you are back, I'm glad.

[woman 2] Come on.
She's called us into lunch.

Are you back for good?

Yes, I am.

I, er…

I wrote you a letter.

Never got round to posting it.

-Oh, come on, Bruce.
-Come on, Bruce.

Go on.

[upbeat music plays]

-I must tell you about this girl.
-Which one?

Had in Huddersfield.

She was, er, French, she said.

Took me to this cafe.
She got me drunk, you see, on Pernod.

-Yeah, Pernod.
-What else?

-You know what happened, of course.
-No. What?

I got drunk.

[lively music plays]

[inaudible dialogue]

What do you think they'd say,
my proud beauty,

if I leant right across this table
and kissed you on the lips?

They'd say:

"There lies Bruce Pritchard,
who fell flat on his face."

-That's what they'd say.
-Well, that's shut me up, then, hasn't it?

Tell me some more about your story.

My story? Story? What story? Oh, my story.

Well, I've started it again.

I read it this morning
and I went right off it.

It's no good. It's too sordid.

I think I'm entering my lyrical period,

and my bladder control's
getting better all the time.

Oh, you are funny.
I do love you when you're funny.

Ah, but do you love me when I'm not funny?

[upbeat music plays]

[indistinct]

[chatter]

Ah, such a credit, Vicar.
Good afternoon, Matron.

Oh, good afternoon, Mr. Thomas.
So nice to see you.

Thank you. Oh, I must say,
these teddy bears look remarkable.

Yes, well, buy as many as you like.

-I liked the plastic flowers.
-[Mr. Thomas] Excellent, excellent.

The colours are so natural,
don't you think?

Very natural, yes.

And they're very easy to make,
you know, even with one hand.

Oh, really?
I think my daughter would like those.

Well, this is a good turnout.
Most encouraging.

Yes, one or two faces missing, though.

Had enough?

-Wonder I'm not paralysed facially.
-What are they like?

What are they like?

They're all yahoos.

Do you realise I've spent
my entire life in this noble edifice,

being gracious to well-meaning,
kind-thinking, holy bloody bores?

I hate every minute of it.

I wish to God they'd let me die
after the accident.

Well, what's going on in here?
A meeting of the secret society?

No, we're holding
a fertility rite, Matron.

Well, we must put on a good face,
mustn't we? Play our part.

Clarence?

Clarence, I think
for the sake of your father,

you ought to be mingling with our guests.

After all, it's your father
we're honouring today.

He's got the CBE. What more does he want?

Jill, I'm sure you want to come.

We can't all be selfish, can we?

♪ Onward, Christian soldiers ♪

♪ Marching as to war… ♪

Ah, our young intellectuals.

Well, Jill here is studying to, er…

Er… What is it you're studying, Jill?

Well, I was studying medicine
but I've sort of given that up now.

I… I was hoping--

You've given it up, have you? Interesting.

And, er, Bruce here…
Bruce here's a writer.

A writer? I knew a writer once.

Wrote about antique furniture
and all that and how to repair it.

-Antique furniture? Fascinating.
-Mm.

-What do you scribble about?
-Antique sex, mostly.

I'll send you something of mine
in a plain sealed wrapper.

Yes. Yes.

Excuse me.

How fascinating! Some of them can move.

Yes, and they speak too.
That one talked quite clearly.

Have you noticed?
Some of them have got five fingers.

-That bloke over there's got it.
-Sad, isn't it?

Doctors say five fingers on the hand
is almost impossible to cure.

Oh, they get it from shaking, you know.

Mm. Still, they all look
terribly cheerful.

Oh, yes. Some of them are very brave.

Imagine going through life on legs.

Yes, and you'd be surprised
how clever they are on those legs,

once they get used to them.

You know, some of them even dance.

How fascinating!
Do you think they'll dance for us?

Oh, no.
They only do that on special occasions.

They have to have injections first.

[Bruce] What kind of injections?

They inject them with gin.

Hey! I've won a prize.
Which one would you like?

Er… Oh, could I have her?

She's sweet.

I really don't know what to say.

You were inexcusably rude, both of you.

-Inexcusably rude.
-Yes.

Mm, and I think it should be pointed out

that the continued existence of this home

depends on the goodwill
of the people you insulted.

Yes, well, I… I'm sure
they both realise that.

-I'm not so sure.
-It was just high spirits.

This is your home.

It may not be the one you wished for
or expected to end up in,

but the fact remains that
you must now make your lives here

and so you have certain obligations.

That is what I tell them.

Yes, and Matron tells me that
the reports on you, Mr. Pritchard,

are very disturbing, always have been.

But now you seem to be exerting
your influence on Miss Mathews

and, quite frankly, it won't do.

We can't compel you to behave decently.

This isn't a reformatory
for wayward boys and girls.

It's a… social unit
held together by the Church

and must be treated as such.

I understand from the Vicar

that you haven't been inside
our church since you arrived here.

Well, I daresay we shall see him admitted

to the Kingdom Of Heaven
in the end, Mr. Latbury.

Oh, no, not me.

Deuteronomy chapter 23, verse one,

and I quote:

"He whose testicles are crushed
or whose male member is cut off

shall not enter the assembly of the Lord."

-[Bruce] That's me, ladies and gentlemen.
-Now, Bruce--

You see, madam, I've still got my works
but I can't do anything with them.

The engine's all right
but the wheels won't go round.

I'm very sorry, Mrs. Etherington.
I really can't apologise enough.

You are a disgusting young man.

Disgusting in a way
that your disability cannot excuse.

Kindly get out of our sight.

I shall pray for you, Bruce. We all will.

He's beyond prayer.

[lively music plays]

[Bruce] Good God!

You can catch it from a weasel.

-[Bill's wife] Catch what?
-Rat-bite fever.

It says here out of 39 proved cases
recorded by Watkins,

37 followed by the bite of a rat.

-One by the bite of a weasel.
-You can turn that down.

From what I gather,
your credit's a bit overdrawn.

Oh, yes, turn it off, darling.
Go on, I want to listen to Bill.

-You've got him house-trained.
-Oh, yes.

Go on with your plan about the day out.
It sounds marvellous.

Well, it's not a plan.
It's just an idea, really.

Originally it was just for you.

-I don't know about your friend.
-Ah.

Oh, well, I suppose we can pack
an extra bedpan, can't we, love?

-Oh, charming.
-Do you think Matron will give permission?

She'll be glad to see the back of you two,
get this place back to normal.

Oh, I love the sea. Isn't it exciting?

[knock]

Good evening, Matron.

You are aware of the time,
are you, Mr. Chiles?

Yes, Matron, yes.

Thank you.

Stand by your bedpan!

Yeah, well, er…
Since I'm basically a coward

and I'm a bit behind
with my National Health Stamps,

I'm gonna take you
for a quick sprint down the corridor.

Got your bedtime story?

-Good night, love.
-Night-night.

-Good night.
-Good night, Sarah.

-See you in the car park.
-Right.

[Bruce]
♪ I do like to be beside the seaside ♪

♪ I do like to be beside the sea… ♪

[Jill] Oh, he's mad.

[romantic music plays]

I wrote a poem.

I, um… thought you might like to hear it.

-Would you like me to read it to you?
-Yes, I would.

I know I'm not your actual,
er, Dylan Thomas.

"In the morning of my life
Were many things

Holiday, summer, open days

Breathless
With the heartbreak of time fleeing

And in my heart
A child's adventure beating

Hold these days

They're non-repeating

Never again will a stone fascinate

Pick it up, feel its rough smoothness

Unlid a child's eye

Seek a target

Wind back the arm and throw

Never again"

[romantic music plays]

I love you.

-Where is she?
-Don't worry. She's on her way.

But it'll have to be short and sweet,
I'm afraid.

What am I sticking my neck out for?
That's what I want to know.

-Because we're all men of the world.
-Don't push your luck.

I've got one more bed
to make and it's lights out.

I'm all for young love, but not
at the expense of middle-aged love.

Why are we doing it?

Because we're mad and middle-aged.

You go and do your bed. I'll keep cavey.

I think I ought to warn you.

In the time allotted to me,
I intend to kiss you.

That's what I intend.

There's just one problem.

Er, excuse the familiarity, but have
you any idea how it can be done?

-Well, I've… I've thought about it.
-Ah, so have I.

I couldn't really work it out on my own.

-Well, I've been practising.
-Oh.

It could go something like this.

Just come a bit closer.

That's it. Mind your hand.

Put your brake on.

You smell nice. What is it?

I don't know. It's just the soap I use.
I… I don't know.

I'd forgotten what girls smell like.

Let's take this out.

Careful.

You comfy?

No, but I don't mind.

Look, love, it…

it probably won't be
very good the first time.

It wasn't very good, was it?

If you didn't talk so much
and practised more,

you could be perfect.

I used to be so rough with girls.

Never bloody cared.

How did Jeffrey kiss you?

With his eyes open.

I hate that bloody Jeffrey,

because he kissed you before I did.

I didn't know you then, did I?

Just as well.
You wouldn't have looked at me twice.

I'm much nicer crippled.

Did you have many girls?

Does it worry you?

No, I… I just envy them.

Shall we have a pact?

I won't talk about Jeffrey,
if you don't mention my sordid past.

I thought about you a lot
when you were away.

Did you?

Wasn't the only letter I wrote you,
you know.

I never posted any of them, of course.

I'm not very good at talking things,
but I can write them down.

I thought about you too.

What? What did you think about me?

Well, I thought you'd got
beautiful blue eyes.

-I was rude, though, wasn't I?
-Oh, no, not really.

Yes, I was.

I didn't know how else
to make you notice me.

-Had you noticed me before then?
-Oh, yes.

Well, you never let on.

Well, I… I couldn't
come up to you, could I?

Why not? You've got wheels, haven't you?

You've been doing it longer than I have.

Can you do any tricks like Clarence?

Poor old Clarence.

Yeah, but not poor old us, though, eh?

No, not any more.

Time, gentlemen, please.

Watch it.
Buy you a new clock for Christmas.

Good night, Mr. Pritchard.

Good night, Mr. Pritchard.

Good night, Miss Mathews.

I'll come back and tuck
you up in a minute.

Promises.

Promises.

Three. Go!

No cheating.

-Hey! Move over! Hey!
-Move over?

Come on. Come on.
What does the winner get?

-You're a cheat!
-No, I'm not!

Right to the end,
and then the first one to turn round!

Hey, wait for me!

Come on, I'll give you a hand.

-[knock]
-Come in.

Sorry I'm late getting here.

I've had to sort out a four-chair
pile-up over at Uxbridge.

They're a mad lot down there.

It's like the motorway sometimes.

-Well, what can I do for you?
-The right-hand wheel's a bit stiff.

Well, it seems all right.
I'll put a spot of oil on it tomorrow.

Well, how are things otherwise?

Sarah tells me
you're writing a lot these days.

-Trying.
-Any success?

I've sold a couple of poems.
No luck with the stories yet.

Well, there's plenty of material in here.
Why don't you write your own story?

Cos it hasn't got a middle or an end.

Very good.

Oh, well, suppose I'd better go
and take the missus home.

Can I borrow this?

Sure, help yourself.

Cheers.

This new place you're gonna build.

Will people be able to sleep together?

Well, I take it that, by that,
you mean, will people--

I should have said cripples.

Will cripples of the opposite sex
be able to sleep together?

-Yes.
-Yeah, I thought you did.

Well, the answer's yes,
but I haven't built it yet.

No chance of it happening here, I suppose?

Well, this place runs on church funds

and God works in mysterious ways,
you know.

-Good night, matey.
-Good night.

[knock]

[Jill] Come in.

Letter for you, Bruce.

Thank you, Matron. Very kind of you
to deliver it personally, Matron.

-That a new record, Jill?
-Yes, Matron.

That's what they call a hit, is it?

Hey! I've sold a story.

Have you really?
Oh, darling, how marvellous!

-Do they pay you for it?
-Yes, £200.

Gracious! Well, that seems
very good for one story.

Well, lunch in a quarter of an hour.
Try not to be late.

-Oh, darling, I knew you could.
-So did I.

And £200!

-Well, it's only 20 really.
-Twenty?

I thought I'd give her a bit of a thrill.

It was either that or telling her
to mind her own business.

You are awful.
Still, I mean, 20, that's pretty good.

-Hm. Yeah. Do you want to read it?
-Oh, yes.

You'd better put your glasses on, darling.

Oh.

Now,

they say you show exceptional originality.

-With which you agree.
-Oh, with which I agree.

It was very original of me
to fall in love with you.

Mm, probably the most original thing
you've ever done.

-Second.
-Oh, what was the first?

Well, I put the shutters up
on Jeffrey, didn't I?

Oh, that's not fair.
I can't get my own back.

I don't know the names
of any of your ex-girlfriends.

I'll supply you with a typewritten list,

and, furthermore,

with the wages of sin recently acquired,

I shall buy you what is known
throughout the Christian world

as an engagement ring,

which isn't exactly original, I know.

Except that I haven't done it before.

[romantic music plays]

-[Bruce] We bought it in Woolworths.
-[Jill] Woolworths!

-Ta-da!
-I love it.

Beautiful.

I bought one as well.
I thought, well, in for a penny--

In for a five and six.

Nine bob. We were extravagant.

-Fantastic, isn't it?
-It's fabulous, it really is.

You know we're going to start a new thing?

We're gonna change 'em every week
or every time her finger turns green.

-[woman] Really?
-[woman 2] Oh, it's beautiful.

Jill, let's see it again.

Pretty setting, isn't it?
I think it's Victorian.

Isn't she lucky to have
a silver wedding ring?

Yes, well, if you ask me, you're crippled
in the head as well as everywhere else.

-I mean, I don't want to be a wet blanket.
-Of course not.

But you're off your chop, aren't you?
I mean, it can't come to anything.

How do you know?

-Well, what are they going to live on?
-That's no business of ours.

Well, of course it is.
Somebody's got to ask the question.

-You fixed the date yet?
-Not yet.

Don't tell me you're going
to get married in a church?

-Registry office.
-Thank God for that.

Well, I think it's marvellous.

About time somebody here
did something positive for once.

[Clarence] Wish it would give you ideas.

You're beginning to look
like an old maid yourself.

[woman 3] Which jeweller's did you go to?

Well, it's rather
an exclusive jeweller's, really.

-On Lyon Street?
-Yes, that's the one.

Well, I must say, it's wonderful news.
Wonderful.

Thank you.

Shall we be invited to the wedding?

-Oh, yes.
-Of course. You're all invited.

We're going to have crossed wheelchairs.

Excuse me.

Mr. Pritchard, Matron would like
to see you and Miss Mathews.

-Oh, right.
-Oh.

-Oh, well, the best of luck, then.
-Thank you.

Good luck.

A perfect end to a perfect day.

Wasn't it a pretty ring?

Yes. You can always tell the real thing.

[Corbett] I think
what Matron and I feel, Bruce,

is that marriage is
a tremendous step for everyone.

For young people in your position,
well, obviously,

there are extra considerations,
extra difficulties.

Yes, well, we have thought about it.

I'm sure you have.

I am quite sure neither of you is a fool,

but I must point out that we have
no facilities here for married couples.

[Corbett] Yes, that's quite true.

-There are no facilities.
-Well, we don't expect to stay on here.

What are you going to live on, Jill?

Well, what most people
live on, Vicar. Money.

-Where's it coming from?
-We'll manage. Don't worry.

I know your writing's coming along,
Bruce, and I'm very happy for you,

but, er, that's somewhat
precarious sand to build your castle on.

What castle?

I think I know what you mean.

Well, I have some money of my own
until Bruce makes his name as a writer.

Yes, but where are you going to live?

Jill, you've got
to have somewhere to live.

-Do your parents know about this?
-Oh, yes, I've written to them.

What did they say?

Well, they…
they won't have got the letter yet.

Hm.

[matron] Couldn't you
just continue as you are?

-[matron] Well, stay engaged, of course.
-No.

But why not?
It would make things so much easier.

-Easier for who, Matron?
-For everybody.

I think there's an awful lot of sense
in what Matron's suggesting.

We're in love, Vicar.

I love Jill.

Hello. Been looking for you.

-George says you've got a letter.
-Yeah.

The lovely Gladys
finally put pen to paper.

They're not coming to the wedding.
She can't travel. Ankles are swollen.

I expect she's as toxic as a crow,
the size of a bloody house.

Your mother and father
are coming, aren't they?

Sure, they wouldn't miss
a wedding for anything.

Well, not depressed, are you?

No, all the more champagne for us.

[Jill] I just used to sit around
and will myself to stop breathing.

I don't think I ever really believed
in anything before I met you.

[Bruce] Do you know what I thought?
I thought I could change the bloody world.

That's what I thought.

But, do you know,
I think it must have changed me?

[Jill] Well, I suppose I…
I cared about Jeffrey,

but it wasn't the same as you and me.

They, er, they could have
the spare room, couldn't they?

-I mean, I could fix it up for 'em.
-Are you sure?

Yeah.

Well, you wouldn't like an argument,
would you?

No, not particularly.

Don't tell 'em, though.
Let's fix it up for 'em first.

You're a super old bugger,
really, aren't you?

Yes, I am.

See, you can't go by appearances.

[soft music plays]

[Jill] Come in.

-Hello, darling.
-What's all this, then?

Nothing. Just having
a bit of a lie-in, that's all.

Margaret tells me
you don't feel very well.

Oh, she always gets
the wrong end of the stick.

Do you know, I think that's
the prettiest ring I've ever seen?

-You wearing yours?
-Course.

Let's see.

-Hm.
-What's the matter with you, then?

Nothing. You going to fuss like this
when we're married?

Hm. Probably.

Look, I'm a doctor's daughter.
My father never used to fuss.

He always used to say he never had
time for me to be ill so I was never ill.

You got polio, though, didn't you, eh?

Anyway, you're my responsibility now.
You're not at home.

Hey! Can I have this?

-What?
-It is you, isn't it?

But it's ghastly. You don't want that.

Yes, I do.
How old were you when it was taken?

I don't know. Ten or something.

Lovely.

-All white and virginal.
-Well, I should hope so at ten.

Hm. Hey, I tell you what I woke up
thinking this morning.

I shall treasure this, you know.

I think I ought to get a job,
earn some money to keep us.

But you've got a job. You're a writer.

No, no, I mean a real job.

I've been having a… a talk with Hugh,

and he reckons he can
get me in where he works.

What as?

On the switchboard, a telephonist.

No, I think I'll be very good at it.

I could listen in to all
the conversations.

Anyway, I could phone you for free.
Check up on you.

Maybe I could make
some obscene phone calls.

-Would you hang up on me?
-Not if it's you.

Hey, I've just realised something.

What?

It's the first time
I've ever seen you in bed.

I've never shared a bed. Have you?

Oh.

Tell a lie. I used to share with Harold.

Harold!

Does it scare you, thinking about us?

No.

Nothing about you scares me.

[Bruce] It's terrible to think,
really, isn't it?

It's terrible to think that
you can never have children.

I never really thought about it before.

It hurts, really.

To think about it.

Do you like children?

[Jill] I never really wanted to have
children until this happened,

and then suddenly
it seemed terribly important.

[Bruce] They say people like us
can't have children.

I've been reading it up
in these medical books

and it's possible, I'm sure it is.

Suppose you were a good child, were you?

I was a little bugger.

My mother used to take me to Blackpool.

I used to lift up
all the old ladies' skirts on the prom.

I enjoyed that.

[romantic music plays]

I could never score with my head anyway.

I wonder what sort of questions
they'll ask me tomorrow at that interview.

I hope I get it.
Hugh thinks I've got a very good chance.

I know you'll get it.

Hm.

Is there anything I shouldn't do?
Anything you've noticed about me?

You know, funny things I might do.

No, silly.

Just remember not to sit down
till they tell you to, that's all.

You are mad.

We're both mad, aren't we?

Hm? You…

and me.

Mad, mad.

Do you think we're mad?

Oh, I suppose so.

But I can't do anything about it.

You can't please everybody,
when you're in love.

I wish you could lock the door.

You're so warm in my hand.

I love you so very, very much.

Hey, don't cry.
There's nothing to cry about.

I'm not.

It's no good being in love
if it makes you cry.

I'm not crying.

-I only want to make you happy.
-Oh, you do.

What?

You do.

That's why you're crying?
Because you're happy?

You're going to be crying
for all your married life, then.

Will you stay with me,

just until I go to sleep?

-If you want me to.
-Yes, I do.

Do you want me to read to you?

No.

[soft music plays]

When I get this job
and I'm a famous writer,

and you're a world-famous biochemist,

you'll invent the cure,

and I'll write your biography,

and I'll stay with you every night,

and we'll look back
and we'll remember this one, won't we?

We'll remember when we were a bit mad.

You have to be a bit mad sometimes.

Otherwise it isn't possible.

And I do so want it to be possible,
just once.

Hold me.

[romantic music plays]

[romantic music continues]

Come on, mate, wake up. We're late.

Come on. You've only got
about a quarter of an hour.

-What?
-The interview.

We're supposed to be there at ten.
It's quarter past nine now.

-Oh, my God.
-Look, I tell you what.

I'll go and get you some toast
and you can eat it on the way.

Oh, and don't cut yourself shaving.

-They don't employ bleeders.
-[Bruce] George!

-Hello.
-George! Sorry I'm late.

Can you do us a favour?
Give a message to Miss Mathews.

-Tell her I'll phone her.
-OK, leave it to me.

-Come on, come on.
-Don't forget, will you, George?

Oh, she'll get the message.
I'll do it now.

[birds chirping]

[door slams]

Where is she?

She wasn't very well at lunch time.

I've had her taken to hospital.

-What are you talking about?
-Just a precaution.

What kind of precaution?

Just to be on the safe side.

-Would you like a cup of tea?
-No, thanks.

We've just refused some, actually.

Oh. Well, have them now I've brought them.

She's dead, isn't she?

Yes, Mr. Pritchard.
I'm afraid there was nothing we could do.

You see, sometimes people
in her condition catch these viruses

and they can't resist them like…

Well, er, like most people.

She didn't suffer at all.
It was all very quick.

I'm very sorry.

[sad music plays]

I've pissed myself.

Don't worry. It's nothing.

-All over my chair.
-It doesn't matter.

It does matter.

Everything matters.

If I don't believe that, I've had it.

[sad music plays]

[ambient music plays]