Original subtitles

2 (TENSE PERCUSSIVE MUSIC)

(CLARE SCREAMS)

CAIN: One minute, I'm drinking with Nate.

Axe is there and then he goes somewhere.

You motherfucker.

And then... and then nothing.

By the sounds of it, your friend suffered an awful fall.

Does it say what time he died?

JASE: Between 3:00 and 5:00.

LINA: 3:00 and 5:00.

NATE: What happened is your idiot hubby

copped me a speeding ticket.

- LINA: When? - NATE: The other night.

Dropped it back with a massive fucking dent in it.

I'm gonna go.

- (MOURNER GASPS) - Get off me!

Cain thought I was cheating on him with Axe.

Hold on, you think Cain had something to do with it?

Speeding fine from Nate.

It's two blocks from Axel's apartment.

It means he followed Axe.

DAN: Just felt wrong to leave it unfinished.

Stay.

Finish.

(UNSETTLING MUSIC)

- (UNEASY MUSIC) - (BIRDS CALL)

(DOOR THUDS)

(LINA SIGHS) Hi. (LAUGHS)

DAN: What took you so long?

LINA: I should never have left.

(LINA GIGGLES)

I'm really sweaty.

Good.

Oh.

Oh!

(LINA MOANS)

(DAN GROANS HAPPILY) This bed is so comfy.

Beats the shit out of the hotel mattress.

I just hate not waking up with you.

- Oh! Really? - Hm.

I'm serious, though.

These... these past few weeks have been so perfect.

Yeah, they have.

Hey, how'd you get this scar?

Oh, you know.

Just being a kid.

That's not a 'being a kid' scar.

Come on, you can tell me.

I had a bad heart since I was little.

I had to get it tuned up.

I'm alright now, though.

It was... it was a lot at the time.

I had to miss a lot of school.

I had trouble making friends.

Aw! A little loner.

- Mmm. - Lonely kid.

(DAN CHUCKLES)

It was the hardest on my dad, though.

He had to look after me all by himself.

He had no idea what to do.

Was he a good dad?

He...

He thought I was this weak kid.

Sad.

A runt.

I think he resented me until the day he died.

I'm sorry.

It's hard, you know?

Loving someone but hating them too.

- Sorry. Is that weird? - Hmm?

- You know what I mean? - Um, yeah.

I mean, fucking hated my mum when she left.

DAN: Mm-hm.

LINA: Hm.

We used to come up here.

- For the school holidays. - Mm-hm.

A lot of the time she'd smoke bomb and disappear.

Like a... You know, a day or a week.

And, um...

Then one year, the school holidays ended and...

Yeah, she never came back.

It changes you, doesn't it?

Being alone like that.

I don't feel alone.

I don't feel alone.

I don't feel alone.

I don't feel alone.

(DISTURBING MUSIC)

(THEME MUSIC)

(LINA LAUGHS)

- DAN: Ahh! - (LINA CHUCKLES)

DAN: Oh, really?

LINA: What?

DAN: How many bags you got?

- It's really heavy, look. - Oh-ho!

- (CAR BOOT THUDS) - DAN: Oh, you're so weak.

(DAN LAUGHS)

DAN: Alright, talk to me. What are we doing?

Uh, you can pop the canned tomatoes and pasta

on the bottom shelf.

- Uh-huh. - Just leave the wine out.

OK.

LINA: Oh, shit.

I forgot to get coffee.

Um, I'll grab some this afternoon.

Or... or we can do instant if you want,

but I think this one's been here for, like, 20 years.

(DARK MUSIC)

Hey, uh, you hungry?

I'm, uh, gonna go meet Tess.

Gonna clean up the old apartment

and get an agent through.

DAN: What now?

But I had a whole afternoon planned.

- Oh! Really? - Yeah.

Why don't you, uh, go tomorrow, huh?

I promise it'll be... just as messy.

Uh...

I've already bailed on her twice, though.

- I feel bad. - Mm-hm.

- (LINA CHUCKLES) - Mm-hm.

How about I go with you, huh?

Many hands and all that?

I think she just wants some girl time.

(CLEARS THROAT) I'll see you tonight, yeah?

- Can't wait for my big surprise. - Hmm!

(BOTH CHUCKLE)

- (KEYS JANGLE) - LINA: See ya.

(UNSETTLING MUSIC)

LINA: I thought it was so perfect, remember?

Seems kind of ugly now.

TESS: Yeah. And the groom's in custody.

You OK?

LINA: Mm.

Dodged a bullet.

But hang on.

You didn't pack all the glasses, did you?

- (CORK POPS) - TESS: Hey! Wepa!

(LINA GIGGLES)

I miss this.

Day drinking and hanging out.

I'm only an hour away.

Yeah, it feels further for some reason.

Well, I mean, where else was I gonna go?

I can't stay here,

and now that I'm all moved in,

I actually... I kind of like it out there, you know?

TESS: Hmm?

LINA: More space.

You should come out. You should.

The place looks really different,

and Dan's a great cook.

I'm free next weekend.

(WHISPERS) Next weekend.

Um, I'll ask him.

I think... Well, we were maybe gonna go away.

TESS: That's what I mean.

Every time we make a plan now, you bail.

And since when do you need permission?

OK, I get it.

I do, but...

Dan's actually really good for me.

He is. He...

He takes care of me and he makes me laugh and...

Like, I feel really seen by him.

Sometimes it's like he can read my mind.

It's just the speed, you know?

It's, like, whenever shit hits the fan,

you just chuck everything out and you start from scratch.

I'm not chucking you out, Tess.

Promise.

(JAZZ MUSIC PLAYS SOFTLY)

LINA: Happy birthday.

30th of March?

Shit, wait, did I get it wrong?

You remembered.

Well, for a second, I didn't think you had.

(DAN BLOWS)

- (LINA CHUCKLES) - DAN: Thank you.

Wait, one more thing.

- (LAUGHS) Ohh! There's more. - Yeah.

- OK. - Open it. (CHUCKLES)

SONG: ? There's a dream, there's a change... ?

(CHUCKLES NERVOUSLY)

This means I'm moving in?

It means I'm thinking about it.

(LINA CHUCKLES)

? There comes a time... ?

What?

I, uh...

? There comes a time... ?

When we met, I never imagined

that I'd be sitting here with you right now.

Something about it feels

like fate.

Mmm.

Lina, I love you.

? You can be free... ?

You don't have to say anything.

I just... I just needed you to know.

(PHONE BUZZES)

- DAN: Oh, shit. - LINA: Clare?

DAN: Yeah, she wants me to do a job for her,

but obviously I'll say no.

Why?

You guys haven't talked since... You know.

I thought it might be weird.

No, it's OK. I get it.

People drift apart.

It's not like you guys were super close.

Actually, um... reminds me.

- This beach getaway thing? - Hm?

Do you think it could wait just a little bit?

You already booked it.

Tess is pissed at me.

And there's part of me that feels like maybe she's right,

you know, like...

Am I abandoning all my friends?

Of course not.

No, you just need to reset, that's all.

(KISSES HAND)

Look, if you want to do this job for Clare,

I think you should do it.

- OK. - Yeah.

I'm gonna go to the bathroom.

DAN: Hmm.

Wait for my signal.

(UNEASY MUSIC)

MAN: Pete!

Platinum Pete.

(TENSE MUSIC)

(DOOR CLICKS AND SQUEAKS)

(TOILET FLUSHES)

(TENSE MUSIC CONTINUES)

- (TAP SQUEAKS) - (WATER RUNS BRIEFLY)

LINA: Mmm.

(DOOR THUDS)

(DOOR SQUEAKS AND THUDS)

(JAZZ POP MUSIC PLAYS)

(BOTH CONVERSE INDISTINCTLY)

I don't know what to tell you. I don't know who you are.

Are you for real?

The Atlas sales conference.

- Like, two years ago. - You need to leave.

- Come on, Pete. - Now.

(LINA CLEARS THROAT)

Making friends?

Uh, Lina, this... lovely gentleman

thinks that we know each other.

Uh, George.

But actually, I think I got confused.

And now I'm interrupting.

- So, uh... - No, I...

Yeah. So, nice to meet you.

- Both of you. - DAN: Hm.

Nice to meet you too.

Have a good night.

DINER: I like the decor in here.

- LINA: Hm. - DAN: Hmm.

- Pete? - Pete.

I know. It happens all the time.

- Really? - Mm-hm.

You know, I think he was trying to pick you up.

DAN: Ohh!

LINA: I get it.

(BOTH LAUGH)

LINA: Hm.

Why don't we take this to go?

- LINA: Mm-hm. - Mm-hm.

(UNEASY MUSIC BUILDS)

GEORGE: It's alright. Thanks.

(UNEASY MUSIC CONTINUES)

(UNEASY MUSIC FADES)

(BIRDS SQUAWK)

(SIGHS)

CLARE: I think we finally take this down.

ZARA: Yeah, it's about time. You really went at it.

Let's put a proper backdrop in,

something fun and fresh.

- I'm seeing pastels. - ZARA: Are you sure?

I kinda liked it the way it was.

LINA: I like pastels.

(UNEASY MUSIC)

(FOOTSTEPS APPROACH)

- Drink? - LINA: Mm. Axel's stuff?

- CLARE: Last of it. - (FRIDGE DOOR THUDS)

His mum's coming to pick it up. Finally.

I told her if she's not here today,

they're on the rubbish pile.

Everything's going well.

All things considered.

I've had to hire a team.

Posting every day is a bloody drainer.

I don't know how you find the time or the head space.

What are you doing here?

I've been thinking and I realise that I've been kind of absent.

So I wanted to come and tell you I'm sorry.

Last time you were here,

I had all this rage with nowhere to put it.

So I put it on you.

- I should have told you. - I get why you didn't.

I mean, Axe was already gone and you were looking out for me.

I mean, I'm grateful, really.

I just wish I wasn't so fucking blind.

No, me too.

ZARA: I'm doing it! I'm taking it down!

(OBJECT CLATTERS)

She's really coming into her own.

- Just don't let her date. - God, no.

Never. (CHUCKLES)

(METALLIC CLATTERING NEARBY)

I can see that you're really busy, so...

I'll just...

Wait.

I have to tell you something.

I saw Cain in prison.

I know we're not supposed to see him before the trial.

OK.

He wrote me this letter.

I had to look him in the eye, I guess.

See who looked back.

And?

I wore big heels.

Thought I could...

...lunge over the table and stab him or something.

LINA: Hm.

CLARE: But when I saw him, all I felt was this pity.

He doesn't deserve your pity.

(THUDDING)

- (GLASS SMASHES) - Zara?

- ZARA: Um, I'm OK! - (CLARE CHUCKLES)

ZARA: Just the backdrop's fallen.

It was good to see you.

CLARE: Yeah.

(UNEASY MUSIC CONTINUES)

- (TOOLS THUD AND BUZZ) - LINA: Hi!

Excuse me.

- BUILDER: Hey. - Is Dan around? I'm Lina.

Uh, who's Dan?

Tall guy. Drives a green Land Rover.

I think he's been doing the framework.

- Ah. Hey, Damo! - DAMO: Yeah.

What's the name of the bloke that's doing our carpentry?

DAMO: Uh...

Raj?

Dan.

Haven't heard of a Dan.

You know what?

I'll just call him.

Sorry.

(LINE RINGS)

This is 12 Argyle Street, right?

Yeah, yeah, yeah. It sure is.

- (LINE RINGS) - (TOOLS THUD AND BUZZ)

Is that him?

Uh, yep. It's...

(LINE RINGS)

Yeah, I...I've never seen him.

DAN ON RECORDING: Hi. I can't come to the phone.

(TOOLS THUD)

Alright. Well, no worries. Have a good one.

You too. Good luck.

LINA: Mm-hm.

(UNNERVING MUSIC)

(VIDEO CALL RINGS)

(UNNERVING MUSIC CONTINUES)

(NOTIFICATION DINGS)

(UNNERVING MUSIC FADES)

- DAN: You're awfully quiet. - Hmm.

DAN: What are you thinking about?

- (BIRDS SQUAWK IN DISTANCE) - (WIND CHIMES CLANG)

LINA: You.

Oh, really? What about me?

Well, I just feel kind of bad. You know?

You've been paying for everything.

I told you, money's not that big of a deal to me.

Still, I think it's probably time I go back to work.

Sweetheart, you've only just started sleeping again.

Let yourself recover.

LINA: Hm.

How was your work today?

Don't ask. (LAUGHS)

LINA: Hm.

- You know, I drove by. - Hm?

Thought I'd surprise you.

(SIGHS) Lina Phillips.

Are you spying on me?

- Oh, yeah, nonstop. - Mmm!

I asked for you.

But nobody seemed to know who you were.

Oh, did they pull that old stunt again?

They're a bunch of comedians, the lot of 'em.

The foreman was doing my head in,

so I got out of there before lunch.

LINA: Hm.

He seemed nice.

What was his name again?

Her name is Vicki.

Are you sure you got the right place?

12 Argyle Street.

112 Argyle.

(DAN LAUGHS)

You beautiful dunce. Mm!

- And they say men don't listen. - LINA: Mm.

(UNEASY MUSIC)

I could have sworn you said 12.

No, 112.

Text me next time.

I'll give you the tour of the actual property.

(UNEASY MUSIC CONTINUES)

(UNEASY MUSIC CONTINUES)

(VEHICLE DOOR OPENS)

(SIGHS HEAVILY)

LINA: I made you lunch.

(DAN LAUGHS)

God! You are too perfect.

LINA: Hm.

How did I get so lucky?

(LINA CHUCKLES)

DAN: Thank you.

LINA: Mm-hm.

DAN: Alright!

- (DOOR THUDS) - Keys.

Whoa. Wait.

Have you seen my phone?

Uh, maybe it was in the bathroom?

I don't know. Do you want me to get it?

No, no, no. I'll get it. I'll get it.

(TENSE MUSIC)

(TENSE MUSIC FADES)

Look, I don't know about you, but I feel like JLo.

What?

Soderbergh. 'Out of Sight'?

She stalks Clooney and shit.

I'm not stalking.

Uh, babe.

OK.

I seem to remember a certain someone

stalking their ex all the way to Fiji.

That doesn't count, OK,

because it was during my nutso years.

I think I'm entering mine.

- (TESS CHUCKLES) - (SLURPS)

TESS: You sure you went to the right building site?

Yeah, positive.

And the houses on Argyle Street only go up to 50.

And this place, it's...

Not what... Not, like, his home, right?

I mean, maybe.

Um, what if his wife's in there?

Why don't we just call him?

- Call him? - Yes!

I mean, we can't sit here forever.

Go on, do it now. Call him.

- (LINE RINGS) - (CLEARS THROAT)

(WHISPERS) This is crazy.

It's smart. So smart.

(LINE RINGS)

Wait, he's coming.

DAN ON PHONE: Hello, honey!

I was just thinking about you.

- Liar. - Mm-hm!

Where are you?

Uh, I'm at the hardware store.

Staring at brackets as far as the eye can see.

Do you want to get lunch?

I would love to get lunch,

but I'm so swamped today.

I...I just can't do it.

Why don't I come over tonight?

I'll bring you some sushi.

OK.

Great.

Alright. I'll see you then. Love you.

'Bye.

(LINE BEEPS)

(LAND ROVER ENGINE STARTS)

- Hey, he's coming. - LINA: Huh?

TESS: He's coming. Duck.

- (SUSPENSEFUL MUSIC) - (VEHICLE APPROACHES)

(SUSPENSEFUL MUSIC CONTINUES)

(SUSPENSEFUL MUSIC CONTINUES)

TESS: I don't know what we're looking for.

I mean, we could ask someone.

LINA: And say what?

"Excuse me. My boyfriend's acting weird.

"Can you please help me?"

(CHUCKLES) "Yeah."

(BOTH LAUGH)

LINA: Huh. Do you think these could be his tyre marks?

TESS: I mean, maybe.

What?

Holy shit.

What?

- (PADLOCK CLANKS) - I think that's it.

How do you know?

Same brand as his toolbox.

TESS: Hmm.

What now?

We get inside, obviously.

Right.

Stalking, surveillance.

What's the harm in some B&E?

- Breaking and entering? - (FOOTSTEPS APPROACH)

- Yes. - (LAUGHS)

Can I help you, ladies?

Actually, yeah. (CLEARS THROAT)

Um, you're the manager, right?

Yeah.

Um, it's my boyfriend's birthday...

- Birthday. - ...coming up.

And, um, I left his present inside.

And then we left the house and I forgot my keys.

- TESS: Yeah. - Oh, you're Peter's girlfriend?

(LIGHT BUZZES)

Guilty.

Look, I could have sworn I just saw him go.

Here, let me give him a call.

Oh, no, no, no, no. Please don't.

It's actually a surprise.

I'm sorry. You can't get in without a key.

Thank you.

(TENSE MUSIC)

WOMAN: OK, well, we'll see you tonight at 8:00.

Pleasure. OK, 'bye.

LINA: Hi.

Hi. Sorry, service doesn't start till 12:00.

Yeah, I was actually here a couple nights ago.

Mags, was it 6:00 for the bridal party?

8:00.

Did you leave something behind?

No. Um...

So stupid.

- Um, I met this guy here. - MAGGIE: Uh-huh.

And he gave me his number and then I lost it.

Sorry, I actually can't help you.

- I'm sorry. - His name was George.

He was here about 9:00.

Super cute.

Beautiful eyes. (CHUCKLES)

Hm, 9:00, did you say?

- LINA: Mm-hm. - OK.

Uh... George.

George Gibbins?

Oh, my God, I knew it was something with a 'G'.

That's... (LAUGHS)

Do you mind if I take a quick photo?

Here, go on.

- OK. - (CAMERA PHONE SNAPS)

LINA: Thank you.

(UNEASY MUSIC BUILDS)

(UNEASY MUSIC INTENSIFIES)

(UNEASY MUSIC FADES)

LINA: It's been vacant for a few weeks.

I could've sworn you said that this was a standalone.

I think we got our wires crossed.

I could pass you on to one of my colleagues.

Yeah, someone more suitable.

Uh, actually, I wanted to talk to you.

- Oh, wait, we've met before. - We have.

A couple nights ago at DeSanto's, I was with Peter.

Oh.

OK, but what is this about?

How do you know him?

Uh, he was pretty adamant that I don't.

I saw the look on your face and then...

(TAPS PHONE) ..this.

Yeah, um, the Atlas conference, like, maybe about two years ago.

- Do you remember his last name? - I don't know.

It was... it was, like, two years ago.

Look, I've got to get another...

No, but, uh, sorry. Just...

Do you remember this woman?

GEORGE: Oh, yeah.

I forget her name.

She was super fun.

She drank us all under the table and was sharp as anything.

LINA: Hm.

She caught your man's eye, that's for sure.

Yeah.

What's going on?

Is he messing you about?

Um, I just... I just really need to find this woman.

Do you think you could help me?

- (UNEASY MUSIC) - (BIRD SQUAWKS)

(UNEASY MUSIC CONTINUES)

(DOOR RATTLES)

(UNEASY MUSIC CONTINUES)

(CLINKING)

Hey, hon, you home?

(KEYS JANGLE)

- (PAPER RUSTLES) - (SIGHS)

(METALLIC JANGLING)

(SIGHS DEEPLY)

(VIDEO CALL RINGS)

(VIDEO CALL CONTINUES RINGING)

(SUSPENSEFUL MUSIC)

(NOTIFICATION CHIMES)

Hmm.

GEORGE: Good news. I got her name.

Harriet.

I spoke to a mate.

He knew someone

that worked reception at CPG.

- Uh, and? - Yeah, I called her up.

Harriet apparently bailed one day.

Her mum got sick.

And a few weeks later,

she called up and said that she won't be back.

- No explanation? - Nope.

And the girl I called said that she never saw her again.

Except this one time in Parramatta, selling carpets.

Which, I don't know, doesn't sound like her.

Did they say which store?

It was ages ago.

Did you happen to get a last name?

Harriet Mason.

She drew up a quote for me.

Right. No worries. OK.

Thank you.

(VIDEO CALL RINGS)

(UNEASY MUSIC)

(VIDEO CALL CONTINUES RINGING)

(DARK MUSIC)

(INMATES CALL OUT FAINTLY)

(DOOR THUDS)

(DARK MUSIC CONTINUES)

(CHAIR SCRAPES)

It's about Lina.

Is she OK?

She's fine.

She's better than fine. She's happy.

Then what the fuck are you doing here?

You need to stop that.

Those are for her.

You need to stop.

(SCOFFS)

She reads these out to me, you know?

At night.

Over a bottle of wine.

We laugh about it.

She wouldn't do that.

You really don't know anything about her, do you?

Fuck you.

You want to take a swing at me again?

Try it.

- See what happens. - Yeah.

You're lucky they're here.

We don't need you and your sad-sack story.

You killed your friend.

Do your fucking time like a man and leave her out of it.

I want to hear it from her.

I've said everything that she wants to say to you.

I don't believe you.

'Bye, Cain.

(CHAIR SCRAPES)

I know what you are.

You're a snake.

(LAUGHS)

Laugh all you want.

You're a fucking snake.

I was too dumb to see it.

But you know who will?

Lina.

She's smarter than you.

She'll figure you out.

Have fun.

(MENACING MUSIC)

DAN: Thank you!

(SUSPENSEFUL MUSIC)

SALESMAN: So, guys, what are we thinking? High pile?

CUSTOMER: Uh, no, medium. It has to be medium pile.

I don't want anything that sheds.

- SALESMAN: OK. - CUSTOMER: No, like, shedding.

SALESMAN: Yep.

WOMAN: Can I help you with something?

Hi.

Yeah, um...

I love this texture,

but, um, between you and me,

for every dollar you save on cheap stuff,

you end up spending $5 to replace it.

Now, this, on the other hand,

will take anything you throw at it.

Kids, pets, a messy boyfriend.

Are you Harriet?

Harriet Mason.

Who are you?

OK, my name is Lina.

Um...

This is gonna sound so weird,

but this is about, um, Peter.

Did he send you?

No, of course not.

- H-how did you find me? - I...

I mean, I just asked around.

Who knows I'm here?

- No, OK... - No, don't touch me.

Sorry.

Look, he told me his name was Dan.

I don't care.

I don't want anything to do with him.

Just stay away from me, OK?

Just stay the fuck away.

(UNEASY MUSIC)

(WATER RUNS)

(SPITS)

(WATER SHUTS OFF)

(VEHICLE APPROACHES OUTSIDE)

(VEHICLE ENGINE STOPS)

(VEHICLE DOOR OPENS)

(VEHICLE DOOR CLOSES)

(FOOTSTEPS APPROACH)

DAN: Delivery!

Knock-knock.

(LINA CLEARS THROAT)

(LOCK CLACKS)

- Hi. - Hi.

Since when do you lock up?

Oh, I just... I thought I heard something outside.

Kind of freaked myself out.

Gonna invite me in?

I come bearing gifts.

DAN: Hmm?

(DOOR SLIDES)

Oh, I...

Sorry. I wouldn't.

My stomach's still doing backflips.

DAN: Oh, God.

Tess didn't drag you

to that Turkish place, did she?

I told you that meat is dodgy.

LINA: Hm.

Well, lucky for you, I have chicken broth.

Grandma's special recipe.

Oh, not my grandma.

Somebody on Google.

What? (CLEARS THROAT)

How can you be sick...

...and still be so beautiful?

You don't feel sick.

I feel like I'm gonna throw up.

DAN: Hmm.

No soup, then.

Straight to bed for you.

(FRIDGE DOOR OPENS)

I feel like I should be alone tonight.

You know, it's...

I feel like it's not pretty, so...

I drove all this way.

Let me take care of you.

Dan...

...I want you to go.

OK.

If you're so adamant.

Lot of fluids, alright?

And rest.

I'll check in on you soon.

LINA: Hmm.

Oh, yeah, before I forget...

...I found this in the seat.

The seat?

Of my car.

Oh, my God.

I've been looking for this everywhere.

I heard it beeping. I thought I was going crazy.

I think I took it off, like, after dinner the other night.

The silicone band's been giving me a rash.

Thank you...

...for finding it.

You're welcome.

(WHISPERS) My hero.

(UNSETTLING MUSIC)

Don't you forget it.

(UNSETTLING MUSIC CONTINUES)

- (VEHICLE DOOR CLOSES) - (LOCK CLACKS)

HARRIET: Uh... Lina?

It's Harriet.

I got your message.

I shouldn't be talking to you,

but if he's done this to you as well,

then you need to know.

I came to Sydney for a conference.

Someone introduced us and we kinda clicked.

- Hmm. - It felt like fate.

Peter was so kind, smart,

my type through and through,

so I extended my stay.

Anyway, after a while, I decided that I needed a proper place.

He suggested we move in together,

and I was head over heels,

and it felt like my choice.

Right, but in hindsight, it was all him, right?

Then what happened?

He changed.

He started keeping tabs on me.

He'd always ask me where I was going and why.

He made me feel like I couldn't see my friends anymore.

So I broke up with him.

Then my mum got sick and went back home.

He showed up at her funeral.

Then at my old place.

I'd wake up to dozens of calls from all these random numbers.

There was one night,

I had a friend over.

He must have been waiting outside, watching,

and when he saw us, he lost it.

He took the door off the hinges,

dragged him onto the street,

and told me that I was a whore...

...and that he was gonna kill me.

A...are you fucking serious?

Um...

I took out an AVO.

I, um, started using my mum's surname.

I changed jobs.

I moved houses, but I'd see him everywhere.

I couldn't eat. I couldn't sleep.

I couldn't... I couldn't leave the house.

You know what?

People tell us to find someone who worships us,

and Peter truly did.

That was the scariest thing I have ever experienced.

You said it felt like fate.

Right, but... but what if it wasn't fate or chance?

What if...

What if he chose you?

The place you stayed when you first got to Sydney...

...do you remember the address?

Annandale, maybe, I...I think.

I-I can check the app. I, um...

And the app...

...it was a NestShare, wasn't it?

(DARK MUSIC)

(MOUSE CLICKS)

(DARK MUSIC CONTINUES)

(MOUSE CLICKS)

(DARK MUSIC INTENSIFIES)

Um, hi.

Uh, Lina Phillips to see Cain Curtis.

RECEPTIONIST: Uh, one moment.

I was told he was in recovery.

There was some kind of incident?

RECEPTIONIST: Yeah, one moment, please.

LINA: Mm-hm.

(PHONE KEYPAD BEEPS)

ROSE: What are you doing here?

I'm listed as his next of kin.

Well, you're not. You don't need to be here.

Do you know what happened?

What happened is you turned on him.

- Gave up on him. You all did. - He killed his best friend.

I know my son!

(UNEASY MUSIC)

(HEART MONITOR BEEPS REGULARLY)

(UNEASY MUSIC CONTINUES)

Hi.

The fuck were you thinking?

Picking fights with a bunch of skinheads?

I mean...

Like, you have to stop doing dumb shit like this.

Jesus Christ. I mean...

I wrote to you...

...many times...

...to try and explain.

Wha...

In prison, you are what they say you are.

And you wonder, what if it's true?

What if I am a killer?

I know who I am, Lina. I'm not a good man.

But I know, deep down, I didn't kill him.

- Sorry. I... - (DOOR OPENS)

(INHALES DEEPLY)

OK.

(GASPS)

(WHISPERS) He came to see me.

Dan.

Uh...

Be careful.

(UNSETTLING MUSIC)

OK.

OK.

(WHISPERS) I'm going.

(LINA SNIFFLES)

(DOOR OPENS)

(DOOR CLOSES)

(DARK MUSIC)

(VIDEO CALL RINGS)

(KEYS JANGLE)

(KNOCKS)

Dan! What are you...

Someone order a handyman?

Did we make plans?

I didn't hear back from you.

No. No.

- Uh, but my schedule cleared up. - (DOOR CLOSES)

So... Hey, Zara!

Lina's not here, is she?

Why would she be?

Is everything alright?

Yeah.

Yeah, everything's fine.

I just... I thought I was meeting her here.

Must have got my wires crossed.

Right.

What can I help you with?

Uh...

The studio.

Alright.

(UNEASY MUSIC)

(DAN EXHALES CHEERFULLY)

- (UNEASY MUSIC CONTINUES) - (LIGHT BUZZES)

(LOUD CLUNK)

(SUSPENSEFUL MUSIC)

(THUDDING IN DISTANCE)

- (SWITCH CLICKS) - (LIGHT BUZZES)

(ELECTRONIC BEEPING)

(SUSPENSEFUL MUSIC)

(MUSIC INTENSIFIES)

(DARK MUSIC)

- (ENGINE REVS) - (TYRES SCREECH)

(UNEASY MUSIC)

(PRESSES KEY)

(COMPUTER BLEEPS)

(SUSPENSEFUL MUSIC)

(TYPES)

- (CAR HORN HONKS) - (ENGINE ROARS)

(SCREAMS) Move!

Come on!

(DARK, INTENSE MUSIC)

(DARK MUSIC CONTINUES)

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