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PHONE RINGS
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Interior Design Masters
Headquarters, Alan speaking.
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It's offices this week.
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Ten aspiring designers
are putting their lives on hold
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in search of a dream...
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Yes, I am talented and
it's a great opportunity for me
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to showcase my talent.
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..to break into
the competitive world
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of professional interior design.
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You only live once and what I
absolutely love is being creative.
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With interiors guru
Michelle Ogundehin at the helm...
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Everyone with a passion for design
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thinks they can be
an interior designer,
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but I'm looking for someone
who has authentic talent
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and sees this as a real opportunity
to learn.
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..they'll need to impress some of
the biggest names in the industry.
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Hello, '80s. I've missed you!
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This feels like an idea that should
have been instantly put aside.
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I am scraping the barrel
for criticism
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because I do love this room.
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This is what we're looking for -
fearless decorating.
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Each week, the designers
will be challenged to transform
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a commercial space...
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Open the door, I'm coming in.
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RINGS BELL
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I thought you were going to squidge
my head then.
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..to test their creative flair...
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That looks gorgeous now.
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..and state-of-the-art
design skills.
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Oh, sorry, sorry, sorry. Whoa!
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CLATTERING
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Sometimes when you're trying to do
too much at once, accidents happen.
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I think you've sabotaged me!
You've ruined that beautiful carpet.
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It's harder than it looks!
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They'll be pushed to their limits...
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I think the only thing holding me
back is probably myself.
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..as they compete to win a major
career-defining contract
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with a luxury hotel in the Lakes.
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That would definitely be
my absolute dream.
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Welcome to Interior Design Masters.
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It's week two.
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The designers are starting
to arrive at Michelle's studio.
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I'm really excited.
I just want to get going.
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Because I was in the bottom
two teams last week,
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I don't want to be there again.
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Cannot be on that couch again.
I just can't do it.
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After a challenging start
transforming show homes,
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the nine remaining designers have
another chance
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to show what they're made of.
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Hello, everyone. Hello! Hi!
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Oh, and the relief!
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LAUGHTER
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How you all feeling? Good.
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Did you think it was going to be
this intense? No. Not at all. No.
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Cos the standard was really high.
Did you agree?
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Yeah. Intimidatingly so.
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Hello, Michelle. Hello, everyone.
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Onwards and upwards then.
Challenge two -
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you're going to be designing
offices, but this time,
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you're going to be working
in teams of three
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and each space must have
three clear zones.
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There's a meeting zone, a work space
and a more relaxed area.
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You'll have one zone each
and be judged
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on your individual designs.
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But as always, I'll be looking
at how you work as a team.
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The strongest team will be safe,
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but the rest of you will have
Michelle to answer to
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and one of you will be going home.
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Go for it, then.
I cannot wait to see what you do.
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Good luck.
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ALL: Thank you.
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Bye-bye.
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Situated in west London,
the open-plan, mid-century offices
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are a blank canvas. The designers
will need to come up
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with innovative ways to divide
the space into three zones.
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So, Michelle, not one room, not two
rooms, three rooms in an office.
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How difficult is that?
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Super difficult, because
we're asking three people to kind
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of show us what they can do
individually.
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But actually, you've got
to make it look like one office.
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How will they divide up one
big, open-plan space?
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I mean, there's so many different
ways you could approach it.
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Do you make it, literally, a wall?
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Yeah. Do you make it book shelves?
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Do you make it something
you interact with?
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It's all going to be about
how they divide up that space.
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And to add to all that,
these offices are going to be used
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by three different companies.
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Exactly. One team is designing
for a beauty brand,
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one for a tech company,
one for a media company,
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so the office itself and its
contemporary nature will dictate
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a certain amount of the design,
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but the rest of it is about building
a brand around the company
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that they're supposed
to be designing for.
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Show me that you really thought
about, how do I make a contemporary
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office space for the 21st century?
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Ooh, God, the pressure's on,
isn't it?
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With each designer having had access
to the brief in advance,
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first to share their ideas,
Team Media.
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So that's the floor plan.
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Yeah. I want to split the space
by creating a white curtain
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right the way across here.
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So the idea was to separate it
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because that's such a big space.
If you just put one table in it,
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you can only have one meeting. OK.
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If we were to separate it,
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you've got a multifunctional space.
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The danger is it's not
a huge office,
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and if we introduce too many
partitions, it might end up feeling
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a little bit... Broke up.
..rabbit warren-y. Yeah.
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OK. Do you want something
completely different? Absolutely.
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Absolutely. Eek!
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So I want it to be playful
and I wanted
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to do something that elevated
the space.
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So I'm really excited about the idea
of doing some tiered seating.
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I think my style is bold,
it's playful,
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I like there to be an element of fun
in every room that I create.
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My main motivation for taking part
in this process was my children.
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I felt it was really important
to do something to make them proud
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and to inspire them
to push themselves
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out of their comfort zone.
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For me, it's really important
not to follow trends.
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I will always make my decisions
based on my heart.
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And I'd really like a couple
of swings either side
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of the sofa seating area. Yeah.
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I work in an office,
so I know what an office needs.
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Sometimes people put in fun things
to do,
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and whilst it's nice on paper,
it doesn't necessarily work.
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I was going quite industrial.
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I do like the idea of using wood
and natural materials.
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If your tiered sitting was in a
plywood, you know, materials can
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tie things together really well.
Absolutely.
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If you have the bright yellow,
it's a media PR company
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and it's bringing energy to
the work space. Yeah.
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Next door, transforming
the tech office,
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Barbara, Paul and Siobhan.
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What I've done is I've mocked up
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our office space in a 3D model,
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so it might be a bit helpful for us
to just look at the space together
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and then get a better idea
of how it could be mapped out.
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I got a degree in architecture
and I think the thing that needs
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to work in a room is the layout.
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Any time that I'm working
on a project, I'll always just use
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one of my 3D modelling computer
programmes so that you can get
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a really good idea of the space
and be able to see
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what it's like to move
around a room.
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I love to hear other people's ideas,
but if I have an idea that I think
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is right, I would definitely
fight my corner for it.
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I think one thing we need
to establish is how would
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a tech company function?
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I don't think we should do anything
too soft or subtle here.
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What I didn't want is basically
just a load of desks.
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I wanted these pods.
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So if you wanted to take a call
privately, you could do that.
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If you're a client, you're entering
directly into a work space.
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I think there could be
an opportunity to create
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some sort of mini reception area.
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We've got to think about the
partitions. I 100% agree that
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there's no walls there,
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so it's up to us to decide.
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Yeah. And in the meeting space,
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I really like when you walk
into the room,
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you spot the wallpaper.
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I want it to fit in with
the mid-century vibe.
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It's in a mid-century building, so
maybe bringing the mid-century in
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with the colour palette.
Pops of colour. Yeah.
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To be honest, I think this is going
to be a challenge.
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I've never personally worked with
anyone before,
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like, I've always
just worked by myself.
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Our designs are kind of working
together, but there is literally
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so much to think
about with this scheme.
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The final team's office will be
for a sustainable beauty brand.
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So mine is taking
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more of a gender neutral approach
to beauty
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and drawing more on
the sustainable elements,
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so using a lot of natural features
of wood, quite soft materials.
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Obviously, we thought that beauty
needed to be softer,
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with kind of an alpine spa
kind of feel.
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The main feature
is going to be the desks
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and the configuration.
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Because of sustainability, I want
to use some of those materials,
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something like reclaimed boards and
make them into a big, long table.
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A bit like this,
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but then I wanted to paint some
sort of like botanical mural.
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Cool.
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So I kind of wanted to use
paint effects on the wall, create
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like a little pod for more intimate,
simple meetings.
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Then I also wanted to use
open shelving as partitions
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between the spaces, so you can
kind of see through them,
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but... Between our spaces?
..between all the spaces,
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yeah. Right, OK. And also,
the co-working table,
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I was thinking you could also use
it as a ping-pong table,
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so if you really want to have fun.
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The only thing that I'm a little bit
worried about is noise.
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We can't have noise coming through
if they're playing table tennis.
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Yes. Yeah, yeah.
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Sound can travel quite quickly
in offices
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and when you're playing ping pong
in the breakout area,
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and you're having a meeting
with an external client,
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you don't really want to be able
to hear that.
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It's really exciting to do an
office, but it's a little bit
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of a challenge because I've never,
I've never even worked
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in an office before.
When you work for the NHS,
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you don't actually get
a dedicated working space,
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so this is going to be
an interesting challenge.
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Oh, it looks amazing!
It looks so nice.
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West London.
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Awaiting the teams inside
a 13-storey office block...
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Huge! Is this us here, yeah? Yeah!
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..three open-plan offices.
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Ooh!
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Nice.
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It does feel smaller, doesn't it?
It does.
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It's just narrow that way.
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In just two days and with a budget
of £1,500 each...
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GIGGLING
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Girls, hurry up.
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..the teams must turn these
conventional offices
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into three individual
yet cohesive work spaces.
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Hi. We've got company. Hiya.
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And to help turn their concepts
into reality,
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the designers have been given
two decorators
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and two builders per team.
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Look at that for a tool kit. Wow.
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So we've got a really quite
ambitious scheme.
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Kicking things off
for Team Media, Amy.
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We're building Wembley Stadium
about here.
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OK. My intention is to build
a small stadium in this space.
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Having seen it on paper and thought
I knew exactly what it looked like,
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turns out I wasn't that right
after all.
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Everything just seems
bigger or smaller or higher
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or shorter than I thought it was.
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So, I mean, that aside, it's great.
I can't wait.
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So we do have some plans.
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Barbara's going to have a chat
with you guys in a bit of detail
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about the 3D model.
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Over in Team Tech, time to explain
their complex vision.
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There's basically five partitions
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that we're going to be having built.
240
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We've got one, two and then the
third divider's a diagonal divider,
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which is going to cut from the edge
of this window here
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to this column.
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00:11:19,840 --> 00:11:23,280
Team Tech's ambitious wooden
dividers will be multi-functional
244
00:11:23,280 --> 00:11:24,760
and distinguish each area.
245
00:11:26,280 --> 00:11:30,280
Paul's meeting zone will incorporate
whiteboard partitions.
246
00:11:30,280 --> 00:11:35,440
Siobhan's work zone will be split
in two by diagonal, open shelving.
247
00:11:35,440 --> 00:11:39,280
And Barbara's single divider in her
breakout zone will provide seating.
248
00:11:39,280 --> 00:11:42,280
And we're building the two
whiteboard dividers on top
249
00:11:42,280 --> 00:11:45,320
of these units over here and here.
250
00:11:45,320 --> 00:11:47,880
But no standing about today, right?
251
00:11:45,320 --> 00:11:47,880
LAUGHTER
252
00:11:47,880 --> 00:11:49,000
Crack that whip.
253
00:11:49,000 --> 00:11:54,280
Last week, I got criticised for
being ambitious and putting a lot
254
00:11:54,280 --> 00:11:57,680
into the design, but I definitely
like pushing myself.
255
00:11:57,680 --> 00:12:01,240
If you ask my husband, he would say
that I am a control freak.
256
00:12:01,240 --> 00:12:03,360
It's not the light one.
It's the mid one.
257
00:12:03,360 --> 00:12:05,560
But I like to keep things
as controlled as possible.
258
00:12:05,560 --> 00:12:07,560
I think that's the only way
that you can make
259
00:12:07,560 --> 00:12:09,360
a big project like this work.
260
00:12:09,360 --> 00:12:13,080
I'm basically taking responsibility
for all the dividers
261
00:12:13,080 --> 00:12:16,720
in the space and all the paintwork
is in the right spots as well.
262
00:12:19,240 --> 00:12:22,320
Team Tech's colour palette
and artistic shapes are centred
263
00:12:22,320 --> 00:12:25,560
around Paul's bold choice
of geometric wallpaper.
264
00:12:26,520 --> 00:12:29,400
Obviously, it's a brave choice
to have such a bold pattern
265
00:12:29,400 --> 00:12:31,320
with so many shades going
through it,
266
00:12:31,320 --> 00:12:34,560
but I think because we have so many
blocks of plain colours,
267
00:12:34,560 --> 00:12:36,120
it needs a bit of depth
268
00:12:36,120 --> 00:12:38,520
and I think that's what that wall's
going to do.
269
00:12:38,520 --> 00:12:40,880
For the paper, when you see
just a sample... Yeah.
270
00:12:40,880 --> 00:12:42,320
..you can't tell, can you?
271
00:12:42,320 --> 00:12:45,120
Until it's really like, kind of,
up on the wall.
272
00:12:45,120 --> 00:12:47,240
Unless you're a wallpaper king
like me.
273
00:12:47,240 --> 00:12:49,920
Yeah, unless you're
a wallpaper king, yeah.
274
00:12:49,920 --> 00:12:52,040
For cohesion, Barbara and Siobhan
275
00:12:52,040 --> 00:12:55,480
paint their dividers in keeping
with Paul's wallpaper scheme.
276
00:12:55,480 --> 00:12:58,360
My choice of paper has influenced
the rest of the room.
277
00:12:58,360 --> 00:13:02,080
There's a lot of risk on me because
if Michelle doesn't like this,
278
00:13:02,080 --> 00:13:04,600
it could be all down to me.
279
00:13:04,600 --> 00:13:08,720
Each of Team Tech's partitions
need to be built from scratch.
280
00:13:08,720 --> 00:13:11,040
How are you feeling about it so far?
281
00:13:11,040 --> 00:13:13,040
It's starting to take
a bit of shape.
282
00:13:13,040 --> 00:13:14,680
I am worried about the workload.
283
00:13:14,680 --> 00:13:17,040
Yes. Yeah, I am. There's an awful
lot of carpentry to do,
284
00:13:17,040 --> 00:13:20,000
which has then got to be painted
and that's the problem.
285
00:13:20,000 --> 00:13:22,480
And this stuff is horrible to paint.
286
00:13:22,480 --> 00:13:25,680
You know, at the end of the day,
it might be worth a chat
287
00:13:25,680 --> 00:13:29,960
about prioritising things.
Yeah, yeah, yeah. OK.
288
00:13:31,320 --> 00:13:32,720
I knew there was a lot to be done.
289
00:13:32,720 --> 00:13:35,200
He's not sure whether we'll be able
to get all of these dividers built,
290
00:13:35,200 --> 00:13:37,120
that's the main worry at the moment
291
00:13:37,120 --> 00:13:40,680
and these, each of the individual
dividers are really important
292
00:13:40,680 --> 00:13:44,520
because they create specific spaces
that function in different ways.
293
00:13:44,520 --> 00:13:47,880
So I'm trying to plan
what we could lose.
294
00:13:47,880 --> 00:13:50,880
I don't actually know
what the answer is yet.
295
00:13:50,880 --> 00:13:53,880
It goes from the floor all the way
up to the ceiling and around.
296
00:13:53,880 --> 00:13:55,360
Over in Team Beauty,
297
00:13:55,360 --> 00:13:58,480
in her meeting room, surface
pattern designer Charlotte
298
00:13:58,480 --> 00:14:02,560
is painting her statement piece,
a bespoke mural.
299
00:14:02,560 --> 00:14:08,040
We had a sustainable beauty brand,
so I looked at images of botanicals
300
00:14:08,040 --> 00:14:11,400
that are used in skin care
and beauty, and I've kind of used
301
00:14:11,400 --> 00:14:15,840
some of those shapes to make
an abstract design whilst mixing it
302
00:14:15,840 --> 00:14:18,800
with my own design style as well.
303
00:14:18,800 --> 00:14:22,520
My feedback from Michelle
was to think more 3D than 2D,
304
00:14:22,520 --> 00:14:25,520
so I've tried to do that by zoning
the space
305
00:14:25,520 --> 00:14:27,240
and going up onto the ceiling.
306
00:14:29,840 --> 00:14:32,880
Charlotte's skin tone colour palette
will be reflected throughout
307
00:14:32,880 --> 00:14:34,480
the entire office.
308
00:14:34,480 --> 00:14:37,360
Team Beauty will divide
their three working zones
309
00:14:37,360 --> 00:14:41,000
using curtain partitions and
fabric screens to create a soft
310
00:14:41,000 --> 00:14:42,280
and relaxed feel.
311
00:14:47,120 --> 00:14:49,040
Over in the breakout zone,
312
00:14:49,040 --> 00:14:52,440
Peter is mindful
of their target audience.
313
00:14:52,440 --> 00:14:56,720
We wanted it to have this very
soft but very gender-fluid
314
00:14:56,720 --> 00:15:00,160
and very gender-neutral space,
so it doesn't alienate anyone.
315
00:15:00,160 --> 00:15:02,800
And that's why we've gone for lots
of skin tone colours,
316
00:15:02,800 --> 00:15:05,760
because that's kind of the diversity
element that we wanted to bring
317
00:15:05,760 --> 00:15:07,400
into our beauty brand.
318
00:15:09,480 --> 00:15:10,880
I was born in Malta.
319
00:15:10,880 --> 00:15:13,120
I'd been working as a doctor
in the UK, but I gave that up
320
00:15:13,120 --> 00:15:15,840
a year ago because I really
wanted to follow my passion,
321
00:15:15,840 --> 00:15:17,200
which is interior design.
322
00:15:18,920 --> 00:15:20,840
I can deal with pressure quite well,
323
00:15:20,840 --> 00:15:23,600
because I used to deal with life
and death on a daily basis.
324
00:15:23,600 --> 00:15:26,520
Failure is a really big thing.
325
00:15:26,520 --> 00:15:29,600
I've never failed an exam,
so having a scheme
326
00:15:29,600 --> 00:15:32,320
which is unsuccessful, it does
scare me because it's not something
327
00:15:32,320 --> 00:15:34,680
that I know how to deal
with very well.
328
00:15:38,120 --> 00:15:40,400
So, could you attach these
to the wall?
329
00:15:40,400 --> 00:15:41,760
Down in her work zone,
330
00:15:41,760 --> 00:15:45,400
Micaela's vision to include
soft textures is under way.
331
00:15:45,400 --> 00:15:49,200
Some of the other guys have a lot
more experience in interior design
332
00:15:49,200 --> 00:15:51,000
than I do, so...
333
00:15:51,000 --> 00:15:52,960
Last week was the first room
I've ever done
334
00:15:52,960 --> 00:15:54,680
that wasn't in my own house.
335
00:15:54,680 --> 00:15:57,680
Michelle told me to think
about the bigger picture,
336
00:15:57,680 --> 00:16:02,040
so I really want to make sure that
she knows I've thought more,
337
00:16:02,040 --> 00:16:04,560
away from the upholstery
and about the walls
338
00:16:04,560 --> 00:16:07,240
and all of the different
things that are going on,
339
00:16:07,240 --> 00:16:09,320
so I've got something
to prove this week.
340
00:16:10,640 --> 00:16:13,800
Before I started my upholstery
business, I actually used to work
341
00:16:13,800 --> 00:16:17,720
in travel. I travelled around
Europe, looking at boutique hotels.
342
00:16:17,720 --> 00:16:21,920
That really got me into the world
of interiors and design.
343
00:16:21,920 --> 00:16:25,200
Normally, I focus just on a few
pieces in the room -
344
00:16:25,200 --> 00:16:26,640
the chairs, the headboards -
345
00:16:26,640 --> 00:16:29,960
so I'm really excited to put
my stamp on the whole room.
346
00:16:32,040 --> 00:16:35,280
Ample seating is required
for the work zone, so Micaela
347
00:16:35,280 --> 00:16:37,680
is incorporating a window bench.
348
00:16:37,680 --> 00:16:40,160
I think the biggest risk I've taken
in the work space
349
00:16:40,160 --> 00:16:42,320
is actually getting rid of
a lot of the desks,
350
00:16:42,320 --> 00:16:45,400
so I needed to add back
in usable seating
351
00:16:45,400 --> 00:16:50,320
and I think the window bench is a
much more team-friendly environment.
352
00:16:54,760 --> 00:16:59,480
It's mid-morning on day one, and in
Amy, Jon and Lynsey's Media Office,
353
00:16:59,480 --> 00:17:02,080
they're going big and bold.
354
00:17:02,080 --> 00:17:05,880
I really wanted to go as high
as the ceiling height would allow
355
00:17:05,880 --> 00:17:09,720
and the idea is just to create
a bit of elevated drama, I guess,
356
00:17:09,720 --> 00:17:11,120
and really break up the space.
357
00:17:11,120 --> 00:17:15,200
But also, it has the added advantage
of giving Jon's meeting room
358
00:17:15,200 --> 00:17:18,840
a really good,
private partition wall.
359
00:17:19,920 --> 00:17:22,440
I've never done this before,
which is part of the reason
360
00:17:22,440 --> 00:17:24,760
for doing it, because I wanted
to push myself.
361
00:17:26,720 --> 00:17:30,760
Amy's tiered seating installation
and Lynsey's dual-purpose shelving
362
00:17:30,760 --> 00:17:34,760
will act as the dividers
between all their spaces.
363
00:17:34,760 --> 00:17:38,040
For cohesion, plywood will be used
to make furniture as well
364
00:17:38,040 --> 00:17:41,640
as wall art and coloured shapes
will appear from the break out
365
00:17:41,640 --> 00:17:43,240
into the meeting area.
366
00:17:44,440 --> 00:17:45,720
I'm just nervous.
367
00:17:47,080 --> 00:17:49,520
It's embarrassing if I get it
really, really wrong.
368
00:17:49,520 --> 00:17:51,760
The pressure is on.
369
00:17:51,760 --> 00:17:53,280
There's a lot to do.
370
00:17:53,280 --> 00:17:55,960
If I pull it off,
it's going to look insane.
371
00:17:55,960 --> 00:17:58,560
If I don't, I don't
and I'll be going home.
372
00:17:58,560 --> 00:18:01,200
# I'm making a stadium. #
373
00:18:01,200 --> 00:18:03,720
What are we doing on top of it
again? I forgot.
374
00:18:03,720 --> 00:18:06,640
Dancing? Dancing.
375
00:18:03,720 --> 00:18:06,640
LAUGHTER
376
00:18:06,640 --> 00:18:08,080
In the meeting zone,
377
00:18:08,080 --> 00:18:10,280
Jon's statement colour is up.
378
00:18:10,280 --> 00:18:11,360
This colour is bold
379
00:18:11,360 --> 00:18:14,720
and the good thing is that the brief
asked for bold and sophisticated.
380
00:18:14,720 --> 00:18:17,520
So, yeah, bold and sophisticated
is the way.
381
00:18:18,960 --> 00:18:22,680
Jon's use of colour will be
reflected throughout his furniture.
382
00:18:22,680 --> 00:18:27,640
This is my ceiling panel that goes
above my conference table.
383
00:18:27,640 --> 00:18:30,680
I wanted to try and bring some
colour into the concrete.
384
00:18:30,680 --> 00:18:33,600
The four in the middle are yellow,
and then the rest of it is black.
385
00:18:33,600 --> 00:18:35,800
This is a bumblebee
I'm painting here, ain't it?
386
00:18:35,800 --> 00:18:38,840
A sophisticated bumblebee. No!
387
00:18:38,840 --> 00:18:41,040
HE LAUGHS
388
00:18:41,040 --> 00:18:44,440
In the last challenge, I was really
inspired by how much people
389
00:18:44,440 --> 00:18:46,880
were making and thought, "Right,
I'm going to challenge myself."
390
00:18:46,880 --> 00:18:50,360
I've never made any item
of furniture before in my life.
391
00:18:50,360 --> 00:18:52,720
So I'm making the conference table
from scratch,
392
00:18:52,720 --> 00:18:54,480
making the ceiling panel
from scratch,
393
00:18:54,480 --> 00:18:57,040
I'm making some cube seating
from scratch,
394
00:18:57,040 --> 00:18:59,720
I'm upholstering chairs,
which I've never done before,
395
00:18:59,720 --> 00:19:01,600
and I'm upholstering the cubes
that I'm making.
396
00:19:03,400 --> 00:19:07,120
Across in the work zone, architect
Lynsey is measuring and cutting
397
00:19:07,120 --> 00:19:11,440
individual pieces of plywood
to form her 3D feature wall.
398
00:19:11,440 --> 00:19:14,520
It's a functional space, so you
can't throw fabrics in there,
399
00:19:14,520 --> 00:19:16,520
you can't have cushions
all over the place.
400
00:19:16,520 --> 00:19:18,800
I didn't want to just paint
a wall blank,
401
00:19:18,800 --> 00:19:21,360
so I'm using angular shapes
that Amy's going to pick up
402
00:19:21,360 --> 00:19:24,120
in her painting on the wall
and Jon's picked up in some
403
00:19:24,120 --> 00:19:26,000
of the fabrics he's using.
404
00:19:29,320 --> 00:19:31,480
Basically, we've got the four boards
in here
405
00:19:31,480 --> 00:19:33,040
that are the green and the pink,
406
00:19:33,040 --> 00:19:35,960
and what we need is two more boards
over in this direction
407
00:19:35,960 --> 00:19:39,400
that are just pink. This other one's
also going to be pink and green.
408
00:19:39,400 --> 00:19:40,720
Over in Team Tech,
409
00:19:40,720 --> 00:19:42,320
Barbara's in control.
410
00:19:42,320 --> 00:19:44,600
Siobhan. They all need
to be flipped.
411
00:19:44,600 --> 00:19:46,920
Sage on the other side, yep.
Exactly. I can do that.
412
00:19:46,920 --> 00:19:48,760
Barbara is on it.
413
00:19:48,760 --> 00:19:51,360
Right, this is just fully pink.
Get pink on that, yeah, yeah, yeah.
414
00:19:51,360 --> 00:19:55,080
She has kind of like given herself
that leadership role, which I'm fine
415
00:19:55,080 --> 00:19:58,200
about, you know, because I'm just
like, we need to just, you know,
416
00:19:58,200 --> 00:20:00,960
do what we need to do.
I'm happy painting all day
417
00:20:00,960 --> 00:20:02,680
if that's, you know,
if that's what it takes.
418
00:20:02,680 --> 00:20:05,400
We've been really ambitious. There's
five or six dividers in the room
419
00:20:05,400 --> 00:20:08,480
in total. We don't want to not have
one, so I think it's important that
420
00:20:08,480 --> 00:20:11,160
we get as much prep work as we can.
421
00:20:11,160 --> 00:20:13,440
Oh, my God, I could watch
you doing that all day,
422
00:20:13,440 --> 00:20:16,800
but I won't, I'll crack on with what
I'm doing. Please don't. Carry on.
423
00:20:16,800 --> 00:20:19,200
Why don't I just hold it
and you can do the loop?
424
00:20:19,200 --> 00:20:22,320
But Barbara also needs to focus
on her own space.
425
00:20:22,320 --> 00:20:25,200
She's mirroring shapes from Paul's
wallpaper.
426
00:20:25,200 --> 00:20:26,800
To get the arches drawn,
427
00:20:26,800 --> 00:20:29,360
we're using a technique
of string, pencil.
428
00:20:29,360 --> 00:20:30,600
Perfect. Just stop.
429
00:20:30,600 --> 00:20:34,680
We tie the centre spot
and then hold that in place
430
00:20:34,680 --> 00:20:36,960
and we basically can draw the arch,
431
00:20:36,960 --> 00:20:40,840
like this. It's quite a kind
of simple, easy way of doing it.
432
00:20:40,840 --> 00:20:42,240
Yeah.
433
00:20:42,240 --> 00:20:45,080
The thing about this design
is I know all the measurements
434
00:20:45,080 --> 00:20:47,520
inside out and that is why
I've taken on this sort
435
00:20:47,520 --> 00:20:49,280
of overarching role today.
436
00:20:49,280 --> 00:20:51,800
It's nerve-racking,
but it's just rewarding.
437
00:20:51,800 --> 00:20:55,040
I've never done anything like this
before, so I just wanted
438
00:20:55,040 --> 00:20:59,280
to try and throw as much
at it as possible.
439
00:21:03,640 --> 00:21:04,960
Where the hell am I?
440
00:21:04,960 --> 00:21:06,320
Where did she say?
441
00:21:07,360 --> 00:21:09,200
It's halfway through the first day.
442
00:21:09,200 --> 00:21:11,080
Open the door, I'm coming in.
443
00:21:16,320 --> 00:21:19,640
Time to see how the designers
are getting on.
444
00:21:19,640 --> 00:21:21,720
You OK?
445
00:21:21,720 --> 00:21:23,640
All done. Phew!
446
00:21:25,280 --> 00:21:26,720
Well done, mate.
447
00:21:26,720 --> 00:21:29,240
So good. Woohoo!
448
00:21:29,240 --> 00:21:33,040
First up, Team Media
and Jon's meeting room.
449
00:21:33,040 --> 00:21:35,440
Hello, Jon. Hello, you.
450
00:21:35,440 --> 00:21:38,680
Another day, another pair
of skimpy shorts, I see.
451
00:21:38,680 --> 00:21:41,400
Lovely! Get a bit of ventilation up
there. That's the one.
452
00:21:41,400 --> 00:21:44,720
So tell us about the colour,
because it's very satsuma-y
453
00:21:44,720 --> 00:21:46,160
for a meeting room.
454
00:21:46,160 --> 00:21:49,160
HE GASPS
455
00:21:46,160 --> 00:21:49,160
Have I said something wrong?
456
00:21:49,160 --> 00:21:50,920
I feel offended.
457
00:21:50,920 --> 00:21:52,600
I like satsumas.
458
00:21:52,600 --> 00:21:55,480
Yes, satsumas are good for you. If
you're in a meeting for two, three
459
00:21:55,480 --> 00:21:57,520
hours, there's nothing worse
than looking at a plain,
460
00:21:57,520 --> 00:21:59,040
blank, boring wall.
461
00:21:59,040 --> 00:22:01,480
But I'm really pleased that we've
actually gone with that colour.
462
00:22:01,480 --> 00:22:03,880
Kind of the same colour as
my Post-it notes bizarrely.
463
00:22:03,880 --> 00:22:06,760
And also Paul. Yes. Yes, absolutely.
464
00:22:06,760 --> 00:22:08,680
He's actually in the room.
You just can't see him.
465
00:22:08,680 --> 00:22:10,640
He's... He's in the corner.
466
00:22:10,640 --> 00:22:12,280
ALAN GIGGLES
467
00:22:14,920 --> 00:22:18,040
You can come out now, Paul.
I'm... I'm joking.
468
00:22:18,040 --> 00:22:20,960
We can all have a laugh
in the workplace.
469
00:22:20,960 --> 00:22:23,880
No, I get it. It's bright,
it's good... I like it.
470
00:22:23,880 --> 00:22:26,360
Yeah. OK, I'll leave you to it, Jon.
Thank you. Thank you.
471
00:22:26,360 --> 00:22:29,120
The trouble with the colour orange,
it's very divisive.
472
00:22:29,120 --> 00:22:32,600
When some people think of orange,
they think zesty and fresh.
473
00:22:32,600 --> 00:22:35,920
But to other people, they think
budget airlines and fake tan.
474
00:22:40,480 --> 00:22:44,760
Team Beauty, aspiring to create
a tranquil space, remain an oasis
475
00:22:44,760 --> 00:22:46,920
of calm in the process.
476
00:22:46,920 --> 00:22:49,880
Micaela! Hello.How are you? Good.
How you doing?
477
00:22:49,880 --> 00:22:52,680
What the hell is going on?
It's like living in a skip.
478
00:22:52,680 --> 00:22:55,360
We've got so much furniture,
there's just stuff everywhere.
479
00:22:55,360 --> 00:22:58,040
So, what's this then?
It doesn't look very office.
480
00:22:58,040 --> 00:23:00,240
It looks like the kind of thing
my nan has in her house.
481
00:23:00,240 --> 00:23:01,400
Well, it is from a charity shop,
482
00:23:01,400 --> 00:23:03,440
so it could have could have been
from your nan's house.
483
00:23:03,440 --> 00:23:05,800
Could be my nan's.
She's had a clear out.
484
00:23:05,800 --> 00:23:08,040
I thought it was nice to have
something a bit softer,
485
00:23:08,040 --> 00:23:10,960
a bit mid-century.
Bit homelier as well. Yeah.
486
00:23:10,960 --> 00:23:13,520
What colours are you going to have?
Cos you've got lots of chairs.
487
00:23:13,520 --> 00:23:16,080
I've got to have lots of chairs as
an upholsterer.But you don't want
488
00:23:16,080 --> 00:23:17,760
it to look like an old people's
home, do you?
489
00:23:17,760 --> 00:23:20,040
We're going for skin tone.
So it is a lot of brown, actually.
490
00:23:20,040 --> 00:23:22,120
Oh, OK.
Well, don't have little bowls
491
00:23:22,120 --> 00:23:24,200
of Werther's Originals everywhere.
492
00:23:24,200 --> 00:23:28,080
I hope no-one walks in there and
thinks it's an old people's home,
493
00:23:28,080 --> 00:23:30,800
but it does make you think about
things and think, oh, God.
494
00:23:30,800 --> 00:23:33,760
Michelle's going to come in and
you know, what's she's going to say?
495
00:23:33,760 --> 00:23:35,680
What's she going to think of this?
496
00:23:39,240 --> 00:23:42,560
Over on Team Tech, Siobhan's
upcycling cable bobbins
497
00:23:42,560 --> 00:23:44,040
to turn into stools.
498
00:23:44,040 --> 00:23:47,520
It's all a bit chaotic up there,
so I've come to a nice
499
00:23:47,520 --> 00:23:50,640
little spot so that I can get
everything sprayed - my letters
500
00:23:50,640 --> 00:23:52,920
and some cable bobbins.
501
00:23:52,920 --> 00:23:56,600
I've listened to Michelle and I'm
not trying to, basically, you know,
502
00:23:56,600 --> 00:23:58,720
just bring a load of pink
and fluffiness in,
503
00:23:58,720 --> 00:24:01,440
but, actually, it really goes
with that whole, like, mid-century
504
00:24:01,440 --> 00:24:02,720
colours and everything.
505
00:24:02,720 --> 00:24:06,880
There you go. Go on.
Yeah, that's fine. That's fine.
506
00:24:06,880 --> 00:24:08,840
This way. My side? Your side, yeah.
507
00:24:08,840 --> 00:24:10,920
With an hour to go on day one,
508
00:24:10,920 --> 00:24:13,840
Barbara and Paul are constructing
the whiteboard divider
509
00:24:13,840 --> 00:24:16,440
that will sit between the work
and meeting zone.
510
00:24:16,440 --> 00:24:19,440
Paul? Yeah. Can we just have
a quick chat about this?
511
00:24:19,440 --> 00:24:21,280
Put it on here.
512
00:24:21,280 --> 00:24:23,160
We know we're really pushed
for time. Yeah.
513
00:24:23,160 --> 00:24:24,560
In terms of what needs to be done
514
00:24:24,560 --> 00:24:27,920
and I know we had these two extra
panels running down here.
515
00:24:27,920 --> 00:24:29,280
Do you think we still need them?
516
00:24:29,280 --> 00:24:31,200
I'm thinking in the interest
of time.
517
00:24:31,200 --> 00:24:33,200
No. I think what we do is
just eliminate them
518
00:24:33,200 --> 00:24:35,360
and get on with what we really need
to get done.
519
00:24:35,360 --> 00:24:37,560
We are going to lose these
two panelled sections.
520
00:24:37,560 --> 00:24:39,480
We're going to just get
the whiteboard in place
521
00:24:39,480 --> 00:24:41,920
and then that section is complete.
522
00:24:43,280 --> 00:24:46,040
Phew!How are you coping?
523
00:24:46,040 --> 00:24:48,600
It's not easy, but I think we're
getting there.Who's coming up
524
00:24:48,600 --> 00:24:49,920
with most of the ideas?
525
00:24:49,920 --> 00:24:52,760
I probably put forward
most of the ideas.
526
00:24:52,760 --> 00:24:55,920
The good thing is, is I've got this,
like, 3D model that everyone
527
00:24:55,920 --> 00:24:59,560
can look at so that they can sort
of make changes in front of them.
528
00:24:59,560 --> 00:25:01,920
But, you know, you do need
to concentrate on yourself.
529
00:25:01,920 --> 00:25:03,840
You ended up on the sofa last week.
530
00:25:03,840 --> 00:25:05,680
You don't want to be there
for a second week.
531
00:25:05,680 --> 00:25:06,920
There is a bit of a risk there.
532
00:25:06,920 --> 00:25:10,040
I mean, it could go either way.
If Michelle thinks we've fulfilled
533
00:25:10,040 --> 00:25:12,840
the brief, then it's great
because I've been such an integral
534
00:25:12,840 --> 00:25:14,200
part of all the decisions.
535
00:25:14,200 --> 00:25:17,000
But if she doesn't think that
we've fulfilled the brief and we do
536
00:25:17,000 --> 00:25:20,000
end up on the couch, then loads
of responsibility's on my shoulders.
537
00:25:20,000 --> 00:25:21,560
Good luck, Barbara. Bye!
538
00:25:21,560 --> 00:25:24,040
You can't fault Barbara's ambition.
539
00:25:24,040 --> 00:25:27,560
She just wants to be over everything
but there is this risk
540
00:25:27,560 --> 00:25:29,280
that you could overstretch yourself.
541
00:25:29,280 --> 00:25:31,600
I just hope she can pull it off.
542
00:25:35,000 --> 00:25:36,800
Over on Team Media...
543
00:25:36,800 --> 00:25:38,320
I finished it! Finally.
544
00:25:38,320 --> 00:25:41,680
..Lynsey's 3D wall art
is ready to be installed.
545
00:25:41,680 --> 00:25:43,920
This is one of three that are going
on that wall.
546
00:25:43,920 --> 00:25:45,560
I can't wait to get them up there,
547
00:25:45,560 --> 00:25:47,320
I think it'll be really high-impact.
548
00:25:47,320 --> 00:25:48,680
We've cut all your timbers.
549
00:25:48,680 --> 00:25:51,560
That looks amazing.
That's how I imagined it.
550
00:25:52,640 --> 00:25:56,720
And Amy's turned her attention
to a smaller form of seating.
551
00:25:56,720 --> 00:25:58,160
So I bought some cheap chairs,
552
00:25:58,160 --> 00:25:59,680
but they're not in
the best condition,
553
00:25:59,680 --> 00:26:03,120
so I'm going to do a combination
of some painting of the fabric
554
00:26:03,120 --> 00:26:06,640
and some re-upholstery
of just the seat cushion.
555
00:26:06,640 --> 00:26:11,120
This is the first time I have done
this and basically I'm just using
556
00:26:11,120 --> 00:26:14,160
the emulsion that we're putting on
the walls
557
00:26:14,160 --> 00:26:16,520
and I've mixed it 50/50 with water,
558
00:26:16,520 --> 00:26:20,080
dampened the surface
and then slap it on.
559
00:26:20,080 --> 00:26:22,560
Yeah, it looks good.
Thanks. Glad you approve.
560
00:26:22,560 --> 00:26:27,160
With day one drawing to a close,
team-mate Jon has had a hiccup.
561
00:26:27,160 --> 00:26:30,160
I've cut the fabric too short.
562
00:26:30,160 --> 00:26:35,000
And it doesn't matter where
I move it to, it doesn't fit.
563
00:26:35,000 --> 00:26:37,640
And I measured it.
That just won't work.
564
00:26:37,640 --> 00:26:40,920
No. Just redo it.
It's another knock in the time
565
00:26:40,920 --> 00:26:44,120
that I've got left, cos I now need
to recut this and make sure it fits.
566
00:26:49,440 --> 00:26:52,080
I'm hoping Michelle likes it
and she can see that I am looking
567
00:26:52,080 --> 00:26:54,600
at the bigger picture,
but the closer we get to the end,
568
00:26:54,600 --> 00:26:57,400
the more my confidence starts
to wane.
569
00:26:57,400 --> 00:26:58,680
It's not quite there yet.
570
00:27:03,320 --> 00:27:05,720
It's the end of the day
and I'm not where I needed to be.
571
00:27:05,720 --> 00:27:09,040
So tomorrow morning, I need
to rethink what I'm going to do
572
00:27:09,040 --> 00:27:10,640
to bring myself back on track.
573
00:27:10,640 --> 00:27:14,720
There's a little bit of sick
rising just about here.
574
00:27:14,720 --> 00:27:18,920
Oh! I just feel, like,
relief seeing that now.
575
00:27:18,920 --> 00:27:22,800
This just means so much to me
because I'm doing this for myself.
576
00:27:22,800 --> 00:27:25,200
I'm learning so much and I love it,
but I'm trying to do it
577
00:27:25,200 --> 00:27:28,360
for my family, my boys,
my husband,
578
00:27:28,360 --> 00:27:31,360
so that we can all have
a better life.
579
00:27:32,720 --> 00:27:34,640
So, it's important to me.
580
00:27:58,760 --> 00:28:01,080
It's the second and final day.
581
00:28:02,640 --> 00:28:06,240
I think what we need to do is just
get paint on this fast. Yeah.
582
00:28:06,240 --> 00:28:08,720
It's brushes at the ready
for Team Tech.
583
00:28:08,720 --> 00:28:10,440
We've just got so much to do.
584
00:28:10,440 --> 00:28:13,040
We just need to kind of get as much
paint on, especially this,
585
00:28:13,040 --> 00:28:14,120
cos it's a bit tricky.
586
00:28:14,120 --> 00:28:17,800
This acts as a divider...
And Barbara's divider
587
00:28:17,800 --> 00:28:20,760
for her breakout space still needs
to be built.
588
00:28:20,760 --> 00:28:23,160
I've got a row of lights going
across here. Yep.
589
00:28:23,160 --> 00:28:26,040
Sooner we can get on with this one,
that's priority.
590
00:28:29,200 --> 00:28:33,560
In Team Media, Jon is starting
where he left off -
591
00:28:33,560 --> 00:28:35,960
upholstering furniture,
592
00:28:35,960 --> 00:28:38,360
but this time he has a plan.
593
00:28:38,360 --> 00:28:40,520
I need to remember which
is the front of the chair
594
00:28:40,520 --> 00:28:41,560
and which is the back,
595
00:28:41,560 --> 00:28:43,920
so I've just put an arrow
on the table and a T
596
00:28:43,920 --> 00:28:46,280
so I remember that's the top
because, you know, I have a problem
597
00:28:46,280 --> 00:28:49,000
with cutting the wrong size
of fabric.
598
00:28:51,400 --> 00:28:54,480
Meanwhile, team-mate Lynsey
is taking on another wooden
599
00:28:54,480 --> 00:28:57,480
installation for her work zone.
600
00:28:57,480 --> 00:29:01,400
I haven't done this technique
before, so I'm kind of winging it.
601
00:29:03,280 --> 00:29:06,160
I want to show all the layers
of the plywood and just create a bit
602
00:29:06,160 --> 00:29:07,680
of a sculptural piece.
603
00:29:07,680 --> 00:29:09,760
And I've cut out a hole in it,
which is going
604
00:29:09,760 --> 00:29:10,960
to have the company logo.
605
00:29:10,960 --> 00:29:13,280
So when the visitors come
to the company,
606
00:29:13,280 --> 00:29:15,840
it'll be really prominent
in the window.
607
00:29:15,840 --> 00:29:19,000
And Amy's tiered seating
is now constructed.
608
00:29:19,000 --> 00:29:21,520
Welcome to the stadium.
609
00:29:19,000 --> 00:29:21,520
ALAN LAUGHS
610
00:29:21,520 --> 00:29:23,840
Give me an A! Give me a M!
Give me a Y!
611
00:29:23,840 --> 00:29:27,680
So, talk me through it,
because it looks quite big.
612
00:29:27,680 --> 00:29:28,960
It is quite big, yeah.
613
00:29:28,960 --> 00:29:31,520
I wanted to make a statement,
wanted a bit of drama in here.
614
00:29:31,520 --> 00:29:35,440
Figured it's a media PR company,
so I figured that the kind of people
615
00:29:35,440 --> 00:29:38,840
that might come in here might be
being trendy, sitting, hanging out,
616
00:29:38,840 --> 00:29:41,680
looking cool, but also
for product launches
617
00:29:41,680 --> 00:29:42,880
and team meetings,
618
00:29:42,880 --> 00:29:46,880
this could be a spill out
from the meeting area next-door.
619
00:29:46,880 --> 00:29:49,800
Also, I wanted to create a nice
partition wall for Jon.
620
00:29:49,800 --> 00:29:54,360
Amy's stadium seating is a bit
too big for my liking.
621
00:29:54,360 --> 00:29:57,400
When you want to sit down,
you want to just relax
622
00:29:57,400 --> 00:29:59,000
and flop yourself down.
623
00:29:59,000 --> 00:30:01,200
You'd need a fireman's lift
to get on those seats,
624
00:30:01,200 --> 00:30:02,960
they're so high up.
625
00:30:02,960 --> 00:30:07,040
I understand you get kind of a bit
obsessed with your own design,
626
00:30:07,040 --> 00:30:11,680
but I really do think that
the tiered seating stadium area
627
00:30:11,680 --> 00:30:13,600
is clever, is multifunctional.
628
00:30:13,600 --> 00:30:15,760
It could be used for a variety
of reasons.
629
00:30:19,640 --> 00:30:23,680
So, mural update is that
I'm nearly there.
630
00:30:23,680 --> 00:30:26,400
I've done it a bit quicker
than I anticipated,
631
00:30:26,400 --> 00:30:28,400
but which is always a good thing,
I think.
632
00:30:28,400 --> 00:30:30,160
Down in Charlotte's meeting zone,
633
00:30:30,160 --> 00:30:34,120
her vision to create a more 3D room
is taking shape.
634
00:30:35,480 --> 00:30:38,360
Just to create a bit of texture
on the wall, other than just putting
635
00:30:38,360 --> 00:30:40,920
some wallpaper there, so the shapes
that have been cut out
636
00:30:40,920 --> 00:30:43,400
kind of mimic
what's going on with the mural,
637
00:30:43,400 --> 00:30:45,640
and then they're going to be painted
in the same colour.
638
00:30:45,640 --> 00:30:47,080
And it'll be quite cool.
639
00:30:47,080 --> 00:30:49,160
Today's the crucial day
to bring it all together,
640
00:30:49,160 --> 00:30:51,080
but so far, no dramas.
641
00:30:51,080 --> 00:30:54,200
But, when everything's done
and everyone pulls it together,
642
00:30:54,200 --> 00:30:55,760
with their amazing styling,
643
00:30:55,760 --> 00:30:58,000
it does normally send me
into a bit of a spin
644
00:30:58,000 --> 00:31:00,040
and I start doubting myself,
645
00:31:00,040 --> 00:31:01,800
but I'm just doing my best.
646
00:31:03,200 --> 00:31:05,200
Ah, Peter. Yeah. Oh, God.
647
00:31:05,200 --> 00:31:07,880
There you go. Looks great. Awesome.
648
00:31:07,880 --> 00:31:10,160
So, that's ready
to be painted now, isn't it? Yes.
649
00:31:10,160 --> 00:31:12,760
Team-mate Peter is aiming
to inject some fun
650
00:31:12,760 --> 00:31:14,560
into his breakout space.
651
00:31:14,560 --> 00:31:16,040
I'm creating a really relaxed space
652
00:31:16,040 --> 00:31:18,360
where people are going to have
informal meetings.
653
00:31:18,360 --> 00:31:20,840
Here there's going to be
a ping pong table
654
00:31:20,840 --> 00:31:25,120
that can also come up
and be a coworking standing desk.
655
00:31:25,120 --> 00:31:27,760
I want the judges to feel
like this is the dream office
656
00:31:27,760 --> 00:31:30,400
that they would always want
to be in, so, yeah...
657
00:31:30,400 --> 00:31:34,000
I do so want to win this, because it
would be a great opportunity
658
00:31:34,000 --> 00:31:35,920
to do a great commercial project.
659
00:31:38,120 --> 00:31:41,160
OK, can you get in there?
Why don't you hold the cable?
660
00:31:41,160 --> 00:31:42,840
In the tech space,
661
00:31:42,840 --> 00:31:45,840
Paul's making foliage a feature
in his meeting room.
662
00:31:45,840 --> 00:31:50,440
I think, Babs, I need to leave
one grid space in between.
663
00:31:50,440 --> 00:31:53,520
You just show me where you're happy
with it and I'll get it up.
664
00:31:53,520 --> 00:31:55,480
So much going on, isn't there?
OK, that's it.
665
00:31:55,480 --> 00:31:58,160
What do you think about your light?
I love that.
666
00:31:58,160 --> 00:31:59,560
Hello!
667
00:31:59,560 --> 00:32:02,320
Hello, Alan.It's me. Hiya.
668
00:32:02,320 --> 00:32:03,680
Paul. Alan.
669
00:32:03,680 --> 00:32:05,960
And Barbara in the back.
Hello, love.
670
00:32:05,960 --> 00:32:08,120
You all right?Great.
671
00:32:08,120 --> 00:32:10,440
Now, tell me about this.
What does this mean?
672
00:32:10,440 --> 00:32:13,560
I mean, listen, I've woken up
under a bush after a night out
673
00:32:13,560 --> 00:32:15,120
but I've never had
a meeting under one.
674
00:32:15,120 --> 00:32:16,560
LAUGHTER
675
00:32:16,560 --> 00:32:20,240
Everything, from my view
is quite concrete, very hard.Yeah.
676
00:32:20,240 --> 00:32:22,640
It was just to kind of give
a bit of the outdoors in.
677
00:32:22,640 --> 00:32:25,800
Does it scream "tech" to you,
though? I think it does.
678
00:32:25,800 --> 00:32:28,640
You know, tech can be so many
different things, but, yeah,
679
00:32:28,640 --> 00:32:30,480
I can see this working.I like it.
680
00:32:33,200 --> 00:32:35,320
It's halfway through the second day.
681
00:32:35,320 --> 00:32:38,080
This has to be the most boring
thing I've ever done.
682
00:32:38,080 --> 00:32:40,520
Babs, I think you're going
to have to come over and show us
683
00:32:40,520 --> 00:32:41,920
your 3D model again.
684
00:32:43,560 --> 00:32:46,360
All of the offices
are radically transforming...
685
00:32:46,360 --> 00:32:47,720
Yeah, that looks great.
686
00:32:47,720 --> 00:32:50,240
..into work spaces
for the 21st century.
687
00:32:50,240 --> 00:32:53,200
This piece of muslin,
so you can see through it,
688
00:32:53,200 --> 00:32:55,560
and it also prevents anyone who's
sat down on the ping pong table
689
00:32:55,560 --> 00:32:57,520
being hit in the head
by a ping pong!
690
00:32:58,560 --> 00:33:00,960
Peter, love. Hi, how are you?
691
00:33:00,960 --> 00:33:03,040
Hello. How are you?
I'm good, thanks.
692
00:33:03,040 --> 00:33:05,480
Now, what's this?
Is this one of the partitions?
693
00:33:05,480 --> 00:33:07,400
Yes, so we wanted something
quite soft,
694
00:33:07,400 --> 00:33:10,160
so that's why we went for something
with texture and textiles.
695
00:33:10,160 --> 00:33:12,480
Because I didn't know if you were
using this as an homage
696
00:33:12,480 --> 00:33:14,880
because you're a doctor
and I go behind it and...
697
00:33:14,880 --> 00:33:18,560
Oh!..maybe I take my trousers off
and pop them over.
698
00:33:18,560 --> 00:33:20,920
I'm ready to see you now!
699
00:33:20,920 --> 00:33:23,720
No, you say that, don't you?
It's not that kind of office.
700
00:33:23,720 --> 00:33:25,080
Oh.
701
00:33:25,080 --> 00:33:28,200
But is this partition going
to be big enough, though?
702
00:33:28,200 --> 00:33:29,480
That's all I'm saying.
703
00:33:29,480 --> 00:33:30,960
I mean, it's an open-plan office,
704
00:33:30,960 --> 00:33:33,080
so unless you're doing something
super structural
705
00:33:33,080 --> 00:33:34,440
that is more permanent.
706
00:33:34,440 --> 00:33:37,560
We specifically wanted it
to be flexible.Yeah, yeah.
707
00:33:39,880 --> 00:33:43,680
The clock is ticking and, for Jon,
the pressure is mounting.
708
00:33:43,680 --> 00:33:45,400
I'm really concerned about my room.
709
00:33:45,400 --> 00:33:48,680
My room looks no different
from how we started this morning,
710
00:33:48,680 --> 00:33:51,560
so I'm desperate to get the curtains
up so that you can see
711
00:33:51,560 --> 00:33:54,000
that I've actually done something
in the room.
712
00:33:54,000 --> 00:33:56,840
Jon's chosen drapes
to help zone his space.
713
00:33:56,840 --> 00:33:59,720
It just gives an option
to have a multi-meeting space
714
00:33:59,720 --> 00:34:02,640
because of how generous
the proportions of the room are.
715
00:34:02,640 --> 00:34:04,120
Two nines are 18, aren't they?
716
00:34:04,120 --> 00:34:06,160
Two, four, six, eight, nine.
717
00:34:07,240 --> 00:34:08,640
I have lost a hook.
718
00:34:10,360 --> 00:34:12,800
For me, it just felt like a bit
of a waste if I was just going
719
00:34:12,800 --> 00:34:14,680
to put one large room.
720
00:34:14,680 --> 00:34:16,560
I hope Michelle
will appreciate that
721
00:34:16,560 --> 00:34:18,560
I've thought about the use
of the space,
722
00:34:18,560 --> 00:34:20,560
the actual functionality
of the room.
723
00:34:20,560 --> 00:34:24,680
We have curtains, ladies!
Perfection.
724
00:34:26,920 --> 00:34:31,360
Over in Team Beauty,
Charlotte is almost finished...
725
00:34:32,400 --> 00:34:34,160
Spin it around!
726
00:34:34,160 --> 00:34:36,920
..and Peter's breakout space
is also on track.
727
00:34:37,920 --> 00:34:40,600
So this is my collaborative work
pod. The curtains create a bit
728
00:34:40,600 --> 00:34:42,640
of privacy so you can have
a phone call in here.
729
00:34:42,640 --> 00:34:45,200
Obviously not super private,
but it's private enough.
730
00:34:48,280 --> 00:34:50,040
Bit higher than that,
if you don't mind.
731
00:34:50,040 --> 00:34:53,040
With Barbara's breakout divider
constructed,
732
00:34:53,040 --> 00:34:55,120
she's beginning to see the light.
733
00:34:55,120 --> 00:34:56,880
Get that at that height, is that OK?
734
00:34:56,880 --> 00:34:58,880
Finally getting some lights
in place.
735
00:34:58,880 --> 00:35:01,120
I don't think we go any lower,
that's probably fine.
736
00:35:01,120 --> 00:35:02,520
Progress is being made.
737
00:35:02,520 --> 00:35:04,880
I think it just literally
goes there.
738
00:35:04,880 --> 00:35:07,120
Across the office in the work zone,
739
00:35:07,120 --> 00:35:09,760
Siobhan's fixing tech words
to her walls
740
00:35:09,760 --> 00:35:12,400
using cables and oversized
lettering.
741
00:35:12,400 --> 00:35:14,000
Love it! Yes.
742
00:35:15,480 --> 00:35:18,040
OK, I think higher.
743
00:35:18,040 --> 00:35:20,720
Yeah, it's definitely just
come together,
744
00:35:20,720 --> 00:35:24,880
just as we imagined
on Barbara's 3D model.
745
00:35:26,560 --> 00:35:29,000
She can hear me in background!
746
00:35:29,000 --> 00:35:30,880
Sorry, pal. Get it in, babe,
get it in.
747
00:35:30,880 --> 00:35:33,040
I'm not really taking
the mickey, honest!
748
00:35:34,120 --> 00:35:37,600
Oh, my God, it's just such
a roller-coaster of emotions.
749
00:35:37,600 --> 00:35:41,520
I mean, I cannot tell you, but I
feel a little bit more confident
750
00:35:41,520 --> 00:35:45,160
now that we will get there,
that we will reach the finish line.
751
00:35:47,320 --> 00:35:48,600
I'm swinging!
752
00:35:48,600 --> 00:35:52,280
With less than an hour to go,
it's a race to the finish.
753
00:35:52,280 --> 00:35:53,320
Whee!
754
00:35:56,400 --> 00:35:57,760
It's quite good, isn't it?
755
00:36:03,040 --> 00:36:06,000
That's going to be slightly
in and to the back,
756
00:36:06,000 --> 00:36:09,160
so one there, one on
the other side like that.
757
00:36:09,160 --> 00:36:13,840
On Team Beauty, Micaela's left
an important job until last.
758
00:36:13,840 --> 00:36:17,320
I am a bit worried about how
I'm going to configure them.
759
00:36:17,320 --> 00:36:20,920
Just need to check I've got enough
space around each desk.
760
00:36:22,360 --> 00:36:24,320
Guys, 20 minutes.
761
00:36:28,720 --> 00:36:30,840
Joining Michelle to judge this week,
762
00:36:30,840 --> 00:36:34,360
award-winning interior designer
and former design director
763
00:36:34,360 --> 00:36:37,080
of Soho House, Linda Boronkay.
764
00:36:37,080 --> 00:36:40,560
I think this is such a brilliant
challenge because the whole world
765
00:36:40,560 --> 00:36:43,720
of work has completely changed
in the last year or so.
766
00:36:43,720 --> 00:36:45,920
I mean, this is now about kind
of seduction.
767
00:36:45,920 --> 00:36:48,200
What is a designer going to offer
768
00:36:48,200 --> 00:36:51,480
to seduce me out of my home
and back into an office?
769
00:36:51,480 --> 00:36:55,800
Yes, I 100% agree. Office design
doesn't have to be boring.
770
00:36:55,800 --> 00:36:59,120
I'm also looking for something
that is unique and maybe something
771
00:36:59,120 --> 00:37:00,800
is very inspiring for us as well.
772
00:37:00,800 --> 00:37:04,080
These spaces will have
to represent the brand,
773
00:37:04,080 --> 00:37:05,400
the brand values.
774
00:37:05,400 --> 00:37:08,400
And if I can see his or her stamp
throughout the space,
775
00:37:08,400 --> 00:37:10,680
that is quite interesting as well.
776
00:37:13,320 --> 00:37:16,320
First office space to be judged,
Team Beauty.
777
00:37:16,320 --> 00:37:17,480
Yeah, thank you.
778
00:37:19,920 --> 00:37:22,040
I'm going to run out of time.
779
00:37:23,320 --> 00:37:26,240
Oh, my God, that was a mad rush.
780
00:37:26,240 --> 00:37:28,120
My God, I need to go to sleep.
781
00:37:32,240 --> 00:37:35,480
I didn't manage to get my desks and
chairs into the space quick enough
782
00:37:35,480 --> 00:37:37,240
to play around with the layout,
783
00:37:37,240 --> 00:37:41,000
so I have a little niggle in the
back of my mind that my desks
784
00:37:41,000 --> 00:37:44,400
are blocking the entrance
to the rest of the office.
785
00:37:44,400 --> 00:37:47,480
I hope I've done enough,
but I ran out of time.
786
00:37:47,480 --> 00:37:50,840
So this is our sustainable
beauty brand.
787
00:37:50,840 --> 00:37:55,440
Micaela's forte is upholstery,
detail, colours, textures,
788
00:37:55,440 --> 00:37:57,200
which I can definitely see,
789
00:37:57,200 --> 00:38:00,680
but the last challenge I felt she
needed to get a sense of the room
790
00:38:00,680 --> 00:38:05,160
as a whole. I really don't like all
the desks stacked up like this.
791
00:38:05,160 --> 00:38:07,560
I mean, I feel like
I'm about to take an exam.
792
00:38:07,560 --> 00:38:08,800
It feels very rigid.
793
00:38:08,800 --> 00:38:12,200
And also these spaces should
encourage collaborative working.
794
00:38:12,200 --> 00:38:14,760
And I wouldn't feel comfortable
sitting at a desk like this.
795
00:38:14,760 --> 00:38:18,680
I would always feel like somebody's
watching over my shoulder. Yeah.
796
00:38:18,680 --> 00:38:22,360
Maybe that's the area where you try
the products of the beauty brand.
797
00:38:22,360 --> 00:38:25,640
Yes, probably with the... Make-up
mirror. ..ring flash and everything.
798
00:38:25,640 --> 00:38:28,480
So that's good, that's really diving
into the detail of beauty.
799
00:38:28,480 --> 00:38:30,680
And nice that they haven't
fallen into that
800
00:38:30,680 --> 00:38:32,240
"let's make it all pink and
feminine,
801
00:38:32,240 --> 00:38:33,760
"because that's beauty, isn't it?"
802
00:38:33,760 --> 00:38:36,000
It is just missing kind
of reception.
803
00:38:36,000 --> 00:38:37,400
Things are facing the wrong way.
804
00:38:37,400 --> 00:38:39,600
Exactly, you don't have a sense
of arrival.
805
00:38:44,680 --> 00:38:49,120
I think my breakout space looks
exactly how I imagined it.
806
00:38:49,120 --> 00:38:52,360
For me to go home now, I feel it
would be a bit premature.
807
00:38:52,360 --> 00:38:56,160
I love the fact that they used
the round shape for the curtains.
808
00:38:56,160 --> 00:38:58,360
Just feels a lot more organic. Yeah.
809
00:38:58,360 --> 00:39:00,560
And it breaks up the rigidity
of the layout.
810
00:39:00,560 --> 00:39:02,560
How do you feel about
a ping pong table?
811
00:39:02,560 --> 00:39:06,520
I'm feeling this is almost veering
us into cliche territory, isn't it?
812
00:39:06,520 --> 00:39:09,680
It's one too many ideas
in a small space.
813
00:39:09,680 --> 00:39:12,960
Adding the benches,
I want to just read it as a desk.
814
00:39:12,960 --> 00:39:14,840
Yeah. And think, oh, how clever,
815
00:39:14,840 --> 00:39:18,120
but the way he's set it up
with the bats and the ball,
816
00:39:18,120 --> 00:39:20,560
I'm just thinking it's going
to be so annoying for the person
817
00:39:20,560 --> 00:39:22,760
trying to read their book
and have a bit of quiet time
818
00:39:22,760 --> 00:39:25,640
here with ping pong, ping pong!
"Oh, can you get my ball, please?"
819
00:39:25,640 --> 00:39:29,160
But I love this screen adding
another layer of texture and colour.
820
00:39:29,160 --> 00:39:32,240
You see, I just thought that
was to stop you getting hit
821
00:39:32,240 --> 00:39:33,400
by a ping pong ball.
822
00:39:33,400 --> 00:39:35,840
Well, it's double function, I guess.
823
00:39:41,800 --> 00:39:43,480
I'm really happy with my space.
824
00:39:43,480 --> 00:39:46,560
I'd like them to notice my attention
to detail and the ways
825
00:39:46,560 --> 00:39:49,080
I've used my background
in surface pattern
826
00:39:49,080 --> 00:39:51,840
to make interesting 3D elements
on the wall.
827
00:39:51,840 --> 00:39:54,720
And hopefully they're things
they haven't seen before as well.
828
00:39:54,720 --> 00:39:56,040
That would be really nice.
829
00:39:56,040 --> 00:40:00,760
Charlotte's speciality is textile
design, and last challenge
830
00:40:00,760 --> 00:40:04,440
I felt she was a bit lazy,
so I definitely get the sense
831
00:40:04,440 --> 00:40:07,000
that that message got heard.
Definitely.
832
00:40:07,000 --> 00:40:08,640
I love a feature wall.
833
00:40:08,640 --> 00:40:12,080
A feature ceiling as well, though!
A feature ceiling, beautiful.
834
00:40:12,080 --> 00:40:15,680
And you can really feel the handmade
nature of it, the brush strokes.
835
00:40:15,680 --> 00:40:18,240
I love this textured wall as well.
836
00:40:18,240 --> 00:40:22,920
Again, using the same patterns,
but in a 3D way.
837
00:40:22,920 --> 00:40:26,240
This is an office for one brand,
838
00:40:26,240 --> 00:40:30,440
but there's little things that kind
of grate with me,
839
00:40:30,440 --> 00:40:33,320
so I'm taking an exam over here.
840
00:40:33,320 --> 00:40:35,520
You have a ping pong table
that doesn't quite fit.
841
00:40:35,520 --> 00:40:38,880
I think Charlotte's area feels
very successful, though.
842
00:40:42,560 --> 00:40:45,200
Next to face the judges, Team Media.
843
00:40:51,200 --> 00:40:54,080
Elbow bump.
It's like the Power Rangers.
844
00:41:01,600 --> 00:41:04,200
I'm really pleased with the wall art
and the woodwork,
845
00:41:04,200 --> 00:41:06,920
I think they both came out
as I wanted them to.
846
00:41:06,920 --> 00:41:10,640
I was really pleased
with the overall aesthetic.
847
00:41:10,640 --> 00:41:12,320
Wow.
848
00:41:12,320 --> 00:41:15,600
You can immediately see a very
clever use of materials.
849
00:41:16,640 --> 00:41:20,520
I love the ply on the walls,
on the desks.
850
00:41:20,520 --> 00:41:23,640
One thing about hot desking
is I think it denies people
851
00:41:23,640 --> 00:41:25,880
the ability to personalise
their space.
852
00:41:25,880 --> 00:41:27,880
Just by putting
this little triangle,
853
00:41:27,880 --> 00:41:29,920
I've got somewhere to put
my Post-its.
854
00:41:29,920 --> 00:41:31,040
Yeah, no, absolutely.
855
00:41:31,040 --> 00:41:32,640
And I do love a good Post-it.
856
00:41:32,640 --> 00:41:35,040
And they have storage for each desk,
857
00:41:35,040 --> 00:41:36,600
which is very practical.
858
00:41:36,600 --> 00:41:38,680
The only thing I'm a little
worried about
859
00:41:38,680 --> 00:41:40,760
is that this is
completely unfinished.
860
00:41:40,760 --> 00:41:42,720
That's going to kind of mark.
861
00:41:42,720 --> 00:41:45,240
I agree, another coat of lacquer
or something on it.
862
00:41:45,240 --> 00:41:47,280
Just to make it a bit more durable.
Yeah.
863
00:41:53,680 --> 00:41:56,560
Obviously, I really want
Michelle to love the space,
864
00:41:56,560 --> 00:41:59,920
and I don't want to be having
to answer to her if she doesn't.
865
00:41:59,920 --> 00:42:02,760
However, I am so proud
of what I've achieved
866
00:42:02,760 --> 00:42:04,960
that I feel like I've won anyway.
867
00:42:04,960 --> 00:42:08,160
I'm trying to envisage how people
would use this space.
868
00:42:08,160 --> 00:42:11,600
This is clearly her big statement.
Yeah, the big moment.
869
00:42:11,600 --> 00:42:15,600
But I just wonder about the comfort
of sitting up there.
870
00:42:15,600 --> 00:42:19,000
Am I really going to clamber
up there and brainstorm away?
871
00:42:19,000 --> 00:42:21,480
Because I think I'd be
pretty uncomfortable
872
00:42:21,480 --> 00:42:23,680
within about five seconds.
Do you want to try?
873
00:42:23,680 --> 00:42:25,840
No, I don't!
874
00:42:25,840 --> 00:42:28,280
It's an awful lot of space
that it takes up as well
875
00:42:28,280 --> 00:42:30,120
when you see the depth of it.
876
00:42:30,120 --> 00:42:33,160
All of that space back there is not
going to get sat on, is it?
877
00:42:33,160 --> 00:42:36,640
Yes, but I like the fact
that it's also a division
878
00:42:36,640 --> 00:42:41,360
from the meeting spaces.
The big idea was kind of there,
879
00:42:41,360 --> 00:42:43,600
but not thought through
in the detail of
880
00:42:43,600 --> 00:42:45,480
how am I actually going to use this?
881
00:42:52,960 --> 00:42:56,240
I don't think there's anything in my
space that doesn't meet the brief,
882
00:42:56,240 --> 00:42:59,280
and if I'm being supercritical
on myself, the things that I wished
883
00:42:59,280 --> 00:43:02,360
had gone better are the volume
of curtains that I've got
884
00:43:02,360 --> 00:43:05,320
because it doesn't have the impact
of what I was hoping.
885
00:43:05,320 --> 00:43:08,520
So this is the other side
of the amphitheatre.
886
00:43:09,760 --> 00:43:12,880
Immediately a bit of a lost
opportunity to make
887
00:43:12,880 --> 00:43:14,360
all that access for storage here.
888
00:43:14,360 --> 00:43:17,680
Exactly, if you had doors here,
you would have ample storage.
889
00:43:17,680 --> 00:43:21,120
And then we've got hard meeting,
soft meeting kind of areas.
890
00:43:21,120 --> 00:43:24,200
I think it's quite nice
using the fabrics to separate them
891
00:43:24,200 --> 00:43:26,240
because it just makes it
a bit softer.
892
00:43:26,240 --> 00:43:29,040
Yeah. I guess it also means
you could pull that all back
893
00:43:29,040 --> 00:43:32,840
and really have a big meeting here
if you needed to.
894
00:43:32,840 --> 00:43:36,440
I'm not sure the sheers do enough
for a meeting room.
895
00:43:36,440 --> 00:43:39,760
They won't create enough privacy,
I don't think.
896
00:43:39,760 --> 00:43:43,600
There's just not enough acoustic
separation between the rooms.
897
00:43:43,600 --> 00:43:46,320
If they'd been maybe thicker,
less translucent.
898
00:43:46,320 --> 00:43:49,640
Overall, I feel like they've done
a really, really good job.
899
00:43:49,640 --> 00:43:52,080
I mean, you can really see
the communication
900
00:43:52,080 --> 00:43:54,120
from one end of the room
to the other.
901
00:43:54,120 --> 00:43:55,720
And, look, they have
the same fabric.
902
00:43:55,720 --> 00:43:59,280
Oh, that's nice, so actually Jon
has pushed himself a little
903
00:43:59,280 --> 00:44:02,200
and done some upholstery,
which is always nice to see.
904
00:44:02,200 --> 00:44:04,480
You want to see these designers
learning something
905
00:44:04,480 --> 00:44:07,240
and growing every single challenge.
Absolutely.
906
00:44:12,040 --> 00:44:13,320
Guys, we're done.
907
00:44:13,320 --> 00:44:15,280
Oh! We smashed it.
908
00:44:18,960 --> 00:44:22,080
I just want to go and have
a glass of wine.
909
00:44:22,080 --> 00:44:25,520
Just relieved, so relieved
that we managed to complete it.
910
00:44:25,520 --> 00:44:29,880
Oh, my God, this feels so different.
911
00:44:29,880 --> 00:44:33,800
Finally, the judges inspect
the tech office.
912
00:44:33,800 --> 00:44:36,040
same brief, same budget,
913
00:44:36,040 --> 00:44:40,080
same time and same trade -
different result.
914
00:44:47,160 --> 00:44:51,000
I didn't expect it to all come
together just as well as it did,
915
00:44:51,000 --> 00:44:54,000
and it was very ambitious of us,
but I think we nailed it.
916
00:44:54,000 --> 00:44:58,280
Paul loves wallpapers, but here at
least he's contained it to one wall
917
00:44:58,280 --> 00:45:01,760
and just using it in a way
that is really expressive and fun.
918
00:45:01,760 --> 00:45:05,000
That wallpaper must have been
the starting point of their scheme.
919
00:45:05,000 --> 00:45:07,600
All the colours come back
in other spaces
920
00:45:07,600 --> 00:45:09,800
and they recreated the same pattern.
921
00:45:09,800 --> 00:45:11,880
But it doesn't feel too laboured,
does it?
922
00:45:11,880 --> 00:45:15,040
It feels actually just quite organic
that it sort of happened
923
00:45:15,040 --> 00:45:17,280
quite naturally.
It's not tried too hard.
924
00:45:17,280 --> 00:45:19,160
They have built dividers
925
00:45:19,160 --> 00:45:22,880
and yet it doesn't feel that I've
blocked off huge bits of the office
926
00:45:22,880 --> 00:45:26,040
and you still get the sense
that we're all one team.
927
00:45:26,040 --> 00:45:28,640
This does feel kind
of like the future of office.
928
00:45:28,640 --> 00:45:31,240
Yeah, and it doesn't fall into
cliches. No. At all.
929
00:45:37,440 --> 00:45:39,640
There's lots of things
that I've learned this week.
930
00:45:39,640 --> 00:45:42,280
There's loads more
that I need to learn,
931
00:45:42,280 --> 00:45:44,400
but I think it has given me
a little bit of confidence
932
00:45:44,400 --> 00:45:48,200
just looking around the room
thinking, wow, I did that.
933
00:45:50,680 --> 00:45:52,440
So this is their work space.
934
00:45:52,440 --> 00:45:54,120
Yes. It works.
935
00:45:54,120 --> 00:45:56,400
The layout is fundamentally right.
936
00:45:56,400 --> 00:45:59,080
You've got your team desking here
and then you've got the option
937
00:45:59,080 --> 00:46:01,000
of solo desking as well.
938
00:46:01,000 --> 00:46:03,600
But with enough space around both
of them.
939
00:46:03,600 --> 00:46:05,800
I rather love the wall art.
940
00:46:05,800 --> 00:46:09,360
The colours are tying in, there is
an extraordinary attention
941
00:46:09,360 --> 00:46:11,400
to small details. Yeah.
942
00:46:16,880 --> 00:46:20,600
So Barbara has a more
architectural way of thinking.
943
00:46:20,600 --> 00:46:24,480
But the last challenge, she just
went a bit Bauhaus style mad,
944
00:46:24,480 --> 00:46:26,520
but you can tell her influence.
945
00:46:26,520 --> 00:46:29,600
I think she really drove the kind
of partitioning details.
946
00:46:29,600 --> 00:46:32,880
I can just imagine people working
there, doing their smaller tasks
947
00:46:32,880 --> 00:46:34,800
and having an impromptu meeting here
948
00:46:34,800 --> 00:46:37,240
or a more organised one there
with the whiteboard.
949
00:46:37,240 --> 00:46:40,320
It's really clever to have
incorporated the whiteboards,
950
00:46:40,320 --> 00:46:43,280
isn't it? Both sides. Because you
need space like that in an office.
951
00:46:43,280 --> 00:46:46,440
This is a whole... It looks like if
it was fitted out professionally.
952
00:46:46,440 --> 00:46:49,160
Completely. And they all used their
own strengths
953
00:46:49,160 --> 00:46:51,120
to make this space so successful.
954
00:46:51,120 --> 00:46:53,080
The essence of teamwork, no less.
955
00:46:53,080 --> 00:46:54,120
Oh, yeah.
956
00:46:55,880 --> 00:46:58,680
Before the teams return
to the design studio,
957
00:46:58,680 --> 00:47:00,920
a moment to eye up their
competition.
958
00:47:02,080 --> 00:47:03,960
Is it safe? I hope so.
959
00:47:03,960 --> 00:47:06,560
I mean, imagine if it fell
out with my big bum.
960
00:47:06,560 --> 00:47:09,440
It feels still quite spacious in
here considering she's built this,
961
00:47:09,440 --> 00:47:10,840
which is huge. Yes.
962
00:47:10,840 --> 00:47:13,520
Massive, yeah. So these are
curtains, so obviously you can
963
00:47:13,520 --> 00:47:15,400
move them and open and close
the space.
964
00:47:15,400 --> 00:47:19,000
I prefer the way we've thought about
how people would use our space.
965
00:47:19,000 --> 00:47:21,320
I've just never seen anything
like this before.
966
00:47:21,320 --> 00:47:24,320
Not in an office. Would you actually
go in there and close the curtains?
967
00:47:24,320 --> 00:47:26,480
I guess it depends what you
were doing in there.
968
00:47:26,480 --> 00:47:28,160
THEY LAUGH
969
00:47:31,280 --> 00:47:32,600
Is this necessary?
970
00:47:32,600 --> 00:47:33,960
Would anyone actually use this?
971
00:47:33,960 --> 00:47:36,200
I don't think they would. Oh, wow.
972
00:47:36,200 --> 00:47:37,800
Look at the mural. It goes right up.
973
00:47:37,800 --> 00:47:39,960
Look at the skill involved
in that, though.
974
00:47:39,960 --> 00:47:42,080
What are we thinking then,
are we worried?
975
00:47:42,080 --> 00:47:45,520
Or are we still thinking
that we're... Team win.
976
00:47:45,520 --> 00:47:48,160
Oh... They're lovely partitions.
977
00:47:48,160 --> 00:47:49,320
I thought we'd made a lot...
978
00:47:49,320 --> 00:47:52,160
I mean, we have still made a lot
of wood, but they created
979
00:47:52,160 --> 00:47:54,080
cubbyholes and areas.
980
00:47:54,080 --> 00:47:57,040
I really, really like how
they separated all the spaces.
981
00:47:57,040 --> 00:47:59,600
So we're not scared,
but we're suitably impressed,
982
00:47:59,600 --> 00:48:00,840
I think it's fair to say.
983
00:48:00,840 --> 00:48:02,360
I think we've both hit the brief.
984
00:48:02,360 --> 00:48:05,560
Yeah. Yeah. There's nothing else
we can do. Let's go.
985
00:48:15,600 --> 00:48:20,440
It's results day and the designers
are back at Michelle's studio.
986
00:48:20,440 --> 00:48:23,160
This morning,
feeling a little bit anxious,
987
00:48:23,160 --> 00:48:24,480
a little bit nervous,
988
00:48:24,480 --> 00:48:27,320
because any one of us could be
on the sofa today,
989
00:48:27,320 --> 00:48:29,080
so I'm just keeping my fingers
crossed.
990
00:48:29,080 --> 00:48:31,880
Hi! They're back!
991
00:48:31,880 --> 00:48:36,520
I'm quietly confident today
that I will stand by my design
992
00:48:36,520 --> 00:48:38,360
and I'm happy
with what I've achieved.
993
00:48:38,360 --> 00:48:40,000
Hi! Hello! Hi, guys!
994
00:48:42,160 --> 00:48:44,880
I'm just really nervous
about the level of competition,
995
00:48:44,880 --> 00:48:49,760
but inside in that studio,
I will be feeling quite queasy.
996
00:48:49,760 --> 00:48:52,560
Uh-oh.Hello! Hiya!
997
00:48:52,560 --> 00:48:55,080
I can smell fear!
998
00:48:55,080 --> 00:48:56,320
Yeah!
999
00:48:56,320 --> 00:49:00,320
Don't you all look nice
in your glad rags? Get you!
1000
00:49:00,320 --> 00:49:04,840
Well, I can tell you, Michelle
and Linda were absolutely wowed
1001
00:49:04,840 --> 00:49:07,400
by the level of design they saw.
1002
00:49:08,520 --> 00:49:10,680
So let's hear their verdict.
1003
00:49:12,160 --> 00:49:15,640
There was one team they felt
went above and beyond
1004
00:49:15,640 --> 00:49:18,080
what they expected to see.
1005
00:49:19,800 --> 00:49:23,360
They both said it looked like it had
been designed by professionals
1006
00:49:23,360 --> 00:49:25,640
and they would be happy
to work there.
1007
00:49:30,040 --> 00:49:33,840
Paul, Siobhan, Barbara, you're
through to next week, well done.
1008
00:49:33,840 --> 00:49:35,280
Well done!
1009
00:49:35,280 --> 00:49:36,840
Oh, that's really good.
1010
00:49:36,840 --> 00:49:38,560
Off you go. Well done.
1011
00:49:38,560 --> 00:49:41,680
Relax. Well deserved, guys.
1012
00:49:41,680 --> 00:49:44,680
I know how it felt last week.
It was horrible being on the sofa,
1013
00:49:44,680 --> 00:49:47,280
so this just feels like all the hard
work has paid off.
1014
00:49:47,280 --> 00:49:50,800
So for the remaining teams,
Beauty and Media PR,
1015
00:49:50,800 --> 00:49:54,680
the judges thought two designers
also did enough
1016
00:49:54,680 --> 00:49:56,520
to avoid elimination.
1017
00:49:56,520 --> 00:49:59,360
And those two are...
1018
00:50:00,720 --> 00:50:02,560
..Lynsey
1019
00:50:02,560 --> 00:50:04,160
and Charlotte.
1020
00:50:05,640 --> 00:50:07,080
You can go.
1021
00:50:07,080 --> 00:50:08,640
Thank you.
1022
00:50:08,640 --> 00:50:09,800
Well done.
1023
00:50:09,800 --> 00:50:11,320
Bye, guys. Good luck.
1024
00:50:11,320 --> 00:50:14,200
And for the rest of you, the judges
would like to talk to you
1025
00:50:14,200 --> 00:50:17,520
to find out which one of you
will be going home.
1026
00:50:17,520 --> 00:50:18,920
Good luck.
1027
00:50:18,920 --> 00:50:20,120
Thank you.
1028
00:50:23,400 --> 00:50:24,640
Well...
1029
00:50:26,040 --> 00:50:27,560
..here we are. Here we are.
1030
00:50:27,560 --> 00:50:30,280
Feeling really mixed emotions
right now.
1031
00:50:30,280 --> 00:50:32,920
I feel really happy that
I'm through,
1032
00:50:32,920 --> 00:50:34,960
but really gutted for Amy and Jon
1033
00:50:34,960 --> 00:50:38,160
because we were a team,
and it kind of brings it home,
1034
00:50:38,160 --> 00:50:39,920
it's an individual competition.
1035
00:50:39,920 --> 00:50:43,040
Now, the office spaces
were so impressive.
1036
00:50:43,040 --> 00:50:45,240
How did you whittle it down
to these four?
1037
00:50:45,240 --> 00:50:47,000
It was really, really hard.
1038
00:50:47,000 --> 00:50:49,000
We had to judge them individually,
1039
00:50:49,000 --> 00:50:52,440
and yet we saw three really coherent
office schemes.
1040
00:50:52,440 --> 00:50:54,200
So who should we start with?
1041
00:50:54,200 --> 00:50:55,800
Let's talk about Amy first.
1042
00:50:55,800 --> 00:50:57,480
That was a bold move.
1043
00:50:57,480 --> 00:51:00,040
It was like a plywood Stonehenge.
1044
00:51:00,040 --> 00:51:03,400
I felt like you should pray to it
or sacrifice someone on it.
1045
00:51:03,400 --> 00:51:05,000
It was so huge.
1046
00:51:05,000 --> 00:51:08,240
There's a fine line, really, isn't
there, between having a big idea...
1047
00:51:08,240 --> 00:51:10,680
Yeah. It worked really well
to zone the space,
1048
00:51:10,680 --> 00:51:13,400
but I think there's always a point
where you get into that space
1049
00:51:13,400 --> 00:51:15,520
and you have to be able to go,
1050
00:51:15,520 --> 00:51:18,360
"I think I need to change it a bit
because it's just too much."Yes.
1051
00:51:18,360 --> 00:51:21,920
And I just worry
with her that she doesn't do that.
1052
00:51:21,920 --> 00:51:25,280
Can we talk about Jon's meeting
room? Functionality wise,
1053
00:51:25,280 --> 00:51:26,800
it wasn't very successful.No.
1054
00:51:26,800 --> 00:51:29,680
Even though the idea of curtains
was really lovely,
1055
00:51:29,680 --> 00:51:32,400
the execution and the fact
that they were sheers,
1056
00:51:32,400 --> 00:51:35,800
that just didn't quite make it
for a successful meeting room.
1057
00:51:35,800 --> 00:51:39,680
Now, where do you both stand
on Peter's ping pong table?
1058
00:51:39,680 --> 00:51:41,360
I'm not a fan of ping pong,
1059
00:51:41,360 --> 00:51:44,000
especially not in a small office
like that
1060
00:51:44,000 --> 00:51:46,640
where it can be so loud
and so distracting.
1061
00:51:46,640 --> 00:51:48,080
He could have been cleverer.
1062
00:51:48,080 --> 00:51:50,960
We could have had the language
of ping pong without it literally
1063
00:51:50,960 --> 00:51:54,080
being a ping pong table,
which is fun for five minutes
1064
00:51:54,080 --> 00:51:55,400
and then intensely annoying.
1065
00:51:55,400 --> 00:51:57,680
Let's talk about Micaela's space.
1066
00:51:57,680 --> 00:52:00,360
That room really wasn't working,
layout wise.
1067
00:52:00,360 --> 00:52:03,760
Because I was thinking, "Oh, God,
I've got to take an exam!"
1068
00:52:03,760 --> 00:52:06,640
Oh, yes! Because all the desks
were lined up like that,
1069
00:52:06,640 --> 00:52:09,680
but also the whole lot facing away
from the door.
1070
00:52:09,680 --> 00:52:12,440
Just visualise the customer journey
because you are going to enter
1071
00:52:12,440 --> 00:52:14,640
into this space and who is going
to greet you?
1072
00:52:14,640 --> 00:52:18,440
It's just this ability to stand back
and read the whole space
1073
00:52:18,440 --> 00:52:19,840
that I think she just missed.
1074
00:52:19,840 --> 00:52:23,160
But we have actually got so many
questions we want to ask them.
1075
00:52:23,160 --> 00:52:26,120
I don't envy you, it's going
to be so tough, isn't it?
1076
00:52:26,120 --> 00:52:27,160
Yes.
1077
00:52:34,000 --> 00:52:35,720
Hi. Hi there.
1078
00:52:35,720 --> 00:52:41,280
I have to tell you, you are already
making this incredibly hard for me
1079
00:52:41,280 --> 00:52:43,240
to call it between any of you.
1080
00:52:43,240 --> 00:52:45,680
You have to know that the standard
1081
00:52:45,680 --> 00:52:48,920
that you are hitting
is just extraordinary.
1082
00:52:48,920 --> 00:52:52,360
Nevertheless, one person
will go home today,
1083
00:52:52,360 --> 00:52:55,800
so this chat is about me
really understanding
1084
00:52:55,800 --> 00:52:57,760
your individual designs.
1085
00:52:57,760 --> 00:52:58,800
Jon. Yes.
1086
00:52:58,800 --> 00:53:00,800
I'm going to start with you. OK.
1087
00:53:00,800 --> 00:53:04,400
This was a chance to reinvent
the office for the 21st century.
1088
00:53:04,400 --> 00:53:06,240
Do you think you did that?
1089
00:53:06,240 --> 00:53:09,120
Erm, in terms of a reinvention,
probably not.
1090
00:53:09,120 --> 00:53:12,680
And certainly when we were given
the brief to start with,
1091
00:53:12,680 --> 00:53:17,160
I did go into office mode of this is
what should be in these places.
1092
00:53:17,160 --> 00:53:20,880
On the flip side of it, my other
big idea was to show how much
1093
00:53:20,880 --> 00:53:22,920
I've grown from the last challenge
1094
00:53:22,920 --> 00:53:25,960
and try and be forward thinking
in terms of the brief.
1095
00:53:25,960 --> 00:53:28,320
So I don't work in an office
that has curtains
1096
00:53:28,320 --> 00:53:31,280
and I thought actually to soften
that area, being able to shift
1097
00:53:31,280 --> 00:53:34,760
that away so you could use
the space in four ways.
1098
00:53:34,760 --> 00:53:37,400
The one thing I thought -
if the curtains
1099
00:53:37,400 --> 00:53:39,360
would have been
a little bit thicker,
1100
00:53:39,360 --> 00:53:41,200
a little bit more soundproofing.
1101
00:53:41,200 --> 00:53:43,480
Yeah, if I'm fortunate enough
to carry on,
1102
00:53:43,480 --> 00:53:45,240
that's a great thing to take away.
1103
00:53:46,560 --> 00:53:51,440
Amy, you put a very big idea
into your space.
1104
00:53:51,440 --> 00:53:54,600
When it was built,
was it how you imagined?
1105
00:53:54,600 --> 00:53:56,920
I probably should admit
at this stage,
1106
00:53:56,920 --> 00:53:59,160
it was originally going
to be twice that size!
1107
00:53:59,160 --> 00:54:01,640
So I'm very glad that
I took it down.
1108
00:54:01,640 --> 00:54:04,040
How could that have been twice
as big?
1109
00:54:04,040 --> 00:54:05,400
Where would it all have gone?
1110
00:54:05,400 --> 00:54:08,200
It was originally going to come
a little bit further towards
1111
00:54:08,200 --> 00:54:10,760
Lynsey's area, so it was just
a sort of longer L-shape.
1112
00:54:10,760 --> 00:54:12,600
The point of it was to create drama.
1113
00:54:12,600 --> 00:54:15,320
I wanted to kind of create
a space that felt fun,
1114
00:54:15,320 --> 00:54:17,560
but still had that sort
of sophistication.
1115
00:54:17,560 --> 00:54:20,320
Do you think people would really
use it, though?
1116
00:54:20,320 --> 00:54:22,480
It obviously is a grown-up space.
1117
00:54:22,480 --> 00:54:23,880
It's not a playground.
1118
00:54:23,880 --> 00:54:25,840
No, it was about trying to be bold,
I guess,
1119
00:54:25,840 --> 00:54:28,080
answering that part of the brief.
1120
00:54:28,080 --> 00:54:30,360
It seemed like you've seen
this picture somewhere
1121
00:54:30,360 --> 00:54:33,440
and you really liked the idea,
but you perhaps didn't consider
1122
00:54:33,440 --> 00:54:36,320
the constraints of the space
with the ceiling height
1123
00:54:36,320 --> 00:54:39,800
and the fact that you have
a fairly small space to fill. OK.
1124
00:54:39,800 --> 00:54:42,200
I was just wondering if you guys
have ever discussed
1125
00:54:42,200 --> 00:54:45,120
how it could be utilised further,
perhaps for storage space?
1126
00:54:45,120 --> 00:54:48,280
Yeah, that's something that I need
to consider for next time.
1127
00:54:48,280 --> 00:54:52,640
I feel it could have worked a lot
harder and it was way too big. OK.
1128
00:54:54,600 --> 00:54:59,800
Micaela, you have got to stand back
and look at your room as a whole,
1129
00:54:59,800 --> 00:55:02,200
because I felt I was on detention.
1130
00:55:02,200 --> 00:55:05,080
Oh! Because I'm sitting there,
I've got someone behind me,
1131
00:55:05,080 --> 00:55:07,640
I've got someone in front of me,
I'm not facing the door.
1132
00:55:07,640 --> 00:55:10,760
I thought, it's nicer to be looking
towards the window than
1133
00:55:10,760 --> 00:55:13,400
staring immediately at a colleague
all the time.
1134
00:55:13,400 --> 00:55:14,920
That was my preference.
1135
00:55:14,920 --> 00:55:17,360
That doesn't encourage
collaborative working.
1136
00:55:17,360 --> 00:55:19,960
Also, if anyone ever visits
this office,
1137
00:55:19,960 --> 00:55:22,920
how would they feel about
entering the space?
1138
00:55:22,920 --> 00:55:25,960
Who would greet them or what would
their journey look like?
1139
00:55:25,960 --> 00:55:29,120
I hoped that when you entered,
you wouldn't feel like,
1140
00:55:29,120 --> 00:55:31,520
you know, I don't know,
you felt awkward.
1141
00:55:31,520 --> 00:55:34,400
But in an ideal world, I don't think
I would have put
1142
00:55:34,400 --> 00:55:35,960
any of the desks back in.
1143
00:55:35,960 --> 00:55:38,280
I would have had something
more fluid and curved.
1144
00:55:38,280 --> 00:55:40,680
What do you mean by in an ideal
world? This was your brief.
1145
00:55:40,680 --> 00:55:43,600
That's one of the biggest learning
curves, I think, of being a designer
1146
00:55:43,600 --> 00:55:45,920
that you get in there
and it's the ability to go,
1147
00:55:45,920 --> 00:55:48,000
"I've made a mistake.
I need to change this."
1148
00:55:48,000 --> 00:55:50,680
Sometimes it's about the thing
you take off.
1149
00:55:53,000 --> 00:55:54,920
Ready? Sure, why not?
1150
00:55:54,920 --> 00:55:57,720
The ping pong table. OK.
1151
00:55:57,720 --> 00:56:01,880
Why? It's a clip-on, so it can
come down really quickly.
1152
00:56:01,880 --> 00:56:03,120
I upholstered the benches.
1153
00:56:03,120 --> 00:56:05,720
You could fit six people working
collaboratively
1154
00:56:05,720 --> 00:56:08,160
and also it's on trestle legs that
can come up so you can work
1155
00:56:08,160 --> 00:56:09,440
standing around it as well.
1156
00:56:09,440 --> 00:56:12,080
The ping pong side was just
because the brief did mention
1157
00:56:12,080 --> 00:56:13,400
having fun in the space.
1158
00:56:13,400 --> 00:56:15,560
When you start to think about,
oh, actually someone
1159
00:56:15,560 --> 00:56:18,120
is going to have a ping pong match
here, how am I going to be able
1160
00:56:18,120 --> 00:56:20,400
to work next door or have a meeting
in the other room?
1161
00:56:20,400 --> 00:56:21,640
Yeah, of course. Yeah.
1162
00:56:21,640 --> 00:56:24,920
I think maybe there could have been
a cleverer way to do it, then.
1163
00:56:24,920 --> 00:56:28,480
If you really were taking
the concept of the fun idea
1164
00:56:28,480 --> 00:56:32,440
but actually its primary function
was to be a standing desk
1165
00:56:32,440 --> 00:56:33,800
or a work table. Yeah.
1166
00:56:33,800 --> 00:56:36,480
I just didn't read that.
1167
00:56:36,480 --> 00:56:40,400
It's been a really tough
decision this week.
1168
00:56:40,400 --> 00:56:43,480
In the end, in design, I think
it comes down to this balance
1169
00:56:43,480 --> 00:56:47,680
between originality, ambition
and also execution.
1170
00:56:48,880 --> 00:56:51,720
Does it all work at the end
of the day?
1171
00:56:53,400 --> 00:56:55,280
So this week...
1172
00:56:57,480 --> 00:56:59,480
..the person that's going
to go home...
1173
00:57:05,080 --> 00:57:06,720
..I'm sorry, Amy, it's you.
1174
00:57:12,840 --> 00:57:15,320
Amy, it's only the beginning, love.
1175
00:57:15,320 --> 00:57:17,440
I'm really sorry, Amy. I am,
1176
00:57:17,440 --> 00:57:21,400
because you showed me ambition,
you showed me a big idea.
1177
00:57:21,400 --> 00:57:25,960
Just on the balance of things,
it needed more adaptation.
1178
00:57:25,960 --> 00:57:27,240
Well done, guys.
1179
00:57:32,080 --> 00:57:35,600
For someone of her skill
to go in week two,
1180
00:57:35,600 --> 00:57:38,200
but she'll have an amazing career.
1181
00:57:38,200 --> 00:57:40,680
I'm feeling ridiculously emotional,
1182
00:57:40,680 --> 00:57:42,640
but, yeah, just gutted.
1183
00:57:42,640 --> 00:57:45,920
I had lots more tricks up my sleeve
and stuff I wanted to showcase,
1184
00:57:45,920 --> 00:57:49,320
but I'll do that,
just somewhere else.
1185
00:57:49,320 --> 00:57:53,960
Amy gave me the big idea
that I was asking for,
1186
00:57:53,960 --> 00:57:58,400
but you have to be able to take
your concept and adapt it
1187
00:57:58,400 --> 00:58:00,520
and flex it to the space
that you're given
1188
00:58:00,520 --> 00:58:03,480
and I just didn't feel
that she did that.
1189
00:58:05,040 --> 00:58:06,600
It's like Beauty and the Beast.
1190
00:58:06,600 --> 00:58:09,080
The designers take on hotel
bedrooms...
1191
00:58:09,080 --> 00:58:11,560
My room is going to be a slap
in the face.
1192
00:58:11,560 --> 00:58:14,280
..in an historic Sussex
wedding venue.
1193
00:58:14,280 --> 00:58:15,920
Very Romeo and Juliet.
1194
00:58:15,920 --> 00:58:17,920
This is game on for me now.
1195
00:58:17,920 --> 00:58:20,320
There's an awful, awful lot to do.
1196
00:58:20,320 --> 00:58:22,800
This is a bridal suite, you're doing
a Punch and Judy show?
1197
00:58:22,800 --> 00:58:23,880
Yes, I'm going to try.
1198
00:58:23,880 --> 00:58:26,240
I definitely need to be done
by the end of the day.
1199
00:58:26,240 --> 00:58:28,680
This is going to go down
to the wire.
153482
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