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For 15 years, Highclere Castle has
been the home of Downton Abbey.
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00:00:17,960 --> 00:00:21,960
'Over six seasons
and three films,
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00:00:21,960 --> 00:00:23,960
'all life has happened,
inside and out.
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00:00:24,960 --> 00:00:27,960
'Upstairs...'
Is it true, what Lavinia says?
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00:00:27,960 --> 00:00:29,960
'..and down.'
PLATES SHATTERING
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00:00:29,960 --> 00:00:32,960
'Love...'
I'm asking you to marry me.
7
00:00:32,960 --> 00:00:35,320
'..and loss.'
No!
8
00:00:35,320 --> 00:00:36,960
'Family...'
Are we ready?
9
00:00:36,960 --> 00:00:38,960
'..and friendship.
10
00:00:38,960 --> 00:00:40,960
'Betrayal...
11
00:00:43,960 --> 00:00:46,640
'..and redemption.'
Mr Bates is coming back to Downton!
12
00:00:46,640 --> 00:00:48,800
And more drama than
the Dowager Countess
13
00:00:48,800 --> 00:00:49,960
could shake a stick at.
14
00:00:49,960 --> 00:00:51,960
CANE THUDS
I forbid it.
15
00:00:54,960 --> 00:00:57,000
You'll find there's never
a dull moment in this house.
16
00:00:57,000 --> 00:00:58,960
I'm Michelle Dockery,
17
00:00:58,960 --> 00:01:00,960
and for the cast and crew
of Downton Abbey,
18
00:01:00,960 --> 00:01:03,160
Highclere has been our home, too.
19
00:01:03,160 --> 00:01:07,640
This beloved world
of tea, tears, and tiaras...
20
00:01:07,640 --> 00:01:10,960
I do apologise,
but Lady Mary must go.
21
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..is reaching its closing chapter
with our third and final film.
22
00:01:14,960 --> 00:01:17,320
You must be Mr Sandbrook.
Welcome to Downton.
23
00:01:17,320 --> 00:01:18,960
Come in and have some tea.
24
00:01:21,960 --> 00:01:25,960
Tonight, you are invited to tea
with our entire Downton family
25
00:01:25,960 --> 00:01:28,960
at London's iconic Savoy Hotel.
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There'll be celebration...
27
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I'll just pose casually by this.
28
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LAUGHTER
..memories...
29
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My line was, "We could ask
the village people to help."
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LAUGHTER
..and lots of laughter.
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She went...
LAUGHTER
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It is him.
LAUGHTER
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Plus one or two surprises.
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I don't know whether people know
about myself and Michelle.
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I've got something for you.
ALL: Oh!
36
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Including the world premiere of
an exclusive scene from our film.
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Is this funny or impertinent?
Find it funny, please.
38
00:02:02,640 --> 00:02:05,960
So join us in a toast
to the house,
39
00:02:05,960 --> 00:02:09,800
the heart, and the people
of Downton Abbey,
40
00:02:09,800 --> 00:02:12,480
as we celebrate The Grand Finale.
41
00:02:34,960 --> 00:02:36,960
Feels like we're in
some sort of weird reality show
42
00:02:36,960 --> 00:02:38,960
where we don't know
who's going to appear.
43
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But it's very good of you to host it
at home, I have to say that.
44
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LAUGHTER
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We like the way you've done it.
Thank you.
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Oh, this old thing?
LAUGHING: Yeah!
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I've enjoyed a good life
in your service, my lord. I hope so.
48
00:02:56,960 --> 00:02:59,960
Be great to see everybody, won't it?
I'm excited, yeah.
49
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15 years.
50
00:03:00,960 --> 00:03:04,640
I've gone through several shades
of grey since we started.
51
00:03:04,640 --> 00:03:06,960
I think we both
had darker hair then.
52
00:03:06,960 --> 00:03:07,960
LAUGHTER
53
00:03:07,960 --> 00:03:09,960
You were by my side
when I inherited,
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and here we still are,
however many years later.
55
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Be exciting.
I mean, and possibly,
56
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who knows, maybe the last time
we all get together.
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MOCK TEARFULLY: Don't say that, Tim.
Oh, no, no, I've set him off.
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He's so sentimental.
LAUGHTER
59
00:03:27,960 --> 00:03:29,960
Oh, look, here we are.
Oh, what a surprise.
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Say.
Oh, hello.
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Lovely to see you.
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Thank heaven, we'll soon be home.
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Hello. Mwah!
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A wise choice,
if I may say so, milady.
65
00:03:39,800 --> 00:03:42,960
I have to say that Jim and I
are always at a disadvantage,
66
00:03:42,960 --> 00:03:45,160
because you two look nothing like
you do in the show, so...
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You don't recognise us.
No!
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Exactly!
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How are you?
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I'm very well.
I'm excited about this.
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It'll be fun,
getting the gang back together.
72
00:04:03,960 --> 00:04:06,000
Film starts soon.
Everybody, hopefully, will enjoy it.
73
00:04:06,000 --> 00:04:08,960
The fans will flock in
in their gazillions.
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00:04:08,960 --> 00:04:11,960
Of course. Well, it's certainly one
for the fans, isn't it?
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00:04:11,960 --> 00:04:14,960
It's a farewell, a love letter
to everyone who's, you know,
76
00:04:14,960 --> 00:04:16,960
been loyal enough
to stay with us all these years.
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We did it for us.
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Did you? I did it for the money.
LAUGHTER
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Yay!
Dun-dun-dun!
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00:04:23,960 --> 00:04:25,000
THEY CHUCKLE
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00:04:26,960 --> 00:04:28,960
PHYLLIS: Yay!
82
00:04:30,960 --> 00:04:33,800
When I look back,
it was just incredible, you know,
83
00:04:33,800 --> 00:04:36,960
the places it took us,
the fun we've had.
84
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I am very grateful.
85
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Don't be. You're my sister.
86
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I remember reading the scripts
and just being so excited.
87
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They were so good.
88
00:04:47,480 --> 00:04:49,480
You went to bed with a stranger?
89
00:04:49,480 --> 00:04:53,960
'I hoped it would be a big deal, but
none of us knew what would happen.'
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00:04:53,960 --> 00:04:57,960
I feel lucky that... that I get to
sort of be a part of this huge show.
91
00:04:57,960 --> 00:04:59,960
Mr Carson, can I help?
92
00:04:59,960 --> 00:05:01,960
'I think it's something
we all feel super proud of.'
93
00:05:03,480 --> 00:05:04,960
It's the right time for it to end.
94
00:05:04,960 --> 00:05:06,960
I think this is a beautiful way
to end it.
95
00:05:06,960 --> 00:05:09,320
You and all of Sybil's family
have given me everything.
96
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'And I'll miss it.'
97
00:05:12,960 --> 00:05:16,960
I got a call about going
to audition for a period drama,
98
00:05:16,960 --> 00:05:19,960
and I thought, "Well, I think
I've done a few period dramas.
99
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"But... Maggie Smith's in it?
100
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"Perhaps I will go in for an
audition for a period drama, then."
101
00:05:25,640 --> 00:05:29,960
And I know I would have been annoyed
if I hadn't got the part.
102
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I mean, that sounds a bit vain,
but I thought,
103
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"No, I can do... I know this.
I can do this."
104
00:05:33,960 --> 00:05:36,960
And I was delighted when...
when I did get it, of course.
105
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When the audition came in,
there was a real buzz.
106
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And I, like you, Jim, I felt
I would have been really upset
107
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if I hadn't got it.
108
00:05:43,960 --> 00:05:47,000
And I just sort of fell in love
with the character,
109
00:05:47,000 --> 00:05:49,800
and just played it as best I could.
110
00:05:49,800 --> 00:05:53,160
And as I walked out, Dan Stevens
was sat in the waiting area.
111
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And I said, "Matthew?"
112
00:05:55,960 --> 00:05:57,960
And he went, "Yeah. Mary?"
THEY CHUCKLE
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And we kind of looked
at one another,
114
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and I just... I remember thinking,
"Well, that could work."
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LAUGHS
116
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Goodbye, Mary, and God bless you.
117
00:06:10,160 --> 00:06:12,960
I remember getting a call
from my agent,
118
00:06:12,960 --> 00:06:14,960
"You got the part,
you got the part!"
119
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And I was just, like, thrilled.
120
00:06:16,960 --> 00:06:20,000
And then the next sentence was,
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00:06:20,000 --> 00:06:24,960
"You gotta go to your accent coach
on Thursday at ten o'clock."
122
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I was like,
"OK, OK! My accent coach?"
123
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"Yeah, you're playing American."
124
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I was like, "I am American."
125
00:06:32,000 --> 00:06:35,960
And they said, "No, but you gotta go
to your accent coach,"
126
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who was an English person
127
00:06:37,960 --> 00:06:40,000
who taught me how to speak
with an American accent.
128
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What did they teach you?
That was how it started. Amazing.
129
00:06:42,960 --> 00:06:44,960
I kind of felt like I was
coming in as the newbie
130
00:06:44,960 --> 00:06:47,960
in episode four of Season 1.
Yeah.
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00:06:47,960 --> 00:06:52,800
And I remember being so nervous,
doing that scene with Hugh and Jim.
132
00:06:52,800 --> 00:06:54,960
And the lunch break,
I went into my little trailer,
133
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you know, I did my scene,
haven't been fired yet.
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LAUGHTER
135
00:06:57,960 --> 00:07:00,800
And it was Michelle came,
just knocked on the door,
136
00:07:00,800 --> 00:07:01,960
she had her hair up
in one of those blue...
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Blue nets.
Hairnets.
138
00:07:03,960 --> 00:07:05,960
And she went,
"All right? We're all having lunch."
139
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Cos it was a beautiful day,
and we were all at Highclere.
140
00:07:08,960 --> 00:07:10,960
And she brought me out,
and we all sat on the grass.
141
00:07:10,960 --> 00:07:14,320
And it's, I think, the essence
of that welcoming nature
142
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that, as a cast, we've always,
when anyone has come in... Yeah.
143
00:07:17,160 --> 00:07:20,960
..had that sense of, "Come in,
you're gonna have a great time."
144
00:07:20,960 --> 00:07:21,960
And we had, pretty much, I think,
145
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our first scenes together,
didn't we? Yeah.
146
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It was on the first day
of the shoot,
147
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and it was a scene
where I was crying,
148
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which felt like a huge thing
to start with.
149
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And we were so good in it,
they cut it.
150
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They cut it, yeah.
But you were so kind.
151
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I think you must have realised
how terrified I was, and how you...
152
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I was as terrified as you, trust me.
Yeah.
153
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I do remember, that first
read-through, we started to read,
154
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and suddenly, it was like,
"Oh, my God." It was huge.
155
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The script went...
MIMICS EXPLOSION
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It just came to life.
157
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It was just like
lightning had struck.
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And we had no idea.
No idea.
159
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None. No idea then that it was gonna
take off like it did,
160
00:07:56,960 --> 00:08:00,960
and we'd be recognised
from China to Patagonia.
161
00:08:00,960 --> 00:08:02,960
And I remember,
didn't you say something to Laura
162
00:08:02,960 --> 00:08:05,960
about, "This doesn't happen often,
dear?"
163
00:08:05,960 --> 00:08:07,960
Well, this doesn't happen
to any of us.
164
00:08:07,960 --> 00:08:10,160
I mean, this doesn't happen
to Maggie Smith.
165
00:08:10,160 --> 00:08:13,960
You know, Maggie, with Oscars
dripping out of every handbag,
166
00:08:13,960 --> 00:08:16,800
you know, I mean,
even she's not been in something
167
00:08:16,800 --> 00:08:18,960
as globally successful as this.
168
00:08:18,960 --> 00:08:22,960
So I mean, it was a phenomenon that
nobody saw it coming, really. No.
169
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Oh, hello. Here's trouble.
Oh, now, hello!
170
00:08:41,960 --> 00:08:45,000
Hello. Nice to see you.
Hello.
171
00:08:45,000 --> 00:08:47,960
How are you?
Good!
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It's your time now.
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Lovely to see you.
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I do have some ideas of my own.
175
00:08:54,960 --> 00:08:57,960
Carter.
Hello, darling.
176
00:08:57,960 --> 00:09:00,960
I admire you, Lady Mary.
You're very brave.
177
00:09:01,960 --> 00:09:03,000
Plethora of loveliness!
178
00:09:03,000 --> 00:09:04,960
So, we walked back
along Piccadilly,
179
00:09:04,960 --> 00:09:06,320
then down through the Green Park.
180
00:09:06,320 --> 00:09:09,960
Everyone, have a seat.
I'll just pose casually by this.
181
00:09:09,960 --> 00:09:11,960
LAUGHTER
182
00:09:12,960 --> 00:09:15,960
Still to come on Downton Abbey
Celebrates The Grand Finale...
183
00:09:15,960 --> 00:09:18,960
PLAYS THEME MUSIC
'Music...'
184
00:09:18,960 --> 00:09:21,960
Oh, yeah. It's so stirring.
It gives you chills.
185
00:09:21,960 --> 00:09:22,960
'..costumes...'
186
00:09:22,960 --> 00:09:24,960
Obviously, I'm gonna bring up Daisy.
What?
187
00:09:24,960 --> 00:09:27,960
And her evolution through style.
188
00:09:27,960 --> 00:09:30,480
To be honest, last year was chaotic.
I beg your pardon?
189
00:09:30,480 --> 00:09:32,480
'..and more memories from the cast.'
190
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I don't know where to look.
191
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I'm just gonna look down.
LAUGHTER
192
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Plus, a world-exclusive scene
from our brand-new film.
193
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LAUGHTER
194
00:09:54,960 --> 00:09:55,960
We have had some giggles,
though.
195
00:09:55,960 --> 00:09:58,960
I had to do a scene where Anna
was looking for Mr Bates,
196
00:09:58,960 --> 00:10:00,960
and she went into a public house.
197
00:10:00,960 --> 00:10:02,960
Director said,
"Oh, just so you know,
198
00:10:02,960 --> 00:10:06,160
"it'd be really shocking for a woman
to walk into a pub on her own."
199
00:10:06,160 --> 00:10:07,960
So, this older gentleman
was at the bar,
200
00:10:07,960 --> 00:10:09,960
and he was like,
"Oh, OK, all right."
201
00:10:09,960 --> 00:10:12,960
So, then, I walked in,
and he literally went like this.
202
00:10:12,960 --> 00:10:14,960
LAUGHTER
203
00:10:14,960 --> 00:10:15,960
Yeah.
204
00:10:15,960 --> 00:10:18,960
And then the director went,
"A little less shocked than that."
205
00:10:18,960 --> 00:10:19,960
LAUGHTER
206
00:10:19,960 --> 00:10:23,800
I remember Maggie,
in the first season,
207
00:10:23,800 --> 00:10:25,960
the director said,
"If we can start the scene
208
00:10:25,960 --> 00:10:27,960
"as if you're already
in conversation."
209
00:10:27,960 --> 00:10:29,960
And they said, "OK, action."
210
00:10:29,960 --> 00:10:30,960
And she looked at me
and went, "Pardon?"
211
00:10:30,960 --> 00:10:32,000
LAUGHTER
212
00:10:32,000 --> 00:10:36,960
And it was just terrifying,
having to improvise with Maggie.
213
00:10:36,960 --> 00:10:40,480
Do you remember, we had our big fete
in the... in the...
214
00:10:40,480 --> 00:10:41,960
Did you say a fight? No.
Oh, a fete?
215
00:10:41,960 --> 00:10:43,640
No, a fete, darling.
Sorry.
216
00:10:43,640 --> 00:10:45,960
I'm just translating for the
Americans. Fete - a party.
217
00:10:45,960 --> 00:10:48,320
Which means a fair.
In the grounds of the castle.
218
00:10:48,320 --> 00:10:50,960
But, you know, for some reason,
we'd lost some people.
219
00:10:50,960 --> 00:10:54,960
I don't know what.
But anyway, my line was,
220
00:10:54,960 --> 00:10:57,960
"Oh, we could ask the village people
to help."
221
00:10:57,960 --> 00:11:00,960
LAUGHTER
222
00:11:00,960 --> 00:11:05,960
And all I could picture was all
these bare-chested lumberjacks.
223
00:11:13,960 --> 00:11:17,960
I feel like this film
wraps up so beautifully
224
00:11:17,960 --> 00:11:20,960
every single character
and their storyline. Yes.
225
00:11:20,960 --> 00:11:22,960
And while they are rounding...
226
00:11:22,960 --> 00:11:25,640
You know, all rounded off, in a way,
they're not ended.
227
00:11:25,640 --> 00:11:27,960
There's always a sort of sense of,
"What's going to happen next?"
228
00:11:27,960 --> 00:11:30,960
Each film, actually, has kind of
been building to this moment
229
00:11:30,960 --> 00:11:32,960
where the baton is firmly...
230
00:11:32,960 --> 00:11:34,960
Finally, finally!
..finally passed on!
231
00:11:34,960 --> 00:11:36,960
He finally lets go of it.
232
00:11:36,960 --> 00:11:37,960
And in so many of the storylines.
233
00:11:37,960 --> 00:11:39,960
You know,
it's Daisy and Mrs Patmore.
234
00:11:39,960 --> 00:11:41,960
At least you're still around,
Mrs Patmore.
235
00:11:41,960 --> 00:11:45,960
Oh, only until now.
Daisy's cooking dinner tonight.
236
00:11:45,960 --> 00:11:47,960
By tomorrow morning,
I'll have retired as well.
237
00:11:47,960 --> 00:11:49,160
So bring your complaints to me.
238
00:11:49,160 --> 00:11:50,960
Carson and Andy.
239
00:11:50,960 --> 00:11:52,960
I would like to thank you,
Mr Carson.
240
00:11:52,960 --> 00:11:54,960
You've taught me so much,
241
00:11:54,960 --> 00:11:57,000
and I hope, one day,
I'll be a worthy successor.
242
00:11:57,000 --> 00:11:59,960
It's the next generation
moving forward.
243
00:11:59,960 --> 00:12:02,960
And, I think, Anna,
with the costumes,
244
00:12:02,960 --> 00:12:05,960
I mean, they're just exquisite.
245
00:12:05,960 --> 00:12:07,960
I mean, every time, it feels like
she surpasses herself.
246
00:12:07,960 --> 00:12:09,320
Yes.
Every single time.
247
00:12:09,320 --> 00:12:11,960
There's gonna be a run
on your red dress, I can tell you.
248
00:12:11,960 --> 00:12:13,960
The red dress is something else.
Going into mass production.
249
00:12:16,960 --> 00:12:19,960
Anna, do you always know
where you're going with the costume?
250
00:12:19,960 --> 00:12:22,960
Or do you start sketching
and it can change drastically?
251
00:12:22,960 --> 00:12:24,960
Or do you sort of have
a set idea straightaway?
252
00:12:24,960 --> 00:12:28,320
Lady Mary's red dress that she wears
to the Petersfield Ball,
253
00:12:28,320 --> 00:12:30,960
I knew straight away the silhouette
that I wanted that to be,
254
00:12:30,960 --> 00:12:31,960
and the colour.
255
00:12:31,960 --> 00:12:34,480
And that's not in the script,
so that's just come to you?
256
00:12:34,480 --> 00:12:35,960
Yeah, and I think, as well,
257
00:12:35,960 --> 00:12:37,960
I knew there was gonna be
some really focused shots,
258
00:12:37,960 --> 00:12:40,960
front and back,
with her coming and going,
259
00:12:40,960 --> 00:12:42,960
and the fact there was a gift
of the scene written,
260
00:12:42,960 --> 00:12:44,960
in the atelier,
where she's trying on the dress.
261
00:12:44,960 --> 00:12:46,960
You will be a sensation.
262
00:12:46,960 --> 00:12:49,960
'So you know there's gonna be
proper 360-degree focus.'
263
00:12:49,960 --> 00:12:51,960
And quite often, you can spend
ages designing something
264
00:12:51,960 --> 00:12:53,160
that's glorious all the way around,
265
00:12:53,160 --> 00:12:55,960
and then someone's sitting
in a chair, and you hardly see it.
266
00:12:55,960 --> 00:12:59,960
Obviously, I'm gonna bring up Daisy
and her evolution through style.
267
00:12:59,960 --> 00:13:00,960
LAUGHTER
268
00:13:00,960 --> 00:13:03,960
'Daisy's kind of really grown up
on camera.'
269
00:13:03,960 --> 00:13:05,960
Have you missed me?
Of course!
270
00:13:05,960 --> 00:13:07,960
'She's, you know,
found her own sense of style,
271
00:13:07,960 --> 00:13:09,960
'has a little bit more means.'
272
00:13:09,960 --> 00:13:10,960
Don't tell Annie!
273
00:13:10,960 --> 00:13:12,960
I think in this final film,
it was definitely, like,
274
00:13:12,960 --> 00:13:15,160
trying to push as much as we could
275
00:13:15,160 --> 00:13:19,960
this really cute little preppy,
Chanel-inspired vibe,
276
00:13:19,960 --> 00:13:22,800
little jackets and cute hats.
277
00:13:22,800 --> 00:13:23,960
This is Mrs Parker.
278
00:13:23,960 --> 00:13:28,160
I definitely felt that when I was
doing the scene in the village hall,
279
00:13:28,160 --> 00:13:29,960
and she's finding her confidence.
280
00:13:29,960 --> 00:13:32,960
Last year's arrangements will,
for the most part, stand?
281
00:13:32,960 --> 00:13:33,960
Yes, absolutely.
282
00:13:33,960 --> 00:13:35,640
Is that a good idea?
283
00:13:35,640 --> 00:13:39,320
It really helps
to express that with the clothes.
284
00:13:39,320 --> 00:13:40,960
What?
285
00:13:40,960 --> 00:13:43,160
Well, to be honest,
last year was chaotic.
286
00:13:43,160 --> 00:13:44,960
I beg your pardon?
287
00:13:44,960 --> 00:13:46,960
And then there's the big set pieces
288
00:13:46,960 --> 00:13:48,960
I think people
will really love, like Ascot.
289
00:13:48,960 --> 00:13:50,480
Oh, I thought they were wonderful.
290
00:13:50,480 --> 00:13:52,960
I mean, apart from it
looking beautiful,
291
00:13:52,960 --> 00:13:53,960
the actual racing...
292
00:13:53,960 --> 00:13:55,960
It looks incredible.
Yeah.
293
00:13:55,960 --> 00:13:56,960
I mean, it was so exciting.
294
00:13:56,960 --> 00:13:58,960
HORSE HOOVES THUDDING,
AUDIENCE YELLING
295
00:13:58,960 --> 00:13:59,960
Oh.
296
00:13:59,960 --> 00:14:03,960
Shouldn't you wait and see
if there's a stewards' inquiry?
297
00:14:03,960 --> 00:14:05,960
Talking about
the production design, really,
298
00:14:05,960 --> 00:14:08,960
I mean, Donal's work throughout,
let's face it, is astonishing.
299
00:14:08,960 --> 00:14:10,960
Oh, it's beautiful.
It's beautiful.
300
00:14:10,960 --> 00:14:12,960
It evokes all that time.
301
00:14:12,960 --> 00:14:14,960
With a project like
Downton Abbey: The Grand Finale,
302
00:14:14,960 --> 00:14:16,960
where does it start for you?
303
00:14:16,960 --> 00:14:18,960
Each film, we've tried to give
304
00:14:18,960 --> 00:14:20,960
the audience something bigger
and better and more exciting.
305
00:14:20,960 --> 00:14:23,960
Royal Ascot is now
a modern glass building
306
00:14:23,960 --> 00:14:25,960
and not good for any of this.
307
00:14:25,960 --> 00:14:26,960
So we ended up looking at
probably 14
308
00:14:26,960 --> 00:14:29,960
of the flat racing courses
around the country.
309
00:14:29,960 --> 00:14:33,960
The other problem is,
we were filming in the summer,
310
00:14:33,960 --> 00:14:35,960
which is the height
of the flat racing season,
311
00:14:35,960 --> 00:14:36,960
and we needed it for a week.
312
00:14:36,960 --> 00:14:39,480
So there's lots of logistical things
that we had to sort out.
313
00:14:39,480 --> 00:14:41,320
And we ended up
at Ripon Racecourse,
314
00:14:41,320 --> 00:14:43,960
a quiet little Yorkshire racecourse.
315
00:14:43,960 --> 00:14:45,960
They were very accommodating
and very understanding
316
00:14:45,960 --> 00:14:47,480
of all our needs.
317
00:14:47,480 --> 00:14:48,960
That's Yorkshire for you.
318
00:14:48,960 --> 00:14:50,960
Shall we go to the royal enclosure?
319
00:14:50,960 --> 00:14:52,960
Don't make him wait
any longer, Bertie.
320
00:14:52,960 --> 00:14:53,960
He's panting for it.
321
00:14:53,960 --> 00:14:55,960
HE LAUGHS
I would like to see it.
322
00:14:57,960 --> 00:14:59,960
Go, all of you.
323
00:14:59,960 --> 00:15:01,960
We'll stay here.
Are you sure?
324
00:15:01,960 --> 00:15:03,320
I am.
325
00:15:06,160 --> 00:15:08,960
When we were filming
up in Harrogate
326
00:15:08,960 --> 00:15:11,320
doing Ascot and the county fair,
327
00:15:11,320 --> 00:15:13,960
it's really special
when both upstairs and downstairs
328
00:15:13,960 --> 00:15:15,960
are all together doing a scene
329
00:15:15,960 --> 00:15:18,960
because we get to hang out,
all staying in the same hotel.
330
00:15:18,960 --> 00:15:19,960
It was so lovely.
331
00:15:19,960 --> 00:15:22,960
But there have been hundreds
of moments over the years.
332
00:15:23,960 --> 00:15:27,000
ALLEN: It was incredibly poignant
reading this final script,
333
00:15:27,000 --> 00:15:28,960
knowing that that's the end
of a journey
334
00:15:28,960 --> 00:15:30,960
that's been 14 years of my life
335
00:15:30,960 --> 00:15:33,960
and also with what have become
my second family.
336
00:15:33,960 --> 00:15:35,960
We are like family.
337
00:15:35,960 --> 00:15:37,960
We've all been there
for each other.
338
00:15:37,960 --> 00:15:40,960
And it's really important
in this film particularly
339
00:15:40,960 --> 00:15:42,960
because we know it's the last one,
340
00:15:42,960 --> 00:15:44,960
is to relish every second.
341
00:15:44,960 --> 00:15:46,800
If it wasn't a great group
of people,
342
00:15:46,800 --> 00:15:47,960
we wouldn't all keep coming back.
343
00:15:47,960 --> 00:15:51,960
So I guess it shows that we have all
really enjoyed this experience.
344
00:15:51,960 --> 00:15:55,960
It's amazing that we are in
this gang that, after 15 years,
345
00:15:55,960 --> 00:15:59,960
we all still really like
hanging out with each other,
346
00:15:59,960 --> 00:16:00,960
even outside work.
347
00:16:00,960 --> 00:16:03,160
I owe a lot to this show.
348
00:16:03,160 --> 00:16:05,000
I think, like, so much of my life
349
00:16:05,000 --> 00:16:07,320
has been shaped
around this show, you know?
350
00:16:07,320 --> 00:16:10,960
What about if somebody said,
"You are going to find your wife"?
351
00:16:10,960 --> 00:16:12,000
I know. I know.
And have a child.
352
00:16:12,000 --> 00:16:15,000
I know. It's incredible.
Life-changing stuff.
353
00:16:15,000 --> 00:16:17,960
Downton is a sort of central pillar
for all of our lives,
354
00:16:17,960 --> 00:16:19,960
and we've kind of adapted
and moved around it.
355
00:16:19,960 --> 00:16:22,960
And really, the older ones
have watched the younger ones
356
00:16:22,960 --> 00:16:24,960
kind of grow up.
Yeah.
357
00:16:24,960 --> 00:16:27,160
It's kind of touching, really,
to be there with them.
358
00:16:27,160 --> 00:16:29,960
I know. It is lovely
for the start of everybody.
359
00:16:29,960 --> 00:16:33,960
I mean, we are sort of in
the twilight of our careers...
360
00:16:33,960 --> 00:16:35,960
Oh, would you stop?
You know what I mean.
361
00:16:35,960 --> 00:16:36,960
I'm not having that.
362
00:16:36,960 --> 00:16:39,960
Most of our career is behind us
rather than ahead of us.
363
00:16:39,960 --> 00:16:41,800
Well, it is with that attitude.
364
00:16:41,800 --> 00:16:42,960
LAUGHTER
365
00:16:42,960 --> 00:16:44,800
I'm not listening to this.
366
00:16:44,800 --> 00:16:45,960
Carry on.
Well, it's true.
367
00:16:45,960 --> 00:16:47,960
You were legends
when you started this show.
368
00:16:47,960 --> 00:16:48,960
That's how we felt.
369
00:16:48,960 --> 00:16:51,800
Another thing that I don't know
whether a lot of people know,
370
00:16:51,800 --> 00:16:53,640
that what's come out about myself
and Michelle
371
00:16:53,640 --> 00:16:54,960
is that we're related.
372
00:16:54,960 --> 00:16:56,000
In real life?
In real life.
373
00:16:56,000 --> 00:16:57,800
Third cousins.
Wow.
374
00:16:57,800 --> 00:16:59,000
Just as well you didn't marry her.
375
00:16:59,000 --> 00:17:01,960
Well, exactly, yeah.
LAUGHTER
376
00:17:01,960 --> 00:17:03,800
Obviously, one of your bessies.
377
00:17:03,800 --> 00:17:05,000
You're best mates, aren't you?
378
00:17:05,000 --> 00:17:08,160
I could cry thinking about it.
379
00:17:08,160 --> 00:17:09,960
But it's amazing.
380
00:17:09,960 --> 00:17:14,960
I know that we'll always speak
this sort of secret language
381
00:17:14,960 --> 00:17:15,960
to each other or something.
382
00:17:15,960 --> 00:17:17,960
We just get each other.
383
00:17:17,960 --> 00:17:21,640
And I think that's part of
having sisters in real life,
384
00:17:21,640 --> 00:17:22,960
and then playing sisters.
385
00:17:22,960 --> 00:17:23,960
We have a shorthand.
386
00:17:23,960 --> 00:17:26,960
And I don't have any kids,
but Sophie's a bit of a... Yeah.
387
00:17:26,960 --> 00:17:28,960
Your relationship with Sophie
is amazing.
388
00:17:28,960 --> 00:17:29,960
It's not mother and daughter
389
00:17:29,960 --> 00:17:32,320
cos she's got a fine mother
of her own, of course.
390
00:17:32,320 --> 00:17:34,960
I don't know what it is,
but it's a proper friendship.
391
00:17:34,960 --> 00:17:35,960
It's so special.
As is ours.
392
00:17:35,960 --> 00:17:37,960
As is ours.
As is ours. I know.
393
00:17:37,960 --> 00:17:39,960
I had a very grim experience
three years ago.
394
00:17:39,960 --> 00:17:41,960
You...
395
00:17:41,960 --> 00:17:45,960
You rang me every day
for the next part of a year.
396
00:17:45,960 --> 00:17:48,320
And I've got some good friends,
but you were the one, babuh.
397
00:17:48,320 --> 00:17:49,960
Yeah.
She really did.
398
00:17:49,960 --> 00:17:52,320
I always will be.
I know you will. I know.
399
00:17:52,320 --> 00:17:54,960
But that's... that's real.
That's what's authentic about this.
400
00:17:54,960 --> 00:17:56,960
And I think people know
this is real.
401
00:17:56,960 --> 00:17:59,960
Oh, you can see it in every
glance and every moment.
402
00:17:59,960 --> 00:18:01,960
You know, it's why people...
403
00:18:01,960 --> 00:18:04,960
it resonates with people
because you can really feel the...
404
00:18:04,960 --> 00:18:07,960
the history and the relationship
through the screen,
405
00:18:07,960 --> 00:18:09,960
and it's extraordinary.
406
00:18:09,960 --> 00:18:12,480
Yeah, we's lucky.
We's lucky, in't we? Did all right!
407
00:18:12,480 --> 00:18:13,960
Not so bad, is it?
We's lucky.
408
00:18:13,960 --> 00:18:16,160
We's lucky, in't we?
SHE CHUCKLES
409
00:18:16,160 --> 00:18:17,960
Still to come -
410
00:18:17,960 --> 00:18:20,960
composer John Lunn
reveals the secrets
411
00:18:20,960 --> 00:18:22,960
behind Downton Abbey's iconic music.
412
00:18:22,960 --> 00:18:24,960
So, there's a big rising
string tune.
413
00:18:24,960 --> 00:18:26,960
SOFT PIANO MUSIC
414
00:18:27,960 --> 00:18:29,960
Amazing.
415
00:18:29,960 --> 00:18:31,480
My God, what a melody.
416
00:18:31,480 --> 00:18:35,960
And a world-exclusive scene
from our brand-new movie.
417
00:18:46,960 --> 00:18:48,960
At the start of the story,
we're in 1930.
418
00:18:48,960 --> 00:18:51,960
But now we are in
another financial crisis.
419
00:18:51,960 --> 00:18:53,960
You know, the roof is falling in.
420
00:18:53,960 --> 00:18:56,480
But thankfully, we know that
there's gonna be a cash injection
421
00:18:56,480 --> 00:18:58,960
from Cora's late mother.
422
00:18:58,960 --> 00:18:59,960
Cora.
423
00:18:59,960 --> 00:19:01,960
And in this movie,
it really emphasizes this sense
424
00:19:01,960 --> 00:19:03,960
that this world of Downton
is the past
425
00:19:03,960 --> 00:19:05,960
and that there's a future world
sort of encroaching.
426
00:19:05,960 --> 00:19:08,640
The Americans represent
some of that future world.
427
00:19:08,640 --> 00:19:09,960
Hello, Mary.
Mama.
428
00:19:09,960 --> 00:19:12,960
And you must be Mr Sandbrook.
Welcome to Downton.
429
00:19:12,960 --> 00:19:14,320
I mean, particularly
guys like Sandbrook.
430
00:19:14,320 --> 00:19:15,960
I hope you won't be bored.
431
00:19:15,960 --> 00:19:17,320
Harold and I
have a lot to talk about.
432
00:19:17,320 --> 00:19:18,960
You can talk in front of Gus.
433
00:19:18,960 --> 00:19:20,960
Come in and have some tea.
434
00:19:20,960 --> 00:19:24,320
So it's a bit of a shock
to discover that her brother
435
00:19:24,320 --> 00:19:28,960
has actually taken most of the money
and invested it incredibly unwisely.
436
00:19:28,960 --> 00:19:31,960
Give me some credit.
I've known you since you were born.
437
00:19:31,960 --> 00:19:34,960
'I think people will enjoy it.
It's a great movie.'
438
00:19:34,960 --> 00:19:37,960
I collected all of these,
but I can only find one...
439
00:19:37,960 --> 00:19:41,960
Oh, yes. ..which is the marriage
of Lady Mary and Henry.
440
00:19:41,960 --> 00:19:42,960
ALL: Aw.
441
00:19:42,960 --> 00:19:44,960
And they're very
beautifully done, aren't they?
442
00:19:44,960 --> 00:19:46,960
They're really lovely.
Properly done.
443
00:19:46,960 --> 00:19:48,960
There's hymns in there
and everything. Yeah.
444
00:19:48,960 --> 00:19:50,960
I did take my last
menu card from the day.
445
00:19:50,960 --> 00:19:51,960
I have that framed at home.
446
00:19:51,960 --> 00:19:53,800
But is there anything
that you kind of
447
00:19:53,800 --> 00:19:56,960
feel that you would have loved
to have taken from your character?
448
00:19:56,960 --> 00:19:58,160
Well, I asked for...
449
00:19:58,160 --> 00:20:00,960
cos my chatelaine is something
that I wore all the time.
450
00:20:00,960 --> 00:20:01,960
It's iconic.
451
00:20:01,960 --> 00:20:04,320
My chatelaine.
You had that all the time?
452
00:20:04,320 --> 00:20:07,960
I had that all the time,
from the very beginning.
453
00:20:07,960 --> 00:20:09,960
I know, but I...
Oh, hello.
454
00:20:09,960 --> 00:20:10,960
Sorry to interrupt.
455
00:20:10,960 --> 00:20:14,000
Sorry, but Phyllis,
I've got something for you.
456
00:20:14,000 --> 00:20:15,960
ALL GASP
457
00:20:15,960 --> 00:20:17,960
Oh!
458
00:20:17,960 --> 00:20:19,960
You are kidding.
Wow.
459
00:20:19,960 --> 00:20:20,960
Where's the scissors?
460
00:20:20,960 --> 00:20:23,480
HE LAUGHS
Where's the scissors?
461
00:20:23,480 --> 00:20:25,960
Aw. Aw!
Now we know where they've been.
462
00:20:25,960 --> 00:20:26,960
Where did you find...?
463
00:20:26,960 --> 00:20:29,960
No, there should be a pair
of scissors hanging off that.
464
00:20:29,960 --> 00:20:30,960
Yes.
Safety.
465
00:20:30,960 --> 00:20:32,960
Aw.
There you go.
466
00:20:32,960 --> 00:20:34,320
It's a pleasure...
Well done.
467
00:20:34,320 --> 00:20:36,320
Did you nick them?
Is that what it is?
468
00:20:36,320 --> 00:20:37,960
Oh, moi?
469
00:20:37,960 --> 00:20:40,960
No, I am famous for not
taking things from the set.
470
00:20:40,960 --> 00:20:42,960
I'm sorry,
he said sanctimoniously.
471
00:20:42,960 --> 00:20:44,960
Oh, hang on, if you're doing this...
Oh, yeah.
472
00:20:44,960 --> 00:20:46,640
..I really loved
driving that 1910 Renault.
473
00:20:46,640 --> 00:20:48,960
Right, just a minute. Give me
a second, I'll go and get it.
474
00:20:48,960 --> 00:20:50,960
Lady Mary.
475
00:20:50,960 --> 00:20:52,960
'At the start of the film,
we find Mary in a good place.
476
00:20:52,960 --> 00:20:56,960
'The divorce has opened up
a new chapter in her life.'
477
00:20:56,960 --> 00:21:00,960
I think that she's ready
to embark on something new.
478
00:21:00,960 --> 00:21:02,960
We fought like cats.
479
00:21:02,960 --> 00:21:04,960
He wanted to be kingpin.
480
00:21:04,960 --> 00:21:07,960
But I was the heiress,
and he was just the husband.
481
00:21:07,960 --> 00:21:08,960
He hated that.
482
00:21:08,960 --> 00:21:10,480
How intriguing.
483
00:21:10,480 --> 00:21:15,320
So, we're honoured to have
John Lunn, composer, with us here.
484
00:21:15,320 --> 00:21:17,800
So, I'm curious
what you were thinking
485
00:21:17,800 --> 00:21:19,960
when you came up
with the theme tune.
486
00:21:19,960 --> 00:21:21,960
The theme came from
the very beginning
487
00:21:21,960 --> 00:21:23,160
of the very first episode.
488
00:21:23,160 --> 00:21:26,960
And it starts off
with a train, you know, so...
489
00:21:26,960 --> 00:21:27,960
ENERGETIC PIANO MUSIC
490
00:21:27,960 --> 00:21:29,960
Just going with the energy
of the train.
491
00:21:29,960 --> 00:21:33,000
Sure. And then it finally
lands on Bates.
492
00:21:33,000 --> 00:21:34,960
But he looks like he's had his...
493
00:21:34,960 --> 00:21:37,960
his best years have
been behind him, you know?
494
00:21:37,960 --> 00:21:39,960
So I picked out this
lonely tune kind of for him.
495
00:21:39,960 --> 00:21:42,960
So this is going on
at the same time as...
496
00:21:42,960 --> 00:21:45,320
SOMBRE PIANO MUSIC
497
00:21:46,960 --> 00:21:47,960
Oh.
Right?
498
00:21:47,960 --> 00:21:50,960
And then it goes
to the telegraph pole,
499
00:21:50,960 --> 00:21:53,960
and the train's kind of
following the telegram as well.
500
00:21:53,960 --> 00:21:55,960
And it's carrying the information
501
00:21:55,960 --> 00:21:59,960
that the heir to Downton Abbey
has been drowned on the Titanic.
502
00:21:59,960 --> 00:22:01,960
Oh, my God.
503
00:22:01,960 --> 00:22:03,800
The audience know nothing of this.
504
00:22:03,800 --> 00:22:05,960
So the music's giving it
an importance
505
00:22:05,960 --> 00:22:07,320
that you would otherwise miss.
506
00:22:07,320 --> 00:22:09,960
So there's a big rising
string tune, which, you know...
507
00:22:09,960 --> 00:22:12,000
SOFT PIANO MUSIC
508
00:22:15,960 --> 00:22:20,960
And then finally,
you land at Downton Abbey itself,
509
00:22:20,960 --> 00:22:23,960
and the music becomes
suddenly a bit more pompous.
510
00:22:23,960 --> 00:22:25,000
So you get...
Yeah.
511
00:22:25,000 --> 00:22:26,960
SLOW PIANO CHORDS
512
00:22:26,960 --> 00:22:28,960
That's the pompous one.
513
00:22:31,800 --> 00:22:33,960
So those four chords
are really kind of for the house.
514
00:22:33,960 --> 00:22:35,160
Yeah.
Yeah.
515
00:22:35,160 --> 00:22:39,960
First time I saw Highclere,
I got Pat, the driver,
516
00:22:39,960 --> 00:22:41,960
I got him to play it on the speakers
517
00:22:41,960 --> 00:22:46,960
just so we could come up the hill
and see the house with this song.
518
00:22:46,960 --> 00:22:48,960
And it's just like,
even now, in this last film,
519
00:22:48,960 --> 00:22:50,960
when you see it, the house,
520
00:22:50,960 --> 00:22:54,320
with this music, it's so stirring,
it gives you chills.
521
00:22:54,320 --> 00:22:57,960
And each character theme...
So, Anna has a theme.
522
00:22:57,960 --> 00:22:59,960
It wasn't so much individual themes,
523
00:22:59,960 --> 00:23:02,960
it was more about
the relationships between people.
524
00:23:02,960 --> 00:23:05,480
So, you and Matthew
obviously had... Yeah.
525
00:23:05,480 --> 00:23:08,480
..had, well, several, you know?
Yeah. And the train station.
526
00:23:08,480 --> 00:23:10,960
The train station
is one of my favourite.
527
00:23:10,960 --> 00:23:12,960
GENTLE PIANO MUSIC
528
00:23:12,960 --> 00:23:14,800
Oh, yeah.
Oh, yeah.
529
00:23:14,800 --> 00:23:15,960
Oh, yeah.
530
00:23:22,160 --> 00:23:23,960
Yeah.
531
00:23:26,960 --> 00:23:28,960
Oh, boy.
I know.
532
00:23:28,960 --> 00:23:29,960
I wanted to give you this.
533
00:23:31,960 --> 00:23:32,960
It's my lucky charm.
534
00:23:32,960 --> 00:23:34,960
'You were saying goodbye
to Matthew.'
535
00:23:34,960 --> 00:23:36,960
I'm trying not to be a hero,
if that's what you're afraid of.
536
00:23:36,960 --> 00:23:38,320
Just come back safe and sound.
537
00:23:38,320 --> 00:23:40,960
'And it was very obvious
that neither of you
538
00:23:40,960 --> 00:23:41,960
'could say that you were in love.'
539
00:23:41,960 --> 00:23:43,960
Did you have a happy time
yesterday?
540
00:23:43,960 --> 00:23:46,480
But the music was...
It was so unspoken.
541
00:23:46,480 --> 00:23:48,960
It was doing everything
that you didn't say.
542
00:23:48,960 --> 00:23:50,960
Anna and Bates' theme,
you were referring to. It's Bates.
543
00:23:50,960 --> 00:23:52,960
You know, Bates had this limp,
so it was...
544
00:23:52,960 --> 00:23:54,960
SOMBRE PIANO MUSIC
Wow.
545
00:23:54,960 --> 00:23:57,960
Oh!
I mean, it's amazing.
546
00:23:57,960 --> 00:23:59,640
You know, I mean, that's
kind of where it...
547
00:23:59,640 --> 00:24:00,800
Can you play a bit more?
548
00:24:00,800 --> 00:24:02,960
Yeah, yeah.
I love it so much.
549
00:24:02,960 --> 00:24:04,960
And this is usually played
on the viola.
550
00:24:09,320 --> 00:24:11,480
Oh, yeah.
551
00:24:16,160 --> 00:24:17,960
So simple, really.
552
00:24:17,960 --> 00:24:20,960
It's so delicate, considering...
Yeah.
553
00:24:26,960 --> 00:24:27,960
So, the music was like...
554
00:24:27,960 --> 00:24:31,960
it was like a missed opportunity
kind of cue that the two,
555
00:24:31,960 --> 00:24:34,960
those two, Anna and Bates,
could have got together. Yeah.
556
00:24:34,960 --> 00:24:37,960
When the picture starts
to take on a meaning
557
00:24:37,960 --> 00:24:39,960
that it didn't have before,
558
00:24:39,960 --> 00:24:42,000
then you know you're
on to something. Absolutely.
559
00:24:42,000 --> 00:24:43,960
John, you're a genius.
Thank you.
560
00:24:43,960 --> 00:24:45,960
Yeah, thank you.
Thank you.
561
00:24:50,960 --> 00:24:52,960
So, let's have a little look.
OK, here's...
562
00:24:52,960 --> 00:24:54,960
A trip down memory lane.
Here's the beginning.
563
00:24:54,960 --> 00:24:57,960
The beginning.
2010 to 2015.
564
00:24:57,960 --> 00:24:58,960
OK, hang on, actually.
565
00:24:58,960 --> 00:25:01,960
I think there's one here -
I very naughtily
566
00:25:01,960 --> 00:25:05,960
took a photo against all the rules
at the very first read-through.
567
00:25:05,960 --> 00:25:07,960
Oh, yes!
Wow.
568
00:25:07,960 --> 00:25:09,960
Is that me?
So that was 2010.
569
00:25:09,960 --> 00:25:10,960
Yes.
That's me!
570
00:25:10,960 --> 00:25:12,640
Oh, wow.
Oh, my goodness.
571
00:25:12,640 --> 00:25:14,960
Before any of you knew.
Oh, wow.
572
00:25:14,960 --> 00:25:16,960
We look like babies.
573
00:25:16,960 --> 00:25:18,960
What should we call each other?
574
00:25:18,960 --> 00:25:22,800
Well, we could always start with
Mrs Crawley and Lady Grantham.
575
00:25:22,800 --> 00:25:24,960
Oh, do you think
I might have a drink?
576
00:25:24,960 --> 00:25:27,960
Oh, I'm so sorry.
I thought you were a waiter.
577
00:25:28,960 --> 00:25:32,960
Edith, dear,
you're a woman with a brain
578
00:25:32,960 --> 00:25:34,960
and reasonable ability.
579
00:25:34,960 --> 00:25:36,320
Stop whining.
580
00:25:36,320 --> 00:25:38,800
She's left the stage now.
581
00:25:38,800 --> 00:25:41,960
But it was a sadness when she died.
582
00:25:41,960 --> 00:25:42,960
Yeah.
Mm.
583
00:25:42,960 --> 00:25:45,960
And it was one of the great
privileges of our lives,
584
00:25:45,960 --> 00:25:49,960
or certainly my life,
to have worked with her. Yeah.
585
00:25:49,960 --> 00:25:52,960
We were very lucky that
it felt like from day one,
586
00:25:52,960 --> 00:25:55,960
she greeted us
like her grandchildren
587
00:25:55,960 --> 00:25:56,960
and wanted to have a giggle.
588
00:25:56,960 --> 00:25:59,960
Well, particularly when
you showed her cat videos.
589
00:25:59,960 --> 00:26:01,960
Well, yes.
Yeah, she loved a meme.
590
00:26:01,960 --> 00:26:03,640
She loved a cat meme, yeah.
She loved a meme.
591
00:26:03,640 --> 00:26:06,960
And when we realised that
that's what she liked, then,
592
00:26:06,960 --> 00:26:10,960
you know, I had a special
photo album on my phone
593
00:26:10,960 --> 00:26:12,960
of pics to show Mags.
594
00:26:12,960 --> 00:26:13,960
LAUGHTER
595
00:26:13,960 --> 00:26:17,960
There's nothing simpler than
avoiding people you don't like.
596
00:26:17,960 --> 00:26:20,960
Avoiding one's friends,
that's the real test.
597
00:26:20,960 --> 00:26:22,960
Well, there have been
many high moments.
598
00:26:22,960 --> 00:26:25,960
I'm always surprised
when you praise me.
599
00:26:25,960 --> 00:26:27,960
I'm surprised to hear that I have.
600
00:26:27,960 --> 00:26:31,960
But mostly my scenes with Maggie,
they were all such fun to play
601
00:26:31,960 --> 00:26:35,640
because we were always
in some sort of disagreement
602
00:26:35,640 --> 00:26:36,960
with one another.
603
00:26:36,960 --> 00:26:38,320
Oh, and you're
an expert in the matter?
604
00:26:38,320 --> 00:26:39,960
I am an expert in every matter.
605
00:26:39,960 --> 00:26:42,960
And then finally,
we became enormous friends.
606
00:26:42,960 --> 00:26:45,960
After all these years,
you still astonish me.
607
00:26:45,960 --> 00:26:47,320
Oh, good.
608
00:26:47,320 --> 00:26:49,960
I'm glad I'm a revelation
and not a disappointment.
609
00:26:49,960 --> 00:26:53,160
I mean, Lady Grantham
and Isobel Crawley, we were,
610
00:26:53,160 --> 00:26:55,960
anyhow, myself and Maggie,
611
00:26:55,960 --> 00:26:59,960
I'm very, extremely fond of her
and admiring of her as an actress.
612
00:26:59,960 --> 00:27:02,480
Are you keeping something from me?
Come with me.
613
00:27:02,480 --> 00:27:03,960
When I was a young girl,
614
00:27:03,960 --> 00:27:05,960
I went to see her
in the theatre a lot
615
00:27:05,960 --> 00:27:08,480
when I was a drama student.
616
00:27:08,480 --> 00:27:11,480
And I wanted to be Maggie Smith.
617
00:27:11,480 --> 00:27:13,960
I mean, she was a heroine to me.
618
00:27:13,960 --> 00:27:15,960
LIGHT
ORCHESTRAL MUSIC
619
00:27:15,960 --> 00:27:18,960
I was walking out of the church
with her one day,
620
00:27:18,960 --> 00:27:21,960
and we were having a scene
walking along the path.
621
00:27:21,960 --> 00:27:24,000
And she had her stick, and she said,
622
00:27:24,000 --> 00:27:27,800
"I don't know why I'm playing
an old woman. I am an old woman."
623
00:27:27,800 --> 00:27:28,960
LAUGHTER
624
00:27:28,960 --> 00:27:29,960
Yeah.
625
00:27:29,960 --> 00:27:31,960
And then she said,
"Why don't you keep up with me?
626
00:27:31,960 --> 00:27:33,960
"I'm just standing here.
Why aren't you...?"
627
00:27:33,960 --> 00:27:36,640
I said, "I am, Maggie,
I'm absolutely with you."
628
00:27:36,640 --> 00:27:38,960
She said, "Well, you're not.
You're all the way behind me."
629
00:27:38,960 --> 00:27:40,960
And I said,
"No, I'm not. I'm there."
630
00:27:40,960 --> 00:27:42,960
She said, "Why are you doing that?"
631
00:27:42,960 --> 00:27:46,960
Anyhow, the next day, she said,
"Oh, I forgot I'm blind in this eye,
632
00:27:46,960 --> 00:27:47,960
"so I couldn't see you."
633
00:27:47,960 --> 00:27:49,960
LAUGHTER
634
00:27:49,960 --> 00:27:51,960
Anyway, she was a wonderful woman.
635
00:27:51,960 --> 00:27:53,960
Well, you were not only
her sparring partner
636
00:27:53,960 --> 00:27:55,960
but her wrangler, really,
weren't you? Yes, I was.
637
00:27:55,960 --> 00:27:57,320
LAUGHTER
638
00:27:57,320 --> 00:28:00,480
Yes, because she used to not
always be in the best mood
639
00:28:00,480 --> 00:28:01,960
first thing in the morning
640
00:28:01,960 --> 00:28:05,960
and certainly not when
she came into the make-up room.
641
00:28:05,960 --> 00:28:07,960
So one had to have...
You could always make her laugh.
642
00:28:07,960 --> 00:28:09,960
Well, I tried.
643
00:28:09,960 --> 00:28:11,960
And if not, you get Allen in.
644
00:28:11,960 --> 00:28:12,960
She was so formidable.
645
00:28:12,960 --> 00:28:14,960
I remember one of my
first scenes with her,
646
00:28:14,960 --> 00:28:16,960
I had to drive her to the house.
647
00:28:16,960 --> 00:28:18,960
And I had practised
a couple of times.
648
00:28:18,960 --> 00:28:21,480
And they basically said,
"We're gonna go for a take.
649
00:28:21,480 --> 00:28:23,960
"So, Allen, if you don't
mind stopping this 1910 Renault
650
00:28:23,960 --> 00:28:24,960
"on this very mark."
651
00:28:24,960 --> 00:28:25,960
But now Maggie's in the back,
652
00:28:25,960 --> 00:28:27,960
and suddenly, the stakes
were slightly higher.
653
00:28:27,960 --> 00:28:30,960
I missed the mark,
nearly handbrake turned.
654
00:28:30,960 --> 00:28:33,640
And they said, "Back to ones, Allen,
if you just want to reverse."
655
00:28:33,640 --> 00:28:35,960
And I'll never forget, there was
just her cane came to the window,
656
00:28:35,960 --> 00:28:38,960
and I looked back, and she said,
"I think I'll get out first."
657
00:28:38,960 --> 00:28:40,960
LAUGHTER
658
00:28:40,960 --> 00:28:43,800
And that stick would...
If there was anyone who sort of
659
00:28:43,800 --> 00:28:45,960
came a little bit too close to her,
sort of into her space...
660
00:28:45,960 --> 00:28:48,960
It was usually the script
supervisor. Yes.
661
00:28:48,960 --> 00:28:51,960
She would just hold it up
as they were talking to her.
662
00:28:51,960 --> 00:28:53,960
And when they'd finished talking,
she'd go...
663
00:28:53,960 --> 00:28:55,960
and put it down.
LAUGHTER
664
00:28:55,960 --> 00:28:57,480
It's sort of half in character.
665
00:28:57,480 --> 00:28:59,960
She was good with Shirley, too,
MacLaine.
666
00:28:59,960 --> 00:29:03,160
Oh, that was a big moment, actually,
when they met for the first time.
667
00:29:03,160 --> 00:29:05,960
I remember the moment vividly.
I think you were there.
668
00:29:05,960 --> 00:29:06,960
It was at rehearsal or whatever.
669
00:29:06,960 --> 00:29:08,960
In the Great Hall.
The Great Hall.
670
00:29:08,960 --> 00:29:10,960
Maggie said, "I don't think
we've met before."
671
00:29:10,960 --> 00:29:13,960
Shirley said, "Yeah, we did.
We met at the Oscars 40 years ago.
672
00:29:13,960 --> 00:29:15,960
"Don't you recall? Backstage."
673
00:29:15,960 --> 00:29:18,960
And she said, "I was probably
face down in a cake."
674
00:29:18,960 --> 00:29:21,960
LAUGHTER
675
00:29:21,960 --> 00:29:24,800
But it was great to see them spar,
as you say. Yeah.
676
00:29:24,800 --> 00:29:25,960
Once they said action,
it was like,
677
00:29:25,960 --> 00:29:28,960
"Oh, that's what Shirley's gonna do.
Then I'm gonna do this."
678
00:29:28,960 --> 00:29:30,960
And it was just great.
Like a tennis match, wasn't it?
679
00:29:30,960 --> 00:29:33,960
It was. It was always
a tennis match with her, actually.
680
00:29:33,960 --> 00:29:37,160
It was like playing tennis
with someone a bit better than you.
681
00:29:37,160 --> 00:29:39,960
So you had to just raise your game.
682
00:29:39,960 --> 00:29:41,160
And it made everyone better.
683
00:29:41,160 --> 00:29:42,960
Yeah.
It did.
684
00:29:42,960 --> 00:29:45,960
We'll never see her like again,
really. No.
685
00:29:45,960 --> 00:29:48,800
No, the make-up department
certainly won't.
686
00:29:48,800 --> 00:29:50,960
I take that as a compliment.
687
00:29:51,960 --> 00:29:53,640
I must have said it wrong.
688
00:29:55,960 --> 00:29:58,960
Still to come on Downton Abbey
Celebrates The Grand Finale...
689
00:29:58,960 --> 00:30:00,960
"The wife watches
that thing you're in."
690
00:30:00,960 --> 00:30:03,960
Yeah.
And I said, "Oh. Do you?"
691
00:30:03,960 --> 00:30:05,960
"Well, it's on."
692
00:30:05,960 --> 00:30:06,960
LAUGHTER
693
00:30:14,960 --> 00:30:16,960
We're living in the age
of Noel Coward.
694
00:30:16,960 --> 00:30:20,000
Exactly. Although I don't suppose
Noel would put it quite like that.
695
00:30:20,000 --> 00:30:21,960
How would I put it?
696
00:30:22,960 --> 00:30:24,000
We were just saying how your star
697
00:30:24,000 --> 00:30:26,960
shines more brightly
with every new show. Ah.
698
00:30:28,960 --> 00:30:30,960
That's me and you at the Ritz.
At the Ritz.
699
00:30:30,960 --> 00:30:33,960
We filmed right next door
700
00:30:33,960 --> 00:30:37,960
when we shot all of the
Fortnum & Mason shopping day scenes
701
00:30:37,960 --> 00:30:40,960
in this film, and...
Really roughed it.
702
00:30:40,960 --> 00:30:42,960
We stayed... Yeah.
We really roughed it.
703
00:30:42,960 --> 00:30:45,960
Our call was gonna be
very, very early in the morning
704
00:30:45,960 --> 00:30:49,960
to get us ready in time to shoot
before Fortnum's had to open.
705
00:30:49,960 --> 00:30:51,800
This is gonna break
my heart, this story.
706
00:30:51,800 --> 00:30:52,960
It's gonna break your heart.
Carry on.
707
00:30:52,960 --> 00:30:55,960
And because the last episode
of the last series
708
00:30:55,960 --> 00:30:57,960
finished at the Ritz...
There's a theme coming in here.
709
00:30:57,960 --> 00:30:59,960
And they'd been so kind and said,
710
00:30:59,960 --> 00:31:01,160
"Do let us know if you ever
want to come back."
711
00:31:01,160 --> 00:31:03,480
When we saw the call time,
Michelle and I went,
712
00:31:03,480 --> 00:31:05,800
"Do you think you could...?"
713
00:31:05,800 --> 00:31:06,960
"This might be our moment."
714
00:31:06,960 --> 00:31:08,960
Oh, really, yeah?
"See if we can get a room."
715
00:31:08,960 --> 00:31:10,960
And we did, and it was lovely.
We did.
716
00:31:10,960 --> 00:31:12,640
Do you have a similar story to that?
717
00:31:12,640 --> 00:31:14,480
That was the day
I went to work by bus.
718
00:31:14,480 --> 00:31:16,960
LAUGHTER
719
00:31:16,960 --> 00:31:18,960
So, it's time to talk about
the fans.
720
00:31:18,960 --> 00:31:21,960
Who has a story about being
recognised in strange places?
721
00:31:21,960 --> 00:31:25,960
I was in the gym,
and this lady was changing.
722
00:31:25,960 --> 00:31:27,000
And I was looking in the mirror,
723
00:31:27,000 --> 00:31:29,000
I think I was just brushing
my hair or something,
724
00:31:29,000 --> 00:31:30,960
and this lady
was very naked behind me.
725
00:31:30,960 --> 00:31:36,160
And she had her leg up
on the chair like this,
726
00:31:36,160 --> 00:31:37,960
drying herself with her towel.
727
00:31:37,960 --> 00:31:40,960
And she went, "Oh, you're on
Downton Abbey, aren't you?"
728
00:31:40,960 --> 00:31:43,160
LAUGHTER
729
00:31:43,160 --> 00:31:45,160
"Oh, my goodness.
I can't unsee this."
730
00:31:45,160 --> 00:31:46,960
I was literally
looking in the mirror going,
731
00:31:46,960 --> 00:31:49,640
"I don't know where to look.
I'm just gonna look down.
732
00:31:49,640 --> 00:31:50,960
"I'm just gonna look down."
733
00:31:50,960 --> 00:31:54,960
Michelle and myself
went to see Babygirl,
734
00:31:54,960 --> 00:31:56,960
a rather saucy film...
Yes.
735
00:31:56,960 --> 00:31:57,960
..in the middle of the day.
736
00:31:57,960 --> 00:32:00,960
And there weren't many people
in the cinema,
737
00:32:00,960 --> 00:32:03,960
but this woman came out and went,
"Can I just say, I love you guys,
738
00:32:03,960 --> 00:32:07,000
"and I love that you're together
watching this film."
739
00:32:07,000 --> 00:32:09,480
LAUGHTER
740
00:32:09,480 --> 00:32:11,640
It was so funny.
741
00:32:11,640 --> 00:32:15,640
I was in Hyde Park,
having a cup of coffee in the Lido,
742
00:32:15,640 --> 00:32:17,960
and this woman came up to me.
743
00:32:17,960 --> 00:32:19,320
She was American.
744
00:32:19,320 --> 00:32:23,960
And she says, "Excuse me,
my daughter is a great fan of yours.
745
00:32:23,960 --> 00:32:26,960
"Would you mind coming
and saying hello to her?"
746
00:32:26,960 --> 00:32:29,960
So I said, "No, not at all."
So I went out.
747
00:32:29,960 --> 00:32:33,960
And there was this
really cross teenager
748
00:32:33,960 --> 00:32:35,480
who was looking at her phone.
749
00:32:35,480 --> 00:32:37,960
Her mother said, "Colette."
750
00:32:37,960 --> 00:32:39,960
And she said, "Yeah?"
751
00:32:39,960 --> 00:32:41,960
She said, "Colette,
I've got someone to show you."
752
00:32:41,960 --> 00:32:43,960
"Yeah? So what?"
753
00:32:43,960 --> 00:32:46,800
She didn't take her eyes
off the phone.
754
00:32:46,800 --> 00:32:47,960
She said,
"Colette, if you look up..."
755
00:32:47,960 --> 00:32:49,160
"I don't want to look up."
756
00:32:49,160 --> 00:32:51,160
Anyhow, then she looked up
and she went...
757
00:32:51,160 --> 00:32:52,960
LAUGHTER
758
00:32:54,480 --> 00:32:56,320
She nearly fell over.
759
00:32:56,320 --> 00:32:59,640
So I said,
"If you keep your head up,
760
00:32:59,640 --> 00:33:02,160
"you know, you'll see
a lot of us about the place."
761
00:33:02,160 --> 00:33:03,960
LAUGHTER
762
00:33:04,960 --> 00:33:07,960
I've had dogs named after me.
763
00:33:07,960 --> 00:33:09,960
I've had a child named Carson.
What, Carson?
764
00:33:09,960 --> 00:33:11,960
Yeah, in Florida.
765
00:33:11,960 --> 00:33:13,000
LAUGHTER
766
00:33:13,000 --> 00:33:16,960
But the antithesis
of all the excitement is
767
00:33:16,960 --> 00:33:18,960
typical Yorkshire,
in a hotel in Yorkshire,
768
00:33:18,960 --> 00:33:22,640
having breakfast, and suddenly, you
get that lovely thing where, boof.
769
00:33:23,960 --> 00:33:26,160
You know, and then they say,
"The wife..."
770
00:33:26,160 --> 00:33:27,320
Not "my wife".
771
00:33:27,320 --> 00:33:28,960
"The wife watches that thing
you're in."
772
00:33:28,960 --> 00:33:31,960
And I said, "Oh. Do you?"
773
00:33:31,960 --> 00:33:34,320
"Well, it's on."
774
00:33:34,320 --> 00:33:36,960
LAUGHTER
775
00:33:36,960 --> 00:33:37,960
They never watch it.
776
00:33:37,960 --> 00:33:40,640
There's the different levels
of recognition.
777
00:33:40,640 --> 00:33:41,960
There's the supermarket turn,
which is,
778
00:33:41,960 --> 00:33:43,960
"Don't turn round,
but over there is..."
779
00:33:43,960 --> 00:33:45,960
And they always do that.
780
00:33:45,960 --> 00:33:47,960
Or there's what I call the zoo,
781
00:33:47,960 --> 00:33:50,640
when you're standing in front
of a shop window looking in,
782
00:33:50,640 --> 00:33:53,960
and someone comes up and does that
and goes, "It is him."
783
00:33:53,960 --> 00:33:55,640
LAUGHTER
Yeah!
784
00:33:55,640 --> 00:33:56,960
Just talking of...
785
00:33:56,960 --> 00:34:01,160
of fans, I don't know
if I showed you this, Jim.
786
00:34:01,160 --> 00:34:03,960
But it's so lovely.
787
00:34:03,960 --> 00:34:04,960
And it's beautifully...
Aw!
788
00:34:04,960 --> 00:34:07,160
Oh.
Oh, my goodness.
789
00:34:07,160 --> 00:34:08,960
And it's a painting.
Is it a painting?
790
00:34:08,960 --> 00:34:10,960
That's a painting?
Yes.
791
00:34:10,960 --> 00:34:13,000
Oh, my...
Of our favourite scene together.
792
00:34:13,000 --> 00:34:14,960
I know.
Oh, that's lovely.
793
00:34:14,960 --> 00:34:16,960
Oh, my goodness.
That is beautiful.
794
00:34:16,960 --> 00:34:17,960
Isn't it gorgeous?
795
00:34:20,960 --> 00:34:23,960
We're getting on,
Mr Carson, you and I.
796
00:34:23,960 --> 00:34:25,960
We can afford to live a little.
797
00:34:25,960 --> 00:34:27,960
The crew...
Were behind...
798
00:34:27,960 --> 00:34:29,960
..were out of scene.
Oh, in front of us.
799
00:34:29,960 --> 00:34:31,960
With their trousers
rolled up, backing off...
800
00:34:31,960 --> 00:34:35,160
As we approached. As we were
paddling out towards them.
801
00:34:35,160 --> 00:34:37,960
And I could see the waves
coming in behind -
802
00:34:37,960 --> 00:34:40,960
"Boys, you're gonna get such a shock
in a minute, you know."
803
00:34:40,960 --> 00:34:42,480
They go, "Oh!"
804
00:34:42,480 --> 00:34:44,960
So, talking of fans, bizarrely,
805
00:34:44,960 --> 00:34:50,960
this actually came in today
from a gentleman in Turkey.
806
00:34:50,960 --> 00:34:52,960
"Dear Lord Grantham,
I don't know how many times
807
00:34:52,960 --> 00:34:54,960
"I've watched Downton Abbey
from beginning to end.
808
00:34:54,960 --> 00:34:58,960
"I haven't seen the trailer
of the new movie in Turkey yet,
809
00:34:58,960 --> 00:34:59,960
"but I saw it on TikTok
810
00:34:59,960 --> 00:35:01,960
"and watched it
with tears in my eyes.
811
00:35:01,960 --> 00:35:05,960
"I want you to know that
I love the whole team very much.
812
00:35:05,960 --> 00:35:08,960
"Downton Abbey has a very special
place in my heart,
813
00:35:08,960 --> 00:35:10,960
"and it has become
my favourite series.
814
00:35:10,960 --> 00:35:12,960
"I will never forget you all.
815
00:35:12,960 --> 00:35:15,960
"I wish you luck and happiness.
I am so glad you exist."
816
00:35:15,960 --> 00:35:17,960
Aw.
We don't exist.
817
00:35:17,960 --> 00:35:19,960
We're actually fictional characters.
LAUGHTER
818
00:35:19,960 --> 00:35:20,960
Anyway, that's lovely.
819
00:35:20,960 --> 00:35:22,000
Aw, that is gorgeous.
820
00:35:22,000 --> 00:35:25,000
Well, I have some videos
from some fans.
821
00:35:25,000 --> 00:35:27,960
I had gotten caught up
in Downton Abbey
822
00:35:27,960 --> 00:35:29,960
long before I met Dustin.
823
00:35:29,960 --> 00:35:33,960
And when the movie came out,
I messaged him, and I said,
824
00:35:33,960 --> 00:35:37,640
"There's this movie coming out.
You want to go see it?"
825
00:35:37,640 --> 00:35:40,960
And he said he had never heard
of Downton Abbey before,
826
00:35:40,960 --> 00:35:42,960
but he said yes,
and that was our first date.
827
00:35:42,960 --> 00:35:46,960
When we were in the midst
of planning our wedding,
828
00:35:46,960 --> 00:35:50,320
something in me
thought about the honeymoon,
829
00:35:50,320 --> 00:35:52,960
and I just said,
"Why don't we go to the place
830
00:35:52,960 --> 00:35:54,960
"where it all started?"
831
00:35:54,960 --> 00:35:58,960
And that was Highclere Castle,
where Downton Abbey was filmed.
832
00:35:58,960 --> 00:36:00,960
It was so beautiful.
833
00:36:00,960 --> 00:36:03,960
When we got there,
it really felt like
834
00:36:03,960 --> 00:36:05,960
we just stepped into the movie set.
835
00:36:05,960 --> 00:36:07,960
I mean, it really looked
like how it did.
836
00:36:07,960 --> 00:36:10,000
I think that's the reason why
when we went,
837
00:36:10,000 --> 00:36:13,960
we wanted to create our own
Downton Abbey intro.
838
00:36:13,960 --> 00:36:18,960
We love to live in a fantasy world,
and Downton Abbey helps us do that.
839
00:36:18,960 --> 00:36:21,960
Well, I hope they will come
to the film and enjoy it.
840
00:36:21,960 --> 00:36:23,960
Hello.
Hello, hi.
841
00:36:23,960 --> 00:36:26,800
It's been such a joy
to be part of Downton Abbey's
842
00:36:26,800 --> 00:36:28,000
incredible final chapter.
843
00:36:28,000 --> 00:36:30,960
Coming back to Downton
always feels like coming home.
844
00:36:30,960 --> 00:36:33,960
And our last film
is really something special.
845
00:36:33,960 --> 00:36:36,960
Each of our characters,
Molesley, Daisy, and Bertie,
846
00:36:36,960 --> 00:36:40,800
have decades-long journeys
that culminate in The Grand Finale.
847
00:36:40,800 --> 00:36:41,960
And we can't wait
for you to see how it all
848
00:36:41,960 --> 00:36:43,960
plays out on the big screen.
849
00:36:43,960 --> 00:36:46,960
But first, we have something
special just for you.
850
00:36:46,960 --> 00:36:49,960
We are so excited to share
this world-exclusive scene
851
00:36:49,960 --> 00:36:52,320
from Downton Abbey:
The Grand Finale.
852
00:36:52,320 --> 00:36:53,960
I don't understand.
853
00:36:53,960 --> 00:36:56,960
If you're a writer,
then why are you a footman now?
854
00:36:56,960 --> 00:36:59,960
Oh, it's a... it's a long story.
855
00:36:59,960 --> 00:37:01,960
I hope you've enjoyed
your stay at Downton.
856
00:37:01,960 --> 00:37:03,960
Certainly.
857
00:37:03,960 --> 00:37:05,960
And Lady Mary's given me an idea.
858
00:37:05,960 --> 00:37:06,960
What do you mean?
859
00:37:06,960 --> 00:37:08,960
Well, she was talking
about her divorce.
860
00:37:08,960 --> 00:37:10,960
And I can see the play in my head.
861
00:37:10,960 --> 00:37:13,480
Oh, but is it right,
862
00:37:13,480 --> 00:37:16,160
to use what people confide
about their private lives?
863
00:37:16,160 --> 00:37:18,000
SOFT MUSIC
864
00:37:18,000 --> 00:37:19,960
Private lives?
865
00:37:21,000 --> 00:37:22,960
Very good.
866
00:37:22,960 --> 00:37:24,960
Thank you, Mr Molesley.
867
00:37:25,960 --> 00:37:27,960
I'm grateful.
868
00:37:27,960 --> 00:37:28,960
Until the next time.
869
00:37:34,960 --> 00:37:35,960
GROANS
870
00:37:35,960 --> 00:37:40,960
Joseph, you've made a good life
for us, a lovely life.
871
00:37:40,960 --> 00:37:42,960
Won't you please let us be happy?
872
00:37:44,160 --> 00:37:46,960
I will try, I promise.
873
00:37:46,960 --> 00:37:48,960
That's all I ask.
874
00:37:54,960 --> 00:37:56,000
Are you all right?
875
00:37:56,000 --> 00:37:58,960
I wish I was in the right clothes.
876
00:37:58,960 --> 00:38:00,960
They look perfectly right to me.
877
00:38:02,960 --> 00:38:04,960
INDISTINCT CHATTER
878
00:38:04,960 --> 00:38:07,960
Hmm. Good Lord, who's that?
879
00:38:07,960 --> 00:38:08,960
Is that Barrow?
880
00:38:08,960 --> 00:38:10,960
Huh.
881
00:38:11,960 --> 00:38:12,960
Yes.
882
00:38:12,960 --> 00:38:14,960
And you're not to make a thing
of it.
883
00:38:14,960 --> 00:38:15,960
Thank you.
884
00:38:17,960 --> 00:38:19,960
We're very informal.
885
00:38:19,960 --> 00:38:22,960
I suppose that comes
with living in America.
886
00:38:22,960 --> 00:38:23,960
HUSHED CHATTER
887
00:38:25,960 --> 00:38:27,480
We're all looking
forward to the show.
888
00:38:27,480 --> 00:38:29,960
Oh, I hope it's one that Violet
would have been proud of.
889
00:38:29,960 --> 00:38:32,960
I feel it's the last thing
I could do for her.
890
00:38:32,960 --> 00:38:34,960
She terrified the daylights
out of me.
891
00:38:34,960 --> 00:38:35,960
Maybe.
892
00:38:35,960 --> 00:38:38,000
But in truth,
she was kinder, funnier,
893
00:38:38,000 --> 00:38:40,960
wiser than most people knew.
894
00:38:40,960 --> 00:38:42,960
Quite irreplaceable.
Oh, I don't agree.
895
00:38:42,960 --> 00:38:46,800
I think Mary will replace her,
if she hasn't already. Mm.
896
00:38:48,960 --> 00:38:51,960
So, gang, with us all
gathered here together,
897
00:38:51,960 --> 00:38:54,960
it seems a good opportunity
for one final toast
898
00:38:54,960 --> 00:38:56,960
to Downton Abbey and to friendship.
899
00:38:56,960 --> 00:38:57,960
Absolutely.
900
00:38:57,960 --> 00:38:59,960
And we've had such
a wonderful day today,
901
00:38:59,960 --> 00:39:02,960
such laughs and such fun
and such love.
902
00:39:04,480 --> 00:39:06,960
And I've asked everyone
to jot down a phrase or a thought
903
00:39:06,960 --> 00:39:10,960
as a takeaway from our experience
over these many years.
904
00:39:10,960 --> 00:39:14,480
"Faith in the power of stories,"
is one.
905
00:39:14,480 --> 00:39:15,960
I know who this is.
906
00:39:15,960 --> 00:39:18,000
"My mistress is Jules,
and the joy of joining a cast
907
00:39:18,000 --> 00:39:19,960
"I had already fallen for."
908
00:39:19,960 --> 00:39:20,960
Was that Raquel, by any...?
909
00:39:20,960 --> 00:39:22,960
LAUGHTER
910
00:39:22,960 --> 00:39:23,960
You work too hard.
911
00:39:23,960 --> 00:39:25,960
Ease up.
No, I can't.
912
00:39:27,960 --> 00:39:28,960
This is my moment.
913
00:39:28,960 --> 00:39:32,960
"What a wonderful group of people
to spend 14 years with."
914
00:39:35,800 --> 00:39:37,960
Welcome to Downton. Have a nice day.
915
00:39:40,960 --> 00:39:43,960
And I think this is my favourite,
which sums it all up perfectly.
916
00:39:43,960 --> 00:39:47,960
"A fictional family
who became real-life friends."
917
00:40:00,640 --> 00:40:02,160
LAUGHTER
918
00:40:06,960 --> 00:40:08,960
I love you.
919
00:40:08,960 --> 00:40:10,960
That's what makes it all
worthwhile.
920
00:40:10,960 --> 00:40:12,960
So, ladies and gentlemen,
we hope you'll go
921
00:40:12,960 --> 00:40:16,960
to the movie theatre and enjoy
Downton Abbey: The Grand Finale.
922
00:40:16,960 --> 00:40:18,960
ALL: To Downton Abbey.
923
00:40:18,960 --> 00:40:21,960
MUSIC: 'Downton Abbey
Main Theme'
924
00:40:50,960 --> 00:40:52,960
APPLAUSE
925
00:40:56,480 --> 00:40:57,960
Over. Done.
926
00:40:57,960 --> 00:40:58,960
THEY LAUGH
927
00:40:58,960 --> 00:41:00,960
See ya.
See ya.
928
00:41:00,960 --> 00:41:02,960
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