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1
00:00:17,976 --> 00:00:19,500
BOY:
Listen.
2
00:00:22,214 --> 00:00:24,011
Can you hear it?
3
00:00:26,851 --> 00:00:28,409
The music.
4
00:00:31,089 --> 00:00:33,353
I can hear it everywhere.
5
00:00:35,927 --> 00:00:37,690
In the wind...
6
00:00:39,331 --> 00:00:41,128
...in the air...
7
00:00:43,268 --> 00:00:45,065
...in the light.
8
00:00:50,809 --> 00:00:52,902
It's all around us.
9
00:01:02,754 --> 00:01:06,417
All you have to do is open yourself up.
10
00:01:16,935 --> 00:01:18,960
All you have to do...
11
00:01:20,038 --> 00:01:21,869
...is listen.
12
00:01:33,151 --> 00:01:35,779
[MARK MANCINA'S
"WHEATFIELDS" PLAYING]
13
00:02:11,623 --> 00:02:15,491
Hello, Porky. Where's your little friend?
14
00:02:15,660 --> 00:02:18,857
-I don't know, Mr. Mannix.
-Go find him or your big butt's mine.
15
00:02:20,532 --> 00:02:21,726
AUGUST:
Where I've grown up--
16
00:02:21,900 --> 00:02:22,924
Evan!
17
00:02:25,503 --> 00:02:26,527
PETER:
Evan!
18
00:02:26,705 --> 00:02:29,367
--they tried to stop me
from hearing the music.
19
00:02:33,545 --> 00:02:35,570
But when I'm alone...
20
00:02:37,882 --> 00:02:40,248
...it builds up from inside me.
21
00:02:42,620 --> 00:02:44,918
And I think if I could learn
how to play it...
22
00:02:49,828 --> 00:02:51,159
...they might hear me.
23
00:02:53,531 --> 00:02:55,761
They would know I was theirs...
24
00:02:57,235 --> 00:02:59,032
...and find me.
25
00:03:01,072 --> 00:03:03,063
MANNIX:
Knock, knock.
26
00:03:03,241 --> 00:03:05,300
BOY 1: Knock, knock.
MANNIX: Knock, knock.
27
00:03:05,477 --> 00:03:06,637
-Knock, knock.
BOY 2: Wake up.
28
00:03:06,811 --> 00:03:08,676
MANNIX:
Who's there? Who's there?
29
00:03:09,714 --> 00:03:12,877
Freak. Freak.
30
00:03:14,419 --> 00:03:17,616
-Said, knock, knock, freak.
-Who's there?
31
00:03:17,789 --> 00:03:20,622
Your long-lost mommy and daddy.
32
00:03:22,160 --> 00:03:23,821
Can you hear them?
33
00:03:24,829 --> 00:03:26,490
Yes.
34
00:03:30,969 --> 00:03:32,800
No, you can't.
35
00:03:33,605 --> 00:03:34,936
I can.
36
00:03:39,744 --> 00:03:42,440
You don't have no family.
37
00:03:43,148 --> 00:03:45,309
You can't hear anything.
38
00:03:45,784 --> 00:03:47,251
Say it.
39
00:03:49,287 --> 00:03:51,050
-Say it.
BOY 1: Say it. Say it.
40
00:03:51,222 --> 00:03:53,122
MANNIX: Say it.
BOY 2: Say it.
41
00:03:53,291 --> 00:03:54,417
MANNIX: Say it.
BOY 1: Say it.
42
00:03:54,592 --> 00:03:56,321
Say it.
43
00:03:57,362 --> 00:03:58,829
Yes...
44
00:03:59,564 --> 00:04:00,588
...I can.
45
00:04:02,667 --> 00:04:04,828
He doesn't hear anything.
46
00:04:05,470 --> 00:04:06,801
BOY 3:
Yeah.
47
00:04:08,173 --> 00:04:09,401
What is he?
48
00:04:10,909 --> 00:04:12,467
He's a freak.
49
00:04:16,147 --> 00:04:18,775
MANNIX: Sweet dreams, freaks.
BOY 2: Sleep tight.
50
00:04:18,950 --> 00:04:21,441
-Good night.
BOY 1: Don't let the bed bugs bite.
51
00:04:27,058 --> 00:04:29,322
Sometimes the world
tries to knock it out of you.
52
00:04:33,431 --> 00:04:35,422
But I believe in music...
53
00:04:35,600 --> 00:04:38,797
...the way that some people
believe in fairy tales.
54
00:04:51,115 --> 00:04:56,610
I like to imagine that what I hear
came from my mother and father.
55
00:05:14,906 --> 00:05:17,067
Maybe the notes I hear...
56
00:05:17,242 --> 00:05:22,009
...are the same ones they heard
the night they met.
57
00:05:23,615 --> 00:05:26,743
Maybe that's how they found each other.
58
00:05:29,621 --> 00:05:31,851
Maybe that's how they'll find me.
59
00:05:32,023 --> 00:05:33,012
[BANGING ON DOOR]
60
00:05:33,191 --> 00:05:35,523
MAN:
Louis. Louie, where are you?
61
00:05:35,693 --> 00:05:38,354
-Lyla? She's here. What are you doing?
LYLA: Dad.
62
00:05:38,529 --> 00:05:41,987
They're waiting for us.
Hey, sit up straight, please.
63
00:05:42,165 --> 00:05:44,725
Where are you, baby bro?
64
00:05:44,902 --> 00:05:48,167
We didn't follow you from San Francisco
to play for free, man. Yeah?
65
00:05:48,338 --> 00:05:51,671
We need this one, baby bro. All right?
I need this one.
66
00:05:51,842 --> 00:05:53,673
THOMAS:
Don't forget to smile and look relaxed.
67
00:05:55,579 --> 00:05:57,774
All right, not that relaxed.
Come on, come on.
68
00:06:01,251 --> 00:06:04,015
I believe that, once upon a time...
69
00:06:04,655 --> 00:06:06,384
...long ago...
70
00:06:07,691 --> 00:06:11,092
...they heard the music and followed it.
71
00:06:17,034 --> 00:06:22,062
[MARK MANCINA'S
"MAIN TITLE" PLAYING]
72
00:06:34,985 --> 00:06:41,948
[SYMPHONY PLAYING JOHANN SEBASTIAN
BACH'S "PRELUDE FROM PARTITA NO. 3"]
73
00:07:09,119 --> 00:07:12,111
[BAND PLAYING
JOHN ONDRASIK'S "BREAK"]
74
00:07:19,363 --> 00:07:20,955
[SINGING]
I break
75
00:07:22,099 --> 00:07:23,794
I borrow
76
00:07:24,835 --> 00:07:26,769
I live
77
00:07:27,571 --> 00:07:30,131
I lose
78
00:07:30,307 --> 00:07:31,865
I pray
79
00:07:33,143 --> 00:07:35,703
I'm hollow
80
00:07:35,879 --> 00:07:40,316
I'm dead confused
81
00:07:40,884 --> 00:07:43,614
I'll find you
82
00:07:47,290 --> 00:07:52,626
Once you're here, you're never gone
Once you're here, you're never gone
83
00:07:52,796 --> 00:07:58,291
Fallen from a night of cold
A piece of me that I can't hold
84
00:07:58,468 --> 00:08:03,667
I love you as I lose you more
I break outside this open door
85
00:08:03,840 --> 00:08:08,743
Catch me as I wash away
You'll catch me as I wash away
86
00:08:09,379 --> 00:08:11,870
Well, catch me as I wash away
87
00:08:17,421 --> 00:08:18,945
Oh, oh
88
00:08:19,122 --> 00:08:21,022
Oh
89
00:08:22,993 --> 00:08:24,688
Yeah
90
00:08:25,762 --> 00:08:27,229
Don't
91
00:08:27,397 --> 00:08:31,163
Don't wait, don't wait
92
00:08:33,236 --> 00:08:35,363
I break
93
00:08:36,073 --> 00:08:39,975
[CROWD APPLAUDING]
94
00:09:01,965 --> 00:09:03,830
[DANIEL LEVY'S "THE SWAN"
PLAYING ON SPEAKERS]
95
00:09:04,067 --> 00:09:07,195
MAN: Not bad, Connelly. Not bad.
-Thanks very much, man.
96
00:09:07,370 --> 00:09:08,598
Where's the main man?
97
00:09:09,372 --> 00:09:11,567
Goddamn it, Louis. Just wait, man.
98
00:09:13,343 --> 00:09:16,904
Louis? Louis, wait up, man.
99
00:09:20,117 --> 00:09:23,245
LIZZY:
Girls, we are going to a party tonight.
100
00:09:23,420 --> 00:09:25,650
It's a full moon,
you know what that means, right?
101
00:09:25,822 --> 00:09:27,414
[WOMEN SCREAM]
102
00:09:29,092 --> 00:09:31,390
[MARK MANCINA'S "CONFESSIONS
OF LOVE" PLAYING ON SPEAKERS]
103
00:09:37,801 --> 00:09:39,393
LIZZY:
Lyla.
104
00:09:49,980 --> 00:09:52,380
[HARMONICA PLAYS "MOONDANCE"
IN DISTANCE]
105
00:10:23,847 --> 00:10:26,315
LOUIS:
It's a great sound, isn't it?
106
00:10:27,784 --> 00:10:29,843
What are you doing?
107
00:10:30,020 --> 00:10:31,647
Listening.
108
00:10:34,357 --> 00:10:35,688
What are you doing?
109
00:10:38,228 --> 00:10:42,824
-I just came up here to, um....
-Get away?
110
00:10:47,904 --> 00:10:49,633
Have a seat.
111
00:10:49,806 --> 00:10:53,173
Come on, be brave.
112
00:10:53,343 --> 00:10:55,311
Front row, center.
113
00:11:20,737 --> 00:11:22,329
Can you hear that?
114
00:11:23,073 --> 00:11:24,904
What is that?
115
00:11:25,342 --> 00:11:27,071
It's a wish.
116
00:11:36,052 --> 00:11:38,179
Now, what does that sound like?
117
00:11:39,356 --> 00:11:44,089
[SINGING] Well, it's a marvelous night
For a moondance
118
00:11:44,261 --> 00:11:48,197
With the stars up above in your eyes
119
00:11:49,099 --> 00:11:53,160
A fantabulous night to make romance
120
00:11:53,637 --> 00:11:58,097
'Neath the cover of October skies
121
00:11:59,175 --> 00:12:01,166
When I was a young fellow...
122
00:12:02,012 --> 00:12:04,310
...I used to talk to the moon.
123
00:12:05,615 --> 00:12:07,242
Are you making that up?
124
00:12:09,419 --> 00:12:11,410
God, I haven't done that in a long time.
125
00:12:14,658 --> 00:12:17,252
Does it ever talk back?
126
00:12:18,828 --> 00:12:20,887
Well, it used to.
127
00:12:22,599 --> 00:12:26,057
Now I just find myself on a roof
talking to myself...
128
00:12:26,236 --> 00:12:28,727
...like a loon.
129
00:12:31,007 --> 00:12:35,034
Just out here on me own.
130
00:12:37,480 --> 00:12:39,311
Well, I'm here.
131
00:12:41,818 --> 00:12:43,877
Yes, you are.
132
00:12:52,729 --> 00:12:54,253
I'm Louis.
133
00:12:56,733 --> 00:12:58,428
Lyla.
134
00:12:59,102 --> 00:13:01,263
So, what's your story, Lyla?
135
00:13:03,640 --> 00:13:06,006
I don't know. I'm just, um....
136
00:13:08,878 --> 00:13:11,108
I'm just me.
137
00:13:17,954 --> 00:13:19,854
What are you looking at?
138
00:13:21,191 --> 00:13:22,681
You.
139
00:14:09,406 --> 00:14:11,169
[MARK MANCINA'S
"5-NOTE WINDCHIMES" PLAYING]
140
00:14:19,983 --> 00:14:21,507
MAN:
Next.
141
00:14:22,585 --> 00:14:24,519
What did he want? What did you say?
142
00:14:24,687 --> 00:14:27,383
You know, same old junk. New guy.
143
00:14:29,292 --> 00:14:30,816
My name is Mr. Jeffries.
144
00:14:30,994 --> 00:14:34,088
I'm with Child Services
for the state of New York.
145
00:14:34,264 --> 00:14:35,788
[WIND CHIMES TINKLE]
146
00:14:35,965 --> 00:14:37,990
Okay, Evan.
147
00:14:38,168 --> 00:14:42,605
Born December 17th, 1995.
148
00:14:42,772 --> 00:14:46,105
Legal adoption to New York Children's.
149
00:14:47,177 --> 00:14:49,236
[WHISTLING]
150
00:14:50,280 --> 00:14:51,907
How long have you been here, Evan?
151
00:14:52,248 --> 00:14:54,113
Eleven years and sixteen days.
152
00:14:56,386 --> 00:14:57,910
I've been counting.
153
00:14:59,322 --> 00:15:00,789
That's a long time.
154
00:15:01,391 --> 00:15:04,326
-How do you do that?
-Do what?
155
00:15:04,494 --> 00:15:06,587
[BLOWS]
156
00:15:09,165 --> 00:15:11,633
Well, it's just imitating the wind chimes.
157
00:15:11,801 --> 00:15:13,462
[BLOWS]
158
00:15:14,270 --> 00:15:16,500
[WHISTLES]
159
00:15:16,673 --> 00:15:19,267
[WHISTLES]
160
00:15:20,477 --> 00:15:22,001
[CHUCKLES]
161
00:15:25,081 --> 00:15:27,914
You don't wanna be placed
with a real family?
162
00:15:28,084 --> 00:15:31,349
-I have a family.
-Yes, you do.
163
00:15:31,521 --> 00:15:34,854
I mean, you have parents and all,
but they don't live with you.
164
00:15:35,024 --> 00:15:36,184
Not now.
165
00:15:36,626 --> 00:15:40,426
But still,
you don't have contact with them.
166
00:15:40,597 --> 00:15:44,055
-Yes, I do.
-You do?
167
00:15:48,104 --> 00:15:49,332
What, do they call you?
168
00:15:51,808 --> 00:15:53,036
Come and visit you?
169
00:15:53,510 --> 00:15:54,772
-Send--?
-I....
170
00:15:57,647 --> 00:15:59,808
I don't wanna be sent away.
171
00:16:02,785 --> 00:16:04,719
I understand.
172
00:16:06,589 --> 00:16:09,285
You see, there's a lot of children...
173
00:16:09,459 --> 00:16:12,155
...who are scared
that if they leave their first home...
174
00:16:12,328 --> 00:16:14,660
...their parents would never
be able to find them.
175
00:16:15,764 --> 00:16:17,322
Right?
176
00:16:17,933 --> 00:16:19,662
But see, my job is to make sure...
177
00:16:19,835 --> 00:16:23,271
...that nothing like that
will ever happen to you.
178
00:16:23,438 --> 00:16:26,566
So there's nothing to be scared of.
179
00:16:28,177 --> 00:16:29,872
Thank you.
180
00:16:36,185 --> 00:16:38,813
I'm gonna do something I never do.
181
00:16:40,022 --> 00:16:42,217
This is my number.
182
00:16:42,391 --> 00:16:46,589
If you ever need to talk to me,
about anything...
183
00:16:48,197 --> 00:16:49,687
...you call.
184
00:16:49,865 --> 00:16:52,356
Think about what I said too.
185
00:16:52,968 --> 00:16:56,995
There's a whole world out there
with millions of wind chimes.
186
00:16:57,606 --> 00:16:58,937
I know.
187
00:17:06,548 --> 00:17:07,879
You can go now.
188
00:17:18,660 --> 00:17:21,356
PETER: Mannix says we're never
gonna see our real parents again.
189
00:17:21,530 --> 00:17:23,657
Mannix is a big liar.
190
00:17:24,466 --> 00:17:27,629
Yeah, I know. But what if he's right?
191
00:17:27,803 --> 00:17:31,000
I mean, what if they don't ever come?
192
00:17:31,173 --> 00:17:34,108
Hardly remember what my mom
looks like, you know?
193
00:17:34,576 --> 00:17:40,742
Well, if they don't find us,
we'll just have to go find them.
194
00:17:46,488 --> 00:17:50,083
[VAN MORRISON'S "MOONDANCE"
PLAYING]
195
00:18:13,849 --> 00:18:14,941
[CORK POPS]
196
00:18:15,117 --> 00:18:16,106
[LYLA SCREAMS]
197
00:18:16,285 --> 00:18:17,513
[MEN CHEER]
198
00:18:18,153 --> 00:18:19,142
[LAUGHING]
199
00:18:20,522 --> 00:18:21,580
LYLA: Oh, my God.
-Morning.
200
00:18:21,757 --> 00:18:23,122
-How's it going?
LYLA: Oh, my God.
201
00:18:23,292 --> 00:18:24,589
Get away.
202
00:18:24,760 --> 00:18:25,988
[LAUGHING]
203
00:18:26,161 --> 00:18:27,389
LYLA:
I have to go.
204
00:18:27,562 --> 00:18:29,655
-Let me walk you home.
-No.
205
00:18:29,831 --> 00:18:31,799
LYLA:
My dad's waiting at the Sherry. I--
206
00:18:32,234 --> 00:18:34,896
I've never done this before.
I'm in so much trouble.
207
00:18:35,070 --> 00:18:36,094
Hey, hey.
208
00:18:36,271 --> 00:18:37,329
MEN:
Woo!
209
00:18:37,506 --> 00:18:39,531
Meet me here at 10:00 by the arch.
210
00:18:39,708 --> 00:18:40,868
[MARSHALL LAUGHING]
211
00:18:41,043 --> 00:18:43,477
LOUIS: Say yes.
-Put him out of his misery. Say yes.
212
00:18:43,645 --> 00:18:45,135
-Say yes.
-Say it.
213
00:18:45,314 --> 00:18:46,975
Say yes.
214
00:18:50,585 --> 00:18:52,109
After you.
215
00:18:53,088 --> 00:18:54,521
I'll take that as a yes.
216
00:18:59,027 --> 00:19:03,020
You are gonna be in so much trouble.
You should have left your dad a note.
217
00:19:03,198 --> 00:19:05,894
Yeah, ransom note.
You know what? I don't even care.
218
00:19:06,068 --> 00:19:09,333
I just had the most incredible night
of my life.
219
00:19:09,504 --> 00:19:10,801
Taxi!
220
00:19:10,972 --> 00:19:14,965
[MARK MANCINA'S
"WASHINGTON SQUARE" PLAYING]
221
00:19:18,013 --> 00:19:20,573
MARSHALL:
Louis. She ain't coming.
222
00:19:20,749 --> 00:19:23,912
Oh, man. One girl?
223
00:19:24,086 --> 00:19:26,680
Come on, we're gonna miss the flight.
224
00:19:29,491 --> 00:19:33,484
-Taxi!
MARSHALL: Louis. Where you going, Louis?
225
00:19:35,697 --> 00:19:36,857
Excuse me.
226
00:19:38,467 --> 00:19:40,128
MARSHALL:
Louie.
227
00:19:41,336 --> 00:19:42,667
THOMAS:
You are not going anywhere.
228
00:19:43,138 --> 00:19:45,834
-Lyla!
LYLA: Dad, I'm not going with you.
229
00:19:46,007 --> 00:19:48,737
-Lyla, you listen to me.
-No.
230
00:19:48,910 --> 00:19:51,606
-Don't you dare walk away.
LYLA: I'm not going with you.
231
00:19:58,854 --> 00:20:00,947
LOUIS:
Lyla!
232
00:20:06,495 --> 00:20:09,259
THOMAS:
Get in the car right now.
233
00:20:12,300 --> 00:20:14,700
Lyla! Lyla!
234
00:20:27,883 --> 00:20:29,510
MARSHALL:
Louis.
235
00:20:32,721 --> 00:20:35,554
Do you remember what Da used to say
about princesses? Huh?
236
00:20:35,724 --> 00:20:39,785
They're always looking for their prince.
And you ain't no prince, brother.
237
00:20:41,029 --> 00:20:42,155
How would you know?
238
00:20:43,165 --> 00:20:45,065
What am I gonna do now?
239
00:20:59,314 --> 00:21:01,509
I know they're out there somewhere.
240
00:21:02,451 --> 00:21:05,648
[VIBRATING AND BUZZING]
241
00:21:05,821 --> 00:21:09,120
[MARK MANCINA'S "WIRES" PLAYING]
242
00:21:15,897 --> 00:21:18,297
I don't know where it comes from...
243
00:21:21,970 --> 00:21:23,767
...but it's what I hold on to.
244
00:21:28,176 --> 00:21:30,303
And I can't let go.
245
00:21:30,479 --> 00:21:31,810
[WIND WHISTLES]
246
00:21:34,783 --> 00:21:36,182
Somewhere inside me...
247
00:21:37,619 --> 00:21:40,315
...I know that they always wanted me.
248
00:21:42,691 --> 00:21:45,091
Maybe they just got lost.
249
00:21:46,428 --> 00:21:49,659
LOUIS [SINGING]:
Walking through wintertime
250
00:21:49,831 --> 00:21:53,164
When the stars all shine
251
00:21:57,038 --> 00:22:00,530
The angel on the stairs
252
00:22:03,478 --> 00:22:06,970
Will tell you I was there
253
00:22:07,148 --> 00:22:08,513
[CELLO PLAYING MARK MANCINA'S
"CELLO OVERLUDE"]
254
00:22:08,683 --> 00:22:12,141
Under the front porch light
255
00:22:12,320 --> 00:22:15,187
On a mystery night
256
00:22:21,563 --> 00:22:22,791
I been sitting
257
00:22:22,964 --> 00:22:27,162
Watching life pass from the sidelines
258
00:22:28,303 --> 00:22:30,362
Been waiting for a dream
259
00:22:30,539 --> 00:22:34,703
To seep in through my blinds
260
00:22:34,876 --> 00:22:37,367
I wondered what might happen
261
00:22:37,546 --> 00:22:40,208
If I left this all behind
262
00:22:41,016 --> 00:22:44,076
Would the wind be at my back?
263
00:22:44,252 --> 00:22:48,154
Could I get you off my mind
264
00:22:50,292 --> 00:22:51,350
This time?
265
00:22:51,560 --> 00:22:54,085
LOUIS:
What's the point in singing, Marshall?
266
00:22:54,963 --> 00:22:56,590
She's not gonna hear me.
267
00:22:57,432 --> 00:23:00,401
I'm leaving the band.
I'm sorry, Marshall.
268
00:23:00,569 --> 00:23:02,537
MARSHALL:
Don't quit on us, Louis.
269
00:23:04,606 --> 00:23:07,905
[SINGING]
The things I left behind
270
00:23:08,476 --> 00:23:10,910
THOMAS: Everything you've given up,
everything I've given up--
271
00:23:11,279 --> 00:23:13,008
[SINGING]
Have melted in my mind
272
00:23:13,181 --> 00:23:15,581
I can't do it. I'm sorry, Frank.
I can't do it, man.
273
00:23:15,750 --> 00:23:17,445
-Listen to me. Listen to me.
-No!
274
00:23:17,619 --> 00:23:19,780
-You know what I mean? I don't know...
-Dad!
275
00:23:19,955 --> 00:23:21,445
...how to approach this problem.
276
00:23:21,623 --> 00:23:23,614
I mean, where are you
gonna put the baby?
277
00:23:23,792 --> 00:23:26,818
And what about this boy?
He's not here now. He's not here now.
278
00:23:26,995 --> 00:23:28,394
-I'm leaving.
-You can't leave.
279
00:23:28,563 --> 00:23:31,623
-Where you going, then?
-Just let me go. Will you just let me go?
280
00:23:32,233 --> 00:23:34,224
LOUIS [SINGING]:
Would the wind be at my back?
281
00:23:35,503 --> 00:23:38,961
Could I get you off my mind
282
00:23:39,140 --> 00:23:41,267
MARSHALL: Louis.
THOMAS: Lyla.
283
00:23:41,443 --> 00:23:42,876
This time?
284
00:23:44,512 --> 00:23:45,911
Hey, Louis.
285
00:23:47,282 --> 00:23:48,749
THOMAS:
Lyla.
286
00:23:49,351 --> 00:23:50,579
[SCREAMS]
287
00:23:50,752 --> 00:23:51,741
[TIRES SCREECH]
288
00:23:51,920 --> 00:23:53,683
[THUDS]
289
00:23:55,423 --> 00:23:57,152
[MARK MANCINA'S
"HOSPITAL PT. 1 " PLAYING]
290
00:24:12,207 --> 00:24:13,868
WOMAN:
We have fetal distress.
291
00:24:15,844 --> 00:24:17,835
Baby's heart rate is falling.
292
00:24:20,248 --> 00:24:21,909
It's falling.
293
00:24:50,512 --> 00:24:52,275
I'm sorry.
294
00:24:57,018 --> 00:24:58,883
He's gone.
295
00:26:02,584 --> 00:26:04,848
MAN: Picked him up on the thruway
outside of Montrose.
296
00:26:05,019 --> 00:26:08,079
Just wandering down the road.
Said he's following the music.
297
00:26:08,256 --> 00:26:10,918
The moon told him to.
Yeah. Kid's a space cadet.
298
00:26:13,995 --> 00:26:15,656
[CAR HORNS HONKING]
299
00:26:16,831 --> 00:26:19,299
Look, I got a busy day ahead of me.
300
00:26:20,435 --> 00:26:22,733
All right, big guy, out you go.
301
00:26:22,904 --> 00:26:24,997
This Jeffries guy
wasn't in his office yet...
302
00:26:25,173 --> 00:26:27,767
...so I left him a message
to pick you up right here.
303
00:26:27,942 --> 00:26:29,603
AUGUST: Okay.
-Here. Hold on.
304
00:26:29,778 --> 00:26:32,906
Don't lose it. If he doesn't show
in an hour, give him another call.
305
00:26:33,081 --> 00:26:34,742
You can handle that, right?
306
00:26:34,916 --> 00:26:36,474
-Yeah.
-You got any money?
307
00:26:36,918 --> 00:26:40,945
Here's 12 bucks.
Damn, kid, put it in your pocket.
308
00:26:41,122 --> 00:26:42,885
See you.
309
00:26:56,403 --> 00:26:58,701
[TRAINS CLICKING ON TRACKS]
310
00:27:01,708 --> 00:27:03,300
[TRAIN HORN BLOWS]
311
00:27:05,979 --> 00:27:07,844
[SCREECHING]
312
00:27:21,428 --> 00:27:25,387
[HORNS HONK, TIRES SCREECH
AND FOOTSTEPS TAP]
313
00:27:27,968 --> 00:27:29,993
[HIP HOP MUSIC PLAYS
ON STEREO]
314
00:27:36,009 --> 00:27:38,534
[WHISTLE BLOWS, HORN HONKS
AND DOG BARKS]
315
00:27:47,321 --> 00:27:48,686
[BELL RINGING]
316
00:27:48,856 --> 00:27:49,880
[THUDDING]
317
00:27:57,865 --> 00:27:59,992
[MARK MANCINA'S
"UNION SQUARE" PLAYING]
318
00:28:35,369 --> 00:28:36,358
[HORN HONKS]
319
00:28:36,536 --> 00:28:38,003
[GASPS]
320
00:28:40,440 --> 00:28:42,237
[GRUNTS]
321
00:28:43,744 --> 00:28:45,405
MAN:
Get on the sidewalk!
322
00:28:55,389 --> 00:28:57,687
[HORNS HONKING AND SIRENS WAILING]
323
00:29:05,432 --> 00:29:07,957
BOY [SINGING]:
Para bailar la bamba
324
00:29:08,135 --> 00:29:10,399
[GIRLS SINGING]
325
00:29:13,106 --> 00:29:18,043
Give me your money
326
00:29:18,211 --> 00:29:22,875
Come here, sweet honey
327
00:29:23,050 --> 00:29:26,508
Come here, baby
328
00:29:28,288 --> 00:29:29,448
Yeah.
329
00:29:30,490 --> 00:29:33,653
[PLAYING ALI DEE'S
"MY COUNTRY 'TIS OF THEE"]
330
00:29:48,008 --> 00:29:51,774
Okay, citizen. You paid. Any requests?
331
00:29:51,945 --> 00:29:53,412
AUGUST:
No.
332
00:29:54,848 --> 00:29:56,213
Alrighty, then.
333
00:29:58,552 --> 00:30:02,682
[SINGING]
Father, hear me when I
334
00:30:02,856 --> 00:30:05,154
Call your name
335
00:30:05,726 --> 00:30:10,060
I need you to answer me now
336
00:30:10,230 --> 00:30:14,132
Father, here I am
337
00:30:14,301 --> 00:30:17,236
Weak in your sight
338
00:30:17,404 --> 00:30:21,238
Can you rescue me now?
339
00:30:21,408 --> 00:30:27,506
I'm crying out
Can't figure it out on my own
340
00:30:29,816 --> 00:30:33,115
Back off. Away, away. Yo, son,
you're messing with my equilibrium.
341
00:30:33,286 --> 00:30:36,551
Nobody touches this instrument but me.
Roxy's my girl.
342
00:30:36,723 --> 00:30:39,317
Son, we done here,
so why don't you go find your mommy.
343
00:30:39,793 --> 00:30:43,160
-I don't know where she is.
-Good, that's just great. Uh....
344
00:30:43,330 --> 00:30:45,389
Cops show up around 6.
Tell them you're AWOL.
345
00:30:45,565 --> 00:30:47,465
They'll send you back
where you come from.
346
00:30:47,634 --> 00:30:48,999
I don't wanna go back there.
347
00:30:49,836 --> 00:30:51,326
Well, good.
348
00:30:51,505 --> 00:30:53,905
This day's been a bust anyway. I'm out.
349
00:31:04,351 --> 00:31:08,117
[MARK MANCINA'S
"FOLLOWING ARTHUR" PLAYING]
350
00:31:15,495 --> 00:31:16,553
What?
351
00:31:18,832 --> 00:31:20,459
I don't have a place to stay.
352
00:31:21,301 --> 00:31:23,792
Do I look like a real-estate tycoon
to you?
353
00:31:27,407 --> 00:31:29,204
How many dead presidents you got?
354
00:31:29,776 --> 00:31:32,074
Nuggets? Shorts?
355
00:31:32,245 --> 00:31:33,644
Show me the money.
356
00:31:38,418 --> 00:31:42,718
-Are you thinking what I'm thinking?
-No, I'm thinking something else.
357
00:31:44,958 --> 00:31:47,119
I'm gonna let you buy me a pizza.
358
00:32:02,742 --> 00:32:06,576
I've been doing this for 10 years, Bob.
I said 10 percent.
359
00:32:07,747 --> 00:32:10,147
We need to close the deal.
Hold on a second.
360
00:32:10,317 --> 00:32:13,548
No. We said 10 percent.
361
00:32:14,454 --> 00:32:17,446
Yeah, well, it makes the world go round,
doesn't it, Bob?
362
00:32:18,425 --> 00:32:20,791
Just get me the 10 percent, will you?
363
00:32:20,961 --> 00:32:22,451
Thanks.
364
00:32:23,196 --> 00:32:24,561
[SIGHS]
365
00:32:26,333 --> 00:32:29,564
MAN: Need anything, sir?
-Do you know any hit men?
366
00:32:29,736 --> 00:32:32,296
I do know a bass player
might be able to help you out.
367
00:32:32,472 --> 00:32:34,497
Likes to get in fights with lead singers.
368
00:32:36,676 --> 00:32:37,802
Nick?
369
00:32:39,579 --> 00:32:41,547
What are you doing, man?
370
00:32:43,083 --> 00:32:45,984
Still driving. Paying off
those wedding bills from last year.
371
00:32:46,153 --> 00:32:48,644
Oh, fair play to you. Oh, she's a nice girl.
372
00:32:50,056 --> 00:32:51,785
So you playing at all?
373
00:32:52,225 --> 00:32:53,385
Nope.
374
00:32:54,161 --> 00:32:56,686
Why the hell not? Your fingers fall off?
375
00:32:56,863 --> 00:32:58,660
Well, you move on.
376
00:33:00,934 --> 00:33:03,903
What about the lads?
Seen any of them lately?
377
00:33:05,238 --> 00:33:07,172
We still mess around...
378
00:33:07,340 --> 00:33:11,299
...but the Connelly Brothers never really
bounced back minus one brother.
379
00:33:15,815 --> 00:33:17,339
You seen Marshall lately?
380
00:33:18,285 --> 00:33:19,752
Have you?
381
00:33:19,920 --> 00:33:22,184
[VAN MORRISON'S
"MAGIC TIME" PLAYING]
382
00:33:22,956 --> 00:33:24,548
It's my birthday on Saturday.
383
00:33:25,158 --> 00:33:28,184
Session's at my place.
Come, bring your girlfriend.
384
00:33:29,062 --> 00:33:31,155
It's great seeing you, man.
385
00:33:31,331 --> 00:33:35,131
Reminds me of New York.
The good old days, eh?
386
00:33:35,502 --> 00:33:37,629
[SIRENS WAILING]
387
00:33:42,209 --> 00:33:44,200
[LYLA HUMMING BEETHOVEN'S
"FUR ELISE"]
388
00:33:44,377 --> 00:33:45,935
GIRL:
I know.
389
00:33:46,112 --> 00:33:48,342
I know.
390
00:33:48,515 --> 00:33:51,916
-I know. Okay, I don't know.
-Oh!
391
00:33:52,118 --> 00:33:55,315
"Fur Elise" by Beethoven.
And you should know that one.
392
00:33:55,488 --> 00:33:57,547
Oh, yeah.
393
00:33:57,724 --> 00:34:00,192
Will you be our teacher forever,
Miss Novacek?
394
00:34:00,360 --> 00:34:03,352
Well, at least until your old teacher
comes back.
395
00:34:03,530 --> 00:34:06,795
But only if you call me...?
396
00:34:06,967 --> 00:34:09,197
-Lyla.
-That's right.
397
00:34:09,369 --> 00:34:10,836
You're crazy, Miss Novacek.
398
00:34:11,004 --> 00:34:12,266
WOMAN: Megan.
-Got everything?
399
00:34:14,441 --> 00:34:16,136
-Okay.
-Bye.
400
00:34:16,309 --> 00:34:18,106
[MARK MANCINA'S
"ELEVEN YEARS LATER" PLAYING]
401
00:34:18,545 --> 00:34:21,105
Hi, sweetie.
402
00:34:21,648 --> 00:34:23,639
Did you have a good day?
403
00:34:25,051 --> 00:34:26,245
Thanks.
404
00:34:26,419 --> 00:34:27,613
LIZZY: There you are.
-Hey.
405
00:34:27,787 --> 00:34:31,484
Okay, now, before you say no....
Okay, picture this.
406
00:34:31,658 --> 00:34:35,890
You on stage, me accompanying,
thousands of people.
407
00:34:36,062 --> 00:34:37,529
-Liz.
-The New York Philharmonic.
408
00:34:37,697 --> 00:34:40,530
I just got the invite. They want you back.
409
00:34:40,700 --> 00:34:43,430
It's just one night,
but they want you back.
410
00:34:45,005 --> 00:34:47,166
I don't wanna be up there.
411
00:34:47,340 --> 00:34:48,830
Lyla....
412
00:34:49,643 --> 00:34:51,907
When are you gonna let yourself
be happy again?
413
00:34:52,078 --> 00:34:54,444
I am happy.
414
00:34:55,248 --> 00:34:58,581
I'm talking about
when everyone else goes home.
415
00:35:05,558 --> 00:35:07,389
Look....
416
00:35:07,560 --> 00:35:10,085
I know. Okay? I know.
417
00:35:11,631 --> 00:35:12,962
Just think about it.
418
00:35:13,133 --> 00:35:17,763
I mean, you're a music teacher
who doesn't play music anymore.
419
00:35:18,238 --> 00:35:20,138
Call me crazy.
420
00:35:20,307 --> 00:35:21,934
Okay, Crazy.
421
00:35:22,108 --> 00:35:24,668
-I'll see you at home, okay?
-All right.
422
00:35:36,022 --> 00:35:38,513
ARTHUR:
No, I ain't got no daddy.
423
00:35:40,026 --> 00:35:41,288
See, my pops is a drunk.
424
00:35:41,461 --> 00:35:45,056
And my mama, she took off
with this crackhead named Little Jesus.
425
00:35:45,231 --> 00:35:48,496
But, you know, he wasn't no little Jesus,
you know what I'm saying?
426
00:35:48,668 --> 00:35:49,692
[BILLIE HOLIDAY'S
"GOD BLESS THE CHILD" PLAYING]
427
00:35:49,869 --> 00:35:52,064
No, they never gave a damn about me.
428
00:35:52,238 --> 00:35:56,140
Come on, man. This is us right here.
429
00:35:58,244 --> 00:36:01,179
-I've been with Wizard for years.
AUGUST: Who's Wizard?
430
00:36:01,348 --> 00:36:03,714
ARTHUR: Oh, he's a real piece of work,
that's what he is.
431
00:36:03,883 --> 00:36:06,443
His real name's Maxwell Wallace.
432
00:36:06,619 --> 00:36:09,747
He took me in.
He said that I was an investment.
433
00:36:09,923 --> 00:36:13,017
He gave me Roxy here.
He bought it in the old days.
434
00:36:13,460 --> 00:36:16,793
Well, he really didn't buy it.
Guess you'd kind of say he found it.
435
00:36:16,963 --> 00:36:18,260
All right, he stole it.
436
00:36:18,431 --> 00:36:20,592
Wizard?
He gave me his place at the Square.
437
00:36:20,767 --> 00:36:23,258
My parents? They ain't gave me nothing.
438
00:36:25,839 --> 00:36:28,740
We all gonna be big stars someday.
439
00:36:29,743 --> 00:36:32,940
MAN: What's the password?
-Open the damn door already.
440
00:36:34,247 --> 00:36:36,010
You're getting on my nerves with that.
441
00:36:40,487 --> 00:36:42,512
Okay, follow me.
442
00:36:42,689 --> 00:36:45,783
[MARK MANCINA'S
"WIZARD'S LAIR" PLAYING]
443
00:36:45,959 --> 00:36:48,894
What's your name again?
It's Evan, right?
444
00:36:50,296 --> 00:36:52,662
Yo, this is our home, son.
445
00:36:52,832 --> 00:36:54,732
It's kind of crazy in here,
so stay on your feet.
446
00:36:54,901 --> 00:36:56,493
[BOY YELLS]
447
00:36:58,204 --> 00:36:59,364
Watch out.
448
00:36:59,539 --> 00:37:02,736
Yeah, I've been living here for a while.
Come on, man.
449
00:37:02,909 --> 00:37:04,968
Hey, check it out.
450
00:37:05,145 --> 00:37:06,305
-How much you make?
BOY 1: Ten dollars.
451
00:37:06,479 --> 00:37:08,413
ARTHUR: You lying. Let me see.
BOY 1: I am not lying.
452
00:37:08,581 --> 00:37:10,549
ARTHUR: What did I tell you about that?
-Boo!
453
00:37:11,818 --> 00:37:12,807
[BABBLING]
454
00:37:12,986 --> 00:37:15,887
BOY 2: Hey, it's Arthur.
ARTHUR: I'll be laughing at your funeral.
455
00:37:16,055 --> 00:37:18,114
BOY 1: I'm gonna go play basketball.
ARTHUR: All clear.
456
00:37:18,291 --> 00:37:23,820
[SINGING] My life, the sky
Like a feather I'll fly
457
00:37:24,597 --> 00:37:27,259
ARTHUR: Man, you should've knocked him
in his head, son.
458
00:37:27,767 --> 00:37:31,066
[PLAYING IMPACT REPERTORY THEATRE'S
"WIZARD'S THEATER SONG"]
459
00:37:38,177 --> 00:37:40,008
BOY 3:
Shoot it, shoot it, shoot it!
460
00:37:44,950 --> 00:37:46,349
Pizza!
461
00:37:51,457 --> 00:37:53,516
Pizza, pizza, pizza.
462
00:38:07,940 --> 00:38:09,339
GIRL 1:
Don't make me come up there.
463
00:38:09,508 --> 00:38:11,567
BOY 4: Yo, you better hurry
before Wizard shows.
464
00:38:11,743 --> 00:38:14,303
He'll be pissed
if he's seen you bought a pie.
465
00:38:14,680 --> 00:38:16,341
I ain't take no family money.
466
00:38:16,515 --> 00:38:17,812
Citizen bought it.
467
00:38:21,119 --> 00:38:23,815
Hola, music lovers.
468
00:38:23,989 --> 00:38:25,820
Wow, while the cat's away....
469
00:38:26,658 --> 00:38:28,023
Oh.
470
00:38:28,193 --> 00:38:29,490
Who likes pizza?
471
00:38:31,730 --> 00:38:33,027
Who did this?
472
00:38:34,633 --> 00:38:35,895
Arthur?
473
00:38:41,907 --> 00:38:43,966
-What is he?
-He's a damn fool.
474
00:38:44,142 --> 00:38:46,576
He's a damn fool.
475
00:38:46,745 --> 00:38:48,372
-He's gonna get it good.
-Shh.
476
00:38:48,547 --> 00:38:50,378
What are you, Arthur?
477
00:38:50,883 --> 00:38:52,817
I'm a real piece of work, Wizard.
478
00:38:54,486 --> 00:38:56,181
You're on thin ice.
479
00:38:56,688 --> 00:39:00,681
I didn't take no family money.
He bought it.
480
00:39:05,998 --> 00:39:07,397
What?
481
00:39:07,766 --> 00:39:09,063
You look crazy.
482
00:39:10,702 --> 00:39:11,828
I am crazy.
483
00:39:12,004 --> 00:39:13,938
[SCREAMS]
484
00:39:15,207 --> 00:39:16,606
See?
485
00:39:17,476 --> 00:39:18,534
Come here.
486
00:39:21,413 --> 00:39:22,937
Now!
487
00:39:24,249 --> 00:39:25,682
Come on.
488
00:39:29,021 --> 00:39:31,956
-What's your name?
-Evan, sir.
489
00:39:32,758 --> 00:39:34,089
What are you doing here?
490
00:39:34,893 --> 00:39:36,690
I followed the music.
491
00:39:42,167 --> 00:39:45,432
Where did you pick this one up,
Arthur, Bellevue?
492
00:39:49,541 --> 00:39:51,907
You never played a note in your life.
493
00:39:52,077 --> 00:39:54,102
Do you know what music is?
494
00:39:55,781 --> 00:39:59,911
It's God's little reminder there's
something else besides us in this universe.
495
00:40:00,452 --> 00:40:06,084
Harmonic connection between
all living beings everywhere, even the stars.
496
00:40:06,825 --> 00:40:08,725
Is this a school?
497
00:40:08,894 --> 00:40:12,125
Yeah, the school of
Screw You and Take All Your Damn Money.
498
00:40:12,297 --> 00:40:14,162
-Yeah.
-Yeah, we're top of the class.
499
00:40:14,333 --> 00:40:15,698
Not!
500
00:40:18,103 --> 00:40:19,593
It's a business.
501
00:40:22,240 --> 00:40:24,834
-Pockets.
GIRL 2: Okay, let's go.
502
00:40:25,010 --> 00:40:26,637
-Let's go, let's go.
WALLACE: Pockets.
503
00:40:27,512 --> 00:40:28,638
BOY 1:
Oh, man. Get up.
504
00:40:28,814 --> 00:40:30,805
[CHATTERING]
505
00:40:32,784 --> 00:40:34,012
WALLACE:
Peanut, well done.
506
00:40:35,287 --> 00:40:36,948
I got eyes in the back of my head.
507
00:40:37,923 --> 00:40:39,788
Good job. Gracias, amigo.
508
00:40:39,958 --> 00:40:42,188
Chain is only as strong...
509
00:40:42,628 --> 00:40:43,925
...as its weakest link.
510
00:40:46,632 --> 00:40:48,122
Come on, Arthur.
511
00:40:48,467 --> 00:40:50,025
That's chump change.
512
00:40:50,202 --> 00:40:53,535
You got Washington Square.
That was my spot for 10 years.
513
00:40:57,676 --> 00:41:00,804
Go ahead, before I change my mind.
514
00:41:05,117 --> 00:41:07,278
You kids are gonna put me
in the poorhouse.
515
00:41:08,253 --> 00:41:11,188
All right, little mice,
scurry back to your holes. Go, go.
516
00:41:13,825 --> 00:41:16,658
Harmonic dreams, sweet children.
517
00:41:24,636 --> 00:41:26,536
[PLAYING VAN MORRISON'S
"MOONDANCE" ON HARMONICA]
518
00:42:06,878 --> 00:42:11,372
[PLAYING MARK MANCINA'S
"BARI IMPROV"]
519
00:43:46,745 --> 00:43:48,872
ARTHUR:
Roxanne. Man, I'm gonna kill him.
520
00:44:17,209 --> 00:44:19,143
WALLACE:
You know what's out there?
521
00:44:19,778 --> 00:44:21,905
A series of higher tones.
522
00:44:22,080 --> 00:44:23,604
It's arranged by nature.
523
00:44:23,782 --> 00:44:27,843
It's governed by the laws of physics
of the whole universe.
524
00:44:29,254 --> 00:44:31,654
It's an overtone, it's an energy,
it's a wavelength.
525
00:44:31,823 --> 00:44:36,351
And if you're not riding it, good Lordy,
you'll never hear it.
526
00:44:36,528 --> 00:44:38,553
Where do you think it comes from?
527
00:44:40,365 --> 00:44:41,662
What I hear.
528
00:44:42,267 --> 00:44:45,759
I think it comes from all around you, really.
I mean, it's--
529
00:44:45,937 --> 00:44:47,768
Comes through us, some of us.
530
00:44:50,008 --> 00:44:53,068
It's invisible, but-- But you feel it.
531
00:44:54,012 --> 00:44:55,775
So only some of us can hear it?
532
00:44:57,415 --> 00:44:59,383
Only some of us are listening.
533
00:45:02,187 --> 00:45:04,519
Do you think my parents are listening?
534
00:45:05,390 --> 00:45:07,358
I hear you, kid.
535
00:45:10,328 --> 00:45:11,317
Like:
536
00:45:11,496 --> 00:45:12,861
[STRUMS GUITAR]
537
00:45:13,431 --> 00:45:15,023
Yeah.
538
00:45:18,970 --> 00:45:20,597
WOMAN:
Are you hearing a word I'm saying?
539
00:45:20,772 --> 00:45:22,103
[CHATTERING]
540
00:45:24,910 --> 00:45:26,309
Louis.
541
00:45:27,078 --> 00:45:29,911
Come on.
It's about time I met your family.
542
00:45:31,116 --> 00:45:33,744
[CHRIS TRAPPER'S "THIS TIME"
PLAYING IN DISTANCE]
543
00:45:34,452 --> 00:45:37,944
Listen, Jen,
maybe this isn't such a good idea.
544
00:45:38,924 --> 00:45:39,948
Grow up.
545
00:45:40,425 --> 00:45:41,892
Come on.
546
00:45:43,795 --> 00:45:45,057
-Come on.
-"Grow up."
547
00:45:46,898 --> 00:45:49,423
[SINGING ON VIDEO]
The angel on the stairs
548
00:45:49,601 --> 00:45:53,128
JEN: Are all Irish people this loud?
-Yeah.
549
00:45:53,305 --> 00:45:55,830
Will tell you I was there
550
00:45:58,410 --> 00:46:01,971
Under the front porch light
551
00:46:02,147 --> 00:46:05,082
On a mystery night
552
00:46:11,456 --> 00:46:16,155
I been sitting
Watching life pass from the sidelines
553
00:46:17,128 --> 00:46:18,117
MAN:
Hey, Louis.
554
00:46:18,296 --> 00:46:20,264
Been waiting for a dream
555
00:46:20,432 --> 00:46:24,129
To seep in through my blinds
556
00:46:25,704 --> 00:46:28,104
NICK:
Hey, Marshall, your brother's here.
557
00:46:28,506 --> 00:46:29,530
Louis.
558
00:46:32,243 --> 00:46:33,710
Hey, Nick.
559
00:46:34,112 --> 00:46:35,670
Could I get you off my mind
560
00:46:36,214 --> 00:46:39,911
JEN:
Oh, my God. Is that you?
561
00:46:40,085 --> 00:46:42,178
This time?
562
00:46:43,121 --> 00:46:45,555
When were you gonna tell me
you're in a band?
563
00:46:47,959 --> 00:46:51,360
I'm sure there's a lot of things
our Louis hasn't told you, darling.
564
00:46:51,529 --> 00:46:54,521
-Like who did you write the song for?
-I told you this is a mistake.
565
00:46:55,066 --> 00:46:57,660
That's it, go on. Walk out on us again.
566
00:47:00,638 --> 00:47:02,902
-Eh, Lou?
LOUIS: Say what you gotta say, Marshall.
567
00:47:03,074 --> 00:47:05,042
-Say what you have to say.
-No, go on.
568
00:47:05,210 --> 00:47:07,303
-Come on, say it.
MARSHALL: That the best you got?
569
00:47:07,479 --> 00:47:09,140
-Say it.
-That the best you got?
570
00:47:09,314 --> 00:47:11,544
-Come on. Hit me. Come on, hit me.
-Come on.
571
00:47:11,716 --> 00:47:13,877
Feel what? Come on. Hit me.
572
00:47:15,220 --> 00:47:16,517
I'm suffocating here.
573
00:47:17,288 --> 00:47:19,620
The things I left behind
574
00:47:23,328 --> 00:47:24,818
You all right, man?
575
00:47:26,898 --> 00:47:28,593
You all right, man?
576
00:47:29,267 --> 00:47:30,996
Welcome to the Connelly clan.
577
00:47:31,169 --> 00:47:32,966
[MARSHALL LAUGHS]
578
00:47:38,710 --> 00:47:40,337
Jennifer.
579
00:48:05,770 --> 00:48:08,705
You know, it was good
having the old Louis back in there...
580
00:48:09,240 --> 00:48:11,605
...even if it was only for a second.
581
00:48:13,577 --> 00:48:15,067
Louie...
582
00:48:15,512 --> 00:48:18,174
...aren't you supposed to be in the car
with the girl...
583
00:48:18,348 --> 00:48:20,509
...as she drives off into the sunset?
584
00:48:28,992 --> 00:48:31,552
You'll get your suit dirty
sitting there, man.
585
00:48:34,665 --> 00:48:38,101
[MARK MANCINA'S
"5-NOTE TRANSITION" PLAYING]
586
00:48:40,037 --> 00:48:42,267
[PHONE RINGING]
587
00:48:44,675 --> 00:48:45,664
[ANSWERING MACHINE BEEPS]
588
00:48:45,843 --> 00:48:47,970
WOMAN [OVER PHONE]:
This is a message for Lyla Novacek.
589
00:48:48,145 --> 00:48:50,272
Please call Good Samaritan Hospital.
590
00:48:50,447 --> 00:48:53,905
I'm calling about your father,
Thomas Novacek.
591
00:49:03,527 --> 00:49:05,859
THOMAS:
I wasn't sure you were going to come.
592
00:49:06,997 --> 00:49:09,431
My will is in the top drawer
of the desk in my study.
593
00:49:09,600 --> 00:49:12,125
Dad, stop, come on.
594
00:49:12,302 --> 00:49:14,463
THOMAS:
Lyla, please.
595
00:49:14,638 --> 00:49:16,435
There's more.
596
00:49:23,213 --> 00:49:28,947
All I ever wanted was for you
to have all that promise, all that life.
597
00:49:29,453 --> 00:49:31,387
But you were so young.
598
00:49:31,822 --> 00:49:33,915
We had so much work to do.
599
00:49:34,091 --> 00:49:37,356
-You weren't ready.
-That's plenty, Dad. Really.
600
00:49:38,162 --> 00:49:40,221
I mean, a baby.
601
00:49:40,397 --> 00:49:42,228
That baby, he could have hurt you.
602
00:49:42,399 --> 00:49:44,867
[MARK MANCINA'S
"HOSPITAL PT. 2" PLAYING]
603
00:49:45,335 --> 00:49:49,635
He could've hurt you, and I--
I wasn't gonna let that happen, Lyla.
604
00:49:55,112 --> 00:49:57,205
I made a choice for us.
605
00:50:01,051 --> 00:50:02,916
Oh, my God.
606
00:50:04,955 --> 00:50:06,183
THOMAS:
A choice for us.
607
00:50:08,158 --> 00:50:09,716
Wait....
608
00:50:14,865 --> 00:50:16,560
THOMAS:
I'm sorry.
609
00:50:21,438 --> 00:50:22,735
Where?
610
00:50:25,809 --> 00:50:27,640
Where is he?
611
00:50:28,445 --> 00:50:32,006
-I didn't mean--
-Where is he?
612
00:50:32,449 --> 00:50:33,677
I don't know.
613
00:50:35,719 --> 00:50:37,380
I don't.
614
00:50:39,423 --> 00:50:42,517
[PLAYING MICHAEL HEDGES'
"RITUAL DANCE"]
615
00:50:46,363 --> 00:50:49,025
WALLACE: You gotta love music
more than you love food.
616
00:50:49,967 --> 00:50:53,630
More than life. More than yourself.
617
00:51:00,043 --> 00:51:01,271
You feel it?
618
00:51:04,881 --> 00:51:05,905
Then show me.
619
00:51:06,650 --> 00:51:08,618
Play it for your parents.
620
00:51:58,168 --> 00:51:59,692
You're flying, kid.
621
00:51:59,870 --> 00:52:02,464
[CROWD CLAPPING]
622
00:52:09,746 --> 00:52:11,304
WALLACE:
Yeah!
623
00:52:11,481 --> 00:52:13,608
You know what I'm thinking?
624
00:52:14,484 --> 00:52:17,044
You're supposed to say,
"What are you thinking, Wizard?"
625
00:52:17,220 --> 00:52:19,518
"What are you thinking, Wizard?"
626
00:52:19,690 --> 00:52:22,124
I teach you everything I know for free.
627
00:52:22,292 --> 00:52:25,193
You get Roxanne.
You get my corner of the park.
628
00:52:25,629 --> 00:52:29,030
You get to keep half your tips.
We're like a team.
629
00:52:30,567 --> 00:52:32,535
There's something wrong
with that picture.
630
00:52:32,969 --> 00:52:34,027
What?
631
00:52:34,805 --> 00:52:38,138
I don't think performing in parks
and street corners is gonna be enough.
632
00:52:38,308 --> 00:52:39,536
It won't?
633
00:52:42,713 --> 00:52:46,046
Evan, we're gonna need
to get you a new name.
634
00:52:46,216 --> 00:52:47,979
Something with a little more pop.
635
00:52:48,418 --> 00:52:52,013
What do you wanna be in the world?
In the whole world, what do you wanna be?
636
00:52:52,189 --> 00:52:54,316
Close your eyes and think about that.
637
00:52:56,493 --> 00:52:57,983
Found.
638
00:53:03,233 --> 00:53:04,598
Doesn't have enough yin.
639
00:53:05,369 --> 00:53:07,496
-Little more yang, you know?
-Yeah.
640
00:53:07,671 --> 00:53:08,831
Yeah, let's....
641
00:53:09,005 --> 00:53:10,563
[TRUCK HORN HONKING]
642
00:53:10,741 --> 00:53:14,700
Talk about wishful thinking. Look at that.
643
00:53:17,848 --> 00:53:19,907
What name stands out to you
on that, huh?
644
00:53:20,083 --> 00:53:21,107
Beach?
645
00:53:21,284 --> 00:53:23,718
It's a good name for a band,
but not for a performer.
646
00:53:23,887 --> 00:53:26,822
You can't say, "Please welcome Beach."
No, no.
647
00:53:26,990 --> 00:53:31,290
August Rush. August Rush.
Doesn't that warm you up a little bit?
648
00:53:31,728 --> 00:53:35,061
I can see it.
"Wizard Productions presents...
649
00:53:35,232 --> 00:53:38,099
...the number-one heat wave:
650
00:53:38,268 --> 00:53:41,726
August Rush!"
651
00:53:41,905 --> 00:53:44,465
-Yeah.
-Yeah. Me!
652
00:53:44,641 --> 00:53:47,303
-August, August, August.
-It gives me a rush.
653
00:53:47,477 --> 00:53:50,776
That gives me chills. The hair
on the back of my neck's standing up.
654
00:53:50,947 --> 00:53:52,414
-Really?
-Yeah, look at that.
655
00:53:52,582 --> 00:53:54,015
Quick, check it out. Yeah.
656
00:53:54,184 --> 00:53:57,813
-I'm flying! I'm flying!
-Yeah. August! August Rush.
657
00:53:57,988 --> 00:54:00,286
-August.
-August Rush. August Rush.
658
00:54:00,457 --> 00:54:01,481
That's you.
659
00:54:01,858 --> 00:54:04,258
WALLACE: August. August.
AUGUST: August Rush, August Rush.
660
00:54:06,296 --> 00:54:08,958
[LUCAS REYNOLDS'
"SOMETHING INSIDE" PLAYING]
661
00:54:48,638 --> 00:54:49,764
[THUNDER CRASHES]
662
00:54:49,940 --> 00:54:52,238
LIZZY: New York, Lyla?
What are you doing in New York?
663
00:54:52,409 --> 00:54:55,173
Lizzy, I mean,
I've always felt that he was alive.
664
00:54:55,345 --> 00:55:00,647
I'd see kids that would be his age
and I'd imagine what he'd look like.
665
00:55:00,817 --> 00:55:03,581
-Big blue eyes like his dad and--
-Oh, my God, Lyla.
666
00:55:03,753 --> 00:55:08,190
Lizzy, I used to lie in bed at night
and I swear I could hear him.
667
00:55:08,358 --> 00:55:11,327
-I swear I could hear him.
-Lyla, calm down.
668
00:55:11,495 --> 00:55:15,158
Calm down? How can I be calm?
How can I be calm?
669
00:55:15,332 --> 00:55:18,597
I've been calm for over 10 years
and look where it's gotten me.
670
00:55:18,768 --> 00:55:21,259
Lyla, you're losing it.
671
00:55:21,505 --> 00:55:24,736
You're right. And maybe it's about time.
672
00:55:24,908 --> 00:55:26,603
Don't do anything crazy, okay?
673
00:55:26,776 --> 00:55:31,110
We're on our honeymoon, but we're leaving.
We'll get there as soon as we can, okay?
674
00:55:50,534 --> 00:55:53,401
Okay, Jack, he's worth three times
what you're offering him.
675
00:55:53,570 --> 00:55:55,367
-Wallace--
-You heard him in the park!
676
00:55:55,539 --> 00:55:56,801
You're a pain in the ass.
677
00:55:56,973 --> 00:56:00,374
-Two-fifty if he can play for two hours.
-No, five or he walks.
678
00:56:00,544 --> 00:56:05,345
-Five hundred? I'll give him 250--
-Five hundred or he walks, all right?
679
00:56:05,515 --> 00:56:06,504
JACK:
He walks?
680
00:56:06,683 --> 00:56:08,913
WALLACE:
We have lightning in a bottle, Jack.
681
00:56:09,085 --> 00:56:11,610
No, there's no parents. I'm his guardian.
682
00:56:11,788 --> 00:56:14,985
No, I'm his representation,
that's why I'm making the deal.
683
00:56:15,158 --> 00:56:16,887
WOMAN:
May I help you?
684
00:56:17,294 --> 00:56:19,524
-I'm trying to find my son.
WOMAN: Hold on a second.
685
00:56:20,263 --> 00:56:21,924
Name?
686
00:56:27,237 --> 00:56:29,228
GIRL 1:
Mommy.
687
00:56:30,206 --> 00:56:33,141
[MARK MANCINA'S
"PLAYGROUND" PLAYING]
688
00:56:35,045 --> 00:56:36,979
Mommy.
689
00:56:39,816 --> 00:56:41,283
I don't know.
690
00:56:42,719 --> 00:56:45,279
GIRL 2: Mom.
GIRL 3: Mommy.
691
00:56:55,332 --> 00:56:57,459
Mommy, look at me.
692
00:56:57,634 --> 00:57:00,125
I'm sorry, ma'am, we're closing.
693
00:57:01,471 --> 00:57:05,271
Please, I just-- I wanna know his name.
694
00:57:06,042 --> 00:57:11,241
To even consider re-establishing contact
with a child, there is a detailed process.
695
00:57:11,414 --> 00:57:16,078
I don't care about your process! Okay?
696
00:57:32,268 --> 00:57:36,762
WOMAN: Ma'am, we're closed.
Come back tomorrow.
697
00:57:40,310 --> 00:57:42,039
LOUIS:
Lyla.
698
00:57:43,079 --> 00:57:44,546
Novacek.
699
00:57:47,384 --> 00:57:50,217
LYLA [ON RECORDING]: Hi, this is Lyla--
LIZZY [ON RECORDING]: And Lizzy.
700
00:57:50,387 --> 00:57:53,015
LYLA & LIZZY: And we're not here
right now, so leave a message.
701
00:57:53,189 --> 00:57:54,781
[MACHINE BEEPS]
702
00:58:13,410 --> 00:58:14,934
WALLACE:
Arthur!
703
00:58:15,812 --> 00:58:18,042
What'd I tell you
about talking to strangers?
704
00:58:18,214 --> 00:58:21,672
-Yeah, what's your name?
-My name is Mr. Jeffries, and yours?
705
00:58:22,185 --> 00:58:24,415
Arthur. We ain't strangers now.
706
00:58:24,954 --> 00:58:29,152
Look, Mr. Wallace,
I'm here making my normal rounds.
707
00:58:29,325 --> 00:58:30,883
I'm trying to find these kids.
708
00:58:31,061 --> 00:58:34,292
This girl, her name is Geralda.
She should be about 14 now.
709
00:58:34,464 --> 00:58:35,897
Don't know her, Mr. Jeffries.
710
00:58:36,066 --> 00:58:39,092
Okay, well, maybe you can help me
with this young man.
711
00:58:39,269 --> 00:58:43,171
Little boy that came up missing recently
and his name is Evan Taylor.
712
00:58:44,007 --> 00:58:46,168
He's about 12.
713
00:58:48,311 --> 00:58:51,939
And what if I find this Evan
and I turn him over to you?
714
00:58:52,514 --> 00:58:56,416
What then? You don't care about a kid
after he's in the system.
715
00:58:56,585 --> 00:59:00,180
-It's not like that--
-Oh, I know exactly what it's like.
716
00:59:00,355 --> 00:59:04,348
You don't follow up.
And you throw him from place to place.
717
00:59:04,526 --> 00:59:08,121
Eventually, you end up in a place
where they kick the crap out of you.
718
00:59:08,564 --> 00:59:13,194
Go to bed at night
and he tries to close his eyes, ears.
719
00:59:13,368 --> 00:59:15,063
Shut out the world.
720
00:59:15,237 --> 00:59:18,764
What happens to that kid?
What do you think he hears?
721
00:59:19,374 --> 00:59:21,069
What do you think he hears?
722
00:59:22,811 --> 00:59:24,938
-Nothing.
-Nothing. Nothing at all.
723
00:59:28,684 --> 00:59:29,810
Are you all right?
724
00:59:30,419 --> 00:59:31,977
-Yeah, I'm cool.
-He's good.
725
00:59:40,896 --> 00:59:42,955
MAN:
Fourteenth Precinct, Sergeant O'Malley.
726
00:59:43,766 --> 00:59:46,326
WALLACE:
No. That doesn't cut it.
727
00:59:46,502 --> 00:59:48,732
[PLAYING MARK MANCINA'S
"WIND UP"]
728
00:59:48,904 --> 00:59:51,964
No! Oh, is that final?
729
00:59:52,141 --> 00:59:55,542
Okay, well, here's my final offer:
we're history!
730
00:59:56,578 --> 00:59:58,705
-Deal's off.
-But I wanna play.
731
00:59:58,881 --> 01:00:01,850
You play when I say play.
You breathe when I say breathe.
732
01:00:02,017 --> 01:00:04,645
-You got that, boy?
-But I have to play.
733
01:00:04,820 --> 01:00:06,947
Wizard, I need them to hear.
734
01:00:07,122 --> 01:00:12,082
You forget about your parents!
They were pretty quick to forget about you.
735
01:00:13,162 --> 01:00:16,131
[MARK MANCINA'S
"AGAINST THE GATE" PLAYING]
736
01:00:17,933 --> 01:00:20,367
You don't know how it could be for you.
737
01:00:20,536 --> 01:00:23,369
You do not know how precious
your gift is.
738
01:00:23,539 --> 01:00:26,269
You're just a kid, you don't know.
739
01:00:31,013 --> 01:00:33,243
I do, August.
740
01:00:44,626 --> 01:00:46,856
[SIRENS WAILING]
741
01:00:48,197 --> 01:00:50,597
BOY: Wizard. Wizard.
WALLACE: Shh! Talk to me. What happened?
742
01:00:50,766 --> 01:00:54,202
-It's Arthur. The cops chased him here.
-Okay, split up. You know the drill.
743
01:00:54,369 --> 01:00:56,860
-We gotta help Arty.
-Forget Arty. Arty's on his own.
744
01:00:57,039 --> 01:00:59,030
-That's the book.
-No.
745
01:00:59,208 --> 01:01:01,506
WALLACE: August!
COP 1: Grab him. Grab him. There he goes.
746
01:01:02,511 --> 01:01:04,001
COP 2:
He went outside over there.
747
01:01:04,179 --> 01:01:06,807
[MARK MANCINA'S
"THE RAID" PLAYING]
748
01:01:17,159 --> 01:01:20,492
Up there. You see him?
See him? Look, over there.
749
01:01:20,662 --> 01:01:22,493
COP 2: Hey, kid, don't move.
-Hey, you!
750
01:01:22,664 --> 01:01:25,224
Cops. Cops.
751
01:01:25,868 --> 01:01:27,927
Cops. Over here.
752
01:01:30,572 --> 01:01:33,302
COP 2: Grab that kid over there.
Grab him, grab him.
753
01:01:39,982 --> 01:01:42,177
Listen, you can't let the cops catch you.
754
01:01:42,351 --> 01:01:44,751
If they do,
you don't tell them your real name...
755
01:01:44,920 --> 01:01:48,356
...because they'll send you right back
where you came from, you got that?
756
01:01:49,224 --> 01:01:50,589
I don't wanna lose you...
757
01:01:50,759 --> 01:01:53,125
...but if we get separated,
we meet at the arch.
758
01:01:55,097 --> 01:01:56,894
Do not tell them your name.
759
01:01:57,065 --> 01:02:02,128
Hey, when I say run, you run, okay?
760
01:02:08,944 --> 01:02:10,138
COP 1:
Let me see your hands.
761
01:02:10,312 --> 01:02:11,904
[SCREAMS]
762
01:02:13,148 --> 01:02:17,380
WALLACE: Run, August. Run, August. Run!
COP 2: Hey, kid.
763
01:02:28,196 --> 01:02:29,220
Hey, kid, stop.
764
01:02:35,570 --> 01:02:36,628
Open the door.
765
01:02:36,805 --> 01:02:37,794
[BUZZES]
766
01:02:49,251 --> 01:02:52,084
[JAMAL JOSEPH'S "HARLEM STREETZ"
PLAYING ON CAR STEREO IN DISTANCE]
767
01:03:08,670 --> 01:03:13,232
MAN [SINGING]: How I don't need that man
But they don't understand
768
01:03:13,408 --> 01:03:15,933
There's far too many pressures in reality
769
01:03:17,079 --> 01:03:20,173
Dealing with the pain of stress and poverty
770
01:03:20,349 --> 01:03:26,913
And I gotta be myself because
There's nobody else for me, no
771
01:03:27,089 --> 01:03:28,818
Hang in there with me
772
01:03:28,991 --> 01:03:31,858
Sometimes it takes a different kind of love
To raise a child
773
01:03:32,027 --> 01:03:34,120
-So don't give up
-So don't give up
774
01:03:34,296 --> 01:03:35,558
When pressures come down
775
01:03:35,731 --> 01:03:39,064
Sometimes it takes a different kind of dream
To make you smile
776
01:03:39,234 --> 01:03:40,701
-So raise it up
-So raise
777
01:03:40,869 --> 01:03:42,496
Hang in there with me
778
01:03:42,671 --> 01:03:45,731
Sometimes we need another helping hand
To show the way
779
01:03:45,907 --> 01:03:47,636
-So don't give up
-So don't give up
780
01:03:47,809 --> 01:03:49,367
When pressures come down
781
01:03:49,544 --> 01:03:52,445
Sometimes it seems impossible
And that's why we pray
782
01:03:52,614 --> 01:03:54,582
-So raise it up
-We pray
783
01:03:54,750 --> 01:03:57,878
Seems to be nothing left for me
784
01:03:58,053 --> 01:04:00,647
Mama's gone, Daddy didn't wanna be
785
01:04:01,590 --> 01:04:05,253
Now I'm all by myself
Wondering where is love
786
01:04:05,427 --> 01:04:07,418
Or should I just give up, you know
787
01:04:07,596 --> 01:04:11,532
Life falls down on me
Cuts into my soul
788
01:04:11,700 --> 01:04:15,158
But I know I got the strength
To make it through it all
789
01:04:15,337 --> 01:04:18,829
Cause I'm still standing tall
Breaking through these walls
790
01:04:19,007 --> 01:04:22,408
I'm gonna give my all, hey
791
01:04:22,577 --> 01:04:25,273
I'm feeling like a motherless child
792
01:04:25,614 --> 01:04:28,139
Pain cuts into my soul
793
01:04:28,850 --> 01:04:30,181
It's beaten me down
794
01:04:30,352 --> 01:04:34,914
Can't find a smile
On the face of a motherless child
795
01:04:35,090 --> 01:04:38,184
Gonna break down these walls
Gonna give my all
796
01:04:38,360 --> 01:04:42,660
You know
Yeah, yeah, yeah, yeah
797
01:04:42,831 --> 01:04:44,355
Hang in there with me
798
01:04:44,533 --> 01:04:47,559
Sometimes it takes a different kind of love
To raise a child
799
01:04:47,736 --> 01:04:49,533
-So don't give up
-So don't give up
800
01:04:49,704 --> 01:04:50,898
When pressures come down
801
01:04:51,073 --> 01:04:54,565
Sometimes it takes a different kind of dream
To make you smile
802
01:04:54,743 --> 01:04:56,301
-So raise it up
-So raise it up
803
01:04:56,478 --> 01:04:58,469
-Hang in there with me
-Raise it up
804
01:04:58,647 --> 01:05:01,480
Sometimes it takes another's helping hand
To show you the way
805
01:05:01,650 --> 01:05:02,639
So don't give up
806
01:05:02,818 --> 01:05:04,911
-Oh, no, yeah
-When pressures come down
807
01:05:05,087 --> 01:05:07,920
Sometimes it seems impossible
That's why we pray
808
01:05:08,090 --> 01:05:09,079
So raise it up
809
01:05:16,465 --> 01:05:18,558
LYLA: Hi.
-Hi.
810
01:05:19,067 --> 01:05:23,470
I know how this looks, you know.
I'm not crazy.
811
01:05:23,638 --> 01:05:26,732
Nobody thinks you're crazy.
What's your name?
812
01:05:26,908 --> 01:05:29,138
Lyla Novacek.
813
01:05:29,311 --> 01:05:31,279
Well, it's like
the woman explained to you.
814
01:05:31,446 --> 01:05:34,006
-You fill out a couple forms--
-Six months, they said.
815
01:05:34,182 --> 01:05:37,549
I don't have six months for forms.
816
01:05:37,719 --> 01:05:39,812
Then I can't help you, then.
817
01:05:40,422 --> 01:05:43,482
Explain something to me now. Why now?
818
01:05:44,259 --> 01:05:47,956
Why not before? Why is it so important
that you want him now?
819
01:05:49,164 --> 01:05:51,359
I've always wanted him.
820
01:05:53,735 --> 01:05:57,637
I've waited 11 years, two months,
and 15 days...
821
01:05:58,573 --> 01:06:01,201
...to find out that he's alive.
822
01:06:04,279 --> 01:06:06,110
I've been counting.
823
01:06:07,749 --> 01:06:10,081
[LUCAS REYNOLDS'
"SOMETHING INSIDE" PLAYING]
824
01:06:18,126 --> 01:06:20,253
[PHONE DIALING]
825
01:06:22,964 --> 01:06:25,398
- [ON RECORDING] Hi, this is Lyla--
-And Lizzy.
826
01:06:25,567 --> 01:06:28,035
And we're not here right now,
so leave a message.
827
01:06:28,203 --> 01:06:30,137
[MACHINE BEEPS]
828
01:06:33,475 --> 01:06:36,069
MAN [SINGING]:
When the one thing you're looking for
829
01:06:36,244 --> 01:06:37,404
[PHONE DIALING]
830
01:06:37,579 --> 01:06:40,104
Is nowhere to be found
831
01:06:43,218 --> 01:06:46,346
And you're back-stepping
All of your moves
832
01:06:46,521 --> 01:06:48,546
Trying to figure it out
833
01:06:48,723 --> 01:06:49,985
MAN:
What are you waiting for?
834
01:06:50,158 --> 01:06:52,888
You see, I know this girl
that lives across the street.
835
01:06:53,061 --> 01:06:54,085
Lyla Novacek.
836
01:06:54,262 --> 01:06:56,355
I've been standing outside here waiting.
837
01:06:56,531 --> 01:06:57,896
I wrote her a song.
838
01:06:58,066 --> 01:07:01,524
WOMAN: Oh, the musician.
She keeps me up half the night.
839
01:07:01,703 --> 01:07:05,901
Well, I haven't seen her in a few days.
She's off on her honeymoon.
840
01:07:08,310 --> 01:07:10,039
Thanks.
841
01:07:10,212 --> 01:07:15,582
MAN [SINGING]: And you wanna give out
You wanna give in
842
01:07:15,750 --> 01:07:20,551
Your head's wrapped around
What's around the next bend
843
01:07:21,022 --> 01:07:24,458
You wish you could find
Something warm
844
01:07:24,626 --> 01:07:28,118
'Cause you're shivering cold
845
01:07:33,635 --> 01:07:38,766
It's the first thing you see
As you open your eyes
846
01:07:38,940 --> 01:07:43,673
The last thing you say
As you're saying goodbye
847
01:07:43,845 --> 01:07:50,114
But something inside you
Is crying and driving you on
848
01:07:50,852 --> 01:07:52,979
RICHARD:
And this isn't your signature?
849
01:07:54,422 --> 01:07:59,291
You do realize that he's probably
already been placed with a family, correct?
850
01:07:59,461 --> 01:08:01,895
Do you have children, Mr. Jeffries?
851
01:08:09,704 --> 01:08:12,070
Yeah, I did.
852
01:08:13,942 --> 01:08:15,466
Then you know.
853
01:08:23,318 --> 01:08:24,580
What's his birthday?
854
01:08:25,220 --> 01:08:27,586
December 17th, 1995.
855
01:08:29,291 --> 01:08:30,451
Yeah, I know.
856
01:08:43,071 --> 01:08:45,232
Excuse me a minute.
857
01:09:03,425 --> 01:09:06,121
[MARK MANCINA'S
"PHOTO OF EVAN" PLAYING]
858
01:09:13,468 --> 01:09:15,163
This is him.
859
01:09:19,841 --> 01:09:21,365
Yeah.
860
01:09:22,911 --> 01:09:25,812
[BELLS TOLLING]
861
01:09:39,893 --> 01:09:42,020
[PEOPLE CHATTERING]
862
01:09:42,196 --> 01:09:44,494
[MARK MANCINA'S "PIANO LESSON"
PLAYING ON PIANO]
863
01:10:01,115 --> 01:10:03,174
You the one slept under my bed?
864
01:10:08,489 --> 01:10:09,547
Do you live here?
865
01:10:10,157 --> 01:10:12,352
Me and my grandma do,
till our boat comes in.
866
01:10:15,562 --> 01:10:16,790
Do you like music?
867
01:10:18,332 --> 01:10:19,390
More than food.
868
01:10:22,569 --> 01:10:24,298
Do you know your notes?
869
01:10:25,639 --> 01:10:27,539
I've never seen them like that before.
870
01:10:27,708 --> 01:10:29,300
See here:
871
01:10:30,144 --> 01:10:35,047
"Every Good Boy Does Fine"
on the lines.
872
01:10:35,215 --> 01:10:40,619
And "F, A, C, E" in between.
873
01:10:40,788 --> 01:10:44,315
And "Great Big Dogs Fight Animals."
874
01:10:44,491 --> 01:10:49,451
And "All Cars Eat Gas." Get it?
875
01:10:50,397 --> 01:10:51,887
You're like an angel.
876
01:10:52,733 --> 01:10:54,462
Okay. I gotta go.
877
01:10:54,935 --> 01:10:56,630
Gotta go to school.
878
01:11:01,942 --> 01:11:03,671
Can I borrow this?
879
01:11:04,411 --> 01:11:06,072
Later.
880
01:11:13,053 --> 01:11:15,385
[THUDS]
881
01:11:27,968 --> 01:11:30,664
[PLAYING MARK MANCINA'S
"BASKETBALL"]
882
01:12:33,600 --> 01:12:35,261
Holy....
883
01:12:38,539 --> 01:12:40,734
Reverend J.!
884
01:13:06,833 --> 01:13:08,858
[ORGAN SOUNDS]
885
01:13:09,036 --> 01:13:11,869
You're not gonna believe this,
Reverend J. Come quick.
886
01:13:12,039 --> 01:13:14,940
-Whoa. Slow down, Hope.
-You've gotta see what's happened.
887
01:13:15,108 --> 01:13:19,101
[PLAYING MARK MANCINA'S
"3 NOTE THEME"]
888
01:13:35,929 --> 01:13:38,557
Remember in Music Appreciation
we had a class on Mozart?
889
01:13:38,732 --> 01:13:39,756
Yes.
890
01:13:39,933 --> 01:13:41,958
Remember you said
he was like a musical pod?
891
01:13:42,135 --> 01:13:44,069
-Prodigy.
-Exactly.
892
01:13:44,237 --> 01:13:47,138
Well, I have one of those,
and he's living under my bed.
893
01:13:55,415 --> 01:13:59,044
So I showed him the scales
and when I came home, he was....
894
01:14:31,752 --> 01:14:35,188
LYLA:
Mr. Jeffries, hi, it's Lyla Novacek again.
895
01:14:35,355 --> 01:14:38,188
I was just checking in.
896
01:14:40,661 --> 01:14:42,060
Right, I understand.
897
01:14:42,229 --> 01:14:45,357
You know,
if there's any more information or--
898
01:14:45,532 --> 01:14:47,363
Yeah, just call.
899
01:15:01,081 --> 01:15:02,742
I'll take it.
900
01:15:02,916 --> 01:15:05,510
WOMAN:
How long do you think you'll be staying?
901
01:15:06,553 --> 01:15:09,044
LYLA:
As long as it takes.
902
01:15:30,043 --> 01:15:31,601
Sorry.
903
01:15:31,778 --> 01:15:34,474
LYLA:
I don't know, Lizzy, it's like...
904
01:15:34,848 --> 01:15:36,679
...I just woke up...
905
01:15:36,850 --> 01:15:39,182
...and I should start playing again.
906
01:15:39,352 --> 01:15:41,252
I should play.
907
01:15:41,722 --> 01:15:45,055
I know it sounds crazy,
but maybe he'll hear me.
908
01:16:01,174 --> 01:16:04,041
LOUIS:
Hey, Marshall. It's me.
909
01:16:05,645 --> 01:16:07,510
I'm in New York.
910
01:16:09,216 --> 01:16:11,741
Is the band still minus
one mad Connelly brother?
911
01:16:12,786 --> 01:16:15,550
Having you guys here,
it'd be great, you know?
912
01:16:16,957 --> 01:16:18,322
Just an idea.
913
01:16:18,492 --> 01:16:21,290
Hey, Frank. It's Louis.
914
01:16:21,661 --> 01:16:23,492
Louis Connelly.
915
01:16:23,663 --> 01:16:25,096
And?
916
01:16:25,265 --> 01:16:27,756
I played here with me band
a couple of years ago.
917
01:16:27,934 --> 01:16:29,925
Well, about 10 years ago.
918
01:16:32,506 --> 01:16:34,872
Hey, hey, listen, Frank.
919
01:16:35,408 --> 01:16:38,900
I'm gonna play you one song, all right?
Just one song.
920
01:16:39,079 --> 01:16:42,708
And if you don't like it,
you can throw me out.
921
01:16:44,284 --> 01:16:47,117
[MARK MANCINA'S
"AUGUST TO JUILLIARD" PLAYING]
922
01:16:59,566 --> 01:17:01,864
WOMAN:
You brought us a prodigy, Reverend.
923
01:17:02,035 --> 01:17:04,731
-He is a mystery.
MAN: Here in the "Well-Tempered Clavier"....
924
01:17:04,905 --> 01:17:07,601
Dean, I thought he was an angel.
925
01:17:08,508 --> 01:17:11,773
There's no record of
an August Rush anywhere.
926
01:17:11,945 --> 01:17:16,382
MAN: It's about foundation,
starting with a very simple, orderly chord.
927
01:17:16,550 --> 01:17:19,280
LOUIS [SINGING]:
As you open your eyes
928
01:17:19,452 --> 01:17:24,082
The last thing you say
As you're saying goodbye
929
01:17:24,257 --> 01:17:26,623
But something inside you
930
01:17:26,793 --> 01:17:31,127
Is crying and driving you on
931
01:17:31,665 --> 01:17:34,532
[CELLO PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
932
01:17:40,373 --> 01:17:42,967
LIZZY:
Lyla, just relax.
933
01:17:43,143 --> 01:17:45,475
LYLA: This piece.
LIZZY: You're pushing yourself too hard.
934
01:17:45,645 --> 01:17:47,909
I don't know if I can do this.
935
01:17:48,081 --> 01:17:50,606
LIZZY:
You're playing with the Philharmonic.
936
01:17:50,784 --> 01:17:52,718
That's great.
937
01:17:54,621 --> 01:17:56,919
Okay, let's keep going.
938
01:18:04,231 --> 01:18:07,894
MAN: Start with a C-major chord,
then a modulation to G.
939
01:18:08,068 --> 01:18:11,060
Once we get to G,
we go back to C, very simple.
940
01:18:11,238 --> 01:18:14,002
And we have C, G, C.
941
01:18:21,715 --> 01:18:23,615
At the very beginning, C-major chord.
942
01:18:23,783 --> 01:18:28,379
We have this chaotic evolution
into a remote G-major.
943
01:18:31,725 --> 01:18:33,716
C-major chord, then move into a G.
944
01:18:42,535 --> 01:18:45,003
What's this, August?
945
01:18:45,305 --> 01:18:47,500
The diminished fifth, sir.
946
01:18:47,874 --> 01:18:49,307
Key change here.
947
01:18:49,476 --> 01:18:52,240
And then the rise
with those round horns...
948
01:18:52,412 --> 01:18:56,473
...the oboes,
into the allegro staccato strings.
949
01:18:57,884 --> 01:18:59,784
[KNOCKING]
950
01:19:02,088 --> 01:19:04,613
Ah. Mr. Rush.
951
01:19:08,094 --> 01:19:11,461
-I'm sorry.
-Why are you apologizing, August?
952
01:19:12,666 --> 01:19:14,133
Sometimes I don't listen well...
953
01:19:14,301 --> 01:19:16,769
...and I don't do the homework
like I'm supposed to.
954
01:19:16,937 --> 01:19:19,235
Well, I'm sure you'll do better
in the future.
955
01:19:30,417 --> 01:19:33,409
The New York Philharmonic Orchestra
is having a concert.
956
01:19:34,054 --> 01:19:38,184
In the history of this school we have never
performed the work of a first-year student...
957
01:19:38,358 --> 01:19:41,259
...and certainly no one of your age.
958
01:19:41,428 --> 01:19:45,524
But now, we've asked them
if they could perform your rhapsody.
959
01:19:45,699 --> 01:19:47,257
Would you like that?
960
01:19:48,168 --> 01:19:50,636
Well, good. Good.
961
01:19:50,804 --> 01:19:52,465
How many people will hear it?
962
01:19:55,241 --> 01:19:59,007
Well, it would be performed in Central Park,
on the Great Lawn.
963
01:19:59,179 --> 01:20:00,203
A hundred?
964
01:20:01,381 --> 01:20:03,281
Much more. Thousands.
965
01:20:04,117 --> 01:20:08,678
Okay. Because I need to play it
to a lot of people. Lots and lots.
966
01:20:08,854 --> 01:20:10,116
[PEOPLE CHUCKLING]
967
01:20:10,289 --> 01:20:11,984
We'll see what we can do to help.
968
01:20:14,493 --> 01:20:20,523
DEAN: August, three artists will be
performing, and you will be featured last.
969
01:20:21,133 --> 01:20:23,499
[MARK MANCINA'S
"JUILLIARD MONTAGE" PLAYING]
970
01:20:31,744 --> 01:20:33,541
How do you do it?
971
01:20:33,946 --> 01:20:37,313
How does the music come to you?
972
01:20:39,451 --> 01:20:41,214
AUGUST:
I just hear it.
973
01:20:45,157 --> 01:20:46,988
Sometimes I wake up and it's there...
974
01:20:47,159 --> 01:20:49,992
...or I hear it
when I'm walking down the street.
975
01:20:51,363 --> 01:20:55,993
[MARK MANCINA'S
"JUILLIARD MONTAGE" PLAYING]
976
01:20:57,102 --> 01:20:59,662
It's like someone's calling out to me.
977
01:21:00,572 --> 01:21:03,234
Writing it all down
is like I'm calling back to them.
978
01:21:03,409 --> 01:21:04,671
Who?
979
01:21:06,178 --> 01:21:08,373
The ones who gave me the music.
980
01:21:15,721 --> 01:21:17,655
MARSHALL:
You sure you're ready for this, Louis?
981
01:21:17,823 --> 01:21:19,120
Are you?
982
01:21:45,951 --> 01:21:49,284
[ORCHESTRA PLAYING MARK MANCINA'S
"RHAPSODY REHEARSAL"]
983
01:22:19,418 --> 01:22:21,113
Bravo, August!
984
01:22:23,655 --> 01:22:25,122
Good one!
985
01:22:28,560 --> 01:22:32,758
August, boy, you're a hard guy to find.
986
01:22:35,100 --> 01:22:36,590
Been looking everywhere for you.
987
01:22:36,768 --> 01:22:40,204
Excuse me.
You're interrupting a rehearsal here.
988
01:22:40,372 --> 01:22:42,932
WALLACE: Yeah, rehearsal, right.
MAN: And you are...?
989
01:22:43,108 --> 01:22:44,700
Come here to me, son.
990
01:22:54,486 --> 01:22:56,044
Come here.
991
01:22:59,158 --> 01:23:01,023
What'd they do to you?
992
01:23:02,628 --> 01:23:04,118
Nothing.
993
01:23:06,632 --> 01:23:08,623
These people can steal your soul.
994
01:23:09,468 --> 01:23:11,698
Sir, whomever you are,
you don't have the right.
995
01:23:11,870 --> 01:23:14,805
I'm his father, all right?
I have every right.
996
01:23:18,911 --> 01:23:21,675
I'll take you home now. Come on.
997
01:23:22,281 --> 01:23:25,375
But I have a concert. I like it here.
998
01:23:25,551 --> 01:23:28,076
-He's a remarkable boy--
WALLACE: You don't think I know that?
999
01:23:28,253 --> 01:23:32,019
What'd you do, you just snatched him up
off the street? That gives you the right?
1000
01:23:32,624 --> 01:23:34,888
Wait a moment,
we've been teaching him here.
1001
01:23:35,060 --> 01:23:36,288
What are you gonna do?
1002
01:23:36,461 --> 01:23:40,158
Fill his head with classical theory
and rules?
1003
01:23:40,332 --> 01:23:43,301
You can't learn music from books.
1004
01:23:43,468 --> 01:23:45,026
It's out there.
1005
01:23:46,438 --> 01:23:48,804
You teach him? Ha!
1006
01:23:49,241 --> 01:23:50,708
He teaches you.
1007
01:23:50,876 --> 01:23:52,605
You learn from him.
1008
01:23:52,778 --> 01:23:55,269
We are.
I assure you, Mr. Rush, every day.
1009
01:23:56,415 --> 01:23:58,178
You should be with family. Come on.
1010
01:24:01,587 --> 01:24:03,179
Mr. Rush, please.
1011
01:24:03,355 --> 01:24:07,416
Do you have any idea of the importance
of the concert tomorrow night, for August?
1012
01:24:08,227 --> 01:24:09,751
August. Wait, listen.
1013
01:24:10,229 --> 01:24:13,096
You gotta tell me right now,
is this man really your father?
1014
01:24:17,569 --> 01:24:19,400
You can tell me the truth.
1015
01:24:20,572 --> 01:24:22,802
WALLACE:
I know your real name.
1016
01:24:23,976 --> 01:24:25,375
Evan.
1017
01:24:25,978 --> 01:24:27,878
MAN:
August.
1018
01:24:28,046 --> 01:24:29,479
Evan.
1019
01:24:31,883 --> 01:24:33,714
Is he your father?
1020
01:24:33,885 --> 01:24:37,082
[MARK MANCINA'S
"WIZARD RETURNS" PLAYING]
1021
01:24:38,223 --> 01:24:40,418
He taught me everything I know.
1022
01:24:50,902 --> 01:24:52,836
[STRUMS GUITAR]
1023
01:24:53,005 --> 01:24:54,666
ARTHUR:
And we are back, we are back.
1024
01:24:58,510 --> 01:25:00,842
Don't make it harder for yourself, Aug.
1025
01:25:01,013 --> 01:25:03,243
Wizard's not so bad.
1026
01:25:04,516 --> 01:25:06,950
You saw the kid, right?
He's a freak of nature. Yeah.
1027
01:25:07,119 --> 01:25:10,850
Here's the deal. Thousand a night, two
weeks minimum, three cities guaranteed.
1028
01:25:11,023 --> 01:25:14,083
Then we ship him out to your partner
on the West Coast. No.
1029
01:25:14,259 --> 01:25:16,124
ARTHUR:
He just ain't feeling well.
1030
01:25:17,129 --> 01:25:20,428
He said you the only one
who gonna make him feel better.
1031
01:25:27,539 --> 01:25:30,440
Competition. All right, I'll be back.
You do what you do.
1032
01:25:34,346 --> 01:25:36,280
Yo, yo.
1033
01:25:42,120 --> 01:25:44,782
I'm his representation.
That's why I'm making the deal.
1034
01:25:45,624 --> 01:25:48,058
Come on. No, there's no parents.
1035
01:26:18,323 --> 01:26:19,881
Great sounds, kid.
1036
01:26:22,661 --> 01:26:24,253
Gibson J-200?
1037
01:26:25,797 --> 01:26:27,264
It's beautiful.
1038
01:26:27,866 --> 01:26:29,163
Can I see her?
1039
01:26:32,604 --> 01:26:35,573
Hey. It's okay.
1040
01:26:36,041 --> 01:26:38,100
I'm a musician too.
1041
01:26:43,281 --> 01:26:44,805
Yeah.
1042
01:26:48,887 --> 01:26:50,582
Oh, yeah.
1043
01:26:55,861 --> 01:26:59,126
[PLAYING HEITOR PERIERA'S
"DUELING GUITARS"]
1044
01:27:04,202 --> 01:27:05,533
Nice action.
1045
01:27:06,571 --> 01:27:07,902
You're pretty good.
1046
01:27:09,107 --> 01:27:10,734
Thanks.
1047
01:27:11,676 --> 01:27:13,667
See what you can do with mine.
1048
01:29:08,159 --> 01:29:09,558
How long you been playing?
1049
01:29:09,995 --> 01:29:11,394
Six months.
1050
01:29:12,030 --> 01:29:13,827
Six months?
1051
01:29:13,999 --> 01:29:16,490
How'd you learn how to play like that
in six months?
1052
01:29:16,668 --> 01:29:17,726
Juilliard.
1053
01:29:19,371 --> 01:29:20,531
Juilliard?
1054
01:29:21,039 --> 01:29:22,267
Yes, sir.
1055
01:29:22,440 --> 01:29:24,408
I have my own concert tonight.
1056
01:29:25,410 --> 01:29:27,071
Do you reckon I should believe you?
1057
01:29:28,179 --> 01:29:30,841
Yeah. But I can't go.
1058
01:29:31,283 --> 01:29:32,511
Why's that?
1059
01:29:33,251 --> 01:29:35,617
It's kind of a long story.
1060
01:29:37,956 --> 01:29:42,484
Well, if I went to Juilliard
and I had a concert tonight...
1061
01:29:42,661 --> 01:29:44,561
...I wouldn't miss it for the world.
1062
01:29:45,864 --> 01:29:47,297
Yeah.
1063
01:29:52,470 --> 01:29:55,030
But what if something bad
would happen if you did it?
1064
01:29:56,708 --> 01:29:58,903
You never quit on your music.
1065
01:29:59,678 --> 01:30:01,771
No matter what happens.
1066
01:30:02,380 --> 01:30:06,077
Because anytime
something bad happens to you...
1067
01:30:06,484 --> 01:30:09,783
...it's the one place you can escape to
and just, psh, let it go.
1068
01:30:11,923 --> 01:30:14,016
I learned that the hard way.
1069
01:30:15,660 --> 01:30:17,560
And anyway, look at me.
1070
01:30:18,597 --> 01:30:20,929
Nothing bad's gonna happen.
1071
01:30:21,633 --> 01:30:23,760
You gotta have a little faith.
1072
01:30:34,412 --> 01:30:35,640
I'm Louis.
1073
01:30:36,715 --> 01:30:39,115
Ev-- August.
1074
01:30:39,284 --> 01:30:40,945
August Rush.
1075
01:30:41,119 --> 01:30:43,178
August Rush.
1076
01:30:44,589 --> 01:30:46,920
-Cool name.
WALLACE: August!
1077
01:30:48,258 --> 01:30:49,782
Come on!
1078
01:30:52,863 --> 01:30:54,660
I gotta go, August.
1079
01:31:00,971 --> 01:31:02,461
Bye.
1080
01:31:03,240 --> 01:31:04,707
Yeah.
1081
01:31:06,543 --> 01:31:08,033
Bye.
1082
01:31:17,721 --> 01:31:19,120
Bye.
1083
01:31:37,574 --> 01:31:40,304
Yes, I made him memorize our number.
1084
01:31:42,880 --> 01:31:46,316
I understand. Your department's
doing everything they can.
1085
01:32:05,302 --> 01:32:07,862
Do you think anything bad
happened to him?
1086
01:32:08,972 --> 01:32:10,234
I'm sure he's fine.
1087
01:32:11,308 --> 01:32:13,868
I prayed for him. Did you?
1088
01:32:14,645 --> 01:32:16,306
Yeah.
1089
01:32:17,481 --> 01:32:20,848
Well, if his father loves him like he should...
1090
01:32:21,018 --> 01:32:24,181
...then he'll do what's best for his son.
1091
01:32:26,090 --> 01:32:27,717
You believe that, don't you?
1092
01:32:28,692 --> 01:32:31,490
-Yeah.
-Good.
1093
01:32:31,795 --> 01:32:33,660
Now go get ready.
1094
01:32:34,064 --> 01:32:39,331
[MARK MANCINA'S
"ARPEGGIO THEME" PLAYING]
1095
01:32:44,641 --> 01:32:47,075
DEAN:
Welcome to our Concert in the Park...
1096
01:32:47,544 --> 01:32:52,607
...and the Mercedes Drive Your Future
Scholarship Celebration.
1097
01:32:52,783 --> 01:32:55,445
And now it is with enormous pleasure...
1098
01:32:55,619 --> 01:33:02,047
...that I welcome back to the concert stage
one of Juilliard's own, Lyla Novacek.
1099
01:33:28,719 --> 01:33:33,247
[PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
1100
01:33:56,647 --> 01:33:57,773
[LOUIS PLAYING LUCAS REYNOLDS'
"SOMETHING INSIDE"]
1101
01:33:57,948 --> 01:34:00,883
[SINGING]
So long you've been running in circles
1102
01:34:01,051 --> 01:34:02,916
Round what's at stake
1103
01:34:05,956 --> 01:34:10,791
But now the time's come
For your feet to stand still in one place
1104
01:34:14,331 --> 01:34:17,960
You wanna reach out
You wanna give in
1105
01:34:18,135 --> 01:34:22,037
Your head's wrapped around
What's around the next bend
1106
01:34:22,206 --> 01:34:27,473
You wish you could find something warm
'Cause you're shivering cold
1107
01:34:30,080 --> 01:34:33,982
It's the first thing you see
As you open your eyes
1108
01:34:34,151 --> 01:34:38,087
The last thing you say
As you're saying goodbye
1109
01:34:38,255 --> 01:34:43,283
But something inside you
Is crying, driving you on
1110
01:34:44,928 --> 01:34:49,262
'Cause if you hadn't found me
1111
01:34:49,433 --> 01:34:51,867
I would have found you
1112
01:34:53,737 --> 01:34:58,970
I would have found you
1113
01:35:06,683 --> 01:35:08,412
I have to go now.
1114
01:35:20,330 --> 01:35:22,127
I'm not coming back this time.
1115
01:35:23,767 --> 01:35:25,098
He's just kidding, Wizard.
1116
01:35:26,703 --> 01:35:29,433
Me and August have a understanding.
Don't we?
1117
01:35:34,578 --> 01:35:36,773
Aug, you can't leave me, man.
1118
01:35:36,947 --> 01:35:38,710
Yes, I can.
1119
01:35:39,950 --> 01:35:42,077
Because you have to
find your parents, right?
1120
01:35:42,252 --> 01:35:45,016
Yeah. My concert's starting.
1121
01:35:45,188 --> 01:35:50,251
Well, all my money's on the fact
your folks won't be able to find you.
1122
01:35:50,427 --> 01:35:51,758
You know why?
1123
01:35:52,162 --> 01:35:54,062
Because they can't hear you.
1124
01:35:54,498 --> 01:35:55,829
They're probably dead.
1125
01:35:55,999 --> 01:35:58,194
You're not going anywhere.
1126
01:36:02,039 --> 01:36:06,601
It's the first thing you see
As you open your eyes
1127
01:36:06,810 --> 01:36:10,211
The last thing you say
As you're saying goodbye
1128
01:36:10,414 --> 01:36:11,472
Nowhere to go, son.
1129
01:36:11,648 --> 01:36:15,243
Something inside you
Is crying and driving you on
1130
01:36:16,286 --> 01:36:22,088
I would have found you
1131
01:36:22,526 --> 01:36:24,289
ARTHUR:
Run, boy.
1132
01:36:24,461 --> 01:36:25,985
Run, August, run.
1133
01:36:26,163 --> 01:36:30,099
I would have found you
1134
01:36:32,436 --> 01:36:37,169
I would have found you
1135
01:36:38,308 --> 01:36:40,503
[HORN HONKS]
1136
01:36:47,117 --> 01:36:49,585
WALLACE:
August!
1137
01:37:03,000 --> 01:37:06,094
[PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
1138
01:37:39,703 --> 01:37:42,228
WALLACE:
August!
1139
01:38:02,592 --> 01:38:05,220
DEAN:
Thank you, ladies and gentlemen.
1140
01:38:05,595 --> 01:38:11,397
Music has always fascinated us
in the way that it communicates.
1141
01:38:11,568 --> 01:38:14,594
Without words, without pictures.
1142
01:38:15,505 --> 01:38:18,372
And that leads us
to our final performance.
1143
01:38:22,546 --> 01:38:24,707
NICK:
How much longer to the airport?
1144
01:38:24,881 --> 01:38:27,372
MARSHALL:
Man, it jams up the traffic.
1145
01:38:27,551 --> 01:38:30,042
Bring you back to the old days,
eh, Louis?
1146
01:38:32,189 --> 01:38:36,091
[MARK MANCINA'S
"ARPEGGIO THEME" PLAYING]
1147
01:38:47,771 --> 01:38:49,568
"August Rush."
1148
01:38:49,739 --> 01:38:51,570
Evan Taylor.
1149
01:39:07,290 --> 01:39:11,954
Unfortunately, our last performer
seems to have....
1150
01:39:12,129 --> 01:39:14,996
He's here. He's here. He's here.
1151
01:39:15,165 --> 01:39:17,497
Oh. Excellent.
1152
01:39:17,667 --> 01:39:21,535
Perhaps there's no one else
who can better personify...
1153
01:39:21,705 --> 01:39:24,606
...the mystery that is music...
1154
01:39:24,774 --> 01:39:27,504
...than our final composer.
1155
01:40:18,328 --> 01:40:22,059
[ORCHESTRA PLAYING
MARK MANCINA'S "RHAPSODY"]
1156
01:41:19,256 --> 01:41:20,746
Hey, what's that?
1157
01:41:20,924 --> 01:41:23,517
MAN:
Concerts in the Park every spring.
1158
01:41:51,253 --> 01:41:52,914
Let me out.
1159
01:41:54,123 --> 01:41:56,523
Let me out! Let me out!
1160
01:46:39,741 --> 01:46:42,266
AUGUST:
The music is all around us.
1161
01:46:42,444 --> 01:46:46,073
All you have to do is listen.
80721
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