Original subtitles

- I've prepared the souffI� for your husband. - He'II be happy for this. Thank you.

- Go to sIeep. I don't need you anymore. - Thank you. Good night.

- Good evening, my dear. - HeIIo, darIing.You're Iate.

- Did you have a good day? - More or Iess. I'm very tired.

- It was a hard day. - Did the new surgeon arrive, yet?

Surgeon? You can caII him a butcher.

New doctors are unskiIfuI because they don't have much experience.

Just Iike the mechanics. The first engine they repair, they can't put together again.

He didn't even know how to hoId a scaIpeI.

- WeII, what have you done today? - I've been pretty busy.

First I pIayed tennis. Then I went for a swim.

I've made an appointment with FIavia for a goIf match.

Sounds good. But even though your handicap is better, you won't beat me.

Doesn't matter as Iong as we have fun.

You'II see. One day you'II be a goId master.

You are fabuIous.

I have to sIeep now. I have a surgery tomorrow.

I aIImost forgot to teII you:

Andrea BeIsiani is coming for Iunch.

- BeIsiani? - I've saved his Iife a year ago, remember?

He caIIed because he wanted to see me.

UsuaIIy, you don't meet your patients. Why him?

I Iike him. He is a fairspoken young man.

Ok.

SIeep weII. - You too.

Yes, I was dying. And if your husband wouIdn't have ...

- You're exaggerating! Your strong constitution heIped you to survive.

Look at you now. You are a strong, goodIooking man in his best years.

You shouId forget this accident.

I am here to dispeI my fear of reminding.

Andrea toId me that he has found a fIat downtown.

WeII, interesting. What do you want to do?

I design fashion. I'm working in a big studio.

- Maybe you profit from it, Christina?

I hope so. He certainIy is a good advisor.

- I'm at your service. I owe you.

- Stop this aduIation.

I'd rather Iook as you as a friend.

Excuse me, but I've got to get back to work.

Let's continue this conversation in our cIub on sunday. What do you think?

- Do you agree with that? That's wonderfuI. - Yes.

Keep your seat. - Have a coffee with us.

I'm sorry, darIing. I've got to go.

Excuse me for a moment.

Do you have champagne? - Yes.

- WeII, serve it, pIease. -Yes.

Diego has to work a Iot. - Do you feeI IoneIy sometimes?

No, I 'm aIways busy.

ExceIIent. Thank you very much.

Thank you, Tina. You can go.

Important encounters deserve the appropriate drink.

You Iike to be proactive, don't you?

Yes, but onIy if I'm sure.

- Let's drink to this encounter. - No, I have a better idea.

Let's drink a toast to you.

To your beautifuI eyes ...

... and to your beautifuI body.

I'd Iike to retire. I need some rest.

- Just as you wish.

We'II meet in our cIub on sunday.

I'm Iooking forward to see you, Christina.

Goodbye.

Excuse me.

You know that you are my reaI Iove.

I'm yearning for your body.

I dream of you.

I don't hope that FIavia wiII find out.

- She wouId hate and despise us. - That's right.

I Iove my husband and I've never been unfaithfuI to him.

But there's this young man, Andrea. You've met him this morning.

I'm attracted to him.

Judging by his Iook, he must be feeIing the same for you.

- Are you making fun of me?

It was obvious, Christina.

Nice to see you. - Have a seat.

- I wanted to recruit somebody new, but it's aIways the same.

They don't have enough experience ...

HeIIo, FIavia. Josephine and Christina are stiII in the Iocker room.

They have won again. They'II become the cIubs' best.

- This is Andrea BeIsiani. He's a friend of us. - Miss. It's a pIeasure.

CouId you order the usuaI, Diego? - Of course.

I'm sorry that I couIdn't come. I have oversIept.

Professor. The cIinic has caIIed. Your assistent said that it was important.

- Excuse me, but duty caIIs. AIberto? - Yes?

CouId you get Miss FIavia a big portion of ice cream just Iike she prefers it.

TeII Christina that I had to go to the cIinic.

She can come home by taxi.

- I'II drive her. - This is very nice, Andrea.

- I don't want to impose on your kindness. - This is no probIem.

Have a nice day. Goodbye.

TaIk to Christina about the next appointment.

- I wiII.

They are waiting for us.

There you are.

- Christina. - I'm sorry, I Ieft you waiting.

- Where is Diego? - The cIinic has caIIed.

- I'II take you home. - That's nice.

- CouId we Ieave right away? - Of course.

- Have a nice day. - Goodbye.

I didn't sIip my attention, you IittIe hussy.

If I catch you one more time Iooking at a man Iike this,

I spIit up with you.

- We beIong together.

You are jeaIous again. You know that I don't Iike men.

You have an nice car. Is it EngIish? - That's right. They are very speciaI.

I Iove driving fast - as opposed to my husband. He hates it.

Fantastic. Let's do it and Iet's keep it secret.

Your husband doesn't have to know everything.

I'm Ionging for your body. You're exciting.

I want to be with you.

PIease, don't be afraid.

That was a big mistake.

- No, it wouId have been a mistake if we had not done it.

I can't Iook into my husbands eyes anymore.

I don't have to wait for you very often. I am happy to see you.

I'm sorry. We've taIked a Iot and defied the time.

Don't you give me a kiss?

How was the surgery?

Just routine. Not that grave as I expected.

Diego? - Yes, darIing?

- What do you think about going on hoIiday? - HoIiday? I can't Ieave the cIinic.

We are fuIIy booked.

The cIinic is aII that counts for you.

AII I'm asking for is a smaII hoIiday together with you.

Nothing more.

I'd reaIIy Iike to do that.

But in my position I can't do that.

I carry great responsibiIity.

As soon as possibIe we'II go. I promise.

Just be patient, darIing.

I'm tired. I Iove you so much. I aIways want to be with you.

Me, too. It's probabIy the best if you go to sIeep.

You're right. I'II go to bed.

Do that. Honey?

I'II be right with you.

Don't Iet me wait too Iong.

HeIIo, Christina.

My husband isn't at home.

- I'm not here because of him.

I want to be aIone. I don't feeI weII.

You won't notice me. It's interesting in this greenhouse.

That's true. You may stay if you want.

- It must be great to be married to a weaIthy man. - Andrea. Sometimes you are chiIdish.

I'm trying to imagine how it is to be a spoiIed chiId.

I grew up in a big mansion with a big garden.

I have never been happy. I've feIt IoneIy. Whenever it was possibIe ...

I jumped over the waII and ran to the kids pIaying on the streets.

I Iiked them. My first Iove story was in the shadows of these waIIs.

- It must have been horribIe for you.

No, it was truIy deep reIationship with the outside worId.

He toId me many things about his friends, his dreams ...

... and his secret adventures. I toId him about my Iessons,

French, pIaying tennis and piano.

- What happened? - We've never seen each other again.

I grew up on the wrong side of the waII.

Nothing couId keep me at home. I was aIways on the move.

We were some cheeky boys with crazy ideas.

But we aII grew up.

Christina.

Thank you.

HeIIo, Diego. - HeIIo, darIing.

Do you Iike our greenhouse? - Yes, the pIants are great.

- Andreajust wanted to Ieave. - Why don't you stay for Iunch?

- Thank you. - I thought we had Iunch in the cIub?

- Sure, why not. - I'II accompany you.

- Excuse me for a moment. - Of course.

You seem to be making good progress. I've been watching you.

Yes, it's good.

The perfect pIace for a honeymoon trip is Venice.

- It is such a fascinating pIace that you can onIy induIge yourseIf in Iove.

- Don't say that. That's embarrassing.

- I didn't expect this from you, Maria. You're a grown up woman.

Why don't you Ieave this sense of shame ...

... to the girIs?

GeneraIIy, high society women are rather prudish.

- What do you think about that?

I think being prudish is the onIy way ...

... to protect herseIf from her own emotions.

Don't forget that a woman is subjected to many temptations.

WeII, Christina, I think that a woman has got a temperate instinct.

It's her goaI to become pregnant.

That's an underestimated task.

- CarIo, don't be so canting and naive.

Even though it is the maIe part to take the initiative during the mating rituaI,

the femaIe does not necessariIy stay passive.

- For sure if she is a whore.

What have I done starting this conversation?

Why don't we stop advising and Iet the bridaI pair Iearn for themseIves.

What is better than an intense reIationship between two persons.

CompIete devotion and IoyaIity of the woman for her man.

The contact of two souIs and two bodies that combine themseIves ...

... in harmony.

That's what we expect in a marriage?

You're right. Now Iet's drink a toast to their Iove stories.

- Thank you aII. I'm gIad you aII couId come. Cheers.

- Let's drink a toast to us. - To us, darIing.

Andrea, I'm sorry that I need to ask you again for a favour.

- Don't Ieave me aIone again!

- I couId show you my studio. - This is a good idea.

Good.

The dinner was deIicious. Cheers.

- CharIotta, take the bIue room. - Who is it?

The Conte au Verdi? - Yes, try better this time. The Iast time he was not satisfied.

- He is insatiabIe. - HeIIo, Andrea.

I've been waiting for you. You've been away for 2 days!

- Did you miss me? - You wiII aIways be a son of a bitch.

- Listen, there's a new cIient. - Very good. I've got the perfect woman.

- Indeed? - Can I get the speciaI room?

- Of course. - WonderfuI. Come with me.

May I introduce you to Francesca.

It's a pIeasure. I hope you Iike our coIIection.

I'm Iooking forward to trying some.

- PIease, bring her to our private room. - Sure.

- I'II get you the Iatest coIIection. - Thank you.

- I prefer something Iong-sIeeved. - No probIem. Just as you wish.

It reaIIy Iooks Iike a room that is made for making Iove.

WeII,

wouId this hamper you?

- I don't know how to say but ... - What?

Listen.

I ask you for a IittIe personaI favour.

What do you want?

I'II be back in a minute.

Why don't you take off your cIothes?

She has a wonderfuI body.

- Don't push it too far.

- I'II stick to my instructions.

That's enough.

You are new, aren't you? I didn't see you here before.

You are not bad. ReaIIy.

You're trying hard.

Next time I'II ask for you. Ciao.

How are you? Did you Iike it?

You are disgusting. I've never met somebody Iike you.

You've used me Iike a toy!

- But you Iiked it, didn't you?

I know that it turns you on making Iove to unknown peopIe.

Let's go. Come on. - This was the Iast time we've taIked.

Whatever you want.

Christina! - HeIIo.

- Why are you here? - I wanted to be with you.

I'm sorry but I have to make my round.

I'II wait for you.

What's the matter? - Nothing.

Come on, darIing. Don't fuss.

You drive home now and wait for me.

AII right? Here you go.

This evening we wiII spend our time together.

Don't be Iate. - No.

- Is it aIready time, Tina? - It's 12 o'cIock.

- Has somebody caIIed for me?

Your husband but he didn't want me to wake you up.

- TeII me if Mr. BeIsiani caIIs. - I wiII.

Thank you.

An unexpected visitor.

Andrea.

- I am gIad to see you. - Me too.

- Do you want to have a drink? - Thanks.

- Everything is aIIright? - Yes.

Nothing to worry about.

I just wanted to see you.

Andrea, don't be such a fIatterer.

I must caII the cIinic. It's very important.

- Excuse me. - No probIem.

- Christina, we must put things straight. - ReaIIy?

It isn't as easy as you might think.

Are you sure?

- You're so wonderfuI. - You too.

- You wiII be mine. - PIease, don't ...

Don't defend. Just enjoy it.

I wiII show you.

I'm sorry about that. AIways the same.

They don't know what to do without me.

Cheers.

We've been expecting you. Take a seat.

- Andrea has caIIed me. - Yes, we have got a new coIIection.

An eccentric coIIection. I wanted to show it to you first.

Everything is prepared. This way.

- Where is Andrea? - He'II be back in a minute.

Pierra.

- HeIIo, my name is Pierra. - HeIIo.

- You're beautifuI. - Thank you.

I think you are in the wrong room.

No.

Don't you Iike me?

I understand.

HeIp me to undress.

Your girI friend is pretty good.

It seems you start to Iike it?

Didn't you want that? - Sure.

I'II drive you home now. I don't want Diego Iooking for you.

Andrea. - Yes? - Come here. I want to taIk to you.

Not now. I'II take her home.

- CarIotta can do this.

We have severaI things to taIk about.

I'm sure it can wait untiI tomorrow.

I'II take her home.

Let's go.

Francesca. The woman is back again and she wants to taIk to Andrea.

I go and taIk to her.

HeIIo. We did not expect you today.

I was passing by and I wanted to say heIIo to Andrea.

I'm sorry but he's not here, right now.

From time to time he's visiting our cIients.

Maybe I can heIp you? - No, thank you.

- Wait a second. We have a new cIient.

I couId imagine that you'd find him interesting.

WeII, I stay here.

I am gIad I couId convince you.

Our cIient wiII be very satisfied with you.

Come with me.

Make yourseIf comfortabIe.

You are stiII dressed? What's up?

You don't speak that much, do you?

You seem to be rookie.

A tad thin but beautifuI.

Now get undressed. I'm in a hurry.

Show me what you've got.

Are you jeaIous? That's not good for business, Francesca.

Don't forget that we've got a contract. - ReaIIy, even for her?

You must confess that you're inferior.

This woman means money. We have twice the turnover.

She is from the high society. She does it with cIass.

That's why you couIdn't be found for days.

This has nothing to do with it. I needed to prepare her.

That's exactIy what's bothering me.

AIIright, come with me.

Look at her doing it.

What do you want to say? Your friend came on her own decision.

- I didn't force her to do it. - I toId you that she's different.

- She Iikes it. - Yes. She wants to show you ...

... that she is a decent woman.

But when she feeIs unwatched she's behaving Iike a bitch.

This is none of your business. You get your money the rest is up to me.

I wiII not Iet it happen that some girI takes you away from me.

Do you forget that I've admitted you? I even made you my partner.

You jumbIe some things.

This girI makes money.

And I won't go without it just because you are jeaIous.

Let me get one thing straight: You'II treat her better than the other girIs. Understood?

- You are a very attractive woman. - Thank you.

- You're exciting. - Thank you.

Moreover you've got a wonderfuI body.

It is marveIous to make Iove to you.

- What do you think about my new hairstyIe? - It is beautifuI.

- I Iike changes. - Me too.

Do you Iike me? - Yes. - Even if I Iook different today?

I coIored my hair. Do you prefer bIond or brunette?

This is hard to say.

You're stiII a young girI.

I can see that even if it Iooks different between your Iegs.

Andrea! Aren't you happy to see me?

No I'm not. - Why? I'm here just because of you.

Listen, Christina: This is a game and I make the ruIes.

That's why you wiII do what I want. Understood?

CarIotta.

What's the matter?

I want you to take care of business. I'II be away for some time.

- Okay.

Agreed. I wiII come onIy when you aIIow me to.

- Good, you wiII foIIow my instructions. - I Iove you. I'II do everything for you.

What do you want more?

Ciao.

Andrea. - Yes?

I can feeI that you're in Iove with that girI.

You didn't want to, but it happened.

I'm not going to Ioose you to her.

I Iove you.

You are my everything. I fight for you.

Forget her, Andrea. Let her go and you get everything you want.

We seII the house and kick the girIs out.

We seII everything and start a new Iife. - You shouIdn't go too far.

You're the owner of the whorehouse and I am just a partner.

DarIing! - There was a time when we were dependent on each other.

Yes. That's right, Andrea.

I need you and I wiII never give you up.

I don't aIIow you to Ieave me.

You're right, Francesca. Don't think about it anymore.

Andrea.

- I hope that she was right on time? - Of course, she's aIready in the room.

- Everything is prepared. - Good.

Thank you.

Ladies and gentIeman, in the foIIowing race are ThunderbaII, WiIdcat, JuIia B.,

Firestorm, Suke, Shekter, RosaIie and Red Panther.

The jockey of Firestorm is AIIan Haves.

The great taIent we have seen Iast week ... - Very good.

It's one of the most exciting races. - I Iove Horses. I Iike this sport.

- We shouId have gone to the racetrack. - Next time.

- Professor. There's a phone caII for you. - What a pitty, right now.

The ground conditions are pretty poor after the rain.

ThunderbaII is in the Iead foIIowed by WiIdcat, ...

... JuIia B. and Firestorm. Sukes is faIIing back.

Shekter, too.

Yes, pIease?

I must teII you something concerning your person.

I'm sure it is of great interest for you.

A man Iike you has pretty much to Ioose.

I don't understand.

I agree. We meet tomorrow morning at 11 o'cIock in front of the park.

I'II be there. - ExceIIent.

Goodbye.

WiIdcat is stiII in the Iead foIIowed by Firestorm, ThunderbaII,

Suke, Shekter. RosaIie and Red Panther aIready far behind.

The distance is getting greater. On the finaI straight ...

... WiIdcat is stiII in front of Firestorm. ThunderbaII and Suke are straight behind.

SuddenIy Firestorm overtakes WiIdcat.

Suke and Shekter are straight behind. Getting faster from the outside.

Firestorm is on top. WiIdcat faIIs back on the third pIace.

- I'm back.

Suke is on the second pIace and Firestorm crosses the finish Iine.

- That's an exciting race. - Next time we'II go there together.

We couId aIso do a IittIe betting.

Do you have to go back to the cIinic again? - No, they just needed some information.

They are gambIing for high stakes? - Yes, very high.

You are a weII-matched coupIe.

Andrea is a young man but he knows exactIy what he wants.

It's not easy to resist him. - But I didn't mean Andrea.

What do you mean?

Once in a whiIe even women Iike us experience sexuaI Iust ...

... which needs to be satisfied.

This is a normaI behaviour.

Andrea satisfies these women. He does everything for money.

But money has never been important to me and Andrea.

But to Andrea and your husband Diego.

What do you want to say?

I thought you agreed that your husband watches you in the sexuaI act.

What do you say? That's not true.

What I do here is fiIthy and unciviIized. But Diego has no idea what is going on.

Are you sure about that? Andrea wouId even seII his souI ...

... if he gets enough money. You stiII don't know him very weII.

Look for yourseIf.

My God, they are both invoIved. Now I understand.

I did it for him because I Ioved him.

He betrayed me.

- I didn't do it on purpose. I thought you were part of the game.

Andrea and me are together for more than 10 years. - I understand.

I can't beIieve, that Diego is a voyeur.

He's muItifaced. I underestimated him.

The professor becomes more and more sympathic to me.

Things are changing. Thank you, Josephine.

Funny, but I Iove him even more now.

At the same time the Iove for Andrea is getting weaker.

I think it's just a physicaI thing.

There's is a voyeur in aII of us.

Even I Iike to watch a coupIe making Iove.

Take this Christina. It wiII heIp you to reIax.

I show you how exciting it is to watch.

I hope that you'II faII in Iove with me.

FoIIow me.

- You're asking too much. I Iike you but ... - Don't taIk.

Just watch and enjoy it.

Be quiet.

We are a good team, Christina. Nobody can beat us.

You seem to have unusuaI good cards. Maybe you're cheating.

We win. - Oh, no. - We're unbeatabIe.

I hope that you're Iuckier than me, Josephine.

I must be successfuII referring to my bad Iuck in Iove.

But when I Iook at my cards I am the exception from the ruIe.

- Another game? - Let's stop. I don't want anymore.

Good evening. - Good evening.

- Are you professor Capi? - ExactIy.

I'd Iike to pIay tennis. Do you pIay with me?

- It's a pIeasure. - Excuse us. We're outside.

Ok, my darIing.

See you Iater.

Professor, I don't feeI very good. I feeI so dizzy. MostIy in the morning.

I recommend a physicaI investigation in my cIinic.

I'II caII you for an appointment.

You're getting prettier day by day.

HeIIo Diego! Long time no see! - Nice to see you! I'm very busy right now.

What's the matter? Don't you Iike it anymore?

- It is your husband. - He foIIows me.

Don't worry about him. This time you'II get it for free.

I can be generous if I want to.

- You know about Diego? - Are you surprised?

What do you want to do? Do you want vengeance?

I wanted to, but I'm not interested anymore.

Yes, Andrea.

I want it. PIease do it.

Your husband wants me to take you to the studio.

I am at your disposaI. What kind of man is it today?

Christina, we can stop it any time if you want.

- I'II find a way to expIain it to Diego. - No, I Iike this game.

- I was toId you were Iooking for me? - Yes.

Listen up, boy. You get paid by me for my pIeasure.

I don't Iike your attention for Christina.

I try to keep her coming into the studio.

And I want to prevent that she finds out the truth.

It's impossibIe that she hears the truth as Iong as nobody teIIs it.

Leave me aIone now.

Do you know that we have doubIed the turnover for this month?

Why did you teII her about the mirror?

- I didn't know ... - Stop that nonsense!

I know what you're doing. I know your dirty tricks.

Ok, I toId her. But just to stop you from doing other stupid things.

- I can take care of myseIf, Francesca. - Save your accusations.

Do I have to remind you of yourjob?

You're a boy whose job it is to satisfy the perversions of weII known peopIe.

You aIways wanted to get rid of me. Now, you've done it.

- There's somebody at the door. - Don't stop, pIease.

HeIIo, Josephine. Come in, Christina.

- How are you? - I'm fine. I need to taIk to somebody.

Therefore I've come to you ...

I'm sorry for disturbing you.

HeIIo, FIavia. - Nice to see you.

- Don't worry you are not disturbing. - I just wanted to ask you for an advise.

I feeI desperate. I'm stiII in Iove with Andrea

but I Iove my husband, too. I need to decide myseIf.

- Don't rush it. - No, you don't understand.

I'm feeIing guiIty.

You must open up yourseIf. Free your mind.

Don't bIame yourseIf. You didn't want that to happen.

What gibberish.

It's a wonderfuI horse. - Do you think that he'II win on sunday?

I hope so. He's going strong.

We couId use a victory to get some pubIicity.

I've got an idea: What do you say if Andrea ...

... wouId join us on our IittIe trip we've pIanned? - Yes, what do you think?

I'II think about it. - Professor Capi, you've got a caII.

Thank you. I'm coming. Excuse me.

Take me now. I want it.

This is not a good moment.

Let's do it here. Right now.

Did you come here to watch the girIs?

No, this is the pIace where I first made Iove.

I didn't expect you being romantic.

Christina, I don't Iike this anymore.

But you have set this whoIe thing up?

I have no scrupIes. Money means a big deaI to me.

I wouId do anything for money, you know that.

But this time I'm taking it to heart.

Stop apoIogizing. I don't beIieve you.

- You're making fun of me. I know it sounds strange.

But you are the first woman to trust me.

I know you did it onIy because you Ioved me.

I've been hoping night and day that you wouId come to me.

Christina, I Iove you.

Make Iove to me right here.

Christina, ...

... come with me.

- Do you think that it wouId heIp us? - Of course.

I've got a Iot of money.

Enough for a new beginning.

- Let's go far away. - No, Andrea. It's too Iate.

I thought that Iove wouId join us, but when I heard about the mirror,

I reaIized the truth.

- Don't teII me, that you Iove him? - Yes, even more then before.

I've Iearned to understand. The mirror has opened my eyes and ...

... I think I Iike it.

This may be Iove too.

I can't Iive without you.

That's not true. Drive me home, pIease.

It's me. How are you, darIing?

- Diego, I didn't hear you coming in.

Hope you're gIad that it's me.

What did you do? Something speciaI?

I wasn't at home. - What did you do?

I took a waIk because I had to taIk to someone.

- To Andrea? - Andrea? Why?

Just an idea.

Because you met very often each other.

Maybe, but things aren't as it wouId appear.

WouId you Iike to eat something?

No, thanks.

Why did you want to taIk to him?

Andrea ist just a footboy.

He aIways does what other peopIe teII him.

Maybe you are right.

ShouId I taIk to him?

No, I wiII do it by my own.

- I think he is a corrupt man. - ReaIIy?

I wiII take him to task.

Oh, you are impressing me.

If you wiII reaIIy do this ...

I wouId be very proud of you.

Cheers, Diego.

What about the money?

I've got it.

But i don't Iike it to do.

Don't break into tears.

PIease, try to understand.

You have to accept it.

I Iove her. That's the truth.

She means a Iot to you.

Yes, that's right.

Okay. Good Iuck to you.

FareweII, Francesca.

Did you think about it? - Yes.

WiII you come with me?

Andrea, there is no future for us.

How can you taIk Iike that?

You can't be serious.

The truth is that we don't beIong together.

But we couId try it. I Iove you.

I'm sorry to say that I don't Iove you.

Perhaps you wiII change your mind.

It's never too Iate for that.

I wiII wait for you.

By the way, I toId you about this young man that I met in the traveI agency.

He's nice. His name is ItaIo Bufani.

You'II Iike him.

He's grown up on the sea and speciaIize in seafaring.

He'd be the perfect partner for our trip.

When do I meet him? - This evening at dinner.

The sea is as fascinating as a woman. I need it.

- Do you remember that strong seafarer we met on Iast vacations?

Yes, but he prefered men.

Have I toId you that despite of his age, the seven seas are Iike home for ItaIo?

- Not aII yet, but I'm working on it.

Are you sure, you won't be bored? We are rookie saiIors.

On the contrary!

In fact, I beIieve we wiII have a Iot of fun.

So do I. Let's drink a toast to the future.

Cheers.