All language subtitles for Una Questione Privata, 2017

Milton!

What he wants? Who are you looking for?

But she is one of Fulvia's friends,
I recognize it well!

- Do not recognize me, eh?
- Yes, yes.

I am so worn, aged.

No.

Fulvia has returned to Turin.

A year ago after you guys
you put on this war.

Yes, I know.

But did not it come alive?
He wrote?

Let me see the house again.

I'll take a few minutes.

MUSIC FROM THE TURNEYS

21, 22, 23, 24, 25, 26, 27,

and 28! I'm 28 times that I put.

- Do you like?
- From fainting, I like to faint.

When he finishes, he hears something
It is really finished.

so too for you, right?

SING IN ENGLISH

(FULVIA) Now enough, eh?

"Wut-e-ring Heights".

Did I say well in English?

Wut-H-ering.

Your books and your beautiful words
they only manage to make me cry.

At least I was crying too.

You are sad.

No, you're not really sad.

I do not know.

I do not want to become sad.

I'm beautiful, are not I? And cheerful.

S.

No, do not say anything.
I want to think on my own.

(FULVIA) Now return to the city.

- You'll come?
- Yes, tomorrow.

- We will meet?
- Absolutely not.

Why not?

Because you and me in the city ...

I do not know...
we are not in our center.

In our center.

It's nice ... but I'll come back here.

- Ah, you will have to.
- Between how much?

In an exact week.

A week a century.

Dodda.

Have you cursed?

You cursed!

(CUSTODE) Let's give some light.

(CUSTODE) Please, take a seat.

I'm afraid that this war ended,
Fulvia will not come back here.

No, I'll come back.

(CUSTODE) I'm afraid not.

- Excuse me, I got dirty.
- Leave it alone, do not worry.

I do.

But you partisans always outdoors,
how do you dry?

On the skin.

I will not come back to us.

I will go to the sea.

It goes crazy for the sea.

He always talked about it.

No, I'll come back, I'll tell him.

MUSIC FROM THE TURNEYS

Miss Fulvia.

(SUB-VOCGE) Please do plan, please

we are at war,
I know it is forbidden to dance.

Yes, you are right. Sorry.

LOWER VOLUME

(CUSTODE) Signorino Giorgio
he was a true dancer.

Although, to be honest,
between you two I preferred her.

He too is a partisan?

Yes, another brigade.

Why do you say he preferred me to him?

Signorino Giorgio disturbed me.

With her instead, I was calm.

With Fulvia you talked for hours,
even in English, right?

Yes, it's true.

Signorino Giorgio instead ...

Instead what?

The last summer, the one of '43 ...

She had already left, it seems to me.

Yes, yes, yes.

It was a little too often.

Almost always at night.

I was eavesdropping and those two spoke little.

Then they went out ...

they got late, here.

How late?

Even midnight.

And then?

And then what?

Fulvia and him ...

But nothing. Nothing, Mr Milton.

I can not say
that would do harm.

For charity that I could not say,
in fact I do not say it at all.

It's better than going.

I'm starting to fear too.

Signorino Milton.

Will you win partisans in the end?

- is it certain that you will win?
- Sure.

THUNDER

But fascist God!

My spleen breaks out!

RINGING OF BELLS

(MILTON) Where's Frank? Frank!

- (MILTON) Where's Frank?
> Milton, do you have a cigarette?

> I have tobacco, but with this
rain maps are wet.

- But you know where he is? Frank?
- No, I do not know where it is.

No.

Where's Frank? The commander?

at the doctor's home to hear
"Radio London", but now returns.

What's got Milton?

Does that ...

a street killer!

We came already a hundred an hour
and I was behind my spleen.

a student,
the students are all a "touch".

We peasants are more "centered".

There is a girl in between.

A girl from life before.

A girl?

He lost his mind for a girl,
today, here?

Just the time to lose your mind
for a girl.

- Poveraccio.
- Meschino.

Milton!

Frank, I need a permit.

I have to go down to the Giuliani Brigade,
I have to talk to one.

I know him?

Giorgio Clerici.

I'll be back tomorrow.

Come back when you can.

Black cockroaches
you and I know them,

they will leave us bored for a while.

But when they attack us
do not leave me alone

with this troop of minors.

Did you see the new ones?
You should treat some of them.

Did you see them, yes or no?

Eh?

Are you OK?

You also have toothache
like the others for a few days?

I'm sorry.

You and Giorgio are very friends, I know.

Grown up together.

Go Go.
It stopped raining, go.

(Look at me Fulvia.
You see what I do, how I suffer.)

(I need to know so much
that is not true.)

(FULVIA) You're ugly, Milton.

You have beautiful eyes ...

beautiful mouth ...

but ugly.

No, no, no,
stay here under our tree.

You're not so bad.
How do you say you're ugly?

How will you start your next letter?

- Fulvia damnation?
- No.

Why? Will not there be a new letter?

S.

Now we can no longer do without it:

I will write them and you will receive them, right?

If you do another seven steps,
I will tell you the truth.

Of my love.

One two...

three, four, five ...

Six.

Help me to climb.

No, I'm alone.

FULVIA SING IN ENGLISH

(MILTON) Giorgio!

- But you're Milton!
- Jim.

Do you want to join our brigade?

No, I'm looking for Giorgio Clerici.

- Giorgio the beautiful!
- No, Giorgio.

Giorgio was commanded
with Sheriff and others at the Manera junction.

The fascists expected
that way.

If you want to meet him,
go under the cemetery.

But, listen to me, go first
that also the nebbione arrives.

Milton, you're not well.

You have a face that is the color of the gas,
look after you, it's better.

I know.

(GIORGIO) That Fulvia, displaced
from Turin for fifa of the bombings,

that deep down
they had fun, did not Fulvia?

And this, Fulvia,
my friend friend.

Milton.

I talked about it yesterday, remember?

Military together with Rome,
escaped together after the armistice.

It is a god in English.

Milton? But it's not your name
of baptism.

No, it was my English teacher
Call me Milton.

Then he left me stuck on him.

Better, I like Milton.

George! They have a horrendous taste!
If they have one.

I told you, my bill.

Buttala.

Milton too, throw it away.

- Do you want mine?
- Yours?

Mine. and my cousin, yesterday, we have
packed cigarettes until evening.

Imagine with that, Milton ...

with rose petals!

Good.

Liar, liar! Liar!

Giorgio with you?

- (SHERIFF) Are you Milton?
- Yes, I'm looking for Giorgio, was not he with you?

(SHERIFF) Of course, I'll stay behind.

(MILTON) Why did you leave it?

(SHERIFF) After the battle,
with this fog we got lost.

We slipped into a mud farm.

It was a lake of mud and therefore
maybe we pulled it off there.

(JACK) Big is big, is not it? The street

I do not worry.

(MEO) I'll tell you how it went:

he who had himself detached
before the mud.

- (MILTON) Why?
- (MEO) The disgusting stay in the company.

(COBRA) He's right Meo.
Eat alone,

he smokes the cigarettes that his father brings
and he smokes them in secret.

If the black cockroaches got it,
In his cell he can not put on his pajamas.

true, before going to bed
a bit of talcum powder and pajamas.

Milton, Giorgio is not one like us.

George!

George! George!

Of course, before you lost a good one
opportunity to keep quiet, Cobra.

Remember the fear of newcomers?
They always asked me and you:

how will you resist torture
if they will take me?

Parler , yes, I'll talk.

I remind you of Giorgio what he did
to give courage to those guys?

You see?

It hurts dog, but it can be resisted.

You missed a good chance
to shut up.

Why are you doing this to me?

I am a fighter ...
why are you doing this to me?

One of yours, they took
one of yours, the blond,

the son of Clerici.

- The fascists.
- (CORVO) Where did they bring it?

In the barracks, I think.

fucked.

I can not think of the mother.

Are you sure it was Giorgio Clerici?

Sure.

He was blond, was not he?

I already knew him from sight,

then he came to eat at home
of my neighbor, we talked,

he was okay.

I've been sick, believe it,

to see him pound.

Yes, yes.

If you're sure, eh?
Because there are so many blondes!

Now repeat all over again.
All over again!

His face was stained with blood,
but I recognized it all the same!

You are a shelter for madmen!

He's a shelter for crazy people!

Now it's enough for you guys too, eh?

I'm leaving.

My wife is pregnant,
he gets upset if he does not see me.

- Milton, they are counted for tonight.
- I take half.

Milton!

There is Giorgio's father.

You can not leave me alone, Milton,

He will want to save his son, he will want to know
if we have an exchange with a fascist.

I can not stay here alone
to talk to him.

And then I already did this part
with the brothers of Tom.

I do not feel like it.

You are his best friend,
I'll want to talk to you.

So tell him I'm going to look
an exchange for Giorgio.

Where are you going to look?

From Radiosa Aurora, they have one.

Forgive me, Sheriff, let me go.

Try not to get yourself killed, Milton.

It will be interesting to be alive later.

NON-AUDIBLE VOICES

- Milton, I was waiting for you.
- Yes.

- Come with me.
- Yes.

A moment.

Guys, I recommend the transmitter,
it must work, I do not know what it is,

- but repair it, I recommend.
- All right.

Here we go.

If you arrived last night, it was yours.

The boys when they get one,
I "get away" right away.

I'm sorry, it would have been an exchange
safe for your friend.

We'll take another one
of these cockroaches.

Tonight the network was reactivated.
We ask all the zone commands.

Ettore, you have a cockroach
to exchange?

Ettore! Ettore, can you hear me?
Ettore?

No, I do not hear you!

SHOOTING

No! I told you, we have it yesterday
exchanged with one of ours!

I can not hear you!

SPARES AND FLASH FROM THE RADIO

Armellin? Armellin, where are you?

Nothing can be seen outside,
a universal fog.

(ARMELLIN) It ?��is useless to go out.

We'll take it by Sunday
at least two, guaranteed.

We're stuck in here
like sardines.

Imagine a sea of milk
with some languages,

of the sterns, looking for
to enter our shed.

Yoris.

Yoris, are you there?

(SUB-VOCE) We have lost contact.

They are surrounding us.

Can you hear me?

We will make a sortie.

00:40:02,001
You are still in time.

Climb up there, after the stream,
you pass it again.

Meanwhile, I pray for you unfortunates,

with your knees on this same point.

We come from the valley of the Membo,
a hell. Water, water.

Our defense resists,
but the cockroaches are too many.

They appear, disappear,
they are massacres in retaliation,

they burn haystacks, the peasants' houses.

It's not hell, it's ten times worse.

But yesterday they escaped,
we bit his ass,

we even caught one,
he is at Membo.

The fastest way to Membo?

The fastest road is the one that passes
from the bridge of your country.

full of cockroaches,
take that from the beech forest.

Time you do not have much, I cockroach
prisoner up there has the minutes counted.

RINGING OF BELLS

ENGINE ROMBO

- Milton.
- No, no.

Milton!

We did high school together.

Angel!

Here my name is Horace.

Orazio. I have to meet Paco, right away.

I have the minutes counted ... Horace.

Yes, come with me ... Hamlet.

- Was not that called Milton?
- Yes.

In high school he had put himself in the head
to represent Hamlet.

- In English he wanted to do it.
- A disaster!

That black cockroach
in our hands.

a killer of partisans,
a sadist.

But he's even more fool.

Convinced of being a drummer
specialized in jazz.

Now give some show. Look.

IMITES THE SOUND OF THE BATTERY

IMITES THE SOUND OF THE TRUMPET

(MILTON) Paco, that cockroach mio.

Paco?

- Paco!
- He does not hear you.

The explosion of a grenade
he deafened it.

If we shout, he hears us. Paco!

Milton! welcome to my home.

I know why you're here.

- I have the minutes counted, Paco.
- And no...

(URLA) I have the minutes counted!

for Giorgio, right?
No. No, I can not help you.

No, no, no, I do not hear reasons!
That cockroach is mine!

(PACO) But yes, but yes, it's yours,
a thousand times yours.

You do not need it.
His do not want it back.

We tried for a ransom.
"Keep it" they answered.

" a beast". It does not help anyone.

I'm sorry, Milton,
it's not even for you.

Sorry. Sorry!

IMITATION OF THE BATTERY SOUND

IMITATION OF THE BATTERY SOUND

IMITATION OF THE BATTERY SOUND

DISCOVERY OF MITRA

(MILTON) Concetta.

I knew you would come.

Look for the exchange for that boy
who had the misfortune this morning.

Giorgio, right?

Tomorrow I go down to the village to take
a cockroach with my hands.

But you must eat.

I have nothing to give you.

Like nothing? An egg!

A thousand calories.

You who are educated, tell me when it will end.

When we can say: over.

In May.

May.

Yes, after the winter.

May...

It's always been my month, Milton.

We went to dance in the village.

If you come down to the village
you need your clothes.

I have kept them well.

We bought it together
me and Giorgio.

I brown, he is in English.

And he immediately brushed.

I do not cross the ocean.
I have to leave, but I'll come back.

I have a father and a mother too
or do you think he does not have them?

S.

Fulvia, I can not see you,

to think of you, if not alone.

But the British will not bomb
this train?

The British only fly at night,
at the moment.

And anyway your trip
It's all in the gallery.

Not leave.

When I arrive at the villa
I want to find your letter,

I have to find it, do you understand me?

- What letter do you want?
- One of your letters.

You have such a way
to put out the words!

How will you start it? As?

The next one will start it
with: "Fulvia, splendor".

Splendor.

(MILTON) "Fulvia splendor,

I write you in the circle of light
of my blued light bulb,

like that of your train
in the gallery.

What I would give to watch you as you read
my translation of 'Stormy Peaks'.

I know this story mixes well
with your thoughts.

Yesterday you looked at me strangely.

You know you look like the protagonist,
you told me.

To that demon of Heathclift.

Maybe Fulvia, I would like it.

I would like you to shout my name

as she screams at Heathclift
in the heath.

Have a good trip, Fulvia.

But returns unchanged in May,
to the appointment with me and Giorgio. "

> (CONCETTA) The black pigs I will torture,

barrel will be barred
that beautiful face,

that nose.

> But maybe I have already killed.

> As we kill a rabbit.

INDIANT MILTON

What did you say?

I did not speak.

You spoke, yes.

I do not think so.

Did you say something...

that you are not good.

SHOOTING

PAIN OF PAIN

SHOOTING

SHOOTING

RUSTOCCHI DI CAMPANE

00:59:17,001
But you are a partisan ...
I know you.

Talk to me, but without staring at me.

- Watch for air.
- Yes.

(MILTON) Actually no, he works.

How many fascists are there?

For what I saw not many,
five or six.

But you, why are you here, so in plain clothes?

I'm waiting for a fascist
I happen to shoot,

but not to kill him, I need him alive.

- Those are fine just dead.
- No!

No, I have to exchange it
with a friend of mine.

- Your partner?
- Yes, they got it yesterday.

Poor fellow.

But you're careful, eh?

The fascist patrols arrive
that you do not expect.

Stay away.

Wait up!

S! I know where the fascist is
that you're looking for is a sergeant.

- Do not look at me! Raise your eyes!
- Of course I look up!

Do you hear them?

Come, come.

(CONTADINA) Do you hear them?

Come.

Dear, beautiful.

You are more than a thousand.

Benedetti.

Go to Germany,

find them Nazis,

Bomb them, kill them all.

Why go to Germany, right?

Careful, those two are watching us.

Hide behind.

Plan.

The sergeant goes to the teacher,

that at school and in piazza squeaking
that the partisans should be roasted.

- When are you going?
- After the 13:00 ration.

Where is it?

Just outside the village,
There's a house down there, that.

If you hide well, they will not find you.

Those are like two dogs
always in heat.

Cross your hands behind your neck,
behind the back of the head!

Walk.

Walk, do not slip.
If you slide, I'll shoot you.

Walk!

Do not turn around, do not turn around!

I want to exchange you with a friend of mine
in the hands of your comrades.

- Can you hear me?
- Yes.

If you force me to shoot you
you will have committed suicide.

(MILTON) What are you looking at?

Do not hope for your patrol
because if I see one I'll kill you.

- I got it?
- Yes, yes.

- Say something else!
- Yes.

(MILTON) Yes? If you say "s" again
I shoot you.

(SERGENTE) S .

Walk!

I will not kill you, do you understand?

I need you alive!

And say something!

- What do you want me to tell you?
- I can not hear you!

- (URLA) But what do you want me to say?
- Walk.

How many peasants have you shot?

Never, I've never shot anyone!

How many children?

If we do not have time to exchange you,
if they shoot my friend,

you're dead too, dead!

- What's your name?
- Alaric.

(MILTON) Where are you from?

Brescia.

(MILTON) What were you doing in your life?
student?

But no.

- Can I lower my hands now?
- No!

(MILTON) Do you see that hill there?

There is one of our garrison.

There are two of my companions,
you killed his brothers.

Those, if they see you,
they will want to eat your heart.

(MILTON) Better get away from here.

(MILTON) We're halfway there.

Tomorrow at noon you will be free.

Even Giorgio, finally.

CRIES

Now it's our turn.
Bellini and Riccio in the yard!

Bellini is out with the comrades
of slaughterhouse service.

There's only Riccio, I'm going to get?

I agree to avenge Rozzoni,

that pimp, let alone
if I do not want to avenge.

But on a true partisan,
on a real partisan bastard,

not on two guys
that only the messengers were doing.

There's nothing to do.

Hedgehog where?

At the showers.

He and Bellini thought about playing.

There's nothing to do.

An order of the commander.

So we shoot the population
He knows that we do not forgive.

I am in these parts, understand?

I know them, I know their families.

There's nothing to do.

Call him.

Hedgehog, in the yard.

You must listen to me.

Yes, you have to leave.

To die?

They killed one of our own.

Rozzoni, he killed one
of yours on the hill opposite.

I know, I also helped you clean it.

In these months I thought I was
behaved well,

I rambled,
I cleaned everyone's boots.

For when would it be?

Immediately.

And ... Do you only do to me? AI Bellini no?

No, even to Bellini.

Povero Bellini.

Wait for him!

So we are together.

Come on.

Courage.

I want to see my mother.

I'm just a kid, you know,
I have not done anything!

I want to see mom, please
I was a relay ...

I did nothing. Please,
Please do not ... do not kill me.

Please. Please do not kill me.

Mom, you come that they kill me!

Leave me, leave me!

I go there alone,
but you do not put your hands on me!

Bet.

SHOOTING

Milton.

You go away, the cockroaches
they started raking.

I think that Giorgio will "scrounge" alone,
if they did not do it to them.

No, first they do the process,
a student he, a fish up.

You can not do anything anymore, Milton, where
are you going to look for? Now it is useless.

The command orders to go up immediately
to the Rosselli garrison. Immediately!

Get up Milton, you can not stay here.

Where are you going, Milton?

- At the villa.
- There's no time.

Stop.

I have to talk to the caretaker.

Yes, because ...

if I had misinterpreted his words?

He said so many, even malicious.

Sorry, Ivan, it's the brain.

The last words he said
those I do not have to forget:

"not that they did ...
not that they did harm ".

"They did not hurt".

All of me must repeat, one by one.

Stop.

Careful.

Milton!

Milton!

SHOOTING

SHOOTING

SHOOTING

In the head! Shoot me in the head!

In the head!

In the head!

But when does it arrive?

When it arrives?

If you do not me you do me I do
alone. Me I do alone.

SPLIT IN LUNA

I know you're undermined. Help me.

Come on, jump.

Jump!

SHOOTING

Stop! The bridge is mined,
do not get close!

Cut me apart. Help me!

Cut me to pieces, come on!

SHOOTING

I'm alive, Fulvia.

At times you killed me.