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♪ ("COLD LITTLE HEART"
BY MICHAEL KIWANUKA PLAYS) ♪
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I'm trying to decide
whether I'm happy or sad.
3
00:00:09,208 --> 00:00:11,041
BONNIE CARLSON: None of us
really see things as they are.
4
00:00:11,124 --> 00:00:12,375
We see things as we are.
5
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MADELEINE MACKENZIE:
This is Jane Chapman.
She's new here.
6
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-Hi.
-Welcome!
7
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You're... so nice.
8
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This is Monterey.
We pound people with nice.
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-(CHUCKLES)
-To death.
10
00:00:24,958 --> 00:00:26,792
-(CAMERAS CLICK)
-♪ (DRAMATIC MUSIC PLAYS) ♪
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00:00:26,875 --> 00:00:29,166
An autopsy
is still being conducted
12
00:00:29,249 --> 00:00:31,625
to ascertain
the exact cause of death.
13
00:00:32,291 --> 00:00:34,958
The injuries were many,
and they were severe.
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We're talking
multiple broken bones.
15
00:00:37,625 --> 00:00:39,917
There's clearly a lot
of bad blood in this community.
16
00:00:40,833 --> 00:00:43,124
Someone hurt Amabella.
17
00:00:43,375 --> 00:00:44,667
This could get ugly.
18
00:00:44,750 --> 00:00:46,500
Ticking bomb.
I'll leave it at that.
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00:00:46,583 --> 00:00:47,792
You're dead in this town.
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00:00:49,249 --> 00:00:52,291
So I take it that Ziggy's father
isn't exactly a good guy.
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00:00:52,625 --> 00:00:53,583
Where is he?
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00:00:54,291 --> 00:00:55,917
No, I know
that I'll never be over it.
23
00:00:57,375 --> 00:00:58,708
Something had to be wrong.
24
00:00:58,792 --> 00:01:01,124
We have this... dirty secret.
25
00:01:02,458 --> 00:01:04,166
When are you gonna leave him,
Celeste?
26
00:01:05,291 --> 00:01:06,792
RENATA KLEIN:
I'm now one of those people
27
00:01:06,875 --> 00:01:09,291
I swore I would never
turn myself into.
28
00:01:09,375 --> 00:01:11,166
She can't just let us
all get along--
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(YELLING) I said, "Thank you!"
30
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You don't want anyone
getting hurt, do we?
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-You threatening me?
-JANE CHAPMAN: They bully.
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It's human nature.
They grow out of it.
33
00:01:19,792 --> 00:01:21,249
Sometimes, they don't.
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00:01:22,458 --> 00:01:24,291
MADELEINE:
Sometimes, I'm just holding onto
35
00:01:24,375 --> 00:01:26,750
this idea of perfection
so tight,
36
00:01:26,833 --> 00:01:27,833
something has to give.
37
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-(GASPS)
-(TIRES SCREECH)
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(WHISPERING)
We all do bad things sometimes.
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00:01:32,500 --> 00:01:34,541
♪ (MUSIC SLOWLY INTENSIFIES) ♪
40
00:01:48,792 --> 00:01:49,792
(SCREAMS)
41
00:01:57,875 --> 00:02:01,208
♪ ("COLD LITTLE HEART"
BY MICHAEL KIWANUKA PLAYING) ♪
42
00:02:16,708 --> 00:02:18,999
♪ Did you ever want it? ♪
43
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♪ Did you want it bad? ♪
44
00:02:23,583 --> 00:02:25,375
♪ Oh, my ♪
45
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♪It tears me apart ♪
46
00:02:34,208 --> 00:02:36,375
♪ We can try to hide it ♪
47
00:02:38,458 --> 00:02:41,166
♪ It's all the same ♪
48
00:02:41,249 --> 00:02:44,041
♪ I've been losing you ♪
49
00:02:45,416 --> 00:02:47,750
♪ One day at a time ♪
50
00:02:50,208 --> 00:02:51,500
♪ And I know ♪
51
00:02:51,583 --> 00:02:55,999
♪ In my heart
In this cold heart ♪
52
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♪ I can live or I can die ♪
53
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♪ I believe if I just try ♪
54
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♪ You believe in you and I ♪
55
00:03:12,333 --> 00:03:15,249
♪ In you and I ♪
56
00:03:16,667 --> 00:03:20,124
♪ In you and I ♪
57
00:03:21,124 --> 00:03:23,958
♪ In you and I ♪
58
00:03:24,750 --> 00:03:26,583
♪ (MUSIC ENDS) ♪
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(WAVES CRASHING)
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(WAVES CRASHING)
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(HEART BEATING)
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(BEATING SPEEDS UP)
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MARY LOUISE WRIGHT:
Celeste. Celeste!
64
00:04:48,333 --> 00:04:49,708
(CELESTE WRIGHT SCREAMS)
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(PANTING) Oh my God.
66
00:04:53,291 --> 00:04:55,541
(SIGHS) I just...
67
00:04:56,750 --> 00:04:58,041
I was having a nightmare.
68
00:04:58,124 --> 00:04:59,792
Oh. Shouldn't they be awake?
69
00:04:59,875 --> 00:05:02,750
CELESTE: Oh my god. Oh...
70
00:05:02,833 --> 00:05:05,875
Yeah. Josh. Max. Up we go.
We overslept.
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00:05:05,958 --> 00:05:07,708
C'mon, c'mon, c'mon. Let's go.
We're in a rush.
72
00:05:07,792 --> 00:05:10,124
-MARY LOUISE: Come on, soldiers.
-CELESTE: Quick, quick, quick.
73
00:05:10,208 --> 00:05:12,249
-Morning, Grandma.
-CELESTE: Protein bar breakfast
74
00:05:12,333 --> 00:05:13,458
in the car.
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00:05:13,541 --> 00:05:15,583
(CHUCKLES) Your favorite.
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00:05:15,667 --> 00:05:18,291
MARY LOUISE: I have to go
to town. I can drop you off.
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Oh... Thanks, Mary Louise.
78
00:05:25,875 --> 00:05:27,249
What was it about?
79
00:05:28,375 --> 00:05:29,500
Your nightmare.
80
00:05:29,583 --> 00:05:31,416
Oh, it was stupid.
81
00:05:32,500 --> 00:05:33,750
Nothing, really.
82
00:05:35,583 --> 00:05:36,792
You said "rape."
83
00:05:38,416 --> 00:05:39,416
What?
84
00:05:40,375 --> 00:05:41,625
Something about a rape.
85
00:05:45,875 --> 00:05:46,833
Huh.
86
00:05:46,917 --> 00:05:48,750
-(FAINT BUZZING)
-(SIGHS)
87
00:05:54,124 --> 00:05:56,041
Can I have some water, please?
88
00:05:59,958 --> 00:06:01,166
(SNIFFLES)
89
00:06:01,249 --> 00:06:02,375
(SIGHS)
90
00:06:04,333 --> 00:06:07,249
-(BUZZING CONTINUES)
-(EXHALES)
91
00:06:10,541 --> 00:06:12,833
♪ And I don't give a damn
About my reputation ♪
92
00:06:12,917 --> 00:06:15,124
♪ ("BAD REPUTATION"
BY JOAN JETT PLAYS) ♪
93
00:06:15,208 --> 00:06:18,291
♪ Never said I wanted
To improve my station ♪
94
00:06:19,792 --> 00:06:22,166
♪ And I'm only doin' good
When I'm havin' fun ♪
95
00:06:22,249 --> 00:06:24,208
♪ And I don't have
To please no one ♪
96
00:06:24,291 --> 00:06:27,583
♪ And I don't give a damn
'Bout my bad reputation ♪
97
00:06:29,124 --> 00:06:30,999
-♪ Oh, no ♪
-♪ No, no, no, no, no, no ♪
98
00:06:31,083 --> 00:06:33,208
Okay, I'm putting this
in your small pocket, okay?
99
00:06:33,291 --> 00:06:34,958
ZIGGY: Yep.
100
00:06:35,041 --> 00:06:36,333
♪ ...My reputation ♪
-(SINGING) ♪ Reputation ♪
101
00:06:36,416 --> 00:06:37,375
(YELLING) First day of school!
102
00:06:37,458 --> 00:06:38,875
(SEAGULLS SQUAWK)
103
00:06:38,958 --> 00:06:40,958
JOSH WRIGHT:
Stop! Hey, Max, you idiot!
104
00:06:41,041 --> 00:06:43,041
Hey, hey, boys come on.
Keep it down, would you?
105
00:06:43,124 --> 00:06:44,333
I can't hear myself think.
106
00:06:44,416 --> 00:06:45,708
MAX WRIGHT:
Then just don't think, Mom.
107
00:06:45,792 --> 00:06:47,333
-JOSH: Give it back, you idiot!
-Hey!
108
00:06:47,416 --> 00:06:48,667
-Stop!
-Give it back!
109
00:06:48,750 --> 00:06:50,416
MARY LOUISE: (YELLING) Hey!
Quiet!
110
00:06:54,166 --> 00:06:55,333
Fine young men
111
00:06:55,416 --> 00:06:57,583
don't suddenly
become fine young men
112
00:06:57,667 --> 00:06:59,917
all of sudden in a whoosh,
you know.
113
00:06:59,999 --> 00:07:01,124
(CLEARS THROAT)
114
00:07:01,208 --> 00:07:03,291
It starts with being
fine young boys.
115
00:07:03,375 --> 00:07:05,750
And part of being
a fine young boy
116
00:07:05,833 --> 00:07:08,166
is listening
and respecting your mother.
117
00:07:08,999 --> 00:07:10,625
She works so hard for you.
118
00:07:10,708 --> 00:07:13,041
That's why the sun shines
on her so.
119
00:07:15,124 --> 00:07:16,333
Thank you, Mary Louise.
120
00:07:21,833 --> 00:07:23,249
MADELINE MACKENZIE:
I have two showings,
121
00:07:23,333 --> 00:07:24,792
I have
Abigail's college advisor,
122
00:07:24,875 --> 00:07:26,124
not to mention
all this scrutiny.
123
00:07:26,208 --> 00:07:27,999
-It's just gonna be a day.
-What scrutiny?
124
00:07:28,083 --> 00:07:29,792
MADELINE: Ed, this is
the first day of school.
125
00:07:29,875 --> 00:07:32,583
We have to earn our
good-mom badges all over again.
126
00:07:32,667 --> 00:07:34,458
"Has she gotten fatter
over the summer?
127
00:07:34,541 --> 00:07:37,166
Does she look older?"
These questions get asked, Ed,
128
00:07:37,249 --> 00:07:39,416
and we all get judged
all over again.
129
00:07:39,500 --> 00:07:41,625
It's a complete double standard
'cause if a dad shows up,
130
00:07:41,708 --> 00:07:43,208
they're like,
"Wow, there's a dad here.
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00:07:43,291 --> 00:07:45,375
He's involved."
But with the moms...
132
00:07:45,458 --> 00:07:47,375
(SCOFFS)
it just makes me wanna blow.
133
00:07:47,458 --> 00:07:48,625
CHLOE MACKENZIE: Boom!
134
00:07:48,708 --> 00:07:50,792
MADELINE: Oh my god.
Chloe. Goddammit!
135
00:07:50,875 --> 00:07:53,291
-(CROSSING GUARD BLOWS WHISTLE)
-Just right there.
I need to get right there.
136
00:07:53,375 --> 00:07:54,333
-Chloe--
-(HONKS HORN)
137
00:07:54,416 --> 00:07:55,583
Could you please turn it down?
138
00:07:55,667 --> 00:07:56,999
Let second grade begin.
139
00:07:57,083 --> 00:07:58,792
♪ ("I'LL BE AROUND"
BY THE SPINNERS PLAYS) ♪
140
00:07:58,875 --> 00:08:02,999
♪ This is our bump in the road
141
00:08:03,083 --> 00:08:05,999
♪ Love's last episode ♪
142
00:08:07,667 --> 00:08:11,208
♪ There's nowhere to go ♪
143
00:08:11,291 --> 00:08:12,667
♪ Oh no ♪
144
00:08:12,750 --> 00:08:14,875
♪ You made your choice ♪
145
00:08:16,041 --> 00:08:19,166
♪ Now it's up to me ♪
146
00:08:20,375 --> 00:08:24,500
♪ To bow out gracefully ♪
147
00:08:24,583 --> 00:08:27,500
♪ Though you hold the key ♪
148
00:08:27,583 --> 00:08:29,500
♪ But, baby ♪
149
00:08:29,583 --> 00:08:33,999
♪ Whenever you call me
I'll be there ♪
150
00:08:34,083 --> 00:08:38,333
♪ Whenever you want me
I'll be there ♪
151
00:08:38,416 --> 00:08:42,166
♪ Whenever you need me
I'll be there ♪
152
00:08:42,249 --> 00:08:44,500
-(BELL RINGS)
-Welcome back to our wonderful,
153
00:08:44,583 --> 00:08:46,124
wonderful Otter Bay.
154
00:08:46,208 --> 00:08:48,249
Gosh, I always so love
the sound of that.
155
00:08:48,333 --> 00:08:50,124
Let's all say that together,
shall we?
156
00:08:50,208 --> 00:08:53,124
ALL:
Wonderful, wonderful Otter Bay.
157
00:08:53,208 --> 00:08:55,458
-Here we go. Now, gang...
-♪ (PIANO BEGINS JAUNTY TUNE) ♪
158
00:08:55,541 --> 00:08:57,917
since we ask our children
to sing this song every year,
159
00:08:57,999 --> 00:09:00,249
I think it's high time
we sing it with them,
160
00:09:00,333 --> 00:09:02,708
so everybody let out
their inner otter,
161
00:09:02,792 --> 00:09:04,667
and sing along.
162
00:09:04,750 --> 00:09:06,291
ALL: (SINGING) ♪ Otter Bay ♪
163
00:09:06,375 --> 00:09:08,667
♪ Otter Bay, it's the best plac
Of them all ♪
164
00:09:08,750 --> 00:09:11,625
Very impressive. We're in
the key of F, Madeline.
165
00:09:11,708 --> 00:09:13,333
ALL: (SINGING)
♪ To start our day ♪
166
00:09:13,416 --> 00:09:15,375
♪ When we rise up with a snort
167
00:09:15,458 --> 00:09:16,667
(SNORTING)
168
00:09:16,750 --> 00:09:20,124
♪ With dance and song
And sport ♪
169
00:09:20,208 --> 00:09:21,667
(SNORTING)
170
00:09:21,750 --> 00:09:27,083
♪ Oh, to be a little otter
In the bay ♪
171
00:09:27,166 --> 00:09:30,833
Yes! Oh, you got my otter heart
going! Thank you!
172
00:09:31,792 --> 00:09:33,833
Warren. (CHUCKLES)
173
00:09:33,917 --> 00:09:36,166
Really pushing the school spirit
this year, aren't you?
174
00:09:36,249 --> 00:09:38,124
Well, it's my otter blood,
Madeline.
175
00:09:38,208 --> 00:09:40,792
-Hi, Madeline Martha Mackenzie.
-Lisa Coolidge.
176
00:09:40,875 --> 00:09:42,583
Anyway, it was
a beautiful service, Warren.
177
00:09:42,667 --> 00:09:44,333
WARREN NIPPAL: (LAUGHS)
Well, thank you, Madeline,
178
00:09:44,416 --> 00:09:46,249
I like to think of it more
as an assembly.
179
00:09:46,333 --> 00:09:48,583
A service
is for when someone dies,
180
00:09:48,667 --> 00:09:50,583
you know,
like a school fundraiser.
181
00:09:50,667 --> 00:09:52,792
You're not seriously
gonna go there, are you?
182
00:09:52,875 --> 00:09:54,750
My hope is that
you don't go there, Madeline.
183
00:09:54,833 --> 00:09:56,999
Now, let's remember
a lot of last year's mishigas
184
00:09:57,083 --> 00:09:59,041
were lovingly stirred up by you.
185
00:10:00,166 --> 00:10:01,708
MELISSA:
Anybody want a red velvet?
186
00:10:01,792 --> 00:10:03,792
-Melissa!
-Cupcake?
187
00:10:03,875 --> 00:10:05,792
MADELINE: I'll take one
for each thigh.
188
00:10:05,875 --> 00:10:07,249
MELISSA: Absolutely.
189
00:10:07,333 --> 00:10:08,958
I don't even like to chew.
I just shove 'em down.
190
00:10:09,041 --> 00:10:11,833
Maybe you can give one to Warren
so he can shove it too.
191
00:10:11,917 --> 00:10:15,041
WARREN: (CHUCKLES)
And we're off.
192
00:10:15,124 --> 00:10:17,124
-MADELINE: Bonnie.
-It's a classy crop of moms,
193
00:10:17,208 --> 00:10:19,249
these ones. Those gluten-free?
194
00:10:19,333 --> 00:10:20,708
MADELINE: Tahoe was good?
195
00:10:20,792 --> 00:10:23,249
Uh, yeah, it was good.
Nathan caught a lot of fish.
196
00:10:23,333 --> 00:10:25,166
Wow.
197
00:10:25,249 --> 00:10:27,333
BONNIE CARLSON:
And I hear you're selling houses
like crazy. That's very cool.
198
00:10:27,416 --> 00:10:29,166
Oh my gosh, in Monterey,
it is like printing money.
199
00:10:29,249 --> 00:10:30,875
I should have done this
years ago.
200
00:10:32,416 --> 00:10:34,083
-I'm gonna go find Skye.
-Okay.
201
00:10:36,083 --> 00:10:38,083
Okay. Are you two fighting?
202
00:10:38,166 --> 00:10:40,625
Uh, no.
Actually, I almost wish we were.
203
00:10:40,708 --> 00:10:45,083
No, she's... she's been acting
like that for a while now.
204
00:10:45,166 --> 00:10:46,541
Acting like what?
205
00:10:47,625 --> 00:10:49,792
Shut down. Like, withdrawn.
206
00:10:49,875 --> 00:10:52,083
Oh, you mean
you're not having sex.
207
00:10:52,166 --> 00:10:54,124
Okay, don't forget
that Abigail has
208
00:10:54,208 --> 00:10:56,083
-her college counselor meeting
at 2:00 p.m.
-Yeah, yeah, I got your--
209
00:10:56,166 --> 00:10:57,667
I got your emails.
Six of them this morning.
210
00:10:57,750 --> 00:10:59,958
-Good. Thank you.
-This is her future, Nathan.
211
00:11:00,041 --> 00:11:01,833
Nice to be back.
212
00:11:01,917 --> 00:11:03,500
I'm told that my daughter,
Amabella,
213
00:11:03,583 --> 00:11:06,083
is going to be in your class.
So exciting.
214
00:11:06,166 --> 00:11:07,500
Yes, very nice to meet you.
215
00:11:07,583 --> 00:11:11,958
Um, she has an IQ of 152.
Genius level, right.
216
00:11:12,041 --> 00:11:14,249
That's a very high number.
Life's about give and take.
217
00:11:14,333 --> 00:11:16,375
I expect you to take care
of my daughter.
218
00:11:16,458 --> 00:11:19,083
Pay special attention.
And, again, welcome.
219
00:11:20,375 --> 00:11:23,375
Um, oh, oh, oh. (CHUCKLES)
And...
220
00:11:23,458 --> 00:11:25,958
my Amabella was bullied
last year.
221
00:11:26,041 --> 00:11:28,917
I mean, in like,
biting and choking.
222
00:11:28,999 --> 00:11:32,208
So, we're gonna make sure
that doesn't happen again.
223
00:11:32,291 --> 00:11:34,833
-(BAND PLAYS)
-RENATA KLEIN: Oh.
224
00:11:34,917 --> 00:11:37,083
Oops. Sorry.
225
00:11:37,166 --> 00:11:38,500
Sorry.
226
00:11:38,583 --> 00:11:40,416
Here's my problem
with the whole meditation thing.
227
00:11:40,500 --> 00:11:41,875
It's like you shut out
the world,
228
00:11:41,958 --> 00:11:43,249
but you also shut out
your friends,
229
00:11:43,333 --> 00:11:44,792
which is a little bit weird.
230
00:11:44,875 --> 00:11:47,583
And also, does she look funny?
Something's not right.
231
00:11:47,667 --> 00:11:49,458
-Are you talking about Bonnie?
-Uh-huh.
232
00:11:50,958 --> 00:11:54,458
Like, she's off. But she was off
before she went to Tahoe.
233
00:11:54,541 --> 00:11:55,708
Unplugged is one thing,
234
00:11:55,792 --> 00:11:57,667
but unhinged
is a total other thing.
235
00:11:57,750 --> 00:11:59,958
-(HORN BLARES)
-Hey! Asshole! Hey!
236
00:12:00,041 --> 00:12:01,875
-Oh, hon.
-Why are you cutting me off?
237
00:12:01,958 --> 00:12:04,166
-Honey. The horn. The horn.
-Dick! I just think we--
238
00:12:04,249 --> 00:12:05,249
Oh, yeah, sorry.
239
00:12:05,333 --> 00:12:07,041
Once I lean in,
you know how I am.
240
00:12:07,124 --> 00:12:09,208
-CELESTE: Indeed.
-I think we need to talk to her
241
00:12:09,291 --> 00:12:10,708
and see where her head is at.
242
00:12:10,792 --> 00:12:13,375
-CELESTE: Do you?
-Do you want to get a coffee?
243
00:12:13,458 --> 00:12:15,500
By the way, did you see Renata
244
00:12:15,583 --> 00:12:17,708
getting up
that new teacher's ass?
245
00:12:17,792 --> 00:12:19,917
I thought she was gonna have
to pull out her snorkel.
246
00:12:19,999 --> 00:12:22,083
CELESTE: Easy. I'm gonna go
to the ladies' room;
247
00:12:22,166 --> 00:12:25,208
-can you get me an Americano?
-MADELINE: Will do.
248
00:12:25,291 --> 00:12:27,041
-Hey, Bruna.
-BRUNA: Hey, Madeline.
249
00:12:27,124 --> 00:12:28,875
MADELINE: Wow, do you sell weed?
It smells like weed over here.
250
00:12:28,958 --> 00:12:30,875
-Keep the change.
-BRUNA: Thank you so much.
251
00:12:30,999 --> 00:12:32,667
-Can I get an Americano
-(DISTANT CHATTER)
252
00:12:32,750 --> 00:12:34,249
and a bran muffin?
253
00:12:34,333 --> 00:12:36,500
-...that's a thing?
-MADELINE: Mary Louise?
254
00:12:38,458 --> 00:12:39,917
-Hi. Madeline.
-MARY LOUISE: Hi.
255
00:12:39,999 --> 00:12:41,500
-Madeline!
-Yes.
256
00:12:41,583 --> 00:12:43,416
-So nice to see you again.
-I'm Celeste's friend. Yes.
257
00:12:43,500 --> 00:12:44,750
How have you been?
258
00:12:44,833 --> 00:12:46,833
Good, good. The kids are good.
How are you?
259
00:12:46,917 --> 00:12:48,375
I can't complain.
260
00:12:49,667 --> 00:12:50,999
Actually, I can.
261
00:12:54,416 --> 00:12:55,625
My son is dead.
262
00:12:58,500 --> 00:13:01,375
But Celeste tells me that
you continue to be so helpful
263
00:13:01,458 --> 00:13:03,166
with her and the boys and...
264
00:13:03,249 --> 00:13:05,208
She should just get
a proper housekeeper.
265
00:13:05,291 --> 00:13:07,708
-You're very short.
-(SCOFFS) Excuse me?
266
00:13:07,792 --> 00:13:09,583
I don't mean it
in a negative way.
267
00:13:09,667 --> 00:13:10,875
MADELINE: Oh. (CHUCKLES)
268
00:13:11,833 --> 00:13:13,500
Maybe I do.
269
00:13:13,583 --> 00:13:18,375
I find little people to be
untrustworthy.
270
00:13:18,458 --> 00:13:21,500
(CHUCKLES) My apologies.
It's just that I'm...
271
00:13:22,792 --> 00:13:25,541
I pride myself on being
a very good judge of character,
272
00:13:25,625 --> 00:13:29,291
but you have always presented
such a difficult read.
273
00:13:29,375 --> 00:13:33,041
You know,
you seem like a nice person.
274
00:13:33,124 --> 00:13:37,625
Loving. But also,
you strike me as a wanter.
275
00:13:37,708 --> 00:13:39,792
-A-- A wanter?
-Mm.
276
00:13:39,875 --> 00:13:41,333
You know...
277
00:13:41,416 --> 00:13:44,625
there are people in-- in life
who content themselves
278
00:13:44,708 --> 00:13:46,708
with what they have,
and then there are others
279
00:13:46,792 --> 00:13:50,375
who just... just want.
280
00:13:52,249 --> 00:13:53,500
I'm not a wanter.
281
00:13:53,583 --> 00:13:55,083
Oh, you don't have to take it
personally.
282
00:13:55,166 --> 00:13:56,917
Anyway, I'm a wanter myself.
283
00:13:58,375 --> 00:14:01,750
You know what I want?
I want Perry back.
284
00:14:01,833 --> 00:14:03,999
I wanna know what happened
that night.
285
00:14:04,083 --> 00:14:06,958
And I-- I'm very tempted
to ask you,
286
00:14:07,041 --> 00:14:09,792
but I doubt I would get
the, uh...
287
00:14:09,875 --> 00:14:11,291
the truth, would I?
288
00:14:13,833 --> 00:14:16,041
Your son lost his balance
and he fell.
289
00:14:16,124 --> 00:14:19,166
Yes, that seems to be
the company line.
290
00:14:19,249 --> 00:14:21,833
Depending on whose company
you keep.
291
00:14:21,917 --> 00:14:23,458
Mary Louise.
292
00:14:23,541 --> 00:14:26,583
Madeline and I were just...
talking.
293
00:14:27,750 --> 00:14:29,124
MADELINE:
What the hell was that?
294
00:14:29,208 --> 00:14:30,833
That was a very strong position.
295
00:14:30,917 --> 00:14:32,375
And I didn't like it!
296
00:14:33,291 --> 00:14:34,625
Welcome to my life.
297
00:14:41,291 --> 00:14:42,750
-(CARTS CRASH)
-Sorry.
298
00:14:43,458 --> 00:14:45,458
Whoa. Hi!
299
00:14:46,625 --> 00:14:47,792
Tori.
300
00:14:47,875 --> 00:14:49,958
Sorry, I didn't recognize you
at first.
301
00:14:50,041 --> 00:14:52,792
Yeah, I had my breasts done.
302
00:14:54,333 --> 00:14:55,500
Oh.
303
00:14:55,583 --> 00:14:57,041
Yeah, it's fabulous.
304
00:14:57,124 --> 00:14:58,833
I always felt a little
self-conscious, you know.
305
00:15:00,917 --> 00:15:02,208
About your breasts?
306
00:15:02,291 --> 00:15:03,625
-My nose.
-Oh.
307
00:15:03,708 --> 00:15:06,416
Now, nobody notices it so much.
308
00:15:06,500 --> 00:15:10,625
Everybody notices these though.
And that pisses Joseph off.
309
00:15:11,958 --> 00:15:13,458
So... uh...
310
00:15:13,541 --> 00:15:15,625
Well, I'll see you around.
311
00:15:17,875 --> 00:15:19,083
(CHUCKLES)
312
00:15:19,166 --> 00:15:22,249
(MAN TALKING INDISTINCTLY
ON LOUDSPEAKER)
313
00:15:22,333 --> 00:15:24,500
DR. AMANDA REISMAN:
How long does she plan to stay?
314
00:15:24,583 --> 00:15:25,833
Well, she comes and goes.
315
00:15:25,917 --> 00:15:27,875
It's a short hop
from San Francisco.
316
00:15:29,208 --> 00:15:30,999
She's been...
317
00:15:31,083 --> 00:15:33,833
-a really big help.
-Mm-hmm.
318
00:15:33,917 --> 00:15:35,792
I mean, I'd be lost without her.
319
00:15:37,792 --> 00:15:39,166
So what brings you?
320
00:15:39,249 --> 00:15:40,541
It's been a while.
321
00:15:41,792 --> 00:15:42,833
(CHUCKLES)
322
00:15:45,667 --> 00:15:46,917
(SIGHS)
323
00:15:46,999 --> 00:15:50,999
I've had some nightmares
starting up of late that, um...
324
00:15:52,124 --> 00:15:53,208
I mean, may be triggered
325
00:15:53,291 --> 00:15:54,917
by the beginning
of the school year.
326
00:15:54,999 --> 00:15:56,375
I think I still...
327
00:15:56,458 --> 00:15:59,541
-associate that place with...
-How could you not?
328
00:16:05,041 --> 00:16:06,333
Last night was...
329
00:16:07,625 --> 00:16:09,333
It was a beauty.
330
00:16:12,792 --> 00:16:17,875
Perry and I were in...
the in-vitro facility, and...
331
00:16:19,875 --> 00:16:24,999
it was all so sweet, and--
and suddenly, I...
332
00:16:26,792 --> 00:16:30,124
I turned into a monster.
333
00:16:30,208 --> 00:16:33,708
I was strangling him.
I was lifting him up, and I--
334
00:16:33,792 --> 00:16:34,999
I-- (SIGHS)
335
00:16:36,875 --> 00:16:40,166
It was... beyond disturbing,
and I-- I...
336
00:16:43,249 --> 00:16:44,750
a little exhilarating.
337
00:16:45,750 --> 00:16:46,875
Hmm...
338
00:16:48,416 --> 00:16:51,124
Is that-- Do you see yourself
as a monster?
339
00:16:53,625 --> 00:16:55,249
I guess I still feel...
340
00:16:58,416 --> 00:17:00,583
-responsible.
-For...?
341
00:17:03,291 --> 00:17:05,166
For the accident.
342
00:17:05,249 --> 00:17:07,375
I mean, if I'd left him
when I should have--
343
00:17:07,458 --> 00:17:09,541
We should have
never been together that night,
344
00:17:09,625 --> 00:17:10,999
and he might still be alive.
345
00:17:11,083 --> 00:17:13,999
That I chose that night
of all nights to leave him
346
00:17:14,083 --> 00:17:15,541
and to tell him and...
347
00:17:20,083 --> 00:17:23,208
Even in death,
his message lives on.
348
00:17:23,291 --> 00:17:25,291
-What message?
-That you're to blame.
349
00:17:26,166 --> 00:17:28,291
You're always to blame.
350
00:17:31,958 --> 00:17:33,166
You're not.
351
00:17:40,458 --> 00:17:43,041
-Are you getting out?
-(SCOFFS)
352
00:17:43,124 --> 00:17:45,583
-Are you seeing anyone?
-No.
353
00:17:45,667 --> 00:17:48,333
That part of me is still dead,
I suppose.
354
00:17:48,416 --> 00:17:51,083
First thing's first: get
the boys' lives back on track,
355
00:17:51,166 --> 00:17:52,375
that's the priority.
356
00:17:52,458 --> 00:17:54,124
Seeing their mom happy
could help there.
357
00:17:54,208 --> 00:17:56,541
So, you're saying for my life
to go on successfully,
358
00:17:56,625 --> 00:17:58,625
-I need to be with a man?
-No.
359
00:17:58,708 --> 00:18:00,792
But the freedom to be with one,
maybe.
360
00:18:02,625 --> 00:18:06,875
You're still married, Celeste,
and the husband is dead.
361
00:18:10,166 --> 00:18:11,958
(TALKING INDISTINCTLY)
362
00:18:12,041 --> 00:18:13,958
(PANTING)
363
00:18:26,416 --> 00:18:29,500
(PANTING)
364
00:18:31,249 --> 00:18:32,667
NATHAN CARLSON:
Where've you been?
365
00:18:33,667 --> 00:18:35,041
I told you I was running.
366
00:18:35,124 --> 00:18:37,291
That was like two hours ago,
I've been calling you.
367
00:18:37,999 --> 00:18:39,041
BONNIE: Sorry.
368
00:18:44,375 --> 00:18:45,750
Honey.
369
00:18:45,833 --> 00:18:47,249
I just thought it might be
that you hated Tahoe,
370
00:18:47,333 --> 00:18:48,541
but since we've been back...
371
00:18:50,875 --> 00:18:52,166
Come on.
372
00:18:52,249 --> 00:18:54,583
BONNIE: I need some space,
Nathan. I told you.
373
00:18:55,500 --> 00:18:56,999
Just let it be.
374
00:18:57,083 --> 00:18:59,625
JANE CHAPMAN: He's my favorite
in the whole aquarium.
375
00:18:59,708 --> 00:19:01,124
It's a red octopus, and watch.
376
00:19:01,208 --> 00:19:04,041
The closer he gets to the kelp,
he'll change his color
377
00:19:04,124 --> 00:19:06,375
so that he camouflages
with his environment.
378
00:19:06,458 --> 00:19:08,458
-CHILD: Cool.
-Look. You see him right now?
379
00:19:08,541 --> 00:19:10,416
-CHILD: Yeah.
-He's changing color.
380
00:19:10,500 --> 00:19:12,750
You guys want to know a fun fact
about octopus?
381
00:19:12,833 --> 00:19:14,625
-ALL: Yeah!
-It's kinda weird.
382
00:19:14,708 --> 00:19:16,750
-You can handle it?
-Yeah.
383
00:19:16,833 --> 00:19:19,458
Okay, females contain
deadly venom,
384
00:19:19,541 --> 00:19:22,083
and sometimes, they'll kill
and they'll eat the males
385
00:19:22,166 --> 00:19:25,958
-after they mate with them.
-CHILDREN: (GROAN) Ew!
386
00:19:26,041 --> 00:19:27,208
JANE: (CHUCKLES) I know.
387
00:19:27,291 --> 00:19:29,416
SARAH: Why is it
the prettier something is,
388
00:19:29,500 --> 00:19:32,833
the more dangerous?
Like with snakes and spiders.
389
00:19:32,917 --> 00:19:35,667
That's a great question. I wish
I knew the answer to that.
390
00:19:35,750 --> 00:19:37,625
-COREY BROCKFIELD:
One second, okay?
-You're so observant.
391
00:19:37,708 --> 00:19:40,166
Sometimes, pretty colors
are to give a fair warning
392
00:19:40,249 --> 00:19:43,750
so other animals know they need
to keep a safe distance.
393
00:19:43,833 --> 00:19:45,124
GIRL: Oh.
394
00:19:51,083 --> 00:19:52,124
There you go.
395
00:19:52,208 --> 00:19:54,750
(INDISTINCT CHATTER)
396
00:19:57,750 --> 00:19:58,875
NATHAN: How you doing?
397
00:19:59,875 --> 00:20:01,541
Good. You?
398
00:20:03,291 --> 00:20:05,583
Not really, no. Bonnie.
399
00:20:05,667 --> 00:20:08,166
I mean, she's gone missing
in mental action.
400
00:20:08,249 --> 00:20:10,124
The whole summer, truth be told.
401
00:20:11,124 --> 00:20:12,249
Hey, man, could I--
402
00:20:13,875 --> 00:20:15,708
could I ask you a big favor?
403
00:20:15,792 --> 00:20:17,500
Could you maybe take her out
to lunch?
404
00:20:18,667 --> 00:20:19,999
Um--
405
00:20:20,083 --> 00:20:21,750
Listen, you've always
been better to talking to women
406
00:20:21,833 --> 00:20:23,333
than I have and, you know,
you certainly got Madeline
407
00:20:23,416 --> 00:20:24,875
in a way I never could.
408
00:20:24,958 --> 00:20:26,833
I mean, I think you might be
able to get her to open up.
409
00:20:26,917 --> 00:20:28,458
You know,
you have your little way.
410
00:20:28,541 --> 00:20:30,208
All I'm getting is pushback
at every turn.
411
00:20:30,291 --> 00:20:32,124
I swear to God, if I signed up
for this bullshit,
412
00:20:32,208 --> 00:20:33,833
I'd still be with Maddie.
413
00:20:33,917 --> 00:20:36,792
-I mean-- I don't mean--
-Oh, no, no.
414
00:20:36,875 --> 00:20:39,792
Um, look, Nathan...
415
00:20:39,875 --> 00:20:42,083
I'm no expert on marriage
or anything.
416
00:20:42,166 --> 00:20:44,375
I mean, something tells me
if you're seeking out
417
00:20:44,458 --> 00:20:46,875
the husband of your ex-wife
to, like,
418
00:20:46,958 --> 00:20:50,166
lead the communication charge
with your new one...
419
00:20:53,333 --> 00:20:54,875
Why do you always have to be
so snide?
420
00:20:54,958 --> 00:20:56,833
-I don't mean to be snide.
-No, you don't mean to be,
421
00:20:56,917 --> 00:20:59,249
it just comes natural.
It's like you're a snide fuck.
422
00:20:59,333 --> 00:21:01,041
That's what you are.
You're a snide fuck.
423
00:21:01,124 --> 00:21:04,500
You know, Nathan, maybe instead
of just talking to Bonnie,
424
00:21:04,583 --> 00:21:06,917
you should embrace
some of her interests.
425
00:21:06,999 --> 00:21:08,375
-Her interests?
-Yeah.
426
00:21:08,458 --> 00:21:10,625
She won't even let me
embrace her.
427
00:21:10,708 --> 00:21:12,083
-Okay.
-Yeah, you're snide.
428
00:21:12,166 --> 00:21:13,667
-You're a snide fuck.
-What?
429
00:21:14,583 --> 00:21:15,917
-Whatever.
-Come on.
430
00:21:15,999 --> 00:21:17,750
Snide fuck.
431
00:21:17,833 --> 00:21:21,041
♪ ("WHAT BECOMES
OF THE BROKENHEARTED"
BY JIMMY RUFFIN PLAYS) ♪
432
00:21:21,124 --> 00:21:24,999
♪ As I walk this land
Of broken dreams ♪
433
00:21:25,083 --> 00:21:26,375
(PHONE RINGING)
434
00:21:26,458 --> 00:21:28,083
-♪ I have visions-- ♪ (CUTS OFF
-Hello.
435
00:21:28,166 --> 00:21:29,999
-JULIETTE: (OVER PHONE)
Mrs. Klein?
-Juliette.
436
00:21:30,083 --> 00:21:32,333
Hey, honey. I'm pulling in.
Can you--
437
00:21:32,416 --> 00:21:33,750
-(PHONE VIBRATING)
-can-- wait.
438
00:21:33,833 --> 00:21:35,750
Hold on one second. Hold on--
Hello?
439
00:21:35,833 --> 00:21:37,667
MADELINE: This is why
I talk about being nice.
440
00:21:37,750 --> 00:21:40,500
Hey. No, I can't--
441
00:21:40,583 --> 00:21:42,124
MADELINE: What do you think?
442
00:21:42,208 --> 00:21:43,667
MAN: I love the view.
443
00:21:43,750 --> 00:21:45,625
Oh, sorry, I'm on the phone.
444
00:21:45,708 --> 00:21:47,333
Yeah, I thought Tahoe
was supposed
445
00:21:47,416 --> 00:21:48,667
to be about decompression too,
446
00:21:48,750 --> 00:21:50,208
but she seems like
she's on Mars.
447
00:21:50,291 --> 00:21:52,541
-Maybe she's using.
-WOMAN: Excuse me.
448
00:21:52,625 --> 00:21:54,041
Yeah, just a second.
449
00:21:54,124 --> 00:21:55,458
And I am beating myself up
450
00:21:55,541 --> 00:21:57,041
that I told Jane
I liked her bangs.
451
00:21:57,124 --> 00:21:58,625
Can you get off the phone,
please?
452
00:21:58,708 --> 00:21:59,750
Hmm?
453
00:22:00,750 --> 00:22:02,333
Oh, let me call you back.
454
00:22:02,416 --> 00:22:04,249
♪ ("IT'S MY HOUSE"
BY DIANA ROSS PLAYS) ♪
455
00:22:04,333 --> 00:22:05,958
Yeah, what can I do for you?
456
00:22:06,041 --> 00:22:07,792
RENATA KLEIN:
I mean, I can't deny it.
457
00:22:07,875 --> 00:22:10,291
♪ It's my house
And I live here ♪
458
00:22:10,375 --> 00:22:12,625
JOEL: Good, right there.
459
00:22:12,708 --> 00:22:15,999
♪ It's my house
And I live here ♪
460
00:22:16,083 --> 00:22:19,875
Beautiful, come on down. Good.
Eyes up this way. Gorgeous.
461
00:22:19,958 --> 00:22:21,708
I'm so tired of those shots
of women.
462
00:22:21,792 --> 00:22:23,291
I mean, they're in power, right?
463
00:22:23,375 --> 00:22:26,124
They own banks and they're
all, like, demure. Bullshit.
464
00:22:27,750 --> 00:22:29,124
JOEL: Back to the ocean.
465
00:22:29,208 --> 00:22:30,750
GORDON KLEIN: What's all this?
466
00:22:30,833 --> 00:22:33,708
RENATA: Hey! The photoshoot.
Women in power.
467
00:22:33,792 --> 00:22:35,708
I thought they wanted just,
uh... office shots.
468
00:22:35,792 --> 00:22:39,625
No, um, they're doing house
and, uh, office.
469
00:22:40,500 --> 00:22:41,917
GORDON: You look nice.
470
00:22:41,999 --> 00:22:43,625
JOEL: Here we go. Look at me.
471
00:22:43,708 --> 00:22:45,541
♪ And I live here ♪
472
00:22:45,625 --> 00:22:47,375
(MINIATURE TRAIN WHISTLE BLOWS)
473
00:22:57,458 --> 00:23:00,458
♪ It's my house
And I live here ♪
474
00:23:01,375 --> 00:23:03,375
So she has a 3.8 GPA,
475
00:23:03,458 --> 00:23:06,917
and she has done charity work
with human trafficking.
476
00:23:06,999 --> 00:23:08,667
She also has an internship
coming up--
477
00:23:08,750 --> 00:23:10,875
Uh, Stanford has an admit rate
of under ten.
478
00:23:10,958 --> 00:23:12,541
Princeton and Williams
the same,
479
00:23:12,625 --> 00:23:14,291
and since she doesn't have
legacy going for her--
480
00:23:14,375 --> 00:23:17,041
Any of these schools
would be lucky to have her.
481
00:23:17,124 --> 00:23:19,708
-She's an excellent candidate--
-MADELINE: Candidate is,
482
00:23:19,792 --> 00:23:21,291
-I think, the wrong--
-Honey.
483
00:23:21,375 --> 00:23:24,416
What? Don't "honey" me.
She has a 3.8 GPA.
484
00:23:24,500 --> 00:23:26,208
She has a 1350 on her SATs,
485
00:23:26,291 --> 00:23:27,750
but we're gonna get
that number up
486
00:23:27,833 --> 00:23:30,375
because she has private tutoring
coming up, so I feel--
487
00:23:30,458 --> 00:23:32,166
I don't even want
to go to college.
488
00:23:33,124 --> 00:23:34,917
(SCOFFS)
489
00:23:34,999 --> 00:23:36,667
I mean, she's just--
she's just nervous.
490
00:23:36,750 --> 00:23:39,333
-She doesn't mean that.
-I do mean it.
491
00:23:39,416 --> 00:23:41,249
I don't want to go to college.
492
00:23:41,333 --> 00:23:42,583
(CHUCKLES)
493
00:23:42,667 --> 00:23:45,083
It feels so good to say that
out loud. (SIGHS)
494
00:23:45,166 --> 00:23:47,500
Okay, Abigail, honey.
You're going to college.
495
00:23:47,583 --> 00:23:49,291
The planet is dying, Mom,
496
00:23:49,375 --> 00:23:53,416
but God forbid I don't study
Lysistrata? It's bullshit.
497
00:23:53,500 --> 00:23:54,958
Do you know what kids do
at college?
498
00:23:55,041 --> 00:23:58,375
They drink. They fuck.
They mull over a sex change.
499
00:23:58,458 --> 00:23:59,500
I'm not going.
500
00:23:59,583 --> 00:24:01,083
All right, you're going
to college.
501
00:24:01,166 --> 00:24:02,583
-I'm not going to college.
-Whoa, whoa, whoa.
502
00:24:02,667 --> 00:24:03,999
If you wanna go, you know,
you should go.
503
00:24:04,083 --> 00:24:05,458
You should go to college.
504
00:24:05,541 --> 00:24:06,958
Hey, no, I know how to make
any situation about me.
505
00:24:07,041 --> 00:24:08,541
This is not that.
This is about you
506
00:24:08,625 --> 00:24:10,792
-and your future, Abigail.
-NATHAN: Abby.
507
00:24:13,083 --> 00:24:15,208
-ABIGAIL CARLSON: I'm not going.
-I'm so sorry.
508
00:24:17,583 --> 00:24:18,833
Where did she go?
509
00:24:19,375 --> 00:24:20,500
I--
510
00:24:21,833 --> 00:24:24,208
-Did you know about this?
-No, I swear.
511
00:24:24,291 --> 00:24:25,958
You were with her all summer
in Tahoe,
512
00:24:26,041 --> 00:24:27,458
and you knew nothing
about this?
513
00:24:27,541 --> 00:24:28,958
-Madeline, I didn't know.
-And what about Bonnie?
514
00:24:29,041 --> 00:24:30,541
Did she know about this
"fuck college" plan?
515
00:24:30,625 --> 00:24:32,208
Bonnie's left the building.
516
00:24:34,667 --> 00:24:35,833
Unbelievable.
517
00:24:35,917 --> 00:24:37,249
You know if she doesn't go
to college,
518
00:24:37,333 --> 00:24:39,124
she won't have a life.
519
00:24:39,208 --> 00:24:41,792
She'll just be serving Big Macs
and French fries,
and that'll be her life.
520
00:24:41,875 --> 00:24:43,999
-Is that what you want
for her, Nathan?
-Stop, stop. Stop yelling at me.
521
00:24:44,083 --> 00:24:46,750
-Stop yelling at me.
-What? You know you bear
some responsibility here, right?
522
00:24:46,833 --> 00:24:48,208
-NATHAN: I do?
-You're her father.
523
00:24:48,291 --> 00:24:49,541
-NATHAN: Oh, okay.
-This is her senior year,
524
00:24:49,625 --> 00:24:50,875
she's on the cusp of her life,
525
00:24:50,958 --> 00:24:52,833
and you let it go all to shit
in Tahoe!
526
00:24:52,917 --> 00:24:54,667
Don't-- You just hit me.
You just hit me.
527
00:24:54,750 --> 00:24:55,999
Because you deserve it!
528
00:24:57,083 --> 00:24:58,708
-(WIND RUSTLES)
-(WAVES CRASH)
529
00:25:13,833 --> 00:25:16,083
But honestly, Ed,
if she doesn't go to college,
530
00:25:16,166 --> 00:25:19,083
what's she gonna do?
Go into retail?
531
00:25:20,792 --> 00:25:22,458
Oh, let me call you right back.
532
00:25:23,667 --> 00:25:24,792
Mary Louise?
533
00:25:24,875 --> 00:25:27,291
-Hey, Maddie.
-Oh, Madeline. Hello.
534
00:25:27,375 --> 00:25:28,917
What's going on?
535
00:25:28,999 --> 00:25:32,166
Well, I thought I might look
for a small flat here in town,
536
00:25:32,249 --> 00:25:34,249
so that I could help out
with the boys
537
00:25:34,333 --> 00:25:36,416
but not quite be so underfoot.
538
00:25:36,500 --> 00:25:37,667
(CLEARS THROAT)
539
00:25:37,750 --> 00:25:39,333
-MADELINE: Oh, I see.
-Do you work here?
540
00:25:39,416 --> 00:25:40,999
-Yes.
-Do you handle rentals?
541
00:25:41,083 --> 00:25:43,458
I do, actually.
Oren and I both do, yes.
542
00:25:44,333 --> 00:25:45,792
I see you're wearing heels.
543
00:25:48,083 --> 00:25:49,708
Yes.
544
00:25:49,792 --> 00:25:52,750
Um, Oren, do you mind if I just
have a minute with Mrs. Wright?
545
00:25:52,833 --> 00:25:55,667
Of course not.
You're in wonderful hands.
546
00:25:55,750 --> 00:25:58,041
MADELINE: Thank you.
547
00:25:58,124 --> 00:26:00,750
Mary Louise, I realize
that you're still grieving,
548
00:26:00,833 --> 00:26:01,999
and that you've been through
549
00:26:02,083 --> 00:26:03,917
a tremendous amount
of heartbreak,
550
00:26:03,999 --> 00:26:06,458
but I don't care for the way
you spoke to me before.
551
00:26:06,541 --> 00:26:08,500
It was rude,
and I didn't deserve it.
552
00:26:08,583 --> 00:26:12,750
No, you didn't. Um, I apologize.
553
00:26:13,792 --> 00:26:15,333
Well, thank you.
554
00:26:15,416 --> 00:26:17,208
MARY LOUISE: The truth is,
it had nothing to do with you.
555
00:26:17,291 --> 00:26:20,041
When I was in boarding school,
I had-- I had a best friend,
556
00:26:20,124 --> 00:26:21,833
or so I thought,
557
00:26:21,917 --> 00:26:24,416
who revealed herself
to be quite treacherous,
558
00:26:24,500 --> 00:26:28,750
and, uh, caused me
a lot of pain.
559
00:26:28,833 --> 00:26:31,875
So... she was just
an itty-bitty little thing
560
00:26:31,958 --> 00:26:35,333
with a big, bubbly personality
that, um...
561
00:26:35,416 --> 00:26:37,875
was designed to hide...
562
00:26:37,958 --> 00:26:39,792
that she was utterly vapid
inside.
563
00:26:39,875 --> 00:26:41,625
You remind me so much of her
564
00:26:41,708 --> 00:26:43,416
that I suppose I punish you
for that.
565
00:26:43,500 --> 00:26:45,375
That's wrong of me,
and I apologize.
566
00:26:49,124 --> 00:26:52,416
-Oren.
-OREN: Yes. Sorry.
567
00:26:52,500 --> 00:26:55,083
I'm sure Oren will address
all of your concerns.
568
00:26:55,166 --> 00:26:56,625
MARY LOUISE: Okay.
569
00:26:56,708 --> 00:26:59,208
-Where did we leave it?
-(CHUCKLES)
570
00:26:59,291 --> 00:27:02,541
♪ ("MYSTERY OF LOVE"
BY SUFJAN STEVENS PLAYS) ♪
571
00:27:12,792 --> 00:27:16,917
♪ Oh, to see without my eyes ♪
572
00:27:16,999 --> 00:27:21,291
♪ The first time
That you kissed me ♪
573
00:27:21,375 --> 00:27:24,708
♪ Boundless by the time
I cried ♪
574
00:27:26,124 --> 00:27:30,208
♪ I built your walls around me
575
00:27:30,291 --> 00:27:33,500
♪ White noise
What an awful sound ♪
576
00:27:35,041 --> 00:27:39,249
♪ Fumbling by Rogue River ♪
577
00:27:39,333 --> 00:27:42,667
♪ Feel my feet
Above the ground ♪
578
00:27:43,875 --> 00:27:48,041
♪ Hand of God deliver me ♪
579
00:27:48,124 --> 00:27:50,708
-♪ (MUSIC CONTINUES
THROUGH EARBUDS) ♪
-Oh!
580
00:27:52,541 --> 00:27:54,249
♪ (MUSIC ENDS) ♪
581
00:27:54,333 --> 00:27:56,750
(CHUCKLES) That probably
looked weird.
582
00:27:56,833 --> 00:27:57,958
Yeah.
583
00:27:58,041 --> 00:27:59,375
(BOTH LAUGH)
584
00:28:00,792 --> 00:28:02,291
Are you on the spectrum?
585
00:28:02,375 --> 00:28:04,917
-(BOTH CHUCKLE)
-Are you?
586
00:28:05,458 --> 00:28:07,416
Um, I'm--
587
00:28:08,583 --> 00:28:11,333
-Yeah, most likely.
-(BOTH CHUCKLE)
588
00:28:11,416 --> 00:28:13,999
-Well, I don't think I am, but--
-A little advice,
589
00:28:14,083 --> 00:28:16,249
you probably don't wanna act
weird and shit in public.
590
00:28:16,333 --> 00:28:18,958
We do a lot of kids' events
at the aquarium,
and parents have a thing
591
00:28:19,041 --> 00:28:20,875
about entrusting their kids
to psychos.
592
00:28:21,667 --> 00:28:23,375
(CHUCKLES)
593
00:28:23,458 --> 00:28:25,416
Noted. Got it. Thank you.
594
00:28:25,500 --> 00:28:26,875
The way people talk
in this town,
595
00:28:26,958 --> 00:28:28,833
I don't need to tell you.
596
00:28:28,917 --> 00:28:31,249
You don't need to tell me?
What does that mean?
597
00:28:33,249 --> 00:28:35,124
You're one of
the Monterey Five, right?
598
00:28:36,625 --> 00:28:37,708
Monterey Five?
599
00:28:37,792 --> 00:28:39,416
You were there
the night the guy fell.
600
00:28:39,500 --> 00:28:41,541
Wh-- Where did you here that?
601
00:28:41,625 --> 00:28:43,958
Someone at work.
I'll see you around.
602
00:28:44,625 --> 00:28:45,667
Yeah.
603
00:28:46,958 --> 00:28:49,041
JANE:
It was just the way he said it.
604
00:28:49,124 --> 00:28:51,249
RENATA: How exactly was that?
605
00:28:51,333 --> 00:28:53,416
Like we all have scarlet letters
on our backs.
606
00:28:53,500 --> 00:28:55,416
-Oh, please.
-We're kidding ourselves
607
00:28:55,500 --> 00:28:57,083
if we think people
have stopped talking.
608
00:28:57,166 --> 00:28:58,541
Yeah, but people talk. It's--
609
00:28:58,625 --> 00:29:00,750
I think we're all being
a little bit paranoid, you guys.
610
00:29:00,833 --> 00:29:01,999
I think people have moved on,
611
00:29:02,083 --> 00:29:03,625
and the police
definitely moved on.
612
00:29:03,708 --> 00:29:05,375
-Well, we don't know for sure.
-Yeah--
613
00:29:05,458 --> 00:29:08,416
No, I talked to Susie Burke.
Do you know Susie from IBM?
614
00:29:08,500 --> 00:29:09,708
Yeah.
615
00:29:09,792 --> 00:29:11,375
She's a good friend
of Detective Quinlan.
616
00:29:11,458 --> 00:29:12,750
-Oh.
-I mean,
617
00:29:12,833 --> 00:29:15,667
like, really good friend.
Gossip for another day,
618
00:29:15,750 --> 00:29:19,166
but she told me that she heard
Quinlan say, like,
619
00:29:19,249 --> 00:29:23,625
the case isn't "closed" closed,
but they've got nothing.
620
00:29:23,708 --> 00:29:25,625
-Mm-hmm.
-CELESTE: Good.
621
00:29:27,166 --> 00:29:28,208
Good.
622
00:29:29,166 --> 00:29:30,708
-We're good.
-Okay.
623
00:29:30,792 --> 00:29:32,124
CELESTE: Yeah, good.
624
00:29:35,166 --> 00:29:36,500
(BELL RINGS)
625
00:29:44,583 --> 00:29:45,750
MADELINE: Where were you?
626
00:29:45,833 --> 00:29:47,333
We were waiting
for you at the beach.
627
00:29:47,416 --> 00:29:49,833
Oh, yeah. Something came up.
628
00:29:50,667 --> 00:29:51,792
MADELINE: Yeah?
629
00:29:55,041 --> 00:29:56,083
What?
630
00:29:57,583 --> 00:29:58,708
Are you all right?
631
00:30:00,375 --> 00:30:03,416
-Do you care?
-Do I care?
632
00:30:03,500 --> 00:30:04,708
What's going on?
633
00:30:09,625 --> 00:30:10,708
I killed someone.
634
00:30:11,667 --> 00:30:13,208
-Remember?
-Yes.
635
00:30:13,291 --> 00:30:14,625
It's heavy.
636
00:30:14,708 --> 00:30:18,375
Are you-- I mean, are you angry
at me for some reason?
637
00:30:22,541 --> 00:30:23,999
I'm angry with myself.
638
00:30:25,375 --> 00:30:27,875
If I had just told the truth,
I would have gotten off,
639
00:30:27,958 --> 00:30:29,291
but you said he slipped,
640
00:30:29,375 --> 00:30:31,083
and everyone else
joined in the fucking chorus.
641
00:30:31,166 --> 00:30:33,875
-That was to protect you.
-Yeah, thanks a lot.
642
00:30:36,583 --> 00:30:38,583
You know, I can't talk
to my husband.
643
00:30:40,625 --> 00:30:41,708
Or my kid.
644
00:30:43,958 --> 00:30:45,583
I have to just swallow it all.
645
00:30:47,041 --> 00:30:48,291
You can talk to us.
646
00:30:49,375 --> 00:30:51,249
We're here for you. All of us.
647
00:30:53,750 --> 00:30:56,667
Well, it hasn't really felt
like that.
648
00:30:56,750 --> 00:30:58,708
Well, I'm sorry,
but you've been in Tahoe.
649
00:30:58,792 --> 00:31:01,166
It's not like
you can put that shit on Gmail.
650
00:31:01,249 --> 00:31:03,416
-Like, what am I supposed to--
-NATHAN: Hey.
651
00:31:04,833 --> 00:31:06,416
Hey. Bye, Maddie.
652
00:31:12,917 --> 00:31:14,166
Little Miss Sunshine, right?
653
00:31:14,249 --> 00:31:15,958
MADELINE:
Listen, I'm sorry I pushed you.
654
00:31:16,041 --> 00:31:17,541
There you go, I said it.
655
00:31:17,625 --> 00:31:21,124
(SIGHS) Okay, um, I need to talk
to Abby. Is she here?
656
00:31:22,333 --> 00:31:23,583
NATHAN: Abby!
657
00:31:23,667 --> 00:31:25,416
♪ ("THE RIP"
BY PORTISHEAD PLAYS) ♪
658
00:31:25,500 --> 00:31:27,416
♪ As she walks in the room ♪
659
00:31:27,500 --> 00:31:29,833
♪ Scented and tall ♪
660
00:31:30,958 --> 00:31:35,958
♪ Hesitating once more ♪
661
00:31:36,041 --> 00:31:38,291
-♪ And as I take-- ♪
-♪ (MUSIC ENDS) ♪
662
00:31:40,333 --> 00:31:43,958
So... what was that all about?
663
00:31:44,041 --> 00:31:48,458
I just don't think college
is for everyone, that's all.
664
00:31:48,541 --> 00:31:49,667
MADELINE: Okay.
665
00:31:50,792 --> 00:31:52,583
So why is not for you?
666
00:31:53,166 --> 00:31:54,750
Well...
667
00:31:54,833 --> 00:31:58,625
Starting with the cost.
It's really expensive.
668
00:31:58,708 --> 00:32:00,625
So, I'm assuming
that if you're gonna abandon
669
00:32:00,708 --> 00:32:02,625
that plan to go to college,
you have another plan--
670
00:32:02,708 --> 00:32:03,792
I do.
671
00:32:05,999 --> 00:32:07,124
What is it?
672
00:32:08,500 --> 00:32:11,249
-It's to work for a startup.
-Oh, my God.
673
00:32:11,333 --> 00:32:12,958
Specifically, one that builds
674
00:32:13,041 --> 00:32:15,249
for-profit housing
for the homeless.
675
00:32:15,333 --> 00:32:16,750
-Excuse me?
-ABIGAIL: Yeah.
676
00:32:16,833 --> 00:32:20,541
And unlike, you know,
the privatized shams
677
00:32:20,625 --> 00:32:22,416
like banks
and credit card companies,
678
00:32:22,500 --> 00:32:25,625
ours will make money
while actually helping people.
679
00:32:25,708 --> 00:32:27,041
This is something real?
680
00:32:27,124 --> 00:32:30,166
I've been offered a position
to start in June.
681
00:32:30,249 --> 00:32:32,458
-You cannot be serious.
-I'm gonna take it.
682
00:32:32,541 --> 00:32:34,041
You cannot mortgage your future
683
00:32:34,124 --> 00:32:36,249
over some sort of
short-term plan.
684
00:32:36,333 --> 00:32:38,124
ABIGAIL: I'm not doing that!
685
00:32:38,208 --> 00:32:39,708
Well, then, what are you doing?
686
00:32:39,792 --> 00:32:42,416
There are four million
homeless people in America,
687
00:32:42,500 --> 00:32:44,458
the average age
being nine years old,
688
00:32:44,541 --> 00:32:46,458
-and I--
-I don't give a fuck!
689
00:32:46,541 --> 00:32:49,041
I don't care
about fucking homeless people.
690
00:32:50,375 --> 00:32:51,291
What?
691
00:32:51,375 --> 00:32:52,625
That is not what I meant.
692
00:32:52,708 --> 00:32:54,416
I do care about homeless people.
693
00:32:54,500 --> 00:32:57,458
I just think you can give money
to some charity
694
00:32:57,541 --> 00:32:59,208
while you actually
attend college.
695
00:32:59,291 --> 00:33:01,999
-I'm not going to college.
-Yes, you are.
696
00:33:02,083 --> 00:33:03,416
Give me
one good reason what I should--
697
00:33:03,500 --> 00:33:04,667
It's non-negotiable.
698
00:33:04,750 --> 00:33:06,667
You are going to college
because I said so,
699
00:33:06,750 --> 00:33:08,541
and because you're not thinking
straight--
700
00:33:08,625 --> 00:33:09,792
Because you said so?
701
00:33:09,875 --> 00:33:11,291
-Yes, because I said so.
-What do you know?
702
00:33:11,375 --> 00:33:12,750
You didn't go to college.
703
00:33:12,833 --> 00:33:15,041
That's exactly why you're going.
704
00:33:15,875 --> 00:33:17,291
Exactly.
705
00:33:17,375 --> 00:33:19,208
Because you will have no life!
706
00:33:22,583 --> 00:33:23,625
(DOOR SLAMS)
707
00:33:24,416 --> 00:33:25,416
(SIGHS)
708
00:33:30,249 --> 00:33:33,458
♪ ("THE FADE OUT LINE"
BY PHOEBE KILLDEER
AND THE SHORT STRAWS PLAYS) ♪
709
00:33:34,792 --> 00:33:36,500
Can't you just tell her
it's time to go?
710
00:33:36,583 --> 00:33:39,750
CELESTE: The boys love her.
I mean, they love her.
711
00:33:39,833 --> 00:33:43,750
And she's... she's a big help,
she really is.
712
00:33:45,792 --> 00:33:48,667
So what's up? I'm guessing
you don't need my help
713
00:33:48,750 --> 00:33:50,541
on how to handle
a mother-in-law.
714
00:33:52,124 --> 00:33:55,249
Why are you
not cashing the checks?
715
00:33:55,333 --> 00:33:56,833
JANE: (SIGHS) I don't know.
716
00:33:56,917 --> 00:33:58,333
CELESTE: Come on, Jane. Why?
717
00:33:58,416 --> 00:34:01,625
It's rape money.
You know I can't do that.
718
00:34:04,041 --> 00:34:05,750
Ziggy's entitled to it.
719
00:34:06,667 --> 00:34:08,416
He's part of Perry's estate.
720
00:34:09,875 --> 00:34:12,500
Do you ever hate me?
Just a little bit.
721
00:34:15,792 --> 00:34:17,500
How could I hate you?
722
00:34:17,583 --> 00:34:20,083
Because I slept
with your husband.
723
00:34:20,166 --> 00:34:23,541
I mean, I didn't--
You know what I mean.
724
00:34:23,625 --> 00:34:25,083
He raped you.
725
00:34:25,166 --> 00:34:27,041
But I knew he was married.
I mean, I didn't know
726
00:34:27,124 --> 00:34:30,458
he was married to you,
but... somebody.
727
00:34:30,541 --> 00:34:33,333
No.
I don't blame you for anything.
728
00:34:35,041 --> 00:34:37,583
JANE: I think I would
if I were in your shoes.
729
00:34:38,875 --> 00:34:40,541
Celeste, for a man
to commit adultery,
730
00:34:40,625 --> 00:34:42,208
he-- there-- there
has to be another woman,
731
00:34:42,291 --> 00:34:45,208
and, you know what, more times
than not, she's complicit.
732
00:34:45,291 --> 00:34:48,833
I was complicit.
Not in the end, but...
733
00:34:48,917 --> 00:34:50,458
definitely in the beginning.
734
00:34:59,041 --> 00:35:00,625
Are you glad that he's dead?
735
00:35:04,208 --> 00:35:05,667
CELESTE: It's complicated.
736
00:35:07,833 --> 00:35:09,083
(SIGHS)
737
00:35:09,166 --> 00:35:11,333
(GATE BUZZES)
738
00:35:27,583 --> 00:35:30,333
♪ ("HARVEST MOON"
BY CASSANDRA WILSON PLAYS) ♪
739
00:35:46,375 --> 00:35:49,041
♪ Come a little bit closer ♪
740
00:35:50,875 --> 00:35:53,541
♪ Hear what I have to say ♪
741
00:36:02,500 --> 00:36:05,708
♪ Just like children sleeping ♪
742
00:36:07,249 --> 00:36:11,999
♪ We could dream
This night away ♪
743
00:36:12,083 --> 00:36:16,375
♪ (MUSIC CONTINUES
IN BACKGROUND)
744
00:36:16,458 --> 00:36:19,750
♪ (JOSH PLAYS
DISCORDANT NOTES) ♪
745
00:36:19,833 --> 00:36:22,875
♪ But there's a full moon
Rising ♪
746
00:36:24,500 --> 00:36:28,416
♪ Let's go dancing
In the light... ♪
747
00:36:33,833 --> 00:36:35,375
MARY LOUISE: Come on, everybody.
748
00:36:36,124 --> 00:36:37,249
Put it away, Max.
749
00:36:38,500 --> 00:36:39,583
Come.
750
00:36:42,500 --> 00:36:46,249
This looks so delicious.
Thank you, Mary Louise.
751
00:36:46,333 --> 00:36:48,708
MAX:
I thought we were having KFC.
752
00:36:48,792 --> 00:36:52,458
Well, one cannot survive
on fast food every night.
753
00:36:52,541 --> 00:36:54,375
(CHUCKLING)
We don't have it every night.
754
00:36:54,458 --> 00:36:55,792
MARY LOUISE:
You know that they--
755
00:36:55,875 --> 00:36:58,875
they ban these
insidious fast food institutions
756
00:36:58,958 --> 00:37:01,208
from some parts
of San Francisco.
757
00:37:01,291 --> 00:37:04,999
Do you remember when we walked
across the Golden Gate Bridge?
758
00:37:05,083 --> 00:37:06,375
It's red.
759
00:37:06,458 --> 00:37:08,500
(CHUCKLES)
You're right, it is red.
760
00:37:08,583 --> 00:37:09,875
(LAUGHS)
761
00:37:09,958 --> 00:37:11,999
Oh, and Dad said he was going
to swim to Alcatraz.
762
00:37:12,083 --> 00:37:13,500
(LAUGHS) Oh, yeah.
763
00:37:13,583 --> 00:37:16,083
Sharks would have
eaten him, stupid.
764
00:37:16,166 --> 00:37:17,917
No, they wouldn't, idiot.
765
00:37:17,999 --> 00:37:19,208
(SCOFFS)
766
00:37:19,291 --> 00:37:20,625
-CELESTE: Hey! Hey!
-Ow!
767
00:37:20,708 --> 00:37:23,541
You could hurt him!
What's wrong with you?
768
00:37:23,625 --> 00:37:25,124
I barely touched him.
769
00:37:25,208 --> 00:37:29,625
You stuck him with a fork, Josh.
That is unacceptable.
770
00:37:29,708 --> 00:37:31,416
For God's sake.
771
00:37:31,500 --> 00:37:33,833
♪ (MUSIC CONTINUES QUIETLY) ♪
772
00:37:36,249 --> 00:37:37,333
I miss Dad.
773
00:37:39,375 --> 00:37:42,333
I know, baby. I know you do.
774
00:37:44,667 --> 00:37:46,541
We all do.
775
00:37:46,625 --> 00:37:48,958
We've still got some recovery
ahead of us.
776
00:37:49,041 --> 00:37:52,667
Well, they're grieving, Celeste.
777
00:37:52,750 --> 00:37:56,208
Their father's death is not...
(CLEARS THROAT)
778
00:37:56,291 --> 00:37:59,291
something to be recovered
from like a cold.
779
00:37:59,375 --> 00:38:02,750
You know, your daddy
was the most amazing man,
780
00:38:02,833 --> 00:38:05,708
and you were so lucky
to have him.
781
00:38:05,792 --> 00:38:10,208
And it's very unfair and wrong
that he died.
782
00:38:10,291 --> 00:38:13,792
And you still feel angry
about it, don't you?
783
00:38:13,875 --> 00:38:17,500
I mean, you feel angry that
the other kids have their dads.
784
00:38:17,583 --> 00:38:19,375
You don't.
785
00:38:19,458 --> 00:38:22,333
You know, the other day,
I was with some friends,
786
00:38:22,416 --> 00:38:26,875
and, um, their sons
were not a patch on your dad.
787
00:38:26,958 --> 00:38:28,541
(LAUGHS) Not a patch.
788
00:38:30,083 --> 00:38:33,333
Just-- I felt so angry.
(YELLING) Angry!
789
00:38:33,416 --> 00:38:36,667
(QUIETLY) You know,
that their mediocre,
790
00:38:36,750 --> 00:38:39,124
spindly, pudgy, balding,
791
00:38:39,208 --> 00:38:42,166
middle-management sons--
still alive--
792
00:38:42,249 --> 00:38:46,083
and my Perry...
(WHISPERING) My Perry...
793
00:38:46,166 --> 00:38:49,249
I just-- felt just--
I wanted to scream.
794
00:38:50,792 --> 00:38:51,958
So you know what I did?
795
00:38:52,041 --> 00:38:53,833
-MAX: What?
-I did scream.
796
00:38:55,833 --> 00:38:57,333
Wanna hear?
797
00:38:57,416 --> 00:38:59,083
MARY LOUISE: (CHUCKLES) Okay.
798
00:39:03,458 --> 00:39:05,667
(SCREAMS)
799
00:39:05,750 --> 00:39:07,750
Oh!
800
00:39:07,833 --> 00:39:10,708
Oh! Mary Louise! Mary Louise!
Mary Louise, please.
801
00:39:10,792 --> 00:39:13,291
What, my grief is too loud
for you?
802
00:39:13,375 --> 00:39:15,375
-Oh, Celeste.
-Just-- Just-- The boys!
803
00:39:15,458 --> 00:39:17,249
MARY LOUISE:
I should be more discrete.
804
00:39:17,333 --> 00:39:18,583
We should scream.
805
00:39:18,667 --> 00:39:21,625
We should scream
and beat our breasts
806
00:39:21,708 --> 00:39:25,083
and-- and tear our hair.
Don't you feel angry?
807
00:39:26,917 --> 00:39:27,958
N--
808
00:39:28,041 --> 00:39:29,375
MARY LOUISE: You don't?
809
00:39:37,083 --> 00:39:38,166
I'm sorry.
810
00:39:39,792 --> 00:39:41,291
(SIGHS)
811
00:39:41,375 --> 00:39:45,833
(SOBS) I feel so, so alone.
(CLEARS THROAT)
812
00:39:50,917 --> 00:39:53,458
♪ ("ALL APOLOGIES"
COVER VERSION
BY SINÉAD O'CONNOR PLAYS) ♪
813
00:39:53,541 --> 00:39:58,249
♪ In the sun
I feel as one ♪
814
00:39:58,333 --> 00:40:00,667
♪ In the sun ♪
815
00:40:00,750 --> 00:40:02,583
♪ In the sun ♪
816
00:40:04,166 --> 00:40:06,541
♪ I'm married ♪
817
00:40:06,625 --> 00:40:08,500
♪ Married ♪
818
00:40:09,249 --> 00:40:11,083
♪ Buried ♪
819
00:40:32,750 --> 00:40:35,166
(DISTANT WALKIE-TALKIE CHATTER)
820
00:40:40,291 --> 00:40:42,541
We were like animals.
We-- We had to save her.
821
00:40:42,625 --> 00:40:45,917
We-- It was like every instinct
inside of me
822
00:40:45,999 --> 00:40:47,583
told me that she was--
823
00:40:47,667 --> 00:40:50,999
he was gonna kill her
if we didn't help her.
824
00:40:51,083 --> 00:40:52,958
And, um...
825
00:40:53,041 --> 00:40:57,416
I thought he was gonna crush
her or kick her ribs in or...
826
00:40:57,500 --> 00:40:59,124
I didn't know
what he was gonna do.
827
00:40:59,208 --> 00:41:04,333
And then, he-- Renata or... me,
we grabbed him, and then, um...
828
00:41:04,416 --> 00:41:06,333
then he grabbed Jane
by the neck.
829
00:41:08,291 --> 00:41:09,375
Yeah, um....
830
00:41:12,708 --> 00:41:14,291
(SNIFFS, SIGHS)
831
00:41:14,375 --> 00:41:15,541
I'm sorry.
832
00:41:17,541 --> 00:41:18,583
(SIGHS)
833
00:41:30,208 --> 00:41:31,333
In your own time...
834
00:41:33,249 --> 00:41:34,375
take a good look.
835
00:41:39,500 --> 00:41:41,375
♪ (SINISTER MUSIC PLAYS) ♪
836
00:41:45,083 --> 00:41:46,333
(YELLS) No!
837
00:41:46,416 --> 00:41:48,208
Fucking kill you!
838
00:41:48,750 --> 00:41:50,375
No!
839
00:41:50,458 --> 00:41:52,375
-(PANTING)
-MARY LOUISE: Are you all right?
840
00:41:52,458 --> 00:41:53,541
Celeste?
841
00:41:54,708 --> 00:41:55,750
You all right?
842
00:41:57,458 --> 00:41:58,583
You all right, dear?
843
00:42:00,041 --> 00:42:01,583
-Yeah.
-Another nightmare?
844
00:42:03,041 --> 00:42:04,083
Yes?
845
00:42:13,291 --> 00:42:14,958
-It's all right.
-(SIGHS)
846
00:42:15,041 --> 00:42:16,500
MARY LOUISE: It's all right.
847
00:42:16,583 --> 00:42:19,541
-CELESTE: I'm sorry.
-It's all right.
848
00:42:23,124 --> 00:42:24,249
So...
849
00:42:25,583 --> 00:42:27,541
who are we planning to kill?
850
00:42:27,625 --> 00:42:31,458
♪ ("THE FADE OUT LINE"
BY PHOEBE KILLDEER
AND THE SHORT STRAWS PLAYS) ♪
851
00:42:37,792 --> 00:42:39,750
♪ It's everywhere I look ♪
852
00:42:39,833 --> 00:42:42,333
♪ From Las Vegas to right here
853
00:42:42,416 --> 00:42:46,750
♪ Under your dresser
Right by your ear ♪
854
00:42:46,833 --> 00:42:51,333
♪ It's creeping in sweetly
It's definitely here ♪
855
00:42:51,416 --> 00:42:56,083
♪ There's nothing more deadly
Than slow growing fear ♪
856
00:42:56,166 --> 00:43:00,625
♪ Life was full and fruitful an
You could a take a real bite ♪
857
00:43:00,708 --> 00:43:03,041
♪ The juice pouring
Well over you ♪
858
00:43:03,124 --> 00:43:05,208
♪ Skin's delight ♪
859
00:43:05,291 --> 00:43:09,667
♪ But the shadow it grows
And takes the depth away ♪
860
00:43:09,750 --> 00:43:14,249
♪ Leaving broken down pieces
To this priceless ballet ♪
861
00:43:14,333 --> 00:43:18,999
♪ The shallower it grows
The shallower it grows ♪
862
00:43:19,083 --> 00:43:23,416
♪ The fainter we go
Into the fade out line ♪
863
00:43:23,500 --> 00:43:28,124
♪ The shallower it grows
The shallower it grows ♪
864
00:43:28,208 --> 00:43:32,750
♪ The fainter we go
Into the fade out line ♪
865
00:43:32,833 --> 00:43:34,708
♪ Did we build
All those bridges ♪
866
00:43:34,792 --> 00:43:37,333
♪ To watch them thin down
To dust? ♪
867
00:43:37,416 --> 00:43:42,041
♪ Or blow them voluntarily
Out of constant trust ♪
868
00:43:42,124 --> 00:43:46,500
♪ The clock is ticking
Its last couple of tocks ♪
869
00:43:46,583 --> 00:43:51,083
♪ And there won't be a party
With weathering frocks ♪
870
00:43:51,166 --> 00:43:55,792
♪ The shallower it grows
The shallower it grows ♪
871
00:43:55,875 --> 00:44:00,291
♪ The fainter we go
Into the fade out line ♪
872
00:44:00,375 --> 00:44:04,958
♪ The shallower it grows
The shallower it grows ♪
873
00:44:05,041 --> 00:44:09,625
♪ The fainter we go
Into the fade out line ♪
874
00:44:09,708 --> 00:44:11,833
♪ Heading deep down ♪
875
00:44:11,917 --> 00:44:15,166
♪ We're sliding
Without noticing ♪
876
00:44:15,249 --> 00:44:16,875
♪ Our own decline ♪
877
00:44:19,375 --> 00:44:21,041
♪ Heading deep down ♪
878
00:44:21,124 --> 00:44:26,041
♪ We're hanging onto
Sweet nothings left behind ♪
879
00:44:30,917 --> 00:44:33,083
♪ Deeper down ♪
880
00:44:35,124 --> 00:44:37,458
♪ We're all going down ♪
881
00:44:39,458 --> 00:44:42,458
♪ Down, deeper down, yeah ♪
882
00:44:46,500 --> 00:44:50,375
♪ We are all plunging straight
Towards our own decline ♪
883
00:44:50,458 --> 00:44:54,999
♪ Without noticing we slide dow
Deeper down ♪
884
00:44:55,083 --> 00:44:59,458
♪ The shadow grows
Without ever slowing down ♪
885
00:44:59,541 --> 00:45:04,667
♪ We are heading straight
Into the fade out line ♪
886
00:45:04,750 --> 00:45:09,500
♪ The shallower it grows
The shallower it grows ♪
887
00:45:09,583 --> 00:45:13,958
♪ The fainter we go
Into the fade out line ♪
888
00:45:14,041 --> 00:45:18,541
♪ The shallower it grows
The shallower it grows ♪
889
00:45:18,625 --> 00:45:23,124
♪ The fainter we go
Into the fade out line ♪
890
00:45:23,208 --> 00:45:27,750
♪ The shallower it grows
The shallower it grows ♪
891
00:45:27,833 --> 00:45:32,375
♪ The fainter we go
Into the fade out line ♪
892
00:45:32,458 --> 00:45:37,041
♪ The shallower it grows
The shallower it grows ♪
893
00:45:37,124 --> 00:45:41,625
♪ The fainter we go
Into the fade out line ♪
894
00:45:41,708 --> 00:45:46,208
♪ The shallower it grows
The shallower it grows ♪
895
00:45:46,291 --> 00:45:50,416
♪ The fainter we go
Into the fade out line... ♪
66487
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