Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:05,039
This programme
contains some strong language.
2
00:00:05,040 --> 00:00:07,039
I'm Kwabena. I'm Vanessa.
V says you're a film director. Yeah.
3
00:00:07,040 --> 00:00:08,719
Does that pay well?
My short film, Jamaica Road,
4
00:00:08,720 --> 00:00:09,959
is a love story
set in the Windrush era.
5
00:00:09,960 --> 00:00:12,399
Would you mind passing this on?
It's Dorvin's CV.
6
00:00:12,400 --> 00:00:13,799
My cousin got arrested.
7
00:00:13,800 --> 00:00:15,239
They'd love a film like that.
8
00:00:15,240 --> 00:00:17,759
I don't want to be another director
who makes hood films.
9
00:00:17,760 --> 00:00:19,879
But at least they're MAKING films,
man.
10
00:00:19,880 --> 00:00:21,639
Of course we have to make films
for white people.
11
00:00:21,640 --> 00:00:22,839
Hey, burn that!
12
00:00:22,840 --> 00:00:24,279
I got the job in New York.
13
00:00:24,280 --> 00:00:26,359
They want me to be over there
in the next few weeks.
14
00:00:26,360 --> 00:00:27,559
We're going to be fine.
15
00:00:27,560 --> 00:00:28,959
WE still have to make Jamaica Road.
16
00:00:28,960 --> 00:00:30,119
I got signed!
17
00:00:30,120 --> 00:00:32,959
You think this lickle film is going
to help him in that jail? Hmm?
18
00:00:32,960 --> 00:00:36,160
Sell out your own people
for the white man praise?
19
00:00:36,161 --> 00:00:42,239
Ladies and gentlemen, please welcome
to the stage, Christine Yang!
20
00:00:42,240 --> 00:00:45,360
BIG BAND FANFARE PLAYS
21
00:00:53,440 --> 00:00:57,559
Now it's time to present the award
for Outstanding Debut.
22
00:00:57,560 --> 00:01:01,319
And the nominees are Aaron Sackley,
23
00:01:01,320 --> 00:01:03,719
Laura Davis,
24
00:01:03,720 --> 00:01:06,319
Abigail Alexis,
25
00:01:06,320 --> 00:01:08,800
and Kwabena Robinson.
26
00:01:12,280 --> 00:01:14,839
The judges said this
fresh new talent... Oh...
27
00:01:14,840 --> 00:01:17,479
..has a very bright future
ahead of them,
28
00:01:17,480 --> 00:01:19,959
after delivering a magnificent
first film. It's OK.
29
00:01:19,960 --> 00:01:23,680
And the Bafta for Outstanding Debut
goes to...
30
00:01:25,960 --> 00:01:28,559
..Kwabena Robinson for Jamaica Road!
31
00:01:28,560 --> 00:01:31,640
CROWD CHEERS
32
00:01:33,400 --> 00:01:35,080
Thank you, son.
33
00:01:39,080 --> 00:01:40,599
Thank you.
34
00:01:40,600 --> 00:01:42,320
Congratulations. Thank you.
35
00:01:45,680 --> 00:01:49,159
CHANTING: Kwabena! Kwabena! Kwabena!
36
00:01:49,160 --> 00:01:52,160
Kwabena! Kwabena! Kwabena!
37
00:01:56,680 --> 00:01:58,920
VOICES FADE
38
00:02:01,960 --> 00:02:04,840
ECHOING: Kwabena! Kwabena! Kwabena!
39
00:02:06,440 --> 00:02:08,919
Kwabi! So sorry for the delays
my end.
40
00:02:08,920 --> 00:02:11,039
A pleasure to meet you.
Pleasure to meet you.
41
00:02:11,040 --> 00:02:13,199
And thank you for inviting me.
Oh, not at all, not at all.
42
00:02:13,200 --> 00:02:15,479
I loved your short, by the way.
Oh, thank you so...
43
00:02:15,480 --> 00:02:18,479
Now, I've heard that you're looking
for your first TV job.
44
00:02:18,480 --> 00:02:20,679
I just want to tell stories
that matter.
45
00:02:20,680 --> 00:02:23,119
Well, we've got something that
really champions
46
00:02:23,120 --> 00:02:25,199
black women's voices. OK.
47
00:02:25,200 --> 00:02:27,439
It's called Baby Muddas. Uh...
48
00:02:27,440 --> 00:02:30,479
A group of single mums struggling
to survive in Brixton
49
00:02:30,480 --> 00:02:32,159
who form a reggae choir.
50
00:02:32,160 --> 00:02:33,520
A...
51
00:02:36,520 --> 00:02:38,719
It's called Black Love Actually.
52
00:02:38,720 --> 00:02:40,999
Think Love Actually,
but instead of Christmas,
53
00:02:41,000 --> 00:02:43,439
it takes place at
Notting Hill Carnival.
54
00:02:43,440 --> 00:02:45,319
It's a sweeping romcom... OK.
55
00:02:45,320 --> 00:02:47,919
..torn apart by a violent stabbing.
56
00:02:47,920 --> 00:02:50,119
So, it's about a black woman
business owner
57
00:02:50,120 --> 00:02:53,159
in Victorian England
who employed freed slaves.
58
00:02:53,160 --> 00:02:54,239
Oh.
59
00:02:54,240 --> 00:02:56,159
What type of business did she run?
A brothel.
60
00:02:56,160 --> 00:02:57,719
Actually, thinking about it...
61
00:02:57,720 --> 00:02:58,839
I've got one that's perfect for you.
62
00:02:58,840 --> 00:03:00,199
Cut From A Different Kinte.
63
00:03:00,200 --> 00:03:01,439
Grime and Punishment.
64
00:03:01,440 --> 00:03:05,399
A gritty sci fi about the illegal
drug trade across the galaxy.
65
00:03:05,400 --> 00:03:06,919
It's called...
66
00:03:06,920 --> 00:03:08,640
..Mandem In Outer Space.
67
00:03:09,880 --> 00:03:11,200
KWABENA EXHALES
68
00:03:12,731 --> 00:03:18,679
Now, there's nothing like seeing
your script come to life, but...
69
00:03:18,680 --> 00:03:21,039
Anyway, let's talk about
my next project.
70
00:03:21,040 --> 00:03:23,599
What did you think of
From the Boats?
71
00:03:23,600 --> 00:03:25,399
Yeah, I really enjoyed it.
72
00:03:25,400 --> 00:03:28,359
Like, honestly, the...
the writing was so sharp.
73
00:03:28,360 --> 00:03:30,959
Erm, it was really a page turner.
74
00:03:30,960 --> 00:03:32,959
Thank you, thank you.
75
00:03:32,960 --> 00:03:35,959
You know, as a person of
generational trauma,
76
00:03:35,960 --> 00:03:38,519
I've always wanted to write
something about immigration.
77
00:03:38,520 --> 00:03:40,359
Sorry, wait, you wrote
From The Boats?
78
00:03:40,360 --> 00:03:41,410
Yes, brother.
79
00:03:42,520 --> 00:03:45,239
Sorry. The story is about
Jamaican immigrants,
80
00:03:45,240 --> 00:03:47,399
and your name is Winston, which is
a very common Jamaican...
81
00:03:47,400 --> 00:03:48,919
..name, yes, I know, I know.
82
00:03:48,920 --> 00:03:51,399
The amount of nicknames
I had over the years.
83
00:03:51,400 --> 00:03:52,919
HE CHUCKLES
84
00:03:52,920 --> 00:03:55,519
Right, so, what inspired you to
write this story?
85
00:03:55,520 --> 00:03:58,999
The idea actually came from
my gardener.
86
00:03:59,000 --> 00:04:01,919
He and his wife are immigrants,
87
00:04:01,920 --> 00:04:05,239
and I'm an immigrant. I'm...
88
00:04:05,240 --> 00:04:06,799
Well, you get it.
89
00:04:06,800 --> 00:04:10,279
And, uh, I saw their plight
first-hand,
90
00:04:10,280 --> 00:04:12,879
and I found their story fascinating.
91
00:04:12,880 --> 00:04:14,639
Yeah...
92
00:04:14,640 --> 00:04:16,799
Yeah, THEIR stories are fascinating.
93
00:04:16,800 --> 00:04:18,119
You said you liked the script.
94
00:04:18,120 --> 00:04:19,959
Yes! Before I found out
it was written
95
00:04:19,960 --> 00:04:21,439
by some middle-aged white guy.
96
00:04:21,440 --> 00:04:22,999
Kwabs, he's Irish.
97
00:04:23,000 --> 00:04:24,399
He gets it.
KWABENA SCOFFS
98
00:04:24,400 --> 00:04:26,999
Plus, Winston's lived in
Notting Hill for ages,
99
00:04:27,000 --> 00:04:29,479
like, before gentrification.
Oh, right...
100
00:04:29,480 --> 00:04:31,359
So, he's basically a Yardie.
101
00:04:31,360 --> 00:04:33,759
Look, I don't want to be a part
of some white man's fantasy
102
00:04:33,760 --> 00:04:35,079
about black people.
103
00:04:35,080 --> 00:04:37,239
You can't keep turning up your nose
at everything.
104
00:04:37,240 --> 00:04:38,759
You want to direct, so direct.
105
00:04:38,760 --> 00:04:40,759
Drew, if From The Boats
is getting made,
106
00:04:40,760 --> 00:04:42,599
why can't we push Jamaica Road?
107
00:04:42,600 --> 00:04:45,279
Winston has three decades'
experience,
108
00:04:45,280 --> 00:04:47,199
and you have none.
109
00:04:47,200 --> 00:04:50,159
Kwabs, your first job isn't
necessarily going to be perfect.
110
00:04:50,160 --> 00:04:53,079
You know, my first job was taking
my boss's dog out to shit.
111
00:04:53,080 --> 00:04:56,279
Look, this window of opportunity
is closing.
112
00:04:56,280 --> 00:04:59,280
Remember, like, right now,
you're a bowl of porridge.
113
00:05:01,080 --> 00:05:02,599
Porridge? Yeah.
114
00:05:02,600 --> 00:05:04,239
You're hot...
115
00:05:04,240 --> 00:05:07,399
..but leave it too long
and you're going to go cold.
116
00:05:07,400 --> 00:05:11,079
Drew, I just want something decent,
something with substance.
117
00:05:11,080 --> 00:05:12,519
That's all.
118
00:05:12,520 --> 00:05:14,599
Find me that,
and I'll smash the interview.
119
00:05:14,600 --> 00:05:16,240
I promise.
120
00:05:18,680 --> 00:05:20,879
Hey, Fiona. Hi!
How was your holiday?
121
00:05:20,880 --> 00:05:23,119
Oh. So lovely, thank you.
122
00:05:23,120 --> 00:05:24,959
Went to the family home
in Tonbridge.
123
00:05:24,960 --> 00:05:27,119
Did some wild swimming. Oh, so nice.
124
00:05:27,120 --> 00:05:29,319
Hi, everyone. Sorry I'm late.
125
00:05:29,320 --> 00:05:31,759
Oh, but I come bearing good news.
126
00:05:31,760 --> 00:05:33,959
The networks have a few slots
opening up.
127
00:05:33,960 --> 00:05:36,959
The brief is simple,
entertaining television
128
00:05:36,960 --> 00:05:38,679
with opportunities for diversity.
129
00:05:38,680 --> 00:05:41,479
So, I'm hoping to get something to
them by the end of next week.
130
00:05:41,480 --> 00:05:42,679
Well...
131
00:05:42,680 --> 00:05:45,359
I've got a dating show idea
I've been developing.
132
00:05:45,360 --> 00:05:46,639
Great. Let's hear it.
133
00:05:46,640 --> 00:05:47,840
It's called Hot Baps.
134
00:05:49,080 --> 00:05:50,199
Hot Baps?
135
00:05:50,200 --> 00:05:51,719
Mm-hm. OK.
136
00:05:51,720 --> 00:05:54,519
So, imagine MasterChef meets
Naked Attraction.
137
00:05:54,520 --> 00:05:59,279
Five naked contestants compete to
win a bachelorette's heart.
138
00:05:59,280 --> 00:06:03,240
Will she go for the man who
looks good or cooks good?
139
00:06:04,680 --> 00:06:06,479
Great. OK, well, thanks for that.
140
00:06:06,480 --> 00:06:09,079
Erm, Abdul and I have been working
on something for a while
141
00:06:09,080 --> 00:06:10,759
that we think has real potential.
Yeah.
142
00:06:10,760 --> 00:06:12,119
Great. Let's hear it.
143
00:06:12,120 --> 00:06:13,919
So, it's called My Favourite Meal.
144
00:06:13,920 --> 00:06:17,439
Imagine, Who Do You Think You Are
meets Parts Unknown.
145
00:06:17,440 --> 00:06:18,999
I love that idea.
146
00:06:19,000 --> 00:06:22,879
Picture Maya Jama going back to
Somaliland to explore
147
00:06:22,880 --> 00:06:25,879
the roots of bariis and hilib.
148
00:06:25,880 --> 00:06:27,679
Jeez! Come on!
149
00:06:27,680 --> 00:06:29,679
Come on. Yeah!
150
00:06:29,680 --> 00:06:32,079
Hardly an ideal destination, though,
is it?
151
00:06:32,080 --> 00:06:33,760
Somaliland, ah...!
152
00:06:37,400 --> 00:06:39,239
It's...
153
00:06:39,240 --> 00:06:42,079
OK, erm... Yeah.
154
00:06:42,080 --> 00:06:44,999
Sorry. As a biracial black woman,
155
00:06:45,000 --> 00:06:48,799
I don't appreciate the racist
undertones of your comment.
156
00:06:48,800 --> 00:06:49,999
Fiona's black?
157
00:06:50,000 --> 00:06:51,399
Yes.
158
00:06:51,400 --> 00:06:53,079
My grandfather was Jamaican.
159
00:06:53,080 --> 00:06:54,719
Oh. And, yeah, he left my grandma.
160
00:06:54,720 --> 00:06:59,639
But I've been going to domino
classes to reconnect with my roots.
161
00:06:59,640 --> 00:07:04,879
Look, regardless, Abdul already
has to deal with society
162
00:07:04,880 --> 00:07:06,799
calling him a pirate. Whoa.
163
00:07:06,800 --> 00:07:09,839
For you to undermine his culture
as well...
164
00:07:09,840 --> 00:07:12,479
Yeah, I was referring to the
extremist terrorist threats,
165
00:07:12,480 --> 00:07:14,359
not...not pirates.
166
00:07:14,360 --> 00:07:18,959
Erm, I'm sorry for my
inappropriate and...
167
00:07:18,960 --> 00:07:20,560
FIONA SUCKS TEETH
168
00:07:23,560 --> 00:07:24,960
..racist comment.
169
00:07:24,961 --> 00:07:28,759
Are we OK to carry on,
or would we like to take a moment?
170
00:07:28,760 --> 00:07:30,120
We're fine. Calm.
171
00:07:32,000 --> 00:07:34,319
Abdul, you can go on.
So, we...
172
00:07:34,320 --> 00:07:36,670
TEARFULLY: I'd actually like to
take a moment.
173
00:07:37,200 --> 00:07:39,480
FIONA BREATHES DEEPLY
174
00:07:44,841 --> 00:07:48,319
Amy, you know I'm Ethiopian, right?
175
00:07:48,320 --> 00:07:50,080
100%. Cool.
176
00:07:50,081 --> 00:07:54,159
Fam, I don't know why Funmi's
wasting all this money
177
00:07:54,160 --> 00:07:56,079
on a birthday he won't remember.
178
00:07:56,080 --> 00:08:00,239
But, anyways, you man got your
tickets to the NLT party, yeah?
179
00:08:00,240 --> 00:08:02,239
Hmm? Come on!
180
00:08:02,240 --> 00:08:04,399
THEY LAUGH
181
00:08:04,400 --> 00:08:05,999
Kwabs, stop being tight, blud.
182
00:08:06,000 --> 00:08:07,799
I don't have the bread right now.
183
00:08:07,800 --> 00:08:09,119
Then take a job, fam.
184
00:08:09,120 --> 00:08:11,119
These tickets are an investment,
bro.
185
00:08:11,120 --> 00:08:13,879
Listen, you spend the ๏ฟฝ30 now,
meet one of your artsy babes,
186
00:08:13,880 --> 00:08:16,999
then you can take her out on
one of your little cheap dates.
187
00:08:17,000 --> 00:08:18,359
What are you talking about?
188
00:08:18,360 --> 00:08:20,079
Hey, Kwabs loves a cheap date.
189
00:08:20,080 --> 00:08:23,319
Walks in the park, visiting museums
and them tings there.
190
00:08:23,320 --> 00:08:25,079
And it's never the paid exhibitions.
191
00:08:25,080 --> 00:08:26,519
Always the free ones!
192
00:08:26,520 --> 00:08:28,319
I don't know why you men are
laughing.
193
00:08:28,320 --> 00:08:30,280
I took out Vanessa all the time.
Where?
194
00:08:31,720 --> 00:08:33,079
Bare picnics, fam!
195
00:08:33,080 --> 00:08:34,359
THEY LAUGH
196
00:08:34,360 --> 00:08:36,279
She's living her best life
in New York, though.
197
00:08:36,280 --> 00:08:37,919
Shame she left you for that
rich brother.
198
00:08:37,920 --> 00:08:39,399
Oh, mate.
199
00:08:39,400 --> 00:08:41,159
She didn't leave me for no guy,
bro.
200
00:08:41,160 --> 00:08:43,719
So, who was that guy that she posted
on IG in New York?
201
00:08:43,720 --> 00:08:44,960
That tall guy?
202
00:08:44,961 --> 00:08:48,079
Yeah, I can't lie, cuz,
they were looking mad cosy.
203
00:08:48,080 --> 00:08:50,800
Bruv, she can fuck whoever
she wants. I don't care.
204
00:08:53,240 --> 00:08:54,559
OK...
205
00:08:54,560 --> 00:08:56,439
THEY LAUGH
206
00:08:56,440 --> 00:08:58,399
Yeah, you know what?
I'm going to buy you a ticket, man.
207
00:08:58,400 --> 00:09:00,159
She can't be the only one moving on.
208
00:09:00,160 --> 00:09:01,759
Hey, my guy cousin.
209
00:09:01,760 --> 00:09:03,919
Big time director, what you say?
DOORBELL RINGS
210
00:09:03,920 --> 00:09:06,279
Hey, get him a drink, man.
Looking tight over there, boy.
211
00:09:06,280 --> 00:09:08,599
That's Auntie at the door,
so fix your face.
212
00:09:08,600 --> 00:09:10,719
You're looking stressed!
213
00:09:10,720 --> 00:09:12,679
Yemi, how are the girls? Them good?
214
00:09:12,680 --> 00:09:14,079
You know Talla, my youngest?
215
00:09:14,080 --> 00:09:16,039
She's in her second year
at Cambridge now. Nice, nice.
216
00:09:16,040 --> 00:09:17,679
I think everyone knows, Mum.
217
00:09:17,680 --> 00:09:19,600
If you see the pictures
she sends me.
218
00:09:21,080 --> 00:09:23,079
Look, this is her in her laboratory.
219
00:09:23,080 --> 00:09:24,319
Oh! She look good.
220
00:09:24,320 --> 00:09:25,799
We thank God, though.
221
00:09:25,800 --> 00:09:28,199
He blessed me with such
a brilliant daughter. Amen.
222
00:09:28,200 --> 00:09:29,639
Ahem!
223
00:09:29,640 --> 00:09:31,840
Two brilliant daughters.
224
00:09:33,160 --> 00:09:36,359
You know, Amy has a big job
in valuable entertainment.
225
00:09:36,360 --> 00:09:37,919
Factual entertainment, Mum.
226
00:09:37,920 --> 00:09:39,959
Taking care of the family, as usual.
227
00:09:39,960 --> 00:09:41,559
Trying.
228
00:09:41,560 --> 00:09:43,439
Ah, Kwabena.
229
00:09:43,440 --> 00:09:45,359
Are you working now?
230
00:09:45,360 --> 00:09:46,959
I hope you're taking care of Mum.
231
00:09:46,960 --> 00:09:48,799
Uh, not quite yet, Auntie.
232
00:09:48,800 --> 00:09:51,359
Erm, I'm having lots of meetings,
they've been really good,
233
00:09:51,360 --> 00:09:53,319
but haven't found the right one yet.
234
00:09:53,320 --> 00:09:55,039
Hey, Kwabena.
235
00:09:55,040 --> 00:09:57,239
So, you are still not working?
236
00:09:57,240 --> 00:09:58,359
Ah!
237
00:09:58,360 --> 00:10:00,479
I'm going to have to add you to
my prayer list.
238
00:10:00,480 --> 00:10:02,399
Well, ask the Lord for better
eyesight.
239
00:10:02,400 --> 00:10:05,439
Because from when since he's been
looking, him still can't find a job.
240
00:10:05,440 --> 00:10:06,999
SHE LAUGHS
241
00:10:07,000 --> 00:10:10,959
No, Uncle, I'm just saying I'm being
selective about the jobs I choose.
242
00:10:10,960 --> 00:10:13,039
Oh, so you're choosing poverty?
243
00:10:13,040 --> 00:10:14,799
Left the boy alone, eh?
244
00:10:14,800 --> 00:10:16,319
He must figure himself out.
245
00:10:16,320 --> 00:10:18,759
There's figuring himself out,
and there's living at home
246
00:10:18,760 --> 00:10:20,159
doing nothing. Nothing!
247
00:10:20,160 --> 00:10:22,639
Uncle, you literally cussed me out
for selling out Dorvin,
248
00:10:22,640 --> 00:10:24,479
but now you're saying I should take
any job?
249
00:10:24,480 --> 00:10:25,839
Well, you sell him out already, boy.
250
00:10:25,840 --> 00:10:27,399
Unless you selling it for free.
251
00:10:27,400 --> 00:10:29,119
Wait... A charity, this?
252
00:10:29,120 --> 00:10:31,239
Surely he's working small small, no?
253
00:10:31,240 --> 00:10:32,759
Work? Which part? Where?
254
00:10:32,760 --> 00:10:35,599
Kwabena is the only black man in
England that never get no work
255
00:10:35,600 --> 00:10:37,159
after Black Lives Matter.
256
00:10:37,160 --> 00:10:38,879
THEY LAUGH
257
00:10:38,880 --> 00:10:40,959
They even want me to come out
of retirement,
258
00:10:40,960 --> 00:10:42,399
and I not as black as he.
259
00:10:42,400 --> 00:10:43,839
Barely black.
260
00:10:43,840 --> 00:10:46,919
You and this backside light-skinned
business, again.
261
00:10:46,920 --> 00:10:48,279
Sis. What?
262
00:10:48,280 --> 00:10:49,399
She have a point.
263
00:10:49,400 --> 00:10:51,159
No, but the point is about
integrity.
264
00:10:51,160 --> 00:10:53,239
If I can stay at home,
save a bit of money,
265
00:10:53,240 --> 00:10:55,359
and just curate my career,
I don't see what the problem is.
266
00:10:55,360 --> 00:10:57,239
That's the problem right there, boy.
267
00:10:57,240 --> 00:10:58,719
Right there.
268
00:10:58,720 --> 00:11:01,879
Let me ask you, how much you can buy
with integrity nowadays?
269
00:11:01,880 --> 00:11:03,039
Hmm?
270
00:11:03,040 --> 00:11:04,320
Look upon your mother.
271
00:11:05,920 --> 00:11:08,199
She still have on her lanyard
272
00:11:08,200 --> 00:11:10,399
because she have to go to work.
273
00:11:10,400 --> 00:11:12,519
Today, on a Saturday.
274
00:11:12,520 --> 00:11:16,560
Cos her broad back son want to
curate him career.
275
00:11:17,680 --> 00:11:19,719
Get a life, boy!
276
00:11:19,720 --> 00:11:22,879
The only people in this house
without a job is you
277
00:11:22,880 --> 00:11:24,360
and the baby.
278
00:11:26,440 --> 00:11:28,880
# Happy birthday to you
279
00:11:31,360 --> 00:11:35,200
# Happy birthday to you
280
00:11:36,600 --> 00:11:40,279
# Happy birthday, dear... #
281
00:11:40,280 --> 00:11:42,280
SINGING TRAILS OFF
282
00:11:44,640 --> 00:11:46,280
He said something, innit?
283
00:11:48,320 --> 00:11:51,679
It's like no matter what I do,
this man always has a problem.
284
00:11:51,680 --> 00:11:52,880
Hmm.
285
00:11:52,881 --> 00:11:57,039
Maybe he's just jealous
that you're pursuing your dream.
286
00:11:57,040 --> 00:11:58,799
I mean, didn't he want to be
a singer?
287
00:11:58,800 --> 00:12:00,039
Want?
288
00:12:00,040 --> 00:12:01,799
The man sang at his brother's
funeral.
289
00:12:01,800 --> 00:12:03,479
Don't let him get to you, Kwabs.
290
00:12:03,480 --> 00:12:05,679
Look, I'm heading to this
film screening.
291
00:12:05,680 --> 00:12:06,999
You should come.
292
00:12:07,000 --> 00:12:09,119
There's going to be a little Q&A
afterwards,
293
00:12:09,120 --> 00:12:12,359
and it could be a good opportunity
for you to network.
294
00:12:12,360 --> 00:12:14,079
I'm not in the mood, I can't lie.
295
00:12:14,080 --> 00:12:15,359
Yeah.
296
00:12:15,360 --> 00:12:17,840
Best to go back upstairs to your
loving uncle.
297
00:12:20,080 --> 00:12:22,479
APPLAUSE
298
00:12:22,480 --> 00:12:24,879
What a brilliant film.
299
00:12:24,880 --> 00:12:29,719
Ladies and gentlemen, please give a
wonderful welcome to the producer
300
00:12:29,720 --> 00:12:35,279
of this film, who has returned from
America today to be here with us.
301
00:12:35,280 --> 00:12:36,360
Bridgette Julius.
302
00:12:42,320 --> 00:12:47,519
Bridgette, congratulations on
a truly incredible piece of work.
303
00:12:47,520 --> 00:12:48,919
Thank you.
304
00:12:48,920 --> 00:12:51,839
With such an accomplished film,
I'm scared to ask,
305
00:12:51,840 --> 00:12:54,199
where can you go from here?
306
00:12:54,200 --> 00:12:55,479
Erm...
307
00:12:55,480 --> 00:12:57,759
A genre-busting Regency drama.
308
00:12:57,760 --> 00:12:59,439
Ooh! Can you tell us more?
309
00:12:59,440 --> 00:13:00,999
I can, actually.
310
00:13:01,000 --> 00:13:04,239
It's an adaptation of my favourite
book, Sin and Subterfuge.
311
00:13:04,240 --> 00:13:10,519
It's a heart-wrenching romance about
a man who loses the woman he loves
312
00:13:10,520 --> 00:13:13,119
when she's forced to move to
the Americas.
313
00:13:13,120 --> 00:13:17,959
We're ripping up the rules of the
genre and using colour-blind casting
314
00:13:17,960 --> 00:13:21,799
to create aspirational roles for
black and brown actors.
315
00:13:21,800 --> 00:13:25,399
We want to make something
with integrity
316
00:13:25,400 --> 00:13:29,039
and substance that pushes the
boundaries.
317
00:13:29,040 --> 00:13:31,439
It will be like nothing you've ever
seen before.
318
00:13:31,440 --> 00:13:33,679
I'm really excited about it.
319
00:13:33,680 --> 00:13:36,600
Bridgette Julius, everyone.
Thank you. Thank you.
320
00:13:38,840 --> 00:13:41,239
Hey, shall we stay and try chat to
Bridgette?
321
00:13:41,240 --> 00:13:43,159
I've got an early start tomorrow.
322
00:13:43,160 --> 00:13:47,759
Uh, listen, I'll stay,
cos you have a job, I need one.
323
00:13:47,760 --> 00:13:50,680
All right. Tell me how it goes.
Yeah, catch you later.
324
00:13:53,120 --> 00:13:54,559
Yo.
325
00:13:54,560 --> 00:13:56,839
Sorry. Erm, did you direct The Naim
by any chance?
326
00:13:56,840 --> 00:13:58,279
Uh, yeah, yeah, yeah.
327
00:13:58,280 --> 00:14:00,559
Bro, it's sick, man.
I'm a director too.
328
00:14:00,560 --> 00:14:02,239
Came here to try and pitch to
Bridgette.
329
00:14:02,240 --> 00:14:03,999
Tinashe. Kwabena.
330
00:14:04,000 --> 00:14:05,520
Yeah, respect. Respect, man.
331
00:14:06,680 --> 00:14:08,519
Oh, rah, that's...
332
00:14:08,520 --> 00:14:09,570
THEY BOTH SIGH
333
00:14:11,840 --> 00:14:14,159
Bro, do you know what, yeah?
334
00:14:14,160 --> 00:14:15,639
I think she's going to the
green room.
335
00:14:15,640 --> 00:14:17,319
Just through here, man.
336
00:14:17,320 --> 00:14:19,719
Relax, though, man. I got this.
337
00:14:19,720 --> 00:14:21,439
You all right there, beautiful?
338
00:14:21,440 --> 00:14:22,799
Name's Tinashe.
339
00:14:22,800 --> 00:14:24,199
Are you on the guest list?
340
00:14:24,200 --> 00:14:26,159
Guest...
341
00:14:26,160 --> 00:14:29,200
My name is Kwabena Robinson,
I should be on the guest list.
342
00:14:30,400 --> 00:14:31,719
No.
343
00:14:31,720 --> 00:14:33,519
You're not on here, I'm afraid.
344
00:14:33,520 --> 00:14:34,799
You know what?
345
00:14:34,800 --> 00:14:36,799
That's the same problem I had
at the box office.
346
00:14:36,800 --> 00:14:38,639
They said if I said Nia's name,
it should be fine.
347
00:14:38,640 --> 00:14:39,719
Nia?
348
00:14:39,720 --> 00:14:41,960
Nia Hays. The host of the event.
349
00:14:43,480 --> 00:14:45,200
Look. See?
350
00:14:47,400 --> 00:14:49,399
Go ahead. Thank you. Thank you.
351
00:14:49,400 --> 00:14:50,839
Uh, this guy with you?
352
00:14:50,840 --> 00:14:52,039
Uh...
353
00:14:52,040 --> 00:14:53,640
This guy?
354
00:14:55,080 --> 00:14:56,200
No.
355
00:14:57,640 --> 00:14:59,560
Bro, you going to do me like that?
356
00:15:01,920 --> 00:15:03,879
Hey, Bridgette. Sorry to interrupt.
357
00:15:03,880 --> 00:15:05,119
I'm Kwabena.
358
00:15:05,120 --> 00:15:08,239
I just wanted to say your film
was phenomenal.
359
00:15:08,240 --> 00:15:09,959
Well, thank you. Thank you.
360
00:15:09,960 --> 00:15:12,279
Great show. Well done.
Oh, thanks. Good to see you.
361
00:15:12,280 --> 00:15:13,799
Uh, can I get you a drink
or anything?
362
00:15:13,800 --> 00:15:15,119
Actually, I'm just on my way out.
363
00:15:15,120 --> 00:15:17,319
Oh, erm... Wait, wait, here's the
thing. Here's the thing.
364
00:15:17,320 --> 00:15:19,559
Look, I'm a director,
and I'm looking for my first credit,
365
00:15:19,560 --> 00:15:22,039
but my agent keeps putting me up
for bare crap stuff.
366
00:15:22,040 --> 00:15:25,279
And hearing you speak tonight, it
was the first time I genuinely felt
367
00:15:25,280 --> 00:15:26,799
inspired by a project.
368
00:15:26,800 --> 00:15:29,199
And, look,
I know this might be brash,
369
00:15:29,200 --> 00:15:30,960
but could I interview for it?
370
00:15:36,040 --> 00:15:37,719
You know what?
371
00:15:37,720 --> 00:15:39,239
Here's my card.
372
00:15:39,240 --> 00:15:41,119
Have your agent get in touch.
373
00:15:41,120 --> 00:15:43,480
Thank you, thank you.
Have a good night, yeah?
374
00:15:45,720 --> 00:15:47,080
Mm-mm.
375
00:15:51,280 --> 00:15:52,330
Come.
376
00:15:54,000 --> 00:15:55,919
No, I'm easy, bro... I'm easy.
377
00:15:55,920 --> 00:15:58,040
Don't run. Come.
378
00:16:01,000 --> 00:16:04,119
No, Mum, they're not trying to break
your leg.
379
00:16:04,120 --> 00:16:05,999
Yeah, well, I got rid of
the last carer
380
00:16:06,000 --> 00:16:07,640
because you said she was nasty.
381
00:16:08,880 --> 00:16:11,519
No, she heard you.
She ain't coming back.
382
00:16:11,520 --> 00:16:12,919
Yeah, look...
383
00:16:12,920 --> 00:16:15,159
Mum, I have already paid for block
sessions,
384
00:16:15,160 --> 00:16:16,519
so we're just going to have to
firm it.
385
00:16:16,520 --> 00:16:17,999
DOORBELL RINGS
386
00:16:18,000 --> 00:16:20,839
Yeah. Erm, look, someone's at the
door, so I'm going to have to go.
387
00:16:20,840 --> 00:16:22,759
Yeah, OK.
We'll talk about it later.
388
00:16:22,760 --> 00:16:24,999
OK. Love you. Love you too.
Bye. Bye-bye.
389
00:16:25,000 --> 00:16:26,319
SHE GROANS
390
00:16:26,320 --> 00:16:27,960
DOORBELL RINGS INSISTENTLY
391
00:16:33,600 --> 00:16:35,240
MUFFLED: Argh!
392
00:16:40,360 --> 00:16:41,839
Sis! Tola.
393
00:16:41,840 --> 00:16:44,119
You know how we always used to do
each other's hair as kids, yeah,
394
00:16:44,120 --> 00:16:46,119
and now I'm doing all
the black girls' hair at Cambridge.
395
00:16:46,120 --> 00:16:47,679
I mean, there's only five
of us, but still.
396
00:16:47,680 --> 00:16:49,960
Tola, I'm working on my pitch
for tomorrow.
397
00:16:51,160 --> 00:16:52,639
What is this all about?
398
00:16:52,640 --> 00:16:55,479
Look, I'm wasting my time
at Cambridge, sis.
399
00:16:55,480 --> 00:16:59,159
These hands, they weren't meant
for surgery.
400
00:16:59,160 --> 00:17:00,839
They were meant
for 40-inch bust downs!
401
00:17:00,840 --> 00:17:03,159
Wait, wait, wait.
Let me get this straight.
402
00:17:03,160 --> 00:17:05,439
Are you telling me you're
dropping out of Cambridge to, what,
403
00:17:05,440 --> 00:17:06,999
be an IG hairdresser?! I can't lie.
404
00:17:07,000 --> 00:17:09,039
You sound bare elitist right now.
405
00:17:09,040 --> 00:17:10,119
Good luck telling Mum.
406
00:17:10,120 --> 00:17:11,500
Can I stay with you, please?
407
00:17:12,440 --> 00:17:14,060
Until I've figured that part out.
408
00:17:17,840 --> 00:17:22,040
Thanks! Oh, this is exactly
what I need.
409
00:17:22,041 --> 00:17:25,239
You should really drink red, though,
sis.
410
00:17:25,240 --> 00:17:26,800
It's good for your cholesterol.
411
00:17:29,000 --> 00:17:31,159
# I said the stormy days
are better, bro
412
00:17:31,160 --> 00:17:34,919
# Yeah, ever since I started
telling stories to the metronome
413
00:17:34,920 --> 00:17:37,439
# The stormy days are better, bro
414
00:17:37,440 --> 00:17:40,079
# Ever since I started
telling stories to the metronome
415
00:17:40,080 --> 00:17:42,520
# The stormy days are better, bro
Yeah. #
416
00:17:44,480 --> 00:17:46,839
Winston has finally got back to me
417
00:17:46,840 --> 00:17:49,159
and officially offered you
From The Boats.
418
00:17:49,160 --> 00:17:51,519
No, no, no, no. I don't want it.
SHE SIGHS
419
00:17:51,520 --> 00:17:54,799
What? I want Sin And Subterfuge.
420
00:17:54,800 --> 00:17:56,559
Kwabs, I know you love the project,
421
00:17:56,560 --> 00:17:58,959
and I've emailed about you,
but I never heard anything back.
422
00:17:58,960 --> 00:18:01,200
Then follow up. Come on, Drew.
423
00:18:01,201 --> 00:18:04,399
Look, I don't want to say this,
cos it sounds really mean,
424
00:18:04,400 --> 00:18:07,199
but I think that
Bridgette was just being nice.
425
00:18:07,200 --> 00:18:12,279
I'm sorry. I know that sounds awful,
but it's a big show,
426
00:18:12,280 --> 00:18:15,559
you know, and they are
interviewing much more
427
00:18:15,560 --> 00:18:17,479
experienced directors.
428
00:18:17,480 --> 00:18:20,759
From The Boats
is a great option, you know,
429
00:18:20,760 --> 00:18:23,159
and I've negotiated a good fee.
430
00:18:23,160 --> 00:18:26,679
This is a solid first directing job.
431
00:18:26,680 --> 00:18:28,440
Drew, I don't want to sell out.
432
00:18:30,720 --> 00:18:32,119
Well,
433
00:18:32,120 --> 00:18:36,639
the difference between selling out
and not selling out
434
00:18:36,640 --> 00:18:38,919
is making money.
435
00:18:38,920 --> 00:18:41,160
And that you haven't done.
436
00:18:50,120 --> 00:18:51,720
Hey, Mum. Hey, baby.
437
00:18:53,600 --> 00:18:56,839
Put this in the dishwasher for me
when you're ready.
438
00:18:56,840 --> 00:18:59,519
I'm stepping out. At this time!
Yeah.
439
00:18:59,520 --> 00:19:02,799
Emergency house call,
so I'll be late.
440
00:19:02,800 --> 00:19:05,359
I left some brown stew in the fridge
for you.
441
00:19:05,360 --> 00:19:10,279
Mum, I got offered
a TV job today and I took it.
442
00:19:10,280 --> 00:19:13,319
What?! Yeah. That's great!
443
00:19:13,320 --> 00:19:16,239
Yeah, it's not great,
but it's work, innit.
444
00:19:16,240 --> 00:19:18,479
They want me to start tomorrow,
so I'll be up all night.
445
00:19:18,480 --> 00:19:20,919
But, yeah. Now I can pay for bills
and stuff and...
446
00:19:20,920 --> 00:19:22,320
I am proud of you.
447
00:19:24,240 --> 00:19:25,799
Listen, Kwabs,
448
00:19:25,800 --> 00:19:27,839
I don't mind you staying here
with me, you know?
449
00:19:27,840 --> 00:19:29,839
You don't have to listen
to your uncle.
450
00:19:29,840 --> 00:19:32,199
I just want you to be happy.
451
00:19:32,200 --> 00:19:33,520
Yeah?
452
00:19:42,000 --> 00:19:45,000
UPBEAT MUSIC PLAYS
453
00:19:50,080 --> 00:19:53,200
MUSIC INTENSIFIES
454
00:20:05,240 --> 00:20:08,040
MUSIC SLOWS DISCORDANTLY
455
00:20:20,280 --> 00:20:21,360
I should do it.
456
00:20:23,880 --> 00:20:24,960
Don't do it!
457
00:20:30,080 --> 00:20:32,080
Yo... Stop. Stop!
458
00:20:47,280 --> 00:20:50,160
Please, sir. I want some more.
459
00:20:52,080 --> 00:20:55,679
More?! Not...not more. Just...
460
00:20:55,680 --> 00:20:57,120
Just the same as you.
461
00:20:58,320 --> 00:21:02,479
We've given you blacks
so much already. And we're grateful.
462
00:21:02,480 --> 00:21:04,319
But...
463
00:21:04,320 --> 00:21:06,240
..is it too much to ask for?
464
00:21:09,560 --> 00:21:13,559
Kwabena Robinson has asked
for more.
465
00:21:13,560 --> 00:21:16,919
For more?! If we give them all more,
466
00:21:16,920 --> 00:21:20,000
there'll be nothing left for us!
Why should we give you more?
467
00:21:24,320 --> 00:21:27,279
I may be black,
but I'm not like those blacks.
468
00:21:27,280 --> 00:21:31,360
MURMURING
Ah-ha-ha-ha! Ha-ha-ha!
469
00:21:37,280 --> 00:21:40,000
DISTORTED LAUGHTER
470
00:21:41,400 --> 00:21:42,679
Have more of this!
471
00:21:42,680 --> 00:21:44,280
Argh!
472
00:21:49,040 --> 00:21:51,800
UPBEAT MUSIC PLAYS
473
00:21:56,000 --> 00:21:58,000
PHONE VIBRATES
474
00:22:09,120 --> 00:22:12,279
Hey, I'm here for a meeting. Hi.
475
00:22:12,280 --> 00:22:14,920
What's your name? Kwabena Robinson.
476
00:22:18,400 --> 00:22:21,879
Huh. Can't see you on here.
477
00:22:21,880 --> 00:22:24,119
Yeah. Um... Look.
478
00:22:24,120 --> 00:22:25,519
PHONE RINGS
479
00:22:25,520 --> 00:22:26,680
Sorry. One sec.
480
00:22:28,960 --> 00:22:30,010
Hi.
481
00:22:30,011 --> 00:22:33,039
Deliveries go around the back.
Oh, for Christ's sake.
482
00:22:33,040 --> 00:22:34,880
OK, I'll come down and let you in.
483
00:22:35,960 --> 00:22:37,039
I'm so sorry.
484
00:22:37,040 --> 00:22:38,959
If you could just take a seat
and I'll be back in five minutes.
485
00:22:38,960 --> 00:22:40,240
Yep. Sure.
486
00:22:46,120 --> 00:22:48,080
PHONE VIBRATES
487
00:23:03,160 --> 00:23:04,240
Come in.
488
00:23:06,320 --> 00:23:10,719
Bridgette. Hey. So sorry to
barge in on you both like this,
489
00:23:10,720 --> 00:23:12,799
but I haven't stopped thinking
about the talk
490
00:23:12,800 --> 00:23:14,679
you gave on Sin And Subterfuge
the other day.
491
00:23:14,680 --> 00:23:16,559
And I was just wondering
if I could have, like,
492
00:23:16,560 --> 00:23:19,000
15 minutes of your time
to pitch my vision for it.
493
00:23:20,040 --> 00:23:22,639
Sorry. Do you know him?
494
00:23:22,640 --> 00:23:25,999
Oh, this is...Kwabena, right?
495
00:23:26,000 --> 00:23:28,799
He's a young director looking
for his first credit.
496
00:23:28,800 --> 00:23:30,559
Well, it's great to see you again,
497
00:23:30,560 --> 00:23:32,999
but I'm afraid we've wrapped up
the interview process.
498
00:23:33,000 --> 00:23:34,879
Have you decided?
499
00:23:34,880 --> 00:23:36,359
Look, I understand your reluctance,
500
00:23:36,360 --> 00:23:39,919
and I know this looks crazy,
but I know I can do this.
501
00:23:39,920 --> 00:23:41,719
My last short film,
it won a Bifa award,
502
00:23:41,720 --> 00:23:43,519
and I'm looking for
my first opportunity.
503
00:23:43,520 --> 00:23:47,159
And I do believe this is it.
I appreciate your passion.
504
00:23:47,160 --> 00:23:49,039
I'll keep you in mind for projects
in the future.
505
00:23:49,040 --> 00:23:51,680
No, no, no, no.
Hang on, hang on a minute.
506
00:23:53,360 --> 00:23:55,679
Do you know what?
I respect the hustle.
507
00:23:55,680 --> 00:23:58,679
Thank you so much, um... I'm Simon.
508
00:23:58,680 --> 00:24:03,479
I'm the MD here at Ecofield
and an exec on Sin And Subterfuge.
509
00:24:03,480 --> 00:24:05,839
Pleasure to meet you, Simon.
510
00:24:05,840 --> 00:24:08,960
You've got 15 minutes.
Thank you. Have a seat.
511
00:24:13,560 --> 00:24:16,879
Amy. Hey, Heather. I was thinking
512
00:24:16,880 --> 00:24:18,359
about season one of
My Favourite Meal.
513
00:24:18,360 --> 00:24:20,599
Oh, I heard back from the network
last night.
514
00:24:20,600 --> 00:24:22,439
They loved My Favourite Meal... Yes!
515
00:24:22,440 --> 00:24:24,639
..but they don't have
the money to fund it, I'm afraid.
516
00:24:24,640 --> 00:24:25,720
I'm sorry.
517
00:24:25,721 --> 00:24:28,479
Oh, I really thought
they'd go for it.
518
00:24:28,480 --> 00:24:31,799
Mm. Um, well,
I can rework the costs.
519
00:24:31,800 --> 00:24:33,439
Um, we can just use UK celebrities.
520
00:24:33,440 --> 00:24:36,039
Ah, you see, this is just the kind
of creative thinking
521
00:24:36,040 --> 00:24:38,439
that tells me you will make
a great producer
522
00:24:38,440 --> 00:24:41,639
for our new commission.
Emma, thank you!
523
00:24:41,640 --> 00:24:42,679
What's the show called?
524
00:24:42,680 --> 00:24:45,399
Hot Baps! And they've commissioned
it with a real commitment to
525
00:24:45,400 --> 00:24:47,599
diversity behind the camera
and on screen.
526
00:24:47,600 --> 00:24:50,519
So it's still a win for us...sister.
527
00:24:50,520 --> 00:24:55,359
OMG! Are we making Hot Baps?!
Yes, we are!
528
00:24:55,360 --> 00:24:59,239
THEY LAUGH AND SQUEAL
Hot Baps! Brot Braps!
529
00:24:59,240 --> 00:25:01,639
I knew I was onto a winner.
Yeah. Great idea!
530
00:25:01,640 --> 00:25:03,319
Loved it from the start.
Loved it from the start.
531
00:25:03,320 --> 00:25:04,599
Oh, thank you so much.
532
00:25:04,600 --> 00:25:06,119
You look...
I love this, by the way.
533
00:25:06,120 --> 00:25:07,279
SHE BREATHES DEEPLY
Thank you.
534
00:25:07,280 --> 00:25:08,720
African queen! Oh, Jamaican.
535
00:25:12,320 --> 00:25:14,399
SIMON: I really like Kwabena.
536
00:25:14,400 --> 00:25:16,759
That pitch blew everyone else
out of the water.
537
00:25:16,760 --> 00:25:19,039
And I think he'll bring something
that no-one else can.
538
00:25:19,040 --> 00:25:23,160
I agree he does have talent,
but he's not ready though, is he?
539
00:25:24,840 --> 00:25:26,890
Well, we'll discuss
more options later.
540
00:25:31,000 --> 00:25:33,160
PHONE VIBRATES
541
00:26:01,880 --> 00:26:02,930
Oh!
542
00:26:04,800 --> 00:26:07,920
Right. That is little man
down for the night.
543
00:26:09,480 --> 00:26:10,560
What you saying, man?
544
00:26:16,560 --> 00:26:17,999
Kwabs, you good?
545
00:26:18,000 --> 00:26:22,719
Bro, how can Simon,
some random guy give me a chance?
546
00:26:22,720 --> 00:26:25,250
And it's Bridgette,
the one who wasn't backing it.
547
00:26:25,251 --> 00:26:28,599
You just have to forget about her.
Move on to the next thing.
548
00:26:28,600 --> 00:26:30,519
Oh, Jesus, Mo! Give her a chance.
549
00:26:30,520 --> 00:26:32,639
She just came back from America
a few weeks ago.
550
00:26:32,640 --> 00:26:34,879
Yeah, but what does Bridgette coming
back have to do with anything?
551
00:26:34,880 --> 00:26:36,799
Who's Bridgette? The black producer.
552
00:26:36,800 --> 00:26:38,730
The woman
who I just interviewed with.
553
00:26:39,880 --> 00:26:44,679
Oh, shit! Um... Wait,
but who's come back from America?
554
00:26:44,680 --> 00:26:46,790
Yeah. Who's come back from America,
babe?
555
00:26:47,880 --> 00:26:50,759
Vanessa's back from New York.
What?! What?!
556
00:26:50,760 --> 00:26:53,559
Did you know? How do you know?
Sorry, Kwabs.
557
00:26:53,560 --> 00:26:54,759
We still follow each other on Insta
558
00:26:54,760 --> 00:26:56,359
and she liked one of my stories,
and we got chatting.
559
00:26:56,360 --> 00:26:57,439
You didn't tell me?
560
00:26:57,440 --> 00:26:59,239
Why didn't you tell us, babe?
That's crazy!
561
00:26:59,240 --> 00:27:00,839
Maurice was supposed to tell you.
562
00:27:00,840 --> 00:27:03,039
Nah, you lot violated.
Don't need a job.
563
00:27:03,040 --> 00:27:05,279
Don't need Vanessa.
Don't need none of it.
564
00:27:05,280 --> 00:27:06,599
Just forget this shit.
PHONE VIBRATES
565
00:27:06,600 --> 00:27:07,799
OK, Kwabs, it's not even that deep.
566
00:27:07,800 --> 00:27:09,399
Like, just give her a text,
for God's sake.
567
00:27:09,400 --> 00:27:11,999
OH! Oh! ARGH!
Hey, Kwabs. You good?!
568
00:27:12,000 --> 00:27:15,159
Yes. You man don't got me.
I got me!
569
00:27:15,160 --> 00:27:16,679
OK. Yeah.
570
00:27:16,680 --> 00:27:19,560
He's taking this much worse
than I thought, babe.
571
00:27:19,610 --> 00:27:24,160
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
42665
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof