All language subtitles for BOY - Bruises of Yesterday (2024).en

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Original subtitles

[MUSIC PLAYING]

(door opening)

(guns firing)

(footsteps thudding)

(panting)

[MUSIC]

♪ Strap it all ♪

♪ For a clear strap ♪

♪ The odds ♪

♪ Are all mine and then ♪

♪ And I lose some of my tenderness ♪

♪ So when it hits your back ♪

♪ In a run-run style ♪

♪ Surrealism and I'm glad ♪

(gentle music)

Make us soup.

- The, the couldn't but a.

(chains clanking)

(door closes)

(eerie music)

-Fly, you can sit here. -I'll go with Silen.

-I see. -It's a crime if no one is.

-You shouldn't vote for the bird. -No, you shouldn't.

(dramatic music)

- Well, don't bear it now, you have to. - What's the matter with that? It's a secret. They tell you where you have buried and where you have to go. They always confuse you.

I'm pretty sure your mother is pregnant. But I don't know anything about it.

I need to go to the workshop. You can just go out while I'm away.

You'll see if Mom and Mom are gone.

Yeah.

(footsteps)

(glass clinking)

- It's getting hot.

Huh?

Yeah, you'll get a little more sauce.

There you go.

I've seen you through your pictures.

Do you want to drink more?

No thanks.

You're the least eatable person you've ever made.

(clinking)

What? What is it? Can you close the door?

(snoring)

(engine revving)

(sneezes)

(engine rumbling)

He doesn't need it anymore. Take it now, so you can sit.

He's clear.

Now you're his.

Come. Come, you little one.

Come on. -Grab.

Yes. -Yes.

Mom. -Yes? -Mom, why are you laughing?

Come on, grab.

[BIRDS CHIRPING]

Now you are really here. - Who? - The mother.

The mother of death, you know that well. It's a topias.

Give me your hand. It's that way. Come and walk in. Yes.

I'll take care of it. There you go. It's a good way.

(birds chirping)

(phone ringing)

[Motorcycle engine]

Okay. Okay.

(birds chirping)

(birds chirping)

- Hi. - Hi.

You're starting to get angry?

- What? - I'm getting angry.

Well...

- Yes, that's what he can say. - I just heard he's over in the summer.

- It doesn't sound so bad. - It's better than working on the grill.

- The night? - Yes, if it's a summer-like joke.

- But it wasn't summer. - It was actually a summer where I worked on the grill at the beach.

I was completely in the mood to get home. - The tourist is the one I love.

Yes. Tourist tourist.

What's going on? You're not going down the beach? - Yes. - And you're asking for a ride?

See you, see you. - I'm just...

Do you want to meet today?

(soft music)

(speaking in foreign language)

(dramatic music)

Mom, do you know him? No. No, okay. Do you know him?

Yes, a little. He's a painter.

A painter?

Yes, you'll call them first to me and then to him.

For that matter, he's a kind of painter.

- What? - No, nothing.

- Want me to try? - Yes.

I'll try it later. And then we'll take a stump.

You put your left hand here. And the one I'm going to sit with, that finger.

- Then it needs a vial. - How?

Then you hold it in a small hole.

About a centimeter from the edge, then you start to just...

Yes. Can you hear that sound?

Yes.

- Yes, of course you can hear it. - Yes.

It's in the blue, you know.

Yes, can you hear it?

Good.

(water running)

No, they're perfect. - No, I'm not.

I'm glad you're alive. - You can't be.

You don't have to decide.

[knocking]

(birds chirping)

- What about you? - I have my own little pecs here. There's always a family that needs to be fixed or signed. - So, have you ever lived here? - Yes. I have. - I have. - I have. - I have.

I hope I'll die if I have to be around the wind.

Die right in front of me?

Maybe die.

But hell die.

But you can't die hell.

You can do it.

Okay.

But when you're not here, then?

Then nothing.

But it has to be somewhere else where you don't die. - No, but I just... - In the winter. - I just... - Then you just have to go.

You don't have to know everything. - Yes, I actually have to.

(chuckles)

- How old are you?

- How old do you think?

- I don't think I'm asking you.

- Yeah, 19. - 19.

- Is it very nice? - Yes.

(car engine starts)

No, thank you.

You're afraid I'll get cut?

Yes, come on.

Sit down here.

I can't live without a hat like that.

No, it's been too long.

Why sit down?

I do.

I've been cut many times, and I've cut your mother.

Come down now.

Yes.

- And take the blood sample, so it doesn't get too hard. - Then I'll take the blood sample.

Hold your mother. There's nothing I can't see before. Take it away.

Come to me.

I've been cutting your mother for a long time.

Yeah, until she got into one of us and then she got mad at me.

Yeah, so we suddenly said, "I'm just in good mood."

Yeah, she was a little... a little girl who was always so kind to someone she loved.

But, uh, she was always so nice to me.

I was also very nice to her.

It's that scene, isn't it?

It's that scene, but... it's just a little bit of a puzzle, isn't it?

And this

(car engine starts)

(phone ringing)

(engine rumbling)

- Bye.

- What do you want?

What the hell do you want?

- Nothing.

You don't know my type.

(door opens)

[sirens wailing]

After all, it's been four to the amour, but you must check them all together.

Yes, but we'll see right away.

Hold it there.

Let's go.

[BREATHING HEAVILY]

[MUSIC PLAYING]

(footsteps)

- What? - I can't just... - No.

I think it's best you have your father.

- But I can't just stay here. - No.

- But if I just... - I have told you about it.

I'm going to meet him.

What are you going to meet?

I'm not going to meet him. I don't care.

No, he's your father. He's in the summer house, so it's not that far away.

-Hi. -Hi, Tobias.

Good to see you.

I hope you'll be able to get some fresh air. - Thank you.

Shall we go?

Try it now.

I'm looking forward to seeing you.

Are you sick?

(sirens blaring)

It's almost no all summer. If we want to be on the road...

There's a skate track coming, not far from home.

It's going to be a lot of fun. I'd love to hear it.

Classical?

Yes.

(soft music)

- I don't know.

- I don't squab.

(gentle music)

You should be away from all this. You have to sleep on your own. So you can be here. Then you should let us know if you're sleeping.

Yes, that's the way it is. Your word.

- Hello. - Hi.

He's going away.

Hello. How long does he have to be? - Tobias is just as long as he wants to be.

I'm warm and I can't be so happy. But you're always welcome.

What? - We're just sitting together.

Do you remember what it was? - I can't remember.

I remember you. I remember you were wrong.

Is that good enough?

Is there anything else you want? A soda water?

No, that's okay. You have some legs, don't you?

Yes, that's enough. It's fine, isn't it? You can.

I can't drink coffee. You can't drink coffee.

No, I hate it. I've had enough.

No, now we're sitting here, now we're having fun. It's not good enough.

You think so too, don't you?

[BREATHING HEAVILY]

[BANGING]

Come on, get in the water.

No, I don't think so.

Come on, it's good.

(indistinct chatter)

(speaking in foreign language)

(speaking in foreign language)

(speaking in foreign language)

[MUSIC PLAYING]

(car engine starts)

[eerie music]

I'm going to take him to my mother. - What?

I talked to my mother and he said I'd take him home.

I don't think you should. If I'm so happy you're here, I'll do something.

I just want him home.

Come on, now. Try to get your dad out of here.

What the hell? I don't care what he's got.

I don't care if he's got a fucking family.

[DOOR OPENS]

Scared Colonel?

Tobias?

(train rumbling)

It doesn't mean anything.

The shield is broken. Who says that?

It was my mother who told me that.

Okay. What can you see?

Come on, what can you see?

- What?

- I can see that you...

...became old.

And that you... - How old are you?

- I can't tell you.

(laughs)

(door slams)

- Whoa.

(speaking in foreign language)

You can do it, Olli.

- What do I do? - Okay, put it here.

- Yes. - And you need the back foot here.

The rotator is completely out here. So you just stand like this.

And then press down here while you slide up here.

And up.

Okay.

Yes, but I'm just trying.

Okay, so...

You have your foot here and...

- Should I hold it? - Yes.

Ah, so you were completely down and then you had the foot down?

Yeah, just.

Yes.

Are you ready? - Yes.

Take it easy.

Are you trying again? Is there any game? - No, no.

It's possible. What?

I just can't stand them.

What do you mean?

I can't believe it.

What the hell do you think?

I can't give you any problems.

It's just that...

I don't want any problems.

Tobias...

You're mistaken.

I don't think so.

[MUSIC PLAYING]

[MUSIC PLAYING]

(car engine)

(panting)

(footsteps)

- But who's in?

- They don't know.

Yeah.

[ Silence ]

(footsteps)

(ominous music)

[sighs]

(ominous music)

(knocking)

(door opens)

(door closes)

(door closes)

(door closes)

- Hey. - Hi.

Come in for me.

(door opens)

- Okay.

(door opens)

(door closes)

- What are you doing here?

- I don't know.

I...

I didn't...

If it weren't for Susana.

(footsteps)

(coughing)

(panting)

- Are you scared with your hand?

I just feel your pain.

And it's...

Ignore.

(eerie music)

(ominous music)

(soft music)

- We'll see you later.

[ Silence ]

(soft music)

- What? - How old are you? - 16. Why? - What? - Why... do you have hair? - It's okay.

(car engine starts)

- Thanks for work.

- You're most after, Enus, yeah? (laughs)

- What about that? - Yeah.

- That's why you didn't love me.

[SUSPENSEFUL MUSIC]

[Music]

[Music]

(dramatic music)

(ominous music)

(door opening)

(soft music)

No, you're not stupid.

Do you want to be with me?

Of course.

I just need two cups, I need to see some ideas.

Fuck, I...

I forgot my curve-cruel. - It's hard to see any idea.

Come.

I forgot an idea, and I'll just see.

You should go to the bathroom.

Do you have anything to do with you?

Yes.

- Let's try and get some of this first. - Okay.

[MUSIC PLAYING]

(wind blowing)

(thunder rumbling)

[Bell tolls]

[ENGINE REVVING]

Ben, there.

(car engine)

- So, could we? - What do you say?

Put it in.

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

Come here and get your stuff.

She's not going to work this time.

What? What's she doing?

She's just going home. I don't think she's had any work for a long time.

She's still going to work tomorrow.

You can stay here. I don't think you should go home right now.

- I fucking had it in. - Well, what do I have to say? Tobi, yes.

- I never forgive you. - Can you help me?

- Do you think it's a good idea? - Yes.

I know where you're going. Of course, I won't save you.

Just money, right?

So what?

What's the matter?

What's the matter?

- I'll see you later then.

- There's another one.

Yeah.

It's not even done yet.

What do you think?

A new roof?

A school or a pub?

(dramatic music)

- What's the matter?

Come here, come here.

(ominous music)

[Bell]

(heavy breathing)

- No. - So Trøyner, come now. - Go. - Come now.

You want to talk to some guys and need some help?

(sips)

(thumping)

(thunder rumbling)

I've seen you before. - Yes.

It was there that the round turned out of my house.

No, it wasn't.

(panting)

♪ I'll see it I've had and felt that ♪

♪ And then I'll find who when I die ♪

♪ The one I know I've lost ♪

♪ Oh ♪

[MUSIC PLAYING]

[Music]

Tobias?

Come in.

Where have you been?

What, for some money?

Yeah.

I'd like to know.

- It's not my place, you ask. - Shut up. I found it between your clothes. I don't know what you're doing. - You could be just fine. Aren't you? - No, of course I am. - Is it Arne? - Arne. - Yes, is it Arne who beat you? - Where do the money come from? - I don't know. - I don't know. - I don't

- Do you really want to know? - Yes, because I'm getting a lot of money. - Good luck.

I'm begging you to call an old man like you for 500 crowns.

Tobias, I'm sorry. I'm sorry.

I love being cut out of a wrinkled old dick.

Was that what you wanted to hear? Was it? That I'm being bullied in the court?

That I love getting a big, angry dick in the court?

Yes.

Just... get him slow. Slow him.

Again. Cut again.

Cut again.

(door slams)

(dramatic music)

[dramatic music]

♪ ♪

♪ ♪

[laughter]

(men laughing)

[GUNSHOTS]

(ominous music)

[music]

(gentle music)

(sizzling)

So I just...

Yes? What?

I don't know. I mean...

Just me.

Hmm. Yes.

Hmm, would you like to tell me a little more?

[door opens]

[MUSIC]

[wind blowing]

(water trickling)

- Let's go. - Okay.

- Do you have a... - What?

- What? - No.

(chuckles)

(speaks in foreign language)

I have it in my mouth.

It's good to hear.

There's something I can tell you.

Yes.

Excuse me.

-I'm sorry. -Yes. I'm sorry for all the lies and the secrets. Because I called you all. -Yes, I think it's me who should say sorry. -What do you mean now? -Yes, I... I lost you. I didn't know if you wanted to see me. -I would like to. -Yes. -I'm sorry. -Yes. -I'm sorry.

I miss you. So I will also hear when I come out from... when I come back I might be able to live strong again.

Do you know that? Of course. Of course you can. Of course.

Yes, I miss life and home, that's really it.

And she always said...

...the memories were a secret.

But you don't have to collect them. If you do, you'll live.

♪ ♪

Yeah.

♪ Did I just come and fall ♪ ♪ Oh, that ♪

♪ I'm alive, I'm alive, I'm alive, I'm

I'll smear your lips and let them...

...offload on the night.

And I'll kiss your hand on your lips.

I'll plant a biscuit on you.

I'll love, I'll love, I'll love, I'll love

♪ I am alive, I am alive ♪

♪ Ah ♪

♪ Faggots are still unknown ♪

♪ All of us in conform ♪

♪ By God ♪

(gentle music)

[Music]

♪ And only by, and no cry from the muddle-up ♪

♪

♪

♪

♪ I said I'd be so weak and ♪

♪ If I held myself ♪

♪

♪ It's hard as long I yearn ♪

♪ If you come again ♪

♪ First you again ♪

♪ For your mind and I ♪

♪ For a second I ♪

♪ For a second I ♪

♪ If you ever ask for me ♪

♪ If you suffer my ♪

♪ Outsent or dull ♪

♪ If you will ♪

♪ But I no longer need that ♪

Ah...

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