Original subtitles

(upbeat jazz music)

(whistling)

♪ I'm in the mood for you, dear ♪

♪ Table for two, please be there ♪

♪ Let's get together, take my heart ♪

♪ Just love to dance, let's start ♪

♪ Romance is first in my mind ♪

♪ Someone to love ♪ (audience applauding)

(car horns honking)

- Well, I don't know about that.

Are these the kind of guys you want looking

after your children?

Or your grandmother?

- [Man] Pan, ready.

- Because you know, they say,

"Clothes make the man,"

and I can see what a nice little three piece suit

something cashmere.

- [Man] Take two, widen.

- [Woman] Okay, wrap it up.

- I digress.

Innocent motorcycle enthusiast or dangerous criminal?

- Take one.

- These guys, they just say they love to ride.

- [Man] Take two, ready three.

- [Shona] I'm lookin' here and I'm thinking,

well, to Shona, it looks like they are riding down the

highway to hell.

(crowd cheering)

- Ready two?

Take two, take two.

- [Shona'] Oh my.

- [Man] Take two.

- They're big.

(laughs)

This is Shona, and that's our show for today.

But do tune in tomorrow, when you will meet

four women who's jobs have destroyed their lives.

See you tomorrow.

- Music up.

Take us high and wide.

Ready, take three.

(upbeat jazz music)

Ease up, and undercut one.

Undercut two.

- [Man] And five,

Three, two.

- And bingo.

- [Man] One.

We're clear.

- Okay, we're out, thank you, people.

Tech run, 10 a.m. tomorrow.

So, what have we got for the rest of the week?

- Okay.

Monday, "I'm Suing My Folks."

We've got three couples confirmed.

Their preteen kids and their kids' lawyers.

- How does a kid that young know how to get a lawyer?

- Oh, it's a whole new world out there.

Tuesday, "I Found My Birth Mom,"

we've got five guests confirmed, two happy reunions,

and one horror story.

Wednesday we're on repeats.

Probably go with "Women Who Married Their Ex-Husband's

"Brothers," and on Thursday, "I'm Pregnant

"By a Transsexual."

- How did that get in?

- Shona suggested it.

She said the show needed a little bit more...

- Sex.

Oh, you haven't heard that word lately.

You know, you should try watching some of those

other chat shows, the ones with ratings.

- Now, Shona, our show's ratings...

- Our shows are using topics that Oprah burned out

20 years ago.

Darcie, people today want to know about

teen hookers, they want to know about elicit

affairs with their in-laws.

People today want to know that there are folks

out there whose relationships are even more

dysfunctional than their own screwed up lives.

Okay, now, what is happening with that,

"I Found Love on the Internet" or whatever that is?

- It's on, for this Friday.

We've got two couples who found true love.

Three who found true lust.

A woman who pretended to be wealthy

and wound up getting 400 replies.

I even have a friend of mine going out

on a different internet date every night

for a week to find out what percentage

are winners.

- Hmm, well, we'll see how that pans out.

Look, I am warning you, honey.

Ratings are harder to come by than new producers.

Take care of that, will you?

Excuse me.

Mr. Grasow, Mr. Jacobson, we so have...

(all chattering)

- Michelle, hold a slot next week for

"Jobs I'd Like to Quit."

(upbeat jazz music)

♪ Romance is first in my mind ♪

- [Man] Showtime.

♪ Someone to love, to be mine ♪

♪ 'Cause everything I do is for love ♪

♪ I just like to dance, let's start ♪

- Hey.

Hi.

- I love the glamor of show business.

- You didn't know what you were letting yourself

in for, did you?

- After this, one more date, one more report,

my career in show business will be over.

- Aw.

- Oh, excuse me.

Before I forget, I made something for you.

- Oh.

Oh, Erin.

It's beautiful.

Thank you so much.

- Something to wear when you go out to meet men

the old fashioned way.

- Oh, I'm sorry to put you through this.

- Please.

I'm having fun.

How often do I get to date liars, losers,

and married men, all in one week?

I've even met a couple I might like to see again.

- So, who's Prince Charming tonight?

- He's a mystery.

All I know is he signed himself, "Loves Music,

"Loves to Dance."

- Ready?

- [Man] Here we go miss, on the count of three.

Two.

- Hi, everybody.

It's me again, back to report on date number six.

I wanted romance, I wanted excitement.

Well, number six was not the man to show them to me.

Once again, true love didn't happen.

(ominous orchestral music)

- You know what I'm doing, don't pretend that you don't.

You're not doing this for me, it's for you.

It's all for you.

Stop it.

Get off your high horse.

Who's the one who's always whining about

not being able to find true love?

I'm just trying to bring her to you.

Do you know what happened to her?

Just like all the others.

Just like our dear Annie.

You remember her, don't you?

How much you loved her?

How she treated you?

How she treated us?

(screams)

(blowing)

(all clapping)

(upbeat dance music)

(all chattering)

(gasping)

- Hi.

I can't believe it.

It's absolutely wonderful.

♪ Only love for you ♪

♪ You can't see ♪

♪ Those in life ♪

♪ Mandy, Mandy ♪

- [Man] Hey, Romeo, get over here.

- [Man] Hey.

♪ Out of sight ♪

♪ Somebody's been lying to me ♪

♪ Enough and I've been lying ♪

- What are you doing out here?

- [Man] It's such a nice party, Anne.

You forgot to invite me.

- We talked about this.

I thought you understood.

I can't play this game anymore.

- [Man] I thought I understood, too.

I thought we were special.

- Don't do this.

- We're good together, Anne.

(applause in distance)

- [Woman] Anne.

- I brought you a birthday present.

Open it.

Please.

(tense music)

Dancing shoes.

Wait.

Just one dance.

And then I'll go away if you want.

We were meant to be together like this.

- No, no, I can't do this.

No, this is wrong.

- Annie, please, please.

- Stop, get off of me.

- [Man] Anne, Anne, Anne.

- [Anne] Let me go, let me go,

let me go.

(ominous music)

- [Man] Anne, Anne?

Anne, where are you?

(woman screaming)

(screaming)

- I thought you'd remember that.

She's out there.

She has to be.

Maybe the next one.

♪ We'll take a chance ♪

♪ And find romance ♪

And if she isn't.

At least we can share a dance.

(ominous orchestral music)

I know.

I wish it had been her, too.

(phone ringing)

- [Erin] Hi, this is Erin, I'm not here

right now, but don't hang up.

I can't call you back unless you wait for the beep.

(machine beeps)

- Erin, it's me, I'm at the studio.

Waiting for you to come and do your report.

You're not on your cell and you're not at home

and I'm getting worried.

Would you call me, kid.

Bye.

Michelle, has Erin called?

- No but she was supposed to be here an hour ago.

- And she never showed?

- [Michelle] No.

- That's so night Erin.

- Maybe last nights date went better than she expected.

- Oh no.

Not on a first date, no way.

We've been best friends since grade school

and I know her better than anyone.

One nighters are not something she does.

No I'm getting worried.

(dramatic orchestral music)

You know what I'm gonna go over there.

Yeah hold all my calls, anything urgent transfer it to

the cell and if Erin calls, hook me up.

(knocking)

Erin?

Erin!

Erin, are you here?

Erin?

(eerie ambient music)

(computer beeping)

Erin, it's me.

I'm at the studio, waiting for you to come

and do your report.

You're not on your cell and you're not at home.

(machine beeping)

- [Tom] Hi Erin, this is Tom Souther.

I got your email about my personal ad

and I've been trying to get in touch with you.

I just found a great new restaurant in the village

and I'd loved to take you there.

Call me.

- [Paul] Erin, Paul Nash.

I guess I'm just calling to say I enjoyed meeting you the

other night and I'd really like to see you again.

If you have a chance, call me back.

- [Ando] Erin it's Ando at Fogoland.

Mrs. Arturo was here for her necklace two hours ago,

this is a $40,000 transaction.

Call me please.

(machine beeping)

(sniffing)

(groaning)

(suspenseful orchestral music)

- Erin?

What are you doing here?

- Erin said the window was broken.

- Is that why you're fondling her clothing?

I came in to fix the window that's all.

The sweater fell down, I picked it up.

I wasn't doing nothing.

- How did you get in here?

- I'm a super.

I got keys to all the apartments.

Like fix something.

- When did she tell you about the window?

- Yesterday morning maybe.

Maybe the day before.

I'm busy.

- Just get out.

Erin, where are you?

(slow dance music)

♪ So, now that you've heard ♪

(ominous orchestral music)

♪ Join me forever ♪

♪ With you here ♪

♪ Let's get together ♪

♪ It's my heart ♪

♪ I just love to dance, that's all ♪

(siren wailing)

- Ma'am there's nothing I can do

for you right now.

In the case of an adult, we can't take a missing person's

report until 48 hours after their disappearance.

- What are you talking about?

- People usually show up within that time.

Your friend's probably okay.

- If she were okay she would have gotten

in touch with me by now.

Now I need to talk to someone who can help me.

- Ma'am there's a procedure!

- Just so you know, I'm the producer of "The Shona Show,"

and I guarantee you that your procedure will be the focus of

a special edition.

Let's see what the rest of the country thinks about it huh?

- I'm Detective D'Salva, may I help you?

- Yes my friend has gone missing and this Sargent

here says he can't do anything for 48 hours.

I mean I know that something's wrong.

- Ms. uh...

- Scott.

Darcy Scott.

- Ms. Scott I'm sorry I don't know what we can do for you

right now.

To investigate a person that doesn't come home for

one evening, that isn't very practical.

People usually show up.

- Oh so you have to wait until someone's in the hospital or

the morgue before you can do anything.

- All right why don't we take this upstairs.

- [Darcy] Yeah.

- [Officer] Don't even think about it

(chuckles)

she'll eat you alive, man.

(laughing)

- This is how it works, unless there's evidence of a crime,

I can't do anything for the 48 hour period.

Let me grab you a chair.

Hey, is there any chance that she might have met somebody?

- She was working on a project for a TV show

that I produce.

She's been dating men on the internet.

- So she was on a date?

Yeah I don't know how to put this...

- My friend is not someone that sleeps with complete

strangers and she's certainly not someone that doesn't show

up for a business meeting.

Now something has definitely happened to her.

And I need the police to help me find her.

- You know the most I can do for you right now is I can take

a description, maybe a photo if you have one.

I'll keep an eye out for reports that match her description.

And I'll call you back as soon as I can take it on as

a missing person's.

Okay?

- I guess that's all I'm gonna get now right?

- [D'Salva] That's all we can do right now.

- Okay.

Here's her picture.

(suspenseful orchestral music)

- Pretty girl.

- Does that mean you're gonna look harder?

- I'm just trying to help, Ms. Scott.

- I know.

I'm sorry.

I've written Erin's height and weight and her home number

and my cell number are on the back of the picture.

- I'll call you as soon as I find out anything.

Okay?

- Okay.

- Bye.

- Bye.

(dramatic orchestral music)

(sirens wailing)

- I know it's a spot check.

They won't find the body!

We're not gonna get caught!

In there.

In there.

(tires screeching)

(grunts)

(ominous music)

(grunting)

- Okay.

These are the files Erin made on the dates.

Now the police want copies, I want the originals.

I also want copies of the video tape she did for us.

- You think the personals might have something to

do with her disappearance?

- Well yeah.

What else am I supposed to think?

- Darcy.

I am still waiting for the information you promised

me on the internet personals.

Where are they?

- We have a problem.

- What?

- One of our guests have disappeared.

We think it might have something to do with one

of the dates she went on.

- You know that'll be great.

The dark side of the personals.

Stalkers, serial killers, sexual perverts.

It'll make a great capper for the show.

- You know this girl who's missing?

- Mm-hmm.

- She's my best friend!

- Oh, uh, oh look at the time, I have to go.

I'm sorry about your friend though.

I'm sorry.

Hey, does anybody...

- Look there's always time to get fired.

Let's just concentrate on finding Erin okay?

(sirens wailing)

- [Man] Hey Joey, give us a hand here.

- Yeah just do it as fast as you can.

(radio chattering)

You think you can ID her?

- Her name's Erin Kelley.

Her friend reported her missing a couple days ago.

- There's the who, you got the why to do with it?

- No but I got an angle.

You think that's from a ligature?

- No, not deep enough.

It doesn't go all around the neck.

She got these cuts after death.

You know from a necklace or a chain she was wearing.

And those bruises show that she was strangled.

- When you do the work up I need to know about any sexual

activity in the last 48 hours.

- Well I got warn you, all our readings are gonna come

from this one.

I did an internal terror reading to determine the time of

death, she's still frozen on the inside.

- She was, she was what?

- Who ever did this, he froze her after he killed her.

- Meanwhile I gotta make a call I don't want to make.

(ominous orchestral music)

Look if it's easier on you, we can wait till one of

her relatives comes by.

- She didn't have any.

Neither of us did.

It was like we were each others family.

- Look Darcy I don't want you to have any illusions

here, I'm sure it's your friend we found.

Your ID is just a formality.

- I know.

I'll be okay.

(dramatic orchestral music)

- You okay?

- Yeah.

Oh.

Is it my fault?

Oh god.

- [D'Salva] Listen this isn't your fault, Darcy.

- It is.

I made her go on those personal dates.

She didn't want to do it but I convinced her to.

- [D'Salva] Darcy, this was not you.

- It was me.

I got my best friend killed.

(crying)

- Show me what you got.

Okay that's good.

So check it out, get back to me asap.

- Hey Gino.

- There.

- Good, thanks.

(dramatic orchestral music)

- All the pieces she'll never finish.

- There are marks of a necklace being ripped from her neck.

Would you know if she was wearing the night of her date?

- Yeah, yeah, yeah, absolutely.

- Also marks on her finger from a ring she

might have been wearing?

- That was her signet ring.

It has an E on it.

You're not treating this as a robbery, are you?

- Look I don't know what to think of this yet.

Could be something that simple.

- It's the personals I tell you.

It's some creep that she met who didn't know her,

didn't know anything about her,

and he just killed her.

All for some stupid show.

- Darcy, listen why don't we sit down and talk.

Okay?

(camera shutter clicking)

(dramatic orchestral music)

I want you to tell me about Erin.

Was there anyone else in her life?

Was there somebody she might have been scared of?

- The super here.

Is a guy name Gus Boxer.

And when I came here the other day he was going

through Erin's clothes.

Which I though was creepy.

And he said that he'd come to fix a broken window.

But I couldn't find one that was broken.

- Did she have any other boyfriends, lovers?

- She was seeing Joey Bayat from San Francisco

but they broke up a year ago.

- Was that a fight?

- It was just distance but what about the personals

that I gave you, have you looked into them?

- I've done more than that.

My people are interviewing everyone on Erin's list of dates.

And even people she messaged and wasn't able

to make a date with.

Darcy, you got to understand something here,

this wasn't your fault.

And I know this hurts but it's not gonna help Erin

and it's not gonna anybody for you to beat yourself

up like this.

You know?

- You obviously just don't understand

how I'm feeling, detective.

- I know how you feel, Darcy, 'cause I've had to tell

too many families that their loved ones have been murdered.

And in most cases, you know the one's that really

cared anyway they feel like they're traitors because

they're still alive and they're still breathing and it's...

(phone ringing)

Excuse me.

Yeah, D'Salva.

No I'm still here.

Only the one?

All right what's the brothers name?

Address?

All right thanks.

- What was that?

- I fed the details of Erin's murder into ViCAP.

- What...

- ViCAP's a national crime database that was created by a

cop years ago named Pierce Brooks and it's really the best

way we have to find a pattern in repeat killers.

- You mean he's killed before?

- It kicked out another murder from seven years ago.

A young woman upstate was murdered, found wearing a

one of her own shoes, the other one was a high heel

dancing shoe.

(gasping)

Listen.

Darcy, I'm gonna go interview the victim's brother,

you want to tag along, I mean maybe something he says might

link up with something you know about Erin.

- Yeah.

Yeah thank you.

(dramatic orchestral music)

- Do I remember anything about my sisters murder?

I remember everything, detective.

I remember every moment.

I remember that night.

And everyday afterwards.

- So you were close?

- We were more than close.

You see we were twins.

Everything we did, the other one was part of it.

It was like we were two halves or something.

And then Anne was gone.

And everything, everything changed.

- Was there anyone special maybe your sister

was seeing at the time?

- My sister was a very beautiful, very popular woman.

Everybody wanted her.

Nobody was worthy of her.

Why are you asking me these questions now?

I thought you forgot about Anne a long time ago.

- Well there was murder two days ago,

and a friend of mine...

- Details of the crime were similar to those of your

sisters murder.

The victim's were found wearing mismatched shoes.

(dramatic orchestral music)

- One of them a dance shoe?

- [D'Salva] And she was strangled.

- He's still out there, isn't he?

I want to thank you for keeping my mother

out of this, detective.

I appreciate it.

- Mr. Sheridan, wonder if you have any old

photos, any old yearbooks.

Anything that might help us link someone you

and your sister knew back then to someone who might have

come into contact with our current victim?

- Yeah I'll pull everything from the attic and I'll have it

for you this afternoon.

- [D'Salva] Thank you.

- I know how painful it must be talking about your

sister's murder again.

I'm so sorry.

- I've gone as far as I can go with the pain.

I just don't know how I feel anymore.

- We should go.

Thank you.

Oh I gotta ask you one more thing for the record.

Where were you on Tuesday night?

(dramatic orchestral music)

- In my gallery, detective.

I was there form nine a.m. till well after midnight.

I had an opening and reception afterwards.

You can check with the 60 people who were on the guest list.

Am I a suspect here?

- I just had to ask.

Thank you for your help.

Thank you.

- I can't believe you think he's a suspect.

- If you do this long enough,

you realize everyone's a suspect.

- Yeah but after what happened to his sister?

- Maybe because of what happened to his sister.

Who knows I mean something could have broken in the guy.

You know there's something about that twin thing

and the more than a sister made me uncomfortable.

- Well from where I was sitting all I could see was

somebody who's suffering from grief.

Exactly what I'm feeling right now,

does that make me a suspect?

- Look there's a procedure.

I gotta cover the bases.

- Well I'm telling you it's the personals.

One of those guys that Erin dated, killed her.

- I'm telling you we're covering that angle.

Especially her last date.

- Love Music, Love to Dance?

- Yeah, he was registered at the internet personal site as

Charles Firth, address in Queens.

Now it turns out Mr. Firth

has a history of sexual interference.

He hasn't been coming home for the last few days,

my guys picked up his trail a few hours ago.

- So you got him?

- What we gotta do now is prove he did it.

Seat belt please.

(dramatic music)

- I got it, I got it for you.

Woah, woah, watch your step here.

Watch it, oh there you go.

- Thank you.

- [Charles] Thanks, pal.

- Bye.

- There let me walk you to the door.

- All right, thank you.

- Ah this is a nice place.

Oh watch your step.

- It's very nice, Charles.

- Yeah very.

- It was a great night.

It was a good night.

- Let me get this one last door for you.

- Okay thanks, Charles.

Okay that's enough.

- [Charles] I think we need a night cap.

- No I think we've had enough.

- Oh I was talking about a drink.

- Don't do this.

- [Charles] Oh come on I know you want this as much as I do.

- No!

I said no!

Help.

No, no.

(grunts)

- Take it easy, take it easy.

- [Man] You're under arrest.

- You all right?

- I don't know what the hell you're talking about.

I didn't kill anybody.

I never even met anyone named Erin Kelley.

- [D'Salva] You sure about that?

She's got a record of making a deal with you on

the internet.

She even told her friend she was gonna meet you.

- The internet?

I don't even have a computer, you are definitely looking at

the wrong guy.

- I'm looking at a guy who's facing a sexual assault as two

officers as witnesses that's what I'm looking at.

Now from where I'm sitting you're looking good for

that murder too.

- You said this murder was supposed to have happened

on Tuesday, right?

- That's right.

- Yeah well I was in Atlanta on business since Monday.

I was with people Monday, Tuesday, and Wednesday night.

- Well that sounds convenient.

- No it sounds like a business trip.

Look I got flight itineraries, I got ticket stubs,

hotel bills, you name it.

- Come on Atlanta not that far away, how'd it work?

What'd you do, you had a little dinner with someone,

you take a late flight back to New York

and you hooked up with Erin, am I right?

- You want the names of the people I was with those nights,

fine I'll give 'em to you.

Call 'em yourself, please.

- [D'Salva] Good.

- Hey I want to talk to my lawyer now.

- [Man] Wait up.

- Well?

- You saw that, it got us nowhere.

I got a feeling his alibi will cover up

the night Erin was killed.

- What are you saying?

- What I'm saying is it's gonna take a lot more work

to pin anything on this guy.

- So you're letting him go?

- Look that ad, it was placed the night before she

disappeared all right.

By someone who knew her.

Probably by someone who registered using Charles Firth's

Identity, setting the guy up.

I don't know,

maybe somebody she went on a date with all right.

But we've interviewed all these guys

and they've come up clean.

- Well you have to interview them again.

- We still don't know that her death had anything

to do with these ads.

- Of course it was something to do with the ads.

- She probably met somebody in a bar

now I am doing talking to you.

I'm taking you home.

(dramatic orchestral music)

- Detective.

Detective what can you give us on the Erin Kelley murder?

- Nothing.

- [Man] Is it true there are similarities in this

murder to one which took place seven years ago,

that mismatched shoes were found on the women's feet?

- I have no comment at this time.

- [Man] Detective, because of these similarities,

do you feel that the Erin Kelley murder was done by a

serial killer?

- You know that would be impossible to determine

at this point.

- [Man] You have to admit that two murders,

exactly the same way is more than a coincidence.

- [D'Salva] Well a coincidence happens a lot in my business.

- [Man] Detective are you saying it's the work of a

copy cat murderer?

- [D'Salva] Copy cat, I didn't say anything.

- [Man] Copy cat, copy cat.

No they can't say that.

They're mine they're both mine!

Leave me alone!

I'm gonna prove to them that Erin was mine

and Anne and all the others.

It's time for them to declare themselves.

Even if they were too weak to love me,

they're still mine.

And we won't get caught!

You're so weak!

I'm just gonna send out some presents.

They'll know I'm no copy cat.

- [Woman] Mail, honey.

- Thanks, babe.

- No.

(dramatic music)

No!

- Oh my god!

(screams)

No he's got my daughter!

(crying)

- Okay everybody listen up.

This is what we got.

Earlier today six families were delivered anonymous

packages containing mismatched pairs of shoes.

Now in each case one of the shoes belonged to

their missing daughter.

The other was a high heel dancing shoe.

One of the families was the Sheridan family,

who's daughter was killed seven years ago.

Now that means including Erin Kelley our killer has done

this at least seven times.

Now that means the murder of Erin Kelley is now

officially the work of a serial killer.

The notes in each of the boxes thanking the families for

providing him with such lovely dancing partners.

Pass these out.

Now the shoes, boxes and notes are in forensics

being dusted for prints, scanned for fibers,

dust, whatever.

Now listen up guys, the chances are good our killer's smart

enough not to have left any traces but this is the

time we've got to keep up the pressure.

If this guy is going public, now's the time he's going

to slip up.

Something he does is going to tell us

more than he intended to.

I want you guys to talk to the families,

see what else that they can fill in.

We know who the victims are, let's find out if there are any

connections between them.

I have circulated photographs of Erin's jewelry to

the newspapers.

Foot patrols are making the rounds of the jewelry stores

and pawn shops in the area.

Okay we're done.

Guys, guys one more thing.

Remember when a case like this becomes a media feast,

we're on the menu too.

Anything that screws up from here on in,

it's on our heads.

Go get him.

- I got your message.

Have you found anything out?

- Slow down, I didn't ask you down here to give

you a report.

Now look, you've become too close to this investigation.

I need you to back off.

- Back off?

- I need you to back off, Darcy.

Look I know Erin was your best friend but I can't wage war

against these guys just 'cause they dated her.

And I don't want you to meddle into something that's gonna

screw up my investigation or get you hurt.

- I'm sorry but that's just not good enough.

I guess if you want something done,

you have to do it yourself.

- Darcy, look I don't want...

- What happened to Erin was my fault.

I can't just not do anything.

(dramatic orchestral music)

- Darcy.

(horn honking)

- Yeah see that?

See that 'cause I think that's good, yeah.

No, that's good, yeah.

- Good.

- [Man] Good here you go.

- [Man] That's good.

- Don't spend it all in the same place.

- That's good.

- [Man] Go ahead now.

- Okay.

Thank you!

- Thank you.

(horn honking)

(eerie ambient music)

- I'm so sorry I got you into this, Erin.

I promise I'm gonna find out who did it,

and make them pay.

One of you killed my friend.

Now which one of you did it.

- I've got everything you asked for.

Erin's video reports on the first six men she dated.

And I've also done some internet research on all of them.

- Great, and what did you find out?

- Exactly what that detective said you'd find.

They're all supposedly upstanding members of the community.

(knocking)

- Come in.

Mr. Sheridan.

- Please call me Craig.

- Craig, hi.

- Hi, I'm sorry to just drop by like this but I was

wondering if you had a few minutes to talk

and maybe look at some photos?

- Oh sure that's fine.

Michelle can you give us a minute please.

- [Michelle] Sure.

- Thank you.

- Thanks.

- Come, come sit down.

- I'm sorry I don't have a lot of time but I think I

found something that might help solve your friends murder.

- Well why didn't you take it to Detective D'Salva?

- Well to be perfectly honest with you,

I found him to be less than forthcoming.

- Yeah, I know what you mean.

- Back in high school I didn't know a lot of people in

the younger graders but when I heard they arrested

someone by the name of Firth I thought I'd take a look in

the yearbook again.

(dramatic music)

- That's him.

- I don't know how well she would have known him,

but it's a connection.

- Even detective D'Salva can't ignore this.

Can I get it to him.

- Please.

Anne's dying taught me a lesson.

Everything changes.

You can't trust anyone or anything to be there forever.

I don't know, I guess that's why I don't stop trying.

- Of course not, it's all you can do.

Craig, thank you.

- No troubles.

- [Darcy] Goodbye.

- Bye.

- Not bad.

Now that's who you should be planning

to go out on a date with.

- Let's just stick to the business at hand, shall we?

(sighing)

- Look Darcy, I got to be honest with you,

I don't like what you're doing here.

- Michelle, I'm going to do this.

Now are you gonna help me or not?

- Fine.

Let's just start with the first guy you made

a date with, okay?

- Okay.

- Is it on, are we rolling?

- You gonna be okay with this?

- Yeah just keep it going.

- Okay bachelor number one,

Glenn Palmer.

In his ad he said he was a big time entrepreneur.

Called himself Corporate Catch.

What I found out was he was really

just giving me the business.

He suggested meeting me at an upscale broker bar

off Wall Street.

But I felt safer insisting on our old stomping ground.

The Left Bank.

According to him, his whole life was stock options

and world traveling but I checked him out on a search engine

and found out he's really a janitor at NYU.

He seemed harmless for the most part until I tripped him up

in one of his lies and then suddenly it's hello psycho.

- Cleo?

- [Erin] Bachelor number one,

not a keeper.

- Here goes nothing.

- [Glenn] Hey.

- Hi.

- Glenn Palmer.

- Hi.

- I took the liberty of ordering us some champagne.

- Oh that's nice.

- Man, you are something to look at.

Believe it or not a lot of the girls you meet this way,

are not all pains.

- So you date like this often?

- Yeah I get out pretty often.

When I'm not in meetings, I run a couple of .com companies.

You know lot's of pressure, lots of money flying around.

- Sounds interesting.

- Oh yeah.

And I don't really have a lot of time to meet women

in the normal way so I got on the internet.

(eerie ambient music)

And like I said, it's not often you get lucky.

Not like tonight.

(chuckles)

There was this one cute girl last week,

get this, she was the one they found dead in the

alley by the water.

- Really?

- Yeah but I wasn't gonna see her again.

No, she was stuck up.

You know what I mean, she thought she was better

than everyone else I could tell.

She probably had it coming.

You know, she probably pushed someone just too far

and he just lost it on her.

- You think so, huh?

- Well yeah but I wouldn't wish that on anybody.

Not something like that.

But I was over her the next night anyways.

The night after she died I was dating three women.

Women something isn't working I like to move on fast.

- Yup.

- It's lucky I had the alibi too 'cause of the cops.

They actually questioned me, thought I had something to

do with it.

But I was alibied up the wazoo.

- Oh I'm sorry.

- What's going on, where are you going?

- You know what, if somethings not working

I believe in moving on fast too.

- Oh I get it, you're Ms. Attitude too.

Well you better watch it lady 'cause you might end up like

that other broad.

(dance music)

(phone ringing)

- Hello.

- How'd it go?

- He just left, he was awful.

You know he said Erin deserved what happened to her.

And that the same might happen to me too.

- He threatened you?

- Not really but there's a lot of anger there.

I'm sure he didn't show that to the police.

- [Michelle] Darcy, you've got to give this up.

- I can't.

Not yet anyway.

Michelle, I'm gonna call you back.

There's someone I want to check out.

Excuse me.

Michelle, I told you I wasn't in any danger.

The bar was full of people, he couldn't have done anything.

- And what would you have done if he had somewhere

to go to outside the bar, huh?

- Don't worry.

Put this on for me please.

Thank you.

- Okay date two of Erin's adventures in

internet romance.

Now this one was full of surprises.

Turns out he's a psychologist

and what I found out after we'd been talking for a while was

while he was doing the internet dating,

he's writing a book on it.

Can you believe that?

All the time I was there studying him,

he was doing research on me.

He called himself Solester.

And what I found out was, what was attached to the mind

wasn't to shabby either.

If the rest are all as nice as Dr. Paul Nash,

this promises to be a very interesting week.

- [Darcy] Okay doctor,

let's see how interesting you really are.

Solester?

- Paul Nash.

- Hi.

- Nice to meet you.

Sam?

- Yeah.

I didn't keep you waiting, did I?

- No it's all right, you're worth the wait.

Can I order you a drink?

- I need one.

White wine please.

- Hard day?

- It's been a hard week.

And it's a long way from being over.

- Yeah I know the feeling.

So what gets a beautiful girl like you interested in

answering personal ads?

- I'm checking it out for a friend, you might say.

- Well that's a very nice thing to do for a friend.

You must care a lot about her.

- Yeah, I didn't realize how much.

But anyway, what about you?

You don't look like a guy that needs

to advertise for a date.

- Well looks can be deceiving.

Deep down I have a very shy streak.

- Sounds interesting.

What are you hiding?

(eerie ambient music)

- What do you suspect?

- I don't know, maybe you have a secret life.

Maybe secretly you're an artist.

Or a CIA agent, maybe even a dancer.

- Really?

What makes you think that?

- I don't know.

You look like a dancer.

Those look like dancing shoes.

- I'm not much for dancing.

- Why?

It's not because you're scared of girls, is it?

Or maybe girls are scared of you.

- What I am scared of is undercover police officers

using entrapment techniques.

- What are you talking about?

- My career is exposing people's secrets.

Rarely have I seen it done as clumsily as you've

been doing it.

If you're trying to expose me as Erin Kelley's killer,

you're wasting your time.

- No, wait.

I'm not the police.

- Look I don't have time for this.

I've already proven that I'm innocent.

And I don't like deception.

- I'm a friend of Erin's, my names' Darcy Scott.

- You're Darcy?

- She talked about me?

- Yeah.

Most of our conversations were about you.

What impressed me so much about her was her

friendship with you, her loyalty.

She said you were the best.

- I'm responsible for what happened to her.

I got her into the personals in the first place.

It was for a story I was doing for a TV show.

A story I'm still trying to finish.

- Yeah she told me.

Actually we had to laugh.

She was dating me as material for a talk show

and I was dating her for my book.

For the past eight months I've been dating women

from internet personals for a book I've been writing.

"The Electronic Love Connection."

I've delivered the first 10 chapters to my publisher.

- She talked about your book but it was on tape.

Paul, you've been studying this.

The kind of people that go on these dates that...

- I'd like to think I've become something of an expert.

- I mean how will the police find them?

- Well that's the thing, Darcy,

serial killers can be invisible for the most part.

They're just like you or me.

- They must have some similarities, some common traits.

- He's probably his 20s or 30s, charming, outgoing,

most likely abused as a child.

Many killers develop elaborate fantasy worlds they live in

to insulate themselves from the outside world.

They'll be lies, delusions of grander.

- God.

- Look Darcy,

making a TV show is one thing, but you should leave the

homicide investigation to the police.

Really.

- Yeah well thanks for the information.

- Sure.

Well listen why don't you give me a call if I could

be of any help, maybe we can prepare notes.

Your show, my book.

- Okay.

I'll take you up on that.

(eerie ambient music)

- Something wrong?

- It's just, I,

I think someone's following me but

(chuckles)

no, no.

- Maybe I'll drop you off.

- That'd be great.

- Listen for those of you who tuned in a little late

today's topic is bigamy.

And my guests are Mark Webb and his luscious ladies.

- One.

- Over here we have Lindsey, Nicole, Debby, Ruth,

and Hope.

Now we've all heard their stories.

- Start feeding in calls.

- [Man] Go to camera one.

- Shona is going to the phone.

First caller.

- [Man] Hey Shona, I want to know about the

sleeping arrangements.

- Ready one.

- [Man] Frankly I don't see how there

could be enough of Mark to go around.

- Oh you don't?

(chuckles)

Whatcha got to say to that girls?

- Are you kidding, Marks a mad man.

We might need a few more just to keep up.

- Shona must be thrilled.

We're hitting a new low in network TV.

- [Shona] All right now next caller please.

- [Man] I wanted to talk to you Shona.

- Mua, okay.

What you wanna ask Shona honey?

- [Man] They've all got their shoes back

by now, haven't they?

- [Man] Go for the shoes on three, shoes.

- [Shona] Yes, shoes.

That's right, they're all wearing their shoes girls.

All the girls got their shoes on.

Whatcha want?

- [Man] Not them.

- [Man] Hold there and take two.

- [Man] The girls I took.

Like Erin Kelley.

(gasps)

- Now look this is becoming a bad joke, okay.

Shona's gonna go to the next caller.

- No, no, no, get on the prompter,

tell her to keep him talking.

- Shona, keep talking.

- Caller, caller come back.

- Call detective D'Salva, tell him what's happening.

- Now when you talk about these girls

and when you took these girls, now what do you

mean by that?

- [Man] I just want them all to know...

- Detective D'Salva, please.

- [Man] I'm just doing it for love.

I just want to find somebody who really,

really just loved me.

None of them have had the strength.

- Caller, how do I know you're telling me the truth

when you talk about Erin Kelley?

- [Man] Why don't you check the call display.

- Oh my god he's calling from Erin's apartment!

Tell him, tell him.

Keep him talking!

Tell her to keep him talking.

- Don't lose him, don't lose him.

- [Man] I do it for love.

Just tell them Shona, it's all about love.

- Caller, Shona has another couple questions

she wants to, caller?

- Go to commercial, go to commercial now.

Come.

- Oh!

(dramatic music)

(horn honking)

- All right so get back to us right away.

- [Officer] Ma'am you can't come in.

- [D'Salva] She's all right, let her in.

- Thank you.

Did you find anything?

- He was long gone when we got here.

Probably won't make much of a difference but we're gonna

do another full print work up.

- Someone must have seen something.

- We're canvasing the building, floor by floor.

You know but so far nothing.

Oh by the way I'm gonna bring in

the super for questioning.

I went into his place

and we found a collection of women's underwear.

He probably hit every women in the building.

- Well yeah he has a key.

- Well whoever killed Erin had access to her purse.

A key's not gonna help us nail Boxer.

Anyway we've got a bigger problem.

You've got a bigger problem.

(suspenseful orchestral music)

- Well that was a photo of Erin and me.

- Mm-hmm, wherever this guys he knows where you are.

There's no coincidence he phoned "The Shona Show."

- What are you saying?

- What I am saying and I'm saying this for the last time,

Darcy is I want you to stay out of this.

All right and if you friend Craig Sheridan

calls you tell him

that Firth was at a summer cottage in Vermont at the time

of his sister murder.

All right I need the both of you to stay out of this.

Okay?

Gino.

- [Gino] Yeah.

- Make sure she gets home safe okay?

- [Gino] Yeah.

- And have White call me as soon as he reports in.

- Gotcha.

(phone ringing)

- Yeah D'Salva.

Yeah when did he call in?

Okay I'm on my way.

- This is wrong.

I called you guys and offered this up.

I'm trying to help you.

- Is that helpful or is that a guilty conscious?

'Cause I mean you've got to know something about this guy.

- I already told you, he calls himself Petey.

He used to bring me something every once in a while.

He's just another loser.

- So I guess him coming in with a necklace worth a

couple thousand bucks, that didn't make you

at all suspicious.

- You know what if something's already on the reports,

I call it in otherwise it's not a plus asking questions

in my business.

- You have any idea where this Petey lives?

- Lives?

He's homeless.

He probably lives in a refrigerator box by the docks.

- All right let's get this mook to do a photo ID,

distribute it to anyone patrolling the docks.

We keep up the pressure, we'll get him.

- [Erin] Date number three, David Voss.

Ladies wear buyer.

I was introduced to him under the screen name

Searching for truth.

David's another nice guy just lonely

and looking for love.

(chuckles)

To tell you the truth,

I kinda felt guilty about using him for the story.

But nobody's really gonna get hurt, right?

- I started in sportswear but over the years I've moved on

to ladies formal wear.

It's where you want to be, prestige, you know?

But you gotta to have taste.

You gotta know what's gonna sell.

What the look will be eight months down the line.

You could do it.

I can tell by the way you put yourself together.

Especially the shoes.

- Shoes?

- I know shoes.

Those are great.

Italian, probably Milan.

Probably Bruno Magli?

- You're right.

You do know your shoes.

- I bought shoes for Macy's for two years.

That was when I started spending so much time

on the road all the time.

Fashion houses in Europe and Asia,

all across the states.

I guess that's the problem with the job.

There's no time to meet anybody and no way to make it

work even if you do.

- Have you been on the road much lately?

- Well perfect example, last week I met a great girl.

One of these personal dates, I would have liked to follow up

but next day I had to fly out to the coast for five days.

When I get back, I tried to call her.

But they said she was dead.

Murdered, can you believe it?

That's the problem with this town.

Even if you can get a relationship started,

you need to stay alive long enough to enjoy it.

- I know exactly what you mean.

- [Erin] Now date number four,

date number four take the cake.

A blind daters nightmare, Dilbert Booth.

He said he was a skier, a golfer, a dancer.

He also said he wasn't married.

He should have at least covered the tan line from

his wedding band.

- You know what the problem is with relationships?

All the bull.

I mean you meet people, especially meeting people like this

on the net.

You don't know who the hell they are.

- Have you experienced a lot of lying?

Are you kidding everybody on these dates has a secret life.

- Do you?

- Hey I'm just looking for someone to be real with me.

Someone who knows what loves about.

I'm a romantic.

All these people, they're just playing games.

So what do you think, are you a romantic?

- What makes me think you've said all this before

to other girls?

- I've offered.

The right girl hasn't come along yet.

It's always about the games.

Just can't trust 'em.

If you can't trust 'em, what's the point?

- I have to go to the ladies room.

Hi, Michelle.

It's me, I just walked out of the date with Booth.

I don't know what the police saw when they interviewed him

but what I saw was pretty scary.

I think he could be the one, yeah.

Okay, okay.

- [Booth] Hey!

What do you think you're doing?

- I was making a call.

- No you're making me look like an idiot by walking

out on me.

- You know what I don't need this, okay?

- I'm not done talking to you.

(screams)

Oh my eyes!

- [Detective] Take it easy!

- [Booth] What'd you do that for?

- Get him out of here!

Detective White.

Are you all right?

It's okay, it's okay we got him.

- [Darcy] Why didn't you tell me you where having

me followed, detective?

- I was just protecting someone who doesn't have

the sense to take care of herself.

What'd you think I was gonna do,

just leave you out there as a target?

- I noticed your man.

And if one of those men killed Erin they probably

noticed him too.

- Can you give us some credit, Darcy,

that guy was there for you.

- Give you some credit?

You give me some credit.

You got him because of me.

- Got him, got him for what?

- You're man saw how he assaulted me.

- Yeah and how you pepper sprayed him.

Listen you're gonna start throwing around assault charges,

you'll probably be filing some of his own.

- Who's side are you on?

- I'm looking at this the way that I have to,

like a professional.

I don't think Booth is our man.

I got a witness that puts him at his in-laws

50th anniversary party in Rochester

during the time of Erin's disappearance.

I need you to stop doing what you're doing.

You understand that?

- I'm not wrong about this.

One of those men that Erin dated killed her.

I know it, I feel it.

- You know maybe you're right but all I know is that

they've got solid alibi's during the time of

Erin's disappearance.

- You know all I'm trying to do is...

- What you're gonna do is get yourself assaulted.

- Thank you, detective.

(dramatic orchestral music)

I'm sorry to burden you like this, Paul.

I guess you get a steady diet

of people's problems everyday.

- Well this is different.

It's my problem too.

I know I only knew Erin for one night but,

she was the type of person

you thought you could really like.

I thought of her dying the way she did, being

dumped in an alley.

It's not easy on me either.

But it gave me a chance to meet you.

- Well I'm an easy read.

Early 30s, already disillusioned with my job.

No boyfriend, no pets.

No Erin.

- Well I see things you do have.

Beauty, compassion, loyalty.

And lot's of potential.

- Bet you say that to all your patients.

(chuckles)

- I'm not allowed.

Only to women I'd like to see a lot more often.

(ominous music)

Look Darcy, I wish you would stay out of this investigation.

It's a police matter.

- That's what the police keep telling me.

- This isn't "The Dating Game."

You keep nosing around long enough,

you can get yourself hurt again.

I know you care about Erin but

there are people who care about you.

Just leave it alone, let the police do their job.

- I just wanna understand what happened on those damn dates.

I've got to go to the bathroom.

(phone dialing)

(phone ringing)

- D'Salva.

- [Paul] Detective D'Salva, this is Paul Nash.

Do you remember me?

I'm one of the men who dated Erin Kelley.

- Yeah I remember you, what can I do for you Dr. Nash?

- It's about Darcy Scott and how you're letting her

get herself killed.

Setting her up as bait.

- What the hell are you talking about?

I told her to stay out of the investigation.

You understand me, that goes for you too.

- Darcy, I really wish you'd stop

all this "Charlie's Angels" stuff.

- You sound like Detective D'Salva.

(suspenseful orchestral music)

(computer beeping)

(computer beeping)

Oh um.

(phone ringing)

- D'Salva.

- It's Darcy Scott, I just got another message from

the personal ads.

- What kind of message, Darcy?

- The message ended with, loves music, loves to dance.

- Where?

- I said The Left Bank at nine o'clock.

- I still don't feel good about you doing this.

- This is the last time.

I promise.

- All right we're gonna be all over that bar.

Inside and out, someone make a move on you,

even looks at you half way suspicious we're taking him down.

- That's all that I can ask for.

- All right why don't you call me when you're leaving work,

I'll have one of my guys pick you up in a cab.

- Okay, thank you.

Bye.

I love music too.

Let's dance.

(radio chattering)

- Hey!

Hey!

- [Man] Of course I'm happy, I've got a date to go dancing.

If you'd just relax a little bit you'd be happy too.

Oh we won't get caught!

This one is different.

This ones' coming to us.

And this ones' ready to dance.

(dance music)

- The team outside says the area's clear.

How are you doing?

- I'm okay but he's 45 minutes late.

Where is he?

- Just stay cool.

He's probably being as careful as we are.

In the meantime I'll bring you another mineral water.

- Okay.

(suspenseful orchestral music)

- Hi sorry, I'm late.

- Craig,

what are you doing here?

- I got your message to meet you here at nine.

It was great to hear from you.

I was really hoping you'd take me up on my offer.

Detective D'Salva, what's going on here?

- Well that's my line, Sheridan.

- I'm afraid I don't know what you're talking about.

- Oh is that right, you left a message for Darcy.

Telling her to meet you here.

- She emailed me.

- [D'Salva] So I suppose you still have this message?

- I didn't think I'd need it so I deleted it.

- Well I'll tell you what you and I, we're gonna spend a

little time talking about that message.

You better get your facts straight.

- I see.

Nice.

- I'm not sure about this.

- Look Darce, we already know Firth was set up.

Right I mean how convenient was that he was the one with

the yearbook with Firth's photo in it.

I bet he had some beef with him from the past,

decided to lay the murders on him.

Come on let's go.

(phone ringing)

D'Salva.

I'm on my way.

I think we found Erin's necklace.

Detective White will take you home.

- Shouldn't I go...

- Go home Darcy, stay out of this!

- [Darcy] Thank you.

- Listen that guy tries to contact you again,

you let us know first thing okay?

- Okay.

Goodnight.

(phone ringing)

- White.

Yeah I'll be right there.

(ominous orchestral music)

- Hey!

(gasps)

You had me arrested.

(gasping)

Where are you going?

Hey I just want to talk.

(car horn honking)

- What are you doing here?

Thank you for saving me.

- [D'Salva] Okay come on Petey once more.

So you were in your box, you heard a noise.

- Yeah noise and lights.

Noise and lights!

- Somebody pulling into the alley.

- Yeah I don't get a lot of visitors there.

- So someone gets out of the car.

- Yeah, got out.

Got something out of the car and I didn't see what that was.

- Oh Petey, sure you saw what that was.

That was the girl.

- No I didn't see that clear.

- But you saw enough to know that it was a man

dumping that body.

All right now this is what I need from you Petey,

I need a license plate.

You know a color, something like that.

- Yeah it was dark and then the next thing this guys

backing up and he almost hits me.

I swear to god I thought that was gonna be it,

I thought I was gonna be smeared all over the bumper

of that station wagon.

- Station wagon?

- Yeah didn't I tell you that before?

- No you didn't tell me that.

Now you're sure about that?

Are you sure it was a station wagon?

- Absolutely, station wagon.

- Let's pull the files on all the men Erin Kelley dated.

I need to know which one owns a station wagon.

- Gotcha.

- What about the drink?

Officer?

- I was just on with the DMV, it turns out there's a

2001 Mercedes Wagon registered to this guy.

- Oh my god.

(suspenseful orchestral music)

(radio chattering)

(line ringing)

- [Darcy] Hi this is Darcy I can't take your call

right now but leave a message and I'll get back to you.

(machine beeping)

- Darcy, this is Vincent D'Salva I already tried to call

your cell but I couldn't get an answer.

Anyway listen I've got some new information,

so if you could please call me immediately.

- Talk about being in the right place at the right time.

What were you doing there anyway?

- Darcy, I think I'm onto something.

- You do?

What?

- All my notes are back at my place, do you mind?

- Okay.

- [D'Salva] Are you sure she made it inside when

you dropped her off?

- [White] She made it across the street,

then you called and I headed in.

I didn't see her up to her apartment.

- All right let's get a radio unit out to her place,

have them check it out.

And get me an address on Nash, I want to run a forensics

check on his car.

- Right.

(suspenseful orchestral music)

(car alarm chirping)

- [Darcy] You know I'm surprised

'cause you strike me as a city boy.

- Well I do have a place on the west side.

But I can't get any work done there.

This is where I do all of my writing.

I have my notes here, my research here.

Besides you strike me as a girl who could use a breath of

fresh air right about now.

- You know that might just be what the doctor ordered.

- I got the report back from midtown.

Nash has an apartment on 8th avenue but management says

he hasn't been there in a couple days.

- Has he got any other addresses?

- Nothing on the city or state tax rolls.

If he's got a place he's taking these girls to,

he's sure not advertising it.

- What kind of wagon did you say he was driving again?

- 2001 Mercedes, why?

- After '99 all Mercedes came with a built in

GPS anti-theft system's.

Get the manufacture on the line.

- Boss, that's gonna be tough at this time of night.

- Well that's why you better stop talking 'cause if

Darcy Scott shows up dead I'm gonna remember you're the

one who didn't see her inside.

Yeah this is D'Salva, I need a GPS system.

You know one of the ones that can tune into a

specific target frequency.

Yeah no I'll give you all the time you need just as long as

it's in my hands in five minutes.

I'm on my way down.

- Aw this is nice.

From what you were saying I was expecting a writers garret.

- Well I like the quiet but I can't drop below a

certain comfort level.

I'm sorry if that shatters any illusions.

- No, no, I'm all for comfort levels.

- Well why don't you look around, make yourself comfortable.

And I'll fix us drinks while we talk.

- Okay.

(eerie ambient music)

It's really peaceful here.

Must be great to be able to escape from the city.

So what was it you came up with?

- [Paul] Well I thought about what you said about

Craig Sheridan and his intense connection to his

twin sister and the obsession

he seems to still be living with.

- Yeah but the police checked him out and he came up clean.

He just didn't strike me as somebody

that can do something like that.

- [Paul] Ah remember what I told you about the profile.

The guy you're looking for is the last guy

that you would suspect.

Craig Sheridan may seem nice but he's one of the rich.

(scoffs)

- Well just because he's rich, that doesn't

make him a killer.

- It makes them the type to judge people by

what they've got.

The type to stop his sister from being with the one she was

born to love because he wasn't rich enough.

(ominous music)

(gasping)

Don't worry, don't get uptight.

No one will bother us.

You know I had another little thought.

There's no rule that says we can't dance

while we talk, now is there?

What do you think, Darcy, hm?

Would you like to dance?

- Miller, this is D'Salva,

what do we have on the Mercedes location?

- [Miller] Yeah the cars parked at 40.58 degrees north,

71.11 degrees west.

That map side at Pellham's just off the parkway.

- Copy that, Miller notify local authorities.

Have them back up at the location.

We're going north.

♪ I'm in the mood for you, dear ♪

♪ Table for two, please be there ♪

♪ Let's get together ♪

- I bought you these.

(eerie ambient music)

You don't like my gift?

- No.

No, they're beautiful.

It's so generous of you.

- Put them on.

- Oh.

(breathing heavily)

- All right so next exit we go north and 10.

- There it is.

- Oh.

This is just perfect.

Dancing just the three of us.

- The three of us?

- Oh he's always here.

Now that I have you,

maybe I don't need him anymore.

- That's wonderful.

I'm honored.

- Oh I want you to be more than honored.

I want you to love it.

I want you to love me.

- Paul,

you know I care about you.

- Charlie!

Call me Charlie!

That's his name.

He's the one who always,

who always worries.

- What did he worry about?

- Oh about everything.

When our mother used to beat us,

he was the one who always said sorry.

And when she came home from dancing he would rub her feet.

But I had to show some pride.

I had to take action.

- What kind of action?

(muttering)

- I did it with their own belt.

I beat them, I whipped them the way they used to beat us.

Only I didn't stop.

I wasn't gonna give them a chance to hurt us again.

(dramatic music)

Worry, worry, worry.

Always worrying about Craig Sheridan not liking us.

That he didn't think we were good enough.

That's why I had to get them.

But then she turned on us too.

And as always, I was the one who had to make it right.

I want someone who can love me.

Will you be my personal sin?

- Yes.

Yes I think I can do that, Charlie.

(upbeat jazz music)

(suspenseful orchestral music)

- Which way now?

- I'm trying to figure it out.

Go to the right.

- You sure?

- No I'm not sure, just go.

(heavy breathing)

- Oh that's it.

It's like making love only set to music.

Now the songs over, isn't it, Darcy?

- Well maybe we can dance some more?

- No I don't think so.

Maybe later.

There's a time for dancing,

and there's a time for romance.

(whimpering)

You lied to me didn't you, Darcy.

- No, no I didn't.

I'm happy, I'm happy we're together.

- Yes you did.

You're just like all the others.

Playing games, treating me like an idiot!

But Paul, he always wants to believe them.

Give them the benefit of the doubt.

But I have to be strong.

I had to be the one to protect us.

- Don't do this, Charlie, please don't.

- All you had to do is just love me.

(screams)

(ominous music)

(screaming)

Darcy.

Why are you doing this?

(crying)

Darcy, open this door.

I'm getting mad at you.

Very mad.

Darcy, open the door!

(suspenseful orchestral music)

(grunts)

That was stupid.

You're going to be so sorry.

(whimpering)

(grunts)

- No!

(gasping)

(door crashing)

- Nash!

It's over, Nash!

(gun shots firing)

Darcy.

(screaming)

It's okay, it's okay.

I gotcha, I gotcha, it's okay.

It's okay, it's okay.

(crying)

(dramatic orchestral music)

- I think this one could of loved us.

- Hang on.

I'm good.

- Yeah if you say so.

(radio chattering)

(dramatic orchestral music)

- [D'Salva] That was too close, Darcy.

You okay?

- She was with me.

The whole time.

Thank you, Erin.

(sighs)

- [D'Salva] Come on let's get you out of here.

(siren wailing)

(dramatic music)