All language subtitles for Murder Before Evensong s01e02.eng

- So why did you go
to the church?

- T-To say night prayer.

He said that he'd been
a disappointment.

- I spoke to a chap earlier,
and he said

that you went to an art gallery.

Thing is, you'll never guess
what he saw there.

- I saw you talking to Anthony.
- What did he want?

- Nothing important.

- "Champton vicar visits victims
of gay plague."

Dear me. What were you thinking?

- Unless this was
a random attack,

the murderer must have assumed

they knew
who they were attacking.

- "It's God's will.
You should burn in hell."

- Does that answer
your question?

?

- What do you two want?

[Dogs whimpering]

?

?

?

[Laughter]

[Static]

?

- It should have been you!

- [Gasps]

[Birds chirping]

[Sighs]

[Theme song plays]

?

?

?

[Pop music playing]

?

[Doorbell rings]

[Knock on door]

[Doorbell rings]

- Reverend Clement!
Reverend Clement! Daily Express.

Can you tell us about the murder
last night?

- Reverend Clement!
- Oh. Uh...

- Reverend Clement!
- No. No. I, uh...

I'm not right.
Uh, no comment!

[Indistinct shouting]

- The Express wanted a quote.

[Pop music playing]

[Radio tuning]

- I was enjoying that.
It's catchy.

- It's painful.
- [Classical music plays]

- Fuddy-duddy.

So, what did you tell them?

- I said, "No comment."

- How exciting!

I've always wanted to say that.

- [Doorbell rings]
- They'll give up in a minute.

- Yes, because
that's what they do.

[Doorbell rings]

[Knock on door]

- Listen, things are gonna
be difficult enough around here

without the papers
stirring things up.

So if they approach you, you
won't say anything, will you?

- Certainly not!

- Thank you.

- I wouldn't dream of talking
to a rag like the Express.

?

[Doorbell rings]

- Look! I told you-

Oh.

- May I?

- How can I help you,
Detective?

- I'd like to talk to everyone
who knew Anthony Bowness.

And I figured
you'd know where to start.

- Well, uh,
I expect a lot of them

will be at the service
this morning.

Lord de Floures has said
that we can use Champton House

while Saint Mary's is, uh...

- A crime scene?

- Well, you don't think
the killer's here, do you?

- I think it's
a definite possibility.

- Right.

- I think we're looking
at three options.

Anthony could have been killed

because he interrupted
a robbery.

- Morning.
- Morning.

- Or he could have been
the intended victim all along

and we just don't know yet
why he was targeted.

And then there's option three.

The murderer made a mistake

and the person they really
wanted to kill was you.

[Harmonium playing]

?

- None of this makes sense,

to take a life in a church,

the house of God.

It's an abomination.

And I ask myself...

what purpose did it serve?

Was it God's plan?

Because if it was, I'm not sure
that I can understand it.

I doubt any of us can.

And so for now...

I pray.

I pray for the soul
of the departed.

And I pray for
whoever did him wrong...

...that they receive justice
and mercy.

- Happy Easter.
Mind your step there.

- Could I have a few words?

- Is this about Mr. Bowness?

- Yes.
- Right. See you later.

[Chatter]

- Mercy for the killer?

That won't go down well.

- Yes, well, I don't believe
in retribution.

[Engine starts]

?

?

[Door closes]

- Alright.

- Does "MGM" mean
anything to you?

- You mean apart from the flicks?
No. Not really.

- How did Anthony
ever find anything?

- Yeah. I did ask him that once.

- He seemed so... together.

I had no idea he was so...

- Yeah. Yeah, no one did.

- So, how well did you know
Mr. Bowness?

- Not especially.

- He kept himself
to himself mostly.

- We didn't have a lot in common.

- Um, I knew him
from the choir,

but that's all, I'm afraid.

- Well, he didn't make it easy.

Kept everyone at arm's length,
like he was ashamed.

- Mm. Don't think
anybody disliked him.

- Hm, you sort of got to have
a personality to be disliked.

- Tell me- will this delay
the Reverend's plans

to install a toilet
in the church?

- You should talk to Edgy.

- Edgy?

- Patrick Liversedge,
the gamekeeper.

There was some sort of bad blood
between him and Anthony.

You know what they're like.

- "They"?

- Gypsies.

?

- Right.

?

- Hm. It's Champton House.

- Oh! [Chuckles] Yeah.

Yeah. Yeah.
It was during the war.

Wow. Place was filled

with MoD bigwigs
and all that S.O.E. stuff.

All very, you know, hush-hush.

[Chuckles] Yes.

Oh, look at that.

That's Kath and Dora Sharman
on the right.

- Oh, they worked at the house?
- Yeah.

As housemaids
before and after the war

and then for the MoD during it.

In fact, quite a few women
from the village

actually got seconded.

- Oh, my God.

- God.
- What is it?

- Oh, it's from the plane
that crashed.

- Plane crash?
- Oh, yeah. Yeah.

The, um- The S.O.E. chaps
used to fly across to France.

They'd rendezvous
with the resistance.

They'd drop off agents,
supplies, weapons,

and then come straight back,

but they used to take off
and land right by the house.

So Anthony and I...

Yeah, we used to watch them
from my bedroom window.

- So what happened?
- Oh...

Yeah. No. It was, um-
It was late.

Must have been around 11:00.

Anyway, we heard
the engines fire up,

so we raced over
to the window, and...

So, he took off okay,
and then she...

[Sighs]

They said it was
faulty wiring, a spark,

and she just,
you know, exploded.

Well, they didn't
stand a chance.

Anyway, a few days later,
Anthony found this,

said he wanted to keep it.

A reminder
that the war was... real.

Yeah.

[Chatter in distance]

- Have we got any of
that lavender honey left?

- Well, it sh-
should be in here.

"Visit the Lavender Fields
of Provence."

- Don't you think it's time?

- Ohh.

?

?

?

?

- [Twig snaps]
- Yow.

- I've heard stories,
is all I'm saying.

- What sort of stories?

- Well, outsider comes
to a small rural community.

There are always secrets
which he uncovers,

and it always
ends badly for him.

- First of all, Anthony
wasn't really an outsider.

And, second,
it's not "The Wicker Man."

- Who said anything
about Anthony?

So... tell me about
Patrick Liversedge.

- Well, uh, Edgy was a boxer
once upon a time.

Fairs and
the bare-knuckle circuit.

I hear he was pretty good at it,

but when he got back from the
war, he was too old to fight.

- So he got a job
as the gamekeeper.

- Not at first.

He was a debt collector
for a while.

There were rumors,
pub gossip mostly,

that he did more than
just collect the money.

Handed out punishments, too.

And he was very good at that.

[Chatter]

- Can we have a word?
Did you know Anthony?

- What's the mood like
in the village?

- How worried are you?
- No comment!

- I didn't know him,
to be honest.

- Even though you were both
working at Champton House.

- We said hello and that.
You know, polite-like.

- Margaret Porteous seemed to
think that you didn't get on.

- Oh, is that right?

- Yeah.
"Bad blood" is what she said.

- And I would say she's got
a very good imagination.

- When was the last time
you saw Mr. Bowness?

- Ahh.

That would be the open day,
I suppose.

- When?

- In the morning.
I was doing the parking.

- Okay.

Only Mrs. Porteous says she saw
you talking to him much later.

- Oh, if that's what she said...

- What were you talking about?
- I don't remember!

- It's understandable, Edgy.

These last couple of days,

I've certainly
forgotten things.

It's the shock.
- Yeah. Thanks, Reverend.

It is upsetting.

You get all churned up like.

Sorry.

- Don't do that.
- Do what?

- You filled the silence.
- Well, I don't see how-

- You let him off the hook
and you reassured him.

- No. I was simply-
- I don't want them reassured.

I want them off balance.

Because that's when
they're likely

to say something interesting.

- You know, people
quite often tell me things

that they're ashamed of,

but they don't want others
to know.

You don't have to trick them.

- Not everybody
wants to confess.

- I mean, how long is the church
going to be closed for?

Different jacket.
All my gardening stuff's there.

How am I meant
to prune my roses?

It's most inconvenient.

- For Mr. Bowness, too,
I should think.

- What's it meant to be?

- A sophisticated garden party.

- They look like
they're waiting for the bus.

[Door closes]

- Hello.
- Mrs. Clement.

- I saw the sign outside,
and I couldn't resist.

- Aren't I the fortunate one?

- Stella.
High-class ladies fashion.

So inviting. So literal.

- We have all the labels here,
you know.

Country Casuals. Sreekovil.
Yaga, of course.

- I can see. Very impressive.

- Can I interest you
in anything today?

- No. Just looking.

- I understand.

Quality items like these
don't suit every budget.

Sometimes I have a sale rail.
Come again.

You never know.
You might get lucky. Hm.

- I did want to say this.

Take on my son...

you take on me, too.

- Good to know.

- I think I'm gonna like it here.

?

Marvelous display!

[Door opens and closes]

?

- Excuse me!
- No. I told you.

- I understand.
I'm sorry about earlier.

Some reporters
can be a bit pushy.

- A bit?

We try not to be like that
at the Telegraph.

We find it pays to be
a bit more respectful.

Get more that way, I think.

Don't you?

- I do.

- You're going to France?
Both of you?

- I've got a little bit aside,
you know, for a rainy day.

- I've always wanted
to go to Provence.

- To see the lavender fields?

- Originally, yes,
but just never happened.

- So I thought...
if not now, when?

Another?
- Oh.

- Yes.

[Chatter]

- You know,
she's doing all this for me.

She knows how important it is.

She's making sure
there's nothing left undone.

The least I can do in return
is take care of her

so that the time we have left
is as good as it can be.

- Thank you.

- Sterling work yesterday,
I thought.

On the harmonium.

- Oh. [Chuckles]

- Not quite the fruity tones
of the church organ,

but needs must, I suppose.

- Yes. Well, thank you, Stella.

- And then the interview
with the police straight after.

Such excitement.

- Really? You think so?

- Absolutely.

Unless you've got
something to hide, that is.

- Yeah. Well, I suppose.

- I mean, I'm sure you told them

about seeing Anthony
the night before he died.

I was cycling home.

I saw you
coming out of his cottage.

I must say it all seemed
a little furtive.

But I'm probably
just imagining things.

Hm.

- I expect so.

Are you coming?

?

- Ned.

- Excuse me.
- Ned!

Can you just wait a minute?

- Sorry. Harry?
- Oh.

- I just wanted to say I was
sorry to hear about your dad.

- Thanks, Kath.

- He lived a good life.

And I know he must
have been so proud of you.

Anyway, I just
wanted to, you know...

- Seems Patrick Liversedge
has a bit of form.

- I thought he might.

- Dating back to the '50s,

a couple of arrests for ABH

and one for demanding money
with menaces.

- Convictions?
- None that I could find.

Also, I got a list
of the phone calls

made to and from
Anthony Bowness' phone

the month before his death.

- Right.

- The day before
Anthony Bowness was killed,

five phone calls
were made to him.

- Okay. And?

- That number's a direct line

to the editor of The Gazette.

- Ned Thwaite.

- Ned. I'm sorry!

Please!

?

Ned!

?

Ned.

Look. I know. I promised.

I said I wouldn't see him,
and for a long time I didn't.

Honest.

But, Anthony, he needed me.

I couldn't just abandon him.
It doesn't work like that.

I had no choice.

- How long?

?

- A couple of months.

- [Sighs]

?

And you kept it secret.
All that time.

- Nothing happened.

I swear.

I never meant to deceive you.

And I would never do anything
to hurt you.

Forgive me.

Please?

[Video game playing]

[Chatter]

[Door opens]

- Alex.

[Music playing on headphones]

[Music stops]

- Gin and tonic.

- Meeting someone?

- Just dropped in
for a quick one.

- Well, I'll get this.

- Thank you.
- Cheers.

- Listen, I know
it's probably nothing,

but I saw you with Anthony
at the end of the open day.

And it looked like
you were having a row.

Were you?

- He was just being
a bit arsey.

- Why?

- [Scoffs]

My guess, he was
pissed off with parkers.

They'd had a row, and he
ended up taking it out on me.

You know, kick the cat.

- Surprising how often
that happens.

- Take care walking home.

Haven't you heard?
There's a killer about.

?

[Chuckles]

[Animal squeaking]

?

[Animal squeaking]

?

[Animal squeaking]

?

[Animal squeaking]

?

?

?

- Daniel!

- Oh! Dear me.
That's rather horrid.

- Did you hear anything?

- No. Not a peep.

Right. That's it.

They've gone too far this time.

How dare
they upset you like this.

That's my job.

?

?

- I can't believe he's
in the paper.

- Good morning, ladies.

- Morning, Rector.
[Chuckles nervously]

Oh, it's okay, Rector.
We was only chopsing.

- Stamps, please, Mrs. Braines.
21st and 22nd.

- Your orders arrived, too.

Those fancy pens.
[Chuckles]

But, you know, paper won't
arrive before Thursday.

?

- Gay plague pastor?

- Ugh.
You know what they're like.

- "His support for the gays
is controversial,

even among those closest
to him."

- Well, they could
have got that from anywhere.

- "He was always one
for lost causes,

said his mother, Audrey, 67."

- He said he was
from the Telegraph.

- What time will you be home?

- Not late. Why?
What have you got planned?

- Peace offering.

- Jane,
you really don't have to.

- I know, but I want to.

- Yeah, okay. Alright.
Well, I've got to go.

Okay. Bye.

[Receiver clicks]

Hey.
Thanks for coming in.

- Oh. I feel a bit of a fraud,
to be honest.

- Oh.
- I took a look like you asked,

but I'm afraid I
couldn't see anything unusual.

- Ah, right.

- Canon Clement.
- Detective.

- And it was pinned
to a dead rat?

- Hanging outside
the front door.

- Well, whoever it was has
a taste for the Gothic.

- And access to a dead rat.

- Someone like
Patrick Liversidge.

Maybe there's some truth
to the pub gossip after all.

I'll, uh, get it tested.
You never know.

- I spoke to Alex De Floures
last night.

He said that Anthony had rowed
with his father at the open day.

- Bernard never mentioned
a row.

- Didn't, did he?

- [Sighs]

Uh, listen, um...

yesterday I came down on you
a bit hard.

- It's fine.
I shouldn't have jumped in.

- You were right.

There are other ways
of getting people to talk.

- Well, the collar helps.

- Listen,
I'm going over to The Gazette.

Ned Thwaite was all
over Anthony's phone records.

You want to tag along?

- Hmm.

- Yes. Oh.

- Hello, Kath.
- Hello, Rector.

- Mr. Thwaite. DS Vanloo.
Can we have a word?

- Er, yeah. Yeah, sure.
We'll have to walk and talk.

Anthony Bowness was a pain.

On and on about his
bloody Champton at war stuff.

He was always here wanting
to go through the archive.

- And that's a problem?

- It is if you don't pay for it.

Look, we've been putting a paper
out every week since 1907.

That's a lot of back numbers,
and it takes up a lot of space.

I've been trying to put it all
on microfiche,

but it's expensive, so I started
charging for access.

Only Anthony Bowness thought

that because he was
De Floures' cousin,

he should somehow get it
for free.

He's taken editions home
with him

like it was his
own private archive.

- So you denied him access?

- Yeah.
Didn't stop him from coming,

making a fuss.
Last week he went off on one.

Actually made
the receptionist cry.

Well, I wasn't having that,
so I gave him a call.

Told him not to come
here anymore.

Nothing sinister.

- Do you know specifically what
he was researching?

- Something about the war.

Appears to be
a popular subject right now.

New copy for page seven.
Doing a piece myself actually.

The one that got away.

Oh, Captain Philip Kerly.

He was at Champton running
SOV operations.

He was a suspected double agent,

but it appears
he hightailed it back to Germany

before he could be unmasked.

They covered it up at the time.

Double agents. Bad for morale.
And it stayed covered.

- Is that why Kath Sharman
was here?

- Yeah. Yeah. That's right.

I was, uh, I was hoping she
could help me with my research.

Flight logs and stuff.
Waste of time sadly.

Apparently, 40 years
plays havoc on the memory.

Look, if that's-
If that's everything...

- A Reverso?

- Yeah. That's right.

It was, uh,
it was a wedding gift from Jane.

- When I was a kid,
I saw John Mills with one

in Above Us the Waves.

It might just have been
the coolest thing I'd ever seen.

- Right. Okay. Well, uh...

Well, look, I, uh,
I really do have to go.

- What?
- [Scoffs]

Unbelievable.

["New Rose"
by The Damned playing loudly]

- [Sighs]

- ? I don't know why,
I don't know why ?

? I guess these things
have gotta be ?

? I gotta a new rose,
I got her good ?

- [Music turns off]
- Don't forget,

the Batrawdans
are coming for lunch.

- And they're bringing
Henrietta.

I'm not marrying
Henrietta Batrawdan.

- Why not? She's a lovely girl.
- Or anyone else.

- You have to marry somebody,
Alexander.

- You know,
if you're so worried,

why don't you concentrate
on Honor?

Last time I looked,
she was very much single.

- Because you are next in line.

- God forbid
the De Floureses die out.

Right?

Would it be so terrible?

- You might want
to tidy yourself up.

[Door closes]

?

?

?

?

- Well,
she can't confirm Ned's story.

She wasn't in that day.

But she did say that Anthony
had kicked up a fuss before.

And then generally,
he was a right divvy

who needed taking down a peg
or six.

So there's that.

Right. You coming?
- I might have something.

- What?

- There was a note
about MGM in Anthony's house.

- Of course I know Mr. Bowness.

He comes in
every couple of months.

- Buying or selling?

- Selling. Is there a problem?

- I'm afraid Mr. Bowness
was murdered.

- The day before yesterday.

- Jesus.

Sorry.

- When was the last time
you saw him?

- Uh, a couple of weeks ago.

He brought this in.

Luigi Loir, from about 1863.

- Very nice.
- And you're sure it's genuine?

- Of course.

I have each item individually
appraised and verified.

And Mr. Bowness' paperwork,

the provenance and such like,
was always excellent.

He was a pleasure.

Mostly.
- "Mostly"?

- About six months ago,

he, um, started
to be more pushy on the price.

He got quite aggressive,

saying he needed to make more
from the deal.

I mean, really, who's
the one with the overheads?

- Did he say
why he wanted more?

- I just thought he
was being greedy,

which surprised me
because he never struck me

as the greedy type.

- It felt wrong while
Mum and Dad were still alive,

trying to find my real parents.

Disrespectful? Sort of.

- You didn't want to hurt
their feelings.

- They gave me everything.

But it's like there's
this blank.

I mean, looking at
all this stuff,

and last night,

when people were telling
me all those stories about Dad,

I realized how little I know.

- About?
- How they came to adopt me.

I mean, I know they came here
in 1947 from Norfolk.

- They didn't tell you
anything else?

- Just my father died
before I was born.

And my mother, you know,

they weren't married,
so she couldn't...

Not in those days.
And beyond that...

- You know,
if you start digging,

you might not like
what you find.

?

- He was right.

Anthony didn't seem
the greedy type.

- If enough money is involved,

I find most people are
the greedy type.

- Cynic.
- Probably.

- I really thought
we were gonna find something,

you know, concrete that would-

- Blow the case wide open?
- Yeah.

- It doesn't work that way.

Mostly it's just spaghetti
against the wall.

You throw it, watch
and see what sticks.

- Scales are falling
from my eyes.

- Sadly, the eureka moment
doesn't happen very often.

- I imagine it's pretty good
when it does, though.

- I'll let you know.

- Do you think
they'll want to talk to me?

- Of course they will.

So just stick to the story
and we'll be okay.

- But why would they think
we had something to do with it?

- Because anything bad,

someone always thinks
we had something to do with it.

No one likes us, son.
That's just the way it is.

They never have.
They never will.

So we look after our own.
Always remember that.

- Do me a favor.
Take a look at this.

- Oh. It's Anthony's.

- It was on him
when he was killed.

We can't make head or tail
of it.

- Can I hang on to it?

- Sure, if anything leaps out,
let me know.

- Well, I can't promise,
but, uh...

Spaghetti against the wall, eh?

- Yeah. [Chuckles]

- Sir, the preliminary
forensic reports are back.

- Oh. It's fine. Come on.

- Well, they found traces
of lateral meristematic

and dermal tissue in the wound.

- Plant matter.

- Plants?
- The stem, apparently.

- Uh...

- The secateurs.

- Sorry?
- This is the flower room.

The secateurs are kept here
without fail.

Stella insists.
So where are they?

- Well, if the secateurs were
the murder weapon,

they could be anywhere.

I doubt the killer hung on
to them.

- But it makes it all spur
of the moment, doesn't it?

If you intend to kill, don't
you bring the weapon with you?

- So who knew they were there?

- Any member of the church,
I imagine.

Wasn't a secret.

- Well, then that's where we're
gonna find the killer, Daniel.

In your congregation.

- Afternoon.

[Clock ticking loudly]

- Um, probably about four hours.

[Indistinct conversation]

He hasn't changed either.

- Bishop,
I didn't know you were coming.

- A flying visit.

Your mother's been taking care
of me.

Spilling the beans
in all sorts of ways.

- Has she? Indeed?
- Most enlightening.

- My lord. You are too kind.

- Much as I'd love
to hear more stories,

time and tide.

Will you excuse me?

I think the study now, do you?

So how are you?

- Bearing up.
Thank you, Bishop.

- It's a heavy burden
you're carrying.

- I'm dealing with it.
What else can you do?

- Indeed.

Still, there's a lot
of publicity.

- Something like this,
it's bound to attract attention.

People talk.

Even though it'd be better
if they didn't.

- What would be better
is if they didn't have anything

to talk about
in the first place.

- Well, I'm sure we all
wish there hadn't been a murder,

but, uh...

- I'm not talking
about the murder.

I'm talking about
ill-advised photo opportunities.

- My visit to the AIDS patient?

?

- Well, it's a...
it's a delicate situation.

But seeing their vicar mixing
with people like that,

it's upsetting the congregation.

I'm sure you understand.

- I'm beginning to.

- Good.

Then I'm confident that's
the end of the matter.

Do thank your mother for me.

I particularly enjoyed
hearing about your childhood.

It's always nice to get a bit
of context,

don't you think?

[Door closes]

[Indistinct conversations]

- That was fun, wasn't it?

- Well, you could
have tried a bit harder.

- Why?
- I don't know, good manners.

Because it's important to Pa.

What's the matter, Alex?

- The police nosing around,
asking questions.

- Well, that is sort of
their job.

- The thing is,

you can't choose
what secrets get out, can you?

- You'll be okay.

They just want to find
the murderer.

Anything else is... irrelevant.

[Classical music playing]

?

?

?

[Music turns off]

- I'm going up to the house.

- I thought lamb chops tonight?

- Whatever you like.

- Well, this is where Anthony
did a lot of his research.

This was his hiding place.

There are records here
of the house and the village

that date back to the 1700s.

I mean, it's-
Yeah, there's all sorts.

Yeah. Feel free to...
have a poke around.

- Huh. A church.

May I take this?

- Yeah, help yourself.

Oh, my goodness.

That's us- me and Anthony.

God, I didn't know he had this.

- Is that you riding the horse?

- Yeah,
I used to ride all the time.

Mm. Wow.

[Sighs]

- Did you know
he was writing a book?

- No.

No, that's the first
I've heard of it.

- Maybe you could try
to get it published.

Kind of a legacy.

- Yeah, I'd like that.

- ? And now you're giving me
a heartache ?

- [Humming]

- ? Fools game ?

? It's a shame, shame ?

? It's a heartache
and I feel the pain ?

- Bernard, can you explain
how I saw this painting

for sale in a gallery
just a few hours ago?

- Hmm.

Well, Anthony was-
He was quite clever, really.

So we have a, um,

you know, a fair collection
of paintings here, and, um...

Well, he was careful.

It was only the middle-
to low-ranking ones

that he had copied so as
not to draw attention.

- But how did he convince the
gallery owner they were genuine?

- Because they were.

The copies are-
are hanging here.

You see, it's not illegal
to copy a painting,

only to pass it off
as the genuine article,

which, of course, he didn't do.

- So the only person
he defrauded...

- Was me. Yeah.

- Alex told me
that you'd had a row

with Anthony at the open day.

Is that what it was about?
- Yes.

One of the visitors
been looking round the house

and he'd seen the painting.

Told me there was
an identical one in the gallery.

So I contacted the gallery
and they told me

where they got the painting
from.

Then I confronted Anthony

and said I was gonna go to
the police.

- What did he say?
- He rather called my bluff.

He said I wouldn't tell anyone

because I didn't want to risk
a scandal.

And, of course,
well, he was right.

Amazing, really.

You know, after everything
I'd done for him.

[Liquid pouring]

Instead of being grateful,
he just...

[Sighs]
He resented it.

- I imagine you were
pretty angry.

- Damn right I was.

?

- The bishop was nice.
- Hmm.

- Very smart car he's got.

- Does he?
- And a chauffeur, too.

- Actually, it's the gardener.

He doubles up when the bishop
wants to make an impression.

- He's a powerful man, Daniel.

And I think you should do
what he says.

I couldn't help overhearing.

- Through the door.

- Just keep your head down.

Don't rock the boat.

- I see.

And even if I think-

- You have a nice life here,
Daniel.

A beautiful church, friends.

A roof over your head.
Don't mess it up.

- And what
if I think the bishop is wrong?

What do I say to those people
out there who are all alone

and who need someone
right now to be by their side?

You're right.
I do have a nice life.

But it comes with a commitment,
doesn't it?

To do what's hard because it's
the right thing to do.

Shouldn't that be what
the church is for?

- I remember
when it was the miners

and you were there
on the picket line.

Now it's the homosexuals.

You have an admirable commitment
to helping others.

- Thank you.

- What a shame it didn't extend
to your own family.

?

- Thanks for the chops.

?

["Pictures of You"
by The Cure playing]

?

- ? I've been looking so long
at these pictures of you ?

? That I almost believe
that they're real ?

? I've been living so long
with my pictures of you ?

? That I almost believe ?

? That the pictures are all
I can feel ?

?

?

- Ned, supper.

- I'm, uh, just cleaning up.

- ? Remembering you,
fallen into my arms ?

? Crying for the death
of your heart ?

? You were stone white,
so delicate ?

? Lost in the cold ?

? You were always so lost
in the dark ?

? Remembering you
how you used to be ?

? Slow drowned,
you were angels ?

? So much more than everything ?

? Hold for the last time,
then slip away quietly ?

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