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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,534 --> 00:00:06,701 ( theme music playing ) 2 00:00:54,000 --> 00:00:56,534 - WHAT HAVE YOU GOT? 3 00:00:56,534 --> 00:00:58,534 HEART FAILURE. 4 00:01:01,200 --> 00:01:03,534 THIS CAN'T BE IT-- THIS IS A BILL. 5 00:01:03,534 --> 00:01:05,100 THIS ISN'T IT. 6 00:01:05,100 --> 00:01:08,167 IT SHOULD BE ON STIFF WHITE CARD 7 00:01:08,167 --> 00:01:10,634 - FROM THE LORD CHAMBERLAIN'S OFFICE. - WHAT SHOULD? 8 00:01:10,634 --> 00:01:14,267 OUR INVITATION TO THE ROYAL GARDEN PARTY. 9 00:01:15,467 --> 00:01:17,801 MY HUSBAND HAS RECENTLY RETIRED 10 00:01:17,801 --> 00:01:20,901 AFTER A LIFETIME OF DEVOTED SERVICE TO THE COMMUNITY. 11 00:01:20,901 --> 00:01:25,067 THAT MEANS AN INVITATION TO THE ROYAL GARDEN PARTY-- BOUND TO. 12 00:01:25,067 --> 00:01:26,801 BOUND TO. 13 00:01:26,801 --> 00:01:28,968 MR. HISLOP AT NUMBER 43 14 00:01:28,968 --> 00:01:31,000 WENT TO THE ROYAL GARDEN PARTY LAST YEAR. 15 00:01:31,000 --> 00:01:33,367 AND HE ONLY DRIVES A C REGISTRATION. 16 00:01:35,834 --> 00:01:37,934 ARE YOU SURE THERE'S NOTHING ELSE IN YOUR BAG? 17 00:01:37,934 --> 00:01:39,501 NOT FOR THIS ADDRESS MRS. BUCK-- 18 00:01:40,567 --> 00:01:41,734 "BOUQUET." 19 00:01:41,734 --> 00:01:44,033 THAT'S VERY STRANGE, 20 00:01:44,033 --> 00:01:46,267 IT MUST BE LAYING ABOUT SOMEWHERE, 21 00:01:46,267 --> 00:01:48,868 LOST IN THE DEPTHS OF YOUR SORTING OFFICE. 22 00:01:48,868 --> 00:01:50,801 YOUR HUSBAND RETIRED, IS HE? 23 00:01:50,801 --> 00:01:52,100 - HM-MMM. - WOW! 24 00:01:52,100 --> 00:01:55,234 IF ANYBODY DESERVES A GARDEN PARTY... 25 00:01:55,234 --> 00:01:57,033 EXACTLY! 26 00:01:57,033 --> 00:02:00,033 OH, AND WHEN YOU DO BRING THE INVITATION, 27 00:02:00,033 --> 00:02:01,334 DON'T BEND IT. 28 00:02:02,667 --> 00:02:04,767 I SHALL WANT TO FRAME IT AFTERWARDS. 29 00:02:05,934 --> 00:02:07,567 NOT FOR MYSELF, OF COURSE. 30 00:02:07,567 --> 00:02:10,601 BUT IT'S THE KIND OF THINGS NEIGHBORS LIKE TO SEE. 31 00:02:14,100 --> 00:02:16,634 IS THAT THE LORD CHAMBERLAIN'S OFFICE? 32 00:02:16,634 --> 00:02:18,868 IT IS? GOOD. 33 00:02:18,868 --> 00:02:21,567 I'D LIKE A WORD WITH THE LORD CHAMBERLAIN PLEASE. 34 00:02:23,100 --> 00:02:25,601 HE'S NOT THERE? 35 00:02:25,601 --> 00:02:27,300 ( clicking her tongue ) 36 00:02:27,300 --> 00:02:30,067 HAVE YOU ANYONE ELSE THERE WHO IS IMPORTANT? 37 00:02:30,067 --> 00:02:32,100 SOMEONE IN AUTHORITY? 38 00:02:32,100 --> 00:02:34,534 PLEASE DON'T TROUBLE HER MAJESTY, OF COURSE. 39 00:02:35,534 --> 00:02:39,133 IT'S ABOUT MY HUSBAND'S INVITATION 40 00:02:39,133 --> 00:02:41,234 TO THE ROYAL GARDEN PARTY. 41 00:02:41,234 --> 00:02:43,767 IT HASN'T ARRIVED YET. 42 00:02:43,767 --> 00:02:45,934 WOULD YOU WINKLE IT OUT AND EXPEDITE IT. 43 00:02:47,067 --> 00:02:51,767 "BOUQUET." B-U-C-K-E-T. 44 00:02:51,767 --> 00:02:54,067 HOW DO I KNOW HE'S GETTING ONE? 45 00:02:54,067 --> 00:02:56,367 WELL, MR. AND MRS. HISLOP HAVE BEEN. 46 00:02:56,367 --> 00:03:00,000 I KNOW THEY HAVE A CORGI BUT THERE MUST BE MORE TO IT THAN THAT. 47 00:03:01,033 --> 00:03:03,400 IF YOU WOULD BE SO KIND, 48 00:03:03,400 --> 00:03:05,467 AS TO MAKE INQUIRIES, 49 00:03:05,467 --> 00:03:08,434 AND WILL YOU RING ME BACK AS SOON AS POSSIBLE? 50 00:03:08,434 --> 00:03:11,601 I MUST KNOW WHAT COLOR THE QUEEN WILL BE WEARING. 51 00:03:12,634 --> 00:03:14,968 ONE HAS A DUTY NOT TO CLASH. 52 00:03:16,100 --> 00:03:18,300 YOU SWINE, EDGAR! 53 00:03:18,300 --> 00:03:20,868 YOU PROMISED ME YOU'D FINISHED WITH HER. 54 00:03:20,868 --> 00:03:23,033 YOU SAID YOU COULDN'T STAND HER. 55 00:03:23,033 --> 00:03:26,200 AND THE WAY SHE LOOKS, I FIND THAT ENTIRELY BELIEVABLE. 56 00:03:26,200 --> 00:03:28,834 I BELIEVED YOU, EDGAR. 57 00:03:28,834 --> 00:03:32,567 COULD YOU TURN YOUR ROSE DOWN A BIT? I CAN'T HEAR THE TELLY. 58 00:03:33,934 --> 00:03:36,501 LISTEN TO ROSE, I USUALLY DO. 59 00:03:36,501 --> 00:03:38,567 SHE STREETS AHEAD OF TELLY. 60 00:03:38,567 --> 00:03:41,267 Rose: YOU DON'T EVEN SOUND LIKE THE SAME PERSON 61 00:03:41,267 --> 00:03:43,567 THAT PROMISED ME UNDYING LOVE IN THAT BUS SHELTER. 62 00:03:45,200 --> 00:03:46,801 I'M HURT! 63 00:03:46,801 --> 00:03:49,033 YOU'RE TRAMPLING ON ME, EDGAR. 64 00:03:49,033 --> 00:03:52,067 COULD HE TRAMPLE A BIT QUIETER? 65 00:03:53,567 --> 00:03:57,501 DO YOU REMEMBER WHEN WE USED TO GO INTO BUS SHELTERS? 66 00:04:00,167 --> 00:04:02,834 DON'T START GETTING BROODY, I'VE GOT A HEADACHE. 67 00:04:04,367 --> 00:04:06,267 YOU MIGHT JUST AS WELL 68 00:04:06,267 --> 00:04:08,501 HAVE TAKEN MY HEART, EDGAR 69 00:04:08,501 --> 00:04:10,667 AND PLUCKED IT OUT 70 00:04:10,667 --> 00:04:12,634 AND TOSSED IT AWAY! 71 00:04:12,634 --> 00:04:15,834 SOUNDS LIKE A GOOD IDEA TO ME. 72 00:04:15,834 --> 00:04:18,133 YOU PROMISED ME YOU'D BE FAITHFUL, 73 00:04:18,133 --> 00:04:20,367 AND THEN I CATCH YOU 74 00:04:20,367 --> 00:04:22,534 SNEAKING BACK TO YOUR WIFE. 75 00:04:23,868 --> 00:04:26,400 WELL, IT'S BEEN A LESSON, EDGAR. 76 00:04:26,400 --> 00:04:29,000 BUT THAT'S IT! I'VE FINISHED. 77 00:04:30,601 --> 00:04:32,234 I MEAN IT. 78 00:04:32,234 --> 00:04:34,834 I'M GOING BACK TO BEING A VIRGIN. 79 00:04:38,968 --> 00:04:42,133 I SAY THIS MUCH FOR YOU, ONSLOW, 80 00:04:42,133 --> 00:04:44,634 YOU'VE ALWAYS BEEN TOO BONE-IDLE 81 00:04:44,634 --> 00:04:46,367 TO BE UNFAITHFUL TO ME. 82 00:04:47,367 --> 00:04:49,000 IT JUST GOES TO SHOW, 83 00:04:49,000 --> 00:04:51,133 THERE'S GOOD IN EVERYBODY IF YOU LOOK FOR IT. 84 00:05:01,300 --> 00:05:02,868 ( sighs ) 85 00:05:02,868 --> 00:05:05,300 YOU'LL WEAR IT AWAY, RICHARD. 86 00:05:06,567 --> 00:05:08,100 I KNOW, 87 00:05:08,100 --> 00:05:09,868 HYACINTH LIKES A CLEAN CAR. 88 00:05:09,868 --> 00:05:11,434 AND I'VE GOT TIME, YOU SEE. 89 00:05:11,434 --> 00:05:12,667 HOW IS IT GOING? 90 00:05:12,667 --> 00:05:14,033 WELL, YOU KNOW-- 91 00:05:14,033 --> 00:05:15,534 I CAN GUESS. 92 00:05:15,534 --> 00:05:18,234 YOU FIND THERE'S TIME FOR LOTS OF THINKING. 93 00:05:18,234 --> 00:05:19,534 ABOUT WHAT? 94 00:05:19,534 --> 00:05:22,934 OH, THINGS. 95 00:05:29,334 --> 00:05:31,901 WE CAN OFTEN DO THIS, NOW. 96 00:05:31,901 --> 00:05:35,267 LITTLE EDUCATIONAL TRIPS INTO THE COUNTRYSIDE. 97 00:05:36,667 --> 00:05:40,000 WHAT A MARVELOUS OPPORTUNITY TO INCREASE OUR KNOWLEDGE 98 00:05:40,000 --> 00:05:42,634 OF LOCAL HISTORY AND ANTIQUITIES. 99 00:05:48,434 --> 00:05:50,501 SHOULDN'T YOU HAVE TURNED LEFT THERE? 100 00:05:50,501 --> 00:05:52,400 I DON'T THINK SO. 101 00:05:55,033 --> 00:05:58,167 I EXPECT WE SHOULD HAVE TURNED LEFT THERE. 102 00:06:00,467 --> 00:06:02,434 Hyacinth: MIND THE GRASS VERGE. 103 00:06:02,434 --> 00:06:05,067 DON'T GO TOO NEAR THE GRASS VERGE. 104 00:06:05,067 --> 00:06:08,300 TO THINK WE CAN OFTEN DO THIS! 105 00:06:11,267 --> 00:06:13,868 I EXPECT WE'LL BECOME QUITE EXPERT 106 00:06:13,868 --> 00:06:16,434 IN LOCAL HISTORY AND ANTIQUITIES. 107 00:06:16,434 --> 00:06:18,467 I THINK I'D LIKE THAT. 108 00:06:18,467 --> 00:06:21,501 I COULD GIVE A TALK OCCASIONALLY. 109 00:06:21,501 --> 00:06:23,300 I'M SURE YOU COULD TALK, HYACINTH. 110 00:06:23,300 --> 00:06:25,400 I'M ABSOLUTELY POSITIVE YOU COULD TALK. 111 00:06:25,400 --> 00:06:27,834 YES, I BELIEVE I COULD. 112 00:06:30,434 --> 00:06:32,400 MIND THE HORSE! 113 00:06:33,434 --> 00:06:35,434 IT'S IN THE FIELD. 114 00:06:35,434 --> 00:06:37,567 THEY'RE TEMPESTUOUS, YOU KNOW. 115 00:06:37,567 --> 00:06:39,934 HAVEN'T YOU SEEN THEM ON TELEVISION? 116 00:06:41,968 --> 00:06:44,467 120 miles an hour... 117 00:06:48,634 --> 00:06:51,667 HANDS UP! ALL WHO FIND LIFE... 118 00:06:51,667 --> 00:06:53,300 MEANINGLESS. 119 00:07:03,534 --> 00:07:05,200 ANY MORE BEER? 120 00:07:06,200 --> 00:07:07,467 NO. 121 00:07:07,467 --> 00:07:09,734 OH, NICE! 122 00:07:13,067 --> 00:07:15,100 I'M AT THE CROSSROADS. 123 00:07:15,100 --> 00:07:17,300 YOU WOULDN'T BE PASSING AN OFF-LICENSE, WOULD YOU? 124 00:07:19,267 --> 00:07:22,133 I MEAN THE BIG CROSSROADS. 125 00:07:22,133 --> 00:07:24,734 DO YOU CONTINUE WITH YOUR LIFE... 126 00:07:24,734 --> 00:07:26,434 OR DO YOU JUST GIVE IN? 127 00:07:26,434 --> 00:07:28,534 COULD YOU GO TO THE OFF-LICENSE FIRST, 128 00:07:28,534 --> 00:07:30,534 THEN STRUGGLE WITH YOUR LIFE? 129 00:07:31,834 --> 00:07:35,701 YOUR ONSLOW IS SUCH A PLEB. 130 00:07:40,467 --> 00:07:43,334 WOULD YOU SAY THAT WAS A YES OR A NO? 131 00:07:48,801 --> 00:07:50,901 ( cow moos ) 132 00:07:50,901 --> 00:07:52,467 THIS IS IT! 133 00:07:52,467 --> 00:07:55,067 THIS MUST BE THE PLACE. 134 00:07:55,067 --> 00:07:57,467 IRON-AGE REMAINS? 135 00:07:57,467 --> 00:07:59,400 WELL, IT SAYS, 136 00:07:59,400 --> 00:08:01,300 "TAKE THE LANE, 137 00:08:01,300 --> 00:08:04,834 AND IN THE FIELD OPPOSITE, 138 00:08:04,834 --> 00:08:06,634 ON THE LEFT, 139 00:08:06,634 --> 00:08:10,501 ARE CLEAR TRACES OF IRON-AGE REMAINS." 140 00:08:10,501 --> 00:08:12,100 THEY DON'T LOOK VERY CLEAR TO ME. 141 00:08:12,100 --> 00:08:16,400 OH, RICHARD! DON'T BE SO NEGATIVE, DEAR. 142 00:08:16,400 --> 00:08:19,400 THESE PEOPLE LIVED A LONG TIME AGO. 143 00:08:19,400 --> 00:08:22,100 YOU CAN'T EXPECT TO FIND THEIR DWELLINGS INTACT. 144 00:08:23,467 --> 00:08:25,901 I MEAN YOU WOULDN'T FIND THEIR GARDEN GATES 145 00:08:25,901 --> 00:08:28,667 COMPLETE WITH NUMBERS. 146 00:08:28,667 --> 00:08:30,767 NO, BUT YOU'D THINK THERE'D BE SOMETHING. 147 00:08:30,767 --> 00:08:32,934 WELL, OBVIOUSLY, THERE IS SOMETHING 148 00:08:32,934 --> 00:08:34,701 IF WE USE OUR EYES, 149 00:08:34,701 --> 00:08:36,834 AND YOUR BINOCULARS. 150 00:08:39,534 --> 00:08:41,200 THERE! 151 00:08:41,200 --> 00:08:43,367 - WHERE? - THAT LUMP! 152 00:08:43,367 --> 00:08:45,267 THAT COULD BE A BURIAL SITE. 153 00:08:46,300 --> 00:08:48,100 IT'S A VERY SMALL LUMP. 154 00:08:48,100 --> 00:08:50,267 PERHAPS THEY WEREN'T VERY LARGE. 155 00:08:50,267 --> 00:08:54,033 IRON-AGE MIDGET REMAINS, VERY INTERESTING. 156 00:08:54,033 --> 00:08:56,601 IT COULD BE A NEANDERTHAL BARROW. 157 00:08:56,601 --> 00:08:58,000 IT SAYS IN THE GUIDE BOOK 158 00:08:58,000 --> 00:08:59,567 THEY HAD BARROWS. 159 00:08:59,567 --> 00:09:02,534 I EXPECT THEY WHEELED ROCKS ABOUT AND THINGS. 160 00:09:04,400 --> 00:09:08,100 COME ALONG, RICHARD. AREN'T YOU EXCITED? 161 00:09:24,133 --> 00:09:26,133 ( coughs ) 162 00:09:32,968 --> 00:09:34,934 ( coughs ) 163 00:09:34,934 --> 00:09:36,968 ( coughs louder ) 164 00:09:41,667 --> 00:09:43,667 YOUR ROSE IS GONE AGAIN. 165 00:09:45,501 --> 00:09:47,968 SHE'S ALWAYS FANCIED BLACK. 166 00:09:47,968 --> 00:09:49,634 SHE THINKS BLACK SUITS HER. 167 00:09:49,634 --> 00:09:52,667 IT DOES. IT SUITS ME. 168 00:09:52,667 --> 00:09:54,300 WHY ARE YOU WEARING A VEIL 169 00:09:54,300 --> 00:09:57,000 OVER A NEGLIGEE, ROSE? 170 00:09:57,000 --> 00:09:59,567 BECAUSE-- 171 00:09:59,567 --> 00:10:03,300 IT EXPRESSES HOW I FEEL SYMBOLICALLY. 172 00:10:03,300 --> 00:10:07,033 HALF DEEPLY-DEPRESSED, 173 00:10:07,033 --> 00:10:10,133 AND HALF YEARNING FOR EXCITEMENT. 174 00:10:12,000 --> 00:10:14,300 SHE LOOKS LIKE "THE BRIDE OF FRANKENSTEIN." 175 00:10:17,100 --> 00:10:19,234 BRIDE? 176 00:10:19,234 --> 00:10:21,434 THAT'S A NICE CHANGE. 177 00:10:21,434 --> 00:10:24,801 SHE NEVER USUALLY GETS PAST GIRLFRIEND. 178 00:10:33,000 --> 00:10:35,067 WHAT WITH HER AND YOUR HYACINTH, 179 00:10:35,067 --> 00:10:37,067 I'M GLAD YOU'RE NORMAL. 180 00:10:38,801 --> 00:10:40,801 NEVER MIND "NORMAL." 181 00:10:40,801 --> 00:10:43,834 TRY "DESIRABLE." 182 00:10:45,868 --> 00:10:48,200 I TOLD YOU, I'VE GOT A HEADACHE. 183 00:10:56,567 --> 00:10:59,400 CAN YOU SEE ANYTHING NOW? 184 00:10:59,400 --> 00:11:01,367 I DAREN'T LOOK. 185 00:11:02,801 --> 00:11:05,334 COME ALONG, RICHARD. 186 00:11:05,334 --> 00:11:07,200 USE YOUR EYES. 187 00:11:07,200 --> 00:11:11,601 I DON'T EVEN OPEN THEM, I DON'T LIKE HEIGHTS! 188 00:11:11,601 --> 00:11:14,734 IT'S AT TIMES LIKE THESE I MISS MY SHERIDAN. 189 00:11:14,734 --> 00:11:17,133 WHEN DID HE EVER CLIMB A TREE? 190 00:11:17,133 --> 00:11:20,133 HE WOULD FOR HIS MOMMY, DEAR. 191 00:11:23,267 --> 00:11:25,834 YES? 192 00:11:25,834 --> 00:11:28,334 YOU'RE NOT ALL THAT HIGH, DEAR. 193 00:11:28,334 --> 00:11:31,234 THAT'S NOT THE IMPRESSION YOU GET FROM UP HERE. 194 00:11:31,234 --> 00:11:34,901 SCAN THE COUNTRYSIDE. 195 00:11:34,901 --> 00:11:37,501 LOOK, PARTICULARLY-- 196 00:11:37,501 --> 00:11:41,300 FOR EVIDENCES OF MOUNDS AND DEPRESSIONS. 197 00:11:41,300 --> 00:11:44,033 THE ONLY DEPRESSION IS MINE. 198 00:11:44,033 --> 00:11:47,133 I FEEL EXTREMELY UNSAFE. 199 00:11:47,133 --> 00:11:50,167 REALLY, RICHARD. HERE WE ARE 200 00:11:50,167 --> 00:11:51,834 IN THE PURSUIT OF HISTORY, 201 00:11:51,834 --> 00:11:54,868 AND ALL YOU CAN THINK ABOUT IS YOUR SAFETY. 202 00:11:58,501 --> 00:12:00,934 HOW COULD THAT HIKER HAVE THE IMPERTINENCE 203 00:12:00,934 --> 00:12:04,534 TO THINK I WAS TALKING TO A TREE? 204 00:12:04,534 --> 00:12:06,534 HE DIDN'T BELIEVE YOU WERE UP THERE AT ALL. 205 00:12:06,534 --> 00:12:07,968 WHY DIDN'T YOU ANSWER? 206 00:12:07,968 --> 00:12:09,868 I MUST HAVE BEEN TOTALLY ENGROSSED 207 00:12:09,868 --> 00:12:12,567 IN LOOKING FOR IRON-AGE REMAINS. 208 00:12:12,567 --> 00:12:14,067 YOU SHOULD HAVE ANSWERED. 209 00:12:14,067 --> 00:12:16,267 "LOOK FOR LUMPS AND DEPRESSIONS," YOU SAID. 210 00:12:16,267 --> 00:12:17,934 I MUST HAVE BEEN SO HEPPED UP 211 00:12:17,934 --> 00:12:20,133 IN LOOKING FOR LUMPS AND DEPRESSIONS. 212 00:12:20,133 --> 00:12:23,100 IT WAS VERY HUMILIATING FOR ME. 213 00:12:25,367 --> 00:12:27,701 MIND THE POTHOLE IN THE ROAD! 214 00:12:27,701 --> 00:12:30,434 ( in Cockney accent ) MINDING THE POTHOLE. 215 00:12:36,267 --> 00:12:38,934 NOW THAT WAS FUN. 216 00:12:38,934 --> 00:12:42,634 - WASN'T IT, RICHARD? - YES, DEAR. 217 00:12:44,300 --> 00:12:46,000 I'M GOING TO RING ELIZABETH, 218 00:12:46,000 --> 00:12:48,901 AND INVITE HER IN FOR A NICE CUP OF TEA. 219 00:12:53,567 --> 00:12:56,067 WHY DON'T YOU GO AND GET CHANGED, DEAR, 220 00:12:56,067 --> 00:12:58,567 AND HAVE A LITTLE PUTTER IN THE GARDEN. 221 00:12:58,567 --> 00:13:00,601 OH, YES, DEAR! 222 00:13:06,801 --> 00:13:09,200 ELIZABETH, IT'S HYACINTH. 223 00:13:09,200 --> 00:13:12,934 WHY DON'T YOU POP ROUND FOR A NICE CUP OF TEA, DEAR? 224 00:13:12,934 --> 00:13:15,701 HMM, YOU'RE GOING WHERE? 225 00:13:15,701 --> 00:13:18,267 OH, DON'T WORRY ABOUT THAT, THEY'LL WAIT FOR YOU. 226 00:13:19,334 --> 00:13:21,334 SHALL WE SAY FIVE MINUTES? 227 00:13:21,334 --> 00:13:24,834 * I TALK TO THE TREES...* 228 00:13:28,367 --> 00:13:31,033 I WANT TO TALK TO YOU ABOUT RICHARD. 229 00:13:31,033 --> 00:13:35,133 * ...THE STARS, BUT THEY NEVER HEAR ME * 230 00:13:35,133 --> 00:13:38,734 * THE BREEZE HASN'T TIME TO STOP AND HEAR WHAT I SAY...* 231 00:13:41,000 --> 00:13:45,534 HAVE YOU NOTICED ANYTHING DIFFERENT ABOUT RICHARD? 232 00:13:45,534 --> 00:13:47,901 I CAN'T STAY TOO LONG, HYACINTH, 233 00:13:47,901 --> 00:13:49,734 BECAUSE I'M SUPPOSED TO BE-- 234 00:13:49,734 --> 00:13:52,868 NOT THAT IT MAKES THE SLIGHTEST DIFFERENCE, OF COURSE. 235 00:13:52,868 --> 00:13:56,601 YOU'LL ENJOY A BREAK AND A NICE CUP OF TEA. 236 00:13:56,601 --> 00:13:59,801 DO SIT DOWN, ELIZABETH. 237 00:13:59,801 --> 00:14:02,701 WHICH CHAIR, HYACINTH? 238 00:14:02,701 --> 00:14:06,267 I INSIST YOU POINT ME TO A CHAIR. 239 00:14:06,267 --> 00:14:09,067 GOOD HEAVENS, ELIZABETH, SIT WHERE YOU LIKE, DEAR. 240 00:14:11,767 --> 00:14:14,200 EXCEPT THERE! 241 00:14:14,200 --> 00:14:16,167 I THOUGHT I MIGHT LIKE TO SIT THERE. 242 00:14:20,567 --> 00:14:22,567 NOW... 243 00:14:22,567 --> 00:14:25,334 WHAT I WANTED TO ASK YOU 244 00:14:26,767 --> 00:14:30,133 IS HAVE YOU NOTICED ANYTHING DIFFERENT ABOUT RICHARD? 245 00:14:30,133 --> 00:14:32,167 - DIFFERENT? - HM-MMM. 246 00:14:32,167 --> 00:14:33,801 HE'S BEHAVING VERY ODDLY. 247 00:14:33,801 --> 00:14:36,067 ODDLY? RICHARD?! 248 00:14:36,067 --> 00:14:38,067 NOTHING DRAMATIC-- JUST-- 249 00:14:38,067 --> 00:14:41,767 THE LITTLE SIGNS A WIFE NOTICES. 250 00:14:41,767 --> 00:14:44,701 HE WOULDN'T SPEAK TO ME WHEN HE WAS UP A TREE. 251 00:14:51,968 --> 00:14:54,367 WHAT WAS HE DOING UP A TREE? 252 00:14:54,367 --> 00:14:57,133 WELL, I MEAN-- THAT'S NOT THE POINT, DEAR. 253 00:14:57,133 --> 00:15:00,467 ACTUALLY, HE WAS LOOKING FOR LUMPS AND DEPRESSIONS. 254 00:15:03,567 --> 00:15:04,868 UP A TREE? 255 00:15:04,868 --> 00:15:08,400 HE WAS LOOKING FOR IRON-AGE REMAINS. 256 00:15:09,934 --> 00:15:12,334 BEAKER OR MY BEST BONE, DEAR? 257 00:15:12,334 --> 00:15:13,501 OH, A BEAKER. 258 00:15:13,501 --> 00:15:16,901 OTHERWISE WE'LL END UP WITH CHINA REMAINS. 259 00:15:24,868 --> 00:15:27,200 YOU LOOK VERY PHILOSOPHICAL RICHARD. 260 00:15:27,200 --> 00:15:29,300 I BET EINSTEIN LOOKED LIKE THAT 261 00:15:29,300 --> 00:15:33,000 ON HIS WAY TO THE THEORY OF RELATIVITY. 262 00:15:35,067 --> 00:15:36,834 RICHARD? 263 00:15:36,834 --> 00:15:38,667 I'VE HEARD OF GNOMES IN THE GARDEN, 264 00:15:38,667 --> 00:15:40,767 BUT YOU LOOK ALMOST LIFELIKE. 265 00:15:40,767 --> 00:15:42,834 HELLO, EMMET, 266 00:15:42,834 --> 00:15:45,734 I'M WAITING FOR THE WEEDS TO GROW. 267 00:15:47,100 --> 00:15:49,167 SUPPOSED TO BE HAVING A PUTTER IN THE GARDEN, 268 00:15:49,167 --> 00:15:51,367 BUT IT'S NOT BIG ENOUGH FOR A DECENT POTTER. 269 00:15:51,367 --> 00:15:54,167 OTHERWISE, HOW IS RETIREMENT GOING? 270 00:15:54,167 --> 00:15:58,501 THIS MORNING WE WENT LOOKING FOR IRON-AGE REMAINS. 271 00:15:58,501 --> 00:16:01,400 I'M SORRY TO HEAR THAT. YOU POOR DEVIL. 272 00:16:01,400 --> 00:16:03,000 I EXPECT TO GET USED TO IT. 273 00:16:03,000 --> 00:16:05,868 NO, NO, RICHARD, YOU MUSTN'T. 274 00:16:05,868 --> 00:16:07,868 I WENT THROUGH A BAD PATCH, 275 00:16:07,868 --> 00:16:10,234 AND I FOUND THAT WHAT YOU HAVE TO DO IS BRING A SENSE OF... 276 00:16:10,234 --> 00:16:12,234 PLAY INTO YOUR LIFE. 277 00:16:12,234 --> 00:16:14,701 MISCHIEF, A LITTLE IRRESPONSIBILITY. 278 00:16:14,701 --> 00:16:16,968 IT'S EASIER FOR YOU, 279 00:16:16,968 --> 00:16:18,567 YOU CAN PLAY THE PIANO. 280 00:16:18,567 --> 00:16:22,534 SOMETIMES IT WORKS WONDERS JUST TO BE PLAYFUL 281 00:16:22,534 --> 00:16:24,534 JUST FOR THE HELL OF IT. 282 00:16:26,334 --> 00:16:28,334 OH-HH. 283 00:16:30,400 --> 00:16:31,801 I'VE FORGOTTEN THE BISCUITS. 284 00:16:35,868 --> 00:16:38,067 OF COURSE, IT COULD BE MY IMAGINATION. 285 00:16:39,167 --> 00:16:42,300 NO, I THINK YOU HAVE FORGOTTEN THEM. 286 00:16:42,300 --> 00:16:44,067 NOT THE BISCUITS, 287 00:16:44,067 --> 00:16:47,634 I WAS TALKING ABOUT RICHARD. 288 00:16:47,634 --> 00:16:50,033 IT MUST BE MY IMAGINATION. 289 00:16:50,033 --> 00:16:52,300 HE'S ALWAYS BEEN SO RELIABLE. 290 00:16:52,300 --> 00:16:55,334 LOOK HOW NICELY HE KEEPS THE CAR. 291 00:16:55,334 --> 00:16:57,067 BISCUIT? 292 00:16:57,067 --> 00:16:59,133 OH, THANK YOU. 293 00:16:59,133 --> 00:17:02,767 HE WOULDN'T HAVE GOT SO FAR IN PUBLIC SERVICE, WOULD HE, 294 00:17:02,767 --> 00:17:05,000 IF HE HADN'T BEEN SUCH A ROCK OF RELIABILITY? 295 00:17:05,000 --> 00:17:06,234 PLATE? 296 00:17:07,968 --> 00:17:10,334 THANK YOU. 297 00:17:11,400 --> 00:17:14,334 - BISCUIT? - YES, OF COURSE. 298 00:17:18,167 --> 00:17:20,834 - SUGAR? - NO. NO SUGAR. 299 00:17:20,834 --> 00:17:24,033 I WAS SAYING AS MUCH ONLY THIS MORNING 300 00:17:24,033 --> 00:17:25,467 TO THE LORD CHAMBERLAIN'S OFFICE. 301 00:17:27,667 --> 00:17:28,901 AH-HH! 302 00:17:31,434 --> 00:17:34,501 RICHARD! RI-- RICHARD! 303 00:17:36,234 --> 00:17:38,934 OOOOOOO! 304 00:17:48,200 --> 00:17:51,300 RICHARD! WHO ARE YOU UPSIDE-DOWN WITH? 305 00:17:51,300 --> 00:17:53,334 I HOPE IT'S SOMEONE WE KNOW. 306 00:17:58,701 --> 00:18:00,767 EMMET. 307 00:18:00,767 --> 00:18:02,767 HELLO, HYACINTH. 308 00:18:02,767 --> 00:18:05,434 WE WERE JUST SEEING IF WE COULD STILL DO IT. 309 00:18:07,334 --> 00:18:09,334 ( car honks ) 310 00:18:14,567 --> 00:18:16,200 RICHARD, 311 00:18:16,200 --> 00:18:18,534 TAKE EMMET IN FOR A CUP OF TEA, WILL YOU, DEAR? 312 00:18:18,534 --> 00:18:21,667 - NOW! - I THINK I OUGHT TO BE GETTING BACK POSSIBLY. 313 00:18:21,667 --> 00:18:23,834 I'VE GOT SO MUCH WORK TO DO. 314 00:18:26,400 --> 00:18:29,601 DAISY, ONSLOW! HOW NICE OF YOU TO DROP IN. 315 00:18:29,601 --> 00:18:32,667 IT'S A PITY WE'RE JUST GOING OUT. 316 00:18:32,667 --> 00:18:34,868 HOWEVER, THERE'LL BE OTHER DAYS. 317 00:18:34,868 --> 00:18:36,400 IF WE'RE NOT CAREFUL. 318 00:18:37,601 --> 00:18:39,067 IT'S ROSE! 319 00:18:39,067 --> 00:18:42,133 HER HORMONES ARE RUNNING RIOT AGAIN. 320 00:18:42,133 --> 00:18:43,834 SHE'S LOCKED HERSELF IN HER ROOM, 321 00:18:43,834 --> 00:18:45,400 WHICH IS VERY INCONVENIENT, 322 00:18:45,400 --> 00:18:47,634 AS I'M OUT OF CANS AND SHE'S GOT THE BOTTLE OPENER. 323 00:18:49,367 --> 00:18:52,167 SUPPOSING SHE HARMS HERSELF ON THE BOTTLE OPENER? 324 00:18:52,167 --> 00:18:54,834 OR EVEN WORSE, SUPPOSE SHE LOSES IT? 325 00:18:56,601 --> 00:18:58,467 SHE SENT FOR YOUR VICAR. 326 00:18:58,467 --> 00:18:59,968 OUR VICAR? 327 00:18:59,968 --> 00:19:03,501 SHE SAYS SHE NEEDS SPIRITUAL COUNSELING. 328 00:19:03,501 --> 00:19:04,934 AS WELL AS THE BOTTLE OPENER? 329 00:19:06,167 --> 00:19:07,434 THE WAY SHE'S DRESSED, 330 00:19:07,434 --> 00:19:10,467 IT'S THE VICAR IS GOING TO NEED THE COUNSELING. 331 00:19:10,467 --> 00:19:13,567 IF MY SHERIDAN WERE HERE, HE'D BE APPALLED. 332 00:19:13,567 --> 00:19:15,601 YOU BETTER COME, HYACINTH. 333 00:19:15,601 --> 00:19:17,601 CALM HER DOWN. 334 00:19:17,601 --> 00:19:19,367 SHE SOMETIMES LISTENS TO YOU. 335 00:19:19,367 --> 00:19:21,100 WELL, IT'S MOST INCONVENIENT 336 00:19:21,100 --> 00:19:23,200 WHEN I AM MENTALLY TUNED TO IRON-AGE STUDIES. 337 00:19:24,834 --> 00:19:27,334 BUT THE VICAR MUST BE RESCUED. 338 00:19:29,534 --> 00:19:31,601 OFF YOU GO, THEN. 339 00:19:32,701 --> 00:19:36,400 RICHARD AND I WILL FOLLOW. 340 00:19:36,400 --> 00:19:39,801 WELL, GO ON. GET THE THING STARTED. 341 00:19:42,267 --> 00:19:45,567 HURRY UP! 342 00:19:45,567 --> 00:19:47,567 ( engine starts ) 343 00:19:53,567 --> 00:19:56,167 MY ECCENTRIC SISTER! 344 00:19:56,167 --> 00:19:58,167 LIKES TO GIVE THE IMPRESSION SHE IS POOR. 345 00:19:58,167 --> 00:20:01,100 VERY WISE, I THINK. DON'T YOU? THESE DAYS, 346 00:20:01,100 --> 00:20:03,100 WITH SO MUCH BURGLARY ABOUT. 347 00:20:09,534 --> 00:20:12,968 I WISH ROSE HAD SETTLED DOWN AND FOUND A HUSBAND. 348 00:20:12,968 --> 00:20:17,501 ONE OF HER OWN, I MEAN. NOT SOMEBODY ELSE'S. 349 00:20:17,501 --> 00:20:20,701 I DON'T KNOW WHERE SHE GETS THESE OUTRAGEOUS HORMONES. 350 00:20:20,701 --> 00:20:24,434 I'M SURE THE REST OF THE FAMILY IS STABLE HORMONE-WISE. 351 00:20:24,434 --> 00:20:26,434 I'LL SECOND THAT. 352 00:20:26,434 --> 00:20:28,968 AND WHAT AN EXAMPLE TO SHERIDAN-- 353 00:20:28,968 --> 00:20:31,801 AN AUNT WHO WEARS MINISKIRTS. 354 00:20:32,801 --> 00:20:35,100 I MUST SAY, SHE'S KEPT HER FIGURE. 355 00:20:35,100 --> 00:20:38,634 I WISH SHE WOULD KEEP IT AND STOP SHARING IT AROUND. 356 00:20:40,267 --> 00:20:42,968 - WATCH THE BICYCLE. - I'M WATCHING THE BICYCLE. 357 00:20:42,968 --> 00:20:45,300 - THERE'S A LORRY COMING, DEAR. - I'VE NOTICED THAT. 358 00:20:45,300 --> 00:20:48,000 - SOUND YOUR HORN. - THERE'S NO NEED, HE'S TURNED RIGHT. 359 00:20:48,000 --> 00:20:49,701 FOR THE CYCLIST. 360 00:20:49,701 --> 00:20:52,567 DON'T JUST GO TEARING PAST AND SURPRISING HIM. 361 00:20:52,567 --> 00:20:56,033 LET HIM KNOW WE'RE COMING. SOUND YOUR HORN. 362 00:20:56,033 --> 00:20:58,567 ( bicycle bell rings ) 363 00:21:02,834 --> 00:21:06,567 THEY'RE MY SISTERS, I LOVE THEM. 364 00:21:06,567 --> 00:21:10,467 I JUST HOPE THEY DON'T OFFER US A CUP OF TEA, THAT'S ALL. 365 00:21:10,467 --> 00:21:14,267 I LIKE YOUR DAISY, SHE'S A VERY GENEROUS WARM SOUL. 366 00:21:14,267 --> 00:21:16,400 I LIKE MY DAISY. 367 00:21:16,400 --> 00:21:20,234 I'M JUST NOT PARTICULARLY FOND OF HER CRACKED MUGS. 368 00:21:20,234 --> 00:21:22,000 I LIKE ROSE, COME TO THINK OF IT. 369 00:21:22,000 --> 00:21:25,267 WE ALL KNOW YOU LIKE ROSE, RICHARD. 370 00:21:25,267 --> 00:21:28,968 ALL THE MALE SEX LIKES ROSE, THAT'S HER TROUBLE. 371 00:21:28,968 --> 00:21:31,434 SHE'S ANOTHER GENTLE SOUL, REALLY, 372 00:21:31,434 --> 00:21:32,901 SHE'S JUST A BIT MIXED UP. 373 00:21:32,901 --> 00:21:35,501 I WILL NOT HAVE HER GETTING MIXED UP WITH OUR VICAR. 374 00:21:42,968 --> 00:21:46,367 MOST PEOPLE HAVE A GREENHOUSE IN THEIR GARDEN. 375 00:22:02,868 --> 00:22:05,267 NOW I WANT YOU TO GO IN FIRST, RICHARD. 376 00:22:05,267 --> 00:22:06,801 MAKE SURE ONSLOW HAS GOT A SHIRT ON. 377 00:22:06,801 --> 00:22:09,234 YOU KNOW HE WON'T BE WEARING A SHIRT. 378 00:22:09,234 --> 00:22:12,300 THEN TRY TO MAKE SURE HE KEEPS HIS BACK TO ME. 379 00:22:12,300 --> 00:22:15,133 OTHERWISE, IT'LL BE LIKE WATCHING A BAD ITALIAN FILM. 380 00:22:27,267 --> 00:22:29,767 LEAVE IT. LEAVE IT. 381 00:22:29,767 --> 00:22:31,501 OW-WW! 382 00:22:33,167 --> 00:22:34,701 ( barking ) 383 00:22:44,934 --> 00:22:46,634 GOOD DOG. GOOD DOG. 384 00:22:48,367 --> 00:22:51,067 YOU GO ON IN AND TURN ONSLOW TO THE WALL. 385 00:22:51,067 --> 00:22:53,501 HOW AM I SUPPOSED TO DO THAT? 386 00:22:53,501 --> 00:22:57,234 RICHARD, YOU ARE RETIRED, NOW. 387 00:22:57,234 --> 00:23:01,734 YOU HAVE TIME TO WORK THESE THINGS OUT FOR YOURSELF. 388 00:23:08,067 --> 00:23:11,300 ROSE, DON'T BE SILLY, 389 00:23:11,300 --> 00:23:13,100 YOU CAN'T TURN BUDDHIST. 390 00:23:13,100 --> 00:23:17,033 I WILL NOT HAVE YOU CHANTING MANTRAS, IT'LL WAKE DADDY. 391 00:23:17,033 --> 00:23:19,033 - HAS SHE GOT A MANTRA? - HAS SHE GOT A MANTRA? 392 00:23:19,033 --> 00:23:23,467 - HAS SHE GOT A MANTRA? - SHE'S GOT THE BOTTLE OPENER. THAT'S WHAT SHE'S GOT ON. 393 00:23:23,467 --> 00:23:26,534 ROSE, DO STOP BEING SILLY. 394 00:23:26,534 --> 00:23:29,000 LET ME IN AND LET'S TALK THIS OVER. 395 00:23:29,000 --> 00:23:31,234 SEND RICHARD IN. I'LL TALK TO RICHARD. 396 00:23:31,234 --> 00:23:32,601 WHY RICHARD? 397 00:23:32,601 --> 00:23:35,501 BECAUSE I WANT TO GIVE HIM MY FAREWELL LETTER TO EDGAR. 398 00:23:35,501 --> 00:23:37,767 WELL, PUSH IT UNDER THE DOOR 399 00:23:37,767 --> 00:23:39,234 I CAN'T. 400 00:23:39,234 --> 00:23:41,834 IT'S 30 PAGES. 401 00:23:41,834 --> 00:23:44,501 I'LL VOLUNTEER, I DON'T MIND GOING IN. 402 00:23:44,501 --> 00:23:45,634 YOU STAY WHERE YOU ARE. 403 00:23:45,634 --> 00:23:48,634 NOW ROSE, STOP BEING SILLY, 404 00:23:48,634 --> 00:23:52,000 AND COME OUT HERE AND WE'LL DISCUSS THINGS CALMLY 405 00:23:52,000 --> 00:23:53,934 OVER A NICE CUP OF TEA. 406 00:23:53,934 --> 00:23:55,167 IT'LL HAVE TO BE A MUG. 407 00:23:57,067 --> 00:23:59,968 ON SECOND THOUGHT, ROSE, I DON'T MEAN A CUP OF TEA AT ALL. 408 00:23:59,968 --> 00:24:02,167 I MEAN PROBABLY A SMALL SHERRY. 409 00:24:02,167 --> 00:24:05,200 SHERRY?! I CAN'T BELIEVE THINGS ARE THAT BAD. 410 00:24:06,434 --> 00:24:08,467 HAVEN'T WE GOT ANY VODKA? 411 00:24:08,467 --> 00:24:11,100 ROSE, I AM YOUR ELDER SISTER, 412 00:24:11,100 --> 00:24:14,968 AND I INSIST YOU STOP THIS NONSENSE IMMEDIATELY. 413 00:24:14,968 --> 00:24:17,567 I'LL EXPECT YOU DOWNSTAIRS IN FIVE MINUTES. 414 00:24:17,567 --> 00:24:20,567 AND WEAR SOMETHING WARM. COME ON. 415 00:24:21,567 --> 00:24:23,968 ( Rose crying ) 416 00:24:23,968 --> 00:24:26,868 FIVE MINUTES! 417 00:24:26,868 --> 00:24:29,601 ( panting ) 418 00:24:35,534 --> 00:24:39,267 RICHARD, ISN'T THE FIVE MINUTES UP, YET? 419 00:24:39,267 --> 00:24:40,400 YEAH, THREE MINUTES AGO. 420 00:24:43,033 --> 00:24:45,033 IT'S ALL GONE VERY QUIET. 421 00:24:45,033 --> 00:24:46,734 WHAT'S ROSE DOING? 422 00:24:46,734 --> 00:24:49,033 HOW SHOULD I KNOW? THERE'S NOT A SOUND OF LIFE UP THERE. 423 00:24:52,067 --> 00:24:53,734 QUICK! 424 00:24:53,734 --> 00:24:55,801 OVER TO YOU, DICKIE. 425 00:24:56,868 --> 00:24:59,033 DO BE CAREFUL. 426 00:25:01,701 --> 00:25:05,767 - MIND THE DISH! - YEAH, MIND MY DISH. 427 00:25:05,767 --> 00:25:07,467 THERE YOU ARE, YOU SEE? 428 00:25:07,467 --> 00:25:10,701 ALL THESE OPERATIONS ARE QUITE SIMPLE IF YOU STAY ALERT 429 00:25:10,701 --> 00:25:13,067 AND REMEMBER WHAT YOU'RE DOING. UP YOU GO, RICHARD. 430 00:25:13,067 --> 00:25:16,133 ME? I THOUGHT YOU WANTED TO GO UP. 431 00:25:16,133 --> 00:25:18,167 RICHARD! 432 00:25:18,167 --> 00:25:21,367 - HOW ABOUT YOU, ONSLOW? - SHE IS YOUR SISTER-IN-LAW. 433 00:25:21,367 --> 00:25:23,434 SHE'S YOURS AS WELL. 434 00:25:23,434 --> 00:25:25,067 OH, YEAH. 435 00:25:25,067 --> 00:25:29,200 GET A MOVE ON, RICHARD. ROSE NEEDS HELP. 436 00:25:34,634 --> 00:25:36,567 ( music playing ) 437 00:25:43,534 --> 00:25:45,133 ROSE! 438 00:25:45,133 --> 00:25:47,167 ROSE! 439 00:25:48,801 --> 00:25:50,868 WHAT CAN YOU SEE, RICHARD? 440 00:25:50,868 --> 00:25:53,534 - ( barking ) - ( screams ) 441 00:25:53,534 --> 00:25:55,667 ( screams ) 442 00:26:04,400 --> 00:26:07,501 WHY DID YOU LET GO OF THE LADDER? 443 00:26:07,501 --> 00:26:09,467 GO OF THE LADDER? 444 00:26:09,467 --> 00:26:11,968 NEXT TIME YOU FALL, RICHARD, 445 00:26:11,968 --> 00:26:14,133 KINDLY MAKE SURE YOU INJURE YOURSELF 446 00:26:14,133 --> 00:26:15,901 IN A MORE GENTLEMANLY WAY. 447 00:26:17,000 --> 00:26:18,934 THERE'S BEEN A MIRACLE CURE. 448 00:26:18,934 --> 00:26:20,100 HOW DO YOU MEAN? 449 00:26:20,100 --> 00:26:22,634 ROSE LOOKED OUT OF HER WINDOW 450 00:26:22,634 --> 00:26:24,667 AND SAW YOUR VICAR COMING UP THE STREET. 451 00:26:27,000 --> 00:26:29,167 - RICHARD, FETCH THE CAR. - ( screams ) 452 00:26:31,501 --> 00:26:33,767 I'LL INTERCEPT THE VICAR, COME ON! 453 00:26:33,767 --> 00:26:35,734 OW-OW-OW! 454 00:26:41,267 --> 00:26:44,033 ( barking ) 455 00:26:44,033 --> 00:26:47,801 HI, MRS. BUCK-- "BOUQUET." HOW NICE TO SEE YOU. 456 00:26:47,801 --> 00:26:50,868 GLAD I CAUGHT YOU, VICAR. SAVE YOU A WASTED TRIP. 457 00:26:50,868 --> 00:26:53,734 MY SISTER ROSE IS FULLY RECOVERED. 458 00:26:53,734 --> 00:26:56,868 AT QUITE HER OLD SELF. NEEDS NO ATTENTION. 459 00:27:00,601 --> 00:27:02,200 ( mumbles ) 460 00:27:03,300 --> 00:27:05,234 GOOD AFTERNOON. 461 00:27:08,501 --> 00:27:11,801 WHY IS YOUR HUSBAND WALKING LIKE THAT, MRS. "BOUQUET"? 462 00:27:11,801 --> 00:27:15,567 IT'S EARLY RETIREMENT, IT AFFECTS THE LEGS. 463 00:27:17,267 --> 00:27:19,767 OH, ALL'S WELL THAT ENDS WELL. 464 00:27:19,767 --> 00:27:22,300 YOU MUST BE VERY BUSY, VICAR. MAY WE OFFER YOU A LIFT? 465 00:27:22,300 --> 00:27:24,267 NO, NO THANK YOU, MRS. BUCKET. 466 00:27:24,267 --> 00:27:27,334 "BOUQUET." 467 00:27:27,334 --> 00:27:30,334 I'LL WALK. THE EXERCISE WILL DO ME GOOD. 468 00:27:36,901 --> 00:27:39,634 THANK GOODNESS, THAT'S ALL OVER. 469 00:27:49,834 --> 00:27:51,868 KEEP YOU EYE ON THE ROAD, RICHARD. 470 00:28:02,300 --> 00:28:04,868 SEE YOU IN CHURCH, VICAR! 471 00:28:08,634 --> 00:28:11,234 CAN I GIVE YOU A HAND, VICAR? 472 00:28:12,234 --> 00:28:15,801 ( theme music playing ) 31235