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These are the user uploaded subtitles that are being translated: 1 00:00:04,801 --> 00:00:06,801 ( theme music playing ) 2 00:00:38,801 --> 00:00:42,033 BREAKFAST'S ON THE TABLE, RICHARD! 3 00:00:43,100 --> 00:00:45,434 EARLY RETIREMENT. 4 00:00:45,434 --> 00:00:48,334 ( Hyacinth humming ) 5 00:00:50,601 --> 00:00:53,167 WEAR YOUR BEST SUIT, DEAR. 6 00:00:53,167 --> 00:00:55,167 IT IS YOUR LAST DAY. 7 00:00:55,167 --> 00:00:58,334 I WANT YOU TO LOOK PARTICULARLY SMART. 8 00:00:58,334 --> 00:01:01,033 AFTER ALL, IT'S NOT EVERYONE 9 00:01:01,033 --> 00:01:02,934 WHO GETS OFF AT EARLY RETIREMENT. 10 00:01:06,267 --> 00:01:07,968 SWAGGER A BIT! 11 00:01:07,968 --> 00:01:10,767 PUT A BIT OF SWANK ON. 12 00:01:10,767 --> 00:01:14,167 I'M THE LAST PERSON TO PUT YOURSELF FORWARD, AS YOU KNOW. 13 00:01:14,167 --> 00:01:17,033 BUT I DO THINK IT WON'T HURT THE NEIGHBORS 14 00:01:17,033 --> 00:01:20,701 TO SEE WHO'S LUCKY ENOUGH TO GET EARLY RETIREMENT ROUND HERE. 15 00:01:20,701 --> 00:01:23,133 ( humming resumes ) 16 00:01:34,200 --> 00:01:38,934 AH, YES, I THOUGHT I HEARD THE MILKMAN. 17 00:01:38,934 --> 00:01:42,300 HOW? I'D LIKE TO KNOW HOW YOU HEARD THE MILKMAN? 18 00:01:42,300 --> 00:01:43,634 YOU MUST HAVE RADAR. 19 00:01:43,634 --> 00:01:45,167 NO, THANK YOU. 20 00:01:45,167 --> 00:01:48,400 MY USUAL TWO PINTS AND THE OCCASIONAL YOGURT WILL BE ALL RIGHT. 21 00:01:50,067 --> 00:01:51,968 OH, YES! AND ANOTHER THING, 22 00:01:51,968 --> 00:01:55,300 I'M STILL WAITING FOR AN ANSWER TO MY QUERY. 23 00:01:55,300 --> 00:01:56,767 WHAT QUERY WAS THAT, MRS. BUCKET? 24 00:01:57,968 --> 00:01:59,701 "BOUQUET." 25 00:01:59,701 --> 00:02:02,601 I WANTED YOUR SUPERIORS TO FIND OUT 26 00:02:02,601 --> 00:02:04,868 WHICH COW MY MILK COMES FROM. 27 00:02:06,300 --> 00:02:10,000 I WILL NOT HAVE MY BOTTLES COMING FROM JUST ANY OLD ANIMAL. 28 00:02:10,000 --> 00:02:12,701 WE PASSED A VERY PHOTOGENIC HERD RECENTLY, 29 00:02:12,701 --> 00:02:14,968 GRAZING ON THE EARL OF CRAWFORD'S ESTATE. 30 00:02:14,968 --> 00:02:17,400 WOULD YOU PLEASE ENSURE THAT IN FUTURE 31 00:02:17,400 --> 00:02:19,501 MY TWO PINTS DAILY COME FROM THEM? 32 00:02:19,501 --> 00:02:22,400 ALL THE MILK'S BEEN THOROUGHLY TESTED, MRS. "BOUQUET." 33 00:02:22,400 --> 00:02:24,400 I SHOULD HOPE SO. 34 00:02:24,400 --> 00:02:26,601 JUST REMEMBER THAT AT LEAST TWO PINTS OF IT 35 00:02:26,601 --> 00:02:29,567 ARE DESTINED FOR SOME VERY HIGH-QUALITY CHINA. 36 00:02:39,067 --> 00:02:42,167 AND DON'T LET THEM PERSUADE YOU TO STAY ON. 37 00:02:42,167 --> 00:02:44,200 BE FIRM, RICHARD. 38 00:02:44,200 --> 00:02:46,534 DON'T BE PUSHED AROUND. 39 00:02:56,133 --> 00:02:57,934 RICHARD! 40 00:02:57,934 --> 00:03:00,400 AREN'T WE FORGETTING SOMETHING? 41 00:03:07,434 --> 00:03:09,934 THAT'S BETTER, DEAR. 42 00:03:09,934 --> 00:03:12,868 AND AS IT'S YOUR SPECIAL DAY, 43 00:03:12,868 --> 00:03:15,434 YOU CAN KISS ME ON THE OTHER CHEEK THIS MORNING. 44 00:03:17,834 --> 00:03:19,033 GOODBYE THEN, DEAR. 45 00:03:19,033 --> 00:03:21,634 OFF YOU GO. 46 00:03:26,868 --> 00:03:28,901 RICHARD?! 47 00:03:29,901 --> 00:03:33,801 RICHARD! 48 00:03:33,801 --> 00:03:36,000 RICHARD'S JUST WALKED BACK INTO THE HOUSE. 49 00:03:36,000 --> 00:03:38,167 IT IS HIS HOUSE, LIZ. 50 00:03:38,167 --> 00:03:40,534 NO, NO, NO. HE WAS SUPPOSED TO BE HEADING FOR WORK. 51 00:03:40,534 --> 00:03:43,434 I DON'T THINK HE KNOWS WHICH WAY HE'S GOING. 52 00:03:43,434 --> 00:03:45,033 HE'S BEEN ACTING STRANGELY 53 00:03:45,033 --> 00:03:47,067 EVER SINCE THEY GAVE HIM EARLY RETIREMENT. 54 00:03:47,067 --> 00:03:48,801 I SHOULD THINK HE HAS, POOR DEVIL. 55 00:03:48,801 --> 00:03:51,701 IMAGINE, ALL DAY AT HOME WITH HYACINTH... 56 00:03:51,701 --> 00:03:53,133 EVERY DAY! 57 00:03:53,133 --> 00:03:56,000 I'D CALL AMNESTY INTERNATIONAL. 58 00:03:57,467 --> 00:03:59,901 HE JUST KISSED HYACINTH TWICE, 59 00:03:59,901 --> 00:04:01,501 AND WALKED BACK INTO THE HOUSE. 60 00:04:01,501 --> 00:04:04,601 ANYONE WHO KISSES HYACINTH TWICE 61 00:04:04,601 --> 00:04:07,033 IS ENTITLED TO WALK BACK INTO THE HOUSE. 62 00:04:09,100 --> 00:04:12,033 WELL, BE MORE CAREFUL IN FUTURE, RICHARD. 63 00:04:12,033 --> 00:04:13,834 LOCKING ME OUT LIKE THAT. 64 00:04:13,834 --> 00:04:15,701 I'M SORRY, I WASN'T THINKING. 65 00:04:15,701 --> 00:04:19,400 I WILL NOT HAVE YOU "NOT THINKING" IN FRONT OF THE NEIGHBORS, RICHARD. 66 00:04:20,701 --> 00:04:23,167 I'M JUST A LITTLE CONFUSED THIS MORNING. 67 00:04:23,167 --> 00:04:26,000 - IT SEEMS SO, DEAR. - I'M ALL RIGHT NOW. 68 00:04:26,000 --> 00:04:28,634 - ARE YOU SURE? - ABSOLUTELY FINE. 69 00:04:49,701 --> 00:04:51,734 RICHARD! 70 00:04:53,868 --> 00:04:57,067 HELLO, DEAR. WHAT KIND OF A DAY DID YOU HAVE? 71 00:04:57,067 --> 00:04:58,734 RICHARD. 72 00:04:58,734 --> 00:05:01,300 I THINK YOU OUGHT TO WALK TO WORK TODAY, DEAR. 73 00:05:03,167 --> 00:05:05,534 OH YES, I WILL. 74 00:05:05,534 --> 00:05:07,801 I'LL WALK THIS MORNING. 75 00:05:12,267 --> 00:05:13,734 RICHARD! 76 00:05:28,267 --> 00:05:30,067 WHAT ARE YOU DOING? 77 00:05:30,067 --> 00:05:32,400 I'M WAITING UNTIL HYACINTH GOES INSIDE. 78 00:05:32,400 --> 00:05:34,467 AND THEN I CAN SAFELY GO TO WORK. 79 00:05:34,467 --> 00:05:36,167 OH, EMMET! 80 00:05:36,167 --> 00:05:39,501 ALL YOU HAVE TO DO IS SAY GOOD MORNING AND DON'T STOP. 81 00:05:39,501 --> 00:05:41,634 YOU THINK SO? 82 00:05:41,634 --> 00:05:43,701 SHE'LL SING AT ME. 83 00:05:43,701 --> 00:05:46,033 SHE'LL GIVE ME BROAD HINTS THAT I OUGHT TO USE HER 84 00:05:46,033 --> 00:05:48,734 IN THE AMATEUR OPERATIC SOCIETY. 85 00:05:48,734 --> 00:05:50,767 AND MY WORST NIGHTMARE OF ALL, 86 00:05:50,767 --> 00:05:54,300 SHE'LL INVITE ME TO A CANDLELIGHT SUPPER. 87 00:05:55,367 --> 00:05:57,634 OH EMMET, JUST PULL YOURSELF TOGETHER. 88 00:05:58,634 --> 00:05:59,701 SHE'S GONE! 89 00:05:59,701 --> 00:06:01,367 I'M OFF. 90 00:06:17,200 --> 00:06:21,200 * I AM 16 GOING ON 17 * 91 00:06:21,200 --> 00:06:22,601 * FELLOWS WILL FALL IN LINE... * 92 00:06:25,167 --> 00:06:27,400 YOUR BROTHER'S VERY FIT FOR HIS AGE. 93 00:06:29,767 --> 00:06:32,634 MISSED HIM, DID YOU? HE WILL BE SORRY. 94 00:06:32,634 --> 00:06:34,868 I RATHER WANTED A WORD WITH HIM. 95 00:06:34,868 --> 00:06:37,067 I'M SURE HE'D LOVE TO HAVE STAYED AND CHATTED. 96 00:06:37,067 --> 00:06:39,033 OF COURSE HE WOULD. 97 00:06:39,033 --> 00:06:42,634 YOU'D BE AMAZED HOW OFTEN HE THINKS ABOUT YOUR LITTLE CHATS. 98 00:06:42,634 --> 00:06:44,367 BLESS HIM. 99 00:06:44,367 --> 00:06:46,834 I KNOW HOW FOND HE IS OF ME. 100 00:06:47,901 --> 00:06:50,100 I'LL CATCH HIM LATER. 101 00:06:50,100 --> 00:06:52,901 DO COME IN FOR COFFEE, ELIZABETH. 102 00:06:55,467 --> 00:06:59,267 N-NOW, HYACINTH? RIGHT NOW? 103 00:06:59,267 --> 00:07:01,534 YES, DEAR. COME ALONG. 104 00:07:10,767 --> 00:07:12,767 COULD YOU JUST GIVE ME A HAND, HYACINTH? 105 00:07:12,767 --> 00:07:14,400 YES, OF COURSE, DEAR. 106 00:07:20,834 --> 00:07:24,300 DO MAKE YOURSELF AT HOME, DEAR. 107 00:07:24,300 --> 00:07:26,634 SIT ANYWHERE. 108 00:07:26,634 --> 00:07:28,634 EXCEPT THERE, DEAR. 109 00:07:28,634 --> 00:07:31,400 I THOUGHT I MIGHT USE THAT ONE FOR A CHANGE. 110 00:07:35,033 --> 00:07:36,534 YOU'LL HAVE A BEAKER, OF COURSE? 111 00:07:36,534 --> 00:07:39,834 YES, OF COURSE. GOOD LORD, YES, PLEASE, A BEAKER. 112 00:07:39,834 --> 00:07:41,067 IF YOU INSIST, DEAR. 113 00:07:43,367 --> 00:07:47,100 YOU KNOW, YOU'RE VERY WELCOME TO MY FINE BONE CHINA. 114 00:07:47,100 --> 00:07:48,834 NO, NO THANK YOU, A BEAKER. 115 00:07:48,834 --> 00:07:50,834 I THINK IT'S PROBABLY BEST. 116 00:07:54,400 --> 00:07:58,167 OF COURSE, I SHAN'T LET YOU HAVE A BEAKER WHEN YOU COME BACK LATER 117 00:07:58,167 --> 00:08:00,300 FOR OUR MORE FORMAL AFTERNOON TEA. 118 00:08:00,300 --> 00:08:03,234 - LATER? - WHEN YOU'VE TIDIED UP. 119 00:08:03,234 --> 00:08:04,934 TIDIED UP? 120 00:08:04,934 --> 00:08:06,868 I'VE ALMOST FINISHED MY HOUSEWORK. 121 00:08:06,868 --> 00:08:09,467 NO, NO, NO. I DON'T MEAN THE HOUSEWORK. 122 00:08:09,467 --> 00:08:11,367 I MEAN YOUR HAIR. 123 00:08:13,901 --> 00:08:15,534 IT'S THE SAME AS ALWAYS. 124 00:08:15,534 --> 00:08:17,434 I THOUGHT YOU'D AGREE. 125 00:08:19,701 --> 00:08:23,434 OF COURSE, WE SHALL HAVE TO DRESS UP A LITTLE FOR MY OTHER GUEST. 126 00:08:23,434 --> 00:08:25,434 I HAVE INVITED MRS. HENDERSON. 127 00:08:25,434 --> 00:08:27,634 YOU'LL LIKE MRS. HENDERSON! 128 00:08:27,634 --> 00:08:29,200 THEHENDERSONS. 129 00:08:29,200 --> 00:08:31,033 THEHENDERSONS? 130 00:08:31,033 --> 00:08:33,033 YES, DEAR, THOSE HENDERSONS. 131 00:08:33,033 --> 00:08:35,033 THE FROZEN FOOD PEOPLE. 132 00:08:35,033 --> 00:08:37,033 THEY SAY HE'S A MILLIONAIRE. 133 00:08:37,033 --> 00:08:39,033 AND ALL FROM DEAD CHICKENS. 134 00:08:40,567 --> 00:08:43,767 OF COURSE, I'M NOT ONE TO BE IMPRESSED MERELY BY MONEY, 135 00:08:43,767 --> 00:08:45,501 BUT I JUST HAPPEN TO KNOW 136 00:08:45,501 --> 00:08:47,901 THAT HE'S LOOKING FOR SOMEONE TO WORK WITH HIM 137 00:08:47,901 --> 00:08:49,701 IN A SENIOR CAPACITY. 138 00:08:49,701 --> 00:08:54,000 AND OF COURSE, MY RICHARD WOULD BE IDEALLY QUALIFIED. 139 00:08:54,000 --> 00:08:55,734 FOR DEAD CHICKENS? 140 00:08:55,734 --> 00:08:58,300 I CAN'T SEE RICHARD BEING VERY HAPPY WITH DEAD CHICKENS. 141 00:08:58,300 --> 00:09:01,334 OH, NO, DEAR, I DON'T THINK HE'D ACTUALLY BE HANDLING THEM. 142 00:09:01,334 --> 00:09:03,501 NO, RICHARD WOULD WEAR A SUIT, 143 00:09:03,501 --> 00:09:05,634 AND DO SOMETHING EXECUTIVE. 144 00:09:05,634 --> 00:09:08,901 CAN ONE DO ANYTHING EXECUTIVE WITH DEAD CHICKENS? 145 00:09:08,901 --> 00:09:11,467 HE'S DONE IT WITH THE COUNCIL ALL THESE YEARS. 146 00:09:14,234 --> 00:09:16,801 SO AS YOU CAN SEE, ELIZABETH, 147 00:09:16,801 --> 00:09:18,601 IT'S VERY IMPORTANT 148 00:09:18,601 --> 00:09:21,667 THAT WE MAKE THE RIGHT IMPRESSION ON MRS. HENDERSON 149 00:09:21,667 --> 00:09:26,000 AS A FIRST STEP TOWARDS SECURING RICHARD A SUPERIOR POSITION. 150 00:09:26,000 --> 00:09:28,033 POOR RICHARD! 151 00:09:28,033 --> 00:09:31,667 I'M SURE HE THINKS HE'S FINISHED WITH WORK ALTOGETHER. 152 00:09:31,667 --> 00:09:36,567 I KNOW HOW MUCH HE'S LOOKING FORWARD TO BEING AT HOME ALL DAY. 153 00:09:39,968 --> 00:09:41,968 WHAT'S WRONG WITH MY HAIR? 154 00:09:41,968 --> 00:09:45,501 WELL, THERE'S NOTHING WRONG, DEAR, NO. 155 00:09:45,501 --> 00:09:48,534 IT JUST-- YOU KNOW, IT JUST NEEDS A LITTLE SOMETHING. 156 00:09:48,534 --> 00:09:50,000 LIKE WHAT? 157 00:10:00,801 --> 00:10:03,501 WELL, NOT THAT, DEAR. 158 00:10:07,367 --> 00:10:10,634 I FOUND THESE WITH MY THINGS. 159 00:10:10,634 --> 00:10:13,167 I THINK THEY MIGHT BE YOURS. 160 00:10:15,267 --> 00:10:17,434 HOW DOES ONSLOW BREATHE UNDER THERE? 161 00:10:17,434 --> 00:10:19,467 IT BEATS ME. 162 00:10:19,467 --> 00:10:22,033 DO YOU SOMETIMES FIND HIM TURNING BLUE? 163 00:10:22,033 --> 00:10:24,634 ONLY HIS LANGUAGE OCCASIONALLY. 164 00:10:24,634 --> 00:10:26,701 ARE YOU SURE IT IS ONSLOW? 165 00:10:26,701 --> 00:10:29,601 IT COULD BE A TOTAL STRANGER. 166 00:10:30,634 --> 00:10:32,667 NEVER HAS BEEN YET. 167 00:10:33,801 --> 00:10:37,934 OH, NO, IT IS ONSLOW. 168 00:10:37,934 --> 00:10:40,667 YOU'VE LOST AGAIN. 169 00:10:40,667 --> 00:10:43,667 LISTEN, ROSE, IF YOU'RE GONNA START COMING IN HERE AT THE CRACK OF DAWN, 170 00:10:43,667 --> 00:10:45,367 THE LEAST YOU COULD DO IS BRING BREAKFAST. 171 00:10:45,367 --> 00:10:47,767 BUT YOU NEVER EAT BREAKFAST. 172 00:10:47,767 --> 00:10:52,067 THAT'S ONLY BECAUSE HE TENDS TO STAY IN BED TILL DINNERTIME. 173 00:10:52,067 --> 00:10:54,968 ON PRINCIPLE. I'VE GOT NOTHING AGAINST BREAKFAST. 174 00:10:54,968 --> 00:10:57,601 I'D EAT BREAKFAST IF SOMEBODY BROUGHT IT, WOULDN'T I? 175 00:10:57,601 --> 00:10:59,634 IT'S NOT AGAINST MY RELIGION OR ANYTHING. 176 00:10:59,634 --> 00:11:01,767 WHAT IS AGAINST YOUR RELIGION? 177 00:11:01,767 --> 00:11:04,067 GETTING UP BEFORE DINNERTIME. 178 00:11:04,067 --> 00:11:06,033 ( laughing ) 179 00:11:09,834 --> 00:11:12,067 I NOTICE YOU'RE STILL IN BED. 180 00:11:13,067 --> 00:11:15,534 A WIFE'S PLACE IS BESIDE HER HUSBAND. 181 00:11:17,767 --> 00:11:20,000 OH, THAT'S SO SWEET. 182 00:11:20,000 --> 00:11:23,667 I SOMETIMES WONDER IF I OUGHT TO GET MARRIED AGAIN. 183 00:11:23,667 --> 00:11:27,200 BUT IT PUTS SUCH A DAMPER ON YOUR LOVE LIFE. 184 00:11:27,200 --> 00:11:29,968 IT FLARES UP OCCASIONALLY. 185 00:11:29,968 --> 00:11:33,300 WITH HIM? I'M SURPRISED HE'S GOT A FLARE LEFT IN HIM. 186 00:11:34,300 --> 00:11:36,100 NOT ONLY DOESN'T BRING BREAKFAST, 187 00:11:36,100 --> 00:11:37,801 BUT COMES IN AND INSULTS YOU. 188 00:11:37,801 --> 00:11:40,234 LISTEN, WHEN THE OCCASION CALLS FOR IT, 189 00:11:40,234 --> 00:11:43,334 AS A LOVER, I'M STILL DYNAMITE! 190 00:11:46,167 --> 00:11:48,934 RATHER A SHORT FUSE THESE DAYS. 191 00:11:50,601 --> 00:11:52,934 OH, NICE. 192 00:11:54,434 --> 00:11:56,434 TSK, TSK, TSK. 193 00:11:56,434 --> 00:11:59,167 I'M TERRIBLY SORRY, HYACINTH. 194 00:11:59,167 --> 00:12:01,400 I GET SO NERVOUS IN YOUR KITCHEN. 195 00:12:01,400 --> 00:12:04,033 I CAN'T IMAGINE WHY, DEAR. 196 00:12:04,033 --> 00:12:06,834 NOW, YOU MUSTN'T WORRY, ELIZABETH. 197 00:12:06,834 --> 00:12:09,601 YOU KNOW ME. I'M NOT ONE TO MAKE A FUSS. 198 00:12:14,934 --> 00:12:16,534 ISN'T THERE ANYTHING I CAN DO? 199 00:12:16,534 --> 00:12:18,767 NO, OF COURSE NOT, DEAR. 200 00:12:22,934 --> 00:12:26,167 UNLESS YOU'D LIKE TO WASH THE RUG. 201 00:12:26,167 --> 00:12:28,133 YES, YES, I'LL WASH THE RUG. 202 00:12:28,133 --> 00:12:30,801 GIVE ME SOMETHING TO DO WITH MY HANDS, NOT TO MENTION MY BRAIN. 203 00:12:30,801 --> 00:12:33,367 I SHALL MAKE YOU ANOTHER COFFEE. 204 00:12:33,367 --> 00:12:35,434 NO, NO, REALLY, I'D RATHER WASH THE RUG. 205 00:12:35,434 --> 00:12:38,234 ELIZABETH, I KNOW MY DUTY. 206 00:12:38,234 --> 00:12:41,234 I INVITED YOU FOR COFFEE AND COFFEE YOU SHALL HAVE. 207 00:12:41,234 --> 00:12:43,167 - OH! 208 00:12:43,167 --> 00:12:45,968 ( gasps ) 209 00:12:48,133 --> 00:12:50,901 CLEAR THAT MESS UP, WILL YOU, DEAR? 210 00:12:50,901 --> 00:12:52,934 I'LL ANSWER THE PHONE. 211 00:12:52,934 --> 00:12:55,701 IT'S PROBABLY SOMEBODY IMPORTANT. 212 00:12:57,767 --> 00:13:01,534 THE "BOUQUET" RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 213 00:13:01,534 --> 00:13:03,801 OH, IT'S YOU, VIOLET. 214 00:13:03,801 --> 00:13:06,334 IT'S MY SISTER VIOLET. 215 00:13:06,334 --> 00:13:09,567 THE ONE WITH THE SAUNA, AND THE SWIMMING POOL AND ROOM FOR A PONY. 216 00:13:10,901 --> 00:13:13,767 THEY'VE JUST RETURNED FROM THEIR VILLA IN IBIZA-- 217 00:13:13,767 --> 00:13:17,067 THE ONE WITH GOLD TAPS. 218 00:13:17,067 --> 00:13:20,634 I EXPECT SHE WANTS TO CHAT AND TELL ME ALL ABOUT THEIR HOLIDAY. 219 00:13:20,634 --> 00:13:23,801 - OH, WELL! - VIOLET, I'M DYING TO HEAR ALL YOUR ADVENTURES. 220 00:13:23,801 --> 00:13:25,434 HYACINTH, I'LL COME BACK LATER. 221 00:13:25,434 --> 00:13:28,834 NO, NO, NO, DEAR, YOU WON'T HEAR ANYTHING A FRIEND SHOULDN'T HEAR. 222 00:13:28,834 --> 00:13:32,033 RUN ALONG AND MAKE YOURSELF SOME MORE COFFEE. 223 00:13:32,033 --> 00:13:35,334 WELL, NOW, VIOLET, HOW EXPENSIVELY BROWN ARE YOU? 224 00:13:35,334 --> 00:13:38,767 EXHAUSTED? WHY ARE YOU EXHAUSTED? 225 00:13:38,767 --> 00:13:42,033 OH, BRUCE HAS TAKEN UP LATIN AMERICAN BALLROOM DANCING. 226 00:13:42,033 --> 00:13:44,334 BUT THAT'S WONDERFUL! 227 00:13:44,334 --> 00:13:46,334 SO STYLISH! 228 00:13:46,334 --> 00:13:50,868 YES, HE MUST LOOK VERY ELEGANT IN THOSE TIGHT TROUSERS. 229 00:13:54,767 --> 00:13:58,100 YOU'RE WEARING THE TIGHT TROUSERS, BRUCE IS WEARING THE SEQUINS? 230 00:13:58,100 --> 00:14:00,133 JUST A MINUTE, WILL YOU, DEAR? JUST A MINUTE. 231 00:14:00,133 --> 00:14:03,734 - ELIZABETH! - I'M GOING TO POP HOME AND GET SOME CARPET CLEANER. 232 00:14:03,734 --> 00:14:06,367 ALL RIGHT THEN, DEAR. BUT DON'T BOTHER TO COME BACK. 233 00:14:06,367 --> 00:14:09,667 OH NO, WAIT! YOU SEE, THERE'S A SLIGHT STAIN ON THE RUG. 234 00:14:09,667 --> 00:14:12,501 IS THERE? GOOD. I'M SORRY YOU'VE GOT TO RUSH, DEAR. 235 00:14:12,501 --> 00:14:16,100 AND JUST AS WE WERE HAVING A JOLLY TIME MOPPING UP. 236 00:14:16,100 --> 00:14:19,033 - BUT HYACINTH! - ALL GOOD THINGS COME TO AN END. 237 00:14:19,033 --> 00:14:22,300 COME BACK THIS AFTERNOON, WHEN MRS. HENDERSON COMES. 238 00:14:22,300 --> 00:14:26,100 AND WEAR SOMETHING SMART FOR ME, DEAR. 239 00:14:26,100 --> 00:14:28,300 YES, ALL RIGHT, I'LL SEE YOU LATER, MY DEAR. 240 00:14:28,300 --> 00:14:31,133 YES, GOODBYE. I'M SORRY ABOUT THAT. 241 00:14:31,133 --> 00:14:33,801 IT WAS RATHER IMPORTANT. 242 00:14:33,801 --> 00:14:35,400 WELL, NOW, RICHARD, 243 00:14:35,400 --> 00:14:39,901 WE'RE ALL GONNA BE VERY SAD TO LOSE YOU, YOU OLD DOG. 244 00:14:39,901 --> 00:14:42,667 I ONLY WISH THAT THEY'D PENCILED ME IN FOR EARLY RETIREMENT. 245 00:14:44,734 --> 00:14:47,334 THERE'S NO POINT DRAGGING OUT THESE FAREWELL SCENES. 246 00:14:47,334 --> 00:14:50,167 BEST TO GET THEM OVER WITH AS QUICKLY AS POSSIBLE, I ALWAYS SAY. 247 00:14:50,167 --> 00:14:51,734 WELL, GOODBYE, RICHARD OLD BOY. 248 00:14:51,734 --> 00:14:54,834 THINK OF US WHEN YOU'RE OUT THERE ENJOYING YOUR FREEDOM. 249 00:14:54,834 --> 00:14:57,434 GOODBYE. NOW, WHERE WAS I? 250 00:15:04,100 --> 00:15:07,200 I COULD COME IN THE ODD AFTERNOON. 251 00:15:07,200 --> 00:15:08,767 NO, NO, NO. NO, NO. 252 00:15:08,767 --> 00:15:11,067 MAKE A CLEAN BREAK. BEST WAY, I ALWAYS THINK. 253 00:15:11,067 --> 00:15:14,334 UNLESS, OF COURSE, MORNINGS WOULD BE BETTER. 254 00:15:14,334 --> 00:15:18,534 INSIDE A WEEK, YOU WILL HAVE FORGOTTEN ALL ABOUT US. CHEERIO! 255 00:15:20,133 --> 00:15:21,868 I'LL DO ANYTHING. 256 00:15:24,067 --> 00:15:26,567 YOU WON'T HAVE TO KEEP ME AT MY OLD GRADE. 257 00:15:26,567 --> 00:15:29,901 NO, LOOK. I'M SORRY, RICHARD. 258 00:15:29,901 --> 00:15:33,000 I DON'T THINK I'D BE TOO PROUD TO POP IN FOR A POTTER, 259 00:15:33,000 --> 00:15:34,834 IF EVER YOU NEED A GOOD POTTER. 260 00:15:34,834 --> 00:15:37,167 WELL, THANK YOU, RICHARD. 261 00:15:41,367 --> 00:15:44,033 MORNINGS OR AFTERNOONS. 262 00:15:45,033 --> 00:15:47,734 ANDAFTERNOONS. 263 00:15:47,734 --> 00:15:49,367 GOODBYE, RICHARD. 264 00:15:57,667 --> 00:16:01,701 HELLO? IS THAT THE PRIME MINISTER'S OFFICE? 265 00:16:01,701 --> 00:16:05,901 WOULD YOU PUT ME THROUGH TO THE PRIME MINISTER'S OFFICE, PLEASE? 266 00:16:05,901 --> 00:16:07,434 MMM-HMM, THANK YOU. 267 00:16:07,434 --> 00:16:11,868 * I VOW TO THEE, MY COUNTRY * 268 00:16:11,868 --> 00:16:14,167 * ALL EARTHLY THINGS-- * 269 00:16:14,167 --> 00:16:16,300 AH, FINALLY! 270 00:16:16,300 --> 00:16:19,601 IT'S WORSE THAN TRYING TO GET THROUGH TO BRITISH RAIL ENQUIRIES. 271 00:16:21,300 --> 00:16:24,501 IS CONFIDENTIAL, 272 00:16:24,501 --> 00:16:28,067 SO I WISH TO BE PUT THROUGH TO SOMEONE IMPORTANT. 273 00:16:28,067 --> 00:16:31,267 THAT IS TO SAY, NOT A MINOR FUNCTIONARY. 274 00:16:31,267 --> 00:16:34,701 I WILL NOT BE FOBBED OFF WITH A MINOR FUNCTIONARY. 275 00:16:34,701 --> 00:16:36,801 HMM? MY NAME IS "BOUQUET." 276 00:16:36,801 --> 00:16:39,767 B-U-C-K-E-T, MM-HMM. 277 00:16:39,767 --> 00:16:44,067 I TOLD YOU THE MATTER IS CONFIDENTIAL. 278 00:16:44,067 --> 00:16:49,467 * AND SOUL BY SOUL AND SILENTLY-- * 279 00:16:49,467 --> 00:16:53,133 AH! HELLO! AND YOU ARE? 280 00:16:54,501 --> 00:16:57,100 THIRD PRIVATE SECRETARY. 281 00:16:57,100 --> 00:17:00,467 WHO DOES ONE HAVE TO BE TO GET THROUGH TO TWO AND ONE? 282 00:17:03,434 --> 00:17:05,767 WELL, I'M VERY GLAD THEY'RE BUSY. 283 00:17:05,767 --> 00:17:08,801 THE STATE THINGS ARE IN, SO THEY SHOULD BE. 284 00:17:08,801 --> 00:17:12,167 YES, YES, YOU CAN HELP ME. 285 00:17:12,167 --> 00:17:15,267 I'D LIKE A LITTLE ADVANCE INFORMATION 286 00:17:15,267 --> 00:17:17,267 ABOUT THE HONORS LIST. 287 00:17:18,300 --> 00:17:20,567 MY HUSBAND IS RETIRING 288 00:17:20,567 --> 00:17:23,167 AFTER A LIFETIME OF PUBLIC SERVICE. 289 00:17:23,167 --> 00:17:24,834 AND I AM ASSUMING, OF COURSE, 290 00:17:24,834 --> 00:17:28,033 THERE WILL BE SOMETHING FOR HIM IN THE HONORS LIST. 291 00:17:28,033 --> 00:17:30,734 I KNOW YOU'RE NOT SUPPOSED TO BLURT THESE THINGS OUT, 292 00:17:30,734 --> 00:17:33,767 BUT A LITTLE HINT IN THE STRICTEST CONFIDENCE 293 00:17:33,767 --> 00:17:36,100 WOULD BE GREATLY APPRECIATED. 294 00:17:36,100 --> 00:17:39,434 I DON'T WANT TO HAVE TO LEARN ABOUT IT FROM THE NEWSPAPERS. 295 00:17:39,434 --> 00:17:41,634 AS A METICULOUS HOSTESS, 296 00:17:41,634 --> 00:17:44,567 I'D LIKE TO BE PREPARED. 297 00:17:44,567 --> 00:17:47,667 IT'S GOING TO MEAN REDECORATING FOR A START. 298 00:17:54,000 --> 00:17:56,000 ( phone ringing ) 299 00:17:59,400 --> 00:18:01,400 PHONE'S RINGING. 300 00:18:03,934 --> 00:18:08,300 IT'LL BE FOR OUR ROSE. IT'S ALWAYS FOR OUR ROSE. 301 00:18:08,300 --> 00:18:11,267 WHILE YOU'RE UP ANSWERING THE PHONE, COULD YOU GET ME ANOTHER BEER? 302 00:18:11,267 --> 00:18:13,934 ( ringing continues ) 303 00:18:20,667 --> 00:18:24,133 - YES? WHO? 304 00:18:24,133 --> 00:18:26,300 I'M SORRY, I CAN'T HEAR FOR THE TELEVISION. 305 00:18:26,300 --> 00:18:27,634 ONSLOW! 306 00:18:27,634 --> 00:18:30,634 I CAN'T HEAR THE PHONE CALL FOR THE TELEVISION. 307 00:18:30,634 --> 00:18:32,834 THEN TURN IT DOWN. 308 00:18:35,334 --> 00:18:37,167 THAT'S THE PRACTICAL SOLUTION. 309 00:18:37,167 --> 00:18:39,701 WHY IS IT WOMEN NEVER THINK PRACTICALLY? 310 00:18:40,834 --> 00:18:42,734 EXCUSE ME A MOMENT, 311 00:18:42,734 --> 00:18:46,200 BUT THERE'S A FAULT AT THIS END AND IT WON'T GET OUT OF IT'S CHAIR. 312 00:18:48,367 --> 00:18:50,100 AND YOU SHOULD SEE THE CHAIR. 313 00:18:50,100 --> 00:18:52,367 WE USED TO HAVE A NICE SUITE THAT MY SISTER GAVE US, 314 00:18:52,367 --> 00:18:54,767 TILL HE GOT AN OFFER FOR IT. 315 00:18:54,767 --> 00:18:56,300 I COULDN'T GET COMFY ON IT. 316 00:18:56,300 --> 00:18:58,434 FELT LIKE SITTING ON YOUR HYACINTH. 317 00:18:58,434 --> 00:19:01,200 ( machine guns firing on TV ) 318 00:19:02,801 --> 00:19:05,400 ( TV volume decreases ) 319 00:19:07,133 --> 00:19:08,901 ABOUT TIME WE HAD A REMOTE. 320 00:19:08,901 --> 00:19:10,834 SAVE YOU ALL THAT RUNNING ABOUT. 321 00:19:14,100 --> 00:19:17,601 YOU'RE GETTING REALLY THOUGHTFUL, ONSLOW. 322 00:19:17,601 --> 00:19:20,067 YOU'RE JUST AN OLD... 323 00:19:20,067 --> 00:19:22,634 CUDDLY SOFTIE. 324 00:19:22,634 --> 00:19:25,501 COME ON, KEEP YOUR VOICE DOWN. WE DON'T WANT EVERYONE TO KNOW. 325 00:19:25,501 --> 00:19:28,234 I THINK YOU'RE MAGIC, ONSLOW! 326 00:19:28,234 --> 00:19:30,501 WHEN YOU GET ME THAT BEER, WE'LL DRINK TO THAT. 327 00:19:33,901 --> 00:19:35,968 SORRY ABOUT THAT. 328 00:19:35,968 --> 00:19:38,868 YES, OF COURSE, I WILL. OH, JUST A MOMENT. 329 00:19:43,300 --> 00:19:45,133 TA. 330 00:19:47,167 --> 00:19:48,868 OY! 331 00:19:52,601 --> 00:19:55,934 ( machine guns firing ) 332 00:19:59,434 --> 00:20:01,934 ROSE, PHONE! 333 00:20:03,567 --> 00:20:05,601 COMING! 334 00:20:08,133 --> 00:20:11,067 THERE SHE GOES AGAIN, PLAYING HARD TO GET. 335 00:20:13,400 --> 00:20:16,667 IS IT ROGER? I BET IT'S ROGER. 336 00:20:16,667 --> 00:20:19,501 OH GOD, IF IT'S ROGER! 337 00:20:19,501 --> 00:20:21,868 WHAT'S MY HAIR LIKE? 338 00:20:22,868 --> 00:20:24,334 ( gasps ) 339 00:20:24,334 --> 00:20:26,868 I CAN'T SPEAK TO HIM LIKE THIS. 340 00:20:36,801 --> 00:20:39,334 - ELIZABETH! - ( gasps ) 341 00:20:40,567 --> 00:20:42,868 DEAR! 342 00:20:42,868 --> 00:20:44,300 DID YOU DROP THEM? 343 00:20:46,901 --> 00:20:48,634 NEVER MIND. 344 00:20:48,634 --> 00:20:51,133 I NEED YOUR OPINION FOR A MOMENT. 345 00:20:51,133 --> 00:20:52,601 WILL YOU COME IN, ELIZABETH? 346 00:20:52,601 --> 00:20:54,100 NOW? 347 00:20:54,100 --> 00:20:57,033 YES, DEAR, NOW. 348 00:21:04,567 --> 00:21:06,601 COULD YOU JUST GIVE ME A HAND, HYACINTH? 349 00:21:06,601 --> 00:21:09,300 YES, OF COURSE, DEAR. COME ALONG! 350 00:21:21,000 --> 00:21:23,267 I'M NOT REALLY DRESSED FOR VISITING. 351 00:21:23,267 --> 00:21:26,434 AS IF THAT MATTERS BETWEEN FRIENDS. 352 00:21:26,434 --> 00:21:27,901 TAKE YOUR SHOES OFF, DEAR. 353 00:21:29,667 --> 00:21:32,400 I'M SURPRISED YOU WANT MY OPINION, HYACINTH... 354 00:21:32,400 --> 00:21:34,000 ABOUT ANYTHING. 355 00:21:34,000 --> 00:21:36,033 I SEEM TO GO TO PIECES ON THESE PREMISES. 356 00:21:36,033 --> 00:21:38,467 DO YOU, DEAR? THAT'S NICE. 357 00:21:38,467 --> 00:21:40,267 YOU NEVER LISTEN ANYWAY. 358 00:21:40,267 --> 00:21:42,033 HAVE YOU? HOW INTERESTING. 359 00:21:42,033 --> 00:21:44,634 NOW, LOOK, I WAS WONDERING 360 00:21:44,634 --> 00:21:46,701 IF I SHOULD PRESS MRS. HENDERSON 361 00:21:46,701 --> 00:21:49,534 TO TAKE A LITTLE SHERRY WITH HER LIGHT REFRESHMENTS, 362 00:21:49,534 --> 00:21:51,267 OR SHALL I STICK TO TEA? 363 00:21:51,267 --> 00:21:53,334 AND YOU REALLY VALUE MY OPINION? 364 00:21:53,334 --> 00:21:55,501 CERTAINLY I DO. 365 00:21:55,501 --> 00:21:58,334 WELL... 366 00:22:00,133 --> 00:22:01,367 I THINK TEA. 367 00:22:01,367 --> 00:22:04,467 NO, YOU'RE WRONG THERE, DEAR. I THINK SHERRY. 368 00:22:05,467 --> 00:22:08,901 NOW, THIS IS THE BIG TEST. 369 00:22:08,901 --> 00:22:12,801 AS SOON AS I TAKE MY HANDS AWAY AND OPEN THIS DOOR, 370 00:22:12,801 --> 00:22:15,400 GIVE ME YOUR HONEST OPINION, ELIZABETH. HERE WE GO. 371 00:22:18,067 --> 00:22:20,234 YOU GOT THE STAIN OUT WHERE I SPILT THE COFFEE? 372 00:22:20,234 --> 00:22:24,534 NO, NO, NO, THE TRAY! LOOK AT THE TRAY. 373 00:22:24,534 --> 00:22:27,234 MY LITTLE SELECTION OF CANAPEÉS AND THINGS TO NIBBLE. 374 00:22:27,234 --> 00:22:29,667 OH, YES. DELICIOUS? 375 00:22:29,667 --> 00:22:32,267 OOH, I KNEW YOU'D AGREE, DEAR. NOW, COME ALONG. 376 00:22:32,267 --> 00:22:36,067 WE HAVEN'T GOT MUCH TIME IF YOU'RE GOING TO MAKE YOURSELF NICE FOR MRS. HENDERSON. 377 00:22:36,067 --> 00:22:39,968 YOU'VE GOT YOUR WORK CUT OUT. REALLY YOU HAVE, DEAR. 378 00:22:43,067 --> 00:22:44,868 ( giggling ) 379 00:22:46,000 --> 00:22:50,300 OH, ROGER, I'M NOT THAT KIND OF GIRL! 380 00:22:53,634 --> 00:22:56,467 HOW LONG IS YOUR ROSE GONNA BE LYING ON THAT TELEPHONE? 381 00:22:56,467 --> 00:22:58,200 HOW SHOULD I KNOW? 382 00:22:59,634 --> 00:23:01,801 OH, THAT'S A WICKED THING TO SAY, ROGER, 383 00:23:01,801 --> 00:23:05,100 TO A WOMAN OF MY INEXPERIENCE. 384 00:23:05,100 --> 00:23:08,834 I HOPE HE KNOWS WHAT HE'S LETTING HIMSELF IN FOR, THIS POOR PRAT. 385 00:23:08,834 --> 00:23:11,734 YOU SHOULDN'T LISTEN IN TO OTHER PEOPLE'S CONVERSATIONS. 386 00:23:11,734 --> 00:23:14,534 SHE'LL ROSE HIM TO DEATH. IT'S INHUMAN. 387 00:23:14,534 --> 00:23:17,334 WELL, YES, I'LL MEET YOU 388 00:23:17,334 --> 00:23:20,067 IF YOU PROMISE NOT TO PUT ME UNDER 389 00:23:20,067 --> 00:23:22,067 ANY SORT OF PRESSURE. 390 00:23:25,367 --> 00:23:29,300 WELL, YES, I SUPPOSE I COULD FOR AN HOUR THIS AFTERNOON. 391 00:23:29,300 --> 00:23:33,501 YOU-- YOU'LL PICK ME UP? 392 00:23:33,501 --> 00:23:35,067 WHERE? 393 00:23:40,133 --> 00:23:41,467 ROGER, 394 00:23:41,467 --> 00:23:45,067 AS YOU KNOW, I LIVE WITH MY SISTER HYACINTH. 395 00:23:45,067 --> 00:23:47,033 I'LL GIVE YOU THE ADDRESS. 396 00:23:48,400 --> 00:23:50,133 ( dog barking ) 397 00:23:50,133 --> 00:23:53,234 LET'S BEHAVE, YOU GIRL. DON'T LET ME DOWN. 398 00:23:53,234 --> 00:23:56,634 STOP IT, OLIVE! OLIVE, STOP IT! 399 00:23:56,634 --> 00:23:58,434 COME HERE. 400 00:23:58,434 --> 00:24:00,400 - ( barking ) - DON'T SHOW ME UP! 401 00:24:00,400 --> 00:24:03,634 WILL YOU COME BACK HERE? NO! STEADY, STEADY, OLIVE. 402 00:24:03,634 --> 00:24:06,167 OLIVE! STOP IT, OLIVE. WILL YOU BE STEADY NOW? 403 00:24:06,167 --> 00:24:07,767 COME ON, STEADY THERE, OLIVE. 404 00:24:07,767 --> 00:24:10,968 STOP! HERE WE ARE. HERE NOW, OLIVE. COME BACK! 405 00:24:10,968 --> 00:24:14,467 NOT THAT WAY. COME HERE. COME HERE. 406 00:24:14,467 --> 00:24:17,067 YOU'RE IN THE WRONG WAY. COME ON, THIS WAY, THIS WAY! 407 00:24:17,067 --> 00:24:19,200 GOOD DOG, THAT'S BETTER. 408 00:24:19,200 --> 00:24:21,300 GOOD DOG, GOOD DOG, GOOD DOG. 409 00:24:21,300 --> 00:24:23,567 COME ON, COME ON, COME ON, THAT'S IT. 410 00:24:23,567 --> 00:24:26,167 - ( barks ) - OLIVE! OLIVE, COME ON! 411 00:24:26,167 --> 00:24:29,367 OLIVE! COME ALONG, OLIVE. 412 00:24:30,501 --> 00:24:32,133 OLIVE! 413 00:24:32,133 --> 00:24:35,767 LAST CHANCE, GIRL. YOU'RE MAKING ME ANGRY. 414 00:24:38,467 --> 00:24:39,767 WHAT ARE YOU DOING? 415 00:24:39,767 --> 00:24:41,567 IT'S ALL RIGHT, I'VE CALLED FOR ROSE. 416 00:24:41,567 --> 00:24:43,000 ROSE? 417 00:24:43,000 --> 00:24:44,868 TELL HER IT'S ROGER. 418 00:24:44,868 --> 00:24:48,033 ROSE ISN'T HERE. 419 00:24:48,033 --> 00:24:50,234 PLEASE TAKE THAT THING OUT OF MY DRIVEWAY. 420 00:24:51,234 --> 00:24:53,167 THING? I'LL HAVE YOU KNOW, 421 00:24:53,167 --> 00:24:55,968 THIS IS A PEDIGREED THING. 422 00:24:56,968 --> 00:24:59,467 WILL YOU KINDLY REMOVE IT? 423 00:24:59,467 --> 00:25:01,667 THIS IS A PRIVATE DRIVEWAY, 424 00:25:01,667 --> 00:25:04,200 AND I AM EXPECTING COMPANY AT ANY MINUTE. 425 00:25:04,200 --> 00:25:05,667 COME ON, OLIVE. 426 00:25:05,667 --> 00:25:08,067 WE'LL COME BACK WHEN ROSIE'S MOTHER HAS GONE AWAY. 427 00:25:14,701 --> 00:25:16,667 CAN'T YOU MOVE IT? 428 00:25:16,667 --> 00:25:19,133 OF COURSE I CAN MOVE IT. 429 00:25:22,000 --> 00:25:24,734 YOU'RE GIVING THE IMPRESSION THAT YOU CAN'T MOVE IT. 430 00:25:24,734 --> 00:25:26,868 SHE GETS LIKE THIS SOMETIMES-- 431 00:25:26,868 --> 00:25:28,334 WHEN SHE'S UPSET. 432 00:25:31,567 --> 00:25:33,167 OLIVE! 433 00:25:34,701 --> 00:25:36,434 YOU CAN'T LEAVE HER HERE. 434 00:25:36,434 --> 00:25:39,100 - I'LL BE BACK. - WHERE ARE YOU GOING? 435 00:25:39,100 --> 00:25:41,067 THE LITTLE DOG WHO LIVES AT THE END OF THE ROAD 436 00:25:41,067 --> 00:25:42,467 SHE ALWAYS PLAYS WITH IN THE PARK. 437 00:25:42,467 --> 00:25:43,801 SHE'LL MOVE WHEN SHE SEES HIM. 438 00:25:44,801 --> 00:25:46,000 HOW LONG WILL YOU BE? 439 00:25:46,000 --> 00:25:48,267 I'LL BE BACK AS SOON AS I CAN. 440 00:25:48,267 --> 00:25:51,400 IN THE MEANTIME, DON'T FEED HER. 441 00:25:52,734 --> 00:25:55,167 I'VE NO INTENTION OF FEEDING HER. 442 00:25:56,701 --> 00:25:59,667 GO! 443 00:25:59,667 --> 00:26:04,434 YOU CAN'T STAY HERE. GO! 444 00:26:07,934 --> 00:26:10,167 ( doorbell ringing ) 445 00:26:15,901 --> 00:26:18,701 HYACINTH! I'M GLAD YOU'VE CALLED. 446 00:26:18,701 --> 00:26:20,701 YOU WANTED ME TO BE SMART. 447 00:26:20,701 --> 00:26:22,701 DOES THIS MEET WITH YOUR APPROVAL? 448 00:26:22,701 --> 00:26:24,100 YES IT'S VERY NICE, DEAR. 449 00:26:24,100 --> 00:26:25,667 WILL YOU GIVE ME A HAND? 450 00:26:25,667 --> 00:26:29,000 SOME FOOL'S LEFT HALF A CAMEL OR SOMETHING ON MY DRIVEWAY. 451 00:26:30,767 --> 00:26:34,567 I WILL NOT HAVE IT ON MY DRIVEWAY, WHEN MRS. HENDERSON ARRIVES. 452 00:26:34,567 --> 00:26:37,133 YOU WANT ME TO HELP YOU MOVE IT DRESSED LIKE THIS? 453 00:26:37,133 --> 00:26:40,000 I DON'T THINK IT WILL CARE HOW YOU'RE DRESSED, DEAR. 454 00:26:47,601 --> 00:26:53,467 - YOU SEE? HALF A CAMEL! - AND A MAJOR HALF. 455 00:26:53,467 --> 00:26:55,467 IF WE COULD JUST GET IT INTO THE STREET. 456 00:26:55,467 --> 00:26:57,000 CAN WE JUST PARK IT IN THE STREET? 457 00:26:57,000 --> 00:26:59,501 I HAVE NO MONEY FOR A METER. 458 00:26:59,501 --> 00:27:02,000 HOW ARE WE GOING TO MANAGE THIS? 459 00:27:02,000 --> 00:27:04,334 I THINK THE BEST THING 460 00:27:04,334 --> 00:27:07,534 IS IF YOU PUSH AND I'LL STEER. 461 00:27:08,767 --> 00:27:11,234 JUST LET ME GET A GOOD GRIP. 462 00:27:15,901 --> 00:27:18,667 PAY ATTENTION, DOG! 463 00:27:18,667 --> 00:27:20,701 OFF WE GO, THEN. 464 00:27:30,734 --> 00:27:32,300 ARE YOU PUSHING, DEAR? 465 00:27:32,300 --> 00:27:34,334 I'M TRYING, HYACINTH. 466 00:27:34,334 --> 00:27:36,501 THERE SEEMS TO BE AN AWFUL LOT OF DOG. 467 00:27:42,901 --> 00:27:45,868 ( barks ) 468 00:27:45,868 --> 00:27:47,234 I THINK WE'RE WINNING, DEAR. 469 00:27:48,767 --> 00:27:50,868 ( barking ) 470 00:28:03,067 --> 00:28:04,133 OOH! 471 00:28:07,534 --> 00:28:09,667 BE WITH YOU IN A MOMENT, MRS. HENDERSON. 472 00:28:11,734 --> 00:28:14,901 OH, MRS. HENDERSON. DON'T WORRY, MRS. HENDERSON. 473 00:28:14,901 --> 00:28:17,200 I'M SURE SHE'LL BE BACK QUITE... SOON. 474 00:28:23,901 --> 00:28:26,868 ( theme music playing ) 32555